1142 lines
73 KiB
Plaintext
1142 lines
73 KiB
Plaintext
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+-+--+-+--+-+ VOLUME THREE NUMBER ONE
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+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
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| ++ | F S F NN N E T
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| ++ | FFF SSS FFF N N N EEE T
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| | F S F N NN E T
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|_________| F SSS F N N EEEEE T
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/___________\ ==========================================
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| | BITNET Fantasy-Science Fiction Fanzine
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___|___________|___ X-Edited by 'Orny' Liscomb <NMCS025@MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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CONTENTS
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X-Editorial Orny
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Review: CATS HAVE NO LORD Rich Jervis
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Narret Chronicles: 5 Mari Paulsen
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Featured Author: CHRISTOPHER STASHEFF Orny
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Review: Chris Condon
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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X-Editorial
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Hello, and welcome back! School is back in session, and here is the first
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issue of the year. Unfortunately, due to a lack of submissions, the summer
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volume only consisted of two issues, but I am hoping that with the return to
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school there will be a corresponding increase in submissions. Remember, this
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is your zine, and I can't do it alone. An entire zine by me would be boring,
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anyways, so for all of you who have thought about submitting anything, please
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do!
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Well, hopefully next issue will be out soon, depending on the number of
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submissions. I hope that this issue is not too slow, since it is composed
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almost entirely of reviews. Of course, Mari Paulsen's Narret Chronicles
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continues, and the featured author column this issue concentrates on
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Christopher Stasheff's Gramayre books.
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Well, I bid you welcome to volume three, and remind you that FSFnet cannot
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continue without reader submissions, and also that there are a number of new
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BITNET users who no doubt enjoy BITNET use but have yet to hear of FSFnet.
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Please try to spread the word to anyone you think might be interested.
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PS: Well, thanks to the link between YALEVM and MAINE, this issue is yet
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another week late. Sorry about that. Also, look for a continuing fantasy
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work called "The Aquisition" beginning next issue and the continuing Narret
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science fiction series. Watch this space!
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Orny <NMCS025 @ MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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Review: CATS HAVE NO LORD
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"...Dogs serve Ralkan the wolf king, horses answer to an aging mare named
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Flowers, and ants obey Her Peerless and Exalted Majesty; Bzxxyl the 1842th,
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mistress of the Universe and Eater of Treats. Yet cats have no lord...
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Hawks serve Deathswoop the Daring, but all birds honor the Phoenix. Sharks
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only share with the Hungry One, while all fish swim at Tam tuna's request.
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Cobras turn at the command of the Hood of All-Potent Poison... Now, all snakes
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revere Nosey Groundsnake. And so on.
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Some wise folk claim that ther are creatures smaller that the eye can see.
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If so, they're ruled by a Supreme Atomie, for so the God ordered all things
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when She shaped the level of existence...."
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"What has this matter of Cat Lords, or the lack thereof, to do with us?"
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"My Order will pay each you each three thousand royals to climb World's
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Peak, discover where the Wisest one lives there and ask her for the answer to
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that riddle..."
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This is the reason of CATS HAVE NO LORD, if not it's rhyme. And it's by no
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means all there is to this smooth flowing novel by Will Shetterly. The main
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characters, the acrobat/thief, the half-elven swordsman, the merry cleric, and
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the most astute barbarian i've ever read, must find the Cat Lord while being
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manipulated, helped and hindered by forces arcane and mundane.
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Gamers and fans of Robert Aspirin's Thieves' World will find a familiar
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feel to the novel, with the added plus of being one complete novel by one
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author rather than a compendium of short stories.
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This is not to say that 'straight' fantasy fans will be left out of the
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action. Outside of beginning in an awkward way - the middle of a telepathic
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discussion between a woman and her rather adroit horse - the world is full
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fledged and easy to get into. Tensions between cities, lords and races (not
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to mention the various Lords themselves) give an overtone that there is more
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at stake than academic curiosity. It is almost a must that more will be heard
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from this magical world.
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CATS HAVE NO LORD by Will Shetterly, Ace Fantasy, New York, 5-85. Quoted
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in part as a review and not intended to violate any copyrights pending.
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-Richard Jervis <78KCK @ IRISHMVS>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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THE NARRET CHRONICLES
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BOOK THE FIFTH
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"Well, it bears no Soviet markings at any rate, sir."
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"Or any marking's of any kind for that matter, Captain Phillips."
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"Well sir, what should we do now?"
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"You try to establish radio contact with the bogie while I contact NORAD."
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"They ought to be about ready to communicate by now," thought Samo. I had
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best stop down the counter-universal communications descanner and encrypter.
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"Seeker-1 to NORAD, come in NORAD, over."
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"NORAD to Seeker-1, we read colonel, over."
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"NORAD, we have established visual contact with the bogie, have found
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neither hostile nor friendly markings of any kind. Trying to establish radio
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contact at this time. Awaiting further instructions, over."
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"Seeker-1, proceed with communications interface and report any necessary
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changes in flight pattern, over."
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"NORAD, we copy, Seeker-1 out."
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"Any luck captain?"
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"None, sir. There's no response on the standard frequencies at all."
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"That's not surprising, let's face it - that's not exactly your standard
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craft were up against. Try the international hailing frequency."
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"All right sir... Seeker-2 to unmarked craft, Seeker-2 to unmarked craft,
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please respond."
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"Well," said Samo, "what do you know... they communicate. It took them so
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long to find the right frequency I was beginning to have doubts."
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"Unmarked craft to Seeker-2 - responding..." Samo said into the
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communications device."
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"Unmarked craft you have violated the airspace of the United States of
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America. Please identify yourself or we will be forced to shoot you down."
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"Friendly people." Samo said to himself. "I am Sgt. Dr. Samo Ht. I come on
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a mission of trans-universal importance. I am here to prevent a possible
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global war. Mine is a mission of peace, over."
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"Well, Dr. Ht, this is Colonel William Roberts, US Air Force. I don't know
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who you are, or where you come from but if yours is a mission of peace as you
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claim, then I must ask you to cooperate. At this time you are approaching the
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western boundary of our airspace. I must ask you to turn your ship around and
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continue in this formation due east until we receive clearances for landing.
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Will you cooperate?"
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"Yes of course, I'll cooperate. Tell your superiors what I have told you,
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I come in peace, and tell them also that I must speak to the leaders of the
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two belligerent nations before an international forum."
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"Seeker-1 to NORAD come in NORAD, over."
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"NORAD to Seeker-1 we read, over."
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"NORAD, we have established radio contact. The pilot of the craft is
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cooperating and states he is on a mission of peace. He also requests to
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address the President of the United States and the Premier of the Soviet Union
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before the assembled ambassadors of the United Nations. Over."
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"Seeker-1 the President is in his Oval Office, at this hour, and is being
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briefed on your situation. Proceed on a course for Dover Air Force Base,
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bearing 120 at 25,000 ft. We will notify the President of the pilot's
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requests and relay further orders as they we receive them, over."
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"NORAD, proceeding 120 degrees at 25,000 feet, Seeker-1 out..."
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"...Dover Control to Seeker-1, come in Seeker-1, over."
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"Dover Control this is Seeker-1, over."
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"Seeker-1, you are no longer under NORAD command. Permission for landing is
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granted. Proceed to dock alien craft in hanger-81, and place your Blackbirds
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in hanger 71 Alpha."
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-Mari A. Paulsen
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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Featured Author: CHRISTOPHER STASHEFF
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Born in New York state in 1944, Christopher Stasheff grew up immersed in
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the developing years of both television, radio, and science fiction
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literature. Stasheff maintains that de Camp and Pratt's "Inconpleat
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Enchanter" is the single largest influence on his style, followed by Lester
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del Rey's "Day of the Giants" and "The Sky is Falling". After writing two
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unpublished novels, Stasheff began writing a text for a contest sponsored by
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the Magazine of Fantasy and Science Fiction. Although the manuscript was
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never completed until 8 months after the contest deadline, Stasheff sent the
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book to Ace, who published it as "The Warlock In Spite of Himself". He has
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also published three other books: "King Kobald" (and "King Kobald Revived"),
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"The Warlock Unlocked", and "Escape Velocity".
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There is some question as to the chronological order in which these novels
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fit together. For simplicity, they will be discussed in order of publication,
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rather than chronological order. "The Warlock In Spite of Himself" is the
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story of Rod Gallowglass, an interstellar explorer, and his adventure in
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trying to establish democracy on a long-lost planet of medievals (founded by
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members of the Society for Creative Anachronism, no less). Rod discovers an
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interstellar conspiracy across time trying to oppose him, and he and his
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robot-brained horse, Fess (who is subject to seizures due to an engineering
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problem), have their hands full trying to stymie their foes, occasionally
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using superior technology, which earns Rod an unwanted reputation as a
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warlock. An exceptional book.
