1075 lines
66 KiB
Plaintext
1075 lines
66 KiB
Plaintext
|
+-+ +-+ +-+
|
|||
|
+-+--+-+--+-+ VOLUME NINE NUMBER ONE
|
|||
|
| | ==========================================
|
|||
|
+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
|
|||
|
| ++ | F S F NN N E T
|
|||
|
| ++ | FFF SSS FFF N N N EEE T
|
|||
|
| | F S F N NN E T
|
|||
|
|_________| F SSS F N N EEEEE T
|
|||
|
/___________\ ==========================================
|
|||
|
| | BITNET Fantasy-Science Fiction Fanzine
|
|||
|
___|___________|___ X-Edited by 'Orny' Liscomb <CSDAVE@MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
CONTENTS
|
|||
|
X-Editorial 'Orny' Liscomb
|
|||
|
FSFnet SF Short Story Contest 'Orny' Liscomb
|
|||
|
the Cube Joseph Curwen
|
|||
|
*Je'en: A Recap John L. White
|
|||
|
*Cydric and the Sage: Part 3 Carlo N. Samson
|
|||
|
|
|||
|
Date: 101687 Dist: 459
|
|||
|
An "*" indicates story is part of the Dargon Project
|
|||
|
All original materials copyrighted by the author(s)
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
X-Editorial
|
|||
|
Well, it's been a full six weeks since the last issue of FSFnet
|
|||
|
was sent out, and I must apologize for that. I'm sure that many of
|
|||
|
you have been busy with returning to school, and things here in
|
|||
|
MAINE have been mighty hectic. We've recently installed a new 3090
|
|||
|
CPU to replace the old 3033 and 4381 we were running in tandem
|
|||
|
previously, and the system is finally stable. The rumor that
|
|||
|
LISTSERV@TCSVM was shutting down its TCSSERVE subserver (which
|
|||
|
maintains a complete collection of FSFnet back issues) has proven to
|
|||
|
be a falsehood, although the shutdown of the WISCVM internet gateway
|
|||
|
in December is a confirmed problem for which the entire BITNET
|
|||
|
community is still searching for a solution.
|
|||
|
However, I'm sure that you will find this issue well worth the
|
|||
|
anxiety of waiting. We have the announcement of the FSFnet science
|
|||
|
fiction short story contest, which should produce some interesting
|
|||
|
fiction, and which I hope many readers will take part in. We have a
|
|||
|
short story by Joseph Curwen that I'm sure you will find intriguing.
|
|||
|
And for Dargon Project offerings we have the third chapter in Carlo
|
|||
|
Samson's "Cydric" tale, and a synopsis of John White's stories
|
|||
|
(which will continue in part three of "Treasure" in the next issue).
|
|||
|
All in all, a respectable offering.
|
|||
|
Due to the long wait between issues, we have nearly 50 new
|
|||
|
readers joining us for this issue, and I would like to thank them
|
|||
|
all for their interest. The next issue, Vol09N2, should follow this
|
|||
|
issue by no more than a week or two, and will contain the next
|
|||
|
installment of "Treasure". If you aren't caught up with White's
|
|||
|
work, I would heartily suggest that you request from LISTSERV@TCSVM
|
|||
|
the back issues which contain his stories, as listed in his article
|
|||
|
below. Enjoy!
|
|||
|
-'Orny' Liscomb <CSDAVE@MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
FSFnet Science Fiction Short Story Contest
|
|||
|
FSFnet is proud to announce our first science fiction writing
|
|||
|
contest! All FSFnet readers are more than encouraged to enter this
|
|||
|
wonderful contest. The rules are as follows:
|
|||
|
Entries are to be science fiction short stories, and all entries
|
|||
|
are limited to a maximum of 4000 words. All entries must be sent to
|
|||
|
the userid CSDAVE at MAINE on or before December 31, 1987, and must
|
|||
|
be clearly noted that they are contest submissions. Judging will be
|
|||
|
done by a panel of five SF readers, in the categories of plot,
|
|||
|
character development, grammar, and their value as science fiction
|
|||
|
pieces. Prizes will be awarded to the authors of the top two
|
|||
|
stories, and those stories will be printed in FSFnet Vol10N1 in
|
|||
|
January 1988. Other entries will also be printed in later issues.
|
|||
|
The prizes currently planned include posters of Geiger artwork and
|
|||
|
other related materials, depending on availability.
|
|||
|
All entries must follow the following subject guidelines. They
|
|||
|
must be written using a 'cyberpunk' setting (for those of you who
|
|||
|
are unfamiliar with this sub-genre, 'cyberpunk' is usually designed
|
|||
|
to reflect a politically complex society where the line between
|
|||
|
technology and mankind is very thin; see works by William Gibson).
|
|||
|
The story may, alternatively, deal with computers of the future. The
|
|||
|
author is free to develop any storyline he (or she) desires within
|
|||
|
one of these two broad topics. If you have any questions regarding
|
|||
|
the contest, please feel free to get in touch with me via MAIL.
|
|||
|
-David 'Orny' Liscomb <CSDAVE@MAINE>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
The Cube
|
|||
|
Few of us have not had the common experience of waking with the
|
|||
|
thought "Where am I?" foremost in our minds, but in most such cases
|
|||
|
we quickly recognize the strange surroundings. This was not true in
|
|||
|
my own case. I awoke one morning from a deep, peaceful sleep to find
|
|||
|
myself lying in a disrupted heap in a white plastic room. At least
|
|||
|
it appeared to be plastic. The walls were glossy white and quite
|
|||
|
smooth to the touch. The room was a cube, mathematically perfect in
|
|||
|
form with the exception of my own presence. No seam suggested the
|
|||
|
existence of an entrance, nor more importantly an exit.
|
|||
|
From childhood, I've occasionally experienced a slight
|
|||
|
claustrophobia, which now demonstrated itself with an unprecedented
|
|||
|
zeal. With the realization that I could not escape, panic became my
|
|||
|
foremost emotion. I ran to and fro pounding on the walls screaming
|
|||
|
for release. I frantically searched each joint of ceiling, wall, and
|
|||
|
floor. But to my considerable distress found that the room appeared
|
|||
|
to be composed of one contiguous piece of material. My embarrassment
|
|||
|
makes me hesitate to recount further, but I have resolved to shield
|
|||
|
no aspect of my experience to the public, which shall serve as final
|
|||
|
judge in this inexplicable matter. The tremendous weight of those
|
|||
|
oppressive walls bore down upon me. I began to feel choked, certain
|
|||
|
that I would asphyxiate in minutes. I sank whimpering to the floor.
|
|||
|
After what must have been many minutes of self-pity and
|
|||
|
wrenching horror, I fought to regain my composure. Blind panic had
|
|||
|
probably robbed me of the greater part of my oxygen. I slowly
|
|||
|
overcame the torrent of anxieties which had overwhelmed me. I would
|
|||
|
remain quiet and still. I made a conscience effort to slow my
|
|||
|
agonized breathing. Finally, coherency returned to my thoughts. I
|
|||
|
estimated the room to be about ten feet across, though in my
|
|||
|
delirium moments before it had seemed vastly smaller. That gave me
|
|||
|
about a thousand cubic feet of air. I did not know how quickly a man
|
|||
|
consumed air, but I hoped that this would give me several hours of
|
|||
|
calm respiration. It occurred to me that I didn't know how long I
|
|||
|
had occupied the room, but I dimly remembered that sleeping
|
|||
|
substantially reduced one's oxygen intake. It did not appear to be
|
|||
|
great length of time since the air did not feel stuffy nor did I
|
|||
|
feel hungry.
|
|||
|
I attempted to think back to my last meal, but a thick fog lay
|
|||
|
across my memory. With great effort, I remembered the stale sandwich
|
|||
|
I had hastily consumed in my eagerness to complete the first draft
|
|||
|
of my doctoral thesis. I wished that I had partaken of something a
|
|||
|
bit more substantial. With this start, I began tracing my steps
|
|||
|
forward in time. I had finished critiquing the compositions of my
|
|||
|
English 27 class and proceeded to my apartment on campus to type a
|
|||
|
preliminary draft of the thesis. However after only a few minutes of
|
|||
|
work, a power outage made my word processor useless. I stumbled in
|
|||
|
the darkness to my sofa, where I resolved to take a short nap. I
|
|||
|
fell asleep almost instantly as I had been sleeping little of late.
|
|||
|
In spite of my best efforts, I could remember nothing after this.
|
|||
|
Somewhat reassured of my immediate survival, my natural
|
|||
|
curiosity began to demand attention. How had I come to such a
|
|||
|
predicament? Surely the answer to this question would aid in my
|
|||
|
pursuit of escape. With the failure of my memory to solve this
|
|||
|
enigma, I was forced to turn to my immediate senses. Calmly I set
|
|||
|
about examining my surroundings as closely as possible with what
|
|||
|
natural tools I had at my disposal. My sight revealed nothing which
|
|||
|
I had not observed previously with the exception of the condition of
|
|||
|
my own apparel which while not regal was only slightly wrinkled.
