2728 lines
122 KiB
Plaintext
2728 lines
122 KiB
Plaintext
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Please contact me if you do not receive 3 parts. The last lines of Parts
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1 & Parts 2 should read "end of part X"
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I recommend displaying/printing this document in a monospaced
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font such as Courier. Your choice, though.
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CRANK #2
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28 pages of good news, love & happiness.
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1 Intelligent Religious Discourse
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2 And You Call Yourselves Anarchists?
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3 Interview with a Killer
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4 I LOVE JESUS!
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5 LOOK HERE FOR A COOL SERIAL KILLER ARTICLE!
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5 I'm an admitted pervert
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6 Screw Women (#1)
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7 I Hate Sports. So What?
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11 Man's Best Friend is Still a Dumb Animal, After All
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12 Ah, to be so SWANK.
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13 Rampant millenarianism: THE END IS UPON US!
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15 My life, my fun, pal (REVIEWS! REVIEWS! REVIEWS!)
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18 Dave nd Buster's: Neo-Fascists or just Texas-Style Screws?
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19 Head like a Hole (and then some)
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20 DIY Trepanation
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22 Black & Decker gets hassled
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23 A 3-page, Illustrated Guide to DIY Trepanation
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26 Screw Women (#2)
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26 CONTEST
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************************************
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1.
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Hey Jerry Falwell: Suck My Ass You Useless Shitbag.
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(Note for electronic readers: The above was printed in 122 pt. Futura
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Extra Bold Condensed type, kerned real tight, PMS 072. Quite
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striking, actually.)
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************************************
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2.
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A continuing by-product of Jeff
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Well, well, well. Number Two. Keep 'em coming, barkeep. God bless
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clip art. And booze.
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The Usual Crap
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==============
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Crank may be used and reproduced however you deem appropriate-
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-just keep the copyright intact. Advertising in CRANK is cheap. Write
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for info. Advertising barters will be considered, I guess. I do not: Do
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Lunch, Touch Base, Interface, Confirm, Point Things Out FYI,
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Brainstorm, or Check In. And, as a rule, I do not like people who do
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those things.
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Thanks to: Amy Nathanson; Tom Bielavitz; Jeff Fox; my day job;
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Tower; Blacklist; distributors of Crank-E; anyone who responded with
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kind words; and you for the marginal interest.
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Appreciated contributors to this issue:
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Vinnie Jordan: Interview with a Killer, p. 3
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Tom Bielavitz: Dog Stories, p. 11
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Dennis McGee: Trepaning Artwork, p. 23
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Unappreciated contributors:
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Dave & Buster's: The fascism behind p. 18
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----------------------
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PO Box 1646 - Philadelphia PA 19105-1646
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or Crank@aol.com (see page 22)
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Crank logo, icons & contents (c) 1994 Jeff Koyen, except contributions
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by the above authors/artists, who retain the copyrights to their
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work.
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the horror. the horror.
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Names I should have chosen--rather than CRANK--that would have
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attracted media attention and ensured national distribution:
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Die, Dave Pirner, Die
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Catch a Cold, Evan Dando, Catch a Cold
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Mouth Rape Minors
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MTV Sucks Ass
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Skull Fuck the Virgin Mother
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Newsweek
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Wired
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Fugazi
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i fuck dogs
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I Am Going To Kill The President
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Anarchists: The Same, Old Hippie Shit
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-------------------------------------
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Could be that I'm naive. I'm willing to admit it if, indeed, I am. But I
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don't think I am. Not this time anyway.
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Wasn't there a day when anarchy meant a lack of central control?
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Lack of government? And--more importantly--a violent upheaval of
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the existing organizational structures in order to achieve a perfect
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(utopian) society? Yeh, that's what I thought it used to mean. It don't
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mean that any more, I tell you.
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The self-declared anarchists that walk the streets today are nothing
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more than too-cool, punk-rock hippies playing themselves off as
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lovers of anarchy. Their literature is about feeding and sheltering the
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homeless. Their pamphlets ALWAYS talk about Nicaragua and the
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injustices put upon the people by totalitarian governments. They
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scream about the oppression facing fellow human beings worldwide.
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You know what you sound like, you anarchistic windbags? FUCKING
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HIPPIES. Fucking hippies fighting for the rights of the impoverished.
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Pioneering housing for all. YOU'RE NOTHING BETTER THAN REHASHED
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HIPPIE GARBAGE.
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Seventy years ago, they had the right idea. Bombings, sniping,
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murders, riots. An effort for TRUE anarchy. But today, we're stuck
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with the money kids, the squatters who can afford not to squat, and
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two dozen other variations of shitbags wearing that fucking Anarchy
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"A" on their leathers jackets, all worrying about equality for mankind
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and feeding the homeless.
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I see them everywhere, from the garden-variety teenager in the
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mall, to the dirty poet in the coffee house. What do they have in
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common? (Goatees, generally, but that's something else.) They all
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dress alike. Anarchists? YOU ALL LOOK THE SAME! You dress in torn
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clothes, dirty t-shirts and Doc Martens, with nose rings of course.
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You've got a very TRIBAL tattoo that means Eat Me in some dead
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Native American tongue. You don't seem to drink much, don't ever
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seem to loosen up from your idealist stance. And--don't forget--
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you're all either vegetarians, or you don't eat beef. You know what I
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eat? WHATEVER I CAN AFFORD THAT DAY, FUCKER. Sometimes it's
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plain spaghetti, sometimes it's take-out Chinese with enough beef to
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clog 10 colons. Christ, you're all so PREDICTABLY ALIKE. And
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HOMOGENEITY has got to be the furthest thing from anarchy that I
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can fathom.
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Worse yet, you're so fucking smug and self-righteous. I figure that
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anyone BOLD enough to declare themselves in favor of Anarchy
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should be willing to take the heat. You should be willing (and
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intelligent enough) to listen to contrary opinions, and then decide for
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yourself if you agree. And if you don't agree, THEN DON'T AGREE. One
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magazine I found with the Anarchy "A" in the title declares that "We
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encourage you to take the initiative to express yourself, but don't
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bother to send us any racist, sexist or otherwise hateful material."
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THEN HOW THE FUCK CAN I EXPRESS MYSELF? Do you want poetry
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about the stars in the sky? Stories about my cat? Prose describing
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my empathy for the oppressed? Anecdotes of how I tried to educate
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20 children in the Peace Corp? ALL IN THE NAME OF ANARCHY?? I
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can't write about that shit. I am able to write about very few things:
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working all the time but still being broke, surviving hard nights of
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drinking in spite of myself, and rejecting ideas AFTER LISTENING TO
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THEM WITH AN OPEN MIND.
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Anarchy? You want anarchy? Go LIVE in Nicaragua. Or, better yet, go
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to Bosnia and try to house the homeless over there. See how much
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good your thorough knowledge of Ginsberg and Creeley does you?
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You're all full of shit. You're all just a bunch of hipster fucks who
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fancy yourselves fringe. And as soon as you get out of school, or as
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soon as the SCENE dries up and it's no longer fashionable to be you,
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then you'll dye that hair back to brown, hit the Gap for a pair of
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Khakis, get that job, and pay your own rent. Just like the rest of us
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working shits.
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Fuck you.
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************************************
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3.
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Interview with a Killer
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-----------------------
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Provided by Vinnie Jordan (vinniej@sco.com)
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The following is a transcript of an interview with teen killer Alvin
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Harper, accused in the murder of his aunt, Thelma Kidd. Harper is a
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slightly built youth, seemingly incapable of the crimes of which he
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has been accused. As is the case with all these types of interviews,
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the dialogue by the police has been left out, leaving only the words
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of the suspect.
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============================
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"My name is Alvin Harper, and I make this statement of my own free
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will."
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"Listen, do you think they're going to send me to prison? God, I'm
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only 16, but they said they were going to try me as an adult. Oh, shit!
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What am I going to do?"
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"You have to understand, this woman was the most sadistic person I
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have heard of or met in my life. When Mom died, she stipulated that
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she wanted me to go and live with Thel. I knew she was an alcoholic,
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and I know she had been through two bad marriages, but she had
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always treated me well. I guess you really don't know someone until
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you live under the same roof. Had I known what she was really like,
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I'd have surely run away."
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"She used to beat me anytime and for any reason. Mom died when I
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was 12, and life was complicated enough, but she slapped me right
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after I moved in with her for saying I missed Mom. She said 'She's
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dead, and it's time you moved on with life. Dead!! Do you
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understand?!' I just thought I had caught her at a bad moment. But it
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was only the first in a long string of violent episodes. She was a big
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woman, as you probably know, 5'10", and she outweighed me by 80
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pounds."
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"I was a real good student up until this tragedy. I was making all A's
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in my studies, but I wasn't any good at organized sports. She said if I
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didn't improve my grades in gym, she was going to punish me. That's
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how she referred to any kind of abuse, as my punishment. Sure
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enough, when I got my report card, I had a D in gym. She grabbed
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me by the wrist and twisted it as she dragged me over to the stove.
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It was one of those electric ones, and she placed my palm on it, then
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turned it on. You can see the scar."
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(At this point, Harper holds out his hand. Indeed, there is a large
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burn scar on the palm.)
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"One time, I forgot to take out the trash, and she came up on me,
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quietly. She moved like a cat for a large woman, at least when she
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was sober. Anyway, she snuck up on me and punched me in the ear.
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My equilibrium was off for nearly a week, and my hearing is still
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affected from it. This is no isolated condition. It happened with
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frightening regularity."
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"Why didn't I report her to the authorities? Aren't you listening to
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me? The woman was dangerous, sadistic!! You know as well as I do
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that Protective Services usually ends up returning kids to their
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parents or guardians after the most perfunctory of investigations.
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And where would I be then? In the hands of an angry sadist."
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"OK, I'm getting to it! So that last night, I was late coming home from
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school. I tried to sneak in, but it looked like I had lucked out, and
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Aunt Thel wasn't home. I crossed the kitchen when I felt this
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stinging on my back, like I had been stung by the world's biggest
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bee, and I turned to find her holding a belt by the wrong end, so the
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buckle was the portion that struck me. She swung again, and again,
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and had me on the floor, with my arm up in a half-hearted attempt
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to defend myself."
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"When I awoke, I didn't know how long I had been out. It was dark
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now, and I was bleeding from several gashes on my back. The bitch
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had left me there on the floor, and it was cold while at the same time
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the raw skin on my back was burning. Out in the living room, I could
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hear the TV going, and I saw a half-empty bottle of whiskey hanging
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from her limp arm. Drunk again, and hadn't even checked to see how
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I was. That was when I decided to do what I did."
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"I dragged myself up from the floor with a lot of pain. Look at this!"
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(He lifts up his shirt, and there are several long streaks of bruised
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flesh, giving an indication of how bad they must have been 10 days
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ago at the time of the murder.)
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"Anyway, I dragged myself to my feet, and went to the kitchen and
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got into the utensil drawer. I took out the ice pick and started off
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into the living room. It was at this time that I almost talked myself
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out of it. But a drop of blood had flowed all the way from my back to
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my fingertips, and fell all the way to the floor. I looked at it, and
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thought if I didn't do something soon, she was going to kill me."
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"As I entered the living room, I could hear her snoring softly. The
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area around her head was cloying with the smell of alcohol fumes
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and halitosis. As a heavy drinker, that aroma was not uncommon.
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Her gums were receding from the constant burning away of skin
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from drinking straight whiskey, and her breath smelled like she ate
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carrion for breakfast, all the time. Her head was bent slightly
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forward, and I plunged the ice pick into the back of her neck. It was
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eerie. Her pelvis lifted off the chair with such force that it jerked the
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pick out of my hand as she flew out of the chair and landed on her
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belly on the floor. I thought at first that she was dead, but then I
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heard her making mewling type sounds. I must have hit some nerve
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or something, because she seemed to be paralyzed, though she still
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seemed to have feeling. I poked her in the leg with the ice pick, and
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sure as hell, she made that mewling sound again. For just a moment,
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I thought about calling an ambulance."
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"Yeah, you're right. I should have let it go at that. But something just
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came over me when I realized that she was helpless, and all the old
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anger from years of abuse. I remember everything, but was out of
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control of my faculties. I was no more able to stop the next sequence
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of events than I would be to stop my bladder function."
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"I dragged her limp form to a sitting position. She could barely sit up
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because of her stomach being so big, but since she was paralyzed, I
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was able to force her into a sitting position, although there was much
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creaking of stretched muscles and cracking vertebrae. She looked at
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me with the same pleading look I had given her when she had
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beaten me. Her head was lolled over to one side, and a thin run of
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spit ran out of the side of her mouth. I leaned toward her, smiled,
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and spit right in her eye. It ran down the side of her face. Then, I
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took a step back, and reared back and kicked her directly in the
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center of her chest. She went back and hit her head on the floor. I
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looked in her eyes. She was awake."
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"Why did I sodomize her? Revenge, I guess. It seemed the ultimate
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insult to someone who had caused me so much pain. She seemed to
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be trying to scream, whether in pain or shame, I guess we'll never
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know. And to be honest, it doesn't matter, as long as it was pain,
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emotional or physical."
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"No, I guess I wasn't done yet. I dragged her and into the kitchen. As
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I said, she was a big woman, but I had never felt so physically
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strong. I draped her fat ass face down over one of the kitchen
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chairs."
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(Note: The suspect is becoming agitated as he tells this part of his
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story)
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"By this time, I was out of control. I wanted to be sure she was still
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with me, so I heated up a kitchen knife and applied it to her left
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nipple, which was hanging over the chair. She had big tits. Not nice
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tits, But big saggy ones that went with the rest of her big saggy body.
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Anyway, she was still with me. The heat applied to the nipple
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brought the loudest noise I had heard from her since she was hitting
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me with that goddamned belt. I couldn't think of what to do next,
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and as I looked down at her big fat ass, with the old stained
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sphincter staring up at me, I decided to finish her in the most vile
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way I could think of."
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(Suspect is breathing hard, and flushed. I ask him if he wants to rest.
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He says no, and we continue.)
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"So, I go to the cabinet and take out the cooking lard. I spread it all
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over my right arm, up to the elbow. Then I slathered it all over her
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asshole. I thought about just reaching in and yanking her fucking
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colon out. But she deserved more than that. At this point, I couldn't
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let her off easy. So, I spread her cheeks and just started punching at
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her sphincter. I wondered if the lard would allow my clenched fist
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inside. I just kept punching as hard as I could, until I lost count. I
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was caught up in some sort of frenzy, and I just kept punching. I was
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about to give up, when the wall of her rectum caved in, and my fist
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slid inside her. Problem was, my thumb was bent back when my arm
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had entered the rectal cavity, and it was stuck. It felt as if it was
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badly torn, too. I tried to pull my arm out, but the pain was so
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intense I couldn't move my arm more than an inch in either
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direction."
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"So what am I supposed to do? I gritted my teeth and pulled as hard
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as I could. I could see the blood, probably mixed with her shit,
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dripping out of the opening of her asshole where my fist was buried.
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I started to panic, because I was afraid of bile and poison getting into
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my bloodstream from the open wound. So, I put my foot against her
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ass, held my breath, and yanked as hard as I could."
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"The last mental reaction I had was to squeeze my hand shut, and as
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my hand exited her rectum, it closed onto a handful of flesh, and
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although it was probably the most pain I have ever felt, including
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the beatings that bitch gave me, I was rewarded with about a foot
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and a half of that cunt's colon hanging out of her ass."
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"Then, I looked in her eyes. They were still open, but the light had
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gone out of them. She was dead. I was unsure of what to do then. So,
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I called you guys."
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"Remorse? No. I feel no remorse."
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============================
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Alvin Harper was convicted of first degree murder, sodomy and
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aggravated assault. He was found criminally insane, and sentenced to
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the psychiatric unit of Vacaville Prison in Central California.
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************************************
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4.
