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`"<22>#$S"`
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"I'm afraid I'm falling for you,
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'n I'd do about anything to get the hell out alive..
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or maybe I would rather settle down with you."
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Weezer, "Falling For You"
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Copyright and contact information is located at the bottom of this magazine.
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Jonas E'Zine Volume 2, Issue 8 :: March 13, 1996
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In this issue..
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1. Edicius' Editorial
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2. Jonas News and Information - by Tom Sullivan
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3. Europe, My Experiences: Part 1 [travel journal] - by Tom Sullivan
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4. Angst - the Big Picture [essay] - by Jamesy
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5. A Good Walk and a Nice Belt Does a Man Good [story] - by Jeffrey Brayne
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6. Cloning - Invasion of the Bodysnatchers [essay] - by Auren Hoffman
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7. At the Surface [poem/story] - by Tom Sullivan
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8. Simon the Ant [story] - by Jeffrey Brayne
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9. Poetry - by Various Writers
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10. Reviews - by Tom Sullivan
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11. Closing Notes and Copyright Information
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Edicius' Editorial
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Today, I met my Grandmother.
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Before today, I have no memory of a person who should have been a very
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integral part of my life for the last seventeen years. I met a person whom I
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last met when I was almost one year old, and before today, I only "knew"
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about.
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You see, my grandmother- my father's mother, and the last of any of my
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grandparents- is a very sour woman. I really don't want to say that, but she
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is. She's from the old school of thought. She came over from Ireland, and
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worked for her children. Her husband passed away, and she raised her
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children on her own. So, when my father met a woman and got married, she
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didn't like that. She felt that my mother was stealing my father away from
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her. So, the last time that I saw my grandmother was when I lived in New
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York City, and I moved out of New York when I was about 10 months old.
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It's always hurt me. This woman despised my mother. My mother is the nicest
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and kind-hearted person that I know. But, because my grandmother is
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stubborn, she couldn't accept the fact that her children would grow up and
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get married. I wanted to know this woman. I wanted her to know me. I
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wanted to have some sort of relationship with her.. but she refused to be a
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part of my life. She refused to be a part of my brother's life, she refused
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to be a part of my sister's life.. She refused to be a part of my parents
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life.
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For what reason? I don't really know. Because my mother married my father,
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my grandmother believed that she was losing her youngest son. She wouldn't
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have lost him, but through her actions, she lost him.
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Over the past few years, she's become older (she's going to be ninety in a
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few days) and more dependent. She lived in a nursing home in Yonkers (NY),
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and my Uncle Dennis took care of her, because he lived close by. However,
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a few years ago, he met a woman and they started dating. He moved in with
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her, at her house in Brooklyn. She rented out rooms in the house, and had a
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spare room that his mother could move in to. So, instead of being so far
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away, he took her in to his home.
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Now, this is where my grandmother became somewhat, but not much, nicer to my
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mother. She had a new woman to dislike. A new woman was taking away another
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son. So, she became somewhat nicer to my mom. They've been able to have
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conversations on the phone without my grandmother screaming at her. But,
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they still didn't see each other. My dad does visit her, however.
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In a few days, she's turning ninety. My Uncle Dennis invited us to his house
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to have dinner and cake for my grandmother. I went with my parents, my
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brother & sister, my sister-in-law, and my nephew. I really wanted to have
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some sort of memory of my grandmother before she passes on. & now I do.
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It's remarkable. This woman astounded me. We talked for a little while, and
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it really upset me that I never got a chance to really know her. It really
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upset me that she could be so mean to my mother, even though my mother would
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have done so much for her.
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We talked, but we couldn't really talk. This woman knew absolutely nothing
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about me.. and that hurt. It really hurt me. I mean, this is the first
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vivid memory of her that I have. Unfortunately, it might be my last. I hope
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not, but that's how it might be.
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I can't believe that one's stubbornness would allow them to miss out on so
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much. It amazes me, and it hurts me. I really wish that I could have known
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her, and known about her.. I'm sure that she could tell me some amazing
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stories- about her childhood in Ireland, or her life in New York City.
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But years ago, she made a decision. She decided that she didn't want
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anything to do with our lives. There's nothing that I can do about that now.
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It was her choice, and she missed out on a lot. I'm glad that I did get a
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chance to see her, and get to see for myself what she is like, before she
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passes on.
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-----------------------------------------------------------------------------
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Jonas News and Information :: by Tom Sullivan
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|
-----------------------------------------------------------------------------
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The Jonas website (http://www.cybercomm.net/~edi/jonas/) has been redone,
|
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again. But, this time, we've added more features. You'll find a lot more
|
|||
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up-to-date information and features. There's a Weezer news section, a New
|
|||
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Jersey Music information page, stuff that doesn't make the ascii edition.
|
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Generally, a lot of stuff. It'll be updated quite regularly, so check it
|
|||
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out.
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|
|||
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& no, this three or five month lapse between issues won't be a common
|
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occurrence. Trust me.
|
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|
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We have a lot of good poetry this month, check it out.
|
|||
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|
|||
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And mark your calendars: April 4, that's our two year birthday. Aww, yeah.
|
|||
|
|
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-----------------------------------------------------------------------------
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Europe, My Experiences: Part 1 :: by Tom Sullivan
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Each year in the Hague, Netherlands, nearly two hundred high schools from
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around the world converge on the Congressgabouw for what is called The Hague
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International Model United Nations (THIMUN, from now on). Now in it's 29th
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year, THIMUN is a week long conference in which each high school represents a
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different United Nation-represented country or organization. During the
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week, there are various debates and speakers, and different topics that
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different committees cover.