|
|||
|
Also my previous estimation of the room's size had been a bit shy of
|
|||
|
the twelve feet which I now observed. I listened with all my powers
|
|||
|
of concentration but beyond my own heartbeat, I could perceive only
|
|||
|
a faint humming which might have been only my own fancy. My sense of
|
|||
|
smell seemed only marginally more useful. I determined that the air
|
|||
|
seemed to be slightly scented with a pleasantly familiar floral odor
|
|||
|
which I could not identify. This alone encouraged the belief that my
|
|||
|
captors,if any, had my well being in mind to some extent. There
|
|||
|
being nothing to taste, I carefully probed the surface of the walls
|
|||
|
and floor, which seemed to be uniformly smooth and dry to the touch.
|
|||
|
But I gradually grew more despondent as my searches proved
|
|||
|
continuously profitless.
|
|||
|
Forcing myself to continue the tedious examination, I was
|
|||
|
inspecting the base of one wall when I noticed a slight air current.
|
|||
|
My fears of asphyxiation were unwarranted! Excited by my discovery,
|
|||
|
I attempted to to determine its course but was dismayed to discover
|
|||
|
that the breeze passed directly through the plastic surface. It
|
|||
|
seemed to flow from the top of one wall to the base of the opposite.
|
|||
|
At least I could now permanently orient myself while within the
|
|||
|
room. Hoping that it was some form of membrane or fine mesh, I tried
|
|||
|
pounding and kicking through the surface of the "vent". My attempts
|
|||
|
were unsuccessful and somewhat painful, but I did learn that the
|
|||
|
"vents" sounded more hollow than other portions of the wall or
|
|||
|
floor. The surface itself seemed to have no special distinction or
|
|||
|
weakness. My hope for escape had once more been disappointed.
|
|||
|
Having completed a thorough investigation of my surroundings, my
|
|||
|
next logical step seemed to be the development of explanations for
|
|||
|
my situation. At first, explanations leaped into my mind but they
|
|||
|
soon grew particularly outlandish and farfetched. So much so that I
|
|||
|
began to doubt the usefulness of this endeavor. But I quickly
|
|||
|
reasoned that my fantastic situation might have an equally fantastic
|
|||
|
explanation. My first reaction was that I had been imprisoned by an
|
|||
|
unknown party or parties. The identity of these individuals occupied
|
|||
|
most of my thoughts. But to my knowledge, I lacked really hostile
|
|||
|
enemies. An unestablished graduate student rarely attracts
|
|||
|
physically dangerous enemies. Nor would hypothetical kidnappers
|
|||
|
receive any funds worthy of efforts as phenomenal as the creation of
|
|||
|
this prison. I had, of course, read of kidnappings wherein the
|
|||
|
victim was buried alive, but such speculation only served to excite
|
|||
|
my anxieties. The mere thought that this chamber might be buried
|
|||
|
under tons of earth and rock transfixed my muscles with raging
|
|||
|
tremors and weaknesses. In a effort to maintain control, I tried my
|
|||
|
best to avoid such thoughts but was only partially successful.
|
|||
|
One possibility did come to mind, however remote it was. A
|
|||
|
friend and associate in the field of psychology was well known for
|
|||
|
his occasionally gruelling psychological tests and ruses, but I
|
|||
|
couldn't bring myself to believe that any professional would subject
|
|||
|
a subject to such an imprisonment without some sort of prior
|
|||
|
consent. Besides the inhuman cruelty necessary even under normal
|
|||
|
circumstances, my friend was well aware of my claustrophobic
|
|||
|
tendencies, so I doubted he could be responsible for such
|
|||
|
unmotivated psychological brutality.
|
|||
|
It occurred to me that the best method of determining my
|
|||
|
captor's identity lay in the nature of my confinement. As I have
|
|||
|
mentioned, kidnappers would be unlikely to employ such elaborate
|
|||
|
devices. Nor could I envision someone doing this as a jest. This
|
|||
|
left only those who had access to technology beyond that normally
|
|||
|
encountered in day to day life and those who were also willing to
|
|||
|
utilize it to confine me. I knew few science professors at the
|
|||
|
university, as they traveled in different social circles, so that
|
|||
|
department seemed guiltless. I could perceive no reason for a
|
|||
|
corporate or government body desiring my capture. My work, although
|
|||
|
hopefully inspired, was largely esoteric in nature. The
|
|||
|
possibilities of some sort of disgruntled student perpetrating this
|
|||
|
conspiracy seemed remote as well. And while any citizen could be the
|
|||
|
object of terrorism, this is unlikely if one remains within the
|
|||
|
confines of one's own apartment. In fact, within such an environment
|
|||
|
any circumstance leading to capture and imprisonment within a
|
|||
|
plastic cubicle hardly seems reasonable.
|
|||
|
Of course, the thought that this might be some sort of dream or
|
|||
|
hallucination did cross my mind. The fact that my last memory was
|
|||
|
falling to sleep seemed to support this. But my own dream
|
|||
|
experiences led me to believe otherwise. My dreams are normally
|
|||
|
lacking in the intensity of detail which I encountered in the cube.
|
|||
|
Also, I did not feel emotionally or intellectually constrained in
|
|||
|
any manner as is common to dreaming. My own ability to react
|
|||
|
logically and analytically to my experiences seemed to suggest that
|
|||
|
this was not a dream. Also, if one realizes the possibility that one
|
|||
|
is dreaming it is not usually difficult to cause oneself to awaken.
|
|||
|
Rest assured that I tried. All of these points amounted to a virtual
|
|||
|
certainty in my mind that I was not dreaming.
|
|||
|
Another more macabre but certainly normal thought was that I had
|
|||
|
in someway reached my afterlife. However, according to commonly
|
|||
|
circulated stories about those who have returned from death or
|
|||
|
death-like experiences, one is vaguely aware of a certain
|
|||
|
indistinctness about one's physical form in death. Most seem to
|
|||
|
recall actually departing the body as a spirit, a feature which this
|
|||
|
experience certainly lacked. If I had in fact been whisked away to
|
|||
|
my "Great Reward", I could think of no more hideous punishment than
|
|||
|
spending eternity in a featureless cube. Surely, my "sins" in life
|
|||
|
did not merit such treatment. Nor was I aware of any glowing white
|
|||
|
light as is commonly reported. But now that lighting did occur to me
|
|||
|
I noticed that the cube's surfaces radiated a soft incandescent glow
|
|||
|
which thoroughly illuminated its interior. It is surprising that I
|
|||
|
did not notice this earlier, but the resulting environment seemed
|
|||
|
perfectly normal though shadowiness. But returning to my
|
|||
|
speculation, I thoroughly resolved that this afterlife conjecture
|
|||
|
was the least likely that I'd yet explored, especially since I am a
|
|||
|
bit agnostic by tendency.
|
|||
|
Having shed doubt on these speculations, I was compelled to turn
|
|||
|
to those fantastic conjectures and fantasies which I have been
|
|||
|
avoiding. Capture by advanced intelligences was favorite among
|
|||
|
these. Mysterious mechanisms, such as the ventilation, lighting, or
|
|||
|
the power outage which I had experienced before capture, lent some
|
|||
|
credence to the idea that I had been captured by a mysterious,
|
|||
|
technically superior group, whether they were aliens, time
|
|||
|
travelers, Atlanteans, or some other even unsuspected organization.
|
|||
|
I could almost believe that this cube was created as some sort
|
|||
|
of sampling container for indigenous life forms. The cube might
|
|||
|
simply materialize encompassing the specimen and then spirit him
|
|||
|
away across great distances of space or time. I normally was quite
|
|||
|
skeptical concerning such matters because I felt that such visitors
|
|||
|
would make themselves know to the public if they existed. My beliefs
|
|||
|
were countered by the popular idea that advanced intelligences would
|
|||
|
avoid interference because of some sort of ethical responsibility.
|
|||
|
This position seemed highly unlikely given any sort of historical
|
|||
|
awareness of the results of an encounter between an advanced culture
|
|||
|
and a more backward one. The American settlers had felt little
|
|||
|
ethical obligation to the natives when they claimed the land for
|
|||
|
themselves. Another proposition was that travelers from the future
|
|||
|
would be reluctant to significantly alter their past. This seemed
|
|||
|
more plausible as self-interest is a much more common motivation
|
|||
|
than altruism. According to this reasoning, I must either be
|
|||
|
considered unimportant to the course of the future or perhaps my
|
|||
|
importance was the very reason for my capture. Possibly I had been
|
|||
|
captured because my future actions would have consequences contrary
|
|||
|
to the wishes of these speculative time travelers. Contrary enough
|
|||
|
to warrant the dangers inherent in interfering with their past. It
|
|||
|
was more pleasing to my ego that I be considered vitally important,
|
|||
|
if undesirable, than to be relegated to the status of the masses of
|
|||
|
insignificance. But still, all this imaginative speculation had
|
|||
|
little basis.
