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632 lines
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Copyright and contact information is located at the bottom of this magazine.
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Jonas E'Zine Volume 2, Issue 7 :: November 25, 1996
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In this issue..
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1. Edicius' Editorial
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2. Jonas News and Information - by Tom Sullivan
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3. Underage Drinking [essay] - by Auren Hoffman
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4. On School Censorship [reprint]
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5. Stairs [story] - by Jestapher
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6. Simon the Ant [story] - by Jeff Brayne
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7. Poetry - Various Writers
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8. Reviews - by Tom Sullivan
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9. End Notes, Contact & Copyright Information
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Edicius' Editorial
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I remember a day when things were much simpler. Time flew by in an absurd
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matter. Instead of girls & work & school & responsibilities, all that was on
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your mind was going to your friend's house to play a game of wiffleball in
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his backyard. You didn't need money to hang out; you got change from your
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mom and bought a dozen pieces of Bazooka just to see how many you could get
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in your mouth at one time. You bought the MC Hammer album on tape, and you
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thought that life couldn't get any better then that.
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Then suddenly, maturity struck. You were expected to behave: wiffleball
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games became sparse, you knew that you could blow your fingers off with
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fireworks, and your jaw hurt from one too many grape-flavored Bazookas.
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------------------------
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I was about 10 years old, and I was walking through the woods near my house
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with my best friend. We found a porno magazine that the 'big kids' left
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around. I remember looking at it and saying, "do I have one of THOSE?"
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Me and my friend ripped the magazine up because we didn't want to get caught
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with it. A few days later, some 'big kids' asked us if we found a magazine
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in the woods. I told them that we did, and that we disposed of it.
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Needless to say, my face would have been mush if I didn't run like the
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dickens.
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I remember riding my bike really fast and doing jumps off of dirt hills and
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not caring whether or not I got hurt. I was 10, I was immortal. Wounds
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could not hurt me! I would pick at the scabs and mosquito bites.
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They were building these houses near my house. So, they had the land all dug
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up and they made these really big hills. I rode my bike down one, and tried
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to ride up another one. Instead of making it up, I did a backflip and landed
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square on my back. The kids looked at me oddly and said how cool that trick
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was.
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I went home and cried like a woman.
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I would be afraid to ride my bike certain places. I wouldn't want to go to
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the local strip mall, or past certain parks. There were 'big kids' there.
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You know, the really big 14 and 15 year olds. They would say stuff to me,
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because I was younger. So, I tried to avoid them whenever possible.
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------------------------
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Today, I don't rip up and 'adult' magazines that I may find, I keep them. I
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would be happy if I could find a magazine with articles like "EROTIC FASHIONS
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FOR YOUR HARD DRIVE (pictorial)".
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I can stand at that same hill, and look down at the ground. The ground can
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be ten feet away, but you will seem so small. In a few years you were taught
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about infections & broken bones and all that really nasty stuff. That hill
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now owns you, you're never riding your bike down it again.
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I was eating a bagel at a shopping center with one of my friends. I saw
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these alterpreteens walking by the stores, and I remembered when I was that
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age and I was afraid of the kids that were sitting there looking at me while
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they ate a bagel. I was scared of _myself_.
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------------------------
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You grow up, and you lose that innocence that early age brings. You're so
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innocent, because you just don't know better. Until you actually pay
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attention in school, and learn about things that can hurt you, do you get
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scared.
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It was cool to skin your knee after you fell off your bike after you nearly
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hit that really low branch from that tree that you fell out of last week. So,
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each time you rode your bike past that tree, you wouldn't slow down. That was
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a victory scar, that pain meant nothing when compared to the glory and
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satisfaction you got when your friends looked at the puss coming from the
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wound and high fived you.
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You were fuckin' god to the other nine year olds.
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How I long for the days before I discovered masturbation. Those times when
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you were so young and innocent and simplistic. You had an _attention span_.
