1438 lines
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1438 lines
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FICTION-ONLINE
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An Internet Literary Magazine
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Volume 1, Number 3
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November-December, 1994
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EDITOR'S NOTES:
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FICTION-ONLINE is a literary magazine publishing
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electronically through e-mail and the internet -- starting with
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this issue, on a bimonthly basis. The contents include short
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stories, play scripts or excerpts of plays, excerpts of novels or
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serialized novels, and poems. Some contributors to the magazine
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are members of the Northwest Fiction Group of Washington, DC, a
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group affiliated with Washington Independent Writers. However,
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the magazine is an independent entity and solicits and publishes
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material from the public.
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To subscribe or unsubscribe or for more information, please
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e-mail a brief request to
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ngwazi@clark.net
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To submit manuscripts for consideration, please e-mail to the
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same address. Back issues of the magazine may be obtained by e-
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mail or by anonymous ftp from
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ftp.etext.org
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where issues are filed in the directory /pub/Zines or by gopher
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at gopher.cic.net under "electronic serials." AOL users will
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find back issues under "Writer's Club E-Zines."
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"Letters to the Editor" are solicited and will be published
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in subsequent issues.
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COPYRIGHT NOTICE: The copyright for each piece of material
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published is retained by its author. Each subscriber is licensed
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to possess one electronic copy and to make one hard copy for
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personal reading use only. All other rights, including rights to
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copy or publish in whole or in part in any form or medium, to
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give readings or to stage performances or filmings or video
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recording, or for any other use not explicitly licensed, are
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reserved.
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William Ramsay, Editor
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ngwazi@clark.net
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=================================================================
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CONTENTS
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Editor's Note
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Contributors
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"An Exercise in Fear," a poem
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Ayli Lapkoff
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"Janet's Campaign," a short story
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Ivy Main
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"Music's Loss," an excerpt (chapter 3) from the novel "In
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Search of Mozart"
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William Ramsay
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"The Decline, Partial Unwinding and Ultimate Collapse of
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Civilization as We Know It," a ten-minute play
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Otho E. Eskin
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=================================================================
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CONTRIBUTORS
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AYLI LATKOFF attends high school in California. She has
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published two poems in "GraffittiFish" and has a chapbook in
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press.
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OTHO E. ESKIN, former diplomat and consultant on international
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affairs, has had numerous plays read and produced in Washington.
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His play "Duet" is in production at the Elizabethan Theater at
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the Folger Library.
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IVY MAIN is a writer living in McLean, Virginia.
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WILLIAM RAMSAY is a writer and consultant on Third World energy
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problems. He recently published a short story, "Heritage," in
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"Nebo." He is coordinator of the Northwest Fiction Group.
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==============================================================
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AN EXERCISE IN FEAR
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by Ayli Lapkoff
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Your eyes fell shut
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Like birds who crashed out of the sky
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They have holes in their useless wings
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Holes in the second hand clothing
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That gathers dust in the basement of your fear
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Your soul was washed up
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Like jellyfish on the shore
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Or the empty boats of lovers
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Who clung to each other while they drowned
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Martyrs for your fear
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Your ashes were blown apart
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Like travelers who parted ways
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Fate wished that they met
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Luckless patterns in plaid
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Pointless because of your fear.
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=========================================================
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JANET'S CAMPAIGN
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by Ivy Main
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On her third trip to the supermarket that week, Janet
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decided she had to make a change. She didn't need the groceries;
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it just gave her something to do. And yet she was a lady of
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independent means, still in excellent health -- she ought to have
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been living a more exciting life.
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She tried going to the hardware store instead. She made a
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careful list of things one might buy, then left the list at home
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so that she could forget something and have to go back. As it
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happened she remembered everything anyway, so she lost her
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excuse, but she found something much better. On the sidewalk in
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front of the store, folded and dirty, lay a poster that read:
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"WANTED: people to run for public office. Poor salary, no
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benefits. Try it anyway." It was put out by a group calling
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itself Power to the People, and it listed a phone number you
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could call for a free skills training seminar.
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It was the perfect hobby. Nobody ever wanted to talk to
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her; if she went into politics it would give them something not
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to talk to her about.
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She began her campaign by accosting the first person she saw
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on the street. It was an old woman like herself, who was
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fortunately hard of hearing. They had an excellent discussion,
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Janet of the need for honest government, the other woman of the
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many kinds of perennial flowers suited to Northern Virginia.
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As soon as she got home, Janet tried to call the number listed
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on the poster, but the digits kept changing in her memory. Twice
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she dialed wrong numbers, and the second time she ended up having
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such an interesting discussion with a five-year-old in Maryland
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that she forgot about Power to the People.
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As she was still holding the telephone, however, she called
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her friend Dora. Dora was only fifty-nine, so she understood
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things that were too hard for Janet: how to work a computer,
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which health insurance forms to file, how to make cash machines
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give back her card, and why men wore earrings and teenagers
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didn't lace up their shoes.
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"I'm going to run for mayor," Janet told Dora.
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There was a moment's silence. "They don't have a mayor
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where you live, Janet," said Dora. "That's an unincorporated
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area. You'd better run for a county seat. What are your
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issues?"
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"I've been thinking about that," answered Janet. "I've
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decided I'm against junk mail and waiting in line."
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"Those aren't so good. You'll antagonize the junk mail
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people and a lot of retail businesses. You'd better be in favor
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of something instead, then at worst no one will pay any
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attention."
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That sounded sensible. Janet went into town to talk to her
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constituents and develop issues.
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It was five o'clock, and people were coming out of offices
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and closing up some of the stores. Janet chose a sidewalk in
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front of a shopping center to start her campaign. She held up a
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clipboard, to which she had attached a sheet of paper with the
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word "Petition" written across the top in large letters. Before
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she could start a speech a man standing in a doorway stopped her.
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"This is private property," he told her. "We don't want you
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doing that here!"
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"You don't even know what I was going to say!" objected
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Janet.
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"Well, what is it?"
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"I don't know yet. I hadn't started talking." Janet held
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out the clipboard. "You can be the first person to sign my
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petition, if you want. It's for preserving the sanctity of
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private property."
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"Oh, I'll sign that." The man took the clipboard from her
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and carefully wrote out his name and address. "You should sign
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this, Jim," he said to a man in a brown uniform who was getting
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into a van.
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"Sure, if you say so."
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"Thank you both," said Janet. "And you be sure to vote for
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Janet Andrecowski come election time!"
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"I may do that. And I guess I don't mind if you collect
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more signatures here." The store man gave her a friendly nod and
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went back indoors, while Janet made a note at the top of the
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paper that this sheet was for people favoring private property.
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A woman came by, hauling a little boy along by one arm. She
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didn't look very friendly, but Janet was feeling lucky.
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"Would you sign a petition favoring children behaving
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themselves?" she asked the woman slyly.
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"I'd rather you minded your own business," snapped the
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woman.
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"Then perhaps you'd rather sign a petition in favor of
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everyone minding their own business. I'm your candidate on that
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issue, I'll say."
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The woman paused and glanced at the clipboard, where Janet
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was busy writing "ISSUE" at the top. "There's nothing on there
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about that."
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"It allows for greater flexibility this way," Janet told
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her. "If you sign it, I can work up the details later, more
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precisely according to your sentiments."
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The woman looked skeptical, but she signed.
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"Thank you very much. I'm Janet Andrecowski, and I'm
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counting on your support in the upcoming election."
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The woman raised one eyebrow, but she didn't say anything.
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She grabbed the little boy by the arm and hurried off.
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Janet stayed there for an hour, until the last stores in the
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little shopping center closed. Seven more people signed her
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pieces of paper: two in support of property rights, one for
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everybody minding their own business, three for no unjustified
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taxes, and one in support of meaningless pieces of paper. This
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last was a lawyer who wrote a whole paragraph, with many clauses
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and subclauses, extolling the virtues of meaningless pieces of
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paper, before signing with a bold hand, "C.L. Applebaum, Esq.,
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Attorney at Law." Janet had felt doubtful of the virtue of this
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issue when the lawyer had suggested it, but he had composed the
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petition with such cheerful enthusiasm that she ended up putting
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it on top of the others on her clipboard.
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Her great success demanded that she give careful
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consideration to her campaign; no longer could she take it so
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lightly. She walked home with a spring in her step and sat up
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late studying the views of her constituents. It was well past
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nine when she at last forced herself to go to bed, and nearly ten
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before the excitement had abated enough that she could sleep.
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Promptly the next morning she began calling numbers in the county
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government until she reached a woman who didn't give her a
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different number to call, but said, yes, she could answer
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questions about running for office.
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"What office are you interested in running for?" she asked.
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"What have you got?" countered Janet.
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"Well, there'll be an election for County Clerk this fall."
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"Lord, no!" snorted Janet. "I spent most of my life as a
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government clerk! I know all about _that_ kind of work!"
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After a short pause the woman said, "I see. Perhaps you'd
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prefer a position on the Board of Supervisors."
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"That's more like it. Put me down for a Supervisor."
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"All right. Will you be running as a Democrat or a
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Republican?"
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Janet hadn't thought that far. "Which party needs someone?"
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"Well, the incumbent is a Republican, and he's running again.
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However, there are also two Democrats already announced. Either
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way you'd have opposition in a primary. If I may make a
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suggestion? As you don't seem to have any strong party
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affiliation, you might consider running as an independent."
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"Oh, yes!" chortled Janet. "That sounds perfect. Have they got
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anybody running already?"
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"Has who...?"
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"The Independent Party."
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This time there was a very long pause on the other end of
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the line. "O.K.," said the woman finally, in a tone of
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resignation. "Ma'am, if you go to the public library, they can
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probably show you some books on politics that would give you some
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background here. Meanwhile, I can send you out some information
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on registering as a candidate. You'll need to collect petitions
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to get on the ballot -- "
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"I've already started that. I've got nine signatures."
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"That's a start."