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The "I'm Already Going to Hell" Merchandise
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||
|
Three t-shirts designed to loosen your money from your wallets.
|
||
|
|
||
|
"Fish for Satan"
|
||
|
|
||
|
That "Peace" or "Christ" in a Fish symbol, straight from the bumpers
|
||
|
of obnoxious Christians and onto your chest, with a little twist. White
|
||
|
on Black.
|
||
|
|
||
|
|
||
|
"HEY JERRY FALWELL: SUCK MY ASS YOU USELESS SHITBAG"
|
||
|
|
||
|
Fuck subtlety. This design is BOUND to get you thrown out of the
|
||
|
mall. Or your house. Black on White.
|
||
|
|
||
|
|
||
|
"jesus saves... other people"
|
||
|
And ain't that the truth? Black on white.
|
||
|
|
||
|
|
||
|
Oh yeh? How the fuck else am I supposed to support myself? Ad
|
||
|
sales? HA! Just buy one of these shirts.
|
||
|
|
||
|
All shirts 100% Cotton. Large or X-Large only. $10.00 + $2.00 for
|
||
|
postage & my personal handling. Send cash, check or m/o to "cash" or
|
||
|
"Jeff Koyen." PO Box 1646 - Phil PA 19105-1646 $2.00 covers
|
||
|
postage and handling for AS MANY SHIRTS AS YOU BUY. $2 FLAT
|
||
|
RATE! (International orders must add $2 per shirt for postage/etc.
|
||
|
Sorry.) Allow at least 3 weeks for delivery. I'm a very busy man,
|
||
|
after all. All designs 1994, Jeff Koyen. Please don't fuck with my
|
||
|
copyrights; they're all I've got.
|
||
|
|
||
|
NOTE TO ELECTRONIC READERS: Write me (crank@aol.com) with your
|
||
|
fax # and I will return-fax a copy of the above designs. Continental
|
||
|
US only, sorry.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
5.
|
||
|
|
||
|
No More Fucking Serial Killers, eh?
|
||
|
-----------------------------------
|
||
|
|
||
|
Doesn't the title just say it all?
|
||
|
|
||
|
I am so fucking sick of articles and poorly-written, unoriginal
|
||
|
worship-oriented pieces about serial and mass murderers. Sick to
|
||
|
death, in fact. Haven't we (especially as the so-called UNDERGROUND
|
||
|
& INDEPENDENT small press) done enough to stomp this dead horse?
|
||
|
Yes.
|
||
|
|
||
|
Fortunately, there is an end in sight. "Natural Born Killers" arrives
|
||
|
one of these months. Though Quentin Tarantino is supposedly
|
||
|
unhappy with Oliver Stone's treatment of his script, the film will be
|
||
|
incredible if it maintains even one-half of Quentin's brilliance. The
|
||
|
only disappointment I expect are the stars: Woody Doldrum
|
||
|
Harrelson and Juliette Bad-Actress Lewis.
|
||
|
|
||
|
The script is truly wonderful. A piece of art to anyone who has been
|
||
|
a part of the serial/mass murderer fascination throughout the years.
|
||
|
Quentin obviously did his homework (or went through his library) to
|
||
|
create Mickey and Mallory Knox, the dynamic-duo, Sid & Nancy of
|
||
|
killers. He's built them from the ground up to be the quintessential
|
||
|
media icons: attractive, sexual and witty, with a death count of 44.
|
||
|
Tarantino makes fun of your fascination, too. He throws the Sid &
|
||
|
Nancy crap in your face; he pounds you with Geraldo allusions; he
|
||
|
grinds down the Americana serial/mass murderer attention to it's
|
||
|
ridiculous core. It's beautiful.
|
||
|
|
||
|
And I expect "NBK" to finally put this serial/mass murderer nonsense
|
||
|
to a bitter death, so that I won't have to open any more 'zines and
|
||
|
see articles and fluff about the same half dozen killers. But in an
|
||
|
effort to hasten the process, I offer the following declaration:
|
||
|
|
||
|
Attention Writers, Editors, Publishers
|
||
|
|
||
|
I, Jeff Koyen--embittered serial/mass murderer afficionado, failing
|
||
|
writer, snotty elitist, working shit--am hereby officially declaring a
|
||
|
moratorium (look it up, kids) on the publishing of the following:
|
||
|
|
||
|
-- articles about the personal lives of serial/mass murderers;
|
||
|
-- articles about/pictures of the artwork of serial/ mass murderers;
|
||
|
-- articles about/pictures of the deeds of serial/mass murderers,
|
||
|
unless they are previously unpublished and particularly gruesome
|
||
|
(see page 3);
|
||
|
-- reviews or exposs of other media covering any serial/mass
|
||
|
murderer (current article excluded).
|
||
|
|
||
|
In fact, I don't want to see ANYTHING AT ALL about serial and mass
|
||
|
murderers. Got me? I'M SO FUCKING SICK OF IT. It's all so goddamn
|
||
|
redundant.
|
||
|
|
||
|
Do you know how many places I have seen the Richard Remirez and
|
||
|
Henry Lee Lucas artwork? It was interesting when I first saw it in
|
||
|
Answer Me! But I've since seen it in 2 or 3 other small press,
|
||
|
UNDERGROUND magazines. Shit, it's probably been in Newsweek and
|
||
|
Time by now. Haven't YOU had enough?
|
||
|
|
||
|
I will grant 3 exceptions to my totalitarian decree. As "Murder Can
|
||
|
Be Fun," "Evil," and "Answer Me!" have always published interesting
|
||
|
articles, photos, etc, in the true crime vein, I feel they're the only
|
||
|
publications capable of continuing to engage me in spite of all the
|
||
|
other shit out there. Let the professionals do it, ok, kids? You just
|
||
|
won't do it better than the Goads.
|
||
|
|
||
|
Please don't tell me that your magazine published a Gacy painting
|
||
|
way back in 1990 because I don't care; so did "Details." And don't tell
|
||
|
me that YOUR magazine printed a letter from Manson 5 years ago; it's
|
||
|
been passe for 15 years. (Hell, when the Lemonheads covered a
|
||
|
Manson song, it was interesting, SIX YEARS AGO. Guns 'n Roses jumps
|
||
|
on the wagon and gets national media attention?) It's all crap. It's
|
||
|
boring, mass media nonsense, ok? You've been sold out by
|
||
|
yourselves and all your little dangerous rags. But don't take it up
|
||
|
with me. I don't like to argue.
|
||
|
|
||
|
So. In the way that "Airplane!" spoofed and ultimately ended the
|
||
|
string of "Airport 19xx" movies, "Natural Born Killers" will do the
|
||
|
same to the national fixation on serial/mass murderers. After all,
|
||
|
when your so-cool hobby is being detailed on a 50-foot screen at the
|
||
|
local MultiPlex 12, how underground can you REALLY be? Even the
|
||
|
stupid motherfuckers buying Gacy paintings for $5000 will be
|
||
|
bitching that "now EVERYONE'S got one. I had mine X years ago." Shit,
|
||
|
when your grandmother knows what Gacy's body count was, how
|
||
|
CUTTING EDGE can you possibly be?
|
||
|
|
||
|
All I can say is that I got my Gacy for $100, and it's up for sale for
|
||
|
$2500. I've also got my Bloody Visions trading cards, and they're for
|
||
|
sale, too. But I need to sell them quick, before the public realizes how
|
||
|
trite and commonplace all this crap is. I'm selling 'cause
|
||
|
I need the money; I've got 2-color covers to print and sacrifices must
|
||
|
be made.
|
||
|
|
||
|
So, quick, get yours now, before "NBK" outcools you!!
|
||
|
I'll even pick up the shipping and insurance! Make me an offer.
|
||
|
|
||
|
|
||
|
|
||
|
One for the Boys
|
||
|
----------------
|
||
|
|
||
|
An actual question reprinted from somewhere:
|
||
|
|
||
|
Q:
|
||
|
I am a girl from France, 15 years old. I am a virgin, but I love
|
||
|
making oral and anal sex with men friends older than me. I have
|
||
|
many girl friends that also like very much making anal and oral sex
|
||
|
only. We say that we avoid pregnancy and keep virginity in this way.
|
||
|
I think such kind of sex is the sex of the future. What do you think?
|
||
|
|
||
|
A:
|
||
|
Oh my.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
6.
|
||
|
|
||
|
Screw Women, Part 1
|
||
|
-------------------
|
||
|
|
||
|
A few years ago, Date Rape hit BIG. Movies of the Week. 20/20
|
||
|
Reports. College Dormitory Seminars. The running truth? Guys are
|
||
|
assholes. Amen.
|
||
|
|
||
|
Fuck education and awareness--men still cling to an underlying
|
||
|
philosophy that women are nothing more than fuckholes dropped on
|
||
|
this earth for their pleasure. Doubt me? Read the below passage.
|
||
|
|
||
|
I suppose it's outdated, but you know what? It demonstrates an
|
||
|
attitude that has been passed down from father to son for countless
|
||
|
generations. An attitude that still--in 1994--dictates that women
|
||
|
should fuck guys when the guys want it, WITHOUT QUESTION.
|
||
|
|
||
|
If you're a woman, listen up: For every nice guy you know there are
|
||
|
3 dozen assholes waiting to date rape you and your friends. For
|
||
|
every nice word a guy has for you, he's got 20 words for describing
|
||
|
your cunt to his buddies. It's our nature as assholes.
|
||
|
|
||
|
If you're a man, listen up: Ever try to talk a woman into fucking you?
|
||
|
Sure you have. Ever leave a woman's bed, unfulfilled, feeling
|
||
|
cheated, and maybe a little angry? Sure you have. Ever told your
|
||
|
friends about that girl's pussy that felt looser than a stretched-out
|
||
|
sock? Sure you have. You're a fuck.
|
||
|
|
||
|
And the solution, ladies? Kick any man in the balls at the slightest
|
||
|
provocation. Carry a taser and fuck him up as soon as he grabs your
|
||
|
titties a little too roughly. If he does hurt you, hurt him back. Or find
|
||
|
someone to hurt him. Fuck the cops--they won't deal out nearly the
|
||
|
right amount of punishment he deserves. Shit, they'll probably high-
|
||
|
five each other.
|
||
|
|
||
|
Above all, don't fall for men's bullshit. On the first date, assume that
|
||
|
he's an asshole. Really now, who needs benefit of the doubt for one
|
||
|
cock? There's plenty more out there. And somewhere in the batch,
|
||
|
you'll find that swell fellow who looks at you as something more than
|
||
|
a fuck. We're out there, hiding from the rest of the motherfuckers.
|
||
|
And we're just as sick of the little boys and their big bad cocks as
|
||
|
you are.
|
||
|
|
||
|
"In kissing a girl whose experience with osculation is limited, it is a
|
||
|
good thing to work up to the kissing of the lips. Only an arrant fool
|
||
|
seizes hold of such a girl, when they are comfortably seated in the
|
||
|
sofa, and suddenly shoves his face into hers and smacks her lips.
|
||
|
Naturally, the first thing he should do is to arrange it so that the girl
|
||
|
is seated against the arm of the sofa while he is seated at her side. In
|
||
|
this way, she cannot edge away from him when he becomes serious
|
||
|
in his attentions. This done, on some pretext or another, such as a
|
||
|
gallant attempt to adjust the cushions behind her, he manages to
|
||
|
insinuate his arm, first around the back of the sofa and then,
|
||
|
gradually, around her shoulders. If she flinches, don't worry. If she
|
||
|
flinches and makes an outcry, don't worry. If she flinches, and makes
|
||
|
an outcry and tries to get up from the sofa, don't worry. Hold her,
|
||
|
gently but firmly, and allay her fears with kind, reassuring words.
|
||
|
Remember what Shakespeare said about "a woman's no!" However, if
|
||
|
she flinches, makes an outcry, a loud stentorian outcry, mind you,
|
||
|
and starts to scratch your face, then start to worry or start to get
|
||
|
yourself out of a bad situation. Such girls are not to be trifled
|
||
|
with or kissed. It is such as they, in most cases, who still believe the
|
||
|
story of the stork which brings babies because of the consequences
|
||
|
of a kiss."
|
||
|
|
||
|
--from The Art of Kissing, Hugh Morris, 1936.(without permission.
|
||
|
emphasis added)
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
7.
|
||
|
|
||
|
Jerking Off: The Self-Publishing Trap
|
||
|
-------------------------------------
|
||
|
|
||
|
|
||
|
They were wild times lived in a sort of bored desperation. Starved
|
||
|
for excitement, driven by apathy, we hunted for diversion in the
|
||
|
trickle-down environment of suburban pop culture.
|
||
|
|
||
|
It was a time before collection agencies and before bad credit ratings.
|
||
|
When a cheap used car could break down and not lose me a job, and
|
||
|
me and my friends would withstand the shit and grief we gave each
|
||
|
other; I knew, from all the bad movies and worn-out Coming of Age
|
||
|
novels, that I'd "start missing everybody" as soon as I told anybody
|
||
|
anything. Old J.D. sure was right.
|
||
|
|
||
|
--
|
||
|
|
||
|
It was 1986 and we smoked dope in a semi-corporate parking lot
|
||
|
across town, stuck behind a thin row of pines and a drab concrete
|
||
|
building. One night, Laurie was high and knew there were police in
|
||
|
the bushes. We all ran. Laurie first. Ed and I fell over each other,
|
||
|
Tom disappeared, no one knew where Jason went.
|
||
|
|
||
|
There were no cops. We walked back to the lot and kept smoking.
|
||
|
Jeff and Joe were also there, but they didn't smoke. After the police
|
||
|
scare, Laurie sat with Jeff and Joe, deciding she wasn't all that high.
|
||
|
|
||
|
Another time, the same parking lot, we didn't have any pot but had
|
||
|
beer and vodka. I was a cashier at a liquor store, so booze was cheap
|
||
|
or free, never expensive. It was me, Tom, Ed and Jason. Tom had the
|
||
|
tape player he took from someone's car down the shore, but it was a
|
||
|
little fucked up.
|
||
|
|
||
|
We got pretty drunk and after a few hours walked to Pathmark. On
|
||
|
the way, it was all-around pitch black except for sporadic bursts of
|
||
|
music from Tom's broken radio. Over Route 80, Tom threw the player
|
||
|
off the bridge onto the Westbound lane. Traffic was sparse. He'd
|
||
|
forgotten to take out his Replacements tape. It was his second copy--
|
||
|
he'd lost the first copy in a similar incident.
|
||
|
|
||
|
At Pathmark, we shoplifted Hostess cakes and Ed & I drank cooking
|
||
|
sherry in aisle 12. Cooking sherry is very salty, to prevent people
|
||
|
from trying to get drunk on it. We spit it out on the floor.
|
||
|
|
||
|
Tom was close to home, so he left us at Pathmark. Ed, Jason and I had
|
||
|
been closer to home before we came to Pathmark, but it was too late.
|
||
|
We asked a trucker for a lift back into the developments, but "No can
|
||
|
do, I'd never be able to turn around back there." No money for a cab.
|
||
|
We walked home.
|
||
|
|
||
|
My drab, white duplex had never before looked so comfortable. I
|
||
|
woke up the next morning at 8 and met Tom and Ed at work where
|
||
|
we hung old women's polyester clothing on ten foot high racks. We
|
||
|
were hungover, dizzy, miserable.
|
||
|
|
||
|
--
|
||
|
|
||
|
Summer of 1986. We took the bus into NYC to see some bands at the
|
||
|
old Ritz. I stole six ready-mixed cocktails from work for the bus ride.
|
||
|
My liquor store was in the Pathmark shopping plaza, which included
|
||
|
a K-Mart and Drug Fair, plus the usual card shop, florist, pizza shop,
|
||
|
et cetera. The bus stop for New York was at the far end of the
|
||
|
parking lot, so Tom met me at work and we rode In from there. I
|
||
|
figured on sleeping at Tom's apartment that night.
|
||
|
|
||
|
The bus cost $7.20 round-trip. I'd won the tickets to the show on
|
||
|
some local college radio station. At the Ritz, Tom and I talked our
|
||
|
way into the back room where the opening bands drank before and
|
||
|
after the show. There was a sink filled with bottles of Rolling Rock so
|
||
|
Tom and I helped ourselves and got drunk.
|
||
|
|
||
|
Coming out of the band's lounge, two girls, Joy and Kris from Long
|
||
|
Island, nailed us for suckers and picked us up. Horny and drunk, we
|
||
|
bought them overpriced white wine. We spent too much on the
|
||
|
drinks, but we fucked around with the girls in the middle of the bar.
|
||
|
I was grabbing Joy's tits and Tom had his hand down Kris' pants. It
|
||
|
was quite a scene. If you'd been there that night, you'd remember it.
|
||
|
|
||
|
The last bus out was some time around 1:30am, so at 1:15 we left the
|
||
|
club. Outside, Joy vomited up the wine in the gutter and Kris wrote
|
||
|
her phone number on Tom's hand. Then we kissed them goodbye and
|
||
|
hopped a cab to Port Authority.
|
||
|
|
||
|
We missed the last bus Out. It didn't matter, though, because the cab
|
||
|
fare from the club had been our last 4 bucks. We were broke. And
|
||
|
drunk. In NYC. Fuck.
|
||
|
|
||
|
Ed's summer job took him into New York every morning at 7. We
|
||
|
could wait 'til morning, find him at work and get bus fare. That left
|
||
|
us for 5 1/2 hours on the streets. Instead we found a stupid cabbie to
|
||
|
take us to the suburbs with my driver's license as collateral. "C'mon,
|
||
|
man, we're desperate. Shit, you've got my license--what am I gonna
|
||
|
do?"
|
||
|
|
||
|
In the cab on the way back, we stopped on Route 10 to help two
|
||
|
young women whose car was broken down. They asked for a lift, but
|
||
|
changed their minds when we told them what we'd be doing. Sorry.
|
||
|
|
||
|
In Parsippany, Tom directed the cab into the dark maze of a random
|
||
|
development. Turn here, Turn there, That's my house, Stop here, Be
|
||
|
right back.
|
||
|
|
||
|
Tom left the car door open, ran up to a dark house and searched his
|
||
|
pockets for keys. In the cab, I thanked the driver and made small
|
||
|
talk. At the right chance, I leaned over the seat and snatched my
|
||
|
driver's license, dove out the car door and dashed into someone's
|
||
|
back yard. As I was grabbing my license, I saw the meter: $62.80.
|
||
|
"Thanks for the ride, pal." Don't forget a generous tip.
|
||
|
|
||
|
The cabbie chased us through two yards. Tom and I lost him behind
|
||
|
tool sheds and air conditioner stacks. We ran into two fences and set
|
||
|
off one house alarm. Between the house alarm and the cabbie's CB,
|
||
|
cops flooded the neighborhood in 10 minutes.
|
||
|
|
||
|
It took us over an hour to fight our way through the yards across
|
||
|
town to Tom's apartment complex. We stumbled in, exhausted and
|
||
|
sobered. We were pretty miserable, but we knew there was one fuck
|
||
|
of a story in that night.
|
||
|
|
||
|
--
|
||
|
|
||
|
One of my most fond memories of childhood is standing in front of
|
||
|
the bowl, urinating, trying to break a discarded cigarette in half with
|
||
|
the force of my urine. When my bladder was just about evacuated, at
|
||
|
that last moment, the butt broke, sending wet shreds of tobacco
|
||
|
swirling around the water, floating in and under the foam of my piss.
|
||
|
Triumph.
|
||
|
|
||
|
Every time there's a cigarette in the toilet when I'm pissing, I try to
|
||
|
break the butt. Most guys do, I figure. Ask your boyfriend or spouse.
|
||
|
|
||
|
--
|
||
|
|
||
|
My next-door neighbor, and best friend for the first 10 years of my
|
||
|
life, was Dave. He and I were chums and all that shit from the start.
|
||
|
When I was in high school, I used to buy dime bags from him.
|
||
|
|
||
|
My sister would buy me booze and I'd buy her dope. A very close
|
||
|
relationship. She first bought me liquor when I was in eighth grade.
|
||
|
Andy R., Jon C., Jeff and I were going sledding at the hill behind St.
|
||
|
Clare's hospital. Jon got a pint of rum, I brought a pint of blackberry
|
||
|
brandy. The four of us got drunk and when my mother picked us up,
|
||
|
she knew.
|
||
|
|
||
|
We dropped Andy & Jeff at Jon's house. Mom took me home and told
|
||
|
me it was o.k.: "I'd go into your sisters' rooms and it would smell like
|
||
|
the Napa Valley. Just don't let it become a problem." No problem.
|
||
|
|
||
|
--
|
||
|
|
||
|
Will didn't drink, but he was a great host. His parents often went on
|
||
|
vacation, and when they left, we arrived.
|
||
|
The first party at Will's house was around Mother's Day 1986. We all
|
||
|
drank too much. Ed held Tom's head over the toilet. I passed out
|
||
|
somewhere.
