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1021 lines
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+-+--+-+--+-+ VOLUME SIX NUMBER THREE
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+___________+ FFFFF SSS FFFFF N N EEEEE TTTTT
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| ++ | F S F NN N E T
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| ++ | FFF SSS FFF N N N EEE T
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| | F S F N NN E T
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|_________| F SSS F N N EEEEE T
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/___________\ ==========================================
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| | BITNET Fantasy-Science Fiction Fanzine
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___|___________|___ X-Edited by 'Orny' Liscomb <CSDAVE@MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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CONTENTS
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X-Editorial 'Orny' Liscomb
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*Destiny of Tara n'ha Sansela Glenn Sixbury
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*Night Fruit: A Tasty Comedy Jim Owens
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*The Dream: Part 1 of 2 John White
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Date: 111686 Dist: 202
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An "*" indicates story is part of the Dargon Project
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All original materials copyrighted by the author(s)
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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X-Editorial
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Greetings and solicitations, all! First of all I'd like to
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welcome all the new readers, and thank the authors for their recent
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spurt of creativity. The next issue will contain several articles of
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interest, and should be out in early December. As for this issue, we
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have three Dargon stories. The first is a new character being
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introduced by Glenn Sixbury. The second is an entertaining short
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from Jim Owens. The third is the first half of an excellent story
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from John White, who insists on writing faster than I can edit. An
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excellent issue, and I hope you all enjoy it.
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The only other matter I wish to bring up is reader feedback.
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Now, the authors have mentioned putting a LOC section in the zine,
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which I personally dislike, because it would mean less room for
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stories. However, the authors are interested in hearing what you
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think of their stuff. As a compromise, you can mail individual
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authors, or, if you wish to send a mailing to all Dargon authors, it
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is possible to send a mail file to DARGON-L@NCSUVM, and it will be
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distributed by the LISTSERV there to the Dargon authors.
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But on to the real stuff...
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-'Orny' Liscomb <CSDAVE @ MAINE>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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Destiny of Tara n'ha Sansela
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"Tara! Tara!" Samuel called for his daughter, angrily chasing
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away the animals from their stolen supper.
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"What is it, Father?" Tara asked, emerging from the trees behind
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their house.
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"It's your rabbits, girl! They've eaten half the garden again
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while you were out wandering around doing who knows what. How many
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times have I told you that they are your responsibility?"
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"They didn't mean to, Father," Tara said, trying to calm him, as
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she picked up one of the offenders and cradled it in her arms.
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"They're not meaning to isn't going to bring our garden back."
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"I'm sorry," Tara said. Then she gathered up her rabbits and put
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them back into their cages.
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Being sorry is not good enough. I'm afraid they're going to have
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to go."
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"No! Please don't," Tara wailed. "I promise I won't do it again."
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"That's what you always say. This time it won't work." Then,
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seeing the look of dispair on his daughter's face, Samuel softened
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somewhat. "They are still going," he said, "but I will let you set
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them free in the woods. After that, if they come back, I won't
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hesitate to make them into rabbit stew."
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"Do I have to let them go?"
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"You've got too many animals the way it is!" he yelled again,
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his moment of understanding gone as quickly as it had come.
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"All right, Father," Tara agreed sadly. She hadn't given up hope
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of talking him out of this idea, but she knew better than to cross
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him when he was angry. "I'll take them deep into the woods, so that
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they won't trouble you anymore."
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"Fine. You better get started, though. Your mother'll be
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starting supper soon, and you ought to be helping her."
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With a heavy heart, Tara gathered up her three rabbits and put
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them into an old sack. After calling for Zed, her pet Shivaree, to
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follow her, she headed off into the trees, leaving her father to
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assess the damage the rabbits had done to the garden.
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After Tara had disappeared into the trees, her mother came out
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of the small farm cottage, and asked her father what had happened.
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"I made Tara get rid of her rabbits."
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"But she loves those, Sam," her mother started.
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"She loves every animal in the forest, Sansela, but that doesn't
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mean we have food enough to feed them all," he growled. Realizing
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how angry he was, Sansela decided not to protest further and to go
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back into the house.
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Walking through the woods cheered up Tara n'ha Sansela. She had
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loved these woods as long as she could remember. They seemed to
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strengthen her and it was hard to feel sad as she walked along the
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path, feeling the sunlight sift through the trees and smelling the
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fresh scent of the firs around her.
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As always, Zed, who was tagging at her heels, enjoyed being in
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the woods. Tara had found the young Shivaree several years ago when
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she had been out for one of her walks. He had been caught in an
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abandoned hunter's snare, and although he had not been severely
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hurt, he had been on the verge of starvation and had been very weak.
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She had taken him home and had nursed him back to health. Her father
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had only rarely ever seen a Shivaree and he had heard that these
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large, ferret-like creatures were impossible to tame, but Zed had
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never been any trouble. By the time the animal was healthy again, he
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had become just like one of the family. Tara had begged her father
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to let her keep Zed, and although Samuel had been skeptical at
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first, he had finally consented.
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Tara was a small girl for her seventeen summers, standing just a
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little over five feet tall, but she had worked on her father's farm
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since she was old enough to walk. She was strong for a girl her size
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and carried the rabbits about half a league into the woods before
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she grew tired and decided she had taken them far enough. From here,
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they wouldn't find their way back to the farm too quickly.
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Setting the bag on the ground, she let her rabbits out into the
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open air. Nestling one in her strawberry blond curls before setting
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it free, she knew deep down that they would be happy to be free
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again, but she would miss them. The rabbits gradually scampered off
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into the woods, leaving her and Zed alone. Then, knowing she was
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already late for supper, she headed back home with Zed scampering a
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few feet behind her stopping now and then to investigate various
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scents which caught his attention.
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After Tara left, Sam busied himself with the garden and wondered
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if he had been too tough on his only child. Of course not, he
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decided. She loved animals just too much. After all, his farm was
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beginning to look like a menagerie. She had adopted all kinds of
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birds: Doves, robins, and even a baby hawk. She also had a pet
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squirrel and a fawn, which she promised she would let go once it was
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grown. The girl just doesn't know when to quit, he thought,
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finishing his work with the garden.
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Then as he turned to take the vegetables he had gathered into
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the house, he heard horses in the distance. He should have heard
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them sooner, but he must have been too lost in thought. He bounded
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quickly into the cottage. "Sansela, there's riders headed this way.
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Maybe ten or more. You stay in the house until I find out what they
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want." Sansela nodded in agreement, looking worried as Sam grabbed
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his sword and rushed back outside.
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As he emerged from the house, he saw the riders. He counted
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about fifteen of them as they rode across the small patch of farm
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ground to the east of his house. Then, as they drew near, he noticed
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a wisp of smoke rising from the other side of the hill behind the
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men. That was about where Myridon, the local village was located.
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Something was burning, and in these woods, people joined together to
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fight fires. Men riding in the wrong direction was a certain sign of
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danger, but there was little that could be done about it now. Sam
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stood defiantly in front of his home, bracing himself for the worst.
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The men rode up and were brought to a halt by a very large man,
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with a bow slung over one shoulder. This man then made a motion, and
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the rest of the men circled Sam, a few of them drawing their swords.
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Once they were in place, the leader spoke.
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"I can see by your sword that you knew we were coming, and you
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knew it wasn't going to be a friendly call." Samuel remained silent,
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studying the situation. The leader of the group wore furs, made
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after a fashion common to an area east of here. He was a large man,
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and he wore a scar on his left cheek, indicating he had seen his
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share of fighting. He would not be a pleasant man to fight, Sam
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thought, and then the leader spoke again.
