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1581 lines
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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 13
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 12
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 11/18/2000
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Volume 13, Number 12 Circulation: 745
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Chains of Freedom P. Atchley Vibril 16, 1018
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Surfacing 2 Bryan Read Deber 13, 1018
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondence to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.dargonzine.org/. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 13-12, ISSN 1080-9910, (C) Copyright November, 2000 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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I hope you read and enjoyed our last issue ... because if you
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haven't, we're doing our best to build up a stack of reading material
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for you!
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This issue follows our previous issue, DargonZine 13-11, by an
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unusually brief two weeks. Why? Well, part of the reason is that we
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simply have enough material to put out another issue, so why wait?
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Another reason is that we're anxious to print stories from the two
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writers who appear in this issue: one of them is our third new writer of
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the year, and another one is returning from a short hiatus. But the real
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reason for the hurry is because we have the opportunity to bring you a
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record thirteenth issue before the end of the year, featuring two more
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great writers whose names you haven't seen in a while.
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Our first story is from P. Atchley. Despite having been with the
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project since January, "Chains of Freedom" is her first appearance in
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the magazine. However, you can look forward to seeing more of her work
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in coming months, as she's currently working on a three-part
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collaboration with Rhonda Gomez, and another three-part storyline of her
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own.
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The other story in this issue is Bryan Read's sequel to his first
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story, "Surfacing", which appeared in DargonZine 12-7 nearly 18 months
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ago. Bryan left the project for about half a year while acclimating to a
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new job, but returned in July. He is also currently working on another
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chapter of Willis Rithius' story, which will follow this issue's
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"Surfacing 2".
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And as I said, you can look forward to one more issue before the
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end of the year: Volume 13, Number 13. It should be arriving in your
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mailbox in the usual four to six weeks. After that, and our usual brief
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pause over the holidays, we'll begin our seventeenth year of publishing
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on the Internet with another batch of new stories. I hope you're keeping
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up!
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========================================================================
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Chains of Freedom
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by P. Atchley
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<dpartha@usa.net>
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Vibril 16, 1018
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Nila blew through the air tube to cool the small, silver pendant
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she was working on. It was a special order by Adrunian Koren, captain of
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the town guard, for his niece, and she wanted it to be flawless. She
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picked up a tiny pair of forceps that fit her small hand perfectly and
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bent the silver a little. The warm metal curved to form the animal face
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she was aiming for. The pendant was to be in the shape of a shivaree,
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since Koren's niece Tara had one as a pet.
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Koren and Nila had met when the store had been robbed some years
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ago, and had become friends. Fazil had been alive then: dearest Fazil,
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who had taken her in when she had no one. He had given her a home and
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work when he had been alive, and left her his store when he had died.
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The business itself was doing well, as seen by the increase in the
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orders that were coming in. She had made a name for herself among the
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wealthy as a silversmith of no mean talent. She smiled with pleasure at
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the thought. Lately she had been very busy, so much so that she could
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afford a visit home ... if she desired. Her smile disappeared at the
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thought of home and she sighed, wondering if she really did want to
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visit home.
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Home was Segvaarden, one of the one thousand states of Farevlin,
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unified by nothing more than a common language, so far away that it took
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many sennights by ship to reach. She could go home, but there was
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nothing left for her there. Had she made a mistake in choosing exile
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over death?
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The tiny bells near the door chimed, breaking into her thoughts.
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She had made the bells herself to announce the entrance of visitors. The
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pretty, tinkling sound never failed to bring a smile of pleasure to most
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of her patrons.
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"Nila, how are you?" The big, bluff man who entered had a rolling
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gait that announced his sailorly background to anyone who cared to
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notice.
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"Captain Markus, it is so nice to see you again!" Nila set aside
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the forceps and the pendant before going around to the front of the
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small counter. She did not accept the hug the captain offered, but bowed
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with her palms together, holding them chest high. Before the bulky
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captain, she looked tiny in comparison. "When did the _Laughing Gale_
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dock?"
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Her visitor rolled his eyes at her refusal to accept his hug but
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made no direct comment about it. He dropped his hands and said, "Just
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this morning, lass. Things are going well, eh? You're looking
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prosperous." He gestured to the items on display behind the counter
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where there were three necklaces, two hair ornaments and a jeweled
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dagger.
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"Please sit, captain." She dragged a small chair from an alcove on
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the far side of the store. It was a small room, with the shelf behind
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the counter forming the centerpiece of the store. A large window on the
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opposite wall allowed sunlight to shine directly on the shelf. At one
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corner was her work area, with a short stool set before the counter. On
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the countertop lay the pendant she had been working on as well as the
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tools. She preferred to do the major part of her work that dealt with
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melting silver and the initial parts of an order in the inner room where
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she had a small forge, but a lot of the decorative work could be done
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with the aid of the air tube and the small lamp she had in the front
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room.
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"May I offer you some refreshment?" Nila asked.
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"No thanks. Come sit here with me. Seems like it's been a long time
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since I saw you. Last time I came here, it was the fleet blessing, back
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in Seber."
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She seated herself on the ground in front of him and he sighed but
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made no comment. She knew he found it annoying that she never sat level
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with him and always chose to sit at a lower level. All her explanations
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that this was due to her respect for him had failed to convince him;
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however, he had given up asking her to do otherwise.
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"Well, Captain, that was four months, three sennights and four days
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ago."
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He laughed at the answer. "Still the same wizard with numbers, I
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see."
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Nila chuckled, the sound almost incongruous from someone usually so
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solemn. "You are too kind, sir. How long will you be in town this time?"
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"Oh, I don't know. Maybe three sennights. I'm waiting for a
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merchant coming up from Magnus. He owes me money, and I'm a bit early.
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Hadn't planned to be here until the beginning of next month, though."
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"Well, I am sure Mayda at the keep will be glad to see you," Nila
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offered, looking up at him blandly.
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He reddened slightly and roared with laughter, his jowls shaking
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with mirth. "Aye, that she will. I brought her a box of saffron. For
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that, my Fat Mayda will ..." he stopped, looking down at her sheepishly.
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She smiled back. "I know, captain, I know. Now, I have something
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for you. Wait a moment." Nila rose and went past the alcove into the
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inner room. When she came back, she had a small statuette in her hand.
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It was no taller than the width of a grown man's palm. Until then, they
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had been speaking in Baranurian. Now, she spoke formally in a different
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tongue: Farevlin. "Sir, this is for you, with all my gratitude."
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The captain, however, responded in Baranurian. "Nila, you owe me
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nothing. You paid me for bringing you to Dargon, and you give me a gift
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every time I come to see you. It's not necessary. We're friends; no need
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for this."
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"You must take it, Captain. I owe you for my life. Each day that I
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live is yours. This is but a poor token, that is all." Nila bowed again.
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"You never listen, do you?" He sighed, and examined the statuette
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closely, obviously not expecting an answer. He said formally, in the
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same language she had used, "Thank you, High Lady." She bowed again in
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response to his use of her title.
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The silver figurine was of Cirrangill, the god of the sea. It was
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dressed in a tunic with a stylized fish on the back, every scale
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well-defined. Waves jumped around his feet and rose all the way to his
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head. "I think this is your best work yet. I have something for you
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too," he said, setting the figurine carefully on the counter before
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digging into the pockets of his voluminous tunic. "Where is it?" He dug
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first into one pocket, then another, while Nila smiled. He grinned at
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her. "Ah-hah! Here it is." He held out a small packet.
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She took it almost breathlessly, knowing that it would be something
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precious. Sure enough, when she opened the small packet, there was a
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small dirty-looking lump in it. "You got it!"
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Markus grinned at her pleasure.
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"Captain, you are too generous," she said. "This is the purest
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silver, and blessed too. Did you actually get it from the temple on the
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river Navari?"
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"More than that. When I docked in Hadrom, I had a guide take me
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inland to the temple. I went all the way to the entrance, but they
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wouldn't let me in because I'm too tall."
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The silversmith's smile was strained. She was well aware of the
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religious intolerance exhibited by her people towards those whose
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physical characteristics did not meet what was laid down in the texts.
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She herself had been considered a perfect specimen, physically at least,
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at eleven hands.
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"Anyway," the captain continued, face red, "I bribed the guide to
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get me a piece of blessed silver, and he tried to cheat me, the --" he
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broke off, breathing a bit heavily. "After so many years of trading with
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Fazil and your father, think I don't know how to judge silver? He didn't
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think a 'vellai' could judge the quality."
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Nila nodded, the word 'vellai' taking her back across the years to
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her homeland, where the word was an insult to foreigners, who were
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taller, with unflatteringly pale skin. It quite literally meant
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light-colored.
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The door bells jingled again, and the silversmith gave a start. A
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tall man entered, wearing command like a cloak. It was the captain of
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the town guard and to Nila, his entrance made the store seem even
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smaller. She greeted him with, "Captain Koren, how nice to see you
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again."
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"How are you, Mistress Nila?"
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"I must be going, Nila," Captain Markus stood, a gigantic man,
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dwarfing even Captain Koren. "Thank you for the gift." He reached for
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the figurine on the counter.
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Both of them saw that Captain Koren's eyes were riveted on the
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small statuette, and Markus extended the figurine for the other man to
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see. "Look," he said generously. "The lass does beautiful work, doesn't
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she?" he asked, with a proprietary air.
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"It's exquisite, lady," Koren breathed.
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"Captain Koren, may I introduce Captain Markus?" Nila began
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formally. "Captain Koren is the captain of the town guard. Sir, Captain
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Markus is the gentleman who kindly brought me to your shores. I owe him
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a debt of gratitude I can never repay."
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Markus rolled his eyes, and Koren, catching sight of him, smiled.
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Nila looked at them both with a serious expression. "I am sorry.
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Politeness is good," she said helplessly, wondering how to explain that
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the formality cloaked her affection. Both men smiled at her.
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"It's all right, Nila, you don't have to apologize," Markus
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consoled, still smiling. "I must be going now. I'll be back to see you
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before I go."
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"Thank you, captain, for everything. Good-bye." She watched him
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step away and turned to Koren. "The pendant is not ready yet, sir. I am
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sorry."
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He replied, "That's quite all right. I was on my way home, and I
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wanted to stop in and see how you were doing."
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The chimes jingled yet again and a man entered, brushing roughly
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past Markus, who was in the act of stepping out.
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"Hey, what's the hurry? Can't you see when a man's leaving?" Markus
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began.
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"Nila, it really is you!" The man spoke in Farevlin, amazement in
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his voice.
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Markus stopped abruptly, one foot out the door. Koren's eyes
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narrowed at the sharpness in the ship captain's posture and he turned to
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face the stranger.
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Nila froze, her face the utter picture of surprise. Had her
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thoughts of Segvaarden conjured Deven up? She wondered for just a moment
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before logic reasserted itself. The man, slender, short, wore his dark
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hair in a long, thin braid that hung down over one shoulder. His skin
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was the same shiny bronze as Nila's, and his black eyes glittered
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angrily as he frowned and laid something on the counter. He continued to
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speak, his hands gesticulating wildly. She paled, only half-listening to
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his words as she tried to absorb the reality of his presence in Dargon.
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"-- must die. I will assist you. You will die!" His voice rose on
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the last sentence and Nila stared at him, bereft of words. She realized
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dimly that Captain Markus was glowering as he listened, but her mind in
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a tumult, unable to think or even speak, with one thought in her head:
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Deven was in Dargon, in her store.
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Captain Markus roared, his hand going to his belt for his dagger,
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"Here, what do you think you're saying? Captain Koren, arrest this man
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immediately. Why, he's threatening to kill my girl here. Who do you
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think you are?" He stepped forward and with one quick move, immobilized
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the startled stranger by twisting his arm behind his back.
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"Who are you?" Koren rapped out sharply. When no answer was
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forthcoming, he asked, "What did he say?" He looked from Nila to Markus,
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and it was Markus who replied concisely, "He wants Nila to die."
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It was beyond Nila to form a coherent sentence since she was
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desperately striving for control over her emotions: joy at seeing her
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cousin, delight at hearing her own language spoken, sorrow at her own
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self-banishment, and fear at what Deven's words meant.
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Koren reached for what the man had laid on the counter and looked
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down at what he held. Nila, still standing behind the counter, rose on
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tiptoe to see over his shoulders what was in his hands. It was a pair of
|
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rather large ear studs meant for pierced ear lobes. Each stud sported a
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design of a horse rearing up, its mane neatly trimmed. She paled as she
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recognized it: one of the first pieces she had made on her own, without
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the assistance or supervision of her teacher. Hot tears filled her eyes
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as she stared at them. She blinked hastily. It would never do to cry in
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front of the captains and her cousin, friends and family though they
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might be. Her breath came quick and fast as she struggled not to let her
|
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memories overwhelm her.
