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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Best of...
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Part One
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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the Best of DargonZine Distributed: 01/18/1995
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Part One: the Best of FSFnet Circulation: 627
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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A New Life John L. White FSFnet Vol 5 Num 3
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Consummate Love James Owens FSFnet Vol 8 Num 3
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Legend in the Making Ornoth Liscomb FSFnet Vol 8 Num 3
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@wonky.jjm.com>.
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Back issues are available from ftp.etext.org in pub/Zines/DargonZine.
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Issues and public discussion are posted to newsgroup rec.mag.dargon.
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The Best of DargonZine (Part One of Two) (C) Copyright January, 1995,
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the Dargon Project. Editor Ornoth D.A. Liscomb <ornoth@wonky.jjm.com>.
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All rights reserved. All rights are reassigned to the individual
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contributors. Stories may not be reproduced or redistributed without
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the explicit permission of the author(s) involved, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues, in part or as a whole, for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@wonky.jjm.com>
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The Dargon Project was founded in 1985 to bring amateur writers
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together to collaborate on original fiction for publication in FSFnet,
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one of the first electronic magazines on the Internet. Between FSFnet
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and DargonZine, we've printed over 1600 pages of narrative in some
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150-odd stories, and are the longest running emag on the Internet. By
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any measure, the Dargon Project has succeeded beyond anyone's
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expectations. Thanks go to all our readers for their support.
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And special thanks go to the exceptional people who have been
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Dargon writers. Writing is a very thought- and time-intensive process,
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and these people have given a great deal of themselves, expecting little
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in return. Collaborative writing also requires that the individual
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author be able to provide and receive criticism maturely. It hasn't
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always been a placid trip, but we've all learned a great deal through
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working with one another. I've had the good fortune to meet over a dozen
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of the Dargon writers in person, and I must admit that I'm honored to
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have worked with such wonderful folk. They each deserve special
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recognition and thanks for their part in shaping not only the shared
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landscape of Dargon, but the early landscape of the Internet, as well.
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"The Best of the Dargon Project" is our way of recognizing
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excellence. The current writers held a vote, and the six stories that
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will be reprinted represent what we feel to be our best works from our
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best authors. This first part contains three works from the golden olden
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days of FSFnet, while the second part, to follow in a couple weeks, will
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contain three works from DargonZine, which picked up where FSFnet left
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off in 1988.
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This part begins with "A New Life". Printed in 1986, this was John
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White's first Dargon Project story -- he would become the project's most
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prolific writer during the FSFnet years, and would become the editor of
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DargonZine when FSFnet ended publication in 1988. This story introduces
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us to Je'en, whose story unfolded in several subsequent stories,
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including "the Dream", "Gasmelyn Llaw", and "the Treasure". John
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recently exchanged his editorial responsabilities to do more writing for
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the project, and we eagerly look forward to his new works.
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The second story in part one is Jim Owens' "Consummate Love", which
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first appeared in 1987. It was his fifth Dargon story, and the climax of
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a two-story series that began in his "Ornate Love". Jim was one of the
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founding members of the Dargon Project, and his works were among the
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better early stories. Jim dropped off the net in 1987, and wasn't heard
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from again until I looked him up and met him last year. Today, Jim has
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rejoined the project, and is pursuing new storylines with the same
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enthusiasm that made him one of FSFnet's most valuable writers.
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Interestingly enough, the third and final story comes from the same
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issue as "Consummate Love": FSFnet Vol 8 Num 3. It is my own "Legend in
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the Making". This story was at least partially inspired by people
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referring to me as a "net.god" for founding FSFnet and the Dargon
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Project and my work with CSNEWS, an early Bitnet information service,
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back in the dawn of network time. I felt unworthy of such a title, and
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that their adoration was misplaced. That emotion provided the basis for
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the ironic plight of Captain Smith in "Legend in the Making". After
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turning the project over to John White and the a five-year hiatus that
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followed, I regained network access, visited most of our active writers,
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reassumed editorial responsabilites, and am writing Dargon stories once
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again.
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Well, we've got a pretty packed issue for you, so enough talk. I
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hope you enjoy these stories; we think they're well worth a second look.
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And watch your mail queue for part two of "the Best of the Dargon
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Project"!
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========================================================================
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A New Life
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by John L. White
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<white@duvm.ocs.drexel.edu>
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What does a Bard do when she can no longer sing?
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Two years. Two years was a long time, but not long enough. Never
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wouldn't be long enough. Two years since the incident...
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It was really her fault. No matter how much she wanted to blame
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someone else, the primary fault lay totally with Je'lanthra'en. If only
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she hadn't been so proud, so sure her status would provide as much
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protection as a full phalanx of Baranur's army. Bards were very
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respected, but, in the black of night, where no one else could see, even
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a Bard could be attacked.
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Je'en had been in Magnus for an annual meeting of the College of
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Bards. She had stayed out late one night, and, in deciding to take the
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fastest way to her lodgings, had set her horse onto one of the three
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"tunnels" that led thru the Fifth Quarter - the sometimes called
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Thieves' Quarter: really the slums of the city. The "tunnels" - the only
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properly-wide, glow-globe lighted, patrolled (if irregularly) streets in
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that Quarter, the light creating a 'tunnel' of safety thru the darkness
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and danger of that Quarter - were the safest way thru the Fifth Quarter
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during the day. But, midway between the dark of the night and the first
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light of day, nowhere within the boundaries of the Fifth Quarter was
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safe. Je'en felt, however, that her green cloak and hood, the
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silver-embossed leather harp case on her back, and the harp on yellow on
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green of her horse's trappings would ward off any evil-doers: not only
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was a Bard the most respected non-Royalty possible, but there were
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rumors (not unfounded) that some Bards could do magic! Je'en couldn't,
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but no one else could know that. She felt herself so safe, that she
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didn't even make sure her sword was limber in its sheath, and ready to
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draw - in fact Leaf-killer was peace-bonded into its sheath because the
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Inn she had been at had required that precaution.
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Totally unconcerned with the shadows beyond the meager illumination
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on the "tunnel" she had chosen, Je'en was caught off guard by a shape
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that hurtled out of the darkness and knocked her from her horse. She hit
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the ground hard, but managed (by luck) to land on her attacker, so she
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was able to recover quicker than he. She was on her feet, cloak back,
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and Leaf-killer out and ready, by the time the man in tattered clothing
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(but a nice and shiny sword) was able to face her. Unfortunately, he had
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some friends with him - five to be exact. Self-protection was a skill
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all had to learn in this semi-civilized world, and Je'en could protect
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herself, but not as well as some (due mostly to the demands of her
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profession - she spent more time perforce at singing and harping than at
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sword-drill), and not well at all against six determined vagabonds,
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attracted by her rich trappings, and emboldened by their numbers. She
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put up a good fight - she actually incapacitated two of them, killing at
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least one - but they knew what they were doing. She felt an iron point
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score her cheek perilously near her right eye, and she was temporarily
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blinded by frighteningly profuse blood. Then, another sword scored on
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her leg, slicing into her thigh and buckling it. And, almost
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simultaneously, another edge caught her under her right bracer, cutting
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deeply into her right wrist, causing her to drop Leaf-killer as she sank
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to the ground.
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Helplessly unarmed, and weak from pain and blood-loss, Je'en
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watched as her horse was looted of the few resaleable goods she had.
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Irritated by the meager haul, the leader of the ruffians turned on
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Je'en, and noticed her fine green cloak and the harp. She was relieved
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of those, and the few items of personal jewelry she wore (including the
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pendant of her Rank in the College), and it was harder for her to see
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her harp, Soft-Winds, in the hands of the thieves than the thought of
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her battle-loss was. Until the attention of the leader was turned on her
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person.
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"Pretty," said the leader. "A little more money from the slavers,
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to make up for the trouble we've had wit' you." His leer was pure evil.
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"She'll take too much time, be too much trouble, Skar!" said one of
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the survivors. "I know someone'll give us 5 Crowns for this 'ere
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neck-chain - 'e needs it for a job 'e's got: 'personatin' a Singer, it
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is. Five Crowns's more'n we'd get fer her and all the rest o' her stuff,
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plus she killed Han, and probably Charet, too. Let's kill 'er, Skar!
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Real slow like, too."
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Skar was a man of action, but he knew his men well enough to listen
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to them. Five Crowns was more than the skinny girl would fetch, and the
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fact that she was a Bard, a Singer in the slang, could complicate
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matters. So, he decided. He drew his knife, and knelt next to the ever
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weakening Je'en. Then, casually, he placed the knife to her throat, and
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slashed quickly and cleanly.
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The new pain pushed Je'en over the edge. As blackness closed over
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her mind, she felt herself being dragged into the shadows at the edge of
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the "tunnel", heard some rude comments about what they were going to do
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to her before she cooled down too much, and then there was an odd
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honking noise just before the blackness claimed her.
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The 'honking' had been the Quarter's Early Warning System. It
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signaled a patrol, and said it was close. Skar was forced to leave Je'en
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behind, but he was long gone, with all the loot, by the time the patrol
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found the wounded Bard.
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The City Patrol, while in existence to keep order, also did its
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best to help people in need, when such aid wasn't directly dangerous.
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So, when Je'en's body was found, a stretcher was fashioned, and four of
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the patrol escorted her to the nearest Healer.
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Magnus, like most cities of the Realm, licensed its healers,
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insuring a minimum level of competency in the healing craft. But, some
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Healers bearing the gold-covered, city-seal-embossed, iechyd leaf (a
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simple pain-alleviating remedy when boiled in water) in their front
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windows were little more than potion-mixers, having no magickal
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knowledge whatsoever. Of course, the Court had claim to the best of the
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healers, but the other Healers thruout the city had no rating other than
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the gold leaf of minimum ability. Advertising by word of mouth generally
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led people to the best Healers, but the Patrol didn't have time for such
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shopping around. The moved rapidly thru the well lighted streets of the
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merchant quarter looking for the nearest gold leaf they could find. Of
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course, had they known she was a Bard, they would have made best speed
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to the Castle - a Bard was 'royalty', and would be treated as such.
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The healer living in the house they found was irritated at being
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awakened in the middle of the night, but when he saw Je'en, he shut up
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(after a short utterance in plea of aid) and went to work.
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The healer, unfortunately, was a potion-mixer. He knew three chants
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of healing: two to ease minor back-pain, and one to stop bleeding in the
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head area - i.e. only one of particular use. But he did know his herbs
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and potions, and he used his knowledge swiftly and surely to save
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Je'en's life. But, he just didn't know enough of the craft to return her
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to her former full health.
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When her life was no longer in danger, she was taken to a
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recovery-house. All but the most wealthy of healers operated from their
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homes, which usually didn't have enough room to house patients who
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required extended care. So, there were the Recovery-houses, large
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dormitory-style hostels where patients could receive the care necessary
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to help them to recover.
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She wasn't there long. Only four days, during which time she was
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unconscious, her body healing itself as best as it could with the help
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of various potions prescribed by her Healer. When she woke up, finding
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herself within the easily recognizable curtained-walled bed of a
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recovery-house, she called out - painfully and not very loudly - for an
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orderly. When one came, she said, "Rydw i Canur." The words were barely
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recognizable, and they hurt her throat like swallowing fire, but the
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peculiar resonance inherent in the almost-magical phrase conveyed their
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meaning, and the orderly went hurrying after someone in charge.
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Shortly thereafter, she was transferred to the Castle, and the care
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of the Royal Healer, Master Enowan. He immediatly set about implementing
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further healing using the more powerful magicks at his command, but he
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was too late to be must help. Once the body accepts a pattern of health,
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it takes massive magic to change that pattern. Most normal healing
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serves to help the body restore its normal pattern. But in the case of
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traumatic injury, special healing is necessary to force the body to
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survive, and thereby create a new life-pattern. Such had been done to
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Je'en, and not even the skills of Master Enowan could reverse the
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process now - it had been too long, and Je'en's life pattern had
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accepted tha injury to her throat and wrist as natural. Enowan was able
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to eradicate the scar on her leg, but he could only smoothe out the scar
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on her face, make it a little less ragged, and heal it as far as it
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would go. The damage to her throat - her windpipe, and therefore her
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voice - was irreparable, as was the damage to her wrist.
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When she awoke from the healing sleep that master Enowan had placed
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her in, she found herself in a private recovery room within the Castle,
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with an apprentice healer attending her. As soon as she was fully awake,
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the apprentice raced off to get Master Enowan. While she was alone,
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Je'en tried out her voice and then her hand. Her throat still burned a
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little, feeling a bit like an incipient cold just lingering at the back
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of her throat and tickling her with an unreachable itch. But, when she
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coughed to relieve the itch, it set her whole throat to such aching that
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she strove to ignore the minor discomfort to avoid the major pain.
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When she looked at her hand, the only evidence of injury was a
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small diamond of scar tissue at the center of both sides of her wrist.
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But, when she tried to flex her fingers, she found that she had almost
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no fine control over them - she could bend them all together, but not
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one at a time. And, when she reached for the pitcher at her bedside to
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pour herself a cup of water, once she was able to grasp the handle, she
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found that she couldn't lift it. There was absolutely no strength in her
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hand at all.
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Totally dispirited, she sank back on her pillows to await the
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Master healer, already afraid of what he would say.
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Master Enowan arrived, smiling the false-and-not-very-reassuring
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smile of a healer, and took her pulse at her throat and left wrist.
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Then, after lifting her eyelids to look at her eyes, he crossed his
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palms an inch above her chest, and closed his eyes. His hands began to
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glow, and Je'en knew that he was examining her deeply, the way only the
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best calibre of Healers could.
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When his hands stopped glowing, Je'en said, "So, how am I, Master
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Enowan?"
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The healer opened his eyes, and said, "Alive, and as well as can be
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expected."
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"But, what about my...my voice, and my hand? Will they heal?"
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"I'm afraid not, Je'en. The scar on your voice box will never be
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gone, tho it will stop hurting shortly. And your hand will never be as
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dextrous as it once was, tho it, too, will recover some. I...I'm sorry,
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Je'en, but there wasn't anything more we could do. We tried..."
