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mmmmmmmmmm$$$$ .s&$P""""7$&s. $$$$"""""7$&s. s$$$P"""""$&s. .s&$P""""7$&s.
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gggg $$$$ $$$$ $$$$ $$$$ $$$$ ggggp****q$$$$ `7$$bmmmmmgggg
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$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ gggg $$$$
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tMM$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
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$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
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$$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$ $$$$
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`7$$bmmmmd$$P' `7$$bmmmmd$$P' $$$$ $$$$ `7$$bmmmmd$$$$ `7$$bmmmmd$$P'
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--------------------------------------------------------------------------
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Jonas E'Zine, Volume 2, Issue 5 (C) 1996 by Jonas Productions,
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all rights reserved. Copyrights to stories, articles, and illustrations
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are the property of their creators, unless otherwise noted. The
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contents of this publication may not be reproduced in whole or in
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part without consent of the copyright owner. Jonas may be freely
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distributed as long as this notice remains in place, and
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no fee is charged for it's retrieval.
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I try to run from things I can't face,
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but I'm tripping on my shoelace.
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Little John / "Shoelace"
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--------------------------------------------------------------------------
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Jonas E'Zine Volume 2, Issue 5 July 28, 1996
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Contents:
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(1) - Edicius' Editorial
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(2) - untitled #1 [poem] - by Oodles
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(3) - How I Got This Way [essay] / by Oodles
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(4) - "My Name Is Jonas" [story] / by The Masked Marauder
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(5) - Truth in the Electronic Age [essay] / by Auren Hoffman
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(6) - "End of Eternity" [story] / by Eerie
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(7) - "The Day" [story] / by Edicius
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(8) - "Deceptive Media Experience" [story] / by Jestapher
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(9) - Reviews
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(10) - News Clips
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-------------------------------------------------------------------------
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(1) - Edicius' Editorial
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Tonight, I made a revelation.
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I am going to stop fooling myself. I am going to stop shaping myself,
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manipulating myself into someone who I'm not.
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For the last two weeks, I've been telling myself that there is something
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wrong with me. If I want to do anything, if I want a girlfriend, I have
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to change. Not a physical change, I don't care if I lose or gain ten
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pounds at this point. No, a mental change. I feel that there is so much
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wrong with me.. That if I am to succeed in anything, I have to change.
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But I don't need that anymore. If someone became friends with me, and
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tried to manipulate me into something I wasn't, I would lose them so
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quickly. Why can't I lose myself? Why can't I convince myself that I'm
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perfectly fine?
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Tonight, I did.
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I had a good night, I have no complaints about anything I did. I came
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home at one o'clock in the morning, and talked to my best friend, Maureen.
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Right now, no one knows me better then my friend Maureen. I love her,
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we're just really close. No one knows me better now, and no one has ever
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known me this good. I help her with her problems, and she helps me with
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my problems.
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Tonight, we talked as always. I don't know what it is, but something
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happened tonight. Something majestic. During the course of our
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conversation, I finally realized that I'm perfectly fine. I'm at an inner
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peace right now, the war has stopped. There is, and was, no reason for me
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to hate myself.
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I believe that love exists, but it's not going to touch everyone. You
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also can't gain love, if you don't let it in your heart to begin with. I
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don't know if I'm ever going to find love. Let me clarify, I don't know
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if I ever _want_ to find love. I haven't found it yet, so I'm not going
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out of my way to find it now. In the end, we will get what we all
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deserve.
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-----
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I don't want a relationship, I just want to hold someone. I want to hold
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them in my arms, and have them know that they are safe and protected. I
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don't want sex or any of the related things, I just want to hold a girl in
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my arms. I can't hold her and make her feel safe all the time, but if she
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keeps that image in her mind, I will be happy. If one day, she's feeling
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bad, she can recall the fact that I held her in my arms, and how safe she
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felt. I'll always be there for that person, and they have to know it.
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I'm a romantic at heart. I don't want to go out and get laid. I don't
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care if a girl goes down on me or whatever. I want the simplier things.
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I want to hold a girl, and never let go. I want to give her a simple kiss
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on her neck. I believe that a simple kiss will convey so many more
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emotions then anything else. I don't want head, I want to hold.
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-----
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I may seem like an average sixteen year old, but these are my thoughts.
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There's so much in this world right now, I'm going to conquer it. I'm
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going to get it all, and never let go. I'm going to find someone who I
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can really love, who I can love back, and never let go.
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One day, I'm going to get what I deserve. It could be tommorow, it could
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be at my death; but one day, I will be truely happy.
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If I could ask for just one thing in life, I would ask that no one ever
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feels uncomfortable, scared, or sad around me. I don't want people to be
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intimidated around me, there's no reason to. I want people to respect me
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and like me for who I am.
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----------
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As far as news this month, uh, I don't know much. I would like to thank
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everyone who wrote this month. People who've written for Jonas in the
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past, like The Masked Marauder and Auren Hoffman, and people who are 'new'
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to the 'zine, like Oodles, Eerie, and Jestapher.
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I apologize for the fact that I didn't put the web version of Jonas 19 up.
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I'm a fuckin' lazy ass, sue me, ok? I will have a web version of this one
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up, so don't fret, cupcake.
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If you are in a band, or run a 'zine, contact me! Email me. I'm always
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interested in recieving demos and cds and 'zines to review. I love them,
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I am also interested in doing more interviews with bands and more
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full-length articles on bands. So contact me, ok?
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Next issue, we should have a post office box, yippie!
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Have a nice day.
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-- Edicius
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--------------------------------------------------------------------------
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(2) - untitled #1 - by oodles
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in this dark deslote place which i call reality,
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stands a young girl trying to break free.
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from societies standards and expectations,
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into who she dreams and hopes she can be
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they can not stop her,
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they will not turn her away.
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she will make her own decisions
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and be happy one day.
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she will stand up on her own,
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so that all may see.
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in this dark deslote place,
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that girl is me.
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--------------------------------------------------------------------------
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(3) - How I Got This Way - by Oodles
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How have I gotten this way? Well, I suppose it all started originally in
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1993.
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It was christmas, and the previous year my parents had bought me a
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computer, so that year they decided to buy me a modem. It was a cheap
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2400 baud modem that came with a "Prodigy" startup pack, but it ran and it
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changed my life forever.
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I first got onto Prodigy and quickly learned how to use the forums and I
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could communicate with people through messages in forums and emails. I
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started associating with some people, and soon they told me about this
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thing they do called "bbsing." I wasn't really sure exactly what it was
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or what I could do with it, let alone HOW to do it. But I followed their
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advice and tried it out.
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The person who originally mentioned it to me, gave me the phone number of
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a Pennsyvanian bbs and told me how to call it. It was a little one line
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board in Pittsburgh. At the time, I didn't KNOW it was in Pittsburgh or I
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would not have called, that is definitly NOT local. But I was young and
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naive and believed everything this Prodigy kid told me.