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"What do you want? What are you doing here?" Koren placed the ear
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studs back on the counter absently, still looking at the man. The man
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stared back at Koren silently, and then slowly, deliberately, turned his
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face away, chin up in the air.
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"Answer him!" Markus gave his arm another twist.
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The man swallowed a gasp of pain, but his chin did not come down,
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and he never looked at either of his two questioners. He did answer,
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however, in broken Baranurian, his accent execrable. "Die must she. Die
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must she. Die must she!"
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"Is that right? Why is that?" Koren asked.
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Deven did not bother to reply to this.
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"Fine. Bring him to the guardhouse, Captain Markus. We can handle
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this there. Good day, Mistress Nila," Koren said sharply, not bothering
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to look at the silversmith, who, pale and wan, had remained silent and
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still throughout the altercation. The two men left the store, holding
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their prisoner between them.
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Nila sighed as she watched them go. A tear slipped out of one eye,
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and made its way unhindered down her cheek. Had her past caught up with
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her? Perhaps it was time to go home. She smiled wistfully at the
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thought. Home was a beautiful land with valleys that stayed green
|
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throughout the year, where it was never cold, where the sun shone even
|
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when it rained, and rainbows appeared as often, unlike Dargon, where a
|
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bright sky did not necessarily mean a warm day. She slowly began to put
|
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away her work. When the small needle she had been using poked her
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finger, she smiled wryly to herself. A small drop of blood appeared at
|
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the wound. Was she deceiving herself? She knew that the world was just
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as beautiful here in Dargon as it was in Segvaarden, one of the thousand
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states of Farevlin on the east coast of Duurom.
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The problem was the people. She had no friends here, except for the
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two captains. Oh, she had plenty of customers, but there was no one who
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understood that she sometimes felt as if she would shatter into
|
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countless pieces like a badly-worked piece of silver. She bent to pick
|
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up the piece she had been working on for Koren. Another tear slipped out
|
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and fell on the back of her hand. She lifted the hand slowly and wiped
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the tears from her eyes.
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Nila swallowed as she put her things away carefully, and locked the
|
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inner room where she kept her works-in-progress. The town guard had been
|
|||
|
working hard to eliminate the criminal element in Dargon, but she
|
|||
|
preferred to be careful. She had a safe place outside the store for the
|
|||
|
money she had saved, and the silver she usually had on hand. But now
|
|||
|
since she was in a hurry, she put the raw silver that Markus had bought
|
|||
|
for her into the little cupboard in the workroom and locked it. Then she
|
|||
|
placed a small cup of sand she had obtained years ago from Corambis, the
|
|||
|
sage, on the ground directly beneath the lock. He had magicked the sand
|
|||
|
for her so that she could use it to protect the silver. She had stopped
|
|||
|
doubting its efficacy about four years ago, when the store had been
|
|||
|
robbed and Koren had appeared almost instantaneously to apprehend the
|
|||
|
thief. After that, she had never left the store without setting the sand
|
|||
|
under the lock.
|
|||
|
It was raining lightly as she stepped out of the store onto the
|
|||
|
Street of Travellers, but it was only a slight mist. She locked the shop
|
|||
|
door behind her, and hurried away in the direction of the keep. The sky
|
|||
|
was a deep gray, not the blue-green of the Segvaarden sky, and she was
|
|||
|
once again struck by the contrast between her life in Dargon and her
|
|||
|
life in Segvaarden. She had worked hard here, and built a life. Old man
|
|||
|
Fazil had bequeathed her his store, his business, his customers and his
|
|||
|
home. When she had first come here more than five years ago, she had
|
|||
|
been glad to get away from Segvaarden. She had not then realized what
|
|||
|
she was doing. She had paid a high price for freedom, for life, for ...
|
|||
|
exile.
|
|||
|
|
|||
|
Nila had been barely fifteen when she was married. Since most girls
|
|||
|
in Segvaarden married at that age, it was normal. She had been excited.
|
|||
|
She was marrying the son of the ruler of Segvaarden, all because the old
|
|||
|
chief was pleased with the work of her father, the silversmith. Or so
|
|||
|
she had assumed.
|
|||
|
"Daughter, concentrate," her father chided. "You must finish this
|
|||
|
piece before you leave today. I am too busy as it is. I did not want to
|
|||
|
lose you so soon. How I'm going to finish all these orders without your
|
|||
|
help, I don't know."
|
|||
|
Father and daughter sat on the ground in a small veranda outside
|
|||
|
their hut, each with a small lamp before them. Various tools and
|
|||
|
implements such as forceps and air tubes littered the area. Since the
|
|||
|
weather in Segvaarden was almost always bright and sunny, they tended to
|
|||
|
work outside. The veranda was covered by a short outcropping of braided
|
|||
|
palm fronds, letting light in without the heat. It was a warm day even
|
|||
|
for Segvaarden and her father, like many men in Segvaarden, sat
|
|||
|
barechested.
|
|||
|
"But I'm almost fifteen, Father. Shika and Manonmani are already
|
|||
|
married. Why, Lilla is already in the family way!" Nila picked up a pair
|
|||
|
of forceps and bent to work on the earstuds.
|
|||
|
"Yes, that's all you girls think of. When I was a boy, girls did
|
|||
|
not think of marriage until their parents decided it was time." He
|
|||
|
laughed, setting down the air tube he had been using to examine the
|
|||
|
pendant in his hand closely.
|
|||
|
She laughed with him. "Father, I did not think of it either, until
|
|||
|
you decided it was time for me to be married. Besides, I'm getting
|
|||
|
married to the son of the chief of Segvaarden. How many girls will be
|
|||
|
able to say that their bridal procession had eleven elephants in it? Do
|
|||
|
you know what else? The Mother said that he's going to come to the
|
|||
|
wedding on a horse. Just imagine, Father. And soon, I'll be called the
|
|||
|
Mother too." The fifteen year-old almost whispered the title, the
|
|||
|
Mother, with awe. The chief's wife usually received the title in a
|
|||
|
formal ceremony that celebrated and venerated her motherhood, about ten
|
|||
|
days after the birth of her first son.
|
|||
|
"Is that all you think of, becoming the Mother? And tell me, what
|
|||
|
difference does it make if the groom rides on a horse or a donkey?"
|
|||
|
Nila looked up from her work with an expression of bliss. "Because,
|
|||
|
Father dear, it's the honor, the prestige. My bridegroom on a horse! How
|
|||
|
many girls will be able to say that? Hah, if any of them have actually
|
|||
|
seen a horse, I'd be surprised. If they have more than three elephants
|
|||
|
in their bridal procession, I'd be surprised as well. Here, Father, all
|
|||
|
done." She placed the forceps back on the counter and handed a pair of
|
|||
|
ear studs to the old man.
|
|||
|
He looked at them keenly, turning them over. The studs were made of
|
|||
|
silver, a bridal present from Nila to her husband-to-be. The face of
|
|||
|
each stud was the side-view of a horse, rearing on its hind legs, mane
|
|||
|
trimmed, tail long but caught in movement. The eyes were tiny emeralds,
|
|||
|
one to each stud.
|
|||
|
It was customary that the bride present a pair of ear studs to the
|
|||
|
groom during the wedding, because all men in Segvaarden had pierced
|
|||
|
earlobes. Since Nila had apprenticed under her father as a silversmith
|
|||
|
from the time she had been old enough to work with fire, he had insisted
|
|||
|
that she make them herself. She had chosen a horse design when her
|
|||
|
mother-in-law to-be had indicated that they had managed to buy a horse,
|
|||
|
an exotic animal imported from the east.
|
|||
|
"Well done, daughter," he said at length. "This is good work. But I
|
|||
|
must tell you that the flow of the tail is wrong. What animal has tail
|
|||
|
hair that thick? Each individual strand must be seen. The way you have
|
|||
|
inset the eyes: careless, very careless. This lump right here, you
|
|||
|
should have smoothed it out." He pointed to a tiny blot on one stud.
|
|||
|
"The legs: too bulky. Well, you are not going to be a silversmith, so I
|
|||
|
will not point out what you could have done better. Concentration is
|
|||
|
what you lack. You must be one with the thing you are trying to create,"
|
|||
|
he discoursed.
|
|||
|
"Father, you said you won't point out what I could have done
|
|||
|
better," she interrupted, grinning.
|
|||
|
"Away with you, silly child," he said. "You must be more
|
|||
|
responsible. Now that you're to be wed, you're going to braid your hair.
|
|||
|
You cannot behave like a little girl with her hair loose any more."
|
|||
|
|
|||
|
Her wedding had been talked of for months: the food, the gifts, the
|
|||
|
clothing, the jewelry. She had had seven sets of gowns made, three in
|
|||
|
real silk. The chief's family had arranged to give all her female
|
|||
|
relatives silk gowns as wedding gifts. Of course, she had had only four
|
|||
|
female cousins, so this had not been a real hardship for the chief's
|
|||
|
family. At the time, the lavish arrangements had given her so much
|
|||
|
pleasure.
|
|||
|
After the marriage she had come to realize that her husband had
|
|||
|
wanted to marry her because of his own inadequacies. Her married life
|
|||
|
did not bear thinking about: the beatings, the burns, the forced
|
|||
|
starvation. The worst part had been the fact that no one in the chief's
|
|||
|
household had even acknowledged that her life had been less than
|
|||
|
perfect. She had put up with it for fear that her father would be
|
|||
|
harmed. Over time, her husband had become chief, and his excesses had
|
|||
|
increased. She had accepted it all. The day her father died, she had
|
|||
|
become free to curb her husband's excesses. Finally.
|
|||
|
|
|||
|
Nila entered the small tavern in Segvaarden with her veil securely
|
|||
|
in place. Hidden in the shadows, she searched for the man she had come
|
|||
|
to find. This was not hard, since he was the tallest man in the place,
|
|||
|
besides being one of only five of the men from the west, with their
|
|||
|
strangely uncolored skin. After she spotted him, she slipped between the
|
|||
|
tables and approached. She tapped him on the arm, conscious of a frisson
|
|||
|
of fear despite her certainty that she was doing the right thing.
|
|||
|
"Message, sir," she said softly.
|
|||
|
"What?"
|
|||
|
She wondered if he was drunk already, this early in the evening.
|
|||
|
"Message," she repeated. His eyes sharpened as he caught sight of her
|
|||
|
face beneath the veil. Her heart thundered. He was not drunk, after all.
|
|||
|
Had he recognized her? She had no clue as he rose and followed her out
|
|||
|
of the tavern into the warm night. The full moon was a golden circle in
|
|||
|
the heavens, brightening up the street akin to day.
|
|||
|
"You are the daughter of the silversmith. I have not seen you in a
|
|||
|
while," he said, staring down at her face as she put her veil away from
|
|||
|
her face. "I heard your father died. I'm sorry. He was a good man, and a
|
|||
|
good artist. There is no one who does work of his caliber."
|
|||
|
"Thank you, good sir. It has been three years, eleven months, and
|
|||
|
two sennights since we last saw one another. I did not think you would
|
|||
|
recognize me," she said. Relieved that he had recognized her, she still
|
|||
|
knew that this was just the first hurdle in her chosen path.
|
|||
|
"Yes, well, you are a pretty girl," he said grudgingly. "You're
|
|||
|
married to the chief of Segvaarden, aren't you? What are you doing here
|
|||
|
by yourself?" He looked to either side, as if searching for her retinue.
|
|||
|
"What do you want?"
|
|||
|
"Your ship is leaving tomorrow, is it not?"
|
|||
|
"What of it?"
|
|||
|
"I wish to purchase passage on it. I will pay you whatever you
|
|||
|
require."
|
|||
|
"Where do you want to go?" he burst out. "What about your husband?"
|
|||
|
A wave of desperation filled her heart, and made its way into her
|
|||
|
voice. "Anywhere. Away from here. Wherever you are going. My husband is
|
|||
|
none of your concern." Her raised voice caused a passerby to look at
|
|||
|
Nila sharply and she turned her face away, pulling down her veil.
|
|||
|
The captain stared down at her. "You're not in any trouble are
|
|||
|
you?"
|
|||
|
The expression on his face made her realize that she had allowed
|
|||
|
emotion into her voice. She composed herself. "No. There is ... nothing
|
|||
|
for me here. I cannot live here any more. Please will you take me, sir?"
