1647 lines
99 KiB
Plaintext
1647 lines
99 KiB
Plaintext
|
|
|||
|
DDDDD ZZZZZZ //
|
|||
|
D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
|
|||
|
D D A A R R G O O N N N Z I N N N E || Volume 14
|
|||
|
-=========================================================+<OOOOOOOOO>|)
|
|||
|
D D AAAA RRR G GG O O N N N Z I N N N E || Number 5
|
|||
|
DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
|
|||
|
\\
|
|||
|
\
|
|||
|
========================================================================
|
|||
|
DargonZine Distributed: 5/26/2001
|
|||
|
Volume 14, Number 5 Circulation: 740
|
|||
|
========================================================================
|
|||
|
|
|||
|
Contents
|
|||
|
|
|||
|
Editorial Ornoth D.A. Liscomb
|
|||
|
Triskele: Genesis P. Atchley and Vibril 20, 1018
|
|||
|
Rhonda Gomez
|
|||
|
Flingers Rena Deutsch and Seber 10<31>17, 1017
|
|||
|
Cheryl Spooner
|
|||
|
Death Has a Pale Face 1 Nicholas Wansbutter Seber, 1017
|
|||
|
|
|||
|
========================================================================
|
|||
|
DargonZine is the publication vehicle of the Dargon Project, a
|
|||
|
collaborative group of aspiring fantasy writers on the Internet.
|
|||
|
We welcome new readers and writers interested in joining the project.
|
|||
|
Please address all correspondence to <dargon@shore.net>or visit us
|
|||
|
on the World Wide Web at http://www.dargonzine.org/, or our FTP site at
|
|||
|
ftp://users.primushost.com/members/d/a/dargon/. Issues and public
|
|||
|
discussions are posted to the Usenet newsgroup rec.mag.dargon.
|
|||
|
|
|||
|
DargonZine 14-5, ISSN 1080-9910, (C) Copyright May, 2001 by
|
|||
|
the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
|
|||
|
Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
|
|||
|
All rights are reassigned to the individual contributors. Stories
|
|||
|
and artwork appearing herein may not be reproduced or redistributed
|
|||
|
without the explicit permission of their creators, except in the case
|
|||
|
of freely reproducing entire issues for further distribution.
|
|||
|
Reproduction of issues or any portions thereof for profit is forbidden.
|
|||
|
========================================================================
|
|||
|
|
|||
|
Editorial
|
|||
|
by Ornoth D.A. Liscomb
|
|||
|
<ornoth@shore.net>
|
|||
|
|
|||
|
If you read the HTML version of DargonZine, you should already know
|
|||
|
about our Online Glossary, which lists every character, place, and thing
|
|||
|
in the Dargon world. So for example, if you were to follow a link in one
|
|||
|
of our stories to the Glossary entry for the shadow boys, you'd be
|
|||
|
presented with an encyclopedia-like description of that group, and a
|
|||
|
list of every story that they appear in. You will also get a description
|
|||
|
of the role they play or what happens to them in each of those stories.
|
|||
|
If you've been using the Glossary recently, that might not be news
|
|||
|
to you; all our new stories have provided this information for more than
|
|||
|
a year. However, it's only now that I can say that the job of filling in
|
|||
|
reference data for all our back issues is finally done. There are now
|
|||
|
reference details for every single appearance of every Dargon element in
|
|||
|
every story we've ever published!
|
|||
|
One reason why that's worth noting is how useful that information
|
|||
|
is. For our readers, having reference details allows you to more easily
|
|||
|
follow your favorite characters and things through all their appearances
|
|||
|
in the magazine. By knowing whether the shadow boys play a major role in
|
|||
|
a story or are just a passing reference, you can more easily decide
|
|||
|
which previous stories you might want to go back and read. For our
|
|||
|
writers, that same information makes it much easier for them to research
|
|||
|
what's already been written about Dargon elements that they might want
|
|||
|
to use in the stories they're presently writing or outlining. In both
|
|||
|
cases, knowing not just what stories something appeared in, but also a
|
|||
|
summary of its role in the story, is valuable and useful, and we're
|
|||
|
pleased to be able to make that information available to everyone.
|
|||
|
The other reason why the completion of our "Reference Update" is
|
|||
|
noteworthy is because it was an immense job that required lots of effort
|
|||
|
and time from a large number of people. To create this information, we
|
|||
|
had to re-read more than 300 Dargon stories and write over 8,000
|
|||
|
reference descriptions. That effort began more than four years ago, and
|
|||
|
its completion has been a top priority of ours since 1999. Our writers
|
|||
|
don't join the Dargon Project to become researchers, but many of them
|
|||
|
voluntarily put a lot of their spare time and energy into pushing this
|
|||
|
goal forward, in the interest of helping both our readers and future
|
|||
|
writers.
|
|||
|
You might not think of it at first, but the Reference Update is
|
|||
|
perhaps the single biggest project we've undertaken as a group, and
|
|||
|
after years of pushing, it's immensely gratifying to be able to say that
|
|||
|
it's 100 percent complete. I hope it helps our writers create more
|
|||
|
interestingly interwoven stories, and makes reading DargonZine a better
|
|||
|
experience for you. I want to publicly thank and recognize the many
|
|||
|
writers who donated their time to this effort. And having this finally
|
|||
|
behind us should free up resources that we can use on additional
|
|||
|
projects to make DargonZine even better!
|
|||
|
|
|||
|
In this issue we begin with two stories, each which has two
|
|||
|
authors. We begin with the first of the three-part "Triskele", which was
|
|||
|
written by P. Atchley and Rhonda Gomez. The second story is "Flingers",
|
|||
|
a cooperative effort between two people who live 8500 kilometers (and
|
|||
|
eight time zones) away from one another: Rena Deutsch and Cheryl
|
|||
|
Spooner. Co-authoring has once again gained popularity amongst our
|
|||
|
writers, with six stories among seven writers being published jointly in
|
|||
|
the past 18 months, and there are more on the way. Co-authoring will
|
|||
|
also be a major theme at our upcoming writers' Summit. The the first
|
|||
|
half of Nick Wansbutter's "Death Has a Pale Face" rounds out the issue.
|
|||
|
I hope you enjoy them all!
|
|||
|
Our next issue will continue both "Triskele" and "Death Has a Pale
|
|||
|
Face". It should appear in late June, and also feature a debrief from
|
|||
|
the 2001 DargonZine Writers' Summit, which is being held this year in
|
|||
|
sunny California!
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
Triskele: Genesis
|
|||
|
by P. Atchley and Rhonda Gomez
|
|||
|
<dpartha@usa.net> and <RhondaGmz@aol.com>
|
|||
|
Vibril 20, 1018
|
|||
|
|
|||
|
From my vantage point in a tree on the highway from Dargon to Kenna
|
|||
|
I watched as the wagon crawled through the muck and mire. A brief thaw
|
|||
|
had made slush of the king's highways and even though spring was nigh,
|
|||
|
it was still blisteringly cold. I forced myself to stop clenching my
|
|||
|
jaws; the chill and tension from the forthcoming violence had set my
|
|||
|
teeth on edge. The air around me had that brooding, heavy quality of
|
|||
|
approaching twilight and I hated the forest at nighttime.
|
|||
|
We had picked a bend in the highway where the forest pushed up
|
|||
|
directly against the road and the trees were dense, providing excellent
|
|||
|
coverage from which to stage a raid. Yet I had to keep reminding myself
|
|||
|
that we had plenty of time to complete our business before nightfall.
|
|||
|
"Ol's piss!" the wagoner cursed as the wheels of the wagon dipped
|
|||
|
into yet another deep rut.
|
|||
|
Mentally, I echoed the curse. I was feeling strangely anxious even
|
|||
|
though holding up caravans on this road was something my band had done
|
|||
|
countless times before. My cohorts and I had endured an extra-hard
|
|||
|
winter and this was the first wagon we had seen in over two months. The
|
|||
|
booty we could get from this robbery would pay for food and some
|
|||
|
much-needed leatherskins.
|
|||
|
The two tired-looking horses pulled out of the dip, causing the
|
|||
|
entire cart to shake. I wondered what had made the wagoner agree to
|
|||
|
drive his passengers from Dargon at this time of year, especially since
|
|||
|
the recently melted snow had made every road close to impassable. Very
|
|||
|
few people were foolhardy enough to travel this early in the year,
|
|||
|
mainly because of the weather, and honestly, I was a little surprised to
|
|||
|
find this caravan on the road. Money, I supposed -- something even a
|
|||
|
sane wagoner couldn't turn down.
|
|||
|
Suddenly the wagon came to a complete stop, mired in the mud. It
|
|||
|
was close enough to me that I could make out the color of the dirty
|
|||
|
scarf the wagoner wore. I watched him lean over the side of the wagon to
|
|||
|
stare at the wheels and frown. A gust of wind whipped through his hair
|
|||
|
and he shivered.
|
|||
|
Up in the dense leaves of the hemlock tree I shivered too. It was
|
|||
|
close to the seventh bell of the day, and the cold sank through my skin
|
|||
|
easily. I looked up and saw but a few white clouds marring the darkening
|
|||
|
sky. I whistled a loud call and was quietly pleased to see that the
|
|||
|
prearranged signal went unheeded by the driver; it never ceased to amaze
|
|||
|
me how incredibly easy it was to fool travellers.
|
|||
|
I continued to watch the tableau unfolding before me. A head peeked
|
|||
|
out of the cloth-covered wagon. It was a boy, and when he spoke, I could
|
|||
|
hear the words faintly over the brisk Vibril wind.
|
|||
|
"What happened, Tobias? Why have we stopped?" The boy was older
|
|||
|
than I had thought at first: a young man with long hair that swung
|
|||
|
around his thin face like that of a girl. He sniffed, and I guessed that
|
|||
|
his eyes and nose were watering in the cold wind.
|
|||
|
"We're stuck," the wagoner, Tobias, explained. "In the mud," he
|
|||
|
added helpfully.
|
|||
|
"Oh," said the young man, blinking rapidly. Abruptly he pulled his
|
|||
|
head back inside.
|
|||
|
The distant sound of approaching hooves alerted me to expect my
|
|||
|
companions. The occupants of the wagon heard as well. I didn't wait any
|
|||
|
longer and slid down the tree trunk just as my three companions burst
|
|||
|
onto the scene. All of the men dismounted easily; one of them, Nuru,
|
|||
|
vaulted onto the front of the carriage near the wagon driver. "Don't
|
|||
|
move!" Nuru snapped at Tobias. "Hold the horses, man!"
|
|||
|
"What do you want?" Tobias growled, trying to calm the restive
|
|||
|
horses.
|
|||
|
Meanwhile, I circled around from behind so that I could ensure no
|
|||
|
one from the wagon ran off with any of the valuables.
|
|||
|
"Jelani!" It must be the wagoner shouting, I guessed, at the young
|
|||
|
man.
|
|||
|
With the tip of my sword I flipped open the fabric that covered the
|
|||
|
rear of the wagon and said sharply, "Out!"
|
|||
|
The young man jumped out of the wagon with a huge sword in his
|
|||
|
hand. "Bandits! I will kill you!" He brandished the weapon rather
|
|||
|
ineffectually. I wasn't an expert swordsman of any level, unlike the
|
|||
|
chief of our little band, Kamin, who was quite the fencer. Still, it was
|
|||
|
the work of a moment to disarm the younger man. I caught at his blade
|
|||
|
with my own, rotating my wrist deftly. The other's grip loosened almost
|
|||
|
at once and within moments his sword fell into the slush. I ran my blade
|
|||
|
into the younger man and then realized I had an audience. An old man and
|
|||
|
a young woman had been watching my little disagreement with the pretty
|
|||
|
young man, and when the girl saw Jelani die, she screamed in short,
|
|||
|
shrill outbursts. My teeth ground together and momentarily, I regretted
|
|||
|
the fact that I had killed the young man in front of her.
|
|||
|
"Hush, daughter," the old man tried to calm her. "Gaia, be calm."
|
|||
|
She was young, maybe thirteen or fourteen, her figure showing the
|
|||
|
promise of curves to come, with hair the color of wheat and eyes that
|
|||
|
were tremendously blue. She'd make a fine woman in her time.
|
|||
|
I would have been more circumspect if I had realized that a girl
|
|||
|
had been watching. But since it couldn't be helped now, I told myself it
|
|||
|
didn't really matter. The chances of this girl remaining alive were
|
|||
|
slim. At least she wouldn't have to live with the nightmares. Nightmares
|
|||
|
were something that I had intimate acquaintance with, thanks to my late
|
|||
|
master, Mon-Haddar the mage. I felt a tingle along the flesh of my back
|
|||
|
and had to resist the urge to reach over my shoulder and rub the itch.
|
|||
|
The mage's lessons had been burned into my brain and onto my back during
|
|||
|
my youth, as a result of which there were many things that I was not
|
|||
|
likely to forget. Really, she was better off dead, I consoled myself,
|
|||
|
and then shrugged the regret away. "Out! Move it, now!"
|
|||
|
Father and daughter stepped out of the wagon obediently. The old
|
|||
|
man's face was blue with cold, and he stumbled. I gave him a mighty
|
|||
|
shove, and he moved forward and fell face-down into the snow on the side
|
|||
|
of the wagon near the front of the carriage. The girl knelt by him
|
|||
|
rubbing his chest, trying to ease his breathing.
|
|||
|
Kamin came up behind me. "Well, old man, where's your money, hmm?
|
|||
|
Tell me." Kamin was the younger son of a noble, although no one knew
|
|||
|
which one, and perhaps because of this, his manners and language were
|
|||
|
exquisite. I had often wondered about Kamin's past and what opprobrium
|
|||
|
had caused him to throw in his lot with the robber brotherhood.
|
|||
|
Sometimes I had even found myself imitating his gentlemanly manners. He
|
|||
|
had an air of authority, and somehow without even realizing it, everyone
|
|||
|
obeyed him. While his orders were always given as requests, no one made
|
|||
|
the mistake of treating them as such. He could and would kill as easily
|
|||
|
as he breathed and sometimes his kills had not been as quick as I could
|
|||
|
have wished for the unfortunate victim.