|
|||
|
Having shed serious doubt on all of these possibilities, I began
|
|||
|
to despair in the possibility that ration could solve this enigma.
|
|||
|
Perhaps this was something so far beyond human experience that a
|
|||
|
mortal's mind could not comprehend it. If this was true, what then
|
|||
|
lie in my future? The thought that I might remain here to the end of
|
|||
|
my existence was fearful enough, but I suspected that even stranger
|
|||
|
experiences lay before me. What lurked behind these walls? Some
|
|||
|
malignant intelligence so alien as to prevent human understanding?
|
|||
|
And if this were some sort of holding tank or vehicle, what would I
|
|||
|
be forced to face after my stay here was through?
|
|||
|
It was then that I first noticed the approach of those white
|
|||
|
plastic walls. Perhaps they had been subtly enclosing on me for
|
|||
|
sometime, but I suddenly became aware that the room was eight feet
|
|||
|
across and shrinking rapidly. Of course, this realization triggered
|
|||
|
the claustrophobia which I had been suppressing through concentrated
|
|||
|
application of reason to analyze my surroundings. I screamed once
|
|||
|
more; a deep wrenching scream which tore loose from the base of my
|
|||
|
troubled spirit. My coherency was lost and still the walls pressed
|
|||
|
inward. In a moment the room was only four feet in breadth.
|
|||
|
Shrieking I attempted to stave off their approach, but met with no
|
|||
|
success. Crouched on my knees I attempted to push outward on each of
|
|||
|
the surfaces in a willy-nilly fashion. I desperately tried one, then
|
|||
|
another in such a manner that I never brought my full strength to
|
|||
|
any. My panic went beyond any previous level as I vainly attempted
|
|||
|
to prevent my impending death. Even the frenzied strength of a
|
|||
|
half-mad man was not enough to hold off those oppressive and
|
|||
|
impersonal barriers. I lapsed into a tucked fetal position after I
|
|||
|
no longer had room to use my arms. I watched my enclosure shrink
|
|||
|
inch by inch, measure by measure, until I felt the weight of the
|
|||
|
ceiling on the base of my skull. I awaited the moment when their
|
|||
|
crushing pressure would drive the life from my frame.
|
|||
|
Strangely, in this moment of imminent death a certain serenity
|
|||
|
overtook me. I had done all that I could and still would perish. But
|
|||
|
if death is inescapable, it is is some strange way more acceptable.
|
|||
|
I noticed a certain hesitancy in the rate of the room's collapse.
|
|||
|
The walls' progression slowed to a painful creep. In this weird lull
|
|||
|
before my destruction my mind struck upon an idea which welled up
|
|||
|
from the depths of my subconscious. An idea which would save my
|
|||
|
life. For in that frightful moment when ration returned, I saw a
|
|||
|
relationship between the size of the room and the level of my
|
|||
|
anxieties. And with this realization the course of the walls'
|
|||
|
movements reversed. They shrank away from me slowly at first, but
|
|||
|
with increasing speed as my conviction in the belief grew. A
|
|||
|
conviction which was fed by the successful retreat of the walls
|
|||
|
themselves. In moments the room returned to its former size. Relief
|
|||
|
burst forth from me in wild laughter and daunting courage as the
|
|||
|
walls themselves began to change from white to gray to black. They
|
|||
|
faded into the nonexistence of the darkness. That is how I escaped
|
|||
|
the cube: not through clever reasoning or minute observation, but
|
|||
|
through a billowing flood of hope, defiance, and joy which broke the
|
|||
|
dam of my confinement.
|
|||
|
After my fit of emotion had passed leaving me exhausted but
|
|||
|
light hearted, I looked up from my position on the darkened floor to
|
|||
|
recognize the dim light of the night filtering through the amber
|
|||
|
shades of my apartment. I was, in fact, home. My experiences had
|
|||
|
been some sort of wild delusion or dream brought on by overwork and
|
|||
|
emotional exhaustion. I would see a professional psychologist in the
|
|||
|
morning. I would never again drive my mental health to such
|
|||
|
extremes. But at that moment, I needed rest. So, without moving from
|
|||
|
my position on the bare floor I lay down and quickly fell deeply
|
|||
|
into sleep.
|
|||
|
|
|||
|
The high light of the mid-afternoon sun brought me gradually
|
|||
|
from my slumbers. But my wakefulness rapidly returned after I opened
|
|||
|
one eye. For to my horror I beheld that I lay in the middle of my
|
|||
|
bare floor with all of my furniture, rugs, books, and papers pushed
|
|||
|
away in a roughly square pattern approximately a dozen feet across.
|
|||
|
|
|||
|
Even today, I cannot resolve the events of that night in my
|
|||
|
mind. Was it, in fact, a dream, a hallucination brought on by my
|
|||
|
internalized fears and anxieties as the doctors say? But how can
|
|||
|
that explain what my neighbors saw when they came answering my
|
|||
|
screams. I can only be thankful that the ceiling of my apartment was
|
|||
|
abnormally high. Could it have been only a delusion? Or was it
|
|||
|
something more real. Something beyond the range of normal human
|
|||
|
experience; something which we shall never truly fathom. Make your
|
|||
|
own judgements for I don't believe that anyone will ever positively
|
|||
|
know the truth.
|
|||
|
-Joseph Curwen <C418433@UMCVMB>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
Je'en: A Recap
|
|||
|
In the 33rd year of Haralan, King of Baranur, a renegade wizard
|
|||
|
by the name of Vard hires a thief to steal a book from the vaults of
|
|||
|
the College of Bards in Magnus (V.1). At the same time, another
|
|||
|
wizard in the employ of the Council of Elders is given orders to
|
|||
|
eliminate the last cult of an evil goddess named Jhel (I). This
|
|||
|
wizard and his apprentice, Cefn an'Derrin and Mahr, determine that
|
|||
|
the only way to eliminate that cult is to subtly influence the
|
|||
|
friends of a bard named Je'lanthra'en to take her out on the town
|
|||
|
(I). In riding back from the bar, Je'en takes a short-cut through
|
|||
|
the worst part of the city, the Fifth Quarter, and is attacked and
|
|||
|
mutilated (I). Her belongings (a sword, a harp, and the pendant of
|
|||
|
her rank in the College of Bards) are stolen by the brigands and she
|
|||
|
is left for dead when they learn that the City Watch is on its way
|
|||
|
(I). Not knowing she is a bard, the Watch takes Je'en to a street
|
|||
|
healer who cannot fully heal her injuries, leaving her scarred for
|
|||
|
life (I).
|
|||
|
Meanwhile, the thief hired by Vard, Ka'lochra'en (Je'en's second
|
|||
|
cousin in fact), buys Je'en's rank pendant unknowingly from one of
|
|||
|
the ruffians named Bellen (V.1). While Je'en is recuperating from
|
|||
|
her wounds Ka'en infiltrates the Bardic College disguised as a bard
|
|||
|
and successfully steals the book (V.1). Ka'en delivers the book to
|
|||
|
Vard, who returns to his stronghold with a few purchases from the
|
|||
|
pawnshops of the city, among them Je'en's sword and harp (V.2). Vard
|
|||
|
studies the book and is happy to learn that it is indeed what he had
|
|||
|
hoped it was - the only existing authority on an incredible power
|
|||
|
possessed by a former empire known as the Fretheod (V.2). Vard hopes
|
|||
|
to gain mastery of the world by gaining access to that power, called
|
|||
|
the Yrmenweald (V.2).
|
|||
|
Je'en recovers her health after being taken to the Royal healers
|
|||
|
in Magnus, but she is scarred beyond recovery (I). She has lost most
|
|||
|
of the use of her right hand (a sword thrust through her wrist), and
|
|||
|
her voice (slashed throat) (I). In addition, she has a very bad scar
|
|||
|
on her face (I). When she discovers that she can no longer sing, she
|
|||
|
resigns from the College of Bards, taking with her only a seemingly
|
|||
|
nondescript sword from the vaults of the College, and decides to
|
|||
|
change her life and become a fighter (I). She goes to a fighter
|
|||
|
training school run by Sir Morion and becomes most accomplished with
|
|||
|
the sword (I). While there, she has fashioned for herself a silver
|
|||
|
half-mask to cover the scar on her face and put her on an equal
|
|||
|
footing with the other students (I).
|
|||
|
Meanwhile, Vard has determined what he needs to re-harness the
|
|||
|
power of the Yrmenweald, and he sends an adventurer named Owain to
|
|||
|
get for him some of the living crystal known as cwicustan (V.2).