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The board basically sucked, I could do nothing, it wasn't even a Macintosh
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board so I couldn't use the files available.
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You can imagine how surprised I was, as well as my parents, when we got a
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300 dollar phone bill that month. I had no idea I had spent so much money
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on a board that sucked so much. I had no idea there were MBBS chat boards
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with 30 lines or even the internet, I thought that was the best it got.
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Of course I assumed all modeming sucked and the person on Prodigy was
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stupid. I put the modem away in a closet, never used it again and went on
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with my life. My computer was there to type up homework and do work for
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my parents, that was the extent of it.
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One day, my father brought home a BBS list for me. He told me a friend at
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work had given it to him, made sure all the numbers were local, and told me
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I should try it out.
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It was the _Allen Joffes BBS List_. One of the numbers was a board called
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Clockwork. I dialed it up. It had so many phone lines, I could talk to
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other people while I was on, I was amazed.
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I had used all fake information as I had been told by my parents. They
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told me to NEVER give out real information over a computer, that all the
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people on it were psycho and would come after me, and I did not want that
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to happen.
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I made up a fake identity for myself, from that day on I would be known as
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Karen Southport. I had a fake address, phone number, birthday- everything.
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to me, Karen became real because I always had to refer to her, I had to
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become her to stay on the boards I called.
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At first the idea of having this fake identity was fun for me, i could be
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whoever i wanted to be and no one would know the difference. Anything I
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said, as far as others were concerned, was the truth about myself. But
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soon I grew to lose myself in this identity and actually wanted to reveal
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things about my life to these people, but following my parents strict
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advice, I did not.
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From Clockwork I got banned for life, for some reasons which we will not
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discuss today.. But, in the time I was on Clockwork, I did receieve some
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other BBS phone numbers, such as Onix.
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Onix was the turning point for me, in a way you could say Onix changed my
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life forever. It was the starting point of the real turnaround. I logged
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on, with my fake info as always. The only difference being the handle
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Karen was taken, so I shortened it to the first thing I could think of,
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"kar".
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Day after day, I began talking to the other users. The people on Onix
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seemed to know each other, and some were even my age. They were friends,
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they hung out outside the modem. I was astonished by this, and I wanted a
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part of it. I became closer and closer to these people who knew me as
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Karen as the days went on.
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One day I decided to let it all go, I wanted to tell them the truth about
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me. Despite what my parents had said, I had grown to trust them. They
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accepted me despite my lies, it was wonderful. I let the sysop know who I
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really was and he changed my account info immediately and just told me to
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never do it again.
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From that day on, I was no longer Karen, I was Kim. I was me. I soon ran
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out of days on Onix, and after mooching from the users on there, I decided
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to move on, to Gamepower. I'm sure a lot of people had their modeming
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start on Gamepower, and even met some of their best friends on there, I
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know I did.
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I remmeber the first night I logged on there, two users, Iceman and Billie
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Joe (whose name is Mark), were in the teleconference. It was a few days
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after the Green Day concert, and me being an alterna-teen at the time
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totally jumped all over the user Billie Joe.
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We started talking about became amazing friends. Soon we had decided to
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meet. We met at a movie theatre one day, it was very awkward. We saw
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that horrible movie where Adam Sandler goes back to school.. but i digress. We got along pretty well despite the awkwardness. We kept talking on the phone, and
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met again a few more times in person. Then one day, he asked me to go
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out with him.
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That user I had met one day logging onto a board, still a bit unsure of
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myself and of modeming, was now my boyfriend.
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I was shocked at first that i could become so close to someone over a
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modem, and that this someone had turned into a relationship for me. Even
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though Mark and i eventually went our seperate ways and broke up, outgrew
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my shyness of meeting new people by meeting many of his friends who soon
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became my friends also, and became who I am today.
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I have experienced numerous things through the modem, met so many good
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friends and have had so many interesting situations. I honestly think if
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i did not take that step of meeting Mark in person and starting a real
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relationship with him that i would be here talking to you all today, i
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would still be a scared little girl behind her computer screen knowing no
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one and afraid to reveal her true self to anyone.
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The day I logged onto Onix really did change my life forever. If it
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wasn't for Onix I would not have called Gamepower, had not met Mark and
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would not be me, the Kim I am today. I have had bad experiences, and
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sometimes I have wished I had never turned on this damned modem, but the
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good outweighs the bad, and I am very happy I have become who I am all
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because of it.
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-----------------------------------------------------------------------
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(4) - "My Name Is Jonas" - by The Masked Marauder
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Fresh & clean, a new beginning. The ultimate chance to turn back time, to
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undo all of the mistakes that had been made this far. To start over &
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re-create what once was. But at the same time, be totally & unequivicably
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whole. No pre-conceived notions of who he was, or what he stood for. Less
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tangles to wade through in the never-ending search to connect, in the
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machinery of night.
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This was it, Head & Shoulders was correct, live & let live.
|
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-----
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The first day of school was always the hardest. He knew no one, & no one
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knew him. It was scarey, being in a new place, with a whole bunch of new
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faces all around him, talking & chattering in unison. It was exhilerating
|
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too, it was a whole new world waiting for him.
|
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He looked down at the small print-out that his schedule was on & found his
|
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first class, English.
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"Room 216? I didn't know there was a second level to this school." he
|
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muttered as he wandered along through the hall. "I guess I should ask
|
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someone, too bad I don't _know_ anyone." he said under his breath.
|
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So he just kept walking, now looking for someone he could ask. He didn't
|
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want just anyone, he wanted someone that wouldn't take him at face value &
|
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then push him away, he wanted someone he had things in common with,
|
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someone that would know him without talking to him.
|
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"Who am I kidding? There is no one like that, no one could be that
|
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perfect for him." he said. Oops, this time a group of girls saw him
|
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talking to himself & gave him quizzical looks. Once he passed, he heard
|
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their muffled laughter. Oh well.
|
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He was now insanely lost & had no earthly clue where room 216 was. With
|
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no apparent alternative, he just continued to walk & search for someone
|
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that looked like they would be cool about giving him directions.
|
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He had never been an extroverted person & when in a situation that
|
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commanded him to associate expressly with others before thinking
|
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everything through, he usually screwed up the situation quite royally. But
|
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his current situation was getting him nowhere but late & lost, & it was
|
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increasingly obvious that some action needed to be taken.
|
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|
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Just as he made this decision, he walked up on someone that had a familiar
|
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air to him, this guy was a pretty average person physically, but had an
|
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intelligent look in his eyes. He realized that they guy reminded him of
|
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him. Ladies & gentleman, we have our first candidate.
|
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-----
|
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"Hi, uhm, sorry to bother you but, uhm, do you know where room 216 is?" he
|
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stammered out.
