1566 lines
77 KiB
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1566 lines
77 KiB
Plaintext
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FICTION-ONLINE
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An Internet Literary Magazine
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Volume 2, Number 5 (corrected)
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September-October 1995
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EDITOR'S NOTE:
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FICTION-ONLINE is a literary magazine publishing
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electronically through e-mail and the internet on a bimonthly
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basis. The contents include short stories, play scripts or
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excerpts, excerpts of novels or serialized novels, and poems.
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Some contributors to the magazine are members of the Northwest
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Fiction Group of Washington, DC, a group affiliated with
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Washington Independent Writers. However, the magazine is an
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independent entity and solicits and publishes material from the
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public.
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To subscribe or unsubscribe or for more information, please
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e-mail a brief request to
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ngwazi@clark.net
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To submit manuscripts for consideration, please e-mail to the
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same address. Back issues of the magazine may be obtained by e-
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mail from the editor or by anonymous ftp (or gopher) from
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ftp.etext.org
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where issues are filed in the directory /pub/Zines. AOL users
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will find back issues under "Writer's Club E-Zines."
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COPYRIGHT NOTICE: The copyright for each piece of material
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published is retained by its author. Each subscriber is licensed
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to possess one electronic copy and to make one hard copy for
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personal reading use only. All other rights, including rights to
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copy or publish in whole or in part in any form or medium, to
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give readings or to stage performances or filmings or video
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recording, or for any other use not explicitly licensed, are
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reserved.
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William Ramsay, Editor
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ngwazi@clark.net
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=================================================================
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CONTENTS
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Editor's Note
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Contributors
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"Flowers and Parties: Poems"
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Diana Munson
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"A Bad Day at the White House," fiction
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Ivy Main
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"Baesle," an excerpt (chapter 8) from the novel "In Search
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of Mozart"
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William Ramsay
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"Time Trials," short story
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Otho Eskin
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=================================================================
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CONTRIBUTORS
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OTHO ESKIN, former diplomat and consultant on international
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affairs, has published short stories and has had numerous plays
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read and produced in Washington. His play "Duet" was recently
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produced at the Elizabethan Theater at the Folger Library in
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Washington, as well as at other theaters in the United States,
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Europe, and Australia.
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IVY MAIN is a writer living in MacLean, Virginia. "A Bad Day at
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the White House" was recently published in _The Belletrist
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Review_.
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DIANA MUNSON is a therapist in Washington, D.C. She writes short
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stories; her latest, "Earrings," was recently published in _Rent-
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A-Chicken_. She has published numerous poems in magazines and
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anthologies.
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WILLIAM RAMSAY is a physicist and consultant on Third World
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energy problems. He is also a writer and the coordinator of the
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Northwest Fiction Group. His comedy, "The Importance of Being
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Elvis," was recently produced at the Source Theater Ten-Minute
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Play Festival.
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==============================================================
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FLOWERS AND PARTIES: POEMS
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by Diana Munson
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ARGUMENT AGAINST DAFFODILS
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When I was young I lived to grasp
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the yellow moments,
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catch falling stars,
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and things that glimmered bright
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if briefly; I sought the light,
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I bought daffodils, and never asked the time.
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But now, age mellowed
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I know that daffodils wilt quicker,
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and I prefer muffled tones, dusk,
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and violet times and muted hues, chrysanthemums...
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THE LITERARY PARTY
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(Per me si va nella citta dolente)
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Secluded, in the talk about Lust,
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In the reference to Love,
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In the appeal to Passion,
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Between the olive and the vermouth,
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Between the smile and the tongue
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Taste gets lost
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Among these tasteful,
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Comes undone.
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What remains:
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A brimming ashtray's disarray,
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The slick printed cards in the pocket,
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And a few phone numbers scribbled illegibly
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Between a black book's covers
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(no one ever looks there to find lovers),
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Burnt marks on the mantlepiece,
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Broken glass in the bath,
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A matchbook on the floor near the door.
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Tomorrow in the aftermath
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no one will say:
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Greed came in casual dress,
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And Ennui in decollete, and
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Powerseeking in purple lip,
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But isn't every Hell, in its own way, looking well?
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====================================================
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A BAD DAY AT THE WHITE HOUSE
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by Ivy Main
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"You are the greatest. You are the supreme being. You are
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the ne plus ultra of world leaders. You are the -- "
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The President reached over and slapped the "off" button on
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the alarm clock. For a moment he contemplated going back to
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sleep. He was on the verge of blissful unconsciousness when a
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thought floated to the surface of his mind, crystallized into
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realization, and brought him fully awake. This was to be his day
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of triumph. Today a Justice Department special prosecutor would
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formally charge his arch-rival, House Speaker Jim Deerborn, with
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misappropriation of campaign funds. Deerborn would be forced out
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of the primary race, the President would reunite his party, and
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he would sail to reelection in November with only enough of a
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fight from the likely Republican challenger to make the race fun.
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President Bruce Dudley sat up in bed, rubbing his hands.
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"Petersen!" he yelled; and then, as nobody came running, he
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strode to the door and opened it to call out again, wrapping a
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silk paisley dressing gown around his ample frame as he went.
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"Petersen!"
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"Here, sir." A freshly-scrubbed young aide trotted forward
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with the morning's news clippings already assembled in a leather
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file embossed with the presidential seal. "Shall I order your
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tray now, sir?"
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"All right." Dudley took the file and flipped through it
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while Petersen spoke into the tiny radio on his wrist, announcing
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to the White House kitchen that the President would condescend to
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sample breakfast immediately in his suite.
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"What's this?" Dudley stopped at a news item about the
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upheaval in Ivory Coast. He shot a quick glance at Petersen.
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"Ivory Coast? What's going on there?"
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"That's this week's Third World basket-case. The government
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fell on Tuesday, and the capital's in chaos. Everybody killing
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everyone else."
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"Really? I thought that was Burundi."
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"No, sir. That was last week."
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"Wasn't Myanmar last week?"
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"You're thinking of Laos, and that was last month."
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"No, I remember Laos, because the riots there followed the
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cholera epidemic in Venezuela."
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"Guyana."
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"Whatever." Dudley flipped the pages. "There's nothing
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here about Deerborn. Why aren't the papers on top of this? The
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man has broken the laws of this country. Where's the outcry?"
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"Well, the special prosecutor hasn't gone public yet. Until
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it's clear what she's going to do -- "
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"_I_ know they've got the goods on him. You telling me the
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"Washington Post" doesn't know that?"
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"You have to remember, it was our people who supplied the
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goods. Sir."
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A maid appeared bearing an immense silver tray with a domed
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cover. The men trailed her back into the room and over to a
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small mahogany table by a window overlooking a presidential
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expanse of lawn. She took the cover off, revealing a dry toasted
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English muffin, a small dish of preserves and a glass of prune
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juice, surrounded by heavy silver service and a linen napkin.
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Dudley made a face. "Julia thinks I need to lose weight for the
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campaign."
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"The First Lady has an unerring sense of these things."
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Petersen wore a look that was probably intended to be
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sympathetic, but his slender frame lent it no credence. The
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President scowled. "Wait until you're a grown-up. Fifty changes
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everything." But as he scraped the jam out onto the bottom half
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of the muffin and covered it up with the top half, sandwich-
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style, he found his good humor returning. "Never mind. I'm
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eating venison for lunch!"
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"Sir?"
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"Venison. Deerborn -- get it? Venison!" Dudley exploded
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with laughter, as much at Petersen's incomprehension as at his
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own pun, although it was a very good one. But the laughter,
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coming just when he had taken a bite of his breakfast, caused him
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to inhale a crumb and choke on it. Petersen pounded him on the
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back; his eyes watered and he felt his face grow flush. By the
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time he could breathe again, he had forgotten his joke. He
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cleared his throat and wiped the white napkin over his mouth.
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"Well, what's on for today?"
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Petersen opened the file to the typed schedule inside the
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back cover. "Briefing with the Chief of Staff, 8:30 a.m. He
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wants you to fire some people to prove to the media that this
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isn't the big-spending, do-nothing Administration they say it
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is."
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"Those slimy reporters! They couldn't report the truth if
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it came to them on stone tablets from God."
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Petersen chuckled. "You always say so, sir." He continued
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reading from the schedule. "Nine o'clock, croquet with the
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Secretary of State. Nine thirty-five, the White House Counsel;
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McNaughton wants to hire a new assistant so he doesn't have to
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spend so much time on legal matters, especially with the pro-am
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golf tournament coming up. Then at 9:45 you're presenting a
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plaque to the Girl Scout who sold the most cookies this year."
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Dudley glanced up hopefully. "Are they bringing some
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cookies?"
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@@@ "They've been asked not to. At 9:55, the signing ceremony
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for the Bathtub and Shower Safety Act, followed immediately by a
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photo op with the U.S. Olympic Crack Team."
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"The what?"
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"Crack team. Oh, I expect that's not right. Must be a
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typo." Petersen studied the paper intently, squeezing his lower
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lip between his thumb and forefinger.
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"Then what?"
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"Ten-twenty, you meet with a delegation of agribusiness
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executives to assure them that your Family Farmer Initiative
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isn't intended as a slight on non-family farms. At 10:35 there's
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a cabinet meeting to sort out this question of who's entitled to
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transportation by government helicopter. They may also try to
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bring up the subject of which of them gets to go to Camp David
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this Fourth of July, but if that comes up, the meeting's going to
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go over time. If necessary, you could postpone the 11:08
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congratulatory phone call to Mrs. Thelma Jefferson -- you know,
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the old lady who's turning a hundred and eighteen today. By the
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way, she's senile, so she won't know who you are. Anyway, try
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not to let the schedule slip too much. We've already put off
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your consultation with the upholsterer twice; if you miss the
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11:15 appointment today we won't get the new chair coverings in
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time for the state dinner."
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"I'll make it. I can control my cabinet." The President
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dusted the crumbs from his dressing gown and eyed the prune
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juice, which he despised.
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"Eleven-thirty, the third sitting for your official
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portrait. That will take half an hour, during which the chef
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wishes to nail down the menu for the dinner. Be careful, by the
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way. Rumor has it he's getting creative hankerings again."
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Dudley grunted. "Just no fiddleheads and mushrooms in
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Chinese black bean sauce. That dish destroyed our relations with
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an important ally." He shook his head, recalling the last state
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dinner.
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"Yes, it was unfortunate about the wild mushrooms," murmured
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Petersen. "But Egypt seems to have come out of the succession
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crisis all right."
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Dudley held his breath and drained his prune juice, then set
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the glass down on the tray as he pushed away from the table.
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Petersen followed him towards the bathroom, still reading from
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the schedule.