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Je'en's eyes closed on her tears. She knew, somewhere deep down,
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that she would never sing again. When she was pronounced fit, she would
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go to the local College, and get tested, but she was sure she would
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fail. And, when you've been one thing all your life, how do you change?
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Two weeks later, the verdict was in. She could no longer sing, and
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her voice was deemed unsalvageable. She could no longer play, and her
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hand was also deemed unsalvageable. The Masters of the College ruled
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that she could remain a Bard if she so chose - but she did not.
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She stood in the anteroom waiting for the Hall of Ceremonies to be
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prepared. The Ceremony of Leaving was seldom performed, and there were
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special preparations to be made. She wore her finest tunic and breeches,
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and a new green cloak, and Rank pendant. The sword at her side wasn't
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Leaf-killer, and the harp on her back wasn't Soft-Winds, but she would
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never see those artifacts again anyway. These replacements had been
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given to her out of the stores of the College, tho she would only be
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keeping the sword after today. It was a fine weapon, well crafted
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without being showy, and she was glad to have it (but it couldn't
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replace Leaf-killer, that had been in the family since her father's
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father's father's mother's time). She was in all ways prepared for the
|
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ceremony - her lines were memorized with a Bard's meticulous skill, and
|
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she had steeled herself not to get emotional (at least not under the
|
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eyes of the whole College).
|
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Finally, two journeymen bards opened the great doors of the Hall,
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and beckoned her to enter. She did so, and began walking down the aisle
|
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formed by the huge, floor-to-ceiling Screens of Privacy - intricately
|
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carven wooden screens that narrowed the vast hall to a small lane that
|
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led from the doors to the Dias at the far end. Behind the Screens, the
|
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whole College-in-attendance was gathered, silent and mourning for the
|
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loss of a sister.
|
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As Je'en walked the aisle, she looked up at the huge escutcheon
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that hung behind the Dais. The blazon ran thru her mind - Vert, a bend
|
||
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or, over all, a bard Harp, proper: the green background for the World
|
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that was the Bard's home, the gold diagonal stripe for the allegeance
|
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the College paid to the kingdom of Baranur, and the Harp that signified
|
||
|
their profession. She would miss being under the protection of that
|
||
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proud coat-of-arms.
|
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She reached the steps to the Dais, and mounted the leftward ones as
|
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was proper (normally, the rightward steps accessed the dais, but she was
|
||
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leaving, so it was reversed for her). The two journeymen waited at the
|
||
|
steps until she was on the Dais, then they turned, and walked back down
|
||
|
the aisle and out, closing the doors behind them.
|
||
|
Je'en was alone on the Dais save for the Master of the College in
|
||
|
Magnus, Master Heagn. The somewhat old man still had a fine voice for
|
||
|
all his years, and his hands were as sure as a new journeyman's on his
|
||
|
harp. He looked fondly on Je'en, and sadly, too. Tho Leavings weren't
|
||
|
totally unheard of, usually the Leaver was one who had made a bad choice
|
||
|
early in life, and found the College not quite right for them, or
|
||
|
something came up that changed their lives in a happy way, and led them
|
||
|
away from the College. The tragic nature of Je'en's Leaving was
|
||
|
accentuated by the fact that, in Heagn's estimation, she had had the
|
||
|
potential to one day become the Master of the College.
|
||
|
When the doors were closed, the Ceremony began. Je'en advanced to
|
||
|
the podium standing between herself and Master Heagn. On the podium was
|
||
|
the Crystal of Oathes, an Artifact as old as Bards themselves, on which
|
||
|
all promises within and to the College were made. Je'en placed her hands
|
||
|
on the conic, multi-faceted, clear Crystal, and said, "Rydw i Canur,"
|
||
|
which meant 'I am a Bard' in the ancient language of the first Bards
|
||
|
ever. As the words' resonance filled the chamber, she could feel the
|
||
|
vibration travel down her arms and into the Crystal, which, after a
|
||
|
moment began to glow softly, infusing her hands and arms with a pearly
|
||
|
opalescence, and soothing the ache that still lingered in her throat
|
||
|
when she spoke.
|
||
|
Master Heagn then said, "Je'lanthra'en, Journeyman of the Eighth
|
||
|
Stave, you and I have met here to dissolve your allegiance to the
|
||
|
College of Bards. Is it your intention to continue with this course?"
|
||
|
Swallowing from more than the discomfort of her throat, Je'en said,
|
||
|
"Yes, Master Heagn."
|
||
|
"Then let it be known that Je'lanthra'en is leaving of her own
|
||
|
accord, and her own choice. Should circumstances change, or any aid ever
|
||
|
be needed, the doors of this College, and all other Colleges united in
|
||
|
the fellowship of all that is Bardic, shall not close their doors unto
|
||
|
you, and readmittance will never be barred from you.
|
||
|
"Now, return unto me the symbols of your former calling." Je'en
|
||
|
took her hands away from the Crystal, but they continued to glow. She
|
||
|
swiftly slipped off the harp's strap, and handed it to Master Heagn. If
|
||
|
it had been hers, as had Soft-Winds, she would have been able to reclaim
|
||
|
it from him after the ceremony, but she would leave this one with the
|
||
|
College. She next unfastened her cloak, and handed it also to the Master
|
||
|
Bard. And, lastly, she took off the chain that bore her Rank. That
|
||
|
Master Heagn also took, and Je'en returned her hands to the Crystal.
|
||
|
"Now, say the words that will release you from your vows and set
|
||
|
you free of us and our ways," said Master Heagn.
|
||
|
Je'en hesitated, swallowed again, and finally said, "Didw i ddim
|
||
|
Canur." meaning 'I am not a Bard.' And the glow of the Crystal faded,
|
||
|
finally going out. She felt a slight push against her hands as the
|
||
|
Crystal emphasized her apartness now, and she lifted them from its
|
||
|
surface. Oddly, she didn't feel any different - but maybe that was
|
||
|
because she had long since accepted the fact that she was leaving, and
|
||
|
this was just the confirmation of that fact.
|
||
|
Master Heagn offered her his hand before bidding her farewell, and
|
||
|
as she descended the rightward stairs, those behind the Screens began a
|
||
|
minor key chant of parting that did more to bring on her tears than the
|
||
|
actual ceremony had. She was now, finally, on her own, no longer a Bard,
|
||
|
and no longer protected like one, either. What was she to do?
|
||
|
|
||
|
Revenge was the first thing she thought of. Those six thieves had
|
||
|
ruined her entire life. Two had already paid for it, but there were four
|
||
|
more to catch, and torture, and eventually kill.
|
||
|
But, Je'en wasn't vengeful. Another might have taken out at least a
|
||
|
little frustration on that first healer who hadn't known enough to save
|
||
|
her life as it had been before the accident. But she knew that it wasn't
|
||
|
his fault, and she sent him a gold arm-band she had been given once for
|
||
|
stopping a revolt in one of the western duchies by satirizing the
|
||
|
upstart so well, and so scathingly, that his followers all left him,
|
||
|
laughing. The arm-band was enough payment for a years worth of
|
||
|
bone-setting, and ache-curing, and ague-warding for a wealthy family,
|
||
|
and the healer immediatly moved into a better neighborhood (one not so
|
||
|
close to the Fifth Quarter) after thanking her for such a generous gift.
|
||
|
So, since revenge, as such, was really out of the question, she
|
||
|
decided to join the city guard, and help protect others from what had
|
||
|
happened to her. But there was one problem. She wasn't a very skilled
|
||
|
fighter, and what she knew applied to right-handed techniques, which she
|
||
|
could no longer use, of course.
|
||
|
She had heard about a training school outside a little village to
|
||
|
the northwest run by a retired adventurer who had quite a name as both
|
||
|
an adventurer and as a teacher. It was said that those who survived his
|
||
|
school were the best swordsmen around. His fee was high enough that he
|
||
|
wasn't inundated by students, and his policy of a one week trial period
|
||
|
to determine trainabilty, after which one could be rejected without a
|
||
|
refund, kept the idle rich from cluttering up his practice yard.
|
||
|
Je'en had a lot of money - she had kept most of it at the College
|
||
|
in Magnus, and of course it had all been returned to her when she left.
|
||
|
So, hoping she had the talent to go with her money and drive, she packed
|
||
|
up and headed north-west. Besides, she thought, even if I'm not
|
||
|
accepted, I'll be two-thirds the way to Dargon, where my brother Kroan,
|
||
|
lives. I could always just keep on, and pay him a visit - haven't seen
|
||
|
him in years.
|
||
|
|
||
|
The School of Lord Sir Morion was quite impressive. It was set ten
|
||
|
miles from the village of Tench, in the forest that covered most of the
|
||
|
area. It looked like a citadel from the outside - massively walled, with
|
||
|
great square towers at each of the five corners, and a huge ironwood
|
||
|
drawbridge to span the fifty-foot deep, twenty-foot wide chasm that
|
||
|
surrounded it. The drawbridge was down, and the portcullis up when Je'en
|
||
|
arrived in the afternoon. The forest was cleared for a mile on all sides
|
||
|
of the citadel, and the clearing was filled with activity - several
|
||
|
neatly-planted fields were being tended to; one of three oval tracks was
|
||
|
being used to race horses, and another hosted a foot race. Elsewhere,
|
||
|
there were roped-off squares wherein two, and sometimes more, people
|
||
|
fenced with wooden swords, and all manner of other weapons. From the
|
||
|
number of people around that she could see, Je'en hoped that Sir
|
||
|
Morion's school wasn't filled.
|
||
|
She stopped by one of the roped enclosures, and watched the two
|
||
|
people fencing within. They seemed very good as judged by her knowledge:
|
||
|
they at least put on a good show. Finally, one of them, in all-black
|
||
|
armor with a very stylised gryphon painted on the breastplate and
|
||
|
wicked-looking silver trim around the eyeslits of his helm, executed a
|
||
|
slashing backhand that caught his opponent in the side. Action stopped,
|
||
|
and then the one in tattered blue slumped across the other's sword as if
|
||
|
slain. He layed on the ground for a minute, then rolled over and sat up,
|
||
|
took the hand offered him, and got helped to his feet. Both men removed
|
||
|
their helms and began discussing the finer points of the battle.
|
||
|
Je'en caught the attention of one of the similarly armored young
|
||
|
men around the ring, and asked, "Where can I find Sir Morion, please?"
|
||
|
"O, din tye know? Tha' one, in ta black. Tha's t'Lord o' tis place,
|
||
|
miss. An' t'oter one, tha's Ironfist. Goin to graduate soon, 'e is. Real
|
||
|
soon. Gonna miss 'im, too. Come on, lemme int'r'duce you to 'em both.
|
||
|
Foller me, now, quick. Tey get away and a' talking, tey won't be back
|
||
|
'fore supper."
|
||
|
Je'en followed the rather jovial, if hard to understand, fellow
|
||
|
over to where the two combatants were talking away while two younger men
|
||
|
removed their armor. Je'en's guide stepped right up to them, and said,
|
||
|
"Hey, 'Fist, Bull, great match, eh? I bet you'll beat the Bull before ya
|
||
|
leave, 'Fist - i know ya can do it! Yer gettin' beter every day! O, hey
|
||
|
guys, this here little lady was askin' after ya, Bull. I'll leave ya to
|
||
|
'er: almost my turn in the ring. Bye, now."
|
||
|
"Take care, Kyle," said the man who was still wearing black even
|
||
|
tho his armor was all in a neat little pile at his feet. "And watch
|
||
|
March's third-return: remember the counter I showed you." He turned to
|
||
|
Je'en and said, "Hello. My name is Morion, but most of my students call
|
||
|
me Bull. How do you do."
|
||
|
Je'en shook his hand, and gazed at the man. He was tall, and
|
||
|
full-bodied, with broad shoulders, and a thick chest, arms and legs. His
|
||
|
hair was raven-black, his face handsomely aristocratic, and he had the
|
||
|
oddest eyes she had ever seen - they were ice-grey, so light that there
|
||
|
seemed to be something wrong with them.
|
||
|
She said, "I'm fine, Sir." Her throat had ceased hurting by now,
|
||
|
but her voice was still a bit gravelly, and she still swallowed a lot.
|
||
|
"I was wondering whether you have room for one more student in your
|
||
|
school, Sir. I...I have had to leave by previous profession, and I
|
||
|
thought perhaps I could be a guardsman, or a mercenary, or something,
|
||
|
now.
|
||
|
Morion looked at Je'en carefully. She was rather tall for a girl,
|
||
|
and she was in rather better condition than average. She obviously
|
||
|
wasn't some maid, or tavern-girl, out to make something of herself. And
|
||
|
then there was that terrible scar across her face. She had a history,
|
||
|
and a reason to come here. "You know the rules?"
|
||
|
"One week trial, fee in advance and non-refundable."
|
||
|
"Yes. Well, if you have the money to spend, I'll take you in.
|
||
|
Either Ironfist here, or myself will work with you each day, and you
|
||
|
will know whether we will let you stay seven days from now. I'll show
|
||
|
you to your temporary quarters - if you'll follow me?"
|
||
|
The next week wasn't what she had been hoping for. She had
|
||
|
practiced while traveling from Magnus, trying to get used to using her
|
||
|
left hand to fence with, but it hadn't been easy. And, she appeared
|
||
|
truly clumsy when she was sparring, especially since either Ironfist or
|
||
|
Morion was usually her partner. She refused to explain anything about
|
||
|
herself to them, tho, at least before she was accepted, and so they let
|
||
|
her try to fight with what was obviously her off hand. But, she did her
|
||
|
best at everything she was told to do, and that included some of the
|
||
|
other work around the school, as well as running, jumping, climbing, and
|
||
|
horse-back riding (which she was rather good at, even left handed).
|
||
|
By the end of her trial period, she was sure she would be heading
|
||
|
on to Dargon the next day, minus about half of her accumulated wealth.
|
||
|
She hoped there were plenty of jobs for an unskilled wench in Dargon -
|
||
|
she didn't want to live on her savings, and they wouldn't last all that
|
||
|
long, anyway.