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MTV and Comedy Central didn't rot your mind yet, you were still watching
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_Pinwheel_ on Nickelodeon. You didn't need a computer game with real life
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animations and statistics and blood and gore and violence and girls in really
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skimpy outfits, you would look at your brother's Atari and gawk.
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You always have to give something up to gain something new. You may gain
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maturity and knowledge, but you have to give up innocence and simplicity.
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The hill still stands there, with a bunch of new nine and ten year olds,
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daring each other to go faster and faster and cheering each other on with
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each new infection. I wish I could stand near them, and share in that magic
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for one more moment, but they would probably be scared and run away.
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Jonas News and Information - compiled by Edicius
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Contrary to popular belief, we're not dead!
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I burned myself out with Jonas. I was trying to do too much, and I needed a
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break. So, I figured I'd take a break and release a new issue of Jonas in
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early October. No good, that little break I took coincided with a depression
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& laziness rut, that led to severe writers block. But, I've overcome the
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writer's block, and I'm here again.
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We've had a lot of great press lately, so I'd like to thank Melanie Franklin
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and the New Museum of Contemporary Art for their exhibit on youth media. I've
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gotten a lot of great feedback from people who've visited the exhibit.
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Unfortunately, I haven't been able to go into the exhibit myself, but I've
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heard that it's wonderfully done.
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On November 2, I became aware that Katherine Cavanaugh wrote an article &
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review on the exhibit for MSNBC, and there was a favorable mention of Jonas
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e'Zine in that. Heck, she even opened up the article describing Jonas. I'm
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really happy with that, and for her favorable review of the event in general.
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Send email to me (edi@cybercomm.net), and give me your mailing address. I'll
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send you a set of Jonas stickers in the mail. Be the first on your block to
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get a set of the second printing of the official Jonas sticker!
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Otherwise, everything else is the same. All the contact information is
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located at the bottom of the file.
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Have a good day.
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Underage Drinking - by Auren Hoffman
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It is hard to be a law abiding citizen these days. Many laws make little
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sense. Like most people, I J-Walk all the time. I also ride my bike on the
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sidewalks. One law I do not break anymore is underage drinking. But I
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confess, I used to break that law at least twice a week.
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Between the ages of 18 and 21, I consumed more alcohol then I probably will
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between the ages of 21 and 40! In those three years, my first three in
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college, drinking is an accepted form of socializing. Now I'm not condoning
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getting totally plastered or using alcohol as an excuse to break more serious
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rules, but drinking happens.
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I can only speak for myself, but now that I'm 22, I feel less inclined to
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drink. Maybe it's because I'm more mature, but I doubt that. I think it
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is because it's legal. There's no allure to drinking anymore. There's no
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drama, no excitement, no tension, and no fear. Now it is only alcohol.
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Fact: American college students drink excessively
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Fact: Most American college students who drink excessively are underage
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Fiction: Drinking age laws prevent students from drinking. In fact, drinking
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age limits promote the use of alcohol.
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The two biggest responsibilities one has are parenthood and voting, in that
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order. Notice I did not include "drinking alcohol." It takes a far more
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responsible person to raise a child or to vote for President than to drink a
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beer. But at age 18, one can be a parent and a voter but cannot buy a bottle
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of wine for a neighbor. Seems odd.
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Our politicians of infinite wisdom shows their priorities when they claim
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that at age 18 one is responsible to vote but not responsible to drink. By
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inference, politicians are telling us that it takes more responsibility to
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drink than to vote. No wonder Americans are so apathetic about politics;
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our leaders no longer believe in us.
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Of course, the old saying still rings true. If you're old enough to shipped
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half-way around the world and take a bullet in the brain for our country, you
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are certainly old enough to drink a toast with your family before you leave.
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SUMMATION: Though it has good intentions, the 21 year old drinking age should
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be lowered to 18. When you're 18 you can smoke, vote, drive, marry, be a
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parent, run for most local offices, serve in the armed forces, legally
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establish a business, sign a contract, and enforce the law. But in most
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states you cannot drink.