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"Twelve o'clock, lunch with the First Lady, who wants to go
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over choices for your son's summer camp. Twelve forty-five, a
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meeting with the Vice President."
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Dudley stopped at the door of the bathroom. "The Vice
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President? What can he want?"
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"I don't know. He just asked for ten minutes to discuss
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'matters of national significance.'"
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"Curse that fellow! Doesn't he realize I'm busy? A couple
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times a month he does this to me!"
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"Maybe it's time to send him on another fact-finding
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mission."
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"But then he always comes back with facts!" Dudley started
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into the bathroom, then turned, smiling. "And don't tell me.
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Two o'clock, the special prosecutor makes her announcement on
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national television, after which I pull a long face for the press
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and bemoan the downfall of my lifelong friend and friendly rival,
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Jim Deerborn. Ah, me!" He heaved a mock sigh, smiling
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heavenward, and shut the bathroom door.
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Thanks to Petersen, it was exactly twelve o'clock when
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President Dudley sat down to plain broiled cod and steamed
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carrots with the First Lady, and twelve forty-five when he
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returned to his office for the meeting with the Vice President.
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Petersen's penchant for keeping to schedules would have been
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called legendary if he had been old enough to be a legend; as it
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was, he was the brunt of a joke to the effect that the recent
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economic boom would have occurred sooner, except that it couldn't
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be worked into the schedule. The President especially loved this
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joke, as it implied that something he'd done had caused the boom.
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Vice President John Ramirez appeared at the office door
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looking like the ghost of a Spanish aristocrat from centuries
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ago. Certainly his skin could not have been paler had he spent
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the last couple hundred years underground. His lean face with
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its patrician lines lent him an air of dignity and wisdom, and a
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lifetime in politics had taught him to use this advantage to
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effect. Even the President felt a shrinking in Ramirez's
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presence, and had to remind himself that looks were deceiving.
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Still, he could never keep from standing when the older man
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entered the room.
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"John!" he cried, waving him in and covering the standing-up
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difficulty by striding across the room to close the door. "Just
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back from Rangoon, is it? How was the trip?"
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"Jakarta. I've been back for two weeks, but I've been
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unable to get in to see you."
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"Why, nothing wrong in that part of the world, is there?
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You saw what's-his-name properly buried?"
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"No, I saw what's-his-name properly married."
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"Ah -- same thing, eh? Ha ha."
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Not the slightest hint of amusement touched the Vice
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President's features. "The bride and groom were touched by your
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gift of two American bison. Unfortunately, the animals died
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within three days of their arrival, and seem to have spread a
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lethal virus around the entire zoo, in spite of the quarantine."
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"That's embarrassing. I'm sure you turned it to good
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account, though. What did you tell them, that the virus is like
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democracy, which will spread in spite of all efforts to quash its
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nascent -- "
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"No."
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"No. I can see how the 'lethal' business would make that
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sound bad." Dudley nodded vigorously. "Anyway, if the country's
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already a democracy -- what country are we talking about, anyway,
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Madagascar?"
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"Indonesia."
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"Oh, of course. I'd just lost my train of thought for a
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moment there. Same area, anyway." Dudley briefly wondered
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whether Indonesia could safely be called a democracy. Or
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unsafely, for that matter; he hadn't a clue. In the end, he
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decided to steer clear of the question. Instead he said, "Well,
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well, what can I do for you, John? A matter of national
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significance, you told Clay Petersen? Only I warn you, I've got
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only a few minutes for it. I'm meeting with the American Photo
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Keepsakes Manufacturer's Association at one. I think they may
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throw us their endorsement. We've got to start thinking about
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reelection, John."
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"Oh, I am."
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The Vice President managed a grim smile, which usually meant
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he was thinking of something unpleasant. Dudley clammed up and
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waited.
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Ramirez coughed into his hand. "I met with the FBI Director
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yesterday -- you were busy with the representatives of the Parade
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Float Workers Union."
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"It turned out to be really worthwhile. The guy who does
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Santa Claus in the Macy's Parade showed up. Did you know he was
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a lifelong Democrat? How's this for a line: 'Even Santa Claus
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votes for Dudley! And Ramirez.'"
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"About the FBI..."
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"Yes, go on."
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"The Director gave me a piece of information that is at the
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very least scandalous, and potentially seriously damaging to the
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Administration and the government as a whole. Its implications
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for national security and military morale have me gravely
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concerned."
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Dudley swallowed. "Well?"
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"It seems the Chairman of the Joint Chiefs of Staff is
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having an extramarital affair."
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The President relaxed, infinitely relieved. "Is that all?
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John, I know you're a bit of a Puritan -- "
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"His affair is with another man."
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"Oh, Christ." Dudley stood up abruptly and paced around the
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room, his hand on his forehead. "That is awkward. I don't
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suppose there's an exception to our gays-in-the-military policy
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for generals, is there? The press will have a field day. I
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never liked the man, you know. Not that I'm in any way anti-gay,
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it must be understood, but I have a special obligation to protect
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our nation's traditional moral values -- "
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"It gets worse."
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Dudley missed a step. "No, don't tell me. The other
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man...?"
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"Is the Senate Majority Leader."
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"Oh, Jesus! There goes the budget deal." Dudley brought
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his other hand up to his head, too. His pace increased, so that
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he crossed from one end of the office and back in only a few
|
||
|
seconds, whirled around, and sped back the other way. "We've got
|
||
|
a crisis. Yep, it's what you could reasonably call a crisis.
|
||
|
There's no other word for it."
|
||
|
"Calamity. Disaster. Debacle. Catastrophe."
|
||
|
Dudley ignored him. "But we're going to weather this. The
|
||
|
timing's bad, but it doesn't actually involve any of our people.
|
||
|
I mean, the Chairman of the Joint Chiefs is more a Pentagon guy,
|
||
|
and the general consensus is that he's got Republican leanings
|
||
|
anyway. I don't see this as hurting our reelection campaign --
|
||
|
much."
|
||
|
"Deerborn's been critical of the Chairman."
|
||
|
"Don't worry about Deerborn!" Dudley started to chuckle
|
||
|
until he recalled that the Vice President was not privy to the
|
||
|
information that would shortly be bringing down the rival
|
||
|
candidate. "We'll see what happens on this front. Now, unless
|
||
|
there was anything else you needed to talk to me about -- "
|
||
|
"As a matter of fact, there is." Ramirez looked, if
|
||
|
possible, even a shade more grave. "It concerns the report on
|
||
|
Mexico that the CIA sent over an hour ago. -- Oh, but I see it
|
||
|
on your desk. You've read it, I assume?"
|
||
|
"Yes, yes, and I'm prepared to take appropriate measures."
|
||
|
Dudley cast a sidelong glance at his desk. There, sure enough,
|
||
|
front and center, lay a file plastered with "Urgent" and "Top
|
||
|
Secret" and "For Your Eyes Only" stickers. The sight of those
|
||
|
stickers always gave him a thrill, although otherwise he hated
|
||
|
CIA reports. They all concerned boring foreign policy matters.
|
||
|
Petersen stuck his head in the door. "The Photo Keepsakes
|
||
|
people are waiting. We're one minute behind schedule, but I
|
||
|
think we may be able to make it up on the meeting with the
|
||
|
Federal Reserve Board Chairman."
|
||
|
"You're not going ahead with your schedule under these
|
||
|
circumstances, are you?" cried the Vice President, rising.
|
||
|
Dudley patted him on the shoulder as he eased the old fellow
|
||
|
towards the door. "Now, now, I don't try to tell you how to do
|
||
|
your job, do I? Of course, you haven't actually got a job;
|
||
|
that's the bad news about being V.P. Ha, ha. See you around,
|
||
|
John, thanks for stopping by and sharing your concerns with me."
|
||
|
As soon as the Vice President had left, Dudley whispered,
|
||
|
"You know anything about some problem with Mexico?"
|
||
|
"I haven't heard anything." Petersen glanced down the hall
|
||
|
where Ramirez had gone. "Maybe it's a Hispanic thing." Then he
|
||
|
looked at his watch. "We're a minute and a half off schedule,
|
||
|
sir."
|
||
|
"All right. Bring in our guests." The President returned
|
||
|
to his office and settled himself in his chair, turning slightly
|
||
|
to one side because he'd found it gave the best effect when
|
||
|
people walked into the room. He opened the file on his desk in
|
||
|
order to appear to be doing something of national importance, but
|
||
|
before he could pretend to read it his secretary spoke through
|
||
|
the intercom.
|
||
|
"Mr. President, Ted McNaughton is on the line. He says it's
|
||
|
urgent."
|
||
|
Dudley picked up the phone. "Ted, we went over this this
|
||
|
morning. We made a big deal out of these new hiring guidelines;
|
||
|
if you really want another lawyer in the White House Counsel's
|
||
|
office, it's got to be a black female with a disability." He saw
|
||
|
the door open and Petersen usher the Photo Keepsakes contingent
|
||
|
into the office. Ignoring McNaughton's insistence that this call
|
||
|
concerned an entirely different matter, Dudley changed his tone
|
||
|
to one of cordial respect and said into the phone, "Well, thank
|
||
|
you, Mr. Boutros-Ghali. I certainly couldn't have negotiated
|
||
|
that peace settlement without U.N. support." Then he hung up and
|
||
|
turned, smiling, to greet his visitors.
|
||
|
President Dudley was still having his picture taken with the
|
||
|
delegation from the American Photo Keepsakes Manufacturer's
|
||
|
Association when Petersen marched in again, holding his wrist in
|
||
|
front of his face and exclaiming that his watch had to be running
|
||
|
fast, because one could not accuse the President of running slow.
|
||
|
The visitors accepted the hint and left to tour the grounds, but
|
||
|
not before Petersen had begun dancing with anxiety.
|
||
|
"We've lost two more minutes -- make it three! No." He
|
||
|
stopped jumping around long enough to stare at the hands of the
|
||
|
watch, calculating. "Two minutes and fifty-five seconds! Fifty-
|
||
|
seven, fifty-eight, fifty-nine -- now it's three minutes! You're
|
||
|
just going to have to tell the Chairman of the Fed to come talk
|
||
|
about interest rates another day."
|
||
|
"You're shaking, Petersen. You'd better take your
|
||
|
medication."
|
||
|
Petersen nodded and reached into his jacket pocket, but his
|
||
|
fingers trembled so much that he spilled the little yellow pills
|
||
|
all over the office floor. Instead of stooping to collect them,
|
||
|
however, he stood still and began uttering a high-pitched
|
||
|
whooping sound which, from the intermittent convulsing of his
|
||
|
shoulders, suggested that he was sobbing.