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Janet gave the woman her name and address, and hung up the
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phone feeling well pleased with her progress. Then she set out
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for the library, but once on the street saw that it was too nice
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a day to be indoors, so she interviewed two people at a bus stop.
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The next day was also pleasant, and the next, so that when
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the packet of information came in the mail, Janet had not
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actually added to her understanding of the government in which
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she sought to serve. This was fine with her, because she never
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could like libraries; the hushed atmosphere made her feel like a
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child who'd been admonished not to wake the baby.
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She took up a position outside the supermarket. The manager
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of the store was very friendly about it, and set out a chair for
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her to sit on when she got tired. He even signed one of her
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petitions himself, although he was a Republican and could see the
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threat Janet's candidacy posed to the incumbent. Janet told him
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she wouldn't shop anywhere else from now on, after he'd shown her
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so much courtesy, but he said that was all right; it was the
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civic duty of concerned citizens to support the rights of
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everyone, even crazy people and Democrats, to run for office.
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Janet said in that case, she _would_ shop elsewhere from now on,
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because his store was more expensive and not so convenient for
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her. At that point the store manager found he had to go back in
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to work.
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By the end of the day, Janet had gathered eighty-four
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signatures and had made anywhere from five to sixty new friends,
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depending on whether a hearty handshake counted, or only the long
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conversations that ended with Janet asking someone to dinner.
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Unfortunately, one young man with a ponytail and a backpack
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accepted her invitation and proceeded to write down the
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directions to her house, so that Janet was forced to remember a
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prior engagement on the night in question.
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She could scarcely contain her excitement. She called Dora
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and met her at the McLean House Restaurant. It was her favorite
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place for dinner; the waitresses were all women almost as old as
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herself, and they wore white aprons and support stockings and
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called everybody "hon." Janet had nothing against the trendy
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cafes with their college student waiters and Japanese mushrooms;
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but the McLean House was still the only place she knew of where
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you could order a hamburger without danger of having it served
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with salsa or blue cheese.
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"Let's go wild," she said to Dora as they perused the list
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of specials. "Let's order the London broil with a bottle of Cold
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Duck. I feel like celebrating."
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Dora lifted her chin to read better through the bottom of
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her bifocals. "You ought to be watching your cholesterol,
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Janet."
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"Oh, cholesterol, pooh." Janet pouted.
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Their waitress came up. "You girls ready to order? You
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want your usuals?"
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"I guess I'll have the fried chicken, Lily," said Janet,
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cheering up again. "With a baked potato and sour cream; and can
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I have a salad instead of the vegetable of the day?"
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"You always do," answered Lily agreeably.
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"Well, I still feel I should ask."
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"I'll have the baked haddock," said Dora, snapping her menu
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closed. "Nothing to start, and just water will be fine."
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"No, no, we're having champagne!" cried Janet. "Have you
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got any champagne?"
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"I don't want champagne," said Dora.
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"But I do! This is a celebration!"
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"Why don't you order a champagne cocktail? You'd like that.
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They're sweet."
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"All right." Janet nodded.
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"One champagne cocktail and two usuals," said Lily. "What
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are you celebrating?"
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"I'm running for County Supervisor." Janet showed her the
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clipboard. "Would you like to sign my petition? You don't
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actually have to vote for me; this is just to get me on the
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ballot. I need three hundred signatures. Of course, if you did
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vote for me, that'd be even better."
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"Sure, I'd vote for you!" Lily added her name to the
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petition. "You're against the widening of Route 123, aren't
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you?"
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"Absolutely!" declared Janet.
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"Then you have my vote." Lily gave a nod and bustled off.
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Dora shook her head at Janet. "You just decided that right
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then and there. You need to think about these issues carefully."
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Janet pursed her lips. "It's called delegating. I've known
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Lily for fifteen years, and I trust her judgment on certain
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matters." Suddenly her eyes narrowed. "Unless you think Route
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123 _should_ be widened?"
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"No, but that's not the point."
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"Isn't it? Two of my closest advisors agree on an issue.
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I'd say that's pretty good."
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"What happens if you get elected? You'd have to debate the
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merits of the issues with the other Supervisors. You couldn't
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just say, 'A waitress friend of mine says this, and therefore
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that's how I'm voting.' You'd have to give reasons."
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Janet pursed her lips again, but fortunately Lily came back
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with the champagne cocktail just then. The restaurant manager
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was with her, a stout man with a polyester suit and Clark Gable
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moustache.
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"Lily here tells me you're using my restaurant to campaign
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in!" he boomed, taking Janet's hand warmly in both of his.
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"Can't have that! Can't have that! I run a respectable
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establishment!"
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Janet raised her shoulders in a shrug of delight, beaming.
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"I'm just exercising my First Amendment rights, Mr. Gianelli!"
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"Is that what you call it? Well, let's see that petition!"
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He picked up the clipboard and pretended to scrutinize it
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thoroughly before scrawling his signature beneath Lily's. "I'm
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going to borrow this," he said when he had finished. "I'm going
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to make everyone in the kitchen sign it."
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"Oh, why, thank you!" Janet watched him head back towards
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the kitchen, stopping to gladhand a middle-aged couple who were
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on their way out. "What a nice man," she said to Dora as she
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sipped her cocktail. "I've always liked him. Ooh, this _is_
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good!"
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"I thought you'd like it." Dora thumped her finger on the
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table top. "Now, let's get down to business. I take it you're
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serious about running for office?"
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"Absolutely. I've never had so much fun before in my life.
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I'm just sorry I didn't think of it twenty years ago; I could be
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President now. Maybe I still will be."
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"If you _are_ serious, you need to get organized. You need
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a campaign manager and a treasurer. You've got to recruit some
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volunteers to campaign for you. You'll need to raise money."
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Janet's face fell, and she added, "It's not easy to get elected.
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The road is all uphill."
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"If you don't mind," answered Janet, "I'll just go at it my
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own way. It seems to me you either have a way with voters, or
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you don't. If you don't, all the organizing and volunteers and
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||
|
so forth doesn't matter. If you do, it just gets in the way.
|
||
|
Quality shows."
|
||
|
"Not in politics," Dora warned her.
|
||
|
"Oh, I think so. You're not political, Dora, so it looks
|
||
|
hard to you. But I'm a natural campaigner. You'll see."
|
||
|
* * * * *
|
||
|
With her clipboard in hand, Janet became a familiar sight in
|
||
|
front of grocery stores. When she had gathered enough signatures
|
||
|
to get her name on the ballot, she went back to her earlier
|
||
|
petitions supporting specific issues, which allowed her to sound
|
||
|
out her fellow citizens on everything from road widening to
|
||
|
immigration quotas. By September she was able to draw the
|
||
|
following conclusions:
|
||
|
|
||
|
541 people favored private property rights, while 411 felt
|
||
|
the government ought to exist in some form;
|
||
|
|
||
|
372 people believed in the separation of church and
|
||
|
state, 480 felt religion had played an important role in the
|
||
|
formation of their characters, and 16 favored a
|
||
|
twenty-minute limit on sermons;
|
||
|
|
||
|
97 thought roads should be widened where necessary,
|
||
|
compared to 68 who felt there was too much construction
|
||
|
going on generally and 33 who said people should be
|
||
|
taking public transportation whenever it was not
|
||
|
inconvenient, including 2 people who favored a free
|
||
|
county helicopter service;
|
||
|
|
||
|
115 people agreed with the statement, "Schools are best
|
||
|
suited to educate children," while 12 did not;
|
||
|
|
||
|
59 mothers with small children believed children ought
|
||
|
not to throw tantrums in public, while 64 stated it was
|
||
|
not the parent's fault that the children misbehaved,
|
||
|
and 2 were inclined to blame the bad behavior on
|
||
|
Satanic influences (Janet thought she might have
|
||
|
interviewed the same woman twice on this last point,
|
||
|
although she couldn't be sure, so she left it at two
|
||
|
and wrote the word "Trend?" next to her notation);
|
||
|
|
||
|
12 people approved of existing immigration quotas, 6
|
||
|
did not, and 32 were wholly uninformed on the issue,
|
||
|
while one person encouraged Janet to emigrate out of
|
||
|
the country;
|
||
|
|
||
|
1 person supported the creation and distribution of
|
||
|
meaningless pieces of paper, 9 did not, and 27 seemed to
|
||
|
take offense at the question; and finally
|
||
|
|
||
|
3,748 people did not wish to respond to any questions
|
||
|
whatsoever and/or sign their names to any
|
||
|
stupid/damned/idiotic petitions, while 19 people would
|
||
|
sign only a petition in favor of everybody minding
|
||
|
their own business.
|
||
|
|
||
|
Armed with this information, Janet launched the next phase
|
||
|
of her campaign: manipulation of the media. By this time she had
|
||
|
read two chapters in a political book Dora had lent her, which
|
||
|
talked a lot about the power of the press.
|
||
|
She dropped by the office of one of the local newspapers and
|
||
|
breezed past a secretary with her back turned, going straight to
|
||
|
a door marked "Mary Roarty, Editor." Rapping loudly, she walked
|
||
|
in and declared, "Apathy!"
|
||
|
The editor looked up from her work and fixed Janet with a
|
||
|
puzzled stare. She was a woman in her thirties with that harried
|
||
|
look that seemed to cling to so many members of the middle class.
|
||
|
Stacks of papers pressed in on her from all sides; she was under
|
||
|
siege.
|
||
|
"Apathy!" repeated Janet, and she dropped her stack of
|
||
|
petitions on top of Ms. Roarty's other papers. "I've talked to
|
||
|
more than six thousand people, and two-thirds of them wouldn't
|
||
|
even talk to me. Here I am running for office as a service to
|
||
|
the community, and most of the community isn't interested in
|
||
|
conveying their views. There's a story for your paper!"
|
||
|
"Apathy?" said the editor.
|
||
|
"Apathy!"