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"Uh, hi. Yes, in fact, I do. Go up those stairs <pointing down the hall>
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& go left. Keep going for awhile & it will be like the sixth or seventh
|
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door on your right." said the stranger.
|
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"Whoa, ok. Thanks for the help." he replied.
|
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"Hey, are you new here? I don't think I've seen you before." asked the
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|
mystery socialite.
|
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"Yeah, I just moved here." he quickly answered.
|
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"Cool, I'm Adam. If you need anything else, just find me." said the
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potentially cool guy named Adam.
|
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"Uhm, thanks, I just might do that." he said.
|
||
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|
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|
"No problem, by the way, whats your name?" asked Adam.
|
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|
||
|
-----
|
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|
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|
Everything just seems so stilted. I don't understand why it has to be so
|
||
|
hard for me to meet new people. People have become the supreme judge of
|
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|
me. & I don't know when I became so vulnerable. I feel like I let people
|
||
|
in so far, but not far enough. They feel me distance myself from them &
|
||
|
then leave. That small rejection of me hurts, even though I brought it
|
||
|
on.
|
||
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|
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|
But it isn't only that I'm so extremely nervous about entering this new
|
||
|
social situation. I have so many opportunities, so many choices; but I am
|
||
|
so damn afraid of making the wrong ones. I don't want to end up hurt &
|
||
|
alone. What combination is going to make me happy?
|
||
|
|
||
|
Doesn't he know how hard this is on me? I don't know how I should feel
|
||
|
right now. I'm so insanely confused about things. I am so relieved to be
|
||
|
starting over in a new situation but this is where I have to pick. Make or
|
||
|
break, so to speak.
|
||
|
|
||
|
I've never been a terribly confident person, but I don't think it is fair
|
||
|
to me or to those around me to let social issues slide because I don't
|
||
|
feel comfortable enough with myself to be extroverted. I guess the most
|
||
|
important thing I should be asking myself is why.
|
||
|
|
||
|
I don't have the luxury of blaming these types of feelings on any
|
||
|
traumatic experience from my childhood, for the most part, I've had a
|
||
|
pretty good life. Something has made me different from the others, I've
|
||
|
felt that strange separation from the beginning. There was always an air
|
||
|
of un- familiarity when others dealt with him, almost as if he was never a
|
||
|
part of them, he had never made the team.
|
||
|
|
||
|
I think too much. Maybe that's it. I over-analyze & blow everything out
|
||
|
of proportion in every facet of my life, & I still haven't met one other
|
||
|
person that does the same way. It isn't that I can't find others just
|
||
|
like me, no, that would be too specific; I can't find others that
|
||
|
_resemble_ me.
|
||
|
|
||
|
But maybe it isn't just my fault, maybe it isn't my own behavior that
|
||
|
causes this. I guess what I hope for in this move is a sort of
|
||
|
connection. If I could find someone that I could relate to, I would be
|
||
|
truly happy.
|
||
|
|
||
|
Well, I don't think that is it either. Admittedly I am lonely, but making
|
||
|
a friend isn't going to immediately take all that pain away, not in a
|
||
|
million years. I think that my problem is that I try too hard & when I
|
||
|
fail, I fall to pieces & resort to feeling sorry for myself.
|
||
|
|
||
|
So many questions, no answers. It is almost as if I have to start with
|
||
|
the most complex & soul-searching questions & work my way down from there.
|
||
|
I'll have to answer questions like "Who am I?" before I can answer little
|
||
|
questions like "What is my name?"
|
||
|
|
||
|
-----
|
||
|
|
||
|
"My name is Jonas."
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(5) - Truth in the Electronic Age - by Auren Hoffman
|
||
|
|
||
|
People are too quick to accept someone's word as truth in today's world of
|
||
|
moving electrons and instant media. Every television station, newspaper,
|
||
|
magazine, and radio show is biased. There is no such thing as totally
|
||
|
objective, nonpartisan reporting. Media should be biased - but they
|
||
|
should be forthcoming about the bias.
|
||
|
|
||
|
CNN news reports always defend Clinton at any cost while the Wall Street
|
||
|
Journal can always find the up-side to a Republican folly. The Washington
|
||
|
Times and the Washington Post usually report on the same story in two very
|
||
|
different ways. But the average reader, watcher, or listener does not
|
||
|
understand this. The average Joe needs to be taught that what the media
|
||
|
reports, and how it reports, reflects upon the personal views of those who
|
||
|
are doing the reporting (or those who own the media).
|
||
|
|
||
|
Listening to news reports is almost like overhearing a locker-room
|
||
|
conversation about Sally sleeping with the football team and Jim killing
|
||
|
his math teacher. There is probably some truth to the report but rarely
|
||
|
is it fully accurate. Sally probably slept with only one football player
|
||
|
and Jim probably said that he wanted to beat up his math teacher. Every
|
||
|
time a story is reported it gets transformed. News reports are no
|
||
|
different from the game "telephone" that you used to play when you were a
|
||
|
kid.
|
||
|
|
||
|
I discussed this topic with a friend of mine who said, "I don't believe
|
||
|
news stories immediately when I hear them, but, I tend to believe it after
|
||
|
hearing the same story from multiple sources." My friend has the wrong
|
||
|
attitude. How many times have you heard that the Republicans are cutting
|
||
|
Medicare? At least 1000. But the GOP proposed to increase Medicare -
|
||
|
they just want a smaller increase than the Democrats. Government
|
||
|
officials, sports figures, and businesspeople should always be innocent
|
||
|
until proven guilty. Remember, Sally's rumor probably got around her high
|
||
|
school too.
|
||
|
|
||
|
All said, however, you have to believe in something -- though you can't
|
||
|
take a report only at face value. I never believe "facts" until I
|
||
|
complete the proper research and take some time to determine my opinion.
|
||
|
For instance, I believe the world is round and have not joined the "Flat
|
||
|
Earth Society." I don't have any real proof of the world's shape and I
|
||
|
never tried to sail around the world, but a preponderance of the evidence
|
||
|
suggests that the world is indeed round.
|
||
|
|
||
|
With information overload coming at our population, many of us choose a
|
||
|
medium to filter the information for us. This is very dangerous. We
|
||
|
should take advantage of the availability of news from different sources
|
||
|
and determine our opinions after thought and rational decision making.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(6) - "Dead Star" - by Eerie-Kun
|
||
|
|
||
|
1
|
||
|
|
||
|
No matter was going to happen, he wouldn't let it go.
|
||
|
|
||
|
Come on, it's his fuckin' destiny, after all. And who are we to even
|
||
|
think about screwing up with his destiny?
|
||
|
|
||
|
That's even though we all know destiny is fake, of course.
|
||
|
|
||
|
'Cause yeah, sure, there's all this cause to effect gibberish in action.
|
||
|
It is there. We can't get rid of it. He being no more powerful than
|
||
|
anyone makes no exception. He's stuck with the causes. Stuck in pure
|
||
|
chaos.
|
||
|
|
||
|
Many times he thought: "I'm so fuckin' alone." That was true. He
|
||
|
couldn't be closer to the truth, actually. By feeding his conscience with
|
||
|
that sole statement, he was giving himself the awareness of his own
|
||
|
nature. This, even if he hadn't the cleverness to understand it. Yet.