|
||
|
Still, she was out in her practice armor and wooden sword, a wooden
|
||
|
shield strapped to her arm in such a way that her wrist didn't come into
|
||
|
play when moving it, and faced off against Sir Morion (she couldn't
|
||
|
bring herself to call the man Bull - it just didn't fit him, tho she was
|
||
|
sure that he had a good reason for keeping such a nickname). She had
|
||
|
learned a few things in her week, and she wasn't quite so clumsy
|
||
|
anymore. She had a good stance, and a good grip on the sword, as well as
|
||
|
one good power-shot that was, unfortunately, all too easily blocked.
|
||
|
They sparred, her sword-and-shield against Morion's single-sword
|
||
|
(at which he was a master). She held her own, tho Morion was keeping his
|
||
|
attacks down to a good novice level. She kept her eyes on his sword, and
|
||
|
not on the distraction of his helm and its decoration, and she moved her
|
||
|
whole body in response to his movements - the "rooted" technique was for
|
||
|
superior strength or skill, and speed was one of her advantages. By the
|
||
|
end of the match, she was sweating (tho Morion was as dry as an old
|
||
|
bone) but feeling very good about herself, and how she had done.
|
||
|
She removed her helm, and, more slowly, the rest of her armor (she
|
||
|
didn't rate personal squires). As she did, she saw Morion, out of his
|
||
|
armor, Ironfist, and the ten other farthest along students come her way.
|
||
|
'This is it - time to get told to leave' she thought, and her good
|
||
|
feelings vanished like smoke in a good wind.
|
||
|
Morion stopped before her, and the others gathered around her. He
|
||
|
said, "Je'lanthra'en, you have been here your seven days. What do you
|
||
|
think of your performance in that time?"
|
||
|
Je'en said, "Sir, I really cannot answer that. Firstly, I am rather
|
||
|
too prejudiced to judge my own fitness, and secondly, I am no judge of
|
||
|
skill in any case. I...I think that I tried hard, but...was probably not
|
||
|
good enough to be taught here."
|
||
|
Morion wore a thoughtful expression thruout Je'en's little speech,
|
||
|
and he said when she was finished, "Well, judge or not, some of what you
|
||
|
said is true. You did try hard. And, we are judges, and we all think
|
||
|
that you may someday make a very fine fighter, and an even better one if
|
||
|
you train here, with us."
|
||
|
Je'en's elation was echoed in Morion's twinkling eyes as she jumped
|
||
|
up and down, and flung her arms around him. After being hugged for a
|
||
|
long time, he disentangled himself from her, and said, "Put those things
|
||
|
back on - you're doing first and second drill for at least two hours:
|
||
|
we've got to strengthen up that left arm of yours. Go, get busy, you're
|
||
|
my pupil now, and I don't like slackards!" There was no sting in his
|
||
|
voice, tho, and neither of their smiles lessened a bit as he helped her
|
||
|
back into her armor.
|
||
|
|
||
|
The first thing she did, once she was accepted, was have a suit of
|
||
|
practice armor made for her. She did that for two reasons - first, the
|
||
|
loaner set she had been using, while adequate protection, didn't fit
|
||
|
very well, and looked really silly; and second, she had an obstacle to
|
||
|
overcome aside from her awkwardness: one of pity. All during her trial
|
||
|
week, only Ironfist and Morion had treated her as an equal, testing her
|
||
|
fairly and objectively. The other students, after seeing the scar on her
|
||
|
face, and the way clumsy way she used her left hand, began to feel sorry
|
||
|
for her, and treated her very gently, like china. So she decided to
|
||
|
build for herself an image that would make the others forget about her
|
||
|
disabilities. Thus: her new armor, flashy-green, ornamented, daunting in
|
||
|
aspect, and another addition - a silver half-face mask to match the one
|
||
|
on her helm, and which she never removed except to sleep (and only when
|
||
|
alone). It didn't take long for the students to replace the 'poor thing'
|
||
|
image she had with that of the formidable 'Green Blade' (as she came to
|
||
|
be known, which was sometimes shortened to 'Greeny').
|
||
|
And so the months passed, almost unnoticed. She was finding that
|
||
|
learning to fight was hard, but also exciting. And, once she got used to
|
||
|
using her left hand (which did take a while), she was good at it. She
|
||
|
became Morion's star pupil, and the darling of the school. There were
|
||
|
few women in training there, but that didn't affect her status - rather
|
||
|
she attracted a following of the same type as Ironfist had: people who
|
||
|
were inspired by her ability, and wished her well for it.
|
||
|
There was more to do than fight, too. There was the other training;
|
||
|
physical fitness, riding, and such, skills to compliment that of the
|
||
|
sword (or other chosen weapon). There were the chores - tending the
|
||
|
garden that helped feed the school, keeping the citadel clean and in
|
||
|
good repair, keeping the practice armor and weapons in good repair, too.
|
||
|
And, aside from work, there was fun, too. She learned some games, and
|
||
|
listened to stories that the others told (tho she steadfastly refused to
|
||
|
tell any of her own). She learned that the citadel was the ancestral
|
||
|
home of Lord Morion, and that its name was Pentamorlo. Many were the
|
||
|
tales of that House, and, tho she burned to tell some that only she
|
||
|
seemed to know, she kept to her resolve not to, fearing to venture
|
||
|
anywhere near the realm of Barddom.
|
||
|
Of all the people - teachers, students, and servants - at Morion's
|
||
|
school, she told only three her full story. Two were Morion, and
|
||
|
Ironfist, and she told them for their kindness to her, and so that they
|
||
|
would know her well enough to trust her, and maybe to like her. Both
|
||
|
were sympathetic to her pain and sorrow, without being pitying. The
|
||
|
third was a young man named Timirin, who was usually called Oak. He had
|
||
|
been Ironfist's student, and was near 'Fist's equal when she arrived.
|
||
|
Came the time for Ironfist to graduate, Oak sort of took his place. He
|
||
|
took over teaching Je'en, going at her own pace, but never going easy.
|
||
|
In time, they grew close, as she never had to anyone as a Bard, who
|
||
|
usually felt too far removed from other people, and too busy to
|
||
|
cultivate a relationship with fellow Bards. But, she was free of that,
|
||
|
and Timirin was handsome, intelligent, and an excellent swordsman. It
|
||
|
was easy to fall in love with him, if love it was. And, one night when
|
||
|
they were alone in one of the towers, and he began to get a little over
|
||
|
eager, she told him her story. If that had been meant to scare him off;
|
||
|
it failed. They became faster friends, then lovers.
|
||
|
But, they were not in love. Eventually, it was time for Oak to
|
||
|
leave, and there wasn't enough between them to persuade Je'en to go away
|
||
|
with him. He had helped her immensely, tho, giving her confidence in
|
||
|
herself as her skill grew, and she thanked him for that, and then said
|
||
|
farewell.
|
||
|
She was a very fast learner. By the end of her first year, her
|
||
|
reflexes had been retrained, and her left hand was now as capable as had
|
||
|
been her right. She had all the basic moves of sword-and-shield and
|
||
|
single-sword combat drilled into her until they were second nature. And
|
||
|
she had begun to learn special defenses and attacks - those things that
|
||
|
lifted an ordinary fighter into the realm of the special. She learned
|
||
|
the 'rooted' technique, wherein one planted oneself in one spot, and
|
||
|
tried to draw strength from the earth itself to protect and to attack.
|
||
|
She also learned the 'lightning' technique, where one stayed in one
|
||
|
place as little as possible. That was a variation of what she had
|
||
|
originally learned, but there were subtleties that turned mere swiftness
|
||
|
of foot into deadly force. And there were other techniques, some named
|
||
|
for a phenomenon of nature that they resembled, some named for the
|
||
|
person who invented it, or made it famous. Some were strictly for
|
||
|
defense, some only for attack, some for certain special conditions, some
|
||
|
to be used at all times, even with other styles and techniques. She also
|
||
|
learned to use several other weapons well, tho not expertly - mace,
|
||
|
staff, polearm: she was limited in the use of two handed weapons, of
|
||
|
course, and a second hand weapon as well, which was why she concentrated
|
||
|
on the simple sword, and shield. Eventually, the shield had to go,
|
||
|
because of the time it took to put it on properly with her bad hand, so
|
||
|
she became even more expert in single sword. By the time she ws ready to
|
||
|
graduate, she could hold her own in single combat, even against Morion's
|
||
|
famed double-sworded 'Windmill', and in a melee, alone against up to
|
||
|
three, and more if she had someone or something to protect her back. All
|
||
|
in all, in just under two years, she had become a most accomplished
|
||
|
Swordswoman, and when she graduated form Morion's school, she went with
|
||
|
all honors, and the well wishing of all in Pentamorlo.
|
||
|
Before she left, she discussed her plans with Morion. She told him
|
||
|
that she intended to return to Magnus, and join the city guard. Morion
|
||
|
said, "That is a noble idea, but perhaps not a good one. You have spent
|
||
|
months here creating for yourself a new life, and have been very
|
||
|
successful, too. Magnus can only hold bad memories."
|
||
|
"What else is there, then?" she asked.
|
||
|
"Well, for starters, you could stay here and teach."
|
||
|
Je'en smiled, and shook her head.
|
||
|
"Okay, okay. I know it gets a little dull around here, and you want
|
||
|
to do something with your youth. Why don't you go visit your brother in
|
||
|
Dargon? That is a good city for adventure - you could join its guard, or
|
||
|
hire out with a caravan, or on an exploring ship. There's plenty to do
|
||
|
in a frontier city like Dargon. And, if you find nothing, well, you'll
|
||
|
have had a nice visit with family, and you can move on, even back to
|
||
|
Magnus. But give something different a try, first. It'll be good for
|
||
|
you."
|
||
|
And, Je'en took his advice. When the ceremony of her graduation was
|
||
|
over, she mounted her packed and ready horse, and rode away from
|
||
|
Pentamorlo to the northwest, and Dargon.
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
Consummate Love
|
||
|
by James Owens
|
||
|
<j1o@delphi.com>
|
||
|
|
||
|
Levy trembled as he poled the raft closer into shore. The cedars
|
||
|
towering above his head shaded what little sun the early winter
|
||
|
provided, bringing a chill to Levy's body. The water soaking his pant
|
||
|
cuffs was cold, as was the air. It wasn't the cold, so much, that was
|
||
|
making Levy shiver, however, but nervousness. Finally, after almost five
|
||
|
months, he was going to see Sarah again.
|
||
|
Levy still recalled that day in early summer when he had stood on
|
||
|
the dam at the end of the lake. He could still remember the shock he had
|
||
|
felt when the wave swept him over the face of the dam, and the look on
|
||
|
Sarah's face as she watched him being swept away by the flood waters.
|
||
|
The months had dragged by, at first, as he recovered from the wild ride
|
||
|
down river. Then, as he worked to earn enough money to make his way back
|
||
|
north to where Sarah lived, time suddenly seemed to speed up. It has
|
||
|
only a few weeks ago that the trader had showed him the utensils,
|
||
|
ornately carved like the ones Sarah had in her house. Once he tracked
|
||
|
them to the town, it was only a few days searching before he once more
|
||
|
found the artificial lake that surrounded the island Sarah lived on.
|
||
|
Levy guided the raft up to the dock. He tied it to the mooring,
|
||
|
then climbed onto the dock and ran to shore. He ran up the steep path
|
||
|
towards the house. As he ran he called.
|
||
|
"Sarah!" Levy watched the slatted windows in the house above as he
|
||
|
ran. "Sarah!"
|
||
|
He reached the house and ran to the door. He found it heavily
|
||
|
latched and tied. He ran down to the workshop where Sarah made her
|
||
|
crafts. It too was locked. He stood there, his heart sinking to his
|
||
|
feet. Now he knew why there had been no smoke, even on those cold days
|
||
|
while he was building the raft. Now he realized that he had not seen her
|
||
|
boat below at the dock. Sarah was gone.
|
||
|
Levy searched the whole island. Finding nothing, he returned to the
|
||
|
house. Cutting the cords that tied the door shut, he entered. A search
|
||
|
showed that Sarah had taken all of her clothes, and all the household
|
||
|
goods. The food was all taken as well. Levy re-sealed the house, and
|
||
|
with a heavy heart, returned to the raft.
|
||
|
Levy poled the raft back to his shoreline camp. It was dark when he
|
||
|
got there. He started the fire again, and fetched his stuff from the
|
||
|
tree where he had stashed it. He ate a cold supper, and then went to
|
||
|
sleep.
|
||
|
The next day Levy broke camp. He loaded up his horse, and began to
|
||
|
lead it around the lake. He reasoned that Sarah had to hide the boat
|
||
|
somewhere, as she could not leave it out in the open, nor could she take
|
||
|
it with her. Therefore, somewhere along the lake there were marks where
|
||
|
a large object was pulled from the water. He had gone about a mile when
|
||
|
he spotted the trail. It led right up the clay bank, and to a small
|
||
|
clump of trees. There, hidden under a large pile of dead branches, was
|
||
|
the boat. Levy quickly found hoofprints, and the chase was on.
|
||
|
For days Levy followed the tracks, cold and wind his constant
|
||
|
companions. Finally the tracks turned onto a small path. At the end of
|
||
|
the path Levy found a small house. When he reached it, he found it too
|
||
|
boarded up. A larger path led south from the house. Levy followed it
|
||
|
down into a small village. One simple question to the local innkeeper
|
||
|
told him what he wanted to know. One week ago, Abel, the owner of the
|
||
|
small house, had shown up in town with his sister, Sarah. He had asked
|
||
|
the innkeeper, an old friend, to watch his house. The two had purchased
|
||
|
traveling goods, and had ridden west. Levy thanked the man, and started
|
||
|
off.
|
||
|
Levy rode hard for a week. He stopped in the towns along the way,
|
||
|
asking questions and buying supplies. In each town he found people who
|
||
|
remembered a man and a woman traveling together, and through these
|
||
|
references he managed to close to within two days of them. By that time
|
||
|
they had changed directions, and were headed south. By that time also,
|
||
|
however, snow had started to fall.