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On School Censorship
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Reprinted from the Asbury Park Press, 11/25/96
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----------------------------------------------
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(From the Opinion/Letters to the Editor page)
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_School Journalists Fight Censorship_
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As a junior in high school, it has become obvious to me that censorship has
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become a major issue in many school publications. With today's students
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facing so many potential problems with drugs, AIDS, and teen pregnancies, we
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as young journalists see a need to report these stories. So why is it that
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we are being kept from reporting these facts?
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There are problems all around us that the school administrations of this
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country can't see. Sometimes only the students know what is really going on
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concerning drug abuse and other illegal activities. School officials can't
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see some problems because students aren't allowed to expose the facts, and if
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we do, we can't print them in official school publications.
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I think the public has the right to know all the facts, both good and bad,
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about a school. We as students have no real "freedom of the press," because
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we are not considered to be actual citizens until the age of 18, and even
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then we are forced to conform to the regulations of the school
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administration.
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There have been many documented cases involving students and school
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administrations. In one precedent-setting case, Hazelwood School District
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vs. Kuhlmeier, school journalism suffered a massive blow. This case gave the
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school administration the last word involving what does and does not get
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published. Basically, once a student enters the school-house doors, they
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forfeit their freedom of speech. Of course, as student journalists, we know
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not to ever print libelous material, things in bad taste or anything not
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substantiated.
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Not only are we censored from covering certain volatile topics, we are also
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prevented from expressing ourselves in creative forums as well. Literary
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magazines and yearbooks are also subject to censorship by school officials.
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Most schools are too sports oriented. They should start advocating the
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benefits of higher learning and thinking skills. We are shying away from a
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once-stressed cognitive society to conform to a nation of perfect bodies and
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sports heroes.
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All too often, citizens allow themselves to be told how to live and in turn,
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what to write. Students need to fight for freedom of speech, because we are
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our only line of defense against censorship.
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Joe Gioe
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Jackson Township
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Stairs - by Jestapher
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Living on the bottom half of our two story house, I ventured up the stairs
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nearly every day. A long rectangular handrail hung from the left wall of the
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stairwell and soft, thick brown carpet graced the stairs themselves.
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Upstairs lived my older brother in a tiny room originally referred to as a
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den. My older sister partitioned off half of the living room and claimed it
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as her own, leaving a significantly smaller living room in her wake. The
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only other room was a small bathroom the two second story inhabitants shared.
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Conquering the stairs opened up a world of excitement, joy, happiness,
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pleasure and bliss. In other words, the Nintendo lived upstairs. We crushed
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King Koopa and rescued the Princess countless times, but it never lost its
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appeal. We spent hours making and racing on custom tracks for Excitebike.
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The only gun we were allowed to play with shot down thousands of ducks while
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playing Duck Hunt, but we never failed to shoot the dog when it laughed at us
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for missing a duck or two. We never thought that shooting a Gumshoe to make
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him fly, catch balloons and avoid various obstacles was pointless or boring.
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Because the Magical World of Nintendo lived upstairs, we never thought twice
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about journeying up the long flight.
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One day, as usual, I climbed the stairs, only to find that my older sister
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wasn't pleased about my entrance into her domain. It happened often, but
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usually her anger died down, controllers were picked up and contests were
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initiated. For some reason, she was very adamant in her desire to have me
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leave that day. She and I stood on the three-foot section of flat floor that
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lay atop the stairs before the doorway to the living room. We argued while
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she blocked the whole entrance way, arms outstretched touching both sides of
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the stairwell. I tried to barge my way in, but she resisted. Due to the
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fact that I was twelve years old and she was fourteen, her rippling muscles
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and calcium-rich bones bested me. I tried numerous times to break through
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the roadblock of a sister, but she persisted. On my last attempt, she put an
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end to my uprising.
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With a push, I fell backwards and hit the side of the staircase. Still off
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balance, I slipped off the wall and started rolling, falling, careening down
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the stairs. As I bounced off every stair, I thought to myself, "Ow, this
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hurts." Whenever friends stayed the night at our house, we would ride down
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the stairs using pillow padded sleeping bags as toboggans, stopping only when
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we hit the wall at the base of the stairs. It was great fun and we laughed
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the whole way down, but this experience was different. I derived no such
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elation from being thrown down twenty feet of stairs.
