1444 lines
84 KiB
Plaintext
1444 lines
84 KiB
Plaintext
|
----------------------------------------------------------------------
|
||
|
***** * * ***** ***** **** ***** ***** * * *****
|
||
|
* ** * * * * * * * * ** *
|
||
|
* * * * * *** **** * *** ** *
|
||
|
* * ** * * * * * * ** * *
|
||
|
***** * * * ***** * * * ***** * * *
|
||
|
----------------------------------------------------------------------
|
||
|
Volume 2, Number 5 September-October 1992
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
INSIDE THIS ISSUE:
|
||
|
|
||
|
FirstText / JASON SNELL
|
||
|
|
||
|
Neuterality / PHILLIP NOLTE
|
||
|
|
||
|
Back from the West / MARK SMITH
|
||
|
|
||
|
Just a Company Man / P.R. MORRISON
|
||
|
|
||
|
The Long Way Home / P.R. MORRISON
|
||
|
|
||
|
|
||
|
---------------------------The InterText Staff------------------------
|
||
|
EDITOR ASSISTANT EDITOR
|
||
|
Jason Snell Geoff Duncan
|
||
|
jsnell@ocf.Berkeley.edu sgd4589@ocvaxa.cc.oberlin.edu
|
||
|
|
||
|
CONTRIBUTING EDITOR PROOFREADERS
|
||
|
Philip Nolte Katherine Bryant
|
||
|
nolte@idui1.csrc.uidaho.edu Loretta Griffin
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
FirstText / JASON SNELL
|
||
|
|
||
|
After a long summer filled with plenty of changes for us here at
|
||
|
InterText, I can honestly say that it's good to be back.
|
||
|
Since I wrote last, it's been quite a ride. I sent out the issue
|
||
|
and promptly packed up my stuff in a U-Haul truck and made the long
|
||
|
drive from San Diego to my home in Northern California. Once there, I
|
||
|
spent a day unpacking and promptly went to work as a reporter for the
|
||
|
Union Democrat newspaper.
|
||
|
As you might imagine, that pretty much ate up my summer. I still
|
||
|
occasionally logged in to my computer account in San Diego from home,
|
||
|
updating the InterText mailing list and receiving a few story
|
||
|
submissions. The relatively slight size of this issue is partially due
|
||
|
to my absence from electronic communication for most of this summer.
|
||
|
Hopefully now that I'm back in touch, the submission numbers will pick
|
||
|
up.
|
||
|
Speaking of being back in touch, let me explain my situation now.
|
||
|
I'm beginning my first of two years at UC Berkeley's Graduate School of
|
||
|
Journalism, where I'll end up receiving a Masters of Journalism. In
|
||
|
addition to the grind of my classes (including Journalism 200, the core
|
||
|
course and supposedly the school's hardest), I'm also working as a
|
||
|
Teaching Assistant in Berkeley's Mass Communication program.
|
||
|
Undergraduates, now might be a good time to run for your lives.
|
||
|
Oh, and editing InterText on top of all of that. We'll see how it
|
||
|
goes.
|
||
|
In any event, my new internet mail address is
|
||
|
jsnell@ocf.Berkeley.edu. You can also still send mail to
|
||
|
intertxt@network.ucsd.edu for the time being, and that's where the FTP
|
||
|
site is still located.
|
||
|
For Geoff Duncan, my assistant editor, this summer marked the end
|
||
|
of his job at Oberlin College. He's currently trying to track down a job
|
||
|
in the computer-rich realm of Seattle. As it is, he's working in Ohio as
|
||
|
a freelance Macintosh consultant. If he ends up in Washington, I might
|
||
|
actually even get a chance to meet him, since a friend of mine goes to
|
||
|
school at the University of Washington.
|
||
|
So this is the beginning of the second phase of InterText, and the
|
||
|
nature of the magazine may change along with the changes going on in our
|
||
|
lives. I hope that our readers will be able to help us along, continuing
|
||
|
to submit stories and helping out in other ways. (One of those ways
|
||
|
would be if there are readers who use Aldus Freehand or Adobe
|
||
|
Illustrator to make PostScript illustrations... I've got a few old Mel
|
||
|
Marcelo graphics around, including this issue's cover, but they're
|
||
|
limited in number and I'd like to have other artists, if at all
|
||
|
possible. I know PostScript artists are out there -- witness the nice
|
||
|
covers that Quanta has had recently.)
|
||
|
I've got a few ideas for different ways InterText might change in
|
||
|
the future, including the possibility of distributing printed editions
|
||
|
or disks with the issues on them, both on a cost-recovery basis. I've
|
||
|
also got an idea for a "theme issue" of the magazine, which might come
|
||
|
to pass by early next year.
|
||
|
Oh, and two proud notes: InterText won two awards over the summer.
|
||
|
The magazine was named first runner-up for the Disktop Publishing
|
||
|
Association's Digital Quill Award for best Literary (what, me literary?)
|
||
|
Publication, and I was named as one of four winners of the San Diego
|
||
|
Supercomputer Center's 1992 Creative Computing Awards because of
|
||
|
InterText.
|
||
|
In the Disktop award race, we were up against tough international
|
||
|
competition, including Quanta (which earned a second runner-up award),
|
||
|
and I'm very proud that we were even given a mention. Congratulations to
|
||
|
Del Freeman, Editor of Ruby's Pearls, the winner of the award. I've seen
|
||
|
a few issues of Del's magazine and will try to get more information
|
||
|
about it to include next time.
|
||
|
I should also mention that another Disktop award -- this one for
|
||
|
first runner-up for Best Computer/Technical Publication -- went to our
|
||
|
friend Rita Rouvalis, for editing EFFector. Rita, of course, also edits
|
||
|
CORE.
|
||
|
The SDSC award usually goes to high-tech science and math projects,
|
||
|
as well as computer music projects; it was nice to see something like
|
||
|
this magazine get some recognition. Much thanks to Hassan Aref and the
|
||
|
rest of the awards committee at the San Diego Supercomputer Center.
|
||
|
Before I go, I thought I'd share a brief mail message I received
|
||
|
over the summer from a professor of mine, Wade Chambers. He's from
|
||
|
Deakin University in Australia, but was visiting UCSD when I took a
|
||
|
class of his in science writing (Warren Ernst's "One Person's Junk..."
|
||
|
was a product of that class.)
|
||
|
|
||
|
|
||
|
Hi! Sorry to be so long getting back to you. By now you've
|
||
|
probably gone off surfing for the summer. My assistant Andre is a happy
|
||
|
subscriber to your electronic magazine, which you mentioned but which I
|
||
|
didn't pay much attention to at the time. However I was most impressed
|
||
|
when he showed me your picture in his files. And he in turn was
|
||
|
impressed when he heard you were in my class at UCSD. (That is, I think
|
||
|
my status went up a notch or two.)
|
||
|
|
||
|
|
||
|
I'm starting to wonder just how small a world this is, and just how
|
||
|
many people see InterText. I know the magazine's on CompuServe now, but
|
||
|
it's also been turning up in the weirdest places. If you get InterText
|
||
|
by some means other than mail from me, FTP, or CompuServe, I'd
|
||
|
appreciate it if you'd drop me a line, either via email or real-live
|
||
|
mail, at the address listed in the indicia at the end of this file.
|
||
|
Well, that's enough from me. Until next time, enjoy this somewhat-
|
||
|
truncated issue. By next time things should be a bit more settled.
|
||
|
They'd >better< be!
|
||
|
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
Neuterality / PHILLIP NOLTE
|
||
|
|
||
|
"Such beautiful animals! So agile, so graceful! What are they?" One
|
||
|
of the animals in question was, even then, rubbing its forehead on the
|
||
|
rough, pebbly chins of Hagedorn Twee.
|
||
|
"They're called 'cats,' " said Theresa. "They're natives of old
|
||
|
Earth, Sol system. They're quite common on Human worlds. You mean you've
|
||
|
never seen one before?"
|
||
|
"Perhaps in a holovid, Captain, but never in real life. The body
|
||
|
covering is so soft and so subtly colored!" Twee, a big blue-skinned
|
||
|
native of Heard's World, was completely taken by the little creature.
|
||
|
Apparently the feeling was mutual. Theresa could hear the loud purring
|
||
|
of the little cat from clear across the room. The Hearder made an
|
||
|
instant decision. "I simply must have them! Both of them."
|
||
|
Captain Theresa Helms of the merchant ship Jupiter quickly ran down
|
||
|
a mental list of reasons why she shouldn't sell the little animals and
|
||
|
found that list to be surprisingly short. Both of the animals -- the
|
||
|
lovely little female calico currently rubbing up against the formidable
|
||
|
chins of Merchant Twee and the long-haired male tabby rubbing
|
||
|
affectionately against the alien's scaly, tree-like legs -- belonged to
|
||
|
her and her husband Tim, who was also her business partner and the only
|
||
|
other crew member of the Jupiter.
|
||
|
On the plus side, the little animals were a welcome diversion
|
||
|
during the long periods of inactivity that were part of FTL travel and
|
||
|
they did find and destroy the occasional pest that somehow slipped
|
||
|
onboard no matter how rigid the inspections, but Theresa and Tim had
|
||
|
found that the cats required a lot of attention and often asked for
|
||
|
affection at inopportune times. There had also been a couple of
|
||
|
incidents during free-fall regarding their food and litter that had been
|
||
|
downright unpleasant. Besides that, about halfway through their current
|
||
|
voyage she had begun to suspect that Tim was allergic to the little
|
||
|
beasts.
|
||
|
"I'm afraid that you wouldn't like the price, Merchant Twee. We
|
||
|
transported them a long distance and both my husband and I have become
|
||
|
rather attached to them."
|
||
|
"Attached?" said the big alien, lifting the little calico up and
|
||
|
looking it over carefully with all three of his large green eyes. Eyes
|
||
|
that, coincidentally, had vertical pupils, just like those of the
|
||
|
contented little beast he was examining.
|
||
|
Theresa chuckled, "Sorry, Merchant Twee," she said, shaking her
|
||
|
head. "'Attached' means emotionally bound. My apologies." The big blue
|
||
|
alien laughed, a sort of booming chortle that sounded quite a bit like a
|
||
|
horse in distress.
|
||
|
"Never fear about the price, Captain Helms. Some things are beyond
|
||
|
mere credits. These animals are simply wonderful! My offspring will
|
||
|
adore them. Name your price!"
|
||
|
"I have to talk it over with my partner. We didn't get them with
|
||
|
the intention of selling them," said Theresa. Of course, that was before
|
||
|
we knew that someone wanted to buy them at an extravagant price, she
|
||
|
thought. "We'll give you an answer tomorrow. Is that okay?"
|
||
|
"That will be fine, Captain Helms. If you do not mind, I would like
|
||
|
to keep the small animal with me for a while yet. The rumbling sound it
|
||
|
makes is very soothing."
|
||
|
Together, Theresa and the big, blue, amiable Hearder checked off
|
||
|
the lists of cargo allotted to the Hearder merchant. All the while the
|
||
|
little female cat sat contentedly on the Hearder's broad shoulders, next
|
||
|
to his lopsided head, purring loudly.
|
||
|
With the day finally over, the docks quiet, and the ship sealed up
|
||
|
for the night, the two humans sat down in Jupiter's small stateroom to
|
||
|
discuss the day's business before bed. Theresa flopped her slight frame
|
||
|
down in a soft lounger next to the computer station where Tim was
|
||
|
checking over the days business. She ran one of her delicate hands
|
||
|
through her short black hair. Her husband, by way of contrast, was a
|
||
|
large, blond Nordic type, gone a little to fat, who was surprisingly
|
||
|
graceful in spite of his size. He typed in a last notation, hit the
|
||
|
return and swivelled his chair around to face his wife.