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"You know what we want. We're after your gold. Your friends
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there in the village decided to fight. They're all dead." As the
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leader said this, a few of the other men laughed and smiled. "As you
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can tell, my men want to kill you, but if you cooperate, I won't let
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them. Now, drop your sword, gather every bit of gold you've gotten
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hidden away in that little shack of yours, and bring it out here."
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Sam was in a bad spot, and he knew it. His honor demanded that
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he fight, but he realized with him gone, Sansela would be helpless.
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Perhaps, if he gave them the gold, they would leave, and his family
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would be safe. Then he could go for help and chase the bandits down.
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As Sam considered his options, the bandits grew impatient, and one
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of them behind him rode forward, planting a foot in Sam's back,
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knocking him down. Sam flashed the bandit a glare from his fiery
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eyes, but when he got up, he left his sword on the ground and
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disappeared into the house.
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Sam found Sansela hiding in the bedroom. He explained the
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situation very quickly to her in quiet whispers and promised that
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things would be all right. Then he got his small sack of gold from
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under the bed, and went back outside.
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As he stepped out of the door, one of the bandits, grabbed the
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sack from him, and brought it to the leader, who examined the
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contents. "Is this all you have? Something tells me you are holding
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out on us, farmer. Kork," he said to the man beside him, "go and
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search the house. Make sure our friend isn't hiding anything from us."
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Sam started to stop him, but Kork kept him at bay with the point
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of his sword and went into the house. Sam considered distracting
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them by telling them about the gold hidden in his cellar, but before
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he could, he heard Sansela scream, and saw the bandit at the
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doorway. He was dragging Sansela outside by the arm, and Sam saw
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that her dress was torn. He started for her, but one of the larger
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bandits grabbed him from behind, putting an arm around his neck to
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hold him motionless.
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"Lookie what I found," Kork called. "She ought to make for lots
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of fun," he jeered, and then grabbed the top of her dress, tore it
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down to her waist to expose her breasts, and pulled her to him for a
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savage kiss. Samuel could stand no more. He popped his elbow into
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the ribs of the man holding him and spun around, knocking the man to
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the ground. Grabbing his sword, Sam charged Kork, knocking another
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bandit out of the way as he did. Kork reacted quickly, tossing
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Sansela away and raising his sword to defend himself, but Sam was on
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him too quickly. After one blow, Sam had him decapitated and turned
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to face two other bandits which had charged him.
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Sam was not a skillful swordsman, but he had been strengthened
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all his life from hard work, and with the help of his anger and his
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adrenaline, he was more than a match for the two bandits. He killed
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the first one immeditatly, and turned on the second. The bandit
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tried to defend himself, but Sam put him off balance with one
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powerful blow, and then split him open with a second. Then, before
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Sam could turn around, an arrow whizzed into his back, its head
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pushing out from the front of his ribs. Samuel managed to turn
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around before falling to knees, cursing the leader who had shot him
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with the arrow. Another bandit stepped forward and grabbed Sansela,
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who was trying to run to her husband.
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"You are a strong one, farmer," the leader said respectfully,
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"but my men still should have been able to kill such an unskilled
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fighter." Then the leader smiled, "But as they say, if you want it
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done right...." With that, he notched another arrow, and let it fly.
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Samuel gasped as the second arrow landed in his chest, and then he
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fell forward, dead. As he fell, Sansela managed to struggle her way
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free and run to her husband. As she bent over him and began to sob,
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the leader notched another arrow and shot it into her bare back.
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As she slumped over her husband, one of the bandits complained,
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"Why'd you have to kill the woman?"
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"You would have fought over her, and I've lost enough men for
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one day." The other bandit did no more than grumble, not wanting to
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die this day.
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"All right, someone search the house, and the rest of you, take
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those animals along. We'll need meat for supper, and there's no
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reason to hunt when we have this nice farmer's generosity.
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One of the bandits emerged from the house. "There's nothing
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inside of any value. I guess the old man was telling the truth."
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"That's what I hate about these peasants," the leader growled.
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"All of them are too honest." Then he laughed loudly, and turned his
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horse back in the direction from which they'd come. "Ride," he
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called. The other bandits followed, the last throwing a torch onto
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the thatched roof of Samuel's hut before riding hard to catch up
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with the rest.
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Tara was busily picking the mushrooms she'd found by the path on
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her way home. She was hoping that the mushrooms would make up for
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her being late for supper. She realized too late that she really
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shouldn't have travelled so far to release her rabbits, but she
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hadn't wanted them to become rabbit stew, either. As she picked the
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last of the mushrooms, Zed began to prance nervously about, sniffing
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the breeze in a frenzy. "What is it, Zed?" she asked, looking up
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from her work. At first, she didn't see anything. Then, climbing on
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top of a nearby rock, she spied what had made Zed so nervous. There
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were two streams of smoke, one of them rising from somewhere quite
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near. "Fire, Zed, come on," Tara called, throwing the bag over her
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shoulder and racing down the trail for home.
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As Tara came closer to home, she realized the smoke was coming
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from her own farm. Terrified, she ran even faster, finally coming to
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the edge of the woods. As she stepped out of the trees, she stopped,
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turned to stone by the shock of what she saw. The house was burning,
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filling the air with smoke, and the farm was deserted. Her parents
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were gone. Even all of her animal cages were empty. Zed stood in the
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trees behind her, snorting nervously, being torn between his
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instinct to run and the need to be near his master.
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"Father! Mother!" Tara finally called out. Tara could feel her
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stomach tieing itself in knots. She tried desperately not to panic,
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but it didn't work. She called for her parents again and then
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circled the house, searching for them. As she rounded the front
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corner of the house, Tara saw the dead bodies and ran over to them.
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Bending over, Tara lifted her mother to her breast, sobbing
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uncontrollably. As she held her mother, she ran her fingers across
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the arrows sticking up from her father's body. "Oh, papa, papa," she
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said in between tears, pulling her father a little towards her.
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Then, putting her arms around both of them and laying her head on
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her father's shoulder, the sorrow overtook Tara, and she lost her
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last thread of thought, slipping into a shrieking, sobbing delirium.
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Tara was never sure how long she sat beside her parents, crying
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over in mourning. Finally, shock from what had happened numbed her,
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allowing her to regain part of her senses. Hardening herself against
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her feelings, she drug herself to her feet and left her mother and
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father for the moment.
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The house was gone. Judging by the smoke coming from over the
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hill, the village of Myridon was gone, too, probably suffering the
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same fate as her parents. She had nothing left. Tara experienced the
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lowest point of her life as she stood on the devastated farmstead
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where she had grown up, trying to see some glimmer of hope on the
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horizon. There was none. Thoughts of ending her life crossed Tara's
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mind. She probably would have killed herself, but her father had
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always taught her that people who take their own life are never
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granted another, but instead suffer eternally for refusing to meet
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their destiny.
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As Tara struggled with her situation, the sun sank low in the
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sky and a north wind began to blow. She was sober now, her temporary
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loss of sanity due to grief being completely gone. She realized that
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there was much work to do before nightfall, and she had better get
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to doing it.
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Tara's first concern was her parents. If she left them where
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they were, their bodies would be defiled by animals during the
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night. She considered digging graves for them, but decided that she
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didn't have time. Then she realized what she needed to do.
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Tara went to the cellar and began to bring out the things she
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might need. Luckily, whoever had killed her parents hadn't found the
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bag of gold which her father kept here. She also found some dried
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fruit and meat along with a couple of blankets. She gathered all the
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things together and hauled them up out of the cellar.
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Tara decided she had salvaged everything usable from the cellar.
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Now she had the hardest part of her duties left to do. Tara first
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dragged her mother, and then her father down into the old cellar.