|
|||
|
Vard is able to control people from a distance by means of some
|
|||
|
special magics he has learned, using objects once owned by a person
|
|||
|
to enhance the power of the controlling magics (V.2). Owain
|
|||
|
retrieves the cwicustan at the cost of all of the people he went
|
|||
|
adventuring with, delivers it to Vard, and has his memory of the
|
|||
|
whole affair erased by a potion (V.2). The next step for Vard is to
|
|||
|
retrieve the keys to the vault where the Yrmenweald is hidden, and
|
|||
|
by his magics he locates the objects to use to control the perfect
|
|||
|
person to get those keys - Je'en's sword and harp (V.2).
|
|||
|
Je'en graduates from Morion's school after two years and goes to
|
|||
|
Dargon to visit her brother, Kroan Jesthsson (I). She gets a job
|
|||
|
there as a Market Guard, a job that is less than challenging (II).
|
|||
|
The events set into motion by Cefn come to fruition as Cefn rescues
|
|||
|
Je'en from a trap set by one of the Septent of the Order of Jhel
|
|||
|
using the Sword of Cleah, Lladdwr (the "non-descript" sword Je'en
|
|||
|
received from the College) as bait (II). Cefn looses his apprentice
|
|||
|
to a trick of the Brother of Jhel, and asks Je'en to become his
|
|||
|
partner in her place (II). Je'en accepts (II).
|
|||
|
The new team have a few adventures, among them getting rid of
|
|||
|
the sword (III). After several weeks of inactivity, the pair are
|
|||
|
hired by one of the Rhydd Pobl (gypsies) named Maks (III). They
|
|||
|
overcome an ancient, wraith-like wizard and his living tower, the
|
|||
|
Glasmelyn Llaw, to rescue Maks' beloved Syusahn (III). Je'en and
|
|||
|
Cefn are invited to the gypsy wedding in thanks (III).
|
|||
|
Shortly after Cefn and Je'en's adventure with the Emerald Hand
|
|||
|
(III) Sir Morion is visited at his school by the Falcon Herald of
|
|||
|
Baranur who has a mission for the old soldier (IV). Morion
|
|||
|
reluctantly accepts and sets out to eliminate a former student of
|
|||
|
his named Kyle BlueSword who has been terrorizing the countryside
|
|||
|
(IV). On the way, he meets up with a strange blue-haired woman named
|
|||
|
Kimmentari who informs him that he has become caught up in the Dance
|
|||
|
of Thyerin, one of her people's gods (IV). His mission is now both
|
|||
|
to eliminate Kyle, and to retrieve a circlet from Kyle to be
|
|||
|
delivered to another of his former pupils, Je'en (IV). Morion kills
|
|||
|
Kyle, learns why he turned bad, and goes after the circlet (IV).
|
|||
|
However, he is caught in a fatal trap just as Kimmentari comes to
|
|||
|
help/warn/save him from it (IV).
|
|||
|
The story shall continue from there in FSFnet Vol09N2.
|
|||
|
|
|||
|
An Index to the Stories:
|
|||
|
I - A New Life - FSFNet Vol 5 Number 3
|
|||
|
II - The Dream - FSFNet Vol 6 Numbers 3 and 4
|
|||
|
III - Glasmelyn Llaw - FSFNet Vol 6 Number 5 and
|
|||
|
FSFNet Vol 7 Number 1
|
|||
|
IV - Duty - FSFNet Vol 7 Number 3
|
|||
|
V.1 - Treasure: Part 1 - FSFNet Vol 7 Number 5
|
|||
|
V.2 - Treasure: Part 2 - FSFNet Vol 8 Number 2
|
|||
|
|
|||
|
-John L. White <WHITE@DUVM>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|
|||
|
Cydric and the Sage: Part 3
|
|||
|
THE STORY SO FAR: In Part 1 (chapters I-III), Cydric Araesto
|
|||
|
arrives in Dargon late one afternoon. While resting at Belisandra's
|
|||
|
Tavern, he experiences a vision that has been recurring in his mind
|
|||
|
for some time. In the vision, he is alone on the shore of a vast
|
|||
|
golden sea. He starts to take a drink of the golden water, but it
|
|||
|
turns colorless in his hand. A transparent skull appears, and makes
|
|||
|
some strange carvings in a nearby rock. He sees that the skull has
|
|||
|
etched the outline of a continent, a small "x", and the name
|
|||
|
"Corambis the Sage" into the stone. Then the skull flies away toward
|
|||
|
a glittering object on the horizon.
|
|||
|
Coming out of the vision, Cydric asks the serving girl, Thuna,
|
|||
|
if she has heard of Corambis the Sage. Thuna goes over to a
|
|||
|
blue-robed patron at the other side of the room and whispers a few
|
|||
|
words. The patron approaches Cydric's table, and he is relieved to
|
|||
|
see that it is a woman, who introduces herself as Holleena. Cydric
|
|||
|
asks her about Corambis, and she offers to take him to see the Sage.
|
|||
|
He agrees, and they leave the Tavern together.
|
|||
|
In Part 2 (chapters IV-V), Cydric and Holleena arrive at the
|
|||
|
house of Corambis after having a dinner of Simon Salamagundi's fish
|
|||
|
stew. Cydric offers to accompany Holleena to her own home, but she
|
|||
|
declines and walks off into the twilight. Cydric goes up to the
|
|||
|
house and is welcomed in by Corambis. In the Sage's study, Cydric
|
|||
|
relates his vision, showing a sketch he drew of the carvings in the
|
|||
|
rock. Cydric explains that when he compared the sketch of the
|
|||
|
carvings to an actual map of the continent, he found that the "x"
|
|||
|
corresponded to the location of Dargon. Since the Sage's name
|
|||
|
appears below the outline, Cydric has sought him out in the hope
|
|||
|
that he will be able to explain the vision.
|
|||
|
The Sage says that he is not the one Cydric should be asking,
|
|||
|
and before Cydric can reply, takes him to his cellar laboratory.
|
|||
|
There Corambis show Cydric a box which contains a crystal skull,
|
|||
|
exactly like the one in his vision. The Sage reveals that a few
|
|||
|
months before, the skull mysteriously appeared on his study room
|
|||
|
table. That night, he himself had a vision that foretold of Cydric's
|
|||
|
arrival. Corambis then takes out a parchment with an incantation
|
|||
|
written upon it; the skull had instructed him to read it once Cydric
|
|||
|
had arrived.
|
|||
|
The Sage recites the incantation, written in a sorcerer's
|
|||
|
language. A moment after he finishes, a white light explodes from
|
|||
|
the skull then ceases, to be replaced by a red glow that burns in
|
|||
|
the center of the skull. Then the skull speaks, telling them that it
|
|||
|
has a message from Bahz the Elder, Seventh of the Council of Eight
|
|||
|
of Zaad'Astropolous, the capital of the Quentrellian Isle. The skull
|
|||
|
says that Bahz needs their help, and is willing to reward them. It
|
|||
|
says that they must travel to a citadel located in another dimension
|
|||
|
to free him from an unjust imprisonment; to assure them that it is
|
|||
|
not some sort of trap, it promises to send them a chrysoline
|
|||
|
gemstone that will protect them from all hostile magic. The skull
|
|||
|
concludes by telling them that the Elder's time is limited, and says
|
|||
|
that they should make their journey at the following midnight. As it
|
|||
|
finishes speaking, Cydric sees the skull in his mind and hears a
|
|||
|
loud, pulsing beat. The image expands and the sound grows louder
|
|||
|
until the skull in the box shatters. Cydric cries out and falls into
|
|||
|
unconsciousnewss.
|
|||
|
|
|||
|
VI. Answers and Questions
|
|||
|
"Quentrellia--There are many legends and myths about
|
|||
|
this small island nation (which existed at around the time
|
|||
|
the Fretheod Empire was at its peak). Some historians
|
|||
|
believe that it's capital, Zaad'Astropolous, was a major
|
|||
|
trading port of the Ancient World. The island was ruled by
|
|||
|
a Council of Eight Elders and presided over by a Leader....
|
|||
|
"There are two stories about the Exile of Jehron Bahz,
|
|||
|
the Seventh Elder of the Council. In one version, Bahz
|
|||
|
attempted to overthrow the Council and seize power by
|
|||
|
admitting a fleet of Huultaran raiders through the massive
|
|||
|
Sea Gate which protected the entrance to the harbor of
|
|||
|
Zaad'Astropolous. The invasion was thwarted, however, and
|
|||
|
Bahz was arrested. In the other version, the Council
|
|||
|
Leader falsely accused Bahz of treason and had him removed
|
|||
|
from the Council (apparently because Bahz was a strong
|
|||
|
critic of the Leader's policies). In both accounts,
|
|||
|
though, Bahz was tried and sentenced to exile. He was then
|
|||
|
imprisoned in an ice-wood cage (to destroy his magic
|
|||
|
ability); then the other Elders cast him through the
|
|||
|
Celestial Archway that Nephros had opened. Thus was Bahz
|
|||
|
banished from the island....