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"King Kobald" was published in 1970, although before the recent Ace reprint
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of the series, Stasheff rewrote the book, and retitled it "King Kobald
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Revived". This book takes place approximately two years after the previous
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book, and describes a further threat from the forces opposing Rod's effort to
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steer the planet, Gramayre, back to democracy. His role as Royal Warlock is
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influential in defending Gramayre from an invasion of Neanderthals with
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strange telepathic powers. An excellent book, with plenty of excitement and
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wonderfully developed characters. The new version is much improved over the
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original, due to the rewrite, but it does not contradict the other books in
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the series.
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"The Warlock Unlocked" is begun following two characters, Rod, of course,
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begins the novel some 6 years after "King Kobald", and Father Al Uwell, a
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priest of the Order of St. Cathode, an engineering saint. Uwell is being sent
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to Gramayre by the church to monitor Rod, since he has become so involved in
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the fight for democracy. meanwhile, Rod and his Gramayre family (wife and
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four children) are transported to another world, and must discover the way
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back to Gramayre before the forces against him overthrow all his works. He
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meets up with Father Al, who has been tracking him, and together the group has
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a number of very unique adventures. A very fast-paced book, indeed.
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"Escape Velocity" is the only book of the series that does not concentrate
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on the events on Gramayre, and is more science fiction than fantasy. In this
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book, which takes place long before the establishment of Gramayre, Dar Mandra
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and company must reach Terra before a coup planned by the LORDS overthrows the
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democratic Interstellar Dominion Electorate. Unfortunately, someone in the
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upper echelons has it out for Dar, and spreads the rumor that Dar and his
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group are horrible telepaths, out to pry into every citizen's secret thoughts
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and desires. In the following panic, Dar manages to reach Terra. This book
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is perhaps the most interesting of the series, as the characters are all
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fantastic and yet somehow believable. Though the action is interesting and
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riveting, the end of the book comes too fast, and seems less well-written than
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the beginning of the book. In this book, the founding of Gramayre (which
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later is lost during a "twilight" of democracy and then later found by Rod
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Gallowglass) is described.
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In all the books, Stasheff's style is very enjoyable and readable. his
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characters are all excellently depicted, and there is no lack of plot
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movement. His Gramayre books are an excellent fantasy work, and "Escape
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Velocity" is a very good piece of science fiction. His style is easily
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adaptable to either genre, since it does not concentrate so much on the
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environment, but on the human characters and their relations with other
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humans. Altogether an excellent study in characterization, and also an
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excellent read!
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-Orny <NMCS025 @ MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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Review: THE SAGA OF PLIOCENE EXILE
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by Julian May
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A four book series:
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The Many-Colored Land
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The Golden Torc
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The Nonborn King
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The Adversary
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All kidding aside, this set of books is some of the best SF I have ever
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read. It is chock full of truly interesting characters, plot twists,
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insight, high tech and (yes!) even some action. There are several plots
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running at once. MAIN CHARACTERS actually DIE! The GOOD GUYS (if you can
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tell who they are) DON'T always win! It is a delight to read and so
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sprawling in it's plot that it is difficult to describe.
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Without giving too much away, this is how the story works: Sometime in the
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not-too-distant future humanity is part of a Galactic Milieu of minds.
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There are many metapsychics that are part of this "cosmic unity". The psychic
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powers (such as coercion, psychokinesis, etc.) are supposed to be genetic
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traits. Those people with latent abilities have no way to make
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themselves operant metapsychics.
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Enter the time-gate: A scientist puts together a one way time-gate
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which runs six-million years into the past. Notice: ONE WAY. Anything that
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enters the time gate from the pliocene takes on the burden of six
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million years of aging. Until his death he keeps the gate running as a
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curiosity. Upon his death his wife supports herself by sending PEOPLE on a
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one way trip into the past. Many of those disgruntled latent
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metapychics take that ticket to get way from it all.
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This time gate tripping goes on for many years. We then meet a group of
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time travelers and follow them on their journey into the past. Instead of a
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"Riverworld" type of society they find a Europe inhabited by an alien
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race! These Tanu use torcs to make themselves and latent humans
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operant metapychics as well as enslave those that are not latents.
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Can humanity be freed from the slavery of the torcs? Do they want to be?
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Is the time gate really one-way?
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That little synopsis covers the first fifty pages of the first book without
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giving away the juicy details. Those of you that have already read the book
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know that I haven't even gotten to the really good stuff. This is too good
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to spoil. It's in paperback so it won't bust your wallet to read it. Trust
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me. Read it during the summer when you have time to get really involved in
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it.
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-Chris Condon <BITLIB @ YALEVMX>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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XPAGE
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1 +-+ +-+ +-+
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+-+--+-+--+-+ VOLUME THREE NUMBER THREE
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| | ==========================================
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+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
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| ++ | F S F NN N E T
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| ++ | FFF SSS FFF N N N EEE T
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| | F S F N NN E T
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|_________| F SSS F N N EEEEE T
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/___________\ ==========================================
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| | BITNET Fantasy-Science Fiction Fanzine
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___|___________|___ X-Edited by 'Orny' Liscomb <NMCS025@MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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CONTENTS
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X-Editorial Orny
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The Acquisition, Part Two Roman Olynyk
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Review: THE DEAD OF WINTER - TW7 Orny
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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X-Editorial
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Well, folks, again I find myself apologizing for the lateness of
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this issue. Unfortuantely I have been busy with my new job. For
|
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those of you who are not already aware, I now have a new id, LISCOMB
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at MAINE, as well as NMCS025. Should NMCS025 be unavailable, I may
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be reached at LISCOMB, but for the time being FSFnet will continue
|
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to be sent from NMCS025. Other news is that the most recent issue of
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FSFnet can be found on CSNEWS at MAINE's ComDisk and can be
|
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requested using TELL CSNEWS AT MAINE SENDME FSFNET VOLxNxx FROM COMDISK.
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Also in the works is a new project for all people interested in
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writing amateur fantasy fiction. A group of FSFnet contributors and
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myself have begun a writers' workshop very similar in structure to
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the Thieves' World project undertaken by Robert Aspirin. Several
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authors have begun developing characters and stories, all based in
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an area known as Dargon. FSFnet VOL4N01 should contain the first
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written results of this project, and will be in your reader in
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mid-January. If any of you budding authors are interested in joining
|
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the effort, send me a mail file and I'll be glad to fill you in.
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Unfortunately, there is no Narret Chronicle in this issue due to
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the fact that I cannot get in touch with the author. Hopefully we
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will get Narret back before volume 4 starts.
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Finally, I'd like to remind you all that it's the holiday
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season, and everyone's got a new book out. New McCaffrey, Anthony,
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Tolkien, Adams, Daley, Asimov, Stasheff, and anyone else you can
|
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think of. No time to review them all right now. Next issue the
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Acquisition will continue, and I'll review M.A.R. Barker's new
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Tekumel book, Flamesong, and, if I get it read, Norman Spinrad's
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Star Spangled Future. Until then!
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-Orny <NMCS025 @ MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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THE ACQUISITION
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Part Two: The Forest
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Beyond the short expanse of cultivated fields, the two travelers
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|||
|
soon crossed the boundary of scrub that marked the edge of the
|
|||
|
forest. At first, the woods were characterized by light beeches,
|
|||
|
birches and poplars. The leaves of the poplars were waxy and rustled
|
|||
|
crisply in the soft breeze.
|
|||
|
Banewood recalled his early childhood when he would venture into
|
|||
|
the light woods in search of edible mushrooms, a favored delicacy of
|
|||
|
the local people. With his sharp and experienced vision he could
|
|||
|
still pick out his favorites protruding through the fallen leaves.
|
|||
|
It was here, while gathering mushrooms that Banewood heard many of
|
|||
|
the childhood tales and legends passed to him by his parents: tales
|
|||
|
of the Ludki, those mischievous little people who lived deep within
|
|||
|
the forest and tales of Lessy, the Silvan Lord, who made strange
|
|||
|
animal sounds and led lost children astray. Banewood remembered how
|
|||
|
his father would then make animal sounds and frighten him for the
|
|||
|
rest of the day. Stories of Baba Yaga, embellished over the years,
|
|||
|
would cause tears of fright to well up into young Banewood's eyes.
|
|||
|
Now, years older, Banewood still felt the burning in his face as he
|
|||
|
realized that Baba Yaga might be real and that he might meet face to
|
|||
|
face with the blistering eyes of Kathryn.
|
|||
|
As the two journeyed onward, the character of the forest
|
|||
|
changed. Dark oaks and towering elms now lined their path. The
|
|||
|
leaves of years lay upon the ground, crackling with every step.
|
|||
|
Animal sounds diminished.
|
|||
|
Banewood and Sod picked their way uphill, climbing an overgrown
|
|||
|
path which led to an uncertain fate. Throughout the day, Banewood
|
|||
|
and Sod walked the leagues of dark forest, constantly catching
|
|||
|
cobwebs in the face and beleaguered by blood-thirsty deer flies
|
|||
|
scenting their first human.
|
|||
|
At the top of the rise, the two travelers paused to rest. Sod
|
|||
|
sat still in the hope of delivering a killing blow to the ravenous
|
|||
|
deer fly which had doggedly followed him during most of the climb.
|
|||
|
"I think we should make our first camp here," said Banewood.