|
||
|
"Oh, come on, now! I promise we'll make up the time," cried
|
||
|
Dudley, getting down on his hands and knees to search for the
|
||
|
pills. "What's next on the schedule?"
|
||
|
Petersen's body had begun to curl up like a drying leaf. He
|
||
|
staggered towards one of the window seats and collapsed on a blue
|
||
|
chintz cushion. "The Fed Chairman," he whimpered. "And then
|
||
|
you're supposed to decide on a new Supreme Court nominee. I
|
||
|
allotted ten minutes for you to discuss the candidates with the
|
||
|
search committee!"
|
||
|
"Then that should just do it! If I can't choose a Supreme
|
||
|
in under seven minutes, I don't deserve to be President."
|
||
|
Dudley held out one of the pills, but Petersen seemed to
|
||
|
have passed a point of no return. He slowly drew himself into a
|
||
|
tight ball and began rocking back and forth on the window seat,
|
||
|
whooping softly to himself. The President dropped the pill into
|
||
|
the bottle and returned to the task of gathering up the others.
|
||
|
He was just crawling under the desk to retrieve the last one when
|
||
|
he heard a voice say, "Good God, what's the matter with
|
||
|
Petersen?"
|
||
|
Dudley reversed course. When he could get his head out he
|
||
|
found his Chief of Staff standing just inside the door. "Oh,
|
||
|
it's just one of his attacks, Harris. Only worse than usual,
|
||
|
maybe."
|
||
|
"I didn't mean that. I meant the haircut." Harris crossed
|
||
|
the room to stand in front of Petersen. "Did he decide to go
|
||
|
short, do you know, or did this just happen?"
|
||
|
Dudley got to his feet and stood beside Harris, looking down
|
||
|
at the stricken man. "It is bad. I guess I hadn't noticed."
|
||
|
"Have you given him a pill?"
|
||
|
"No. When he gets like this it's too late for the yellow
|
||
|
ones. We need to find the pink ones."
|
||
|
Harris stepped forward to frisk Petersen, who now seemed
|
||
|
oblivious to their presence. "Here we go!" He put his hand into
|
||
|
a pocket and pulled out a pill bottle and a slip of paper.
|
||
|
"Damn," he said, shaking the bottle, "it's empty. Here's the
|
||
|
prescription for the refill."
|
||
|
"Well, that's annoying." They both looked at Petersen's
|
||
|
rocking, whooping body. "What did you want to see me about,
|
||
|
anyway? That Supreme Court Justice thing?"
|
||
|
"No, actually, the CIA's been on my case. They want to know
|
||
|
what to do about Mexico. Do you know something about this?"
|
||
|
"Mexico again!" Dudley jerked his thumb towards the desk.
|
||
|
"There's something about it there. You might want to look at the
|
||
|
report."
|
||
|
Harris turned to the desk, and Dudley looked around for a
|
||
|
pillow to place behind Petersen's head, in case the rocking got
|
||
|
so violent that he hit the window. He was about to suggest that
|
||
|
they call in the White House physician, when he heard Harris
|
||
|
gasp. "What? What is it?" he asked him.
|
||
|
"The Mexicans! They -- they want Texas back!"
|
||
|
Dudley forgot Petersen and came to stand by Harris.
|
||
|
"They've got balls. What the hell do they mean by it?"
|
||
|
"They claim it's in NAFTA. What'll we do?"
|
||
|
The President thought it over. "Can't we just let them have
|
||
|
it? Texas generally votes Republican."
|
||
|
Harris was starting to answer when a young woman burst
|
||
|
through the door, waving a copy of Playboy. "Mr. President, have
|
||
|
you seen this!?"
|
||
|
"Not this month's issue," answered Dudley. "And by the way,
|
||
|
doesn't anyone knock first any more? Are you on the schedule,
|
||
|
Janet?"
|
||
|
"No, sir, but the Fed Chairman had a heart attack in the
|
||
|
lobby, and security's taken him off. So you've got a minute of
|
||
|
play in the schedule."
|
||
|
"That's a relief." Dudley smiled over at Petersen, who,
|
||
|
however, seemed unable to hear.
|
||
|
"Not entirely. He's left instructions to raise interest
|
||
|
rates by two points. The stock market just crashed." Janet
|
||
|
waved the magazine again. "But this is what I wanted to show you
|
||
|
-- these pictures!" She opened the magazine to a marked page.
|
||
|
Dudley took the magazine, saying, "Really, Janet, I didn't
|
||
|
know women liked this sort of thing -- well! These are hot, hey,
|
||
|
Harris?"
|
||
|
"Mr. President, that's your wife!"
|
||
|
"It is? Oh, I wasn't looking at the face." Dudley paled.
|
||
|
"It is her, although she looks pretty young. It's amazing what
|
||
|
they do with make-up. Where'd they get these, Janet?"
|
||
|
"They're old movie stills someone sold to the magazine."
|
||
|
"Movie stills!" He staggered, and his face grew whiter.
|
||
|
Janet took the magazine out of his hands and helped him into
|
||
|
his chair. "You mean you didn't know the First Lady was a porn
|
||
|
star in Australia before she married you?"
|
||
|
"You'd better get Ted McNaughton in here," gasped Dudley.
|
||
|
"I think we need a lawyer."
|
||
|
"He's here now."
|
||
|
Indeed, the White House Counsel was striding in the door as
|
||
|
the aide spoke, a sheaf of papers in his hand. "Excuse my
|
||
|
intrusion," he said. "I know how busy you are, Mr. President,
|
||
|
but it's critical that we discuss this. Mr. President, you had
|
||
|
better brace yourself. In fact, perhaps we ought to discuss this
|
||
|
in private; it concerns a matter involving a member of your
|
||
|
family."
|
||
|
The President tried to smile, but it was all he could do to
|
||
|
speak calmly. "It's all right. We know about it. I'll admit
|
||
|
it's shaken me up a bit. What should we do, Ted?"
|
||
|
"We'll issue a statement denying it ever happened," the
|
||
|
lawyer answered promptly.
|
||
|
"Denying it?" Dudley blinked. "How could I do that?"
|
||
|
It was Ted McNaughton's turn to grow pale. "You mean it's
|
||
|
true?"
|
||
|
Dudley laughed nervously. "Well, they've got the pictures
|
||
|
to prove it."
|
||
|
"Pictures!" McNaughton groped behind him for a seat. At a
|
||
|
nod from the President, Janet opened the Playboy again and held
|
||
|
it in front of the lawyer's face. Slowly McNaughton's look
|
||
|
changed from horror to curiosity. At last he said, "But -- but -
|
||
|
- this is the First Lady! Where's your daughter?"
|
||
|
"My daughter! Have they got pictures of her, too? Are you
|
||
|
telling me they were both porn stars?"
|
||
|
The two men stared at each other in an alarm that only
|
||
|
increased as they shot questions at each other.
|
||
|
"The First Lady was a porn star?"
|
||
|
"Did my daughter pose nude for Playboy?"
|
||
|
"Is your wife suing you also?"
|
||
|
"How is she blaming me for this?"
|
||
|
"Are you telling me you know nothing about her allegations
|
||
|
of sexual abuse?"
|
||
|
As they spoke, a woman wearing a worn suit and a "Re-elect
|
||
|
Dudley!" button stomped in the door and threw a battered
|
||
|
briefcase into an empty chair. "You'll never believe it," she
|
||
|
announced, scowling at them all. "The goddamned special
|
||
|
prosecutor just announced she isn't going to indict Deerborn
|
||
|
after all."
|
||
|
"What?" Dudley staggered to his feet. "Rita, you're
|
||
|
joking!"
|
||
|
"Turn on the television and see for yourself. Petersen's
|
||
|
gone off again, I see," she added, noticing the now-catatonic
|
||
|
aide on the window seat.
|
||
|
Janet scurried over to a remote control on the President's
|
||
|
desk and turned on the television in the corner. She flicked
|
||
|
through the soap operas until she found a station covering the
|
||
|
special prosecutor's announcement that she had found the evidence
|
||
|
against Deerborn unpersuasive.
|
||
|
"What's the matter with the woman?" cried Dudley.
|
||
|
"She's a goddamn airhead bimbo puppet of the opposition,"
|
||
|
answered Rita, lighting a cigarette and inhaling deeply on it.
|
||
|
When she spoke again, smoke seeped out of her mouth and nose as
|
||
|
if she were a dragon preparing to shoot flames. "I fed her a
|
||
|
dozen separate pieces of evidence, each of them documented and
|
||
|
with witnesses. I couldn't have spelled it out better if I'd
|
||
|
written the indictment myself. She's a goddamn spineless
|
||
|
Republican lapdog. Well, Bruce, that's it for me. I resign as
|
||
|
your campaign manager." She stubbed out her cigarette on the
|
||
|
sole of her shoe, flicked the butt into a wastebasket, and stood
|
||
|
to leave.
|
||
|
Dudley began protesting her decision, but his words were
|
||
|
nearly drowned out by the ringing of a telephone. "Who turned up
|
||
|
the volume on that thing?" he fumed.
|
||
|
"Mr. President!" cried Janet, turning to look at the phone.
|
||
|
"It's the hot line!"
|
||
|
"Great." The President swore. "As if I didn't have enough
|
||
|
problems, the Russians have to come crying to me." He picked up
|
||
|
the receiver. "No more loans, Boris!"
|
||
|
After these initial words, he fell silent and listened to
|
||
|
the voice on the other end. Slowly what little color remained in
|
||
|
his face drained away. A nervous tic that he had overcome many
|
||
|
years before suddenly resurfaced in his right eye, causing it to
|
||
|
wink compulsively. His staff gathered more closely around him,
|
||
|
awaiting the outcome of the call in silence.
|
||
|
At last he set the phone down and grabbed at a cup of cold
|
||
|
coffee on the desk.
|
||
|
"You don't want that," observed Rita as it reached his lips.
|
||
|
"I was using it for an ashtray."
|
||
|
He sprayed out the mouthful and gasped weakly, "The Russians
|
||
|
say..."
|
||
|
They all leaned forward. "Yes?"
|
||
|
Dudley motioned at Janet, who hurried to a side table to
|
||
|
pour him a glass of water. When she returned with it, he
|
||
|
snatched it up, drained it, and set it down again before meeting
|
||
|
the eyes of his staff. "They were only kidding about democracy."
|
||
|
"What!" The room erupted into a nervous murmur of
|
||
|
incomprehension.
|
||
|
"And also..."
|
||
|
The murmur ceased.
|
||
|
"There's a missile headed for New York."
|
||
|
"Oh, my God!"
|
||
|
"And also..."
|
||
|
"Yes?" The strained faces stared, huge-eyed.
