1130 lines
54 KiB
Plaintext
1130 lines
54 KiB
Plaintext
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BTN: Birmingham Telecommunications News
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COPYRIGHT 1989
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November 1989 Volume 2, Issue 11
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Table Of Contents
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-----------------
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Article Title Author
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Policy Statement and Disclaimer................Mark Maisel
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Editorial Column...............................Tyros
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High Speed Modems..............................Clark Development
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Insights.......................................Ron Albright
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IDCUTILS: A Review, Part 1....................Jay Enterkin
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ProFile: Sohail Rabbani.......................Chris Mohney
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PROTOSYS 2.0: A Review........................Tyros
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Censorship And You.............................Douglas A. Reinsch
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So, What Do I Do With It Now?..................Dean Costello
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The Windows Column.............................Eric Hunt
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Message Board..................................Barry Bowden
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Known BBS Numbers..............................Mark Maisel
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EzNet Multiple Echo List.......................Randy Hilliard
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----------------------------------------------------------------------
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Disclaimer and Statement of Policy for BTN
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We at BTN try our best to assure the accuracy of articles and
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information in our publication. We assume no responsibility for
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damage due to errors, omissions, etc. The liability,if any for BTN, its
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editors and writers, for damages relating to any errors or omissions,
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etc., shall be limited to the cost of a one year subscription to BTN,
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even if BTN, its editors or writers have been advised of the likelihood
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of such damages occurring.
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With the conclusion of that nasty business, we can get on with our
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policy for publication and reproduction of BTN articles. We publish
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monthly with a deadline of the fifteenth of the month prior to
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publication. If you wish to submit an article, you may do so at any
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time but bear in mind the deadline if you wish for your work to appear
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in a particular issue. It is not our purpose to slander or otherwise
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harm a person or reputation and we accept no responsibility for the
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content of the articles prepared by our writers. Our writers own their
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work and it is protected by copyright. We allow reprinting of articles
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from BTN with only a few restrictions. The author may object to a
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reprint, in which case he will specify in the content of his article.
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Otherwise, please feel free to reproduce any article from BTN as long as
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the source, BTN, is specified, and as long as the author's name and the
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article's original title are retained. If you use one of our articles,
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please forward a copy of your publication to:
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Mark Maisel
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Editor, BTN
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221 Chestnut St.
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BHM, AL 35210-3219
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We thank you for taking the time to read our offering and we hope that
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you like it. We also reserve the right to have a good time while doing
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all of this and not get too serious about it.
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----------------------------------------------------------------------
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Editorial
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by Tyros
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This my first time doing a guest editorial for BTN, and I think I
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can see why. The pressure is enormous. I mean, think about it. What
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should it be about? I didn't even bother to think about what I would
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write until I sat at the keyboard. Actually, I now think that there's a
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fair chance that Mark telepathically cajoled me into it, sitting there
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griping about how he really didn't want to finish it up. I sat there
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and said simply, "I'll write the editorial for you." At least that's
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what the tape recordings say. For some reason I don't remember.
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Anyhow, normal editorials are usually people railing out against
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current events, so maybe that's what I should do. How about this
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eastern Europe thing, eh? Hmm. No, I don't like that. Doing current
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events is a bad idea.
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Maybe I should make up a bunch of lies about how Mark physically
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binds his writers until they manage to come up with an article.
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Actually, that's sort of been used before. It seems like nearly
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everyone who does this gets in his share of Mark-jokes. In fact, I
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don't really like the way this is shaping up at all. It gives one a
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distinct empathy with celebrities who do the opening monologue on
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Saturday Night Live. Oh well, I really don't guess it matters. True
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writers always screw up every now and then. Sorry if you were expecting
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some kind of crazy greatness or something. Sometimes the stuff just
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doesn't come out. You know how it is. Or at least I assume you do. If
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you don't, I don't want to hear about it.
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Well, now seems like a good time to launch into the summary of this
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month's articles that somehow manages to conveniently find its way into
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each editorial. Let's see... Okay, I've got the list in front of me.