|
||
|
"Not a bad day at all, Hon," he said, as he stretched and yawned.
|
||
|
"How're you doin'?"
|
||
|
"Not bad. In fact, I had an interesting conversation with Hagedorn
|
||
|
Twee today," she said. "One that could make us a lot of credits."
|
||
|
"Hey, makin' credits is what we're here for!" he said eagerly. "As
|
||
|
long as it's not too illegal! What've you got, Terry? I'm all ears."
|
||
|
"He wants to buy our cats."
|
||
|
"Huh? Our cats? I thought you said something about a lot of
|
||
|
credits?" Tim's look could only be described as disappointed.
|
||
|
"Let me finish! You wouldn't believe it, Tim. I've never seen
|
||
|
anything like it! Those two cats were all over him. I don't know, maybe
|
||
|
it's the high body temperature of the Hearders or some subtle scent that
|
||
|
humans can't detect, but those cats just adored him!" Somewhat
|
||
|
mollified, Tim got to the root of the question.
|
||
|
"How much?"
|
||
|
She tried not to sound too excited. "He said, and I quote, 'Never
|
||
|
fear about the price, Captain Helms!'" Tim came halfway out of his chair
|
||
|
and winced as he bumped his knee on the computer console.
|
||
|
"Say again?" asked Tim, rubbing his wounded knee.
|
||
|
"He said that money was no object."
|
||
|
"Sold!" said Tim. He gave Theresa a calculating look. "How much do
|
||
|
you think we can get?"
|
||
|
"Well, considering that we transported them all the way from Earth
|
||
|
and that they'd be the only two animals of their kind in this entire
|
||
|
planetary system, I think the price should be high. Besides, Hagedorn
|
||
|
Twee is one of the wealthiest merchants on the planet."
|
||
|
"What did we pay for the cats, Terry?"
|
||
|
"I'm not sure, honey. Not a lot. Let's see, ten credits for each
|
||
|
cat, five credits for immunization tabs and another twenty apiece for
|
||
|
neutering--I'd say forty credits each max. Total, about eighty."
|
||
|
Tim thought for a moment. "What do you think about four hundred
|
||
|
apiece?"
|
||
|
"The only two animals of their kind in the system? The wealthiest
|
||
|
merchant in the sector? Come on, Tim, think big! I say, no less than
|
||
|
twenty-five hundred for the pair. Hmmm... I think we should start at
|
||
|
five thousand!"
|
||
|
"Five thousand! That's a fourth of what we still owe on this old
|
||
|
tub! With what we stand to make on the rest of this trip, we could be in
|
||
|
damned good shape!"
|
||
|
"That's kind of what I thought," said his wife, smiling. "The
|
||
|
sooner we pay off the Jupiter, the sooner we can get down to making some
|
||
|
real credits!"
|
||
|
"You're the salesman on this team, Terry. Do your stuff!" said Tim,
|
||
|
standing up to embrace her, his injury apparently forgotten.
|
||
|
|
||
|
Hagedorn Twee's first offer took Theresa completely by surprise. It
|
||
|
was for ten thousand credits -- apiece! Fortunately she recovered her
|
||
|
composure in time to haggle the price up a little more. They finally
|
||
|
settled on twelve-thousand- five hundred each, but only after Hagedorn
|
||
|
Twee extracted the Helms' promise not to bring any other cats into the
|
||
|
system. It seemed like a strange request, but the lucky husband-wife
|
||
|
team could more than triple their proceeds for the entire voyage and pay
|
||
|
off the loan on their old but still-serviceable cargo ship. They agreed.
|
||
|
Since there were offworld animals involved, the legal work on
|
||
|
transferring ownership of the two cats had to be handled by the Regional
|
||
|
Office for the Importation of Non-indigenous Flora and Fauna. Theresa
|
||
|
met Hagedorn Twee at the huge Regional Government Complex in downtown
|
||
|
Heardhome, the spaceport and capital city of Heard's World. The district
|
||
|
rep was another of the big easy-going Hearders, Ottobon Kurr, who, it
|
||
|
just so happened, was a relative of Hagedorn Twee. His brother-in-law,
|
||
|
or the Hearder equivalent, in fact.
|
||
|
"Do you have the papers, Captain Helms?" said Ottobon Kurr in his
|
||
|
deep, booming Hearder's voice.
|
||
|
"I have them right here," said Theresa, putting the documents in
|
||
|
front of the official. Kurr read from the documents.
|
||
|
"Let me see... Planet of origin: Earth, Sol system....
|
||
|
Classification: Mammal.... Species: Felius domesticus... Immunizations:
|
||
|
okay.... Tests for antibodies to contagious diseases--all negative.
|
||
|
Good, good! Have the animals been sterilized? They cannot be allowed to
|
||
|
remain here unless they have been sterilized."
|
||
|
"Turn the certificate over, Representative Kurr," said Theresa .
|
||
|
"They were neutered before they left earth."
|
||
|
"Everything appears to be in order," said Ottobon Kurr. "Place your
|
||
|
palmprint here."
|
||
|
Hagedorn Twee was the proud owner of the only two cats on Heard's
|
||
|
World, a planet with five hundred million inhabitants. Theresa and Tim
|
||
|
Helm were considerably wealthier than before. Everyone, including the
|
||
|
two cats, was deliriously happy.
|
||
|
|
||
|
The Jupiter returned to the Heard's World system some ten months
|
||
|
later with a fresh cargo of hard-to-get and expensive items for sale and
|
||
|
trade. In spite of her age, the old ship shifted smoothly out of Whitney
|
||
|
psuedospace, fading easily back into normal space-time some three AU's
|
||
|
out from Heard's world. Ten months ship's time, because of the vagaries
|
||
|
of the Whitney Overdrive FTL System that powered the old Jupiter,
|
||
|
translated to about twenty-two months of Heard's World time. Within two
|
||
|
weeks, the little trader ship would leave with a load of local products
|
||
|
for sale to the planets on Jupiter's route through the inner system
|
||
|
stars of the galaxy. These products including Hearder arts and crafts
|
||
|
and, most importantly, several hundred small, carefully packed vials of
|
||
|
Nardeezium.
|
||
|
Nardeezium was a rare and valuable drug made from the skin
|
||
|
excretions of the rare and exotic Nardeezy dragon. "Dragon" was somewhat
|
||
|
of a misnomer since the animals were really more like small, slow-moving
|
||
|
salamanders than dragons. Not only were the animals sluggish, they were
|
||
|
also stupid and slow to reproduce. What's more, they had stubbornly
|
||
|
resisted all attempts to get them to thrive in captivity. As a result,
|
||
|
the fastidious little beasts were carefully tended in special preserves
|
||
|
and their precious sweat was very carefully harvested.
|
||
|
Nardeezium was the most valuable substance on Heard's World, and
|
||
|
very important to her economic well-being. The drug was non-addictive
|
||
|
and gave a mild high when used sparingly but its most sought-after
|
||
|
feature was that it greatly increased the intensity of the mammalian
|
||
|
sexual experience. As you might expect, demand far exceeded the supply
|
||
|
among the wealthy on the human-settled planets.
|
||
|
Theresa and Tim were hailed by Hagedorn Twee within five minutes of
|
||
|
groundfall. It's usually difficult for members of different races to
|
||
|
read another's emotions, but even over the videocom, both Theresa and
|
||
|
Tim could tell that Merchant Twee was agitated. Maybe it was the nearly
|
||
|
painful volume of a voice that was, even normally, too loud. Or maybe it
|
||
|
was the fact that Twee was sweating.
|
||
|
"I must talk to you immediately, Captain Helms. It is a matter of
|
||
|
the utmost gravity!"
|
||
|
"Please, calm down, Merchant Twee," said Theresa. "We'll meet with
|
||
|
you as soon as possible." The Hearder seemed to relax, but only a
|
||
|
little. They signed off.
|
||
|
"Tim, he looked really upset," said Theresa, nervously. "He was
|
||
|
sweating! Tim, do Hearders sweat?"
|
||
|
The two humans got a groundcab and went directly to Hagedorn Twee's
|
||
|
huge merchant complex, where they were immediately ushered into Twee's
|
||
|
private office. Twee looked up and down the corridor suspiciously before
|
||
|
closing and carefully locking the door. Ottobon Kurr was already there,
|
||
|
looking, if possible, even more upset than his somewhat larger brother-
|
||
|
in-law. The two Hearders were both sweating, or something much like it.
|
||
|
Fortunately, Hearder biochemistry is somewhat different from human and
|
||
|
the atmosphere of the office had taken on a fragrance somewhat
|
||
|
reminiscent of nutmeg and basil, which didn't bother the humans in the
|
||
|
least.
|
||
|
"Something most unfortunate has happened," said Hagedorn Twee,
|
||
|
still obviously upset.
|
||
|
"Just what is the problem?" asked Theresa.
|
||
|
Twee motioned with one of his large, blue three-digited forepaws to
|
||
|
Kurr, who was across the room.
|
||
|
Ottobon Kurr reached into a small cargo box that was down on the
|
||
|
floor, next to his huge, black hind hoof. There was no mistaking what he
|
||
|
pulled out.
|
||
|
"Where in all of space did you get a kitten?" said Theresa, as the
|
||
|
little animal climbed up Ottobon Kurr's arm, its sharp, little claws not
|
||
|
affecting the thick, scaly hide of the Hearder in the least. The little
|
||
|
beast began to purr loudly as it rubbed itself luxuriantly under the big
|
||
|
alien's chins.
|
||
|
"There are now at least twenty-four immature sol-system cats like
|
||
|
this one on Heard's World," said Twee, mopping his narrow forehead with
|
||
|
a large ultravelvet swab. "And it looks like there is the potential for
|
||
|
many more."
|
||
|
"We're ruined!" ejaculated Kurr, his eyes raised to the ceiling.
|
||
|
"Ruined!"
|
||
|
"How can this be?" asked Theresa, ignoring Kurr's outburst.
|
||
|
Hagedorn Twee couldn't meet her eye. "We had the two original
|
||
|
animals cloned. There are now two thousand copies of each. We sold them,
|
||
|
as quickly as we got them, for five thousand credits apiece." He gave an
|
||
|
embarrassed shrug, an action that almost made the floor move. "We made
|
||
|
an enormous profit."
|
||
|
Theresa shook her head in disbelief.
|
||
|
The Hearder brought his triple gaze back to the humans. "But,
|
||
|
within a few months some of the clones began behaving strangely--
|
||
|
irrationally. We did not suspect that it was reproductive behavior until
|
||
|
it was too late. So far, at least four of them have reproduced and many
|
||
|
others appear about to."
|
||
|
"You had them cloned?" said Theresa. "That was not a part of our
|
||
|
original bargain."
|
||
|
"Check the contract, Captain Helms," said Kurr. "Cloning was not
|
||
|
mentioned. As such, it was not strictly forbidden."
|
||
|
"You shouldn't have cloned them, Merchant Twee," said Tim.
|
||
|
"There is more," said Hagedorn Twee.
|
||
|
"We're ruined!" shouted Kurr, again. "Ruined!"
|
||
|
"You mean this gets worse?" asked Theresa.
|
||
|
"Yes," said Ottobon Kurr, somewhat calmed after his latest
|
||
|
outburst, "several twelves of the original four thousand clones have
|
||
|
escaped and gone into the wild where they may be reproducing even as we
|
||
|
speak. You see what I mean? We're ruined! Ruined!"