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My school is one of about twelve in the country that participate in this
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event, and we have been participating in this for around 25 years. This year
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we were representing Costa Rica and the United Nations Disaster Relief Office
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(UNDRO). I was lucky enough to be selected to go on this trip, and it gave
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me a wonderful opportunity to learn about a different culture, nation, and
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people.
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We left the United States on Friday, January 17th on a KLM flight out of JFK
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Airport (New York) at 11:25 pm. We arrived at Schipol Airport in Amsterdam
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on the 18th around noon. It took us a little while to get our things
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together, exchange money, and go through customs. We finally got to the
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Carlton Beach Hotel in Schevenigen (about 45 - 50 minutes north of
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Amsterdam) around three that afternoon. We went out, ate dinner, and got a
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general feel for the city.
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I attempted to keep a travel journal, but that didn't work. But, I did
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manage to get a few enteries here and there, and one of the complete ones was
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for this first day:
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-----
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Day 1, 10:10PM (Netherlands)
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This day is finally coming to an end. I'm really happy with how the day was.
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The Netherlands is a great place.
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We started the day in the air, landed in Amsterdam, and now we're 45 minutes
|
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north of there, in Schevenigen. We're staying at the Carlton Beach Hotel.
|
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The landing was odd. The pilot told us that there was only a 600 meter
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visibility. That was evident when we landed and didn't see the runaway until
|
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the very last second. Schipol Airport is cool. Really modern and colorful.
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Nicer atmosphere, too. We took a bus here from the airport.
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When we're actually here, and on our own, the trip is worthwhile. we've done
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so much today, it's nuts. I called home, and then we went to the mall. That
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mall's cool, some interesting CDs in the music store (heavy on dance and
|
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techno, which I figured). Prices were too high though, some CDs were 42 - 50
|
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gilders (roughly $US 25). I went to dinner. We went to Applebee's, and I
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had a hamburger. Real cultural. They were drinking there, and then we went
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to a bar where they drank some more. I took a walk off by myself and went to
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the mall again. I looked around, and they had an awesome air hockey table
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there. Really .. weird. I met up with them, and they bought some more
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liquor (including "hemp" soda, with hemp extract) and brought it back to the
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hotel room(s).
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The rest of the night has been a huge party. We've been jumping from room to
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room, floor to floor. We met some delegates from St. Louis, they're
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representing Sudan and the World Health Organization. We invited them to
|
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come and hang out with us, but I probably scared them off.
|
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|
-----
|
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That's my only complete journal entry. I have fragments of thoughts here and
|
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there, but nothing worth publishing. Anyway, I'll continue with the rest of
|
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the trip.
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On the second day, we were supposed to meet our host families. You see, over
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the years, my school, Mater Dei, has established a relationship with the
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Maerlant Lyceum. Over the years, this has become our sister school in the
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Netherlands, and each year, during THIMUN week, they provide room and board
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for students from my school. On my delegation, we had twenty one students.
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They had about fifteen in their delegation, so there was generally one or two
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students from my school per student from their school. In one or two cases,
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there were three from my school in the same house.
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The person that I was rooming with went by the name of Menzo Reinders. I met
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him at about three in the afternoon. He was a very cool person. I don't
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know how to really describe him. He was the good looking, suave, and cool
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one that all the girls like. He was really good to me, and the another kid
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that I was rooming with from my school, Mike, during the week.
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We went back to his house. But first, we had to drag our luggage over a mile
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to the bus stop, take it on the bus, and then take it another half mile once
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we got off the bus. It didn't bother me much.
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His house was neat. I was up in the attic, and I had a lot of toys to play
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with to keep myself busy. He had two younger brothers, 6 & 8. His mother
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worked for the Ministry of Education, and his father was a judge. His family
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would prove to be very cool, and very receptive to us over the week. They
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helped me learn a lot about Dutch culture and made my time there very
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enjoyable.
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The first night with Menzo, we went out to an Italian restaurant with my
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delegation and the delegation from the Lyceum. Donatello's; it was an
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interesting place, nothing too out of the ordinary, when compared to American
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restaurants.
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Afterwords, we went out to Club MTV. This was a bar that Menzo, Mike, and I
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had gone to earlier. It was sponsored by MTV Europe, and had two big screen
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TVs showing MTV Europe, but they played shitty American dance music the whole
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time. During the course of the week in the Hague, I would go to this bar
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every night.
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Menzo didn't have a curfew, so we could come in whenever we wanted to. The
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last bus to Menzo's house that left the area where we spent most of our time
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in was at 12:44am. So, it was either take that bus, or take a cab. I made
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the bus every night, because I wasn't drinking. But Mike and Menzo took a
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cab home a few nights.
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The next day was our first day of actual THIMUN activities. It was extremely
|
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boring. It was the first day, a day of lobbying. We were supposed to meet
|
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other people, share ideas, and see what I would be working on during my week
|
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|
on the great Disarmament Commission. More or less, I went to one meeting,
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talked to a few kids about nuclear weapon free zones in the South Asia and
|
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Middle East, took a two hour lunch, and left at 3:30.
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In the morning, we were supposed to meet my MUN (Model United Nation)
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director between 8:30 and 9 in the lobby. The first day, we ran a bit late
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with breakfast, and didn't get there until 9:05.. On Wednesday, we came in
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about 9:15, but that was ok, because our deputy Chairperson and four other
|
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people didn't come in until 9:30.
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That night, we went out to Club MTV, and Jaque's. Jaque's was a cool bar.
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Really crowded, and once you were in, you were in. They played better music;
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one night, they played a live version of U2's "Sunday Bloody Sunday" and
|
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everyone just shut up, and sang along. It was really eerie, but really
|
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awesome.
|
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|
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The only other bar that I went to more then once was this weird place called
|
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the Blue Purple. They had a bunch of pool tables, the only bartender that I
|
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came across that didn't speak English, and pretty good techno music. I liked
|
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it, but I didn't. It was an ok place. I preferred the Club MTV more, for
|
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some reason.