|
||
|
Ms. Roarty sighed and eyed the door. "But you see, it's
|
||
|
hard to get people to read our paper as it is, even though we
|
||
|
give it away. I'm sure the apathetic ones aren't reading papers,
|
||
|
so a story about it wouldn't reach them. And the people who do
|
||
|
read the paper are a little more concerned, so a story about
|
||
|
apathy wouldn't resonate with them. What are you running for?"
|
||
|
"Supervisor! I'm running as an independent. My name is Janet
|
||
|
Andrecowski -- surely you've heard my name?"
|
||
|
Ms. Roarty looked blank for a moment, and then a smile of
|
||
|
comprehension came to her face. "Oh, are you the one who stands
|
||
|
out in front of the Safeway?"
|
||
|
"Yes, that's me!" Janet beamed. She had name recognition.
|
||
|
"Sit down, Ms. Ander -- "
|
||
|
"Andrecowski, spelled like it sounds."
|
||
|
"Ms. Andrecowski." The editor nodded towards a battered
|
||
|
vinyl armchair.
|
||
|
"Call me Janet."
|
||
|
"We were thinking of doing a story on you. Do you remember
|
||
|
talking to one of our reporters a few days ago?"
|
||
|
"I talk to so many people," demurred Janet, sitting down.
|
||
|
"Well, this was a -- "
|
||
|
"I remember her." Janet smiled coyly. "She didn't say she
|
||
|
was writing a story, but after talking to her I knew your paper
|
||
|
was the one I wanted to talk to first. I felt you had the
|
||
|
integrity and the professionalism to help me get my message out."
|
||
|
She leaned forward. "So much is riding on this election."
|
||
|
"What in particular would you be referring to?"
|
||
|
"It's all there." Janet stood up to point to the petitions
|
||
|
she had dropped on the editor's desk, then sat down again. "Read
|
||
|
the summary on top. People in our community want action! They
|
||
|
need a leader who understands their concerns. Not a single one
|
||
|
of the other candidates has been in such close touch with the
|
||
|
electorate. At least -- have they?"
|
||
|
"I don't think so," returned the editor. "But there are
|
||
|
only two other candidates, you know."
|
||
|
"I thought there were more than that!"
|
||
|
"There were originally. But there was a primary election
|
||
|
back in June."
|
||
|
"Oh." Janet considered for a moment. "I was especially
|
||
|
busy then. Campaigning requires a lot of focus, I find. Maybe
|
||
|
you could just -- I haven't read up on my opponents yet -- "
|
||
|
"The Democrat is Allison McDonald and the Republican is the
|
||
|
incumbent, James Hardwick. You're still the only person running
|
||
|
as an independent, though."
|
||
|
"I knew that," said Janet, "because our party didn't have a
|
||
|
primary. Anyway, as you'll see from the work I've done, people
|
||
|
in our community have a lot of issues and a lot of concerns."
|
||
|
"I thought you said there was mostly a lot of apathy." Janet
|
||
|
nodded vigorously. "There is. That's why the
|
||
|
community needs someone like me. Listen, this is your interview
|
||
|
for your paper, so I won't tell you how to run it, but wouldn't
|
||
|
you like to focus on more specific questions?"
|
||
|
Ms. Roarty blinked and sighed again. "Sure. Why don't you
|
||
|
tell me about yourself, something about your background. I
|
||
|
gather you've never held elected office before?"
|
||
|
"That's true. I haven't become part of the system yet; I'm
|
||
|
still able to think for myself and to represent the people's
|
||
|
interests."
|
||
|
"But do you have any relevant experience? You know,
|
||
|
managerial -- "
|
||
|
Janet sat up straighter. "I was a records clerk for the
|
||
|
Farm Administration for thirty-nine years. I know all about
|
||
|
government. And besides that, I have life experience. I was
|
||
|
born in nineteen-fifteen. That makes me..." She frowned.
|
||
|
"Seventy-six."
|
||
|
"Seventy-eight."
|
||
|
"No, because my birthday was in January. At any rate, it's
|
||
|
obvious that I have more experience than either of my opponents,
|
||
|
who are much younger, aren't they?"
|
||
|
"Yes, but Mr. Hardwick has experience already on the Board
|
||
|
of Supervisors, and Allison McDonald has been a community
|
||
|
activist for many years. They're both very impressive
|
||
|
candidates, I should tell you." The editor glanced at her watch.
|
||
|
"I'm going to need to go; I have another appointment. If it's
|
||
|
all right with you, I'll let our reporter call you for a more in-
|
||
|
depth interview." She stood up and offered her hand. "Would you
|
||
|
just leave your number with the office manager on your way out?"
|
||
|
Janet stood up reluctantly. "I'm sorry you haven't got more
|
||
|
time; I do enjoy discussing the issues with an intelligent person
|
||
|
like yourself. Oh, I know: why don't you come have dinner at my
|
||
|
house, and then we can talk in a more relaxed setting?"
|
||
|
"That's so nice of you," answered Ms. Roarty, shaking her
|
||
|
head. "But how would it look for the editor of a paper to be
|
||
|
having dinner with one of the candidates for an important
|
||
|
election? If I don't seem to be objective, I'll hurt the
|
||
|
credibility of the newspaper."
|
||
|
"That's so," agreed Janet cheerfully. "And as I'm hoping
|
||
|
for your endorsement, it's important to me that people trust
|
||
|
you."
|
||
|
"Yes, well, that's a matter for our editorial board. Good-
|
||
|
bye, Ms. Andrecowski, and good luck to you!"
|
||
|
Janet left, feeling extremely pleased with the way the
|
||
|
campaign was going. There were two other local papers that would
|
||
|
be covering the election, and she visited these in the following
|
||
|
days. The editors and the reporters treated her with great
|
||
|
courtesy, and all of the papers mentioned her name in the weeks
|
||
|
following. Ms. Roarty's paper devoted the most space to her
|
||
|
campaign, however, even sending out a photographer to take
|
||
|
pictures of her standing with her petitions in front of the
|
||
|
supermarket. When that edition of the paper came out, Janet
|
||
|
flipped eagerly through the pages until she came to a smiling
|
||
|
picture of herself in her red dress and plastic rain boots,
|
||
|
standing in front of a sign reading "BONUS SPECIAL--TURKEY PARTS"
|
||
|
and holding up her clipboard. A short article accompanied the
|
||
|
picture. It bore the headline "It Takes All Kinds," and it read:
|
||
|
At least the election won't be dull. Not with Janet
|
||
|
Andrecowski running.
|
||
|
Janet is 76 or 78 -- she can't remember which -- and is
|
||
|
running for public office for the first time in her life. With
|
||
|
her clipboard loaded with "petitions" on unlikely issues, she has
|
||
|
become a familiar fixture outside the Safeway on Chain Bridge
|
||
|
Road in McLean.
|
||
|
"The customers like her," says Manager Joe Farrell.
|
||
|
"She's local color. We've had very few complaints."
|
||
|
And her campaign platform?
|
||
|
"I don't have one," says Janet. "I think they're boring,
|
||
|
and besides, I like to change my mind."
|
||
|
She changes her mind a lot, it seems, but she certainly
|
||
|
isn't boring. Her petitions cover opposing sides of issues such
|
||
|
as road improvements, religious beliefs, and, more recently,
|
||
|
whether people should be allowed to keep ducks in their back
|
||
|
yard.
|
||
|
"That's a very important question right now," she
|
||
|
emphasizes. "Three gardening-type people have said ducks eat
|
||
|
weeds, but two respondents thought the ducks might wake them up
|
||
|
early in the morning with their quacking."
|
||
|
With issues like this, and no campaign funds -- Janet
|
||
|
refuses donations (or maybe they aren't offered) -- what makes
|
||
|
her think she can win? "I've met most of the voters -- at least,
|
||
|
the ones who do their own shopping, so everybody knows me, and
|
||
|
they know when they have an issue, they can sign one of my
|
||
|
petitions. That's pretty good, isn't it?"
|
||
|
It may or may not be good, but it's certainly
|
||
|
entertaining.
|
||
|
|
||
|
Janet carefully tore out the whole page and took it with her
|
||
|
to the McLean House Restaurant, where she was meeting Dora for
|
||
|
lunch.
|
||
|
"Have you seen this?" she called out gaily when she spotted
|
||
|
her friend at their usual table.
|
||
|
"Yes, and I've already been on the phone to the editor about
|
||
|
it!" Dora was scowling.
|
||
|
"Oh, you didn't have to do that."
|
||
|
"Well, somebody had to. They should know that they can't
|
||
|
get away with treating people like that. They should have the
|
||
|
decency to accord you some respect."
|
||
|
Janet slid into the seat opposite Dora and fixed her friend
|
||
|
with a puzzled stare. "You mean you didn't like the article?"
|
||
|
Dora frowned back at her. "I was appalled. First they line you
|
||
|
up in front of a sign for turkeys, and then they make fun of
|
||
|
you."
|
||
|
"But don't you think it's a nice picture? And it has my
|
||
|
clipboard, so it gets my message across all by itself. You
|
||
|
almost don't even have to read the article to see that here is a
|
||
|
candidate who's concerned about people's opinions."
|
||
|
"They're making you out to be a crazy old lady."
|
||
|
Janet smiled. "There are worse things."
|
||
|
Dora shrugged her eyebrows. Lily came up, bringing plates
|
||
|
of food. "I don't have much time, so I went ahead and ordered
|
||
|
you a tuna fish sandwich," Dora explained. "I hope that's okay."
|
||
|
"Yes, I haven't got a lot of time today either." Janet set
|
||
|
to with great appetite. "The campaign is really heating up now,
|
||
|
you know," she said between bites. "I've noticed my opponents
|
||
|
have signs up now, so I figure I'd better too."
|
||
|
"That's where you needed to get donations. Now you don't
|
||
|
have any money to buy signs, and I'll bet they're expensive."
|
||
|
"That's all right. I bought a bunch of poster board and some
|
||
|
markers, so I can make my own. I never saw much point in those
|
||
|
signs that just have the person's name on them. I'm going to
|
||
|
make every one of mine a little different, and I'll illustrate
|
||
|
them or put a slogan on each one. Also, I bought some gold
|
||
|
glitter -- but do you think that's tacky?"