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When they were first married, Tara's parents had carved this farm
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out of the woods, they had built the house which was now little more
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than ashes, and they had dug this cellar. It would make a fitting
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tomb, Tara thought. Then she paused to say a few silent prayers
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before shutting the door on the cellar, effectively shutting the
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door on her childhood and the only way of life she had ever known.
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By the time her parents were buried, it was almost dark. Tara
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knew that it might be dangerous to stick around, but she didn't want
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to travel at night, so she loaded up the things she had taken from
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the cellar and carried them into the woods. Then she whistled for
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her horse, Boxter. He emerged from the trees on the other side of
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the glen, but wouldn't come any closer, because he could smell the
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smoke from the house. Tara walked across the clearing to the with a
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rope in her hand. Soothing the old animal as she talked, she managed
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to put the rope around his neck and lead him into the woods near the
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smouldering house. There, she tied him to a tree and went back to
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the house to see that she had everything she needed.
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She looked around the farm, realizing again that all her animals
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were gone. She hoped that they had escaped, but there would be no
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way she would ever know. Then, seeing her father's sword laying
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where he had fallen, she picked it up and headed back to the woods
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where she had left Boxter and her things.
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Once Tara was back in the safety of her woods, she considered
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lighting a small fire. It might get very cold tonight. However,
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tonight she would make a cold camp, in case the people who had
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attacked her parents were still in the area. Zed had come into the
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camp with her, and he sniffed hungrily at her pack. She took some of
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the dried meat out of the pack and gave it to her pet, although Tara
|
||
|
couldn't find the will to eat herself. Then she gathered some pine
|
||
|
needles together, forming a cushion which would make a soft bed for
|
||
|
the night. Once her bed was made, Tara settled down, covering
|
||
|
herself with blankets. Zed came over and stretched out beside her.
|
||
|
He will warn me if anyone comes near, Tara thought. Then, much to
|
||
|
her surprise, she fell asleep.
|
||
|
|
||
|
Tara was suddenly awake. It took her a few seconds to remember
|
||
|
where she was and what had happened. Then she heard the same noise
|
||
|
again which had disturbed her slumber. It was a voice, coming from
|
||
|
the trail which led to the house. At first, Tara couldn't see
|
||
|
anything. Then the voice spoke again, and she saw a form step from
|
||
|
the trees into her small camp. Tara couldn't believe what she saw.
|
||
|
She wheezed, trying to make herself breathe. She shook her head and
|
||
|
looked again, convinced the shadows from the full moon were playing
|
||
|
tricks on her eyes. When she looked again, she was positive who it
|
||
|
was. It was her father.
|
||
|
Tara was sure her mind was playing tricks on her. Then her
|
||
|
father spoke her name. "I'm here father," she said, pulling herself
|
||
|
to her feet. "Oh, papa," she said, taking a step toward him, and
|
||
|
then she stopped. She could see an arrow protruding through the
|
||
|
front of his chest, which was caked with dried blood. Then she
|
||
|
realized that she could see the trees behind him through his body.
|
||
|
Before she had time to react to any of this, he spoke again. "Tara,
|
||
|
my daughter," the vision began, "I have come to help you." Her
|
||
|
father's spirit took a step closer to her, and Tara noticed that
|
||
|
although his body was still maimed, the look on his face was no
|
||
|
longer full of pain but instead was peaceful. Then her father spoke
|
||
|
again. "Your mother is with me, and we are happy. It was our destiny."
|
||
|
"Take me with you, Father," Tara pleaded, reaching out for him.
|
||
|
As she put her hand out to him, she watched helplessly as it passed
|
||
|
through his body. He appeared not to notice. Then he smiled.
|
||
|
"Our work in this world is finished, my daughter, but you still
|
||
|
have much to do. Travel to Dargon, and there you must seek my
|
||
|
brother. It is this path on which your destiny lies." Then the
|
||
|
spirit began to fade.
|
||
|
"No, Father," Tara begged him. "Let me come with you."
|
||
|
"Travel to Dargon, my daughter, and do not grieve. Your mother
|
||
|
and I will be here when you have come to the end of your road." Tara
|
||
|
reached for him. As she did, she was suddenly sitting up on the spot
|
||
|
where she had gone to sleep, her arm clutching nothing but the empty
|
||
|
night air in front of her.
|
||
|
A dream, Tara thought. I had a dream. She looked again where she
|
||
|
had seen her father, but there was no one there. This time Tara did
|
||
|
not fall asleep so quickly.
|
||
|
|
||
|
In the morning, Tara saddled up Boxter, loaded her gear onto the
|
||
|
saddle, and then before leaving forever, she walked back to look
|
||
|
once more at what was left of the only home she had ever known.
|
||
|
Tara had always assumed that she would live out her life as her
|
||
|
mother had done, living on the farm with her parents until her
|
||
|
father gave her away in marriage to some local farmer's son which
|
||
|
had impressed him. Then she would spend the rest of her life raising
|
||
|
children and working on the farm. Now her destiny had been mutilated
|
||
|
by strangers in a single afternoon. It was almost too much for her.
|
||
|
She let a tear come to her eye, and then she turned her back on
|
||
|
the the farm and headed back to where she had made camp. As she
|
||
|
moved off the trail to go to her little camp, something on the
|
||
|
ground caught her eye. Bending over, she found a set of tracks,
|
||
|
leading from the trail to where she had slept. She had seen tracks
|
||
|
like these for as long as she could remember. They were her
|
||
|
father's. She followed them into camp, and there, they stopped.
|
||
|
So, it was real, Tara thought. Then she reminded herself that
|
||
|
her father walked these woods all the time before he died. He
|
||
|
probably made them yesterday morning, she convinced herself. Still,
|
||
|
the possibility gave her courage to do what she needed to do. She
|
||
|
would go to Dargon to live with her uncle. Even if it had only been
|
||
|
a dream the night before, she had decided that it was the only
|
||
|
alternative she had. Tara had never met her uncle, at least not when
|
||
|
she was old enough to remember, but he was her father's brother.
|
||
|
Surely he would take her in and help her decide what she needed to
|
||
|
do. Then, strengthed by the knowledge of what she was going to do,
|
||
|
she set about getting ready to leave. She would head first to the
|
||
|
village of Tench. From there, she would be able to send word to her
|
||
|
uncle to let him know she was coming, and perhaps she could buy a
|
||
|
map or hire someone to take her to Dargon. Then, filing her father's
|
||
|
sword into a sheath on the saddle, she started to leave, but before
|
||
|
she could, Zed came bounding up on his short legs, snorting and
|
||
|
grunting. "It's all right, Zed," she said. "You can come along.
|
||
|
After all, you're all I have left." Then, giving the Shivaree a pat
|
||
|
on his head before climbing onto her horse, she realized how final
|
||
|
this leaving would be. She had never been more than 10 leagues away
|
||
|
from home in her life, and now she was headed for a place she had
|
||
|
only heard of. Then, overcome by the emotions of the moment, she had
|
||
|
to fight to keep from sobbing at the realization of what she was
|
||
|
doing. Finally, she forced herself to calm down. She was going to
|
||
|
Dargon and everything was going to be all right. But first, she
|
||
|
would need travel to Tench, over twenty leagues away, and she wasn't
|
||
|
going to get there by staying here burning daylight. "Com'on,
|
||
|
Boxter," she urged, pushing her heels into the horse's ribs, "we're
|
||
|
going to Dargon."
|
||
|
She left the farm with the morning sun on her back, heading west
|
||
|
to Tench, to Dargon, and to a new life.