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|
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As far as the actual THIMUN activities go, it was an interesting time. I
|
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didn't participate in any of the debates, although I did raise my placard
|
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|
a few times, but just didn't get called on. It seemed that our chairpeople
|
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|
were biased towards certain countries, but kept calling on South Korea,
|
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Seychylles, Afghanastan, and Comoros. So, I kept hearing the same people up
|
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|
at the podium speaking during the debates, proposing resolutions and
|
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|
amendments to the resolutions and striking clauses and blah. It got boring
|
|||
|
at times, and I fell a sleep a few times. Luckily, I had another person from
|
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my delegation there with me, Jill, and she woke me up. Well, we woke each
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other up ..
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|
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The rest of the week was the same. Go to THIMUN, go out to a club, watch a
|
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lot of people get drunk and stoned, go home, sleep. Repeat. I didn't touch
|
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anything while I was over there, I'm a very adamant straight-edge person. It
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also seemed that some of the people that did get drunk or high wound up doing
|
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something that they shouldn't have, and now have things haunting them that
|
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they don't want. I also didn't touch anyone, of course, because I'm a loyal
|
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sap, and I had, and still have, a girlfriend over here.
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On Saturday, we went to the bus station with our stuff, and took a bus to
|
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Amsterdam. We left our host families, and it was sad. but, I'm writing to
|
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Menzo, and I plan on keeping in touch with him. If I do go back next year, I
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will see everyone again.
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The Hague, to me, was an odd place. I don't really know how to classify it.
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It had a lot of really cool shops and stores and it had aspects of a "city"
|
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|
in certain areas. but, everything, besides some restaurants and bars, closed
|
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at nine. There is no such thing as a "convenience" store there. However,
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McDonalds and Burger King were open until 12, and one McDonalds was a 24 hour
|
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place.
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Amsterdam, however, was everything I thought it would be. It was a large
|
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city, and the closest thing that I could compare to New York or Philadelphia.
|
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Things were always going, round the clock; stores, shows, bars. Whatever you
|
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wanted, you could find late at night. There were homeless, and people
|
|||
|
begging for change. It was an awesome place.
|
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|
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|
There, were stayed in the Barbizon Centre Hotel. It was a fantastic place,
|
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but one of the bell hops was a stalker. He was constantly around the fifth
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floor, the floor my delegation (including girls) was on. He would always
|
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talk to certain girls, and actually invited one of them to go out to dinner
|
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with him. & he was about 30. nutjob.
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|
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|
In Amsterdam, we did a lot of things. I went to different museums, including
|
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|
the Anne Frank House, the Rijkmuseum (Renoir's "Night Watch" is there), the
|
|||
|
Torture Museum, the Van Gogh Museum, and the Sex Museum. The Sex Museum is
|
|||
|
something that you could only find in a place like Amsterdam, and it's right
|
|||
|
down the street from a Hooters. The Sex Museum was ok. It had a big room
|
|||
|
with pictures all on the walls, divided into categories: bestiality, fat
|
|||
|
women, oral sex, and so on .. Other then that, the museum wasn't spectacular.
|
|||
|
|
|||
|
We also took a day trip to Cologne in Germany. There, we went to a really
|
|||
|
big cathedral. There's an observation tower, about 600 meters high, there.
|
|||
|
I walked up to the top, and it was an awesome view. Although it was foggy,
|
|||
|
you could see a few miles across the Rhine River. During World War II, that
|
|||
|
Cathedral was not bombed, Allied Forces held the church in high regard, and
|
|||
|
refused to purposely destroy them. So, the Germans used it as their lookout
|
|||
|
post for Allied Forces.
|
|||
|
|
|||
|
Overall, my thoughts on the Netherlands are very good. I didn't really have
|
|||
|
any "bad" experiences, just the general feeling of homesickness from time to
|
|||
|
time. One of my friends also had her pocketbook stolen from a shoestore in
|
|||
|
Amsterdam. Otherwise, nothing bad happened to myself or anyone else I went
|
|||
|
there with. So, we were lucky.
|
|||
|
|
|||
|
My general impression of the people there is very good. There were homeless
|
|||
|
people and panhandlers, but you didn't find very many people who you would
|
|||
|
really look at "odd", much like you would do walking down the street in New
|
|||
|
York or Philadelphia. (A few interesting street performers aside, of
|
|||
|
course.) People over there are a lot more liberal, as well. Generally, I
|
|||
|
liked the people that I met over there.
|
|||
|
|
|||
|
I had a great time on this trip. I learned a lot about different things. I
|
|||
|
became closer friends with a few people from my school. Generally, things
|
|||
|
went excellent. I look forward to possibly returning there one day, and
|
|||
|
definitely seeing a lot more of Europe in the future.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Angst - The Big Picture :: by Jamesy
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
Angst has quickly become a commonly used word in the American language. Many
|
|||
|
see it as a Generation/X phenomena, stemming from living in an atomic age
|
|||
|
where nuclear holocaust is a distinct possibility. However, with the fall of
|
|||
|
The Soviet Union and the end of the Cold War, this threat of global nuclear
|
|||
|
war has, for the most part, diminished. Yet angst is still flourishing.
|
|||
|
What, exactly, is angst, and where are its origins? Is angst a positive
|
|||
|
thing?
|
|||
|
|
|||
|
The definition the Internet newsgroup has placed on angst is, "Any feelings
|
|||
|
of anxiety, grief, unhappiness, suffering, misery, depression, sadness, and
|
|||
|
fear." _The Oxford Dictionary_ defines angst as, "Anxiety, anguish, neurotic
|
|||
|
fear; guilt, remorse." _Webster's 9th Collegiate Dictionary_ has, "A feeling
|
|||
|
of anxiety, apprehension, or insecurity." Some of these words defining angst
|
|||
|
are very active emotions, others are very passive. Yet the only word used in
|
|||
|
all three definitions is anxiety. Whether or not angst should be associated
|
|||
|
with sadness or misery can be debated.
