1122 lines
50 KiB
Plaintext
1122 lines
50 KiB
Plaintext
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_ ________/\______/\________/\
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_ ___ __ ________ ____|__ _
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| _ .| __|_ | .___ _
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=| :| : .| | :|=
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===| ___| :| : .|===
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=====:_____:__________:_________:cr===
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pEz monthly magazine % issue #24
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pEz monthly rootin' tootin' rompin' stompin' jamboree % issue #24 % june,
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ninteen ninety-five % president and head writer :: black francis % head
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editor :: dead cheese % vice-president :: murmur % all rights reserved, but
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two wrongs don't make a right 1995 % whq :: gba @ (215)750-0392 % bye bye
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call the pEz monthly magazine wacky-fun information line @ (800)356-5050!
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:: contents under pressure ::
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:: gracefully told by; black francis ::
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in this fudge-a-licious issue of pEz monthly magazine :: murmur is
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elite, basil, liberals and their shitty taste in music, 'shrooms, text file
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ripping (?), random phone surveys, the adventures of billy; the retarded
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dish boy (part one), the sad sad story of dead cheese, 'zine-con '95, french
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dressing, fun 'n games with basset brown, don't tread on the salt marsh
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fleabanes, frannie's infatuation with the pink ranger, frosted flakes, tom
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petty, cold refreshing beverages, more from stinky, vampires, art fags, body
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piercing, bi-sexuality, bell-bottoms, the most terrible poetry you've ever
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laid eyes on, a-ko answers all those burning questions that fester somewhere
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in your lower intestines, retards, sarcasm unbound, how to be cool like
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mogel, hammer time, cheeseburgers, and relieving yourself on good ol' mom.
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phew.
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:: love letters from black francis ::
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:: only a dollar ninety-five per minute, by; black francis ::
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welcome to another wacky issue packed full of pEz monthly escapades.
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it's june, and you know what _that_ means, right?
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well, neither do i.
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anyway, i'm writing this way before this issue is due to be released,
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so if it's a little out-dated or whatnot, don't come crying to me, you
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little bastard!
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i'm very happy with the way this issue has turned out _so far_. i'm
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impressed. really. especially with murmur's work. his stuff on liberal
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art schools this issue is super-de-duper. i also wrote more this issue than
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i did for the last one. i also went back to writing some short story stuff,
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which i haven't done in a long time. i'm working on some more short stories
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now, and i'll probably hand them over to hoe or gasp or something. there's
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another great thing about the "'zine scene" in comparison to the "ansi
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scene"; you can write whatever the hell you want and submit to whoever the
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hell you want, and still write for one group in particular or whatnot.
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hell, you can even run your own 'zine, which more and more people
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seem to be doing now. it's a welcome change, but, come on; writing your own
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'zine isn't just for anyone. at least they're not starting more ansi
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groups. that's _just_ what we need. more ansi groups.
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"we're not lame, man. check out our first pack before you say
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that."
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eek. enough about ansi. i shudder at the thought.
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jeepers. this is only the introduction and i'm already breaking off
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into rants and whatnot. where's my valium?
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well, anyhow, we got really mixed reviews on the last issue. some
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people loved it as usual, and some people thought it flat-out sucked.
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different strokes for different folks, i guess.
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altougth, i did notice that the last issue was more editorials than
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anything. there was almost no humor in there, whatsoever. i tried to
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change that this issue, and i don't know how well it turned out. so, as
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always, give me feedback!
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send all suggestions, complaints, reviews, prescriptions, etc. to;
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francis@tnce.com, or;
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francis@squeaky.free.org.
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for our friends without an internet account, you could always give
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the pEz monthly vmb a ring and leave me a message there;
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(800)402-2040, box #265
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or, you could always give pEz monthly whq a ring-a-ding-ding;
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goat blowers anonymous;
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(215)750-0392
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also, check out the kind-of-official pEz monthly ftp site at;
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ftp.fc.net;
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pub/deadkat/misc
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one more thing before i split, 'zine-con is coming to philly this
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summer, so, pack your bags and head on down to the city of brotherly love!
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you'll get to meet the heads of such incredibly stupid 'zines such as
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pEz monthly, hoe, gasp, jonas, and more! hey, if you're lucky, you may even
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touch me or something. imagine the orgasmic pleasure you'd get out of that!
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well, that's it from me for this issue. see you around next month.
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i love you kids.
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hugs and kisses,
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funky frannie b
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:: ask a-ko! ::
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:: witty retorts compliments of; black francis ::
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have a problem? well, don't we all.
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anyhow; maybe our pal and yours, mr. a-ko, can help you out so that
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you can possibly move on with your pathetic life. give it a shot, what else
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do you have to lose, you worm? absolutely nothing!
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all questions can be directed to;
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francis@tnce.com, or;
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francis@squeaky.free.org.
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[-----]
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q: dear a-ko;
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i fear that i may be a lamer. the other day, my boyfriend said that i
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was, but i think he might just be saying that to pressure me into sex.
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what do you think?
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a: you're a lamer. leave me alone, i'm masturbating. shut up, lamer.
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[-----]
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q: dear a-ko;
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i recently hacked the internet and took it down, causing millions of
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dollars in damages. do you think i was wrong?
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a: shut up, lamer.
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[-----]
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q: dear a-ko;
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could you please describe what exactly a "lamer" is?
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a: only a lamer would ask that. lamer. shut up.
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[-----]
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q: dear a-ko;
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i recently made a new box which will allow you to download a whole pizza.
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do you think i should release the plans or keep it to myself?
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a: only lamers download pizzas. now shut up. lamer.
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[-----]
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q: dear a-ko;
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what kind of software should i use for my new bbb? I have 32 nodes of
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36,500,000 baud modems with 150 gigabytes of nothing but h/p/a/v/c.