|
|||
|
"Three summers after the Exile of Bahz, a force of
|
|||
|
Fretheod invaders lay siege to Quentrellia. One month
|
|||
|
later, the island was captured and absorbed into the
|
|||
|
ever-expanding Fretheod Empire...."
|
|||
|
--"History of the Ancient World",
|
|||
|
Volume 6; by Trenta, Historian
|
|||
|
and Chronicler to King Vulpa of
|
|||
|
Baranur; pages 144-145.
|
|||
|
|
|||
|
Cydric looked up from the book as Corambis entered the room.
|
|||
|
"Ah, you are awake, Cydric. I am glad to see that you were not
|
|||
|
permanently damaged by the skull last night. How do you feel?"
|
|||
|
"A little tired, but otherwise fine," Cydric replied. "Thank you
|
|||
|
for putting me up. I hope I haven't inconvenienced you in any way."
|
|||
|
"Nonsense, my boy," Corambis snorted. "There's plenty of room in
|
|||
|
this old house. Besides, I couldn't just leave you lying around in
|
|||
|
the laboratory, now, could I?" He placed a hand on Cydric's
|
|||
|
forehead, then nodded with satisfaction. "You just rest there and
|
|||
|
read those books that I've selected. I'll be back in a moment." He
|
|||
|
closed the door as he left the room. Cydric shifted a little in the
|
|||
|
bed, took a volume entitled Arcana Antiqua from the stack on the
|
|||
|
nightstand, opened to the marked page, and continued reading.
|
|||
|
|
|||
|
"...the existence of worlds beyond our own. These
|
|||
|
other worlds, sometimes known as "dreamrealms", are
|
|||
|
believed to be as numerous as the grains of sand on a
|
|||
|
beach. Travel to the other worlds is mainly achieved by
|
|||
|
projecting the spirit-body into the chosen dreamrealm.
|
|||
|
Alternately, the physical self may be transported by the
|
|||
|
use of a portal called the Celestial Archway, first
|
|||
|
described by Nephros (the first known mage to successfully
|
|||
|
return from the dreamrealms) in 'A Wondrous Voyage'...."
|
|||
|
|
|||
|
Corambis returned with a mug full of an aromatic liquid. "Here,
|
|||
|
drink this herbal tea. It shall restore you to your full health."
|
|||
|
Cydric took a cautious sip, found it rather tasteful, and took
|
|||
|
another pull.
|
|||
|
"Not as bad as you expected, eh?" grinned the Sage. "Well now,
|
|||
|
have you read the passages I marked for you?"
|
|||
|
"Yes," replied Cydric, "but some of this information I do not
|
|||
|
quite understand."
|
|||
|
"Oh? Such as?"
|
|||
|
"The 'Celestial Archway'. It is mentioned in the texts, but
|
|||
|
there is no description of what it exactly is."
|
|||
|
Corambis handed Cydric the last remaining book from the
|
|||
|
nightstand. "A Wondrous Voyage, by Ishar Nephros," read the cover.
|
|||
|
Cydric opened the book to the page Corambis had indicated.
|
|||
|
|
|||
|
"...and as the old man died, he whispered to me the
|
|||
|
location of the Cave of the Mystics. I followed the
|
|||
|
directions, and sure enough found the fabled Cave, its
|
|||
|
entrance cleverly hidden by a waterfall.
|
|||
|
"I stood there for a moment, my mind filled with the
|
|||
|
many tales and songs of the legendary Mystics,
|
|||
|
predecessors of the Elders, older even than the Fretheod.
|
|||
|
No one knew why they suddenly disappeared from the face of
|
|||
|
the world those many ages ago; standing there outside the
|
|||
|
entrance, I sensed that I was on the verge of finding the
|
|||
|
answer to that question.
|
|||
|
"I cautiously entered the Cave. The light from my
|
|||
|
torch glistened off the moisture that coated the dark rock
|
|||
|
of the interior. After walking for what seemed like days,
|
|||
|
I came to a dead end. Anyone who had gotten this far would
|
|||
|
have been forced to turn back, but not I. Holding aloft
|
|||
|
the Symbol of Shazax, I spoke the ancient chant the old
|
|||
|
man had revealed to me.
|
|||
|
"The wall of rock fell away, and I stepped through the
|
|||
|
opening into a huge cavern. There was a pool of water in
|
|||
|
the center of the cavern, with a tall white tree growing
|
|||
|
out of it. I advanced to the edge of the pool, barely able
|
|||
|
to contain my excitement. Years of searching were about to
|
|||
|
come to an end; I had at last found one of the Sacred
|
|||
|
Places where the Mystics hid their most powerful magic.
|
|||
|
"I spoke the second chant the old man had told to me.
|
|||
|
Instantly, the water began swirling about, churning up
|
|||
|
great waves. A bluish glow limned the tree; the very air
|
|||
|
seem alive with power. Suddenly, the leaves on the tree
|
|||
|
began flickering with color: green-blue-violet-
|
|||
|
red-orange-yellow-green in blinding succession. There was
|
|||
|
a sharp crack as the leaves burst from their branches and
|
|||
|
took on a silver hue. The leaves whirled and spun like a
|
|||
|
cloud of glow-flies, then formed into a silver sphere,
|
|||
|
coming to rest on the surface of the pool.
|
|||
|
"The waters calmed, and a bridge of light extended
|
|||
|
from the sphere to the pool's edge. I stepped onto the
|
|||
|
light-bridge and strode confidently to the glowing sphere.
|
|||
|
I knelt down and picked it up (it had been about the size
|
|||
|
of a large melon, but shrank to the size of an orange at
|
|||
|
my touch). As I carried it back to the edge of the pool,
|
|||
|
the bridge of light disappeared behind me.
|
|||
|
"I placed the sphere on a large rock near the cavern's
|
|||
|
entrance. Speaking the last of the old man's chants, I
|
|||
|
hurled the Symbol of Shazax at the sphere. There was a
|
|||
|
flash of light, then the sphere vanished. In its place lay
|
|||
|
the object of my quest, the fabled Amulet of Hanarn.
|
|||
|
"I picked it up and held it in my hand. I could feel
|
|||
|
the power radiating from its center. It was the Mystic
|
|||
|
power, the ancient energy that fueled that ancient race of
|
|||
|
beings and enabled them to create spells and magical
|
|||
|
devices so great that they remain unequalled to this day.
|
|||
|
"I turned the golden Amulet over and read the
|
|||
|
inscription engraved on its reverse. It was the command
|
|||
|
phrase for invoking the Celestial Archway, a portal into
|
|||
|
the fantastic worlds of the Dreamrealms. I gave a shout of
|
|||
|
exultation when I read these words--this was exactly what
|
|||
|
I had hoped to find! Many other mages had tried to create
|
|||
|
devices that would allow physical travel to the
|
|||
|
Dreamrealms, but without success. Indeed, those who
|
|||
|
ventured forth with their crude creations were never heard
|
|||
|
from again. But I now possessed the very device that the
|
|||
|
Mystics must have used when they left this world for
|
|||
|
whatever their destination.
|
|||
|
"I was sorely tempted to invoke the Amulet right there
|
|||
|
and then, but I knew that I had to properly document this
|
|||
|
incredible find. With the Amulet safely stored in a
|
|||
|
special pouch I rode away from the Cave, thinking of the
|
|||
|
wondrous sights that lay beyond the Celestial Archway."
|
|||
|
|
|||
|
"So, has that enlightened you somewhat?" asked Corambis as
|
|||
|
Cydric finished reading.
|
|||
|
"Somewhat," Cydric replied. "But I always thought that the
|
|||
|
Mystics were nothing but myths--children's stories."
|
|||
|
"Well, all myths have some basis in fact," Corambis replied.
|
|||
|
"And I also read once that it was impossible, even dangerous, to
|
|||
|
physically travel to the dreamrealms."
|
|||
|
"True, it is impossible, but only for the abilities of the
|
|||
|
wizards presently living today. The age of the Mystics was an age of
|
|||
|
great magic, an age that shall never come again in this world."
|
|||
|
"What about the chrysoline ring?"
|
|||
|
Corambis reached into a belt pouch and brought it out. "Before
|
|||
|
you ask, it is absolutely genuine. I checked while you were asleep."
|
|||
|
Cydric held the ring up to the window. The chrysoline stone
|
|||
|
glittered and sparkled in the morning sunlight. "Rarest of all
|
|||
|
gemstones, he he murmured as he handed it back.
|
|||
|
"Indeed it is. Why, I could live like a king for the rest of my
|
|||
|
days with the money that would bring, if I chose to sell it."
|
|||
|
"Perhaps you should," Cydric said.
|
|||
|
"Why do you say that?" asked Corambis.
|
|||
|
Cydric placed the books back on the nightstand. "There's
|
|||
|
something about this whole thing that does not quite fit... how can
|
|||
|
Bahz have sent the skull and caused our visions if he was imprisoned
|
|||
|
and exiled over a thousand summers ago? His powers were nullified by
|
|||
|
the icewood, were they not? Indeed, should he not be dead by now?"