|
|||
|
|
|||
|
One thing all three of these definitions leaves out is the frustration
|
|||
|
that is a vital piece of angst. Since none of these definitions fit my
|
|||
|
conception of angst, I will provide an operational definition of angst for
|
|||
|
this essay. Angst is the frustration associated with attempting to structure
|
|||
|
one's personal universe and failing, coming directly in conflict with society
|
|||
|
because of one's idealistic view of what "should be" instead of what "is."
|
|||
|
|
|||
|
Angst did not originate with Generation/X. It can probably be best
|
|||
|
associated with the age of the irrational, beginning in the late nineteenth
|
|||
|
century. As the second scientific revolution was knocking at time's door, a
|
|||
|
revolution that would destroy any conception we had of absolutes in our
|
|||
|
world, many thinkers began to come up with philosophies that were not all
|
|||
|
bright, shiny days and pretty flowers. Friedrich Nietzche was a forerunner
|
|||
|
of these theories, asking, "What path should the individual take in a world
|
|||
|
where God is dead?" (Perry, 686) However, like Nietzche, most did not come
|
|||
|
up with conclusions to their questions. "Nietzche had no constructive
|
|||
|
proposals for dealing with the disintegration of rational and Christian
|
|||
|
certainties. Instead, his vitriolic attack on European institutions and
|
|||
|
values helped to erode the rational foundations of Western Civilization"
|
|||
|
(Perry, 687).
|
|||
|
|
|||
|
Knowing that angst is not just a product of our generation, we can go back to
|
|||
|
focusing on what angst exactly is. According to the newsgroup alt.angst,
|
|||
|
"Above all, True Angst (tm) arises from the notion that life is essentially
|
|||
|
pointless and absurd, and that our miserable existences count for very little
|
|||
|
in the grand scheme of things. There are two main categories of Angst:
|
|||
|
emotional, and intellectual. Emotional Angst encompasses the typical
|
|||
|
experiences of human suffering. Intellectual Angst is primarily concerned
|
|||
|
with The Great Sucking Void of Existence." (FAQ, 1) Unfortunately, their
|
|||
|
definition sounds much more like the definition of nihilism then the
|
|||
|
definition of angst. Angst is the frustration associated with an idealistic
|
|||
|
person striving to reach perfection and failing. Although an angstful person
|
|||
|
may creep towards nihilism in the long run, their idealism still causes them
|
|||
|
to get blatantly pissed-off when their endeavors do not return success.
|
|||
|
|
|||
|
It is unfortunate that alt.angst is the only real source for the discussion
|
|||
|
of angst on the Internet, especially since they label angst as more of a
|
|||
|
nihilistic view of the world than it is. Nihilism is at odds with angst; the
|
|||
|
angstful ask themselves "why don't things work out this way? why does
|
|||
|
everything go wrong? what is wrong with me? what is wrong with the world?"
|
|||
|
while the nihilistic are resolved on these matters, assured that "the world
|
|||
|
is fucked up. deal with it."
|
|||
|
|
|||
|
The only thing I believe valid about alt.angst's definition of angst is its
|
|||
|
importance. They state, "We all embrace angst here. It is what defines our
|
|||
|
existence. After all, what use would life be if everything was easy and there
|
|||
|
was nothing to worry about? Angst is a necessary element in the growth and
|
|||
|
development of any human being. It is what builds character; it provides
|
|||
|
contrast and depth to the human experience. Angst, at its simplest, is that
|
|||
|
which makes us human." (FAQ, 2) Although their belief might be a little too
|
|||
|
encompassing, it strengthens my assertion that angst is not about nihilism.
|
|||
|
Angst is about questioning why things are the way they are and prepares us to
|
|||
|
later decide what we want to try to do about them. If we did not
|
|||
|
passionately become worried about the world, our lives, our families, our
|
|||
|
educations, we would not be as determined to fix what we see as problems.
|
|||
|
Angst can strengthen idealism, and provide it with the foundation that
|
|||
|
decisions based on realistic problems can be measured from. And, probably
|
|||
|
most important, angst provides us with a polar emotion, making the feelings
|
|||
|
of pride and self-worth all the stronger when they are experienced.
|
|||
|
|
|||
|
--------------------
|
|||
|
Works Cited
|
|||
|
|
|||
|
"Angst." _Webster's Collegiate Dictionary_. 9th.
|
|||
|
|
|||
|
"Angst." _The Oxford Dictionary_.
|
|||
|
|
|||
|
Perry, Marvin et al. _Western Civilization: Ideas, Politics &_ _Society_.
|
|||
|
5th ed. Geneva: Haughton Mifflin, 1996.
|
|||
|
|
|||
|
"alt.angst: Frequently Asked Questions." Online. Internet. Available
|
|||
|
www.angst.com/faq.html.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
A Good Belt and a Nice Walk Does a Man Good :: by Jeffrey Brayne
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
A sweltering cubicle at 100 degrees. All alone, hot, and hungry. What the
|
|||
|
hell was I thinking. I left a good woman, a beautiful house and a ceiling
|
|||
|
fan for this. What makes a man leave good for bad? A question I ask myself
|
|||
|
often. I got home from the gig at about 10:30 and realized I didn't have a
|
|||
|
key for the place I was staying yet so I walked down to the Globe. I went in
|
|||
|
and had myself a Guinness, the drink of champions. As I looked around I saw
|
|||
|
many people who looked like they didn't have the key for their place either.