|
||
|
As Levy started into his second week of trailing Sarah and Abel, he
|
||
|
ran into a blizzard. He rode for a day and a night solid to get to the
|
||
|
next town. By the time he got there he was almost frozen. He spent two
|
||
|
days in the inn, waiting for the snow to slow enough for him to travel.
|
||
|
He used the opportunity to earn some money repairing the old town clock.
|
||
|
By the time the snow let up, Levy was itching to be off. He thanked the
|
||
|
innkeeper, and started riding.
|
||
|
Levy's luck turned bad after that. Halfway to the next town he
|
||
|
reached a fork in the road. He chose the southern fork, assuming Sarah
|
||
|
and Abel would have also. When he reached the next town, however, no one
|
||
|
remembered two recent travelers. Levy then rode to the next town, hoping
|
||
|
that the town's people just didn't remember them, only to find no trace
|
||
|
of them there, either. Heavy with worry, Levy turned back. One day out
|
||
|
of town another storm hit, forcing Levy back to the safety of the inn.
|
||
|
It was three days before it lifted, and by then Levy had caught cold,
|
||
|
and couldn't travel. When he overcame that, he headed back up the trail.
|
||
|
The snow made travel hard, and it was a week and a half before he made
|
||
|
the fork again. A day later he rode into the first town along that road.
|
||
|
Levy rode up to the inn. He tied up outside, and strode into the
|
||
|
main hall. He found the innkeeper tending fire.
|
||
|
"Good Sir! Might I have a word with you?" Levy was slightly out of
|
||
|
breath.
|
||
|
"Of a certainty, young man. What might I do for you?" The innkeeper
|
||
|
stood up straight, wiping his hands on his apron.
|
||
|
"Have two travelers passed this way recently, a man and his sister?
|
||
|
It might have been some days now."
|
||
|
"Any reason in particular you'd like to know?" The innkeeper eyed
|
||
|
Levy carefully. Levy was used to such reactions, having gotten such from
|
||
|
other innkeepers.
|
||
|
"I must speak to the lady of very personal matters. I've trying to
|
||
|
find her for six months now, and I lost them back at the fork in the
|
||
|
road. Have you seen anyone like what I'm looking for?"
|
||
|
"I'm sorry, young man, but of a truth, I've not seen any man and
|
||
|
woman traveling together for almost six months. I believe you mean them
|
||
|
no harm, and I'd like to help you, but I can not. If they came this way
|
||
|
at all, they must have ridden right on through, as I'm the only
|
||
|
innkeeper in town." The look on his face was one of sincerity.
|
||
|
"Thank you. Thank you very much." Levy's whole body drooped. He was
|
||
|
exhausted, cold, and no closer to finding Sarah than he was before.
|
||
|
"Might I spend the night? It'll be dark after a while; I've no stomach
|
||
|
for riding further today."
|
||
|
"But of course! Take your horse to the stable, while I make room
|
||
|
for you." The innkeeper walked off.
|
||
|
Levy ploddingly unloaded his horse and released him to the stable.
|
||
|
He carried his gear to his room, and sank into a deep, sorrowful sleep.
|
||
|
|
||
|
From then on life held little joy for Levy. Town after town he
|
||
|
stopped at, but no one had seen or heard of two travelers like Sarah and
|
||
|
Abel. The winter grew deep, and the snow with it. He wondered if he
|
||
|
shouldn't backtrack, in hopes of finding the trail again, but he just
|
||
|
couldn't stir himself to turn back. Weeks plodded by as Levy worked his
|
||
|
way further southwest.
|
||
|
It was a grey afternoon when Levy sighted the bloodmarks in the
|
||
|
snow. The road was well trampled, but lonely. Levy hadn't seen a
|
||
|
traveler since morning. When he saw the crimson drops, he stopped
|
||
|
immediately. They lay on the side of the road, in unmarked snow. He
|
||
|
looked around carefully. Seeing no one, he dismounted quietly and
|
||
|
examined the marks. They were drops, as if someone had cut their hand,
|
||
|
and then shaken the blood off onto the ground. There were no other marks
|
||
|
around, however, so Levy remounted and rode on. He hadn't gone far when
|
||
|
he saw the tracks leading off the road into the woods. He dismounted,
|
||
|
and examined them. It was no great surprise to him to find copious
|
||
|
bloodmarks in and around the tracks.
|
||
|
Levy sat there, torn. It would just be asking for trouble to follow
|
||
|
the tracks into the trees, away from the public road. On the other hand,
|
||
|
a known danger can be dealt with. It was naive to believe that someone
|
||
|
who struck once would not strike again. Levy thought for long moments on
|
||
|
the question. Finally it was the thought that perhaps he could help
|
||
|
someone that prodded him off the road and along the trail.
|
||
|
Levy carefully stalked along the trail. For the first few hundred
|
||
|
feet, the trail appeared normal, except for the small traces of red.
|
||
|
Once the road faded from view, however, normality vanished. Levy was
|
||
|
horrified to see a large blotch of blood spread across the snow. Levy
|
||
|
quietly pulled his sword from his saddle. He looked at it for a long
|
||
|
moment. Levy had used a sword before, but had never killed a man. Dozens
|
||
|
of stories ran through his mind, stories of fights, stories of battles.
|
||
|
He hesitated, then carefully slid it back into its sheath. He bent his
|
||
|
head for a moment, in silent prayer, then continued. He didn't have far
|
||
|
to go. A few hundred feet further in he found a body, sprawled across
|
||
|
the snow, a sword wound across its head. It had been stripped of
|
||
|
everything but its blood-soaked clothes. There was no horse, although
|
||
|
from the tracks leading away from the body the man had been mounted.
|
||
|
Levy stood there, shaking. He didn't recognize the man, but death
|
||
|
is a frightening thing even in anonymity. Finally, Levy got himself
|
||
|
moving again. He looked around, to be sure the attackers were long gone,
|
||
|
then began digging a grave. As the winter was already deep, he finally
|
||
|
found a good use for his sword: breaking through the frozen top layer of
|
||
|
sod to get to the softer soil below. Once the body was interred, Levy
|
||
|
started following the tracks. He reasoned that the last thing he wanted
|
||
|
was to be wondering where the murderers were.
|
||
|
Levy tracked the murderers for the rest of the day, and the morning
|
||
|
of the next day. Just after noon the trail came to a stream. Levy
|
||
|
followed the tracks down the stream. Soon Levy could see the stream was
|
||
|
coming up to a small pond. Leaving his horse tied to a tree, he crept up
|
||
|
to within sight of the pool. Around the pool was gathered four bandits.
|
||
|
They were speaking in a dialect so thick Levy couldn't understand half
|
||
|
of what they said. They had a small fire going, and they were roasting
|
||
|
some small game. One of the bandits got up and walked to the road, to
|
||
|
check for travelers. Levy quietly drew back into the trees.
|
||
|
Levy quietly returned to where his horse was tied. He untied it,
|
||
|
and started leading it westward through the trees. After a bit, he
|
||
|
turned north again. Levy led his horse quietly to the roadside. He
|
||
|
wanted to give the thieves as wide a berth as possible. He came out onto
|
||
|
the path about fifty yards west of where the pool formed. Cautiously he
|
||
|
poked his head out of the trees. The path bent, and he was only able to
|
||
|
see the pool area. There, by the water's edge, stood a lone figure.
|
||
|
Levy's heart almost stopped. It had been many months, but he still
|
||
|
recognized the figure at the pool. It was Sarah.
|
||
|
Levy's mind and heart started to race. He snatched his sword,
|
||
|
scabbard and all, from where it was stuck into his pack. He started
|
||
|
running back towards the pool, along the path. Sarah, oblivious to him,
|
||
|
walked out of sight along the pool's edge. Levy doubled his already
|
||
|
pounding pace. As he neared the pool, he caught sight of Sarah again,
|
||
|
alone still. She looked up in surprise, and then broke out in an
|
||
|
astonished and delighted smile.
|
||
|
"Levy!" Sarah started to run toward Levy. The two met, and caught
|
||
|
each other. Sarah started crying, but Levy had no time for a tearful
|
||
|
reunion.
|
||
|
"Keep quiet! Don't make any noise!" Levy whispered loudly into
|
||
|
Sarah's ear. "Let's get out of here!"
|
||
|
The two turned to leave, but Levy found the way suddenly blocked.
|
||
|
Two bandits stood there, grinning. Levy started to turn to run back into
|
||
|
the woods, when something hit him, and he blacked out.
|
||
|
He came to on the ground. He started to sit up, and caught sight of
|
||
|
Sarah struggling in a bandit's arms. He started to get up faster, and
|
||
|
was rudely yanked to his feet by strong arms. He was whirled around by
|
||
|
two more bandits to face the fourth.
|
||
|
"Well, what have we here?" The man grinned a dirty smile. Levy
|
||
|
never found out what the man considered him to be, for there came a
|
||
|
hoarse yell from behind him. The bandits all turned to look, and Levy
|
||
|
twisted around as well. There stood Sarah, watching as her previous
|
||
|
captor struggled in the grip of a newcomer. The man was short, and
|
||
|
dressed in black leather. His short, dark hair was the picture of
|
||
|
perfection. He took the burly bandit by the shoulders, and shook him
|
||
|
savagely. Then, faster than Levy could follow, the man in black lifted
|
||
|
the bandit straight up, and then threw him in the pool, where the bandit
|
||
|
floated lifelessly.
|
||
|
One of the bandits holding Levy let go, and stepped towards the
|
||
|
newcomer. The other, finding himself alone to handle Levy, smashed Levy
|
||
|
in the face with a forearm, knocking Levy to the ground before moving
|
||
|
himself to take on the stranger. The forth bandit stepped over Levy as
|
||
|
well.
|
||
|
Levy, cradling his aching head, watched as the first bandit drew
|
||
|
his blade and slashed at the man with one stroke. The blow was clean,
|
||
|
aimed right for the man's midsection. The only problem was, when the
|
||
|
blade reached the man, the man wasn't there any more. With a blurringly
|
||
|
fast move, the stranger ducked UNDER the blade, then threw himself at
|
||
|
its wielder. The two crashed back into the third bandit, who fell. The
|
||
|
swordsman steadied himself, then tried another swing. This the man
|
||
|
merely blocked, grabbing the sword arm, pulling and twisting it. The
|
||
|
bandit stumbled forward, doubled over. There was a loud crack as the
|
||
|
newcomer delivered a savage kick to the thief's throat. The stranger let
|
||
|
go as the murderer fell in a heap.
|
||
|
The bandit who had fallen got to his feet. The black-clad man
|
||
|
approached him. The thug stabbed at the other's midsection, but the
|
||
|
other twisted away, grabbing the base of the blade in his bare, right
|
||
|
hand. The stranger pulled on the blade, dragging the murderer forward.
|
||
|
The stranger then twisted the blade around, dragging the arm with it,
|
||
|
and plunged the sword into its owner's back. The newcomer released his
|
||
|
grip as the body fell.
|
||
|
The last bandit had watched the whole affair from several steps
|
||
|
back. He now drew a small dagger. He drew back his arm, and was felled
|
||
|
by a blow to the head from Levy, who swung his sword without even taking
|
||
|
it out of its sheath. Levy stepped back as the man in black stepped up
|
||
|
to retrieve the dropped dagger. Levy watched in shock as the man calmly
|
||
|
slid the blade between the criminal's ribs.
|
||
|
Levy just stood there, as Sarah ran up, and embraced the stranger.
|
||
|
Levy looked around at the four bodies. Rarely had he ever seen so much
|
||
|
death in such a short time. His stomach started to churn, but with an
|
||
|
effort he pushed it down. Levy stepped over the inert forms to where
|
||
|
Sarah was hugging the man. The stranger extended his right hand. Levy
|
||
|
took it, noticing that there were no cuts on it at all.
|
||
|
"Thank you. You saved my life, and Sarah's. I'm ..."
|
||
|
"Levy. Levy Barel. I know. I'm Abel."
|
||
|
Levy reeled. He had expected Abel to be a farmer, not a vicious
|
||
|
fighter. Still, Sarah was showing no discomfort around him. Abel
|
||
|
released Sarah and turned to the horses. "Let us go. This is not a good
|
||
|
place to be, anymore." Levy followed, not having any argument.
|
||
|
They mounted up and started to ride. Sarah leaned over and gave
|
||
|
Levy a hug. "I've found you! You don't know how I worried!"
|
||
|
Levy returned her embrace awkwardly, afraid he was going to pull
|
||
|
her from her horse. "I was looking for you, too. I...kind of left in a
|
||
|
hurry." Why do I feel so awkward all of a sudden? thought Levy. All this
|
||
|
time I've been looking for her, here she is, and now I don't know what
|
||
|
to do! "You were looking for me then?"
|
||
|
"Yes. After you got washed away, I couldn't rest until I knew what
|
||
|
happened, so I packed up and went to my brother for help."
|
||
|
"How did I get ahead of you? I know we didn't pass on the road..."
|
||
|
"We stopped at a friend's house just after the big fork. We spent
|
||
|
over a month there before moving on."
|
||
|
"Well, I'm glad we found each other. We...need to talk."
|
||
|
The three of them eventually camped for the night. Levy found
|
||
|
himself sleepless, however. All he could think of was actions in the
|
||
|
fight. Finally he sat up, running his fingers through his hair. He put
|
||
|
on his shoes and squatted by the fire. He turned at a sound behind him,
|
||
|
only to find Sarah stepping up beside him. She kneeled down beside him.
|
||
|
"What's wrong? Couldn't sleep?" She herself had that soft look that
|
||
|
told Levy he had awoken her.
|
||
|
"No. Something is bothering me. Something I did today." He poked
|
||
|
the fire with a thin branch.
|
||
|
"If you mean that fight at the pool, there was nothing else to do.
|
||
|
Even Abel was fighting. Normally Abel wouldn't hurt a fly." Sarah rubbed
|
||
|
Levy's shoulder.