|
||
|
|
||
|
Will's house, New Year's 1986/7--we all drank too much and I
|
||
|
fucked Jason's ex-girlfriend, Jen. I was so drunk I was blacking out,
|
||
|
and when I snapped awake, my cock was raw and my balls ached. It
|
||
|
was still early, so I started drinking again. Jen had left; I never saw
|
||
|
her after that.
|
||
|
|
||
|
That same night, I met Laura from Randolph and began dating her
|
||
|
the next day. We never had sex because she was absolutely terrified
|
||
|
of getting pregnant. That kind of terror isn't worth the lay.
|
||
|
|
||
|
It was to Laura that I wrote my first cheesy love poem. For
|
||
|
Valentine's Day. I threw it out years and years ago, but I think of it
|
||
|
every once in a while. I was a sincere young man, if not a good poet.
|
||
|
|
||
|
--
|
||
|
|
||
|
We worked at a shit warehouse in North Jersey. Jason got a job there
|
||
|
through an outside friend. He got Jeff a job. Jeff got me, Tom, Ed and
|
||
|
Joe jobs. $5.50 an hour part-time after school and weekends. Good
|
||
|
money for high school kids in 1986.
|
||
|
|
||
|
Warehouses are interesting places, and they remain a place of
|
||
|
comfort for me. Office buildings and corporate environments hold
|
||
|
death and boredom --the people are stale, fake and narrow.
|
||
|
|
||
|
Oscar, Jerry and Goody were our supervisors. They seemed so old at
|
||
|
the time, but were only 25 or so.
|
||
|
|
||
|
We climbed racks of clothing 10 feet high in order to move, pick,
|
||
|
pack and count units of women's clothing--Alfred Dunner,
|
||
|
Sportswear for Mature Women. Polyester. Rayon. Nylon. The
|
||
|
warehouse needed us to keep distribution flowing. We knew they
|
||
|
needed us.
|
||
|
|
||
|
We were young and we didn't like being inside when the nice
|
||
|
weather came. And the bosses--like most bosses--were cocksuckers.
|
||
|
But we found satisfaction. It started with changing garment labels. It
|
||
|
quickly progressed to wrinkling, tearing and soiling them. Tom
|
||
|
finished by pissing on them one day.
|
||
|
|
||
|
None of us ever jerked off or shit on a garment. Not that I know of. If
|
||
|
I had, I'd tell you, right?
|
||
|
|
||
|
--
|
||
|
|
||
|
Michelle was a very attractive blonde woman who worked on the
|
||
|
picking and packing line. She took a liking to me and asked me out.
|
||
|
She was 23 to my 17. I'd sneak away from my assigned rack, hide in
|
||
|
a rack near her line, and steal snatches of conversation. It felt good
|
||
|
to have someone you didn't grow up with enjoy your company.
|
||
|
|
||
|
Michelle and I never had sex and I guess I know why. She was very
|
||
|
shy and I was very nervous. We talked on the phone for hours and
|
||
|
sat in her car fooling around a few nights a week. She'd drive 20
|
||
|
minutes to see me. As I said, it was nice to be accepted by someone
|
||
|
outside the group you went to elementary and middle school with.
|
||
|
|
||
|
We broke up when I went to live down the shore for the summer of
|
||
|
1986. It wasn't particularly sad; we'd had fun. During that summer, I
|
||
|
bought a '68 Mustang for $600, lost my virginity, met and said
|
||
|
goodbye to Laura from Florida, and missed my friends.
|
||
|
|
||
|
--
|
||
|
|
||
|
I don't remember much about middle school. The memories that do
|
||
|
stand out are vague, cartoonish images of a cut kneecap, nervous
|
||
|
school dances, playing trumpet in the band, starting to smell when I
|
||
|
sweat, and waiting for pubic hair. I realized in 7th grade that middle
|
||
|
school was the place where young men and women jockeyed for
|
||
|
social position. It is there that boys become masculine and girls
|
||
|
become desirable. I found I wasn't interested in sports and wasn't
|
||
|
seen by the girls I desired.
|
||
|
|
||
|
But I was cute, I suppose, in a girlish kind of way. I was the kid who
|
||
|
always seemed to be friends with the attractive girls. I was a mascot.
|
||
|
My first love was a girl named Ay. Spring, 7th grade. Our
|
||
|
relationship was written in notes in class and spoken over the phone
|
||
|
each night. On occasion, we'd walk to class and I'd hold her hand. I
|
||
|
soon discovered the problems of getting hard in public.
|
||
|
|
||
|
Rob Pellino lived down the block from me. We'd grown up together,
|
||
|
though he was more Dave's friend than mine. Rob and I always had
|
||
|
some sort of tension between us, because I didn't follow his
|
||
|
neighborhood leadership. I was too selfish to follow anyone other
|
||
|
than myself. Rob was a year older and went to a private middle
|
||
|
school; he always told us about the girls he was screwing and what
|
||
|
they did to him. I was, secretly, in awe.
|
||
|
|
||
|
April: It was nice weather, so I'd ride my bike across town to Ay's
|
||
|
house. I once made the mistake of bringing Dave and Rob along. Ay
|
||
|
fell for Rob and dumped me a week later. I hated him.
|
||
|
|
||
|
When Ay dumped me I was so upset I cried in school, in the middle
|
||
|
of classes. It was a turning point. Full of emotional weakness, unable
|
||
|
to keep it hidden like the tough guys. I was ashamed. I'd become
|
||
|
attached to a fleeting relationship. Start of a bad habit.
|
||
|
|
||
|
Ay got pregnant during her senior year of high school and might or
|
||
|
might not have gotten married. I don't remember. I might not have
|
||
|
ever known.
|
||
|
|
||
|
Rob's brother, Danny, died in a car accident on his honeymoon in the
|
||
|
Bahamas five years ago. Fuck my condolences; I couldn't've been
|
||
|
happier.
|
||
|
|
||
|
I am, on the whole, a bitter man who takes pleasure in the
|
||
|
appropriate misery other people receive.
|
||
|
|
||
|
--
|
||
|
|
||
|
Mary Beth was a friend of Janet, Jason's little sister. I met Mary Beth
|
||
|
when I was 15 and she was 13; she was young and awkward, but
|
||
|
cute. When Marybeth was 17, she was no longer awkward.
|
||
|
|
||
|
Ed's house, 1988: His parents took the camper and left for a week
|
||
|
every summer. Usually Memorial Day. We were 19, drinking from a
|
||
|
keg of cheap beer and smoking Tom's pot. Tom usually got the best
|
||
|
pot.
|
||
|
|
||
|
We were having a picnic, and Janet and her friends were old enough
|
||
|
to drink with us, mainly because they were suddenly old enough to
|
||
|
be sexual.
|
||
|
|
||
|
It was the first time I'd seen Marybeth in a couple years. She was a
|
||
|
very beautiful young woman. Probably still is, I suppose. Tall, dark
|
||
|
hair, very nice breasts and long legs. Fucking American wet dream.
|
||
|
|
||
|
During the night, Marybeth and I flirted, while I drank. Ed drank,
|
||
|
flirted and got bent out of shape. Marybeth and I walked around the
|
||
|
neighborhood and made out in the bushes next to Ed's house.
|
||
|
Someone drove Janet and Marybeth home to Janet's house; I took the
|
||
|
ride with them, and Marybeth and I molested each other for a few
|
||
|
minutes in the backseat.
|
||
|
|
||
|
I took her out a week later. Conversation was dull. I was dull. She
|
||
|
was dull. She probably still is. I am.
|
||
|
|
||
|
It was my own fault that we were both disappointed. I should've
|
||
|
known, even then, that the best and worst aspects of my personality
|
||
|
come out when I'm drunk. I'm a very bland person sober; whatever
|
||
|
passions I have come out through the crutch of booze.
|
||
|
|
||
|
Problem is, people interpret the same good and bad qualities as
|
||
|
attractive or repulsive, depending on my relationship with them. In
|
||
|
the times of Marybeth and the rest of them, I exhibited my passions
|
||
|
physically when I was drunk; this tended to attract. Fortunately, I
|
||
|
stopped getting drunk and fucking a few years ago. Too many lost
|
||
|
friendships. Too many regrets. Now I wake up and regret saying
|
||
|
things too loudly or too frankly. I am often uninvited to people's
|
||
|
apartments.
|
||
|
|
||
|
I don't have many friends anymore. Back then, though, the friends
|
||
|
were the unassailable network of trust and love. I guess it's still that
|
||
|
way for most people. I wouldn't know. Really.
|
||
|
|
||
|
--
|
||
|
|
||
|
I still think about the few women I fooled around with that first year
|
||
|
at school, before I transferred. Pam, a pretty blonde punk who never
|
||
|
wore a bra; we'd get drunk and dance at parties. Eilleen, Pam's friend
|
||
|
with a cute little ass. And some girl with bad breath at a hardcore
|
||
|
show in Philadelphia.
|
||
|
|
||
|
I was dating Laura from Florida, and I thought that I loved her. But I
|
||
|
was still lonely; Laura was in Florida for a few months and I was
|
||
|
rotting in Pennsylvania, surrounded by men and women my age who
|
||
|
had nothing but fucking on their minds. I was also drinking and
|
||
|
smoking a lot. I also dropped acid every once in a while. So it's no
|
||
|
surprise that I couldn't keep the loneliness at bay.
|
||
|
|
||
|
Sandy was a friend who wanted to fuck me; we talked about it. She
|
||
|
was the sophomore who had slit her wrists in the dorm the year
|
||
|
before. Thank god she survived; she was a great person: intelligent,
|
||
|
attractive, without inhibition. After all, when everyone around you
|
||
|
knows you as That Suicide Attempt, what place does inhibition have
|
||
|
in your life?
|
||
|
|
||
|
I don't understand how or why I never had sex with Sandy, but I did
|
||
|
regret it, sometimes. Laura dumped me in May after she fucked
|
||
|
some guy in Florida. For all my flirting and the occasional kiss, at
|
||
|
least I kept my dick dry. The year after I left that school, I heard
|
||
|
that Sandy was pregnant and married during her junior year.
|
||
|
|
||
|
It was too late to go back, of course. Sandy was dating someone, Pam
|
||
|
was dating someone, and I was left alone, still. Would it have been
|
||
|
better if I'd fucked Sandy? Laura would've still fucked her guy in
|
||
|
Florida. I probably would've stayed at that school and kept the
|
||
|
friends I'd made. Sandy wouldn't be pregnant and I wouldn't be so
|
||
|
bitter.
|
||
|
|
||
|
But, then I wouldn't have what I have nowtrue fucking love. And
|
||
|
ain't True Love worth a world of shit?
|
||
|
|
||
|
I miss them, sometimes, those friends for a year. But I don't want to
|
||
|
see them ever again; I don't want to see what life has done to them.
|
||
|
And I don't want them to see what life has done to me.
|
||
|
|
||
|
--
|
||
|
|
||
|
When I was 14, mom & dad gave me the option to buy a moped or a
|
||
|
computer with the money I'd saved from working. When I was 15--
|
||
|
legal moped age--they gave me the option to buy a computer.
|
||
|
|
||
|
Sold.
|
||
|
|
||
|
I hit the computer age when 300 baud modems were top dollar and
|
||
|
my Atari 800 came with (I think) 8K of Ram. It was the time of "War
|
||
|
Games" and "Cloak and Dagger," when computer hacks were heroes
|
||
|
for a new suburban revolution.
|
||
|
|
||
|
On the computer bulletin boards, I found a new world of intelligent,
|
||
|
anonymous people inhabiting islands of intersection on the phone
|
||
|
lines. It was beautiful: everyone used aliases. I found a place to
|
||
|
express myself without giving my name. I found an audience for my
|
||
|
ranting and raving. I made a lot of enemies, for someone without an
|
||
|
identity.
|
||
|
|
||
|
An older woman started leaving dirty messages for me on some of
|
||
|
the bulletin boards. Horny, confident and anonymous, I answered
|
||
|
them.
|
||
|
|
||
|
A month later, one Thursday afternoon, I met her in the Pathmark
|
||
|
parking lot, a short walk from school. She had straight black hair and
|
||
|
a yellow VW bug. Mid-thirties, a little overweight. I can still smell
|
||
|
her perfume; I don't know what it was.
|
||
|
|
||
|
We went to the Willowbrook Mall and walked around. She bought me
|
||
|
a drink in the Irish restaurant at the far end of the mall. She held my
|
||
|
hand. She bought me a box of discs in the computer store. I was
|
||
|
beyond fucking terrified.
|
||
|
|
||
|
She wanted to fuck me, only because I was 15. She was a freak for
|
||
|
young boys. And I was a young boy.
|
||
|
|
||
|
Of course, I really wanted to lose my virginity; and I knew I wouldn't
|
||
|
be screwing the head cheerleader anytime soon. I just wanted to
|
||
|
fuck fuck fuck.
|
||
|
|
||
|
I didn't do it. I was too scared. She kissed me goodbye and dropped
|
||
|
me off at home.
|
||
|
|
||
|
We still talked through the BBS's for a few weeks. She got me and my
|
||
|
friends tickets for a concert once, and I saw her at the show, getting
|
||
|
high with a friend. After that, I never saw her again.
|
||
|
I can't remember her name. Just her perfume. And the taste of
|
||
|
mature sexual terror she gave me that Thursday afternoon.
|
||
|
|
||
|
--
|
||
|
|
||
|
I had my first fuck on a bed in my grandparents house, down the
|
||
|
shore, summer 1986. Dana was a little whore--though I didn't realize
|
||
|
it at the time--who was fooling around with half the guys on the
|
||
|
boardwalk. We hung out together for a week or so.
|
||
|
|
||
|
One afternoon, before I had to work, we were petting on the couch.
|
||
|
Out of nowhere, she says "I like it on the bottom" and slides
|
||
|
underneath me. I didn't know what to do. Instinctively (?) I led her
|
||
|
to the nearest bedroom and closed the door.
|
||
|
|
||
|
On the bed, she dropped her pants. I dropped mine. She wouldn't
|
||
|
take off her shirt--I don't know why. I felt her up a little, stuck a
|
||
|
finger or two inside her, got on top, and got it in. "Don't come inside
|
||
|
me, ok?" "Sure, fine," says Mr. Cool.
|
||
|
|
||
|
I couldn't feel a thing. I don't know if it was the fear or if she was
|
||
|
really loose. Probably both. And just like a bad movie, I pumped
|
||
|
away and her head smacked into the headboard a few times. We did
|
||
|
that for a couple minutes and I rolled off.
|
||
|
|
||
|
I hadn't come. I hadn't felt a fucking thing, in fact, the whole time.
|
||
|
She rolled halfway on me and kissed me tenderly. I guess it wasn't
|
||
|
that bad for her; not painful, if nothing else. Maybe she'd actually felt
|
||
|
something good? How the fuck would I know? It sure as shit couldn't
|
||
|
have been too good.
|
||
|
|
||
|
Then, the front door opened. I don't know what the fuck I'd been
|
||
|
thinking; my grandparents were rarely away from the house for
|
||
|
more than half an hour.
|
||
|
|
||
|
So we jumped up and put on our clothes. I cracked open the door and
|
||
|
saw Dana's friend, Lisa.
|
||
|
|
||
|
I stuffed my underwear in my pocket, smoothed out the bed, and we
|
||
|
joined Lisa in the living room. Dana was chatty, I was embarrassed.
|
||
|
It was 4:50 and I was due at work by 5:00. So Dana and Lisa walked
|
||
|
me there, I kissed Dana goodbye, and went to work, befuddled by
|
||
|
the whole experience.
|
||
|
|
||
|
We never fucked again. She must've lost interest in me, because I
|
||
|
heard she was fucking around with some guy who worked further
|
||
|
down the boardwalk. I guess maybe he knew what a clitoris was. If
|
||
|
someone had told ME, then maybe I would've gotten a second chance.
|
||
|
And, maybe I would've gotten off.
|
||
|
|
||
|
--
|
||
|
|
||
|
Diamonds and rubies, her father used to tell her. He drove for a
|
||
|
living, and, you know, late night highways get real fucking boring. So
|
||
|
you think. Or you talk, or sing. Or you watch other cars. And it
|
||
|
became diamonds coming at you, rubies running away in front of
|
||
|
you. When you drive the highway at night, it's all diamonds in the
|
||
|
headlights and rubies in the tail lights. That's what he told her as a
|
||
|
child.
|
||
|
|
||
|
I met Jennifer at school. It was my first year at Rutgers, a sophomore
|
||
|
transfer. She was a freshman; very outgoing, pretty, enchanting. It
|
||
|
was great, when I was nineteen. When I was twenty, I hated her.
|
||
|
And I still do, at 25.
|
||
|
|
||
|
But I still find myself driving at night and my mind's rushing around
|
||
|
in boredom, I see the rubies of the tail lights and the diamonds of the
|
||
|
headlights and I think of the year that I (once again) thought I was
|
||
|
in love.
|
||
|
|
||
|
I was no great fuck when I was 19, mind you, but I'd dated Laura for
|
||
|
almost a year and we'd screwed when we had the chance. So when
|
||
|
Jen and I got into it one Friday night, I was better than most of the
|
||
|
boys she'd been with in high school. Unfortunately, the booze gets
|
||
|
most of the credit; I was able to last pretty long because I was pretty
|
||
|
drunk. The next night we had sex sober and I was done in 30
|
||
|
seconds. But being young, I got hard again right away and did a
|
||
|
better job of it the second time.
|
||
|
|
||
|
Sex was ok. She'd had a good bit of experience; simple, normal high
|
||
|
school sex. Eventually, she'd get on top, all that. I'd guide her around
|
||
|
a little; we had fun playing around. It never became phenomenal, but
|
||
|
it was the best I'd ever had. Hell, it was regular.
|
||
|
|
||
|
After 6 months, she dumped me for Tony, a guy I drank, smoked
|
||
|
dope and played cards with. It sucked shit; I had to see this guy at
|
||
|
least twice a week--I couldn't avoid him.
|
||
|
|
||
|
Aside from the emotional collapse, the decline into apathy, harder
|
||
|
drinking, afternoon dope and the occasional cocaine--all that break-
|
||
|
up/breakdown crap--what really sucked was that all my investment
|
||
|
was sleeping in his bed. She told me I'd done wonders for her sexual
|
||
|
ambition. So now my investment was riding someone else's cock,
|
||
|
pulling him around in ways he'd only seen in videos and cheap
|
||
|
magazines. She probably scared him, she was so sexed-up. Teach her
|
||
|
how to have fun fucking and then watch someone else get my profits.