|
|||
|
Markus burst out, "But where will you go? I can't just take you on
|
|||
|
my ship!"
|
|||
|
"Yes, indeed you can. What prevents you from taking me? You are the
|
|||
|
captain of your own ship, are you not?"
|
|||
|
"Of course I am. What does that have to do with anything? The point
|
|||
|
is that I'm not about to take on a passenger with no destination!"
|
|||
|
"But I do have a destination: away from here."
|
|||
|
He gave a sudden shout of laughter, and she stared at him, her
|
|||
|
whole body stiff with affront.
|
|||
|
"I am sorry, lady --"
|
|||
|
"My title is High Lady," she corrected, frost in her voice.
|
|||
|
He chuckled. "Sorry, High Lady." His voice turned serious again.
|
|||
|
"Away from here is not a destination. You simply cannot buy passage on a
|
|||
|
ship to 'away from here'. Listen to me," he said persuasively, "Go home
|
|||
|
to your family."
|
|||
|
She stared at him for a moment, trying to decide which direction to
|
|||
|
continue the argument. It appeared that his main objection was her
|
|||
|
destination: she had none. In that case, she would choose one. Her mind
|
|||
|
made up, she nodded. "Captain, where are you bound?"
|
|||
|
"Oh, a couple of other stops down the coast, at Hadrom for one.
|
|||
|
I'll probably stop at Bichu as well. Why do you ask?"
|
|||
|
"Very well. I will buy passage to Bichu."
|
|||
|
"Gah!" He threw up his hands. "Fine. If you want to go that badly,
|
|||
|
I'll take you. But you must pay in gold. Lots of it."
|
|||
|
She wondered for a moment if he thought that by asking for gold, he
|
|||
|
could dissuade her from leaving Segvaarden. It would take much more than
|
|||
|
that: she would gladly give up every one of her possessions to leave the
|
|||
|
place which had once been home, but only remained a shell of itself to
|
|||
|
her. She pulled out the small drawstring pouch that hung from her waist
|
|||
|
and handed it to him. "Open it."
|
|||
|
He drew in a deep breath. Two heavy chains fell out. They were
|
|||
|
patterned like rope, thickly braided, designed to be worn tightly around
|
|||
|
the neck, like a collar. The chains were usually worn by men, women
|
|||
|
preferring the longer chains that hung down their bosom.
|
|||
|
"I can't help feeling I shouldn't take you," he said slowly, eyes
|
|||
|
drifting from the treasure in his hands to her face with concern. "You
|
|||
|
don't really want to go to Bichu, do you?"
|
|||
|
He didn't seem to expect an answer, so Nila remained silent. It was
|
|||
|
true that she did not want to go to Bichu, but it was also true that she
|
|||
|
wanted to get away from Segvaarden.
|
|||
|
"Well, I suppose we can discuss where you want to go once we're on
|
|||
|
board."
|
|||
|
|
|||
|
Their departure was smooth. Much to her relief, no one pursued
|
|||
|
them. Markus stared at her narrowly when she sighed as Segvaarden
|
|||
|
disappeared over the horizon, but he said nothing.
|
|||
|
The voyage was a long one, lasting many sennights. The captain had
|
|||
|
at first insisted that she stay inside her cabin, but about two
|
|||
|
sennights after they had set sail, he relented and allowed her to come
|
|||
|
up to the deck. Nila had become tired of seeing the same cabin walls day
|
|||
|
after day. Up on deck there was nothing to see in any direction except
|
|||
|
blue sky and an even more blue sea.
|
|||
|
Markus suggested that she learn Baranurian, and she agreed. Her
|
|||
|
progress was not as fast as she wanted. He only laughed and advised
|
|||
|
patience. They dined together frequently. To Nila these were more
|
|||
|
opportunities to practise her Baranurian.
|
|||
|
One day the captain saw her standing on the deck and wandered down
|
|||
|
to talk to her. "How are you today?"
|
|||
|
"I am fine, thank you. And you?"
|
|||
|
"Good, good." He handed her a tankard. "How do you like the voyage
|
|||
|
so far?"
|
|||
|
"It is boring to see the same ocean every day," she said, accepting
|
|||
|
it. "How long before we see land?"
|
|||
|
He laughed. "It's only been three days since the last landfall. Our
|
|||
|
next stop will be Bichu, but I'm headed toward Dargon, and that's many
|
|||
|
more sennights away."
|
|||
|
"Where is Dargon?" she asked, taking a sip.
|
|||
|
"It's on Cherisk. It's where I was born, you know. Nice place."
|
|||
|
"Perhaps I can live there," Nila offered, speaking hesitantly in
|
|||
|
Baranurian.
|
|||
|
"Maybe. What are you going to do there, though?"
|
|||
|
"I can work as a silver ... what is the word, 'herder'?"
|
|||
|
Markus shouted with laughter. She looked enquiringly at him.
|
|||
|
"You just said you wanted to work as a silver herder," he
|
|||
|
translated into Farevlin. "Well, there's already a silversmith there.
|
|||
|
Name's Fazil. I trade with him occasionally. He asks me to bring him
|
|||
|
pieces from the east. In fact, the last time I was back there, I brought
|
|||
|
him a piece made by your father. Told me he had never seen silver of
|
|||
|
that quality."
|
|||
|
"Ah, it must be silver from the river Navari on the temple," she
|
|||
|
said, nodding. "The best silver comes from there."
|
|||
|
"Temple on the river Navari," he corrected. "Your Baranurian is
|
|||
|
coming along very well, I must say."
|
|||
|
"Thank you, teacher," she bowed.
|
|||
|
"Gah, you westerners. Always so formal," he growled.
|
|||
|
"You are a good man, Captain Makus," she said.
|
|||
|
He laughed. "Markus," he said.
|
|||
|
"What?"
|
|||
|
"You said it wrong. Say it again. Markus."
|
|||
|
"Makus," she said obediently.
|
|||
|
"You'll never get it."
|
|||
|
|
|||
|
Another day at dinner she shared her fear about her future.
|
|||
|
"Captain Markus, I am worried about Dargon. Do you think I can get work
|
|||
|
there as a silversmith?"
|
|||
|
"Well, it depends," he said, puffing on his pipe. "I don't know if
|
|||
|
you want to set up shop in Dargon if Fazil is already there. Don't think
|
|||
|
you'll get much business."
|
|||
|
"I will work with him," she offered, looking up at him anxiously.
|
|||
|
"He may not want you," Markus pointed out.
|
|||
|
"You said he liked my father's work. I app ... what is the word,"
|
|||
|
she lapsed into her own language for the troublesome word, "apprenticed
|
|||
|
to my father. He taught me everything I know. I am a good silversmith,
|
|||
|
Captain Markus."
|
|||
|
"Well, tell you what. We'll go see Fazil when we dock. I don't have
|
|||
|
any of your father's work with me, but ..."
|
|||
|
"I do," she said, leaning forward. "I have a chain hip with me."
|
|||
|
"A what?"
|
|||
|
"A chain that women wear on the skirt, like so," she indicated the
|
|||
|
side of her body along the curve of her hip.
|
|||
|
"A hip chain? Strange," the captain murmured.
|
|||
|
|
|||
|
When the time came, the _Laughing Gale_ docked at the port of
|
|||
|
Dargon, and the two of them went to see Fazil, the silversmith.
|
|||
|
"Hey you old scumbag, how are you?" Captain Markus growled when
|
|||
|
they entered the store.
|
|||
|
The old man working behind the counter at the tiny fire looked up.
|
|||
|
"Markus, you old dog!" He carefully set aside what he had been working
|
|||
|
on, banked the fire and came around the counter. The two men indulged in
|
|||
|
a greeting that involved much slapping of each others' backs that Nila
|
|||
|
found quite incomprehensible.
|
|||
|
The two men were talking very fast, but she found she could follow
|
|||
|
them, somewhat. Every once in a while though, a word escaped her. Markus
|
|||
|
was telling the old man about her, that she was an exile. She wondered
|
|||
|
why he said that. Did he know the truth about her? Then Markus
|
|||
|
introduced her to Fazil.
|
|||
|
"So, you are a silversmith, eh?" the old man asked her.
|
|||
|
"Yes sir. I would like to show you the pieces I have worked on,"
|
|||
|
she said, rapidly pulling out the jewelry she wanted to show him. "This
|
|||
|
is a chain hip ... I mean, hip chain. These are some of the ear studs I
|
|||
|
have made. And this comb, it is the last piece I made before I came. It
|
|||
|
is engraved with beads," she said.
|
|||
|
"What? Oh, you mean inset," Fazil murmured.
|
|||
|
"Yes," Nila agreed. Her anxiety combined with her weak command of
|
|||
|
Baranurian left her searching for the right words. The old man peered at
|
|||
|
the comb. It was a fairly small silver comb, the top part inset with
|
|||
|
tiny silver beads. More beads hung loose from the lower part in three
|
|||
|
groups of three beads each, so that every movement of the head would
|
|||
|
result in a tinkling sound. It was the kind of comb used by young,
|
|||
|
unmarried girls in Segvaarden. Walking to Fazil's store from the docks,
|
|||
|
she had seen several women with their hair loose. She wondered if this
|
|||
|
comb would be attractive to these women. None of them had worn any
|
|||
|
jewelry that she could see. This seemed very strange to Nila, because
|
|||
|
she had thought that women always wore jewelry.
|
|||
|
"This is good work," he said at length. "But I cannot afford to pay
|
|||
|
you."
|
|||
|
"I will work in exchange for food and board," she offered.
|
|||
|
Fazil was already shaking his head negatively. She cast an
|
|||
|
imploring glance at Markus. He drew the older man away and began to talk
|
|||
|
to him. She could not hear his words, but the cadence and the tone of
|
|||
|
his voice told her that he was persuading. Fazil did interrupt every
|
|||
|
once in a while, but Markus continued without pause. At length, the two
|
|||
|
of them turned to her.
|
|||
|
"All right," Fazil said. "You can stay, for a while. We will see
|
|||
|
after three months. If you work out, then we will see."
|
|||
|
"Thank you, sir, thank you." Nila bowed deeply.
|
|||
|
|
|||
|
"Who goes there?"
|
|||
|
Nila stopped, one foot raised to step into the captain's office in
|
|||
|
the keep, more than a little apprehensive. She stepped back from the
|
|||
|
doorway into the corridor and turned to face her questioner. "I wish to
|
|||
|
see Captain Koren."
|
|||
|
"He has left for the day," the guard said. "What is it you wish to
|
|||
|
see him about?"
|
|||
|
"There was a prisoner arrested this afternoon. I wish to have him
|
|||
|
released."
|
|||
|
"I'm afraid that may not be possible. Let me see if Lieutenant
|
|||
|
Darklen can help you. Please wait here." The guard returned after a few
|
|||
|
moments and led her into another office. A man, much younger than
|
|||
|
Captain Koren, sat in front of a large desk. A small window let in some
|
|||
|
of the outside light, but it didn't do anything for the room. The dark,
|
|||
|
dingy walls made the room seem dreary, and unlit sconces graced the
|
|||
|
wall. Still, the room was clean with not a speck of dust to be seen
|
|||
|
anywhere.
|
|||
|
"May I help you?"
|
|||
|
"Sir, Captain Koren arrested a man in my store this afternoon," she
|
|||
|
began.
|
|||
|
"Are you the silversmith?" he asked. When she nodded, he continued,
|
|||
|
"I understood that the prisoner was arrested because he threatened to
|
|||
|
kill you. He did not answer any of Captain Koren's questions, but I
|
|||
|
haven't interrogated him yet. I don't think that I can release him."
|
|||
|
"There is no need to interrogate him, sir. Captain Markus
|
|||
|
misunderstood his words. It has been a long time since the good captain
|
|||
|
spoke my language, so it is perhaps understandable."
|
|||
|
He stared at her in silence for a moment. "May I ask why you wish
|
|||
|
to have him released? Do you know him?"
|
|||
|
She sighed. Sometimes the people of Dargon were too abrupt. They
|
|||
|
did not follow the dictates of formality. They claimed that being direct
|
|||
|
saved a lot of time. It might have been true, but it left her feeling
|
|||
|
exposed. Formality could save face, and it provided a curtain to hide
|
|||
|
one's emotions behind.
|
|||
|
"He is ... known to me, yes. He merely said that he was surprised
|
|||
|
to see that I was alive. It appears he thought I died when I left the
|
|||
|
shores of my land. Please, release him, sir. He would never hurt me.
