610 lines
30 KiB
Plaintext
610 lines
30 KiB
Plaintext
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:: ::
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:: --== The Consortium ==-- ::
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:: ::
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:: Issue I ::
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:: ::
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:: Dedicated to the free exchange of information ::
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:: ::
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:: Release Date: September 1, 1994 !sirE liaH ::
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"Man can will nothing unless he has first understood that he
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must count on no one but himself; that he is alone, abandoned
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on earth in the midst if his infinite responsibilities,
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without help, with no other aim than the one he sets himself,
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with no other destiny than the one he forges for himself on
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this earth." -Jean Paul Sartre
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Table of Contents:
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1. Introduction H.M. Celine
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2. Basic UNIX password security Two Face
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3. The Misrepresentation of Telecom RS-232
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4. My Life At The Revival Tent Iesu Christe Dominae
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5. Introduction to LOCNet Senator Bail Organa
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6. "Boxing" Tone Reference Guide H.M. Celine
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::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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1. Introduction
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Welcome to the Consortium. This is the premier issue of a new
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electronic "newsletter" that was formed with one purpose in mind, the
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free exchange of information. Over the years, there have been many
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such publications, Phrack, 2600, cDc, etc. We are in NO way trying to
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compete or even COMPARE to these publications. We're here to offer
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information, amusement, knowledge and practical skills to anyone who
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has the ability to obtain and read this newsletter.
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The Consortium is not about hacking, phreaking, anarchy, explosives,
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music, pirating, credit card fraud or any of the other "underground"
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hobbies, although it is highly likely that you'll find articles on
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almost all of the above in the months (and hopefully years) to come.
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Throughout the years, the world of telecommunications has changed
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drastically. When I first entered the scene back in 1983, things were
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different. People were using BBS systems and the telecom world as a form
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of communication, a form of education, and a hobby. It wasn't a lifestyle,
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it wasn't a medium to give everyone an alternate "fake" personality. It
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was just there. In the more recent years, it seems the "newbies" have
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gotten the idea that the whole invention of BBS systems were to allow them
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to all log on an act like prepubescent assholes and get away with it.
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Hopefully, we can educate them otherwise, or the entire ideology of
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telecommuncations as we know it may go down the tubes.
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Well, you've gotten the introduction, you know what the Consortium
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is about, and you know what we're attempting to do. You MUST excuse me if
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the "look and feel" of this publication isn't up to par for the first few
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issues, we've got to get the writers going, and some ideas flowing and
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work on our entire appearance. In any case.......
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-Hagbard M. Celine / Asmodeus Rex
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----------
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2. You, UNIX and Password Security
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UNIX is very possibly the most secure operating system in existance...
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if the administrators of a UNIX system are educated in the ways of proper
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UNIX administration and security, that is.
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When a UNIX system is first set up, there are several different accounts
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that come stock with the system. It's the responsibility of those setting the
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system up to change the passwords of those accounts, remove those accounts,
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or in some other way remove the accounts from public access. There are,
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however, those uneducated system administrators, who are either unaware of
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these accounts, ignorant that there are information-seekers who would take
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particular intrest in the access these accounts would provide, or just plain
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lazy and are unwilling to bother with disabling access to these accounts.
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Whatever the case may be, their loss is our gain. And what do we have to gain?
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Information, education, and knowledge.
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Here is a listing of typical default accounts on UNIX systems. This
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listing is bound to change from flavor to flavor. Some may work, none may
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work, or every one may work. If you've got the patience (or ability to code)
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then you're BOUND to find a crack or two if you try enough systems. (Username
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and password are the same, unless specifically noted otherwise.)
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adm, admin, ann, anon, anonymous, backup, batch, bin, checkfsys, daemon,
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demo, diag, field, ftp, games, help, install, listen, lp, lpadmin, maint,
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makefsys, mountfsys, network, news, nobody, nuucp, nuucpa, operator,
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powerdown, printer, pub, public, reboot, rje, rlogin, root, sa, setup,
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shutdown, startup, sync, sys, sysadm, sysadmin, sysman, system, tech,
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test, trouble, tty, umountfsys, user, user1, uucp, uucpa, visitor,
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guest/guest, guest/anonymous, sysbin/sysbin, sysbin/bin
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Once inside the system, be it with your own account or with one of the
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ones listed above, you should probably scan for accounts that lack passwords.
