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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 12
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 4
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 4/17/1999
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Volume 12, Number 4 Circulation: 705
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Talisman Zero 4 Dafydd Cyhoeddwr Late Fall, 2216 ID
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Cords that Bind Rhonda Gomez Firil 1016
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On the Prowl 1 Max Khaytsus Yule 16Yuli 2 1013
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.dargonzine.org/. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 12-4, ISSN 1080-9910, (C) Copyright April, 1999 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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If you're a loyal reader of DargonZine editorials (and I know you
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are), you probably realize that they fall into two styles: me telling
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you about recent events and improvements in the magazine, or me
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pontificating at length about some esoteric aspect of what we do.
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After two consecutive issues of the latter, I think you'll be
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pleased to know that today I have a lot of great news to relate, and
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won't have to resort to the angry old man schtick that encouraged our
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writers' sprichwort: That's just Orny -- don't encourage him!
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The first bit of news is the debut of our first new writer to
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appear in 1999, Rhonda Gomez. Her "Cords that Bind" appears in this
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issue, and is a delightful short piece, written with sincerity and a
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wonderful tone. If this story is representative of Rhonda's work, I'm
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sure there'll be many folks out there who'll be anxious to see more from
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her!
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The second bit of news is that we've made more than *thirty* more
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back issues available in HTML format on our Web site. Previously, any
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|
issues prior to 1994 were available only in ASCII format via ftp. Today
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|
our HTML archive goes as far back as mid-1988, when FSFnet became
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DargonZine. Although we have not yet converted our fifty FSFnet issues
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|
to HTML, it's definitely in the works for later this year. All can be
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found on the "Back Issues" page of www.dargonzine.org.
|
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As if that wasn't enough, there's still another big announcement;
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but this one will take some explaining.
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|
If you receive your issues via email, you know that about a week
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before each issue comes out, we send out a brief email announcing the
|
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|
coming issue. For the most part, we do this so that we can identify
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subscribers whose accounts have expired, so that we don't get a lot of
|
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bounced email when we send the huge issue out a week later.
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|
As you know, we've been gradually putting issues out more and more
|
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|
frequently lately. And since there's less time between issues, there are
|
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|
fewer accounts expiring and less need to send out that preliminary
|
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|
mailing, because there will be fewer bounces. Because of that, we're
|
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|
toying with the idea of eliminating that announcement, or only sending
|
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|
it out when there's four weeks or more between issues.
|
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|
With that in mind, we've decided to do two things: send our next
|
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|
issue out *without* the usual pre-issue announcement, and conduct a poll
|
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|
of our readers to find out whether they want to receive pre-issue
|
|||
|
announcements or not.
|
|||
|
If you receive full issues via email, DargonZine 12-5 will arrive
|
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|
in your mailbox just three weeks from now, with no pre-issue
|
|||
|
announcement. For us, this will be something of a test run to see how
|
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|
feasible it is to distribute issues without a preliminary mailing. If
|
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|
you don't receive full issues, but only a brief announcement of the
|
|||
|
issue's availability when it is distributed, you will receive that
|
|||
|
mailing just as you always have.
|
|||
|
In addition to this, we would like to hear your opinion about the
|
|||
|
pre-issue announcements and whether we should keep them or not. We
|
|||
|
originally thought we'd just stop sending the announcements until we
|
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|
heard that some readers like to receive them so that they know what's
|
|||
|
coming.
|
|||
|
To facilitate this, we've put together a Web page which will allow
|
|||
|
you to quickly and easily express your preference. We'd really like
|
|||
|
everyone who receives full issues via email to cast their vote, even if
|
|||
|
the question doesn't matter to you (yes, that's one of the possible ways
|
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|
to vote), so that we can get an accurate idea of what our readers want
|
|||
|
us to do.
|
|||
|
So please take the time to vote; it's quick and painless and will
|
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|
help us better understand what you want. The voting page can be found at
|
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|
<http://www.dargonzine.org/ping_vote.shtml>.
|
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|
|
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|
========================================================================
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Talisman Zero
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Part 4
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by Dafydd Cyhoeddwr
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<John.White@Drexel.Edu>
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Late Fall, 2216 ID
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Part 1 of this story was printed in DargonZine 12-1
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Orlebb stood at the end of the causeway and watched the bustle of
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activity at the docks. The _Typhoon Dancer_ had finally made it into
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port, and it was unlikely that the ship would leave again before late
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spring. Which meant that it was up to him, as castellan of Wudamund, to
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find places for the senior crew among the limited rooms in the keep, and
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arrange housing for the rest of the crew, as well as an extra squad of
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teraehran.
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Fortunately, there were not likely to be any hardships over the
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winter due to these extra people. Wudamund was sparsely populated at the
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moment, but Orlebb kept the storehouses full to capacity, in case of
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emergency. Of course, no one would bother to actually thank him for his
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foresight. They would all just go on eating through the months of
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winter, never really thinking about where their food was coming from.
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Why should they, after all? That was Orlebb's job.
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The chaos on the docks began to sort itself out, and a small group
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of people began to walk toward the causeway. Orlebb turned to the aides
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clustered around him and pointed to one. "You, run and alert the
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cleaning staff that they should start readying the rooms in Green Tower
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for long term occupancy. You," he pointed again, "I need to know about
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accommodations in the village -- how many people can the inns house?
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You, go get Barracks Three in shape for the new squad of teraehran, as
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well as the _Typhoon Dancer's_ alkaehran squad."
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Orlebb twisted around for a moment and verified what he thought he
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had seen earlier. He turned back and said, "And you, go to the hospital
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and alert the healers that they will have a patient very soon." He
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watched each of his ordered aides running back toward Wudamund,
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seemingly dashing across thin air, following several faintly glowing
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lines that arced across the river between the keep and the docks.
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It had taken Orlebb quite some time to get used to the invisible
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causeway created by the magic of the arrogant Fretheodan who owned the
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keep. When he had asked why such a profligate use of magic went for a
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simple bridge, he had been told that there had been no choice. The docks
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had been located on the east side of the mouth of the Coldwell, while
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the watch-keep was on the west side, a short distance from the mouth.
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Which meant that with even Fretheod building methods, it was impossible
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to build a stone bridge between those two points. Orlebb privately
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thought that it had actually been meant as a display of the might of the
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empire here in one of its most remote outposts.
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He looked upriver, where the beginnings of a stone causeway were
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beginning to climb up over the Coldwell from each bank. Instead of
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running northeast directly to the docks as did the magical bridge, the
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stone version ran due east from the keep. Now that their magic was
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failing, the people of the empire no longer completely trusted the first
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causeway. If the awesome power of the Yrmenweald and the anhekovel could
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cease, then it stood to reason that so could the magic of the causeway.
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The new bridge probably wouldn't be finished for a year or more, but it
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was a definite sign that the empire was growing more and more troubled.
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Another sign was the late arrival of the _Typhoon Dancer_. In all
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his years as castellan, no ship had ever been a week late before. Orlebb
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smiled a secret smile -- he had no love for the empire, even if it did
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give him a roof over his head and an important job to do. They were
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conquerors. While they had not yet conquered all of this land they
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called Cherisk, his own people *had* succumbed to their might. Maybe now
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their expansionist ways were over. It was too late for his own people,
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but at least no one else would be conquered and absorbed.
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Orlebb laughed to himself at that thought. It wasn't as if he held
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any altruistic feelings for the rest of Makdiar's people. He actually
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couldn't care less for them; he was just glad that the empire was
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finally getting a taste of disaster.
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He turned around and found that the group of people from the
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_Typhoon Dancer_ had almost reached the causeway. He found himself
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staring at the three who walked in front -- a most intriguing trio of
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people indeed.
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In the middle walked a woman of about average height, dressed in a
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sailor's tunic and brief leggings, but wearing the vest of an officer.
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He had never met the captain of the _Typhoon Dancer_ on the ship's
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previous visits, but he realized that this must be Captain Eldinan. She
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was quite a handsome woman -- a bit weathered, but it looked good on
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her. Her hair was long and reddish brown over a round face, and her eyes
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were an interesting shade of dark grey. Her mouth was full and set at
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the moment in a somewhat grim line, despite the fact that she was
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finally ashore. The body under the sailor's clothes was fit and trim,
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and well rounded in all the right places. She moved with grace and
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assurance, qualities that Orlebb found himself admiring.
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He expected her companions to be her officers, but neither wore
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vests; instead each wore military arm bands. The man to the left was
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almost the same height as the captain, and his arm band was that of an
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alkaehra, a ship-board soldier. His hair was short and dark brown, and
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his eyes almost exactly matched that color. His swarthy face was
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handsome and rugged, and nicely toned muscles showed in his arms and
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legs. Besides the strength that was to be expected in his movements,
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there was also a vitality present, and he smiled broadly as he walked
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beside the captain.
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On her other side was a dazzling specimen of manhood. He stood much
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taller than the captain, and was thinner than either of the other two.
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His long blond hair and very prominent nose were distinctive, but his
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light green eyes were arresting. His arm band revealed that he was a
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teraehra, a land-based soldier, one of the new squad stationed here at
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Wudamund most likely. Yet he was walking beside the captain as if he
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were one of the crew.
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The group arrived in front of Orlebb, and he said, "Greetings. I am
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Castellan Orlebb, and I would like to welcome you to Wudamund."
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"Thank you, Castellan. I am Captain Eldinan, of the _Typhoon
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Dancer_. As you can see, we have grave need of your healers." She
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gestured to the stretcher being carried by two sailors. "This is our
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stone-wizard, Maka'arn. He has been worn beyond exhaustion by the severe
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storms we have encountered the past week and a half, and needs the
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services of your healers."
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"Yes, of course. I have already alerted them." Orlebb turned to one
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of the few aides that still stood by him. "You, escort the stretcher to
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the healers.
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"And now, Captain, rooms for you and your officers are being
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readied in the keep, and preparations are being made to house the rest
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of the people from your ship. I take it that you will not be sailing out
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again until spring?"
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Eldinan shook her head. "Even if the weather held off for long
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enough, which it doesn't look like it will, Maka'arn won't be fit for
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duty for a fortnight or more. I hope that our presence over the winter
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will not inconvenience you, Castellan.
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"Also, these two will be staying in my quarters with me. Could you
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see to installing extra storage chests, and, if possible, the largest
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bed you have available?"
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Orlebb's professionalism was such that his face never wavered from
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its customary neutral expression, even though he was both startled and
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intrigued by the request of the captain. He turned to his last aide and
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said, "See to the captain's wishes." As the young man ran off, he said,
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"It will take a short amount of time to complete the arrangements. If
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you are hungry, I could have the cooking staff prepare a tray of cold
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meats and cheeses."
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"No thank you, Castellan," said the captain. "We should get back to
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the _Typhoon Dancer_ and make sure it is properly unloaded and secured.
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That should leave your staff plenty of time to get everything ready.
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Thank you for your hospitality, Castellan."
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They turned and started walking back toward the docks, and Orlebb
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stared after them. When he lost sight of them amongst the bustle around
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the newly moored ship, he turned and started walking across the
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invisible bridge back to the keep. His thoughts were centered on the
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possibilities the new residents brought, especially the captain and her
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pair of men. He decided to keep his eyes on that trio -- such a
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fascinating arrangement -- but he wouldn't neglect the other newcomers
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either.