|
|||
|
"We're on the nearest hilltop and we'll have ample warning of
|
|||
|
anything approaching."
|
|||
|
"Gotcha!" Sod finally killed the deer fly which had settle in
|
|||
|
his hair for a fateful supper. Sod picked the scrawny insect from
|
|||
|
his hair. "If we build a smoldering fire we might be able to spend a
|
|||
|
night without these cursed flies." Sod gathered some dead twigs that
|
|||
|
still hung on the tree. After arranging them carefully, he reached
|
|||
|
into his bag and brought out his flint and steel. Within minutes a
|
|||
|
small fire was being tended. Banewood walked the perimeter of their
|
|||
|
encampment and stopped occasionally to pick at some plants growing
|
|||
|
scattered on the ground. He returned and gave them to Sod.
|
|||
|
"Here, use these on the fire. They'll keep away the flies better
|
|||
|
than the smoke."
|
|||
|
"Thank you," said Sod. He threw them on the small fire and
|
|||
|
whiffed the fragrant aroma created by the consumed leaves. "How did
|
|||
|
you learn so much about herbs?" asked Sod, who already knew the
|
|||
|
answer. He was fighting his nervousness with small talk.
|
|||
|
"Most of what I know comes from the Shaman," said Banewood
|
|||
|
obligingly. "Now I have to learn from his books, but the details are
|
|||
|
really meager. Most of the Shaman's knowledge was in his vast
|
|||
|
memory. He said that certain books did exist. The Shaman said the
|
|||
|
books were dangerous because they could fall into the wrong hands."
|
|||
|
Banewood and Sod ate a meal of wafer bread and dried meat and
|
|||
|
then slept lightly upon cushions of leaves and boughs laid upon the
|
|||
|
ground. Shallow holes were dug out to provide recesses for their
|
|||
|
hips. Smoldering coals kept away the night flies, but they didn't
|
|||
|
ward off Banewood's evil dreams; the crimson eyes still haunted him.
|
|||
|
Dawn came with the cry of a horned owl.
|
|||
|
The dying coals were fed a breakfast of fresh tinder.
|
|||
|
Hard-boiled eggs and a little herb tea saw the worried travelers on
|
|||
|
their way. Revitalized by the rest, Banewood and Sod trekked down
|
|||
|
the slope, meandering ever deeper into the dark forest. Soon
|
|||
|
Banewood's sharp eye caught the first impression of the large cloven
|
|||
|
hoofs that were to show them the way. The tracks were too large to
|
|||
|
belong to anything else except Kathryn. Broken branches and an
|
|||
|
uprooted tree lent credence to the supposition. To Sod's relief, the
|
|||
|
tracks were fairly old.
|
|||
|
Sod fretted about his decision to hunt the sow. The mysterious
|
|||
|
sword whose hilt he often fondled didn't seem like a weapon that
|
|||
|
could stop a charging sow. Funny how he thought that if he set his
|
|||
|
mind to killing Kathryn, he would find a way. Could they do it by
|
|||
|
craft and artifice? Maybe by setting up a dead fall or some other
|
|||
|
booby trap? Funnier still was the feeling that it was the sword
|
|||
|
which seemed to whisper that, given the resolve, Sod would be able
|
|||
|
to meet the challenge.
|
|||
|
Banewood and Sod journeyed down the slope, up the next hill and
|
|||
|
down another slope. Leagues passed beneath their feet. They skipped
|
|||
|
lunch and walked under the power of their stored energy. They
|
|||
|
continued on slight paths which joined and separated through the
|
|||
|
forest. Occasionally, Sod would stop to mark a tree at eye level,
|
|||
|
entertaining the hope that they would somehow return by this route.
|
|||
|
Banewood now walked with his bow in hand, ever keeping a watchful
|
|||
|
eye on the path behind them.
|
|||
|
The Shaman's longbow proved its value later in the day when
|
|||
|
Banewood knocked down a squirrel with a special blunt-tipped arrow.
|
|||
|
They carried the black squirrel with them after quickly field
|
|||
|
dressing it. The little tree rat, as Banewood called it, had set up
|
|||
|
a frightful chattering before it met its final doom. Sod and
|
|||
|
Banewood both agreed that it would be a good idea to cover some more
|
|||
|
distance before feasting on the tree rat. There was no telling what
|
|||
|
attention was called by the noisy animal and, besides, they didn't
|
|||
|
want to prepare the tree rat until they were ready to make camp.
|
|||
|
The two journeymen walked with greater care after killing the
|
|||
|
squirrel. Banewood regretted his slaying of the little tree rat. He
|
|||
|
now had the uneasy feeling that the forest knew of their presence,
|
|||
|
that they were somehow being watched. Sod sensed Banewood's distress
|
|||
|
or maybe he, too, felt the paranoia. He tightened his grip on the
|
|||
|
sword. Banewood now walked with an arrow nocked. His fingers
|
|||
|
whitened from their tight grip.
|
|||
|
Every minute sound that the two seekers made was amplified by
|
|||
|
the forest. Once, when Banewood turned quickly around, he thought he
|
|||
|
noticed a pair of amber eyes watching them, but they disappeared
|
|||
|
quickly and he was no longer sure. Tension increased with every
|
|||
|
step. Both travelers began to perspire. Suddenly, the explosion of a
|
|||
|
dry twig snapping sent Banewood and Sod into a back-to-back
|
|||
|
position, their weapons drawn and poised. An electric tension pulsed
|
|||
|
within them, begging to surge, asking for release. But nothing happened.
|
|||
|
No other sound was heard throughout the forest. After
|
|||
|
excruciating minutes of silence, Banewood and Sod voted to resume
|
|||
|
their walk. Several more hours of travel brought them to a small
|
|||
|
stream in the forest. The water looked wholesome, affording the two
|
|||
|
an opportunity to refill their flasks and to bathe. This looked like
|
|||
|
the ideal place to pitch camp and prepare a welcome supper.
|
|||
|
Banewood's tree rat no longer looked as appetizing; however, it was
|
|||
|
the best food that they had. Throughout the meal and respite they
|
|||
|
remained watchful, for the penetrating silence of the forest remained.
|
|||
|
Evening had settled rapidly. Sod and Banewood ate near their
|
|||
|
fire, slowly finishing their meal and conversing. The fire cast a
|
|||
|
bright glow around the immediate circumference, but outside, the
|
|||
|
darkness was forbidding. Sod thought again about his quest.
|
|||
|
"If I hadn't found this sword, I probably would never have
|
|||
|
attempted such a foolish venture," Sod thought to himself. "This
|
|||
|
fine looking weapon is of too fine a quality for a man like me. I
|
|||
|
wonder if I shouldn't give it to someone worthy of possessing such a weapon."
|
|||
|
Aloud, Sod said "We've been in this forest for two days. It
|
|||
|
doesn't appear to hold the danger I had anticipated."
|
|||
|
"The danger lies in our laxness if we trust in our safety,"
|
|||
|
replied Banewood, parrying Sod's wishful thought. "Tonight I am
|
|||
|
sleeping with my bow in hand."
|
|||
|
Speaking the unspoken, Sod said "Then you also feel like we've
|
|||
|
been watched?"
|
|||
|
"Ya," replied Banewood. "I thought I saw it once, a pair of
|
|||
|
eyes. I've learned to trust my intuition."
|
|||
|
Tensing and grabbing for his sword, Sod said "Your intuition was
|
|||
|
right! Look! Out there, see those eyes? I don't think they're
|
|||
|
friendly." Sod pointed in the direction of the creek.
|
|||
|
They both stood up and moved around the fire, placing it between
|
|||
|
themselves and the presence. The same amber eyes Banewood had
|
|||
|
thought he'd seen earlier were slowly reeling toward them. When
|
|||
|
their distance from the eyes was cut in half, Sod threw an armful of
|
|||
|
dry tinder upon the fire and threw extra light out into the night.
|
|||
|
"It's a wolf." Whispered Banewood.
|
|||
|
"It's too big." Answered Sod, who was beginning to quake in his
|
|||
|
boots. His sweaty fingers grasped the sword tighter. "How am I going
|
|||
|
to kill the wolf if it attacks?" he thought, questioning his ability
|
|||
|
to wield the sword.
|
|||
|
A deep, gutteral growl emanated from the large slavering beast.
|
|||
|
It crept forward with its belly low to the ground, ready to leap at
|
|||
|
the instant. Sod raised his sword slightly and then cried out.
|
|||
|
"Oh no!"
|
|||
|
In the same instant that the fell beast launched itself toward
|
|||
|
them, Sod's sword slipped out of his hand and dropped to the ground
|
|||
|
at a distance. The lunging hulk darkened his view. Sod heard a
|
|||
|
snapping chord like the sound of his heart breaking. The wind rushed
|
|||
|
past his left ear.
|
|||
|
In a massive thud, a large wolf, larger than any Sod had ever
|
|||
|
seen or heard of before, fell at his side. Its eyes were wide open
|
|||
|
and its lips were curled in a hideous grimace. A feathered shaft
|
|||
|
protruded from its throat.