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I laid on my back at the bottom of stairs, thinking to myself, "Ow, this
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really hurts." I had some bruises and a headache, but no serious injuries.
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I could see and hear my sister at the top of the stairs laughing at me, not a
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laugh that said "Haha, I almost broke your neck," but a laugh that said
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"Haha, I can't believe you were so stupid as to fall down the stairs." While
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indisposed on the first story of our two story house, I took the opportunity
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to do some pondering. I realized that if I was ever in that same situation,
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I would either have to be stronger than my sister or just concede to the
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dominant powers of the second story.
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Simon The Ant :: by Jeff Brayne
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Part One: Simon has a bad day at School
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---------------------------------------
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Simon was contemplating suicide one day. He felt he did not fit into the ant
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society. He did not get along with girls. He had no friends. He had a bad
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case of acne. His feet were too big and his clothes didn't fit. His only
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solace in life was to listen to a band called The Smits. The Smits were an
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androgynous, 80's New Wave ant band. He liked to masturbate to The Smits.
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He also thought of termites while masturbating. He did not know why these
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things comforted him and decided to find out. He stayed after ant school to
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talk to his teacher..
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"Sir, I feel that I have a problem."
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"And what problem might you have, Simon?"
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"I feel different from all of the other ants."
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"And why is that a problem, Simon?"
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"It's the way that I feel different, sir."
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"And how are you different, Simon?"
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"I only feel solace from masturbating to The Smit's album 'Louder Than
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Prawns'."
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"And why do you feel this is a problem, simon?"
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"I'm not quite sure, sir."
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"What other problems might you have, Simon?"
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"I also think of termites."
|
|||
|
|
|||
|
"Well you wait here, Simon. I'll be right back."
|
|||
|
|
|||
|
Simon waited in the room for at least 15 minutes. He became excited at the
|
|||
|
prospect of being helped with his problems. He dreamt of many scenarios
|
|||
|
where the teacher brought his self esteem to 100%. He would finally be
|
|||
|
great! He would finally succeed! Just then the teacher came back into the
|
|||
|
room with three other teachers. They, wielding bats, shouted 'DIE HOMO!' and
|
|||
|
proceeded to beat Simon to death. Simon was never faced with the challenging
|
|||
|
decision of committing suicide.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Poetry - Various Writers
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
The Enforcer - by Jeff Brayne
|
|||
|
|
|||
|
If I was Clint Eastwood I would travel the world,
|
|||
|
I would beat on some people,
|
|||
|
I would pick up some girls.
|
|||
|
I would give someone the evil eye,
|
|||
|
not speak much
|
|||
|
and never cry.
|
|||
|
I would wield a pistol bigger than me,
|
|||
|
squint my eyes
|
|||
|
so I couldn't see.
|
|||
|
Lift some weights to stay in shape,
|
|||
|
make a move
|
|||
|
with an ape.
|
|||
|
With cunning, valor, strength
|
|||
|
and courage,
|
|||
|
I'd make this rotten world's
|
|||
|
life flourish.
|
|||
|
|
|||
|
If Charles Bronson was me I would drive really fast,
|
|||
|
shoot at White Buffalo
|
|||
|
and Kill with a Cast.
|
|||
|
I'd blow up a train and be the best damn Mechanic
|
|||
|
this world has yet seen,
|
|||
|
wreaking much havoc.
|
|||
|
I'm not sure if I could make it with Clint,
|
|||
|
co-star in a role
|
|||
|
two people who squint.
|
|||
|
Fighting and cussing
|
|||
|
and riding our horses,
|
|||
|
surviving the routine of many divorces.
|
|||
|
|
|||
|
If a team could be formed,
|
|||
|
of all-star proportion.
|
|||
|
I shudder at the thought of defining this notion.
|
|||
|
Lee Marvin and Arnold and of the two I just spoke,
|
|||
|
the James Bond's and John Wayne
|
|||
|
doing Moliere's The Misanthrope.
|
|||
|
Jan Michael and Gary Busey
|
|||
|
will surf to rescue
|
|||
|
of perennial rye grass and drought resistant fescue.
|
|||
|
|
|||
|
This world might be safe for 112 minutes,
|
|||
|
but would face dilemma at the end of the credits.