|
||
|
"Richard Nixon was KGB."
|
||
|
Panic seized the staff, but nobody seemed to know what to
|
||
|
do. Harris started to cry. Janet helped herself to a bottle of
|
||
|
Scotch that Dudley thought he had hidden from everyone behind a
|
||
|
row of books. McNaughton paced back and forth, muttering, "There
|
||
|
must be some basis for suing them."
|
||
|
"I'd suggest you call your Defense Secretary," sobbed
|
||
|
Harris, "but he's just been arrested."
|
||
|
Rita lit another cigarette, took two long drags, then
|
||
|
stubbed it out again. "I don't see how we're going to put a
|
||
|
positive spin on this," she said at last.
|
||
|
"If it's any consolation, sir," offered Janet between gulps
|
||
|
from the bottle, "things can hardly get any worse."
|
||
|
As she spoke, a uniformed butler appeared in the doorway.
|
||
|
"Excuse me, Mr. President, but your cat is throwing up all over
|
||
|
the Lincoln bedroom."
|
||
|
Dudley barely managed to squeak out, "Mittens is?"
|
||
|
"Yes, sir. Or I should say, he was. The housekeeper became
|
||
|
so enraged that she shot him, then turned the gun on herself.
|
||
|
She's left a suicide note admitting that she's been operating a
|
||
|
heroin ring out of the White House ever since she got here. Your
|
||
|
son is beside himself; apparently this has cut off his supply."
|
||
|
Dudley tried to rise from his chair, but found his legs
|
||
|
would not support him. Janet appeared at his side, somewhat
|
||
|
unsteady herself from the Scotch but managing nonetheless to help
|
||
|
him up. Leaning heavily on her shoulder, he stumbled to the
|
||
|
window seat and crawled up onto the cushion next to Petersen.
|
||
|
"Mr. President!" A young aide appeared in the doorway,
|
||
|
flushed and out of breath from running. "Mr. President! I've
|
||
|
just come from the Conference of Southern Governors! They've
|
||
|
voted to secede again!"
|
||
|
Rita lit her third cigarette and spoke to the aide through a
|
||
|
cloud of smoke. "I think you're too late, kid. Look at him."
|
||
|
They all looked. President Dudley had drawn his knees up to
|
||
|
his chin and wrapped his arms around his shoulders. His eyes
|
||
|
stared blankly as he rocked forward and back, slowly and gently,
|
||
|
to the rhythm of a soft whooping sound.
|
||
|
|
||
|
=================================================================
|
||
|
|
||
|
|
||
|
BAESLE
|
||
|
[an excerpt from "In Search of Mozart, A Novel": chapter eight]
|
||
|
|
||
|
|
||
|
by William Ramsay
|
||
|
|
||
|
|
||
|
The stars belonged to everyone -- even to the unjustly
|
||
|
imprisoned, like Wolfgang Amadeus Mozart, immured in Salzburg.
|
||
|
The stars were constant, pinpricks of heavenly light breaking
|
||
|
through both the clear dark skies of Guyana and the pale gray
|
||
|
half-gloom of Salzburg. Venus appeared blue-white and alone in
|
||
|
the western sky.
|
||
|
|
||
|
Star light, star bright
|
||
|
First star I see tonight
|
||
|
I wish I may
|
||
|
I wish I might.
|
||
|
|
||
|
The gray pearl dusk glimmered on the rooftops on the west
|
||
|
side of the Makartplatz, across from their parlor window. The
|
||
|
sun had gone down behind the Moenchsberg some time ago, but below
|
||
|
the evening star, the sky was still glowing. The silhouette of
|
||
|
the medieval Hohensalzburg Fortress could be seen sharp atop
|
||
|
Castle Hill. He could barely make out the houses below it, but
|
||
|
he could still see clearly the gabled roofs of the buildings on
|
||
|
the other side of the river as far as the Residenz of the
|
||
|
Archbishop. A chilly breeze had sprung up and the afternoon haze
|
||
|
had lifted. It was a beautiful summer evening in Salzburg. He
|
||
|
was in the twenty-second year of his life. He gazed at the
|
||
|
evening star, which would live forever.
|
||
|
The stars would look the same from anywhere. Paris, London,
|
||
|
the valley of the Orinoco. But not so the moon. Guido had
|
||
|
explained to him years ago in Bologna that with a good telescope
|
||
|
the moon -- which was almost overhead and half full tonight --
|
||
|
should look slightly different from the jungles of Guyana.
|
||
|
Guyana! He hadn't even been as far as Milan for the last four
|
||
|
years. He missed Italy. He missed the outside world -- all of
|
||
|
it.
|
||
|
"Is Papa home yet?" The soft voice of his sister called
|
||
|
upstairs.
|
||
|
"Not yet," he called down. She came up the steep and
|
||
|
narrow stairs, her hair, as blonde as his, shining in the faint
|
||
|
light. Her face, big nose and all, brightened the room.
|
||
|
"Where is he?"
|
||
|
"He's seeing the Archbishop."
|
||
|
"About the trip?" she said, fixing his collar.
|
||
|
"Yes," he said.
|
||
|
"Well, don't look that way. It won't kill you, whatever
|
||
|
happens."
|
||
|
He threw his head back. "It's just that that fat turd is so
|
||
|
jealous of his prerogatives! If he won't give me a decent job
|
||
|
here, why can't he let me look in other countries?"
|
||
|
"Well, maybe he will," she said. "Maybe the Archbishop --
|
||
|
he _isn't_ really fat -- will be nice. I'll bet he'll give you
|
||
|
permission and even hold your jobs open for you."
|
||
|
"Oh, sure. On salary!"
|
||
|
"You always were a dreamer, Wolferl. You can tell from your
|
||
|
noble brow, and those far-seeing eyes." She grinned impishly.
|
||
|
"You mean those far-bulging eyes." He came away from the
|
||
|
window, walked over to the stairs, then back to the window. He
|
||
|
turned to her. "I'm going for a walk."
|
||
|
"Good luck, darling bubboo," she said, blowing him a kiss.
|
||
|
He went down the stairs, three at a time, and came out into the
|
||
|
Makartplatz. The vendors had gone home for the day, and he began
|
||
|
to walk very rapidly around the open square, the heels of his
|
||
|
shoes clicking on the cobblestones, wondering what had happened
|
||
|
in the interview with the Archbishop. He and Papa had both been
|
||
|
on the staff of the Priceless Archbooby for what seemed like
|
||
|
forever. Papa was fifty-eight now and probably too old for
|
||
|
advancement -- God, practically all he could talk about was his
|
||
|
aging bowels! He himself was grown up now and ready to move up.
|
||
|
But even if the Archbishop had felt more friendly to them, a
|
||
|
promotion to Chief Kapellmeister was impossible. Good old Lolli
|
||
|
was stooped and bent with arthritis and always complained about
|
||
|
his digestion, but he was still very much alive -- God be
|
||
|
praised, of course.
|
||
|
They just had to get out of Salzburg.
|
||
|
His father finally appeared in the distance, coming from the
|
||
|
direction of the Residenz across the river. He was tall, and he
|
||
|
usually held himself ramrod-straight. But he walked now with his
|
||
|
head lowered and a pout on his lips. His father took him by the
|
||
|
arm, and they crossed the square and opened the nailed- studded,
|
||
|
rust-colored front door of the house and climbed the stairs to
|
||
|
their rooms.
|
||
|
"His Highness would give you leave, unpaid of course. But
|
||
|
if I were to go, I'd lose my position. And we can't get along
|
||
|
without my salary." He looked Wolfgang straight in the eye. His
|
||
|
father's eyes were of a beautiful china blue color, but they
|
||
|
looked dark and ugly tonight. "I'm sorry, Wolferl, I know you're
|
||
|
disappointed."
|
||
|
"But Papa!"
|
||
|
"There's nothing I can do about it."
|
||
|
"Why can't I go alone?" He waited for an answer. His
|
||
|
father seemed reluctant to speak. "I'm twenty-one years old
|
||
|
now!" he said. "Why not?" Wolfgang got up and paced around the
|
||
|
room, knocking a leather-bound book off the table. "I know my
|
||
|
way around well enough by now. Mon Dieu, Papa! I've been
|
||
|
traveling all over Europe since I was six."
|
||
|
His father leaned over and picked up the book. "No, I don't
|
||
|
think so." He spoke as if his teeth hurt, his chin held
|
||
|
rigidly.
|
||
|
"You're still treating me like a six-year-old!" he said,
|
||
|
feeling his mouth quiver.
|
||
|
"I don't want to talk about it now." His father still
|
||
|
looked grim and abstracted.
|
||
|
His father was acting as if he were still a baby! But did
|
||
|
he have the nerve to go against the old man? And if he were to
|
||
|
go alone, could he handle the trip all by himself? Papa had
|
||
|
always _been_ there.
|
||
|
His father turned away from him and stared out the window at
|
||
|
the street below. Wolfgang suddenly felt helpless at the sight
|
||
|
of the shiny pleats on the back of the familiar long black coat
|
||
|
and the black ribbon on the second-best periwig. Then his father
|
||
|
turned back to him and said, somewhat more gently, "Let's talk
|
||
|
about it later, I need time to think."
|
||
|
"Time to think" -- that's all Wolfgang had. Time to think
|
||
|
about music, about getting a position -- and about still being
|
||
|
the oldest virgin male in Salzburg!
|
||
|
***
|
||
|
Several days later, Leopold sat down beside his wife.
|
||
|
Dinner was over, and she was brushing Bimperl's coat.
|
||
|
"Oh, my lovely little doggie-pie. How are you this evening?
|
||
|
Yes, Yesss, so bright-eyed. Mama's little bitsy puppy."
|
||
|
While Leopold had been told that he was still a handsome,
|
||
|
slim and imposing man, he thought his wife was beginning to look
|
||
|
definitely middle-aged. But somehow she looked comfortable
|
||
|
with it. Her nose was large, and her chin receded, and she had
|
||
|
become more than a little stout. But still, she had a certain
|
||
|
presence -- she was visibly proud of herself, Marianne Pertl
|
||
|
Mozart, wife of a Deputy Music Director. "Marianne, I've come to
|
||
|
a difficult decision. "
|
||
|
"Yes, Mozart? About what?"
|
||
|
"You know how essential it is that we find a place for
|
||
|
Wolfgang. I'm afraid there's only one possibility left. You --
|
||
|
you'll have to go with him. I'll stay and take care of things
|
||
|
here, Nannerl will help me. You'll be able to give him the
|
||
|
guidance he needs. It won't be hard," he added hurriedly, "We
|
||
|
have friends everywhere."