|
|||
|
I then sat there until I had figured on someone being home at my new hovel. I
|
|||
|
shouldn't say hovel, the walls were painted. Anyway... After about 5
|
|||
|
Guinness'', my legs felt like walking and my bladder felt like emptying, so I
|
|||
|
was off. Nothing is more oppressive than a full bladder. It can make you do
|
|||
|
the craziest things! As I was urinating on the side of a house, I spied a
|
|||
|
girl I knew who had seduced my fiance more then once. She was driving slowly
|
|||
|
and peering down the driveways as if looking for something or someone. I
|
|||
|
think she was looking for me. I was near my new abode and I'm sure she had
|
|||
|
some idea about where I was co-habitating with my workmates. I didn't want
|
|||
|
to see her so I ran to the house. I forgot to stop urinating. It created a
|
|||
|
little mess. Luckily, one of my roommates was home. He and his girl were
|
|||
|
watching TV. I knocked on the door because it was locked. I didn't have a
|
|||
|
key, you know. They let me in and I tried to hide my pants by pulling my
|
|||
|
shirt down. It worked. I ran up the stairs and removed my clothes. It was
|
|||
|
then that I started thinking about the temperature of this room, my urine
|
|||
|
stained pants, my lack of company, and oh yes, my missing driver's side
|
|||
|
window removed carelessly, by someone without a job, at the gig in Scranton
|
|||
|
last Friday night, but that's another story. It's time for bed now. Good
|
|||
|
night.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Cloning - invasion of the body snatchers, the sequel :: by Auren Hoffman
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
This Dr. Ian Wilmut of Scotland (if it ain't Scottish it's crap!) decides to
|
|||
|
clone an adult sheep and play the divine one. A week later it is revealed
|
|||
|
that another group of researchers have cloned a monkey. By now we all know
|
|||
|
the story, thought about the consequences of cloning humans, and wondered
|
|||
|
what type of human would consent to actually being cloned. But we may not
|
|||
|
have considered who owns these clones.
|
|||
|
|
|||
|
Current US Patent law states that anything that is man made can be patented.
|
|||
|
This has been interpreted by the US Supreme Court and other courts to allow
|
|||
|
researches to patent an actual strand of DNA, as long it is isolated. Many
|
|||
|
scientists have patented human cells and many legal experts believe that
|
|||
|
patents should apply to human organs. You get where I'm going? Maybe
|
|||
|
someday someone somewhere will patent a human clone or a slightly altered
|
|||
|
clone.
|
|||
|
|
|||
|
Goodbye 13th amendment. Slavery officially ended in the Nineteenth Century
|
|||
|
(in the United States) but the Twenty-First Century may bring us a new dark
|
|||
|
era of cloning humans, or superhumans, to do man's dirty-work. These clones
|
|||
|
would be owned lock, stock, and barrel by the patent owner for the duration
|
|||
|
of the patent (and maybe copyrighted thereafter). Imagine keeping a human
|
|||
|
clone (like Dolly the sheep) in captivity for the purpose of drug testing.
|
|||
|
You could build an arsenal of clones who would be forced to take drugs and
|
|||
|
perform experiments to save the "originals."
|
|||
|
|
|||
|
We might create an entire caste system were there exists free "originals" and
|
|||
|
slave "clones." Awful.
|
|||
|
|
|||
|
Though the technology is fascinating and its discovery is commendable,
|
|||
|
"cloning" brings up a host of social implications. Cloning sheep (isn't it
|
|||
|
weird that "sheep" is the plural for "sheep." I think we should change the
|
|||
|
English language so that the singular is "shep" but that's another column) or
|
|||
|
other livestock could be advantageous if the process becomes inexpensive and
|
|||
|
efficient. We could ensure that every shepherd is raising strong and fat
|
|||
|
cattle, all looking exactly alike. Of course, a large part of raising cattle
|
|||
|
is nurture, not nature. If I was a sheep (that accusation has been made
|
|||
|
before), I'd go crazy if all my friends were my exact duplicate. Scary.
|
|||
|
|
|||
|
Even more scary is the possibility of cloning humans. Of course we all know
|
|||
|
that cloning sheep isn't much different from cloning Michael Jackson,
|
|||
|
Madonna, Dennis Rodman, or Bill Clinton. Or any human being. Though the
|
|||
|
average Jane probably could not afford the process of isolating their DNA and
|
|||
|
then planting it into the womb of a paid woman carrier, Hollywood celebrities
|
|||
|
could indeed afford to clone themselves.
|
|||
|
|
|||
|
But what's the use? Would Pee Wee Herman be a good parent to his twin?
|
|||
|
Imagine growing up as the twin of your father. Your real father is your
|
|||
|
father's father and your real mother is your father's mother. Faye Dunaway's
|
|||
|
"my sister, my daughter, my sister, my daughter" line from Chinatown may now
|
|||
|
have a whole new meaning.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
At the Surface :: by Tom Sullivan
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
"you're dumb"
|
|||
|
do you even realize
|
|||
|
what you did
|
|||
|
how you behaved
|
|||
|
how i felt?
|
|||
|
did my feelings ever come into play
|
|||
|
into consideration
|
|||
|
into your thoughts?
|
|||
|
|
|||
|
They stood outside the convenience store, yelling and fighting. Well, at first
|
|||
|
there wasn't much yelling, nor fighting. It just kind of sprawled from that
|
|||
|
first spark, as their friends looked on. They didn't want to get involved,
|
|||
|
that would be too much of an inconvenience. So, they got their Big Gulps and
|
|||
|
Doritos, and kept on watching. Making snide remarks, hoping that the two
|
|||
|
would get their act together so they could go somewhere else.