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The password file is in the /etc directory. The name of the file is passwd.
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Every user has access to read this file, yet select few have access to write
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to it. For our purposes, you only need to be able to read it.
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A typical account entry would look something like the following:
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two:wfllbtdq:100:100:Two Face:/usr/two:/usr/ucb/csh
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(1) (2) (3) (4) (4) (5) (6)
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It may help some to explain exactly what the line above means. To help,
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each field has been numbered, and will be explained.
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The first field is the username. The second field is the encrypted
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password. The third field is the user id (file ownership is based on a
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user number that is unique to each user, as opposed to the actual username.
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While it's an impersonal method of file ownership, it's rather effective...)
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The fourth field is the group id (which works the same way as individual
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file ownership, except for that it applies to all users in a particular
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group...) The fifth field is the user's home directory. The sixth field is
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the startup program. We only need to be concerned with the first two fields,
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however.
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As you can see, each field is sepperated by the : symbol. If this account
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was not password protected, the line would look like this:
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two::100:100:Two Face:/usr/two:/usr/ucb/csh
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UNIX comes with a program called grep. What grep does is search any given
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file(s) for a user-specified string. In this case, we want it to search for
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any occurance of :: in the passwd file. Once logged into the system, run this
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command:
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grep :: /etc/passwd
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Any line(s) that grep outputs for you are accounts that lack passwords.
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Some SysAdmins don't allow for null passwords, though it IS worth the effort
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to at least check to see if any unprotected accounts work.
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If you know of any other interesting tricks involving password security
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on UNIX based systems, or happen to have a listing of what function each
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telnet port serves, please send mail to ed@gnu.ai.mit.edu
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-Two Face
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__________
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3. The Misrepresentation of Telecommuncations Enthusiasts.
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It is not a new thing, nor is it something that will go away
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anytime soon. For years we have been subject of many "attacks"
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coming from mainstream media sources. Many major magazines like
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Time, and many television programs such as Dateline have given
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telecommunications a bad name. They have done this by allowing
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small factions of "concerned citizens" to use their shows as a
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medium for their own over active imaginations. These shows and
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others are explaining to the already clay-like entities watching
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them that there are many bad types on large networks, and even
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some smaller BBSes. These shows have come up with every
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conceivable person that COULD be accessing a modem from a
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pedophile to Neo-Nazi's. This is not a joke. These shows always
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seem to air late at night, when any respectable computer user is
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hacking away on a new program working out the latest bugs.
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However, as most computer users find no time to get to their
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T.V. sets during the day, their parents however, may be glued to
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it. For it is truly the media of their generation. When an
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advertisement appears for a show stating something about what
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THEIR child may be party to, they WILL listen. These shows like
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all T.V. shows have a captive audience. These shows can tell
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people whatever it is they wish them to believe, and the
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uninformed WILL believe it. These programs and articles do not
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even take the time to allude to the fact that these "bad people"
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are a very small faction of users. Most users in the BBS world
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have never been a subject to this.
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Another annoying article I read in Time Magazine a month ago
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was called 'Scribes on the Internet'. This explained that with
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the onslaught of new users making their way to the internet, most
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of these users were spelling, and grammatically challenged.
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This is a fact that most Bulletin Board Users have to deal with
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constantly. The 3l33t3 d00d speak like this that annoys almost
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all BBS users with a clue, is portrayed as the new way of the
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virtual world. I am insulted. Whereas I am not the greatest
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grammar freak, I *NEVER* spoke in the K00L, or KEWL manner. I
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thought it was completely stupid. If you even tried this on a
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Bulletin Board in this area you would most likely lose access if
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you did not and I quote "Get a clue."
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If I am wrong about this then I am living a sheltered life.
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I have never used AOL, why WOULD I? I have however used the
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original AOL, Q-LINK, which was much the same. Neither I nor
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anyone I know that does access pay on-line services has seen this
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type of thing happening. Though, with the large on-line services
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around, I believe it occurs. It does not however occur on any
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local bulletin boards that I have access to. As you read this
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article think to yourself, If you are a real user then you
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probably use on-line services very little. If you do, or do not,
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have you ever seen or been victim to such acts? Are there any
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local Neo-Nazi BBSes in YOUR area? The on-line world is NOT a
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new frontier, it was almost completely plotted when I joined it,
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and that was 10 years ago. These people do not take the time to
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see how the real Telecommunications world works. Most of the
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users on my BBS know who I am, and vice versa. In fact, I hang
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out with most of the Bulletin Board users I know. We have formed
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many friendships on-line, and broken many also.