|
|||
|
There is no need to arrest him," she said solemnly, trying to control
|
|||
|
the distress that leaked into her voice despite her control.
|
|||
|
"Very well, madam," he replied. "Please wait here."
|
|||
|
After a few moments, the lieutenant returned with his prisoner.
|
|||
|
"Here is the man arrested this afternoon, madam. Since he refused
|
|||
|
to talk, we do not even know his name," Darklen said dryly.
|
|||
|
"Deven, his name is Deven," she swallowed her tumult as the
|
|||
|
prisoner glared at her. "Thank you, Lieutenant Darklen." She turned and
|
|||
|
left, followed by Deven.
|
|||
|
|
|||
|
A long, narrow table lashed together with dryfall stood in the
|
|||
|
center of an area cleared of pine needles and grass. A shallow trench
|
|||
|
circled the table, and Nila stared at it almost blindly. The table
|
|||
|
represented both the end of a life and the beginning of a new one. Deven
|
|||
|
and she had spent bells talking, and when he had explained why he had
|
|||
|
come seeking her, she had at first been stunned and later resigned.
|
|||
|
"Don't be scared, sister," Deven said gently. "This is your right,
|
|||
|
and your duty."
|
|||
|
She looked up at him. Even though she had to look up to meet his
|
|||
|
eyes, he seemed shorter than before to her. Perhaps it was the years in
|
|||
|
Dargon that made her think so: the people of Dargon were, in general,
|
|||
|
taller than those of Segvaarden.
|
|||
|
"I am not scared," she said softly. "I have nothing to fear, Deven.
|
|||
|
Only someone who wants to live is afraid. I wish for nothing. Therefore
|
|||
|
I feel nothing."
|
|||
|
"Climb on to the dais. It will be time soon." He bent and kissed
|
|||
|
her forehead. "I am pleased you have accepted your destiny, sister. It
|
|||
|
will be my privilege to light the pyre," he said softly.
|
|||
|
Nila knew he felt the honor keenly. His voice control was perfect
|
|||
|
and his face was expressionless, but his eyes glittered. The soft voice
|
|||
|
in her mind which still questioned her decision was overwhelmed by his
|
|||
|
emotion. She swallowed, aware that over the past years in Dargon she had
|
|||
|
relaxed her control and her facial expressions were no longer as
|
|||
|
reserved as they ought to have been. Yet Deven said nothing about her
|
|||
|
lack of restraint. She let his affection bury her doubts.
|
|||
|
"Climb, Nila," he urged her, laying a gentle hand on her arm and
|
|||
|
propelling her toward the dais.
|
|||
|
There was no point in hesitating after she had decided, but still
|
|||
|
she knew that a small corner of her mind wavered. She looked at the
|
|||
|
ground around her, seeing the intricate patterns made by the sunlight
|
|||
|
filtering through the canopy of the trees, allowing the designs to
|
|||
|
distract her.
|
|||
|
"Time marches on, sister."
|
|||
|
Nila heard the fondness in his voice. She knew that he was
|
|||
|
entreating her to do this because he genuinely believed this was the
|
|||
|
right thing to do. She deliberately stilled the voice inside her that
|
|||
|
cried halt. This was her choice. In another lifetime she had chosen
|
|||
|
freedom. Now she chose her destiny. She climbed up onto the dais, and
|
|||
|
lay down. The man lit a torch and approached the dais, chanting softly.
|
|||
|
A huge roar interrupted them. "What's going on here?" Markus
|
|||
|
vaulted over the trench and rushed toward the dais, closely followed by
|
|||
|
Koren.
|
|||
|
Nila rose, facing them, and the man turned as well. She gasped in
|
|||
|
surprise. "Captain Koren! Captain Markus! What are you doing here?"
|
|||
|
"You can tell us what's going on here, lass. What's the dais all
|
|||
|
about?"
|
|||
|
"This does not concern you, kind sirs. Please leave," she said
|
|||
|
softly, not meeting their eyes. She did not want to explain what she was
|
|||
|
doing. She didn't even want to think about what she was doing. Deven had
|
|||
|
convinced her that this was better than the utter loneliness of having
|
|||
|
no one who understood the part of her that was Farevlin.
|
|||
|
"Look at me, Nila," Markus stepped up to the dais. Slowly her eyes
|
|||
|
rose and she looked at him. "I've seen constructions like this before.
|
|||
|
What is going on?"
|
|||
|
"Funeral pyre is it," the other man answered in Baranurian.
|
|||
|
"What? Why?" Koren couldn't believe his ears.
|
|||
|
"I am a widow," she said, looking up at the two captains. "I know
|
|||
|
you will understand, Captain Markus. I must fulfill the rites of the
|
|||
|
Sya."
|
|||
|
Markus stared down at her, silenced momentarily. However he
|
|||
|
recovered from his shock almost immediately. "No! I don't believe it.
|
|||
|
The rites of the Sya? Have you forgotten that you live in Dargon now?
|
|||
|
What need is there to follow the Sya? You --"
|
|||
|
Koren interrupted sternly, "What is the rite of the Sya? What does
|
|||
|
it have to do with Mistress Nila being a widow? Markus, explain."
|
|||
|
Unable to stand still, Markus paced up and down in front of the
|
|||
|
pyre. "Segvaardens believe that when people die, their mate should
|
|||
|
follow them into the afterlife. They enter the funeral pyre together.
|
|||
|
The ritual is called the Sya. Apparently Mistress Nila has discovered
|
|||
|
that she is a widow, and has decided that she must follow the rite of
|
|||
|
the Sya."
|
|||
|
"Knew she this already," Deven shouted in Baranurian.
|
|||
|
"Who is this man?" Koren asked. "What was he doing in your store?
|
|||
|
Mistress Nila, you must answer our questions. If what Markus says is
|
|||
|
right, then I don't know what to say. This isn't your land: we do things
|
|||
|
differently here. This," he gestured at the dais, "would be considered
|
|||
|
an act of suicide."
|
|||
|
Nila stared at Koren and then nodded after a moment. "Very well,
|
|||
|
Captain, I will explain." She stepped off the dais and came towards the
|
|||
|
two captains. "My husband had just died when I left Segvaarden over five
|
|||
|
years ago with Captain Markus. We follow the rites of Sya, which Captain
|
|||
|
Markus has explained admirably. I was scared; I didn't want to die. I
|
|||
|
was wrong. Now I am following the ancient ritual in defense of the honor
|
|||
|
of my dynasty. I ask pardon, but I must do the Sya."
|
|||
|
She had left Segvaarden because she had wanted to live and to
|
|||
|
experience the joy of life. Five years of exile had taught her that
|
|||
|
freedom to live did not necessarily come with the joy of life. Yet
|
|||
|
giving up her life did not seem to be as easy as it had been when she
|
|||
|
had lived in Segvaarden.
|
|||
|
"This is ridiculous," Koren said. "Captain Markus is right,
|
|||
|
Mistress Nila. You are here; you have a life here, a business,
|
|||
|
customers, friends. There is no need for you to take your own life."
|
|||
|
She bit her lip in an effort to stop her emotions from showing on
|
|||
|
her face. Her decision to undertake the Sya had been easy compared to
|
|||
|
answering the questions of the only two men she could count as friends.
|
|||
|
The man spoke again. "Heathens! Pagans! How dare you say that? You
|
|||
|
know nothing about honor, you dastardly vellai." He had switched to
|
|||
|
Farevlin, and Nila realized that only Captain Markus had understood
|
|||
|
Deven's words.
|
|||
|
"Who is he?" Koren asked, frowning at the stranger. "What is he
|
|||
|
saying?"
|
|||
|
"This is my cousin, Deven," Nila replied.
|
|||
|
Markus began, "Nila, life is precious, is it not? Isn't that why
|
|||
|
you asked to leave Segvaarden all those years ago? What has changed now,
|
|||
|
that makes you want to give it up?"
|
|||
|
Nila's face took on a strange expression. She began to wring her
|
|||
|
hands, her agitation escaping her control. The arguments tore at her
|
|||
|
already shaky resolve. "Captain Markus, I failed in my duty. I did not
|
|||
|
go with my husband to the afterlife. He is alone there, because I did
|
|||
|
not want to die. I was a coward. I will have to do much penance to
|
|||
|
expiate that. Is that what you want for me? If you are truly my friend,
|
|||
|
you will let me do this."
|
|||
|
"No! A thousand times no," Markus raged. "I am your friend, lass,
|
|||
|
that's why I cannot do this. Let you die? Are you insane? You're not in
|
|||
|
Segvaarden anymore, and I'll see who forces you to do the Sya." He
|
|||
|
glared at Deven, as if daring him to try.
|
|||
|
Koren placed a hand on Markus' arm. Markus looked at him, and the
|
|||
|
other man tilted his head slightly, as if asking Markus to let him try.
|
|||
|
"Enough!" Deven shouted. "Nila, time passes. Ascend the pyre must
|
|||
|
you before the next bell. Miss you this time, wait two sennights you
|
|||
|
will have to." Deven's heavily accented Baranurian was barely
|
|||
|
understandable, and he spoke it as if he were speaking Farevlin.
|
|||
|
Koren replied smoothly, "This is Dargon, in the kingdom of Baranur.
|
|||
|
We don't allow self-immolation here."
|
|||
|
"Captain Koren, please do not do this," Nila pleaded. "I have
|
|||
|
nothing left to do here. I must go to the afterlife."
|
|||
|
"Mistress Nila, you have customers, friends and unfulfilled orders
|
|||
|
you need to finish. If you say you have nothing left to do, that's a
|
|||
|
lie."
|
|||
|
"No, sir, it is not a lie. All my orders are completed. This past
|
|||
|
sennight, that is what I have been doing. The special piece you ordered
|
|||
|
for your niece has been sent to your lodgings. I have completed all my
|
|||
|
work here," Nila said, with a note of finality in her voice.
|
|||
|
"That's not good enough, Nila," Markus said softly. "You owe me,
|
|||
|
lass. I brought you here, I apprenticed you to Fazil. I gave you a new
|
|||
|
life here in Dargon. What's the price for that?"
|
|||
|
"I paid you, captain," she replied sternly.
|
|||
|
Markus' face went red and she winced, knowing she had hurt him. Yet
|
|||
|
she had done it deliberately, hoping that he would leave her to her
|
|||
|
chosen fate.
|
|||
|
"You paid me," he repeated scornfully. "Yes, you paid me to bring
|
|||
|
you here. But what about the apprenticeship? Do you think Fazil would
|
|||
|
have taken you if I hadn't persuaded him? You owe me more than money;
|
|||
|
you owe me ... your life."
|
|||
|
"What do you want from me?" she almost wailed, twisting her hands.
|
|||
|
"Five years ago, I was a coward. I ran away. It is time to face up to my
|
|||
|
destiny now."
|
|||
|
"A coward? You?" Markus exclaimed. "Nila, starting a new life takes
|
|||
|
courage. Building a home, a life, making friends, it all takes courage.
|
|||
|
As for destiny, your destiny was to lead a new life, a second life here
|
|||
|
in Dargon.
|
|||
|
"You died a thousand deaths before ever we came to Dargon," he said
|
|||
|
softly, persuasively. "The Nila who apprenticed to Fazil was not the
|
|||
|
same Nila who left Segvaarden. Do you think giving up your life now will
|
|||
|
change the fact that you chose life over death five years ago? Do you
|
|||
|
think that these years in Dargon have left no mark on you? Are you the
|
|||
|
same person as you were five years ago? Well, are you? Answer me, Nila,
|
|||
|
answer me." His voice rose insistently as he piled question upon
|
|||
|
question.
|
|||
|
A fat tear rolled down Nila's cheek. Her face crumpled for a
|
|||
|
moment, but she rallied herself. Her expression showed just a hint of
|
|||
|
her inner turmoil, although her eyes were filling. She blinked trying to
|
|||
|
stop the tears from falling. Had she changed? Did she believe in value
|
|||
|
of life like these people of Dargon?
|
|||
|
There was silence. A bird twittered, and a tree-rat chittered in
|
|||
|
the trees. A few yellowed leaves floated slowly down. Markus took two
|
|||
|
steps closer to Nila, and his footsteps sounded unnaturally loud in the
|
|||
|
quiet clearing.
|
|||
|
He gripped her arms gently. "Nila, I've known you for twenty years.
|
|||
|
I -- we -- Nila, I can't stand by and watch you die. You're like a
|
|||
|
daughter to me, lass. Listen to me: I was in Hadrom and Segvaarden only
|
|||
|
a few months ago. You're not like them anymore. You're a citizen of
|
|||
|
Dargon now. You've never been scared to face the truth before. Don't
|
|||
|
start now."