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Someone from Clark Development has written something about modems; I
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believe these people are the makers of PCBoard? I haven't read the
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article, but it's probably pretty good if you're interested in that sort
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of thing. Eric Hunt's Windows column is about some mahjongg-type
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computer game; I read this article, I think. Ron Albright's Insights
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column... Lemme think, I had this one pegged. Oh well, it's Another Ron
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Albright Insight Column. That should bring the fans running. Doug
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Reinsch wrote an interesting thing about BBS censorship... Jay Enterkin
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contributed another one of those technical-type articles about something
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called IDCUTILS. I haven't read it either, but again, I'm sure it's
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absolutely captivating. Dean Costello has an article in here about
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MIDI; now I did read part of this one, and I can say that the part I
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read was good. Chris Mohney's ProFile this month is on Sohail Rabbani,
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and it too is very interesting. Oh, and, um, I think there's something
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I wrote somewhere around here. Anyhow, that's it, unless I'm supposed
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to mention the Message Board, BBS List and EZNet Echo List, which I
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don't think I am, so I'm through, and I hope not to see you next month.
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----------------------------------------------------------------------
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The following is from Clark Development Corporation, the producers of
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PC Board, and is used with their permission.
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PART I: High Speed Modems
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We have received numerous messages asking about high speed modems,
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their capabilities and compatibility between modems from different
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manufacturers. The following text basically discusses the US Robotics
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HST 9600 bps modems and the Hayes V-Series 9600 bps modems. It also
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covers the subject of V.32 modems.
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1) The old USR HST had a top transmission speed of 9600 bps. This is
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before taking into account any kind of MNP compression. Typical
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throughputs with the old HST ranged from 1150 cps on a compressed
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file with the modem- compression-DISABLED to 1900 cps on a regular
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text file with modem- compression-ENABLED.
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The HST will only transmit at 9600 bps when connected to another HST
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but will connect at 300/1200/2400 baud to other standard modems.
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2) The new USR HST (termed the 1440) is able to transmit data at 14400
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bps (again, this is before taking into account MNP compression, etc).
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Typical throughputs with the new HST will range from about 1500-1700
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cps on a compressed file with modem-compression-DISABLED to about
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2300-2400 cps on a text file with modem-compression-ENABLED -- this
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is assuming that you've opened your comm port at 38400 bps.
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The HST will only transmit at 9600 bps when connected to another HST
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but will connect at 300/1200/2400 baud to other standard modems.
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3) The Hayes V-Series 9600 modems are similar to the old USR HST
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described in #1 above. You will typically see throughputs as high as
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1900 cps on text files but only about 960 cps on compressed files.
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The Hayes V-Series 9600 will only transmit at 9600 bps when
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connected to another V-Series 9600 modem but will connect at
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300/1200/2400 baud to other standard modems.
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4) Hayes has recently begun shipping its V-Series modems with new ROM
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chips in them giving them V.42 compatibility. This means that the
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V-Series 9600 modems can now provide an error-corrected session when
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connected to any regular MNP modems at 2400 bps. This is because
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V.42 implements MNP levels 1 through 4 (which excludes MNP
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compression). You will typically see throughputs of about 260-280
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cps on a 2400 bps line due to MNP's stripping of the start and stop
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bits.
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5) The V.32 modems (such as those made by US Robotics and MultiTech)
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run at 9600 bps and will give you similar throughputs to those
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described in #1 above (i.e. V.32 will give you slower transmission
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speeds than will the new HST's running at 14400 described in #2).
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However, the advantages of V.32 are that it provides you with better
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"interactive response times" (such as when typing) and that because
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V.32 is a CCITT "standard" they will connect at 9600 bps to modems
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made by OTHER manufacturers. By "other" I mean that you can connect
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US Robotics V.32's to MultiTech V.32's to any other V.32's. The V.32
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standard appears to be one that remain for some time to come .. so
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purchasing a V.32 modem may be a better investment if you are
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concerned about future compatibility. However, V.32 still costs more
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than the proprietary standards such as the HST 9600 or the V-Series
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9600.
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6) The USR Dual Standard is BOTH a V.32 and an HST modem. When it is
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in the "HST mode" everything said in #2 above (about the new 1440
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HST's) is true. When it is in "V.32 mode" then everything said in #5
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(about V.32 modems) is true. In other words in V.32 mode you will
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not get the full speed advantage of the Dual Standard for file
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transfers. However, one BIG advantage to the Dual Standard is that
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it is compatible not only with the V.32 standard but with all of the
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existing HST modems as well. This may or may not be an advantage for
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you depending on which modems you frequently dial into or which
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modems dial into you.
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7) Hayes is working on a V.32 modem that is similar to the V.32
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description given in #5 above. I cannot comment further on this
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modem due to lack of details that have been given to me.
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NOTE: Another commonly asked question is about the differences between
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V.32 and V.42. That topic is discussed in bulletin #8 here on
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the Salt Air BBS.
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PART II: What is V.32? What's the difference between it and V.42?