|
||
|
"Oh, Leopold!" And tears came to her eyes. "To be
|
||
|
separated from you -- and Nannerl. And" -- she whispered almost
|
||
|
inaudibly -- "Bimperl."
|
||
|
"I know. But there's no help for it. It's your duty to our
|
||
|
son."
|
||
|
"Oh, Leopold!" the tears flowing fast. "My duty?" She wept
|
||
|
harder. "Well if it's my _duty_." She took a clean white linen
|
||
|
handkerchief from her large bosom and wiped her eyes. "All
|
||
|
right, Leopold."
|
||
|
"It _will_ be all right, I promise you. He kissed her
|
||
|
gently on her furrowed forehead.
|
||
|
Leopold planned out the trip with enthusiasm. First
|
||
|
southern Germany, then perhaps Holland, but finally, and most
|
||
|
important -- Paris! Everything would depend on where Wolfgang
|
||
|
found promising opportunities, God knows how long they'd be away.
|
||
|
Possibly as long as the money -- or rather the credit -- held
|
||
|
out. All kinds of details needed taking care of: clothes, hair
|
||
|
brushes, music paper. Letters of credit had to be drawn up on
|
||
|
bankers or merchants in Munich, Mannheim, Frankfurt, Paris. And
|
||
|
he still had to persuade his good friend Hagenauer the dry goods
|
||
|
merchant and the other local businessmen in Salzburg to authorize
|
||
|
the necessary back-up credits.
|
||
|
But I'm sure that they will go along, thought Leopold.
|
||
|
They're proud of Wolferl. After all, he's one of them. Of us.
|
||
|
He's a Salzburger.
|
||
|
***
|
||
|
It was a bright autumn morning, with the sun climbing over
|
||
|
the gray-green heights of the Kapuzinerberg.
|
||
|
"Remember who you are," said his father, hugging him.
|
||
|
"I will," he said. But as he and his mother climbed into
|
||
|
the magnificent new beige coach, he wondered how he could
|
||
|
remember something he wasn't so sure about as the reality of his
|
||
|
identity. In a very brief sense, he was someone labeled "W.A.M."
|
||
|
-- the initials almost seemed to have a life of their own. The
|
||
|
totality of his name remained, the 21 letters -- just his age --
|
||
|
like blanks to be filled in by Life itself.
|
||
|
The springs of the coach squeaked with the weight of the
|
||
|
baggage on top and behind the cab. His mother seemed to be
|
||
|
content, and after dropping a few onto the beautifully groomed
|
||
|
coat of Bimperl, appeared to be looking forward to the trip.
|
||
|
Wolfgang felt euphoric. The air was crisp, there had been a
|
||
|
frost the night before. They said their final farewells and the
|
||
|
coachmen whipped up the horses. The coach took off with a lurch,
|
||
|
clattering over the Makartplatz, headed for the road to Bavaria.
|
||
|
The swaying of the coach, as they crossed the low Staats
|
||
|
Bridge onto the Mullner Hauptstrasse, provided a rhythmic
|
||
|
background to Wolfgang's thoughts. He was leaving Salzburg.
|
||
|
This was his chance. With music. And maybe this time in Munich,
|
||
|
his luck with women would be better too.
|
||
|
The skies were cloudless on their arrival in Munich. It was
|
||
|
good to see the familiar towers of the Frauenkirche, dominating
|
||
|
the old Gothic city and the newer rococo palaces -- he could
|
||
|
identify for his mother a palace and a theater where he had given
|
||
|
concerts in the past. At this time of year the court was still
|
||
|
resident in the sumptuous new summer palace at Nymphenburg, and
|
||
|
the next day, as he drove through the massive gates into the
|
||
|
enormous park and up to the baroque splendors of the palace
|
||
|
itself, his face felt flushed with excitement. He remembered
|
||
|
Munich two years before, and the success of 'La finta
|
||
|
giardiniera.'
|
||
|
He was announced to Count Seeau.
|
||
|
"How are you, my dear Mozart! So pleased to see you again.
|
||
|
Taking a vacation from Salzburg?" Even shorter than Wolfgang,
|
||
|
the tiny Count was at his most dapper, dressed in a beautifully
|
||
|
tailored suit of gray silk with gold piping.
|
||
|
"No, I've left for good."
|
||
|
"Oh? Not had a falling-out with our good friend the
|
||
|
Archbishop, have you?" The Count looked at him slyly.
|
||
|
"No, no, it's just that there's no scope for me at that
|
||
|
court. I need a more stimulating place." God, this was
|
||
|
embarrassing!
|
||
|
"But where will you go?"
|
||
|
"Well, I'm looking around. I'd love to find something in
|
||
|
Munich, if there's anything available." Come on, what did he
|
||
|
have to say? These Bavarian idiots should be overjoyed at the
|
||
|
prospect of having him there!
|
||
|
The next week, sitting at the rickety writing table in
|
||
|
their cramped quarters just down from the Frauenkirche, he wrote
|
||
|
to his father:
|
||
|
|
||
|
...Seeau offered to try to get me an audience with
|
||
|
the Electoral Prince, and told me if there was any snag
|
||
|
that I should just put my request in writing. I told
|
||
|
him they needed a first-rate composer there and he
|
||
|
agreed. I talked to Prince Zeill, the Bishop of
|
||
|
Chiemsee, who told me how he admired my work and
|
||
|
promised to try to talk to the Electoral Princess.
|
||
|
Prince Zeill was sure that something could be done,
|
||
|
and that personally he was very anxious to have me
|
||
|
there.
|
||
|
|
||
|
Your Obedient son
|
||
|
|
||
|
Wolfgang Amade Mozart
|
||
|
|
||
|
The next day, he made a point of showing Count Seeau his
|
||
|
creased and re- creased diplomas from music academies in Verona,
|
||
|
Rome, and Milan. Two days after that, he asked his banking
|
||
|
connection, Henkel, to mention his name to the Prince-Bishop of
|
||
|
Chiemsee again. The Prince-Bishop spoke to him the following
|
||
|
day at a reception, saying in a kindly voice that he was almost
|
||
|
sure that he should be able to get the Electoral Prince to offer
|
||
|
Wolfgang a job. "Patience, Herr Mozart, a bit of patience,
|
||
|
please."
|
||
|
Patience! Anything but that! He tried to contain himself.
|
||
|
He filled the waiting period -- making music -- playing billiards
|
||
|
and drinking -- attending the theater and concerts. Then one
|
||
|
night he saw "Orfeo and Eurydice" -- and what a Eurydice!
|
||
|
Red-haired, cheekbones that never ended. Mimi Kaiser. He sent
|
||
|
her a bunch of chrysanthemums after the performance. Backstage,
|
||
|
she bowed politely at him, with a little mocking smile. Her
|
||
|
pink, soft cheeks with their tiny black beauty spots were
|
||
|
enchanting -- she looked in radiant health, close up, more like a
|
||
|
lusty peasant girl than an opera singer.
|
||
|
"Honored, Herr Mozart," she said, curtseying. "I admire
|
||
|
your work. I really want badly to sing one of your roles."
|
||
|
He felt his groin swelling -- he could think of other things
|
||
|
she could do for him besides sing. "Charmed, Mademoiselle. Your
|
||
|
singing is magnificent."
|
||
|
She bowed again. He asked her if he could call. Three
|
||
|
evenings later he did call, but she was not in. His thoughts
|
||
|
drifted back to her pink-tinged white shoulders as he toured
|
||
|
Nymphenburg the next day. The painted ceilings with their
|
||
|
depictions of Hercules throwing a rock at some water nymphs and
|
||
|
of Diana bathing in a quiet blue pool in the forest were like
|
||
|
some kind of earthly heaven. He could imagine himself as
|
||
|
Hercules, Mademoiselle Kaiser as the more robust of the nymphs.
|
||
|
But then the Electoral Prince's giant blue-and-white-tiled bath
|
||
|
that was the envy of the other rulers of Europe reminded him of
|
||
|
who he was -- a struggling musician. What must it be like to
|
||
|
actually live in one of these incredible palaces, to loll in a
|
||
|
bath like that? Would he get bored with that kind of life?
|
||
|
Shit, how would he ever find out? He remembered the naive little
|
||
|
boy who had told his father he wanted to be a prince.
|
||
|
One thing was obvious. Princes would have an easier time
|
||
|
approaching the Mademoiselle Kaisers of the world.
|
||
|
***
|
||
|
The letter arrived in Salzburg in the middle of October.
|
||
|
One section in particular angered Leopold:
|
||
|
|
||
|
[Marianne:] Bimperl, I hope, is doing her duties and
|
||
|
making up to you, because she's a good, faithful fox
|
||
|
terrier. Please say hello to Tresel for me and tell
|
||
|
her it doesn't matter whether..
|
||
|
|
||
|
[Wolfgang (continuing her last phrase):] ...I shit the
|
||
|
crap or she eats it...
|
||
|
|
||
|
Leopold, in Salzburg, threw the letter down, bruising his
|
||
|
hand on the ink-sander. He could feel his cheeks burning.
|
||
|
"Shit the crap"! Gutter nonsense and no action! Three
|
||
|
weeks in Munich! How would they be able to make the money hold
|
||
|
out? And all his son could do was make bad jokes. They were
|
||
|
obviously giving him the runaround. And Wolfgang was probably
|
||
|
happily out drinking, chasing tarts, and Lord knows what! And
|
||
|
Marianne obviously couldn't stand up to him.
|
||
|
Wolferl must get moving. On to Paris!
|
||
|
***
|
||
|
It had been a lovely, glowing hour, alone with her in her
|
||
|
dark apartments high above the narrow Hinsichtsgasse, with the
|
||
|
noise of a rain shower on the roof as a faint obbligato. She
|
||
|
demurely poured out another glass of sherry for him. Did he dare
|
||
|
to reach for her hand across the Chinese table with the
|
||
|
flame-bellowing dragons? He reached out to touch her arm with
|
||
|
one finger, but she pulled back and his finger grazed her thigh.
|
||
|
He almost jumped out of his chair.
|
||
|
She laughed. "Do you need something else, Herr Mozart?"
|
||
|
"Yes," he said, "I need more tenderness in my life."
|
||
|
She laughed again, in soft, sweet tones. "You musicians
|
||
|
always need that. You need a wife, Herr Mozart."
|
||
|
"I need the love of a woman."
|
||
|
"But first, perhaps, you need a position in life. Right?"
|
||
|
She was right, but he could feel himself blushing.
|
||
|
"You're very young, Herr Mozart."
|
||
|
"Not so young."
|
||
|
She took _his_ hand. And patted it. He tried not to
|
||
|
recognize that she patted it like a sister. "Think about music,
|
||
|
Herr Mozart, not women. You have so much talent. Take this from
|
||
|
an older woman." She _was_ older, maybe twenty-five.