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He knew, and was known by, all of the current residents of the keep
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and its village, which was something of a problem. He had risen to the
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second highest position -- only the Lord Keeper was a higher authority
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-- and that meant that starting a relationship was difficult. Most of
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the permanent residents only saw him as the castellan, and not really as
|
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a person. But a whole shipload of new people and just arrived, and none
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of them yet saw him as only a functionary. And for the most part, they
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would be leaving when the weather turned in the spring, which opened up
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all sorts of possibilities.
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And then there was the captain, who had already praised him for his
|
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hospitality, and had been thoughtful enough to have considered the
|
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inconvenience the grounding of the _Typhoon Dancer_ might put on the
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keep. Yes, there were definitely possibilities with the captain and her
|
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pair -- pair! -- of men. Very exciting possibilities, indeed.
|
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Kendil stood still for a moment at the center of the causeway and
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just let himself be impressed. He looked down between his feet to the
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Coldwell river thirty or forty feet below and laughed to be standing on
|
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'air'. He lifted his head until he saw the thin dark lines that traced
|
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out the arc of the bridge. On either side of the bridge ran a set of
|
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thicker lines about four feet above the surface that marked the presence
|
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of the invisible guard rail.
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None of the places he had traveled in the empire had had such
|
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extravagant uses of magic on display. Of course, his travels had mostly
|
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been in the south of Duurom, which had been under Fretheod sway for more
|
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|
than 1500 years, but which had been a well developed civilization before
|
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then. Any bridges that had been needed in his home province had been
|
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long since built by the time the Fretheodan teraehran marched in and
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conquered everything.
|
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Still, for this outpost to boast such a construction was just
|
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amazing. He wondered what the imperial province must be like. Or even
|
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the imperial city? Surely the heart of the empire had the best and most
|
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magnificent magic on display. Eldinan was right beside him, so he asked,
|
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"Elin, do they have wonders like this in Frethemak?"
|
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She grinned and said, "Oh, yes. There are bridges there that span
|
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leagues, from one opulent palace to another. The streets are pure
|
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diamond, with flowing wine on every street corner and massive fountains
|
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|
in every square spraying wine, honey, and gold coins. It is a paradise
|
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|
on Makdiar, my love!"
|
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|
Kendil had certainly heard stories about the abundant riches of the
|
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|
homeland of the Fretheod, and was almost ready to believe Eldinan's
|
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tale. But he noticed the teasing look on her face, and said, "You!
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|
Talespinner! I'll bet it's really no more than a bunch of clay huts next
|
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|
to a muddy stream, right?"
|
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|
Eldinan said, with a laugh, "Not quite that crude, no. Really, it
|
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|
is not much more impressive than your own province. Different
|
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|
architecture, different style of city planning, but all in all very
|
|||
|
mundane. By the time the empire was rich enough to squander its
|
|||
|
resources on extravagances, the city was pretty much finished.
|
|||
|
"As for this causeway, it was built from necessity, since it proved
|
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|
to be impossible to build a stone bridge between the keep and the only
|
|||
|
place extensive dock works were feasible. Poor planning really, I
|
|||
|
suppose. I've heard that the original plan was to build a town a couple
|
|||
|
of leagues up river, but somehow that never quite happened. Wudamund was
|
|||
|
never meant to be an actual port."
|
|||
|
Nikkeus said, in a quavering voice, "Elin ... Kendil ... could we
|
|||
|
please continue on? I don't like this standing on nothing. It's a little
|
|||
|
easier when we're moving, because at least we're getting closer to solid
|
|||
|
ground, but just standing here with nothing under us but rushing river
|
|||
|
is very unnerving!"
|
|||
|
Kendil smiled indulgently and walked over to his lover. "Sure,
|
|||
|
sure, Nikk. Let's go see what that strange man Orlebb has made of Elin's
|
|||
|
quarters." The captain moved to Nikkeus' other side, and the two of them
|
|||
|
wrapped their arms around the nervous musician. "Just keep your eyes on
|
|||
|
the keep, Nikk, and don't look down. Right?"
|
|||
|
"Right. Thanks," said Nikkeus as they started to walk forward
|
|||
|
again.
|
|||
|
The trio walked toward the watch-keep of Wudamund. Kendil thought
|
|||
|
it looked much like the several watch-keeps he had seen before, which
|
|||
|
were large, roughly square, and possessed of towers. This keep had three
|
|||
|
towers, but fit the type in all other respects. It was a pretty basic
|
|||
|
design for a pretty basic function: house soldiers and keep a guard over
|
|||
|
a strategic location. In this case, that was the mouth of the Coldwell,
|
|||
|
presumably to ensure the safety of that settlement further up the river
|
|||
|
that never got started.
|
|||
|
They arrived at the end of the causeway, stepping onto the plaza
|
|||
|
surrounding the keep with an audible sigh of relief from Nikkeus. Kendil
|
|||
|
looked around with interest, trying to learn the lay of the land. The
|
|||
|
top of the rocky outcropping had been leveled with stones, and what
|
|||
|
wasn't supporting the keep itself had become a ledge of varying width
|
|||
|
surrounding it. A short wall, lower than the rampart of the causeway
|
|||
|
because it was visible, ringed the outcropping. It offered no real
|
|||
|
defense -- that was the keep's job.
|
|||
|
They walked along the river edge of the plaza looking for the
|
|||
|
entryway, allowing Kendil a good look at much of the area around the
|
|||
|
keep. On the far side of the river there were few structures apart from
|
|||
|
the docks themselves, and two large buildings that were probably
|
|||
|
warehouses. Since Wudamund wasn't a trading port, there was really
|
|||
|
little need for more storage than that. Kendil did note that there was
|
|||
|
some kind of construction going on a hundred yards or so upriver of the
|
|||
|
keep. He didn't know much about stone construction, but he thought it
|
|||
|
looked a lot like the beginnings of another bridge.
|
|||
|
Occupying a couple of acres along the same bank as the keep and
|
|||
|
just upriver of it was a small village comprised of maybe a score of
|
|||
|
wooden buildings surrounded by a wall of earth and wood. Kendil noticed
|
|||
|
that there were two stone structures built against the flanks of the
|
|||
|
keep's outcropping, and that there were half a dozen buildings clustered
|
|||
|
around the outside of the single gate in the village's wall. As he
|
|||
|
understood it, there hadn't been an attack on Wudamund in two hundred
|
|||
|
years or more. By the looks of things, even the empire's fanatical
|
|||
|
adherence to its own strict rules for outposts was liable to be worn
|
|||
|
down over years and years of peace. It had probably come to be too much
|
|||
|
trouble to keep expanding the walls every few years.
|
|||
|
A short switch-back ramp connected the plaza around the keep with
|
|||
|
the village, and on that side of the building the trio found the
|
|||
|
entrance. Stuck to the side of the keep like an afterthought was a small
|
|||
|
gatehouse. It had a crenellated platform on top, with two small
|
|||
|
enclosures at each front corner that might have been called towers if
|
|||
|
they hadn't extended only four feet above the top of the crenellations.
|
|||
|
The large double doors of the gate were wide open, and the portcullis
|
|||
|
was raised. After a short pause to look around, the trio walked inside.
|
|||
|
Eldinan seemed to have an idea of where to go, so Kendil followed
|
|||
|
her lead. She took them through the gatehouse and then down the left
|
|||
|
hand fork of the corridor that it gave on to. Kendil thought they were
|
|||
|
heading for the side of the keep that was opposite the river, and when
|
|||
|
they turned left again, he was pretty sure of it. They walked down a
|
|||
|
short corridor to another set of double doors, which Eldinan opened
|
|||
|
after saying, "This is the great hall".
|
|||
|
Kendil stepped into the huge room behind those doors and looked
|
|||
|
around, his mouth gaping. The room was both large in floor space, and
|
|||
|
very tall. Looking up, Kendil saw that the ceiling of the room was
|
|||
|
covered with a huge mosaic, the individual pieces visible even this far
|
|||
|
away. The scene depicted was the night sky over Duurom, with both moons
|
|||
|
in the sky. He saw the familiar constellations picked out in different
|
|||
|
colored tiles, and the sight made him smile even while he felt a slight
|
|||
|
pang of homesickness. A month ago, out in the middle of the Valenfaer
|
|||
|
ocean, the smaller of Makdiar's two moons, Celene, had dropped below the
|
|||
|
horizon and never risen again. He had heard that the continent of
|
|||
|
Cherisk never saw Celene, only the larger moon Nochturon, but it was
|
|||
|
unsettling to have the night sky change so fundamentally. Compounding
|
|||
|
that was the way that even the stars were different, half a world from
|
|||
|
where he had been raised. Up there on the ceiling was a comforting
|
|||
|
reminder of that home.
|
|||
|
The room was heavily decorated, and looked more like it belonged in
|
|||
|
some imperial palace than a watch-keep on the fringe of the empire.
|
|||
|
Statues stood along each wall, and paintings hung between them. The
|
|||
|
windows were flanked by heavy blue curtains, and blue-tinged marble
|
|||
|
covered the floor. The tables that ran along the walls in one half of
|
|||
|
the room were heavily carved from dark wood.
|
|||
|
People moved through the room constantly, most of them in keep
|
|||
|
livery -- a surcoat that was half magenta and half a checkered pattern
|
|||
|
of grey and white. One of these staff members came up to them and said,
|
|||
|
"Pardon, you are Captain Eldinan and ... company?" Kendil nodded with
|
|||
|
the others. "Your room is ready, Captain. It is on the sixth floor of
|
|||
|
the Green Tower. Would you like me to escort you?"
|
|||
|
Eldinan nodded, and the young man, probably a page, scooted past
|
|||
|
them into the corridor. They followed him as he turned left and walked
|
|||
|
along the long corridor, eventually taking a diagonal turn to the left
|
|||
|
that quickly opened into a large, empty room. The wall opposite the
|
|||
|
entryway was curved inward and in the center was a door painted emerald
|
|||
|
green.
|
|||
|
The page walked over to the door and opened it. A stairway started
|
|||
|
upward just beyond the door, and they all started to climb. As they
|
|||
|
neared the third floor, the page said, "The quarters for the rest of
|
|||
|
your ship's officers start here, Captain."
|
|||
|
Eldinan said, "Good, good. Glad they could be lodged nearby."
|
|||
|
They kept walking up three more flights of stairs, and the page
|
|||
|
stepped onto the landing on the sixth floor. "There's only the one suite
|
|||
|
on this level, Captain. Above are some storage rooms, and then the roof.
|
|||
|
The kitchens serve three meals a day, but you can have food brought to
|
|||
|
your room at any time. If you need anything, just ask anyone in the
|
|||
|
livery. Any questions?"
|
|||
|
Eldinan shook her head, and the page left. Kendil opened the door
|
|||
|
and led the way into their new home for the next several months.
|
|||
|
The front room was almost as opulent as that large hall downstairs
|
|||
|
had been. Here, rugs covered the floor, except for the hearth around the
|
|||
|
fireplace. Massive, comfortable furniture was clustered around that
|
|||
|
hearth, while in another corner was a table similar to those downstairs,
|
|||
|
surrounded by smaller chairs. Two doors led off this main room. One led
|
|||
|
to a space with the furnishings of a craft room: tables, storage bins,
|
|||
|
tools. The other led to a bedroom as comfortable as the main room. A
|
|||
|
large bed and several chests for storage, plus rugs on the floor. The
|
|||
|
bedroom had another door in it, which led to a bathing room. All the
|
|||
|
conveniences of civilization!
|
|||
|
Only one thing worried Kendil as he sank into the cloth-covered
|
|||
|
couch beside Eldinan and Nikkeus, and that was the prospect of spending
|
|||
|
a northern winter cooped up in this keep. He had a feeling that even his
|
|||
|
two lovers weren't going to be enough to keep him from going crazy!