|
||
|
-Glenn R. Sixbury <VMAQ5 @ KSUVM>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
Night Fruit: A Tasty Comedy
|
||
|
Sarah woke up with that feeling. She reached out, but the other
|
||
|
half of the bed was empty. Levy had already left for the smithy. She
|
||
|
resigned herself to the fact and got up. She dressed slowly,
|
||
|
stretching long and hard, tensing her body, but the feeling only got
|
||
|
worse. Well, there's always tonight, she thought.
|
||
|
She ate quickly, then started the day's chores. The feeling
|
||
|
dimmed some, but it continued to flare up through the day. She
|
||
|
worried. What if he didn't want to?
|
||
|
Halfway through the day it hit her. Nightfruit! That way he'd
|
||
|
have to want to!
|
||
|
She hurried to finish her tasks, and then grabbed her staff and
|
||
|
started across the field. She had seen some growing by the fence,
|
||
|
near where Greta, Levy's sister-in-law kept her herb garden. She
|
||
|
hiked through the field, enjoying the warm sun. She thought of the
|
||
|
soon coming night. She hiked faster.
|
||
|
She reached the fence, but no amount of searching would find a
|
||
|
single nightfruit. She realized from the amount of marks in the area
|
||
|
that the cows had probably been eating them. No wonder both cows had
|
||
|
had calves. She looked up, and saw Greta in her garden.
|
||
|
"Good day!"
|
||
|
"Good day! Lovely, isn't it?"
|
||
|
"Yes." Replied Sarah. She walked closer. She hesitated shyly. "I
|
||
|
was looking for an herb, but I think the cows ate it. Do you know
|
||
|
where I might find it?"
|
||
|
Greta stood, hands on hips. "Depends. What are you looking for?"
|
||
|
Sarah blushed lightly. "Nightfruit."
|
||
|
"Ah!" Greta grinned. "I usually get that on The Outcrop. It's a
|
||
|
climb, but it's worth it!" She giggled. "I shouldn't think you'd
|
||
|
need it, though, only being married a week."
|
||
|
"Nine days, and it never hurts to be sure." Sarah smiled back.
|
||
|
"Thanks." She turned to leave.
|
||
|
"It's just in good fruit, too. I gathered some just this week."
|
||
|
"That explains your smiling face then, doesn't it!" Both laughed
|
||
|
at that.
|
||
|
|
||
|
Sarah started off towards The Outcrop. The Outcrop was a
|
||
|
monolith that jutted up in the woods between Levy's property and
|
||
|
Greta's father's property, to the east. Sarah had to walk for a half
|
||
|
hour to reach the woods, and another ten minutes to reach the foot
|
||
|
of The Outcrop. When she got to the bottom, she looked up. And up.
|
||
|
And up more. The top of The Outcrop was hidden in the blaze of the
|
||
|
sun. Is this really worth it? she asked herself. I know Levy won't
|
||
|
need it. She then shrugged. It might be fun, she thought, and
|
||
|
started climbing.
|
||
|
Five minutes later she was thirty feet higher, and several
|
||
|
degrees hotter. She paused to look around. She saw further up a
|
||
|
likely place to find nightfruit growing. Nightfruit liked a thin but
|
||
|
rich soil, with shade. The rock above could easily provide that. She
|
||
|
kept climbing.
|
||
|
She found a path that led along the face of the rock. It was
|
||
|
rather wide, with grass growing sparsely on it. It soon narrowed,
|
||
|
and eventually disappeared. She climbed up higher, by means of a few
|
||
|
cracks in the rock, but soon had to back down for lack of further
|
||
|
holds. She walked back down the rock, fingering a few, recent tears
|
||
|
in her skirt. She found another path, one that led in the other
|
||
|
direction. It led up to a wide, mossy ledge. A small pool of cold
|
||
|
water lie there, fed by rain and a small seeping spring. She drank
|
||
|
the water, and rested on the moss. She lay there, wishing she could
|
||
|
have Levy there, in the cool fresh air. He was working, however,
|
||
|
hammering hot iron, working off the last year of his apprenticeship.
|
||
|
She would be alone all day. She got up, and continued to climb.
|
||
|
She found what seemed to be a path, scuffed onto the bald stone
|
||
|
by occasional use. She followed it up. It was steep, and the sun was
|
||
|
now hot, and there was no wind. She hadn't gotten too far before she
|
||
|
was sweating heavily. She followed it up to a small ledge that ended
|
||
|
in a sheer twenty foot cliff. At the top of the cliff, just hanging
|
||
|
over the edge, she saw a leaf, one she recognized. There were cracks
|
||
|
in the cliff face, but they were small and far apart. They also
|
||
|
were, unfortunately, the only way up. She pulled off her boots, and
|
||
|
hoisted herself up with bare toes and fingers.
|
||
|
Sarah had worked as a metalsmith for years, but after a minute
|
||
|
or two of climbing she found her arms aching. Her calves were
|
||
|
cramped, and so were her forearms. What was worse, she was only
|
||
|
halfway up the cliff. She paused for a moment to rest. She looked
|
||
|
out from the face of the rock. She was already higher than the
|
||
|
treetops. She could see her house in the distance. She looked down,
|
||
|
and shut her eyes tight. A night with her beloved husband was the
|
||
|
furthest thing from her mind.
|
||
|
Finally she urged herself back into movement. She struggled
|
||
|
upwards, and finally pushed her face level with the tiny shelf. All
|
||
|
it had on it was a thin layer of moss and the nightfruit plant.
|
||
|
Hanging down pendulously from the bushy green leaves were two red
|
||
|
fruit. They looked so ridiculous that she would have laughed had not
|
||
|
the pain been so great. With enormous effort she reached up and
|
||
|
plucked one of the fruit. I got it! she exulted. Now all I have to
|
||
|
do is get down.
|
||
|
|
||
|
When Levy got home that evening, he opened the door to his house
|
||
|
and looked around. He was fairly well off, and actually had two
|
||
|
rooms, a main room and a bedroom. The bedroom curtain was closed. A
|
||
|
cold supper was waiting for him, as had been the case the few times
|
||
|
he had been late before, and he proceeded directly to work on it.
|
||
|
The meat he ate first, then the potatoes and bread. Partway through
|
||
|
the meal he noticed a bowl upside-down in the center of the table,
|
||
|
as if covering something. He waited until last to move it, expecting
|
||
|
it to be a sweet of some sort, as his young bride had occasionally
|
||
|
made before the wedding. When he lifted it, however, the red
|
||
|
nightfruit gleamed seductively in the lamplight. He stared at it for
|
||
|
a moment, then snatched it up and hasten into the bedroom.
|
||
|
He undressed hurriedly, while softly calling Sarah's name. When
|
||
|
no one answered, he carefully lie down beside her warm form. She did
|
||
|
not move. She was so exhausted from her efforts she had fallen sound
|
||
|
asleep. He gently shook her, but to no avail. So, he kissed her
|
||
|
gently, and fell asleep as well, the nightfruit forgotten in his hand.
|
||
|
-Jim Owens <J1O @ PSUVM>
|
||
|
|
||
|
<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
|
||
|
|
||
|
The Dream
|
||
|
Part One: Arrival
|
||
|
The City of Dargon, seat of the Duchy of Dargon, was fairly
|
||
|
typical, for its type - river mouth port town. It surrounded the
|
||
|
mouth of the River Coldwell, and several miles of its lower length.
|
||
|
The river, racing to the sea from its source deep in the Darst range
|
||
|
and fed on its way by scores of major and hundreds of minor
|
||
|
tributaries that drained the forest that carpeted the whole of the
|
||
|
northwest, met an estcarpment less than 40 feet high that still
|
||
|
succeeded in turning it from its quest, forcing it to go around the
|
||
|
outcropping. Dargon Keep had been built upon that rock in times long
|
||
|
past, thickset massive walls bearing three towers - two facing the
|
||
|
river it protected and one facing the sea as a watcher. Of slightly
|
||
|
newer construction, but still a century or more old, was the Old
|
||
|
City, built between the Keep, the River and the sea, and walled for
|
||
|
most of its perimeter. A well fortified causway crossed the river to
|
||
|
the much newer parts of town, especially the bustling port itself.