|
||
|
But as he walked out into the sharp wetness of the
|
||
|
Hinsichtsgasse, he still thought he might be able to win
|
||
|
Mademoiselle Kaiser's heart. Persistence -- never say die. A
|
||
|
Mozart didn't give up easily.
|
||
|
***
|
||
|
Electoral Prince Maximilian III sat back in an old but very
|
||
|
comfortable chair. He had gained a good deal of weight lately.
|
||
|
His foot, swollen with gout, was resting on a hassock.
|
||
|
"You Highness," said the Bishop of Chiemsee, "I wanted to
|
||
|
speak to you about young Mozart."
|
||
|
The Electoral Prince made a face. "Let's not, please."
|
||
|
"I don't mean to insist, but I thought you shared my high
|
||
|
opinion of his talents."
|
||
|
"But I do share them, Bishop. But there's no vacancy."
|
||
|
"But you have no court composer currently."
|
||
|
"No, I haven't. But I don't think I'll be filling the post
|
||
|
soon." The Prince squirmed, then said, "Ach," as he moved his
|
||
|
leg slightly.
|
||
|
"I'm sorry, I didn't mean to bother you about it."
|
||
|
"No, Bishop, you're not bothering me, you just don't
|
||
|
understand. There are _special_ _reasons_ in this case."
|
||
|
"Oh, I see."
|
||
|
"I apologize, Bishop. Oh, by the way, have we heard
|
||
|
anything new from the court in Vienna?"
|
||
|
"Nothing, Your Highness. It's all quiet. The Emperor hasn't
|
||
|
issued any pronouncements this week. At least none that concern
|
||
|
Bavaria."
|
||
|
"Good! We have to watch that man -- he's a tricky one."
|
||
|
"The world is full of tricky people, Your Highness."
|
||
|
"You are so right, Your Grace, so exactly right."
|
||
|
***
|
||
|
Wolfgang had to explain the whole mess to his father -- it
|
||
|
wasn't his fault he had been stuck in Munich all this time!
|
||
|
|
||
|
...but after those honeyed words, Father -- what
|
||
|
happened? Nothing, exactly nothing. Prince Zeill
|
||
|
spoke to the Electoral Prince, who said that it was too
|
||
|
soon for me to be looking for a position there. He
|
||
|
said he was not refusing me, but it was too soon: why
|
||
|
didn't I go to Italy for a while and make a name for
|
||
|
myself?
|
||
|
|
||
|
Well, Papa, I couldn't leave it at that, not after all our
|
||
|
effort. Woschitka, whom you had recommended to me, got me an
|
||
|
audience with the great potentate himself. I said I had come to
|
||
|
offer my services. The Electoral Prince asked why I was no
|
||
|
longer in Salzburg, and I told him. I made a point of telling
|
||
|
him that I had _already_ been to Italy. I bragged on passing the
|
||
|
test for admittance as a member of the Accademia Filarmonica in
|
||
|
Bologna. But he interrupted:
|
||
|
|
||
|
"Yes, my dear boy, but I have no vacancy. I'm sorry. If
|
||
|
only there were a vacancy."
|
||
|
|
||
|
"I assure your Highness that I would bring honor to Munich!"
|
||
|
|
||
|
|
||
|
He turned away, saying over his shoulder, "I know. But it's
|
||
|
no good, there's no vacancy here."
|
||
|
|
||
|
What twaddle! So such is life here! How is everybody at
|
||
|
home...
|
||
|
|
||
|
Your obedient son
|
||
|
|
||
|
Wolfgang Amade Mozart
|
||
|
***
|
||
|
"Shit! Yes, shit, that's all I can say -- after that cold
|
||
|
shoulder from someone like the Electoral Prince that I thought
|
||
|
was a friend of mine," he said to Peter Kodalyi, a young
|
||
|
Hungarian officer attached to the court.
|
||
|
"At least Prince Max didn't literally give you a gold
|
||
|
watch!" said Peter. Kodalyi was twenty-seven and had a pair of
|
||
|
dashing black military mustaches. Wolfgang had only seen
|
||
|
mustaches like his in pictures in books, or on Turkish traders.
|
||
|
"Yes, do you suppose I could set myself up in the watch
|
||
|
business?"
|
||
|
"Got a lot of them, have you? Oh, waiter, more wine, and
|
||
|
some bread and cheese." They were in a small eating house off
|
||
|
the Marienplatz.
|
||
|
"Dozens, dozens of them, all oh-so-honorable and
|
||
|
oh-so-useless. After a thousand performances in drafty salons
|
||
|
for the benefit of a bunch of fat chattering princely assholes."
|
||
|
"Any interesting assholes?"
|
||
|
Wolfgang laughed. "How about the Queen of France's?"
|
||
|
"Marie-Antoinette?"
|
||
|
"She's an old friend of mine. I proposed to her once."
|
||
|
"You did?" Kodalyi loosened his stiff high collar.
|
||
|
"Yes, I was six and she was seven!"
|
||
|
Kodalyi laughed. "A youthful lecher."
|
||
|
"Mind you I haven't actually seen her bare-assed, but I bet
|
||
|
she's got a cute one. And now she's married to a lockmaker, at
|
||
|
least that's the kind of thing they say the King of France spends
|
||
|
his time on when he isn't playing monarch."
|
||
|
"Maybe he fixes watches too," said Kodalyi.
|
||
|
"I'll keep it in mind. I could go partners with Louis in a
|
||
|
watch shop if the people ever got tired of him and he lost his
|
||
|
job." Wolfgang leaned back, arms behind his head, dreaming of
|
||
|
the future partnership.
|
||
|
"Not much chance of that, I'm afraid."
|
||
|
"No, not likely." He pulled on the chain on his waistcoat
|
||
|
and looked at his diamond-encrusted watch. "It's late, I want
|
||
|
to stop somewhere on the way home."
|
||
|
"A girl"
|
||
|
"Yes."
|
||
|
"Who?"
|
||
|
"Mademoiselle Kaiser."
|
||
|
"You're kidding!"
|
||
|
"No!"
|
||
|
"Mozart, the lovely Mademoiselle Kaiser already has all the
|
||
|
men she needs. Didn't you know that she's being kept by the
|
||
|
Bishop of Ulm?"
|
||
|
"What?" He felt as if a sword had sliced into his chest.
|
||
|
"Poor Mozart. What an odd duck you are. Have another
|
||
|
drink. You need it."
|
||
|
The Bishop of Ulm! Even bishops have women, while talented
|
||
|
musicians live lives of excruciating celibacy!
|
||
|
To hell with Munich! Sometimes even a Mozart knew when to
|
||
|
give up.
|
||
|
***
|
||
|
It was a gray autumn morning in October when he and his
|
||
|
mother finally left Munich en route to Augsburg. Augsburg was
|
||
|
the Mozart family home, and they would be able to rest at his
|
||
|
uncle's and give some concerts -- while they prepared to go on to
|
||
|
Mannheim, the next likely hunting ground for would-be court
|
||
|
musicians.
|
||
|
They passed by the impressive cathedral, with its famous
|
||
|
bronze door bearing thirty-three intricate bas-reliefs of
|
||
|
Biblical scenes. He recalled a candy seller with a completely
|
||
|
bald head who had stood out in front of the cathedral almost
|
||
|
exactly eleven years before. He had eaten so much candy then
|
||
|
that he had gotten sick, waking up in the garret in his uncle's
|
||
|
house, his stomach cramping, vomiting into the chamber pot. He
|
||
|
remembered that feeling in his throat as they turned the corner
|
||
|
just the other side of the nine-story hall. And how his uncle
|
||
|
had held his head, and his cousin "Baesle" had asked, in her
|
||
|
high, screechy voice, "What's Wolferl making that noise for, why,
|
||
|
Papa, why?"
|
||
|
They pulled up to the house where his father had been born,
|
||
|
with the high brick walls and the narrow windows from which he
|
||
|
could pretend he was on the battlements of a tall castle, ready
|
||
|
to throw boiling oil on the enemy below.
|
||
|
His nineteen-year-old cousin Maria Thekla Mozart greeted
|
||
|
them at the door with a broad smile and a warm, sweet-smelling
|
||
|
embrace, soft lips on his cheek. It had been ten years or more
|
||
|
since they had seen each other.
|
||
|
"Hello, Wolferl, it's good to see you," said Thekla.
|
||
|
"Hello, 'Baesle.' Good to see you," said Wolfgang, holding
|
||
|
her forearms with hands.
|
||
|
"You're the only one who has ever called me that: 'Little
|
||
|
Cousin,'" she said. And her full-cheeked face turned a little
|
||
|
red. Her bright blue eyes sparkled.
|
||
|
"How you've grown, " said his mother.
|
||
|
"Yes, maybe too much," she said, sweeping her arms into a
|
||
|
circle to indicate her buxom figure.
|
||
|
"No, you've grown into a fine girl," said his mother,
|
||
|
kissing her. They went inside the old large house, which held
|
||
|
the print shop on the first floor and the living apartments
|
||
|
upstairs.
|
||
|
Not too buxom, not at all, thought Wolfgang. Well, maybe a
|
||
|
little bit too thick in the hips. But not much.
|
||
|
She patted him on the hand as he and his mother prepared to
|
||
|
go out. He felt an erection rising up.
|
||
|
"Are you going out to see the town today?" she asked.
|
||
|
"Yes," he said.
|
||
|
"What is there to see?"
|
||
|
"Not much," she said. It's a small town. Sometimes it
|
||
|
feels really very small."
|
||
|
Lucky me! he thought. I've found yet another Salzburg!
|
||
|
"You must miss your friends at home," she said later as they
|
||
|
ate a late dinner informally around the unfinished pine table in
|
||
|
the kitchen.
|
||
|
"Well, yes."
|
||
|
"I suppose you have a girlfriend there."
|
||
|
"Not to speak of," he said.
|
||
|
"You must have met lots of people in Munich."
|
||
|
"Some, yes some," he thought, thinking about Mademoiselle
|
||
|
Kaiser. Some, but not enough!
|
||
|
At supper that night, he felt a small foot pressing on his
|
||
|
under the table. He pressed back with his other foot, trapping
|
||
|
hers between his. After a few minutes, he reached down and
|
||
|
squeezed her knee with his left hand -- the flesh below the
|
||
|
kneecap felt soft and warm. She giggled. He found himself
|
||
|
giggling back. Uncle Ignaz looked up, but merely smiled vaguely.
|
||
|
|
||
|
His mother complained about a headache and kept worrying that
|
||
|
their little Bimperl wasn't being taken care of well enough back
|
||
|
home. She fell asleep in her chair after dinner and went to bed
|
||
|
early.