|
|||
|
|
|||
|
Eldinan's first real encounter with Castellan Orlebb was not a good
|
|||
|
one. It happened about two weeks after she had arrived in Wudamund. She
|
|||
|
and her lovers had settled into a routine that was already wearing thin
|
|||
|
-- there wasn't much of the keep left to explore, and the village was so
|
|||
|
small that the three of them had exhausted its mysteries within two
|
|||
|
days. There was ample forest land to explore, and from the stories told
|
|||
|
by the teraehran who had been stationed here for the past half-year,
|
|||
|
there were mysteries aplenty therein. But it was getting a little too
|
|||
|
late in the year for such explorations. Even though it was still a week
|
|||
|
until Lu-midarvorse, the winter solstice, it felt like winter had
|
|||
|
already arrived. If not for the excellent hypocaust system within the
|
|||
|
keep, she would have been very uncomfortable in the cold. As it was, the
|
|||
|
weather just limited her choices of how to pass the time.
|
|||
|
She was sitting in the Great Hall that afternoon, nibbling on some
|
|||
|
cheese and staring through one of the decorative statues. Kendil and
|
|||
|
Nikkeus were off in one of the barracks trading stories like fighting
|
|||
|
folk did. She was wondering just how long it would be before Kendil and
|
|||
|
Nikk would tire of hearing the same stories repeated again and again.
|
|||
|
There was movement beside her and she looked up, startled, to find
|
|||
|
that Castellan Orlebb had settled into the chair beside her. He said, "I
|
|||
|
hope I didn't startle you too much, Captain Eldinan, but I've been so
|
|||
|
busy lately that I never got to ascertain how your lodgings were working
|
|||
|
out? Everything to your satisfaction?"
|
|||
|
For the first time, Eldinan noticed that Orlebb's eyes were
|
|||
|
different colors. One was blue, the other was brown. It was an odd
|
|||
|
feature, and she couldn't quite figure out whether it made him slightly
|
|||
|
more or slightly less attractive. There wasn't a great deal of
|
|||
|
attractiveness there in the first place -- a very plain face, clean
|
|||
|
shaven, nothing at all distinguishing about it except for those eyes.
|
|||
|
His hair was raven black, and cut neatly; that was advantageous. He was
|
|||
|
tall, almost as tall as Nikkeus, but slightly overweight which negated
|
|||
|
that advantage.
|
|||
|
And then there was the way he spoke. As she mulled over his words,
|
|||
|
she could have sworn that he had added a certain emphasis on the word
|
|||
|
'satisfaction' that made it almost seem suggestive.
|
|||
|
"Your hospitality has been exemplary, Castellan," she said. "Our
|
|||
|
quarters are excellent, and we have not lacked for anything, save for
|
|||
|
excitement lately."
|
|||
|
Orlebb's eyes sparkled at her last comment, and he seemed to almost
|
|||
|
leer without his mouth ever moving at all. He said, "Excitement, eh? I
|
|||
|
should have thought you were well stocked for excitement."
|
|||
|
Eldinan was sure he couldn't have meant that quite like it sounded.
|
|||
|
She was just about to try to clarify his comment when he continued. "I
|
|||
|
mean, you and your companions have been very thorough in exploring our
|
|||
|
little world here at Wudamund. Surely you have found something to amuse
|
|||
|
yourselves?"
|
|||
|
Doubting that that was what he had first meant, she said, "How do
|
|||
|
you know what we have been doing? Have you been following us?"
|
|||
|
"Oh, no, good Captain. I am far too busy to follow you. But it is
|
|||
|
my business to know what goes on in the keep. So I have heard about your
|
|||
|
explorations, among other things. Like the whipped cream and fruit ..."
|
|||
|
She felt the heat rising into her cheeks, and she leapt to her
|
|||
|
feet. "How dare you!" she demanded, but Orlebb held up his hands to calm
|
|||
|
her down.
|
|||
|
"My dear Captain, what ever are you upset about? I was just
|
|||
|
referring to your ordering food late at night. I get hungry late as
|
|||
|
well. What did you think I meant?"
|
|||
|
How could he possibly be smirking like that without ever moving his
|
|||
|
mouth? It was all in his eyes and his tone, or maybe just in her mind.
|
|||
|
Eldinan apologized, and sat back down. She reflected that she was
|
|||
|
getting a little touchy. So not all of her and her lovers' attempts at
|
|||
|
staving off impending boredom had involved leaving their rooms. They
|
|||
|
*had* eaten the whipped cream and fruit, just not from plates. The fun
|
|||
|
had certainly been worth the resultant mess. What she wasn't sure of was
|
|||
|
why she had assumed the worst when Orlebb had mentioned that particular
|
|||
|
late night feast. There was no reason that he should have known to what
|
|||
|
use that food had actually been put.
|
|||
|
"Now, Captain, I want you to remember," said Orlebb. "If you
|
|||
|
require anything, *anything* at all, to help pass your time here, please
|
|||
|
just ask me. I am sure that all of your needs can be met.
|
|||
|
"And now, I must return to my duties. I am glad that you are happy
|
|||
|
with your accommodations."
|
|||
|
He stood and bowed to her, but Eldinan almost didn't notice as she
|
|||
|
was trying to figure out whether 'accommodations' had been subtly
|
|||
|
underscored. He reached the other side of the table, and turned back.
|
|||
|
Leaning toward her, he almost-whispered, "If you wish, I could have a
|
|||
|
page bring you more whipped cream and all sorts of fruit every night."
|
|||
|
Eyes smirking again, he left in a perfectly composed hurry, while
|
|||
|
Eldinan blushed and fought with her temper.
|
|||
|
A full day later, she was still trying to determine whether Orlebb
|
|||
|
was spying on her, or whether he was just making deductions. She
|
|||
|
recalled that they hadn't done a very good job of cleaning up after that
|
|||
|
particular feast. It was certainly possible that the cleaning staff had
|
|||
|
seen the evidence, and the information had eventually reached the
|
|||
|
castellan's ears. That was probably it. There was no reason to suspect
|
|||
|
some kind of malicious intent when simple gossip could explain
|
|||
|
everything.
|
|||
|
She was walking down a corridor as she came to this conclusion,
|
|||
|
once again alone. She was beginning to feel better about the castellan's
|
|||
|
spying that wasn't spying when she heard a cry of panic from nearby. She
|
|||
|
looked around for the source, and saw a door just as another cry came.
|
|||
|
She rushed over to the door, flung it open, and saw Orlebb standing over
|
|||
|
a young boy, ready to strike him with a lash.
|
|||
|
"No!" she shouted and hurried to interpose herself between the
|
|||
|
castellan and his target while both of them were startled by her
|
|||
|
presence. When she was safely between the boy and the man, she said,
|
|||
|
"What do you think you are doing, Castellan?"
|
|||
|
"What business is it of yours, Captain Eldinan?" She saw that he
|
|||
|
was actually frowning, the first expression she had ever seen his mouth
|
|||
|
make.
|
|||
|
"My business as a human being, and a citizen of the empire. There
|
|||
|
is no excuse for beating a child, Castellan."
|
|||
|
"The child is under my employ, Captain. He is one of my pages, and
|
|||
|
he is not fulfilling his duties properly. Now stand aside, Captain, and
|
|||
|
let me discipline my own staff."
|
|||
|
Eldinan looked over her shoulder and said, "Boy, is the castellan
|
|||
|
right? Have you been shirking your duties?"
|
|||
|
"Y ... yes, Captain, I ... I guess I have."
|
|||
|
"Why, boy?"
|
|||
|
"Please, Captain, my sister ... she's sick, and I ... I was just
|
|||
|
worried ..."
|
|||
|
She turned back to the castellan and said, "Do you not think that
|
|||
|
this is a good reason for this boy's lack of attention to his duties?
|
|||
|
Did you even bother to ask?"
|
|||
|
Orlebb's frown deepened, and he said, "How I handle my staff is
|
|||
|
none of your business, Captain. I leave no room for excuses -- duty is
|
|||
|
paramount. There are tasks to be done, and I only have so many hands to
|
|||
|
accomplish them. Derill's sister is sick, yes, but the healers say she
|
|||
|
will probably get better. And even if little Preda *is* Derill's only
|
|||
|
family, and even if she *is* his twin sister, that's no reason for the
|
|||
|
water jugs to remain empty in this quarter of the keep!"
|
|||
|
"Find someone else to fill the water jugs, Castellan. Let Derill go
|
|||
|
be with his sister until she recovers. Find some other way for him to
|
|||
|
recompense you -- go without a meal, or work some grimy task or other.
|
|||
|
But I will not allow you to whip this boy. We don't whip children in the
|
|||
|
empire, Castellan. Grown men, yes, but they are paid for the service
|
|||
|
they give. Am I understood?"
|
|||
|
"This is not your ship, Captain, and you have no authority here.
|
|||
|
This may be the empire, but it is *my* part of the empire. And here,
|
|||
|
discipline is enforced with a lashing!"
|
|||
|
"My authority rests in my rank, not my ship, Castellan. I hereby
|
|||
|
take these children under my protection, and if even one lash falls on
|
|||
|
the back of any one of them, each one of my crew will give you the same
|
|||
|
number. Am I understood?"
|
|||
|
"You can't ...!"
|
|||
|
"I can and will. Try it, Castellan. Have you ever been lashed? I
|
|||
|
guarantee you won't like what my crew will do to you. And don't bother
|
|||
|
going to the Lord Keeper, either. I'm sure she will feel such matters
|
|||
|
are beneath her notice, don't you?"
|
|||
|
She knew that the current Lord Keeper was something of an officious
|
|||
|
fool, given to delegating authority for all of the mundane details of
|
|||
|
running the keep, while she worked out strategies in her map room for
|
|||
|
defense of the keep against enemies that did not exist.
|
|||
|
Obviously, Orlebb knew it too. He grimaced, and said, "It shall be
|
|||
|
as you say, Captain. Discipline among my staff has become your concern.
|
|||
|
If my workers fail to complete their duties, I shall send them to you."
|
|||
|
He stalked to the door, and then said, "I only ask, Captain, that you
|
|||
|
fully consider my situation. It is my responsibility to keep this keep
|
|||
|
running from day to day. I need staff to do that, just as you need a
|
|||
|
crew to sail your ship. If the keep suffers, I will go to the Lord
|
|||
|
Keeper with what you have done. I think that she can be convinced to do
|
|||
|
something in those circumstances."
|
|||
|
He left, and Eldinan turned to little Derill. "You can go visit
|
|||
|
your sister in the healers' rooms, Derill. But I also want you to tell
|
|||
|
all of your fellow pages what went on here today. If anyone is
|
|||
|
mistreated by the castellan, they need to get word to me. I will look
|
|||
|
after you and your fellow pages, but you still need to get your work
|
|||
|
done. Understand?"
|
|||
|
Derill nodded and smiled. "Thank you, Captain," he said, bowing. He
|
|||
|
then hurried off, and Eldinan stood up. She hoped that this wouldn't
|
|||
|
turn into a disaster. She knew how to keep her crew in line, but could
|
|||
|
she do the same with a collection of children? Only time would tell.
|
|||
|
|
|||
|
Nikkeus got the idea while he and Eldinan and Kendil stood arm in
|
|||
|
arm in arm in the perimeter, watching the krovelathan ceremony with the
|
|||
|
other spectators.