|
||
|
"Gold glitter on a campaign poster?" Dora pushed a pickle
|
||
|
around on her plate. "I don't know, Janet. I've never seen it
|
||
|
done before."
|
||
|
"That's reason enough to do it, then. It's eye-catching;
|
||
|
sets me apart."
|
||
|
Dora fidgeted. "Where are you going to put them?"
|
||
|
"I'll give them out to my best supporters so they can tape
|
||
|
them up on their windows and so on. I already asked Joe at the
|
||
|
Safeway, but he says there's a company policy against it. He
|
||
|
said he'd put one in the window of his truck, though. He's going
|
||
|
to park it by the street, just at the entrance to the parking
|
||
|
lot, so everybody will see it. That's pretty good, huh?"
|
||
|
"That's great!" said Dora with a laugh.
|
||
|
"And I've challenged my opponents to a debate. What do you
|
||
|
think of that? The elementary school says we can use their
|
||
|
auditorium, and I'm trying to get the cable T.V. station to cover
|
||
|
it."
|
||
|
"Oh, dear! Are they going to do it?"
|
||
|
"I don't know yet. I just called their offices yesterday.
|
||
|
Isn't it exciting? There's never been a televised debate for
|
||
|
this position."
|
||
|
"Don't...." Dora hesitated. "Don't get your hopes up.
|
||
|
They might not want to debate an...an independent candidate.
|
||
|
They may not consider your candidacy enough of a threat that they
|
||
|
would need to face you. What I mean is...." She spoke slowly,
|
||
|
watching Janet's face. "They may be focusing on each other.
|
||
|
These are political considerations for them; and traditionally
|
||
|
it's been Democrats versus Republicans, so you shouldn't take it
|
||
|
personally if...."
|
||
|
"Don't you worry about me," broke in Janet, touching her
|
||
|
friend's hand. "I'll be all right. We politicians are made
|
||
|
tough. What counts is the election results."
|
||
|
"Well, yes, but you're at something of a disadvantage there,
|
||
|
too, because your opponents have money and the backing of the
|
||
|
major political parties. They're more visible -- "
|
||
|
"Now, _that_ can't be true. I'm as visible as you get.
|
||
|
People just see their names on posters, but they don't know what
|
||
|
they look like or talk like."
|
||
|
"They know what they stand for," muttered Dora. She picked
|
||
|
up the sandwich that had lain untouched on her plate, then put it
|
||
|
down again without taking a bite.
|
||
|
"Do they? _I_ don't. Meanwhile I'm developing a platform.
|
||
|
Look here!" She hauled a plastic grocery bag off the floor onto
|
||
|
the table and drew a thick pamphlet out of it. "The county
|
||
|
budget! I've been doing my homework, you see?"
|
||
|
"I'll be damned." Dora pulled the pamphlet around so she
|
||
|
could read the cover. "It _is_ the county budget!"
|
||
|
"And do you know what? The county is going to spend
|
||
|
_seventeen million dollars_ to put air conditioning in schools!
|
||
|
Do you believe it? Schools that aren't even used in the summer
|
||
|
time! When I was a girl we didn't even have air conditioning in
|
||
|
our house; nobody did."
|
||
|
Dora nodded her head. "That's a good issue."
|
||
|
"You want another? The county replaces its cars every four
|
||
|
years. Why do they need cars at all? Let employees use their
|
||
|
own. Or why does anybody need a car? I don't have one. Maybe
|
||
|
the bus service would be better if the county employees had to
|
||
|
use it."
|
||
|
"That may be asking a bit much; after all, most of the
|
||
|
voters around here have two cars. Still, it's a good point; I've
|
||
|
never traded in a car until it was at least eight years old.
|
||
|
There's no reason the county should have newer cars than I have."
|
||
|
Suddenly Dora laughed. "You're doing all right, Janet."
|
||
|
"Well, I told you I was. Meanwhile, I've got to go." Janet
|
||
|
stuffed her papers back into her bag and put some money on the
|
||
|
table. "There's just so much to do!"
|
||
|
* * * * *
|
||
|
The note came, terse and barely polite. "Mr. Hardwick will
|
||
|
be unable to attend any debates with Mrs. Andrecowski due to
|
||
|
other pressing concerns."
|
||
|
Janet put it next to the phone while she called Allison
|
||
|
McDonald's office. "I'm just calling to settle on a date for the
|
||
|
debate between Miss McDonald and me," she told the woman who
|
||
|
answered.
|
||
|
The conversation did not go as well as it might have. The
|
||
|
woman first said she didn't know anything about it, then that Ms.
|
||
|
McDonald still had to firm up the rest of her schedule, then that
|
||
|
they were waiting to hear what Jim Hardwick was going to do, and
|
||
|
finally (after Janet told her of Mr. Hardwick's refusal) that
|
||
|
there really wasn't much point in a debate that didn't include
|
||
|
the incumbent.
|
||
|
Janet hung up the phone unfazed, then called a local
|
||
|
newspaper that had run some nice lines about her in its last
|
||
|
edition. The editor seemed very sympathetic, even to the point
|
||
|
of proclaiming it shameful that the other candidates would refuse
|
||
|
to debate Janet. He promised to run a scathing article on the
|
||
|
snub.
|
||
|
"You don't need to do that," protested Janet, pleased. "I
|
||
|
expect they're just intimidated. Possibly they haven't spent as
|
||
|
much time studying the issues as I have, or maybe they don't
|
||
|
speak well in public. That bothers some people, you know."
|
||
|
But the editor was adamant, and Janet eagerly awaited the next
|
||
|
issue of the paper. She was not disappointed; on page 13,
|
||
|
underneath the gossip column, she found an article titled
|
||
|
"Election Watch" which read:
|
||
|
Candidates for the Board of Supervisors have been busy in
|
||
|
the past week. It was incumbent Jim Hardwick's birthday last
|
||
|
Saturday, and close friends Ellen and Gregory Elliot, Jr. hosted
|
||
|
a birthday party and fundraiser for him, with a hundred and sixty
|
||
|
of their closest friends in attendance.... Meanwhile, Democratic
|
||
|
challenger Allison McDonald has been celebrating the birth of a
|
||
|
nephew, born to her sister Jennifer and her husband, Timothy
|
||
|
Hurley, of Falls Church....
|
||
|
Independent candidate Janet Andrecowski called us recently
|
||
|
to complain that the other candidates had refused to debate her
|
||
|
on the issues facing you voters this Election Day. Ms.
|
||
|
Andrecowski (yes, that's the correct spelling!) is best known for
|
||
|
her campaign strategy of standing around outside of supermarkets
|
||
|
asking people questions like, "Do you have any religious beliefs,
|
||
|
or should they widen Route 123?"
|
||
|
Personally, we'd have enjoyed watching the debate.
|
||
|
|
||
|
Janet cut out the article and taped it onto a piece of
|
||
|
paper, underneath two other articles about her candidacy. On her
|
||
|
way to the supermarket she stopped at a copy store and asked for
|
||
|
a hundred copies. While she waited, the young salesman stood at
|
||
|
the machine, casually reading the first copy as the others ran.
|
||
|
"Hey, is this you?" he asked her finally, turning to
|
||
|
scrutinize her.
|
||
|
"Yes. Yes, it is." Janet smiled and nodded.
|
||
|
"I can't believe the papers treat you like this." He
|
||
|
slapped the copy in disgust.
|
||
|
"Oh, well, they know how popular I am. It's not so much
|
||
|
flattery as it is them doing their job, covering the news."
|
||
|
"Flattery?" The man frowned, glancing around the room as if
|
||
|
seeking an explanation in the air.
|
||
|
"All right, perhaps it is. But that's human nature, isn't
|
||
|
it, to want to curry favor with people in positions of power --
|
||
|
or in this case, who are likely to win election to a position of
|
||
|
power. Anyway, if you're going to blame someone it might as well
|
||
|
be me, because I'm going to make the most of this. I'm handing
|
||
|
out these copies to everyone I see today. I know that's bold,
|
||
|
but I'm a tough campaigner!"
|
||
|
The man frowned again, but only said, "A hundred copies
|
||
|
won't go far."
|
||
|
"I know, but at five cents a copy that's twenty-five
|
||
|
dollars, which is rather a lot, I think. I'm giving up my
|
||
|
haircut this month to pay for it -- not that my hair needs
|
||
|
cutting every month," she added. "I'm not depriving myself of
|
||
|
anything I need."
|
||
|
"This article says you don't accept campaign contributions.
|
||
|
Hang on, will you?" Before Janet could say anything more, he had
|
||
|
disappeared into a back room. A minute later an older woman
|
||
|
poked her head out, stared at Janet for a moment, and ducked back
|
||
|
in. Another minute passed before the young man returned.
|
||
|
"Sorry for the wait," he said. "Okay, here's the deal. The
|
||
|
manager says I can give you a volume discount, five hundred
|
||
|
copies for your twenty-five dollars, _if_ -- " here he raised a
|
||
|
hand to quiet her protest -- "_if_ we write at the bottom of the
|
||
|
page, 'Copies by Ace.' See, we'd be in effect buying advertising
|
||
|
from you, because you're going to be giving these papers out all
|
||
|
over the place. So it's not like we're giving you anything
|
||
|
free."
|
||
|
"I should say not," snorted Janet. "That's very shrewd of
|
||
|
you, getting me to pay you for me to do your advertising." Then
|
||
|
she glanced at him slyly out of the corners of her eyes. "What
|
||
|
about the hundred you just ran, that don't have your slogan?
|
||
|
They don't count. Those you'd just have to throw away, wouldn't
|
||
|
you?"
|
||
|
The young man laughed. "All right. Those you pay for with
|
||
|
your twenty-five dollars. Then we'll run five hundred with our
|
||
|
name on them, and consider the advertising for us to be your
|
||
|
payment for them. Deal?"