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If you are a young user, under the age of 18, think about
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this. If you think I am right, take the time to educate your
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parents. How can they understand something of this magnitude?
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NEVER in their lives has anything such as this on this scale
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happened. I applaud all attempts of the older generation to
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learn about computers and the on-line world. We should help them
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to understand it is not a haven for punks, and criminals.
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However, to quote probably what your parents think, we have to
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raise them OUR way. We cannot allow them to take their own paths
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in this new area for them, if they do they will mess up. They
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will start to form groups such as Prodigy, AOL, CompuServe,
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things that have no place in the on-line world. I am not
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against having pay services, and even to make some money off
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them, but do not take every bit you can get from it. The on-line
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world is here for one purpose, and one purpose only, "The free
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exchange of information" -RBBS.
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This type of show is typical of the news media. They will
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try to discredit all forms of media that are not in the
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mainstream media. Bulletin Boards are very much media in many
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ways. News can be found on-line, along with information on
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movies, bands, new albums, etc. There are also many, many forms
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of entertainment that just cannot be equaled by an outside force
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like media. T.V. ratings dropped when computers started offering
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games, and other miraculous toys to play with. Why would the
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media want that? Power, and ratings are the two driving goals
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of media. With the arrival of the modem, and widespread
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telecommunications we are now able to get news immediately.
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Also, who are you more likely to trust? The news that states a
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movie is the best thing since The Rocky Horror Picture Show? Or,
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your on-line friends who watched it and told you it sucked beyond
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belief? You tell me...
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-RS232
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----------
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4. My Life At The Revival Tent:
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Safe Sex, Cereal, and Subliminal Islam
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By Iesu Christe Dominae
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It was far too early for any soon-to-be high school junior to have to
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wake up in the foggy midst of summer . Seven O'Clock A.M. was a time that had
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long since slipped into obscurity by one August 3rd, 1994, the summer in full
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swing and myself destined at that ungodly hour to shit, shower and shave for
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Lollapalooza '94, where I would dazzle the masses alongside my poetic con-
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temporaries in the enigmatic Revival Tent.
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We had planned it all out: us poetry people would all meet at roughly
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8:30-9:00 outside Fellini's cafe on Wickenden St. in East Providence, where
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we would have a quick strategic conference and cement our general lack of
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knowledge as to the procedure we would follow once we actually got to
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'Palooza. That portion went off almost without a hitch, with the possible
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exception of our leaving a half hour later than we planned. Things could
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have been much, much worse.
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We all broke into our little car pools. I was riding with Dawn Gabriel
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(a member of the infamous telcom-havoc-wreaking Gabriel clan) and Ray Davey,
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host of the Providence Poetry Slam Series at AS220 (and accomplished
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performance poet in his own right,) with local legend Derrick Prosper
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(veteran of innumerable slam championships) following us to Quonset State
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Airport in his dilapidated Honda. Also hauling ass into North Kingstown were
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Worcester hellraisers Otis Galloway, Bill MacMillan (host of the Worcester
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slams at Eleni's cafe), and Diane "Bucking Hips" Brown: The Virgin Poet,
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Sean Shea: fellow minors Mary Geisser and Mark Krauss: and some other
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people whose names I always seemed to miss.
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Our car arrived at Quonset to be greeted by the most submoronic
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security staff ever to don blue shirts. After being deftly pointed on our
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way by R.I.'s finest (a small gaggle of State Troopers whose concentration
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was rather inefficiently split between shooting the shit and directing
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traffic) we set out in search of Gate 7, the fabled Vendor's gate. Luckily,
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the planets were correctly aligned and we found it (with a little help from
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the white-shirted 'Palooza touring security.) Here's a little hint: if you
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wanna get into a show like Lolla (with spoken word) for free, ask around
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about the Vendor's gate and attempt entry by saying "We're poets." They're
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apparently some kind of magic incantation, because it got us through with
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nary a question. We created our own parking space some distance from
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backstage and set out in search of our passes.