|
|||
|
The krovelathan ceremony was held on a solstice or equinox, and
|
|||
|
outdoors if possible. This winter solstice, four couples were to be
|
|||
|
bonded in the ceremony, and hereafter would be legally and spiritually
|
|||
|
bonded in the eyes of the empire. It was a beautiful ceremony, though
|
|||
|
the form differed from province to province. The scene set before them
|
|||
|
this solstice was one of elegant simplicity, which Nikkeus found very
|
|||
|
appropriate. But he had heard whispers comparing this ceremony to the
|
|||
|
much more opulent one last season, on the fall equinox. Rumors said that
|
|||
|
Orlebb had almost forgotten about the ceremony this season, which
|
|||
|
accounted for the simplicity.
|
|||
|
There were ceremonial purifications by all of the appropriate
|
|||
|
priests, imperial blessings by bureaucrats, exchanges of promises, and
|
|||
|
finally the invocation of the krovelathad that bound the couples
|
|||
|
together. Each krovelathad was handmade by the couple, so that each item
|
|||
|
was a unique symbol of their union, and formed a physical representation
|
|||
|
of the bond between them. The invocation was the most important part of
|
|||
|
the ceremony -- the rest was just for show and from tradition. The four
|
|||
|
couples kissed over their krovelathads, and the circle of friends and
|
|||
|
onlookers cheered and swooped in on them to get and give congratulatory
|
|||
|
kisses and slaps on the back.
|
|||
|
The party in the great hall after the krovelathan ceremony was not
|
|||
|
at all simple. Orlebb had been unstinting in the preparations and there
|
|||
|
was more than enough food and drink to go around. All of the traditional
|
|||
|
post-krovelathan things were done -- most of them even happened before
|
|||
|
the guests were too drunk to perform or remember them. In short, a great
|
|||
|
time was had by all.
|
|||
|
Nikkeus brought down all of his instruments from their room, and
|
|||
|
played for most of the party. He was joined at various times by a varied
|
|||
|
number of people with a varied amount of talent, but no one cared all
|
|||
|
that much about just how good the music was as long as they could either
|
|||
|
dance or sing to it. And as the drink flowed, the dancing and singing
|
|||
|
got worse and worse, so that the music was really irrelevant. But they
|
|||
|
all still had fun.
|
|||
|
Since he was playing, Nikkeus wasn't drinking. He watched his
|
|||
|
lovers Eldinan and Kendil dance, drink, eat, drink, sing, drink, and
|
|||
|
enjoy themselves greatly. And he decided to tell them about the idea he
|
|||
|
had had earlier that evening, but he would wait 'till morning. Late,
|
|||
|
once they had recovered from tonight.
|
|||
|
He found himself up early the next morning, very excited about his
|
|||
|
idea. He let the others sleep, knowing that they would appreciate every
|
|||
|
moment they were allowed to stay in bed. He had already secured two
|
|||
|
phials of hangover remedy: the keep's healers had had quite a supply
|
|||
|
available at the party last night. So it just remained for Nikkeus to
|
|||
|
wait until they woke up.
|
|||
|
By the time Eldinan and Kendil rolled out of bed, still groggy and
|
|||
|
very hung over, Nikkeus was just about ready to burst with excitement.
|
|||
|
He gave each their remedy, and waited while each used the bathing room.
|
|||
|
Finally all three of them were sitting in front of the fire, and Nikkeus
|
|||
|
said, "Ready?"
|
|||
|
Eldinan nodded, and Kendil said, "Sure, what's your great idea,
|
|||
|
kid?" Both looked much improved from when they had woken up to Nikkeus'
|
|||
|
exuberance.
|
|||
|
Nikkeus let Kendil's 'kid' remark pass, even though he was actually
|
|||
|
a year older than the alkaehra, and started right in. "Well, last night
|
|||
|
I had a thought. Watching those four couples get bonded was just so
|
|||
|
moving, and they will be together forever now. I know that, come spring,
|
|||
|
you two will be sailing back to Duurom. And as dull as these days have
|
|||
|
been at times, I treasure them. Because we are together, and that will
|
|||
|
end in just a couple of months, at least for a time. So what I thought
|
|||
|
was that maybe we should be bonded at the spring equinox.
|
|||
|
"Now, I know that imperial law won't recognize the bonding. But I'm
|
|||
|
sure that Reesera would bless it, and that's maybe even more important
|
|||
|
-- the spiritual over the legal, right? We would be bonded in our own
|
|||
|
eyes anyway, and that way we would be together even when you went back
|
|||
|
home.
|
|||
|
"So, tell me what you think. Do you want to be bonded?"
|
|||
|
Kendil and Eldinan just sat and stared at him for a moment. He knew
|
|||
|
they were just absorbing what he had said. It was a pretty radical
|
|||
|
concept, after all.
|
|||
|
Eldinan smiled first, and reached over to hug him. "You are just a
|
|||
|
genius! Our own little genius Nikk! I love the idea. It's perfect!"
|
|||
|
"You're both right," said Kendil. "We can say the words, we can do
|
|||
|
the invocation, and with the talents among us we will have no problem
|
|||
|
creating the krovelathad."
|
|||
|
He stood and knelt in front of Nikkeus. He said, "I accept your
|
|||
|
proposal, Nikk." He held his hand out toward Nikkeus as Eldinan copied
|
|||
|
his position.
|
|||
|
She said, "I also accept your proposal, Nikk. And thus yours,
|
|||
|
Kendil." She extended a hand to Nikkeus, and a hand toward Kendil.
|
|||
|
The alkaehra took Eldinan's hand while Nikkeus took both the hands
|
|||
|
offered to him. "Accepted," said Nikkeus, as Kendil said, "I accept."
|
|||
|
They all three laughed and pulled each other into a three-way hug.
|
|||
|
"Yes yes yes!" crowed Nikkeus. "I've already got ideas. We'll build
|
|||
|
a wonderful krovelathad, and then have the best bonding ceremony that
|
|||
|
anyone has ever had."
|
|||
|
Eldinan said, "It's the spirit and the symbol, and it's all we
|
|||
|
need. Let's get building right away!"
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
Cords that Bind
|
|||
|
by Rhonda Gomez
|
|||
|
<abrashonor@aol.com>
|
|||
|
Firil 1016
|
|||
|
|
|||
|
Five tattered and agitated cats rubbed five tattered sides against
|
|||
|
the door of a tiny seaside cabin. The frigid wind blowing off the
|
|||
|
Valenfaer Ocean was insulting to the temperament of the smallest kitten
|
|||
|
-- an orange dappled tabby -- and she hissed her frustration. Normally,
|
|||
|
she could have easily slipped under the hide-covered door, but today the
|
|||
|
invisible barrier that kept her from her mistress' domain was
|
|||
|
inexplicably solid.
|
|||
|
A woman's sobs spilled from the cabin and four of the cats
|
|||
|
surrendered their vigil, darting away into the gathering gloom. The
|
|||
|
little tabby refused to abandon her post and, with hackles raised,
|
|||
|
crouched courageously next to the wall.
|
|||
|
A shroud of death enveloped the cabin and inside the last fire
|
|||
|
faerie danced the last blazing pirouette as the hearth smoldered to
|
|||
|
closing. A desperately ill woman lay on a bed in the center of the room.
|
|||
|
Her voice was muffled, smothered under mounds of blankets. "When the
|
|||
|
wind is in the east, 'tis good for neither man nor beast." Had Bracie
|
|||
|
known, she would have been horrified at the ragged state of her kittens;
|
|||
|
but Bracie was dying and beyond the realm of catly concerns.
|
|||
|
The cats were the only living things to which she was attached. Her
|
|||
|
contact with other people had always been seasonal and understandably
|
|||
|
limited due to the remoteness of her cabin -- a good day's wagon ride
|
|||
|
from the village of Shireton, on the northwestern coast of Cherisk. This
|
|||
|
season's pilgrimage of anxious villagers -- eager for the weather
|
|||
|
reader's news of the coming year and the portents for their crops -- had
|
|||
|
never materialized. The locals had shunned her, in spite of their
|
|||
|
confidence in her weather reading abilities. Bracie understood the
|
|||
|
isolation; death was an evil that was contagious and, in the rudimentary
|
|||
|
language of all small villages, was never a particular thief.
|
|||
|
Bracie had survived the previous winter well enough, ending it with
|
|||
|
a quarter of her supply of salted meat intact -- no small feat for those
|
|||
|
poor souls who were unfortunate enough to inhabit the remote regions of
|
|||
|
Dargon. With spring had come the anticipation of her annual trip to
|
|||
|
Shireton for the Melrin festival; Bracie's favorite festival,
|
|||
|
symbolizing birth in the cycle of life. The focus of Shireton's Melrin
|
|||
|
festival was the wheel of the year. The rise and fall of the seasons
|
|||
|
governed life in this part of Makdiar. The land sustained them; what
|
|||
|
couldn't be hunted or gathered had to be grown on the tiny parcels of
|
|||
|
land allotted by the local lord. The wheel of the year included Bracie's
|
|||
|
weather predictions for the future. Only the weather reader, and her
|
|||
|
knowledge of the signs, stood between the villagers and the devastation
|
|||
|
of a ruined crop.
|
|||
|
Bracie had left for Shireton excited to be on her way and anxious
|
|||
|
as always to be, at least temporarily, in the company of more than trees
|
|||
|
and sea birds. Leaving the cabin, she had knelt down to examine a black
|
|||
|
and brown woolly worm -- whose wide brown stripe foretold of a harsh
|
|||
|
winter -- when a brief jolt of fire clenched her chest. The suddenness
|
|||
|
of the assault had been numbing and had caused her vision to cloud and
|
|||
|
the tips of her fingers to burn. Fortunately, the discomfort had quickly
|
|||
|
faded and Bracie had dismissed the incident.
|
|||
|
Throughout the rest of the journey, Bracie had noticed all the
|
|||
|
usual weather signs. The plain of grass that marked her halfway point to
|
|||
|
the village was waist high, bearing the same tidings as the woolly worm.
|
|||
|
The yellowed moss hanging on the eastern side of the ash and the flies
|
|||
|
tormenting her naked arms forewarned her of a sudden afternoon shower,
|
|||
|
giving her plenty of time to take temporary shelter. These were all
|
|||
|
observations that came without conscious thought for Bracie, just as a
|
|||
|
swordsman knows naturally when to thrust and when to block.
|
|||
|
Unfortunately, Bracie had never developed the ability to interpret her
|
|||
|
own inner voice and the secrets of immortality had been foolishly
|
|||
|
ignored. The voice of Makdiar dominated Bracie's heart.
|
|||
|
Upon her return from the Melrin Festival, Bracie noticed that her
|
|||
|
skin had begun to hang on her bones and that twin circles of death
|
|||
|
darkened her eyes. By Yuli, she had known she would not survive the
|
|||
|
year.
|
|||
|
|
|||
|
The wind battered against the walls of the cabin and Bracie's body
|
|||
|
trembled, struggling against the invading darkness. She was no longer
|
|||
|
able to rise from her bed and she knew that death was near. Bracie
|
|||
|
struggled to turn onto her side, believing that any movement was better
|
|||
|
than stillness. Lying still frightened her. The dying embers of her
|
|||
|
fire, whose smoke had begun to blow back down upon itself, frightened
|
|||
|
her as well, but she hadn't the strength to rise and stoke it. She
|
|||
|
muttered, "Smoke curls downward, bad weather is on the way." Her
|
|||
|
uncontrollable babbling frightened her most of all and as these last
|
|||
|
muttered words slid over her cracked lips, her back stiffened. Suddenly,
|
|||
|
a bright blue spark exploded inside her head and the ping of separation
|
|||
|
-- which was quite distinct -- propelled her from her body. Bracie
|
|||
|
floated, climbing like a bird on the wing up to the smoke-hole at the
|
|||
|
top of her cabin. Just before spiraling out of the hole and into the
|
|||
|
night, Bracie caught a glimpse her body lying on the bed, her chest
|
|||
|
slowly rising and falling with each breath.