|
||
|
"Deal!" They shook hands. Then, smiling, Janet asked,
|
||
|
"Maybe you'd like to buy even more advertising? We could make it
|
||
|
a thousand."
|
||
|
* * * * *
|
||
|
On Election Day Janet stood outside of the elementary school
|
||
|
in a cold rain, wielding her sign and accosting voters as they
|
||
|
hustled by. A middle-aged woman held a sign that read
|
||
|
"McDonald"; but she was a volunteer, not the candidate. Janet
|
||
|
introduced herself during a lull, but the woman only nodded.
|
||
|
The sun broke out after the morning rush hour was over, and some
|
||
|
of the voters stopped to chat with Janet for a moment or two.
|
||
|
They were mostly older people now, or mothers with young
|
||
|
children. Some of them shook her hand and said "Good luck," and
|
||
|
a few even told her that they were voting for her. One woman
|
||
|
engaged her in a conversation about sidewalk improvements, as if
|
||
|
Janet had already won.
|
||
|
The McDonald volunteer was not attracting the same
|
||
|
attention, Janet noticed, and during another lull she tried to
|
||
|
cheer her up.
|
||
|
"It's hard to be a volunteer for one candidate when another
|
||
|
candidate is there in the flesh, isn't it? People don't have so
|
||
|
much to say to you."
|
||
|
"That's all right, as long as they're voting for us." The
|
||
|
woman looked away.
|
||
|
"Oh, yes, that's the 'bottom line,' isn't it?" answered
|
||
|
Janet cheerfully. "We need those votes."
|
||
|
The woman seemed to be ignoring her, and Janet was about to
|
||
|
leave to go greet a voter when she spoke.
|
||
|
"You know you're a spoiler, don't you?"
|
||
|
"A what?" Janet turned back, astonished.
|
||
|
"A spoiler. You're attracting some of the voters who would
|
||
|
have supported Allison; you get old people and the sympathy vote
|
||
|
and all. Allison has done a lot for elderly people; she
|
||
|
supported the senior citizen's center and helped start the local
|
||
|
chapter of Meals on Wheels. If you wanted to get active in
|
||
|
politics you could have volunteered to work for her, instead of
|
||
|
going off with your -- ." She checked herself, biting her lip.
|
||
|
"But you can't win, even if the Washington Post likes you."
|
||
|
"I think I draw from a very broad base of support," said Janet.
|
||
|
"Many Republicans have told me they like my positions on county
|
||
|
finances. I don't get the Post, so I haven't seen their
|
||
|
editorials, but I've had good coverage in all the local papers.
|
||
|
The Tribune has said, in print, that I have 'unique' ideas. The
|
||
|
Journal has referred to me as an 'innovative thinker.' I don't
|
||
|
mean to brag; you raised the point. Why do you say I can't win?"
|
||
|
The woman gave her a funny look, her anger momentarily
|
||
|
checked. "You don't get it, do you?"
|
||
|
"Get what?"
|
||
|
"Those weren't articles praising you; don't you understand
|
||
|
sarcasm?"
|
||
|
Janet set her sign down on the ground, leaning on its long
|
||
|
stick for support; but she kept her head up, and she smiled. "I
|
||
|
can read as well as anyone; I know what the articles said. Why
|
||
|
can't I win?"
|
||
|
The woman shrugged and turned to speak to a voter.
|
||
|
"Why can't I win?" Janet reached out to touch her on the
|
||
|
arm.
|
||
|
The woman spun on Janet. "Because you're just a crazy old
|
||
|
lady!" The words rang out like a shot; she took a deep breath
|
||
|
and lowered her voice. "Allison McDonald has worked very, very
|
||
|
hard to serve the people of this county, and now just when she
|
||
|
finally could be elected and could really make a difference, you
|
||
|
come along and spoil her chances. You don't think about that, do
|
||
|
you? You just think, oh, wouldn't it be fun to run for office!
|
||
|
Well, you won't get elected, but you may stop Allison from
|
||
|
getting elected. So if I'm not as nice about it as some of the
|
||
|
people who sign your idiotic petitions, well, excuse me, but I
|
||
|
care about what happens to our government!" Then, pressing her
|
||
|
lips together, she stepped away to meet a group of people getting
|
||
|
out of their cars.
|
||
|
Janet stayed where she was, leaning heavily on her hand-
|
||
|
painted sign, for many moments unable to move. It had started to
|
||
|
rain again; water dripped from her plastic bonnet and slid down
|
||
|
her cheeks, carrying with it some of the pink blushing powder she
|
||
|
had applied in honor of the election. Her glasses fogged up;
|
||
|
when she finally noticed, she took them off to wipe them with a
|
||
|
damp tissue. A man smiled and nodded at her on his way into the
|
||
|
school, and she managed to bob her head a little in response.
|
||
|
She was tired; the months of campaigning had perhaps been too
|
||
|
hard on her. She picked up her sign and made her way back to the
|
||
|
bus stop. She moved slowly and sat down heavily on the bench in
|
||
|
the glass shelter.
|
||
|
Yesterday's Washington Post lay beside her, and she picked
|
||
|
it up. She turned the pages, looking for the election news. She
|
||
|
hadn't known they covered these local races. But the McDonald
|
||
|
volunteer was right; she found a whole paragraph about herself:
|
||
|
In the 3d district race, we support independent
|
||
|
candidate Janet Andrecowski. We have nothing against
|
||
|
either the incumbent Republican James Hardwick or the Democrat,
|
||
|
Allison McDonald, both of whom are creditable candidates; but Ms.
|
||
|
Andrecowski impresses us with her willingness to challenge
|
||
|
established ideas and practices. The local press has liked to
|
||
|
poke fun at her for her grass-roots campaign and for refusing
|
||
|
contributions, but her approach has kept her free of political
|
||
|
obligations to special interests, while putting her in touch with
|
||
|
the opinions and needs of ordinary people.
|
||
|
|
||
|
Janet read and reread the paragraph, and then she read
|
||
|
everything else on the page. The Post had something to say about
|
||
|
each election, and none of it seemed to be sarcastic. She went
|
||
|
back to the paragraph about her and read it one more time,
|
||
|
slowly.
|
||
|
A passing car pulled to a sudden stop just ahead of her and
|
||
|
began backing up to the bus stop. Janet recognized Dora's blue
|
||
|
Toyota and stood up.
|
||
|
The window rolled down. "Get in!" cried Dora. She was
|
||
|
grinning as Janet eased into the passenger seat clutching her
|
||
|
sign and the newspaper. "I was looking for you at the school;
|
||
|
figured you must have gone home for lunch. I'm glad I caught
|
||
|
you. Let's go to the McLean House; my treat -- call it a soon-
|
||
|
to-be-victory lunch. Oh, you've got that page of the Post; have
|
||
|
you been showing it to everyone who comes to vote?"
|
||
|
Janet looked down at the newspaper in her lap and smoothed
|
||
|
out the page with her fingers. "Are they really supporting me?"
|
||
|
"If that's not support, it's a damned good imitation!"
|
||
|
"Yes."
|
||
|
"A Post endorsement means a lot. Some people don't follow
|
||
|
the issues, they just look in the newspapers to decide who to
|
||
|
vote for."
|
||
|
"Yes."
|
||
|
"And in your case, the endorsement means that people who've
|
||
|
met you but maybe weren't sure about you will see you now as a
|
||
|
serious candidate." She paused and glanced over at her friend.
|
||
|
"Is everything all right, Janet?"
|
||
|
"I'm just doing some thinking." Janet sat quietly until
|
||
|
they had turned into a parking space in front of the restaurant.
|
||
|
Then, as Dora prepared to open the door, she said suddenly, "Let
|
||
|
me ask you something, Dora. Would you vote for me? If you lived
|
||
|
in this district?"
|
||
|
Dora paused with her hand on the door and gave Janet a long
|
||
|
look. "Of course I would, Janet! You know that!"
|
||
|
Janet's face brightened, but she stayed in her seat. "What
|
||
|
if you didn't know me? Would you vote for me then?"
|
||
|
This time Dora laughed. "Yeah, I still would. Assuming I'd
|
||
|
met you, but then almost everyone in the town has met you by now.
|
||
|
On the other hand, if I'd met you, I'd know you, so maybe that
|
||
|
doesn't count." She smiled down at Janet. "I think you're going
|
||
|
to win. I think you've done it. Now, shall we get some lunch?"
|
||
|
Janet nodded, smiling, and they got out. As they started
|
||
|
towards the restaurant door, Janet stopped. "You go on in," she
|
||
|
told Dora. "I forgot something."
|
||
|
She opened the car door again and picked up the sign that
|
||
|
was lying upside down against the seat. Turning it around, she
|
||
|
propped it up against the side window, facing out to the street,
|
||
|
and stepped back to view the effect. Anybody who was driving by
|
||
|
could see the bright blue sign with the blue glitter stars and
|
||
|
the neon-yellow lettering that read, "Janet ANDRECOWSKI for a
|
||
|
DIFFERENCE."
|
||
|
Janet looked around her. A man in a passing car honked his
|
||
|
horn and waved, and she waved back enthusiastically. Then she
|
||
|
hurried into the restaurant, intent on the London broil.
|
||
|
|
||
|
=================================================================
|
||
|
|
||
|
|
||
|
|
||
|
MUSIC'S LOSS
|
||
|
[Chapter three of "In Search of Mozart," a novel]
|
||
|
by William Ramsay
|
||
|
|
||
|
|
||
|
They were in Vienna -- and it was now the beginning of
|
||
|
spring.
|
||
|
"A real friend," Papa had said about Archbishop Sigismund,
|
||
|
because he had allowed them to stay away from Salzburg for over
|
||
|
six months -- and on salary too. And just a short while ago, his
|
||
|
father had succeeded in getting him a commission from the Court.
|
||
|
And what a commission -- he was writing an opera for the Emperor!