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
Please, call me (the loser) - by Jeff Brayne
|
|||
|
|
|||
|
The call that never came
|
|||
|
Sometimes I feel like not calling her and I wait. My
|
|||
|
secret life demands precedence, the hard guy that
|
|||
|
longs to pretend, and takes over my emotions and
|
|||
|
turns them out.
|
|||
|
I make her wait because I am afraid.
|
|||
|
This I can only admit to paper.
|
|||
|
She is waiting for me and gets pissed so she doesn't
|
|||
|
call.
|
|||
|
I then call her when I get home and she doesn't
|
|||
|
answer. I leave a message and then wait for the call
|
|||
|
that never comes.
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
draft-ridden abductions - by Eerie
|
|||
|
|
|||
|
liposucked babe
|
|||
|
gotta blow job your brains
|
|||
|
riot whistle
|
|||
|
random high pitched sounds
|
|||
|
that small private area
|
|||
|
soiled with drains of plural toys & outdated electronic counterparts
|
|||
|
& the terrible silence of sixty-nine dead days
|
|||
|
much waste
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
garage - by Eerie
|
|||
|
|
|||
|
such a large amount of unborn square miles
|
|||
|
air blast
|
|||
|
shiny trash
|
|||
|
i got a nickel falling on the wood floor
|
|||
|
& the sound it makes gets lost
|
|||
|
revolves constantly
|
|||
|
blatant stink
|
|||
|
i'm over an immense degree of life
|
|||
|
just stigmatas
|
|||
|
nothing really noticeable
|
|||
|
scar fields
|
|||
|
the wind blows
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Reviews - by Tom Sullivan
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
CDs/LPs
|
|||
|
------------------
|
|||
|
|
|||
|
Weezer, _Pinkerton_ (DGC/Geffen Records)
|
|||
|
|
|||
|
Two years in the making, and a lot of work behind them, I'm sure Weezer is
|
|||
|
very pleased with the success of this record. Many weren't sure if the band
|
|||
|
could match the success of their 1994 hit debut album, but it seems that the
|
|||
|
fans have well-received this new disc.
|
|||
|
|
|||
|
Rivers Cuomo, lead singer and songwriter for the band, doesn't divert from
|
|||
|
the general theme of the band's first album. Again, it's majorly about love
|
|||
|
and girls. He explores falling in love with a lesbian ("Pink Triangle), the
|
|||
|
torment of not being in a real love relationship ("Tired of Sex"), and he
|
|||
|
discovers love halfway across the world ("Across the Sea").
|
|||
|
|
|||
|
The songs are catchy and a bit harder-edged then on the debut album. They
|
|||
|
may be a bit more complex, and shows the refinement and maturity that the
|
|||
|
band has gained since it first hit the national music scene in '94. There
|
|||
|
are many more comparisons to be drawn between _Pinkerton_ and their debut
|
|||
|
album, but that would be insane to compare the two any further.
|
|||
|
|
|||
|
The songs tell stories that pry into the inner thoughts of Rivers' mind. His
|
|||
|
views on girls and love and relationships are clearly shown here. The
|
|||
|
centerpiece of this fantastic album is the semi-acoustic ballad, "Across the
|
|||
|
Sea". It stands out, lyrically and musically. The song tells about a girl
|
|||
|
that wrote Rivers, and they share their foreign lives with each other. Her
|
|||
|
culture is new to Rivers, and he asks her questions that he wants to know ("I
|
|||
|
wonder how you touch yourself at night?"), and she asks the questions that
|
|||
|
she wants to know ("My hobbies, my favorite food, and my birthday").
|
|||
|
|
|||
|
The band has matured in the last two years; from a Los Angeles-based garage
|
|||
|
band, to a nationally known music act. The years of hard work have paid off,
|
|||
|
and it looks like Weezer will be leading a great music scene into the future.
|
|||
|
|
|||
|
This album is fantastic in every aspect. It will easily go down as the best
|
|||
|
album release of the year. Weezer has done a great job, and this disc won't
|
|||
|
be leaving my player for a long time.