|
|||
|
In an instant, she began to thrash around in nothing, in what felt
|
|||
|
like the space between space. Her pain was gone, as well as all other
|
|||
|
sensations except those of speed and -- even though her mind rejected
|
|||
|
the notion -- the feeling of growing backwards. Suddenly she was
|
|||
|
plummeting through warm sunshine and air, hurtling downwards at a trio
|
|||
|
of figures below her: a young girl, an old man and an even older woman.
|
|||
|
She realized she would hit the child a moment before the collision. With
|
|||
|
bone-jarring force, Bracie slammed into the girl and looked out through
|
|||
|
her own seven year-old eyes.
|
|||
|
Bracie's father whispered softly, "Go on now lass, show some of
|
|||
|
those manners your ma taught ya," and he eased her forward with a huge
|
|||
|
hand placed squarely on her back. He addressed the old woman kneeling at
|
|||
|
her feet, "She's a good girl, Alia. Always was a wanderer, but a good
|
|||
|
girl."
|
|||
|
Alia was northern Dargon's most respected weather reader and she
|
|||
|
had recently petitioned the villagers for a fosterling, having not borne
|
|||
|
a child of her own to carry on the weather lore. The villagers had been
|
|||
|
somewhat reluctant but their reliance on the weather reader was strong.
|
|||
|
The thing that Bracie had feared for an entire year had finally
|
|||
|
occurred. Her father had decided to foster her to Alia.
|
|||
|
Bracie knew nothing about the old woman who lived by the sea and
|
|||
|
had never before seen anyone whose face was so marred with wrinkles.
|
|||
|
Bracie was prepared to hate her, but Alia's smile was infectious.
|
|||
|
"Is that right, young'n? You've taken a liking to Mother Makdiar,
|
|||
|
eh?" Alia asked, looking directly into the young girl's eyes.
|
|||
|
Upon closer inspection, Bracie decided that Alia was cute, in an
|
|||
|
old mother sort of way and she gave one quick nod, "Aye, I suppose."
|
|||
|
Bracie's small hand reached out instinctively and slipped into Alia's
|
|||
|
gnarled fist. "Can you teach me about the faeries who live in the
|
|||
|
forest? Before Ma died, she used to tell me there weren't no such thing,
|
|||
|
but I am nae sure." Bracie's face brightened as a torrent of words began
|
|||
|
to spill from her mouth, "Ya know, I saw night weeds," Bracie continued
|
|||
|
as she bobbed her head rapidly. Deep in the forest, it was. They were
|
|||
|
all tramped down and blood red; squashed like. It was the faeries
|
|||
|
dancing on 'em made 'em that way and you know what they say about that.
|
|||
|
Faeries dance when the weather is fair." She smiled then, a bright beam
|
|||
|
of pride. "So, I reckon we'll be having some good weather, eh?"
|
|||
|
Bracie was a beautiful child, with hair the color of harvest wheat
|
|||
|
and eager eyes that were the same color as the dark fertile land.
|
|||
|
Whatever reservations the old weather reader had, soon evaporated and
|
|||
|
she stood slowly, addressing Bracie's father, "Thank you, Zar. I know
|
|||
|
this is not easy for you." Alia flashed Bracie a quick, reassuring
|
|||
|
smile, "And yes, you're right, she'll make an excellent weather reader".
|
|||
|
|
|||
|
With a blink of her third eye, Bracie separated from the memory and
|
|||
|
was transported to another, later time. Taking stock of her
|
|||
|
surroundings, Bracie quickly decided that she was in the forest. It was
|
|||
|
night-time and judging by the full moon at its zenith, it was the midway
|
|||
|
point of Cahleyna's rule. She knew immediately that she was not alone.
|
|||
|
Upon the tail of that thought came the whispered evidence of someone
|
|||
|
close by, as if imagining it had brought it somehow into reality. The
|
|||
|
voices were coming from the opposite side of a huge grandfather oak and
|
|||
|
she willed herself to stillness as the voices grew louder. Bracie
|
|||
|
recognized the steady cadence of Alia's ritual voice and her mind
|
|||
|
automatically picked up the rhythm, "Squirrels gather'n nuts in a
|
|||
|
hurry?"
|
|||
|
The reply was immediate, "Causes snow to gather in a flurry".
|
|||
|
"When an ox scratches his ear?"
|
|||
|
"A rain shower is near." It was then that Bracie recognized her own
|
|||
|
voice.
|
|||
|
"When he thumps his side with an angry tail?"
|
|||
|
"Look out for thunder, lightning and hail."
|
|||
|
Bracie's spirit was irresistibly drawn to the two corporeal beings
|
|||
|
and she witnessed their exchange like a thief spying on an unwary soul.
|
|||
|
"Very good lass. Now the vow."
|
|||
|
Bracie's speech grew loud and solemn, "Goddess Cahleyna, to thee I
|
|||
|
pledge," she lifted her face to the brilliance of the moon. "As our
|
|||
|
forebears did, so do I now and so shall my children do after me. This I
|
|||
|
vow forevermore." With perfect precision Bracie continued, "Grant me the
|
|||
|
power to stand mighty as the tree, old as the land, strong as the sea.
|
|||
|
Reaching to the sky, to the moons and to Kisil-Doon."
|
|||
|
Alia continued the consecration, "Great Goddess, take this maiden's
|
|||
|
unspoiled hands, these lips, these eyes. Guide them in your ways,
|
|||
|
empower them with your honor."
|
|||
|
Again, Bracie picked up the steady beat, "In return I pledge to you
|
|||
|
my children and their children to come. Never shall I allow the rule of
|
|||
|
Cahleyna to be broken."
|
|||
|
"Grant her the roots of eternity. Cleanse her with the waters of
|
|||
|
life and bind her, now and forever, to Mother Makdiar who sustains us,"
|
|||
|
Alia chanted, concluding the ritual of knowing.
|
|||
|
|
|||
|
Now it was Firil and the wind wailed. The brave little tabby defied
|
|||
|
the veil of death and slithered inside the cabin. Moments later, the
|
|||
|
physical contact of the cat rubbing against her face forced Bracie into
|
|||
|
the present and served as a siren calling her spirit back to the flesh.
|
|||
|
With a massive intake of breath that convulsed her body, Bracie
|
|||
|
jerked upwards into a sitting position. The kitten was flung aside and
|
|||
|
scampered over to crouch in the corner, staring at her mistress with
|
|||
|
huge eyes.
|
|||
|
The ritual of knowing still rang in Bracie's ears and she felt
|
|||
|
Alia's presence in the cabin as she had not since the old weather reader
|
|||
|
had died, twelve years past. Alia had given Bracie everything: her home,
|
|||
|
all of her possessions, all of her knowledge. In exchange, Bracie had
|
|||
|
promised to carry on the weather lore.
|
|||
|
Under Alia's tutelage, Bracie had become known as a gentle, yet
|
|||
|
powerful reader who took little in exchange for the knowledge that she
|
|||
|
gave. Slowly the locals had learned to trust Bracie as they had trusted
|
|||
|
Alia and with each new season had lined up at her door, eager for news
|
|||
|
of the changes to come.
|
|||
|
She had cared for them for many years, helping to predict the best
|
|||
|
time to harvest, saving them from harsh winters and warning them of dry
|
|||
|
summers to come. All those years, Bracie had thought she was fulfilling
|
|||
|
her promise to Alia, but she knew now with a frightening certainty that
|
|||
|
she had done no such thing. She would die today or tomorrow and there
|
|||
|
would be no one to take up her craft.
|
|||
|
Alia's last words to Bracie rang silently in her mind, "There are
|
|||
|
lines all about us lass, lines that join every living thing; you are the
|
|||
|
knot that binds one to another."
|
|||
|
A sudden, vivid image flashed across the field of her mind; the
|
|||
|
land spread out below her in all its glory with tiny lines glowing
|
|||
|
beneath its skin, radiating in all directions, flowing through
|
|||
|
everything.
|
|||
|
Suddenly, a tingling in the pit of Bracie's stomach jolted her back
|
|||
|
to awareness. She scrambled frantically, shoving the covers from her
|
|||
|
body and her gut clenched at what she saw. The ghost of a transparent
|
|||
|
green rope wound its way from the dirt floor of her cabin, through her
|
|||
|
body and out again. The point where the rope exited her body was the
|
|||
|
vibrant green of intrinsic life, but as it grew further from her, it
|
|||
|
changed rapidly to a lifeless brown, until it reached its dead black
|
|||
|
end. The rope had no anchor, the circle was broken. Everything that she
|
|||
|
had ever been, all of her passion, all of her knowledge, all of her love
|
|||
|
of the weather lore ceased to exist at the end of that inch-thick rope.
|
|||
|
The rope began to shrink, the blackened end approaching her body
|
|||
|
and Bracie knew the most abject of horrors. The weather lore was the
|
|||
|
cord that bound her to the natural world. When it died
|
|||
|
Bracie's last mortal thought was that the wind had shifted and now
|
|||
|
blew from the south. Fair weather was on the way. How pleased her orange
|
|||
|
dappled tabby would be.
|
|||
|
|
|||
|
========================================================================
|
|||
|
|
|||
|
On the Prowl
|
|||
|
Part 1
|
|||
|
by Max Khaytsus
|
|||
|
<khaytsus@cs.colorado.edu>
|
|||
|
Yule 16 Yuli 2, 1013
|
|||
|
|
|||
|
Note to the Reader: This story takes place in Magnus in the
|
|||
|
summer of 1013, before the beginning of the Baranur-Beinison
|
|||
|
war. This is a prequel to "Rifts" (DZ v7n6). For a better
|
|||
|
understanding of the Bardic College and the bards, it is
|
|||
|
recommended the reader explore John White's "A New Life"
|
|||
|
(FSFnet v5n3) and "Treasure 1" (FSFnet v7n5). The history of
|
|||
|
Codex Araltakonia can be followed in Carlo Samson's "Unwelcome
|
|||
|
Encounter" (DZ v2n3), "Reluctant Revelation" (DZ v3n9), "Take
|
|||
|
From the Tower" (DZ v6n2) and "Resolutions" (DZ v6n5).
|
|||
|
|
|||
|
Yule 16, 1013 -- Fort Point, Magnus
|
|||
|
|
|||
|
As far back as history remembered, there had always been a bridge
|
|||
|
across the Laraka at Magnus' Eastgate. It was always called Kheva's
|
|||
|
Bridge and each time it was rebuilt, it was made taller and wider and
|
|||
|
stronger than the incarnation before. Even history had forgotten Kheva
|
|||
|
-- man or woman, commoner or noble -- but the bridge had always
|
|||
|
remained, a monument to the city of Magnus, spanning the mighty Laraka.