|
||
|
"Well, I'm going to bed," said Thekla finally.
|
||
|
"All right, I'll be right along," he said.
|
||
|
Giggles. "Oh, you will, will you? I don't think that would
|
||
|
be so nice."
|
||
|
"Oh, but I'd be sure to make it nice, first I'd take good
|
||
|
care of your little you-know-what" -- they were talking softly,
|
||
|
her father still sat in the far corner of the room -- "and then I
|
||
|
bet you can't guess what I'd do." Wolferl was trying to smile
|
||
|
confidently, but his heart was pounding in anticipation.
|
||
|
"Oh, no, I don't think I'd like that at all!" she said as
|
||
|
she got up and leisurely made her way upstairs. "Good night,
|
||
|
Papa."
|
||
|
A few minutes later, he stood up. Uncle Ignaz said, "Oh,
|
||
|
Wolferl, are you off to bed so early too?"
|
||
|
"Yes, Uncle, I'm tired. I'm exhausted." And he went off
|
||
|
upstairs, trembling, walking loudly first to his room and then
|
||
|
tiptoeing back to hers. As he opened the door, Thekla was
|
||
|
standing by the bed in her shift, facing away from him. He
|
||
|
walked slowly over to her, put his arms around her, his hands on
|
||
|
her breasts. They were deliciously heavy and warm. He prodded
|
||
|
his fingers into the sheer cotton covering the nipples. She
|
||
|
sighed and turned her head toward him.
|
||
|
Oh, God, he thought he was going to come right away! But
|
||
|
his luck held out for a few more flurried minutes with clothing
|
||
|
being flung off and bodies jostling for position. He got it in,
|
||
|
but then it was out again.
|
||
|
"Take it easy," she said, helping him. Finally, panicked,
|
||
|
he found the right place, rushing himself to climax in a crazy
|
||
|
fit of violent desire. She gasped as he came.
|
||
|
And oh to feel her arms around him afterward! And to know
|
||
|
that he was a man at last -- a real man.
|
||
|
Waking that next morning, with the sun shining in the tiny
|
||
|
window, his thoughts drifted to music. It was all music -- love
|
||
|
was -- but through the skin and the eyes, not just through the
|
||
|
ears. It couldn't be written down on paper, it was nothing
|
||
|
without the performance. What was any one of his operas the
|
||
|
production? Just a dream, a fancy of his mind recorded in notes
|
||
|
on lined paper. A sleeping thing, needing people and
|
||
|
instruments and enthusiasm and sweat to bring it to life. Sex
|
||
|
with a real live woman was like music -- like the best, most
|
||
|
exciting moments in a string quartet, like the high note in an
|
||
|
aria.
|
||
|
Over the next few days, the bedroom at the top of the stairs
|
||
|
became "their" place. Making love, the lying on the bed for
|
||
|
hours thinking, recovering between spasms. His body drained,
|
||
|
almost aching.
|
||
|
This must be what makes all that other shit worthwhile. I
|
||
|
_am_ a real person, just like everybody else. I wish I _never_
|
||
|
had to leave Augsburg. Here I am, Wolferl Mozart, I really
|
||
|
wouldn't have to do anything or be anything more ever again -- I
|
||
|
could just lie here the rest of my life and let this girl make
|
||
|
love to me, love me, and let me make love to her, and love her.
|
||
|
He was over a divide now =-- the child prodigy was gone.
|
||
|
The boy who sat on the lap of the Empress.
|
||
|
All I had to do in that other life was play music, then I
|
||
|
was allowed to jabber on and on afterward, with people courting
|
||
|
me, spoiling me rotten.
|
||
|
Now I am a man. And I've entered another world -- a world
|
||
|
of good old Prince Maxes and their "no vacancies." I'm no longer
|
||
|
a cute, talented little babbling boy in a pigtailed wig. I'm a
|
||
|
short young man with protruding eyes and a funny nose. Christ,
|
||
|
I'm a far better musician than I was when I was a child touring
|
||
|
Europe. But things have changed. _I've_ changed.
|
||
|
I'm a man. And I'm just not so cute anymore.
|
||
|
Thekla came up behind him as he stood gazing out the tiny
|
||
|
window at the top of the Rathaus, visible over the gray and red
|
||
|
roofs of the intervening houses.
|
||
|
"You're a special person, you know that, Wolferl?"
|
||
|
"No. I'm not really."
|
||
|
"Yes, you are. And I don't mean just the music."
|
||
|
He searched her eyes. A serious gray blue.
|
||
|
"I know you'll probably be a great man. Everybody says so."
|
||
|
He shrugged.
|
||
|
"But that isn't why I like you."
|
||
|
"No, you like me because I make the best puns in Germany. I
|
||
|
know your game."
|
||
|
"I do like the amusing little boy who's full of pranks. And
|
||
|
I respect the great musician. And you know what else?"
|
||
|
"Oh, let's not talk about such things." He made a face and
|
||
|
started to turn away from her.
|
||
|
"I love the young man who needs and desires me. Maybe as he
|
||
|
has never desired anyone else."
|
||
|
Oh," he said. He felt his face brightening. "If you're
|
||
|
going to talk about desire, that's different." And he began to
|
||
|
press his body up against hers.
|
||
|
"Wait a minute, Wolferl. I want to say something first."
|
||
|
|
||
|
"Yes, darling Baesle, what is it?" he said, looking into her
|
||
|
eyes.
|
||
|
"Be careful."
|
||
|
"What?"
|
||
|
"I'm afraid you want too much. God gave you talent, but
|
||
|
maybe as a kind of cross to bear. We all have crosses. And they
|
||
|
can crush us."
|
||
|
"Oh, let's do talk about something else!"
|
||
|
"But, Wolferl!"
|
||
|
"I'm tired of talking about talent, and genius, and all that
|
||
|
nonsense."
|
||
|
"All right, Wolferl. Just don't want too much. Maybe you
|
||
|
want more than a person can get."
|
||
|
"Well, I know what I want right now," he said, pressing his
|
||
|
mouth to her breast.
|
||
|
As his teeth lightly gnawed on the stiffened rough flesh of
|
||
|
the nipple, he felt suddenly apprehensive. He tried to put away
|
||
|
the thought, but he couldn't:
|
||
|
How long before I get another one of those hysterical
|
||
|
letters from Salzburg?
|
||
|
|
||
|
=============================================================
|
||
|
|
||
|
|
||
|
TIME TRIALS
|
||
|
|
||
|
by Otho E. Eskin
|
||
|
|
||
|
|
||
|
"I do wish you would learn to play mahjongg," Eva says as
|
||
|
she puts her cup of hot chocolate on the table top.
|
||
|
Suddenly it is very important that I understand why I am in
|
||
|
the Fuehrerbunker talking with Eva Braun when we haven't even
|
||
|
been introduced.
|
||
|
"I don't have the time," I say.
|
||
|
She stirs the chocolate with a silver spoon. The spoon
|
||
|
makes a small tinkling sound as it strikes the side of the cup.
|
||
|
Her hands are thick and have faint red spots on them. She is
|
||
|
putting on weight. How is it that I have never noticed that
|
||
|
before?
|
||
|
"I don't have the time," I say.
|
||
|
Dr. Sullivan lights a Marlboro with a gold lighter, then
|
||
|
waves away the smoke from between us. "I hope you don't mind my
|
||
|
smoking."
|
||
|
I hate smoking. I have strictly forbidden it. I know they
|
||
|
sneak out into the garden and smoke. I can smell it on their
|
||
|
breaths. It's on the tips of their fingers. It comes through
|
||
|
their skin. It oozes through their pores like pus. People who
|
||
|
corrupt their bodies with tobacco should be shot. No. Better
|
||
|
they should be strangled.
|
||
|
"What's to mind," I say.
|
||
|
Dr. Sullivan picks a piece of tobacco from her lower lip.
|
||
|
She is wearing simple navy, wool gabardine separates with a
|
||
|
fitted double-breasted jacket. Poor stitching in the collar. It
|
||
|
is beginning to pucker. She probably paid too much for it.
|
||
|
The airless air, the smell of damp concrete suffocates me.
|
||
|
Somewhere through the meters of steel and mortar I sense the
|
||
|
throbbing of the generators.
|
||
|
What am I doing here?
|
||
|
Dr. Sullivan sees me looking at her hands. She seems to be
|
||
|
self-conscious about them. She stubs out her cigarette in a
|
||
|
large ceramic ashtray half-filled with burnt out ends and folds
|
||
|
her hands in her lap.
|
||
|
"What seems to be the problem?"
|
||
|
"I have terrifying visions. I think I'm maybe going crazy."
|
||
|
"Tell me about them."
|
||
|
"I'm in a room. Sometimes I'm alone. Sometimes there are
|
||
|
others."
|
||
|
"Are these other people strangers?"
|
||
|
"Yes. No."
|
||
|
She shakes a fresh cigarette from a package and holds it,
|
||
|
unlit, in her hand.
|
||
|
"Can you describe the room?"
|
||
|
"Just a square room. No windows. There is a desk -- or
|
||
|
maybe a table. A couple of chairs. Outside, mortar shells rain
|
||
|
down onto Wilhelmstrasse. Trucks and tanks burn in Potsdamer
|
||
|
Platz. That's all."
|
||
|
"What are you doing in that room?"
|
||
|
"I am waiting for someone. I haven't much time left."
|
||
|
"Does the room remind you of some place you have been?
|
||
|
Maybe when you were young?"
|
||
|
"I have never been in that room. No. That is not quite
|
||
|
true. I have always been in that room."
|
||
|
"These dreams..."
|
||
|
"These are not dreams. Dreams I can live with. What I see
|
||
|
is real. I'm telling you, they are more real than you, Dr.
|
||
|
Sullivan."
|
||
|
She glances to see if I am looking at her hands. "Do you
|
||
|
have any health problems?"
|
||
|
"In the last few days I have been suffering from headaches.
|
||
|
And I've been getting stomach cramps."
|
||
|
She lights her cigarette and takes a long drag, then coughs.
|
||
|
"Jesus, these things are going to kill me." She puts the
|
||
|
cigarette, still lit and smoldering, into the ashtray. "I've been
|
||
|
trying to stop. I've been through self-hypnosis, TM, behavior
|
||
|
modification. Nothing works. Do you follow any regular regime of
|
||
|
exercise?"
|
||
|
What should I know from exercise? I work twelve hours a day,
|
||
|
six days a week in my clothing store on twenty-fourth street to
|
||
|
keep food on the table. I should be in a fancy jogging suit and
|
||
|
hundred dollar shoes running around Central Park with all the
|
||
|
low-lifes?