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Saints be praised, we eventually found our contact - after being
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consistently misguided by the same security guard. (I've advanced the
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theory that they just hire one or two actual security guards and clone
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them. The fuckers all look alike.) As Ray went into the exceptionally large
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Greyhound bus discreetly labeled "Mindfield Production Office", something
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happened.
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A woman (about 5'4", with shoulder length brown hair) was making her
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way toward the bus. As she opened one of the side compartments and began
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retrieving luggage, I realized who this was - possibly one of my favorite
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spoken-word performers alive, Maggie Estep. Rather than behaving like a
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gibbering fanboy, I decided that I would take the quietly respectful
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approach.
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As she was dragging a large flight bag across the dew tip'd grass, I
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worked my way in front of her. "So this is the sex goddess of the 20th
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century," I said, grossly misquoting a poem of hers. She grinned a
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half-cocked grin at me. Slowly, I extended a fist toward her.
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"Po-TA-to," I said.
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"WHAT?" she replied incredulously.
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"Po-TA-to," I insisted.
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"I'm tired. Don't confuse me."
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I briefly and akwardly illustrated "potato."
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"Now what?" she inquired.
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"That's it." I walked away, strangely pleased with myself.
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We got our neato little patches and rejoined the rest of our caravan,
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who were already congregated with the Boston people at the enigmatic Revival
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Tent. We were greeted by the soothing sounds of one of the road poets, Uncle
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Shappy, doing impromptu Karaoke to to some hideous 70's music playing over
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the tent's sound system. Meanwhile, the crowds at the gates were swelling
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like a cancerous tumor on this formerly peaceful airstrip. After a half hour,
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some tangoing, and more Karaoke than is ordinarily humanly bearable, we had
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a brief strategic meeting and then went about corraling an audience from the
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masses now milling about Quonset. To this end, Bill took the cordless
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microphone and went out into the crowd, promising that "If I get a hundred
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people in this tent in the next 10 minutes, I will walk from here to the
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main stage naked!" I must confess, I haven't seen any kind of tent fill up
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that fast since Guantanamo the last time Castro opened the borders. Liz, a
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road poet, pulled people out of the audience and asked them "What band are
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you here to see?", "Can you recite some lyrics from that band?", etc. And
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while Bill never had an opportunity to make good on his previous promise,
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an audience member had that same general idea - he walked onto the stage,
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completely naked, to be interviewed by Liz. Most of the neo-alt preppies
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there gawked embarassingly as he wandered back out into the crowd, while
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two security guards laughed their asses off not 30 feet away from him. We
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didn't see him again.
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Bill opened a round of "Round Robin" (poets pass the mic, read a poem,
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pass the mic to someone else). I took that chance to read "My name is Henry"
|
|||
|
and the infamous Fabio poem to the expectant crowd. Otis followed my porno-
|
|||
|
graphic tirade with a poem about using a condom, during which I fished some
|
|||
|
out of the big prop box and passed them out. Eventually, however, the Bore-
|
|||
|
doms won out over the tent for me, and I went off stageward to groove to
|
|||
|
their funky Japanese hardcore beat (the three words that they know in English
|
|||
|
are "Fuck" and "Thank you") under the influence of a free Smart Drink that
|
|||
|
Dawn, Mary and I coaxed out of a bombed Mindfield employee (who looked un-
|
|||
|
cannily like Weiland of Stone Temple Pilots fame.) When next I saw the tent,
|
|||
|
the road poet posse were rocking the mic (verily, fuckin' shit up. (That's a
|
|||
|
good thing.))
|
|||
|
|
|||
|
After some wandering the in the pretentious, overpriced "Mindfield," I
|
|||
|
found my buddy Jubb (in addition to running into an ex-girlfriend - something
|
|||
|
I can never seem to avoid doing.) We hung out for a long time, and I brought
|
|||
|
him back to the tent where we watched some more road and local poets jam.
|
|||
|
By some freakish chance, I was selected to participate in some travesty called
|
|||
|
a "Dating Game." Well, the unfortunate thing about that is that, though blind-
|
|||
|
folded, I recognized the voices (and/or clothing/physical accessories) of all
|
|||
|
the "bachelorettes", and most of them were either complete warthogs or raging
|
|||
|
morons. I got a free T-shirt, though.