|
|||
|
The contemporary incarnation of Kheva's Bridge stood for nearly a
|
|||
|
full century and was among the most famous landmarks in Magnus,
|
|||
|
extending the width of the Laraka. It was an arch bridge, of stone
|
|||
|
blocks that in three spans bridged the entire thousand-foot width of the
|
|||
|
river. It was taller and wider than the other bridges that united the
|
|||
|
two halves of Magnus and was tall enough to let all but the largest of
|
|||
|
cogs and galleons sail beneath it without taking down their masts. The
|
|||
|
other bridges on the river were of bascule design, opening at one of the
|
|||
|
ends or in the middle, to allow ships to sail through. Such disruptions
|
|||
|
were not allowed to happen often and it was not at all unusual to see a
|
|||
|
row of merchant ships waiting for morning light, when the traffic across
|
|||
|
the river would be halted, so that the traffic in it could move.
|
|||
|
But Kheva's Bridge was unlike any other in Baranur and some said it
|
|||
|
was the highest and longest in all of Cherisk. It had stood across the
|
|||
|
Laraka for many generations and was seen as a symbol of Baranurian
|
|||
|
architectural skill. The west end of the bridge was anchored at
|
|||
|
Eastgate, the main entrance to the city of Magnus for over five hundred
|
|||
|
years. Beyond the gate rose the walls of the Magnus garrison and the
|
|||
|
towers of the Crown Castle, and below it, at the foot of the bridge,
|
|||
|
Fort Point, a small fortification to oversee and support the naval
|
|||
|
docks.
|
|||
|
Ships of all sorts lined the water's edge, crowding for precious
|
|||
|
space along the piers at the edge of the river. Some piers bravely
|
|||
|
extended far into the river, where they were subject to damage from the
|
|||
|
heavy spring runoffs and unskilled pilots trying to guide their boats
|
|||
|
through the disorderly currents.
|
|||
|
"Lord Master!" a man's voice rose from the outer ward of Fort
|
|||
|
Point. "The _Storm Challenger_ just crossed the outer marker. She'll be
|
|||
|
ready to dock by half-derk at the latest!"
|
|||
|
On the Fort rampart, the Harbor Master, a bearded man in his
|
|||
|
fifties, himself a veteran of many sea voyages, glanced northward, just
|
|||
|
past Kheva's Bridge. A galleon could just barely be seen making the bend
|
|||
|
in the river. It fought the current and the wind, the lateen sails set
|
|||
|
to catch the wind abeam. Even though it complicated the maneuvering in
|
|||
|
the crosswind, the deep square sail of the foremast majestically
|
|||
|
displayed the crest of Baranur, heralding the return of a capital ship.
|
|||
|
"She's one of the ones that won't make Kheva's Bridge, lord," the
|
|||
|
man below said, announcing the obvious.
|
|||
|
The Harbor Master turned to his companion, a young skinny man
|
|||
|
dressed in an elegant robe. His bookish features betrayed his calling,
|
|||
|
as did the ledger in his arms. "What have we?"
|
|||
|
The scribe opened the book and traced some text in the ledger. "The
|
|||
|
_Storm Challenger_ is Captain Hellriegel's ship, based from Port Sevlyn.
|
|||
|
She's not due in."
|
|||
|
"Is there a north dock ready to take her?"
|
|||
|
The man again scanned the book. "The leeward dock at pier two is
|
|||
|
free, but I understand it still holds the cargo from the Welspeare
|
|||
|
merchant run."
|
|||
|
"Signal them to take the leeward side at pier two," the Harbor
|
|||
|
Master yelled down. "And have the ship lashed with all tethers. The
|
|||
|
currents are too strong."
|
|||
|
The man below disappeared into the crowd working the docks and the
|
|||
|
Harbor Master walked down the rampart to where the battlements of the
|
|||
|
Fort cast a sheltering shadow from the evening sun. He took out a pipe
|
|||
|
and inattentively shook out the nonexistent ash over the fortification's
|
|||
|
wall. "Those men up there," he motioned at the bridge above, putting a
|
|||
|
few pinches of tobacco into the pipe, "how much longer do you suppose?"
|
|||
|
The scribe glanced at the repair crew working on the weathered
|
|||
|
stone on the bridge. They had been working there since after Melrin,
|
|||
|
intending to have the repairs complete for Founding Day, but with the
|
|||
|
holiday soon approaching, there was no indication the work would be
|
|||
|
completed on time.
|
|||
|
"I hear, sir, that more men were hired to do the work. I fear, too,
|
|||
|
that we shall disappoint the King when he watches the march of the
|
|||
|
Hussars."
|
|||
|
The Harbor Master lit his pipe, absentmindedly nodding at the
|
|||
|
scribe's chatter. He did not care about the bridge or the King's
|
|||
|
personal guard or Founding Day. He simply feared that another stone
|
|||
|
would tumble down onto the docks. It was pure luck that the first one to
|
|||
|
fall in a century did not crush anyone below it, but given the number of
|
|||
|
ships going through port and the masses of people on the piers, a true
|
|||
|
disaster was only a matter of time. Perhaps if they got lucky and a
|
|||
|
stone fell on some peasant, no one would really notice, but the demise
|
|||
|
of a merchant or a noble, even a minor one, would be the makings of a
|
|||
|
scandal Magnus had not seen in a long time.
|
|||
|
|
|||
|
Pike drew himself upright, holding onto the wooden rail that
|
|||
|
separated him from a drop into the river below. As a citizen of Baranur,
|
|||
|
he had to admit that the restoration of Kheva's Bridge was the
|
|||
|
restoration and enlightenment of the country, but for him personally, it
|
|||
|
was a high perch to see far into the distance and down below, to where
|
|||
|
the night would ultimately take him.
|
|||
|
"Come along, lads," the foreman's voice boomed up above. "I want
|
|||
|
all of you off the bridge before sunset. Bad enough we've got stone
|
|||
|
falling. I 'd hate to explain to the good folk below why men are
|
|||
|
dropping out of the sky!"
|
|||
|
Pike shifted his weight and moved further down the outer walk, a
|
|||
|
ledge a mere foot in depth. He now slipped beyond the wooden rail where
|
|||
|
masons toiled during the day and holding on to the jagged stone, lowered
|
|||
|
himself out of sight of the bridge walkway above.
|
|||
|
A stray rat squeaked its displeasure at his intrusion and ran down
|
|||
|
the ledge towards the Old City, leaving him to wonder how it got up on
|
|||
|
the crumbling ledge of the bridge and how it would ever get off.
|
|||
|
The perch Pike selected lay over the northern docks and he had an
|
|||
|
excellent view of a warship coming into port below. He had hoped that
|
|||
|
particular pier would remain empty for the night, but it was too late to
|
|||
|
change his plan. He would simply need to adjust to the circumstances he
|
|||
|
found himself in. The sun, setting in the west, over the Crown Castle,
|
|||
|
cast the last of its light on the bridge, illuminating the spot where
|
|||
|
Pike had hidden. For a moment he permitted himself to relax in the last
|
|||
|
warmth of the day. Up above he could hear the last of the workers
|
|||
|
clearing out, but hardly leaving him alone on the bridge. By now, he
|
|||
|
expected, the lamp lighters were making their way across the bridge,
|
|||
|
just ahead of the coming darkness.
|
|||
|
The people of Magnus were prissy in this way. They could not stand
|
|||
|
the dark across the river and oil lamps across Kheva's Bridge would be
|
|||
|
lit each night, so that the stray people who would brave the night were
|
|||
|
able to cross between Eastgate and the New City -- not that there were
|
|||
|
many people crossing between the Old and the New, unless it was someone
|
|||
|
from the Fifth Quarter, up to no good in the dark of the night.
|
|||
|
The last of the sun's rays disappeared behind the walls of Magnus
|
|||
|
and the only remaining trace of day was the red light still visible in
|
|||
|
the western sky. The chill in the wind was now easily detectable and its
|
|||
|
gusts high above the river became strikingly noticeable.
|
|||
|
As the darkness settled, Pike reached up for the ledge above him
|
|||
|
and pulled himself up. Once on the narrow walkway, he slowly scooted
|
|||
|
over to the stone pile and pulled loose the rope he had secured there
|
|||
|
earlier in the day. The wind would make his descent challenging, but
|
|||
|
that, too, was an adjustment that could be made to the plan. The biggest
|
|||
|
danger, he figured, was a curious fortress guard below looking up and
|
|||
|
seeing a rope dangling off the bridge. The people below, on the docks,
|
|||
|
would not see the rope without sufficient light and no one on the bridge
|
|||
|
would have cause to look down in the middle of the night.
|
|||
|
Pike gave the rope one last tug, making sure it was securely
|
|||
|
anchored. It would be a shame if he tumbled onto the docks below due to
|
|||
|
personal carelessness. He wasn't particularly thrilled with the approach
|
|||
|
he had chosen for his project, but he wanted his ways in and out to be
|
|||
|
fully distinct, to make evasion of the guard easier. Scaling great
|
|||
|
heights certainly wasn't his first choice, but it was the easiest way of
|
|||
|
getting in and he was confident of his climbing abilities. He had often
|
|||
|
joked with his grandfather that rather than follow family tradition, he
|
|||
|
would join a performing troupe and travel the country, and had he been
|
|||
|
lower born, perhaps he would, but this day his athletic prowess was put
|
|||
|
to use in a completely different trade, of which his grandfather would
|
|||
|
equally disapprove.
|
|||
|
Taking a deep breath, Pike wrapped his legs around the rope and
|
|||
|
pushed off from the ledge. Hand over hand, he descended down the fifty
|
|||
|
foot length of rope to the tower sitting almost directly below Kheva's
|
|||
|
Bridge. It took an effort to swing the rope into position, overcoming
|
|||
|
the strong gusts of wind. Pike breathed a sigh of relief as his feet
|
|||
|
touched the merlon of the battlement. He tied off the bottom of the
|
|||
|
rope, making sure it did not swing about aimlessly in the wind.
|
|||
|
The top of Fort Point, Pike knew, was deserted in the night. He had
|
|||
|
watched it for days to make sure that was the case. It was an old
|
|||
|
fortress that barely had any staff stationed inside. For the most part,
|
|||
|
it existed to supervise port operations, give a base for the guards
|
|||
|
assigned to the docks, and as luck would have it, store things ship
|
|||
|
captains did not want to hold aboard their ships or leave out on the
|
|||
|
dock overnight. There were a half dozen men patrolling the Fort outside,
|
|||
|
which was what made that route extremely unattractive.
|
|||
|
There were three levels to Fort Point and four walls, situated
|
|||
|
about a main courtyard. The top level, below the three towers, was open
|
|||
|
to the sky above. Four catapults sat on this level, clearly unused, but
|
|||
|
well maintained. The middle level held unoccupied barracks on the city
|
|||
|
side and a ballista facing out to the river. The bottommost level
|
|||
|
contained the administrative offices for the port and what few guards
|
|||
|
were assigned to spend the night outside the city. That was also the
|
|||
|
level Pike was determined to get to. He followed the stairs of the tower
|
|||
|
he had descended onto, going two levels down, and cautiously opened the
|
|||
|
door onto the only populated level of the Fort.
|
|||
|
Torchlight illuminated the bottom level, but there was no evidence
|
|||
|
of anyone being in the area. Keeping to the wall, Pike made his way to
|
|||
|
the inner wall and stopped to listen for movement. Although he expected
|
|||
|
a guard in the inner courtyard, he detected no evidence of one and
|
|||
|
continued to advance towards the office he had visited the day before.
|
|||
|
A lone guard sat in a chair, tipped up against the locked door to
|
|||
|
the storeroom. His head, tilted back, implied that he was lost in a nap,
|
|||
|
his chest rhythmically moving up and down. It was the middle of the
|
|||
|
shift and Pike did not fear additional troops coming now, but he did
|
|||
|
fear the ones that might be in the Fort already. After a moment's
|
|||
|
thought, Pike removed the large key ring from the guard's belt and
|
|||
|
silently inserted a key into the lock. It turned, clicking softly as the
|
|||
|
pins fell into place.