|
|||
|
Banewood's hand rested on Sod's shoulder. "Are you okay?" he asked.
|
|||
|
"You killed him. I thought I was going to die and, just as
|
|||
|
suddenly, this wolf is dead instead. You've saved my life. How can I
|
|||
|
repay you?"
|
|||
|
"Don't worry; it all comes out in the wash. But what happened at
|
|||
|
the last second? Why did you drop your sword?"
|
|||
|
"I don't know... I guess my mind went blank. The sword seemed to
|
|||
|
slip from my hands," said Sod. "I've never seen such a fine shot. I
|
|||
|
think the wolf was dead before it hit the ground!"
|
|||
|
"I've tipped some of my arrows with the juice of the aconitum;
|
|||
|
it is a deadly poison."
|
|||
|
"With such a weapon as yours, you could single-handedly slay Kathryn!"
|
|||
|
"It won't work. I've already tried," answered Banewood.
|
|||
|
Sod was taken aback by this. "There's certainly more to this
|
|||
|
Shaman than meets the eye," he thought. Aloud, "When did you try that?"
|
|||
|
"On the last night that Kathryn attacked I hid myself and loosed
|
|||
|
my best arrow against her. It shattered as if it had hit a rock."
|
|||
|
Sod was incredulous. "How are we ever going to stop her if she
|
|||
|
is as you say?"
|
|||
|
"I don't know. We'll think of something."
|
|||
|
"Ya," Sod said without sincerity.
|
|||
|
The wolf was enormous, but Banewood and Sod, after endeavoring
|
|||
|
for the better part of an hour, managed to drag the beast away from
|
|||
|
the camp. The two found no difficulty in dropping off to sleep, for
|
|||
|
though the forest was still dangerous, it now possessed one less threat.
|
|||
|
Dawn came without a sound. Banewood and Sod got up and fed the
|
|||
|
fire and went to the creek for water. On the way, they looked for
|
|||
|
the wolf, but it was gone! They searched around the area in the hope
|
|||
|
that they were disoriented last night when they dragged the wolf
|
|||
|
out. It was gone. Now a very real fear possessed them; it may have
|
|||
|
been Baba Yaga. How else can a dead animal disappear? Sod's empty
|
|||
|
stomach felt like it held a rock.
|
|||
|
Suddenly, through the trees, they heard a musical voice.
|
|||
|
Banewood and Sod quickly reached for their weapons. Through the tall
|
|||
|
trees they could see an approaching figure. It was gaily dressed and
|
|||
|
wore a tall, pointed hat with a feather in its band. It sang:
|
|||
|
|
|||
|
"Hey ho, hey ho,
|
|||
|
the wolk's a dead you know.
|
|||
|
for if it ain't a dead
|
|||
|
then I'm a not alive
|
|||
|
and I know I'd better go!"
|
|||
|
|
|||
|
The two stood with their mouths open. Marching straight up to
|
|||
|
them was a short person, a very little person, with large round eyes
|
|||
|
and a pudgy little nose.
|
|||
|
"Hello, hello, my name is Stickleburr unless I'm not, of course."
|
|||
|
Sod and Banewood found themselves face to face with one of the
|
|||
|
Ludki. The childhood descriptions were indeed accurate. He looked so odd!
|
|||
|
"I want to thank you for killing the great wolk because he's no
|
|||
|
longer alive. He has been plaguing my people for years, but not for
|
|||
|
years to come. Anyway, they're not really my people, they are their
|
|||
|
own people, but I guess you wouldn't call us people, would you?"
|
|||
|
Banewood spoke: "I...I thought that the wolf, I mean wolk,
|
|||
|
wasn't dead, that maybe it was really Baba Yaga."
|
|||
|
Stickleburr jumped. "Oh, no! I mean yes, it was really a wolk.
|
|||
|
It's certainly dead now, isn't it? You two are heroes, unless of
|
|||
|
course you don't think so. So that's the wolksmert, isn't it?" Said
|
|||
|
Stickleburr pointing to Sod's strange sword.
|
|||
|
"Wolksmert?" Replied Sod. "Oh, yes. Certainly." He laughed at
|
|||
|
the irony, because "wolksmert" meant "wolfslayer" in the eastern tongue.
|
|||
|
"Yes, most certainly," laughed Stickleburr. "You two can come
|
|||
|
with me unless you can't. We want to thank you properly, and it's
|
|||
|
not proper to thank you here."
|
|||
|
Banewood and Sod agreed to follow the Ludki back to his home.
|
|||
|
They quickly broke camp and gathered their belongings. They
|
|||
|
whispered and laughed among themselves, marvelling at the strange
|
|||
|
speech pattern of Stickleburr: Ludki always followed the assertion
|
|||
|
of a positive statement with it's negative. It was a most curious
|
|||
|
pattern of speech, but it wasn't curious at all to the Ludki.
|
|||
|
Within a half-hour, the three came in sight of the Ludki
|
|||
|
village. It was set in a small dale cleared of trees. Little houses
|
|||
|
in the shape of bee hives lay haphazard about the village. Wisps of
|
|||
|
smoke curled out of their tops. The Ludki were fond of smithing, as
|
|||
|
was evident from the many miniature iron furnaces that sent their
|
|||
|
black smoke up over the rooftops. The Ludki village had evidently
|
|||
|
been in this location for some time because much of the area was
|
|||
|
cleared of the hardwood trees essential for the making of charcoal
|
|||
|
needed to smelt the iron.
|
|||
|
The little people walked about in gaily colored clothes. The
|
|||
|
Ludki men wore high pointed hats dressed up with bright feathers.
|
|||
|
They were a happy folk. The air was full of whistling and the songs
|
|||
|
of their merriment.
|
|||
|
When Stickleburr and the two travelers approached, the village
|
|||
|
folk poured out to meet the heros. Stickleburr began introducing his
|
|||
|
family and the more prominent of the Ludki to the strangers. The
|
|||
|
names came rapidly: Milfoil, Hyssop, Lavender, Mullien, Five
|
|||
|
Fingers, Violet, and, well, you get the idea; they were all names of
|
|||
|
plants that the Ludki were fond of. At the bark of orders from
|
|||
|
Stickleburr, the Ludki busied themselves with preparations for a
|
|||
|
great feast. The men set up tables and stools, built fires and
|
|||
|
brought out kegs of mead. The Ludki women quickly filled their ovens
|
|||
|
with various breads and foods until the heavenly aroma replaced the
|
|||
|
acrid smell of smelting iron. The Ludki loved feasting and
|
|||
|
merriment, and this occasion, as any other, was an excellent
|
|||
|
opportunity to lay aside their work. The fearful wolk which had
|
|||
|
terrorized the Ludki for so many years was dead, slain at the hands
|
|||
|
of the tall folk and wolksmert.
|
|||
|
Among the Ludki, wolksmert was the center of much attention.
|
|||
|
Their large eyes beamed with admiration and the little hands
|
|||
|
eagerly, but reverently, touched the fine metal. From the Ludki,
|
|||
|
Banewood could learn nothing about the sword, but by their evident
|
|||
|
joy at seeing it and the two travelers, the Ludki seemed strangely elated.
|
|||
|
Even while the preparations were still underway, the eager
|
|||
|
little Ludki began to celebrate with joyous abandon. Musicians began
|
|||
|
their tunes and the mead was passed around. And such mead! Banewood
|
|||
|
and Sod both drank and agreed that it was the best they had ever
|
|||
|
tasted. How the Ludki could consume so much of it without the
|
|||
|
obvious signs of inebriation, they couldn't guess.
|
|||
|
During the feast, Stickleburr talked with the two strangers and
|
|||
|
learned the reason for their sojourn into the deep forest. At the
|
|||
|
news, Stickleburr balked but then regained his composure.
|
|||
|
"Oh yes, we had most certainly believed that Baba Yaga had died,
|
|||
|
for we had not seen her alive. And Kathryn, oh yes, we had heard
|
|||
|
whisperings of her rampages, else we were deaf. Kathryn is Baba
|
|||
|
Yaga? We most certainly hope she isn't!"
|
|||
|
"Yes, most certainly," agreed Banewood.
|
|||
|
Sod, careful not to spill a drop of the mead he was drinking,
|
|||
|
looked at Stickleburr and asked, "Do you know of the way to the hut
|
|||
|
of Baba Yaga?"
|
|||
|
Stickleburr replied "No, no...well yes, sort of. I know the way
|
|||
|
but I don't know how to get there. It's a long way off, although not
|
|||
|
that far to someone as long-legged as you, though for yourselves,
|
|||
|
I'm sure you're not all that long-legged."
|
|||
|
Stickleburr was beginning to show some signs of inebriation.
|
|||
|
Banewood and Sod sat back to enjoy the feast. They watched the
|
|||
|
antics of the Ludki as they danced their high-kicking dances and
|
|||
|
swung their arms in the air. With a shout, the dancers punctuated
|
|||
|
the songs with a "hey!" At length, even the subdued travelers were
|
|||
|
on their feet and kicking. The Ludki laughed and clapped to urge on
|
|||
|
the long-legged dancers. Sod twirled like a top and bobbed like a
|
|||
|
cork. At a feverish pace, he was caught-up in the festive mood.