|
||
|
|
||
|
He also possessed the essence of drama. He was blessed with the purity of
|
||
|
murder. The cause made him become a criminal. He was what he was, no
|
||
|
less, no more, as transparent as transparent could be.
|
||
|
|
||
|
Maybe that's what led him to his loss. His lack of self-deformation. The
|
||
|
fact that he had nothing to exaggerate. The only notion he had the
|
||
|
knowledge of, that was related to the process of altering an outsider's
|
||
|
view of him, was his capacity to blur himself. Which, of course, didn't
|
||
|
help all that much.
|
||
|
|
||
|
The state of panic, which had its hold on him on a regular basis, was
|
||
|
always striking in a cold, telegraphical fashion, except maybe for a
|
||
|
couple times when he simply couldn't control it. Violence sometimes
|
||
|
overcame his will. It was the only way to escape without drowning into
|
||
|
insanity.
|
||
|
|
||
|
.. Or wasn't he already insane? As panic engulfed his mind so many times,
|
||
|
he could only wonder. 'Cause hey, maybe after all it's the insanity that
|
||
|
gets lost into himself. Just like so many lacks, so many losses, so many
|
||
|
holes would have left that many square miles of dead areas where unknown
|
||
|
residues of bad trips can sleep, ready to be awaken by the tiniest spark
|
||
|
of blatant panic lights - Just like hazard spots.
|
||
|
|
||
|
But since those areas were dead, they wouldn't hurt. They would just
|
||
|
become significative. They would just get a name. They would just
|
||
|
provoke unwanted souvenirs. They would just recall otherwise long since
|
||
|
faded memories. He's lost everything about his past already. All he has
|
||
|
left is the blurring veil. & maybe, he thought, this one's fading as
|
||
|
well.
|
||
|
|
||
|
And now he was about to do something terrible, & no one could ever
|
||
|
understand it because no one was aware of the whole cause to effect
|
||
|
process. People tend to think that you can set your life your own way.
|
||
|
They tend to believe that if you're doing wrong, it's your fault. They
|
||
|
might be right, but even they couldn't have any power over their destiny
|
||
|
even if they wanted to. They don't have the knowledge. They don't have
|
||
|
the patience.
|
||
|
|
||
|
He has spent the whole afternoon trying to write the god damn letter. For
|
||
|
some reason he had to explain the unexplainable. Of course it was
|
||
|
impossible. Maybe he even knew it. Cause to effect. Had he sent it, he
|
||
|
could have hoped for something that was also impossible. That litterally
|
||
|
fucked him up.
|
||
|
|
||
|
So instead, he did it. He went past that limit he thought he would never
|
||
|
get past.
|
||
|
|
||
|
And when, on the day after, he realized the whole mess he was into now, he
|
||
|
was way beyond rationnality. The cops were gonna get his ass if he didn't
|
||
|
move, quick. Like, now. He knew he had only one place to go. The lack
|
||
|
of choice appeared as so obvious that the panic increased again,
|
||
|
fullfilling all the dead areas of his mind. As usual.
|
||
|
|
||
|
---
|
||
|
|
||
|
2
|
||
|
|
||
|
That specific morning, the outside weather was as bold as a drawing drawn
|
||
|
from an unsharpened pencil.
|
||
|
|
||
|
The images were bigger than children images. They were strong, wide &
|
||
|
scraped. The whole city appeared as vague yet defined shapes, as if water
|
||
|
covered it. Its staticness was moving, swirling, crawling. He had no
|
||
|
fear at the moment, being way too busy with the contemplative state he's
|
||
|
almost consciously put himself in.
|
||
|
|
||
|
There was too much caffeine & other types of speeders in his blood anyway.
|
||
|
Everytime he'd check his watch he'd notice how much his hand would shake.
|
||
|
That reminded him of how frail his body was. It was way less strong than
|
||
|
average Joe's & to some extent it was enough to scare him. Actually,
|
||
|
everything that reminded him of what he was, scared the shit outta him.
|
||
|
It came to a point where he was scared of being scared.
|
||
|
|
||
|
But still he would keep on falling into nothingness, for no apparent reason.
|
||
|
|
||
|
After "I'm so fuckin' alone" often came "I'm tired."
|
||
|
|
||
|
He walked a couple blocks, not even thinking of hiding. There was no need
|
||
|
to hide. Admiring the highness of the cold buildings surrounding all of
|
||
|
him was way too important for now. And since it was so ephemere, there
|
||
|
was no way of getting back to it "later".
|
||
|
|
||
|
As if there was a future anyway - That's bullshit for dreamers.
|
||
|
|
||
|
As if there was a need to save for later use. He sure wasn't dumb. He
|
||
|
knew the basics of immediateness & temporal destruction. He had learned
|
||
|
many things from the day he grew up for real & killed the kid he was. One
|
||
|
of them was to never take anything as granted. And that philosophy
|
||
|
inconsciently morphing his mind, he never had any concrete gain, never
|
||
|
would.
|
||
|
|
||
|
A sudden feeling of rapture filled him for a few seconds & it was so
|
||
|
terrible it almost made him cry.
|
||
|
|
||
|
---
|
||
|
|
||
|
3
|
||
|
|
||
|
- Alright, so what's up man?
|
||
|
|
||
|
The fact that Rory would show up at his place at 8 in the morning didn't
|
||
|
seem to affect Eric too much. Maybe he was used to it. Maybe he didn't
|
||
|
mind being awaken that early. Or maybe didn't he even sleep last night.
|
||
|
Who knows. Who cares. Rory wouldn't even ask why.
|
||
|
|
||
|
- I'm fucked up.
|
||
|
|
||
|
- Why so?
|
||
|
|
||
|
- I dunno. Weird shit.
|
||
|
|
||
|
- Want some coffee?
|
||
|
|
||
|
- Sure.
|
||
|
|
||
|
- Well, go make some.
|
||
|
|
||
|
The place was way too hot, as usual. There was a small fan in the corner
|
||
|
of the room & that was all. Eric didn't seem to care about the heat.
|
||
|
|
||
|
- So what exactly did fuck you up?
|
||
|
|
||
|
Rory drank some coffee, slowly. There was no point in increasing his
|
||
|
body's inner temperature. Well, not all of a sudden, like that.
|
||
|
|
||
|
- You don't wanna know.
|
||
|
|
||
|
- Well, if you say so ..
|
||
|
|
||
|
Why did he come here, anyway? He had no clue. He knew eric would give
|
||
|
him nothing near a warm smile or a comprehensive ear. There was probably
|
||
|
nowhere else to go. He namechecked all the other places where he could
|
||
|
have went & it seemed to him that none of them would have provided what he
|
||
|
required.
|
||
|
|
||
|
Of course he didn't know what exactly was his need. The definition of the
|
||
|
word "need" itself was far away from the exact unnamed, abstract concept
|
||
|
he'd be reffering to. It was beyond the limitations related to the human
|
||
|
ability to give names.