|
|||
|
"Sorry to make this so abrupt," Pike whispered and pushed open the
|
|||
|
door.
|
|||
|
The guard's intent of propping the chair up against the door was,
|
|||
|
no doubt, to prevent people from going in without waking him up, but the
|
|||
|
sheer act of leaning on something that may give way placed the guard in
|
|||
|
jeopardy. As the chair slid down, having been given the space to fall by
|
|||
|
the opening door, the guard lazily rolled his head, failing to even open
|
|||
|
his eyes before the back of his unprotected head impacted the floor and
|
|||
|
cleanly knocked him out.
|
|||
|
Pike took a moment to glance up and down the corridor. The racket
|
|||
|
the falling guard made did not seem to attract any attention and
|
|||
|
satisfied that no one took notice, he went about his business.
|
|||
|
"They really should raise their standards for hiring guards," Pike
|
|||
|
muttered, pulling the body into the dark room. The guard should have
|
|||
|
slept during the day if he had to stand night duty. Had he been awake,
|
|||
|
Pike's job would have been significantly harder, but far from
|
|||
|
impossible. A handful of plain guards never created much cause for
|
|||
|
concern. Pike closed the door and fumbled about for a candle, lighting
|
|||
|
it as soon as it was in his hands.
|
|||
|
Inside, the room was uncomfortably small, but built into the
|
|||
|
opposite wall was another door and this one was heavier than the first.
|
|||
|
Pike tried the set of keys he had liberated from the unconscious guard,
|
|||
|
but none would work. He had expected as much. A more thorough search of
|
|||
|
the guard revealed no other keys, forcing Pike to pull a pair of picks
|
|||
|
from his belt pouch and get to work on the second door.
|
|||
|
This second lock was of high quality and required an effort to be
|
|||
|
undone. Working in the dim light was no easy task, but Pike figured that
|
|||
|
in the short term, time was on his side. Not being able to see into the
|
|||
|
lock itself, even if there had been plenty of light, Pike continued to
|
|||
|
work without looking at his hands. Working slowly and with a high degree
|
|||
|
of precision, he undid the lock and pulled open the second door. Now his
|
|||
|
search was only a matter of finding the right box and he needed to
|
|||
|
complete it before anyone grew suspicious over the missing guard. He
|
|||
|
closed the door and set his candle on a table, then proceeded to rifle
|
|||
|
through a number of boxes, some too heavy and some clearly empty, before
|
|||
|
coming to one that appeared right. The label across it indicated the
|
|||
|
contents were from the _Ganness Pride_.
|
|||
|
The lid came open to reveal a smaller velvet box and within that,
|
|||
|
set carefully in the padded interior, a small silver chalice. Pike
|
|||
|
carefully picked it up and turned it over to examine the underside. As
|
|||
|
he did so, a fragment of parchment fell from the cup. He frowned. That
|
|||
|
could have been a fatal mistake. Care was absolutely critical in this
|
|||
|
job and that required time be taken to note everything. No harm done,
|
|||
|
but it was a warning he needed to heed.
|
|||
|
Pike glanced towards the door, then checked the underside of the
|
|||
|
cup. The etched cross of the House of Kiliaen melted away his doubts and
|
|||
|
Pike knelt down to pick up the note that had fallen from the cup.
|
|||
|
|
|||
|
My Dearest,
|
|||
|
|
|||
|
I hadn't the heart to take your prize before you reached it.
|
|||
|
We have a new contract. Meet me on the morrow.
|
|||
|
|
|||
|
-M
|
|||
|
|
|||
|
He chuckled. Not only did he lose the bet, but the chalice had been
|
|||
|
left for him as a reminder that today he was second best. That's why the
|
|||
|
guard was sleeping in the first place - he had already failed in his
|
|||
|
job, having allowed someone else access to the storeroom earlier in the
|
|||
|
evening. He placed the prize in an empty pouch hanging off his belt and
|
|||
|
retreated back to the door. There was no point in cleaning up the small
|
|||
|
vault, as the unconscious guard would have no doubt in his mind as to
|
|||
|
what had occurred. Perhaps a clean storeroom would mislead the guards,
|
|||
|
or delay the search by a fragment of a bell, but ultimately, if Pike did
|
|||
|
not make a hasty departure, it would do him no good.
|
|||
|
Closing the inner door behind him, Pike checked on the unconscious
|
|||
|
guard. Finding no indication that the man was anywhere near
|
|||
|
consciousness, he proceeded through the small room to the door and
|
|||
|
pulled it open. He intended to replace the unconscious guard back in his
|
|||
|
chair, still leaning against the door, but to his surprise, Pike saw two
|
|||
|
armed guards talking directly in front of him. Their presence was
|
|||
|
definitely not in the plan and for a moment, Pike froze, trying to
|
|||
|
formulate a new course of action.
|
|||
|
"Good evening, gentlemen."
|
|||
|
The two soldiers turned to him, confused at first, then suspicious.
|
|||
|
Pike guessed they might have already been suspicious due to the guard on
|
|||
|
duty being gone. His sudden exit from the storage chamber clearly did
|
|||
|
not alleviate their concern.
|
|||
|
Pike gave the two men a solid shove and dashed past them for the
|
|||
|
closest tower, running through the open doorway and rushing up the
|
|||
|
stairs, taking them two and three at a time. Somewhere behind him he
|
|||
|
heard the yell "Stop, thief!" and a frenzy of running feet coming after
|
|||
|
him.
|
|||
|
So much for the plan.
|
|||
|
Pike took leave of the stairwell on the second floor, charging for
|
|||
|
the next closest tower. He figured that to formulate a new plan, he had
|
|||
|
about as much time as it would take to cross the fifty feet between the
|
|||
|
towers. If there was no activity below, he would go down again,
|
|||
|
expecting that he could miss the guards before they began their ascent
|
|||
|
and exit through the Fort's front door, as he had originally intended.
|
|||
|
Failing that, he would continue upward, hoping to find an alternate
|
|||
|
escape route above.
|
|||
|
The Fort's open center was empty, but as Pike reached the next
|
|||
|
tower, he heard the tolling of a bell in the courtyard, signaling an
|
|||
|
alarm. He was not going down.
|
|||
|
On the third floor, Pike paused to look around. There was nothing
|
|||
|
here except for the catapults. Perhaps he would have risked launching
|
|||
|
himself into the river on one, had they been loaded, but the ropes lay
|
|||
|
limp along side the siege engines, and preparing them would take far too
|
|||
|
much time. Pike's gaze froze on one of the two guards who had ruined his
|
|||
|
plans. The man stood one floor below, across the open inner courtyard.
|
|||
|
He clearly realized Pike had abandoned the stair, but had no idea where
|
|||
|
he was headed and was now hopelessly behind. Pike smiled and waved.
|
|||
|
"Stop!"
|
|||
|
With a bow, Pike turned back to the Fort wall and headed for the
|
|||
|
only escape route he could imagine -- the rope he had used to descend
|
|||
|
from the bridge. By now the courtyard was busy with activity and there
|
|||
|
was no doubt in his mind that going down by conventional means was long
|
|||
|
since out of the question.
|
|||
|
On the edge of the battlement, Pike pulled out his knife and cut
|
|||
|
the rope where it was secured. Now he needed it to move. "Stupid, stupid
|
|||
|
idea," he muttered, looking across the dock area at the galleon that had
|
|||
|
come in earlier in the evening. It was now dark and from what little he
|
|||
|
could see below, Pike did not think there would be too many people to
|
|||
|
confront him in his escape on the outside of the fort. His real worry
|
|||
|
was regarding making it outside. Instead of staying to face the royal
|
|||
|
army, it appeared he would be trying his luck with the royal navy
|
|||
|
instead.
|
|||
|
"Stop!" a voice called out to him and without any hesitation, he
|
|||
|
leapt forward, swinging across the outer ward and letting go when the
|
|||
|
rope reached its length. There were several moments of an uncontrolled
|
|||
|
fall and he collided with the partially lowered square sail on the
|
|||
|
ship's foremast. The knife in his hands caught on the fabric and he slid
|
|||
|
down across the crest of Baranur, coming to an abrupt halt against the
|
|||
|
crossbeam, the knife irretrievably stuck in the wood.
|
|||
|
Pike grabbed hold of the crossbeam and lowered himself onto the
|
|||
|
rigging, taking a moment to assess his situation. On the wall of Fort
|
|||
|
Point far behind him, he could see three men contemplating what to do.
|
|||
|
They could yell, and in a moment they probably would, but not right away
|
|||
|
and given the confusion they would create, Pike felt he could easily get
|
|||
|
away. He looked about on the mast, finally noticing an astonished
|
|||
|
crewman, who had probably been in the process of collapsing the now
|
|||
|
ruined sail.
|
|||
|
"Bet you've never seen anything like this before," Pike said,
|
|||
|
finding his footing in the rigging.
|
|||
|
The sailor shook his head, dumbfounded and speechless.
|
|||
|
"You probably won't ever again, either," Pike said. "You won't find
|
|||
|
many idiots willing to do what I just did. Good night!" And with that,
|
|||
|
he slid down the rope and onto the deck of the _Storm Challenger_.
|
|||
|
The main deck of the galleon was empty and in the light of a
|
|||
|
handful of dim lanterns, Pike made his way towards the gangplank.
|
|||
|
"Hey!" someone called to him from the poop deck when he was almost
|
|||
|
at the rail.
|
|||
|
Pike stopped and turned, trying to identify the voice in the
|
|||
|
darkness. "Sorry! Wrong ship!" He crossed the gangplank to shore and
|
|||
|
blended into the night. Within moments all traces of his presence were
|
|||
|
gone and the guards on his trail had nothing left but to admit to having
|
|||
|
been outwitted by a thief in the night.
|
|||
|
|
|||
|
Yule 17, 1013 -- Magnus, New City
|
|||
|
|
|||
|
The common room of the Fighting Unicorns Inn remained customarily
|
|||
|
empty in the early morning hours. In spite of how hard the proprietor
|
|||
|
tried to attract business, being east of the river and west of the Fifth
|
|||
|
Quarter did a lot to discourage customers from spending the night. A few
|
|||
|
would, now and again, because they heard of the good reputation of the
|
|||
|
Unicorns and their proprietor, Sir Hawk, but ultimately the setting and
|
|||
|
the occasional scream in the night drove business away.
|
|||
|
The Fighting Unicorns was a good establishment. The few customers
|
|||
|
who stayed were pampered and tended to and at a very inexpensive price.
|
|||
|
Sir Hawk owned the land and the building, and the taxes so close to the
|
|||
|
Fifth Quarter were low, allowing him to turn just enough profit to live
|
|||
|
comfortably and pay a small staff. He could, perhaps, move the tavern
|
|||
|
and inn, but why? The undesirables knew his reputation and who he had
|
|||
|
been. They preyed on the unfortunate souls caught outside, not on those
|
|||
|
who stayed at the inn.
|
|||
|
This particular morning Sir Hawk was up making his rounds later
|
|||
|
than usual, but the business of surveying his domain went on as always.