|
|||
|
Moments before he could dance no more, the song stopped with a
|
|||
|
rousing "hey!"
|
|||
|
Stickleburr was much impressed with the two travelers. After
|
|||
|
slapping both of them on the shoulders, the squat little fellow
|
|||
|
mounted a stump and cleared his throat.
|
|||
|
"Ahem!" The crowd became silent. "I'd like to express the thanks
|
|||
|
of all Ludki for what you two have done. We couldn't have done it ourselves."
|
|||
|
Stickleburr brought out a long object and handed it to Sod.
|
|||
|
"This is for the wolksmert unless it's for something else.
|
|||
|
Sod looked at the fine-crafted sheath given to him by the Ludki.
|
|||
|
The sword slid silently into it's scabbard. Sod expressed his thanks
|
|||
|
with a smile and a nod.
|
|||
|
"And these," continued Stickleburr, "are for the Banewood and
|
|||
|
they're not for anyone else."
|
|||
|
Banewood received a quiver full of fine, Ludki-crafted arrows
|
|||
|
with razor-sharp metal heads. The shafts were straighter than any
|
|||
|
Banewood had ever seen.
|
|||
|
With great bombast, the swaying Stickleburr went on to offer the
|
|||
|
friendship of the Ludki to Banewood and Sod. Much to his surprise,
|
|||
|
Sod immediately took him up on his offer for assistance. This was a
|
|||
|
surprise, because the Ludki had very traditional views of
|
|||
|
hospitality. After favors, guests did not customarily ask for more.
|
|||
|
But Sod did. He wanted to know the way to Baba Yaga's hut. The Ludki
|
|||
|
blanched at such a request. Oh horrors! But it was only a request
|
|||
|
for directions; the Ludki need not accompany the travelers. Anyway,
|
|||
|
thanks to the mead, Stickleburr was in a jovial mood. He went so far
|
|||
|
as to offer guidance to the outside of their realm.
|
|||
|
-Roman Olynyk <VM0BA9 @ WVNVM>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
Review: THE DEAD OF WINTER
|
|||
|
Thieves' World Book Seven
|
|||
|
Robert Lynn Aspirin's Thieves' World series continues in this
|
|||
|
new paperback from Ace, and it is, in my opinion, quite a step up.
|
|||
|
The most recent TW books have been, to me, a letdown. They were
|
|||
|
bogged down with the heavy-handed politics of Sanctuary and were not
|
|||
|
interesting to read. Book 7 starts slowly, but soon improves vastly
|
|||
|
into what I believe to be the best TW book written to date. The
|
|||
|
Veiled Lady, by Andrew Offut, is a very warm and amusing tale of
|
|||
|
Ahdio, the keeper of Sly's Place in Downwind. When the Spirit Moves
|
|||
|
You, by Aspirin, is also one of the best tales TW has put out, and
|
|||
|
nowehere near as heavy-handed as previous efforts. The Color of
|
|||
|
Magic by Diana Paxson returns us to the household of Lalo the Limner
|
|||
|
and Gilla, who is taken captive by a Roxane who is determined to
|
|||
|
sink Santuary in a storm of epic porportions. For me, however, the
|
|||
|
most wonderful story was by Diane Duane, called Down by the
|
|||
|
Riverside. It is an account of the death of Harran and what happens
|
|||
|
when the twin goddesses Sivieni and the once-mute Mriga find out.
|
|||
|
They and their dog, Tyr, elicit the aid of Ischade in a
|
|||
|
wonderfully-depicted descent to Hell and back, and is filled with
|
|||
|
surprises. Buy the book if just for this story!
|
|||
|
This book is a must for TW fans, and a wonderful breath of fresh
|
|||
|
air after the dry politics of the previous books. You may be
|
|||
|
surprised to find that cover art is being done by Gary Ruddell, so
|
|||
|
the book looks a little different, but you should have no trouble
|
|||
|
finding it. Unless, of course, the bookstore runs out before you get
|
|||
|
your copy!
|
|||
|
-Orny <NMCS025 @ MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
XPAGE
|
|||
|
1 +-+ +-+ +-+
|
|||
|
+-+--+-+--+-+ VOLUME THREE NUMBER FOUR
|
|||
|
| | ==========================================
|
|||
|
+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
|
|||
|
| ++ | F S F NN N E T
|
|||
|
| ++ | FFF SSS FFF N N N EEE T
|
|||
|
| | F S F N NN E T
|
|||
|
|_________| F SSS F N N EEEEE T
|
|||
|
/___________\ ==========================================
|
|||
|
| | BITNET Fantasy-Science Fiction Fanzine
|
|||
|
___|___________|___ X-Edited by 'Orny' Liscomb <CSDAVE@MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
CONTENTS
|
|||
|
X-Editorial Orny
|
|||
|
Narret Chronicles, Book 3 Mari A. Paulsen
|
|||
|
The Acquisition, Part 3 Roman Olynyk
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
X-Editorial
|
|||
|
Well, I had this issue all set to go out before Christmas, and
|
|||
|
then Yale went down for vacation. Sigh. Well, I guess late is better
|
|||
|
than never. In this issue we continue with both the Acquisition and
|
|||
|
the Narret Chronicles, thanks to Mari's staying up until 3am to type
|
|||
|
it in. I hope you enjoy them. There will be one more issue in Volume
|
|||
|
3, which will follow on the heels of this issue, before we start
|
|||
|
Volume 4 and the Dargon writing project. By the way, I've rewritten
|
|||
|
the FSFnet sending program again. Anyone who wants to change the
|
|||
|
program I use to send their issues please mail me. You may choose
|
|||
|
from: DISK DUMP (class N), PUNCH (noheader class m), and SENDFILE
|
|||
|
(netdata). If anyone is really into CARD DUMP, I'll even use that!
|
|||
|
For those of you who haven't heard, and didn't notice, FSFnet is
|
|||
|
being sent out from a new id - CSDAVE at MAINE. Due to the work I do
|
|||
|
on CSNEWS, NMCS025 has been changed to CSDAVE. FSFnets will continue
|
|||
|
coming out, but from CSDAVE. NMCS025 is no longer in the CP
|
|||
|
directory, so please forward any mail or messages to either CSDAVE
|
|||
|
or LISCOMB at MAINE.
|
|||
|
Finally, just when you thought it was safe to write a Thieves'
|
|||
|
World review, TW 8 has just been released. More details (and a
|
|||
|
review) as soon as possible!
|
|||
|
-Orny <CSDAVE @ MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
The Narret Chronicles
|
|||
|
Book the Third
|
|||
|
"Dr. Ht this is Dr. Terrence Seni of the Armed Forces Institute
|
|||
|
of Pathology at Sir Walter Reed Medical Center, and Dr. Adam Tristy
|
|||
|
of the American College of Surgeons. They will be examining you,
|
|||
|
with your permission of course."
|
|||
|
"Surely." said Samo
|
|||
|
"Dr Seni is the nation's foremost pathologist, and Dr. Tristy is
|
|||
|
one our most prominent bio-physicists."
|
|||
|
"Really, well this is quite a reception... Pleased to meet both
|
|||
|
of you gentlemen. You can examine me if you wish, but I'd rather
|
|||
|
provide you with the data myself. You see, I have all the pertinent
|
|||
|
information on our physiology stored on tape in my craft. Allow me a
|
|||
|
moment will you and I'll be back with the data you wish for in
|
|||
|
several of your languages.
|
|||
|
"Here you are, 'Yarg's Complete Physiology of the Narretan' a
|
|||
|
Narret classic physiology text. The best ever produced! That should
|
|||
|
answer all your questions concerning our physiology, but I'll bet
|
|||
|
you still want to know about my AND molecular structure. That I'll
|
|||
|
leave up to you."
|
|||
|
"Could we take a small blood sample to help us study the makeup
|
|||
|
of your circulatory, respiratory, lymphatic, and immune systems?
|
|||
|
Such a sample would provide us with the AND molecular structure data
|
|||
|
we also desire." asked Dr. Seni.
|
|||
|
"Sure." said Samo "I'd be glad to help in any way I can. I'm a
|
|||
|
scientist myself. I was only kidding when I said I hate needles. I
|
|||
|
was just trying to get a laugh."
|
|||
|
"Make a fist," said Seni as he searched Samo's arm's densly
|
|||
|
packed molecules for a vein. "This may pinch a little."
|
|||
|
"No sweat," said Samo. "What you gentlemen will really be
|
|||
|
interested in though, is the fact that in the counter-universe, we
|
|||
|
are not solid creatures at all, as you know it."
|
|||
|
"Really?" queried Tristy as he took notes.
|
|||
|
"Yes, really." said Samo. "At home, on Amrif Arret, we are by
|
|||
|
our own nature of a gaseous form. As your molecular forces are
|
|||
|
attractive here, ours are repulsive, thus, we are all perfectly
|
|||
|
non-solid, as opposed to your solidity."
|
|||
|
"How extraordinarily fascinating!" exclaimed Tristy.