|
|||
|
I remembered an incident about a year prior, when we had stopped
|
|||
|
two men travelling on horseback. One of them had offered to fight with
|
|||
|
Kamin on condition that if he won, he and his companion would be allowed
|
|||
|
to go free. Perhaps he thought he recognized a gentleman in Kamin, I
|
|||
|
don't know. Of course, Kamin, being the fencer he is, won. He took a
|
|||
|
sennight to kill them -- probably the longest sennight in their lives,
|
|||
|
the bleeding snuppers.
|
|||
|
Now Kamin brought out a tiny dagger and waved it at the old man. I
|
|||
|
felt my stomach heave as I recognized the dagger: it was the one he used
|
|||
|
to persuade others to his way of thinking. The persuasion usually
|
|||
|
involved the dagger and the blood and pain of the poor sod.
|
|||
|
"Kamin," I said, allowing a hint of disapproval to lace my voice. I
|
|||
|
realized that this was why I'd felt anxious at the beginning of the
|
|||
|
raid. We had been cooped up for a long time without any activity and I
|
|||
|
knew that Kamin would feel the need for a little needless ... diversion.
|
|||
|
The robbery of these people would go without a hitch, but I dreaded
|
|||
|
Kamin's later activities.
|
|||
|
He glanced at me. "Ah, our little Yellow is a little yellow." He
|
|||
|
laughed softly at his own bad joke. "Now, now, my dear, the old man is
|
|||
|
going to die anyway, so why can't I have a little ... eh ... practice,
|
|||
|
hmm?" He drew the knife in a downwards motion along the old man's cheek
|
|||
|
and then abruptly pushed it into his shoulder. The old man screamed.
|
|||
|
Kamin left his knife in the wound and smiled gently at me.
|
|||
|
I glared at him. Kamin knew I hated my name, one that had been
|
|||
|
given me during my time with Mon-Haddar, because of the bright yellow of
|
|||
|
my hair. The unfortunate connotations of the name had dared me to do
|
|||
|
things in the past which, on my own, I would rather have not; even now
|
|||
|
it never failed to sway me into actions which were against my nature.
|
|||
|
The first time I had killed had been because of a taunt. But no taunt
|
|||
|
had yet been enough to make me torture another person, and I frequently
|
|||
|
prayed that nothing ever would.
|
|||
|
"Old man, tell me where your gold is," I said sternly. I brought
|
|||
|
out my own knife and held it against the old man's neck. "Talk!" I could
|
|||
|
feel Kamin's approving glance as I threatened the old merchant. To my
|
|||
|
mind, there was really no point in all of this drama, but Kamin needed
|
|||
|
it, and I -- well, I hoped to save the poor old man from Kamin's
|
|||
|
attentions. Surely a clean death by my hand was better than a lengthy
|
|||
|
one at Kamin's hands.
|
|||
|
The girl screamed, "No, Father, don't give these thieves anything!"
|
|||
|
"Fine. Kill them, Yellow," said Nuru, who was standing in the cart
|
|||
|
with a knife at Tobias' throat.
|
|||
|
Kamin walked around to me and gestured me towards the wagon. "Go
|
|||
|
and check inside. Find the money."
|
|||
|
I slid my knife back into its sheath and hurried over to the wagon,
|
|||
|
sparing a glance behind me. Kamin had a smile on his face, one that,
|
|||
|
more often than not, gave me nightmares. I recognized that smile; it
|
|||
|
reminded me of Mon-Haddar. The two of them shared a quality that I
|
|||
|
hated, which made them enjoy the helplessness of others -- more, the
|
|||
|
pain and terror of others.
|
|||
|
I quickened my steps and jumped into the wagon, throwing the
|
|||
|
cushions to one side, searching for the strong box I knew I would find.
|
|||
|
Within moments I rushed back out. "I found it in the back," I said
|
|||
|
breathlessly. "It's there."
|
|||
|
"The goods are in the back, gentlemen. I'm getting them out. Nuru,
|
|||
|
please deal with this lot. Kill them." Kamin turned and went to the back
|
|||
|
of the wagon.
|
|||
|
"Please, no. Take whatever you want, don't kill us. Please," Gaia
|
|||
|
begged. "My father's old. Please don't kill us."
|
|||
|
Draage, standing next to Gaia, gave her a push and she fell
|
|||
|
backwards with a cry.
|
|||
|
"What did you do that for?" I snapped at him.
|
|||
|
"She was in the way." He pulled a long rag from his belt and
|
|||
|
slipped it around the old man's neck.
|
|||
|
"No, no!" The old merchant began to struggle.
|
|||
|
"Here, leave him alone," Gaia yelled. She sat up and screamed,
|
|||
|
"Tobias, help him." She stood up and rushed toward Draage, but I moved
|
|||
|
forward and held her immobile. I tried to twist her body to one side so
|
|||
|
that she would not have to see her father die, but she fought me. I
|
|||
|
watched Tobias stare unblinkingly at the girl, who watched her father
|
|||
|
die strangled by Draage. Poor girl, I thought again. She would be better
|
|||
|
off dead.
|
|||
|
"No!" Tobias tugged at the reins and the horses moved. Nuru lost
|
|||
|
his balance and fell heavily. I threw my knife at Tobias, but in the
|
|||
|
deepening gloom I was unsure if it had hit its mark. As I moved toward
|
|||
|
the wagon, Gaia screamed.
|
|||
|
"No, no. Leave me alone. No!" There was the sound of clothing being
|
|||
|
torn. Gaia sobbed. "No!"
|
|||
|
I turned abruptly from the wagon and hurried toward the girl.
|
|||
|
"Quiet!" It was the gruff voice of Draage. "Be quiet, girl."
|
|||
|
I had always found something abhorrent about rape, perhaps because
|
|||
|
of my own close shaves with it; my time with my master had left more
|
|||
|
than just physical scars. One of the guards the wizard had employed had
|
|||
|
delighted in tormenting me and I'd also been the subject of the mage's
|
|||
|
... experiments.
|
|||
|
Now I said harshly, "Draage, why don't you leave her alone? We got
|
|||
|
the loot. Let's just kill her and go."
|
|||
|
"Yellow by name and yellow by measure," growled the other man. "I'm
|
|||
|
not leaving until I've had my pleasure." The grin that covered his face
|
|||
|
made my stomach turn and I felt my head begin to throb.
|
|||
|
Gaia was weeping softly now, with little outcries. Suddenly she
|
|||
|
screamed again.
|
|||
|
I couldn't bear it any longer. "That's it. Enough!" I reached for
|
|||
|
my knife, and found it gone. But Kamin's knife was still in the dead old
|
|||
|
man's shoulder. I bent, grabbed it, stepped forward and, in one quick
|
|||
|
motion, slit the girl's throat. Gaia gave one last sob and then there
|
|||
|
was silence. My vision blurred and as she fell to the ground, I saw her
|
|||
|
face meld into another's. For one sharp yet fleeting moment, she
|
|||
|
appeared to be a much older woman, with startlingly black hair and big
|
|||
|
eyes of bottomless brown. In the next instant, I saw that I had been
|
|||
|
mistaken; it must have been the deepening gloom. Absently I rubbed the
|
|||
|
knife against my tunic and slid it into the sheath that lay against my
|
|||
|
side. At least this girl wouldn't be in my nightmares, which didn't need
|
|||
|
any more new faces.
|
|||
|
"What did you do that for?" Draage shouted.
|
|||
|
"I don't hold with rape," I said shortly. She would be at peace
|
|||
|
now. Really, I had done her a favor in killing her, I thought.
|
|||
|
"That's it, Yellow, I've had it with you. Who do you think you are,
|
|||
|
son of a bleeding guttersn--" Draage rushed me and succeeded in shoving
|
|||
|
me to the ground.
|
|||
|
I rolled away from him in the direction of the woods on the far
|
|||
|
side and came up fast, throwing a punch where I expected Draage to be.
|
|||
|
It connected to his abdomen with a satisfying thud. Both of us were
|
|||
|
equally fit, although I was the taller of the two. We were evenly
|
|||
|
matched and had frequently sparred together in practice bouts, something
|
|||
|
which Kamin had instituted among our little band, much to the annoyance
|
|||
|
of two of our group; Kamin had killed one for failing to practice and
|
|||
|
the other, Piet, had run away.
|
|||
|
I knew I had to be careful, for Draage gave no quarter. He threw
|
|||
|
one punch after another, gaining the advantage. We moved backwards, and
|
|||
|
I heard a loud roaring sound. I spared a corner of my mind to wonder
|
|||
|
what it was, but my attention was on Draage. I knew that I was fighting
|
|||
|
for my life. Kamin was probably still counting the money, and even if he
|
|||
|
had realized that Draage and I were fighting, he would never interfere.
|
|||
|
I knew that he would cheer the winner and go off with him. I was on my
|
|||
|
own.
|
|||
|
Suddenly Draage tripped on a stone that lay behind him and fell
|
|||
|
backwards, but he rolled to the side almost immediately and I, though
|
|||
|
I'd intended to jump upon him, found myself sitting on the ground
|
|||
|
instead. Both of us jumped up agilely, and began to circle around.
|
|||
|
At that moment, I recognize the sound: it was the river, Thyerin's
|
|||
|
Run, named for the god of the elements. I hadn't realized we were so
|
|||
|
close to it. An idea sprung into my mind. If only I could lure Draage to
|
|||
|
the water ...
|
|||
|
My break in concentration cost me. Draage's punch connected; my
|
|||
|
nose began to bleed copiously. I only hoped it wasn't broken. I now
|
|||
|
found myself on the defensive. Draage was throwing punches that I
|
|||
|
managed to block almost at random. Another one of his punches connected,
|
|||
|
this time to the abdomen, and I doubled up momentarily. Taking advantage
|
|||
|
of my bent position, I moved forward, hit him in the stomach with my
|
|||
|
head, and jumped backwards immediately after hitting him. I knew that
|
|||
|
although he was holding his belly, Draage sometimes feigned injury. True
|
|||
|
to form, his right leg kicked out in a circular motion that failed to
|
|||
|
hit its target. He regained his balance quickly and began to punch me,
|
|||
|
pressing me backward towards the river.
|
|||
|
I allowed myself to be pushed in the direction of the river,
|
|||
|
letting a corner of my mind plan out what I wanted to do. I would let
|
|||
|
Draage think he had me, and that I was weakening. Draage was very good,
|
|||
|
but he could only think one move ahead. In that respect, without vanity,
|
|||
|
I knew I was better than him. I weaved artistically, aware that I really
|
|||
|
needed to judge the distance behind me. I took a deep breath and let
|
|||
|
another one of Draage's abdomen punches connect. My breath left me in a
|
|||
|
whoosh and I shoved him to the ground with my shoulder. Quickly I turned
|
|||
|
and saw that I was barely a stride from the river's edge. But I had
|
|||
|
underestimated Draage. By the time I turned back, he was at me with a
|
|||
|
knife.
|
|||
|
I danced backwards and to the side, but it was not enough. He
|
|||
|
struck and I felt the knife slide into me. It rent the skin on my side
|
|||
|
with ease, like freshly churned butter. The pain grew inside me like a
|
|||
|
living thing, growing, consuming, devouring me. I took the pain and fed
|
|||
|
it to my rage and fear, rage that Draage, woman-raper that he was, might
|
|||
|
best me, and fear that this time, I might die. Fury enveloped me and I
|
|||
|
reached for my knife. The knife was my weapon. It was something that I
|
|||
|
had wielded to good effect in the past, even when I had apprenticed with
|
|||
|
Mon-Haddar. The mage had taught me where to strike to kill instantly,
|
|||
|
and Kamin had taught me where to strike so that the victim lived. I
|
|||
|
chose to give Draage no chance at life. I thrust my knife at Draage
|
|||
|
forward and up. He fell backwards, blood pooling at his lips, a wry
|
|||
|
expression in his eyes. I sighed and stepped backwards away from the
|
|||
|
corpse.
|
|||
|
"Oh. Aaaah!" I had not paid attention to where I was. My last step
|
|||
|
had been on the slippery banks and the furious waters had grabbed me for
|
|||
|
their own. It was so cold that my teeth were chattering. Chunks of
|
|||
|
frozen water floated past me, with me -- I felt as if I was becoming one
|
|||
|
of them. I couldn't feel the wound in my side because the icy Run had
|
|||
|
numbed it. I couldn't even feel my arms or legs.
|
|||
|
I tried to paddle, but not only was the river flowing too fast, I
|
|||
|
was losing my senses. My best option would be to let the river do what
|
|||
|
it would. I felt keenly the irony that Draage had bested me even in
|
|||
|
death. I embraced the rage and fury in my mind and tried to use it to
|
|||
|
fight Thyerin's Run. My efforts were too flimsy to win against something
|
|||
|
that could swallow a dozen of me. My head bobbed up and down on the
|
|||
|
surface of the river, and I tried not to swallow the water. It was a
|
|||
|
wasted attempt, for I could control nothing. Thyerin's might was
|
|||
|
absolute. It was then that I remembered the falls that crossed the
|
|||
|
river. The cold was affecting my head so that I was no longer certain
|
|||
|
which way was up or which way was down, but I knew what the roaring
|
|||
|
sound was. A single thought, straight and clean as an arrow, shot
|
|||
|
through me: I was going to die.