|
|||
|
|
|||
|
|
|||
|
The next attraction of notice was a performance artist named Gorby, who
|
|||
|
did a bizarre act involving a length of rope, a Sprite can, and a story about
|
|||
|
his ex-girlfriend of seven years. What he did, in effect, was slowly strangle
|
|||
|
himself with the rope while talking about her obsession with control. When
|
|||
|
the story hit a lull, he kicked the can into the audience where it spewed
|
|||
|
warm Sprite in all directions. It was beautiful.
|
|||
|
|
|||
|
Next that I remember, Uncle Shappy did a performance (piece with Sean
|
|||
|
on flutophone) detailing the harrowing, angsty tale of a nightmarish break-
|
|||
|
fast of Captain Crunch with John Tesh. One would have to see it to truly
|
|||
|
understand it. Afterwards, random attractions came onstage, including a
|
|||
|
staggeringly brilliant urban slam poetry/rap combo from N.Y.C called the
|
|||
|
Boom Poetic, whose sole source of rhythm (or "Boom", if you prefer) was the
|
|||
|
man named Razelle, who could make noises with his mouth that no drum machine
|
|||
|
weighing down the face of the planet could ever duplicate.
|
|||
|
|
|||
|
Finally, it came down to the reason that I was there. The poetry slam.
|
|||
|
Prize: 100$. Result: Getting completely shafted. First of all, there were
|
|||
|
only two rounds - one of which had apparently happened while I was with Jubb
|
|||
|
in the Mindfield or avoiding Nick Cave's horrible mushy renditions of his
|
|||
|
mediocre volume of album material. Secondly, they would only pick the absolute
|
|||
|
top score of both rounds, and pit the winners of each against one another.
|
|||
|
This is not a sound plan with sixteen competitors. I obviously didn't win.
|
|||
|
After they closed down the tent, I stashed my belongings with some Anti-
|
|||
|
Woodstock independent publishers, watched some more Boredoms on the second
|
|||
|
stage, and then shipped off to beat on people during the Beastie Boys. It was
|
|||
|
endless fun.
|
|||
|
|
|||
|
During the next break, I found Jubb and hung out with him and Gorby to
|
|||
|
help him sell what Gorby termed "tacky shit." "Come get your tacky shit here!"
|
|||
|
"Real USDA approved tacky shit!" That type of thing. Come to think of it,
|
|||
|
Gorby looked almost exactly like Jeff Fahey in The Lawnmower Man. Bizarre.
|
|||
|
Then: Smashing Pumpkins.
|
|||
|
|
|||
|
The Pumpkins were a wee bit disappointing for a few reasons: playing far
|
|||
|
too many Siamese Dreams songs far too fast, and far too much apologizing for
|
|||
|
"sucking." I have to say that "I am one" and "Rhinocerous" were almost redemp-
|
|||
|
tion. Almost. But I still had a damn good time with some guys who I kept run-
|
|||
|
ning into there, who always seemed to have pit following on their heels.
|
|||
|
|
|||
|
Next time, Part Two: The Ride Home.
|
|||
|
|
|||
|
-Iesu Christe Dominae
|
|||
|
|
|||
|
----------
|
|||
|
|
|||
|
5. Introduction / LOCNet Application
|
|||
|
|
|||
|
How did LOCnet begin?
|
|||
|
|
|||
|
Nearly 2 years ago, RS-232 and I spoke on the phone plotting
|
|||
|
our plans to take over the universe as a whole. When we decided
|
|||
|
that wouldn't work, we turned to the idea of starting a small
|
|||
|
network to solve some of the activity problems on his board.
|
|||
|
|
|||
|
Neither of us had the slightest clue as to HOW to start a
|
|||
|
network up. I decided it would be best to ask the resident expert
|
|||
|
on WWIV and the net related issues involved. His name was Sarik
|
|||
|
Malthus.
|
|||
|
|
|||
|
Early that afternoon, I logged onto the Imperium, Sarik
|
|||
|
Malthus's abode. After fruitlessly attempting to chat with the
|
|||
|
Dark Lord, I decided to leave Feedback. Contained within were
|
|||
|
words that were much like the following.
|
|||
|
|
|||
|
Hi Alex. Could you tell me how I could set up a
|
|||
|
net?
|
|||
|
|
|||
|
I waited. A few hours later, I called back and met a most
|
|||
|
frustrating reply.
|
|||
|
|
|||
|
Read the DOCs.