|
||
|
Man, life is unfair sometimes.
|
||
|
|
||
|
So, like that little boy in 7th grade, I was destroyed.
|
||
|
|
||
|
But six years later I'm not going to waste your time with bullshit
|
||
|
love-saga trash. I'm talking about sex, about how fucking affects the
|
||
|
simple routine of life.
|
||
|
|
||
|
Do I have to be blunt? Diamonds and rubies; expensive, pretty, petty
|
||
|
pieces of stone. If that's the only thing that reminds me of her, then
|
||
|
why not remember the utility of the relationship? I don't think of
|
||
|
her when I see diamond earrings or a ruby ring; only the red and
|
||
|
white lights of cars on a fucking highway. It's not real. See? It's not
|
||
|
the real thing. Just an excuse. And so the memory of fucking her isn't
|
||
|
really all that's left of her in my mind. It's just the only thing I feel
|
||
|
like talking about.
|
||
|
|
||
|
So, anyway, I guess the diamonds and rubies will always be with me.
|
||
|
At least once a month, like it or not, they come to mind when I'm
|
||
|
driving the highway alone, late at night. Ironically, her father hated
|
||
|
me, and all I remember about his little girl is fucking her.
|
||
|
But, as I said, that's not entirely true.
|
||
|
|
||
|
--
|
||
|
|
||
|
"Liquor! Girls!" the sign reads.
|
||
|
|
||
|
If I could have both, 24 hours a day--or at least every hour that I'm
|
||
|
awake--then I just KNOW I'd be happy. But if I had to choose one, I'd
|
||
|
choose booze. Because when I have any amount of liquor, I can
|
||
|
always imagine the girls. But when I've got my girlfriend in bed, but
|
||
|
no liquor to speak of, I always seem to feel half empty.
|
||
|
|
||
|
--
|
||
|
|
||
|
Hey, I'm a fucking human being, ain't I?
|
||
|
|
||
|
--
|
||
|
|
||
|
It ain't much, but it's mine. Thanks for your time.
|
||
|
|
||
|
|
||
|
Advertisement
|
||
|
-------------
|
||
|
|
||
|
New 7" Out Now!
|
||
|
available at your favorite punk rock & indie record stores
|
||
|
by
|
||
|
|
||
|
Bubble Gum Thunder
|
||
|
|
||
|
"Coward" b/w "Cheater"
|
||
|
recorded by S. Albini
|
||
|
|
||
|
$3.00 postpaid payable to "Sandor Kekesi"
|
||
|
Model Rocket
|
||
|
382 George St.
|
||
|
New Brunswick, NJ 08901
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
11.
|
||
|
|
||
|
True Dog Stories for Young Readers
|
||
|
----------------------------------
|
||
|
|
||
|
By Tom Bielavitz (jitbagger@aol.com)
|
||
|
|
||
|
When I was an infant my parents took a puppy in and named it
|
||
|
Sugar. It was a small, terrier type. It loved my father greatly, and
|
||
|
was very obedient. However, Sugar took to backing my mother into a
|
||
|
corner, baring it's teeth and growling. Sugar became more aggressive,
|
||
|
especially when I was the center of attention. My mother had to
|
||
|
carry a small baseball bat to beat it off. Finally, she convinced my
|
||
|
father to give it away, but they had a hard time doing so. It seems no
|
||
|
one wanted a full grown pit bull.
|
||
|
|
||
|
Years later we got another dog, a pointer mutt we called Bronco. As
|
||
|
Bronco aged, he had many health problems; arthritis, cancer lumps,
|
||
|
and ears that would fill with fluid. The epilepsy was the worst,
|
||
|
though. He was a large dog, and during the seizures his hind legs
|
||
|
would stretch forward, past his nose. His tongue would hang out,
|
||
|
salivating, and his eyes would glaze much like a human epileptic
|
||
|
(except the part about his legs stretching forward). I was about ten
|
||
|
years old and it was disturbing to watch: he would scoot around
|
||
|
backwards, and then, suddenly, he would flip backwards, his hind
|
||
|
legs acting like the spring on a mousetrap. Since we lived in a small
|
||
|
apartment, and he was about three feet tall, furniture and stuff
|
||
|
would be thrown about the room. Once he lost control of his bowels.
|
||
|
The worst part was to look into his eyes and see the shame he felt
|
||
|
after the seizures. It became obvious that his accumulation of health
|
||
|
problems was paining him. My dad thought it was cruel to make an
|
||
|
animal suffer, so we decided to put Bronco to sleep. I watched as the
|
||
|
vet put the needle into his leg, as he stretched, closed his eyes, and
|
||
|
died.
|
||
|
|
||
|
While riding my bike over a small bridge about 10 miles from home,
|
||
|
I noticed a dog, a german shepherd, in an unusual position; he was
|
||
|
hanging from a tree. Upon further inspection I decided he was
|
||
|
hanging from a hook jammed into the roof of his mouth. Also, he had
|
||
|
been gutted, kind of like a bear skin rug you might see in a cartoon,
|
||
|
so that his head, back, and front paws were intact, but his
|
||
|
hindquarters were removed. I wasn't allowed in that town at that
|
||
|
age, so I didn't say anything.
|
||
|
|
||
|
--
|
||
|
|
||
|
In college, I visited a friend's home during winter break. He had a
|
||
|
small toy dog that also had problems. It had lost an eye to a tumor,
|
||
|
so all that remained was a hole with an open sore above it that
|
||
|
collected lint, hair, and dirt in it, complete with oozing mucous. The
|
||
|
dog's other eye was cataracted; it had a heart stutter, and asthma.
|
||
|
When it would bark it would begin to wheeze, which would cause it
|
||
|
to fart involuntarily. It would just wheeze, and fart, wheeze. and fart.
|
||
|
Once, I saw it in the back yard barking at a neighbor's dog when it
|
||
|
went into one of these fits and fell over sideways, rolling for a few
|
||
|
revolutions down a small hill.
|
||
|
|
||
|
--
|
||
|
|
||
|
I was living in a boarding house with about sixteen other men, and I
|
||
|
decided to take in an elkhound that was going to be put to sleep. His
|
||
|
tail curved strangely, and he came with the name Clue. Although he
|
||
|
was meant as a common house pet, he became very attached to me,
|
||
|
and would sleep outside my door, and growl at visitors. When my
|
||
|
girlfriend came over, he would nuzzle in between us.
|
||
|
|
||
|
A guy down the hall named Pete didn't like Clue, and would often
|
||
|
taunt him. I think Clue knew I didn't like Pete either. One night Pete
|
||
|
and another guy, Steve, ate some LSD, snorted some coke, and drank
|
||
|
for many hours. I wasn't around that night. At some time, Pete began
|
||
|
sticking his head out the door and yelling "Party on, Clue!" When the
|
||
|
dog would lunge forward, Pete would slam the door on his head and
|
||
|
he and Steve would laugh from the other side. The next day, I heard
|
||
|
the stories. When I went back to my room, I was looking for Clue to
|
||
|
give him a biscuit or two. I walked to the second floor porch door
|
||
|
just in time to see Clue dart from around the side of the house and
|
||
|
sink his teeth into Pete's leg. He locked in, and shook his body
|
||
|
fiercely, tearing Pete's flesh. I turned around and walked back to my
|
||
|
room to get Clue his biscuit, listening to Pete screaming as I walked.
|
||
|
|
||
|
Pete now has four half-dollar sized holes in his left calf. He moved to
|
||
|
Florida, and I haven't heard from him. I hope more of his life went
|
||
|
the way of his flesh when his town got hit by Hurricane Andrew.
|
||
|
|
||
|
--
|
||
|
|
||
|
I've heard that when a dog gets the taste of blood, he'll bite again,
|
||
|
and I believe it. A few weeks after the Pete incident, one of the men
|
||
|
in the house decided to do some woodwork with a circular saw. It
|
||
|
was about 9:30 am, and I had just finished three MD 20/20's mixed
|
||
|
with Andre champagne when I heard him screaming. When I got to
|
||
|
the back porch I saw that he had severed the upper half of his
|
||
|
forearm down to the bone. I could see the striations of the muscle,
|
||
|
and white cord things; ligaments, I guess. Blood had splattered across
|
||
|
the porch flying from the spinning saw wheel. The safety guard
|
||
|
didn't slide back, and the dope had crossed the saw across his body
|
||
|
to put it down. Ironically, there is a warning on this particular saw
|
||
|
telling the user not to set the tool down in this manner. Pictures are
|
||
|
included, if English isn't your language.
|
||
|
|
||
|
I grabbed a bath towel, wrapped it around his arm, and dropped him
|
||
|
at the hospital. I took my towel with me because the blood had made
|
||
|
a nice Rorshach image I intended to hang on my wall. I put it on the
|
||
|
fire escape to dry. Unfortunately, Clue tore it to shreds while it was
|
||
|
still moist. A week later, Clue bit me, barely breaking the skin, and
|
||
|
also leapt at a mailman's throat, although held back by his chain. I
|
||
|
took Clue to the pound's night drop off with a note that he's a biter.
|
||
|
|
||
|
--
|
||
|
|
||
|
Sometime later in the same house another guy brought in a huge
|
||
|
Golden Retriever named Buster. He was a good dog, but hated
|
||
|
Meathead, the Black Lab next door. The day after Buster got fixed, he
|
||
|
was lying on the second floor balcony sleeping with me. Meathead
|
||
|
came outside and began barking at Buster; Buster began barking
|
||
|
back. I don't know what went on between the two dogs--maybe
|
||
|
Meathead called Buster a ball-less faggot. I do know that Buster
|
||
|
jumped over the balcony railing, dropping 25 feet down to the
|
||
|
parking lot. He landed without even a wince, and ran over to
|
||
|
Meathead, who looked pretty surprised, for a dog. Buster proceeded
|
||
|
to bite Meathead's fat head, until the owner ran over and began
|
||
|
beating Buster over the head with a large stick. It took about six
|
||
|
good whacks before he let go. At first, the guy hit him pretty lightly,
|
||
|
but by the end he was winding back for some good swings. No shit.
|
||
|
|
||
|
--
|
||
|
|
||
|
After a year or so Buster left with whoever brought him, and I was
|
||
|
suckered into another puppy I named Bob (a Black Lab). Bob, like
|
||
|
most puppies, would eat anything and so we all took great enjoyment
|
||
|
in checking his shit for interesting things--you know, crap we'd lost,
|
||
|
like maybe a ring, or whatever. Once, while playing volleyball in the
|
||
|
side dirt lot, I went to throw some of his shit aside by picking it up
|
||
|
with a stick, but it fell into two pieces, held together by a used
|
||
|
rubber. He had eaten someone's jitbag. I flung it, and the two hunks
|
||
|
of shit spun like a bola.
|
||
|
|
||
|
Another time, I saw that Bob's meal for the day had included a pool
|
||
|
cue (blue goo), a few rubber bands, some broken glass, and a walnut
|
||
|
sized rock.
|
||
|
|
||
|
During the summer of Bob's youth we had a party at the house,
|
||
|
which was very old and in terrible condition. There was a bathroom
|
||
|
on the first floor, and another on the third. Girls mostly used the
|
||
|
third floor, for the privacy and because the guys had pissed all over
|
||
|
the seats downstairs. Late into the shindig, the upstairs bowl became
|
||
|
clogged, but the women continued to use it to shit, piss, and even
|
||
|
change their rags in. I know this because we didn't call a plumber for
|
||
|
a week or so, and all that crap just sat in that bowl. Also, for a day
|
||
|
after the party we neglected to tell Dave, a blind man, who continued
|
||
|
to use the bowl. It always smelled bad up their, so he thought
|
||
|
nothing of it. After a couple days, however, you would have to hold
|
||
|
your breath to move around the third floor. When we finally got a
|
||
|
plumber in, he filled up a five gallon bucket more than half way with
|
||
|
the various ass puddings, and left it in the bathroom, where it stayed
|
||
|
for another couple days. I finally moved it onto the third floor fire
|
||
|
escape. It sat there for at least a week in the summer sun, until
|
||
|
someone kicked it down into the lot below. One evening I found Bob
|
||
|
into the bucket up to his shoulders. I yelled, and he lifted his head
|
||
|
out, toilet paper stuck to his face, and looking mighty proud. I chased
|
||
|
him out, but he had eaten it all.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
12.
|
||
|
|
||
|
Born Too Late to be Truly Swank
|
||
|
-------------------------------
|
||
|
|
||
|
Readers of CRANK #1 already know how much I yearn to have lived
|
||
|
in 1961, rather than 1994. Why? Shit, the Swank Man ruled the
|
||
|
fucking world, baby. "Get me a drink, hon'." "When's supper ready,
|
||
|
darlin'?" "Mix me 1 last highball--I've got to get back to the office."
|
||
|
What livin'!
|
||
|
|
||
|
It pains me to have such envy weigh on me. (And sorry, gals, it
|
||
|
wasn't exactly a liberated paradise. Tough darts.) But it sure looks
|
||
|
like it was a swell time to have been young and devilishly handsome.
|
||
|
I happen to be both, in case you didn't know.
|
||
|
|
||
|
Fuck Sinatra. Give me Dean Martin, toots. He was THE MAN. The Man
|
||
|
charged with keeping the Swank Man a mass appeal. And this album
|
||
|
drives it home in a big motherfucking way. Sure, many of the pop
|
||
|
culture references are woefully dated, and the racist comments will
|
||
|
offend some of you, but FUCK, man, that's why they call it "dated."
|
||
|
Take your lumps, kids. I have marked the places [?] where I'm
|
||
|
admittedly lost. You may catch stuff I didn't. Call me ignorant. Also
|
||
|
note where the author was out of his mind [!] when writing. Suck it
|
||
|
up!
|
||
|
|
||
|
|
||
|
From the notes on "Happiness is Dean Martin," Reprise Records, 1962.
|
||
|
Back cover:
|
||
|
|
||
|
"Happiness is Dean Martin" Singing "Lay Some Happiness on Me" And
|
||
|
Other Selected Hoop-Las
|
||
|
|
||
|
"Aesthetically, he ends up somewheres between '39's Mickey Mouse
|
||
|
Watch and Lichtenstein's neo-heroic painting, "Take That . . . Pow !"
|
||
|
|
||
|
"A little camp, perhaps, but too much of our current action really to
|
||
|
rate that high on the Camp Charts. Put him more in the Hula Hoop-
|
||
|
Silver Mini-Skirt-"Chelsea Girls"- William Manchester bag [?]. That is
|
||
|
to say, awfully celebrated right now, not to mention being hellishly
|
||
|
good examples at what they're driving at.
|
||
|
|
||
|
"Nothing, for example, is more hula-hoop than a Pink Plastic 1960
|
||
|
Hula Hoop. Nothing is more Dean Martin than Dean Martin.
|
||
|
|
||
|
"Of course, doing a really preposterously good job of being Dean
|
||
|
Martin depends a lot on knowing the rules about what makes the
|
||
|
best Dean Martin. Knowing the archetypal definition of Martinism:
|
||
|
How is he different? Why is he individual? What is he driving at?
|
||
|
|
||
|
"What Dean Martin is driving at seems to be to lead a Life Of Sloth. A
|
||
|
Life of EPIC Sloth. Not just your common little ol' Sunday afternoon
|
||
|
lazy Sloth, like you get with minor Erskine Caldwell Georgia darlins.
|
||
|
[?]
|
||
|
|
||
|
"No, Martin now epitomizes EPIC SLOTH. Sloth like Joseph E. Levine
|
||
|
would come up with. In big, 3-D letters, like in those Ben Hur movie
|
||
|
ads, with all forms of EPIC EXHAUSTION draped over the letters.
|
||
|
"Epic Sloth," starring Dean Martin, and then running around the
|
||
|
bottom, instead of Mongol hordes and Jack Palance you find other
|
||
|
things, for this is "Epic Sloth." Things like deflated innertubes. Like
|
||
|
the ears of sleeping Spaniels. Like Kleenex ashes. [?] Like all of Life's
|
||
|
Most Unresilient Stuff.
|
||
|
|
||
|
"And there, leaned up in Herculean-Scope against those giant letters,
|
||
|
our Pop Star slumps. Dean Martin. Kind of half-eyed looking out at
|
||
|
you, grinning "Hi ya, pally," like he hopes you haven't got anything
|
||
|
heavy on your mind.
|
||
|
|
||
|
"Dean Martin has been working at becoming an Epic Pop Art Object.
|
||
|
He's been getting in a good deal of pop art hypnotizing. Avis knows,
|
||
|
you don't get to be Number One by just sitting round. Some
|
||
|
detractors have published this about Martin: that he sits round,
|
||
|
trying to make spaghetti look tense. [!] "Pish tosh," we say, and
|
||
|
"Yellow journalism."
|
||
|
|
||
|
"You have to publicize to get to be Our National Epic Sloth. Martin
|
||
|
has. His medium: the most popular art object of Our Times, meaning .
|
||
|
. . your television set. (Breathes there a soul with fingers so dull he
|
||
|
can't find his Vertical Knob blindfolded?) [Note similarity to remote
|
||
|
control in 1994.-Ed.]
|
||
|
|
||
|
"The mind-boggling task which DM has accomplished in his upwards
|
||
|
surge to Number One Epic Sloth in [sic] this: he has put other would-
|
||
|
be number one lazy slobs into limbo. "Amos 'N Andy's" Lightnin, for
|
||
|
instance, now is largely forgot. Shiftless and No-Account has moved
|
||
|
to Beverly Hills, where dey got no deltas, chile. [!!!-Whooee!-Ed.] The
|
||
|
other competition--those slothy Southern belles once played by Lee
|
||
|
Remick and Joanne Woodward--are now minor league stuff.
|
||
|
|
||
|
"Martin (few people have known this until this very minute; it has
|
||
|
been a closely kept secret) was actually only Number Two until quite
|
||
|
recently. The spot of Number One Epic Sloth was recently held by
|
||
|
another performer. Not a human being, but a small dog. His name:
|
||
|
Red Dust. He is (or was, for he has largely disappeared from our
|
||
|
scene) part of a Vaudeville turn. His master would bark out
|
||
|
commands: "Red Dust, Roll Over! Up, Red Dust!" But Red Dust was an
|
||
|
utterly and irrevocably sag-boned hound. Red Dust never voluntarily
|
||
|
moved anything, least of all a paw. The pooch looked permanently
|
||
|
pickled. It was pretty funny stuff.
|
||
|
|
||
|
"Dean Martin finally won out over Red Dust. Much of his triumph has
|
||
|
been ascribed by some scribes to his ability to project an alcoholic
|
||
|
aura from coast-to-coast, into millions of Puritan homes. Good,
|
||
|
Puritan, beer-drinking homes. Martin has almost by himself
|
||
|
established Booze-o-Vision as America's new Art Populaire. It's
|
||
|
difficult to imagine any other object that would currently be more
|
||
|
welcome in our historic nation's thousands of beer bars and juke
|
||
|
joints. Nothing more popular than DM, slumped there, looking for his
|
||
|
cue card, all brung [sic] to you in NBC's surrealist color. Martin and
|
||
|
his--dare we say it?-- goopy baritone. [??] Martin: the biggest sex
|
||
|
symbol to hit neighborhood taverns since the heyday of The
|
||
|
Rheingold Girl, may she in our secret imaginations requiescat in
|
||
|
flagrante delicto.
|
||
|
|
||
|
"Nothing should slow up his reign as our beloved epic boozer short of
|
||
|
a sudden attack of dysphagia.--Stan Cornyn"
|
||
|
|
||
|
Oh, yeh, and if anyone from Reprise is reading this,
|
||
|
just cut me a fucking break, won't ya, pally?