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
Flingers
|
|||
|
by Rena Deutsch and Cheryl Spooner
|
|||
|
<Rena3@hotmail.com> and <roar_gb@yahoo.co.uk>
|
|||
|
Seber 10<31>17, 1017
|
|||
|
|
|||
|
"Sian! I'm home!"
|
|||
|
Aren listened as he opened the door and stepped inside, but the
|
|||
|
house was unusually silent. There were no answering cries, no sound of
|
|||
|
children playing and squabbling, or Sian's laughter or scolding. His
|
|||
|
voice echoed in the quiet as he looked around. Everything was in its
|
|||
|
place and he saw no sign of them having left in a hurry, yet it was rare
|
|||
|
for everyone to be out all at once.
|
|||
|
"Sian? Kerith? Briam? Finn? Where are you?" He went to the room he
|
|||
|
shared with Briam and Finn, some of Sian's other foster-children. Even
|
|||
|
that was tidy, which was a strange thing in itself. It rarely looked
|
|||
|
this neat except when Sian had just cleaned it. He moved to the room his
|
|||
|
sister Kerith shared with Oriel, the latest addition to their family of
|
|||
|
orphans, but again it was empty. The rag-doll Sian had made for Kerith
|
|||
|
lay on the floor between the girls' beds, and Aren picked it up, idly
|
|||
|
fiddling with its woolen hair as he wondered where they might all be.
|
|||
|
Glancing out through the window, he noticed the laundry drying on the
|
|||
|
lines. A strong wind was blowing now, moving grey clouds quickly across
|
|||
|
the sky.
|
|||
|
"I'd better get the laundry in before it starts raining," he
|
|||
|
grumbled to himself. Sian would scold him if he left it out to get wet.
|
|||
|
With a sigh, he dropped the doll on Kerith's bed and hurried down the
|
|||
|
stairs and outside to gather in the laundry.
|
|||
|
"Aren! Aren! Come and see!"
|
|||
|
Aren turned, arms laden with clean laundry, to see his sister
|
|||
|
Kerith, brown curls bobbing as she skipped towards him. Her blue eyes
|
|||
|
were wide as she tugged on his arm, her voice high-pitched, almost
|
|||
|
squealing in her excitement. "Aren! Go and put that laundry down and
|
|||
|
come and see!"
|
|||
|
"All right! All right!" he laughed. Why were seven-year-old girls
|
|||
|
so excitable? He dropped the clothes into the basket he'd taken out with
|
|||
|
him, then picked up the whole load and took it into the house, with
|
|||
|
Kerith tagging along, urging him to hurry. Once the laundry was safely
|
|||
|
deposited on the table, he took Kerith's hand and let her lead him
|
|||
|
outside, shaking his head and chuckling at her breathless excitement.
|
|||
|
She led him out the back door, across the yard and out into the
|
|||
|
street. In the distance, coming up the road, were Sian, Briam and Finn
|
|||
|
pulling a wagon, with Oriel pushing from behind. The wagon appeared
|
|||
|
heavy, because they were moving slowly, as if it was taking them all
|
|||
|
their time and effort just to move it.
|
|||
|
"Come *on* Aren! Come and see!" Kerith jumped up and down and
|
|||
|
tugged on Aren's hand. "Come on, hurry up!"
|
|||
|
"What has you so excited, little sister?" Aren looked at her. Her
|
|||
|
mouth curved in a little smile and she shook her head and touched her
|
|||
|
nose as she skipped alongside her brother, deliberately jumping in all
|
|||
|
the puddles. "Just wait 'til Sian tells you what we got and what we'll
|
|||
|
be doing."
|
|||
|
"Now I'm curious! What did Sian bring this time?" Aren asked,
|
|||
|
noting the smugness of her smile with a grin. So, his little sister had
|
|||
|
something to tease him with for a change.
|
|||
|
"I'm not telling you that we got big baskets!" Kerith giggled.
|
|||
|
"All right then don't tell me, but what are the baskets for?" Aren
|
|||
|
smirked, he knew how to make his sister tell him everything, and sure
|
|||
|
enough, it worked.
|
|||
|
"We'll put flingers in them and then sell them at the festival!"
|
|||
|
"Flingers?" Aren wasn't quite sure he'd heard right, but then he
|
|||
|
remembered. "Oh yeah, flingers! That should be fun! Do you remember what
|
|||
|
to do with flingers?"
|
|||
|
"What do you do with flingers?" Kerith looked at him as though she
|
|||
|
wasn't quite sure what a flinger was.
|
|||
|
"You pick one up, throw it as hard as you can on a rock," Aren told
|
|||
|
her. "When it breaks open you let a fortune teller read your fortune,
|
|||
|
and then you cook it and eat it. So, we're going to collect some and
|
|||
|
then sell them at the festival? Who's doing the fortune telling?"
|
|||
|
"How did you know we're going to sell flingers?" Kerith cried, her
|
|||
|
eyes wide as though she couldn't believe her brother already knew all
|
|||
|
about it.
|
|||
|
"You just told me, sis," Aren laughed, ruffling her hair. "You
|
|||
|
never could keep a secret around me!" Kerith looked at him, her eyes
|
|||
|
suddenly huge and her lip trembling as though she was going to cry. Aren
|
|||
|
quickly comforted her. "I won't tell Sian you told me. It'll still be a
|
|||
|
surprise." He smiled at her, and her smile returned. He chuckled to
|
|||
|
himself as he hugged her, amused by the way her tears were so easily
|
|||
|
forgotten. "Race you to Sian!" he grinned. "One, two, three, go!" Aren
|
|||
|
watched his sister run ahead and then followed her quickly, taking care
|
|||
|
to stay just behind her so she "won" the race.
|
|||
|
"Hi Sian," he said as he approached. "It looks like you could use
|
|||
|
some help. What's under the cover?"
|
|||
|
"Oh, I'm so glad you're here, Aren. This thing is such a weight!
|
|||
|
Here, take this and I'll go round back and push with Oriel and Kerith."
|
|||
|
Sian brushed a stray lock of her long hair back from her eyes as she
|
|||
|
handed Aren the rope. "I'll tell you all about it when we're at the
|
|||
|
house. That is if Kerith hasn't already spilled the beans."
|
|||
|
"I didn't spill any beans, Sian! I didn't even go near them!"
|
|||
|
Kerith stood in front of Sian, hands on her hips, her eyes indignant.
|
|||
|
Aren and Sian laughed out loud.
|
|||
|
"What's so funny?" Finn asked.
|
|||
|
"Nothing Finn," replied Sian, "You and Briam keep pulling the
|
|||
|
wagon. With Aren's help we'll be home shortly and I'll warm some stew."
|
|||
|
|
|||
|
When they were all sitting round the table, enjoying stew and warm
|
|||
|
bread, Aren again asked Sian about the contents of the cart, now safely
|
|||
|
stowed in the outhouse.
|
|||
|
"We hauled the biggest kettle you ever saw, Aren!" Briam
|
|||
|
interrupted excitedly.
|
|||
|
"Straight," Oriel chimed in, "Not even Jahlena has one that huge!"
|
|||
|
"Where'd you get it?" Aren asked curiously.
|
|||
|
"Rebecca, the midwife, let us borrow it," Oriel answered quickly.
|
|||
|
"And we get to go down to the beach t'morrow, real early, and catch
|
|||
|
flingers for the festival!" Finn added through a mouthful of bread.
|
|||
|
"You'll help me catch the most flingers, won't you Aren?" Kerith
|
|||
|
pulled her brother's shirt, "Won't you? Won't you?"
|
|||
|
"I didn't think this was a competition, Kerith," Sian said. "We'll
|
|||
|
all work together."
|
|||
|
"Won't you tell me what's going on?" Aren looked at Sian, his
|
|||
|
eyebrow arched quizzically. "I'd really like to know what I've been
|
|||
|
volunteered for."
|
|||
|
Sian laughed, "No one volunteered you for anything, and I can
|
|||
|
understand if you have to help out at the inn that day. The big festival
|
|||
|
with the blessing of the fleet is in less than a sennight and the
|
|||
|
children and I decided that we could catch flingers for the festival and
|
|||
|
sell them. Rebecca agreed to read people's fortune, but she's too old to
|
|||
|
go catching flingers and doesn't want to cook them afterwards either."
|
|||
|
"We're going to get up real early in the morning and go to the
|
|||
|
beach to catch flingers. Are you coming too Aren?" Briam looked at his
|
|||
|
friend.
|
|||
|
"Sure he's coming!" answered Kerith before Aren could say a word.
|
|||
|
"He'll help *me*!"
|
|||
|
Aren laughed, "Sounds like I don't have a choice."
|
|||
|
"Straight!" answered Kerith.
|
|||
|
"Well then, you four eat up and go to bed!" Sian looked at Briam,
|
|||
|
Finn, Kerith and Oriel. The four younger children finished their stew
|
|||
|
and went to bed, for once without having to be told a second time.
|
|||
|
"I almost forgot," began Aren and pulled out his little purse. "I
|
|||
|
got paid today." He placed four Bits on the table.
|
|||
|
"Keep them, Aren. You've been such a help those past months, and
|
|||
|
even fifteen-year-old young men need a little money to spend now and
|
|||
|
then." Sian got up and collected the dishes. A big yawn escaped her.
|
|||
|
"I'd better go to bed as well. The rain should bring the flingers to the
|
|||
|
shore. With some luck we'll find enough tomorrow."
|
|||
|
"I'll come with you. I don't have to be at the inn until
|
|||
|
lunchtime."
|
|||
|
"Will you see to the fireplace and make sure it's ready for the
|
|||
|
morning?" Sian asked him, yawning as she stood and walked towards the
|
|||
|
foot of the stairs. "I'm rather tired."
|
|||
|
"I'll do that, Sian. Good night." Aren turned to the fireplace,
|
|||
|
took shovel, and started clearing the ashes.
|
|||
|
"Good night, Aren," Sian, called, already halfway to her room.
|
|||
|
|
|||
|
A heavy thudding on the door had Rebecca awake with a groan. "Cease
|
|||
|
your banging!" she grumbled as the thudding sounded again. "I'll be out
|
|||
|
in a moment!" She sat up, pulling her shawl around her to keep out the
|
|||
|
chilly night air as she fumbled for her tinderbox to light the lamp that
|
|||
|
stood on her dresser.
|
|||
|
"Rebecca!" a young voice shouted. "Hurry!"
|
|||
|
She opened the door, facing an anxious boy. "What?"
|
|||
|
"It's mother!" he interrupted, hopping from one foot to the other,
|
|||
|
"Baby's coming! Hurry!" He reached for her hand, trying to pull her with
|
|||
|
him.
|
|||
|
"I need my bag," Rebecca muttered and turned around to get it.
|
|||
|
"No!" the boy yelled. "We need to go now!"
|
|||
|
"Not without my bag!" she snapped at the boy, silencing him
|
|||
|
momentarily. Rebecca slipped into her shoes, tied them, pulled her shawl
|
|||
|
close and then reached for her bag, tossing it to the boy. "You can
|
|||
|
carry it. Now lead the way!"
|
|||
|
The boy clutched the bag to his chest and hurried down the path.
|
|||
|
Every now and then he stopped to see if Rebecca was still following him.
|
|||
|
As they approached the house, they could hear the screams of a woman.
|
|||
|
"That's my mother," the boy cried and pulled Rebecca's arm. "Hurry,
|
|||
|
please. Help her!"
|
|||
|
Rebecca stopped at the door and placed her hand on his shoulder. "I
|
|||
|
will help her. You have brothers and sisters?"
|
|||
|
"Yes," he nodded. "A brother and two sisters."
|
|||
|
"Take your siblings and bring them to your neighbor. Stay there!"
|
|||
|
"Straight," he answered, swallowing his tears, and opened the door.
|
|||
|
Screaming greeted Rebecca as she entered the room. A woman covered
|
|||
|
with blankets lay on a mound of hay. Her husband stood next to her
|
|||
|
looking helpless. In the far corner were three children cuddled
|
|||
|
together, looking frightened. Rebecca now recognized the couple; she had
|
|||
|
delivered all their children. Not wasting a moment, she stepped to the
|
|||
|
bedside and silenced the screaming woman with a firm yet controlled slap
|
|||
|
to her face.
|
|||
|
"Save your strength for later, you need it to bring your baby into
|
|||
|
the world!" Rebecca commanded the woman, then turned to the husband.
|
|||
|
"Sengar, I need some hot water and a clean blanket, and get Morgana
|
|||
|
some water to drink." Without a word Sengar did as he was asked. Rebecca
|
|||
|
cleaned her hands then turned to Morgana who was breathing heavily.
|
|||
|
Rebecca lifted the blanket and all color drained from her face. There
|
|||
|
was a tiny foot sticking out. "Not good, not good," she muttered to
|
|||
|
herself.
|
|||
|
"What is it? Rebecca?" Morgana called out, "Tell me what's wrong! I
|
|||
|
can feel something's not right!"
|
|||
|
Sengar, who had been standing behind Rebecca, answered his wife.
|
|||
|
"There's a foot sticking out."
|
|||
|
"The baby's backwards, I have to pull it out," Rebecca said after a
|
|||
|
moment of thinking, "It's not going to be easy. Babies aren't supposed
|
|||
|
to come feet first."
|
|||
|
"Can't you turn it?" Sengar asked
|
|||
|
"Too late to turn," Rebecca answered, "I would have been able to do
|
|||
|
that before her water broke." She reached into her bag, pulled out a
|
|||
|
root, and handed it to Sengar. "I need you to sit behind Morgana,
|
|||
|
support her head, and hold the root so she can bite into it." While
|
|||
|
Sengar took his place, Rebecca removed the blanket and instructed
|
|||
|
Morgana to pull her legs up.
|
|||
|
"I want you to push with all your might when the next pain comes,"
|
|||
|
Rebecca told Morgana. The woman nodded briefly, biting on the root.
|
|||
|
Rebecca placed her hand on the woman's swollen belly. She felt it
|
|||
|
tightening.
|
|||
|
"Now! Push!" While Morgana pushed, Rebecca pulled on the baby's
|
|||
|
leg. The whole leg became visible and soon the second leg dropped out.
|
|||
|
"Stop pushing!" Rebecca instructed Morgana while she felt her way
|
|||
|
along the baby's body to its shoulders. Carefully, she pulled each arm
|
|||
|
downward and gently aligned the baby's arms with its body then told
|
|||
|
Morgana to push again. Rebecca pulled on the baby's body, but it
|
|||
|
wouldn't move any further. Pearls of sweat started forming on her
|
|||
|
forehead. Impatiently, she wiped them away.
|
|||
|
"Push! Morgana, push with all the strength you've got!" Rebecca
|
|||
|
commanded, pulling on the baby's body, yet she made no progress.
|
|||
|
"Why isn't my baby coming out?" Morgana asked, breathing heavily.
|
|||
|
Rebecca looked directly at her, "The head is stuck. I ..." She
|
|||
|
interrupted herself when she noticed the worried look on their faces and
|
|||
|
then finished confidently. "I'll get him out." When she felt the
|
|||
|
tightening of Morgana's stomach again, Rebecca pulled, but to no avail.
|
|||
|
She slid her hand alongside the baby's body and felt for his jaw.
|
|||
|
Hooking her fingers into the baby's mouth, she forced the head down.