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a: shut up, lamer. lamers shouldn't run boards. shut up.
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[-----]
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q: dear a-ko;
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this is your mother, how come you don't return my phone calls?
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a: because you're a lamer. shut up. lamer.
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[-----]
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q: dear a-ko;
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am i a lamer?
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a: uhm.. i'm not sure. just kidding! of course you are, lamer! shut up.
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[-----]
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now, don't you feel better already? i know _i_ do.
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:: basil; condiments chapter 45 ::
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:: submitted by; murmur ::
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i thought that i was in a state of flux, but i was actually in
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albuquerque, looking for some moccasins. there were no moccasins to be
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had, however, and i was forced into a large, barren, dome-like dome. there
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were various forms of vegetation, but nothing enticingly edible. however,
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there was an odd stream of french dressing oozing out of the corner of the
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box at the far right of the ceiling. unfortunately, i was allergic, rattled
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by the rush, and drowned by my conscience in the wake.
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moral: lay off the 'shrooms, boy.
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slurpee.
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:: t-file ripping? ::
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:: gripping investigative report by; black francis ::
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first, the "dewdle boys" had to deal with it, now we humble 'zine
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folk have to do the same.
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plagarism! that's right; _ripping_! flat-out ripping! this month,
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we'll take a dramatic look at one such case in which "pip the angry youth"
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as he likes to call himself, blantantly _stole_ a poem of mine originally
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published in pEz monthly #22, modified it slightly, and re-published it in
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his own 'zine that he likes to call "gasp" which stands for something about
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monkeys or something. let's look at the proof!
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[-----]
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_my_ poem which was originally published in pEz monthly #22;
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ode to pip the angry youth ::
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pip. pip.
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pip is really hip.
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i payed $11 for the sponge album,
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and boy was it a gyp.
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my little sister likes to skip.
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my little brother likes to flip.
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but, me. yes, me.
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all i like is pip!
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[-----]
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the ripped poem, as seen in gasp #33! this "pip" person should be
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put to death!
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ode to me
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pip, you suck monkey balls
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mother looks at you and falls
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people run away in the halls
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you are alone in the bathroom stalls
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[-----]
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how much longer will injustices like this go on? how long must we
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put up with evil people such as this who _steal_ our hard work and pass it
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off as their own?
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i want justice, and i want it now!
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:: the great myth of liberalism ::
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:: submitted; by murmur ::
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an epidemic is spreading through the minds of american youths.
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whether or not this is a new epidemic is unknown and is quite frankly
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immaterial. this epidemic involves a trend towards social conservatism.
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the basic concept of this is simple, but first i'll start off by
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presenting the event that sparked this pent-up rage. my college radio
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station, wesn, which is a novel concept but falls short in some respects,
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put on this alternative rock festival featuring 11 bands in twelve hours.
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some of the bands sucked something fierce, but a few in particular, namely
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this band out of champaign, illinois called the suede chain and this band
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on giant records called certain distant suns, rocked my ass off. anyway, i
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was there, for practically the whole thing, only leaving during one of the
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crappier bands to go eat dinner. it was a murky day, it rained some, but by
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about 9:30pm when headlining certain distant suns took the stage, it was no
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longer raining. my campus of 1800 failed to show up for this event; i
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estimate about 80 people (and that's a rather wild estimate, i suppose) were
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present for the HEADLINERS. 80 people. and half of them were local high
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school kids. so, we have 40 people from a campus of 1800 showing up for the
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second biggest rock show that our campus held this year (the largest was the
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indigo girls, who brought in about 1,500 people i've been told, largely from
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our campus.)
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now, i go to a small liberal arts school in the midwest. obviously
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liberal sentiment exists, we managed to get at least a third, probably over
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a half of the student body to go see the indigo girls, on the same night as
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the ncaa basketball championship game. but only 40 people out of 1800 show
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up for the headliners of a really cool festival on a saturday night that
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simply wasn't laced with parties. three frats/sororities had "informals" so
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i won't smash them so much, they were doing SOMETHING. but on this liberal
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arts campus, where in a random survey pearl jam's vitalogy WAS voted #1
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album of 1994 a mere four days after its release, only 40 people show up to
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see 11 bands, at least two of which were simply great as live bands. ok,
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they're no pearl jam (i guess, i haven't seen pearl jam live) but they were
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still great live.
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why? why didn't people show up? i tried to have a discussion with a
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few guys at lunch, who had largely seen the show, and the dialogue went sort
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of like this ::
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"why didn't people go?" "they didn't want to."
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"well, why didn't they want to?" "they don't HAVE to want to!"
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"these bands are just as good as the ones they listen to, yet they won't
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even give them a chance." "that's opinion." (no, it isn't, at least five
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of the bands were better than the stone temple pilots)
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so why didn't people show up? well, at this juncture, i decided to
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place random phone calls to people to ask them. here's what i wound up
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with, calling people whose extensions ended in multiples of 25:
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"hi! i'm running a survey. did you go to the 'far left fest'?"
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call 1: she DID go. for a part of it, friends suggested a band.
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call 2: answering machine.
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call 3: answering machine.
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call 4: answering machine. at this point i'm considering changing
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my focus to: where the fuck are people
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on wednesday nights when i want to do a
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random survey?
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now switching to random multiples of 47:
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========================================
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call 5: she did NOT attend. says she was out of town.
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call 6: he did NOT attend. claims to have been at a track meet.
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call 7: she DID attend, briefly, "because there was music out there."
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now switching to random multiples of 80:
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========================================
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call 8: pat and dan were not in, answering machine.
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call 9: she DID attend part of it, "to hear the bands play."