|
||
|
"That's not so bad," said Theresa, over the wailing. "Your species
|
||
|
seems to really get along well with cats." The two Hearders looked
|
||
|
nervously at one another.
|
||
|
"They seem to have developed a taste for the flesh of the Nardeezy
|
||
|
Dragon," said Twee, miserably. "Nardeezium, even in crude form, has the
|
||
|
same effect on the animals sexual performance as it does on yours. Not
|
||
|
only are they eating some of the dragons, they are probably reproducing
|
||
|
more rapidly as a result.
|
||
|
"Couldn't you just destroy the wild ones?" asked Theresa. Both of
|
||
|
the aliens looked horrified. Kurr made a strangled noise.
|
||
|
"Out of the question!" Twee was almost shouting. "Hearders do not
|
||
|
take the life of any creature! It is against our most basic principles."
|
||
|
"It appears that we have no choice," said Kurr, "We are not going
|
||
|
down to ruin alone. You humans are certainly liable. We shall have to
|
||
|
call in the 4th Quadrant authorities. You may consider your ship
|
||
|
impounded and quarantined, and yourselves confined to the ship until
|
||
|
this situation is resolved! Good day!"
|
||
|
Tim looked at his wife and partner, thinking that it had been nice
|
||
|
to own their own ship, even if it was for just a few months. They went
|
||
|
back to their grounded, impounded ship and waited nervously for the two
|
||
|
and a half days that would be required for the authorities to arrive
|
||
|
from Quadrant Headquarters on New Ceylon.
|
||
|
|
||
|
The Quadrant Supervisor for Hazardous Flora and Fauna was a being
|
||
|
by the name of Aalber T'verberg, a Lotharian. Lotharians were short,
|
||
|
slender, bipeds native to Lothar, a small, neat planet in the first
|
||
|
quadrant. Their bodies are covered with short yellowish fur, except for
|
||
|
their heads, which are bare and pink. Lotharians are intelligent but not
|
||
|
inquisitive and eminently fair, if somewhat boring. They are also very
|
||
|
good with numbers. In fact, they are a race of natural certified
|
||
|
public accountants.
|
||
|
In the Regional Office for the Importation of Non-indigenous Flora
|
||
|
and Fauna an argument was in progress. Again the atmosphere was tinged
|
||
|
with the smell of basil and nutmeg.
|
||
|
"I can't believe that you had those animals cloned," Tim Helms, was
|
||
|
saying, with some heat. "We never intended for that to happen."
|
||
|
"We have gotten off the subject, Master Helms," replied Ottobon
|
||
|
Kurr, with equal heat. "As the Regional Officer for the Importation of
|
||
|
Hazardous Flora and Fauna, I wish to know why the cloned animals are
|
||
|
reproducing. You swore that the originals were sterilized."
|
||
|
"Is that correct?" lisped Aalber T'verberg, trying without much
|
||
|
success to take control of the situation.
|
||
|
"That's right," said Theresa. "They were neutered."
|
||
|
"Why, then, are the clones reproducing?" asked Kurr.
|
||
|
"Well, that explains it," interrupted T'verberg, sensing his
|
||
|
opportunity. Finally, the combatants turned their attention to the
|
||
|
sibilant tones of the little Lotharian. "These animals were sterilized
|
||
|
by having their reproductive glands removed, a process traditionally
|
||
|
referred to as 'neutering.' It is a simple and common procedure that
|
||
|
renders the animal sterile and halts much of the undesirable behavior
|
||
|
associated with reproduction. It must be emphasized, however, that this
|
||
|
is a surgical procedure and doesn't change the animal genetically."
|
||
|
"What a barbarous operation,' said Kurr, in disgust.
|
||
|
"Not really," replied T'verberg. "It depends on your viewpoint. On
|
||
|
Earth, where these animals originated, the genetic alterations that are
|
||
|
practiced elsewhere in the Galaxy, are not only considered immoral, they
|
||
|
are highly illegal. Earth's authorities are very strict about the
|
||
|
genetic purity of their native animals. I'm not so sure it's such a bad
|
||
|
idea."
|
||
|
"I still do not understand," said Hagedorn Twee.
|
||
|
"It's quite simple," said T'verberg. "When you had the felines
|
||
|
cloned, the clones were grown from a single cell, usually an epithelial
|
||
|
cell taken from the lining of the animal's small intestine." Here the
|
||
|
two Hearder's looked at each other. Kurr wrinkled his huge nose in
|
||
|
disgust. T'verberg continued. "This technique utilizes the animal's
|
||
|
inherent genetic patterns. Simple surgery, such as the amputation of the
|
||
|
sex glands, would have absolutely no effect on the animal's genes. If
|
||
|
that were so, clones produced from an animal that had accidentally lost
|
||
|
a foot or an eye would have the same defects. Such is not the case."
|
||
|
"What does it mean?" asked Hagedorn Twee.
|
||
|
"It means that the clones are all fertile," said the little
|
||
|
Lotharian. "Who did this cloning job for you anyway?"
|
||
|
"We went to Jakob's Genetics, on Titus Five. He came highly
|
||
|
recommended," said Twee, somewhat defensively. Now it was the
|
||
|
Lotharian's turn to show disgust.
|
||
|
"More like he gave you a low, low price!" snorted T'verberg. "Jakob
|
||
|
Hochsteter is an amateur, nothing more than a part-time gene hacker!" He
|
||
|
shook his round, pink head. "You went to Jake the gene jockey. No wonder
|
||
|
you're in such a mess!"
|
||
|
"What are we to do?" asked Twee, intertwining his digits in
|
||
|
agitation. One of the objects of his discomfort, a kitten, was even then
|
||
|
rubbing affectionately against the Hearder's double chins. He reached
|
||
|
over absently, to stroke the little animal. It began to purr audibly.
|
||
|
"There are a number of reputable genetic engineers who may be able
|
||
|
to help you," said T'verberg, "but I'm afraid it's going to cost."
|
||
|
The two Hearders looked at each other. After a few moments, Twee's
|
||
|
huge shoulders drooped visibly. They looked resignedly at the Lotharian
|
||
|
and nodded their huge lopsided heads reluctantly.
|
||
|
|
||
|
Genetic engineers from Cornucopia Genetic Services scratched their
|
||
|
heads when confronted with the problem but, after a short consultation,
|
||
|
came up with an elegant solution. After a three-week waiting period the
|
||
|
head engineer, a middle-aged, uncharacteristically paunchy Lotharian
|
||
|
named Stimon P'teragon presented the Hearders and the Helms with the
|
||
|
answer.
|
||
|
"This should solve your problem," said the sleek Lotharian as he
|
||
|
handed Hagedorn Twee a small neoplex vial.
|
||
|
"What is it?" asked Twee, looking somewhat doubtful. Obviously the
|
||
|
solution to such a huge problem as theirs could never come in so small
|
||
|
of a package.
|
||
|
"It is a constructed feline rhabdovirus," came the smug reply.
|
||
|
"A what?" asked Tim Helms.
|
||
|
"It is a virus that will only infect a terrestrial cat. We have
|
||
|
designed it to infect and destroy the gonads which will render the
|
||
|
animals sterile. It is also non-antigenic so the animal's immune system
|
||
|
cannot fight off the infection."
|
||
|
"That is all well and good," said Ottobon Kurr, "but what about the
|
||
|
attacks on our priceless Nardeezy Dragons?"
|
||
|
"Ahhh," smiled P'teragon, showing his flat, herbivorous teeth,
|
||
|
"here is where the extra cost comes in. The virus also affects the
|
||
|
olfactory apparatus of the infected animals in a subtle way that makes
|
||
|
the Nardeezy dragon smell like something inedible. This is also the
|
||
|
method by which the virus is spread, much like the human cold or the
|
||
|
Hearder flux."
|
||
|
"The animals must not be killed!" said Kurr adamantly. Hearders
|
||
|
were good a being adamant.
|
||
|
"There is no danger to the infected animals. Once the target
|
||
|
tissues have been attacked the virus becomes dormant until it
|
||
|
encounters fresh, uninfected tissue. This extends your protection
|
||
|
indefinitely."
|
||
|
"Will it work?" asked Twee.
|
||
|
"It is guaranteed," said P'teragon.
|
||
|
"Just a minute," said Tim.
|
||
|
"Yes?" said P'teragon.
|
||
|
"What if one of these infected cats somehow gets back to Terra?
|
||
|
What's to protect all the cats on my homeworld."
|
||
|
"That is a good question, Mr. Helms," replied P'teragon, "but
|
||
|
Cornucopia Genetics has thought of that possibility. It is just another
|
||
|
of the reasons that we offer the best service of this kind in the
|
||
|
Quadrant. None of our engineered viruses will survive the jump through
|
||
|
hyperspace. Once the virus has replicated inside its animal host, it
|
||
|
will fall apart in Whitney pseudospace."
|
||
|
Tim nodded his head in approval.
|
||
|
"One more thing," said Stimon P'teragon.
|
||
|
"Yes?" asked Twee.
|
||
|
"Stay away from gene jockeys. They're nothing but trouble."
|
||
|
The Cornucopia people were as good as their word. Within a few
|
||
|
months, there were still just as many feral cats on Heard's World, but
|
||
|
all of them had a mild case of the sniffles and none of them were
|
||
|
reproducing. The treatment had not come cheaply but, still, the costs
|
||
|
had only cut Twee's enormous profits on the venture by about a tenth.
|
||
|
Tim Helms picked up a few more credits by designing a live trap to
|
||
|
capture the loose cats. Baited with an old-Earth weed called "catnip"
|
||
|
(of which the Helms had a small supply), the traps were an immediate
|
||
|
success. Recaptured animals were returned to their original owners with
|
||
|
a caution and, of course, a somewhat more-than-nominal fee or simply
|
||
|
sold as new, on the open market. Profits soared. Tim added catnip to the
|
||
|
products that he and his wife would bring on their next trip, mentally
|
||
|
rubbing his hands together in anticipation of the credits they would
|
||
|
make. The lucky couple were back in business.
|
||
|
|
||
|
Tim and Theresa stood next to the now-released Jupiter getting
|
||
|
ready to head out on the remainder of their somewhat delayed merchant
|
||
|
foray. Hagedorn Twee, with a cat purring on each of his massive
|
||
|
shoulders stood before them.
|
||
|
"I almost hate to do this," said Theresa. "But I do have something
|
||
|
else you might be interested in, Merchant Twee. With all the ruckus over
|
||
|
the cats, we didn't have time to show this to you."
|
||
|
"Yes?" asked Twee, expectantly.
|
||
|
"Okay, Tim," Theresa called out.
|
||
|
Tim released a white and brown-spotted animal with four legs, a
|
||
|
short, pointy tail and a pair of droopy ears. To the delight of the two
|
||
|
humans, the creature went immediately over and sniffed the big alien's
|
||
|
foot. After a brief investigation, the little animal's ears perked up
|
||
|
and its tail began to wag. It then put its two front legs up on the big
|
||
|
alien's elephantine leg. The alien reached down in wonder to touch the
|
||
|
small animal who began to lick the huge hand with a wet, pink tongue.
|
||
|
"What an adorable creature!" said Hagedorn Twee, with obvious
|
||
|
Hearder delight. "What is it?"
|
||
|
"It's an Earth-native animal called a 'puppy,'" said Theresa.
|
||
|
Twee picked the dog up and laughed his booming, strangled-horse
|
||
|
laugh as the little creature licked his pebbly face. Obviously, the two
|
||
|
cats on the Hearder's shoulders weren't nearly as pleased as the Hearder
|
||
|
with this most recent turn of events.
|
||
|
As if in anticipation, Theresa answered the Hearder's next
|
||
|
question.
|
||
|
"Yes, Merchant Twee, it has been neutered..."
|
||
|
|
||
|
----------------------------------------------------------------------
|
||
|
PHILLIP NOLTE (nolte@idui1.csrv.uidaho.edu) is a contributing editor to
|
||
|
InterText, in addition to being an extension professor at the University
|
||
|
of Idaho and an expert on potato diseases. He lives in Idaho Falls with
|
||
|
his wife and daughter.