|
||
|
"That's fine for Abel. But what about me?" Levy paused, gathering
|
||
|
his thoughts. "I first found signs of that group yesterday. There was
|
||
|
blood on the road, and a trail leading into the trees. I followed the
|
||
|
trail, thinking it was the best action. The blood got heavier, and I
|
||
|
drew my sword. Then I started thinking. Who am I? What was I going to do
|
||
|
with that sword?" Levy huddled down closer to the ground, and Sarah put
|
||
|
her arm around him. "Could I rely on myself to fight off someone? And
|
||
|
what gives me the right to decide that my life is more important than
|
||
|
someone else's? I could only come up with one answer: I put the sword
|
||
|
back. And yet, when I saw you standing there, by the pond, with those
|
||
|
murderers all around, the first thing I did was grab my blade."
|
||
|
"You wanted to protect me. Anyone would have grabbed a weapon."
|
||
|
"Yes, but what had changed? I was still the same man, I hadn't
|
||
|
changed. No one had appointed me as judge over those men. What good are
|
||
|
all my fine truths if I only use them when it's convenient?" Levy looked
|
||
|
at Sarah. "And yet...I couldn't have let them hurt you..."
|
||
|
Seeing the expression on his face, Sarah spoke. "We all do what we
|
||
|
think best at the time. Sometimes we regret it later, but it's done. We
|
||
|
just must live with it, and go on." She stood, and started to go.
|
||
|
"Wait." Levy took Sarah's arm and eased her back down "We're alone
|
||
|
now, probably the last chance we'll get for a while. I want to talk to
|
||
|
you." Sarah remained silent, so Levy continued. "After I was washed down
|
||
|
the river, I spent a long time recovering. Not only did I have to get
|
||
|
well, but I had to pay off my debts to those who nursed me, and earn
|
||
|
enough money to buy a horse and some stuff. Then, the first thing I did
|
||
|
was go down to Dargon, to an old friend of mine."
|
||
|
Levy paused. He felt so unsure of himself, he didn't quite know
|
||
|
what to say next. Sarah just sat there with questioning eyes. Levy stood
|
||
|
up, and stepped over to where his pack stood. From it he took a roll of
|
||
|
leather. Sarah stepped up beside him and put her hand to his side, as if
|
||
|
to stabilize him. Levy led her back to the light.
|
||
|
"I asked him if I could go through the old records. He allowed me,
|
||
|
and so I looked all through the old records, and I found this. It's the
|
||
|
family crest that we had before we got our present one."
|
||
|
Levy unrolled the leather. On it was inscribed a colorful image, a
|
||
|
family crest. Sarah gasped.
|
||
|
"...but that's...that's MY family crest!"
|
||
|
She looked at him, suddenly expectant. Levy stood, feeling panic
|
||
|
coming on. He knew what he had planned to say, but now he wasn't so sure
|
||
|
he wanted what he had planned to ask for.
|
||
|
"What's so interesting that it must be discussed at night? Night is
|
||
|
for sleeping, not talking." The two turned to see Abel approaching. He
|
||
|
too looked like he had been awakened from comfortable sleep. He squatted
|
||
|
by the fire, warming his hands.
|
||
|
"Levy couldn't sleep. He was thinking about that fight today."
|
||
|
Sarah laid her hand around Levy's shoulder.
|
||
|
"I know how he feels. If I hadn't been told what to do, I would
|
||
|
feel the same way."
|
||
|
Levy looked down at Abel. "What do you mean?"
|
||
|
"I saw, in a dream, a man telling me I would meet bandits along the
|
||
|
way today." Abel's voice lowered. "He said that I was not to let them
|
||
|
live. I have no authority to take life," Abel paused for a moment, "but
|
||
|
the one I serve does. I only kill for him."
|
||
|
The three sat in silence for a moment, than Levy returned to his
|
||
|
bedroll, his thoughts only on what Abel had said. Sarah followed him,
|
||
|
silent. Abel was still by the fire when Levy fell asleep.
|
||
|
The next day the three saddled up, and continued southwest. Travel
|
||
|
was safer, but the weather got worse. The trio had only gotten a few
|
||
|
days down the road when another heavy storm stopped them. Once more Levy
|
||
|
took the opportunity to repair the town clock.
|
||
|
Levy stood inside the old town hall, staring at the mechanism. It
|
||
|
was a water-powered clock, and over a hundred years old. Like many of
|
||
|
the time pieces in the area, it had been built by a wandering group of
|
||
|
clockmakers. Few people knew how to set it, and no one knew how to fix
|
||
|
it. Levy had studied clocks under one of the best clock makers in
|
||
|
Dargon, but even so the workings of the device appeared intricate and
|
||
|
mysterious. Sarah had accompanied him to the hall, and she now sat near
|
||
|
one of the many lanterns, watching him.
|
||
|
Levy hefted a broken cogwheel. "This has to be the key. Every other
|
||
|
cogwheel is in place. But where does it go?"
|
||
|
"Look for an empty spot." Sarah hugged a blanket closer around her
|
||
|
damp shoulders.
|
||
|
"I have...there aren't any. Maybe this is a spare or something."
|
||
|
"Then it wouldn't go anywhere. Maybe something else is wrong."
|
||
|
"Clock makers don't leave spare parts. Everything has a place, so
|
||
|
therefore this has a place. But where?" He set the broken wheel down,
|
||
|
and picked up a replacement he had cut in the village smithy. He started
|
||
|
walking around the device, examining the mess.
|
||
|
"Well, I'm sure you'll find where it goes." Sarah's voice was
|
||
|
quietly confident. "Levy, what was it you were going to tell me, that
|
||
|
night, after that fight by the pond?"
|
||
|
Levy stopped for a moment, without looking at her, then continued
|
||
|
his search. "I wanted to show you that I had found your family crest,
|
||
|
and that we are actually related."
|
||
|
Sarah got up, and started to follow Levy as he circled the clock.
|
||
|
"For some reason that doesn't surprise me. You remind me a lot of my
|
||
|
father."
|
||
|
Levy stopped and looked at her. "I do?"
|
||
|
"Yes. You're both so confident, so good at making things work,
|
||
|
making things happen. When I'm with you, I think of him." Sarah's voice
|
||
|
softened at the mention of her deceased father.
|
||
|
Levy looked up at the mechanism as Sarah looked away. Suddenly his
|
||
|
eyes widened. "Ahah!" He ran around the clock, grabbed a stool, and then
|
||
|
ran back. He placed it on the floor in front of a particularly large
|
||
|
gear, and climbed onto it. He stared intently upwards for a moment, then
|
||
|
sagged. "No, there's already a gear under there." He climbed back down.
|
||
|
Sarah looked at Levy for a moment. "Do they put gears underneath
|
||
|
other gears?"
|
||
|
Levy turned and looked at her. "Yes, they do. Why?"
|
||
|
Sarah led Levy around to the other side of the clock, and pointed
|
||
|
upward. Levy followed her finger. There, high above the floor, was a
|
||
|
large gear. Sarah grabbed one of the lamps from the floor, and shone its
|
||
|
light upward. There, just visible between the gear's teeth, was a stout
|
||
|
rod.
|
||
|
Levy seized the ladder, and climbed up. He took the gear he had
|
||
|
made, and carefully levered the larger gear out a bit, exposing the rod.
|
||
|
He then carefully slid his gear onto the post, meshing its teeth with
|
||
|
the larger gear's second, inner set of teeth. He had to tug on another,
|
||
|
large, spoked gear to make the new gear fit, but it did, dropping
|
||
|
cleanly into place. Levy then jumped down, and released the power shaft
|
||
|
brake. Slowly, imperceptibly at first, the clock moved back into motion.
|
||
|
Levy grabbed Sarah in a big hug, which she returned.
|
||
|
"It works!" Levy held Sarah at arm's length, looking into her eyes.
|
||
|
"However did you see that?"
|
||
|
"I was studying the movement too, when you asked for that light
|
||
|
before, and I just saw it. I was wondering what it was for, but didn't
|
||
|
know until you told me about that other, hidden gear."
|
||
|
Levy looked at her for a moment. "Sit with me, please." The two sat
|
||
|
of the cold wood floor. Levy took Sarah's hands in his. "Were you ever
|
||
|
betrothed to anyone?"
|
||
|
Sarah looked confused. "What does it mean to be betrothed?"
|
||
|
Levy swallowed, his arms starting to tremble. "We you ever promised
|
||
|
to anyone in marriage?"
|
||
|
Sarah's eyes sparkled. "No..."
|
||
|
"Will you marry me?"
|
||
|
Sarah only paused a moment. "Yes."
|
||
|
The two sat there for a moment, then fell into each others arms.
|
||
|
|
||
|
It was a sunny spring day when the three finally rode into Levy's
|
||
|
village. The first place they stopped was at Levy's father's house.
|
||
|
There he presented his bride-to-be to his parents, thus completing the
|
||
|
first step of the ritual of marriage. The next step was to ask the
|
||
|
village Elder to marry them. As Levy's father was the village Elder,
|
||
|
they didn't have far to go.
|
||
|
With the first round of formalities out of the way, the festivities
|
||
|
could start. It wasn't often the son of an Elder got married, and
|
||
|
especially not one as well known as Levy. Elders were rich, and could
|
||
|
throw good celebrations, and Levy had many rich friends, who could also
|
||
|
throw good parties. Further, everyone in town liked Levy, and they all
|
||
|
contributed to the festivities. Finally, after word got south, to
|
||
|
Sarah's relatives, many of them came north, and they were rich, and they
|
||
|
brought a lot of food, drink, and gifts. By tradition, the couple had to
|
||
|
wait a two months between announcing their engagement, and actually
|
||
|
marrying. Most couples hated that time, for it seemed to drag on so.
|
||
|
Levy and Sarah never even noticed it. By the time all the gatherings
|
||
|
were over, it was time to prepare for the actual ceremony.
|
||
|
The morning of the wedding found Levy walking up the path to his
|
||
|
father's house. He was dressed in his formal, tribal dress, dark red
|
||
|
wool with brightly colored bands of needlework. Tradition had mostly
|
||
|
spared him, as the groom, from any wedding day rituals. He was grateful
|
||
|
for that, having spent the morning alone, preparing himself mentally. As
|
||
|
he neared the house, however, joyful squealing told him Sarah might not
|
||
|
be so solitary. He walked up to the door, and knocked. His mother opened
|
||
|
it, but did not come out, standing instead in the entrance.
|
||
|
"What do you want, Levy?" She was in a good mood, but seemed to be
|
||
|
restraining herself.
|
||
|
"I'd like to speak to Sarah, if I can." He tried to peer inside,
|
||
|
but his mother held the door even closer shut, only allowing her head to
|
||
|
show.
|
||
|
"Levy!" Levy could hear Sarah calling from within. Her voice was
|
||
|
followed immediately by intense giggling, and then by a delighted
|
||
|
shriek. The window beside the door exploded with a shower of warm, soapy
|
||
|
water. Levy stepped back, barely avoiding getting wet.
|
||
|
"I'm sorry, you can't see her until the wedding. We're giving her a
|
||
|
bath right now." From inside the house came more giggles, followed by
|
||
|
splashing, laughter, and the sound of someone getting slapped,
|
||
|
somewhere.
|
||
|
"Uh, OK. Tell her I love her." Levy tried once more to peer inside,
|
||
|
in vain.
|
||
|
"We will. Now scoot." His mother pulled her head inside, and closed
|
||
|
the door, leaving Levy to head off for the barn, where the wedding was
|
||
|
to take place.
|
||
|
Levy found his father talking with the village fathers. He greeted
|
||
|
them all, and they all wished Levy well, and then he and his father took
|
||
|
a walk, to talk.
|
||
|
"Are you ready, Levy?" Eli was also wearing his formal clothes,
|
||
|
which in his case were rather bulky.
|
||
|
"No. Were you?"
|
||
|
Eli laughed. "No. I don't think you can be. Sometimes I think only
|
||
|
married people should get married. I mean, it's the most important thing
|
||
|
in the world, and we leave it to total novices."
|
||
|
Levy laughed. "I suppose. Well, this is it. As long as I can
|
||
|
remember I've looked towards this day, and now it's here. And I'm so
|
||
|
nervous I'm shaking." He held out a quivering hand, and his father
|
||
|
laughed at the sight. Levy dropped the arm back to his side. "It's
|
||
|
silly. After all, Sarah's just a woman. She isn't going to hurt me; she
|
||
|
loves me. Why else would she marry me?"
|
||
|
"Right. Just remember to treat her like that. You have to live the
|
||
|
rest of your life with her...start it right."
|
||
|
They arrived back at the barn, having walked a big circle around
|
||
|
the yard. By this time the guests had started arriving. Levy and his
|
||
|
father, as per tradition, greeted them at the door. As the barn started
|
||
|
to fill, noon crept up, and soon Levy was sweating under his wool
|
||
|
clothes. It wasn't all the heat, however.
|
||
|
Soon it was time for Levy to move to the front of the barn with his
|
||
|
father. Mattan, Levy's younger brother continued greeting the guests.
|
||
|
With nothing else to occupy his time, Levy started to shiver in earnest.
|
||
|
He stood in one spot, not moving, rehearsing what was to follow in his
|
||
|
mind. His feet almost left the floor when he heard the shout from
|
||
|
outside.
|
||
|
"Here comes the bride!"
|
||
|
Levy turned to face the open door. People crowded in the way, but
|
||
|
they soon parted. There, leading the wedding party, was Sarah. She was
|
||
|
clad in her clan colors, also red, but a brighter shade. Tradition was
|
||
|
kind to her, allowing her a muff to hide her hands in. Levy's felt as if
|
||
|
they were going to fall off, they were so awkward. Sarah was smiling, a
|
||
|
nervous, but beautiful, smile. Seeing her, all alone in front of her
|
||
|
party, facing so many people, many of whom were strangers, Levy felt for
|
||
|
her, and, finally, stopped shaking.
|
||
|
She joined him at the front of the crowd. He took her, and for the
|
||
|
first time, publicly kissed her. The crowd started chanting the word
|
||
|
'Amonta', an ancient word meaning 'lovers'. As the tempo and volume
|
||
|
increased, they parted, and then Levy leaped onto the platform with his
|
||
|
father. He reached down, and helped Sarah up as well. They turned and
|
||
|
faced the chanting but expectant crowd. Levy raised both arms and
|
||
|
shouted.