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now switching to random multiples of 377:
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=========================================
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call 10: no answer.
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at this point, having hit four answering machines, one no answer,
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three people who went for part of the event, and two people who had somewhat
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reasonable answers for why not, i realized this idea was doomed to failure.
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anyway, back to the original part. no matter what, there were still
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only 40 out of 1800 students by 9:30pm. why? this is why ::
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on campuses, big and small, across the nation, a trend is forming.
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this probably isn't much of a new trend, i assume it's been around for one
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hell of a long time. this trend is the trend towards thinking like a
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liberal and acting like a conservative. now, i don't mean liberal and
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conservative in a political sense so much as a social sense. people are
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listening to "alternative" music like nine inch nails that their parents
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might not approve of, they might even go to a nine inch nails concert, but
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do they like nine inch nails for the music, or because of some sort of
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conditioning to do so, or both? i argue both.
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why have bands like blues traveler and phish become viable? it's a
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good question. they don't sound *popular*, now do they? no. that's
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because the youth of america are doing something unique: embracing things
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across the board for various reasons, such as nine inch nails, phish, and
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nirvana. these various reasons are somewhat confusing; although it seems as
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thought there is a certain amount of expression in what people listen to,
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the fact is that a majority of people are largely driven by smaller peer
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groups.
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theoretical question: people like stone temple pilots, certain
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distant suns are by far a better band, why didn't people go see certain
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distant suns? fear of alienation? no. it's this simple: people are
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completely unwilling to lunge out, take the first step. being on the fringe
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and having listened to nirvana since the day bleach came out doesn't mean
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jack shit if way back then you listened to bleach because and ONLY because
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someone suggested it. let's face it: people who listen to certain bands DO
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like those bands. but they'd also like a flurry of other bands they're
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afraid to go out and listen to for some reason.
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why is it i'm the only person from my home town with an urge overkill
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album? why is it only three of us have pavement albums? at the same time,
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probably 25% own at least one pearl jam or nirvana album. and, yes, there's
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a sense of personal feeling in this, but still: urge overkill is a BETTER
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band than pearl jam. so why are people listening to pearl jam? well, we
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can't blame it on trendiness in all cases. we can't blame it on ignorance,
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they've HEARD of urge overkill now. we can blame it on being
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chicken-shitted.
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how many people out there will actually buy an album with no tangible
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idea what they've gotten themselves into? i do it all the time. one day i
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bought two albums: tripmaster monkey and dead can dance. now if that isn't
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somewhat eclectic i don't know what is. but who else is willing to spend
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money on something they don't already feel confident in? and we're not
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going to count people who queued to buy vitalogy the day it came out. they
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didn't give a fuck WHAT the album sounded like, now did they? they like it,
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what difference does it make?
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people have no balls. fact is, most of the people that read this
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won't be able to personally relate. it DOES take a certain amount of balls
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to be in the midst of such an odd thing, even if you were drawn in by some
|
||
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friends of yours. t-files aren't like bands. they're changing, different.
|
||
|
how many people that YOU know will say "yes, i love HoE!!!" if they don't
|
||
|
know jack shit about it? people claim to love the dead kennedys even though
|
||
|
they only know that "one cambodia song"; but will people claim to love pEz
|
||
|
because of "those damn mentos commercials"? well, wait, they would, BECAUSE
|
||
|
it's mentos. but any OTHER pEz? no way in hell.
|
||
|
|
||
|
it's not really a disease that can be cured. in fact, i'm a bit
|
||
|
amazed at the diversity of the populace now within the spectre of popular
|
||
|
music. any society which will put pantera, tupac shakur, soundgarden,
|
||
|
r.e.m., bruce springsteen, pink floyd, boys ii men, live, and countless
|
||
|
others at #1 on the billboard charts is sure as fucking hell diverse.
|
||
|
and they clearly aren't all sheep. but the fact is, there's nothing wrong
|
||
|
with jumping into a herd, so long as a) you don't blindly follow it along
|
||
|
and b) you're willing to take charge yourself if need be.
|
||
|
|
||
|
people who wear t-shirts with a copy of kurt cobain's death
|
||
|
certificate on it are simply sick. those people are blatant exceptions.
|
||
|
people who say "kmfdm? they're cool, d00d!!" and mean it, they're the
|
||
|
morons. but most people out there aren't quite like that. they're a step
|
||
|
above; still a growing problem in itself but hopefully a more correctable
|
||
|
trend. lend a cd to a friend, get them acquainted to a band they may not be
|
||
|
acquainted to. if they hate it, then, well, they're standing up and making
|
||
|
an opinion like they should.
|
||
|
|
||
|
and as a matter of record: the only cd i have ever purchased without
|
||
|
the direct intent of selling it again at a later date that i wound up
|
||
|
selling again at a later date was: hotel california by the eagles. every
|
||
|
other cd i've sold was a gift or a prize. i pride myself in being diverse
|
||
|
in tastes and buying truly random things at times (like mazzy star and
|
||
|
shellac, for example) but it seems like i always have the knack for what i
|
||
|
want to listen to. and that copy of pearl jam's vs. i gave away, that was a
|
||
|
gift too.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: the adventures of billy; the retarded dish boy ::
|
||
|
:: part one; billy breaks a dish ::
|
||
|
|
||
|
small droplets of water bounced off the cheese-stained plate and
|
||
|
splashed billy in the face. he loved when that happened. billy loved the
|
||
|
more simple things in life.
|
||
|
|
||
|
after all, billy was retarded. not that retards aren't people, too,
|
||
|
but let's say that they're much more easy to entertain than normal folk.
|
||
|
|
||
|
billy cracked a little smile and put the dish back on the flat rack.