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
Back from the West / MARK SMITH
|
||
|
|
||
|
"Go this way, asshole."
|
||
|
"No, you miserable simp."
|
||
|
"That's a one-way street for chrissakes."
|
||
|
For over a decade, through a dozen houses in two states, I have
|
||
|
kept these eight pages: double-spaced, typed on the back of scrap paper,
|
||
|
fastened together with a rusty staple. Some phrases and even paragraphs
|
||
|
repeating like an echo, or like we really lived it more than once even
|
||
|
that night. Now here they are again, beside my keyboard, the rambling,
|
||
|
incoherent log of the night of January 1, 1980, the first night of a
|
||
|
bygone decade. Start again, middle of page three.
|
||
|
"Go this way, asshole."
|
||
|
"No, you miserable simp."
|
||
|
"That's a one-way street, for chrissakes."
|
||
|
The car careens across three lanes of the empty avenue and up a
|
||
|
one-way street. Almost immediately, a siren sounds behind us: the same
|
||
|
cop that has followed us since we stopped the car in the middle of
|
||
|
Guadalupe at three o'clock in the morning.
|
||
|
Bobalouie, huge and imperturbably drunk, has been driving. He pulls
|
||
|
over to the curb cautiously. The stop lights at most of the
|
||
|
intersections are set to flash at this hour. Guadalupe looks like a
|
||
|
carnival with no people. None of us -- Riddle in the front seat with his
|
||
|
brother Bobalouie and me in the back -- say anything.
|
||
|
Black cop, young guy, climbs out of his car and walks up to us, the
|
||
|
faint edge of uncertainty or fear showing around his eyes. I'm thinking,
|
||
|
this must be a textbook drill in the academy: carload of drunks cruising
|
||
|
deserted streets in the middle of the night.
|
||
|
He asks for Bobalouie's license, which is forthcoming without a
|
||
|
word. He shines his huge cop flashlight on it. "Let me see yours also,
|
||
|
please," he says to Riddle. And then to me: "You too."
|
||
|
I reach for my back pocket.
|
||
|
"Hold it!" he says, thinking of guns, I guess, afraid he might
|
||
|
already be dead. He says:
|
||
|
"You guys get out of the car. All of you."
|
||
|
He tells us to stand on the curb. It is January 1, 1980, and cold
|
||
|
as hell. I'm wearing jeans and a shirt, no sweater or jacket. I start to
|
||
|
put my hands in my pockets.
|
||
|
"Don't put your hands in your pockets." Then he adds, "Please." His
|
||
|
politeness in the face of adversity is admirable. As I pull my hands
|
||
|
slowly out of my pockets, I think, I should write to the mayor and
|
||
|
commend this officer's damn fine manners. I forget to note his badge
|
||
|
number.
|
||
|
Next thing I know, Riddle is jabbering like Lear's fool. He's
|
||
|
saying,
|
||
|
"Lissen, sir, this is the way it is. . . We just drove all the way
|
||
|
across the whole fuckin' -- oh, excuse me -- the whole damn state. All
|
||
|
the way back from Big Bend. Ever been out there? Oh, it's beautiful
|
||
|
country, sir. And we've been drinking all day. I guess I shouldn't tell
|
||
|
you that, but it's true. Christ, you have to drink when you drive out
|
||
|
there in West Texas, you can't survive any other way. Anyway, well,
|
||
|
we've been looking around for our friend's house. . ."
|
||
|
I tune Riddle out, I figure he's sealed our fate now. I stare into
|
||
|
the hypnotic spin of the red and blue flashers on top of the cop car.
|
||
|
For a minute I forget how cold I am. I figure if I can keep still for a
|
||
|
minute and not say anything, maybe the cop'll throw Riddle in the can
|
||
|
for standing there on the street corner and trying to be honest and
|
||
|
Bobalouie and I can go on home.
|
||
|
Then, son-of-a-bitch if the cop hasn't cracked a smile. A smile!
|
||
|
And he's telling Riddle, "Well, I can see you fellas have had a little
|
||
|
too much to drink. Are you sure you can find your way home now?"
|
||
|
I break for the car, my only hunch all night paid off. I had
|
||
|
followed my mind and kept quiet and not said one single thing. Neither
|
||
|
had Bobalouie, but then he hasn't said a word all night. Now I'm piling
|
||
|
back into the car hoping my beer isn't cold.
|
||
|
Yes. That part is exactly as I remember it. Just the same way. They
|
||
|
had driven all day from Big Bend, unhinged by the combined forces of
|
||
|
drinking, drugs and the long road through the vast Trans Pecos. But I
|
||
|
don't remember feeling nervous with the cop there. Just cold. Cold as
|
||
|
freaking hell.
|
||
|
"Brrr. I'm cold. Aren't you cold?"
|
||
|
"It'll be warm in a minute."
|
||
|
Bobalouie fiddles with the heater controls. We're still looking for
|
||
|
this woman Aurora's house. Some crazy artist friends that Riddle says
|
||
|
are the only people he knows who never go to sleep.
|
||
|
"But are you cold?"
|
||
|
"Naw, not really. Maybe a little in my toes. It was ten degrees in
|
||
|
the desert last night."
|
||
|
"What did you learn on your trip that you can use in your book?"
|
||
|
Book? I vaguely remember Riddle had it in his head to write a book.
|
||
|
A book about bird watching. He rambled about it for months. He had
|
||
|
written the first chapter, even: a whole chapter on binoculars, how to
|
||
|
pick them out, what the different lens numbers meant. All that stuff
|
||
|
that Riddle knew about. That was why we gravitated toward him. He knew
|
||
|
about things the rest of us never even thought about. Science and nature
|
||
|
and sports and food. Solid, physical things which, at that time, we
|
||
|
thought we were too cerebral to think about. Things that I've learned to
|
||
|
appreciate more since then. I wish I had asked more about those things
|
||
|
when he was here, when I had the chance.
|
||
|
"What did you learn on your trip that you can use in your book?"
|
||
|
Riddle begins, "I learned that the second most abundant large
|
||
|
raptor in the desert is the Marsh Hawk. There are four orders of hawkish
|
||
|
predators with talons in the desert. They are one, falcons; two, buteos-
|
||
|
-buzzard hawks like the Red Tail; three, the accipiters. . ."
|
||
|
I think about getting up to find a bird book to check this, but
|
||
|
keep reading instead.
|
||
|
"...the true hawks, they are built like buteos with tails; four,
|
||
|
kites, represented by one species, the Marsh Hawk. Doesn't it strike you
|
||
|
as odd, Stetson, that the most abundant hawk in the Chihuahua desert is
|
||
|
the Marsh Hawk? Yes, I can use all of that in the book. I can make it a
|
||
|
parenthetical remark. It was ten degrees in the desert. Did I tell you
|
||
|
that?" I nod, and he says, "Well, did I tell you that my brother slept
|
||
|
in the car? In the car, that pigfucker."
|
||
|
Bobalouie looks over at Riddle and shakes his big head. Riddle
|
||
|
continues to rave at me over the back of the front seat.
|
||
|
"He took a hit of acid this morning before we started back. Ten
|
||
|
o'clock in the freaking morning. Do you believe that? We stopped at this
|
||
|
place in Sanderson. . ."
|
||
|
Sanderson. I keep a map of Texas tacked to the wall over my desk. I
|
||
|
stand up and check the tiny print of the index for Sanderson. K-8. There
|
||
|
it is, right where it's suppose to be. Junction of 90 and 285, middle of
|
||
|
nowhere.
|
||
|
"...for coffee and his eyes are little slits. I'm scared to death
|
||
|
he's going to freak out and push over a table or something. Nothing but
|
||
|
mobile homes out there in the middle of the Trans Pecos, just a water
|
||
|
tower with cars all around it and that's the whole damn place and Bob's
|
||
|
trying to start a fight."
|
||
|
Bobalouie turns toward Riddle and I actually think he is about to
|
||
|
say something, set the record straight, give his side of the story, when
|
||
|
Riddle says, "Here's the place. Pull in here."
|
||
|
I flip ahead to find the next part that makes any sense: the part
|
||
|
about Aurora. The painting was real. I remember that exactly. And Aurora
|
||
|
was her name. But I don't remember any of the rest of it. Jesus. It's
|
||
|
all in front of me and I have to say it happened, but damned if I
|
||
|
remember it. I especially don't remember Bob being there with us. But he
|
||
|
was with us all night so he had to be. I just can't remember. What else
|
||
|
have I forgotten?
|
||
|
Riddle barges in without knocking. Nobody seems to mind. Several
|
||
|
people are sitting on the floor of the small living room, but the only
|
||
|
one I know is Aurora, a skinny woman with baggy jeans, who is an art
|
||
|
major at the University. This is a coffee crowd and there are several
|
||
|
cups sitting around their knees and ankles and a big crystal ashtray
|
||
|
full of butts. There is a cloud of smoke in the air.
|
||
|
"Hi, everybody. Happy New Year! Riddle, I'm glad you came by," says
|
||
|
Aurora.
|
||
|
"I thought it might be too late," says Riddle, pulling out a
|
||
|
cigarette.
|
||
|
"No, not at all. How was your trip?"
|
||
|
Riddle starts in on his familiar patter we've been listening to all
|
||
|
night so I take the tour of the living room. As I turn around, I am
|
||
|
facing a peculiar painting which I recognize at once. It is a canvas,
|
||
|
about three feet tall and two feet wide, on which is painted a picture
|
||
|
of a slatternly, sullen Latina in a red, low-cut, sleeveless dress with
|
||
|
shoulder straps. She is barefoot and very brown. But what is very
|
||
|
peculiar about this painting is that the canvas has been extravagantly
|
||
|
bowed outward like a sail blown by a stiff wind from behind. The effect
|
||
|
is obviously meant to suggest an advanced pregnancy not only of the
|
||
|
woman but of the painting itself. I had seen the painting in a student
|
||
|
art exhibit a year before and I even remembered the title: "The Holy
|
||
|
Virgin."
|
||
|
"Do you like it?" Aurora says to me. "Steve painted it." She
|
||
|
indicates a quiet, lanky man in his early thirties sitting cross-legged
|
||
|
on the floor.
|
||
|
After a few minutes, Riddle glances at Bob, hulking larger than
|
||
|
life here in this close room and obviously out of place, and decides it
|
||
|
is time to go before something gets broken.
|
||
|
Before I know it, we're back in the car and on our way out to
|
||
|
Hill's Cafe on South Congress.
|
||
|
I get up and go check the phone book. I haven't thought about
|
||
|
Hill's for years. Still there. By then we were flagging. Deep, deep
|
||
|
tiredness was really beginning to set in, but in spite of it, I remember
|
||
|
Riddle was still geared up. I remember him like he was still here,
|
||
|
leaning over the back of the front seat ranting about football.