|
|||
|
|
|||
|
"i'm not comfortable with this situation"
|
|||
|
shut up
|
|||
|
you don't even know how good you have it
|
|||
|
with me
|
|||
|
us
|
|||
|
together
|
|||
|
you can't handle us
|
|||
|
our relationship
|
|||
|
you need to fuck
|
|||
|
and suck
|
|||
|
whoever
|
|||
|
whatever
|
|||
|
whenever
|
|||
|
you want to,
|
|||
|
without guilt
|
|||
|
conscience
|
|||
|
feelings
|
|||
|
emotions
|
|||
|
"being tied down"
|
|||
|
|
|||
|
She was shaken. No one had talked to her like this before. She didn't want
|
|||
|
to admit it, but he was right. She couldn't admit it. They had gone too far
|
|||
|
into this discussion to turn back, it was a pride issue now. Maybe less of a
|
|||
|
pride issue, and more of a "she's dumb" issue, and sometimes didn't know how
|
|||
|
to do the right thing. It would have made him very happy to know that she
|
|||
|
actually understood what was going on, and how much he was hurt, but where
|
|||
|
was _her_ immediate satisfaction in that?
|
|||
|
|
|||
|
"leave me alone"
|
|||
|
bye
|
|||
|
yeah
|
|||
|
whatever
|
|||
|
uh-huh
|
|||
|
i've heard that before
|
|||
|
shut the fuck up
|
|||
|
|
|||
|
She tried to apologize, but it didn't work. Nothing worked. She was using
|
|||
|
the same tired lines over and over again. Yada yada yada. He didn't want to
|
|||
|
hear it. It's not that he didn't care about her anymore, it's just that he
|
|||
|
refused to believe that she was feeling any remorse. She couldn't, he
|
|||
|
thought, attempt to rectify it now.
|
|||
|
|
|||
|
"you're not fit to drive"
|
|||
|
oh
|
|||
|
now you care?
|
|||
|
now you don't want to lose me?
|
|||
|
now you're afraid
|
|||
|
and you realize what you've done?
|
|||
|
too late.
|
|||
|
|
|||
|
It's weird how one doesn't show their true inner-self until extreme
|
|||
|
circumstances arrive. How was she to know that he wasn't ahomicidall maniac?
|
|||
|
They never got to a point in which that side of him could come out. Heck,
|
|||
|
how was _he_ to know that he wasn't ahomicidall maniac? Certain things
|
|||
|
develop over years. But, here she was, trying ..
|
|||
|
|
|||
|
"bitch"
|
|||
|
dumb whore
|
|||
|
get out of my face
|
|||
|
call me
|
|||
|
when you understand
|
|||
|
other people's emotions
|
|||
|
and when you learn
|
|||
|
how to handle yourself
|
|||
|
and when you admit
|
|||
|
to yourself
|
|||
|
that you really do have problems
|
|||
|
|
|||
|
.. but he didn't want to hear it. She tried before, and she'll "try" again,
|
|||
|
but it didn't matter to him. It didn't matter to him because, at the
|
|||
|
surface, it didn't matter to her. How is he to know how she acts when he's
|
|||
|
not around? She could be leading him on over the months that they're
|
|||
|
together. She could lie and cheat and steal behind his back, but in his
|
|||
|
eyes, she'll always be an angel.
|
|||
|
|
|||
|
red
|
|||
|
white
|
|||
|
blue
|
|||
|
red
|
|||
|
white
|
|||
|
blue
|
|||
|
flash
|
|||
|
flash
|
|||
|
|
|||
|
.. but maybe, it's better that he thinks that she's an angel. When memories
|
|||
|
are all that you have to live by, it's best to think of the good things. &
|
|||
|
if he doesn't know what she did behind him, then he doesn't really know the
|
|||
|
bad things? Kind of ironic, isn't it? As long as she's good to him to his
|
|||
|
face, and he never finds out about her lies, they're both happy, at the
|
|||
|
surface.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Simon the Ant :: by Jeffrey Brayne
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Part Two: Simon Has a Blast!
|
|||
|
----------------------------
|
|||
|
|
|||
|
Simon picks up his chick after school one day. They decide to go for a ride
|
|||
|
in his car. It is a 1974 Chevy Nova. She says, "Drive really fast Simon! I
|
|||
|
love it when you drive fast." He does as instructed by his chick. They are
|
|||
|
cruising North of Route 29 at about 108 MPH! They are having fun. After a
|
|||
|
short while, the fun wears off. She says, "Oh Simon, why don't we pick up
|
|||
|
some beer. I love to drive around and drink beer!" So they did. He bought
|
|||
|
a 12 pack and then continued driving on Route 29. They drank. They were
|
|||
|
drunk. She then says, "Oh Simon, do you still have that dynamite in the back
|
|||
|
seat of you '74 Nova?" "I SURE DO!" answers Simon. He reaches around back
|
|||
|
and grabs a stick. He hands the stick to her. She says she wants to light
|
|||
|
andd throw it out the window. Simon agrees that it would be a good idea.
|
|||
|
She lights the dynamite and throws it. She forgot to roll the window down. I
|
|||
|
heard today that they might live. I also heard there's a '74 Nova for sale
|
|||
|
for parts, $50 OBO.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Poetry :: by Various Writers
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
shredded nights - by Eerie
|
|||
|
|
|||
|
i have yet to find another hole to fall into
|
|||
|
another weakness to plague
|
|||
|
sitting around black shot cells
|
|||
|
they drive me mad
|
|||
|
& green threads of blistering lights
|
|||
|
& yellow flashes
|
|||
|
blink
|
|||
|
blink
|
|||
|
blink
|
|||
|
fucking sun doesn't set back
|
|||
|
not that i still have any sympathy for the night
|
|||
|
go on
|
|||
|
repetitive movements
|
|||
|
fuck you again & again & again
|
|||
|
every god damn night
|
|||
|
you make me so fucking sick
|
|||
|
|
|||
|
--------------------
|
|||
|
|
|||
|
iron crests - by Eerie
|
|||
|
|
|||
|
slowly fading smell of boredom
|
|||
|
& the chants from paraplegic fairies
|
|||
|
hung on each wall to give a sense of rapture
|
|||
|
as sand hurts my skin
|
|||
|
under a cardboard colored sky
|
|||
|
|
|||
|
--------------------
|
|||
|
|
|||
|
Nice - by Jeffrey Brayne
|
|||
|
|
|||
|
sometimes generic is good
|
|||
|
sometimes generic is fine
|
|||
|
sometimes generic is all that you want and more.