|
|||
|
"Yes," said Koren gently. He stepped forward and patted her
|
|||
|
shoulder. "Mistress Nila, I represent the law here, and I can't let you
|
|||
|
do this. But more than that, as a friend, I can't let you do this."
|
|||
|
Nila looked up at both the men towering over her, and another tear
|
|||
|
followed in the wake of the previous. She hiccupped and bit her lower
|
|||
|
lip for control. She exhorted herself to face the truth. The truth was
|
|||
|
that even when she had lived in Segvaarden, she had been different. Her
|
|||
|
beliefs had not been the same as those of other Segvaardens. She had had
|
|||
|
the courage to choose life over death: exile over the Sya. But the price
|
|||
|
for her life had been more than exile, and only now had she discovered
|
|||
|
that.
|
|||
|
"Nila, you must ascend the pyre, now!" Deven commanded in Farevlin.
|
|||
|
"No," she replied in a quavering voice. "No," she repeated, in a
|
|||
|
stronger voice. "I cannot, Deven. They are right. I cannot do this. I
|
|||
|
don't believe the Sya is a good thing, even if I can't believe that the
|
|||
|
Sya is a bad thing."
|
|||
|
"You cannot turn your back on all our traditions," Deven said, his
|
|||
|
voice harsh. "I have searched for you so that you may bring glory to
|
|||
|
your family by embracing your responsibility. Why is it so hard to do
|
|||
|
this? You must not listen to these strangers. I am your cousin and the
|
|||
|
head of your family. You owe duty to me and your dead husband who waits
|
|||
|
for you."
|
|||
|
"Does she owe her death to her family? Is that what her duty is?"
|
|||
|
Markus interrupted.
|
|||
|
Koren looked blank since they were conversing in Farevlin.
|
|||
|
"Speak to me you not," Deven shouted in Baranurian, pointing at
|
|||
|
Markus. He turned to Nila and switched back to his own language. "Well,
|
|||
|
what is your decision?"
|
|||
|
Nila responded in Baranurian, feeling that somehow it was more
|
|||
|
appropriate. "I owe my death to no one, not even my ... husband." She
|
|||
|
stumbled over the word, surprised at the hate that filled her even now.
|
|||
|
The thought that the Sya would enable her to join the man who had
|
|||
|
tormented her was enough to fan the flickering embers of doubt in her
|
|||
|
mind into a flame. "My life is my own. It is a gift that Captain Markus
|
|||
|
gave me." She looked at the older man soberly.
|
|||
|
Deven stared at her as if she had suddenly turned into a snake. "Is
|
|||
|
that your final word?"
|
|||
|
"Yes. I am a citizen of Dargon now." She took a deep breath,
|
|||
|
drawing courage from the approving expression on both the captains'
|
|||
|
faces. While a part of her would forever be Farevlin, the truth was that
|
|||
|
Baranur was her motherland now, and Dargon her home.
|
|||
|
"Very well," he said sternly in Farevlin. He pulled a small
|
|||
|
waterskin from his belt. He poured a few drops into his palm, and let
|
|||
|
the water trail to the ground. "I denounce you, Nila. You are my sister
|
|||
|
no longer. You are dead to us all. You are forever banished, and your
|
|||
|
soul will never be recognized. You are purged from our hearts and our
|
|||
|
history. You are," he paused for one dramatic moment, "no more." He
|
|||
|
turned and walked away.
|
|||
|
"No!" Tears cascaded down Nila's cheeks. She made no move to wipe
|
|||
|
them, and extended one hand uselessly toward the retreating figure from
|
|||
|
her past life.
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
Surfacing
|
|||
|
Part 2
|
|||
|
by Bryan Read
|
|||
|
<bryanr@fuse.net>
|
|||
|
Deber 13, 1018
|
|||
|
|
|||
|
Part 1 of this story was printed in DargonZine 12-7
|
|||
|
|
|||
|
Willis stared blankly at the gatehouse of the Rithius estate from
|
|||
|
within his deep hood. Ornate black iron bars curled and twisted as they
|
|||
|
made up the body of the gate itself, and the family crest was displayed
|
|||
|
in vibrant reds and greens in the center of each of the two swinging
|
|||
|
doors. The crest itself was the size of a footman's shield, its image a
|
|||
|
single war hammer etched beneath a painting of a wingspread eagle over a
|
|||
|
red background. Willis concentrated, but nothing stirred within him, no
|
|||
|
images or memories.
|
|||
|
He shook his head.
|
|||
|
"It is unfortunate you cannot remember, Willis," said Gizzel from
|
|||
|
behind. He sat on a white-speckled gray mare, hood pulled over his bald
|
|||
|
head and hands hidden underneath his heavy cloak. "I had hoped you would
|
|||
|
come to your senses before we arrived. You should not let any of them
|
|||
|
know you have lost your memory, even your father. I can help you that
|
|||
|
much, at least."
|
|||
|
"Why is that?" Willis asked. "Couldn't they help me in remembering
|
|||
|
things?"
|
|||
|
Gizzel smiled ruefully. "You will find out soon enough, Willis.
|
|||
|
Until you understand the way things are here you must keep your
|
|||
|
condition a secret from most. Keep your hood up for now."
|
|||
|
Willis nodded absently and looked to the small guardhouse just
|
|||
|
beyond the gate where two young men stood in conversation. He did not
|
|||
|
recognize them. In fact he did not recognize anything at all. He had
|
|||
|
lived here most of his life, Gizzel had told him, but he recalled none
|
|||
|
of it.
|
|||
|
Their journey had been an uneventful one since the day Gizzel, the
|
|||
|
man sent to bring him back to his family, had found Willis in Dargon.
|
|||
|
His memory lost, Willis had begun a new life at the Inn of the Serpent,
|
|||
|
with Deserae Tamblebuck and her father Ballard. He had run from his
|
|||
|
home, Gizzel had explained, escaping a planned marriage and taking with
|
|||
|
him a woman he had loved. But Maura had died on the journey to Dargon.
|
|||
|
Willis tried to picture her, but the memory was lost; tried to mourn
|
|||
|
her, but nothing stirred inside him. His thoughts constantly drifted to
|
|||
|
Deserae Tamblebuck and the nights he spent with her.
|
|||
|
Nearly a month at sea from Dargon had put them at Port Vergindas on
|
|||
|
the River Banoss in Pyridain; once a Baranurian duchy, it was now
|
|||
|
controlled by the Beinison Empire. Left to Benosian hands after
|
|||
|
Baranur's retreat three years ago, Pyridain's noble families had either
|
|||
|
fled their holdings or had been executed. Only those few that had sworn
|
|||
|
early allegiance to Beinison had been spared. Another three bitter-cold
|
|||
|
fortnights in the saddle had carried them on their way deeper into
|
|||
|
Pyridain to the holdings of House Rithius. The winter months had come
|
|||
|
quickly, it seemed, and a recent light snowfall blanketed much of the
|
|||
|
rocky ground of the countryside.
|
|||
|
"Lieutenant Joaja," Gizzel called stiffly as he moved his mount to
|
|||
|
the gate, leaving Willis several paces behind. "Open the gate."
|
|||
|
The men at the guardhouse looked through the ironwork of the
|
|||
|
gateway and peered at the newcomers a moment before approaching. They
|
|||
|
were soldiers, Willis presumed by their attire. Their swords were short
|
|||
|
and their chain armor was designed almost ceremonially, but otherwise
|
|||
|
they looked dangerous enough. Lieutenant Joaja, the first to reach the
|
|||
|
gate, wrapped his gloved fingers about an iron bar, one hand over the
|
|||
|
other.
|
|||
|
"Back so soon, Gizzel," Joaja said with a grin. The man's speech
|
|||
|
was slurred, not uncommon among the Benosians speaking Baranurian tongue
|
|||
|
in Pyridain. His face was thin and pale under a shortly cropped head of
|
|||
|
hair, and there were several scars on his forehead. "We thought you
|
|||
|
might have run off with some wash-pan whore!"
|
|||
|
The second guard snorted in laughter.
|
|||
|
Gizzel did not reply, but instead tilted his head to one side. The
|
|||
|
movement was hardly noticeable under the hood, but Joaja saw something
|
|||
|
in it that Willis could not from behind. With a muffled curse the guard
|
|||
|
lifted the latch, allowing the gate to split and swing inwards. Willis
|
|||
|
kept his hood forward, but he could feel their eyes on his back as he
|
|||
|
spurred his mount after Gizzel. The uneasy feeling that he had already
|
|||
|
been identified did little to quell the churning of his stomach.
|
|||
|
The roadway leading to the manor through the scrubland was over a
|
|||
|
league, and the sun had nearly set when they arrived at the main
|
|||
|
courtyard. The stable hands took their horses without comment, but not
|
|||
|
without several hesitant looks at Willis. Then Gizzel led Willis into
|
|||
|
the main foyer, a wide circular chamber where several house servants
|
|||
|
immediately emerged to take their cloaks and scarves. The foyer was
|
|||
|
sparsely furnished with high-backed cushioned chairs paired with
|
|||
|
cherry-stained smoking tables, and was illumined by wall-mounted
|
|||
|
lanterns as well as a massive chandelier hanging from the domed ceiling
|
|||
|
that contained several colored windows. A large tapestry depicting lions
|
|||
|
and other exotic animals adorned the wood-paneled wall opposite the
|
|||
|
entrance to the chamber, and thick rugs covered most of the polished
|
|||
|
stone floor.
|
|||
|
"It is so good to see you have returned, Gizzel," a rotund man
|
|||
|
called from the opposite end of the chamber, the lengths of his thinning
|
|||
|
gray hair wisping about his head like fog.
|
|||
|
"That is Kiska Spael, the manor's steward," whispered Gizzel. "Do
|
|||
|
you recognize him?" The steward smoothed his hair with a hand and
|
|||
|
approached hastily, his loose-fitting pants swishing with each step.
|
|||
|
"And I also bid you welcome home, Sir Willis. I am overjoyed at your
|
|||
|
arrival! I will have Mariem prepare your usual if that is to your
|
|||
|
liking."
|
|||
|
Willis had no inkling of who this man was, and had absolutely no
|
|||
|
idea what 'his usual' could be. He simply nodded and smiled at the
|
|||
|
rotund man.
|
|||
|
"I will inform Lady Kay that you have arrived." Kiska turned
|
|||
|
lightly on one heel and disappeared into the shadows of the evening.
|
|||
|
"What is my usual?" Willis asked.
|
|||
|
Gizzel nearly smiled. "Just go up to your chambers and have your
|
|||
|
bath."
|
|||
|
"Where are my chambers?"
|
|||
|
This time the bald man frowned. "I will walk you there."
|
|||
|
They began climbing a set of steps that arced about the curve of
|
|||
|
the wall, eventually winding its way about the entire foyer as it
|
|||
|
climbed. Willis felt like a pebble in this grand room, and he wondered
|
|||
|
at the rich carpeting and satin drapes. Was this home? He lived here? He
|
|||
|
recalled none of it; even the touch of the worn oak railing or the odd
|
|||
|
scent of perfume and spice brought no recognition. An image of the Inn
|
|||
|
of the Serpent's common room brushed over his mind, and Deserae's smile.
|
|||
|
It had been more than two months since he had left Dargon. It seemed
|
|||
|
longer, he reflected, and he wanted to return to hear her voice. They
|
|||
|
had rescued him, after all: Deserae and her father Ballard Tamblebuck.
|
|||
|
He had come to enjoy the familiar faces and places of Dargon, as if he
|
|||
|
had lived there all his life.
|
|||
|
"Your *usual* is normally to entertain several ladies of
|
|||
|
questionable character accompanied by a large supply of wine," Gizzel
|
|||
|
grunted, snapping Willis from his reverie. "I never did see the need for
|
|||
|
it."
|
|||
|
Willis frowned. "I am only entertaining them. I don't have to drink
|
|||
|
any wine."
|
|||
|
"No, Willis. You *entertain* them."
|
|||
|
The young man halted in his climb. "Entertain ..." His eyes grew
|
|||
|
spacious. "But I can't, Gizzel. I won't."
|
|||
|
The older man ushered him up the last few steps. "You truly are not
|
|||
|
the same man, Willis. There may be hope for this family yet."
|
|||
|
They came to a door, obviously leading to Willis' quarters.
|
|||
|
"Just dismiss them when they come to your door. They won't persist;
|
|||
|
they never enjoy it anyway."