|
|||
|
"In fact all our worlds, stars, everything is unbound but space,
|
|||
|
which is the solid through which we all pass. That is why I can get
|
|||
|
here so much faster in our system of time, our entire concept of
|
|||
|
time is based on density of our solid space, rather than the
|
|||
|
vacuousness of yours. It is far easier, I assure you, for a plasma to
|
|||
|
pass through a solid than a solid to pass through a vacuum."
|
|||
|
"Ahh, I got all but that last bit then I lost you, could you
|
|||
|
clarify the part about easier..." started Dr. Tristy.
|
|||
|
"Surely," Samo interrupted "You see, when we pass through the
|
|||
|
solid form of our space, we use the actual binding forces of the
|
|||
|
particles in motion of the spatial-solid in order to propel
|
|||
|
ourselves. Thus we can utilize the very nature of our 'space'
|
|||
|
itself, as a means, or force of propulsion. Do you understand that
|
|||
|
better, doctor?"
|
|||
|
"Much better, thank you. I must say this is all quite astounding.."
|
|||
|
"Not at all, simply the state of nature doctor. Which reminds
|
|||
|
me, I wish to make a statement on the wisdom of our physicians in
|
|||
|
the Narret System. If you would be so kind as to record it doctor,
|
|||
|
I'm sure all of humanity will find it of great use."
|
|||
|
"Surely, any advice you can give would be held in highest regard
|
|||
|
by our scientific communities." said Dr. Tristy
|
|||
|
"It came to pass, through the thousands of Losar Cycles (what
|
|||
|
you call years) of our existence, that our physicians began to use
|
|||
|
the fundamental laws of nature in their favor. Rather than fight the
|
|||
|
immune system for example, they found ways of strengthening it,
|
|||
|
bolstering its abilities. Cancer, as another example was found to
|
|||
|
contain cells of a much stronger variety than those said to be
|
|||
|
normal. What our physicians did was to retrain the immune system to
|
|||
|
work on the AND structure within the Cancerous cells, so that the
|
|||
|
dominant Cancer cells were effectively "programmed" to conduct the
|
|||
|
function of the tissue it replaced. And this new, Cancerous
|
|||
|
super-cell was stronger and better than the original cell it
|
|||
|
replaced, because it lives longer and is less suceptable to other
|
|||
|
diseases. Therefore your physicians should also learn to work with
|
|||
|
and not against nature."
|
|||
|
"Thats absolutely astounding. You've just helped us realize how
|
|||
|
far we've set back Cancer research in the last 50 years. We've been
|
|||
|
trying to eradicate it for so long we completely overlooked the
|
|||
|
possibility of trying to turn it into something useful. Incredible!"
|
|||
|
"I see you're rather enthused at the prospect." said Samo.
|
|||
|
"Enthused? I'm simply overjoyed at the possibility that there's
|
|||
|
a cure for our worst killer. Cancer claims millions of lives here
|
|||
|
each year."
|
|||
|
"Yes, I know..." stated Samo.
|
|||
|
"Dr Ht. you have no idea how much just that little information
|
|||
|
you just shared with us means, how many millions of peoples lives
|
|||
|
this few minutes you've shared with us will save. Mankind shall be
|
|||
|
forever in your debt."
|
|||
|
"Oh, I think I do." said Samo "Remember, peace and understanding
|
|||
|
throughout these universes is what I came here for. And sharing a
|
|||
|
little scientific knowledge in the process is the least I can do. If
|
|||
|
you gentlemen will excuse me, I see the colonel at the door. I have
|
|||
|
another speech to give, and I hope if everything goes well, you
|
|||
|
gentlemen may get a little more time to work on your medical problems."
|
|||
|
-Mari A. Paulson
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
The Acquisition
|
|||
|
The Hut
|
|||
|
In the morning, bright and early, Banewood and Sod were woken by
|
|||
|
the sound of little marching feet. A troop of gaily dressed Ludki in
|
|||
|
tall, feathered hats approached them.
|
|||
|
"Hey Hyssop! Hey Burdock!" shouted Stickleburr as he clapped his
|
|||
|
hands. Immediately, two little people ran forward. Stickleburr
|
|||
|
addressed Banewood and Sod.
|
|||
|
"Good morning, unless it's already mid-day. My two sons and
|
|||
|
myself will accompany you to the borders of our realm unless you
|
|||
|
don't wish to be accompanied. First, though, you must have breakfast."
|
|||
|
Stickleburr clapped his hands again and several Ludki approached
|
|||
|
with steaming plates of food. The travelers ate with relish, though
|
|||
|
there wasn't any. From a nearby keg they filled their flasks with a
|
|||
|
light mead and they were ready to depart.
|
|||
|
Banewood and Sod followed the Ludki as they marched off, their
|
|||
|
pace marked by the rhythm of the Ludki's singing. Hyssop and Burdock
|
|||
|
marched ahead while Stickleburr walked and chatted with Banewood and
|
|||
|
Sod. He told them about the paths ahead and how they must not stray,
|
|||
|
lest they tread paths unknown. He told them to be on their guard for
|
|||
|
the Silvan Lord, for these were his woods. The Silvan Lord, or Lessy
|
|||
|
as he was better known, would lead them astray with his lies. Lessy
|
|||
|
was a liar at heart and he delighted in deluding the hopelessly
|
|||
|
lost. He would draw them to one point and then to another, then to
|
|||
|
another and yet another. However, there was one way of outsmarting
|
|||
|
the Lessy. It was a method known only to the Ludki, and it was
|
|||
|
Stickleburr's parting gift to the travelers.
|
|||
|
"Lessy is a liar," said Stickleburr, "for he can't tell the
|
|||
|
truth. To get to the truth, if it's lies you don't want, you must
|
|||
|
wear your clothes inside-out or outside-in if they're already
|
|||
|
inside-out. Your shoes you must wear on the opposite feet unless, of
|
|||
|
course, your feet are already opposite. Then you just wear your feet
|
|||
|
opposite."
|
|||
|
Banewood and Sod laughed aloud at Stickleburr's foolish words.
|
|||
|
"It is worthy of a children's rhyme even though it doesn't
|
|||
|
rhyme," Banewood said.
|
|||
|
They all laughed again at the strange paradox of Ludki speech.
|
|||
|
After their having walked away the longest part of the day, and
|
|||
|
after their having heard innumerable anecdotes from Stickleburr, the
|
|||
|
two travelers parted company with the Ludki. Banewood and Sod
|
|||
|
marched on at a much faster pace, since they needn't keep time with
|
|||
|
the short-legged Ludki. Once again, the brightness of sunlight and
|
|||
|
companionship dimmed as the travelers departed the realm of
|
|||
|
civilization. The dark forest seemed darker without the chatter of
|
|||
|
the little people.
|
|||
|
A dark, sinuous path pointed out by Stickleburr led in the
|
|||
|
direction of the setting sun. The roots of gnarled oaks lay twisted
|
|||
|
across the path, occasionally catching the carefully placed feet of
|
|||
|
the plowman. Spider webs built across the gaps of branches often
|
|||
|
ended up in the faces of Banewood and Sod, tickling their noses and
|
|||
|
generally making their way unpleasant. Pale mushrooms of the deadly
|
|||
|
varieties could sometimes be seen lining the edge of the path.
|
|||
|
Strange animal sounds echoed through the trees.
|
|||
|
After hours of walking, the travelers still had not found a
|
|||
|
resting place suitable for a night's encampment. Though the sun was
|
|||
|
possibly an hour away from setting, the way had become dark and
|
|||
|
difficult to navigate because of the forest canopy. At length,
|
|||
|
Banewood and Sod stopped to decide which way the path was supposed
|
|||
|
to lead. The forest seemed more alive at this dusky hour than it had
|
|||
|
earlier in the day. Birds chirped and strange animals chattered
|
|||
|
beyond the distant trees.
|
|||
|
"I don't know," said Sod, "maybe we should stop right here and
|
|||
|
wait until morning. I just can't be sure of keeping on the right
|
|||
|
path if we go on."
|
|||
|
"Oh, don't worry, I'll show you the way to go from here," a
|
|||
|
strange voice answered.
|
|||
|
Banewood and Sod quickly drew their weapons and stood ready.
|
|||
|
Wolksmert glowed reddish from the light of the evening sun. Before
|
|||
|
them stood an eerie sight. A greenish man, or something resembling a
|
|||
|
man, though much taller, stood a dozen paces before them. His eyes
|
|||
|
had an orange, malevolent glow. They appeared cat-like. Banewood
|
|||
|
feared the worst, for to his inexperienced knowledge, the eyes
|
|||
|
reminded him of Baba Yaga's. The apparition was dressed in what
|
|||
|
appeared to be leaves. A bird nest was perched upon the shoulder.
|
|||
|
Sod felt the hilt of his sword slide through the sweaty grip of
|
|||
|
his fingers. His hand clenched Wolksmert tighter. He wondered about
|
|||
|
what action he should take. Quickly, he decided that it would be
|
|||
|
safest to let the creature make the first move.