|
||
|
|
||
|
The radio was turned on. Some guy talking about stuff. Morning shit he
|
||
|
didn't care about. When the guy stopped talking, Eric turned it off,
|
||
|
because he didn't want to hear the music.
|
||
|
|
||
|
- Why don'tcha leave it on?
|
||
|
|
||
|
- I don't care about music.
|
||
|
|
||
|
- How come?
|
||
|
|
||
|
- You gotta be weak to listen to music. It's a fuckin' crutch.
|
||
|
|
||
|
Rory categorized the thought as "bizarre" & drank some more coffee. Maybe
|
||
|
Eric has evolved more than anyone else. It was possible. If evolution
|
||
|
shows, he thought, then he is way further than us in his way to perfection
|
||
|
- But then again what's the point in going that far if it makes you
|
||
|
distant, thus not perfect?
|
||
|
|
||
|
-----
|
||
|
|
||
|
The rest of "Dead Star", a 25 chapter story, is being released soon by
|
||
|
Eerie-Kun and Doomed to Obscurity Productions.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(7) - "The Day" - by Edicius
|
||
|
|
||
|
He felt a tremble in his arm, and quickly licked his lips. She was so
|
||
|
close to him, and he couldn't believe it. He'd never been this close to a
|
||
|
girl before. He wanted to reach out and kiss her, but deep inside, he
|
||
|
couldn't. He knew that would be too forward. Instead, he offered her a
|
||
|
sip from his Coke, and continued the small talk they had been making.
|
||
|
|
||
|
Every minute that he thought of her, his heart would melt. He'd never
|
||
|
really liked a person as much as he liked this girl. Right here and now,
|
||
|
she was sitting next to him in ths small town Burger King. He liked
|
||
|
everything about her: her hair, her eyes, her hands .. he even liked the
|
||
|
way that the small dob of ketchup stuck to her cheek, just next to her
|
||
|
lips.
|
||
|
|
||
|
"You have ketchup on your lips, dear."
|
||
|
|
||
|
She quickly wiped it off, and they continued with their conversation. He
|
||
|
listened, as much as his heart would allow him to. Everytime he looked
|
||
|
into her eyes, his heart would just melt again. Everytime they talked,
|
||
|
he would think highly of her. He placed her on a pedistol above all
|
||
|
others.. His utmost desire in life was to have this girl right now.
|
||
|
|
||
|
Then the realistic side of him jumped in and said, "wait a minute."
|
||
|
|
||
|
As much as he wanted this girl, he knew he could never have her. No girl
|
||
|
would could want him, at least at their age. When people are young,
|
||
|
they're supposed to fall in love and just have sex. It's an unwritten
|
||
|
rule, no relationships until you're older. How old, he wasn't sure. He
|
||
|
just knew that right now, he couldn't have her. He wasn't funny, at least
|
||
|
all the time. He wasn't one that would make her laugh constantly. Hell,
|
||
|
he couldn't even make her laugh part of the time. Somewhere, he thought,
|
||
|
the joke always loses its funny-ness during the trip from his mind to his
|
||
|
mouth.
|
||
|
|
||
|
He was also romantic. That wasn't something a girl his age would want.
|
||
|
Again, it goes back to the unwritten rule. Girls his age don't want to be
|
||
|
charmed and cared for, they're too independent for that. Especially since
|
||
|
that whole feminist movement. "Chivilry is dead," he thought. Girls, or
|
||
|
should he attempt to say, women his age don't want to be treated nice,
|
||
|
they want to be treated like shit. Simply because, no girl his age wants
|
||
|
a relationship.
|
||
|
|
||
|
He had friends of his that were girls.. Sometimes he wondered how in the
|
||
|
world he ever managed to become friends with them. He felt so comfortable
|
||
|
around them, but this one girl was driving him nuts. Not the nuts that
|
||
|
would make a person commit suicide, but a nuts that would make a person
|
||
|
fall in love. All of the time he spent thinking about her was time he
|
||
|
loved. He loved to think about her.. He'd rehearse what he would say to
|
||
|
her a million times, but he could barely squeak out a "would you like some
|
||
|
of my fries?" Its easy to talk to someone when you don't want anything
|
||
|
else, maybe some guys are meant to be friends with girls, but never
|
||
|
anything more. He'd often think that he was that guy.
|
||
|
|
||
|
He'd always look forward into the future, and know that one day he'll find
|
||
|
a girl that he could truely love. Actually, he already found her, and she
|
||
|
was sitting right next to him. He'd met the same type of girl a few
|
||
|
months before. He really liked her, but she didn't want him. Although he
|
||
|
was prepared to give her the world, and treat her like a princess, she
|
||
|
didn't want that. So, he'd always known that one day, he could would find
|
||
|
a girl that he could like, that would like him back.
|
||
|
|
||
|
"How come that day isn't today," he thought.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(8) "Deceptive Media Experience" - by Jestapher
|
||
|
|
||
|
I was ecstatic when my father allowed me to "christen" Television. It was
|
||
|
unlike anything I ever knew. As I pulled the knob, I encountered a
|
||
|
feeling I have yet to experience again in my life. It was a feeling of
|
||
|
comfort and joy. With this feeling, I knew Television was good.
|
||
|
|
||
|
Every day after school, I would race home, throw my schoolbag on the
|
||
|
couch, and pull the knob that threw life into Television. I grew closer
|
||
|
to It every day. It was the only one to whom I could disclose my
|
||
|
thoughts. Television was my psychiatrist. Television was my friend.
|
||
|
Television was my entertainment. We lived in silent bliss. That is,
|
||
|
until that bliss was imposed upon.
|
||
|
|
||
|
For his birthday that year, my brother received an Atari. It was a device
|
||
|
that threw a game onto Television's screen. Television didn't mind
|
||
|
invasion by the machine, and if It didn't mind, neither did I. It was a
|
||
|
Friday night when my parents went out to the theater. They had been
|
||
|
planning to see a performance of this certain opera for months now. They
|
||
|
asked if I wanted to attend, but I laughed at the idea. Why go to an
|
||
|
opera when I could spend an evening at home with Television?
|
||
|
|
||
|
They left for the theater directly after dinner. My brother headed
|
||
|
straight for his Atari. Knowing I would have no luck trying to fight him
|
||
|
for control of Television, I decided to go to my room and wait patiently
|
||
|
for him to finish with his games. I looked out of my door -- from which I
|
||
|
could see a small portion of the living room including Television, the
|
||
|
Atari and my brother -- every five minutes. After what seemed like the
|
||
|
hundredth time I looked, I saw my brother cursing at Television for losing
|
||
|
his game. This angered me, and I continued to watch him play another
|
||
|
game. When he lost this game, he leaned forward and struck a blow against
|
||
|
the side of Television. At this point, I was infuriated. How could he
|
||
|
take his frustrations out on my one true friend when in reality, it was
|
||
|
his fault? Or was it the Atari's fault for encouraging these
|
||
|
frustrations?