|
|||
|
Morgana screamed, then her face went ashen and she fell silent. Her
|
|||
|
limbs flopped to the side.
|
|||
|
"Pull her legs back, Sengar!" Rebecca commanded. "The baby's almost
|
|||
|
out." While Sengar did as he was told, Rebecca pulled one last time and
|
|||
|
the baby was free of his mother. She lifted the little one by his feet
|
|||
|
and tried to make him cry yet he remained still. Rebecca shivered. She
|
|||
|
took a cloth and began rubbing the baby's back, drying him. She yelled
|
|||
|
at the baby, "Breathe!" but nothing happened.
|
|||
|
"Leave him be, Rebecca," Sengar said quietly after several menes.
|
|||
|
"He wasn't supposed to stay with us."
|
|||
|
Rebecca looked at Sengar and nodded. She cut the cord, wrapped the
|
|||
|
lifeless baby into a piece of cloth, and handed him to his father. He
|
|||
|
pulled his son close for a moment, a single tear in his eye, then placed
|
|||
|
him in a box by the fire.
|
|||
|
"The afterbirth is coming," Rebecca said, turning her attention
|
|||
|
back to Morgana. Gently pulling on the cord, she eased the purple mass
|
|||
|
out and placed it in a bowl. A stream of blood followed, which soon
|
|||
|
slowed to a trickle. Rebecca looked into the puddle of blood and felt
|
|||
|
the color drain from her face. For a moment she saw a man's face. The
|
|||
|
face changed into a flinger and then vanished. Swallowing hard, she
|
|||
|
finished her work. Rebecca looked into Morgana's face and noticed her
|
|||
|
color had returned. She was sleeping now, breathing normally.
|
|||
|
After cleaning herself, Rebecca reached into her bag and pulled out
|
|||
|
some herbs. She ground them into a fine powder and gave them to Sengar.
|
|||
|
"When your wife wakes, make her a strong tea with this. It will dry
|
|||
|
up her milk. Let her see the baby if she wants to. Send your boy if you
|
|||
|
need further help."
|
|||
|
"Thank you," Sengar replied and reached for a small bag attached to
|
|||
|
his belt. Rebecca shook her head.
|
|||
|
"Keep it," she said, "You'll need it for the Rattler." Grabbing her
|
|||
|
bag, Rebecca left the house and made her way home, shaking her head and
|
|||
|
muttering to herself, "'Tis not good, not good at all."
|
|||
|
|
|||
|
On the day of the festival, Sian woke the children early. They
|
|||
|
would have to make several trips to get all the baskets to the docks,
|
|||
|
even with Aren's help. May had given him the day off work and he was
|
|||
|
looking forward to the festivities, and to helping Sian sell the
|
|||
|
flingers. They'd gone out every day to collect flingers from the beach,
|
|||
|
until all the baskets Sian had brought were full of the reddish-hued
|
|||
|
animals. He was also proud that they'd managed to keep them all alive by
|
|||
|
covering the baskets in water-soaked cloths -- something one of the old
|
|||
|
fishermen down by the docks had told him about. The morning was
|
|||
|
unusually cool for the month, and fog engulfed the docks and those parts
|
|||
|
of town closest to the docks. Despite wearing a warm cloak and pulling
|
|||
|
the heavy wagon, Aren shivered in the chill morning air.
|
|||
|
"I'm cold!" complained Kerith to no one in particular.
|
|||
|
"We all are," Aren told her. "Once we have the fire going for the
|
|||
|
kettle you'll warm up quickly."
|
|||
|
The group reached the site at the docks Rebecca had mentioned to
|
|||
|
Sian when they'd bargained. It was a good place to attract customers:
|
|||
|
everyone attending the festival had to pass by them and Rebecca had
|
|||
|
always had her tent there. People would remember it simply because it
|
|||
|
had always been there.
|
|||
|
Quickly, the children unloaded the wagon. Aren, Briam, and Finn
|
|||
|
made their way back to pick up the remaining baskets of flingers while
|
|||
|
Sian, Oriel, and Kerith built the fire. When the boys returned, the
|
|||
|
fireplace was set and extra firewood was stacked within reach. After
|
|||
|
unloading the baskets the boys took buckets to haul water for the
|
|||
|
kettle. No sooner did they return when the first people came walking
|
|||
|
down the street. Aren noted that the women wore gaily colored dresses,
|
|||
|
far different from the everyday drab browns and greys they would
|
|||
|
normally wear around the city. The men too were dressed in their best,
|
|||
|
with brightly colored tunics over their breeches. Children ran, skipped
|
|||
|
or walked alongside, eyes bright as their clothing with excitement for
|
|||
|
the coming festivities. Aren smiled to himself as Kerith started jumping
|
|||
|
from one foot to the other in anticipation.
|
|||
|
"Where is Rebecca?" Aren asked, ruffling Kerith's hair. "Her tent
|
|||
|
is all set up, but it's still closed."
|
|||
|
"Why don't you run up to her place and see if she needs help,
|
|||
|
Aren," Sian suggested.
|
|||
|
Aren hesitated for a moment. As the oldest of the boys, almost a
|
|||
|
man as Sian kept saying, he felt it his duty to stay and take care of
|
|||
|
the others. On the other hand, he didn't think it would be a good idea
|
|||
|
to send any of the others on such an errand. Finn would get sidetracked,
|
|||
|
Briam would get impatient and the girls were too young to send off on
|
|||
|
their own.
|
|||
|
"All right Sian, I won't be long," he replied eventually, taking
|
|||
|
one last look to make sure everything was as it should be before turning
|
|||
|
in the direction of Rebecca's house.
|
|||
|
|
|||
|
Rebecca sat at the table, drinking tea and staring into the hearth.
|
|||
|
Flames danced on the logs and sparks swirled in the smoke like
|
|||
|
fireflies. In the midst of the flames she saw the face which had
|
|||
|
appeared in the vision the previous night. It had haunted her dreams,
|
|||
|
making her fitful and restless, and yet it was no one she knew. All she
|
|||
|
did know was that the face, appearing as it did at such a bad time, was
|
|||
|
not a good omen. She was getting too old for all this, she decided with
|
|||
|
a sigh. Too old and tired to be troubled by visions and what they meant.
|
|||
|
It was time she retired ... and yet, what would she do? Midwifery was
|
|||
|
all she'd known. Could she ignore the knock in the middle of the night?
|
|||
|
Refuse to assist in a birthing? Rebecca shook her head. She could no
|
|||
|
more do that than stop the visions from bothering her. They'd troubled
|
|||
|
her for as long as she could remember, even as a child. Sometimes they
|
|||
|
were good things, but most often they foretold of tragedy.
|
|||
|
Rebecca shook herself and pulled her shawl about her shoulders as
|
|||
|
she rose to clear her mug and mend the fire. It would be time to go
|
|||
|
soon. She would have to shake this mood and get ready for the fortune
|
|||
|
telling at the festival. Fortune telling was easy; she just told them
|
|||
|
what they wanted to hear. No visions involved there, just a gift of
|
|||
|
being able to read a face and know by the eyes what their hopes were. It
|
|||
|
wasn't real. Not like the visions. The visions came unasked for, and
|
|||
|
more often than not were unwanted. Worse still, there was nothing she
|
|||
|
could do to alter the outcome. Useless things!
|
|||
|
She placed another log on the fire, damping down the flames a
|
|||
|
little with the remains of her tea so that it would burn slowly and keep
|
|||
|
the house aired while she was gone. As she did so, a knock sounded at
|
|||
|
the door. Time to go, she mused with a heavy sigh. All at once a shiver
|
|||
|
ran up her spine, raising the soft hairs on the back of her neck and
|
|||
|
making her shudder. A sense of panic overwhelmed her and she suddenly
|
|||
|
didn't want to go. The knock sounded again and she froze, biting her
|
|||
|
lip.
|
|||
|
"Foolish old woman!" she told herself angrily, trying to shift the
|
|||
|
feeling of dread that had chilled her, bone-deep. It was all she could
|
|||
|
do to move, to force herself to answer the door, but she crossed the
|
|||
|
room, slowly, feeling for all the world as though she was walking
|
|||
|
through cloying mud. "Get a hold of yourself Rebecca," she muttered,
|
|||
|
shaking her head to try and rid herself of the dark thoughts. "It'll
|
|||
|
happen whether you're there or not, so just get on with it." When she
|
|||
|
finally opened the door she found Aren waiting there, smiling nervously.
|
|||
|
"Sian sent me to help you," he said, and she nodded, not trusting
|
|||
|
her voice. She picked up her bag from the table and handed it to him,
|
|||
|
closing the door behind her as she stepped out into the street. She
|
|||
|
didn't speak the whole of the way to the harbor, but listening to Aren's
|
|||
|
cheerful whistling as he walked alongside helped her to focus on
|
|||
|
something other than the vision. By the time they reached her tent the
|
|||
|
sense of panic and dread had passed, and she felt able to deal with
|
|||
|
whatever the day would bring.
|
|||
|
"It's good to see you, Rebecca," Sian greeted her warmly, the
|
|||
|
younger woman's light grey eyes smiling with relief.
|
|||
|
"Good to see you, too, Sian," she replied, and she meant it. Sian
|
|||
|
was always so pleasant, and the way she cared for those children she
|
|||
|
took in impressed Rebecca. "Thank you for sending the boy to help me
|
|||
|
with my bag. A very polite young man." She turned to Aren "Thank you
|
|||
|
lad."
|
|||
|
Aren bowed. "You're welcome, Rebecca."
|
|||
|
"It's good to see a boy with manners. Would you please help me to
|
|||
|
my tent? I can take care of the rest myself then and you can send the
|
|||
|
first people with their flinger to me."
|
|||
|
"I wanna be first! Me first!" Kerith jumped excitedly from one foot
|
|||
|
to the other. "Please, can I be first?"
|
|||
|
Rebecca turned around and looked at the little girl, smiling. It
|
|||
|
was nice to see such untainted excitement: blue eyes so big and wide in
|
|||
|
wonder at anything and everything. She had been that way herself once,
|
|||
|
many, many years ago, before the accursed visions had come and put an
|
|||
|
end to innocence and wonder.
|
|||
|
"Come on then little one, bring your flinger," Rebecca said,
|
|||
|
turning to walk into her tent, leaving an excited Kerith to pick her
|
|||
|
flinger. Once inside, Rebecca let her smile slip, rubbing her eyes
|
|||
|
wearily. Sounds of excitement from outside and the sound of a flinger
|
|||
|
being hurled against the rock had a false smile on her face in an
|
|||
|
instant. It wouldn't do to let the children see her this way ... and
|
|||
|
hopefully, the vision she had seen would not come to pass today.
|
|||
|
"Sit down child," Rebecca instructed, as Kerith hurried into the
|
|||
|
tent, holding the broken flinger out eagerly. Rebecca took it and placed
|
|||
|
it on the table between them, giving Kerith her most mysterious look.
|
|||
|
"Now, pretty one, let's see what the future holds for you."
|
|||
|
She studied the flinger, the position of its legs, the crack in the
|
|||
|
shell, and told Kerith she would grow up to be a beautiful woman, have
|
|||
|
many children of her own, and live a happy life. Of course, the answer
|
|||
|
wasn't really in the flinger; it was in the child's face. Rebecca merely
|
|||
|
had a knack for reading eyes and faces, and knowing what they wanted to
|
|||
|
hear. The fortune-telling using flingers was merely a way of earning
|
|||
|
money, a show for the visitors, her real gift was in the visions, and
|
|||
|
was a gift she'd never wanted.
|
|||
|
Kerith smiled when she heard Rebecca's forecast and thanked her,
|
|||
|
picking up her flinger to rush outside, calling out excitedly to Sian
|
|||
|
and the others about the fortune Rebecca had told for her. Then came
|
|||
|
Briam, a nice enough lad, but a trifle lazy, Rebecca thought as she
|
|||
|
studied his face -- a far more important action than studying the
|
|||
|
flinger. She told him what she saw in his eyes. He would be a guard,
|
|||
|
just as he wanted, as long as he worked hard. His face fell a little as
|
|||
|
she made the statement, and she smiled to herself. He'd wanted to be a
|
|||
|
guard, but not liked the part about working hard, she sensed.
|
|||
|
Oriel entered the tent as Briam left. Rebecca looked at her,
|
|||
|
remembering the fire that had killed the girl's mother. She studied her
|
|||
|
eyes, then looked down at the flinger in front of her with a smile. This
|
|||
|
youngster could be anything she wanted, judging by the willpower Rebecca
|
|||
|
had seen in her eyes. She told Oriel that she would do very well for
|
|||
|
herself, in whatever she chose to do. Oriel thanked her and left,
|
|||
|
smiling. Next into the tent was Finn, and Rebecca suppressed a chuckle.
|
|||
|
The carrot-headed youngster was so full of life and mischief it shone
|
|||
|
from his hazel eyes as she read his face, despite his obviously trying
|
|||
|
to be calm and nonchalant. This one would get himself into scrape after
|
|||
|
scrape as he was growing up, although there was a lot of good in the
|
|||
|
boy, deep within, and he would make a fine man. She told him he would
|
|||
|
have a life of adventure and his eyes lit up like beacons as he jumped
|
|||
|
up and hugged her.
|
|||
|
"Oh get away with you, scamp!" she laughed as he kissed her cheek
|
|||
|
and ran out of the tent. Rebecca shook her head, chuckling to herself.
|
|||
|
Perhaps today wasn't going to be such a bad day after all.
|
|||
|
Aren slowly approached the kettle, looking pensive. He hadn't been
|
|||
|
in to have his future foretold, but wasn't sure if he shouldn't turn
|
|||
|
around and ask Rebecca to read his flinger. He decided to go with his
|
|||
|
first decision, threw his flinger in the kettle, and watched it turn
|
|||
|
red. While he waited for it to cook, he took a look around. Finn was
|
|||
|
drawing little lines in the dirt, his permanent grin even wider than
|
|||
|
usual. Kerith, Oriel and Briam, were busy talking to the people walking
|
|||
|
down Division Street, telling them about their flingers, and inviting
|
|||
|
them to have their fortunes read for a Bit. Soon the first customers
|
|||
|
lined up outside Rebecca's tent. The day was chilly. A brisk wind moved
|
|||
|
white and grey clouds across the sky. Every now and then the sun broke
|
|||
|
through and showed the docks and the brightly decorated ships of the
|
|||
|
fleet. Whenever a few customers were waiting to have their fortunes
|
|||
|
read, the children took a break and stood around the kettle to warm
|
|||
|
their hands.