|
||
|
"Listen all you people!" The words rang out above the chant. The
|
||
|
people, expecting this, immediately stopped. "This day I take this
|
||
|
woman, with her permission, as my bride! If there be any challenge to
|
||
|
this, speak now!"
|
||
|
There was no answer. Levy hadn't expected one, but had there been
|
||
|
one, he felt ready to accept it. "Then she is mine, and I am hers,
|
||
|
forever!"
|
||
|
Eli stepped forward and joined their hands. "Inasmuch as there is
|
||
|
no challenge, I now pronounce you man and wife." As the two embraced and
|
||
|
kissed, the roof rang with the massed shout of 'Issi!", another ancient
|
||
|
word that meant 'two, yet one'.
|
||
|
Eli turned to step off the platform, when something hard and heavy
|
||
|
brushed up against him, almost knocking him over. He looked up, to see a
|
||
|
short stout man standing between him and the kissing couple. The man was
|
||
|
wearing shiny, black leather, and had immaculate, short hair.
|
||
|
"Listen to me, now, all you people!"
|
||
|
Levy and Sarah looked up startled. This wasn't part of the ritual.
|
||
|
Sarah gasped in shock.
|
||
|
"Abel! What are you..."
|
||
|
She stopped in amazement. Abel's eyes were shining brightly from
|
||
|
within. Levy stared at him as well, as a silence fell over the crowd.
|
||
|
"Mark this day well! Mark it for many years! For I tell you a great
|
||
|
thing!" Dead silence reigned in the building. Abel's words echoed off
|
||
|
the walls. "Of this union shall come a child, a man child, and he shall
|
||
|
do many marvelous things! He shall be of great renown, and shall be a
|
||
|
blessing to many people!" Abel blinked then. Instantly his eyes were a
|
||
|
normal, dark brown. He looked out at the assembled crowd, who were all
|
||
|
staring at him. He paused, momentarily overwhelmed. The brief
|
||
|
inspiration that had led him to the platform was finished, and now it
|
||
|
was just him. Then he opened his mouth, and yelled what seemed to be the
|
||
|
right thing to say. "So let's celebrate!"
|
||
|
The celebration continued well into the night, and would continue
|
||
|
for weeks to come. A delegation had arrived from Lord Dargon himself,
|
||
|
bringing enough food to feed the mass of people well for a dozen days.
|
||
|
The newlyweds, however, as most newlyweds do, had other, more pressing
|
||
|
business, and left shortly after dark.
|
||
|
Levy and Sarah arrived at their new home just as the fireflies
|
||
|
started to come out. There they found a fire burning, their bed neatly
|
||
|
made, and the traditional nightfruit resting on a bare table. Together
|
||
|
they sat on the bed, and, as per tradition, together bit into the red
|
||
|
fruit. They then broke into soft laughter as the juice ran down their
|
||
|
chins, something that, if it wasn't traditional, was at least common.
|
||
|
Levy leaned forward and licked the juice off Sarah's chin, ending
|
||
|
with a kiss. She reciprocated. They ate the rest of the fruit, and
|
||
|
kissed again.
|
||
|
"It's finally over. We're married." Levy embraced Sarah firmly.
|
||
|
"At last." She ran her hands over his back.
|
||
|
"You don't know how long I've waited for this."
|
||
|
Sarah chuckled sultrily. "Oh, yes I do."
|
||
|
Just then came a knock at the door. Levy frowned, then got up. He
|
||
|
walked over to the door, and opened it. There stood the Ariel's,
|
||
|
neighbors from a mile away.
|
||
|
"We wanted to congratulate you!" Abe Ariel shook Levy's hand
|
||
|
vigorously, and his wife gave Sarah a hug. "We're going home now. See
|
||
|
you tomorrow!"
|
||
|
They then walked off into the dark. Levy and Sarah looked at each
|
||
|
other, and then laughed. Levy shut the door, and they walked back to the
|
||
|
bed. Levy grabbed Sarah and pulled her down on top of him. She squealed
|
||
|
happily, and then started kissing him. Levy kicked his shoes off, and
|
||
|
with his feet pulled hers off as well. She slid down beside him, and
|
||
|
they embraced tightly. Then there came another knock at the door.
|
||
|
Levy got up. I hope this doesn't get to be a habit, he thought. At
|
||
|
the door there stood John, a fellow apprentice at the smithy.
|
||
|
"Just wanted to congratulate you! And you too, Sarah!"
|
||
|
"Thank you, John. Have a good night." Levy watched while John
|
||
|
disappeared into the dark, then shut the door.
|
||
|
A few minutes later two more people walked up to the door. It was
|
||
|
two more neighbors, from across the next creek. It was a harried Levy
|
||
|
that opened the door, and a rumpled Sarah that accepted a hurried
|
||
|
embrace. The neighbors didn't seem to notice, however, and left
|
||
|
cheerily. A few minutes after, when yet another family stopped by to
|
||
|
give their congratulations, it was an empty house they found.
|
||
|
Levy held Sarah's hand as he led her down the path to the quiet
|
||
|
brookside. There they found a small meadow, far from any houses. There
|
||
|
they spread the still-warm blanket, and there they lay down.
|
||
|
After they kissed, Sarah whispered to her new husband. "You're a
|
||
|
wonderful, wise man, Levy."
|
||
|
"You're a wonderful, beautiful woman, Sarah." He kissed her. "What
|
||
|
do you think your brother meant by what he said?"
|
||
|
"I don't know." She kissed him, carressing the back of his head.
|
||
|
She lay back, on the blanket. "He said we're going to have at least one
|
||
|
child."
|
||
|
Levy leaned across her. "At least one."
|
||
|
Sarah put her arms around his neck. "How many children do you want,
|
||
|
Levy Barel?"
|
||
|
"A thousand!" He started kissing her neck.
|
||
|
"Well," she answered, smiling broadly, "we'd better get started!"
|
||
|
|
||
|
========================================================================
|
||
|
|
||
|
Legend in the Making
|
||
|
by Ornoth D.A. Liscomb
|
||
|
<ornoth@wonky.jjm.com>
|
||
|
|
||
|
Victor Kent quietly admired the schooner Victory Chimes as she
|
||
|
rested at dockside. She wasn't really an attractive ship, with her gaff
|
||
|
and boom rigging, but she was a ship that had filled Kent's childhood
|
||
|
dreams. In fact, she was a ship who filled the dreams of many, both
|
||
|
children and young sailors alike. For many years, the stories of Captain
|
||
|
Smith and the mysterious VC had been told by the men of Dargon to their
|
||
|
children, and Kent was one of those young lads whose heads had been
|
||
|
turned by the call of adventure. His father had been a merchant, and had
|
||
|
often returned from work with tales he had heard from the docks, and
|
||
|
more often than not the hero of the story was the derring Captain Smith
|
||
|
of the Victory Chimes, a swift three-masted schooner. When he was
|
||
|
seventeen, Kent had signed onto a packet ship as a galley hand, and got
|
||
|
his first taste of reality on the high seas. But now he was a man, and a
|
||
|
year ago, at the young age of twenty-three he had been given the command
|
||
|
of a merchant bark owned by the Fifth I merchant shipping firm. Yet now
|
||
|
he was about to give up his first command to become first mate on the
|
||
|
Victory Chimes. It had hardly been a fortnight since the word had gone
|
||
|
out - the VC was putting to sea!
|
||
|
Despite the legendary accomplishments attributed to the vessel and
|
||
|
its captain, the Victory Chimes had performed little more than routine
|
||
|
merchant liner shipping within the rather limited memory of most people.
|
||
|
But the word was out that Captain Smith was going to take her on an
|
||
|
exploration mission, and that he needed crewmen. The tales of the
|
||
|
captain's bravery and wisdom echoed through every bar in the port
|
||
|
section, spreading through the town of Dargon proper even to Dargon Keep
|
||
|
and to the villages surrounding the port city. As quickly as the news
|
||
|
could spread, men came from far and near to become crewmembers for the
|
||
|
trip. Kent had listened to the rumors, and had decided to talk to Smith
|
||
|
about taking him on as first mate for the voyage. This was, indeed, a
|
||
|
dream come true.
|
||
|
He carefully set his foot on the gangway, and stepped aboard.
|
||
|
|
||
|
Captain Gordon Smith stood majestically on the castle as the
|
||
|
Victory Chimes was let from her moorings. He was dressed in attire
|
||
|
befitting a captain of a merchant vessel, and his white hair drifted
|
||
|
casually in the salt-tanged breeze. In the port, there was a very large
|
||
|
crowd gathered to watch their departure for unknown lands. Smith noticed
|
||
|
that it was no longer only children who came to see the VC off, as it
|
||
|
used to be. Today there were sailors, merchants, some warriors, and even
|
||
|
a few dignitaries, their eyes all focused upon his figure and his ship.
|
||
|
The harbor was filled with craft not only from Dargon, but from many
|
||
|
other nearby ports. As the VC slowly glided by, the onlookers excitedly
|
||
|
waved their caps at the crew, a few of whom returned the gesture.
|
||
|
Standing tall and aloof, Smith tried to give them the best show he
|
||
|
could, but his heart really wasn't in it. He thought to himself perhaps
|
||
|
he should have coaled his white hair earlier, but it was too late now.
|
||
|
Soon enough they would be out to sea, and the few straggling craft
|
||
|
that followed the Victory Chimes would turn back towards port, and he
|
||
|
would be able to relax. The crowd's fascination with him had set him in
|
||
|
a dark mood, and he mused silently to himself as he let the mate, a
|
||
|
young man named Kent, guide the schooner from the harbor into open sea.
|
||
|
|
||
|
The first two weeks of travel went very well aboard the VC, Kent
|
||
|
thought to himself. He had been given complete command of the ship by
|
||
|
captain Smith, and he had revelled in commanding the legendary black
|
||
|
ship. The weather had been sunny and the winds equally favorable, and
|
||
|
they had made good headway, steering consistently west by northwest.
|
||
|
However, Kent noticed the beginnings of a storm coming up from the
|
||
|
southwest. Shortly after midday he had one of the crew notify the
|
||
|
captain in his cabin, and he returned with the order to maintain their
|
||
|
course if possible, and to come about high to the windward should the
|
||
|
winds come from the southwest.
|
||
|
Within the hour the storm was upon them. Kent set the westerly
|
||
|
course and lashed the wheel down. He stayed above deck with three other
|
||
|
crewmen to take any necessary actions. Due to the westerly bearing, the
|
||
|
swells broke over the port bows, setting the deck awash with foam and
|
||
|
freezing spray, and Kent was forced to luff the ship and ease off the
|
||
|
sheets to keep her from capsizing. Kent tried to gauge their course, and
|
||
|
felt sure that they were being pounded leeward, far to the north of
|
||
|
their original position.
|
||
|
By late evening the storm had subsided, although the seas were
|
||
|
still heavy and the wind drove consistently from the southwest. As the
|
||
|
night wore on, Kent maintained his course, although he was aware that
|
||
|
the ship was still being driven far north of where they intended to be.
|
||
|
When morning arrived the seas had calmed, yet Kent could feel a distinct
|
||
|
chill in the air. In fact, as day broke, several large ice formations
|
||
|
could be seen floating some ways off. They had, indeed, been blown far
|
||
|
off course, and were now much farther north than the port they had set
|
||
|
out from. Kent was in the process of trying to chart their position when
|
||
|
a cry rang up from the crew: land had been sighted!
|
||
|
The conning mate, Lees, had sighted a mountainous island rising
|
||
|
from the sea several leagues to the north, yet he insisted that it
|
||
|
showed no signs of snow. As the captain came on deck, Kent climbed the
|
||
|
rigging up to the halyards and looked. The island was small but it rose
|
||
|
from the water directly into a large, forested mountain, and the slopes
|
||
|
were lush with vegetation. The sky about the island was tainted a
|
||
|
strange silvery color.
|
||
|
When he returned to the deck, Kent reported to the captain. The sun
|
||
|
had warmed the chill from the air, and the captain immediately set sail
|
||
|
for the island. However, as they approached the island, the air grew
|
||
|
distinctly warmer, until Kent wondered how such a place could exist
|
||
|
within the cold climate so far north of Dargon.
|
||
|
The island appeared to be the cap of a vast underwater mountain,
|
||
|
rising abruptly from the sea. The steep slopes rose in jagged cliffs,
|
||
|
making it very difficult to imagine that anyone could live there, though
|
||
|
occasional lush valleys ran towards the mountainous center of the
|
||
|
island. However, the most bizarre aspect of the island was the
|
||
|
vegetation. Kent could identify many plants he had seen growing only in
|
||
|
tropical areas in Baranur, far south of Dargon, and yet all the plants
|
||
|
and trees had leaves which had an almost-visible quicksilver sheen to
|
||
|
them. The captain decided to search for a suitable place to anchor and
|
||
|
proceed to explore the island.
|
||
|
They hadn't followed the coastline for more than twenty minutes
|
||
|
when they came upon a suitable harbor. However, as the VC entered the
|
||
|
lagoon, around the edge of the woods there appeared a small collection
|
||
|
of primitive huts. There were people living on the island! In fact, not
|
||
|
long after the huts came into view, an indecipherable holler went up in
|
||
|
the woods as the ship was noticed by the inhabitants. Within minutes a
|
||
|
handful of dugout canoes were on their way across the lagoon and towards
|
||
|
the ship, the natives bellowing their greetings and gesticulating
|
||
|
comically. Kent laughed as he saw one man run into the shallow water and
|
||
|
leap awkwardly into a canoe, dumping himself and the two previous
|
||
|
occupants into the drink. The captain ordered the anchor dropped, as the
|
||
|
VC was soon surrounded by smaller craft, her deck overrun by curious and
|
||
|
anxious natives. Oddly, Kent noted that their skin, very little of which
|
||
|
was covered in most instances, was slightly dark, and that it also bore
|
||
|
a strong sheen of that unnameable hue. In fact, he noticed that their
|
||
|
eyes all were strongly shaded with the odd coloration. Kent watched as
|
||
|
perhaps fifty islanders ran from one item to the next, not doing much
|
||
|
damage. He watched as one man examined a capstan, then kicked it, then
|
||
|
moved on to the anchor ropes, then went to examine a doorknob. Kent
|
||
|
laughed heartily at the native's expression when Lees, the lookout,
|
||
|
opened the door and emerged from the galley, much to the islanders'
|
||
|
fascination and surprise.