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
Yontz Sucre, _Electric Jam_ (BuzzJam Music)
|
|||
|
|
|||
|
This is a good instrumental rock album. Yontz Sucre is a very powerful
|
|||
|
guitarist, combing a mixture of influences, from Jimi Hendrix to Jim Thayil,
|
|||
|
and training in jazz and wind instruments to create a very dynamic playing
|
|||
|
style. Yontz displays his wide range of musical styles by offering the
|
|||
|
listener a mixture of soft and hard rock, jazz, and heavy metal. He gives us
|
|||
|
the jazz-rock "Cashbah", and the heavier "The War", along with other rock
|
|||
|
pieces, like "Blue Breeze" and the Jimi Hendrix cover, "Little Wing."
|
|||
|
|
|||
|
($10 ppd., BuzzJam Music, PO Box 30773, Raleigh, NC 27622)
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
Blue Yard Garden, _On The Galaxy_ (SMD Records/BYG Music)
|
|||
|
|
|||
|
The Songwriters Association of Washington DC recently selected Blue Yard
|
|||
|
Garden's "Mornings Over" as "Alternative Song of the Year", undoubtly so.
|
|||
|
Rockvile, Maryland's Blue Yard Garden blends the different influences of the
|
|||
|
six members to form a clean sound, alternative rock with a blues edge. The
|
|||
|
influences of the band members range from jazz and R&B, to alternative and
|
|||
|
classical music. The different styles and influences come together to give
|
|||
|
the listener a good and relaxed album to listen to. All of the songs on this
|
|||
|
CD are good. It's simple, laid back, blues rock. Soft, smooth, and
|
|||
|
incredibly sweet. This is just a perfect album. If you're looking for a new
|
|||
|
blues sound, this band and album is well worth the buy.
|
|||
|
|
|||
|
(BYG Music, PO Box 536, Rockville, MD 20848)
|
|||
|
|
|||
|
------------------
|
|||
|
Zines
|
|||
|
------------------
|
|||
|
|
|||
|
Terki, Number 1 (4 1/4 x 5 1/2, $1.00, PO Box 1263, Maplewood, NJ 07040)
|
|||
|
|
|||
|
A very good looking print 'zine, without much quality inside. I love the
|
|||
|
layout, the editors did a good job on that aspect. However, on the story
|
|||
|
side of things, they aren't so good. Stories that are trying to be so wacky
|
|||
|
that you laugh out loud, but they lose the funniness in the wackiness, and
|
|||
|
come out plain dumb. There were a few things in here that I did like, such
|
|||
|
as "Studebaker" and the Deep Thoughts-esque "Alienation."
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
Breathe e'Zine, Issue 1 (email: marc@netlabs.net)
|
|||
|
|
|||
|
A new e'Zine with a lot of potential. Belial, the editor of Breathe, was
|
|||
|
formally involved with Slinky and Jonas, and has a deal of writing experience
|
|||
|
behind him. Though a bit on the short side, this first issue of Breathe
|
|||
|
shows a lot of potential, and should evolve in a very nicely done e'zine.
|
|||
|
There's a bit on the Pagan religion, and a good fantasy story in here.