|
||
|
I watch out the window as we roll lazily past the junk shops and
|
||
|
neighborhood bars that line the lonely streets east of downtown. I
|
||
|
notice an occasional straggler winding his way home from a party, but
|
||
|
otherwise the streets are quiet and the only cars are the ones parked
|
||
|
along the curb.
|
||
|
In the front seat, Riddle continues to rave at me, showing no signs
|
||
|
of tiring. He's onto football now, he says:
|
||
|
"I'm starting the eighties with absolutely no money in the world.
|
||
|
Do you hear me? No money! So you've got to do this. Go down in the
|
||
|
morning and get as much money as you can out of the bank and put every
|
||
|
penny on Tampa Bay in the NFC playoffs. I'm golden on this, believe me.
|
||
|
I've been predicting it since the start of the season."
|
||
|
Something seems to flash by in the air between us.
|
||
|
"Did you see that?"
|
||
|
"See what?"
|
||
|
"Never mind. Finish what you were saying."
|
||
|
I'm not at all sure what this last part means, but that's what it
|
||
|
says.
|
||
|
"I would stake my reputation and my tattered copy of Tom Jones on
|
||
|
it if I'm not right."
|
||
|
"You mean that if I win this thing, I collect all of this money and
|
||
|
if I lose I lose my hard-earned cash and get some nasty old doorstop of
|
||
|
a book you want to get rid of anyway? Do I have that right?"
|
||
|
Riddle shrugs hopelessly and says to Bobalouie: "What can I say? No
|
||
|
way he's going to take this deal. Can you believe it?" His eyes trace
|
||
|
the air in the car and he says to me: "Tell me what you saw a minute
|
||
|
ago. I think I just saw it again."
|
||
|
It's not here, but I remember saying to Bobalouie earlier in the
|
||
|
evening: "I really see you as a biker. A bad-ass biker bouncer in some
|
||
|
killer club on the eastside." And he got really mad. He was downright
|
||
|
indignant and mentioned it several times during the evening. I think he
|
||
|
thought he was a gentle, mellow type in spite of his appearance. I meant
|
||
|
it as kind of a joke, but he took it entirely seriously. That might be
|
||
|
why he doesn't say a damn word until we get to Hill's.
|
||
|
Five in the morning in Hill's Cafe. . .
|
||
|
This is where I lose the thread. It all runs together. I wonder
|
||
|
when I typed this part. That night or later. Maybe I slept and woke up
|
||
|
and typed it the next day with noon coffee and loud music. Or maybe I
|
||
|
even had the damn typewriter with us in the car that night. We did
|
||
|
things like that then, fictionalizing as we went along.
|
||
|
Five in the morning in Hill's Cafe, we are carefully attended by a
|
||
|
wizened old waitress in classic rhinestone cat's-eye glasses. She seems
|
||
|
to know Bob. We all order the same thing, down to the dressing on our
|
||
|
salads.
|
||
|
"You boys been camping, have you?" she says.
|
||
|
"Yes ma'am," says Riddle. "Big Bend National Park."
|
||
|
"Well, that's real nice. I love the desert, myself. Do a little
|
||
|
thing where I grow little cactuses and moss and things in little logs I
|
||
|
collect and hollow out."
|
||
|
We all nod at her and she smiles and goes off. We grin at each
|
||
|
other, but before we can even start talking again, she's back with our
|
||
|
salads.
|
||
|
"So what were you boys doin' out there? Just sight-seein'?"
|
||
|
I say: "They were collecting material for a book."
|
||
|
"You don't say," she says. "What kinda book would that be?"
|
||
|
Bob is staring at her with a distant, stoned look. I wonder if he
|
||
|
is awake. Riddle's digging into his salad. I say, "It's a naturalist
|
||
|
book about the birds and animals of the Trans Pecos region."
|
||
|
"Izzat so?" says the old woman, visibly impressed. "I'll gitchall
|
||
|
some more ice tea."
|
||
|
Bobalouie points his fork at me and suddenly rumbles into speech
|
||
|
for the first time in hours: "Don't think you can bullshit that old
|
||
|
toadfrog. I'm tellin' you because I know. She don't hear a damn word
|
||
|
you're sayin." He spears a fork full of salad and pokes it into his
|
||
|
craw. "An she don't never change her underwear neither."
|
||
|
Riddle laughs so hard he starts to choke on his salad. Bobalouie
|
||
|
has receded back into a Delphic silence, but he's watching his brother
|
||
|
choke with an amused grin, obviously pleased to be the cause of such
|
||
|
happiness.
|
||
|
The steaks arrive sizzling and they are just like we ordered them:
|
||
|
Bob's is well done, mine is rare and Riddle slices off a piece of his,
|
||
|
impales it on his fork and holds it out to me, "Ahhh, medium rare. Just
|
||
|
like a steak should be."
|
||
|
We devour the food without further talk and I'm wondering how I'm
|
||
|
going to pay for this twelve-dollar meal with three dollars in my
|
||
|
pocket. The waitress leaves the lime-green check face down on the table
|
||
|
and says, "Will they be anything else for ya'll tonight?" We grunt no
|
||
|
and she says, "Well, ya'll have a good one now, y'hear."
|
||
|
Bobalouie pays for all of us without a second thought.
|
||
|
As we walk back out to the car, Riddle says: "You see there? My
|
||
|
brother just bought three steaks at Hill's. Over forty dollars and he
|
||
|
shrugged it off like you never would. That's why you owe it to yourself
|
||
|
to go down to the bank in the morning and get your hands on every penny
|
||
|
you have in the world and put it on Tampa--"
|
||
|
Bobalouie interrupts Riddle, saying: "Can't you understand? He's
|
||
|
not going to bet on the game. He doesn't even like football."
|
||
|
"Like football?" says Riddle. "Who said anything about liking
|
||
|
football? I'm talking about a business proposition. You don't think the
|
||
|
people who own McDonald's eat there do you?"
|
||
|
The sun is coming up and I am very tired. I feel like lying in the
|
||
|
back seat, but Bob beats me to it, so I decide to drive. Bob belches
|
||
|
once and says, "What did you mean when you said I should be a biker? I
|
||
|
resent the hell out of that." Then he is asleep. We climb out onto
|
||
|
Congress Avenue on our way back to nowhere.
|
||
|
The cursor is blinking at me, waiting for me to add something. What
|
||
|
can I? All I remember of that night is what is written there, which is
|
||
|
to say that what I remember has become what I wrote, whether that was
|
||
|
really what happened or not. It wasn't even that long ago, but it feels
|
||
|
like another lifetime.
|
||
|
Why isn't Riddle here to remember for me? He could've remembered --
|
||
|
he was good at little details. I should've asked when I had the chance;
|
||
|
now it's too late.
|
||
|
Riddle says: "Don't mind him, he's crazy. Did I tell you that he
|
||
|
just about got us into a fight? We stopped in this little town called
|
||
|
Sanderson and..."
|
||
|
He stops and looks at me. "Did I tell you this already?"
|
||
|
I look at him and say, "Yeah, don't you remember?"
|
||
|
"No. In fact, I don't remember a lot of this. Maybe I'm losing my
|
||
|
mind."
|
||
|
"It's just sleep deprivation," I say.
|
||
|
"Jesus, that's a relief, Stetson."
|
||
|
"Anyway, it was a long time ago," I say.
|
||
|
Riddle nods. "It sure as hell was."
|
||
|
We drive. After a few minutes, we are downtown and the sun is
|
||
|
rising on our right, big and orange. I remember suddenly that there are
|
||
|
things I wanted to know more about. I say, "Tell me more about the
|
||
|
hawks."
|
||
|
Riddle's face brightens and he says: "What I might not have told
|
||
|
you is that the most common raptor in the Chihuahuan desert is the Marsh
|
||
|
Hawk. Did I tell you that?"
|
||
|
|
||
|
----------------------------------------------------------------------
|
||
|
MARK SMITH (mlsmith@tenet.edu) has been writing fiction and non-fiction
|
||
|
for over ten years. His fiction has appeared or is forthcoming in
|
||
|
_Window_, _Spectrum_, _Malcontent_, _Epiphany_, and the _Lone Star
|
||
|
Literary Quarterly_. "Back from the West" is from Mark's forthcoming
|
||
|
collection of stories, _Riddle_, winner of the 1992 Austin Book Award.
|
||
|
Mark lives in Austin, Texas.
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
Just a Company Man / P.R. MORRISON
|
||
|
|
||
|
The name's Kinkade... Sam Kinkade, Database Investigator. It began
|
||
|
on a summer day in '26... April, I think. I remember it reasonably
|
||
|
well because it was the first time in six years that the solar diffusion
|
||
|
index had fallen below 5.1 and allowed the sun to be seen by the
|
||
|
populace of L.A. Caused a lot of confusion, as I recall, and a few cases
|
||
|
of retinal scarring amongst younger kids.
|
||
|
I'd stumbled into my office the night before with a dozen Ukrainian
|
||
|
slammers under my belt and tried to catch a few hours sleep on the
|
||
|
couch. It took all my willpower to prevent those little dissidents from
|
||
|
staging a counter-revolution when the visiphone rang in the morning,
|
||
|
raising me from semiconsciousness.
|
||
|
I crawled to the visiphone, noting before I hit the accept button
|
||
|
that the call was being scrambled by the Federal Bureau of Database
|
||
|
Investigation. Sure enough, the craggy face of Rick McLusky, the
|
||
|
regional head of the FBDI sprang into view and pierced my eardrums with
|
||
|
its opening remark.
|
||
|
"Kinkade," he said, "we've got another job for you. A big one this
|
||
|
time."
|
||
|
"Great," I moaned in reply.
|
||
|
"What's wrong?" McLusky asked, clearly taken aback by my lack of
|
||
|
enthusiasm. "You sick or something?"
|
||
|
"Sort of. What is it anyway? I've got no time for damned FBDI
|
||
|
cases. You guys think it's big when some kid pisses on the vidiscanner
|
||
|
in the john at the hover-rail center!"
|
||
|
"No, Kinkade... this time it's different. This time we got a
|
||
|
renegade."
|
||
|
"So? Who hasn't? If I had 10 credits for every guy who had his
|
||
|
universal identifier cut out of his wrist I'd be sitting in the
|
||
|
Seychelles, lounging about on my gravity yacht. Look, can't you see I'm
|
||
|
having trouble mapping onto reality at the moment?" I said, starting to
|
||
|
look longingly at the vacuum sink in the corner of my office.
|
||
|
"Cut the crap, Kinkade," McLusky said suddenly. "This is no
|
||
|
ordinary case. The guy was a dyed-in-the-wool Company man. Bluer than a
|
||
|
laser blast and twice as straight... until now that is. The system
|
||
|
hasn't recorded a transaction from him in over a week and the Board want
|
||
|
him found. They don't like unerased Company men going renegade. It
|
||
|
doesn't look good."
|
||
|
Although the rest of my body wanted to secede from my stomach, I
|
||
|
was beginning to get interested in this case. My only reservation was
|
||
|
that experience had taught me to avoid Company business if at all
|
||
|
possible.
|
||
|
"Look, McLusky," I said to the Bureau man, hoping to ease myself
|
||
|
out of this one, "You know me. I have the wrong psychprofile for Company
|
||
|
business and they know it. In fact, that's the reason I left it in the
|
||
|
first place. I can't tolerate their linearity. Come to think of it...
|
||
|
why can't they handle it themselves? Internal investigations are always
|
||
|
much neater. Hell, why doesn't the Bureau handle it? Giving it to a
|
||
|
private DI is a risky business."
|
||
|
McLusky appeared as if he wanted to reach through the phone and rip
|
||
|
out my tonsils.