|
|||
|
what would life be without genericism?
|
|||
|
|
|||
|
the world is androgynous and envious of shame
|
|||
|
shame that allows us to continue our facade
|
|||
|
of tyranny against the unsuspectings
|
|||
|
gratuitous lies that envelope our beings
|
|||
|
without conscience
|
|||
|
|
|||
|
without truth.
|
|||
|
|
|||
|
--------------------
|
|||
|
|
|||
|
new years, 1996-97 - by Tom Sullivan
|
|||
|
|
|||
|
your warm breath
|
|||
|
against my cheek
|
|||
|
on a cold winter night
|
|||
|
amongst the swarm of the masses
|
|||
|
of celebrants in a holiday
|
|||
|
that'll seem small
|
|||
|
once we're together.
|
|||
|
|
|||
|
as the ball drops
|
|||
|
and couples get together-
|
|||
|
to ring in the new year,
|
|||
|
i want to celebrate it
|
|||
|
with you
|
|||
|
and only you.
|
|||
|
|
|||
|
my arm around your shivering shoulder
|
|||
|
partying until the break of dawn
|
|||
|
with goofy hats
|
|||
|
and jazz bands
|
|||
|
and friends
|
|||
|
all having a good time
|
|||
|
|
|||
|
just slip away with me
|
|||
|
and forget everyone else
|
|||
|
spending this night together
|
|||
|
will secure
|
|||
|
what will be
|
|||
|
the greatest year of our lives
|
|||
|
if we're together.
|
|||
|
|
|||
|
--------------------
|
|||
|
|
|||
|
"untitled" by belial
|
|||
|
|
|||
|
what is this reality?
|
|||
|
|
|||
|
a silly computer with
|
|||
|
no mind,
|
|||
|
no thoughts?
|
|||
|
|
|||
|
is it something higher?
|
|||
|
|
|||
|
no.
|
|||
|
|
|||
|
do i create my own
|
|||
|
reality? my own way
|
|||
|
of being... my own
|
|||
|
time, my own future?
|
|||
|
|
|||
|
no.
|
|||
|
|
|||
|
do i need to get more
|
|||
|
in touch?
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Reviews :: by Tom Sullivan
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
In Concert
|
|||
|
----------
|
|||
|
|
|||
|
Mighty Mighty Bosstones/King Chango/The Shods - Stone Pony (Asbury Park, NJ),
|
|||
|
December 6, 1996
|
|||
|
|
|||
|
My CD copy of the Bosstone's _Don't Know How To Party_ skips somewhere during
|
|||
|
"Issachar", and it really fucks it up. On this night, the Bosstones didn't
|
|||
|
miss a beat, as they brought their ska sounds to an extremely receptive
|
|||
|
Jersey audience.
|
|||
|
|
|||
|
I saw the Bosstones a few months ago, when they came around with the Warped
|
|||
|
Tour, and I thought they were perfect then. I knew that this time they would
|
|||
|
be even better. I looked forward to hearing a full set from them, and not
|
|||
|
the 45 minute-abridged Warped Tour version.
|
|||
|
|
|||
|
The Bosstones were supported by the Boston-area band, The Shods. The Shods'
|
|||
|
guitarist, whose name I really can't remember, toured with the Bosstones on
|
|||
|
their last tour, in Nate Albert's place. The Shods were ok. They played a
|
|||
|
slow pop-ska-minus horns set that lasted about 30 minutes. They did do a
|
|||
|
number that Dickey Barret of the Bosstones wrote and sung, with the full
|
|||
|
Bosstone's horn section. That was a pretty good song.
|
|||
|
|
|||
|
Next up, was the latin-ska band, King Chango. They were really impressive.
|
|||
|
This was the first show that they were doing with the Bosstones, even the
|
|||
|
first time that Dickey even saw them. They did a great set, turning out
|
|||
|
terrific ska beats with Spanish/Latin undertones. They got the ground
|
|||
|
dancing, and they seemed to have a terrific time.
|
|||
|
|
|||
|
Soon after, the Bosstones took the stage to the loud cry of "Mighty Mighty -
|
|||
|
Bosstones" from the audience. They entered with the lights darkened and a
|
|||
|
giant bulldog banner behind the drumset, and took off to a roaring new song
|
|||
|
called "Noise Brigade." Over the next hour and a half, they kept the crowd
|
|||
|
dancing and having a great time by playing a great mix of old and new songs.
|
|||
|
They gave us old favorites, such as the near-hit "Someday I Suppose", "Holy
|
|||
|
Smoke" "Hell of a Hat" and "Toxic Toast", and "The Bartender's Song."
|
|||
|
During "Toxic Toast", they were joined by their bus driver on the keyboard,
|
|||
|
and the guitarist from The Shods. They also debuted a large amount of new
|
|||
|
songs to the crowd, all of which are on the Bosstones upcoming release, due
|
|||
|
out on March 11.
|
|||
|
|
|||
|
Overall, this was a very exciting night of Ska music on the Jersey Shore.
|
|||
|
This is the third time in a year that the Bosstones have come to the Pony,
|
|||
|
and each time they blew the roof off the place. The Bosstones are always
|
|||
|
welcome in New Jersey.