|
|||
|
|
|||
|
------
|
|||
|
|
|||
|
Relish e'Zine, Issues 5 & 6
|
|||
|
(http://www.pla-net.net/corp/zineworld/relish, email: relish@juno.com)
|
|||
|
|
|||
|
These two issues of my favorite 'zine came out close to each other, and they
|
|||
|
came out of the blue. After a hiatus in printing (like, uh, I've done),
|
|||
|
Relish came back with two spectacular issues. tMM touches on mass media, his
|
|||
|
school's (Samford University) decision to close their beloved radio station,
|
|||
|
his friends and his life in Alabama. There is a good political essay by
|
|||
|
Mercuri, and an excellent election rant by Deepak. One of my favorite
|
|||
|
writers, Kojak, has an interesting "Guide To Love", including a breakdown of
|
|||
|
what your favorite color means to your sex life.
|
|||
|
|
|||
|
Issue Six is the Halloween Special. There is more fiction compared to issue
|
|||
|
five's all-essay format. There are a few good pieces by tMM's friend Steve,
|
|||
|
and tMM himself has a great Halloween Ghost story involving the gang from
|
|||
|
Scooby-Doo and there is the "Halloween Candy Tips", written by tMM.
|
|||
|
|
|||
|
Both of these issues are simply incredible. Relish has proven itself to be
|
|||
|
an amazing magazine, and it insures that position with two solid issues.
|
|||
|
|
|||
|
As tMM says in his editorial in Issue Five, "People love Relish more then
|
|||
|
David Hasselhoff!"
|
|||
|
|
|||
|
-----
|
|||
|
|
|||
|
The Last Word, Vol. 4, no. 23 (http://members.iglou.com/bathroom)
|
|||
|
|
|||
|
It looks like this may be the last issue of The Last Word, the long running
|
|||
|
leftist political e'zine from the grand state of Kentucky. I've always loved
|
|||
|
Bathroom Bandits rants on every aspect of the political structure, from the
|
|||
|
national to the local level. This issue features his thoughts on the
|
|||
|
elections, and their impact on the local and global scene. TLW also has an
|
|||
|
assortment of other pieces, including BathroomB's thoughts on Dick Armey, a
|
|||
|
Kentucky Polution Law, the Violent Youth Predator Act, and other cases of
|
|||
|
injustice handed down by the government in the local news.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Ending Notes
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
Another issue of Jonas is done, I hope you enjoyed it.
|
|||
|
|
|||
|
I'm back to a regular release schedule, so I expect another issue of Jonas
|
|||
|
out before Christmas. In January, I'm going to the Netherlands for two
|
|||
|
weeks. Expect a super-dooper issue in February with my first ever travel
|
|||
|
diary!
|
|||
|
|
|||
|
I'm going to finally see Weezer in a few days, hopefully I'll hang with them
|
|||
|
and get an interview. We'll find out.
|
|||
|
|
|||
|
Send me feedback on this issue, and tell me how you like it.
|
|||
|
|
|||
|
Jonas loves you all.
|
|||
|
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
Contact & Copyright Information
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
|
|||
|
Jonas e'Zine Volume 2, Issue 7 is Copyright (c) 1996 by Jonas Productions,
|
|||
|
all rights reserved. Copyrights to stories, articles, artwork, and
|
|||
|
photographs are property of their creators, unless otherwise noted. The
|
|||
|
contents of this publication may not be reproduced in whole or in part
|
|||
|
without the express written consent of the copyright owner. Jonas may be
|
|||
|
freely distributed as long as this notice remains in place.
|
|||
|
|
|||
|
Means of contacting Jonas Productions:
|
|||
|
|
|||
|
email - edi@cybercomm.net (edicius/main address)
|
|||
|
marc@netlabs.net (belial)
|
|||
|
www - http://www.cybercomm.net/~edi/jonas.html
|
|||
|
ftp - ftp.etext.org /pub/Zines/Jonas
|
|||
|
irc - look for _edi or edi_ on EfNet IRC
|
|||
|
|
|||
|
If you run a 'zine or a record label, and you're intersted in having it
|
|||
|
reviewed in an upcoming issue of Jonas, please email edi@cybercomm.net for
|
|||
|
our mailing address.
|
|||
|
|
|||
|
---eof-----------------------------------------------------------------eof---
|
|||
|
|