|
||
|
it was a slow day, he had hardly washed any dishes at all, and it was
|
||
|
already lunch time. he hadn't sorted _any_ silverware, and that was rare,
|
||
|
even for a slow day.
|
||
|
|
||
|
billy reached behind him and grabbed his soda from the metal shelves
|
||
|
that occupied the other half of the dish room. the ice was just beginning
|
||
|
to melt - he could taste it. watered down soda was a pet peeve of his. it
|
||
|
just tasted horrible. he took one small sip and then reached behind him to
|
||
|
place the soda on the metal shelves, right where it was before. with his
|
||
|
other hand, he grabbed another plate from the bus pan. it was one of those
|
||
|
country dinner plates. heavier than the rest of them. heavier than he
|
||
|
thought or expected.
|
||
|
|
||
|
in slow motion, like they always describe it on those tabloid tv
|
||
|
shows, billy could feel the dish slip from his greasy fingertips. he was no
|
||
|
longer concentrating on putting his soda back on the shelves behind him, now
|
||
|
he was reaching for the plate with both hands, hoping to reach it before it
|
||
|
hit the floor.
|
||
|
|
||
|
"billy, you idiot! it's true, what they say about you. you're a
|
||
|
moron. nice going, billy!" he thought to himself. he could hear his former
|
||
|
school mates taunting him.
|
||
|
|
||
|
"billy is stupid. billy is stupid." they chanted repeatedly.
|
||
|
|
||
|
the dish hit the floor, and shrapnel flew every which way. billy's
|
||
|
eyes shot wide open right along with his mouth. it seemed like everyone in
|
||
|
the restaurant suddenly became quiet.
|
||
|
|
||
|
"oh no." he thought, "this will be the end of me."
|
||
|
|
||
|
billy had been working at the small restaurant every day for a little
|
||
|
over five years now, and he had never broken a single thing.
|
||
|
|
||
|
billy was scared. very scared. he loved this job. he didn't want
|
||
|
to leave. where would he go? nobody would hire someone like billy. nobody
|
||
|
except mcdonalds, and he'd rather die than work there. quickly, billy got
|
||
|
down on his hands and knees, picking up the little pieces of china, trying
|
||
|
to get it up before anyone ran into the dish room to see what happened.
|
||
|
|
||
|
all kinds of crazy thoughts shot through billy's head. what if this
|
||
|
lead to some bizarre string of bad luck? what if they found out about when
|
||
|
he peed in the sink because he couldn't make it to the bathroom? or what if
|
||
|
they found out about the time he ate all the red crayons that they pass out
|
||
|
with kids menus because someone had told him they tasted like m&ms?
|
||
|
|
||
|
billy just wanted to run out the fire exit and never return. he
|
||
|
would rather become a vagrant than deal with being fired from the only job
|
||
|
the he ever loved. he could hear footsteps rushing towards the dish room.
|
||
|
|
||
|
billy began to panic and tried to pick up the pieces faster. he
|
||
|
started to get a little too nervous, and started dropping pieces left and
|
||
|
right.
|
||
|
|
||
|
"billy; what happened?"
|
||
|
|
||
|
his life was over. it was craig, the supervisor.
|
||
|
|
||
|
"eye bruke da plaite. eet wus en accedant, eye ... " he was cut off
|
||
|
by craig.
|
||
|
|
||
|
"are you ok?" he asked.
|
||
|
|
||
|
"eye tink su." billy said. he could feel himself getting flustered.
|
||
|
he was probably bright red and sweating like roger ebert.
|
||
|
|
||
|
"ok, well, just throw the pieces in that little white bucket in there
|
||
|
and we'll get another one from the commissary." craig said. then he walked
|
||
|
back into the dining room.
|
||
|
|
||
|
billy was safe after all. he had done all that worrying and
|
||
|
panicking for nothing. he stood up, brushed off his hands, and took another
|
||
|
sip of his soda. it was even more watered down than before. it sure was
|
||
|
hot in that little dish room. then billy smiled, picked up another country
|
||
|
dinner plate, and tossed it to the ground.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: be a geek, there is no hope ::
|
||
|
:: my sarcasm unbound ::
|
||
|
:: submitted by; k-raddy-rad g-funkmastah moggiemog mogel ::
|
||
|
|
||
|
again and again you realize time after time that you are not cool,
|
||
|
and you never will be. this is the important realization that you will
|
||
|
ever make in your life, for it can foretell your fate. this is the
|
||
|
painfully necessary realization that you are not me, and you never will be.
|
||
|
|
||
|
for some of you this whole idea might be a tough one to swallow, but
|
||
|
let me assure you that this will never be. you are destined to rot away in
|
||
|
a puddle of patheticness. you are a worthless slop infested piece of
|
||
|
garbage that doesn't even deserve to read the words that i type, thus even
|
||
|
reading this puts you at a new low.
|
||
|
|
||
|
fortunately, i have this bizarre bone in my body that actually gives
|
||
|
a shit about what happens to a useless moron like yourself. call it my
|
||
|
tragic flaw. i have decided to take it upon myself to explain to you this
|
||
|
simple method of making the best out of your destined-for-doom life. by
|
||
|
even expending this effort i prove my eliteness.
|
||
|
|
||
|
okay, here's the main idea of this stupid t-file. i need to spell it
|
||
|
out for you, despite it's redundance, because you are all morons and none of
|
||
|
you get any sort of jokes. you all can't see the slightest bit of sarcasm
|
||
|
or irony unless it's practically slamming you in the face. there's actually
|
||
|
some people that think saturday night live is better now than it ever has
|
||
|
been before.
|
||
|
|
||
|
main idea: you are a pathetic loser. you will never be mogel.