|
|||
|
"Sian, how much longer do we have to sell flingers?" inquired
|
|||
|
Kerith.
|
|||
|
"'Til we've sold them all, Kerith," replied Sian. "We only have one
|
|||
|
more basket; that shouldn't take too much longer."
|
|||
|
"And then we can go and look at all the ships?" asked Briam.
|
|||
|
"Yes, then you can go. Aren will take you. Now go and find some
|
|||
|
more people, there's only one person waiting right now." Dutifully,
|
|||
|
Oriel, Briam and Kerith went back to work. Aren followed, wanting to do
|
|||
|
his share of getting customers for Rebecca. He watched as Kerith
|
|||
|
approached an old man who was walking slowly down the road.
|
|||
|
"Good day, sir," Aren heard her greeting the man. "Would you be
|
|||
|
interested in buying a flinger? I have lots and Rebecca the midwife will
|
|||
|
read your fortune. And then you can come over and cook it in the big
|
|||
|
kettle Sian has set up. They taste really good." Kerith held up the
|
|||
|
flinger for the man to see.
|
|||
|
"Don't want my fortune read, girl," replied the man and continued
|
|||
|
on walking.
|
|||
|
Kerith was persistent. "They're only a Bit, and if you don't want
|
|||
|
your fortune read you can always cook it; they taste ever so good." The
|
|||
|
man stopped and looked at Kerith. "What's your name, girl?"
|
|||
|
"Kerith."
|
|||
|
"You don't give up Kerith, do you?"
|
|||
|
Kerith smiled. "It's fun to have Rebecca tell you about your
|
|||
|
future. She told me earlier. And the flingers taste good. What's your
|
|||
|
name?"
|
|||
|
"I'm Drew Molag. What did Rebecca tell you about your future?"
|
|||
|
"She said that I'll be beautiful when I grow up." Kerith
|
|||
|
straightened herself. "And for only a Bit she'll tell you about your
|
|||
|
future." She held up the flinger.
|
|||
|
Drew Molag let out a short laugh. "All right, I'll buy your
|
|||
|
flinger. Where is Rebecca's tent?" He handed Kerith a Bit and took the
|
|||
|
flinger from her.
|
|||
|
Aren looked proudly at Kerith while she pointed to Rebecca's tent.
|
|||
|
No one was waiting now. He watched as Drew slowly walked towards the
|
|||
|
tent, then turned to his sister.
|
|||
|
"Well done Kerith!" he praised her and ran his fingers lightly
|
|||
|
through her hair. Kerith beamed at him, then skipped to the baskets,
|
|||
|
picked up another flinger, and approached a woman.
|
|||
|
|
|||
|
Rebecca stood up and reached for her basket as her latest customer
|
|||
|
left the tent. She pulled a water flask out and took a sip. She was
|
|||
|
about to step out of her tent when she noticed a man approaching. For a
|
|||
|
moment she thought she had seen him before, but couldn't remember.
|
|||
|
"Crack your flinger on the stone next to the tent and then enter,"
|
|||
|
she called out and went back to her chair. She listened for the cracking
|
|||
|
noise, nodding when she heard it. The flap opened and an old man stepped
|
|||
|
inside. He placed the flinger on the table and seated himself before
|
|||
|
Rebecca could ask him, and introduced himself as Drew Molag. Rebecca
|
|||
|
nodded, reaching for the flinger.
|
|||
|
Carefully, Rebecca examined the flinger, her finger tracing the
|
|||
|
small cracks on the outer shell. She closed her eyes halfway, and was
|
|||
|
about to raise her head to look into his eyes, to see what his hopes
|
|||
|
were, when the face of a woman appeared before her. Rebecca gasped,
|
|||
|
clutching the flinger tightly as the face changed into the face of a
|
|||
|
girl, then a young woman, and again into a girl. Each face was
|
|||
|
different, but all had three crossing lines on their forehead. Through
|
|||
|
the years, and her visions, Rebecca had come to recognize those lines as
|
|||
|
a sign of death. Then the face changed again. This time it was the face
|
|||
|
of a man and Rebecca recognized it immediately. She had seen it before!
|
|||
|
She had seen it when Morgana's baby was born. It belonged to the man
|
|||
|
sitting in front of her! The face in her vision was surrounded by blood,
|
|||
|
a faint death sign on the forehead.
|
|||
|
Rebecca paled. Grateful for the dim light in her tent, which
|
|||
|
wouldn't betray her shock over the revelation, she steadied herself.
|
|||
|
What was she going to do? She couldn't tell him the truth. How could she
|
|||
|
tell someone that they were going to die? And yet, how could she not
|
|||
|
tell him. Perhaps if she forewarned him it might not come to pass.
|
|||
|
Rebecca's heart sank like a stone in her chest. She had tried to change
|
|||
|
the outcome of her visions before, but with no success. Why should this
|
|||
|
time be any different? The man coughed, bringing her out of her
|
|||
|
thoughts.
|
|||
|
"I can see you've been through a great deal of pain," she began,
|
|||
|
carefully wording her response, "It all seems to come to an end, but it
|
|||
|
is not very clear. I see you lost sisters and daughters ..."
|
|||
|
"Don't dwell on the past," interrupted Drew, "I'm more interested
|
|||
|
in what is going to happen. Will it end? I'm on a quest to end the
|
|||
|
suffering of my family. Will I be successful?"
|
|||
|
Rebecca turned the flinger in her hands and moved her fingers over
|
|||
|
the cracks. A brief shudder rippled through her body as she fought the
|
|||
|
urge to blurt out what she'd seen. It would do no good. "Your suffering
|
|||
|
will end soon," was all she could say.
|
|||
|
"Tell me more about it," demanded Drew, as though he noticed
|
|||
|
Rebecca's hesitancy. "Go on woman."
|
|||
|
"There isn't anything to add," replied Rebecca quietly, "That's all
|
|||
|
I can say."
|
|||
|
"You're lying!" shouted Drew, "You saw something and you won't tell
|
|||
|
me what it is. I know you did!" He jumped up knocking the chair down.
|
|||
|
Rebecca also rose, facing him calmly, although inside she was
|
|||
|
trembling. "I don't have anything to add," she said. "Please leave." She
|
|||
|
picked up the flinger and held it for Drew to take.
|
|||
|
Drew took the flinger and threw it out of the tent. "Tell me what
|
|||
|
you saw," he demanded one more time. When Rebecca refused to add
|
|||
|
anything to her prediction he knocked the table over. "What did you
|
|||
|
see?" he yelled, grabbed her by her shoulders, and shook her.
|
|||
|
|
|||
|
Aren was on his way to bring Rebecca some food when he heard
|
|||
|
yelling inside her tent. He rushed to the entrance and was hit by a
|
|||
|
flinger coming from within. It hit him squarely in the chest and for a
|
|||
|
moment he stood there unsure what to do. Inside the tent the yelling
|
|||
|
started again. Aren looked around, noticed a young man nearby, and
|
|||
|
recognized him as Tom Madden, their neighbor's son.
|
|||
|
"Tom!" Aren called out and gestured the man to come near when he
|
|||
|
had his attention. "Hurry!" Tom walked towards Aren with long strides.
|
|||
|
"What ..." Tom began, but was interrupted by yelling from inside
|
|||
|
the tent. He nodded towards Aren and stepped inside the tent. Aren
|
|||
|
followed.
|
|||
|
"Do you need any help, Rebecca?" Aren's eyes swept the tent, and he
|
|||
|
grew alarmed as he noticed the overturned table and chair. "Hey mister!
|
|||
|
Leave her be and go. If Rebecca has nothing to add, then there is
|
|||
|
nothing to add."
|
|||
|
"What do you know, boy?" Drew retorted angrily and turned his head
|
|||
|
for a moment to look at Aren without letting go of Rebecca's shoulders.
|
|||
|
"She's withholding the truth from me, I know it!" Without missing a
|
|||
|
breath he turned back to Rebecca and in a low voice repeated: "Tell me
|
|||
|
what you saw! Tell me!"
|
|||
|
"There is nothing else to say. Let go of me and leave. Now!"
|
|||
|
Rebecca tried to shake herself from Drew's grip, but without success.
|
|||
|
"Tom, help me, please." Rebecca had recognized the young man who'd
|
|||
|
stepped into her tent with Aren.
|
|||
|
"Let her go!" Tom moved closer and reached for Drew's arm. Drew
|
|||
|
swung his arm backwards and managed to push Tom backwards, but only
|
|||
|
momentarily. Angry as he was, he shook Rebecca, and when she didn't
|
|||
|
answer, he hit her in the face. Rebecca screamed. Tom rushed to her side
|
|||
|
and pulled Drew away from Rebecca. "Leave her alone!" he yelled at Drew.
|
|||
|
"Don't touch me!" Drew swung his fist and hit Tom on the chin. Tom
|
|||
|
only shook his head and rubbed his chin. When Drew set out to punch Tom
|
|||
|
for the second time, Tom stepped to the side and Drew's fist only
|
|||
|
reached empty space. The momentum of the intended blow made Drew stumble
|
|||
|
and fall. He hit his head on the table and was unconscious by the time
|
|||
|
he hit the ground. Blood was pouring from an open wound on his forehead.
|
|||
|
Aren stood motionless, staring at the man on the floor, then Tom and
|
|||
|
Rebecca. No one said a word.
|
|||
|
"What happened?" Sian broke the silence as she entered the tent, "I
|
|||
|
heard Rebecca scream." Aren pointed to the man on the floor and Sian
|
|||
|
bent down to see if he was all right. A large puddle of blood had formed
|
|||
|
under the man's head. Sian let out a deep breath, kneeling next to Drew.
|
|||
|
Aren noticed the man was barely breathing. Rebecca joined Sian, bringing
|
|||
|
her bag. Together the women tried to stop the bleeding. Rebecca opened
|
|||
|
her bag and pulled out some rags and herbs, while Sian applied them.
|
|||
|
Quietly, Rebecca told Sian what had happened. Drew moaned softly, then
|
|||
|
lay silent.
|
|||
|
"Can I help?" Aren asked softly, looking at the man then Sian.
|
|||
|
"No." She replied without looking up.
|
|||
|
"His breathing is shallow and slowing with each passing moment,"
|
|||
|
Rebecca remarked and Sian nodded. Aren shuddered, realizing the man was
|
|||
|
going to die. He had never seen anyone die before.
|
|||
|
"Wake up!" Sian yelled and shook Drew by the shoulder. The man
|
|||
|
didn't respond. Aren watched as Sian moistened her fingers and held them
|
|||
|
over the man's open mouth. Shaking her head, she placed her fingers on
|
|||
|
his neck.
|
|||
|
"I can't feel him breathing, nor do I feel the life pulse within
|
|||
|
him," Sian whispered. Aren barely made out the words. With a solemn
|
|||
|
expression on her face Sian stood up.
|
|||
|
"He's dead," she announced.
|
|||
|
Tom looked at her in disbelief. "He's what?"
|
|||
|
"He's dead, Tom," Sian repeated softly. "There is nothing I can do.
|
|||
|
We need to call the guards."
|
|||
|
Tom nodded in agreement. "I'll be right back."
|
|||
|
Aren held out his hand to help Rebecca get up. Her small hand
|
|||
|
gripped his and she gave him a thankful nod. Her face was pasty white
|
|||
|
and to Aren she suddenly seemed very small and frail. She tucked a stray
|
|||
|
strand of graying hair behind her ear with trembling fingers.
|
|||
|
"I'm sorry, Rebecca," began Sian, but Rebecca shook her head.
|
|||
|
"Please ... just close up the tent for me ... I won't be telling
|
|||
|
fortunes any more," she said quietly.
|
|||
|
"But Rebecca ..." Sian said, "You can't quit because of this, it
|
|||
|
wasn't your fault."
|
|||
|
"Yes it was," Rebecca said dully. "I spent all day telling people
|
|||
|
what they wanted to hear, and the only real fortune I saw, I couldn't
|
|||
|
tell." With that she picked up her bag, wrapped her shawl around her
|
|||
|
shoulders and walked out of the tent.