|
|||
|
|
|||
|
----------
|
|||
|
CDs
|
|||
|
----
|
|||
|
|
|||
|
Lisa Meri (I'm Not Gonna Say I Told You So)
|
|||
|
|
|||
|
Lisa Meri plays a mixture of jazz, rock, and pop. She has a really good
|
|||
|
voice, and is a good pianist.. but, she just doesn't do anything for me with
|
|||
|
this 5 song EP. It's a good effort, and I don't want to classify her as
|
|||
|
another female artist with a piano (read: Tori Amos, Fiona Apple), but I may
|
|||
|
come off as doing so. Meri's sometimes hoarse and sometimes raspy voice and
|
|||
|
piano don't really create a good harmony on this album, except on the final
|
|||
|
track, "Can I, Could I be your Friend".
|
|||
|
|
|||
|
(Lisa Meri, PO Box 932, Cambridge MA 02140)
|
|||
|
|
|||
|
----------
|
|||
|
Demos
|
|||
|
-----
|
|||
|
|
|||
|
Hated Youth (Rejected)
|
|||
|
|
|||
|
This six song demo spotlights a promising hardcore band from Illinois.
|
|||
|
However, the second side of my copy of this demo is really screwed up, and it
|
|||
|
only plays one of the three songs that are supposed to be on that side. &
|
|||
|
it plays that one song in double time, so it's really distorted.
|
|||
|
|
|||
|
Anyway, the three songs that I could hear, "Hated", "I Wanna Kill You", and
|
|||
|
"IAM" are really good. The drummer in this band is terrific, but you can't
|
|||
|
hear the bassist that well on "Hated". The guitarist is a good for the
|
|||
|
style, he's fast and loud. The vocals are the same, fast and loud and
|
|||
|
screeching. Brett Noble, the drummer, really impresses me on this demo.
|
|||
|
He's really good.
|
|||
|
|
|||
|
Overall, this seems to be a good band. With a better recording, and more
|
|||
|
"refinement" in their music, Hated Youth will be a good band.
|
|||
|
|
|||
|
($3 ppd, Hated Youth, 4213 23rd Ave, Moline IL 61265 :: blkczr@aol.com)
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
Dread Fabric (s/t, Jailbait Records)
|
|||
|
|
|||
|
"The basic ethos of the band is that on stage you either put on a good show
|
|||
|
and sound good or if Johnny Soundman dicks you, break shit (we're a very
|
|||
|
intellectually based band)."
|
|||
|
|
|||
|
A really loud and fast punk band from New Jersey. I don't know how to
|
|||
|
describe them. They're good on this demo. Really fast, and really loud.
|
|||
|
I don't know how to describe much further.
|
|||
|
|
|||
|
The tape starts out with "Shoot the Meltdown" and goes into "Riot". Both of
|
|||
|
these songs are really good. The rest of this side is really good, although
|
|||
|
the tape cuts off right at the beginning of the last song on Side A.
|
|||
|
|
|||
|
Side B is pretty good, too. My favorite song is "Black Hammer". The album
|
|||
|
ends with "Azul!"; did I mention that both Fitz (lead singer) and Chris
|
|||
|
(bass) are both card carrying Communists, as well as Native American Rights
|
|||
|
Activists? Needless to say, this is a very politically charged band.
|
|||
|
|
|||
|
This is a good band. Fast punk chords, coupled with a good drummer and
|
|||
|
bassist give way to a good band in the rising New Jersey punk scene.
|
|||
|
|
|||
|
(DF Fitz, 2 Forman CT, Englishtown NJ, 07726-2905)
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Contact & Copyright Information
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
Jonas e'Zine Volume 2, Issue 8 is Copyright (c) 1997 by Jonas Productions,
|
|||
|
all rights reserved. Copyrights to stories, articles, artwork, and
|
|||
|
photographs are property of their creators, unless otherwise noted. The
|
|||
|
contents of this publication may not be reproduced in whole or in part
|
|||
|
without the express written consent of the copyright owner. Jonas may be
|
|||
|
freely distributed as long as this notice remains in place.
|
|||
|
|
|||
|
Means of contacting Jonas Productions:
|
|||
|
|
|||
|
email - edi@cybercomm.net (edicius/main address)
|
|||
|
marc@netlabs.net (belial)
|
|||
|
www - http://www.cybercomm.net/~edi/jonas/index.html
|
|||
|
ftp - ftp.etext.org /pub/Zines/Jonas
|
|||
|
mail - Jonas e'Zine / c/o Tom Sullivan / 8 Mills Avenue / Port Monmouth,
|
|||
|
NJ 07758-1114
|
|||
|
irc - look for edi on the EfNet IRC channel #jonas
|
|||
|
|
|||
|
Miscelaneous information:
|
|||
|
|
|||
|
Thanks to; Belial, Mindcrime, Grey Hawk, Pat, James, Steve, Kristen, and
|
|||
|
Brianne. Also, Abbott Promotions, Hated Youth, and Dread Fabric. I also
|
|||
|
need to thank every who has helped me along the way. Thanks for everything.
|
|||
|
|
|||
|
CDs that I was listening to right before the release of this issue: Reel Big
|
|||
|
Fish, "Turn the Radio Off" / Suicide Machines, "Destruction by Definition" /
|
|||
|
Skankin' Pickle, "The Green Album" / Rocket From the Crypt, "Scream Dracula
|
|||
|
Scream" / & Weston, "Got Beat Up"
|
|||
|
|
|||
|
Jonas reviews all 'zines, cds, demos, movies, or anything else that is sent
|
|||
|
to them. Send it to our address listed above. We promise we will review it.
|
|||
|
|
|||
|
---eof-----------------------------------------------------------------eof---
|
|||
|
|