|
|||
|
Willis shot him a questioning glance, but it met with the back of
|
|||
|
Gizzel's bald head. The man was already walking back toward the stairs.
|
|||
|
Willis entered his chambers and bolted the door behind him. It was a
|
|||
|
large room, with several high windows and carpeting. A canopied bed laid
|
|||
|
with silk bedding sat in the corner: large and inviting. He was about to
|
|||
|
flop down upon it when a woman suddenly entered the room from an
|
|||
|
adjoining chamber.
|
|||
|
"Oh ..." she stuttered and stopped in her tracks at the sight of
|
|||
|
Willis. "I am very sorry, m'lord. I was going to fetch the soap." She
|
|||
|
was a small woman, approaching the middle years of her life. Her hair
|
|||
|
was touched by gray and her eye-lines creased, but she stood with a
|
|||
|
quiet dignity.
|
|||
|
Willis remained silent, unsure how to reply. Her nervousness was
|
|||
|
quite apparent, almost to the point of outright fear, and he wondered if
|
|||
|
his was as plain to her. Was she afraid of him? Was Willis Rithius a
|
|||
|
cruel man? He walked slowly toward her, and she nearly flinched when he
|
|||
|
came to a stop at arms length.
|
|||
|
"Well, then," he replied, picking his words carefully. "You'd
|
|||
|
better see to it quickly, Mariem."
|
|||
|
She nodded instantly. "Yes, m'lord." Then she was out the door.
|
|||
|
Willis let out a long breath. He could feel his heart pounding
|
|||
|
within his chest. What was he doing here? Was this even his real family?
|
|||
|
He glanced down at the tattoo on his palm, its black lines woven like a
|
|||
|
web. What did this mean? A family mark? Asking Gizzel on their journey
|
|||
|
produced only quick changes in subject of conversation, and he had not
|
|||
|
seen the pattern anywhere else in the manor or on the grounds. A light
|
|||
|
knock sounded on the door. Mariem entered quickly and continued directly
|
|||
|
to the bathing chamber after he opened the door. A moment later she was
|
|||
|
passing through the bedroom towards the exit.
|
|||
|
"Mariem," Willis said, causing her to stop. "Would you show me your
|
|||
|
hands?"
|
|||
|
She gave him an odd look, but did not hesitate, holding her hands
|
|||
|
out before him. He took them and turned them over, revealing small worn
|
|||
|
palms, slightly shivering, he noted. No markings. Just an old woman's
|
|||
|
hands. He let them go, but they remained held out before him, her eyes
|
|||
|
downcast to the carpeting.
|
|||
|
"Do I frighten you?"
|
|||
|
"No, m'lord," she replied hastily, her voice tight. "I am just cold
|
|||
|
is all. Just a little cold with the winter here and all."
|
|||
|
Slowly, he nodded. "Thank you, Mariem," he said quietly, and she
|
|||
|
backed out the door after a small curtsy.
|
|||
|
The smell of perfumed oils permeated from the room beyond that held
|
|||
|
his bath, and he was quick to bolt the door once more and strip down. As
|
|||
|
he slid into the hot bathwater of the tub he sighed and closed his eyes.
|
|||
|
The only things familiar were the images of Deserae that kept filling
|
|||
|
his head.
|
|||
|
|
|||
|
The lanterns were dim when Willis descended the stairs to the
|
|||
|
circular foyer, the chandelier dark, and the chamber seemed an empty
|
|||
|
expanse of shadow. Sounds of conversation echoed softly from several
|
|||
|
hallways that spoked from the room, though he could make out nothing of
|
|||
|
what was said. A man in black and white livery had knocked on the door
|
|||
|
not long after Willis had dressed in the fine silk shirt and breeches
|
|||
|
that were spread on the bed when he emerged from the bath. He was to
|
|||
|
escort Willis to the Library Hall, the servant had said with a bow, his
|
|||
|
voice sullen. All Willis could do was follow.
|
|||
|
As he descended the stairs he wondered how the clothes had managed
|
|||
|
to get on his bed. Hadn't he bolted the door? They had not been there
|
|||
|
when he first entered the quarters. And then there had been the
|
|||
|
*entertainment*, as Gizzel had so casually phrased it.
|
|||
|
"Never enjoy it!" he muttered under his breath. The six women that
|
|||
|
had appeared as he was getting dressed had seemed ready to pounce on
|
|||
|
him. They surely would have if he had not flushed and herded them out of
|
|||
|
the room, slamming the door after them. They must have taken his
|
|||
|
reaction for anger, not the flustered embarrassment that it was, for
|
|||
|
they were nowhere to be seen presently.
|
|||
|
He was sure he had bolted that lock shut.
|
|||
|
Following the silent servant, Willis moved toward the voices. They
|
|||
|
traveled a long hallway that seemed to curve slightly, peering at the
|
|||
|
occasional tapestry and an empty suit of armor that stood watching him
|
|||
|
pass. Doorways led from the corridor sporadically as they walked, but
|
|||
|
the servant stayed his course until the voices were loud enough to make
|
|||
|
out.
|
|||
|
Suddenly he emerged into a brightly lit chamber with oak paneled
|
|||
|
walls and high ceiling. The gray of pipe smoke hung in the air above a
|
|||
|
massive oak table, and several people sat around it engaged in
|
|||
|
conversation. What Willis took for a wall at first glance, he realized,
|
|||
|
was a bookshelf with only half its lower shelves containing tomes and
|
|||
|
bound parchment. A figure moved to his right. A man, gray at the temples
|
|||
|
and donning a long golden silk robe, waved a hand as he read a small
|
|||
|
tome, beckoning Willis to join him at a small sitting table matched with
|
|||
|
a pair of padded lounge chairs.
|
|||
|
"Well, Willis," the man said when Willis approached, his voice deep
|
|||
|
and amused, "You have finally decided to come back to your family. I
|
|||
|
have been told you were found in Dargon? Mm. Such a dirty city, that
|
|||
|
one. I was there as a young lad several times. But that you know, of
|
|||
|
course."
|
|||
|
The man barely looked up from the book he was reading as he spoke,
|
|||
|
but gestured for Willis to sit. It was a comfortable chair, Willis
|
|||
|
thought. But he could think of nothing else.
|
|||
|
"Have you spoken to your mother?" His voice carried deeply, though
|
|||
|
his eyes rarely lifted from the book.
|
|||
|
"No," Willis replied with a shake of his head. "Is this my father?"
|
|||
|
he wondered to himself.
|
|||
|
"Well, you should not keep her waiting. You know how she gets when
|
|||
|
you're late for her sitting. I had young Kindivan fetch you because I
|
|||
|
had assumed your mother had already seen you."
|
|||
|
Just then Gizzel entered the library. The brown robes Willis had
|
|||
|
grown accustomed to seeing him in were replaced by breeches and tunic.
|
|||
|
His sword, as always, was belted at his hip. The bald man's jaw
|
|||
|
stiffened when he saw Willis and the gray-haired man seated together,
|
|||
|
and he instantly strode over to them.
|
|||
|
"Ah, Gizzel," the man said with a slight smile. "Just in time.
|
|||
|
Willis here has been neglecting his mother so it seems. Be so kind as to
|
|||
|
escort him to her sitting room."
|
|||
|
Gizzel gave a slight bow -- its level was carefully measured,
|
|||
|
Willis noted -- and gestured for Willis to follow. "Do you need
|
|||
|
anything, my lord?" he asked the man curtly.
|
|||
|
The man simply smiled and went back to his book.
|
|||
|
"Was that my father?" Willis stammered once they reached the
|
|||
|
hallway.
|
|||
|
Gizzel sniffed. "That was your uncle Tavram Bi'shor, Willis. You
|
|||
|
were never close to him. He has several ... hobbies I will call them,
|
|||
|
that do not agree even with you."
|
|||
|
"Even with you," Willis repeated silently in his mind. What exactly
|
|||
|
did 'even with you' mean? What had his hobbies been in this manor?
|
|||
|
By his sour tone Tavram's hobbies did not agree with Gizzel either,
|
|||
|
Willis observed as they turned into a slightly narrower corridor.
|
|||
|
"Your mother is not pleased with you, Willis, nor is your father,
|
|||
|
though he rarely comes out of his stupor to say so."
|
|||
|
Willis glanced questioningly at the bald man, but Gizzel continued
|
|||
|
on.
|
|||
|
"Lady Kay, your mother, runs the household, controls the assets as
|
|||
|
well as the guard, and tolerates no insolence. Your father has been
|
|||
|
bedridden since the end of the war. House Rithius needs an heir and you
|
|||
|
are it. She has not forgotten about the marriage with House Quikuches,
|
|||
|
and you are expected to perform your duty. Do not speak of your father;
|
|||
|
you never did. To do so now would show Lady Kay you are not yourself.
|
|||
|
She has brought the house to power, but at a cost, Willis. Your father
|
|||
|
would weep to see it if he were well."
|
|||
|
"What is wrong with him?"
|
|||
|
"... it will have to do. Steps must be taken to assure ..."
|
|||
|
Lady Kay stopped short when Gizzel entered the room, followed by
|
|||
|
Willis. Her gaze scoured over her son with silent malevolence, her dark,
|
|||
|
green eyes hard and obviously unforgiving. Black hair fell whip-like
|
|||
|
down over her powder-paled cheeks, cut in an angular fashion so that it
|
|||
|
shortened as it moved to the back of her slender neck. She wore a deep
|
|||
|
emerald green velvet gown, cut low in the bosom and frilled with lace,
|
|||
|
and her fingers glittered with several rings of silver. A woman in her
|
|||
|
mature years, Lady Kay still held the beauty of her youth, with smooth
|
|||
|
pale skin and a creaseless face. She gracefully rose to her feet upon
|
|||
|
their entry, dismissing with a curt wave a young man in robes who exited
|
|||
|
immediately.
|
|||
|
"Are you well, Willis?" she asked. Her voice was softer than the
|
|||
|
silk she wore, graceful and elegant, yet seductive and sinister at the
|
|||
|
same time. Willis continued toward the small cluster of velvet chairs in
|
|||
|
the room only because Gizzel did, and he sat when Lady Kay gestured,
|
|||
|
though Gizzel received no such gesture and remained standing.
|
|||
|
"I feel well, Mother," he answered as he sat.
|
|||
|
"You have grown your hair," she said, her lips twitching in a thin
|
|||
|
smile. "Do you think Theria will like it?"
|
|||
|
Theria? The bride maybe? "I don't know if she will."
|
|||
|
"Let us hope she does, Willis." Her voice was hard now. "The future
|
|||
|
of House Rithius depends on it! Your little ... adventure, has cost us
|
|||
|
much. Lord Kipiqin Quikuches is not pleased at the delay. Do you think
|
|||
|
he will wait forever?"
|
|||
|
Willis felt the sweat glisten on his face. So he was a pawn, a
|
|||
|
piece of her puzzle that would lead to a stronger house. He did not even
|
|||
|
know who Theria was, let alone House Quikuches. He was here to discover
|
|||
|
himself, to see who he had been. That was all, he reminded himself. His
|
|||
|
face remained blank, mainly because he could think of nothing to say.
|
|||
|
This was not at all what he had expected of his family. Everything
|
|||
|
seemed so tense here, about to snap like some frayed bowstring.
|
|||
|
"At least Maura, that little wretch, is drowned like most of her
|
|||
|
kind should be!" It was a moment before he realized she had not meant
|
|||
|
Deserae, but the Maura he had left Pyridain with, the girl he could no
|
|||
|
longer remember. His face had already formed a glare though, so he let
|
|||
|
it linger.
|
|||
|
"Ah," she sneered, though it seemed not to lessen her stature. "You
|
|||
|
wish to blame anyone but yourself for that mishap, yes? Well, boy, you
|
|||
|
will learn that there are consequences to pay for such inept behavior."
|
|||
|
Willis could not suppress the roll in his stomach. This could not
|
|||
|
be his family! He had to get away from here! A glance at Gizzel showed
|
|||
|
the bald man studying his boots. Why she had not dismissed him, Willis
|
|||
|
did not know, but he was somehow glad of the man's silent company, even
|
|||
|
if Gizzel had been the one to take him from his new life in Dargon.
|
|||
|
"I will not marry this Theria," he stated, his voice not all
|
|||
|
steady. "I have no wish to live here."
|
|||
|
Lady Kay cackled maniacally.
|
|||
|
"Is everyone here mad?" he thought.
|
|||
|
"You think you have a choice?" she asked, standing from her chair.