|
|||
|
The green figure stood before them and made a chirping sound
|
|||
|
like a bird. He clapped his hands and then smiled. It was a
|
|||
|
friendly, disarming smile.
|
|||
|
"Take the path straight ahead until you come to a fork," said
|
|||
|
the strange apparition. "Then, bear left until you come to a large
|
|||
|
boulder and proceed to your right until you come to an old tree.
|
|||
|
>From the tree, go left until you meet the next tree, then take a
|
|||
|
sharp right to the first stream. You can't miss it."
|
|||
|
"Uh, excuse us for a moment, if you please, sir." Banewood
|
|||
|
tugged at Sod's shoulder and pulled him away.
|
|||
|
"Oh yes, most certainly, yes, yes." The green man laughed,
|
|||
|
clapped his hands and chattered like a tree rat.
|
|||
|
"What's the matter? Who's that? What are we doing?" Sod's
|
|||
|
questions came quickly and nervously.
|
|||
|
"Shhhh!" hissed Banewood as he led Sod out of sight of the green
|
|||
|
man. When they were safely out of sight, Banewood said, "That must
|
|||
|
be Lessy, the Silvan Lord. Stickleburr warned us of him. Remember,
|
|||
|
he'll lie to get us lost. Let's hurry and turn our clothes inside out."
|
|||
|
As quickly as they could, Banewood and Sod pulled their clothes
|
|||
|
off and reversed them. They turned the insides outside and helped
|
|||
|
each other button-up from the back. They did the same with their
|
|||
|
britches. Then, they pulled off their boots and placed them
|
|||
|
opposite: left boot on right foot and right boot on left foot. When
|
|||
|
they had finished, they smiled sheepishly and stepped back out into
|
|||
|
the open. Lessy was patiently waiting, whistling to himself and smiling.
|
|||
|
When the Silvan Lord saw how Banewood and Sod appeared, his
|
|||
|
orange eyes opened wide and bulged. He stood stiff with his fingers
|
|||
|
out-stretched.
|
|||
|
"Eeaarrgh! Owwww!" Screamed Lessy. He jumped around and emitted
|
|||
|
more strange sounds.
|
|||
|
Sod stood nonplussed, unable to move during the exhibition.
|
|||
|
Banewood took the initiative and said aloud: "Tell us, Silvan
|
|||
|
Lord, which is the way to the hut of Baba Yaga."
|
|||
|
"Eeaarrgh! Owwww! I'll talk, I'll tell you the truth, I promise!
|
|||
|
I'll tell you anything, but pulleese! Straighten-out your clothes!"
|
|||
|
Banewood and Sod felt sorry for the Silvan Lord. Evidently, the
|
|||
|
truth was so foreign to Lessy that it caused him great discomfort.
|
|||
|
When Banewood and Sod had put their clothes back on outside-outside,
|
|||
|
they returned to Lessy. The Silvan Lord was now docile, almost
|
|||
|
subdued; he was saddened by his loss of victims to his trickery.
|
|||
|
"Yes, most certainly," said Lessy, "I will show you the way to
|
|||
|
Baba Yaga's hut. Yes, then you'll wish you were lost! Follow me."
|
|||
|
Banewood and Sod walked behind Lessy as he led them through the dark
|
|||
|
forest night.
|
|||
|
Since they had first met the Silvan Lord, the sun had set,
|
|||
|
changing the long shadows to a solid smear of blackness. The two
|
|||
|
travelers were both stabbed by the sharp pang of doubt as to whether
|
|||
|
Lessy could be held to his word. Whatever the status of Lessy's
|
|||
|
honor, Banewood and Sod realized that they were both in the hands of
|
|||
|
the Lord of the Forest.
|
|||
|
Lessy strode before them, mumbling to himself and emitting more
|
|||
|
strange sounds. More than once, Banewood and Sod had tripped on tree
|
|||
|
roots and stumbled to the ground. Low branches snapped back by Lessy
|
|||
|
often caught Sod in the face and chest, leaving him sore and scored.
|
|||
|
The long hours of night were unbearably drawn out in this manner.
|
|||
|
When the slender rays of first morning light pierced through the
|
|||
|
trees, the three travelers found themselves on the edge of the
|
|||
|
forest. Sod felt a heaviness in his stomach when the first
|
|||
|
realization of their plight hit him: How were they to return?
|
|||
|
Neither of them had thought of marking their way.
|
|||
|
Lessy turned to face the exhausted travelers. The faint light
|
|||
|
barely illuminated his gnarled and worn face. Banewood and Sod could
|
|||
|
only concentrate on the eyes-- those strange cat-like slits
|
|||
|
surrounded by an orange glow.
|
|||
|
"Here is where I'll leave you," said Lessy. "The rest of the way
|
|||
|
is before you. You'll probably reach the hut by mid-day." Lessy
|
|||
|
chuckled as he pointed to the path before them. As quickly as when
|
|||
|
they had found him, the Silvan Lord disappeared into the green
|
|||
|
growth of the forest.
|
|||
|
The path lay before them. Banewood and Sod stood on the edge of
|
|||
|
the dark forest and before a vast expanse of scrub. Sod preferred
|
|||
|
the darkness of the forest to what he now saw: a thin path leading
|
|||
|
through a tangle of long-thorned trees which were so closely
|
|||
|
interwoven that they seemed inpenetrable.
|
|||
|
"Why don't you try Wolksmert on those branches," offered Banewood.
|
|||
|
Sod drew his sword and swung lightly against the tangle that lay
|
|||
|
before him. Sod was glad for the chance to draw his sword and test
|
|||
|
its edge. The massive, thorny growth fell to their feet.
|
|||
|
"Only Kathryn could walk a path like this," commented Sod as he
|
|||
|
continued to slice his way through. "These branches are so sharp and
|
|||
|
tightly interwoven that only the sow could manage to walk through
|
|||
|
unscathed."
|
|||
|
The plowman and the Shaman, however, could not pass through
|
|||
|
unharmed. Even though the path was partially cleared by Sod's sword,
|
|||
|
some branches remained to tear at their clothing and puncture their
|
|||
|
skin. Punished and brutalized by the last leg of their journey,
|
|||
|
Banewood and Sod proceeded slowly, their hearts heavy with fear and
|
|||
|
anticipation. By noon, they had passed through the forest of thorns
|
|||
|
and had entered into a wide perimeter of tall grasses and occasional
|
|||
|
trees. Banewood sniffed the air and winced.
|
|||
|
"Look," he said, pointing to a large copse of assorted and vile
|
|||
|
smelling weeds. "This must have once been Baba Yaga's herb garden."
|
|||
|
The expanse of foul-smelling weeds grew unbounded. They had
|
|||
|
probably been untended for many decades, but they still held firm
|
|||
|
against the encroaching forest and field. One fell weed pitted
|
|||
|
itself against the other for dominance of space. It was an evil
|
|||
|
looking tangle. Banewood hoped he could return by this path and
|
|||
|
gather some of the herbs. A few were familiar to him; they were
|
|||
|
shaman's herbs. Some plants had divinatory purposes, some had
|
|||
|
medicinal uses. Other plants were total strangers to Banewood's
|
|||
|
herbal. These were the most curious to the novice.
|
|||
|
Reluctantly, the two pressed on. Because of the tall grass,
|
|||
|
Banewood and Sod didn't see the hut until they were almost in front
|
|||
|
of it. The hut of Baba Yaga loomed dark before them. Centuries old,
|
|||
|
the hut was partially collapsed at one end; it appeared like an
|
|||
|
apparition, grayish and fragile. The grass about the hut was
|
|||
|
trampled-- signs of a current inhabitant. Banewood was shaken by the
|
|||
|
sight; it was an eerie recollection of his divinatory dreams, minus
|
|||
|
the malevolent red eyes. Sod sensed the nervousness of his companion
|
|||
|
and gripped Wolksmert tightly. He glanced over his shoulder and
|
|||
|
searched around them. The scene was quiet. Not even a bird song
|
|||
|
could be heard. Sod turned and shook his companion's hand. It was a
|
|||
|
farewell to their past and an initiation to whatever would befall
|
|||
|
them in the moments ahead.
|
|||
|
Banewood and Sod resolutely approached the hut. It looked weak,
|
|||
|
but it stood in evidence of craftsmanship from a forgotten century.
|
|||
|
Patches of straw, now grayish, were still attached to the roof. A
|
|||
|
few strange weeds had taken residence on the roof in order to catch
|
|||
|
extra light. On the roof's peak perched a dark bird. It was a raven.
|
|||
|
It waddled about and croaked a few times, picked at the wood and
|
|||
|
then silently winged out of sight.
|
|||
|
Sod held out Wolksmert and walked toward the dimly lit entrance
|
|||
|
of the ramshackle hut. Fat spiders retreated to the shadows with the
|
|||
|
approach of the plowman. Sod's heart quickened and his whole body
|
|||
|
started to tremble slightly. He placed his feet carefully to avoid
|
|||
|
making any sounds. With Banewood close behind, Sod craned his neck
|
|||
|
through the doorway. It took an agonizing instant for his eyes to
|
|||
|
grow accustomed to the dim light. Was there something inside? Had it
|
|||
|
heard them coming? Where is it? Nothing stirred within. Lying among
|
|||
|
the cloven tracks and defacation, however, was a flattened pile of
|
|||
|
leaves-- Kathryn's bed. The stench from inside made Sod gag.