|
|||
|
The Sage smiled. "My boy," he said, "There comes a time when one
|
|||
|
must stop asking questions and start looking for answers." He picked
|
|||
|
up the mug. "Do you feel well enough to have breakfast downstairs?"
|
|||
|
Cydric nodded. "One more question, though; do you really
|
|||
|
intended to travel to this other dimension? Something about this
|
|||
|
does not feel right to me."
|
|||
|
"Well, it does not feel right to me either; that is why we must
|
|||
|
investigate this." He turned to leave.
|
|||
|
"We?" Cydric echoed under his breath.
|
|||
|
"You say something?" Corambis said from the doorway.
|
|||
|
"Uh, nothing--I'll be down soon."
|
|||
|
"Good lad." The Sage closed the door as he left.
|
|||
|
Cydric lay back for a moment and thought of home. He shook his
|
|||
|
head, gave a short laugh, then got up.
|
|||
|
|
|||
|
VII. Interlude
|
|||
|
After breakfast, Corambis suggested that Cydric accompany him to
|
|||
|
the marketplace. Cydric agreed, and started to go around to the
|
|||
|
stables where the Sage had put the black stallion up for the night.
|
|||
|
"It is a fine day, better suited for walking than riding," said
|
|||
|
Corambis. "Besides, the fresh air and exercise will do you much good."
|
|||
|
"Very well. But I was only concerned about your own health."
|
|||
|
replied Cydric.
|
|||
|
"How do you think I've managed to keep fit all these years, eh?"
|
|||
|
chuckled the Sage.
|
|||
|
They started off toward the marketplace. "There's something I
|
|||
|
forgot to tell you," Cydric said. "Last night, just before the skull
|
|||
|
turned to dust, I saw it in my mind, very clearly. It felt as if it
|
|||
|
were going over every bit of my brain."
|
|||
|
"Well, it was no doubt making sure that you were indeed the one
|
|||
|
that its creator had selected. Such magical processes can be quite
|
|||
|
ungentle on the mind and the spirit."
|
|||
|
Soon they came to the marketplace. The daily crowd was starting
|
|||
|
to gather, and a few early merchants had claimed the best stalls.
|
|||
|
"Here we are," said Corambis, stopping in front of a large
|
|||
|
wooden booth that stood in the center of the square. It appeared
|
|||
|
cleaner and sturdier than the five other booths that clustered near
|
|||
|
it; a small purple flag with a white dot in the center fluttered
|
|||
|
from the top.
|
|||
|
Cydric saw that unlike the common stalls, the booths had solid
|
|||
|
wooden doors. On the door of Corambis' booth there was a strange
|
|||
|
symbol, which Cydric recognized was a glyph of some sort. He had
|
|||
|
seen such symbols in the books he had read in the Royal Library.
|
|||
|
Although they would not stop a skilled mage, wardings were ample
|
|||
|
protection against even the most cunning thieves.
|
|||
|
The Sage traced the glyph with his right index finger, chanted a
|
|||
|
short phrase, then opened the door. A few feet within was another
|
|||
|
door, but with no symbol. They passed through the second door into
|
|||
|
the audience room which was no more than ten feet on a side. Much of
|
|||
|
the space was taken up by a large green table and two chairs.
|
|||
|
"Those other booths--can just anyone use them?" asked Cydric.
|
|||
|
"Lord Dargon's treasurer assigns them to whoever can pay the
|
|||
|
rent for them," replied the Sage, sitting down in the left-hand
|
|||
|
chair. "The stalls, on the other hand, are for everyone's use."
|
|||
|
The Wheel of Life was carved into the top of the table. Cydric
|
|||
|
recognized the nine constellations represented in each division of
|
|||
|
the Wheel: the Knight, the Oak, the Fox, the Maiden, the Falcon, the
|
|||
|
Torch, the Harp, the Mistweaver, and his own sign, the Ship. The
|
|||
|
symbols for Air, Earth, Fire, and Water were inscribed around the
|
|||
|
outer rim of the Wheel, as were the symbols of the Crown, the Sword,
|
|||
|
the Scepter, and the Shield.
|
|||
|
Just then a slender dark-haired girl walked in. "Good morning,
|
|||
|
Master Corambis," she said.
|
|||
|
"Ah, good morning, my dear," replied the Sage. "Cydric, this my
|
|||
|
assistant, Thuna."
|
|||
|
Cydric rose and took her hand. "I believe we've met. You also
|
|||
|
work at Belisandra's Tavern, do you not?"
|
|||
|
Thuna smiled. "Yes, I remember you. You came in late yesterday
|
|||
|
and had a Special."
|
|||
|
Corambis said, "Well now, we had better get to business. Cydric,
|
|||
|
you may stay and observe, or explore the town, as you wish."
|
|||
|
"Thank you, I should like to stay awhile." Cydric replied.
|
|||
|
Corambis brought a small stool out from beneath the table and
|
|||
|
handed it to Thuna, who took it and placed it in the small area
|
|||
|
between the inner and outer doors. She then opened the shutters of
|
|||
|
the windows on either side of the outer door.
|
|||
|
"Very well, then, Cydric. Are you familiar with Wheel of Life?"
|
|||
|
Corambis asked.
|
|||
|
"Yes, somewhat," the young man replied.
|
|||
|
Just then Thuna came to the doorway and announced the presence
|
|||
|
of a customer.
|
|||
|
"Stand on my right, Cydric," the Sage said. A moment later, a
|
|||
|
middle-aged lady entered the room.
|
|||
|
"Welcome, good lady," Corambis said, gesturing for her to sit in
|
|||
|
the opposite chair. "The door, please," he whispered to Cydric as
|
|||
|
the lady sat down. As Cydric closed the door he saw Thuna smile and
|
|||
|
wink at him.
|
|||
|
The room was dark. Cydric was about to comment on this fact when
|
|||
|
the room suddenly lit up. He looked up and saw the source of the
|
|||
|
illumination: a small glowing orb fixed to the ceiling of the booth.
|
|||
|
"Well now, what may I do for you?" said Corambis to the woman.
|
|||
|
"I would like you cast my stones for this week," she replied.
|
|||
|
"And what is your birth sign?" Corambis asked.
|
|||
|
"I am a Tallirhan," the woman said.
|
|||
|
The Sage reached into a belt pouch and took out ten small wooden
|
|||
|
discs, one painted red and the rest colored blue. He placed the red
|
|||
|
one on the symbol of the Knight and the blue ones in the center of
|
|||
|
the Wheel, over the symbol of the Mistweaver. He placed his right
|
|||
|
hand over the discs, spoke a few words, then told the woman to
|
|||
|
gather them up and hold them above the Wheel's center. When she had
|
|||
|
done so, the Sage told her to concentrate on the symbol of the
|
|||
|
Knight, then drop the discs. The woman paused a few moments, then
|
|||
|
let the discs clatter to the table. Corambis glanced over the
|
|||
|
pattern the fallen discs made on the Wheel, took out a scroll from a
|
|||
|
tube that hung at his belt, unrolled it, and began his interpretation.
|
|||
|
When he had finished, the woman paid him five silver Sovereigns
|
|||
|
and left. "Well, Cydric, what did you think of that, eh?" Corambis
|
|||
|
asked, leaning back in the chair.
|
|||
|
"I found it most fascinating, sir," Cydric replied. "I would
|
|||
|
very much like to learn more about the aspects of the Wheel, if you
|
|||
|
would so instruct me."
|
|||
|
"I would very glad to, Cydric, providing we return relatively
|
|||
|
whole from our midnight meeting," Corambis said with a straight
|
|||
|
face. He broke into a chuckle upon seeing a slight wrinkle of worry
|
|||
|
crease the young man's brow. "The passage will not be unduly
|
|||
|
dangerous, I assure you. I shall take all the necessary precautions
|
|||
|
to insure our safety. But we will speak more of this later, eh? I am
|
|||
|
sure you would like to see more of the town now."
|
|||
|
"Oh, yes, I think I will do that. I shall be back in a few
|
|||
|
hours," Cydric said, moving to the door.
|
|||
|
"Good. Enjoy yourself. Tell Thuna to send in the next customer."
|
|||
|
Cydric closed the door behind him as he left the audience room.
|
|||
|
"You may go in now," Thuna said to the man standing just outside
|
|||
|
the outer door. Cydric stepped aside to let him pass.
|
|||
|
"Where are you off to?" said Thuna when the inner door had closed.
|
|||
|
"I am just going to have a look around the city," Cydric replied.
|
|||
|
"Oh, please, do not go just yet. It gets very dull just sitting
|
|||
|
here with no one to talk to," Thuna said, laying a hand on his arm.
|
|||
|
"Won't you stay for a little while?"
|
|||
|
Cydric paused a moment, then said, "I suppose I have plenty of
|
|||
|
time for sightseeing."