|
||
|
instead of doing the logical thing and simply committing suicide, i propose
|
||
|
another alternative to life. annoy the living fuck out of the world. the
|
||
|
following are four simple interactive methods that will not only confirm
|
||
|
the fact that you are a geek to all that are around you, but they will help
|
||
|
you succeed in the ultimate purpose of all life - to make mogel look better.
|
||
|
|
||
|
method #1 - literal humor
|
||
|
=========================
|
||
|
|
||
|
everyone's favorite geek is the 'wise-crack' guy. they epitome not
|
||
|
only bad humor, but are just flat-out dorks. thus, i am now giving my
|
||
|
approval to go out into the world and practice this annoying habit
|
||
|
eternally.
|
||
|
|
||
|
a literal joke. as ignorance _is_ bliss, and i find a certain beautiful
|
||
|
purity in you not knowing if you actually _don't_ know, but i feel it's my
|
||
|
duty to both warn you and encourage you to the theory behind the practice.
|
||
|
a literal joke is a type of joke where someone says a seemly normal
|
||
|
sentence, and another 'joker' (you!) picks out some keyword and makes a joke
|
||
|
of it by taking the word by it's literal meaning, no matter how blatant the
|
||
|
figurative meaning is.
|
||
|
|
||
|
and yes, there's just something disturbing about it all, like the feeling
|
||
|
you get when you've swallowed one too many vivarin but feel perfectly fine.
|
||
|
you know something scary is about to happen. the analysis of what is
|
||
|
disturbing about this humor is what fascinates me the most. the idea will
|
||
|
blow your friends mind. the _best_ way to practice this humor is to begin
|
||
|
programming yourself to give these 'literal' responses to the mere mention
|
||
|
of the word or expression. people, in their minds, will be shocked by the
|
||
|
fact that a human being with a mind and so much mental potential has
|
||
|
actually wasted their time programming these stupid jokes into their brain.
|
||
|
this is the kind of deep rooted annoyance that will make me proud.
|
||
|
|
||
|
examples ::
|
||
|
===========
|
||
|
|
||
|
"i don't drink."
|
||
|
"alcohol or not at all?"
|
||
|
|
||
|
"that joke was really corny."
|
||
|
"guh. why don't you put butter on it?"
|
||
|
|
||
|
|
||
|
method #2 - the in-the-closet singer
|
||
|
====================================
|
||
|
|
||
|
yet another 'keyword or expression' practice for conversation that
|
||
|
not only annoys people, but actually can sterilize a conversation if done
|
||
|
the correct way.
|
||
|
|
||
|
contrary to popular belief this method requires absolutely no sort of
|
||
|
singing or vocal talent. you can have the most fucked up crackly voice in
|
||
|
the world and it won't matter a hill of beans, actually, it will probably be
|
||
|
better the worse your voice is. dig it! the whole method resides in you
|
||
|
harping in one a word or expression that goes along with words that you have
|
||
|
heard in a song. it doesn't have to be a song you like at all. anything.
|
||
|
of course this method does have the one fault that you will have to actually
|
||
|
spend your time listening to music and experiencing something human instead
|
||
|
of programming yourself with bad jokes from method #1.
|
||
|
|
||
|
just nab the expression and go ballistic. interrupt people in the
|
||
|
middle of their sentences. can't you imagine the look of annoyance of their
|
||
|
faces when they scream "HELP!" and you go into 27 chorus' of the beatle's
|
||
|
'help!'? go for the gusto. after all, who gives a fuck anyway?! it's not
|
||
|
like you're ever going to be like mogel or anything.
|
||
|
|
||
|
example ::
|
||
|
==========
|
||
|
|
||
|
them: "if you don't stop singing, i'm going to light you on fire."
|
||
|
you: "come on baby light my fire..."
|
||
|
them: "stop!"
|
||
|
you: "...in the naaaame of looove. before you break my heart..."
|
||
|
them: "STOP!"
|
||
|
you: "hammer time!"
|
||
|
|
||
|
|
||
|
method #3 - the retarded guy
|
||
|
============================
|
||
|
|
||
|
be stupid. stupid people that don't understand the simplest wit and
|
||
|
concepts in a conversation and need to have _everything_ explained to them
|
||
|
are whole new realms of annoying.
|
||
|
|
||
|
_warning_! i don't mean act like you are in special ed or anything.
|
||
|
if you do that then you'll be put with _real_ special ed or retarded people,
|
||
|
which would become the greatest torture for you to ever experience in your
|
||
|
life. this is because real retards were born with the _true_ special
|
||
|
ability to annoy the shit out of everyone. they didn't need to read this
|
||
|
text file and learn these methods - from the day they learned to piss on
|
||
|
their mothers they knew what to do. this is the one thing you want to
|
||
|
avoid. your methods will not work on them, them will rip you to shreds.
|
||
|
thus using the retarded guy method you must be sure not to over play it.
|
||
|
|
||
|
|
||
|
method #4 - the obsessive eccentric crazy guy
|
||
|
=============================================
|
||
|
|
||
|
this method requires the most creativity. this might scare some of
|
||
|
you at first, but once you get the hang of it you'll be a groovin' moronic
|
||
|
cat.
|
||
|
|
||
|
basically the gist behind this one is that that you act like a major
|
||
|
weirdo and scare away people. either that or you'll attract other weirdos,
|
||
|
which then you can pounce on and ultimately drive them away too, then
|
||
|
drawing more and the cycle continues.
|
||
|
|
||
|
how do you do it? be random. be wacky. be funny, but make sure
|
||
|
that you are only funny in your mind and no one else will actually laugh.
|
||
|
say things that no one will understand or have a clue about. when people
|
||
|
are being detailed, make abstractions. when people are discussing the
|
||
|
meaning of life, talk about a cheeseburger.
|
||
|
|
||
|
|
||
|
conclusion ::
|
||
|
=============
|
||
|
|
||
|
remember above all that the point here is to have a better life.
|
||
|
there is no hope whatsoever that you will be me. you might as well stop the
|
||
|
futile quest and do something that will make your anti-mark in the world.
|
||
|
do something worthless. after all, the world doesn't deserve your
|
||
|
brilliance anyway.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: the sad sad story of dead cheese ::
|
||
|
:: curteousy of; aardvark ::
|
||
|
:: commentary by; black francis ::
|
||
|
|
||
|
in case you can't tell, this is the user information for dead cheese
|
||
|
taken from a local chat board a few days ago. this is where he's been, and
|
||
|
this is why he doesn't write for us all that much.
|
||
|
|
||
|
i swear i did not make this up.