|
||
|
Within the walls of the Old City lived the wealthy of Dargon, with
|
||
|
the wealthiest and most favored sharing the walls of the Keep itself
|
||
|
with the Lord of the City and Duke of all the lands around, Lord
|
||
|
Clifton Dargon. Across the river, the merchants kept up a busy trade
|
||
|
in anything a traveler might want, while closer to the sea clustered
|
||
|
the less well-off of the residents of Dargon, keeping the port well
|
||
|
supplied with cheap labor.
|
||
|
Je'lanthra'en reached Dargon shortly after midday, walking with
|
||
|
a farm family who were traveling to the city in their yearly faring
|
||
|
to try and sell the fruits of their winter shutting-in, having just
|
||
|
gotten their crops planted for the warmer months. She had somehow
|
||
|
expected there to be no travel from the landward side of Dargon, and
|
||
|
certainly there was little that crossed the Darst range from the
|
||
|
interrior of Baranur. But, the Lord of Dargon was also Duke of the
|
||
|
forestland between the Darst and the sea, and his land was well
|
||
|
populated, if not as well as the Barony around Magnus.
|
||
|
She accompanied the family into the Open marketplace, where
|
||
|
anyone with goods to sell could take an unoccupied booth and stay
|
||
|
until their wares were gone, and from there she asked directions to
|
||
|
the Inn of the Serpent. In the last letter she had had from her
|
||
|
brother Kroan, he said that he was living in a place two doors down
|
||
|
from the Inn of the Serpent, and he had just gotten a job with the
|
||
|
Fifth I Merchant firm, doing inventory (Kroan has always been as
|
||
|
good with numbers as she had been (once) with words).
|
||
|
She set off across the market section of the city following the
|
||
|
directions she had received. She came to the Inn on a street that
|
||
|
served as a border of the merchant section of town. The Inn got its
|
||
|
name from a well-carved sculpture of a Great Wyrm of legend - rather
|
||
|
fancifully embellished, really, and painted a garish green and red:
|
||
|
not frightening at all, not like the stories...
|
||
|
Je'en counted doorways, entered the right one, and climbed the
|
||
|
second set of stairs. Four doors down from the top, and she knocked.
|
||
|
The door was answered by a young woman dressed very garishly.
|
||
|
"Ya, whadd'ya want, 'oney?" she said.
|
||
|
Je'en hesitated, then said, "Is this where Kroan Jessthson lives?"
|
||
|
"Na, never 'eard of 'im, love. Lived 'ere t'ree years, I 'ave,
|
||
|
and never 'eard tell of t'is Kroan person. T'at all?"
|
||
|
Momentarily disheartened, Je'en thanked the woman for her time,
|
||
|
and walked slowly back down the stairs. Four years it had been since
|
||
|
she had read Kroan's last letter, and it had arrived at the College
|
||
|
in Magnus two years before that - a Bard is seldom in one place for
|
||
|
long. Much could have happened in six years, and obviously had: just
|
||
|
look at her - once a Bard, now a left-handed fighter who wore a mask.
|
||
|
Still, there was at least one more lead: she knew where Kroan
|
||
|
had been working then. She decided to see if they knew of her
|
||
|
brother at Fifth I Merchants, and if they didn't, she had time to
|
||
|
search the whole town if it came to that.
|
||
|
It didn't. She asked directions at the Inn, and found the
|
||
|
offices of the Fifth I with ease. From there, after asking about
|
||
|
Kroan, she was led to another office in the wealthiest section of
|
||
|
town outside the walls of Old Town, and there, in an office,
|
||
|
surrounded by clarks and ledgers, she was reunited with her brother.
|
||
|
Kroan had really grown up since Je'en had seen him last, more
|
||
|
than ten years ago. He was now taller than she, and had filled out
|
||
|
some, tho he was still skinny by any standards. A full beard and
|
||
|
moustache adorned his face, startlingly red in contrast to his
|
||
|
ordinarily brown hair, making him seem even older, but his eyes were
|
||
|
the same twinkling brown, and his smile made him seem like a child
|
||
|
again, happy and carefree.
|
||
|
To Kroan, Je'en had changed, too. She was still the tall, well
|
||
|
built sandy-blonde woman that had left for the Bardic College when
|
||
|
she was fifteen, over twelve years ago. He had always loved the way
|
||
|
she could bring a song to life (he couldn't carry a tune in a
|
||
|
bucket), and she had picked up harping with natural-born ease. But,
|
||
|
she wasn't now dressed in the green cloak she had always worn when
|
||
|
she had visited home, nor the pendant of her Rank, nor was the harp
|
||
|
she had fought a duel of words to win on her back, and the sword she
|
||
|
wore on her right hip (odd, that - Je'en was right-handed, wasn't
|
||
|
she?) wasn't good old Leaf- Killer. She wore only dusty riding
|
||
|
leathers, and a strange half-mask of silver that was molded to her
|
||
|
features so that, tho it hid her eyes, he had had no trouble
|
||
|
recognizing her.
|
||
|
When he had recovered from the bone-crushing hug she had given
|
||
|
him, Kroan said, "So, why are you here, Sis? I thought you mostly
|
||
|
stayed in the south, in more civilized lands? What, did you get the
|
||
|
Master of the College mad at you, and he sent you to the hinterlands
|
||
|
as punishment?"
|
||
|
Her eyes were well hidden, and he didn't see the pain in them,
|
||
|
but he did notice the way her mouth twitched downwards, so he didn't
|
||
|
wait for some awkward response, but changed the subject.
|
||
|
"Well, we can talk about that in more privacy, eh? What say we
|
||
|
go have dinner in this nice little inn I know of, and we can talk
|
||
|
all we want - all night even. The nice thing about being boss here
|
||
|
is I can leave anytime I want to (as long as MY boss doesn't find
|
||
|
out, ha ha!). You have any place to stay, Je'en?"
|
||
|
They did talk all night, both of them. Kroan told her how he had
|
||
|
been promoted again and again, until he finally had control of all
|
||
|
matters financial for the third largest merchantile guild in Dargon.
|
||
|
He enjoyed his work, and felt quite happy where he was.
|
||
|
And, Je'en told her brother what had happened to her - the
|
||
|
attack, her injuries, her leaving the College, and training at
|
||
|
Pentamorlo with the famous Lord Morion. Kroan was genuinely upset to
|
||
|
hear about Je'en's losses, and, when she said she was looking for
|
||
|
work, he immediatly assured her that she could have a lifetime
|
||
|
position with Fifth I. She gladly accepted, but refused to promise
|
||
|
that it would be for a lifetime.
|
||
|
So, Je'en, with her brother's help, settled in to Dargon. He
|
||
|
found her an apartment in the better part of town, and got her a job
|
||
|
as a Peace-keeper in one of the Upper Marketplaces. She didn't
|
||
|
really even have to know one end of a sword from the other for such
|
||
|
a job, just how to placate irate customers and shop keepers, but she
|
||
|
enjoyed it, anyway.
|
||
|
|
||
|
Part Two: Assassination
|
||
|
"The Sword of Cleah has returned to us, my brothers!"
|
||
|
There was a murmur of suprise from the other
|
||
|
black-robed-and-cowled members of the Septent of the Order of Jhel
|
||
|
and Her Prophets on Earth. The seven men, who were always hidden,
|
||
|
even from each other, when they met to discuss Order business, were
|
||
|
astonished that the Time was so near. For the Sword to return in
|
||
|
their lifetimes...!