|
|||
|
"I know about your little whore back in Dargon, Willis! I know more than
|
|||
|
you think. No, don't bother to look at Gizzel. I did not even have to
|
|||
|
listen to his report. I have other sources more reliable."
|
|||
|
That remark did seem to make Gizzel stiffen.
|
|||
|
"Do not think yourself a hero, Willis. You may be of the Order of
|
|||
|
the Dragon, but you are merely a helpless boy against the house. If you
|
|||
|
run again, it takes but a pigeon flight to still the heart of your
|
|||
|
beloved Deserae!"
|
|||
|
Willis thought he might scream. He stood, toppling the chair,
|
|||
|
facing the woman squarely. Anger filled him like a furnace and his fists
|
|||
|
were clenched white. Gizzel was looking at him now, his face tight, his
|
|||
|
hands twitching.
|
|||
|
"If you harm her you will die," Willis hissed.
|
|||
|
Lady Kay Rithius stepped back, but her composure remained. "You
|
|||
|
know me, Willis. You know I will keep my word. You will marry Theria and
|
|||
|
no harm will come to Deserae Tamblebuck."
|
|||
|
Willis turned and left the room. Gizzel did not follow.
|
|||
|
|
|||
|
Willis blinked at the pale light of the dawn slashing through the
|
|||
|
crack in the drapes. Sleep had not come easily the night before, and
|
|||
|
when he finally had succumbed he had dreamed of strange things, strange
|
|||
|
people, and places he had never seen. Memories or dreams? The morning
|
|||
|
made him think of Ballard Tamblebuck. The old innkeeper would be
|
|||
|
standing at the window now, watching the sun crest Dargon's cluttered
|
|||
|
horizon as he did every day. And Deserae. The blankets at his side were
|
|||
|
not warm as they had been so many mornings in Dargon. He could not hear
|
|||
|
her soft breathing, could not smell her hair or touch her face.
|
|||
|
"If she is harmed you will die."
|
|||
|
Slowly, he sat up in the canopied bed. Had he said that? He had
|
|||
|
never said such words in his life. Or had he? Could it be the real
|
|||
|
Willis Rithius breaking the surface? He could not stay here. The vile
|
|||
|
feel of this place made him shiver, and his mother ... his mother! Gods,
|
|||
|
he would rather have had no mother! Dimly he remembered what Lady Kay
|
|||
|
had said.
|
|||
|
"You may be of the Order of the Dragon, but you are merely a
|
|||
|
helpless boy against the house."
|
|||
|
The Order of the Dragon. He looked to the web pattern tattooed on
|
|||
|
his palm. Could it be the sign of this order? He would make a point to
|
|||
|
ask Gizzel before he left this place. Mariem had entered the room,
|
|||
|
though he was sure he had bolted the lock before he'd slept, and had
|
|||
|
left clean wash water and a breakfast of fruits, cheese, and a fresh
|
|||
|
loaf of oddly dark bread. It stirred his hunger and he ate quickly after
|
|||
|
dressing in the new clothes that had been left in his cabinet, finishing
|
|||
|
the bread as a knock sounded on the door.
|
|||
|
Tavram Bi'Shor entered quietly, a scarlet-colored robe cinched at
|
|||
|
the waist by white sash. He looked quite pleasant as he shut the door
|
|||
|
behind him, and walked over to the table where Willis sat. The man did
|
|||
|
not wait for an invitation to sit. He pulled up a chair and sat down,
|
|||
|
crossing his legs at the ankles.
|
|||
|
"You slept well, Willis?"
|
|||
|
Willis shrugged. "I slept fine."
|
|||
|
Tavram nodded slightly. "I want to know why you came back, Willis.
|
|||
|
Why did you let Gizzel bring you back?"
|
|||
|
That was a question Willis was not remotely prepared to answer. It
|
|||
|
had never occurred to him that someone might want to know why he had
|
|||
|
come back. What could he say? That he wanted to see where he had come
|
|||
|
from? He couldn't remember his family? Couldn't remember himself? That
|
|||
|
would surely bring the vultures of this place down upon him. And he was
|
|||
|
sure there were vultures. The fact that his uncle was here gave him that
|
|||
|
proof.
|
|||
|
"Would you rather I hadn't returned, uncle?"
|
|||
|
The reply made his uncle smile broadly. It was a fatherly smile,
|
|||
|
yet it lacked that genuineness that would have made it legitimate. A
|
|||
|
facade, and Willis recognized it instantly, though he could not tell
|
|||
|
how. His uncle wanted something. Most likely he had plans for the house,
|
|||
|
plans that had been formed to exclude Willis and his birthright. Willis
|
|||
|
didn't care about his birthright, but it was obvious that Tavram Bi'Shor
|
|||
|
thought he did. Was the Rithius family plotting amongst itself as well?
|
|||
|
"My boy," Tavram began, "I am as glad as anyone that you have
|
|||
|
returned to the house. I am simply curious as to why you let Gizzel find
|
|||
|
you. I am sure you let him. You are not the type to simply be found when
|
|||
|
you are hiding."
|
|||
|
"I am here, uncle," Willis said, hoping to put an end to the
|
|||
|
subject. "But I will not marry this Theria."
|
|||
|
"Come now. You speak as if you have never met the girl. You should
|
|||
|
have come to me, Willis. You know as well as I do that this marriage is
|
|||
|
not good for the house. We will be eaten up by the Quikuches. Slowly at
|
|||
|
first, but eventually key members of the Rithius family will disappear
|
|||
|
or have sudden accidents. Our line will fade away and leave only the
|
|||
|
cursed Quikuches to take what we have built!"
|
|||
|
Tavram Bi'Shor was quite emphatic as he made his ploy to gain
|
|||
|
Willis as an ally. His eyes were wide with vigor, and he wrung his hands
|
|||
|
as he spoke. The man seemed genuinely distraught, and it was possible,
|
|||
|
Willis presumed, that he was not lying. It was only moments, however,
|
|||
|
before his uncle had returned to his earlier serenity. He gave a rueful
|
|||
|
shrug and smile.
|
|||
|
"Now you know where I stand, Willis. You may go to your mother, who
|
|||
|
will only bring ruin to this family, or you can listen to what I have to
|
|||
|
say and save your future. You are the only heir. You must realize you
|
|||
|
would be Kipiqin's first target in his bid to control the house."
|
|||
|
"Actually makes sense," Willis thought to himself. But he was not
|
|||
|
foolish enough to think he could trust this man. He doubted he could
|
|||
|
trust anyone in his family, including Gizzel. It was obvious from the
|
|||
|
previous evening that his uncle had waited for him to speak to his
|
|||
|
mother before approaching, undoubtedly because he knew Lady Kay and
|
|||
|
Willis would not have had an agreeable reunion. Then, like the very
|
|||
|
vultures Willis had expected, Tavram had come to make his pitch.
|
|||
|
"I will think on your words, uncle," he replied.
|
|||
|
When Willis did not elaborate, Tavram Bi'Shor rose from his chair
|
|||
|
and gave his nephew a nod of acquiescence. "I hoped we might continue
|
|||
|
our discussion after the evening meal over a pipe."
|
|||
|
Willis gave a quiet nod and his uncle moved to open the door.
|
|||
|
"One other thing, Willis," his uncle said in a low voice. "Joaja
|
|||
|
knows you have returned. You must watch where you take yourself after
|
|||
|
dark. He has not forgotten your last encounter." Then he was gone.
|
|||
|
Joaja? The guard at the front gate? What could he have done to a house
|
|||
|
guard? He took a deep breath. His past seemed a dark cesspool of
|
|||
|
deception and trickery. Was there no end to the arrogance in his family?
|
|||
|
Was everyone of his blood so villainous? No wonder he had run from here.
|
|||
|
He rose from his chair and exited his chambers, passing the
|
|||
|
steward, Kiska Spael. The man bowed lightly as Willis passed. Kiska was
|
|||
|
an odd character, Willis decided. He was very darkly tanned, not pale
|
|||
|
like the people of Baranur, and even darker in skin than the people of
|
|||
|
Beinison, and he wore baggy breeches with strange designs sewn down the
|
|||
|
sides. Kiska Spael seemed the only normal thing in the manor, as odd as
|
|||
|
he was.
|
|||
|
Willis met no one as he made his way to the stairs, though voices
|
|||
|
carried from the main foyer below. Stealthily he moved to the stairs and
|
|||
|
peered around the corner of the solid railing of the hall that
|
|||
|
overlooked the foyer. Three men were receiving orders from Lady Kay,
|
|||
|
their garb thick and suited for travel. They wore swords as well. Idly
|
|||
|
he wondered where he could get a sword. He could feel his hand twitch
|
|||
|
almost involuntarily.
|
|||
|
Willis waited until the men departed and Lady Kay had moved into
|
|||
|
the inner corridors of the manor before he descended the wide stairway
|
|||
|
into the foyer. The light was bright through a series of stained windows
|
|||
|
in the domed ceiling and the manor seemed alive -- a heavy contrast from
|
|||
|
they way it had looked when he arrived. Still, he felt as chilled here
|
|||
|
as he had on the ride from Port Vergindas on the river. He went out the
|
|||
|
main entrance and emerged into a broad courtyard that was lightly
|
|||
|
blanketed with new snow. He instantly felt the cold of the winter
|
|||
|
morning, and it made him shiver.
|
|||
|
"I don't belong here," he thought to himself after staring at the
|
|||
|
pale azure sky for a time. "My family is back in Dargon."
|
|||
|
"I must talk with you, Willis."
|
|||
|
Willis turned to meet Gizzel, who had followed him outside. Oddly
|
|||
|
enough he had known that Gizzel had been standing there long before the
|
|||
|
man had spoken.
|
|||
|
"You finally want to talk to me, Gizzel? It's been more than two
|
|||
|
months and here I am, in the middle of this nightmare. You knew what was
|
|||
|
here, Gizzel. You knew all I along what I'd find!"
|
|||
|
The bald man was silent a moment. Then he said, "I thought you had
|
|||
|
changed, Willis. I was doing what was best for the house. You should not
|
|||
|
have left. You could have brought your mother back from this lunacy of a
|
|||
|
marriage. House Rithius will fall under the Quikuches shadow and we will
|
|||
|
be worse off than we are now."
|
|||
|
"You should have left me in Dargon. I can't do anything. I don't
|
|||
|
remember anything!"
|
|||
|
The bald man rubbed his head. "You must understand, Willis. I am a
|
|||
|
defender of the house. Anything that threatens the house answers to me.
|
|||
|
I will not put the house in jeopardy, no matter what is happening. I
|
|||
|
gave my oath. There were reasons I told you nothing until now, but they
|
|||
|
are my reasons. I have helped you as much as I was able."
|
|||
|
"Tell me, then," Willis muttered "Tell me who I am. Or do you have
|
|||
|
a scheme like everyone else here?"
|
|||
|
"Just listen to me," Gizzel replied. "You are the son of Lady Kay
|
|||
|
and Lord Choendor Rithius. You father fell ill after the war and has
|
|||
|
been kept to his bed for years. House Rithius is a noble family of
|
|||
|
Pyridain, but has kept much of its power the past three years by allying
|
|||
|
itself to certain high-standing Benosian houses. To further solidify
|
|||
|
that power, Lady Kay has arranged a marriage to Theria of House
|
|||
|
Quikuches. House Quikuches is a high standing family in Beinison. Lady
|
|||
|
Kay's want of power has become an obsession, Willis. That is why she is
|
|||
|
so adamant."
|
|||
|
"I thought you said I was Baranurian, Gizzel." Willis was
|
|||
|
suspicious of anything concerning his family now.
|
|||
|
"That's what makes this even more important to her, Willis. House
|
|||
|
Rithius is Baranurian, but during the onset of the war it made its
|
|||
|
allegiance to Beinison. Pyridain is no longer in Baranurian hands. This
|
|||
|
house has had little standing because of its ancestry, but Lady Kay has
|
|||
|
found ways to strengthen us, though I cannot say I agree with her
|
|||
|
methods. Being the dog for the larger houses means we carry out the
|
|||
|
tasks of more questionable legality."
|
|||
|
Willis felt his anger rising once more. "And you go along with
|
|||
|
that, and even bring me here to join in it? I'll have no part of it!"
|
|||
|
Gizzel was quiet a moment. "I want you to bring the house back to
|
|||
|
what it was, Willis. Lady Kay will destroy us." The bald man seemed
|
|||
|
flustered, even offended "You left because you defied your mother and
|
|||
|
refused her wishes. But you should have opposed her."