|
||
|
Wolfgang sat at the large white harpsichord in the grand
|
||
|
salon of the mansion of their friend Dr. Mesmer. His fingers lay
|
||
|
still, tired of playing. He put the sheaf of scores aside. He
|
||
|
found his eyes half closing as he gazed out through the rippled
|
||
|
glass squares of the french windows at the long green rectangles
|
||
|
of the new lawn. If he could only re-create in music the gentle
|
||
|
sunlight falling on the bare gray trees in the garden, the
|
||
|
colonnaded walks leading down the hillside, the cool
|
||
|
green-and-olive sweep of the immense park stretching off to the
|
||
|
pale dirt road in the distance, the darkening wooly clouds
|
||
|
drifting slowly across the pale spring sky -- that would be
|
||
|
composing! Alone, in the shining glitter of the sunlight,
|
||
|
looking forward to creating the opera, it felt something like
|
||
|
being an angel. Only himself alone, the world was empty except
|
||
|
for himself -- and the music that was filling his brain.
|
||
|
At that moment he didn't need anyone else.
|
||
|
Writing music was better than any other game he could think
|
||
|
of.
|
||
|
***
|
||
|
It was July, but so far 1768 had been an unusually cool
|
||
|
year, and the Court had not been long settled in the summer
|
||
|
palace at Schoenbrunn. The Emperor Joseph walked across the
|
||
|
parqueted floor to a window along the east side. The gardens of
|
||
|
Schoenbrunn were shimmering with flowers: irises, carnations,
|
||
|
gladiolus. The sky was cloudless.
|
||
|
Prince Kaunitz, the Imperial Chancellor made a slight,
|
||
|
dignified bow. "Your Majesty should have a welcome break from
|
||
|
politics today. They tell me there will be music later in the
|
||
|
afternoon."
|
||
|
"Oh, good! Is it dear Chevalier de Gluck coming to see Us
|
||
|
again?"
|
||
|
Baron Harnack, the Imperial Chamberlain, cleared his throat.
|
||
|
"Kapellmeister Mozart from Salzburg is here with his son and
|
||
|
daughter, Your Majesty."
|
||
|
"Oh, yes, the Mozart brood. Good enough. My, I did so
|
||
|
enjoy that last opera of Gluck's."
|
||
|
"Signor Affligio has commissioned the Chevalier to write
|
||
|
another one, as you commanded, Your Majesty," said Harnack.
|
||
|
"Yes, Affligio. Well, let him handle it. What does Mozart want
|
||
|
-- besides money, of course?" His seventeen-year-old brother
|
||
|
Ferdinand, dressed in black velvet, came in unannounced, bowing
|
||
|
very slightly.
|
||
|
"I believe it's about the boy's opera, Sire," said Harnack.
|
||
|
"Did you really ask a twelve-year-old to write an opera for
|
||
|
you, Joseph?" said his brother.
|
||
|
I wish there were something useful I could ask you to do,
|
||
|
thought Joseph. Some boys, at least, are good for more than
|
||
|
lounging around in fancy clothes and needling their older
|
||
|
brothers!
|
||
|
"He's a very competent musician, Archduke," said Kaunitz.
|
||
|
"Yes, he was always one of your favorites, Prince," said
|
||
|
Joseph. "I remember when he first came to Vienna as a child.
|
||
|
You raved about him. The little brat had the nerve to sit on my
|
||
|
mother's lap!"
|
||
|
"A little mature for that now, Sire," said Harnack.
|
||
|
The Ritter von Stein, Kaunitz' secretary, one hand half inside
|
||
|
his bright violet waistcoat, brushed at his pale cheek with one
|
||
|
finger. "If it please Your Majesty" -- he giggled -- "I have
|
||
|
heard the Mozart boy described by one of the ladies of the Court
|
||
|
as the world's oldest infant prodigy."
|
||
|
Stein looked at him expectantly. Joseph smiled thinly -- he
|
||
|
had heard that one already.
|
||
|
"Some of the singers," said Harnack, "are complaining about
|
||
|
their parts in this Mozart opera, the music is too easy, or the
|
||
|
words are too difficult. I forget which." He blew his short pug
|
||
|
nose into a brown-stained handkerchief.
|
||
|
"Why am I being bothered about all this?" said Joseph.
|
||
|
"Inflict it on Signor Affligio, that's what I have him for. I
|
||
|
command you, Baron, to afflict Affligio!"
|
||
|
They all laughed. He enjoyed keeping spirits up around the
|
||
|
Court. Lord, he had to do everything around there, even make the
|
||
|
jokes. No one else, not even Kaunitz, had the ability to deal
|
||
|
with all the problems that a great monarch must face. Ruler,
|
||
|
musician, philosopher, God had given him valuable gifts --
|
||
|
moderate enough gifts, perhaps by some standards, but still...
|
||
|
He had a responsibility toward his Creator. As did all men, to
|
||
|
be sure. A lonely, lonely job. But that had always been his
|
||
|
fate. "Music gives me so much pleasure," he said.
|
||
|
It's a shame that Your Majesty hasn't the time to devote to
|
||
|
the art," said Harnack. "Chevalier de Gluck was telling me the
|
||
|
other day how delightful Your Majesty's harpsichord playing is."
|
||
|
He waved his hand, embarrassed. "No, it's nothing."
|
||
|
"Not at all, mein Kaiser, people are right to call you the
|
||
|
Musical Emperor. There is not only your own talent, but your
|
||
|
gift for patronizing the best of Europe's musicians."
|
||
|
Joseph sighed. "And you see, Baron, I'm not appreciated.
|
||
|
Everywhere, there are complaints. Herr Kapellmeister Mozart is
|
||
|
so concerned about his son's opera. Does he have any idea of the
|
||
|
worries I have?" He sat down on the beige silk sofa. His
|
||
|
brother sat next to him, the others remained standing. A servant
|
||
|
brought over a footstool, he made a gesture, and the man lifted
|
||
|
his feet up onto it. He wished he could take off his left shoe.
|
||
|
"A deputation from Olmuetz is scheduled in the afternoon,
|
||
|
Your Majesty." Baron Harnack paused and reached for his
|
||
|
snuffbox. It fell on the floor and bounced over against the
|
||
|
brass fireplace fender. A red-liveried servant rushed over,
|
||
|
gracefully swept it up, and started to return it to the Imperial
|
||
|
Chamberlain.
|
||
|
"Just a minute," said Joseph. "Let me see that." He held
|
||
|
out his hand for the little golden box. He lifted it up to
|
||
|
inspect it more closely and then arose and carried it over to the
|
||
|
narrow south window, its rippled panes draped in white taffeta
|
||
|
curtains. He ran his finger along the tiny diamonds inlaid
|
||
|
around the edge of the cover. He turned it over. "Made by Herr
|
||
|
Hagen, that jeweler on the Kohlmarkt that everybody's talking
|
||
|
about. I wonder how much it cost?"
|
||
|
"I couldn't say, Your Majesty," said Harnack, lifting his
|
||
|
long chin and dropping his eyelids until his eyes were just
|
||
|
little slits. Beside him, Prince Kaunitz shuffled his feet and
|
||
|
smiled faintly.
|
||
|
"Well," said Joseph, "what about the Olmuetz delegation?
|
||
|
What's bothering my Moravian subjects, Kaunitz? More of the
|
||
|
same?"
|
||
|
Bowing his head regretfully, chin twisted to the side, the
|
||
|
Chancellor frowned. "Yes, Sire, the Abolition problem."
|
||
|
Joseph stamped his foot. Ouch! A sharp pain in his little
|
||
|
toe. Those shoes! "Imagine! The eighteenth century of the rule
|
||
|
of Our Lord and we're still saddled with the feudal vestiges of
|
||
|
the Middle Ages. Serfdom! Don't you find that hardly credible,
|
||
|
Prince?"
|
||
|
"Yes, Your Majesty."
|
||
|
"And the hypocrisy of it. That's what infuriates me. Take
|
||
|
you, Harnack, how many serfs would a man have to sell to buy that
|
||
|
little snuffbox?"
|
||
|
"I couldn't say, Your Majesty."
|
||
|
"Hmmpphh, you couldn't say. It's people of your class who
|
||
|
are destroying this Empire, wasting money on luxuries, resisting
|
||
|
reforms. Selfishness, vanity."
|
||
|
"Yes, Your Majesty," said Kaunitz.
|
||
|
So much to do and so little time. His father had died
|
||
|
relatively young. And his father, God rest his soul, had been a
|
||
|
good man. A patron of the arts and sciences. But weak, not a
|
||
|
ruler. It had been left for him to do what needed to be done.
|
||
|
With his dear, dear, stubborn mother as co-ruler!
|
||
|
"And how about the money for worthy cultural things," he
|
||
|
said, "like this opera by this Mozart boy? Where is all the
|
||
|
money to come from, Prince? Already I've had to scrimp and save
|
||
|
to pay for my new educational system. Next there will be
|
||
|
agricultural reform. And the army. Meanwhile, so much waste and
|
||
|
degeneration around me! Some day," said Joseph, "we'll put a
|
||
|
stop to streetwalkers in the heart of Vienna -- and to jeweled
|
||
|
snuffboxes that cost more than an industrious farmer can make in
|
||
|
ten years."
|
||
|
"All such steps will be accomplished in time, Your Majesty."
|
||
|
Kaunitz' face looked as smooth as an ivory statuette's.
|
||
|
"Yes, in time." He took out his lace handkerchief, screwed
|
||
|
up the end of it, and tried to clear some wax out of his left
|
||
|
ear.
|
||
|
"Signor Affligio will make sure that any musical event pays
|
||
|
for itself, Your Majesty," said the Baron.
|
||
|
"Exactly. And so I'll be glad to see the Mozarts. The
|
||
|
little boy and girl play wonderfully. Of course, the boy is
|
||
|
painfully conceited."
|
||
|
"Yes, Sire."
|
||
|
"And first things first -- I adored Gluck's 'Alcide.' Don't
|
||
|
let anything stand in the way of producing his new opera. Tell
|
||
|
Affligio that, Harnack."