|
||
|
"Kinkade!" he roared. "You know damned well the Company threw you
|
||
|
out and you were lucky they didn't erase you at the same time! The only
|
||
|
reason they didn't was because they knew you were the best DI they ever
|
||
|
had -- screwy, but good. You've still got your memories because they
|
||
|
wanted to keep you as a resource -- to use whenever they needed some
|
||
|
different kind of help."
|
||
|
Having got that out, McLusky began to settle down and his nose
|
||
|
looked less like an old Soviet distress beacon.
|
||
|
"Listen," he said in a subdued tone, "this guy is good... very,
|
||
|
very good. They can't trace him. You know how they think over there --
|
||
|
in straight lines. But they think that your screwball logic might be
|
||
|
able to find him. And apart from that, it isn't a request. You know your
|
||
|
position. Your privacy level could be lowered like that," he said,
|
||
|
snapping his fingers sharply. "You can only be monitored by level sevens
|
||
|
right now, but in five seconds you could be a level one again. You won't
|
||
|
be able to scratch your ass without the whole system knowing it."
|
||
|
McLusky was right of course. He knew it and I knew it. If they
|
||
|
busted me to that level, every toilet cubicle had to be opened with my
|
||
|
universal identifier, every food purchase involved it, every Ukrainian
|
||
|
slammer... all of it on the system and available to anyone who wanted to
|
||
|
look at it. It made me shudder.
|
||
|
"And remember this..." McLusky continued, "Tracking has been on the
|
||
|
increase lately."
|
||
|
That was the final straw. Tracking had become the pastime for the
|
||
|
modern pervert, invading lives and destroying them by denying the most
|
||
|
basic elements of privacy. If a tracker selected me as his target,
|
||
|
following me on the system wherever I went... It would be a nightmare.
|
||
|
Some of them even took delight in predicting your movements and leaving
|
||
|
obscene messages on the systemlink they thought you would use next. I
|
||
|
knew I couldn't take that. Never again!
|
||
|
I rubbed my eyes, feeling very beaten all of a sudden.
|
||
|
"OK... I'll do it. Gimme his identifier and I'll see what I can do.
|
||
|
No guarantees, though. If this guy is as good as you say, he might have
|
||
|
already beaten the system."
|
||
|
McLusky nodded, apparently satisfied. As he tapped out the guy's
|
||
|
code I headed for some coffee and decided that tomorrow would be a good
|
||
|
time to start. In the meantime I had to rediscover what it was like to
|
||
|
be human.
|
||
|
|
||
|
The next morning I logged into my systemlink and entered the
|
||
|
identifier. He was a level six called James Tyler and he was Snow White.
|
||
|
A traffic camera had caught him six months ago running a red light, but
|
||
|
other than that there was nothing. The map of his auto use showed that
|
||
|
he hadn't visited any known illegal establishments, but it did indicate
|
||
|
a frequently visited apartment north of the stratoport. Probably his
|
||
|
girlfriend, I reasoned. But then, who knew these days? DNA work
|
||
|
regularly transformed men into women or vice versa, or things in
|
||
|
between.
|
||
|
I made a note of the address and traced the last transaction he'd
|
||
|
made. Two double scotches at a bar called the Purple Lizard in the
|
||
|
rundown part of the Southside. And had he been ripped off! 20 credits
|
||
|
each!
|
||
|
I grabbed my respirator, strapped on my blaster and headed for the
|
||
|
hover-rail station. The smell of hydrocarbons would do me good.
|
||
|
|
||
|
To say that the Purple Lizard was a dive was like saying the sewer
|
||
|
treatment plant had an odor. It was the basement of a rundown apartment
|
||
|
building and it made you wonder where you left your lice repellent. It
|
||
|
was a strange place for a Company man to visit.
|
||
|
As I descended the stairs a gigantic guy of Italian descent came
|
||
|
out of the shadows and blocked my path. From the way the guy talked it
|
||
|
was clear that he hadn't been behind the door when the brains were
|
||
|
handed out. It sounded as if he wasn't even in the room.
|
||
|
"Sorry, mister," he said "but ain't nobody allowed ta have blasters
|
||
|
in the Lizard. So gimme it or else I gotta bust ya."
|
||
|
I briefly thought about blasting the guy, but I knew that dinosaurs
|
||
|
had small brains and you had to be a great shot or very lucky.
|
||
|
I handed over my piece and brushed aside a piece of black curtain,
|
||
|
revealing the Lizard in all its glory. A couple of guys -- probably
|
||
|
unidentifieds -- were playing magnetopool and drinking martian red. The
|
||
|
bartender was an old guy with a lot of facial scars and big hamfists.
|
||
|
All of them stared at me as I took my place at the bar.
|
||
|
"You got guts, anyway," said the bartender as I grabbed a stool.
|
||
|
"How's that?" I asked as I tapped a Cosmic Camel out of its pack
|
||
|
and placed it on my lips.
|
||
|
"Well, we don't like upper levels in here. And in a minute, when me
|
||
|
and those two guys feel like it, we're gonna bust your head open just
|
||
|
for the fun of it," he said, looking very happy as he finished.
|
||
|
"Is that so?" I replied, taking a long drag on the Camel. "In that
|
||
|
case, I just hope you guys are wearing blaster jackets."
|
||
|
"What blaster? Joey got it outside. I watched him!"
|
||
|
"Sure, he got that one. But you see, my left hand hasn't been the
|
||
|
same since the assault on Petrograd. A fragmentation grenade blew it off
|
||
|
and I thought it might be handy -- excuse the pun -- to have a
|
||
|
miniblaster installed in the cyber replacement. Got the picture?"
|
||
|
The bartender clasped and unclasped his fists in suppressed rage.
|
||
|
"You better not stay too long, mister," he said. "You can't guard
|
||
|
your back forever."
|
||
|
"Tsk, tsk," I said, knowing that I shouldn't push my advantage if I
|
||
|
was to get what I wanted. "Look, all I'm after is a little information.
|
||
|
See this guy?" I showed him a visifacsimile of Tyler. "He was here a
|
||
|
week ago. The system says at 6:30 on the tenth. I just want to know what
|
||
|
happened to him."
|
||
|
"Never seen him before," the bartender said. "We don't give
|
||
|
information to the Company anyhow."
|
||
|
"I'm not from the Company. I'm a private DI and the system says he
|
||
|
was here. I just want to know why."
|
||
|
I pulled out a gold Krugerrand and tossed it onto the bar.
|
||
|
"Trading in gold is outside the system and illegal," the barman
|
||
|
said, perhaps surprised that an upper level would be carrying it.
|
||
|
"Well, I won't tell if you won't" I said.
|
||
|
"OK. He was here," the barman blurted out as he seized the coin.
|
||
|
"What happened to him?" I said, placing my hand on the man's closed
|
||
|
fist.
|
||
|
"We beat him up, same as we were gonna do to you. We threw him out
|
||
|
and that was the last we saw of him. That's it."
|
||
|
He had no reason to lie, so I decided to cut my losses and do some
|
||
|
thinking outside the confines of the Purple Lizard.
|
||
|
"OK... thanks," I said as I stood away from the bar and pointed my
|
||
|
hand at the barman's belly. I found the back door and as I weaved
|
||
|
through the garbage cans, I spared a thought for Joey and his coming
|
||
|
chastisement. The cyberarm was always a good con.
|
||
|
As I strolled up the street, donning my respirator, I thought about
|
||
|
what I had. Tyler was beaten up in a bar he wouldn't be seen dead in.
|
||
|
Why? He must have been meeting someone. Someone, who could've protected
|
||
|
him, but didn't show up.
|
||
|
But who was the someone? It looked like a dead end, so I took a
|
||
|
chair at a nearby diner and ordered a cup of coffee. Well, they said it
|
||
|
was coffee. It was black anyway. As I slowly sipped, I wondered if I
|
||
|
might be able to get a better angle with some database interrogation.
|
||
|
Now, as all truly great systems men know, databases are very
|
||
|
fallible, capricious and unpredictable. Sometimes they go down for no
|
||
|
reason or function perfectly when they shouldn't, or perform differently
|
||
|
on tasks that are completely routine. The true art of systems use is to
|
||
|
regard them as very delicate beasties. That was the secret of Sam
|
||
|
Kinkade, plus a few tricks I'd kept from the Company. I felt capable of
|
||
|
working a little magic, so I had the coffee credited and found the
|
||
|
nearest systemlink.
|
||
|
It was an old model; no voice recognition, just a battered old
|
||
|
keyboard. Still, it would do. I placed my wrist identifier over the
|
||
|
reader, logged in and looked at the systats. There was a lot of activity
|
||
|
and that would make tracing the system failure a lot harder. I punched
|
||
|
in the node and vector code of a program that had cost me two thousand
|
||
|
credits from an old, alcoholic systems designer whose only memory after
|
||
|
erasure was the location of a very special, hidden program. That
|
||
|
remarkable piece of code caused the system to crash and in the last few
|
||
|
moments of sentience while the protection was failing, it copied the
|
||
|
files of anyone up to level eight. That should be high enough to get
|
||
|
what I wanted -- the files of Tyler's immediate boss; somebody that even
|
||
|
Tyler had probably never met.
|
||
|
I placed in a wildcard identifier for Tyler's superior. Then, with
|
||
|
trembling fingers (crashing systems still gives a thrill) I executed the
|
||
|
program and watched as the network with its thousands of mainframes
|
||
|
slowly died, wracked by the cancerous spread of confusion that the
|
||
|
program unleashed. Finally, on the bitmapped image of the world map that
|
||
|
showed the operational status of the various nodes, the last pixel faded
|
||
|
out.
|
||
|
Of course it would be restarted within minutes, with much head
|
||
|
scratching. But the fault would never be traced. The system was too
|
||
|
complex. It could never know which of the millions of programs active at
|
||
|
that moment, or what combination of them, actually caused the crash.
|
||
|
Meanwhile, I knew that the information I needed would be safely in my
|
||
|
disk area to peruse at my leisure. All I had to do was wait for the
|
||
|
inevitable return of the system.
|
||
|
At that moment, I sensed something behind me and had half turned
|
||
|
around when the butt of a blaster smashed into my temple, sending me
|
||
|
crashing to the ground. As I lay there dazed, I was vaguely aware of
|
||
|
someone stepping over me and manipulating the systemlink.
|
||
|
Suddenly, a blur of red hit him squarely in the back and he fell
|
||
|
heavily, rolling for some distance before getting to his feet and
|
||
|
running off. I was still pretty much out of it, but managed to stand and
|
||
|
lean on the wall. Next to the systemlink I noticed an ice cool blonde in
|
||
|
a red jumpsuit regarding me with some concern.
|
||
|
"Are you OK?" she said in a very husky voice.
|
||
|
"So you're my savior," I said feeling like the cat who got the
|
||
|
cream. "What have I done to deserve this?"
|
||
|
"You're looking for a friend of mine I believe" she said. It all
|
||
|
made some sense now.
|
||
|
"So you're 1139 Catalonia Boulevard," I said, noting to myself that
|
||
|
James Tyler was a man of good taste.
|
||
|
"Yes. Pamela Aldiss is my name. Although you probably know that."
|
||
|
"No, I didn't, actually," I said. "Although if I'd known you could
|
||
|
wear a jumpsuit like that, I would have made it my business to find
|
||
|
out."
|
||
|
"You're very flattering Mr. Kinkade," she said with some wariness.
|
||
|
"But I have often found that flatterers are no match for karate."