|
||
|
Each of the crewmembers was soon surrounded by several native men
|
||
|
and women. The ones around Kent rubbed their fingers through his dark
|
||
|
hair (which seemed to be their method of greeting), and then proceeded
|
||
|
to talk at him in their language and pinch and investigate his skin and
|
||
|
eyes. He patiently let them have their insistent way, and imagined that
|
||
|
his skin color somehow must be as strange to them as theirs was to him.
|
||
|
As evening finally fell, the crew could see that a large fire pit
|
||
|
had been arranged by the beach, and that preparations for a huge feast
|
||
|
were being made. The captain had the crew gathered on deck and, upon the
|
||
|
urging of the natives, launched a boat for the island. Those crewmen who
|
||
|
could not fit in the dingy were gladly accepted as honored passengers in
|
||
|
tribal canoes. Despite Victor's opposition, the captain did not order
|
||
|
any of the crewmen to stand guard over the ship, reasoning that the ship
|
||
|
was within sight, and nothing could happen on it without their
|
||
|
knowledge. Besides, who would want to be left out of the evening's
|
||
|
proceedings?
|
||
|
The trip to shore was chaotic, but uneventful. The crew was finally
|
||
|
assembled by the fire pit and guided to a large mat, made of fragrant,
|
||
|
freshly-cut grasses. There they were seated, each with a native upon
|
||
|
either hand, while the women brought exotic foods for their men and
|
||
|
their guests. Standing at the head of the 'table' was a large wooden
|
||
|
depiction of what appeared to be a bear. Stained with various colors,
|
||
|
the massive saurian watched silently over the feast. However, a cold
|
||
|
shiver ran down Kent's neck when he noticed that the bear's eyes had
|
||
|
been painted with a stain of that ever-present quicksilver glow he had
|
||
|
seen in the plants of the island.
|
||
|
The feast went on, with each course outdoing the previous in
|
||
|
strangeness. One of the drinks the crew was introduced to was mildly
|
||
|
intoxicating, and many had drunk far too much of it. Several left the
|
||
|
area at the coaxing of buxom native women, but Kent spent most of his
|
||
|
time trying to talk with one of the natives. He had learned that the man
|
||
|
was named 'Zut', but that you had to accompany the sound with an rise in
|
||
|
tone and shrugging of the shoulders. It appeared that the natives used
|
||
|
the same words for several different ideas, and accompanying gestures
|
||
|
often made clear which word was correct. Just watching the natives
|
||
|
talking to one another had set many of the crew into gales of uproarious
|
||
|
laughter. Many had made comic imitations of the speaker, who then
|
||
|
addressed the individual again, apparently to correct the pronunciation
|
||
|
or gestures made by the crewman.
|
||
|
Kent had tried to communicate with Zut, but hadn't achieved very
|
||
|
much. He had tried to ask the native about their chief, but Zut had
|
||
|
emphatically pointed at the bear statue, saying "Tsiti!" Kent figured
|
||
|
that the native had interpreted the concept of 'chief' as 'god', and had
|
||
|
shown him the totem of Tsiti, their animal-deity. He spent some time
|
||
|
trying to get the native to learn some words in his tongue, but only was
|
||
|
successful in teaching him 'Victor', 'victory', and 'skin'.
|
||
|
|
||
|
The following morning, most of the crew were again assembled upon
|
||
|
the mat and fed. Kent was somewhat troubled by the fact that Zut was not
|
||
|
at the meal, and tried to ask another native why Zut was not present.
|
||
|
The native looked at him and babbled.
|
||
|
"Zut! na'hai Tsiti!" While speaking this, he managed to somehow
|
||
|
shrug his shoulders, make motions like waves with his hands, and then
|
||
|
close his eyes. Apparently Zut had something to do with Tsiti. Kent
|
||
|
wondered. Perhaps Zut was a priest, though he carried no markings or
|
||
|
demeanor that differed from the other men. He tried to tell the native
|
||
|
to bring him to Zut.
|
||
|
"Bal'oa nia tsapful," replied the native. Somehow Kent got the
|
||
|
impression that the conversation was ended, though he really had no idea
|
||
|
why.
|
||
|
After breakfast the native urged Kent to follow him away from the
|
||
|
village and into the island. Kent talked Captain Smith into coming
|
||
|
along, on the basis that they would be exploring the island. Most of the
|
||
|
crew had all gone in separate directions, but would be back by
|
||
|
nightfall. With that, they were off into the mountainous and overgrown
|
||
|
island interior.
|
||
|
They followed a worn footpath through the woods, but the existence
|
||
|
of a path didn't make the going much easier. The trails had been made
|
||
|
for bare feet, and were too soft and spongy for boots, which Kent and
|
||
|
Captain Smith soon removed. The guide had led them on a trail which led
|
||
|
high into the interior area of the mountain, and the going was very
|
||
|
steep and very warm. It was some time after noon when the guide
|
||
|
excitedly beckoned them towards a rise in the trail.
|
||
|
As Kent climbed up the rise, what he saw was one of the most
|
||
|
beautiful and most bizarre scenes he had ever seen. They were standing
|
||
|
at the top of a huge cliff which fell away several hundreds of feet to
|
||
|
the sea. The view looked down upon the northern shore of the island,
|
||
|
which the VC had not scouted. The view was breathtaking, but even more
|
||
|
startling was the view to the north of the island. Several leagues
|
||
|
distant was another island, yet this one was nearly flat, and about it
|
||
|
there was a strong, visible aura of the strange color they had seen only
|
||
|
in shades in the plants and animals of this island. There was no
|
||
|
question that the northern island was the source of the unnatural hue.
|
||
|
"What in hell is it?" came the captain's exclamation from behind
|
||
|
Kent.
|
||
|
The native, seeming to understand, simply replied "Tsiti."
|
||
|
Kent tried to describe his thoughts to the captain. "Apparently,
|
||
|
Tsiti is the bear figure we saw at the village. They seem to worship
|
||
|
this being, and that island is somehow linked with him. It's obvious
|
||
|
that they must think it's sacred. But that's about all I know."
|
||
|
The captain pondered silently for a moment. "Damn. Well, we're
|
||
|
supposed to be exploring and adventuring. I guess we can't very well
|
||
|
turn away from something like this, can we? Let's head back to the
|
||
|
village and round up the crew." With that, he turned and began carefully
|
||
|
picking his way back down the path. Kent gave the native a reassuring
|
||
|
look and followed.
|
||
|
|
||
|
The afternoon was cooling off, and the early twilight shadows were
|
||
|
beginning to lengthen as the group plodded down towards the village.
|
||
|
Captain Smith immediately had all the crew gathered by the beach, and
|
||
|
described what they had seen that afternoon. He planned to have the crew
|
||
|
spend that night on board ship, and in the morning set sail northward to
|
||
|
explore the other island.
|
||
|
The crew had enjoyed their stay on the island, and weren't at all
|
||
|
pleased about returning to the Victory Chimes; however, they decided to
|
||
|
endure it after having convinced several native women to accompany them.
|
||
|
The night passed quietly, and the following morning the natives were
|
||
|
asked to leave the ship, and the VC set out from the harbor. They
|
||
|
skirted the coastline fairly closely for most of the way, and so it was
|
||
|
not until near midday that they began to see the strange color appear
|
||
|
pronouncedly in the sky to the northward. Finally they came around a
|
||
|
headland and saw the northern island. Many of the crew turned away from
|
||
|
the bizarre vision, yet many stood gaping at the unnatural sight. The
|
||
|
flatness and lack of vegetation on the island made it seem even more
|
||
|
alien than the rugged mountains of the southern island, and even Kent
|
||
|
stood dumbfounded by the potency with which the abnormal coloration had
|
||
|
contaminated the area surrounding the lifeless, featureless island.
|
||
|
Kent could sense the tenseness of the crew as the ship left the
|
||
|
coastline and headed across the stretch of open sea between the two
|
||
|
islands. As the noontime sun beat down steadily, Kent began to see heat
|
||
|
waves rising from the water. His vision became more blurry and he
|
||
|
thought he had become sick, until one of the crew staggered to him,
|
||
|
complaining of the same symptoms. After asking several other men, he
|
||
|
concluded that the color was somehow effecting their vision. He stumbled
|
||
|
aft towards Captain Smith.
|
||
|
"Sir, the crew can't function... the waves, the color is blinding
|
||
|
them!"
|
||
|
Smith stood immobile and replied, "We'll make an anchorage soon,
|
||
|
Kent, and go ashore. I won't flee from a little sea-blindness!"
|
||
|
Kent made his way to the rail and watched the island through his
|
||
|
blurred vision as they approached. It was broad and flat and lifeless.
|
||
|
He couldn't make out either the southern island or the sun clearly, as
|
||
|
his eyes began to burn and redden. Soon they dared not approach the
|
||
|
island any closer, so Smith ordered the anchor dropped a suitable
|
||
|
distance offshore.
|
||
|
Captain Smith had the crew gathered abaft and addressed them. "I
|
||
|
have decided to send a party of men ashore to explore this island, and
|
||
|
find the cause for these weird lights. I shall be in charge of this
|
||
|
party, and the rest will stay behind at the ship. Now, who is willing to
|
||
|
venture ashore?" At this, the men began to mutter lowly between
|
||
|
themselves. At length, a voice spoke up.
|
||
|
"Captain!" One of the crew, a man named Jason Black, stepped
|
||
|
forward. "Most of the crew don't want any part of this island. It's not
|
||
|
something honest men should go poking at. If you go messing around in
|
||
|
things like this," he nodded towards the island, "there's nothing but
|
||
|
harm going to come of it."
|
||
|
The crew seemed to be in consensus, and Kent began to suspect that
|
||
|
a mutiny was brewing, but another voice spoke up, that of Lees, the
|
||
|
lookout. "Jason, when you and the others signed up for this voyage you
|
||
|
were all set for adventure and exploring. The captain has seen more than
|
||
|
his share of the world, and if he's not scared of this, then neither am
|
||
|
I. I'll go with Captain Smith, even if I'm the only one!" With that he
|
||
|
joined Kent and Smith before the group, who continued to favor Jason's
|
||
|
opinion. No one else stepped forward.
|
||
|
"Very well, then. I shall go and explore this island with Kent and
|
||
|
Lees." Then, looking at Black, "I shall deal with your lack of
|
||
|
enthusiasm later. Now, prepare to lower the boat."
|
||
|
|
||
|
Soon thereafter Lees was rowing the ship's boat towards the island.
|
||
|
The haze of the midday sun bore down upon them, and Kent found it
|
||
|
difficult to make out the shore. The captain sat in the dory, cursing
|
||
|
the crew and the island beneath his breath. They arrived at the
|
||
|
shoreline and stepped out onto warm, black sands. They pulled the boat
|
||
|
high out of the water, and headed inland, occasionally stumbling on
|
||
|
unseen rocks. Kent's vision became worse and worse, and their progress
|
||
|
slowed and became more arduous with each step. The heat waves blurred
|
||
|
his vision almost completely, making it difficult to see the terrain in
|
||
|
front of him. As they plodded forward the blinding alien color became
|
||
|
stronger, and it became more and more difficult to continue. Kent had to
|
||
|
fight the need to rest. He began to wonder why he had ever signed on
|
||
|
with the insane captain Smith. His feet seemed leaden, and his very soul
|
||
|
was dead tired. At length the captain ordered a halt and collapsed to
|
||
|
the ground.
|
||
|
After a moment, captain Smith asked Lees to go forward a bit, to
|
||
|
see if anything could be seen, but not to go far. The lookout continued
|
||
|
on, and was gone from sight almost immediately. Kent sat down near Smith
|
||
|
and rubbed his burning eyes in vain. They weren't having any luck in
|
||
|
finding an explanation for the bizarre color, and he was about to
|
||
|
suggest that they return to the ship when he heard Lees cry out in fear.
|
||
|
He forced himself to his feet and joined the captain in stumbling
|
||
|
towards the sounds.
|
||
|
Kent outpaced the older captain, who continued to stumble behind
|
||
|
him as Lees' yells turned to pain-maddened screams. Kent continued to
|
||
|
rush forward, and suddenly came upon a scene of sheerest terror. Before
|
||
|
him stood a huge monster, which had attacked the seaman. The beast stood
|
||
|
half again as tall as Kent, and looked vaguely bear-like. However, it
|
||
|
was covered with thick black scales, and its eyes were faceted like
|
||
|
those of an insect. In those eyes burned a searing flame of that color
|
||
|
which Kent knew was from hell itself. The beast had ripped off Lees'
|
||
|
right arm, and held him by his left. Kent tried to master the screaming
|
||
|
fear which was building up inside him, but he knew that Lees was already
|
||
|
beyond rescue.
|
||
|
Suddenly, from Kent's left, captain Smith staggered forward and
|
||
|
into the beast, which turned and sent a powerful taloned fist in a wide
|
||
|
arc towards the old man's head. Kent leaped forward and tackled Smith,
|
||
|
taking him backwards and out of the range of the monster's blow. On the
|
||
|
ground, the captain immediately turned and ran, crouching low to the
|
||
|
ground. Kent followed, trying to keep within sight of his superior.
|
||
|
After several minutes of blindly stumbling away, they began to slow
|
||
|
their retreat, but suddenly the beast came down from above them. As he
|
||
|
rolled to his left, Kent thought he caught a glimpse of leathery wings
|
||
|
behind the beast. Again the two ran in the direction they guessed the
|
||
|
ship lie, although now they did not slow their pace.