|
||
|
"Brother Saith, what proof do you bring to us of this?" asked
|
||
|
Brother Un (for anonymities sake, each member bore a number instead
|
||
|
of a name).
|
||
|
"It was seen, Brother Un. I, myself, have seen it, after hearing
|
||
|
reports about it from some of the acolytes. A woman wearing a silver
|
||
|
mask who guards in one of the marketplaces bears Lladdwr openly at
|
||
|
her side. The Sword of the First of Her Prophets has returned to us!"
|
||
|
"To be precise," said Brother Pedwar, "Lladdwr has come to
|
||
|
Dargon. It is in the hands of an unknowing Outsider. How is it to be
|
||
|
returned to us?"
|
||
|
"We could buy it," suggested Brother Chwech.
|
||
|
"But, what if this Outsider is not unknowing? You know that the
|
||
|
King has forbidden the worship of Jhel within his borders. What if
|
||
|
this masked woman is a decoy - what if she knows what she bears, and
|
||
|
is ready to point out any interest in her sword to agents of the
|
||
|
King?" asked Brother Un.
|
||
|
That gave them all pause. The Order of Jhel existed under a
|
||
|
front in Dargon, that was one reason why the Septent went hooded
|
||
|
when together. The King had decreed that Jhel and all of her
|
||
|
followers were traitors to the Crown. The tenets that Jhel's
|
||
|
Prophets proclaimed included that Anarchy was the Blessed state, and
|
||
|
when there was no more external rule, then would everyone live in
|
||
|
Bliss and Ecstacy Forever. Few believed in Jhel, but her followers
|
||
|
were fanatical, and they believed that if a person couldn't be
|
||
|
converted to Jhel's ways, then they should die, beginning with those
|
||
|
who imposed their rule on the people, and so postponed Jhel's Promise.
|
||
|
Finally, Brother Chwech said, "If this masked woman is a plant,
|
||
|
then if she is dead, she cannot report who had interest in her
|
||
|
sword, right? And, if she is not - well, one more step will have
|
||
|
been taken to fulfill Jhel's Promise."
|
||
|
"You know a competent assassin?" asked Brother Un.
|
||
|
"Aye, several. But, I think that a few street thugs should be
|
||
|
enough: she's only a woman, after all."
|
||
|
"Do what you think best, Brother Chwech. In your hands I place
|
||
|
the retrieval of Lladdwr, the Slayer that will bring down the world,
|
||
|
and replace it with Jhel's Promise!"
|
||
|
|
||
|
The room was dark, except over the intricately carved and inlaid
|
||
|
table in its center, which was lit by a clear crystal globe that
|
||
|
glowed with a golden light, suspended over it. The young yet
|
||
|
knowledgeable man settled himself into the chair, as carved and
|
||
|
inlaid as the table that was its mate, and shuffled the over-large
|
||
|
deck of cards in his hands.
|
||
|
When the cards felt right, he stopped shuffling and turned over
|
||
|
the top card onto the center of the table. It was the Twelve of
|
||
|
Swords - the cards were properly aligned with the subject. The young
|
||
|
man proceeded to lay out the rest of the Bent-Star pattern - the two
|
||
|
Force cards crossing the Significator, and the five rays of three
|
||
|
cards each that outlined the pathways of the layout. It took him
|
||
|
less than a second to scan the whole pattern and read it to its
|
||
|
deepest level, and when he had, he leaped to his feet in such haste
|
||
|
that the ornate chair went crashing backwards. He ran into the
|
||
|
darkness at the edge of the room with no hesitation, calling out,
|
||
|
"Mahr! Mahr, ready the Image Table quickly! Hurry!"
|
||
|
The young man ran through the darkness of his house as if it was
|
||
|
noonday-lit. Perhaps the way his eyes glowed with a sapphire blue
|
||
|
light enabled him to move surely where even a cat might have
|
||
|
faltered. Down three flights of steps to the first sub-basement he
|
||
|
ran, and into another globe-lit room with another table in it. His
|
||
|
apprentice, Mahr, was already there, preparing the special
|
||
|
properties of the table in this room for use.
|
||
|
The Image Table was large, with a flat top made of polished
|
||
|
slate. At each of the four corners stood a crystal pole, about a
|
||
|
foot and a half high, with what looked like small silver metal
|
||
|
flakes imbedded in it. All but one now glowed with the same eerie
|
||
|
inner illumination that the light globe did, and Mahr was touching
|
||
|
the last unglowing one with the palm of her left hand, muttering
|
||
|
something softly. When her words stopped, that pole, too, began to
|
||
|
glow, and she looked up at the young man said, "It is ready, my
|
||
|
Lord. Do you wish anything else?"
|
||
|
"No, Mahr, thank you. You have done well. You may stay, if you
|
||
|
wish." Mahr smiled, and moved back out of the way, but happy to stay
|
||
|
and watch her teacher, Cefn an'Derrin, work.
|
||
|
Cefn placed his hands on a metal plate on one of the long sides
|
||
|
of the Image Table, and began muttering some ancient and powerful
|
||
|
words. Light lanced outward from each pole, but only along and
|
||
|
within the edges of the table. Soon the light seemed to take on
|
||
|
solid form, filling the top of the table with a block of light. And
|
||
|
then, the block cleared, but the top of the table had vanished.
|
||
|
Instead, a portion of the town was visible, but not just as a
|
||
|
picture - it was as if someone had built an exact scale model of
|
||
|
part of Dargon's fringe district on the table.
|
||
|
But, no model could be so perfect. Unfelt wind moved debris down
|
||
|
the streets of the image, rocked shop signs, and caused lantern and
|
||
|
candle light to flicker. And, every so often, people moved thru the
|
||
|
tiny streets, either merchant going uptown, or sailor or dockworker
|
||
|
going downtown.
|
||
|
Cefn read the image with the same speed he had read the cards.
|
||
|
He frowned, and muttered a mild oath that caused a symbol
|
||
|
embroidered on his tunic to spark and flash. He said as if talking
|
||
|
to himself (which he was really, but aloud for Mahr's benefit), "The
|
||
|
cards said she'd be here. Must have taken too long to set up. I'll
|
||
|
have to move the Image to the danger zone, and wait."
|
||
|
The Image was centered on the street that ran along the nominal
|
||
|
separation line between the low city and the middle city. As Cefn
|
||
|
stood, the street ran right to left along the middle of the Image,
|
||
|
and the low city was on the side closest to him. He ran the
|
||
|
fingertips of his right hand slowly along the metal plate in front
|
||
|
of him, and the Image began to move to the left, until he recognized
|
||
|
a certain combination of cross streets and alleyways. Making careful
|
||
|
adjustments until a certain street was directly in front of him, he
|
||
|
began to move his fingers up, so that the Image moved into the low
|
||
|
city, following that street.
|
||
|
Cefn again recognized a certain alleyway, and moved the Image
|
||
|
right, following the alley into the darkness between buildings. When
|
||
|
the image just barely showed where the alley joined the street he
|
||
|
had been following at its right edge, he stopped. He had reached the
|
||
|
danger zone.
|
||
|
Slowly, as they watched and waited, details became clear in the
|
||
|
blackness of the alley. Cefn noticed the concealed figures first,
|
||
|
because he knew that they would be there - once he had pointed them
|
||
|
out to Mahr, their positions seemed obvious. Cefn said, "She will be
|
||
|
comming down the alley this way, from the left of the Image. She'll
|
||
|
never be able to spot these ambushers."
|
||
|
"Master, will you intervene?" asked Mahr.