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
*--* 05-10-95 - 00:43:21 *--*
|
||
|
|
||
|
user-id ..................... dead cheese
|
||
|
sex ......................... male
|
||
|
message ..................... i'm not wearing any pants! tee hee.
|
||
|
account created.............. 07/22/94
|
||
|
last time on................. 05/10/95 00:00am
|
||
|
class ....................... 90day
|
||
|
time on today (hh:mm) ... 14:35
|
||
|
nickname .................... assmunch supreme
|
||
|
time on this call (hh:mm) ... 0:41
|
||
|
location .................... majormud
|
||
|
baud rate ................... 14400
|
||
|
line number ................. 2
|
||
|
flags ....................... b (b=busy, c=chat, s=sysop, i=invisible)
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
fourteen hours and thiry-five minutes?! i don't do _anything_ for
|
||
|
that long, including sleep.
|
||
|
|
||
|
someone get this boy some psychiatric help. soon.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: primates in the "scene" ::
|
||
|
:: submitted by; stinky ::
|
||
|
|
||
|
it's been a while since i've written something for either pez or pal,
|
||
|
so, i figured, why the hell not? i've got something important i want to
|
||
|
talk about, and i want all of you to hear it. so, here goes;
|
||
|
|
||
|
you know, everybody's always complaining about racism in the "scene",
|
||
|
or homophobia in the "scene", but never have i ever seen anyone complaining
|
||
|
about primatephobia in the "scene". not once. i think this is an extremely
|
||
|
important issue, and should be straightened out immediately.
|
||
|
|
||
|
every single time i log on to a local board, or pop in #ansi, all i
|
||
|
see is;
|
||
|
|
||
|
"shut up you stupid fag lemur!", or;
|
||
|
|
||
|
"(so-and-so) is a carpucian! blacklist this primate!" and i'm really
|
||
|
getting sick and tired of it.
|
||
|
|
||
|
i'm not saying this only as a primate, but i'm saying this as an
|
||
|
active participant in the "scene". there's no need for this. just because
|
||
|
someone doesn't walk upright doesn't mean you're any better than them.
|
||
|
|
||
|
hey. we may swing from trees on our tails. we may cake our fingers
|
||
|
in our own fecal matter and then eat it. we may even have bright red asses,
|
||
|
but that doesn't mean we shouldn't be treated just like everyone else.
|
||
|
|
||
|
i bet you didn't know that somms, from acid productions, is a
|
||
|
chimpanzee. right along with erik bloodaxe. see? without primates, where
|
||
|
would we be?
|
||
|
|
||
|
so, the next time you call someone a "stupid madril", think about
|
||
|
what you're really saying about _yourself_.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: basset brown; the new hound's try and find ::
|
||
|
:: whistler ::
|
||
|
|
||
|
words that remind us of whistler are hidden in the block below. some
|
||
|
words are hidden backward or diagonally. see if you can find :: artist,
|
||
|
etching, whistler, mother, paint, drawing, watercolor, paris, london, japan,
|
||
|
butterfly, pose, portrait, art, colors, exhibit, museum.
|
||
|
|
||
|
b t i a r t r o p a u m f r t
|
||
|
u j a p a n c i a r t u e v w
|
||
|
t j p a i n t o g s u s t d h
|
||
|
t t i b i h x e l k i e c r i
|
||
|
e l z j s i r a p o v u h a s
|
||
|
r l o n d o n q a p r m i w t
|
||
|
f r c d q a r t i s t s n i l
|
||
|
l r e h t o m e s o p s g n e
|
||
|
y t e r o l o c r e t a w g r
|
||
|
|
||
|
see? pEz monthly can be entertaining.
|
||
|
|
||
|
fun for the whole damn family.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: in danger ::
|
||
|
:: by; dr. richard d. whiteford ::
|
||
|
|
||
|
common name :: salt marsh fleabane
|
||
|
scientific name :: pluchea odorata
|
||
|
|
||
|
a member of the sunflower family, this plant grows to three feet and
|
||
|
has short-stalked leaves that are lance-shaped and sometimes toothed, and
|
||
|
firm or fleshy.
|
||
|
|
||
|
it's disc-shaped flowers are pink-lavender and about a fifth of an
|
||
|
inch wide. they bloom from july to october. the plant gives off the
|
||
|
fragrance of camphor. it lives in saline-to-brackish marshes and adds a
|
||
|
flash of pink to marsh grasses in the fall.
|
||
|
|
||
|
habitat loss and its use in ornamented dried-flower arrangements have
|
||
|
placed this on the endangered list.
|
||
|
|
||
|
if you see salt marsh fleabane, please do not disturb it, and try to
|
||
|
preserve its habitat.
|
||
|
|
||
|
.. and pEz monthly is educational, too!