|
|||
|
"She is not my mother," Willis said faintly. "She will never be my
|
|||
|
mother."
|
|||
|
Gizzel remained silent.
|
|||
|
"Back in Dargon you told me I had brothers, Gizzel. Where are
|
|||
|
they?"
|
|||
|
Gizzel looked to the horizon. "They have been exiled, Willis. They
|
|||
|
tried to oust your mother from the house after it became apparent you
|
|||
|
would not return to claim your birthright. Your father was already
|
|||
|
bedridden when it happened. They were lucky that Lady Kay did not
|
|||
|
execute them."
|
|||
|
Willis shook his head sadly. Just another poison in a pit of
|
|||
|
snakes. This was his family, bleak and twisted. "What is the Order of
|
|||
|
the Dragon?" he asked.
|
|||
|
The bald man breathed deeply, as if he had been expecting the
|
|||
|
question. "We are of the order, you and I, as were your brothers. We
|
|||
|
stand for Beinison. We are masters of the blade and soldiers of its army
|
|||
|
in the name of the house."
|
|||
|
Willis had no memories of even lifting a sword. "Is this," he held
|
|||
|
out his palm, "the mark of the order?"
|
|||
|
Gizzel nodded slightly. "You were pledged to the Emperor. It was
|
|||
|
done before he was assassinated, as an oath of allegiance. He demanded
|
|||
|
it of all Choendor<6F>s sons. I was also pledged."
|
|||
|
"The old Willis was pledged to the Emperor," Willis muttered. "I am
|
|||
|
not that same man, Gizzel."
|
|||
|
The bald man simply nodded again.
|
|||
|
"I am leaving this place."
|
|||
|
Gizzel frowned. "Not wise, Willis. Lady Kay knows of Deserae. She
|
|||
|
knows almost everything. She will not let you go."
|
|||
|
"She can't be serious about what she said. Not about what she would
|
|||
|
do."
|
|||
|
"Maybe not a pigeon flight. She may have connections that far away,
|
|||
|
but certainly not an assassin in Dargon. Though she does have other
|
|||
|
means to carry out her threat." Gizzel moved to the doors leading into
|
|||
|
the foyer. "I fear Lady Kay is growing desperate, Willis. You draw her
|
|||
|
to the edge." Then he was gone.
|
|||
|
Willis ran his hands through his hair. He had to get out of here.
|
|||
|
He waited for Gizzel to leave before he moved to the door and stuck his
|
|||
|
head into the foyer. A servant was hurrying up the stairs, but he saw no
|
|||
|
one else, so made his way through the chamber and into the same hallway
|
|||
|
he had traversed the previous night. He walked for several menes before
|
|||
|
he found what he sought.
|
|||
|
The standing suit of armor and sword in scabbard were where he
|
|||
|
remembered them to be. Willis took the belt and pulled a hand's width of
|
|||
|
blade from the scabbard to note it was freshly oiled and not merely
|
|||
|
meant for display. As he fastened the belt about his waist so that the
|
|||
|
scabbard hung at his hip, the action felt oddly familiar; intimate.
|
|||
|
Steeling himself with a deep breath he strode back toward the foyer,
|
|||
|
intent on reaching the stables.
|
|||
|
"And just what are you doing wandering about the manor with a
|
|||
|
sword, Willis?" came a cold voice from behind. Lady Kay stood in the
|
|||
|
hallway with Tavram Bi'Shor. They had obviously stumbled upon him during
|
|||
|
a morning discussion.
|
|||
|
"I am leaving," he announced as he turned back from the archway of
|
|||
|
the main foyer to face them.
|
|||
|
Lady Kay raised her thin brows while Tavram chuckled.
|
|||
|
"No one simply leaves the house, boy," Tavram said. "You of all
|
|||
|
people should know that now. Come, sit and share a pipe. We can discuss
|
|||
|
your wedding."
|
|||
|
Willis knew his uncle's words were said merely for Lady Kay; he
|
|||
|
could see the sparkle of glee in the man's eyes. Tavram Bi'Shor would be
|
|||
|
able to resume his plans -- whatever dark plans they were -- with Willis
|
|||
|
gone and his brothers exiled.
|
|||
|
"You will let me leave, Lady Kay," Willis stated flatly. He would
|
|||
|
not say 'mother'. Never 'mother'. "You will let me leave and live my
|
|||
|
life." The way the woman smiled made Willis fume. He nearly drew his
|
|||
|
blade then and there. Instead he clenched his fists. "If you think to
|
|||
|
hurt Deserae you will have to kill me."
|
|||
|
"But, my dear Willis," she said with mock sincerity, "I have
|
|||
|
already arranged for her to meet three of your cousins. Dargon holds
|
|||
|
nothing for you now."
|
|||
|
The possibilities in such a statement did not take long to settle
|
|||
|
upon him. Deserae flashed in his mind. The men in the foyer that
|
|||
|
morning!
|
|||
|
"Damn you!" Willis roared. "Damn you to Eilli-Syk!" He ran. He ran
|
|||
|
through the foyer, past servants he did not recognize, and into the
|
|||
|
inner-courtyard that was bitter cold. The winter air made him draw a
|
|||
|
breath, and in his silk shirt he stood trembling; from cold or rage he
|
|||
|
could not tell. He looked about and saw the stables he had came to on
|
|||
|
their arrival. He had to get out of here! Had to stop them!
|
|||
|
The stable hand was standing in the open gateway of the stables,
|
|||
|
and his eyes grew wide as Willis glared at him. Joaja, the guard he had
|
|||
|
seen at the gate, stood behind the boy, arms folded over his chest. He
|
|||
|
stood in an iron breastplate and gauntlets, a thick cloak draped over
|
|||
|
his shoulders.
|
|||
|
"Out of the way, boy," he said and pushed the stable hand to one
|
|||
|
side roughly. "He is not permitted to leave the manor." Then he grinned
|
|||
|
mirthlessly. "I have been waiting for this."
|
|||
|
Willis had a hand to the hilt of his sword before he realized what
|
|||
|
he was doing. "I have no fight with you. Get out of my way." Something
|
|||
|
told him to strike, to be finished with this.
|
|||
|
"You have no fight with me?" he replied incredulously. "You have no
|
|||
|
fight with me? I will teach you not to walk over me. I told you that
|
|||
|
would be the last time you slight me. Baranurian scum!"
|
|||
|
Willis felt a twinge of dark humor in Joaja's words. He was going
|
|||
|
to duel this man for something he did not remember doing. But his horse
|
|||
|
was within sight. Every moment Lady Kay's assassins moved closer to
|
|||
|
Dargon and Deserae.
|
|||
|
Willis snarled and drew his blade, advancing on the guard with
|
|||
|
graceful strides. It was like a dance he had stepped to so many times
|
|||
|
before. His heart raced, his entire body was poised. The sword felt like
|
|||
|
an old friend in his hand: an old trustworthy friend. His mind was
|
|||
|
crisp, pulled by the anticipation of combat.
|
|||
|
Strike, something told him. Strike!
|
|||
|
Swords clashed as the two men closed. It was as if he had done this
|
|||
|
a thousand times before. Willis parried and struck. He used forms of
|
|||
|
attack that came to him only an instant before the act, and defensive
|
|||
|
maneuvers that seemed born of habit. Joaja was an adept swordsman, as
|
|||
|
well, and the two men were locked in battle for menes before they
|
|||
|
parted, glaring at each other and panting.
|
|||
|
Without a word Joaja lunged, his blade sliding in just clear of
|
|||
|
Willis' ribs. Willis saw the opportunity as naturally as he would have
|
|||
|
seen a door swing wide open. He twirled on the ball of one foot and
|
|||
|
brought the blade in a downward swing in one motion. It buried itself in
|
|||
|
Joaja's neck with a sickening crunch, but did not sever all the way. The
|
|||
|
body fell to the snow, lifeblood spilling a dark stain beneath it.
|
|||
|
"What have you done?" Gizzel cried as he ran to the scene from the
|
|||
|
courtyard. "Willis!"
|
|||
|
Willis stood before the body, teetering on the cusp of sanity. His
|
|||
|
mind was alive, overwhelmed. Memories flooded into him like a torrent,
|
|||
|
washing over everything, burning his soul. He could feel who he had
|
|||
|
been; the violence, the dark thoughts that had once flowed though him
|
|||
|
were like poison. Images seared through him, of Lady Kay, his father
|
|||
|
wasting away from a rotting disease, others of the manor that he now
|
|||
|
recognized. And what he knew of himself made him sick to his very core.
|
|||
|
The tortures, the killings, all in the name of the house. Corrupt, all
|
|||
|
of it. Even him.
|
|||
|
Then Maura screamed at him to save her, to pull her back to the
|
|||
|
deck. He tried, gods how he had tried to save her! The salt water stung
|
|||
|
his eyes, loosened his grip, made him slip to the deck under a crashing
|
|||
|
wave. He saw an empty hand. Gone. He had lost her.
|
|||
|
Joaja glared at him. Glared at Maura as she and Willis fled from
|
|||
|
the manor. "You took her from me, Baranurian scum!" he wailed. "The only
|
|||
|
thing I had and you took her from me! Never again! You'll die next time
|
|||
|
we meet! Hear me, Willis!"
|
|||
|
Willis crumpled to the ground, kneeling numbly at the corpse before
|
|||
|
him. It was too much to bear. The evil of his past life held him like
|
|||
|
old chains. He would never escape it now. Never escape knowing the
|
|||
|
things he had done.
|
|||
|
A hand gripped his shoulder.
|
|||
|
"Willis, get up will you?" Gizzel hauled Willis to his feet. "Get
|
|||
|
up and get out of here. Lady Kay has sent the Red Troupe to Dargon,
|
|||
|
Willis. I just heard of it! You have to go after them."
|
|||
|
Willis nodded mutely, looking into his old friend's eyes. He saw no
|
|||
|
corruption there. He saw a man that had helped him. Recognition flashed
|
|||
|
in the young man's gaze.
|
|||
|
"We were friends, damn you! Can't you remember that?" Gizzel
|
|||
|
exclaimed.
|
|||
|
Willis looked about, down at the corpse, at the stable hand that
|
|||
|
stood terrified only several paces away. Then the boy disappeared into
|
|||
|
the shadows of the stables. His head began to clear.
|
|||
|
His horse. He had wanted his horse.
|
|||
|
"You will need a coat and supplies," Gizzel said as he pulled
|
|||
|
Willis into the stables and up to his mount. He went deeper into the
|
|||
|
stables, emerging several moments later with a thick cloak and gloves,
|
|||
|
and a bundle that he tied to the saddle.
|
|||
|
Willis turned and stared at the man who had taken him from Dargon
|
|||
|
so many sennights ago. There was something different about him, about
|
|||
|
his eyes. Shame. He was betraying the house, betraying his oath by
|
|||
|
helping him get away from the manor.
|
|||
|
"You do remember, don't you?" Gizzel said softly.
|
|||
|
With a nod he put a hand to Gizzel's shoulder. "I do, my friend."
|
|||
|
Suddenly he realized he still held the sword and sheathed it
|
|||
|
hastily.
|
|||
|
"You are not the same person, Willis. I had hoped you might have
|
|||
|
been a changed man when you left with the Maura girl. I see now that you
|
|||
|
truly are. Farewell, my friend. I am sorry I cannot help you further."
|
|||
|
"Thank you for everything, Gizzel," Willis said as he donned the
|
|||
|
cloak and gloves, and turned to mount his horse. "Do you know which way
|
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|
they went?"
|
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|
His question was met with an empty stable; Gizzel was not there.
|
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|
After a brief moment of reflection he spurred his horse and
|
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|
galloped out onto the roadway, past Joaja's body, past the courtyard and
|
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|
onto the road to the gatehouse. When he finally approached the manor
|
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|
gate he found that the men opened the gate without question when they
|
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|
saw him appear. He thought of Gizzel, and silently thanked him once
|
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|
more. With a snort of steam his mount bounded to a gallop.
|
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|
Willis Rithius reflected on his life -- or rather the life he had
|
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|
not remembered until now -- and recalled acts and deeds that chilled his
|
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|
spine. He felt his own blanket of shame, and he was stunned with
|
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|
chagrin. He would never escape those memories, no matter how hard he
|
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|
tried. Spurring his horse on, he was oblivious to the cold. Even
|
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|
oblivious to the tears freezing on his cheeks.
|
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|
"They will pay," he thought darkly. He had been a swordsman once.
|
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|
He could be so again.
|
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|
|
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|
========================================================================
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