|
||
|
"Yes, Your Majesty."
|
||
|
Joseph waved his index finger and they all bowed their way
|
||
|
out of the salon. His valet took off his shoes for him. Oh!
|
||
|
Child prodigies. Nonsense! If only he hadn't been born a
|
||
|
prince. He would have had time to develop his own talent. Ah
|
||
|
well, one couldn't do everything in life. To bring the Empire
|
||
|
into the modern world -- that was a task worthy of anyone. He
|
||
|
was still saddled with his dear mother the Empress and her old-
|
||
|
fashioned ideas. The Empire could only be saved by new ideas,
|
||
|
extraordinary measures. Under his leadership. By him. Joseph.
|
||
|
Joseph the Great.
|
||
|
Lord, it felt good to have that left shoe off!
|
||
|
***
|
||
|
"He never seems to come out of that room." Dr. Mesmer's
|
||
|
valet, Fritz, took a coal from the small fire in the butler's
|
||
|
pantry in the mansion on the Landstrasse and lit his long white
|
||
|
clay pipe.
|
||
|
"Yes, it's a busy time." Jakob, Leopold Mozart's
|
||
|
manservant, brought out his own pipe. His bald head was cold and
|
||
|
he wished he had brought his wig cap along.
|
||
|
"Does the boy work that way all the time?"
|
||
|
"Well, no, but you know the opera has to get finished. Can
|
||
|
I squeeze in there closer to the fire?" Fritz moved aside for
|
||
|
him. That was better. "Awfully cold for September, isn't it?"
|
||
|
"Yes, and thank goodness the Doctor doesn't begrudge us a
|
||
|
fire this early," said Fritz. "He's a good man."
|
||
|
"The Kapellmeister thinks very highly of the Doctor.
|
||
|
Especially since the Doctor is paying for this opera. It's the
|
||
|
boy's second, he already wrote one for the Emperor -- but it
|
||
|
hasn't been put on yet. So he's very excited about this one."
|
||
|
"The Doctor has money. And he knows how to spend it," said
|
||
|
Fritz, recrossing his knees with difficulty over his fat belly
|
||
|
and then scratching his bulbous nose. He pulled out his sack of
|
||
|
tobacco. "Would you like some?"
|
||
|
Jakob reached over his hand for the sack.
|
||
|
"Anytime, Jakob, anytime. You're a good sort, not like some
|
||
|
of the valets we see come through here. And don't worry about
|
||
|
the expense. As I said, the Doctor doesn't stint us on anything,
|
||
|
no, sir."
|
||
|
"Thanks." They smoked a moment in silence.
|
||
|
"Young Mozart's awfully young for all this, isn't he?'
|
||
|
"Yes, he's a marvel of Nature, they say. He writes all kind of
|
||
|
music. For the Emperor, kings, dukes, everybody. And now for
|
||
|
Herr Doktor Mesmer here."
|
||
|
"And we're very glad to have you at Doktor Mesmer's. Have a
|
||
|
mug of wine." He poured out a pale yellow liquid from a brown
|
||
|
stone bottle into two mugs. Jakob took his and raised the mug in
|
||
|
a salute to his new friend.
|
||
|
"Poor boy," said Fritz. Does he ever get outside?"
|
||
|
"Oh yes. It's just when he's working on music. You know,
|
||
|
he's a smart one." Jakob tapped his skull with his index
|
||
|
finger. I mean he's smart in everything, he speaks French and
|
||
|
English and even Latin."
|
||
|
"Latin? He should be a priest. Who teaches him?"
|
||
|
"The Kapellmeister, I think, but sometimes he just seems to
|
||
|
know things, I don't know how."
|
||
|
"Hmmm. Spooky. You know what we used to say about such odd
|
||
|
things up in the Tyrol, where I come from."
|
||
|
"No, what?"
|
||
|
"The Devil makes a bargain with his own."
|
||
|
"Not in this case!" Jakob shook his head vigorously.
|
||
|
"Master Wolfgang is a good boy, a Catholic boy." Jakob pursed
|
||
|
his lips. "He's very devoted to his family. He goes to
|
||
|
confession every week, and he hardly ever misses mass."
|
||
|
"I'm certainly glad to hear that. Too many young people
|
||
|
nowadays seem to have no religion at all."
|
||
|
"And he doesn't work all the time. You'll see, after they
|
||
|
put on the opera, he'll be down here asking if anyone wants to
|
||
|
play billiards or go drinking."
|
||
|
"You mean he'd come down here, to be with us?"
|
||
|
"If his father doesn't catch him, he will."
|
||
|
"I don't know, the kind of gentleman drinks with servants,
|
||
|
well..."
|
||
|
"He's still young yet. And he's alone a lot, poor boy. He
|
||
|
needs the company. But you'll see. You'll like him -- he's
|
||
|
funny, he can joke about anything. Meanwhile, if I could just
|
||
|
impose on the Doctor's wine bottle a bit more..."
|
||
|
"Sure you may," he said. Fritz poured out more wine and
|
||
|
lifted his mug.
|
||
|
"Prost, Jakob! "
|
||
|
"Prost, Fritz! Here's to Herr Doktor Mesmer."
|
||
|
"And to Herr Kapellmeister Mozart -- and his son," said
|
||
|
Fritz, recrossing his fat legs, with a grunt.
|
||
|
"Who is a good Catholic."
|
||
|
"And plays billiards -- even with the servants."
|
||
|
"And to their households, who are all good fellows," said
|
||
|
Jakob.
|
||
|
"The best!" said Fritz, and lifted his mug to drink it all
|
||
|
the way to the bottom.
|
||
|
***
|
||
|
The leaves on the lindens were beginning to turn yellow. A
|
||
|
fire had been laid in each of the tiny fireplaces in three of the
|
||
|
walls of the small room, but only one had been lit. The sky was
|
||
|
gray and candle flames flickered softly from the wall sconces.
|
||
|
"Ah, Brother, am I disturbing you?" The Archduke Ferdinand
|
||
|
entered the Imperial Music Room. He pulled down sharply on the
|
||
|
lapels of his white silk suit, displaying a wider swathe of the
|
||
|
bright blue waistcoat that nipped in tightly about his narrow
|
||
|
waist.
|
||
|
"Not at all, Ferdinand," said Joseph standing by a small
|
||
|
white spinet. "I'm merely going over some keyboard pieces with
|
||
|
the Chevalier. He wants my advice about some harmonies. Gluck,
|
||
|
you know my brother, of course?"
|
||
|
"I have had that pleasure," said the Chevalier de Gluck,
|
||
|
starting to raise his tall, spare frame from the keyboard.
|
||
|
"Please don't get up. I just dropped in to tell you about
|
||
|
something I heard last night. This should interest you,
|
||
|
Chevalier." He dropped into the thick gray wool seat of a
|
||
|
lyre-backed rosewood chair.
|
||
|
"Ah," said Gluck, "you mean the Mozart musical theater." He
|
||
|
wrinkled his nose as he sat down again. He began to play a bass
|
||
|
figure loudly on the harpsichord.
|
||
|
"Yes," said the Archduke, raising his voice. "It was quite
|
||
|
a success."
|
||
|
"Really," said Joseph, "why does nobody tell me these
|
||
|
things? I thought his opera had been delayed, or canceled, or
|
||
|
whatever." He idly twirled the queue of his wig with his little
|
||
|
finger.
|
||
|
"I don't know about that. Anyway, it was charming. I admit
|
||
|
I was surprised because Mozart's so young. It wasn't a real
|
||
|
opera, they tell me, because it was in German. But still it was
|
||
|
charming. 'Bastien und Bastienne,' it was called."
|
||
|
"German? I never sponsored an opera in German."
|
||
|
"Your Majesty," said Gluck, "the Archduke does not refer to
|
||
|
the opera young Mozart had in production here at Court. That
|
||
|
one, 'La finta semplice,' was a failure before it ever got to the
|
||
|
stage, I'm afraid. This one was a little musical drama that was
|
||
|
produced privately." He started playing an E-minor scale, in
|
||
|
octaves.
|
||
|
"Yes, it was put on in the garden of Doctor Mesmer."
|
||
|
Ferdinand shivered. "It was cold, even with charcoal braziers."
|
||
|
"Mesmer, oh him!" said Joseph.
|
||
|
Gluck shrugged. "It's too bad, the boy's talented, he's
|
||
|
wasting his gifts this way." He made a clucking sound with his
|
||
|
tongue.
|
||
|
"Yes," said Joseph, "German musicals! What a shame!" He
|
||
|
shook his head, his lips pressed tightly together.
|
||
|
"What does it matter if it's in German or not, as long as
|
||
|
it's good?" asked his brother.
|
||
|
Gluck looked at him pityingly. Joseph smiled. "You don't
|
||
|
understand music, Ferdinand."
|
||
|
"Evidently I don't," said his brother. "You'll excuse me,
|
||
|
I'll take my ignorant intellect along to the billiard room." He
|
||
|
got up with an arrogant, lazy motion and sauntered out of the
|
||
|
room.
|
||
|
"Where were we, Gluck? Oh, yes." He called over a servant
|
||
|
to readjust the lamp on the keyboard. "It's a shame about the
|
||
|
Mozart boy, isn't it? But I can't sponsor every musician that
|
||
|
comes along, I can't afford it. Besides, Affligio told me there
|
||
|
was some conflict between your production and Mozart's."
|
||
|
"Not precisely a conflict, but there were some problems with
|
||
|
scheduling the singers." Gluck looked down at his feet.
|
||
|
"Well, you should know, Chevalier, you and Affligio. I have
|
||
|
a great deal of confidence in you, both of you." He smiled
|
||
|
warmly at Gluck.
|
||
|
"Thank you, Sire, I shall try to deserve your faith in me."
|
||
|
"My dear Gluck, I'm so delighted that you have settled in
|
||
|
Vienna after your great success in Paris. My faith in you is
|
||
|
unbounded."