|
||
|
|
||
|
I ran to my brother's bedroom and took his baseball bat in hand. I crept
|
||
|
to the entrance of the living room and quickly plotted my attack. Without
|
||
|
hesitation, I burst into the room and brought a mighty blow upon the
|
||
|
Atari. Pieces of plastic flew in every direction. Television went from a
|
||
|
vision of Pong to a black and white chaos. I raised the bat over my head
|
||
|
and delivered another tremendous blow unto the Atari. At this point, my
|
||
|
brother had recovered from the shock of the attack. He lunged at me from
|
||
|
his position on the floor. I flew back and landed hard on the ground. The
|
||
|
momentum of my fall thrust my head backwards and it stopped only when it
|
||
|
met the floor. I opened my eyes to find my brother coming toward me like
|
||
|
a towering skyscraper -- an enraged skyscraper without an Atari.
|
||
|
|
||
|
I was afraid. I had no idea what he intended to do. Rather than find
|
||
|
out, I took grip of the bat and with a single swing to the shin, I sent my
|
||
|
brother crumbling to the floor. As he fell, I rose. I clung to the bat.
|
||
|
It was the only defense I had. I had stopped recognizing the body on the
|
||
|
floor as my brother; it was now only a silhouette that threatened my
|
||
|
safety. The silhouette rose from the floor slowly. It stood ten feet
|
||
|
away from me and didn't move. It stood there as if it were waiting for
|
||
|
the pain I had inflicted to leave. Suddenly, it raced forward. In an
|
||
|
unconscious reaction, I brought the bat back, and in the same motion,
|
||
|
brought it forward with great might. As the bat flew toward my brother,
|
||
|
he charged toward the bat. The bat met my brother's head altering the
|
||
|
direction in which he charged. The silhouette soared passed me hitting
|
||
|
the floor with a "thud."
|
||
|
|
||
|
Except for the sound of a scrambled Television channel, the room was
|
||
|
silent. My brother lied face down on the floor. What had I done? I
|
||
|
knelt down over my brother's body, and turned him onto his back. I did
|
||
|
all the things Television taught me to do in a time like this. I checked
|
||
|
his mouth for breathing -- nothing. Then I put my ear to his chest --
|
||
|
nothing. Frantically, I checked his pulse--nothing. He couldn't be dead,
|
||
|
it wasn't a serious blow. At this point, I couldn't even remember cutting
|
||
|
my brother down, I was only trying to comfort my conscience. I could see
|
||
|
an enormous bruise on his head. Then a trickle of blood came from his
|
||
|
nose. I knew he was dead.
|
||
|
|
||
|
I began to cry an angry cry. I searched for a reason behind it all. Then
|
||
|
it came to me -- Television. Television was the root of it all. It
|
||
|
betrayed me. I rose from the floor and took a swing at the television.
|
||
|
The screen shattered, and sparks flew out. With my swing forward, I
|
||
|
brought forth all my rage, and with my recoil, came sadness and
|
||
|
depression. I had killed my most precious gifts in all the world,
|
||
|
Television and my brother. I stood there, and the bat slipped from my
|
||
|
hands. Finally I collapsed onto the floor crying.
|
||
|
|
||
|
My parents never knew the full truth of what happened. I told them my
|
||
|
brother and had argued and he started hitting me. In self defense, I took
|
||
|
up arms. Television was just an innocent casualty. I underwent
|
||
|
psychiatric therapy for "my benefit," which lasted many years. We never
|
||
|
replaced Television, or my brother.
|
||
|
|
||
|
Many years later, when the hands of time covered our wounds, I received a
|
||
|
computer to help me with my low school grades. The actual effect was
|
||
|
exactly the opposite of the hypothesized effect, but with the computer,
|
||
|
came a modem, and with a modem, came the world. There was more to life
|
||
|
than school. The computer proved that to me. Now I use the Internet a
|
||
|
minimum of 10 hours a day. It would never betray me like my family or
|
||
|
Television.
|
||
|
|
||
|
To know the Internet is to know love.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(9) - Reviews
|
||
|
|
||
|
Concerts:
|
||
|
|
||
|
Summerland Tour '96 - July 20, 1996, Garden State Arts Center, Holmdel, NJ
|
||
|
|
||
|
The idea seems simple enough, and has been done before: get three bands
|
||
|
that currently have big-selling records out now, and a fourth band that
|
||
|
sucks to make them all look better. For the Summer of '96, those three
|
||
|
bands are Everclear, Spacehog, and Tracy Bonham. The fourth band would be
|
||
|
Seven Year Bitch, although, Everclear gets the "sucky" spot, too.
|
||
|
|
||
|
You take a look at the lineup, and clearly, it's a lineup that is going to
|
||
|
attract a lot of alternateens. Especially considering the fact that this
|
||
|
show took place at a large (15,000 capacity) ampitherater, and not a one
|
||
|
or two thousand seat club. That way, parents feel safe dropping off their
|
||
|
kids at this place.
|
||
|
|
||
|
You know, if I see one more twelve year old, with brand new Airwalks,
|
||
|
freshly died hair, and a Lollapalooza '96 t-shirt, I'm going to shoot
|
||
|
myself.
|
||
|
|
||
|
Anyway, let's get to the bands.
|
||
|
|
||
|
Seven Year Bitch is quite possibly one of the worst bands I've ever seen
|
||
|
in my life. They were too dependent on their bass drum & guitar and a
|
||
|
distorted guitar. Their lead singer's voice was really shrill, one of
|
||
|
those voices that went right through you. If they learned how to play
|
||
|
their instruments, maybe explored other parts of the drumset besides the
|
||
|
bass drum, and screamed a lot less, they could be better. But, they're
|
||
|
one of the worst things I've ever seen.
|
||
|
|
||
|
During the set change, a man introduced himself to the crowd as Arthur
|
||
|
something or another, Japan's only one man band. It was a good way to
|
||
|
pass the normally boring time while the stage crew fixes the drums and
|
||
|
ampifliers and such. He played about two or three songs between each set
|
||
|
change, for a total of seven or so. Included in his cover songs were
|
||
|
"Pretty Woman", the Japanese version of "Achy-Breaky-Heart", and a mixture
|
||
|
of songs by Elvis and the Beatles.
|
||
|
|
||
|
The next band, well, person to come up was Tracy Bonham. She walked out
|
||
|
with violin in hand, and just started screeching at it. She said a few
|
||
|
words, then her bassist and drummer joined her, and they went into an
|
||
|
amazing version of Pavement's "AT&T." It amazed me, because she played
|
||
|
the whole song without a guitarist, with her violin doing the guitar
|
||
|
parts. She then went on to play a number of songs, including her current
|
||
|
hits "The One" and her mega-hit "Mother Mother." She is a very impressive
|
||
|
musician, one some songs she switched the guitar she was playing for a
|
||
|
different guitar, then she would switch again for the violin, all in one
|
||
|
song. She really amazed me.