|
|||
|
|
|||
|
Read the DOCs? I waited all this time for "Read the DOCs"?
|
|||
|
So, being the stubborn person I am, I replied :
|
|||
|
|
|||
|
Fine. Thanks.
|
|||
|
|
|||
|
I then logged off. Alot of good THAT did. Little did I know
|
|||
|
that those words were some of the wisest words ever written to me
|
|||
|
in the BBS world.
|
|||
|
|
|||
|
By now, it was late. I decided to print out the WWIVnet
|
|||
|
documentation and read it. Hell, why not? It didn't seem like
|
|||
|
anyone was actually going to come right out and tell me what I
|
|||
|
needed to know. So I read. I screwed around. I read some more.
|
|||
|
I screwed around some more. Eventually, I got the LOCnet
|
|||
|
information files to compile correctly. In the process, I learned
|
|||
|
more about the net software than I thought possible. I slept.
|
|||
|
|
|||
|
The next day, RS-232 and I decided to attempt to get his
|
|||
|
board hooked up. He was running VBBS. It was WWIVnet compatible,
|
|||
|
it just needed a little tweaking. It was also horribly slow.
|
|||
|
Eventually he figured out how to get it to work and LOCnet was
|
|||
|
born. 2 nodes, both at 2400 baud.
|
|||
|
|
|||
|
LOCnet has since grown a bit. It's gained and lost boards
|
|||
|
here and there. There are currently 9 boards that span a decent
|
|||
|
sized portion of Rhode Island.
|
|||
|
|
|||
|
Following this rather dull article is a short network
|
|||
|
application for LOCnet. You can E-Mail it to any of the addresses
|
|||
|
listed at the bottom of the application.
|
|||
|
|
|||
|
If you're interrested in joining LOCnet and you run (or plan to run) a WWIVnet
|
|||
|
compatible BBS, fill out the follofing application and E-Mail it to one of the
|
|||
|
sites listed in the end of the application.
|
|||
|
------------------------------------------------------------------------------
|
|||
|
Board Name : ___________________________
|
|||
|
SysOp Name : ___________________________ (Alias)
|
|||
|
SysOp Name : ___________________________ (Real)
|
|||
|
Home Address : ___________________________ (Optional)
|
|||
|
: ___________________________
|
|||
|
City : ___________________________ (Required)
|
|||
|
State : ___________________________ (Required)
|
|||
|
|
|||
|
BBS Phone Number - (___) ___-____ - The board MUST be 24 hours.
|
|||
|
Voice Phone Number - (___) ___-____ (Optional)
|
|||
|
|
|||
|
Modem Speed : __________
|
|||
|
Compression/Error Correction : ____________ (v.32, v.32bis ect...)
|
|||
|
|
|||
|
Do you know of any LOCnet boards local to you? _____
|
|||
|
Lastly, how long has your board been functioning? __________
|
|||
|
------------------------------------------------------------------------------
|
|||
|
E-Mail this to me, 1@1 - LOCnet,
|
|||
|
1@9050 - WWIVnet,
|
|||
|
!1-9050@inforail.station.mv.com - Internet.
|
|||
|
|
|||
|
----------
|
|||
|
|
|||
|
6. Boxing Tone Reference Guide
|
|||
|
|
|||
|
|
|||
|
Red Box, Blue Box, Green Box, Blotto Box... Half of them have
|
|||
|
turned into telecom novelty items. This is a simple list of the
|
|||
|
frequencies needed for a few of the more popular boxes that are still
|
|||
|
workable in areas of the country today. A lot of people out there
|
|||
|
are not technically inclined enough to make an actual red box out
|
|||
|
of a Radio Shack dialer or convert a white box to a blue box, yet
|
|||
|
they have the talent to write a program to generate the same tones.
|
|||
|
|
|||
|
These tones can be recorded and used just as a normal box would
|
|||
|
be used. However, the actual application of this information is
|
|||
|
illegal, and we wouldn't want anyone breaking the law.
|
|||
|
|
|||
|
The timing durations used on these tones are as follows. One
|
|||
|
second is represented as a duration of 18.2. The durations are fractions
|
|||
|
of this 18.2 cycle second.