|
|||
|
Confirming their worst fears, it seemed that Kathryn, the monstrous
|
|||
|
sow which had rampaged through Gorod, was now living in the hut of
|
|||
|
Baba Yaga. Signs of the monstrous sow were everywhere. Most of the
|
|||
|
hut's interior was badly battered and decayed. Scattered debris on
|
|||
|
the ground may have once stood for a chair. Few furnishings remained
|
|||
|
distinguishable. In the far corner, though, near the bed of leaves,
|
|||
|
stood a dark and mouldering chest. The brass straps and brads had
|
|||
|
long since turned green and disintegrated from the moisture.
|
|||
|
Banewood saw the chest and could not restrain his curiosity. He
|
|||
|
entered the hut and opened the chest. Most of the wood was badly
|
|||
|
decayed, and it fell apart when it was disturbed. Inside the chest,
|
|||
|
however, the contents were fairly well preserved. Banewood unwrapped
|
|||
|
a book-sized, oilskin-covered bundle which was on top of other
|
|||
|
items. It was a book.
|
|||
|
"I don't believe this," whispered Banewood in awe.
|
|||
|
"Don't believe what," said Sod, not believing that Banewood
|
|||
|
dared to utter a sound in the lair of Kathryn.
|
|||
|
"It looks like Baba Yaga's book of spells. I can't make out some
|
|||
|
of the writing; it's an old script. This is one of the books my old
|
|||
|
master told me about. It contains the ancient secrets of sorcery.
|
|||
|
This is an unbelievable discovery."
|
|||
|
"Well, pack up your discovery and let's get out of here. This
|
|||
|
place makes me nervous," said Sod. His hands began to sweat and he
|
|||
|
could feel the weight of his sword sliding through.
|
|||
|
Banewood hastily rewrapped the package and stuffed it into his
|
|||
|
own sack. On an impulse, he picked up another small bundle, which
|
|||
|
upon inspection, contained what looked like a Shaman's smoke
|
|||
|
mixture. Banewood lashed the sack to his belt and the two retreated
|
|||
|
back into the daylight.
|
|||
|
When Banewood and Sod stepped outside, they saw that the
|
|||
|
scraggly raven had returned. Seeing the plowman and his companion,
|
|||
|
it cried out in a raucous frenzy. Through the cacophony, Sod and
|
|||
|
Banewood heard another sound: a terrifying squealing and trampling
|
|||
|
sound. Towering above the distant grass was a massive black shape.
|
|||
|
Thin, gray hair lay matted on its back and around it's notched ears.
|
|||
|
It was a wonder that such a large beast could have existed unnoticed
|
|||
|
for so many years, but it is true: The forest hides many secrets.
|
|||
|
Clouds and fumes emanated from around the creature's snout. It
|
|||
|
reared its head up and Banewood and Sod could see a pair of blazing
|
|||
|
red eyes.
|
|||
|
"It's Kathryn," thought Sod.
|
|||
|
"It's Baba Yaga," thought Banewood.
|
|||
|
"We're in trouble," said the two aloud.
|
|||
|
Sod was possessed by a grave doubt as to his future being. This
|
|||
|
whole scene was a nightmare and he wished he could wake up. What
|
|||
|
finally woke Sod up was the one thing which he had most feared. Like
|
|||
|
a fish, Wolksmert's handle slid through the gripped fingers of the
|
|||
|
plowman and fell to the ground. When Sod reached to pick it back up,
|
|||
|
it immediately slid out of his grasp. Kathryn was charging and
|
|||
|
spewing her fiery froth. Banewood loosed a Ludki arrow at the
|
|||
|
charging Kathryn, but it glanced off of the sow's forehead. Sod was
|
|||
|
distraught, to say the least. His sword would not remain in his hand.
|
|||
|
Banewood, seeing Sod's plight, ran forward and shouted at the
|
|||
|
charging Kathryn. A spray of singeing fire told Banewood that he
|
|||
|
succeeded in getting her attention. He ran around the hut in an
|
|||
|
attempt to lead Kathryn away from Sod, who was still pathetically
|
|||
|
trying to grip his sword. A bit of Kathryn's breath caught the
|
|||
|
corner of Baba Yaga's hut and ignited the tinder-dry structure.
|
|||
|
Evidently, however, Kathryn's fiery froth had a limit, for it
|
|||
|
quickly decreased in range and intensity to the point of being a
|
|||
|
caustic dribble. Banewood took advantage of this and became bolder
|
|||
|
in his taunts. He loosed a few Ludki arrows at the enraged sow in
|
|||
|
order to further torment her. It worked. Banewood saw a nearby tree
|
|||
|
that he thought could hold his weight. He ran to it and limberly
|
|||
|
pulled himself up the trunk. He had previously discarded his
|
|||
|
backpack and other paraphernalia, but he neglected to untie the tiny
|
|||
|
old bag which held the ancient smoking mixture. It ripped open as
|
|||
|
Banewood shinned up the trunk, spilling its contents around the base
|
|||
|
of the tree.
|
|||
|
Kathryn was not an ignorant sow. She saw this grand opportunity
|
|||
|
to harvest the tree's single fruit: Banewood. She ran headlong into
|
|||
|
the sturdy trunk of the tree and splintered part of the trunk. She
|
|||
|
tore at the ground around the tree with her hooves and layed her
|
|||
|
forehead against the trunk in an attempt to batter it down. Kathryn
|
|||
|
kicked up a cloud of the ancient herbal mixture torn from Banewood's
|
|||
|
belt. Her two wide nostrils inhaled part of the cloud and Kathryn no
|
|||
|
longer felt any pain. Hitting the tree with her head was easy; in
|
|||
|
fact, it was fun.
|
|||
|
Sod saw the impending danger that Banewood was in. It was Sod's
|
|||
|
fault, he thought, that Banewood even came on this journey. He
|
|||
|
couldn't let him die. Sod had decided to go into this quest, and by
|
|||
|
his life, he would take it to its completion. He picked up a rock
|
|||
|
and threw it squarely at Kathryn's rear. Kathryn turned about and
|
|||
|
faced Sod. He taunted her with insults to her genealogy. Sod hardly
|
|||
|
noticed that he now gripped Wolksmert firmly in both hands. He
|
|||
|
spaced his legs, hurled another insult and waited.
|
|||
|
The smoking mixture continued to work on Kathryn's brain. It had
|
|||
|
a strange, numbing sensation. Colors burst before her crimson eyes.
|
|||
|
Directly in front of her stood a tattered and sweaty plowman-- easy
|
|||
|
prey and a quick lunch. Suddenly, though, she was faced by two
|
|||
|
plowman-- no problem-- then a third. Three Sod's stood before the
|
|||
|
eyes of an enraged and disoriented sow. Baba Yaga's mixture,
|
|||
|
whatever it was, buzzed around in Kathryn's head like a swarm of
|
|||
|
happy bees. Kathryn decided that the plowman on the left, Sod number
|
|||
|
three, was the real one. It didn't really matter; she could always
|
|||
|
come back and finish off the other two. She charged with full fury.
|
|||
|
Distance between the two retreated with the sound of thundering
|
|||
|
cloven hooves. Sod number two, the one in the middle, didn't quite
|
|||
|
understand why Kathryn was veering so much to his right. No matter--
|
|||
|
Wolksmert, guided by the plowman's strong arm, swung with the ease
|
|||
|
of a baton but crashed with the weight of a boulder.
|
|||
|
Blood poured from Kathryn's head. Blood ran to the ground in red
|
|||
|
rivers and stained the dusty feet of the plowman. Blood dripped from
|
|||
|
the shining blade of Wolksmert.
|
|||
|
Kathryn was dead.
|
|||
|
It was several minutes before either Sod or Banewood moved or
|
|||
|
said anything. Sod stood alone with his sword dripping blood to the
|
|||
|
ground. Banewood shouted from the tree.
|
|||
|
"You killed her. I can't believe that it happened so quickly."
|
|||
|
"Quickly?" Sod thought hours passed during Kathryn's charge.
|
|||
|
"I owe you my life," said Banewood. "How can I ever repay you?"
|
|||
|
"Don't worry," said Sod, who smiled for the first time. "It all
|
|||
|
comes out in the wash."
|
|||
|
Without having to discuss their next step. The two quietly and
|
|||
|
deliberately set about gathering dried brush and grass for a fire.
|
|||
|
It took nearly an hour to amass the giant pyre, but it was finally
|
|||
|
built and easily set aflame from the embers of Baba Yaga's
|
|||
|
smoldering hut. The evening light was brightened by the burning pile
|
|||
|
of brush. A night bird sang vespers, and the wind whispered softly
|
|||
|
over the plains, gently fanning the blaze.
|
|||
|
-Roman Olynyk <VM0BA9 @ WVNVM>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|