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
Death Has a Pale Face
|
|||
|
Part 1
|
|||
|
by Nicholas Wansbutter
|
|||
|
<ice_czar@hotmail.com>
|
|||
|
Seber, 1017
|
|||
|
|
|||
|
A cool breeze washed over the line of troops as they made their way
|
|||
|
along one of the many winding roads of Dargon, moving in ragged
|
|||
|
formation like some giant caterpillar. Their unpolished helmets and
|
|||
|
pike-blades shone dully in the red light of the setting sun. At the head
|
|||
|
of the column rode the company's commander, Lysander of Connall,
|
|||
|
followed closely by a standard bearer with the vibrant, if somewhat
|
|||
|
tattered, banner Duchy Dargon. Riding beside the commander was a
|
|||
|
Stevenic priest named Orto D'Outremer, clad in simple black robes and
|
|||
|
borne by an old pony. Near the centre of the troop three large wagons
|
|||
|
trundled along behind ageing horses. Within the confines of one of the
|
|||
|
carts lay a religious manuscript that the priest Orto was transporting
|
|||
|
to the High Church in Magnus, along with the duke's annual tribute to
|
|||
|
King Haralan with twenty-five Dargonian soldiers as escort. At Orto's
|
|||
|
request, Duke Dargon had allowed the priest and his tome to accompany
|
|||
|
the small convoy.
|
|||
|
Morgan Derkqvist paid little mind to the item the soldiers had in
|
|||
|
their care. He was more concerned with the rumbling in his belly and the
|
|||
|
blisters on his feet. He was glad of the soft wind as it blew across the
|
|||
|
croplands to the soldiers' left, however. The day had been hot, and the
|
|||
|
bells of marching had left him drained and looking forward to setting up
|
|||
|
camp for the night. The chainmail hauberk, heavy leather boots and
|
|||
|
gauntlets he wore in addition to the weighty helmet had done much to add
|
|||
|
to his fatigue. There was still some marching to do before they rested.
|
|||
|
Being near the front of the column, he could hear Orto D'Outremer
|
|||
|
conversing with Commander Connall, and he listened out of boredom.
|
|||
|
"... It's really quite amazing, Lord Connall ... I am certain that
|
|||
|
the text was written around the time of the Stevene himself," the priest
|
|||
|
said in a deep, husky voice. "But what is most amazing is that it is
|
|||
|
written in Beinisonian, which leads me to believe the Stevene also
|
|||
|
travelled in the lands of our southern neighbours. The scholars in
|
|||
|
Magnus will verify this, I'm sure, and translate the good words that are
|
|||
|
written on the book's pages. Would that I could read them myself ..."
|
|||
|
"Bah!" Morgan spat. "More religious drivel."
|
|||
|
"I suppose we'll be hearing enough of it this trip," Bayard
|
|||
|
Marckennin, the man marching next to Morgan, grumbled. "He'll make no
|
|||
|
convert of me, though."
|
|||
|
"Straight," Morgan agreed. "Religion is what nobles pretend they
|
|||
|
have and old men grovel in front of. I'll not follow any such scrud."
|
|||
|
"Be careful what you say about nobles, Morgan," Bayard said.
|
|||
|
"There's one not too far away."
|
|||
|
"Commander Connall?" Morgan shrugged. "I don't mind him much. As
|
|||
|
for the duke, he pays my wages, and I'll fight for him and enforce his
|
|||
|
laws ... but not much more."
|
|||
|
The party stopped to rest for the night only a few leagues further,
|
|||
|
as the sun was just beginning to disappear behind the thick trees of the
|
|||
|
forest ahead. The wood in question split the northern half of Baranur
|
|||
|
from the south. There would be no choice for the troop but to travel
|
|||
|
through it on their way to Magnus.
|
|||
|
"Rest well tonight, troops," Commander Connall said. "We've a long
|
|||
|
day ahead of us tomorrow. I intend for us to move on through the next
|
|||
|
night that we may navigate the great forest without having to camp in
|
|||
|
it. Who knows what bandits lurk in its confines, so be vigilant."
|
|||
|
With that he turned away from the assembled troops and went to
|
|||
|
brush down his horse. The soldiers broke formation and headed in several
|
|||
|
directions, some standing around talking, others searching for a
|
|||
|
suitable place to build a fire.
|
|||
|
Feeling the call of nature, Morgan moved away from the rest of the
|
|||
|
soldiers in search of a suitable place where he could squat and lighten
|
|||
|
his load a little. Only when he was finished with that task did he move
|
|||
|
to where the soldiers had gathered.
|
|||
|
Morgan sat down next to his friend Bayard, who had already gotten a
|
|||
|
fire going and was warming some stew in a pot over the flames. The
|
|||
|
youngest of the troops, Louen, and a few others were also sitting around
|
|||
|
the fire. Morgan tugged at his heavy boots. His feet felt like they had
|
|||
|
been branded with hot irons. The relief was instant as the boots came
|
|||
|
off and the mild evening air caressed his worn soles. He examined the
|
|||
|
bottoms of them in the firelight, and was pleased to find that no new
|
|||
|
blisters had developed during the day's march, and that the old
|
|||
|
callouses had not fallen off. He wriggled his toes about for a bit,
|
|||
|
relishing the soothing coolness of the air, then pulled a dry crust of
|
|||
|
bread from his belt pouch.
|
|||
|
As he nibbled at it, he noticed the priest Orto approaching. The
|
|||
|
Stevenic was quite a rotund man and waddled when he walked. Shaggy grey
|
|||
|
hair hung from his head, and a thin, stubbled beard covered his ruddy
|
|||
|
cheeks. He blew his bulbous nose on a dirty handkerchief as he drew
|
|||
|
near, making an enormous trumpeting sound.
|
|||
|
"Cephas' boot!" The fat priest stumbled over one of the soldiers'
|
|||
|
pikes laying on the ground, and knocked over one of the men's cups in
|
|||
|
the process. He ponderously bent over and picked it up, patting the
|
|||
|
man's shoulder in an act of repentance. "My apologies, son."
|
|||
|
"Oh, scrud," Bayard said to Morgan. "I think he's coming over
|
|||
|
here."
|
|||
|
Indeed, he was. Somewhat out of breath, Orto placed a fleshy hand
|
|||
|
and much of his weight on Morgan's shoulder and lowered himself to the
|
|||
|
ground with a sigh. "Thank you, my son. May God reward you for your
|
|||
|
kindness to an old priest."
|
|||
|
Morgan just grunted and continued about his business. He hoped that
|
|||
|
the priest would go away if he saw that he wasn't welcome among the
|
|||
|
soldiers. Instead, Orto once again placed a hand on Morgan's shoulder
|
|||
|
and attempted to initiate a conversation.
|
|||
|
"What is your name, my son?"
|
|||
|
"Scrazz, old man!" Morgan pushed the priest's arm away. "I'm not
|
|||
|
your son."
|
|||
|
"Hmmmm ..." The priest picked up Morgan's waterskin and poured
|
|||
|
himself a drink in the tin cup he had carried with him. "That is an
|
|||
|
unfortunate name, but as the Stevene said --"
|
|||
|
"Save your wind for someone who cares, priest!" Morgan's biting
|
|||
|
tone succeeded in silencing the priest, out of whose chubby hands Morgan
|
|||
|
snatched the waterskin. Now he was in a bad mood, and it was all the
|
|||
|
priest's fault. Why couldn't he just leave Morgan and his friends alone?
|
|||
|
They were all the same: always preaching their religious wind, trying to
|
|||
|
tell all of the poor souls about how they should live. It angered Morgan
|
|||
|
as few other things did. As a soldier, he was trained to take orders and
|
|||
|
obey them. That was one thing, but to be told how to live outside of the
|
|||
|
duke's livery was quite another. A man ought to be able to do what he
|
|||
|
wanted with his life, without a religion controlling him like an
|
|||
|
overbearing parent.
|
|||
|
An overbearing parent like his father. Morgan's mouth twisted
|
|||
|
slightly as he thought of his days growing up under the stern gaze of
|
|||
|
his father -- one of the strictest and harshest men Morgan had ever
|
|||
|
known. He had been especially austere in his religion, constantly
|
|||
|
quoting Stevenic scriptures and condemning anyone who did not live up to
|
|||
|
the very letter of them. Morgan remembered beatings for even the
|
|||
|
smallest of infractions, such as when he forgot his prayers before bed
|
|||
|
after a hard day's work on the farm. Morgan was jostled from his
|
|||
|
thoughts when a hand grabbed his shoulder and shook him.
|
|||
|
"Hey Morgan, d'you remember those barmaids back at the Shattered
|
|||
|
Spear in Dargon?" Leave it to good old Bayard to lighten the mood.
|
|||
|
"How could I forget?" Morgan laughed. "The wenches must like the
|
|||
|
uniform or summat, because they were sure willing to oblige us!"
|
|||
|
"Aye, that they were," Bayard chuckled.
|
|||
|
"And young Louen here was too codless to give one of 'em a roll,
|
|||
|
eh?" Morgan ruffled the young boy's hair playfully.
|
|||
|
"Do you remember the blonde one?" Bayard asked.
|
|||
|
But before Morgan could reply, the priest Orto spoke up. "The
|
|||
|
sexual act is a sacred gift of pleasure given to us by God, according to
|
|||
|
the Third Law, and not to be taken lightly, my friends."
|
|||
|
"Fark!" Morgan shouted with explosive fury. "Be silent, you old
|
|||
|
codswallop! Can nothing be fun with your self-righteous Stevene?"
|
|||
|
"No, Morgan," Louen said. "I think he's right. I think that there's
|
|||
|
more happiness to be found in marriage than in --"
|
|||
|
"Be silent, you!" Morgan said.
|
|||
|
"Straight," Bayard said to Louen. "You're too young for all of this
|
|||
|
religious scrud. Youth is for having fun and adventure. Go grovelling to
|
|||
|
Stevene when you're an old man. You know, I think your problem is that
|
|||
|
you're too stiff. Here, have a swig of this; that'll loosen you up a
|
|||
|
little."
|
|||
|
Bayard passed the boy a small flask that he carried in his belt
|
|||
|
pouch, and bade him drink. Louen took a half-hearted sip and contorted
|
|||
|
his face in disgust. "It tastes bad."
|
|||
|
That brought forth a new bout of laughter from Bayard, but Morgan
|
|||
|
was still fuming. Why wouldn't the bumbling old priest leave them alone,
|
|||
|
and take his religious prattle with him? Him and his 'the sexual act is
|
|||
|
sacred' -- was there to be no fun in life? Like Morgan's father, the
|
|||
|
priest seemed to forbid anything enjoyable in life, all for the sake of
|
|||
|
being 'good'. No, that wasn't quite fair; this priest seemed patient and
|
|||
|
gentle compared with the stern reprimands Morgan's father had meted out.
|
|||
|
Morgan shook his head. Why was he sympathising with this priest? He was
|
|||
|
still of the same faith, and just the same as his father. What right did
|
|||
|
the priest have to judge him for enjoying life? What right did anyone
|
|||
|
have to judge him? A hand on the back of his neck brought him out of his
|
|||
|
reverie.
|
|||
|
"What's wrong, Morgan?" The hand belonged to a female soldier named
|
|||
|
Lara, a different sort of friend to Morgan than Bayard was. "I heard
|
|||
|
shouting over here."
|
|||
|
"Ah," Morgan gestured towards the Stevenic priest, who promptly
|
|||
|
interrupted him.
|
|||
|
"Well, I must be off, my friends." The priest grunted loudly as he
|
|||
|
hefted himself up and began to totter away from the fire. "May Stevene's
|
|||
|
Light shine on all of you."
|
|||
|
"Oh, the priest," Lara said. "Who cares about him? He's no better
|
|||
|
than any of us."
|
|||
|
|
|||
|
Morgan was back in the Shattered Spear with his friends, enjoying a
|
|||
|
tankard of ale and good company. He laughed heartily at one of Bayard's
|
|||
|
jokes and slapped his friend on the back in good humour. The
|
|||
|
ministrations of a pretty barmaid were not lost on him despite the
|
|||
|
merrymaking. Her long blonde hair caressed the side of Morgan's face as
|
|||
|
she leaned over to place another tankard in front of Bayard. The
|
|||
|
tight-fitting bodice she wore nicely enhanced her voluptuous figure; it
|
|||
|
was so low cut that it seemed she might fall out of it and into his lap.
|
|||
|
The next thing Morgan knew, he was up in one of the inn's rooms,
|
|||
|
with the barmaid lying beneath him on a straw mattress. His ale-numbed
|
|||
|
hands laboriously untied the lace bow that held her dress together. Then
|
|||
|
he was inside of her, revelling in the ecstasy of the moment. But
|
|||
|
suddenly, it didn't feel good anymore. He was in intense pain, as if his
|
|||
|
manhood had been wrapped in thorns.
|
|||
|
He opened his eyes, and instead of a beautiful maiden, a grotesque
|
|||
|
monster lay before him, laughing in a deep, raspy voice. It had sharp,
|
|||
|
dagger-like teeth, and a thick purple tongue dripping with thick saliva.
|
|||
|
Instead of the soft, cream coloured skin of the serving wench, the
|
|||
|
creature had grey, leathery, scaled skin like that of a snake. Its eyes
|
|||
|
were completely white and pupil-less, covered in a grey slime that oozed
|
|||
|
forth like tears. Morgan screamed, but no sound came forth from his
|
|||
|
mouth. A jaggedly clawed hand shot up and grasped his throat.
|
|||
|
A warm liquid splashed in Morgan's face. The bitter metallic taste
|
|||
|
of blood met his lips as it dripped down his face. Morgan looked around
|
|||
|
the room in panic. He didn't recognise it; it was large and dark, its
|
|||
|
cold walls and floor made of stone. There was carnage everywhere. His
|
|||
|
friends, the soldiers from the guard, were strewn about helplessly. A
|
|||
|
creature like the one before Morgan straddled his friend Bayard. More
|
|||
|
blood splattered Morgan as the beast tore Bayard's arms off and tossed
|
|||
|
them aside. Screams of agony perforated the room as more guardsmen were
|
|||
|
ripped apart. Blood and gore streamed through the air as they died
|
|||
|
horribly.
|
|||
|
Lara, the bottom half of her body missing and her skin a deathly
|
|||
|
blue-white, crawled up to Morgan's bed, leaving a bloody trail behind
|
|||
|
her. "Hello, Morgan. Want a throw?"
|
|||
|
Morgan screamed again as the monster beneath him tore open his
|
|||
|
chest and grabbed his heart with its tongue.
|
|||
|
|
|||
|
Morgan sat bolt upright, a strangled scream on his lips. He glanced
|
|||
|
about wildly, his heart pounding in his chest. But he was safe. The
|
|||
|
ashes of the dead fire from the previous evening sat before him. All
|
|||
|
around it, soldiers wrapped in their blankets slept soundly. Morgan's
|
|||
|
breathing slowly returned to normal, as he listened to the gentle snores
|
|||
|
that filled the night.
|
|||
|
He looked up to the sky to see a nearly full moon with more stars
|
|||
|
than anyone could ever count. The cool white light cast by Nochturon
|
|||
|
allowed Morgan to see for some distance. The forest was a black, ominous
|
|||
|
shape on the horizon. About a furlong to his left, Morgan could make out
|
|||
|
the two sentries, strolling lazily about the encampment. The wagon sat
|
|||
|
serenely nearby, its canvas cover almost glowing in the moon's ethereal
|
|||
|
light.
|
|||
|
Morgan was calm now, but still disturbed by the dream. He slowly
|
|||
|
grew restless as he sat on the ground, however, and decided to get up.
|
|||
|
He stood and put his boots and sword belt on, opting not to don his
|
|||
|
hauberk until morning. Morgan wandered over to Griff and Jakob who had
|
|||
|
drawn sentry duty and made smalltalk with them.
|
|||
|
"Morgan," Griff said. "What are you doing up at this time of
|
|||
|
night?"
|
|||
|
"I don't know," Morgan replied. "I just couldn't get comfortable."
|
|||
|
"Ah," the other one, Jakob, said. "Thirsting for some bandit blood
|
|||
|
in the forest, eh? I hate to disappoint you, but there aren't any to be
|
|||
|
found these days. Commander Connall's just worrisome."