|
||
|
"Little one, you know that I must keep my interrest and presence
|
||
|
hidden for our purpose here to succeed. But - fetch me some glass
|
||
|
slivers from the laboratory, quickly."
|
||
|
Mahr dashed into the surrounding darkness, uncovering a small
|
||
|
candle lantern when she reached the edge of the darkness that filled
|
||
|
Cefn's house - she had no sorcerous means of penetrating it as her
|
||
|
master did. She was swiftly back with the requested materials - a
|
||
|
handfull of glass splinters from the preparations for a spell Cefn
|
||
|
had been testing earlier that day. She placed them in Cefn's free
|
||
|
hand, and resumed watching the almost motionless waiting of the
|
||
|
ambushers in the Image.
|
||
|
Cefn was also watching, dividing his mind between that task and
|
||
|
preparing the spell he was going to use with the splinters. Silence
|
||
|
grew absolute as the two magicians waited for the woman's arrival.
|
||
|
A globe of lantern light preceeded the woman's arrival within
|
||
|
the Image - yellow oil-flame glinting off of silver face mask and
|
||
|
drawn and ready sword held left-handed. The lantern hung from a
|
||
|
special hook attached to her right wrist, which she held before her
|
||
|
to provide maximum illumination. Her pace was measured and careful,
|
||
|
and she looked around warily. The two watchers saw the ambushers
|
||
|
move deeper into the shadows that cloaked their hiding places. They
|
||
|
were well enough concealed that even when the woman was alongside
|
||
|
them, they would still be hidden from the light.
|
||
|
Cefn plucked two splinters of glass from his palm, and held them
|
||
|
above the Image where the two nearest ambushers hid. He mouthed the
|
||
|
words of the proper spell, and released the slivers. They fell, and
|
||
|
when they crossed the edge of the Image, it seemed that two swift
|
||
|
bolts of lightning streaked down to flash harmlessly but brightly
|
||
|
off of the sword-blades of the hidden attackers.
|
||
|
The woman saw the flashes, and immediately set her lantern down,
|
||
|
and backed up against a wall. The ambushers, knowing themselves to
|
||
|
be revealed, rushed out of hiding - six well armed youths with the
|
||
|
look of the street about them. They closed into a semi-circle around
|
||
|
the woman, who just shifted slightly so that she could keep all of
|
||
|
them in sight. Then, the melee began.
|
||
|
The only light in the alley was that of the lantern the woman
|
||
|
had set down. The movements of her attackers cast shadows into the
|
||
|
dim illumination, making the action difficult to follow for the two
|
||
|
who watched from safety and distance, but the attacked woman seemed
|
||
|
unaffected by the chancy light. She moved with speed, grace, and
|
||
|
skill, unaffected by the uneven odds and bad situation of the
|
||
|
attack. Bodies darted in and out of light, used shadows of others to
|
||
|
hid, and move unseen, and steel flashed bright white and blue as
|
||
|
swords did their work. Soon, the peculiar glint of light off wet
|
||
|
blood was seen as swift moving sword shed its red coating in moving
|
||
|
to gain another. The melee became clearer as, one by one, the street
|
||
|
toughs met the woman's sword for the last time, and ceased to move.
|
||
|
Less than five minutes later, Dargon's population was reduced by
|
||
|
six. The woman stood, panting slightly, sword still held at ready,
|
||
|
in the unblocked light of her lantern - her attackers were all dead.
|
||
|
Any expression she might have worn was hidden by her mask, and the
|
||
|
size of the image the mage watched, but, by her stance, she seemed
|
||
|
unaffected by her brush with death. Satisfied that the woman was all
|
||
|
right, Cefn lifted his hand from the metal plate, and the Image
|
||
|
folded in upon itself. Had he watched it fade away, he might have
|
||
|
seen the swordswoman begin to shake in delayed reaction, dropping
|
||
|
her sword, and sinking slowly to the ground.
|
||
|
But, Cefn's attention was diverted by Mahr. His apprentice
|
||
|
asked, "Who were those men, sir?"
|
||
|
"I don't know, Mahr. But, I can guess that the Order of Jhel now
|
||
|
knows that Lladdwr is in the city, and that was their first attempt
|
||
|
to retrieve it. We must keep a better watch over the woman."
|
||
|
"Yes, Master. After what she has been through, she deserves to
|
||
|
be looked after. Master, will it work? Was it worth it to bring her?"
|
||
|
Cefn frowned, and turned away from Mahr. After long moments of
|
||
|
staring into the darkness, he finally said, "I have my orders. Jhel
|
||
|
must be eliminated, and the Order here in Dargon is the only one
|
||
|
left. You were with me when we cast the cards, looking for the
|
||
|
answer. The only avenue open was to bring Lladdwr here, and the only
|
||
|
way to do that was to get her friends to take her out that night.
|
||
|
The cards didn't tell us what would come of that little sorcerous
|
||
|
manipulation, did they?!
|
||
|
"It has to work. We've destroyed that woman's life, just to get
|
||
|
a damnable piece of steel into this city - if it doesn't bring down
|
||
|
Jhel, well -- well, it has to, that's all. We must be vigilant,
|
||
|
ready to help, and be ready, when the time comes, to expose and
|
||
|
destroy the last Septent in existence."
|
||
|
|
||
|
Part Three: Dreams
|
||
|
"Brother Chwech, report," said Brother Un.
|
||
|
"As you know, Brothers, the attack was unsuccessful. Apparently,
|
||
|
this 'Je'en' woman, she who bears the Sacred Sword, knows its uses.
|
||
|
The men I hired were all killed in the ambush. I..."
|
||
|
"Pardon me, Brother Chwech, but it wasn't an ambush," said
|
||
|
Brother Pump. "I was watching the whole thing, and someone or
|
||
|
something intervened on the woman's behalf, exposing the location of
|
||
|
the men hired by Brother Chwech, and ruining the ambush. Later, I
|
||
|
learned that I was not alone in observing the conflict. Brothers,
|
||
|
this woman is not here by chance. Someone has lured her here, and I
|
||
|
fear that she is bait for us. If we wish to retrieve Lladdwr, we
|
||
|
must act slowly, cautiously, and as covertly as possible. Forget
|
||
|
not, Brothers, we are the last of Jhel's Priests - the prophecies do
|
||
|
speak of a possible future wherein Jhel's very name is forgotten.
|
||
|
That must not happen."
|
||
|
"Well spoken, Brother Pump," said Brother Un. "Caution is indeed
|
||
|
necessary. Has anyone here any ideas on how to coax the Sacred Sword
|
||
|
from this woman?"
|
||
|
Brother Tri said, "I have done some research into this woman's
|
||
|
past, and I think I have found a possible weakness. You see, she was
|
||
|
once a Bard, before a recent accident stole away her voice. What
|
||
|
might she do, my Brothers, to regain it...?"
|
||
|
|
||
|
Je'en, Mecke, and Taal laughed in pure joy as they walked down
|
||
|
the street, heading for the best tavern in Magnus - the Battered
|
||
|
Shield. They had just passed their final test and were now
|
||
|
officially Bards, and intended to spend a few hours celebrating.
|
||
|
For Je'en, it was the fulfillment of a dream. From that first
|
||
|
day the circuit Bard had selected her from the Faire's singing
|
||
|
contest, saying she had the potential, Je'en had done everything in
|
||
|
her power to become a Bard. She had traveled to the College in
|
||
|
Magnus, studied hard, and learned well. And, she was now a Bard.
|
||
|
She and her two classmates entered the Battered Shield, and Taal
|
||
|
immediately ordered a round for the house, announcing their news to
|
||
|
all. Je'en smiled and accepted the congratulations of the patrons,
|
||
|
and then the they settled into a corner booth and began to celebrate.