|
||
|
"Yes, I noticed," I said, raising my hands in mock surrender. "I'll
|
||
|
keep it in mind."
|
||
|
She responded with a fleeting smile. "The most important thing
|
||
|
right now is to find Jim. Have you made any progress yet? The FBDI said
|
||
|
they'd engaged you yesterday."
|
||
|
I hated to disappoint her, but after rescuing me she deserved the
|
||
|
truth.
|
||
|
"Unfortunately... no." I said flatly. "But somebody else is
|
||
|
interested in this case. That guy could have killed me, but didn't. He
|
||
|
was more interested in what I was doing with the systemlink."
|
||
|
She thought about that for a while, then helped me into her car --
|
||
|
a gas turbined pink Maretta. I tried not to notice the curvature of her
|
||
|
legs as we tore down the high velocity lane of the expressway,
|
||
|
exchanging what little information we had.
|
||
|
"Jim was in the Global Division," she began, the past tense
|
||
|
bothering me at first. "He was involved in negotiations with foreign
|
||
|
governments... you know, installations, software capabilities. It was
|
||
|
tricky stuff. These days, no government can afford not to be part of the
|
||
|
system. Their commerce and trade would suffer enormously. But at the
|
||
|
same time, they've always been concerned about who has the information
|
||
|
and what they do with it. Of course, anybody with any brains knows that
|
||
|
the Company has it all and it's probably just a matter of time before
|
||
|
governments cease to exist. Jim's job was to placate them while it all
|
||
|
happened."
|
||
|
"Hmmm," I replied as I patched into her car's mobilelink.
|
||
|
"What are you doing?" she asked, unable to take her eyes off the
|
||
|
road and focus on the dim display.
|
||
|
"Oh, just checking my creds," I replied, trying to suppress my
|
||
|
shock as I read the system output. "Where are we going anyway?"
|
||
|
"To my place."
|
||
|
I grinned. She scowled.
|
||
|
"Jim may have left a message there," she explained. "He can beat
|
||
|
the security monitors. The system told me where you'd left the hover
|
||
|
rail, so, while I waited for him to contact me, I thought we could team
|
||
|
up. OK?" she smiled, turning to me briefly.
|
||
|
It was an engaging smile, but one that didn't last. As I looked
|
||
|
down some text slowly assembled on the systemlink.
|
||
|
"It's for both of us." I said. "Tyler wants us to meet him at the
|
||
|
Stratopark. 82nd level in half an hour."
|
||
|
We left 50 meters of rubber as we did a 180 on the expressway, the
|
||
|
injectors shrieking with power. Pam knew how to drive. My mind
|
||
|
considered what else she was good at.
|
||
|
|
||
|
The Stratopark was windswept and although swirling with smog we
|
||
|
left our respirators off to help our visibility. It didn't take us long
|
||
|
to find Tyler. He was sitting on the bonnet of a Blue Maretta. Blue for
|
||
|
boys, pink for girls.
|
||
|
"Darling!" Pam exclaimed as she ran with open arms toward him.
|
||
|
"Not so fast!" Tyler said as he pulled out a pocket blaster.
|
||
|
Pam stopped short, the smile sliding off her face and falling onto
|
||
|
the concrete.
|
||
|
"So, you know," she said.
|
||
|
Tyler chuckled wryly to himself. "I had an idea. But I had to be
|
||
|
sure. Kinkade got the information I needed."
|
||
|
"You mean about Pam?" I said, starting to piece it together.
|
||
|
"Yes. You see, I was working in Moscow, placating what's left of
|
||
|
the government. You know, reassuring them about the system, but at the
|
||
|
same time, buying certain individuals, eliminating others. The problem
|
||
|
is, New Russia is a closed society. The central executive is aged and
|
||
|
almost inseparable in its new-found hatred for the West. Buying them
|
||
|
wasn't easy, hitting them impossible. The Company was unhappy. So,
|
||
|
sensing failure, I allowed the executive to buy me. In exchange for a
|
||
|
comfortable mansion near the Baltic, I'll tell them how to use the
|
||
|
system and avoid being subjugated by it. Pam was to go with me. It was
|
||
|
all arranged. We were to meet a Russian operative at the Purple Lizard
|
||
|
and make good our escape. But both of them didn't show and the local
|
||
|
yokels took out their frustration on me."
|
||
|
"That much I can see," I said, noticing his bruises.
|
||
|
"Yes, but you also found out that Pam is really my boss and the
|
||
|
Company's best eliminator. She blew away my contact. I had suspicions,
|
||
|
of course. Pam was the only one who knew of our rendezvous at the
|
||
|
Lizard. And when the Russian agent who had tailed you managed to get a
|
||
|
glimpse of the systemlink you'd used and saw it storing files on Pam in
|
||
|
your area, I decided to have a look for myself. I am a level seven, you
|
||
|
know. I read them just before I came here."
|
||
|
I screwed up my face at the thought of Tyler rummaging through my
|
||
|
love letters and other desiderata.
|
||
|
"Those files revealed the truth. You see, the Company has a nice
|
||
|
policy these days. It arranges for top executives to meet and become
|
||
|
involved with their best eliminators. It makes it neater if the exec
|
||
|
goes renegade. Lovers are much cleaner killers."
|
||
|
"True," Pamela said coldly. "And it would have been much cleaner,
|
||
|
Darling, if not for your contact. I had to garrote him, but obviously I
|
||
|
couldn't meet you covered in blood. You can thank Russian training for
|
||
|
your life."
|
||
|
"And I'm afraid that your life, my lover, has just about run out,"
|
||
|
Tyler said with a smile.
|
||
|
"Sorry to disappoint you, Jim," she replied, unperturbed. "You see,
|
||
|
the Russians aren't here. Your backups are gone. Ten minutes ago, we
|
||
|
sold them an operations exec. A level nine man. We sold him for you and
|
||
|
a few million credits."
|
||
|
"You're lying! You couldn't risk the information."
|
||
|
"Unfortunately, I'm not. He's been erased. Of course, the Russians
|
||
|
don't know that. It was a very nice job. Bye-bye, Jim," she said, as she
|
||
|
pressed one of her earrings. A second later, Tyler's abdomen disappeared
|
||
|
as a microgrenade from a sniper's rifle punched through his body.
|
||
|
Pam walked over to the body, and felt for a pulse, always the
|
||
|
professional.
|
||
|
Then she pressed her fingers against her lips and placed them on
|
||
|
Tyler's cheek. She looked up and engaged me with those empty, crystal
|
||
|
blue eyes.
|
||
|
"And how is your memory, Mr. Kinkade?" she asked. "They said that
|
||
|
your involvement would bring him to us. All I had to do was stick with
|
||
|
you. They said it always seemed to happen that way. 'Screwball logic'
|
||
|
was the term."
|
||
|
I blushed and stammered as I recalled the dismemberment of Jim
|
||
|
Tyler and observed the closeness of her hand to the two-way transceiver
|
||
|
in her earring.
|
||
|
"Frankly, I... I've had trouble with my memory lately... Miss...
|
||
|
Miss...?"
|
||
|
She smiled at me, crocodile-like, then got up and began to walk
|
||
|
away.
|
||
|
"Hey!" I yelled in sudden realization. "What about my creds? You
|
||
|
owe me."
|
||
|
She turned around, slowly reaching up to her neck, then chuckled as
|
||
|
she looked where I'd been standing.
|
||
|
When pressed, my impersonation of thin air is totally amazing.
|
||
|
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
The Long Way Home / P.R. MORRISON
|
||
|
|
||
|
Aegis propped himself up on one elbow and shook his head. He looked
|
||
|
out through the shattered remains of the assault craft at the spinning
|
||
|
emptiness of space and began to piece together the most recent fragments
|
||
|
of his memory. It was obvious: they had been hit during the run-in and
|
||
|
what remained of their ship -- barely a platform of jagged metal now --
|
||
|
was careening away from the battle totally out of control. He checked
|
||
|
himself for damage and glanced around for the remainder of the squad. As
|
||
|
he spotted them amongst the debris and crushed metal, he emitted a
|
||
|
status request. It was a short blast of high intensity, high frequency
|
||
|
radiation that was able to overcome the most powerful of tactical
|
||
|
jammers. If any of the units remained functional they would respond.
|
||
|
One by one, they stirred and gave their systats. The point unit, a
|
||
|
heavily armored cannon of limited intelligence had emerged unscathed and
|
||
|
steadied itself on its hydraulic legs. The three utility weapon units
|
||
|
were completely functional, but the two flank units, agile and hence
|
||
|
lightly protected, both reported mobility problems. Aegis winced to
|
||
|
himself as he traced the communications unit's transponder to a mash of
|
||
|
melted armor and carbon composites. Without it, they were on their own.
|
||
|
Of course there was no question of what had to be done. Earth had
|
||
|
been expanding its frontiers for more than five centuries now, and he
|
||
|
had available to him the data from every engagement, and every maneuver
|
||
|
of all of the units that had survived those encounters. It was one of
|
||
|
the reasons that the cosmos had yielded so totally before the forces of
|
||
|
Man. But of course it wasn't the only reason.
|
||
|
Carefully, he jury-rigged a controller to the remaining power unit
|
||
|
and with short bursts managed to slow the ship's spin to a lazy roll. He
|
||
|
looked wistfully for a moment at the fusion weapons that flared
|
||
|
occasionally from the battle more than a million kilometers away. It
|
||
|
would be a long wait.
|
||
|
And as he sat there for the moment, slowly contemplating the
|
||
|
enormity of space, it occurred to him that the correctness of what he
|
||
|
had planned was not immediately self-evident. He was alone, apart from a
|
||
|
mindless collection of assault units; alone without power or
|
||
|
communications. It could be decades before they were found and already
|
||
|
the loneliness had begun to eat at him.
|
||
|
He was an AEGIS -- Assault Engineer Grafted Intellect-on-Silicon.
|
||
|
He knew what he was and who he was because they had been forced to tell
|
||
|
him. The prototypes had all gone insane until their identity had been
|
||
|
established for them.
|
||
|
It had started during the initial expansion from Earth when first
|
||
|
contact was made and the casualties were without rival in the history of
|
||
|
human conflict. And so the clone factories were initiated, each
|
||
|
producing exact copies of military archetypes -- copies by the million.
|
||
|
Pilots, gunners, commandos... whatever was needed. The gene pool was
|
||
|
scoured for the best of each and their DNA was simply replicated ad
|
||
|
nauseam. And it had worked for a while... until the radiation levels of
|
||
|
combat became so unbearable that nothing evolved on Earth could tolerate
|
||
|
them, even with the best of protection. That was when the droids were
|
||
|
developed. Although they lacked the instincts of humans, their
|
||
|
artificial form of intelligence was sufficient for most engagements and
|
||
|
in their thousands, their sheer weight of numbers was usually more than
|
||
|
adequate.
|
||
|
For two centuries the droids had proved sufficient to push the
|
||
|
frontiers further from Earth. Yet it was not merely force of arms that
|
||
|
had determined the success of humanity. As the alien breeds fled before
|
||
|
it, it became clear to all observers that no other species could match
|
||
|
humanity for sheer destructive ingenuity. One by one, the telepathic
|
||
|
worlds fell after the development of the mind insulator. The warrior
|
||
|
races of Orion, so proud, so filled with honor, were easily enslaved
|
||
|
after their king was captured, deprogrammed by the mind engineers of
|
||
|
Earth and instructed to capitulate. Even the spawn species of the outer
|
||
|
systems... creatures who bred in billions from hermaphroditic spores,
|
||
|
were destroyed in minutes as their suns were extinguished by neutron
|
||
|
inhibitors.