|
|||
|
As the pattern had been set in years past, he would walk around the
|
|||
|
building on the outside first, looking for damage or trash. That used to
|
|||
|
be a problem years ago, when the locals tried to convince him to pay for
|
|||
|
protection, but as time went on, he discouraged such behavior on their
|
|||
|
part. Given the desire, he could probably make *them* pay protection
|
|||
|
money to him, to avoid incurring his wrath, but this was a business
|
|||
|
practice he did not understand and preferred to avoid.
|
|||
|
The second examination occurred in the small stables adjacent to
|
|||
|
the inn. It was a small enclosure, just large enough for six horses. One
|
|||
|
stall was always reserved for his stallion. This morning two others were
|
|||
|
occupied by plain riding horses of the customers he had met the day
|
|||
|
before. Things hardly ever changed in the stables. Most people either
|
|||
|
tethered their horses out front, where they could be easily seen, or
|
|||
|
simply chose not to bring a beast of burden into this neighborhood. It
|
|||
|
would be a greater burden on them should the animal be stolen or hurt.
|
|||
|
The last part of the ritual was walking the common room and making
|
|||
|
sure the furniture was intact and the bar was stocked. This, too, was
|
|||
|
hardly ever an issue. The slow flow of customers did not put a great
|
|||
|
toll on the supplies and the quality of patrons that he did manage to
|
|||
|
get did not create a great fear of damaged property.
|
|||
|
Approaching the last stop on his daily tour, Sir Hawk spotted one
|
|||
|
of his patrons sitting on a barstool at the far end of the bar.
|
|||
|
"Good morning Lord Janos," the proprietor nodded. "How are you
|
|||
|
enjoying your stay?"
|
|||
|
"I heard some screaming last night," the young man said. "A woman?"
|
|||
|
"We're the border marker of a rough neighborhood," Sir Hawk
|
|||
|
explained. "We hear things we wish we did not. The advantage we offer is
|
|||
|
the level of service and the low prices. The scenery and entertainment
|
|||
|
are our only detractions."
|
|||
|
"I suppose it's all fine so long as the inside is safe," Janos
|
|||
|
said.
|
|||
|
"I suppose that's so, too. May I ask how you chose us? I don't
|
|||
|
recall you staying here before."
|
|||
|
"A friend advised that this inn was quiet and out of the way,"
|
|||
|
Janos answered. "I suppose he was right on one count. You are quite out
|
|||
|
of the way."
|
|||
|
Sir Hawk laughed. "It's the price of doing business here. I keep
|
|||
|
hoping the area will improve."
|
|||
|
"Doesn't the town guard make an effort to keep the royal city in
|
|||
|
the best of possible conditions? I'd imagine that with so many troops
|
|||
|
stationed here, the King could even have the army make this a better
|
|||
|
place."
|
|||
|
"He could, I imagine," Sir Hawk answered, "but the Fifth Quarter
|
|||
|
has always been this way and for some reason the people in power, who
|
|||
|
could make a difference, stop counting quarters at four. We're forgotten
|
|||
|
here, left to our own devices. Perhaps that is to my advantage, too, as
|
|||
|
the tax collector does not always brave coming to visit."
|
|||
|
Janos Arstead chuckled. "Then my compliments on the selection of
|
|||
|
the location for your place of business."
|
|||
|
A young woman made her way down the stairs from the second floor
|
|||
|
rooms. She paused part way down, looking about the common room, then
|
|||
|
giving Janos a smile, continued downstairs.
|
|||
|
"Ah, Lady Miriam, good morning to you," Sir Hawk exclaimed. "I
|
|||
|
trust your night was fine?"
|
|||
|
"Quite restful, thank you, Sir Hawk. The view out the window may be
|
|||
|
lacking, but the comforts inside can not be overlooked."
|
|||
|
"Why, thank you, my Lady. So few nobles visit and fewer still have
|
|||
|
the refinement to say kind words. I shall cherish your opinion of this
|
|||
|
establishment. May I bring the two of you something to eat?"
|
|||
|
"A light breakfast, if you would."
|
|||
|
Sir Hawk retired to the back to retrieve the food, leaving Janos
|
|||
|
and Miriam alone. They relocated to a small booth and engaged in
|
|||
|
conversation.
|
|||
|
"I hear there was some trouble out on the docks last night," Miriam
|
|||
|
said.
|
|||
|
"Was there, really?" Janos asked.
|
|||
|
"I walked this morning, before you were up," Miriam said. "Out to
|
|||
|
Kheva's Bridge -- it's just about a half league. It's beautiful out
|
|||
|
there, before all the fish vendors stink the place over. A lot of guards
|
|||
|
around and about, all looking for anyone who knows about a thief from
|
|||
|
last night."
|
|||
|
Sir Hawk emerged from the back room, carrying a tray with bread and
|
|||
|
cheese and a pitcher of mead. "Enjoy your breakfast. Call if you need
|
|||
|
anything."
|
|||
|
"So what about this thief?" Janos asked.
|
|||
|
"The strangest thing," Miriam went on. "They said the _Ganness
|
|||
|
Pride_ sailed in from Kiliaen, with a present for Baranur from their
|
|||
|
antiquities collection. It was stored overnight in Fort Point and ... a
|
|||
|
thief broke in after nightfall and took it!"
|
|||
|
"I imagine there'll be a furious monarch, when word reaches the
|
|||
|
palace."
|
|||
|
"And imagine how angry Kiliaen will be when he discovers he has to
|
|||
|
replace the gift."
|
|||
|
"This might be for the better," Janos said. "Fort Point is
|
|||
|
outdated. It's an old building that'll never again do the job they
|
|||
|
intended it do. Perhaps a century back, when the walls of Magnus were as
|
|||
|
tall as the fort's, there was sense in Fort Point, but now Magnus will
|
|||
|
do a better job defending itself than the Fort ever could. It's
|
|||
|
laughable that they considered it a safe place to store important
|
|||
|
things." He took a sip of mead. "So any clues on the thief?"
|
|||
|
"A young man. Perhaps an acrobat. A sailor on the naval ship _Storm
|
|||
|
Challenger_ said the man leapt off the wall of the Fort and crashed down
|
|||
|
on his sail below."
|
|||
|
"The Fort isn't that close to the water, as I recall," Janos said.
|
|||
|
Miriam laughed. "I measured it. Forty feet. And probably another
|
|||
|
twenty down. They said he tied a rope to Kheva's Bridge and swung across
|
|||
|
on it. No one knows when it could have been done. Even the construction
|
|||
|
crew on the bridge say they never saw anyone out there."
|
|||
|
"Sounds like a daring thief."
|
|||
|
"Foolhardy, I'd say. Had he missed, he'd be fish bait now."
|
|||
|
"But because he didn't," Janos said, "there will be a bard who will
|
|||
|
write a song."
|
|||
|
|
|||
|
Yuli 2, 1013 -- Bardic College, Magnus
|
|||
|
|
|||
|
The quiet steps of two figures walking down the center of the
|
|||
|
chamber cast shallow echoes in the Memorial Hall of the Bardic College.
|
|||
|
The corridor was some fifty feet wide, rising up to a lancet point
|
|||
|
equally high. Deep windows were set along the voussoirs stones,
|
|||
|
alternately touching either the crown or the haunches of the corridor
|
|||
|
arch. The scenes etched in the glass, if one could remain with their
|
|||
|
head upturned long enough to study them, portrayed history from the
|
|||
|
Bardic association with the Kingdom of Baranur. Bards here were the
|
|||
|
deliverers of legend, the masters of history and dreamers of the future.
|
|||
|
Their guild was as powerful as any other, rivaling the strength of the
|
|||
|
Stevenic Church and the Nar-Enthruen. And unlike the other two, the
|
|||
|
Bardic College carried the protection of the Crown. Bards made Baranur,
|
|||
|
the legend said, and they kept it whole in the Great Houses War. The
|
|||
|
bloodline of the House Tallirhan owed its ascension to this very
|
|||
|
institution.
|
|||
|
Miriam Arstead paused and looked up, evaluating the art that
|
|||
|
allowed light to shine through. Multicolored shadows fell on the north
|
|||
|
wall of the hall, imprinting a much larger scene across the bleached
|
|||
|
stone surface. Below the transferred images that lasted the length of
|
|||
|
the hall sat portraits of men and women and beneath them, stone
|
|||
|
sarcophaguses with the names of the tenants inscribed across their
|
|||
|
faces.
|
|||
|
Miriam's companion stopped, then returned back to where she stood.
|
|||
|
He brushed aside the edge of his ceremonial cloak and waited for her.
|
|||
|
"You're really not up to date on history," Miriam noted.
|
|||
|
"Only important events make it up there," the man explained. "I
|
|||
|
believe the last time there was a major modification is fifty years ago.
|
|||
|
Something big would have to happen in Baranur before another window is
|
|||
|
added."
|
|||
|
"A good thing, I suppose," Miriam said. "It must be a chore getting
|
|||
|
artisans up there. What do you do if hail or wind breaks the glass?"
|
|||
|
"That never happened," the young bard said. "All glass up there is
|
|||
|
enchanted -- hardened against being broken."
|
|||
|
They walked on down the corridor with Miriam stopping now and again
|
|||
|
to examine a scene or read an inscription on the wall or the face of a
|
|||
|
sarcophagus.
|
|||
|
"I hope you don't mind me lagging behind," she said at one point.
|
|||
|
"I' ve never been here before; it's all very new and exciting."
|
|||
|
"That's no problem," her guide answered. "Few get a chance to walk
|
|||
|
our halls and when they do, it's like reliving history. We receive
|
|||
|
constant requests for tours from the nobility and to study the glass and
|
|||
|
the frescoes from scholars. We have to limit access, naturally, but it's
|
|||
|
not at all unusual to find someone in this very hall, sketching the
|
|||
|
chronicles of time onto their own parchment."
|
|||
|
"And what about the tombs?" Miriam asked, walking further down the
|
|||
|
corridor. "These aren't all bards buried here, are they?"
|
|||
|
"Buried here, of course! Only the greatest of the Master Bards, the
|
|||
|
best leaders and teachers, are allowed to be interred here. Although,
|
|||
|
any bard who has reached the ranks of Journeyman is assured eternal rest
|
|||
|
within the walls of our sanctuary, should they so desire."
|
|||
|
"I'm really impressed by what you have here," Miriam said. "Thank
|
|||
|
you for taking the long way around."
|
|||
|
They reached the end of the Memorial Hall and having passed through
|
|||
|
a series of smaller doors, entered the Bardic Library. The room was
|
|||
|
sufficiently large to disappear into the distance, with shelves upon
|
|||
|
shelves of books creating even rows of a ceaseless maze. Wide bookcases
|
|||
|
eight and ten shelves high ran down the room in four rows. Above them,
|
|||
|
on a balcony overlooking the main room sat a number of scribes, busily
|
|||
|
transcribing books and documents both for the Bardic Library and for
|
|||
|
external customers of the College.
|
|||
|
"Oh, my ... I thought my grandfather had a large library. He has a
|
|||
|
whole room in his keep dedicated to books."
|
|||
|
"This isn't all of our holdings, I must warn you," the bard said.
|
|||
|
"These are just the common tomes in our collection. We have a separate
|
|||
|
manuscripts room one level below, where the more unusual and arcane
|
|||
|
works are stored, and beyond that wall is the area you want -- the
|
|||
|
scroll room, where the histories are kept. I can't accompany you
|
|||
|
further, but one of our penmen will assist you from here. I hope you
|
|||
|
find what you're looking for."
|
|||
|
"I'm sure I will," Miriam smiled. "Thank you for your time and
|
|||
|
indulgence."
|
|||
|
|
|||
|
========================================================================
|
|||
|
|