|
||
|
"I don't have time, Dr. Sullivan."
|
||
|
"Yes, you do. You have all the time in the world."
|
||
|
She's right of course. But how could she know that?
|
||
|
"Do you have a balanced diet?"
|
||
|
With the aggravations I have, what do I know from a balanced
|
||
|
diet. Sometime, if I'm lucky I have a lean corn beef on rye for
|
||
|
lunch and maybe in the afternoon a glass tea.
|
||
|
I hear sirens, muffled by tons of concrete and steel and
|
||
|
time. So much time. So little time. My hands shake. I can't
|
||
|
move my left arm. Eva is complaining that she is bored. She is
|
||
|
wearing a simple cotton dark-blue print frock with white polka
|
||
|
dots. The seams of her stockings are crooked. I can barely
|
||
|
suppress my rage.
|
||
|
We are being invaded by the barbarians. Thousands of Russian
|
||
|
soldiers pour through the streets above us. And she is bored. Big
|
||
|
deal. Within hours she will be dead. The world is coming to an
|
||
|
end and she wants to play games. A rocket scientist she's not. I
|
||
|
tell her I don't have time. She pouts and drinks her chocolate.
|
||
|
"Have you been seeing any physicians?" Dr. Sullivan asks.
|
||
|
Dr. Sullivan thinks I am hallucinating. I'm not
|
||
|
hallucinating the Red Army on Frankfurter Allee. I'm not
|
||
|
hallucinating the bombs that fall on the city, the fire storms
|
||
|
that are sweeping us away.
|
||
|
I've never been sick a day in my life. So why am I sitting
|
||
|
here with a crazy-doctor at $90 an hour when God knows what is
|
||
|
happening at the store?
|
||
|
"I occasionally see specialists to help with my arm," I tell
|
||
|
her.
|
||
|
She holds the cigarette back and away from her. "You didn't
|
||
|
mention anything about your arm."
|
||
|
"It happened many years ago."
|
||
|
She is attractive in a coarse, Mediterranean way. She is
|
||
|
maybe in her thirties and has a nice figure. She sees me
|
||
|
watching her and she sits back in her high-backed chair and folds
|
||
|
one arm across her breast, the cigarette in the other hand, just
|
||
|
in front of her mouth. She has a full mouth with generous,
|
||
|
inviting lips. I wonder if anyone has ever told her that.
|
||
|
"I am seeing Dr. Kreuz," I say.
|
||
|
She flicks her tongue along her lower lip. The sight of her
|
||
|
pink tongue excites me.
|
||
|
"Dr. Kreuz is a fraud," she says. Dr. Sullivan stubs out her
|
||
|
half-finished cigarette. She stirs the butt in the ashtray among
|
||
|
the others.
|
||
|
Eva has gone and I am alone. She doesn't approve of Dr.
|
||
|
Kreuz and she doesn't want to be around when she comes. How long
|
||
|
have I been alone? Shouldn't there be people here? Have they
|
||
|
all gone? Have they sneaked out of the bunker? Are they scurrying
|
||
|
like frightened field mice through the burning rubble? The
|
||
|
General Staff, the guards, dear Eva. All deserters.
|
||
|
I won't miss her. Least of all Eva.
|
||
|
Maybe I'm the only one left in the bunker. There is no one I
|
||
|
can trust. I am surrounded by traitors. I am the victim of
|
||
|
corruption and cowardice. I go to the door and listen but hear
|
||
|
nothing. I can't even hear the generators any more.
|
||
|
Eva has become a trial. It was all right at the Berghof.
|
||
|
Now she thinks she can make claims on me. Now that we are
|
||
|
married, she has become impossible. She says she gave up a
|
||
|
promising career to be with me. Eva's getting to be a real pain.
|
||
|
Who needs it?
|
||
|
Is it my imagination or is the air becoming more stale?
|
||
|
Maybe the air circulation system has stopped. I feel my heart
|
||
|
pounding in my chest. I can no longer breathe. How long does it
|
||
|
take to die of asphyxiation? I open the door a crack and look
|
||
|
into the office beyond. Bormann glances up at me. He is wearing a
|
||
|
heavy, gray worsted jacket. I shut the door quickly, embarrassed.
|
||
|
"Dr. Kreuz is a fraud." Dr. Sullivan is fiddling with her
|
||
|
lighter. She taps it on the desk top. Tap-tap-tap-tap. I hope
|
||
|
she will show me her tongue again. "She's not even a doctor, you
|
||
|
know."
|
||
|
"She didn't help you," I tell her. The tapping is making me
|
||
|
nervous. Do I dare ask her to stop?
|
||
|
"She talks a good line," Dr. Sullivan says. "She makes all
|
||
|
kinds of claims. But she is incompetent. I paid a fortune to
|
||
|
that woman to cure me of my smoking habit. She said: no problem.
|
||
|
She'd done it hundreds of times, she said. But at the end, she
|
||
|
tells me the cure is too dangerous. I might not survive the
|
||
|
treatment. By the time I was through, I was a nervous wreck and
|
||
|
smoking three packs a day."
|
||
|
The bombardment has begun again. The enemy has located the
|
||
|
bunker and the shells fall like hammer blows above my head. The
|
||
|
noise is so great I cannot think. The earth trembles. Fine dust
|
||
|
drifts from a crack in the ceiling. How can the walls support the
|
||
|
stress? The room is full of smoke.
|
||
|
What if something has happened to Dr. Kreuz. She has told me
|
||
|
many times that nothing can harm her. But can she withstand steel
|
||
|
and flame? She has survived worse, she says. She stands at the
|
||
|
far end of the room telling me the time has come.
|
||
|
"Are you ready?" she asks.
|
||
|
Now that it is time, I hesitate.
|
||
|
"Will I forget?" I ask.
|
||
|
Dr. Sullivan is looking at me intently. Her mouth is partly
|
||
|
open and her lips are moist. She seems to be breathing quickly.
|
||
|
"Are you all right, Dr. Sullivan?" I stand up and cross to
|
||
|
her. She is at least six inches taller than I am. "You seem...you
|
||
|
should excuse the expression...excited."
|
||
|
"I'm just upset. You'd be upset too if some bitch ripped you
|
||
|
off for six grand."
|
||
|
I lead her to the couch. "Sit down, Dr. Sullivan. You must
|
||
|
rest." She sits on the couch and I take off her shoes -- gray
|
||
|
pumps -- totally inappropriate to her outfit. I lift her feet to
|
||
|
the couch. She puts one hand over her eyes and takes a deep
|
||
|
breath.
|
||
|
"You can't imagine how I hate this job."
|
||
|
There is a knock at the door. "It's me. Eva. Can I come
|
||
|
in?"
|
||
|
"We must hurry," Dr. Kreuz says.
|
||
|
Eva knocks more loudly. "We are running out of time," Eva
|
||
|
says.
|
||
|
"We are running out of time," Dr. Kreuz says. I hear the
|
||
|
impatient rapping at the door and have a hard time following Dr.
|
||
|
Kreuz's words. "I have the key to the Arcanum. I am immortal.
|
||
|
Use your powers and you will be immortal too."
|
||
|
"Can I speak frankly to you?" Dr. Sullivan interrupts. I'm
|
||
|
sitting on the couch next to her. "I know this isn't
|
||
|
professional, but I find you strangely attractive." She is
|
||
|
looking at me intently. "I find you somehow magnetic."
|
||
|
"Please pay attention," Dr. Kreuz yells at me. "You must
|
||
|
concentrate. Time's web that binds you is dissolving." There are
|
||
|
so many voices. The roaring in my ears splits my skull. The
|
||
|
bunker groans from the impact of a bomb fifty feet above us. The
|
||
|
sound of traffic drifts up from the street below. There is
|
||
|
tapping at the door.
|
||
|
"Please answer me."
|
||
|
"I'm losing you." Dr. Kreuz's voice is a hoarse whisper.
|
||
|
"I'm losing you."
|
||
|
"Did you hear what I said?" Dr. Sullivan asks. "You don't
|
||
|
seem to be paying attention." She grasps my hand fiercely. "I am
|
||
|
losing you."
|
||
|
"What is happening?" I hear myself asking.
|
||
|
"Concentrate." Dr. Kreuz grasps me by the hand. "Use your
|
||
|
powers. The matrix of time no longer has you in its power. In a
|
||
|
moment your spirit will fall across space and time."
|
||
|
"Who will I be?"
|
||
|
"Even now I search for a vessel. Perhaps nearby. Perhaps
|
||
|
on the other side of the world."
|
||
|
"When?"
|
||
|
"Then is now. Somewhere, sometime, someone waits. The world
|
||
|
waits for you."
|
||
|
"What are you doing in there?" Eva's voice has a sharp edge
|
||
|
on it. "Let me in this minute." Such a yenta.
|
||
|
"Use your powers." Dr. Kreuz is calling me from a great
|
||
|
distance. "Even now you take possession of another. Do not fail
|
||
|
me. Do not fail destiny."
|
||
|
I can hear nothing except the incessant knocking on the
|
||
|
door. Will no one stop her? Will no put an end to my torment?
|
||
|
I make out the words of Dr. Kreuz. "We shall meet again,"
|
||
|
she says from a very long time ago.
|
||
|
Torrents of icy darkness sear my soul. My flesh is stripped
|
||
|
away, the marrow sucked from my bones.
|
||
|
The woman lying on the couch looks at me eagerly. Her hand
|
||
|
is at the back of my neck and pulls me toward her. I am too
|
||
|
startled to resist. Her lips are soft and moist. I can smell
|
||
|
her cologne, I can smell her flesh. I am so close I can see the
|
||
|
texture of her skin under her makeup. She opens her lips and her
|
||
|
tongue touches mine. I can taste the tobacco.
|
||
|
I hear myself screaming; the words pour from my lips; words
|
||
|
I didn't think I knew. I am shaking her violently. She is unable
|
||
|
to comprehend what is happening. I taste the smoke in her mouth;
|
||
|
I feel the corruption of her body. My rage becomes incandescent.
|
||
|
|
||
|
My hands are at her throat. Her eyes widen -- in terror? -- in
|
||
|
expectation? -- in understanding?
|
||
|
My rage burns out as quickly as it began. Only my hands
|
||
|
tremble. Otherwise, I am entirely normal. I rise and go the
|
||
|
desk. I search through the Rolodex until I find the name of Dr.
|
||
|
Kreuz. I write the address on a slip of paper.
|
||
|
I am anxious to leave. I have a great deal to talk to Dr.
|
||
|
Kreuz about.
|
||
|
|
||
|
=================================================================
|
||
|
=================================================================
|
||
|
|