|
|||
|
|
|||
|
Red Box:
|
|||
|
|
|||
|
Nickel: 1700Mhz + 2200Mhz
|
|||
|
Duration 1 on
|
|||
|
|
|||
|
Dime: 1700Mhz + 2200Mhz
|
|||
|
Duration 1 on, 1 off
|
|||
|
2 Repetitions
|
|||
|
|
|||
|
Quarter: 1700Mhz + 2200Mhz
|
|||
|
Duration .4 on, 1 off
|
|||
|
5 Repetitions
|
|||
|
|
|||
|
Blue Box:
|
|||
|
|
|||
|
Digit 1: 900Mhz + 700Mhz
|
|||
|
Digit 2: 1100Mhz+ 700Mhz
|
|||
|
Digit 3: 1100Mhz+ 900Mhz
|
|||
|
Digit 4: 1400Mhz+ 700Mhz
|
|||
|
Digit 5: 1300Mhz+ 900Mhz
|
|||
|
Digit 6: 1300Mhz+1100Mhz
|
|||
|
Digit 7: 1500Mhz+ 700Mhz
|
|||
|
Digit 8: 1500Mhz+ 900Mhz
|
|||
|
Digit 9: 1500Mhz+1100Mhz
|
|||
|
Digit 0: 1300Mhz+1500Mhz
|
|||
|
KP : 1700Mhz+1100Mhz
|
|||
|
ST : 1700Mhz+1500Mhz
|
|||
|
|
|||
|
|
|||
|
Autovon:
|
|||
|
|
|||
|
Signal A: 697Mhz + 1633Mhz
|
|||
|
Signal B: 770Mhz + 1633Mhz
|
|||
|
Signal C: 852Mhz + 1633Mhz
|
|||
|
Signal D: 941Mhz + 1633Mhz
|
|||
|
|
|||
|
|
|||
|
White Box:
|
|||
|
|
|||
|
Digit 1: 1209Mhz+ 697Mhz
|
|||
|
Digit 2: 1336Mhz+ 697Mhz
|
|||
|
Digit 3: 1147Mhz+ 697Mhz
|
|||
|
Digit 4: 1209Mhz+ 770Mhz
|
|||
|
Digit 5: 1336Mhz+ 770Mhz
|
|||
|
Digit 6: 1147Mhz+ 770Mhz
|
|||
|
Digit 7: 1209Mhz+ 852Mhz
|
|||
|
Digit 8: 1336Mhz+ 852Mhz
|
|||
|
Digit 9: 1147Mhz+ 852Mhz
|
|||
|
Digit 0: 941Mhz+1336Mhz
|
|||
|
|
|||
|
|
|||
|
Some other misellaneous tones you might like to play with:
|
|||
|
|
|||
|
Busy: 480Mhz + 620Mhz
|
|||
|
Duration 9.1 on, 9.1 off
|
|||
|
|
|||
|
Ring: 440Mhz + 480Mhz
|
|||
|
Duration 32 on, 39 off
|
|||
|
|
|||
|
Dial Tone: 350Mhz + 440Mhz
|
|||
|
Steady Tone
|
|||
|
|
|||
|
Offhook: 1400Mhz+2060Mhz+2450Mhz+2600Mhz
|
|||
|
Duration 1.82 on, 1.82 off
|
|||
|
|
|||
|
Reorder: 480Mhz + 620Mhz
|
|||
|
Duration 5.5 on, 3.6 off
|
|||
|
|
|||
|
Congestion: 480Mhz + 620Mhz
|
|||
|
Duration 3.6 on, 5.5 off
|
|||
|
|
|||
|
Well, that's all I have for you now. Maybe i'll do my own
|
|||
|
dictionary of what all the box types are. (The worthwhile ones that
|
|||
|
actually worked at some point in history). Stay tuned.
|
|||
|
|
|||
|
-Hagbard M. Celine / Asmodeus Rex
|
|||
|
|
|||
|
|
|||
|
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
|
|||
|
Consortium Editor: Hagbard M. Celine
|
|||
|
|
|||
|
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
|
|||
|
|
|||
|
The Alcazar .................. Sysop: H.M. Celine ........... 401/782-2617
|
|||
|
The New Republic ............................................. 401/683-3218
|
|||
|
Auskunfte Einbahnstrasse ..................................... 401/848-7225
|
|||
|
The Lair of the Lizard King .................................. 401/295-5949
|
|||
|
Death's Doorstep ............................................. 401/423-2964
|