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: i superabound ::
|
||
|
|
||
|
back by popular demand!
|
||
|
|
||
|
well, not really.
|
||
|
|
||
|
here are some more things that have been on my mind, but i really
|
||
|
don't feel like writing about in full.
|
||
|
|
||
|
sit back, grab a cold refreshing beverage, and enjoy!
|
||
|
|
||
|
1) frosted flakes are the food of the gods.
|
||
|
2) tom pettys nose is the single-most fucked up thing i've seen in my
|
||
|
entire life. well, the single-most fucked up nose i've ever seen, at least.
|
||
|
3) people should get beat up for stateing their beliefs.
|
||
|
4) in the new mighty morphin power rangers movie, the pink ranger
|
||
|
loses her beautiful form-fitting spandex for some heavy bulkier armor.
|
||
|
5) i can only think of four other things to bitch about.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: the gothic rant ::
|
||
|
|
||
|
now, _here_ is a real rant - in true t-file fashion.
|
||
|
|
||
|
ahem. let's begin;
|
||
|
|
||
|
you people have pushed me entirely too far with your "gothic"
|
||
|
crap!
|
||
|
|
||
|
"i'm a vampire! blood tastes good! yum yum!"
|
||
|
|
||
|
"i am gothic and original! get hip to my anarchy!"
|
||
|
|
||
|
just shut up because you are not a gothic and you are certainly not
|
||
|
a vampire! you are accomplishing nothing but _pissing me off_! take your
|
||
|
painted black fingernails and shove them up your tight white ass, you
|
||
|
blantantly idiotic evil spawn of an art fag.
|
||
|
|
||
|
you're a vampire? when did you realize this? were you a vampire
|
||
|
_child_ as well, because, i don't think you can "suddenly" become a vampire.
|
||
|
|
||
|
"gee. the sun seems to bother me much more than it ever did."
|
||
|
|
||
|
i'm sure if you were a vampire child, your parents would have sent
|
||
|
your pathetic ass to a mental institution as quickly as possible.
|
||
|
|
||
|
at least claim to be something original. like a werewolf, or
|
||
|
frankenstein or something.
|
||
|
|
||
|
yeah, you're really different. just like everyone else. you also
|
||
|
have a big fucking neon sign right over the top of your head that says,
|
||
|
"look at me! i'm a winner! i want your attention! i will not be ignored,
|
||
|
damnit! if this means piercing my whole fucking head to get attention - i
|
||
|
will do so. my rich parents don't love me and pay no attention to me."
|
||
|
|
||
|
stay out of my face! go home and write some more angst poetry you
|
||
|
trent reznor wanna-be piece of shit. bauhaus can bite me, trent reznor can
|
||
|
suck me, and joy division can just flat-out die (oops! too late!).
|
||
|
|
||
|
no, wait. i don't want trent reznor to suck me. after all, he is
|
||
|
bi-sexual now, correct? just like everyone else? he may do just that.
|
||
|
|
||
|
there's a trend you won't be able to forget as easily as
|
||
|
bell-bottoms.
|
||
|
|
||
|
"hey, jim, remember when you were getting guys up the ass?"
|
||
|
|
||
|
"yeah. that was just a phase i was going through."
|
||
|
|
||
|
go away gothic scum! you are the epitome of stupidity and a disgrace
|
||
|
to the human race. wow! i'm a poet and didn't know it. maybe i should
|
||
|
scamper off and write some suicidual angst poetry now. good idea! how
|
||
|
pathetic and asinine. you make me want to spit on you, you retched piece of
|
||
|
shit.
|
||
|
|
||
|
ok. you be gothic, and i'll be ice age. now, that's original! i'll
|
||
|
walk around in a wooly mammoth fur, beating people senseless with my club
|
||
|
and dragging them back to my house for the sake of being different because
|
||
|
i'm a _real_ winner!
|
||
|
|
||
|
"oonga boonga!"
|
||
|
|
||
|
"whoah! look at the caveman! he's a real rebel!"
|
||
|
|
||
|
shut up!
|
||
|
|
||
|
die!
|
||
|
|
||
|
may your rubber pants melt in the hot summer sun and cling to your
|
||
|
legs for enternity, you pety swine!
|
||
|
|
||
|
may you get caught in the rain and have all your black hair dye run
|
||
|
into your eyes causing you to lose your vision so you don't see the fury of
|
||
|
my knuckles as i pummel you.
|
||
|
|
||
|
may all your body piercings rust, you silly walking billboards for
|
||
|
mental insanity! you annoy me! you stoop to the level of cattle and pay
|
||
|
sixty dollars or more to have someone mutilate you by jabbing some metal
|
||
|
rod or whatever through your face or your stomach or your genitals and
|
||
|
calling it hip and fashionable. the only thing that seperates you from
|
||
|
cattle is that cattle get mutilated for free! jealous? i bet you are, you
|
||
|
human oddity!
|
||
|
|
||
|
here's an idea - look up the word "exploitation" in the dictionary.
|
||
|
|
||
|
now get away from me, you worthless slimey little worm.
|
||
|
|
||
|
i feel much better.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: frannie's poetry corner! ::
|
||
|
:: submitted by; thalassocracy ::
|
||
|
:: fun-ee compilation material by; black francis ::
|
||
|
|
||
|
well, originally i meant to update you all on my quest to get into
|
||
|
a lit. group, but, since my internet connection went, er, "down", i haven't
|
||
|
been able to pass my work out to all the big lit. guys.
|
||
|
|
||
|
so, while i'm waiting to get another decent internet account, i'm
|
||
|
going to entertain you with some poetry thalassocracy dug up for me from a
|
||
|
local chat board.
|
||
|
|
||
|
i swear neither i or thalassocracy made this stuff up. we _couldn't_
|
||
|
make this stuff up.
|
||
|
|
||
|
i even called this board and checked out the writers forum for
|
||
|
myself, and, unfortunately, it's all 100% true. here are some of the
|
||
|
"better" ones.