|
||
|
|
||
|
After some more songs from the one man band, came the band I was wanting
|
||
|
to see, Spacehog.
|
||
|
|
||
|
Lights turned off, you hear a distored robotic voice saying, "Ladies and
|
||
|
Gentlemen, Spacehog," and then some disco music, you have the four members
|
||
|
run out to shake everyone's hand before they played. Me, with my second
|
||
|
row seats, I got to shake guitarist Jonny Cragg's hand. Then they went
|
||
|
into a song by the name of "New Jack City." They went on to play their
|
||
|
hits from their current album, _Resident Alien_, like "In the Meantime",
|
||
|
"Cruel to be Kind", and "Space is the Place."
|
||
|
|
||
|
Spacehog is a great live band. They don't just play for the audience,
|
||
|
they play with the audience. They do a sing along with the crowd, in
|
||
|
which everyone had to sing the words "la la la la lala la" along with the
|
||
|
band. They just had this general stage presence, they talked to the
|
||
|
crowd, made the crowd feel involved. It wasn't like you just put on a CD
|
||
|
really loud, and jumped around. They were there, and you could tell it.
|
||
|
|
||
|
I was really upset when they left the stage, because I felt they weren't
|
||
|
there long enough. I saw them once before, and they played for over an
|
||
|
hour. That was because they were the headliner of the show. I really
|
||
|
suggest that Spacehog is the headliner of any tours they have in the
|
||
|
future. That is, if they're touring with bands of the caliber that
|
||
|
they're touring with on Summerland.
|
||
|
|
||
|
Everclear came on, and got all the alternateens bopping. All the kids who
|
||
|
were drinking during Spacehog and Tracy Bonham, and missed great
|
||
|
performances, rushed the stage to try to mosh. The fact is, you just
|
||
|
can't mosh at a place that has seats and a lot of really well trained
|
||
|
security guards. I give the gaurds a lot of credit, they had the aisles
|
||
|
of the venue clear during the entire performance. So, I don't think there
|
||
|
was any serious "moshing", just a lot of people jumping up and down.
|
||
|
|
||
|
I give Everclear a lot of credit. They played a really energetic
|
||
|
performance. However, they played too much _for_ the crowd. The complete
|
||
|
antithesis of Spacehog. They sang, ran around a lot, and that was it.
|
||
|
Hardly any interaction between them and the crowd. As a live band, I
|
||
|
thought they were really sub-par. The vocals were drowned out by the
|
||
|
guitars. Of course, they played their hits from their newest album,
|
||
|
_Sparkle and Fade_, including "Heroin Girl", "Heartspark Dollarsign", and
|
||
|
"Santa Monica." They butchered Tom Petty's "American Girl," during the
|
||
|
encore. You can't play that song with screeching guitars and bad vocals.
|
||
|
|
||
|
On a good note, it was nice to see Art Alexakis (the lead singer of
|
||
|
Everclear) dancing with his four year old daughter during Tracy Bonham's
|
||
|
set. His daughter could be seen just offstage touting a Mickey Mouse doll
|
||
|
during Everclear's set, with his wife just behind her. It brought a real
|
||
|
family treat to the event.
|
||
|
|
||
|
In a brief rundown, Seven Year Bitch is the worst thing I've ever seen,
|
||
|
Tracy Bonham is really good, Spacehog is great, and Everclear needs to
|
||
|
work on their stage act more.
|
||
|
|
||
|
----------
|
||
|
|
||
|
CDs/LPs:
|
||
|
|
||
|
Brian Hartzog / The Smashing of Pictures / Hartzog Sound
|
||
|
|
||
|
Simple guitar sounds, combined with a straight-forward funk sound and
|
||
|
great poetic lyrics. Brian Hartzog presents all of this in his debut
|
||
|
album, The Smashing of Pictures.
|
||
|
|
||
|
Hartzog wrote, performed, and produced every track on this album. This is
|
||
|
a very talented man, his views are firmly shown through his lyrics. All
|
||
|
of his songs are simply amazing, there is no better way to put it. The
|
||
|
songs range from rock and pop-ish ("Oh! Yoko/Dear John" & "Common Ground")
|
||
|
to more funk and rap sounds ("The Thing You Love"). There are strong and
|
||
|
classic guitar riffs ("The Smashing of Pictures"), and songs that are
|
||
|
somewhat spoken word ("The Thing You Love").
|
||
|
|
||
|
Overall, this is an amazing album. Hartzog combines classic guitar riffs
|
||
|
with funk. For one man to write, perform, and produce every single track
|
||
|
on a simply _GREAT_ album, it astonishes me. Hartzog does in one album,
|
||
|
what many bands hope to do in their carears.
|
||
|
|
||
|
Grade: A+
|
||
|
|
||
|
-----
|
||
|
|
||
|
Ted Holden / Killermyway / Tiki God Music
|
||
|
|
||
|
In a time when mainstream music consists of hard-edge acts, it's great to
|
||
|
hear a good, back-to-basics, rock CD. Philadelphia-based musician, Ted
|
||
|
Holden, gives a great album that, unlike a lot of mainstream music, is
|
||
|
easy to listen to.
|
||
|
|
||
|
Holden presents the listener with a wide range of sounds over the course
|
||
|
of a 11 track CD. He lures you in with Tom Petty-esque sounds in his
|
||
|
first track and single, "Too Good." He then goes into harder and darker
|
||
|
sounds in tracks like "4 Walls Down" and "Raw." While he goes into a
|
||
|
harder sound, he still keeps the same easy listening appeal evident
|
||
|
throughout the album.
|
||
|
|
||
|
His lyrics are full of passion and darkness. "4 Walls Down" was inspired
|
||
|
by Quentin Tarantino's movie Reservoir Dogs. After reading two recent
|
||
|
books about serial killers, Holden wrote the bluesy song "Related."
|
||
|
"Related" poses the question, "What's it like to be related to a serial
|
||
|
killer?"
|
||
|
|
||
|
My personal favorite track is "Poor Man's Picasso." This is a more
|
||
|
"poppy" song then the rest of the songs on the album, and it presents the
|
||
|
listener with the same passionate lyrics that heard throughout the record.
|
||
|
|
||
|
Holden gives a solid follow-up to his 1993 release, What Pulls Gravity.
|
||
|
Killermyway is an amazing record, and it boggles my mind that a talented
|
||
|
musician like Holden gets passed up in the mainstream media to bands like
|
||
|
Green Day and Everclear.
|
||
|
|
||
|
Soon, Holden will get what he deserves after putting out an album that
|
||
|
accomplishes the simple feat of having good music.
|
||
|
|
||
|
Grade: A
|
||
|
|
||
|
----------
|
||
|
|
||
|
'Zines:
|
||
|
|
||
|
Big*Geek Magazine - Issue 3 (May/June '96)
|
||
|
|
||
|
As always, my favorite print 'zine comes through with another great issue.