|
||
|
Kent was never sure how long they stumbled around the island in
|
||
|
their color- and fear-blinded madness. Finally, they came upon the black
|
||
|
sands of the beach, and followed it until they came upon the Victory
|
||
|
Chimes' boat, which they quickly launched and returned to ship. There
|
||
|
Jason Black stood on the deck, waiting.
|
||
|
"Where is your friend Lees, captain?"
|
||
|
Smith didn't even answer him, but began giving orders to weigh
|
||
|
anchor and unfurl the sails. Kent looked at the seaman and said "Lees is
|
||
|
dead." Apparently the sailor saw something strange in Kent's eyes, for
|
||
|
he turned and began making ready to sail without further inquisition.
|
||
|
Despite the onset of darkness, the VC made its way away from the
|
||
|
island and set a southwesterly course. The captain retreated to his
|
||
|
cabin and left Kent standing orders to continue on their present course
|
||
|
until they reached the islands of Bichu. Through the night Kent
|
||
|
reflected on the event, and thanked Mitra that no one else had been
|
||
|
killed by the hell-spawned monster.
|
||
|
|
||
|
The westward voyage had been a tiring one for Kent. They had spent
|
||
|
forty five days sailing southwest from the arctic islands, and Kent had
|
||
|
begun to understand why so few ships had made the crossing to Bichu. He
|
||
|
had not imagined there could be so much empty sea in the entire world.
|
||
|
The captain had remained isolated in his cabin, leaving the command of
|
||
|
the Victory Chimes to young Kent, who was somewhat angered that Smith
|
||
|
hadn't turned out to be the brave adventurer he had been portrayed as in
|
||
|
the now distant stories of his youth in Dargon.
|
||
|
He gazed westward towards their destination, the mystical land
|
||
|
known as Bichu. Nothing broke the endless horizon, which completely
|
||
|
encircled them, blue upon blue. He had known of men who had gone insane
|
||
|
upon long voyages. They had stared at that unchanging horizon so long
|
||
|
that they were convinced that it was not the horizon at all, but a
|
||
|
tapestry hung to deceive them, and that it was closing in on them. His
|
||
|
thoughts were interrupted as Jason Black climbed up to the poop to speak
|
||
|
with him.
|
||
|
"Any idea when we'll see land, Victor?"
|
||
|
"Not yet. Maybe a week or so. Can't be much more."
|
||
|
The seaman looked down nervously for a moment, then faced the mate
|
||
|
straight on. "Kent... you're a good mate. You know that the skipper
|
||
|
isn't fit to command a ship. All he's done on this voyage is sit in his
|
||
|
cabin and drink. He had us bring him another keg of brandy this morning.
|
||
|
And when he hasn't been drunk, he's led us into trouble."
|
||
|
"Oh?" Kent knew that Black didn't trust the captain, but to speak
|
||
|
this way, he must have friends who felt the same way. The crewman read
|
||
|
his expression perfectly.
|
||
|
"Most of the crew are with me. They saw what happened to men who
|
||
|
trust the captain - men like Lees, rest his soul. Now we know you're an
|
||
|
able commander, and we aren't going to die for the captain's mistakes.
|
||
|
You obviously should be in charge of the ship."
|
||
|
Kent's thoughts raced. The captain obviously was not capable of
|
||
|
command under these circumstances, but Black was asking him to lead an
|
||
|
outright mutiny against the captain who was the hero of every seafaring
|
||
|
story in Dargon! "Look, Jason. I don't want you boys doing anything. Let
|
||
|
it be for now - the captain isn't doing us any harm so long as he's in
|
||
|
his cabin. I want to talk to him myself. Can you keep the crew from
|
||
|
doing anything?"
|
||
|
"That I can do, at least for a while." With that, Black elbowed
|
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|
Kent in the stomach and stepped down towards the bows, leaving the mate
|
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|
wondering if it had been a gesture of friendship or of warning.
|
||
|
|
||
|
Kent stood at the door to captain Smith's cabin. He had thought out
|
||
|
what he was going to say to the aging captain, and all he had left to do
|
||
|
was to gather his nerves and say his piece. After a few moments of
|
||
|
silently wishing that the problem would resolve itself, he rapped upon
|
||
|
the wooden door. From within a response came, and Victor Kent opened the
|
||
|
door and stepped inside.
|
||
|
Smith's cabin was a mess. Of course, Kent had seen it before and
|
||
|
wondered at it, but as he thought about it, he realized that captain
|
||
|
Smith had lived in the same room for probably more than twenty years.
|
||
|
Spending that much time in one place, one could expect a man's home to
|
||
|
be cluttered. Smith sat in an upholstered chair, a goblet of brandy
|
||
|
close by, idly gazing at a huge chart upon the port bulkhead. The chart
|
||
|
showed the explored lands, and Kent had spent as much time as possible
|
||
|
examining it, using the excuse of plotting their course. Smith looked up
|
||
|
at Kent and motioned to another similar chair which stood back to the
|
||
|
wall with the chart.
|
||
|
Kent sat down, dreading what must come. At length he began.
|
||
|
"Captain Smith, the crew has asked me to come talk with you." At this,
|
||
|
Smith's attention became focused. "They feel that you haven't properly
|
||
|
commanded this voyage, and that you've spent too much time in your
|
||
|
cabin. They think you made some bad decisions back at those islands."
|
||
|
"And they've asked you to mention this to me?" Smith countered.
|
||
|
"And what do you think?"
|
||
|
Kent hadn't considered his own feelings, but he tried to put them
|
||
|
into words. "Well, you're not the leader I thought you'd be when I
|
||
|
signed on in Dargon. You certainly haven't lived up to your reputation
|
||
|
for wisdom."
|
||
|
Smith leapt up angrily and paced back and forth through the room,
|
||
|
thrashing the air with his arms. "Damn it! I left Dargon to get away
|
||
|
from those asinine rumors! Can't you people just let me be?" The
|
||
|
captain, recovering from this violent emotional explosion, sat back down
|
||
|
again. "Well, I suppose you're right. I was hoping when we set out that
|
||
|
it would be different, but I guess it's true." The captain paused, and
|
||
|
Kent wanted to speak, but he hardly knew what to say. Eventually Smith
|
||
|
went on. "Let me tell you a story. I have never told this to anyone, but
|
||
|
I suspect that it would be appropriate to tell you now." The captain
|
||
|
looked old and tired as he drained his goblet and motioned for Kent to
|
||
|
fill it from a decanter on the table.
|
||
|
"Many years ago, I got my first command. I had been working as a
|
||
|
scribe before that, but I knew a friend in the harbormaster's office,
|
||
|
and I asked him to see if he could get me a ship to command, despite my
|
||
|
lack of experience or training. He finally came through, and I was
|
||
|
offered a position as captain of a patrol sloop called the Victory
|
||
|
Chimes. It wasn't this ship, mind you, it was smaller and older. So I
|
||
|
went about my duties of stopping suspicious vessels, and so forth.
|
||
|
"It was during the annual summer Festival that it happened. A
|
||
|
pirate who called himself Soloman Banshee stole the Bard's Crown, which
|
||
|
had been given to the winner of the minstrelry tournament for the past,
|
||
|
oh, fifty years." Kent knew the object, for it was the centerpiece of
|
||
|
one of the most important events of the Festival. He also recognized the
|
||
|
story as the one where Smith had rescued the crown. However, he did not
|
||
|
interrupt Smith, as it might cause another outburst, and Victor was
|
||
|
intrigued at the possibility of hearing the tale in the captain's words.
|
||
|
"At the time I was at sea, patrolling the northern coastline. My
|
||
|
mate saw Banshee's ship sailing northwards. They apparently saw us at
|
||
|
the same time, for they abruptly changed their course to put plenty of
|
||
|
space between us and them. My mate, a strong lad named Larson, urged me
|
||
|
to attack Banshee's ship, telling me that no pirate would run from such
|
||
|
a small craft unless he had something precious and illegal on board, but
|
||
|
I was afraid, and I gave the order to hold our course, despite the oath
|
||
|
I took as a patrol commander." This was something Kent hadn't heard in
|
||
|
the folk tales. Indeed, the truth was not quite the same as the myth.
|
||
|
"That afternoon a storm blew up, and that night was a long and
|
||
|
difficult one. Early in the morning the ship ran hard aground on a rocky
|
||
|
headland that had gone unseen. In the morning, she lay hard on her side
|
||
|
during low tide. I ordered the ship abandoned and struck out southward,
|
||
|
hoping to come to a village.
|
||
|
"Near noontime, Larson came back from scouting ahead. He had a
|
||
|
sword wound on his left arm, but his face was sheer ecstasy. He told us
|
||
|
that he had come across Soloman Banshee's camp, and dispatched the only
|
||
|
sentry there. Then he slowly drew forth from his cloak the silver Bard's
|
||
|
Crown.
|
||
|
"We all wondered what to do, for surely Banshee would be back, and
|
||
|
would miss the crown. Despite other advice, I decided to take the camp
|
||
|
and wait for the pirates, and either destroy them or bring them to
|
||
|
justice. We set up our camp in the middle of theirs, but failed to
|
||
|
notice their arrival that evening. I was sitting by the fire, watching
|
||
|
Larson pick over the food at the pirates' table, when Banshee slashed
|
||
|
his back open from behind. I grabbed the pouch beside me, which
|
||
|
contained the Bard's Crown, and ran like mad, while my crewmen were cut
|
||
|
down behind me."
|
||
|
Captain Smith paused, his hollow eyes staring blankly at the floor.
|
||
|
Kent sensed that Smith's reputation wasn't completely deserved, and it
|
||
|
appeared that the very event which caused his notoriety had not been one
|
||
|
of bravery, but of cowardice. Smith took a long draught of brandy and
|
||
|
continued.
|
||
|
"I finally reached a village and bought a horse. When I returned to
|
||
|
Dargon, the Festival was still going, and I was received as a hero. I
|
||
|
was granted honorary barddom by the College of Bards, and Lord Dargon
|
||
|
himself insisted that he build me a beautiful ship, which is this ship,
|
||
|
the VC that everyone knows.
|
||
|
"And so I was a hero to the people of Dargon. The tale grew more
|
||
|
and more preposterous each month. The Victory Chimes was built, and I
|
||
|
sailed ordinary voyages, but the legend couldn't be stopped. The
|
||
|
following year I overheard a story in a bar that I had come across a
|
||
|
chase between a pirate drumond and a merchant galley. The person had
|
||
|
mistaken my name for that of Simon Salamagundi, who had actually done
|
||
|
that." Kent started, and Smith noticed it. "Yes, Simon Salamagundi the
|
||
|
stew vendor. He was one fine captain. Do you remember the story about a
|
||
|
captain tricking a pirate king into forming an alliance with Dargon?"
|
||
|
Kent nodded. The story he had heard said that that captain had been
|
||
|
Gordon Smith.
|
||
|
The old man frowned. "No, that was Salamagundi, too. My legend is a
|
||
|
myth. It doesn't exist. I have never been a brave or wise man, I fear."
|
||
|
"Then why did you undertake this exploration voyage?"
|
||
|
The captain sat silently for a moment before answering. "Well, at
|
||
|
first I thought that after all these years, maybe I could command men
|
||
|
and a ship, and maybe do something good. Maybe after all these years, I
|
||
|
could do something to deserve that reputation. Now I know better. But, I
|
||
|
had another reason, as well."
|
||
|
Kent looked puzzled.
|
||
|
"I can't live in Dargon forever. I am a folk legend, not a man, and
|
||
|
legends do not go out quietly. When we dock in Bichu, I will stay there,
|
||
|
and live out my days there quietly and in peace, without young men
|
||
|
looking at me as if I was a god."
|
||
|
"And what of the ship? And what of the crew? We want to return to
|
||
|
Dargon!"
|
||
|
"And so you shall, Kent. When I leave you in Bichu, I will turn
|
||
|
over the command and ownership of the Victory Chimes to you. You've
|
||
|
commanded her well on this voyage, and she deserves a better owner than
|
||
|
I." Kent could hardly believe his ears. Here was his childhood hero,
|
||
|
saying openly that he wasn't a hero at all, and now the old man
|
||
|
suggested that he would be given the ship of his dreams as soon as they
|
||
|
made port! Kent tried to find words to say, but realized he wasn't even
|
||
|
sure what he was feeling. "But... what will we tell people when we
|
||
|
return to Dargon?"
|
||
|
Smith smiled slightly. "Just tell them that I stayed behind in
|
||
|
Bichu. They will find a fitting ending to the story of Captain Gordon
|
||
|
Smith themselves, no matter what you tell them. He will die as a lord in
|
||
|
Bichu, or lost in some foreign land."
|
||
|
Kent spent a long moment in thought.
|
||
|
"I'm sorry, Captain Smith. I understand now. I'll let you know when
|
||
|
we make landfall."
|
||
|
With that, he struggled to the door and left Captain Smith, a man
|
||
|
broken by his own legend.
|
||
|
|
||
|
The Victory Chimes lay up next to a large pier on the shore of
|
||
|
Bichu, a mythical land with ways very unlike those of Dargon. They had
|
||
|
been there almost a week, and the crew had enjoyed the time on land, but
|
||
|
Kent knew that they would soon be restless to return home. They had been
|
||
|
told that Smith was to remain in Bichu, which drew some odd looks, but
|
||
|
no one had protested.
|
||
|
Gordon Smith stood upon the wooden pier with the young captain,
|
||
|
Victor Kent. Smith noticed that Kent had matured since the time when he
|
||
|
had stepped aboard the VC to talk with Smith about being first mate for
|
||
|
the voyage, and he was satisfied that Kent would make a fine captain.
|
||
|
They said respectful farewells, and the young man boarded the ship and
|
||
|
cast off.
|
||
|
Smith stood upon the pier, watching the ship he had never felt he
|
||
|
deserved move effortlessly from the port and towards her home, and he
|
||
|
felt good. Perhaps he had finally accomplished something right,
|
||
|
something worthy of a legend. With a deep sigh, he turned away from the
|
||
|
slowly receding Victory Chimes and from the legend of Captain Gordon
|
||
|
Smith, and walked quietly away.
|
||
|
|
||
|
========================================================================
|
||
|
|