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: thursday, february 16, 1995 8:39am
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: a season in the pool
|
||
|
|
||
|
|
||
|
a season in the pool, it's a good time.
|
||
|
it is very hard, but it has many rewards.
|
||
|
swimming is a sport that you race yourself
|
||
|
over and over until you win.
|
||
|
i don't think you ever win, you just say _damm_:
|
||
|
i could of gone a little faster.
|
||
|
or maybe you will go faster the next race.
|
||
|
maybe that is why i am swimming because i have
|
||
|
never beat myself and said i won.
|
||
|
|
||
|
sam griga
|
||
|
2-3-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: thursday, february 16, 1995 8:46am
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: the gridiron
|
||
|
|
||
|
|
||
|
the gridiron it's such a great place to show as a person.
|
||
|
i have never seen a sport with so much fear in it.
|
||
|
the players are always saying:
|
||
|
next time i'm going to rip your head off,
|
||
|
they never do.
|
||
|
i guess that's why i always go back the next play to see
|
||
|
if they will rip my head off.
|
||
|
they lied to me.
|
||
|
sam griga
|
||
|
2-3-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: thursday, february 16, 1995 7:24pm
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: the bomb
|
||
|
|
||
|
|
||
|
the bomb thhe bomb it is very scary yes it is.
|
||
|
don't know when its coming only know where it has been.
|
||
|
i wish i knew more about this bomb.
|
||
|
i guess all that we can do is sit and wait.
|
||
|
everyone knows how bad this bomb will be.
|
||
|
but i guess we will have to wait and see.
|
||
|
sam griga
|
||
|
2-16-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: sunday, february 19, 1995 7:17pm
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: the bubbly one
|
||
|
|
||
|
|
||
|
the bubbly one, the bubbly one.
|
||
|
you know who i am talking about.
|
||
|
the one we call bubbles.
|
||
|
i have never seen her.
|
||
|
but i am sure she is beautiful.
|
||
|
at least andrew told me that she was.
|
||
|
the one who plays farwest trivia all day.
|
||
|
and never comes out to talk to me.
|
||
|
thats all i can say because that is all
|
||
|
i know about her.
|
||
|
andrew you are a lucky man.
|
||
|
sam griga
|
||
|
2-19-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: friday, march 3, 1995 5:24pm
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: sadness
|
||
|
|
||
|
|
||
|
sadness is not a good feeling.
|
||
|
no life should have too much sadness.
|
||
|
even though the world is full of it.
|
||
|
your life doesn't have to be.
|
||
|
look to something good and your sadness
|
||
|
will go away.
|
||
|
never get that sad.
|
||
|
sam griga
|
||
|
3-2-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
date: tuesday, march 21, 1995 9:47pm
|
||
|
from: gumby
|
||
|
to: ** all **
|
||
|
re: night
|
||
|
|
||
|
|
||
|
night is a great time of the day.
|
||
|
it's when all the wierdos come out.
|
||
|
it's a time to be free.
|
||
|
the night has a special power over me.
|
||
|
everyone has a little warewolf in them.
|
||
|
if you don't your not living.
|
||
|
make sure you find your warewolf.
|
||
|
be a different person at night.
|
||
|
because that is what it was for.
|
||
|
sam griga
|
||
|
3-21-95
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
... and finally, my poem (inspired by gumby, of course) ...
|
||
|
|
||
|
date: wednesday, may 10, 1995 1:06am
|
||
|
from: black francis
|
||
|
to: all
|
||
|
re: i love gumby
|
||
|
|
||
|
|
||
|
gumby gumby gumby
|
||
|
you are such a pathetic dope
|
||
|
die really soon please
|
||
|
you are breathing my air and i don't like it
|
||
|
you diseased infested cock
|
||
|
die die die
|
||
|
|
||
|
[-----]
|
||
|
|
||
|
from what i have heard, gumby had himself a "poetry reading" at some
|
||
|
secret location or something recently. supposedly, if the rumors are true,
|
||
|
it was an invite-only show and had sold out shortly after tickets were made
|
||
|
available.
|
||
|
|
||
|
imagine that.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
:: buh-bye now ::
|
||
|
|
||
|
woo hoo! what a big, huge, monsterous, bohemith issue that was, eh?
|
||
|
i bet it took you a good week to read it, you illiterate bastard.
|
||
|
|
||
|
anyhow, taking into mind that you can't count, our next action-packed
|
||
|
issue will be numbero twenty-five! yowza! if we had been monthly all this
|
||
|
time, that would be our second year anniversary, but, we aren't and it's
|
||
|
not. so there.
|
||
|
|
||
|
well, regardless, i'm excited. it'll be an extra super great issue
|
||
|
packed full of tasty nuggets, so, i hope to see you there.
|
||
|
|
||
|
well, figuratively speaking. i can't really _see_ you there, but,
|
||
|
i'm sure even an idiot like yourself knows what i'm talking about.
|
||
|
|
||
|
hasta la whatever.
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|
||
|
|
||
|
)_) pEZ iZ iN dA hOUSE! wERD 'eM uP! (_(
|
||
|
((______/ ..\ pHOR tHE lATEST pHAT-aZZ pEZ pHILEZ, kALL /.. \______))
|
||
|
| /--( gOAT bLOWERZ aNONYMOUZ @ (215)750-0392 )--\ |
|
||
|
|||---||| "aDMITTING yOU hAVE a pROBLEM iS tHE fIRST |||---|||
|
||
|
M M M M sTEP tO rECOVERY." M M M M
|
||
|
|
||
|
============================================================================
|
||
|
============================================================================
|