|
||
|
"Your Majesty is too kind." He looked up. "Shall we?"
|
||
|
"Yes," said Joseph. "Three, four-and, one ..." Gluck began to
|
||
|
play, his narrow fingers deftly coaxing the dainty melody out of
|
||
|
the little harpsichord.
|
||
|
***
|
||
|
Wolfgang stared up at the dark maroon hangings decking the
|
||
|
large, feather-soft bed. They must have cost a fortune, like
|
||
|
everything else in Doctor Mesmer's house. With his wife's landed
|
||
|
estates, the Doctor lived like a prince -- a generous,
|
||
|
intelligent prince who appreciated music. And who had the most
|
||
|
interesting ideas about healing people through "animal
|
||
|
magnetism."
|
||
|
Thank God for friends like Mesmer. He'd never forget the
|
||
|
thrill of hearing the opening tenor solo of his Singspiel, as his
|
||
|
first dramatic work sprang to life in the flickering light of the
|
||
|
torches under the lindens.
|
||
|
Wolfgang's eyelids felt heavy, sleep would come.
|
||
|
"Put not your trust in princes." That's what his father had
|
||
|
said to him afterward. He should have known. "La finta
|
||
|
semplice" -- the make-believe fool, what a name for his opera!
|
||
|
He was the fool, the not-so-make-believe fool. The Emperor had
|
||
|
promised, but it had been like getting a promise from a
|
||
|
two-year-old. The Emperor did whatever he wanted -- promises,
|
||
|
honor, responsibility, meant nothing! Commoners could be treated
|
||
|
as trash. Genius occupied a far less important position in the
|
||
|
minds of those idiots in the Hofburg than a new pretty face or a
|
||
|
handsome silk waistcoat.
|
||
|
But the world didn't revolve around Vienna. There were
|
||
|
other places where you could get operas staged. Munich, Paris,
|
||
|
Berlin -- London. Rome. "The Musical Emperor"! They would
|
||
|
laugh at such presumption in Italy, the birthplace of modern
|
||
|
music!
|
||
|
Just thinking about the Eternal City made him feel entirely
|
||
|
wide awake again. He saw glory in his future -- glory like that
|
||
|
of the Caesars, glory he well deserved!
|
||
|
|
||
|
[CHAPTERS FOUR AND FIVE OF "ON SEARCH OF MOZART" WILL APPEAR IN
|
||
|
VOL. 2, NO. 1. OF FICTION-ONLINE]
|
||
|
|
||
|
=================================================================
|
||
|
THE DECLINE, PARTIAL UNWINDING
|
||
|
AND ULTIMATE COLLAPSE OF CIVILIZATION
|
||
|
AS WE KNOW IT
|
||
|
|
||
|
by Otho E. Eskin
|
||
|
|
||
|
|
||
|
SETTING: The Grand Salon on a large cruise ship.
|
||
|
|
||
|
NOTE ON PROPS: There are only two props: a clipboard and a
|
||
|
whistle. The whistle is very important. At
|
||
|
the beginning the Acting Deputy Cruise
|
||
|
Director uses it as a badge of office and
|
||
|
symbol of her authority. At the end it is a
|
||
|
cry of despair.
|
||
|
|
||
|
AT RISE: A young woman wearing a modified "Love Boat" outfit
|
||
|
with a whistle hanging from a chain around her neck
|
||
|
bounds onto the stage. She holds a clipboard in one
|
||
|
hand. Her manner is perky and relentlessly, implacably
|
||
|
cheerful.
|
||
|
|
||
|
She blows her whistle.
|
||
|
|
||
|
People! People! (Blows whistle) Settle down. Please settle
|
||
|
down. That's better. Please, let's get with the program. I'm
|
||
|
the Acting Deputy Cruise Director. The Director has asked me to
|
||
|
take over for another one of our famous fun-filled evenings. I
|
||
|
just know we're all going to have a simply fabulous time.
|
||
|
(Listens to someone speaking from the audience.) I'm glad you
|
||
|
asked me that, Mr. Laufer. I want to set the record straight on
|
||
|
that right now. There's not a shred of truth to those stories
|
||
|
that the ship is sinking. (Listens) Iceberg? What iceberg? (Beat)
|
||
|
The first thing I think we should do is to get to know one
|
||
|
another better. This will be kind of an icebreaker. (Laughs
|
||
|
nervously) I want each of you to give us your name and your
|
||
|
favorite color. Won't that be fun? (Long pause) Let's all try
|
||
|
and get into the spirit of things. (Listens) I don't see why you
|
||
|
keep harping on that. (Beat) It's true there is a very large
|
||
|
white object looming over the ship which does resemble in some
|
||
|
respects a giant iceberg. But I'm sure there's a very good
|
||
|
explanation for its being there. (Beat) Maybe I should begin by
|
||
|
telling you a little bit about myself. I'm a people person. When
|
||
|
I was a teenager I decided to become a nun. I wanted to be like
|
||
|
Mother Teresa -- only with a better wardrobe. (Listens) You say
|
||
|
you can't hear me because of the screaming from the women and
|
||
|
children trapped in the economy class? Could somebody please
|
||
|
close the door? That's better, isn't it? (Blows whistle) Let's
|
||
|
all tell each other what kind of vegetable we would be -- that
|
||
|
is, if we were a vegetable. (Beat) Anybody? A little shy, are
|
||
|
we? I think I'd be a parsnip. (Stops and considers her choice.)
|
||
|
Why on earth would anybody be a parsnip? I'm not even sure a
|
||
|
parsnip's a vegetable. (Blows whistle) I must have your attention
|
||
|
as we have a full evening of activities planned for your
|
||
|
entertainment. Would somebody please grab hold of Mrs. Moscowitz.
|
||
|
She's beginning to float away. (Looks at clipboard) The Welcome
|
||
|
Aboard Mardi Gras Gala has been cancelled. The band was last seen
|
||
|
on an ice floe heading north. (Beat) This is my first trip on a
|
||
|
cruise ship but you needn't worry. I'm fully qualified. I've had
|
||
|
intensive training in shuffle board and limbo contests. (Inspects
|
||
|
clipboard) I'm afraid we're going to have to postpone the
|
||
|
extravagant Las Vegas-style cabaret review with our famous
|
||
|
glittering showgirls and singing waiters as the Tropicana Lounge
|
||
|
seems to be filling with scalding steam. (Beat) Did I mention
|
||
|
I've been in therapy? (Brightly) But enough about me. (Listens)
|
||
|
Now I don't see why you're getting upset about those people in
|
||
|
economy class. It might seem the right thing to help them out
|
||
|
onto the deck but management has explained that, in the long run,
|
||
|
it wouldn't be doing them a favor. It's time they learned to
|
||
|
show some personal initiative and self-reliance. We've got to
|
||
|
encourage that "can-do" attitude that has made this cruise ship
|
||
|
great. Personally I think all those people below the water line
|
||
|
should lighten up. The ones that are screaming are probably
|
||
|
malcontents and trouble-makers anyway. (Listens) You want to
|
||
|
know what happened to the Activities Director? I'd just as soon
|
||
|
not talk about that. (Blows whistle. Looks at Clipboard.) We're
|
||
|
going to try and combine the Wild and Wacky Passenger Talent Show
|
||
|
with the skeet shoot. Mr. Johannsen, I wish you would stop
|
||
|
crying. It's depressing the other passengers. (Blows whistle.
|
||
|
Studies her clipboard) Work with me -- please. I want to announce
|
||
|
that the crew is making every effort to remove the barracudas
|
||
|
from the piano bar before happy hour. I'll keep you informed.
|
||
|
(Looks at clipboard) Mr. and Mrs. Levine are scheduled to give a
|
||
|
slide presentation on their trip to Nova Scotia. What was that,
|
||
|
Mr. Levine? Mrs. Levine was swept overboard? (Inspects her
|
||
|
clipboard) I'll tell you what, Mr. Levine, I'll pencil you in
|
||
|
for the Singles Rhumba contest. (Listens) Of course we're in no
|
||
|
danger. Just because the ship seems to be leaning to one side
|
||
|
doesn't mean a thing. We have a wise and experienced captain.
|
||
|
He wouldn't drive the ship right into an iceberg, now would he?
|
||
|
(Laughs hysterically. Blows whistle) He wouldn't be captain if
|
||
|
he didn't know what he was doing. (Blows whistle) Mrs. Moscowitz
|
||
|
is floating away again. What was that, Mr. Harlow? If I blow
|
||
|
this whistle one more time, you'll put it where? Well, Mr.
|
||
|
Harlow, I hardly think that's a constructive attitude. Do you?
|
||
|
Just because we're encountering a few teensy-weensy problems is
|
||
|
no reason for us to lose our sense of humor. (Blows whistle)
|
||
|
Would somebody please lash Mrs. Moscowitz to the bingo table?
|
||
|
(Consults her clipboard) Some of the tourist class passengers
|
||
|
have broken out and are acting up. Just because there aren't
|
||
|
enough life boats. (Laughs, blows whistle, looks desperately at
|
||
|
her clipboard) Our world-famous olympic-size swimming pool has
|
||
|
been temporarily relocated to the main dinning room. But don't
|
||
|
worry -- you couldn't use it any way. It's filled with burning
|
||
|
bunker fuel. (Studies clipboard carefully) Actually most of the
|
||
|
activities for this evening do seem to have been cancelled.
|
||
|
(Listens) You say you just saw the Captain and officers leaving
|
||
|
the ship in the last life boat, Mr. Harknis? No need to worry.
|
||
|
I'm certain they've got a plan. (Beat) I wish you would stop
|
||
|
screaming. It's this kind of negative attitude that's the real
|
||
|
cause of our problems. (Laughs hysterically. Blows whistle.
|
||
|
Studies clipboard.) It looks like we have time for only one last
|
||
|
event -- our famous Sing-Along. Does anybody here know the words
|
||
|
to "Nearer My God To Thee"?
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