|
|||
|
Griff grunted with mirth at the comment. "Well, we've got our
|
|||
|
rounds to do, so just don't cause any trouble while you're up,
|
|||
|
straight?"
|
|||
|
"Don't worry about me," Morgan said.
|
|||
|
As the other two guardsmen headed off, Morgan walked towards the
|
|||
|
forest. He stopped just past Commander Connall's tent, and sat down on
|
|||
|
an old log that lay on the ground. Only a handful of furlongs away,
|
|||
|
Morgan could make out the definition of individual trees against the
|
|||
|
lighter backdrop of the sky. He watched the forest intently. He didn't
|
|||
|
know why, but he didn't trust it. It was almost as if the trees would
|
|||
|
uproot themselves and attack the sleeping soldiers behind him.
|
|||
|
Presently, his thoughts began to wander back towards his childhood
|
|||
|
days, living under the severe rule of his father. Damn that priest;
|
|||
|
Morgan had almost forgotten that period of his life. He had tried to
|
|||
|
stay as far away from Stevenism as he could, to escape that long past
|
|||
|
time, which was one of the reasons he'd joined the guard.
|
|||
|
Morgan's mother had died in giving birth to him, so he had been
|
|||
|
left alone with his father on their farm just outside of Dargon for all
|
|||
|
of his early life. Work had been hard on the farm, and had never seemed
|
|||
|
to end. Even when the plowing and seeding was done, Morgan's father
|
|||
|
would force him to pray and listen to long recitations of Stevenic
|
|||
|
scripture. If ever he fell asleep or gave less than his full attention
|
|||
|
to the work, it meant a beating. He remembered one day, during an
|
|||
|
especially savage disciplining -- Morgan's reward for looking too
|
|||
|
obviously at one of the local girls -- asking why his father treated him
|
|||
|
so harshly. The old man had said, "if your hand does evil, it must be
|
|||
|
hacked off, or an evil foot removed. I am only correcting you for your
|
|||
|
own good!"
|
|||
|
His own good. Morgan felt as if he had a mouthful of meat that had
|
|||
|
gone bad. He decided to direct his thoughts to the man responsible for
|
|||
|
them, the priest Orto. Same religious rhetoric, yet somehow different,
|
|||
|
softer ...
|
|||
|
He sat there pondering until his breech end began to get sore, and
|
|||
|
he was about to get up and wander the camp when he heard a strange sound
|
|||
|
coming from the forest. It wasn't very loud -- Morgan had to strain to
|
|||
|
hear it -- but it was distinct. It was a muffled cracking noise, as if
|
|||
|
several people were smashing rocks together. The cracks weren't in
|
|||
|
rhythm however. They came in random groups, sometimes many at once,
|
|||
|
other times a single snap. The sounds seemed to move about, coming from
|
|||
|
several places in the forest at once.
|
|||
|
The blood in Morgan's veins turned to ice when a woman's scream
|
|||
|
broke the crackling sounds. She was very far away as her cries were
|
|||
|
quiet, but they were no less disturbing for it. Morgan looked behind him
|
|||
|
to see if any of the other guards had been awakened by the noise, but
|
|||
|
all was still in the camp. He looked back towards the forest and was
|
|||
|
startled to see a dark, man-shaped figure standing in the grass roughly
|
|||
|
halfway between Morgan and the forest. It did not move. It only stood
|
|||
|
there, watching Morgan. He could feel its eyes boring into him. He ran
|
|||
|
back to the safety of the camp as fast as he could.
|
|||
|
In his panicked state, he stumbled and fell several times in his
|
|||
|
sprint towards the camp. He nearly ran headlong into Griff and Jakob who
|
|||
|
were once again swinging around the camp.
|
|||
|
"Ol's piss, Morgan!" Griff hissed, grabbing Morgan by the arm.
|
|||
|
"What's gotten into you?"
|
|||
|
Morgan took several deep breaths to calm himself before whispering,
|
|||
|
"I saw someone back towards the woods, and --"
|
|||
|
Jakob looked over towards the woods. "I don't see anything."
|
|||
|
Morgan wondered whether or not he should mention the sounds. He
|
|||
|
decided against it. He didn't even know how to describe them, and
|
|||
|
besides, how crazy would such a tale sound?
|
|||
|
"Well, let's check it out," Griff said begrudgingly.
|
|||
|
The three of them trudged over to the log that Morgan had been
|
|||
|
sitting on. For several long menes they stood there, scanning the
|
|||
|
horizon intently. Morgan began to wonder if he really had heard and seen
|
|||
|
what he thought he had. Maybe he had dozed off sitting on the log and
|
|||
|
dreamed it all?
|
|||
|
"Come on, there's nothing here," Jakob said.
|
|||
|
"Shh ..." Griff held up a hand.
|
|||
|
Morgan jumped and nearly cried aloud as a pair of deer bounded
|
|||
|
behind a bush and hopped off towards the trees.
|
|||
|
Jakob burst out laughing. "Morgan, those were deer you saw! A
|
|||
|
little too excited about meeting bandits in the forest tomorrow, eh?"
|
|||
|
"Yes, I suppose so," Morgan grunted.
|
|||
|
"Well, enough of this scrud," Griff said. "Let's get back to our
|
|||
|
patrol. You get some sleep, for Ol's sake, Morgan. If you're all jumpy
|
|||
|
like this tomorrow, Lord Connall'll have your balls."
|
|||
|
|
|||
|
The day began with the blasting of a loud tune on the company
|
|||
|
trumpeter's horn. The harsh music hurt Orto's ears, and he flinched a
|
|||
|
little when it began. He could hardly imagine waking up to such a racket
|
|||
|
every day. Fortunately, he had awakened earlier to do his morning
|
|||
|
prayers, and now waddled about the camp observing the soldiers. Many of
|
|||
|
them were still wrapped in their blankets, unwilling to emerge from them
|
|||
|
into the chilly morning. Others pulled on the grimy shirts that they had
|
|||
|
been wearing for days and would wear for the rest of the trip, no doubt.
|
|||
|
Unused to travelling, Orto's tired body was demanding more sleep, and
|
|||
|
his eyes itched as if a bug had flown into them. He rubbed his eyes
|
|||
|
absent-mindedly as the others bemoaned their summons to wakefulness.
|
|||
|
He moved towards the group with whom he'd spent a little time the
|
|||
|
night before. Despite their hostility, Orto felt strangely drawn towards
|
|||
|
them, especially the one named Morgan. That Morgan, he was the worst one
|
|||
|
of them all, Orto thought, but something troubled the old priest. The
|
|||
|
young man was too full of anger for there not to be a strong reason
|
|||
|
behind it. He hoped that he could perhaps find that reason, and help to
|
|||
|
ease the pain it caused.
|
|||
|
The soldier known to Orto as Bayard scratched himself and let loose
|
|||
|
with a loud fart in the boy Louen's direction. "If that won't get you
|
|||
|
out of your blanket in the morning, what will?"
|
|||
|
"Bayard," a female soldier -- Lara, Orto thought her name was --
|
|||
|
scolded, "you're disgusting!"
|
|||
|
"Why thank you, milady." Bayard bowed with an overdone flourish.
|
|||
|
Orto chuckled at the brief exchange, and moved past the group and
|
|||
|
in amidst the others. Ponderously, the soldiers all got up and pulled on
|
|||
|
their chainmail hauberks and cloth tabards, accompanied by much
|
|||
|
groaning, yawning and stretching. As Orto moved among them, he offered
|
|||
|
some words of encouragement for the day, or a blessing. Most of the
|
|||
|
soldiers were receptive to him, which made Orto very happy. He enjoyed
|
|||
|
people, almost the way one might enjoy a finely rendered illuminated
|
|||
|
text. He noticed that Morgan had not been with his group of friends when
|
|||
|
Orto had passed by there, nor could he see the young soldier anywhere in
|
|||
|
the immediate vicinity.
|
|||
|
"No matter," Orto said to himself. "I'm sure I'll see him again
|
|||
|
later." Orto hoped he could someday soothe the anger that burned within
|
|||
|
that lad, so that Morgan would accept Stevene's Light. Orto could not
|
|||
|
understand such rejection of the love that God lavished on the people of
|
|||
|
Makdiar. It all seemed so simple to the priest. God made the world. God
|
|||
|
loved those that he created. To Orto's mind this surely meant that God
|
|||
|
was worthy of thanks and praise for these miracles of life and love.
|
|||
|
Yes, surely, there was something deeper, inside Morgan, that caused his
|
|||
|
attitude to fester as it did.
|
|||
|
Orto's thoughts were broken as the dashing young commander of the
|
|||
|
troop, Lysander of Connall, strutted into view. The young lord carried
|
|||
|
himself with dignity and pride, his back straight as a lance and his
|
|||
|
chin high. He wore his brown hair short, with a thin moustache under his
|
|||
|
angular nose. Unlike his troops, he was clean and freshly shaved. A
|
|||
|
smile graced his face as he approached Orto.
|
|||
|
"Good day, father."
|
|||
|
"And a good day to you, your lordship!"
|
|||
|
"Come," Lysander offered Orto a waterskin, "join me in a drink this
|
|||
|
morning."
|
|||
|
Orto accepted, and poured some of the wine from the skin into the
|
|||
|
tin cup that hung from his belt. "What has put you in such a radiant
|
|||
|
mood this day, Lord Connall?"
|
|||
|
"I'm not quite sure ..." A mischievous smile curled the young
|
|||
|
lord's lips. "I have a feeling about today. You know, I had a dream last
|
|||
|
night that we encountered brigands in the forest and I dispatched them
|
|||
|
as befits such dregs. Perhaps we may find some adventure in the woods
|
|||
|
this day."
|
|||
|
Orto nodded his head sadly and looked down at the dirt. He
|
|||
|
sincerely wished that Lord Connall did not take such pleasure in
|
|||
|
bloodshed -- even the blood of bandits -- for he was otherwise a decent
|
|||
|
man. Orto sighed.
|
|||
|
"Indeed we may, your lordship."
|
|||
|
"Come now, father." Lysander pounded Orto on the back. "No need to
|
|||
|
be downcast. Have something to eat; we'll be leaving shortly."
|
|||
|
Orto bowed and shuffled away from the lord, back to the company of
|
|||
|
the common soldiers with whom he felt more at home. It was at Lord
|
|||
|
Connall's sufferance that he was with the troop, so he felt a duty to
|
|||
|
spend time with the young lord, but at the same time it was the common
|
|||
|
soldiers whom he enjoyed the most. The majority of them were now ready
|
|||
|
for the day's travel, fully armoured. Orto saw Bayard spit on a flat
|
|||
|
stone and move the flat of his dagger in circular motions over it,
|
|||
|
creating a high pitched sound that was rather unpleasant to the old
|
|||
|
priest. The soldier grinned and spat on the rock again when Louen
|
|||
|
commented on the noise. Orto made haste to the pony that carried him on
|
|||
|
the journey. From a bag hanging from its saddle he pulled a dry piece of
|
|||
|
raisin-encrusted bread which he downed along with Commander Connall's
|
|||
|
wine. It was far from the type of meal he was used to, but it was the
|
|||
|
best he could do on such an expedition.
|
|||
|
Orto petted his flea-bitten pony before mounting it. "Well, Hubris,
|
|||
|
we've another long day ahead of us."
|
|||
|
To the accompaniment of another blast of the trumpeter's horn, the
|
|||
|
standard bearer took up his faded banner and rode past the milling
|
|||
|
troops. In his wake, the soldiers fell into formation, leaving an
|
|||
|
opening for the wagons. The soldiers riding the carts snapped the reins
|
|||
|
of their horses and moved into position. Orto took his place at the
|
|||
|
front with Commander Connall, and the company moved onto the road and
|
|||
|
towards the forest.
|
|||
|
|
|||
|
After about a bell's journey, Orto decided he would prefer to
|
|||
|
travel among the soldiers instead of up with Commander Connall. Not that
|
|||
|
he did not enjoy the lord's company, but he had spent almost the entire
|
|||
|
journey thus far with the Count of Connall's cousin, and felt the urge
|
|||
|
to spend some time with others as well.
|
|||
|
"Your lordship," he said. "This has been a rather interesting
|
|||
|
journey, discussing the text I have brought with me and Stevenism as we
|
|||
|
have, but I wonder if I might spend some time with the soldiers?"
|
|||
|
"Well, I see no harm in it," Connall said. "And I suppose I
|
|||
|
shouldn't be keeping you all to myself -- you are the only cleric with
|
|||
|
us after all."
|
|||
|
"Thank you, Lord Connall," Orto said, and promptly dismounted his
|
|||
|
pony, Hubris. He found Morgan near the front as he had been the day
|
|||
|
before.
|
|||
|
"Good day to you, my son!" Orto said, but the guardsman did not
|
|||
|
reply. "It is a glorious day today, is it not?"
|
|||
|
"I suppose so," the soldier said, though he did not make eye
|
|||
|
contact with Orto as he scanned the tree line.
|
|||
|
"Something troubles you my son. What is wrong?" Orto examined
|
|||
|
Morgan. He was of average height and build, his face tanned by exposure
|
|||
|
to nature, but otherwise free of any blemish. He had a handsome face;
|
|||
|
one that Orto judged would attract many a lady, with a neatly clipped
|
|||
|
beard lining his jaw. Like the other soldiers he was dirty and dusty
|
|||
|
from the many days' travel. When no answer came to Orto's question, he
|
|||
|
offered Morgan a piece of the raisin bread his pony carried in its
|
|||
|
saddlebag. "Here, have some of this."
|
|||
|
The soldier took it, but did not thank Orto. He merely continued to
|
|||
|
watch his surroundings, almost as if he expected something to emerge
|
|||
|
from them. There was more to today's behaviour than religion-hating
|
|||
|
sentiment, the priest thought. Orto slowed his pace, letting the column
|
|||
|
pass him until he fell in step with a pretty guardswoman whom he
|
|||
|
recognised as one of Morgan's friends.
|
|||
|
"Forgive me, my child, but I cannot remember your name."
|
|||
|
"Lara." The woman did not look at Orto as he spoke, but merely
|
|||
|
shifted the weight of her mace as it rested on her shoulder.