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
13.
|
||
|
|
||
|
Watch Out: Here Comes Big Bad 2000
|
||
|
----------------------------------
|
||
|
|
||
|
"The greatest wave of millenarian excitement--one which swept
|
||
|
through the whole of society--was precipitated by the most universal
|
||
|
natural disaster of the Middle Ages, the Black Death."
|
||
|
|
||
|
Eeeeeeek! It's the year 2000! Something bad just HAS to happen,
|
||
|
right? Maybe the environment will crap out once and for all! Maybe
|
||
|
AIDS will wipe everyone out! Maybe a crazed Middle Eastern dictator
|
||
|
will drop THE BOMB on us! AAAH! That's THREE things that can
|
||
|
happen! At LEAST one is just BOUND to!
|
||
|
|
||
|
Run for hills, motherfuckers! And take your brats with you.
|
||
|
|
||
|
In brief, I've got some problems with the hegemony of apocalyptic
|
||
|
doom that's been going around for the last, oh, say, 100 years. No
|
||
|
matter who you talk to, it seems, everyone has at least one doom
|
||
|
issue on their minds. Either it's the fucking Christians planning for
|
||
|
HIS imminent return; or it's the jerk-offs who quote Nostradamus at
|
||
|
length; or it's the h-bomb paranoids buying into the government's
|
||
|
pitch for nuclear exclusion in the name of saving the world; or worst
|
||
|
of all, it's the environmentalists screaming at you to save the earth
|
||
|
by recycling your newspapers. YOU'RE ALL VICTIMS OF BLATANT
|
||
|
MILLENARIANISM, YOU DUMB SHITS.
|
||
|
|
||
|
Stand back. Take a number. One at a time.
|
||
|
|
||
|
|
||
|
Christians
|
||
|
==========
|
||
|
A couple months back, here in Philadelphia, billboards popped up
|
||
|
proclaiming September, 1994 as judgment time. They gave an 800
|
||
|
number which turned out to be a Christian radio station in California.
|
||
|
They wanted money. How shocking! Christians? God's People?
|
||
|
Playing on your fears just to get your wallet open?
|
||
|
|
||
|
Check your history books. Look up a certain William Miller. In the
|
||
|
1830s, he convinced 50,000 people that the world would end in
|
||
|
1843, based on calculations made by cross-referencing Biblical clues,
|
||
|
specifically Daniel 8:13,14 and Revelations 20:4-6. After 1843 passed
|
||
|
uneventfully, Bill announced a corrected date of October 22, 1844.
|
||
|
After this date, too, passed, most of his supporters got fucking smart
|
||
|
and hit the road. One group of suckers, though, maintained that
|
||
|
Miller was correct with the prediction, but instead of the end of the
|
||
|
world (a premillenaristic prophecy), 1843 was really the beginning
|
||
|
of the Judgment process, to end at an unspecified future date (a
|
||
|
postmillenaristic assertion). This group is now called the Seventh Day
|
||
|
Adventists. Ever hear of them? They're probably the largest group of
|
||
|
postmillenarists in the world.
|
||
|
|
||
|
And they're not the only assholes out there. Look up Charles Taze
|
||
|
Russell. He predicted October, 1914 as the end of the world, only to
|
||
|
see that date pass uneventfully. His people hung with him, and
|
||
|
continue to be on-the-ready for JC's grand entry. Today, Russellists
|
||
|
are called Jehovah's Witnesses. Yeh, those fucks. Probably the largest
|
||
|
group of premillenarists in the world.
|
||
|
|
||
|
But it's not all ancient history. Check out Edgar Whisenant's "On
|
||
|
Borrowed Time." He predicted September 11-13, 1988, as the time of
|
||
|
"rapture." Then he went for September 1, 1989, with an outside error
|
||
|
of 1993. Tough luck, eh, Ed?
|
||
|
|
||
|
Of course it's nothing new. Go look into something called the Sibylline
|
||
|
Oracles. Compiled sometime before the year 1000, they encouraged
|
||
|
Christians to see themselves as "the Chosen People of the Lord--
|
||
|
chosen both to prepare the way for and to inherit the Millennium."
|
||
|
No shit. Do you know how much panic those writings caused during
|
||
|
the approach of the Year 1000? Everywhere you turned, there was a
|
||
|
new millenarist proclaiming the end of the world and the return of
|
||
|
Christ. Yeh, that's right, 1000 fucking years ago. But don't take my
|
||
|
word for it, go read The Year 1000 by Henri Focillon. It's the book
|
||
|
that will shut your apocalyptic Christian trap.
|
||
|
|
||
|
So why 2000? Well, Christians point to the Bible for their evidence.
|
||
|
Some acid trip nonsense about 1000 years of Christ and another
|
||
|
1000 years of heaven on earth. You want an original idea from me?
|
||
|
Here it comes, and you better not steal it, or I'll sue your ass. Maybe-
|
||
|
-just maybe--ONE THOUSAND is the largest arbitrary number that
|
||
|
the translators of the Bible could envision, eh? You know how you
|
||
|
say "Man, I'd like a million dollars." Why 1 million? Why not 2
|
||
|
million? Or 1.38 million? Because it's the best large, round number to
|
||
|
suit your needs. Hold on, all you geniuses, this idea goes beyond the
|
||
|
simple round number theory of millenarianism. It's about paradigms.
|
||
|
Example: Carl Sagan's "billions and billions" of stars. Why not
|
||
|
"millions and millions?" Because a billion is closer to infinity? No.
|
||
|
Because we can easily count a million stars; people can EASILY put a
|
||
|
finite perception on a puny MILLION. "Millions and millions of stars"
|
||
|
didn't carry the same punch as "billions" because we're jaded by the
|
||
|
attainability of one million. So we got "billions." Similarly, I'd bet the
|
||
|
house that if the Bible were translated today, fresh, that passage in
|
||
|
Revelations would point to a Million-Year (or Billion-Year) Reign of
|
||
|
Christ, because ONE THOUSAND YEARS would seem miniscule,
|
||
|
considering there have been Chinese Dynasties that lasted longer. So
|
||
|
we'd get ONE MILLION as the appropriately awesome number, and in
|
||
|
the year 999,999 people would be shitting themselves silly.
|
||
|
|
||
|
|
||
|
Nostradamians
|
||
|
=============
|
||
|
This one's easy. Doesn't it occur to you that this jerk Nostradamus
|
||
|
was himself nothing more than a victim of religious millenarianism?
|
||
|
Why the fuck else would he place the end of the world at the very
|
||
|
end of his own millennium? Why not 1793? 1845? Nope. Had to be
|
||
|
close to 2000. Nostradamus was a religious man, kids. He read the
|
||
|
Bible. And he fell for it, too.
|
||
|
|
||
|
We just happen to be at the wrong place at the wrong time: the end
|
||
|
of the millennium. So stop producing TV shows about Nostradamus,
|
||
|
will you? Just stop this kiddie-scaring crap.
|
||
|
|
||
|
|
||
|
Paranoids
|
||
|
=========
|
||
|
You remember "The Day After?" That fucking movie scared the piss
|
||
|
out of me as a kid. Nightmares for weeks. You know what that movie
|
||
|
was, don't you? An easy way to approve a larger defense budget.
|
||
|
|
||
|
And it's still the same way. North Korea might have nuclear weapons.
|
||
|
Radical Middle Eastern countries might have nuclear weapons. So
|
||
|
what? Listen, if WE didn't use OURS (and we were, I assure you, the
|
||
|
most likely to have launched a first strike), and the Soviets never
|
||
|
used THEIRS, you think the North Koreans are about to use the ones
|
||
|
they MIGHT have? Of course not. And hell, even if they do, what the
|
||
|
fuck are you going to do about it?
|
||
|
|
||
|
So the Pentagon keeps getting the cash to fund nuclear weapon
|
||
|
development. More spy satellites are launched. And you sit in your
|
||
|
house afraid of the end of the world. That's just plain dumb.
|
||
|
|
||
|
|
||
|
Environmentalists
|
||
|
=================
|
||
|
So you're not religious. You're not particularly political, and you're
|
||
|
smart enough to not worry about nuclear bombs falling on the
|
||
|
farmland. That Nostradamus crap never even gave you the shivers.
|
||
|
But you really do think that this environmental issue needs to be
|
||
|
addressed, right? Mother Earth is gasping for breath? The ozone
|
||
|
layer? The landfills?!
|
||
|
|
||
|
Whatever you say. Sure, the planet is fucked. But you think that
|
||
|
recycling your cans and newspapers for a couple years will solve the
|
||
|
problem? Think Locally, Act Globally? HA! You and me ain't the
|
||
|
problems, buddy (well, I might be one of the problems, actually.) It's
|
||
|
humanity's consumption OVERALL. You've got a refrigerator?
|
||
|
Whoops, big problem. You use batteries? Shit, they clog landfills. You
|
||
|
drive a car? Man, that's a lot of pollution.
|
||
|
|
||
|
Of course it's not good for the environment. Big fucking surprise. But
|
||
|
do you really think it's the end of the world? It's not. This planet is a
|
||
|
lot bigger than us, and if wants us gone, then we're gone. Who knows
|
||
|
what those pesky dinosaurs were up to? They might've been
|
||
|
washing their fucking shorts in the oceans and dirtying up the water.
|
||
|
Look what happened to them. Poof! Gone. Simple as that.
|
||
|
|
||
|
I'm not really taking issue with the idea that we're doing something
|
||
|
wrong. Of course we are. WE'RE ALWAYS DOING SOMETHING WRONG.
|
||
|
WE'RE HUMANS. But it's just like worrying about North Korea having
|
||
|
the bomb--waste of time. When the world becomes inhospitable for
|
||
|
human life, we'll pull up tent and hit the road. Or we'll learn to
|
||
|
breath carbon monoxide. Or just peel off that annoying case of skin
|
||
|
cancer and grow out of it, like acne. Christ, man, we'll adapt. Or die.
|
||
|
And fuck the scenery; I don't spend much time outdoors anyway.
|
||
|
And there's always Vu-Masters.
|
||
|
|
||
|
If it were the year 1234, or 6573, or 809145, we wouldn't be trying
|
||
|
to save the environment. I guarantee it. We'd still be dumping our
|
||
|
old motor oil in the sewers. Everything would still be made out of
|
||
|
Styrofoam. When we found that hole in the ozone layer, we'd've just
|
||
|
put on stronger sunblock. We're stupid and ignorant. It's our nature.
|
||
|
If it weren't for a nice round number heading our way, we wouldn't
|
||
|
even notice the impending doom.
|
||
|
|
||
|
|
||
|
What's to Come
|
||
|
==============
|
||
|
Remember the opening quote? Go back and read it. It's from Norman
|
||
|
Cohn's The Pursuit of the Millennium, (Oxford University Press, New
|
||
|
York, 1970, p.282). You know what that means? THINGS ARE GOING
|
||
|
TO GET WORSE. In a few years, after every person in every country
|
||
|
has seen AIDS kill their friends and family, the prophets will be
|
||
|
everywhere. The religious zealots, the political paranoid freaks, and
|
||
|
the Whole Earthers begging for environmental penance. In fact,
|
||
|
they've already got their angles: God sent AIDS to punish; the
|
||
|
government created AIDS; Mother Earth is using AIDS to thin the
|
||
|
population. You've already heard them, and you're going to hear
|
||
|
more. Shit, they've probably already got their pamphlets in
|
||
|
storage.
|
||
|
|
||
|
JUST YOU WATCH. The End is Near. Or so they say.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
15.
|
||
|
|
||
|
Here's What I've Been Doing for Kicks
|
||
|
-------------------------------------
|
||
|
|
||
|
The A-Bones--Maxwells, NJ--June 4, 1994
|
||
|
|
||
|
Seven years ago, Tom & I went to a waterfront festival in Hoboken,
|
||
|
NJ. It was a fine Saturday. We strolled around the docks, ate over-
|
||
|
priced food, and saw this crazy little band called "The A-Bones." Since
|
||
|
that first waterfront show, I have seen the A-Bones at least 50 times.
|
||
|
Why the A-Bones? Fuck, daddy-o. They are the best swamp-abilly,
|
||
|
goddamn rock 'n' roll band to be found. For 10 years, they played
|
||
|
rock-abilly the way it was meant to be--loud, fast & danceable. And
|
||
|
I've danced at A-Bones shows. Hell, yes. I've gotten drunk at A-
|
||
|
Bones shows, too. Hell yeh! In the mood to hoot and holler and dance
|
||
|
around like an asshole with strangers? A-Bones. Want to hear a band
|
||
|
and jump around in a crowd WITHOUT the hostility of jerk-off
|
||
|
suburban kids acting like bad-ass punk rockers? A-Bones. Wanna
|
||
|
drink?? A-Bones. Well, you COULD HAVE done those things, if you'd
|
||
|
seen them before June 4th. But the A-Bones are now DEAD. Yep.
|
||
|
They've broken up. Billy & Miriam (ex-Cramps drummer from the
|
||
|
old days) run Norton Records and are doing well enough to do it full
|
||
|
time (read about Norton Rec's in one of the REsearch volumes). And I
|
||
|
assume the rest of the band have other things to do as well. So on
|
||
|
Saturday, June 4, 1994, they played their farewell show for a
|
||
|
roomfull of regulars--people I've seen at shows for the last 7 years,
|
||
|
but have never spoken with; girls I've danced with but never gotten
|
||
|
a name. Amy & I swung ourselves around like idiots. They played an
|
||
|
hour and a half, complete with guest appearances by The Great
|
||
|
Gaylord (a.k.a. the Sultan of Squat) and some old rockabilly singer
|
||
|
who I didn't recognize but I'm sure is famous in that circle. God bless
|
||
|
you, A-Bones. You will be missed. See you at the first reunion gig.
|
||
|
|
||
|
|
||
|
Mule, Arcwelder, Kepone--Khyber Pass, Philadelphia--May 5
|
||
|
|
||
|
I knew the name, but I couldn't place Kepone. UNTIL I saw the bass
|
||
|
player and remembered them as the band that bored me when they
|
||
|
opened for Jesus Lizard some time back. They sound good for a few
|
||
|
seconds, but quickly becoming monotonous. And that fucking bass
|
||
|
player can't seem to keep his tongue in his mouth. Arcwelder,
|
||
|
though, were real fucking good. Basic loud, noisy guitar-driven songs.
|
||
|
And try as I might, I couldn't think of a bad thing to say, except
|
||
|
maybe that the guitar/vocalist was too pretty, or was trying to be
|
||
|
pretty. Shit, I'm supposed to be critical, right? Regarding MULE: hey,
|
||
|
it was a Thursday night and we were tired. We left before Mule got
|
||
|
on. I'm sure it was a mistake, but I make mistakes every day. One
|
||
|
more won't hurt. Next time, Mule.
|
||
|
|
||
|
|
||
|
Thurston Moore, Lee Ranaldo--Khyber Pass, Philadelphia--April 27
|
||
|
|
||
|
I wouldn't recognize Lee Ranaldo if he stepped on my foot, so I didn't
|
||
|
realize he was one of the two guys who opened up, playing with their
|
||
|
guitars and synthesizers. What one of the local rags called "a wall of
|
||
|
buzz," I call shitty guitar art noise. Sorry, Lee. And the same goes for
|
||
|
the 2nd act, a very hip japanese noise rocker (whose name I've lost)
|
||
|
who played with his guitar for 20 minutes. But Thurston's little side
|
||
|
project was pretty good. Not amazing, but worth 6 bucks on a
|
||
|
Wednesday night. Sounding like Sonic Youth outtakes from the last 2
|
||
|
albums, the band was entertaining enough to keep me there. I
|
||
|
would've preferred something a little more daring, or something, but
|
||
|
it was just right for the kids in their "Goo" t-shirts.
|
||
|
|
||
|
|
||
|
The Fenwicks--Brownies Pub, NYC--April 30
|
||
|
|
||
|
Many years ago, I heard a punk cover of "I am the Walrus" and, ever
|
||
|
since, I've stood by the statement that "The only good Beatles song is
|
||
|
a covered Beatles song." Test it out for yourself. And if you still don't
|
||
|
believe it, go see The Fenwicks perform "Ob-la-di, ob-la-da" at a
|
||
|
fever-pitched ska beat. The Fenwicks are not normally my thing,
|
||
|
describing themselves as a ska-funk-punk-amalgamation (or
|
||
|
something like that), but I did enjoy them live. The main
|
||
|
entertainment onstage is the singer; he's a fucking goofball. Half
|
||
|
eccentric (a la Tom from Alice Donut) and half Art School/Theater
|
||
|
reject, he's got quite an act, including stuffing his harmonica in his
|
||
|
mouth (width-wise) and playing it, and later playing a tune on a
|
||
|
plastic trumpet with his nose. Their album is called "Member of No
|
||
|
Tribe," out on Argus Records. Give it a shot, if you feel like it. But do
|
||
|
see them live if you have the chance.