|
|||
|
"Wonderful," Thuna said, leaning an arm out the window of the
|
|||
|
booth and crossing her legs on the stool. She ran a hand through her
|
|||
|
long black hair and tossed her head. "So, Cydric, are you here in
|
|||
|
Dargon for business, or pleasure?" Her eye gleamed as she said the
|
|||
|
last word.
|
|||
|
"Uh, business, actually," Cydric said, leaning back against the
|
|||
|
opposite wall.
|
|||
|
Thuna waited, and when he did not volunteer anything more, said,
|
|||
|
"It gets so warm this time of year." She undid a few of the laces of
|
|||
|
her front-laced blouse and pulled it open slightly.
|
|||
|
"What business did you say?" she asked.
|
|||
|
Cydric quickly looked up. "Business? Oh, its nothing really. I
|
|||
|
doubt it would interest you."
|
|||
|
Thuna hopped off the stool and walked over to him. "Oh, but it
|
|||
|
would," she said, leaning very close.
|
|||
|
Cydric hesitated a moment, then said, "I... think I should be
|
|||
|
going now."
|
|||
|
Thuna placed a hand on his chest and gently pushed him back.
|
|||
|
"Please stay, just for a few more minutes," she whispered. Backing
|
|||
|
away slightly, she reached over and closed the shutters on the
|
|||
|
window. "Don't go away," she said as she went over to the other
|
|||
|
window and closed it up as well.
|
|||
|
Cydric had his hand on the doorknob when Thuna intercepted him.
|
|||
|
She turned him around and kissed him hotly. Cydric felt the blood
|
|||
|
rush to his face, and throughout his body. "Do you, ah, think this
|
|||
|
is appropriate?" he said when she released him.
|
|||
|
"Isn't it?" she giggled.
|
|||
|
"But the customers! And Corambis, inside--"
|
|||
|
"No one will bother us if they see that the booth is closed. And
|
|||
|
Corambis? Do not worry about him." Thuna stroked his cheek. "What
|
|||
|
business do you have with that old goat, anyway?"
|
|||
|
Cydric tried to gently disengage himself from the young woman's
|
|||
|
embrace. "Really, Thuna, I must be off now," he said.
|
|||
|
Thuna smiled prettily, then pressed him back against the inner
|
|||
|
door. With a provocative look, she unlaced her blouse all the way
|
|||
|
and let it drop to the floor. Then she threw her arms around him and
|
|||
|
kissed him passionately, her body firmly pressed against his.
|
|||
|
Cydric felt all resistance crumble away. He pushed all other
|
|||
|
thoughts out of his head as he began caressing Thuna's unclothed
|
|||
|
back. Suddenly, the inner door gave way and they both fell through
|
|||
|
into the audience room. There was a moment of stunned silence as
|
|||
|
Cydric glanced upward and saw Corambis and his customer looking down
|
|||
|
at him.
|
|||
|
Cydric quickly scrambled to his feet. "Uh, I was just about to,
|
|||
|
ah, leave now, sir," he said, hastily dusting himself off.
|
|||
|
"Very well, just be back around midday, eh?" Corambis replied,
|
|||
|
ignoring the shocked look of the customer.
|
|||
|
"Right." Cydric glanced down at Thuna, who rolled over onto her
|
|||
|
back and licked her lips. Completely embarrassed, he wasted no time
|
|||
|
in leaving.
|
|||
|
|
|||
|
Cydric wandered aimlessly for a good half-hour before the
|
|||
|
incident with Thuna began to fade a little from his mind. He found
|
|||
|
himself on Traders Avenue and decided to have a look in some of the
|
|||
|
shops. He entered a small jewel merchant's store and asked the
|
|||
|
shopkeeper to show him some diamond rings. Holding a small
|
|||
|
three-stone ring the merchant brought out, Cydric sighed and
|
|||
|
murmured very softly, "Sweet Lysanda, why did I ever leave you?"
|
|||
|
After leaving the jewel merchant, Cydric next stopped in at a
|
|||
|
weapons shop. "Grauban of the Blade" read the sign above the door.
|
|||
|
As Cydric entered the shop a large man, apparently Grauban himself,
|
|||
|
looked up from the battle-axe he was polishing and said, "G'day,
|
|||
|
milord. What can I do for you?"
|
|||
|
"I'd like to see some swords," Cydric replied.
|
|||
|
Grauban led him to a wall rack filled swords of various types.
|
|||
|
Cydric picked up a curved scimitar and swung it experimentally. He
|
|||
|
put it back and picked up a fine rapier with a gold and silver hilt.
|
|||
|
He swung it and found that it felt just right in his hand.
|
|||
|
"Ah, now that's a real beauty," said Grauban. "I can let you
|
|||
|
have it for about, oh, two Cue."
|
|||
|
Cydric thought about how he had lost his own sword on the
|
|||
|
journey up from Baranur. Deciding that a replacement was a good
|
|||
|
investment, he said, "I do not have any gold with me; make it thirty
|
|||
|
Sovereigns and you have a deal."
|
|||
|
After several moments of consideration, the weapons dealer said,
|
|||
|
"I can't let it go for less than forty. I have a business to run,
|
|||
|
you understand."
|
|||
|
"Thirty-five Sov's, and not a Noble more."
|
|||
|
Grauban scratched his beard, then said, "You bargain hard,
|
|||
|
milord, but I accept that price. Will you be taking it with you?"
|
|||
|
"I shall bring you the money tomorrow, and pick it up then."
|
|||
|
"Fine. It will be waiting for you."
|
|||
|
Cydric visited a few more shops. When he heard the town crier
|
|||
|
announce that it was midday he headed back toward the marketplace,
|
|||
|
wondering what he was going to say to Corambis.
|
|||
|
The Sage was waiting for him outside the booth. Thuna was
|
|||
|
nowhere in sight.
|
|||
|
"Sir, about this morning, I--"
|
|||
|
"No need to say anything, my boy," Corambis said. "It's quite
|
|||
|
all right."
|
|||
|
"What do you mean?" asked Cydric, a little surprised.
|
|||
|
"Thuna used to be a street-corner girl, you see. A few months
|
|||
|
ago she was attacked by a drunken rowdy. I saved her from being
|
|||
|
killed, and took her into my care. So far she has led a rather clean
|
|||
|
life, with a few occasional lapses. You need not worry about what
|
|||
|
happened this morning. I have already spoken to her."
|
|||
|
Cydric nodded and silently sighed with relief. "Where is she
|
|||
|
now?" he asked.
|
|||
|
"At Belisandra's Tavern. Thuna works afternoons, and Belisandra
|
|||
|
gives her room and board in return, plus a small allowance. It works
|
|||
|
out quite well." Corambis cast a glance back at the booth, then
|
|||
|
said, "Well, now, shall we have lunch? What do you say to some nice
|
|||
|
fish stew, eh?"
|
|||
|
Cydric agreed, and they began walking toward the docks where
|
|||
|
Simon Salamagundi the stew vendor could always be found.
|
|||
|
When they were in sight of Simon's cart, a voice called out,
|
|||
|
"Corambis! Over here!"
|
|||
|
The Sage looked around and, identifying the source of the voice,
|
|||
|
waved and returned a greeting.
|
|||
|
"I must speak to my friend over there," he said to Cydric. "You
|
|||
|
go ahead and get the stew--I will have whatever you are having." He
|
|||
|
gave Cydric a few coins and departed.
|
|||
|
"Ah! You back again, young sir?" Simon Salamagundi said as
|
|||
|
Cydric approached the cart. Cydric greeted him and ordered two sweet
|
|||
|
stews. As Simon filled the bowls Cydric asked, "Do you remember the
|
|||
|
girl I was with last night?"
|
|||
|
"Red hair, in blue robes? Aye, what about her?"
|
|||
|
"Do you know where she lives?"
|
|||
|
"Sorry, me friend, I know not. Did she not tell you?"
|
|||
|
Cydric shook his head. "Does she come around here often?"
|
|||
|
"In truth, young sir, I believe she is new in town herself. You
|
|||
|
might try the inns, like the Panther or the Serpent, or Sandmond's."
|
|||
|
Cydric thanked him, gave the money to Simon's monkey Skeebo, and
|
|||
|
left carrying the bowls of stew. He had not traveled very far when a
|
|||
|
man bumped into him from behind, causing him to drop the bowls.
|
|||
|
Cydric watched as the man continued on without so much as an
|
|||
|
apology. Keeping his temper, Cydric hurried after the man and tapped
|
|||
|
him firmly on the shoulder. The man spun around.
|
|||
|
"You have just caused me to lose my lunch," said Cydric,
|
|||
|
pointing to the spilled stew.
|
|||
|
The man shrugged. "You should watch where you walk next time,"
|
|||
|
he said, and turned to leave.
|
|||
|
Cydric grabbed his shoulder and forced him around. "I think you
|
|||
|
owe me for the cost of the meal," he said.