|
||
|
About an hour and a half later, Mecke suggested a little
|
||
|
contest. The three of them would take a given legend, and retell it,
|
||
|
each differently. It was an exercise that they had all done in
|
||
|
class, so they all knew what was required. Since Mecke had suggested
|
||
|
it, she was chosen to go first.
|
||
|
As she sang her version of the Balphiryon and Hengnra tale, the
|
||
|
patrons of the tavern began to gather around - even in Magnus,
|
||
|
listening to a Bard ply her trade was an event.
|
||
|
When Mecke was finished - to much applause, and a few coins - it
|
||
|
was Taal's turn. His version took a totally different turn, but was
|
||
|
equally entertaining, and he, too, received applause, and cheers,
|
||
|
and coins - enough to pay for his "round for the house" earlier.
|
||
|
Then it was Je'en's turn. While she had been half listening to
|
||
|
the others sing, she was formulating her own version, on yet a
|
||
|
different tack from Taal's. So, once the accolades for Taal had died
|
||
|
down, she began. By way of long practice, and tenacious teachers, it
|
||
|
had become almost second nature for her to make up a story-song as
|
||
|
she went along. Her version came out as smoothly and professionally
|
||
|
and the two before, and she could tell that the audience was
|
||
|
enjoying themselves as well.
|
||
|
Then, in the middle of her twenty-second verse, she suddenly
|
||
|
couldn't sing anymore. Her throat burned, there was stabbing pain in
|
||
|
her face, arm, and leg, and all that came out of her mouth were
|
||
|
harsh, croaking noises, fit only for an angry bird. And, the
|
||
|
audience immediately turned on her, throwing mugs and bread,
|
||
|
jeering, catcalling, abusing her verbally and physically. And, to
|
||
|
make it worse, her friends joined in with the patrons instead of
|
||
|
standing by her and helping her. She didn't understand. This hadn't
|
||
|
happened before, before...
|
||
|
Je'en woke up with a start, sitting bolt upright, her mouth open
|
||
|
and breath caught to scream. She caught herself before she tortured
|
||
|
her throat further, and instead began to sob, coiling into a ball on
|
||
|
her bed.
|
||
|
Wend had awakened when Je'en did, and he, used to her nightly
|
||
|
fits, tenderly reached out to her, gently unrolled her, and let her
|
||
|
cry herself out against his chest.
|
||
|
When Je'en was calm again, she thanked Wend and stayed close to
|
||
|
his comforting solidity. He was a Peace-keeper in the same market
|
||
|
place she was. He had always been friendly, and a help in getting to
|
||
|
know Dargon, and, eventually they had become lovers. And now, with
|
||
|
these nightly nightmares, he was a great comfort to her as well.
|
||
|
The bad dreams had started shortly after the attack in the
|
||
|
alley. Up until that time, Je'en had never used her newly-won skills
|
||
|
with the sword to kill. That, with the similarity of that ambush to
|
||
|
the one in Magnus that had taken her voice, had released all of her
|
||
|
carefully dammed up memories. Memories that were now tormenting her
|
||
|
each and every night.
|
||
|
Wend said, "Better now, hon? What was it this time?"
|
||
|
Je'en told him. It seemed to help. He was so understanding. She
|
||
|
was beginning to feel something deep for him.
|
||
|
That night's nightmare was typical: a good memory from her past
|
||
|
life ruined by the intrusion of her present circumstances. Without
|
||
|
Wend's help, she would probably have retained the mixture, ruining
|
||
|
even her memories of her past, but he helped her reason out the
|
||
|
nightmare and banish it. She hadn't had any repeat dreams, for which
|
||
|
she was glad.
|
||
|
When Wend had done his work sorting out her dream, he said,
|
||
|
"Je'en, I learned of this treatment that might help you. It's a mild
|
||
|
drug that frees the mind, and with guidance, deep-seated problems
|
||
|
can be resolved while under the influence. It has been three weeks
|
||
|
since you had an undisturbed night's rest."
|
||
|
Je'en thought about it. Normally, she didn't like drugs, other
|
||
|
than a little alchohol now and then. She didn't like to be out of
|
||
|
control. But these nightmares were bad, and without Wend, they would
|
||
|
be worse. She didn't want to go through life dreaming bad dreams,
|
||
|
with Wend always by her side (as nice as that sounded, for other
|
||
|
reasons) to keep her sane. So, she said, "Alright, Wend. What do I
|
||
|
need to do?"
|
||
|
|
||
|
The house was in that chancy fringe district between the middle
|
||
|
and lower cities. It stood out because it was the best kept house on
|
||
|
the street, and it stood alone - its neighbors had collapsed, and
|
||
|
the rubble cleared away, long since.
|
||
|
Wend led Je'en up to the door, and knocked. Je'en was nervous -
|
||
|
she was literally giving control of her mind to Wend, who had
|
||
|
offered to give the healing guidance. But, she had come to know him,
|
||
|
and she trusted him. When she was cured, she thought she might even
|
||
|
ask him to marry her.
|
||
|
An old woman answered the door, and ushered them into a well
|
||
|
kept parlor, furnished with the trappings of a fortune-teller, as
|
||
|
was the old woman. Wend whispered something in her ear, and handed
|
||
|
her a small leather bag that clinked faintly as it met the woman's
|
||
|
hand. She hefted it as if judging the value of its contents, smiled,
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and produced a small silver box from her robes. She said in a voice
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like old leaves, "Use number 15, my son. I wish you well." Then she
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began to putter around the room, ignoring the couple as they went up
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the stairs at the back of the room.
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Room 15 was neatly, if sparsely, furnished with a bed, chair,
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and table. It was very neat, and the furniture was expensive, but
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Je'en could guess what else this room might be used for. She
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wondered how much of the coin Wend had paid had been for the time in
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the room, and not the drug.
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Je'en took her place on the bed, and Wend pulled the chair up
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|
next to her. He showed her the tiny box, and opened it. Within were
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two very small pills with the silvery-red sheen of blood on steel. A
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ewer and glass on the table helped to wash down the pills, and Wend
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|
told her to just relax.
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|
It wasn't long before Je'en fell lightly asleep. She didn't
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|
consciously hear the soothing words spoken by Wend, but she felt
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|
their effects. And she began to dream.
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|
Nothing bad, this time. Only good. Reliving her memories,
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|
specifically her most recent nightmares, without the bad parts. The
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|
dreams were very vivid, and she enjoyed feeling herself sing and
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|
play music again. The pain of her loss was mitigated by the joy of
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|
her memories.
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|
When she awoke, she felt much refreshed. And that night there
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|
was no nightmare. Wend was happy that Je'en felt better, but felt
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|
that she should use the drug for at least the rest of the week -
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|
after all, she didn't want the nightmares returning, did she? So,
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|
every day for the next four days, she and Wend went to that lone,
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|
well kept house, and spent an hour or so in one of the upper rooms.
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|
Cefn sat in near darkness, the globe above the table dimmed to
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|
just a faint spark. He studied the lay of the cards on the table,
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|
and frowned again. They refused to tell clearly! He read dreams and
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|
danger in them, but there was no imminency in them, and no definite
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|
focus either. The way they read, it almost seemed that they were
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||
|
warning of the everyday possibility of an accident, save that the
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|
cards never worked so trivially. His charge, Je'en, seemed to be in
|
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|
some danger, but he couldn't tell what kind, or how soon, and he
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couldn't act until he knew. With a stifled oath, he swept the cards
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from the table, dimmed the globe with a gesture, and sat, brooding,
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in total darkness.
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-John White <WHITE @ DREXELVM>
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<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>X<>
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