|
||
|
Brian Geek (aka Kojak) gives us amazingly good fiction ("Captavation"), a
|
||
|
story about how the punk scene in Glenview, Illinois was destroyed by one
|
||
|
person, stories from his trips to St. Louis and Nashville, and his normal
|
||
|
dose of music and 'zine reviews. This has been one of my favorite 'zines,
|
||
|
and with each issue B*G grows and becomes so much better.
|
||
|
|
||
|
Plus, there's a nifty picture of Brian Geek on the cover!
|
||
|
|
||
|
Cost: $.50 (and some stamps?)
|
||
|
Address: Big*Geek/PO Box 319/Glenview, IL 60025
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(10) - News Clips - compiled by Edicius
|
||
|
|
||
|
Teen-ager charged in slaying of acquaintance he met online
|
||
|
|
||
|
- The youth is accused of assaulting the victim, who was allegedly shot by
|
||
|
another man.
|
||
|
|
||
|
The Associated Press
|
||
|
|
||
|
TRENTON - A Hamilton Township teen-ager has been arrested in connection
|
||
|
with a murder case in which a man allegedly killed another man he met
|
||
|
through a sexually orientated chat room on a computer service, prosecutors
|
||
|
said.
|
||
|
|
||
|
Reno Reali, 16, was arrested Wednesday and charged with assaulting murder
|
||
|
victim Jesse M. Unger, 39, of Hamilton, who was then allegdly shot and
|
||
|
killed by 38-year-old George H. Hemenway.
|
||
|
|
||
|
Hemenway has been charged with murder, weapons offenses and tampering with
|
||
|
evidence.
|
||
|
|
||
|
Mercer County Prosecutor Maryann Bielamowicz would no confirm the identity
|
||
|
of the arrested suspect, but Reali's father confirmed the name.
|
||
|
|
||
|
Robert Reali said Hemenway invited Reno Reali and Unger to his East Windsor
|
||
|
Township home and ordered Reali to hit Unger with a pipe. Hemenway then
|
||
|
allegedly shot Unger. Hemenway allegedly was angry about a sexual
|
||
|
encounter Unger had with the juvenile about a month earlier, police said.
|
||
|
|
||
|
"We can't believe these chargers against our son," Reali said. "He was
|
||
|
expected to be the star witness in the case against Hemenway. He helped
|
||
|
police understand the case and put the case together."
|
||
|
|
||
|
Police were alerted to the killing Jan. 4 when another friend Hemenway met
|
||
|
through an online service called to report seeing the body of a white male
|
||
|
in Hemenway's basement.
|
||
|
|
||
|
Michelle R. Benson, 24, of Trenton said Hemenway asked her and another
|
||
|
friend, later identified as 23-year-old Timothy R. Brown of Hightstown to
|
||
|
help remove the body from the house. She later said Hemenway told her he
|
||
|
had shot Unger on Jan. 3.
|
||
|
|
||
|
Police went to Hemenway's house and, looking through a basement window,
|
||
|
saw what they believed was a body wrapped in a tarp lying on the flood,
|
||
|
police said.
|
||
|
|
||
|
Hemenway and his 77-year-old father, Lowell T. Hemenway, were taken into
|
||
|
custody. The elder Hemenway was home at the time of the shooting, but
|
||
|
apparently was not involved in the slaying.
|
||
|
|
||
|
Brown and Benson were charged with tampering with evidence and released on
|
||
|
their own recognizance.
|
||
|
|
||
|
Following his arrest, Reali was taken to Mercer County Youth House in
|
||
|
Ewing Township to await a hearing.
|
||
|
|
||
|
----------
|
||
|
|
||
|
From "Dear Abby", 7/22/96,
|
||
|
|
||
|
_Deceit surrounds online romance_
|
||
|
|
||
|
Dear Abby: I am a 45-year-old, divorced Michigan man who has been
|
||
|
communicating over the Internet with a 41-year-old Australian woman for
|
||
|
more than two months. Kate (not her real name) slated in our first
|
||
|
"meeting" (in an online chat room) that she was unhappy in her marriage.
|
||
|
Even though she was married, I thought it would be interesting to talk to
|
||
|
someone so far away.
|
||
|
|
||
|
We seemed to really click, exchanged photos, and even talked on the
|
||
|
telephone a few times. Our online communication has always been leasant
|
||
|
and satisfying -- nothing sexual, just fliratious.
|
||
|
|
||
|
We have reached the point where we feel we may have started something we
|
||
|
might want to continue. Kate has told her family and friends that she
|
||
|
wants to come to America to visit me for a month, and I have agreed to pay
|
||
|
half her airfare.
|
||
|
|
||
|
Ordinarily I would not allow myself to get involved with a married woman,
|
||
|
but I can't deny I have strong feelings for Kate and want to see her.
|
||
|
|
||
|
Does this sound like destiny or an online infatuation that has gone too
|
||
|
far? Kate is getting a passport and may arrive within the month. Have we
|
||
|
lost our common sense, or does this sond like two people taking a chance
|
||
|
on happiness?
|
||
|
|
||
|
-- D.K. in Michigan
|
||
|
|
||
|
Dear D.K.: It sounds like asking for trouble to me. Aside from the fact
|
||
|
that you are carrying on with a married woman, Kate may not be wat you
|
||
|
expect. I recently heard about a teen who was communicating online with a
|
||
|
female he thought was about his age; when they met, he found out she was a
|
||
|
76-year-old granny!
|
||
|
|
||
|
Before you spring for tickets, ask yourself if you could ever trust a
|
||
|
woman who cheats on her husband.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
Jonas would like to thank the following people for their help, work, or
|
||
|
cooperation in this issue of Jonas e'Zine,
|
||
|
|
||
|
Jon Vena and WHTG-FM, Abbott Promotions, Hartzog Sound, Tiki God Music,
|
||
|
Belial, Maureen V., Oodles, The Masked Marauder, Auren Hoffman, Eerie,
|
||
|
Jestapher, Mogel, Grey Hawk, Mindcrime, Seta, and a lot of others.
|
||
|
|
||
|
Jonas loves you all.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
|
||
|
Jonas e'Zine -- Issue Twenty
|
||
|
Released July 28, 1996
|
||
|
send all questions, comments, and other regards to - edi@cybercomm.net
|
||
|
send all mail to Edicius (Tom Sullivan) to - edi@cybercomm.net
|
||
|
if you'd like to exchange erotic email with someone named Belial,
|
||
|
then write - belial@cybercomm.net
|
||
|
Visit our WebSite - http://www.cybercomm.net/~edi/jonas.html
|
||
|
Visit our FTPSite - ftp://ftp.etext.org/pub/Zines/Jonas
|
||
|
|
||
|
Jonas: It's more than a 'zine, it's a lifestyle.
|
||
|
|
||
|
---------------------------------+ eof +----------------------------------
|
||
|
|