|
|||
|
The man shook off Cydric's hand and drew his sword. "I said,
|
|||
|
watch where you walk next time!"
|
|||
|
Cydric's hand flew to his left hip and found nothing there.
|
|||
|
Silently cursing the loss of his sword, he drew his sundagger instead.
|
|||
|
"I think you owe him for the meal," said a female voice.
|
|||
|
Cydric looked to his right and saw a cloaked woman holding a
|
|||
|
loaded crossbow. She was pointing it straight at the man's head.
|
|||
|
Walking closer to the man until she was a little beyond the
|
|||
|
sword's reach, the crossbow woman said, "Please pay him now."
|
|||
|
The man hesitated. The crossbow woman raised the weapon to her
|
|||
|
shoulder and placed her finger on the trigger. The man swore, dug
|
|||
|
out a handful of coins, flung them at Cydric, then stalked off.
|
|||
|
"Are you all right?" the woman asked, lowering the crossbow.
|
|||
|
Cydric nodded and sheathed the sundagger. "I appreciate your
|
|||
|
help, but I think I would have been able to defend myself."
|
|||
|
"With only a dagger?" The woman grinned. "Either you are a very
|
|||
|
good fighter, or the dagger is magic."
|
|||
|
"Both," Cydric returned the grin. He told her his name, and the
|
|||
|
woman introduced herself as Kittara Ponterisso.
|
|||
|
"I am pleased to meet you, Miss Ponterisso," Cydric said as he
|
|||
|
pressed her hand against his cheek.
|
|||
|
"Call me Kitty," she said.
|
|||
|
Just then Cydric heard someone call his name. Looking back over
|
|||
|
his shoulder, he saw Corambis hurrying toward him. He waved and
|
|||
|
turned back to Kittara.
|
|||
|
"Pleased to meet you as well, Cydric Araesto. I must go now, but
|
|||
|
I hope to see you around." She turned and melted into the crowd.
|
|||
|
Cydric started after her, but just then Corambis arrived,
|
|||
|
looking slightly breathless.
|
|||
|
"I saw what happened, Cydric. Most rude of that fellow."
|
|||
|
"Did you see the woman with the crossbow? She forced him to pay
|
|||
|
for the stew."
|
|||
|
"Ah, yes. Very nice of her to do that. Did she tell you her name?"
|
|||
|
"Kittara Ponterisso. Ever hear of her?"
|
|||
|
The Sage shook his head. "Can't say that I have." He glanced at
|
|||
|
the spilled stew, which a pair of cats were happily lapping up, and
|
|||
|
said, "Why don't we have lunch at an inn?"
|
|||
|
|
|||
|
Still feeling a little uncomfortable about the incident with
|
|||
|
Thuna, Cydric declined Corambis' proposal that they eat at
|
|||
|
Belisandra's, and suggested that they go to the Inn of the Hungry
|
|||
|
Shark instead. The Sage pointed out that it was better to face up to
|
|||
|
the situation and resolve it rather than avoid it. Cydric
|
|||
|
reluctantly agreed, and they headed off to Belisandra's Tavern.
|
|||
|
Belisandra herself seated them and took their orders. A few
|
|||
|
minutes later, Thuna came to the table and apologized to Cydric for
|
|||
|
her improper behavior. He readily forgave her and suggested that
|
|||
|
they forget that it had ever happened.
|
|||
|
After Thuna left, Corambis said, "Do you recall the friend that
|
|||
|
I met back there at the docks?"
|
|||
|
Cydric nodded. "Yes, why?"
|
|||
|
"That was Kandevoll, the jewel merchant. He happened to mention
|
|||
|
that you were in his shop this morning, looking at betrothal rings."
|
|||
|
"Yes... I believe I was there," Cydric replied cautiously.
|
|||
|
"He also said he heard you whisper the name 'Lysanda'. That
|
|||
|
wouldn't be Lysanda the King's niece, now would it?"
|
|||
|
"Um, well, perhaps there are two Lysandas in the Kingdom,"
|
|||
|
mumbled Cydric.
|
|||
|
"Aha. Something tells me, Cydric, that you are not the
|
|||
|
freewheeling adventurer that you seem to be. Perhaps you will tell
|
|||
|
me what you really are."
|
|||
|
Cydric looked up from his mug of ale. "What do you mean?"
|
|||
|
"I mean, Cydric, that so far you have not told me a single thing
|
|||
|
about yourself. Why is that?"
|
|||
|
Cydric took a long sip of ale before answering. "Very well. You
|
|||
|
are right, I was looking at a betrothal rings for Lysanda."
|
|||
|
"I am sure that you did not come all the way to Dargon just to
|
|||
|
look for rings. A young noble like yourself could find better
|
|||
|
jewelry in the capital."
|
|||
|
"I told you, I am here because of my vision. And--" He paused,
|
|||
|
and looked Corambis in the eye. "And you think that I am a noble?"
|
|||
|
The Sage chuckled softly. "I suspected it from the moment you
|
|||
|
introduced yourself. I used to be King Haralan's astrologer many
|
|||
|
years ago, and I never forgot the way the courtiers announced
|
|||
|
themselves whenever they came to me for a horoscope. You sounded
|
|||
|
just like one of them, even though you looked like an outlander."
|
|||
|
Cydric said nothing for a long moment, then sighed and said,
|
|||
|
"You have me, sir--I am indeed a noble. I suppose you want to know"
|
|||
|
everything about why I am here."
|
|||
|
"Hoho, indeed I do! Please begin, at the beginning, eh?"
|
|||
|
Cydric drained the last of his ale before speaking. "My father
|
|||
|
is Khysar Araesto, Duke of Pyridain and Treasurer to King Haralan.
|
|||
|
Ever since I was young, my father wished for me to follow his
|
|||
|
trade--to become the next Royal Treasurer. I grew up learning the
|
|||
|
ways of the treasury, though I really had no interest in it. I
|
|||
|
wanted to be like Sir Talan Shalk, the Captain of the King's Guards."
|
|||
|
"Ah, the famous soldier-adventurer, eh?" said Corambis.
|
|||
|
"Yes, but I knew my father did not approve of that sort of life.
|
|||
|
Even so, I convinced Captain Shalk to teach me what he knew. Under
|
|||
|
him, I learned how to use a sword, how to survive in the forest, and
|
|||
|
other things that I would need to know when I finally left Baranur.
|
|||
|
"About a year ago I made my decision to leave. I had planned to
|
|||
|
join an expedition to the Skywall mountains, but I had fallen love
|
|||
|
with Lysanda and for her sake I did not. But I never stopped
|
|||
|
thinking about leaving the city, about venturing to other lands. I
|
|||
|
tried to convince Lysanda to come with me wherever I eventually
|
|||
|
decided to go, but she was too used to civilization and implored me
|
|||
|
to stay in the city.
|
|||
|
"And then the visions started. I realized that this was the
|
|||
|
time; I truly had to leave. It was very had to part with Lysanda,
|
|||
|
but I knew that if I did not go I would never find peace. So I wrote
|
|||
|
a letter to Lysanda, packed my things, and left the castle in the
|
|||
|
middle of the night. I traveled with a caravan for a time, then made
|
|||
|
my way to Dargon alone. The rest you know."
|
|||
|
"But why did you not tell me you were of nobility?" asked
|
|||
|
Corambis. "In my experience, traveling royals usually like to make
|
|||
|
themselves known as such."
|
|||
|
"I turned my back on that sort of life when I left the King's
|
|||
|
castle, and I have tried to act in the manner of the common folk;
|
|||
|
but, as you have guessed, it will take some time for me to forget my
|
|||
|
court protocol."
|
|||
|
Thuna arrived and served up their orders: steamed fish for
|
|||
|
Cydric, a plate of cooked vegetables for Corambis.
|
|||
|
"Well, Cydric, it seems that you have sacrificed a great deal
|
|||
|
just to find out the meaning of your strange vision. What will you
|
|||
|
do after you learn its meaning?"
|
|||
|
"That all depends on what happens when we travel to this other
|
|||
|
world. Are you sure the journey will be safe?"
|
|||
|
"Passing through the Archway will not be dangerous. But after we
|
|||
|
arrive at our destination, I cannot know what will happen to us."
|
|||
|
"Perhaps if we knew, we would not want to go," mused Cydric.
|
|||
|
"Now Cydric, you are not afraid, are you?" Corambis asked,
|
|||
|
looking at the young man with mild amusement.
|
|||
|
"I do not fear going; it's returning that I am concerned about."
|
|||
|
"Well, Cydric, you are right to be concerned, but I shall make
|
|||
|
certain that we return safely. And now, eat up, for we have quite an
|
|||
|
adventure waiting for us."
|
|||
|
They continued their meal, and when they had finished, Cydric
|
|||
|
and Corambis left the tavern.
|
|||
|
-Carlo N. Samson <U09862@UICVM>
|
|||
|
|
|||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
|||
|
|