|
||
|
|
||
|
|
||
|
Shellac, Brick Layer Cake, Rodan, Shortie--Thread Waxing Space,
|
||
|
NYC--May 9
|
||
|
|
||
|
Tom has a tape of a show from WFMU (the ONLY thing I miss about
|
||
|
living in North Jersey) that announces--among other amazing shows-
|
||
|
-Big Black appearing at CBGB's. This was 1986 or so. We were
|
||
|
working; we didn't go. In 1988, Rapeman played The Roxy in New
|
||
|
Brunswick, NJ. I was new to the area and didn't know where The
|
||
|
Roxy was; I didn't have a car; I didn't know anyone to ride with; I
|
||
|
didn't go. In 1989, Flour played Maxwells with Albini guesting on
|
||
|
guitar; I was working again; I didn't go. Now--eight years after
|
||
|
falling in love with Atomizer--I REFUSE to miss the latest Albini
|
||
|
incarnation. So Tom and I drove to NYC this Monday night. And fuck
|
||
|
me, wasn't it worth it. We sat outside while Shortie was on, though
|
||
|
they sounded good from the street. Rodan was good enough to enjoy.
|
||
|
Brick Layer Cake (Todd Trainer, Shellac drummer, singing) sucked
|
||
|
ass; with or without Albini smacking the drum for them, they were a
|
||
|
band to endure, not enjoy. Sorry, Todd. You seem like a nice chap,
|
||
|
but, well, sorry. But then Shellac came on and kicked the shit out of
|
||
|
this (mostly) industry crowd. (It was such an industry show that
|
||
|
there was a back area set aside with a monitor and bar--for the label
|
||
|
people who didn't want to get too close to the band, but wanted to
|
||
|
see how they'd look on TV. Even Todd Trainer bitched that he's
|
||
|
"played 13 shows on this island, but together they don't add up to
|
||
|
the fucking guest list for this show.") Shellac played 4 of the 5 single
|
||
|
songs (no "Man who invented fire") and a load of unreleased
|
||
|
material. It was a truly great show, complete with heckling kids in
|
||
|
the audience and a surprisingly nice rapport with the band. They
|
||
|
even urged everyone not to pay $25 for copies of their singles at
|
||
|
Bleecker Bob's; they've got enough copies to go around. A great show,
|
||
|
a great band. I hope you caught them before they go the way of
|
||
|
Rapeman. You know how fickle Albini is.
|
||
|
|
||
|
|
||
|
Shellac, Brick Layer Cake, Don Caballero--Walnut St., Phil.--May 11
|
||
|
|
||
|
(As I said, I wasn't missing them if I could help it.) I'm a sucker for a
|
||
|
strong bass line. That's one of the reasons I was always crazy for Big
|
||
|
Black and why I'm crazy for Shellac. And as luck would have it, Amy
|
||
|
& I were able to park our asses on the ground next to the bass stack.
|
||
|
Whooee! Talk about loud. And talk about a great fucking time! Sitting
|
||
|
there with a couple drinks in my belly, Amy leaning against me in
|
||
|
these tight shorts, the bass pounding in my stomach, Albini's 12-
|
||
|
string tearing through my hollow skull--shit, I wanted to throw Amy
|
||
|
down on the floor behind the drums and fuck her, hard, in tune. Now
|
||
|
THAT would've been a show. But even if we didn't screw, we did get
|
||
|
FREE FUCKING BEER. Yes, the guys hosting the party--it really was
|
||
|
more like a party than an organized show--had a couple kegs of free
|
||
|
beer. And it was 5 bucks to get in. FUCK ME, it doesn't get better. So
|
||
|
what more can I add? We skipped out on Brick Layer Cake (having
|
||
|
been burned on Monday) and saw half of Don Caballero, who were
|
||
|
ok, you know? Good enough, but not as good as I'd heard. But the
|
||
|
sound wasn't so hot, unless you were sitting in front of the stacks, so
|
||
|
I'd go to see Don C again. But then it was over and we went home.
|
||
|
And fucked, hard. What a perfect night.
|
||
|
|
||
|
|
||
|
1-800-544-2028
|
||
|
|
||
|
I cannot accept automated phone solicitations. I am so fucking sick of
|
||
|
getting up off my ass to answer the phone, only to hear a fuzzy
|
||
|
recording asking me to call for more information on real estate, or
|
||
|
banking, or home repairs. In the right mood, I call the numbers back
|
||
|
and scream at their machines. Other times, when it's an 800 number,
|
||
|
I ask people to call them from everywhere in the country. It's my
|
||
|
aim to make it so uneconomical for these companies to solicit in this
|
||
|
fashion that they'll stop this shit. So call these fuckers. And stay on
|
||
|
the line a long time. Thank you.
|
||
|
|
||
|
|
||
|
Although I don't expect it to happen often, I do receive free things to
|
||
|
be reviewed. And unlike CMJ and those other industry jerk-off rags,
|
||
|
I will tell you what I think of a band, show, etc. With that in mind, I
|
||
|
will inform you as to which materials were received for free, so that
|
||
|
you can take any praise with a grain of salt if you don't trust my
|
||
|
integrity.
|
||
|
|
||
|
|
||
|
Surgery--"Shimmer"--Atlantic Records
|
||
|
|
||
|
What we've got here is a slow starter, a real slow starter. Flat out, the
|
||
|
first 2 songs annoy me: "Bootywhack" and "Off the A List." I've had
|
||
|
enough tired guitars and slung-low NYC vocals to last a lifetime. But,
|
||
|
then out of nowhere, "Vibe Out" (4th song) whips in and lifts my
|
||
|
spirits. And it continues. "D-Nice" is a great track; the guitar is
|
||
|
interesting, the vocals engaging. Same thing "Gulf Coast Score." But
|
||
|
then "Didn't I know You Once" loses me like the first couple songs,
|
||
|
and the album ends on a so-so note with "No 1 Pistola." Overall? Half
|
||
|
great, half eh. I'll tape the songs I like & forget the rest.
|
||
|
|
||
|
|
||
|
The Miss Alans--"Blusher"--BMG/Zoo
|
||
|
|
||
|
A sticker on the shrink-wrapping led me to expect The Miss Alans to
|
||
|
sound something like Lush, or Luna, or any one of those flaky 4AD
|
||
|
bands. In any case, I was looking forward to an atmospheric, ethereal
|
||
|
background music; I had a six of Porter in the fridge and Amy naked
|
||
|
in the bed. It was going to be a pleasant fuck. But after 2 songs, I had
|
||
|
to jump up and turn it off. The Miss Alans aren't a pleasant, dreamy
|
||
|
music. They're shit. The first 10 seconds of the first song are all right.
|
||
|
Airy, plucky, sythn'd guitar. And then the singer opens his hole and
|
||
|
out comes crap leftover from a 1986 John Hughes movie. And even
|
||
|
worse, on a few songs he slips into an inflection like that fuck from
|
||
|
Smashing Pumpkins; I hate that shit. The worst song of the album is
|
||
|
far and away "Winona," an honest-to-god sympathy song to the big
|
||
|
W. The best song? No such beast. Don't give this crap your time.
|
||
|
|
||
|
|
||
|
small 23--"True Zero Hook"--Alias Records
|
||
|
|
||
|
The current curse of North Carolina is Superchunk, and the
|
||
|
comparisons that are inevitably made to any band hailing from that
|
||
|
area. But even before I checked the production notes and saw NC as
|
||
|
the home of small 23, I was considering a bill with them opening for
|
||
|
Superchunk. But that's not to equate the 2 bands--not at all. small 23
|
||
|
reminds me more of the good (rare) Das Damen song, or "Home
|
||
|
Again" Doughboys. It's more on that powerpop end of the spectrum.
|
||
|
And do I know the singer from somewhere else? (I wish I got bio's
|
||
|
with some of this shit.) Whatever the category, it's a great album. Try
|
||
|
"Noodles" and "Saturday" for the quick argument.
|
||
|
|
||
|
|
||
|
One Nation, underground--compilation--Monkeyland Records
|
||
|
|
||
|
If I liked this kind of music, I'd enjoy this CD more. But the selections
|
||
|
are mostly the same poppy, radio-ready crap that I avoid in daily
|
||
|
life. It runs the gamut, at least, from the hippie-edge with The
|
||
|
Grovers to alternative-metal tracks from Little Savage and Betty
|
||
|
Stress to synth/techno-crap from Night Shade. The standout of the
|
||
|
disc, though, isn't a song--it's a soundbite from "Barfly" included at
|
||
|
the end of the Zen Parade song. It's the conversation leading up to
|
||
|
one of my favorite lines of the movie: "Nobody in this neighborhood
|
||
|
can swallow paste like I can." So I guess I won't throw this CD out,
|
||
|
like I will The Miss Alans. I'll just leave it on the shelf until I find
|
||
|
someone to give it to who'll appreciate it more.
|
||
|
|
||
|
|
||
|
ExVegas--"1993/Thin Across" 7"--Nylon Rash Records--438 Denison
|
||
|
St., Highland Pk, NJ 08904
|
||
|
|
||
|
Some bands need to be seen live before they are heard from out of
|
||
|
the studio. ExVegas is such a band. For instance, I don't like bands
|
||
|
with female singers who sing like female singers--Scrawl, Throwing
|
||
|
Muses, etc.--and at first listen, ExVegas should be lumped into this
|
||
|
bunch. But I saw them live before I heard the single, and it made all
|
||
|
the difference. 3 guitars, 1 Fender Jazz Bass and a drummer: ExVegas
|
||
|
is a great band to have blaring out of a large stack in a small venue.
|
||
|
Live, the singer gets drowned out, which I wish would've happen on
|
||
|
their recording. I missed their first couple songs, which included a
|
||
|
cover of HD's "Pink Turns Blue," but enjoyed the half dozen songs I
|
||
|
did hear. Worth seeing, and even worth a couple bucks for the
|
||
|
single--especially if you like female singers.
|
||
|
|
||
|
|
||
|
Iron City Beer--3 - 40 oz. @ $1.25 ea.--Camden, NJ
|
||
|
|
||
|
After a particularly rough week and accompanying weekend of
|
||
|
drinking, I decided to dry out for a week or so. It's tough work--
|
||
|
drinking--you know? I've actually been waking up sore from the
|
||
|
exertion. Shit, when you're starting at 7 and going 'til 2, it's like
|
||
|
another fucking job. So I decided to take a vacation; call out sick from
|
||
|
my boss, Mr. Booze. I didn't drink at Shellac (NYC) mainly because I
|
||
|
had to drive 100 miles back to Philadelphia at 2 a.m. And I didn't
|
||
|
drink too much for the local Shellac show, just to see if I could stop
|
||
|
drinking at 5 drinks. And I did. So confident that everything's OK--no
|
||
|
trace of alcoholism here, thank you--I stopped at my favorite liquor
|
||
|
store after work and picked up 3+ quarts of my favorite cheap beer.
|
||
|
I knew you'd be happy for me. Thanks for the concern.
|
||
|
|
||
|
|
||
|
Beer Frame #2--c/o Paul Lukas--160 St. John's Place, Brooklyn, NY
|
||
|
11217
|
||
|
|
||
|
A fine publication that has a healthy respect for the swank man and
|
||
|
America's by-products, "Beer Frame" offers a wonderful listing of
|
||
|
some of the more odd objects and services to be found in this fine
|
||
|
country, such as Guycan Canned Mutton, the Car John Disposable
|
||
|
Urinal and a complimentary extra button service by a small shirt
|
||
|
manufacturer. I'll be sending out my $2 for a copy of #1, since I
|
||
|
enjoyed #2 so much. You should do the same. Or go find for a copy at
|
||
|
your local bookstore.
|
||
|
|
||
|
|
||
|
Urotsukidoji--Penthouse Distributors
|
||
|
|
||
|
Japanimation with a hardcore demonfuck slant. Even in their
|
||
|
animation, it seems that the Japanese cannot show pubic hair. Oh
|
||
|
well. I recently watched the undubbed version with 2 quarts in front
|
||
|
of me and Peggy Lee playing behind me--I recommend you do the
|
||
|
same. This is a perfect video for the art school crowd that screams to
|
||
|
be dangerous, but will cringe and protest when the multi-cocked
|
||
|
demon rapes a high school cheerleader. Show it at the next hipster
|
||
|
party you throw.
|
||
|
|
||
|
|
||
|
Boxing Helena--Rented--May 13
|
||
|
|
||
|
Holy Cow! What a horrible fucking movie! If I were the King, I'd've
|
||
|
put a bullet through the TV. Even seeing whats-her-name (the lead)
|
||
|
with her shirt off didn't help. Whooee! No wonder it bombed! From
|
||
|
bad dialogue to bad acting to a PATHETIC resolution, this film has
|
||
|
NOTHING going for it. I cannot believe that in 1993, anyone would be
|
||
|
stupid enough to use the "it was only a dream" cop-out. Is that Ms.
|
||
|
Lynch's idea of artsy? Quirky? MACABRE? The ONLY thing that
|
||
|
could've possibly rescued this movie would've been watching Julian
|
||
|
Sands fuck Helena the Stump. BUT THEY STOPPED SHORT and
|
||
|
consequently, this movie is not worth watching at all.
|
||
|
|
||
|
|
||
|
Friday Night Asia Fuck--Cinemax
|
||
|
|
||
|
A few months ago, I got a call from a pleasant woman at the cable
|
||
|
company. She caught me at 8pm and I was already a few drinks into
|
||
|
the evening. She offered me HBO and Cinamax for $10 a month, for
|
||
|
both. Shit, I figured, 10 bucks? If I see 3 good movies, it's paid for.
|
||
|
Then the bill came 4 weeks later--I wasn't being charged a dime.
|
||
|
And now, 3 months later, still no charge. So we've got 2 movie
|
||
|
channels which we rarely watch--for free. But about this Asia Fuck
|
||
|
thing. The last few Friday nights that I've turned on Cinamax, usually
|
||
|
getting home drunk from a bar or some such place, I've encountered
|
||
|
softcore porn featuring skanky Asian women screwing old white
|
||
|
men, or screwing dirty Frenchmen, or screwing each other. Shit, if I
|
||
|
were paying the 10 bucks a month, I'd consider Cinamax PAID FOR.
|
||
|
IN FULL. And I suppose if the TV weren't in the living room (and in
|
||
|
my bedroom instead) then I'd be getting a lot MORE out of these
|
||
|
movies, you know what I mean? (Get it? I'd be pulling myself, eh?
|
||
|
Ah, grow up. You do it, too.) But, as it is, I sit back with another drink
|
||
|
and enjoy the nudity. Is this an official programming decision at
|
||
|
Cinamax? Did the big wigs decide to feature Asian Fuck Films every
|
||
|
Friday night? They've already got the Vanguard Cinema, where they
|
||
|
show ART movies each Wednesday night. And I think they offer a
|
||
|
Meathead Action Night and a Dismal Romantic Film Feature every
|
||
|
week, too. Good marketing, Cinamax. Very good marketing. I'm not
|
||
|
cancelling my subscription (until you make me pay, that is).
|
||
|
|
||
|
|
||
|
Rocko's Modern Life--Nickelodeon--Was Sunday a.m.--Now Sunday
|
||
|
5:30 p.m.?
|
||
|
|
||
|
Here's the first version of this review, written 5-94, now painfully
|
||
|
outdated: "If it's not already, RML is sure to become the next big
|
||
|
MTV hit. Rocko's Modern Life is cool as shit. Rocko is a cynical, dry-
|
||
|
witted wallaby who lives in a shithole apartment with shit furniture
|
||
|
and a stupid dog, has loud neighbors (frogs named The Bigheads) and
|
||
|
has shitbag friends, principal among them being a cow appropriately
|
||
|
named "Heffer." Heffer is the adopted son of a family of wolves who
|
||
|
regularly serve him beef for dinner. Sarcastic, intelligent and
|
||
|
obnoxious, RML is the perfect entertainment for nursing that Sunday
|
||
|
morning beer, with or without the kids." Problem is, RML has already
|
||
|
been picked up by mtv! FUCK! AND they moved it to the late
|
||
|
afternoon! I'm a fucking cultural prophet, I tell you! First early-60's
|
||
|
swank cocktail jazz, now Rocko! In any case, my thanks to Amy for
|
||
|
introducing me to Rocko. (Hmmmaybe Amy's the prophet this
|
||
|
time?) And fuck "Entertainment Weekly" for calling RML a Ren &
|
||
|
Stimpy knock-off.
|
||
|
|
||
|
|
||
|
The Operation--The Learning Channel--May 17, 8:00 pm
|
||
|
|
||
|
I was eating dinner and flipping around the channels. Then--glory
|
||
|
be!--a man's sac fills the screen. Enter a doctor: he grabs one of the
|
||
|
balls, squeezes it tightly in his fist, pulling the normally-wrinkled
|
||
|
flesh nice 'n taut, and SLICES IT OPENS. Whoa, mother! Stopped me
|
||
|
dead, I'll tell you! It took half a dozen slices to get through all the
|
||
|
veins to the ball itself. And it was a fucking mess! I cringed and
|
||
|
turned the channel. After finishing my food, I turned it back on. By
|
||
|
this time, the doc was deep into this guy's testicle, noodling around,
|
||
|
looking for something. And you know what? A man's balls, flayed
|
||
|
wide open, look EXACTLY like a woman's genitals when you take 2
|
||
|
fingers and spread the lips. Raw flesh, baby. Watch "The Operation,"
|
||
|
weekly (Tues. nights, I think), on The Learning Channel. But finish
|
||
|
your dinner first.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
18.
|
||
|
|
||
|
The New Third Reich: Dave & Buster's
|
||
|
------------------------------------
|
||
|
|
||
|
I sometimes wish that I didn't use vulgar language so often; I've
|
||
|
become jaded & desensitized to the impact of obscenity. The English
|
||
|
language simply doesn't contain some of the words I need.
|
||
|
Specifically, the words I need to convey my utter disgust and
|
||
|
contempt for a place called Dave & Buster's, located on the
|
||
|
waterfront here in Philadelphia. Based in Texas, D&B's has opened a
|
||
|
couple of these places across the country. Basically, it's a Chuck-E
|
||
|
Cheese with liquor; a giant arcade with Bennigans-style bars and
|
||
|
food. They cater to the white 20-something crowd that wants to go
|
||
|
out, have a safe time and not question their hosts. The patrons of
|
||
|
D&B's are the same element that, in Mussolini's Italy, said "I don't
|
||
|
know nothing from a totalitarian dictatorial regime. The trains are
|
||
|
running on time, eh, paisan? Keep you mouth a-shut." But I'm getting
|
||
|
ahead of myself.