|
|||
|
"Ah yes, of course," Orto said. "Now I remember. That is a fair
|
|||
|
name. Do you hail from Dargon?"
|
|||
|
"No, I'm from Fennell."
|
|||
|
"Ah, Fennell. It is a fine city. I remember the monastery there
|
|||
|
especially. It is a holy place."
|
|||
|
"I wouldn't know," Lara said.
|
|||
|
"Oh my dear child," Orto laid a compassionate hand on her shoulder.
|
|||
|
"Have you never experienced the presence of God?"
|
|||
|
"I'll thank you not to place your self-righteous judgements on me,
|
|||
|
priest!" She violently tore Orto's hand from her shoulder and looked at
|
|||
|
him with fiery eyes. "That's why I left Fennell. They're always saying
|
|||
|
'Stevene this' and 'Stevene that'. Always forgiving me for my 'lecherous
|
|||
|
ways'! Well maybe I don't want to be forgiven! Maybe I'm happy the way I
|
|||
|
am!"
|
|||
|
Orto stopped in dismay and sighed. "By Cephas, I am sorry my child.
|
|||
|
I did not mean --" but it was clear she would have none of his
|
|||
|
apologies. "What have I done? Would that I were a smarter man, Stevene,
|
|||
|
that I could teach your light better. But alas, a slip of my
|
|||
|
ever-wagging tongue and I have hurt rather than healed." He watched Lara
|
|||
|
as she continued down the road with the rest of the company. Orto hit
|
|||
|
himself on the head. "You dunderheaded fool!"
|
|||
|
Disheartened, Orto's pace was slower, and he gradually moved
|
|||
|
towards the back of the column as it passed him. He had never been the
|
|||
|
most intelligent of men; he knew this, and was accepting of it, as God
|
|||
|
did not make everyone to be identical. Still, at times like this he felt
|
|||
|
a pang of envy towards his fellow priests that were great orators. He
|
|||
|
knew of one monk from Fennell, who though he spoke with a lisp, could
|
|||
|
hold in thrall an audience of hundreds, and speak of the Stevene with
|
|||
|
perfect clarity. Orto was not lacking in faith, but he could never quite
|
|||
|
articulate it exactly the way he wanted to. It was like the words were
|
|||
|
in his mind, but were jumbled on the way to his mouth. Sometimes, the
|
|||
|
results were very bad, as they had just been with Lara. He had not meant
|
|||
|
to sound judgmental, for he did not judge her, but to be sympathetic.
|
|||
|
Oh, Cephas, the world was never an easy place.
|
|||
|
By midday they were well into the forest. Earlier, Commander
|
|||
|
Connall had dispatched two soldiers as scouts half a league ahead of the
|
|||
|
company, travelling in the trees, in hopes that they would spot any
|
|||
|
brigands lying in wait, and report back to the commander before his
|
|||
|
troops blundered into a trap.
|
|||
|
After another bell's travel in the forest, the company stopped to
|
|||
|
rest and eat. While Hubris grazed on some grass off the side of the
|
|||
|
road, Orto moved amongst the troops once again, swaying as he did so. He
|
|||
|
put a hand to his growling stomach.
|
|||
|
"Be silent, you!" he admonished his belly, as if it were a being
|
|||
|
unto itself. "You could afford to shrink a little."
|
|||
|
He caught sight of Morgan and his friends sitting in the shade of a
|
|||
|
tree, and waddled over to them. "Hello again, my friends!"
|
|||
|
"Hello, father," Louen said.
|
|||
|
Orto patted the boy's dirty blonde hair in appreciation. "You are a
|
|||
|
good lad. May God protect and keep you."
|
|||
|
"Come to forgive me for my earlier behaviour, priest?" Lara asked,
|
|||
|
a sarcastic bite in her tone.
|
|||
|
"No, my child," Orto said. "It is I who needs forgiveness. I do not
|
|||
|
judge you, and I am sorry that my words came across that way. Please
|
|||
|
accept this as a small token of my contriteness." He handed her some
|
|||
|
dried fruit that he had bought from a merchant in Dargon. He knew such a
|
|||
|
treat to be a delicacy among soldiers living off of hard rations.
|
|||
|
"Th-thank you." The girl's eyes widened in surprise, and the hard
|
|||
|
lines that had creased her face a mene ago disappeared. There was now a
|
|||
|
softness about her that warmed Orto.
|
|||
|
Using the tree for support, Orto carefully lowered himself to the
|
|||
|
ground. He let out a deep breath as his rump hit the ground. It was
|
|||
|
refreshing to be seated after much of a day's travel despite the fact
|
|||
|
that Orto had a rather irritated bottom from all of the riding. He was
|
|||
|
more accustomed to a sedentary life in his church in Dargon, where he
|
|||
|
walked but a few leagues in an entire sennight. He felt certain he had
|
|||
|
already travelled as far on this trip to Magnus as he had in his entire
|
|||
|
time as a priest.
|
|||
|
"I suppose all of you are used to this travel," Orto said. "But
|
|||
|
it's a mite harder on my old bones."
|
|||
|
"I'm not *that* used to it!" Bayard said, pointing to a huge
|
|||
|
blister that covered much of the heel of his foot.
|
|||
|
Orto grunted in agreement, but said no more. After a few menes, the
|
|||
|
soldiers began to converse among themselves, and Orto watched them. They
|
|||
|
were all young, healthy men and women: a condition that Orto could
|
|||
|
barely remember. Louen was a slight young lad, who seemed to charm those
|
|||
|
around him with his superstition and naivete. Bayard was not huge
|
|||
|
either, and when other soldiers mocked him as being too wiry for a
|
|||
|
proper soldier, he'd always puff up his chest and say being small made
|
|||
|
for easier marching. He'd often back this up by saying he'd live longer
|
|||
|
in a fight since he was a smaller target. Lara, whom Orto was reasonably
|
|||
|
certain shared a bed with Morgan from time to time, was indeed a fine,
|
|||
|
well-muscled woman. She had a large scar that went from her hairline
|
|||
|
across her forehead and down her right cheek.
|
|||
|
Orto remembered her telling the story of the scar with great zeal a
|
|||
|
few nights before. While on patrol in one of the rougher sections of
|
|||
|
Dargon city, three drunkards had accosted her, thinking to have their
|
|||
|
way with her. She had dispatched all three of them, with only the one
|
|||
|
scar of her own to show for it. In Orto's younger years, such a creature
|
|||
|
would have caused Orto to curse his religious values to remain chaste
|
|||
|
'til marriage. Now such lecherous thoughts seemed mildly humorous to the
|
|||
|
old man.
|
|||
|
Above all, Orto wished to befriend these people. He sensed they
|
|||
|
were as good souls as could be found, despite their vehement resentment
|
|||
|
of Orto's faith. After all, Stevene wasn't the only path to God, but a
|
|||
|
good one, Orto reckoned. He only prayed that it would not be too late
|
|||
|
before these young soldiers found their way ...
|
|||
|
|
|||
|
Once the company resumed its journey after the late afternoon
|
|||
|
break, darkness descended quickly, and a thin fog rolled in. Morgan
|
|||
|
cursed; remembering the previous night's encounter, whether real or a
|
|||
|
dream, he fervently desired as much visibility as he could have. The fog
|
|||
|
was not one unbroken mass, but wispy, like long tendrils of some
|
|||
|
ethereal plant that wrapped themselves about the trunks of trees and the
|
|||
|
soldiers' ankles. It swirled about as a gentle breeze made its way
|
|||
|
through the trees, cooling the air all the more now that the sun was
|
|||
|
gone. The mist clung near to the ground, allowing the moon to light the
|
|||
|
way as the wagons and their escort trundled along the forest path.
|
|||
|
Morgan felt as if a small creature were scurrying about in his
|
|||
|
stomach. The soldiers around him likewise fidgeted and glanced around
|
|||
|
anxiously. Bayard was uncharacteristically quiet, making no jokes as he
|
|||
|
usually did, and Morgan could see Louen was shaking as if chilled under
|
|||
|
his hauberk. Morgan himself gripped his sword tightly with fingers slick
|
|||
|
with sweat, and he could feel a cool dampness on his forehead. His heart
|
|||
|
nearly exploded within his chest when the loud cracks of several rocks
|
|||
|
banging together sounded not far to the troop's left.
|
|||
|
"Ol's piss!" Griff exclaimed. "What the fark was that?"
|
|||
|
Morgan frantically clutched the hilt of his sword with slippery
|
|||
|
fingers. He had told no one about the sounds in the forest the previous
|
|||
|
night, but he wished he had now. More crackling emanated from the right
|
|||
|
of the path now. Murmurs emanated from the soldiers, to the
|
|||
|
accompaniment of the metal on metal music of swords clashing.
|
|||
|
"Look there!" Jakob pointed into the trees. Morgan caught a glimpse
|
|||
|
of a dark shape disappearing behind a large tree. He searched the woods
|
|||
|
feverishly, and saw other faint objects moving about in the mist, deep
|
|||
|
within the forest.
|
|||
|
"Calm yourselves!" Commander Connall said, wheeling his horse about
|
|||
|
and moving alongside the contingent of troops in front of the wagons.
|
|||
|
"There is nothing out there! The scouts will let us know if they --"
|
|||
|
The young lord was interrupted by an impossibly loud, pain-stricken
|
|||
|
scream from ahead.
|
|||
|
"Cephas' boot!" Morgan could tell that his commander wanted nothing
|
|||
|
better than to charge headlong towards the screams, as Connall drew his
|
|||
|
sword and his horse danced.
|
|||
|
"My lord!" The priest, Orto, clutched at Commander Connall's tunic.
|
|||
|
"We must be careful. There may be much more afoot here than we think!"
|
|||
|
Lord Connall nodded in agreement, his jaw firmly set. More screams
|
|||
|
shattered the ghostly night, which had become a nightmare. "I must
|
|||
|
remain here. Morgan! Take three men and find the scouts!"
|
|||
|
"Your lordship?" Morgan felt chilled to his very core with fear.
|
|||
|
An impossibly long cry echoed among the trees. "Get moving!" Lord
|
|||
|
Connall shouted.
|
|||
|
Morgan felt a hand on his shoulder, and heard Lara's voice, shaky
|
|||
|
with fear. "I'm with you Morgan."
|
|||
|
"Straight." Morgan steeled himself, and drew his sword. "Jakob and
|
|||
|
Konrad, you're with me, too."
|
|||
|
Leading the way, Morgan crashed through the bushes towards the
|
|||
|
tormented cries up ahead. Who had been sent as scouts? He couldn't
|
|||
|
remember, but more screams told him where they were. Whoever it was that
|
|||
|
had been sent, they were dying slowly. Morgan's fear slowly gave way to
|
|||
|
anger. Whoever was doing this would pay.
|
|||
|
The screams stopped with a sickening gurgling sound just as Morgan
|
|||
|
and the others burst through the foliage into a small clearing. In it,
|
|||
|
two soldiers in Dargonian livery hung from pikes driven into the ground,
|
|||
|
a pool of blood quickly gathering beneath them. Both of their heads were
|
|||
|
missing. In the pale moonlight, it somehow didn't seem quite real.
|
|||
|
Morgan wished it wasn't. But where were their attackers?
|
|||
|
"Oh, fark ..." Lara gagged and nearly vomited as she beheld the
|
|||
|
grisly sight.
|
|||
|
Morgan looked about the clearing desperately, searching for any
|
|||
|
sign of their assailants. Had they been scared off by the arrival of
|
|||
|
Morgan and his friends? He tried to quiet his breathing, and listen for
|
|||
|
any sign of them. He could hear nothing -- not even an owl or a cricket.
|
|||
|
Suddenly a cold gust of wind rushed through the clearing, bringing with
|
|||
|
it a deep sound like that of bellows in a smithy.
|
|||
|
The bushes behind Konrad exploded as a dark figure mounted on a
|
|||
|
massive horse emerged from the forest. Morgan was frozen at the sight of
|
|||
|
the horrific creature, silhouetted against the moon, with huge horns
|
|||
|
protruding from its head and flowing robes flapping about it. The
|
|||
|
creature drove a lance clean through Konrad's torso and lifted him,
|
|||
|
screaming and flailing, off the ground.
|
|||
|
"Konrad!" Lara swung at the creature with her mace, and though she
|
|||
|
connected mightily, the brute appeared not to notice.
|
|||
|
Suddenly, more of the beasts were in the clearing, riding about the
|
|||
|
beleaguered soldiers with dizzying speed. Morgan barely blocked a blow
|
|||
|
with his shield, and nearly fell to the ground. Another mighty blow came
|
|||
|
crashing down from above. He lashed out with his sword in all
|
|||
|
directions, unable to focus on his attackers as they swirled around him.
|
|||
|
He hacked the air many times before he was knocked to the ground by a
|
|||
|
glancing blow to his back. His hauberk had saved him, but as he rolled
|
|||
|
away from his attackers he knew he wouldn't live long if he didn't
|
|||
|
escape. He tried to get up but was knocked down again by a giant horse
|
|||
|
hoof that struck him in the chest. He lay on his back, winded, and saw
|
|||
|
one of the creatures' faces for the first time. Amidst the flowing black
|
|||
|
cloak that covered its body was a white skull with great horns
|
|||
|
protruding from it. Not the skull of a human -- more like that of some
|
|||
|
large lizard. Within the deep eye sockets only a frightening darkness
|
|||
|
lay.
|
|||
|
Morgan scrambled away from the beast, which after a brief pause,
|
|||
|
turned and headed back to the centre of the clearing. Morgan followed it
|
|||
|
with his eyes and saw, to his horror, Lara pinned to the ground by
|
|||
|
several large stakes. She was screaming, and tears streamed down her
|
|||
|
cheeks.
|
|||
|
"Morgan!" he thought he heard her cry. "Morgan please help me!"
|
|||
|
Morgan couldn't even think. His mind was frozen with terror. All he
|
|||
|
knew was that he had to get away, to run! He got his feet under him and
|
|||
|
continued to run. His heart pounded within his chest like a hammer on an
|
|||
|
anvil. He didn't look back as he tore through the bushes, but knew Lara
|
|||
|
was dead when her screams suddenly stopped with a sickening crack.
|
|||
|
|
|||
|
========================================================================
|
|||
|
|