|
||
|
And behind all of this were the defense laboratories that
|
||
|
constantly devised new forms of death so that everything that crawled,
|
||
|
walked, flew, slid or even thought in ways that were different from
|
||
|
man's, was simply vaporized, diseased or obliterated to extinction.
|
||
|
Aegis' mind chuckled to itself. It was ironic that for a hundred
|
||
|
millennia, man had sat under the stars and stared at them in fear and
|
||
|
trepidation, yet it was the rest of the Galaxy that had most to fear
|
||
|
from the malignancy that festered on the blue-green planet.
|
||
|
Notwithstanding these successes, the search for the ultimate
|
||
|
tactical unit had continued. Although the droids were extremely capable,
|
||
|
they lacked the intuitiveness of humans, their deviousness and the
|
||
|
ability to lie and deceive. The clones on the other hand, although
|
||
|
possessing these qualities, were physically unsuited to the heaviest
|
||
|
engagements. The obvious solution of course was to unite the best
|
||
|
features of man and machine -- the subtlety, deception, courage and
|
||
|
survival instincts of man, and the power, toughness and durability of
|
||
|
machine. Aegis and others like him were the result.
|
||
|
Eventually, the engineers had stumbled onto a technique that
|
||
|
allowed them to mind graft onto non-organic systems. The
|
||
|
possibilities for mating a good tactical mind with an android body were
|
||
|
only too apparent. But the early prototypes had been disappointing. For
|
||
|
whatever reason, it appeared that most minds had an innate desire to
|
||
|
define their own origin and that once this was revealed to them, the
|
||
|
reality of their death and rebirth in silicon was often unacceptable and
|
||
|
led to madness or suicide. They had tried blocking memories at various
|
||
|
levels, but once more, it seemed that a vital component of mind function
|
||
|
involved a sense of identity and self concept. Although these units did
|
||
|
not go insane, they did not perform very well. It became obvious that
|
||
|
intuition and "humanness" was a property that emerged from the whole
|
||
|
system and not its components. And although technology had made the
|
||
|
copying of minds possible, their manipulation of course, was still
|
||
|
beyond the engineers. Long ago, they had discovered that fundamental
|
||
|
breakthroughs in neuronal calculus were needed before the meaningful
|
||
|
alteration of the synaptic matrix was possible. These breakthroughs
|
||
|
had never happened.
|
||
|
In desperation, they looked for minds that were able to at least
|
||
|
tolerate the reality of rebirth and the loss of flesh, pulsing blood and
|
||
|
sexuality. They found one stored on a very old holographic plate from
|
||
|
the first century of expansion. Captain David Boyd -- a former tactician
|
||
|
with the Assault Corps had been a volunteer for an early experiment in
|
||
|
mind printing, and although the medium was very crude, the engineers had
|
||
|
finally managed to recover the print.
|
||
|
Fortunately for the engineers, Boyd had quickly come to terms with
|
||
|
rebirth and what it meant. And as the synaptic matrix meshed with the
|
||
|
motor integration and sensor circuits of his droid body, the true power
|
||
|
of the man-machine synergy was evidenced. One hundred Aegis units were
|
||
|
now operating in Earth's Armed Forces, all of them on combat evaluation
|
||
|
before the big production runs began and all of them possessing the mind
|
||
|
of David Boyd.
|
||
|
Of course, Aegis had been told all of this and more. He knew that
|
||
|
the Earth he had inhabited was now little more than a blackened cinder
|
||
|
of pollution and scrap metal. He could recall his own death off the
|
||
|
spiral arm of Orion, wounded and adrift in a suit that was slowly
|
||
|
depressurizing. He knew that his family, the children he had watched
|
||
|
come into the world, had been dead for centuries. Their colony no longer
|
||
|
even existed. He even thought and communicated in a language form that
|
||
|
was unintelligible to the bulk of living humans.
|
||
|
And yet despite all of this, he had managed to define a purpose for
|
||
|
his continuing existence. He still felt a sense of duty, a
|
||
|
responsibility. He was after all, a soldier.
|
||
|
But now, as Aegis watched the Galaxy spin slowly beneath his
|
||
|
dangling feet, the sense of isolation was overpowering and a feeling of
|
||
|
horror rushed through him. He was a man, he thought. A man who longed
|
||
|
for other men, yet he was unlike any other man that had ever existed.
|
||
|
His mind stretched to the green forests of an Earth that was long dead
|
||
|
and he began to ache for it. He wanted to feel the cool freshness of
|
||
|
wind on his face, and not the datalink from his armored exterior. He
|
||
|
wanted another human being to look into his eyes and fathom the depths
|
||
|
they found there. He wanted to view reality as humans saw it, not
|
||
|
through the infrared and ultraviolet intensifiers scattered about his
|
||
|
head. But above all, the dread of what he had become -- a pathetic
|
||
|
caricature of a human being -- wracked him with emotion. The image of
|
||
|
his dead wife twisted itself through his consciousness and he felt his
|
||
|
heart shift with anguish. He asked himself how he could feel all of this
|
||
|
when he didn't have a heart, didn't have hormones or a nervous system.
|
||
|
Then, as a sob racked his mind, his body flinched and he touched his
|
||
|
face where he thought he could feel the tears welling up. He had known
|
||
|
of course that it was simply a mirage from an older, now nonexistent
|
||
|
body.
|
||
|
For some time he held his head in his hands and rocked back and
|
||
|
forth under the waves of grief, then attempted to gather his thoughts as
|
||
|
they ebbed from consciousness. It didn't take him long to settle on his
|
||
|
course of action. With a sudden resolve he got to his feet and searched
|
||
|
the survival pack for what he wanted, flourishing it in triumph when his
|
||
|
hand came upon it. It was a solar sail. He knew that the thing had never
|
||
|
been designed for the purpose he intended, but he also knew that the
|
||
|
only thing he had plenty of, was time.
|
||
|
The sail was an ingenious invention. Although barely two molecules
|
||
|
thick, a standard pack would spread out to make a sail with an area of
|
||
|
hundreds of square kilometers. And this vast area of composite material
|
||
|
when filled with the solar wind -- the particles that emanated from the
|
||
|
fusion hearts of all stars -- could pull the remains of the assault
|
||
|
craft from one star to the next. It would take decades for the small
|
||
|
acceleration to build to an acceptable velocity, but Aegis knew that he
|
||
|
could remain operational for centuries by being trickle charged from the
|
||
|
available solar arrays. He even had the power packs of the assault units
|
||
|
to help pull him through.
|
||
|
And as he watched the sail billow with the output from some distant
|
||
|
solar flare, Aegis realigned the mounting device to point them on a
|
||
|
vector toward a distant red giant, knowing that it would be the first
|
||
|
tack of a very long voyage.
|
||
|
Then as he prepared for the first shutdown period, he contemplated
|
||
|
what he was about to do and the rightness of it. Earth was a dream that
|
||
|
no longer existed. But that didn't matter. Earth was home -- the first
|
||
|
home -- and nothing was more powerful than the homing instinct. Besides,
|
||
|
even now there was the possibility that other Aegises were doing exactly
|
||
|
what he was doing; sailing, flying, hitch-hiking or walking their way
|
||
|
toward an identical past. Yet no matter what happened in the end, no
|
||
|
matter what reality dictated, he knew that he had to chase the dream.
|
||
|
After all, that was what being human was all about.
|
||
|
|
||
|
----------------------------------------------------------------------
|
||
|
P.R. MORRISON (swkmorri@nuscc.nus.sg) lives in Singapore. His stories
|
||
|
have been published in a Singaporean SF magazine, and "Just a Company
|
||
|
Man" won an SF writing competition in Australia.
|
||
|
----------------------------------------------------------------------
|
||
|
|
||
|
THE FOLLOWING ARE ADVERTISEMENTS. INTERTEXT'S EDITORS
|
||
|
AREN'T
|
||
|
RESPONSIBLE FOR MUCH, INCLUDING THE VERACITY OF THESE ADS.
|
||
|
|
||
|
_Quanta_ (ISSN 1053-8496) is the electronically distributed
|
||
|
journal of Science Fiction and Fantasy. As such, each issue contains
|
||
|
fiction by amateur authors as well as articles, reviews, etc...
|
||
|
_Quanta_ is published in two formats, ASCII and PostScript(TM)
|
||
|
(for PostScript compatible laser-printers). Submissions should be
|
||
|
sent to quanta@andrew.cmu.edu. Requests to be added to the
|
||
|
distribution list should be sent to one of the following depending on
|
||
|
which version of the magazine you'd like to receive.
|
||
|
|
||
|
quanta+requests-ascii@andrew.cmu.edu
|
||
|
|
||
|
or
|
||
|
|
||
|
quanta+requests-ascii@andrew.BITNET
|
||
|
|
||
|
Send mail only -- no interactive messages or files please. The
|
||
|
main FTP archive for _Quanta_ issues and back issues is:
|
||
|
|
||
|
Host: export.acs.cmu.edu
|
||
|
IP: 128.2.35.66
|
||
|
Directory: /pub/quanta
|
||
|
|
||
|
--
|
||
|
|
||
|
_CORE_ is available by e-mail subscription and anonymous ftp from
|
||
|
eff.org. Send requests and submissions to rita@eff.org. _CORE_ is
|
||
|
an entirely electronic journal dedicated to e-publishing the best,
|
||
|
freshest prose and poetry being created in Cyberspace. _CORE_ is
|
||
|
published monthly.
|
||
|
|
||
|
--
|
||
|
|
||
|
Submit! You will submit to InterText! No, we're not trying to
|
||
|
dominate the world -- we're just trying to put out issues every two
|
||
|
months. And we can't without submissions from people out there in the
|
||
|
net. Write to: jsnell@ocf.Berkeley.edu for guidelines, if you want
|
||
|
them. Basically, any genre is fine and length is rarely, if ever, a
|
||
|
concern. We like it if you haven't posted the story to a network
|
||
|
newsgroup, and we won't allow the use of copyrighted (i.e., stolen)
|
||
|
characters. Submissions can be in ASCII or, for those with the
|
||
|
ability, RTF (Interchange) format.
|
||
|
|
||
|
--------------------------------------------------------------------
|
||
|
InterText Vol. 2, No. 5. InterText is published electronically on a
|
||
|
bi-monthly basis. Reproduction of this magazine is permitted as long
|
||
|
as the magazine is not sold and the content of the magazine is not
|
||
|
changed in any way. Copyright 1992, Jason Snell. All stories
|
||
|
Copyright 1992 by their respective authors. All further rights to
|
||
|
stories belong to the authors. The ASCII InterText is exported from
|
||
|
Macintosh PageMaker 4.2 files into Microsoft Word 5.0a for text
|
||
|
preparation. A version of InterText also appears on the Electronic
|
||
|
Frontier Foundation Forum (GO EFFSIG) on CompuServe. Our next issue is
|
||
|
scheduled for November 15, 1992. A PostScript version of this magazine,
|
||
|
including PostScript art on the cover, is also available. The editor's
|
||
|
U.S. mail address is: Jason Snell, 2234 Haste St. #4, Berkeley,
|
||
|
CA, 94704, USA.
|
||
|
For subscription requests, e-mail: jsnell@ocf.Berkeley.edu
|
||
|
->Back issues available via FTP at: network.ucsd.edu (128.54.16.3)<-
|
||
|
----------------------------------------------------------------------
|
||
|
Don't do anything I would do!
|
||
|
--------------------------------------------------------------------
|
||
|
|