|
||
|
|
||
|
A couple of Tom's friends were coming into town and we decided to
|
||
|
go out with them. One of them, Jim, is a bit of a cheeseball. He enjoys
|
||
|
the places that the Philadelphia waterfront has to offer--big hair,
|
||
|
tight pants, abundant assholes. He wanted to go to Dave & Buster's,
|
||
|
much to my dismay. Dave & Buster's is immense, the size of an
|
||
|
airplane hanger, filled basement to ceiling with suckers and assholes.
|
||
|
|
||
|
We paid $5 to get in--fine, fine; I'd already written the night off as a
|
||
|
disaster. Tom & I were both wearing hats; we had to remove them to
|
||
|
get past the door. On the way up the escalator, I was struck with
|
||
|
image of Don Johnson descending into the underground, future-
|
||
|
America in "A Boy and His Dog." And the analogy held up--no "loud
|
||
|
or abusive language" was posted on a sign near the bar. It was Texan
|
||
|
ideals (Read: backwards, conservative) carried to an extreme. Five
|
||
|
minutes in the hole, I said "Fucking Budweiser" a little too loudly and
|
||
|
was scolded BY THE FUCKING BARTENDER to "keep it calm, now."
|
||
|
|
||
|
We had a couple drinks and stood amidst shitheads pumping money
|
||
|
into VIDEO GAMES. Men and women in the 20's and 30's PLAYING
|
||
|
FUCKING VIDEO GAMES. There's one of those bullshit "Virtuality" rigs
|
||
|
and a "virtual" golf that you rent for $20/hr. I couldn't believe what
|
||
|
I was seeing. A giant Nintendo nightmare. One big fucking scam. And
|
||
|
it was PACKED.
|
||
|
|
||
|
Needless to say, Tom & I put our hats back where they were meant
|
||
|
to be--on our heads. Within minutes, a D&B Stormtrooper was in our
|
||
|
faces, aggressive: "I KNOW you were told to take those hats off." He
|
||
|
could've been polite. you know? He could've ASKED us to remove the
|
||
|
chapeaus. But he was an asshole. "Sure, sure. They're off," I say.
|
||
|
"Fine," he responds, "keep them off." As he turned to walk away, I
|
||
|
called him a Fascist. Affronted, he threatened to throw us out, but we
|
||
|
parlayed that into our "First Warning." (I SWEAR THIS IS TRUE.) I
|
||
|
told Tom then-and-there that we would be kicked out before the
|
||
|
night was over; there was no other logical conclusion. And sure as
|
||
|
shit, after a few more drinks, we donned the hats and the same SS
|
||
|
Fucker said we were "OUTTA HERE." He called 4 other Fucks and we
|
||
|
were impolitely escorted to the door. Along the way, we proclaimed
|
||
|
to everyone watching the scene that we were being kicked out
|
||
|
"because we're genetically inferior--you're next, brown eyes! They're
|
||
|
Nazis!"
|
||
|
|
||
|
Outside, one of the genius managers got in our faces. Ten bouncers
|
||
|
(big motherfuckers, real big: "If I had six inches, and maybe fifty
|
||
|
pounds, and maybe if I had kung fu training, then maybe you'd have
|
||
|
to watch your ass.") surrounded us on the sidewalk, itching to throw
|
||
|
a punch. Tom and I stood firmly, smart enough to keep our fists at
|
||
|
our sides. I normally disdain the litigious segment of bloodsucking
|
||
|
American society that uses lawsuits to supplement their income, but
|
||
|
that Saturday night, I PRAYED to get hit. Just ONE PUNCH,
|
||
|
motherfuckers, PLEASE, and I'll bring this cocksucking, right-wing,
|
||
|
Nazi company to its knees. Mr. Dave & Mr. Buster themselves will be
|
||
|
kissing my ass! But the bouncers were too well-trained to place an
|
||
|
unprovoked shot.
|
||
|
|
||
|
Two highlights of the sidewalk confrontation: 1. After repeatedly
|
||
|
calling the whole pride of shits a bunch of "fucking fascists," the
|
||
|
manager turned to one of the bouncers: "I think 'DESE guys are the
|
||
|
communists, don't you?" Brilliant. 2. The D&B shuttle bus (NO SHIT)
|
||
|
pulled up and we tried to board, to get a ride back to our car a couple
|
||
|
blocks away. The manager, of course, wouldn't let us. Tom: "I was
|
||
|
planning on taking this shuttle to mass transit, so that I don't have to
|
||
|
drive drunk from DAVE & BUSTER'S, but even though I'm a paying
|
||
|
customer, you won't let me use it? So now I get behind the wheel,
|
||
|
kill some people, maybe your wife and kids, and you're going to be
|
||
|
liable. Fine. Let's go drive drunk, Jeff!" "Whoooee!" I respond, "Let's
|
||
|
go run over the fascist's whore wife and bratty kids!" They did call
|
||
|
over a cab for us, but refused to pick up the bill, so we drove home
|
||
|
where we drank for another 2 hours, doing our best to keep the
|
||
|
anger down under a complacent haze of booze. It was an infuriating
|
||
|
night that will stick with me for weeks.
|
||
|
|
||
|
|
||
|
I long ago dropped the notion of getting justice through consumer
|
||
|
action. When a company fucks you, and you look for retribution, the
|
||
|
best you'll get is a form letter, or maybe a free coupon or two. So I
|
||
|
don't bother. I don't try to arrange boycotts. I don't expect a refund.
|
||
|
I don't expect shit. Instead, I do my best to incur expense. I do this
|
||
|
by occupying managers' time and running up 800-line charges (see
|
||
|
page 16). Unfortunately, D&B's doesn't have an 800-line, but they do
|
||
|
have a regional manager. His name is Mike Plunkett. Write him at
|
||
|
2751 Electronic Lane, Dallas, TX 72520. I'm planning on writing one
|
||
|
letter a week. Well-written, intelligent letters that make it clear how
|
||
|
disgusted I am with the Dave & Buster's Reich. I don't plan on
|
||
|
receiving anything more than a token response--I won't be getting
|
||
|
my $5 back, for instance. But it will cause Mike Plunkett to take an
|
||
|
hour (salary $$) to make some phone calls (toll charge $$), talk to the
|
||
|
Philadelphia managers (more salary $$) and have his secretary print
|
||
|
up and send out the standard disgruntled customer response letter.
|
||
|
So if you've got nothing to do one day at work, write Mike a letter
|
||
|
saying that you'll never patronize their Southern-minded, white-boy
|
||
|
fascist establishments. But don't tell them I sent you; I don't need the
|
||
|
legal hassle. The Nazi Logo (--print version--) is going to cause me
|
||
|
enough problems.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
19.
|
||
|
|
||
|
Trepane Yourself for Enlightenment
|
||
|
----------------------------------
|
||
|
|
||
|
The Greeks did it. The Romans did it. The Egyptians did it. Ancient
|
||
|
Peruvians and the Neolithic French (as far back as 10,000 years ago!)
|
||
|
did it. What--pray tell--am I talking about?!
|
||
|
|
||
|
TREPANATION
|
||
|
|
||
|
Synonymous with TREPHINATION, trepanation has been around for
|
||
|
thousands of years. In the strictest sense of the word, "to trepane" is
|
||
|
nothing more than opening a hole in the skull, usually for medical
|
||
|
purposes. But we're interested in the more spirited experiments with
|
||
|
skull digging.
|
||
|
|
||
|
|
||
|
History
|
||
|
=======
|
||
|
In the Cuzco region of Peru, more than 9,000 trepanned skulls have
|
||
|
been unearthed, many dating back to the first millennia before
|
||
|
Christ. In one Paracas Indian site south of Lima, more than 10,000
|
||
|
well-preserved bodies have been found, with more than 6 percent of
|
||
|
the skulls showing evidence of having been trepanned. That's a lot of
|
||
|
drilling for a fairly primitive culture. Of course, these holes were
|
||
|
PROBABLY made in the interest of medical experimentation. The
|
||
|
society's doctors likely rounded up the slaves (or working class, or
|
||
|
whatever they had at the time) and opened up their skulls to see
|
||
|
what would happen.
|
||
|
|
||
|
In the 19th century, 120 prehistoric skulls were found across
|
||
|
European archeological sites. Of these, 40 had manmade cranial
|
||
|
breaches! Coincidence? Maybe. Mere injuries? Maybe. But take a look
|
||
|
at the skull presented by Paul Broca in the 1800's (below). The
|
||
|
opening in this skull is unquestionably MANMADE, evidenced from
|
||
|
the cross-hatched incisions. It was also Broca's opinion that the
|
||
|
opening was made while the individual was ALIVE and that there
|
||
|
were no fractures or injuries to require this trepanation. Ah ha! Proof
|
||
|
of voluntary trepanation? May be, buster.
|
||
|
|
||
|
In brief, it seems that EVERYBODY WAS OPENING UP THEIR FUCKING
|
||
|
SKULLS!
|
||
|
|
||
|
Why, you ask? There are 3 theories. 1: to treat depressed skulls
|
||
|
fractures (a medical procedure); 2: to treat headaches, convulsions
|
||
|
and mental disorders (in the Middle Ages, holes were drilled in
|
||
|
skulls to let demons out; artwork of the rigs included in print
|
||
|
version); or 3: those who survived trepanation were endowed with
|
||
|
special mental powers. That's where my money is, momma. Just ask
|
||
|
Joey Mellen and Amanda Fielding. They're a couple in England who
|
||
|
drilled holes in their heads and claim to have never been happier.
|
||
|
|
||
|
|
||
|
Modernity
|
||
|
=========
|
||
|
In 1962, the Dutch doctor Bart Hughes put forth a radical new idea.
|
||
|
He observed children and adolescents and determined that as we
|
||
|
grow older, we lose touch with a childish intuition and perception
|
||
|
that is dependent on the volume of blood flowing to the brain. He
|
||
|
reckoned that infants have the most desirable view of life, since their
|
||
|
skulls are essentially wide open and the brain is free to pump as
|
||
|
much blood as their little hearts permit. As we age, our skulls slowly
|
||
|
harden and gravity thereby restricts the blood flow over our gray
|
||
|
matter. He said that an individual can temporarily adjust this
|
||
|
situation through a number of methods, such as jumping form a hot
|
||
|
bath into a cold one, standing on your head, or the use of drugs. But
|
||
|
Dr. Bart was looking for something a little more permanent, so he cut
|
||
|
a small hole in his skull with an electric drill. HE NEVER FELT BETTER!
|
||
|
Dr. Bart was thrown into a Dutch asylum after he publicly praised the
|
||
|
benefits of trepanation.
|
||
|
|
||
|
In 1965, Joey Mellen met Dr. Bart and became entranced by the idea
|
||
|
of enlightenment through trepanation. Shortly, Joey himself was
|
||
|
ready to put a hole in his own skull. One weekend, apartment-sitting
|
||
|
for Amanda Fielding, who was away for the weekend with Dr. Bart,
|
||
|
he made up his mind and bought a manually-operated trepan
|
||
|
(probably similar in fashion to those from the Middle Ages), a bunch
|
||
|
of hypodermic needles, a local anesthetic, and tabs of LSD. On his first
|
||
|
attempt, it was impossible to get a groove started. So he called Dr.
|
||
|
Bart, who agreed to return and help Joey. But Doc' Bart was refused
|
||
|
entry at the British border.
|
||
|
|
||
|
Amanda took Bart's place to give Joey a hand. She took the trepan
|
||
|
and got the saw-teeth started; Joey then cranked the saw, after
|
||
|
dosing with LSD again. Things went smoothly for hours--the hole was
|
||
|
coming along nicely. Then Joey collapsed. Ambulances were
|
||
|
summoned, and the doctors at the hospital were horrified by the
|
||
|
home-surgery. The psychiatrists were called in and so onthey let
|
||
|
him out with warnings of instant death, etc.
|
||
|
|
||
|
But Joey ain't no slouch. His third attempt was a success. Here, in his
|
||
|
own words, is the moment of truth:
|
||
|
|
||
|
"After some time there was an ominous sounding schlurp and the
|
||
|
sound of bubbling. I drew the trepan out and the gurgling continued.
|
||
|
It sounded like air bubbles running under the skull as they were
|
||
|
pressed out. I looked at the trepan and there was a bit of bone in it.
|
||
|
At last! On closer inspection I saw that the disc of bone was much
|
||
|
deeper on one side than on the other. Obviously the trepan had not
|
||
|
been straight and had gone through at one point only, then the piece
|
||
|
of bone had snapped off and come out. I was reluctant to start
|
||
|
drilling again for fear of damaging the brain membranes with the
|
||
|
deeper part while I was cutting through the rest or of breaking off a
|
||
|
splinter. If only I had an electric drill it would have been so much
|
||
|
simpler. Amanda was sure I was through. There seemed no other
|
||
|
explanation for the schlurping noises. I decided to call it a day. At the
|
||
|
time I thought that any hole would do, no matter what size. I
|
||
|
bandaged up my head and cleared away the mess." from Bore Hole
|
||
|
(publisher, etc., unknown)
|
||
|
|
||
|
Though he writes that Amanda was sure he was through, Joey wasn't
|
||
|
certain. He couldn't be sure that the euphoria he felt was from the
|
||
|
hole, or from the cessation of drilling, So in the Spring of 1970, with
|
||
|
Amanda away in American, Joey took his fourth shot at his skull.
|
||
|
Using an electric drill, Joey worked for an hour and a half until the
|
||
|
drill burned out. The next day, with a borrowed drill from a
|
||
|
neighbor, he took crack number 5. Again, in his own words:
|
||
|
|
||
|
"This time I was not in any doubt. The drill head went at least an
|
||
|
inch deep through the hole. A great gush of blood followed my
|
||
|
withdrawal of the drill. In the mirror, I could see the blood in the
|
||
|
hole rising and falling with the pulsation of the brain."
|
||
|
|
||
|
Joey's spirits rose higher and higher until he reached a state of
|
||
|
freedom and serenity which he claims has been with him ever since.
|
||
|
When Amanda returned, she was envious, so they went to work on
|
||
|
her. With a new electric drill and a movie camera, Amanda Fielding
|
||
|
put a hole in her head ON FILM. The film of Amanda's skull dig is
|
||
|
entitled "Heartbeat in the Brain" and I have been unable to track it
|
||
|
down.
|
||
|
|
||
|
Amanda and Joey live happily in Chelsea, have a child, own an art
|
||
|
gallery, and lecture on the benefits of trepanation. I wrote them a
|
||
|
letter a month or so ago and have yet to get a response. It is possible,
|
||
|
of course, that this information is pure shit, but I'd like to imagine
|
||
|
otherwise. When I get a response--if I get a response--you'll be
|
||
|
reading it here. Watch this space.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
20.
|
||
|
|
||
|
DIY Trepanation
|
||
|
---------------
|
||
|
|
||
|
If you're like me, the first question you're yourself asking is HOW?
|
||
|
How can I do this in the privacy (and comfort) of my own home?
|
||
|
Well, I'm here to tell you.
|
||
|
|
||
|
The Tools
|
||
|
=========
|
||
|
I took a trip to Rickel and Pathmark in search of the right
|
||
|
trepanation equipment at the right prices. I
|
||
|
followed three guidelines:
|
||
|
|
||
|
1. Buy only dependable hardware--having the drill crap out in the
|
||
|
middle of the procedure would be a problem, I feel.
|
||
|
|
||
|
2. Try to save money--this ain't like suicide; you've still got to pay
|
||
|
the rent, even with a hole in your head.
|
||
|
|
||
|
3 Buy American--I don't know why; standing in the hardware
|
||
|
section, though, it seemed like the right thing to think.
|
||
|
|
||
|
I shopped in the order the procedure would follow: Situate Yourself
|
||
|
in some stable manner, Prepare the Drill, Assemble the First Aid,
|
||
|
Make the Hole.
|
||
|
|
||
|
|
||
|
Situate Yourself
|
||
|
================
|
||
|
I considered 2 possibilities: a friend will help you trepane, or you
|
||
|
will trepane yourself. If a friend will be assisting you, the shopping
|
||
|
list is considerably shorter:
|
||
|
|
||
|
--3 1/2" Steel Beam Vice Bench SWL BS ($69.99).
|
||
|
This is the typical vice you find in any typical workshop or garage: a
|
||
|
big, red chunk of steel bolted onto a workbench or table. I found that
|
||
|
my head fit inside this model with half an inch to spare on either
|
||
|
side--PERFECT! With a couple rags to protect the sides of your head,
|
||
|
your buddy will have a good angle of approach, and you won't twitch
|
||
|
or flinch when the hole gets started. Also look into the situation
|
||
|
proposed below, for the Solitary Trepane. It involves 2 smaller vices
|
||
|
and 1 wood vice, but might be more comfortable. Also refer to page
|
||
|
23 for more details.
|
||
|
|
||
|
--8" C-Clamp. Steel. ($12.49).
|
||
|
This is listed only as an alternative to the above vice, just in case $70
|
||
|
puts you over budget. I'm warning you, though, that trying to keep
|
||
|
yourself still--even with your head secured by a c-clamp --will be
|
||
|
difficult. And could be dangerous. And shit, who can't use a vice,
|
||
|
anyway?
|
||
|
|
||
|
And if you're doing this alone:
|
||
|
|
||
|
--2 - 2" Steel Beam Vices ($24.99 ea.).
|
||
|
Smaller versions of the above-listed vice, these 2 vices will be used
|
||
|
to hold the wood clamp (listed below) in place. Be sure to securely
|
||
|
bolt these babies down--find a heavy workbench or table.
|
||
|
n4 12" Rock Hard Maple Standard Wood Clamp,
|
||
|
|
||
|
--KC Professional [no. 94644] ($19.99).
|
||
|
This is a standard wood clamp you see used every week on The
|
||
|
Yankee workshop. Tighten one of these on your head and hold the
|
||
|
clamp itself in place using the 2 vices listed previously. This will give
|
||
|
you full access to your forehead and the top of your skull, all the
|
||
|
while keeping you in place. MADE IN USA.
|
||
|
|
||
|
--18" Quik-Grip ($26.99)
|
||
|
From the makers of Vice-Grips (one of my favorite tools--probably
|
||
|
everyone else's, too), I found that the grips weren't deep enough and
|
||
|
didn't offer enough "grab" for my comfort. Definitely stick with the
|
||
|
wood clamp. MADE IN USA.
|
||
|
|
||
|
--Prolite Tool Bag ($15.99)
|
||
|
Once your head is clamped down, you won't be left with much
|
||
|
mobility. This in mind, I'd purchase a tool belt to keep the booze (see
|
||
|
page 21), your drill and first aid supplies in easy reach.
|
||
|
|
||
|
--Nicholas Lifter's Belt ($34.99)
|
||
|
This isn't a WEIGHT lifter's belt--it's a package lifter's belt. See, my
|
||
|
back is sensitive to trauma. And if I'm going to drill a hole in my
|
||
|
head, the last thing I want to do is throw my back out with all the
|
||
|
thrashing about; a lifter's belt will keep my back straight and
|
||
|
prevent unwanted lateral motion. So for me, the $34.99 is worth it.
|
||
|
Consider it.
|
||
|
|
||
|
|
||
|
Prepare the Drill
|
||
|
=================
|
||
|
Again, we must consider that you may or may not have a friend
|
||
|
assisting you, and shop accordingly.
|
||
|
|
||
|
With a friend helping out, make his/her job as easy as possible. Buy
|
||
|
this drill:
|
||
|
|
||
|
--DeWalt Professional Rev. Spade Handle 1/2" Drill
|
||
|
($156.99)
|
||
|
Sure, it's an expensive drill. But this is the motherfucker of all drills
|
||
|
available for less than $200. TWO HANDLES (one on the side, one at
|
||
|
the rear). Triple gear reduction. 100% Ball and Roller Bearing. 7.0
|
||
|
amps. 450 rpm. Rear handle adjustable in 90 increments. Fairly
|
||
|
lightweight. Reversible. With this baby in hand, your friend will
|
||
|
ENJOY liberating your brain. MADE IN USA.
|
||
|
|
||
|
If you're going this alone, though, you've got to consider other
|
||
|
qualities in a drill: ease-of-use? Is it lightweight? Is it unwieldy? A
|
||
|
2-handled beast like the DeWalt will not work. Instead, consider:
|
||
|
|
||
|
--Black & Decker D1000 3/8" Drill ($34.94)
|
||
|
Single speed, reversible, 2-year warranty, and (most importantly) a
|
||
|
LOCK-ON BUTTON. This drill is perfect. It's lightweight and simple to
|
||
|
use. When I asked Jim, the fellow working the hardware department,
|
||
|
which drill HE would use if he were drilling a hole in his head, he
|
||
|
told me that "any of the Black and Decker's are top of the line--the
|
||
|
D1000, though, is a real nice drill, and it's on sale." (No shit, that was
|
||
|
a real conversation.) SOLD!
|
||
|
|
||
|
So you're all ready to go, right? What kind of drill BIT are you going
|
||
|
to use, smart guy? Standard wood/ metal? Wood boring? Tile and
|
||
|
Ceramic? I hadn't considered it, so I had to go back to Rickel the next
|
||
|
day. I found Jim in hardware and had this conversation (it's true, I
|
||
|
swear--I polished up his grammar, though; he was a bit of a dolt):
|
||
|
|
||
|
Me: (assuming he remembered me) "So what kind of bit should I
|
||
|
use?"
|
||
|
Him: "I think you have to figure out which is best for what you're
|
||
|
working on."
|
||
|
Me: "I'm the guy who's drilling the hole in his forehead. I was in
|
||
|
yesterday. You recommended the Black and Decker D1000."
|
||
|
Him: "Oh, yeah, I remember you. That's a good drill."
|
||
|
Me: "So which kind of bit should I use? Wood boring?"
|
||
|
Him: "You definitely have to figure out which one is best for you
|
||
|
what you're working on. I don't know about that stuff."
|
||
|
Me: "This isn't trial and error, Jim. I'm drilling a hole in my head.
|
||
|
I've got to choose one."
|
||
|
Him: "I don't know. Sorry."
|
||
|
|
||
|
So these are my choices:
|
||
|
--Black and Decker Standard Wood/Metal bits
|
||
|
7/16", 15/32" or 1/2" (B&D #s 15639, 15641, 15643; $7.49, $7.49,
|
||
|
$9.99)
|
||
|
These are the normal drill bits you'd use to put a hole in the wall, or
|
||
|
a piece of wood, or a piece of metal. They're also the bits I assume
|
||
|
most people would use to put a hole in their head. My main concern
|
||
|
is that it'll be a real slow start to get a good groove in my skull. So I
|
||
|
considered others.
|
||
|
|
||
|
--Black and Decker 1/2" Wood Boring bit
|
||
|
(B&D # 17204; $2.99)
|
||
|
These bits are used to put larger holes in wood. They are very mean
|
||
|
looking. (see illustration). Described on the package as "fast, rough
|
||
|
drilling in all woods," I am afraid this one will tear the shit out of my
|
||
|
skull and scar real badly, leaving me a freak [sic]. "Always wear eye
|
||
|
protection." Yeh, no shit. "Money-back guarantee." Sure, but I doubt
|
||
|
they'd honor it with blood and bone fragments stuck to it.
|
||
|
|
||
|
--Black and Decker 1/2" Glass, Tile bit
|
||
|
(B&D # 16905; $14.99)
|
||
|
At first glance, this carbide-tipped, easy-start bit looks perfect (see
|
||
|
illustration). But then I read the package: "use a slow drilling speed;
|
||
|
variable or hand drill is ideal." Well, if I'm doing this myself, then
|
||
|
I've got the B&D D1000, which is single speed. And I sure as fuck
|
||
|
ain't gonna use a hand drill for this. And, come to think of it, even if I
|
||
|
do have a variable speed drill like the DeWalt Prof. Spade Handle, I
|
||
|
don't particularly want to do this slowly, eh? "Apply a lubricant such
|
||
|
as white spirit or turpentine to keep drill bit cool." The ice cold blood
|
||
|
in my veins should do the trick.
|
||
|
|
||
|
So there I was: STUCK. I don't know which type of bit to recommend.
|
||
|
But rather than buy one or the other, and make a mistake, I wrote to
|
||
|
the professionals: Black and Decker. (See the letter, next page). As
|
||
|
soon as I get an answer, you'll get the answer.
|
||
|
|
||
|
|
||
|
Assemble the First Aid
|
||
|
======================
|
||
|
Whenever you open up any part of your body, something can go
|
||
|
wrong. Isn't that what we've all learned? Well, trepanation is no
|
||
|
different.
|
||
|
Face it. Not many people have access to real medical supplies. Not
|
||
|
many people can get sedatives, or pain killers, or antibiotics. So I
|
||
|
took a trip to Pathmark and nosed around the OTC drug and first aid
|
||
|
aisle.
|
||
|
|
||
|
--J&J Sterile Pads, 4"x4". Box of 25 ($7.99)
|
||
|
You're going to bleed like sick. Buy 2 boxes.
|
||
|
|
||
|
--Witch Hazel, Generic Brand, 1 qt. ($1.87)
|
||
|
Buy 3 quarts, close your eyes, and pour it right on your head. It's
|
||
|
already going to be messy, so what's a little more liquid all over the
|
||
|
place?
|
||
|
|
||
|
--Cotton Roll ($4.99)
|
||
|
Wrap yourself up like The Mummy. It'll be fun.
|
||
|
|
||
|
--Liquor (various)
|
||
|
There is no question in my mind that booze should play a major role
|
||
|
in your decision to open up your skull. Personally, I'd buy 2 quarts of
|
||
|
cheap beer ($2.50) and a bottle of really good gin ($23) for the trip.
|
||
|
Make sure you've got enough liquor for recovery. You will need it.
|
||
|
|
||
|
The strongest over-the-counter topical anesthetic comes in products
|
||
|
such as Anbesol and Chloraseptic. You might as well buy a shitload of
|
||
|
it and try to numb yourself beforehand. Check the shelves for
|
||
|
yourself; the active ingredient you're looking for is BENZOCAINE.
|
||
|
Check with your pharmacist.
|
||
|
|
||
|
Iodine. Rubbing Alcohol. Neosporin. All of these things will help keep
|
||
|
your new orifice clean. Go spend $20 on everything you can find.
|
||
|
And pick up some Advil ($4); you're going to need it.
|
||
|
|
||
|
|
||
|
Total Expense
|
||
|
=============
|
||
|
So how much is this trip to enlightenment going to cost?
|
||
|
|
||
|
Doing it with a friend:
|
||
|
3 1/2" Steel Beam Vice Bench SWL BS 69.99
|
||
|
DeWalt Pro. Rev. Spade Handle Drill 156.99
|
||
|
B&D 1/2" Glass, Tile bit (most expensive) 14.99
|
||
|
First Aid supplies 50.58
|
||
|
Liquor (various) 25.00
|
||
|
|
||
|
TOTAL: (add your state's sale tax) 317.52
|
||
|
|
||
|
Doing it alone (And doing it right):
|
||
|
2 - 2" Steel Beam Vices @ 24.99 ea. 49.98
|
||
|
12" Wood Clamp 19.99
|
||
|
Black & Decker D1000 Drill 34.94
|
||
|
B&D 1/2" Glass, Tile bit (most expensive) 14.99
|
||
|
Prolite Tool Bag 15.99
|
||
|
Nicholas Lifter's Belt 34.99
|
||
|
Liquor (various) 25.00
|
||
|
First Aid supplies 50.58
|
||
|
TOTAL: (add your state's sale tax) 246.46
|
||
|
|
||
|
|
||
|
Looks like you'll save about $70 if you take care of business alone.
|
||
|
But keep in mind, that if you do it with someone else, he/she can
|
||
|
pick up half of the $318 if they decide to follow your lead. That
|
||
|
would bring costs down to less than $160 each! Not bad for total
|
||
|
enlightenment, eh? That's even cheaper than a year's worth of
|
||
|
church dues, I think.
|
||
|
|
||
|
If you do drill a hole in your head, PLEASE take photos. Or video.
|
||
|
And send 'em in! Good luck, sucker.
|
||
|
|
||
|
|
||
|
|
||
|
************************************
|
||
|
22.
|
||
|
|
||
|
Actual letter:
|
||
|
|
||
|
PO Box 1646
|
||
|
Philadelphia, PA 19105-1646
|
||
|
May 13, 1994
|
||
|
|
||
|
|
||
|
Black and Decker
|
||
|
Customer Relations
|
||
|
10 N. Park Drive
|
||
|
PO Box 798
|
||
|
Hunt Valley, MD 21030
|
||
|
|
||
|
|
||
|
To whom it may concern:
|
||
|
|
||
|
I recently read about a couple in England who have drilled holes in
|
||
|
their foreheads in an effort to enlighten themselves. I will spare you
|
||
|
the details, but will mention that they claim to have "never been
|
||
|
happier."
|
||
|
|
||
|
I am planning to perform this procedure on myself in the immediate
|
||
|
future. And because of your company's reputation and my past
|
||
|
experiences with your products, I intend to use Black and Decker
|
||
|
tools exclusively to accomplish my goal. I have already purchased a
|
||
|
B&D D1000 for the job--I found it to be a very lightweight, easy-to-
|
||
|
use drill, on sale at an affordable price! The lock-on button was very
|
||
|
important, all things considered.
|
||
|
|
||
|
My question is this: which type of drill bit should I use? I'm looking
|
||
|
for a 3/8" - 1/2" opening. I'm favoring the 1/2" Wood Boring Bit
|
||
|
(#17204) but am afraid of the package description: "fast, rough
|
||
|
drilling." Will this be a little TOO rough and hard to handle? I'll be
|
||
|
doing this alone.
|
||
|
|
||
|
On the other hand, I considered the carbide-tipped, 1/2" Glass and
|
||
|
Tile bit (#16905). My only problem with THIS bit is the advice on the
|
||
|
package: "use a slow drilling speed; variable or hand drill is ideal." As
|
||
|
you well know, the Black and Decker D1000 drill isn't variable speed!
|
||
|
Maybe I've made a hasty purchase with the D1000? Should I have
|
||
|
sprung for a more expensive model??
|
||
|
|
||
|
Or should I just stick with a trusty 1/2" metal/wood bit? (Maybe
|
||
|
#15643?) But I'm afraid it might be difficult (and painful!) to get a
|
||
|
hole started.
|
||
|
|
||
|
Any advice you provide will be considered with great attention. Your
|
||
|
hasty response is appreciated, as I am--of course--anxious to get this
|
||
|
done.
|
||
|
|
||
|
Sincerely,
|
||
|
Jeff Koyen
|
||
|
|
||
|
|
||
|
|
||
|
I patiently await their response. Watch next issue.
|
||
|
|
||
|
|
||
|
|
||
|
Crank@aol.com
|
||
|
-------------
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I am easily reached via the Internet, or less easily via the US Postal
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Service. Either way, I'm here.
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The text of this document is available from a variety of sources. FTP
|
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from etext.archive.umich.edu (pub/zines/crank). Gopher from The
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|
Well. A bunch of BBSs, including Mac Tersius (215/245-3211). Of
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course, you can email me and ask for a copy. For financial reasons, I
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cannot email copies of the last issue, sorry. FTP or Gopher it.
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If you are currently reading CRANK electronically, then you really
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|
are missing half the fun. Send me $2 and you'll get the printed
|
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|
version. Its got a swank, 2-color 80# cover, 28-pages total. Plenty of
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art, etc, to make it worthwhile. And as an extra bonus, you'll get that
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|
swell feeling gained by supporting independent press.
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|
Crank is also available as a DOCmaker file for AOL Mac users. E-mail
|
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|
to "CRANK" on AOL--SPECIFYING THAT YOU WANT THE MAC
|
||
|
VERSION--and I'll attach it to my response. It'll be a self-extracting
|
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|
archive. Or you can send me a floppy, if you are so curious.
|
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My deepest thanks (no shit) to everyone who helped distribute
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|
CRANK 1.1 worldwide. Yeh, that's right, baby, we made it to Sweden
|
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and Finland (not to mention Canada and the UK.) God Bless the
|
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Internet.
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Advertisement
|
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|
-------------
|
||
|
|
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|
For discourse on all things deviant and otherwise, subscribe to the
|
||
|
Deviants Mailing List, a free Internet service provided by a chap
|
||
|
named Ian Dickinson.
|
||
|
|
||
|
Subscribe with the email msg: "subscribe [your net address]"
|
||
|
to:deviants-request@csv.warwick.ac.uk
|
||
|
|
||
|
"Occasionally disgusting--but not always--the home of ranting,
|
||
|
experimental reports, news clippings and other related items.
|
||
|
Medical curiosities, cults, paranoia, murders and other phenomena
|
||
|
are well in place here."
|
||
|
|
||
|
CRANK TESTIMONIAL:
|
||
|
|
||
|
I've been a member of the Deviants Mailing List for a year or so.
|
||
|
Among other things, I found out about Joey Mellen & Amanda
|
||
|
Fielding, the British Trepaners (p. 19) from the list. The quality of the
|
||
|
content is up-and-down, as it depends on the members for
|
||
|
contributions. But fuck, its free, you know? Subscribe and see if you
|
||
|
like it. If you don't, then simply unsubscribe. No gun to your head,
|
||
|
eh?
|
||
|
|
||
|
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|
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|
************************************
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23.
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Trepanation: An Illustrated Guide
|
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|
---------------------------------
|
||
|
|
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|
"I need __________ like I need another hole in my head."
|
||
|
|
||
|
Well, baby, maybe you DO need another hole in your head! Ever
|
||
|
consider that? Here's THREE FUCKING PAGES dedicated to how we, at
|
||
|
CRANK, would acquire new holes of our own.
|
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|
|
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|
Ink by the Incredible Dennis McGee. Swell typography & call-outs by
|
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|
yours truly, Jeff Koyen.
|
||
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|
||
|
NOTE TO ELECTRONIC READERS:
|
||
|
For obvious reasons, the artwork cannot be included for your
|
||
|
consumption. Your loss, I assure you. You're missing detailed
|
||
|
illustrations of the single-man trepanation with a hand drill, the two-
|
||
|
man trepanation with a hand drill, and the single-man trepanation
|
||
|
with a drill press. Yours for $2. Seek the address out elsewhere in
|
||
|
this issue.
|
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|
|
||
|
|
||
|
|
||
|
************************************
|
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|
26.
|
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|
Screw Women, Part 2
|
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|
-------------------
|
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|
||
|
Q:
|
||
|
May a woman politely refuse to dance with a man who cuts in?
|
||
|
|
||
|
A:
|
||
|
No. She must dance with him until a third man cuts in or until the
|
||
|
music stops. The partner who was first dancing with her should not
|
||
|
cut back in.
|
||
|
|
||
|
--from Emily Post on Entertaining, Elizabeth L. Post, 1987 (without
|
||
|
permission-don't tell Emily.)
|
||
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|
||
|
We are doomed.
|
||
|
|
||
|
|
||
|
CONTEST
|
||
|
-------
|
||
|
|
||
|
Identify the Corporate Spokesman!!
|
||
|
|
||
|
|
||
|
NOTE TO ELECTRONIC READERS:
|
||
|
|
||
|
Well, tough shit, but it's a visual thing. Consequently, you're not
|
||
|
eligible for this zany contest. Tough titties.
|
||
|
|
||
|
|
||
|
IN THE WORKS
|
||
|
------------
|
||
|
|
||
|
The Bossa Fucking Nova
|
||
|
Swank Vinyl for Lovers Only
|
||
|
An Equipment List
|
||
|
for Living the Low Life
|
||
|
Interview With A Killer #2
|
||
|
A Recommendation for Lawyers
|
||
|
Christ Bashing au Go Go
|
||
|
And loads more, chump.
|
||
|
|
||
|
CRANK #3: the farce continues
|
||
|
|
||
|
Available mid-October.
|
||
|
|
||
|
Reserve your copy? $2 to PO Box 1646, Phil PA 19105-1646.
|
||
|
|
||
|
|
||
|
|
||
|
THE END
|
||
|
CRANK #2. PO Box 1646. Phil PA 19105-1646
|
||
|
|
||
|
Crank logo, icons and contents, copyright 1994 Jeff Koyen
|
||
|
|
||
|
Correspondence welcomed, if not always appreciated.
|
||
|
|
||
|
Regards,
|
||
|
Jeff Koyen
|
||
|
|