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The V.32 standard is a "modulation" standard. I like to compare
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it to the AM and FM standards used in radio broadcasting. Not only are
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they at different frequencies but they use different modulation
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techniques. There are different modulation standards for 300, 1200 and
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2400 baud. The V.32 standard is a full duplex (data going both ways
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simultaneously at the rated speed) standard for 4800 and 9600 bps
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connections.
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The V.42 standard is an error correction standard. It is a method
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by which data is packetized and sent between modems to ensure that the
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data that arrives at the receiving end is the same as what was
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transmitted. It also includes the ability to compress data on the fly
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to enable higher throughput without requiring a different modem
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modulation scheme.
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MNP is another error correction standard. In fact, the V.42
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standard includes MNP as an "alternate" method in case a modem is not
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V.42 compliant .. in other words V.42 modems can connect with MNP
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modems and achieve a "reliable" connection.
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A commonly asked question is if V.32 modems will work with V.42 --
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and the answer is yes and no. If you asked the question "can I transmit
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ENGLISH over an FM RADIO FREQUENCY and have the listeners understand"
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the answer would be the same and for virtually the same reasons
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(comparing the V.42 method of packetizing data to English and the V.32
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method of modulation to FM).
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The V.42 and V.32 standards are for two completely different (but
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complimentary) areas of communication. In fact, you'll most likely
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discover that every V.32 modem you find has V.42, MNP or some other kind
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of error correction control built into it.
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So... a V.32 modem can talk to a V.42 modem -- if the modem on the
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other end is a V.32 modem and if it can understand the V.42 method of
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packetizing data (or the MNP method since MNP is included in the V.42
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standard).
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PART III: What exactly is the benefit of MNP?
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Three things (and I'll discuss both MNP -and- V.42 since they have
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the same benefits and the same reasons for being):
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1) MNP (or V.42) provides you with an ERROR CORRECTED session between
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your modem and the modem at the other end of the phone line.
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If you have ever logged onto a system and found that you could
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barely read or write messages due to all of the line noise .. then you
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can appreciate the difference between a "clean line" and a "noisy line".
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When both modems have MNP (or V.42) then they are capable of
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filtering out the line noise. BUT, make no mistake about it - the line
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noise may STILL be there .. it just does not get printed on your screen
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nor the host screen because the modems have filtered it out.
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This "filtering process" is similar to the error correction
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protocols such as Xmodem or Ymodem. They send a block of data and a CRC
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together and if the receiving modem finds a different CRC value then the
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two modems re-send the data until it is corrected. So, in the same
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manner that a file transferred with Ymodem is pretty much guaranteed to
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be "correct" after it arrives (even though line noise may have caused
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several re-sends of the data) the same is true of data that you see on
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your screen when using error correcting modems.
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2) The second benefit of MNP (or V.42) is that while it is creating
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data packets for the "error correction protocol" it is able to
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reduce the size of the data by stripping out start and stop bits.
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For instance, a normal character takes up 8 bits plus 1 start bit
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and 1 stop bit for a total of 10 bits. On that basis you can figure
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that a 2400 bits per second modem will give you a maximum throughput of
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240 characters per second (because each character is 10 bits long).
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The MNP (or V.42) protocol can strip the start and stop bits which
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subtracts 20% of the data and gives you a 20% increase in speed (minus a
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few percentage points for the protocol overhead).
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Therefore, without even compressing the data you can expect to see
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as much as 270 characters per second on a 2400 BPS line (versus the
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"norm" of about 235 cps on the same line).
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3) The third benefit of MNP (or V.42) is DATA COMPRESSION.
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In the BBS world you are probably aware of files that are ARC'ed or
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ZIP'ed. The reason for using ARC or ZIP is to decrease the size of the
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file before storing it on disk - and then uncompress the file when you
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want to use it. This saves disk storage. When performing file
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transfers it also saves time!
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The data compression capabilities of MNP and V.42 are not nearly as
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good as either ARC or ZIP. But on straight ASCII text they are still
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capable of decreasing the data to about 50% of its size. Decreasing by
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50% means that you can DOUBLE the throughput on the line so that a 2400
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bps modem can effectively transmit 480 cps (the speed of a 4800 bps
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modem!).
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Now the drawbacks......
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1) You only get the benefits of MNP (or V.42) if the modem at the OTHER
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END also has MNP (or V.42) built into it.
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2) Data Compression between modems is only effective if the data being
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transferred is NOT ALREADY COMPRESSED. This means that you can
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expect to see fast transfers on ASCII text files - but transferring
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a file that is already compressed (such as an ARC or ZIP file) will
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actually be SLOWER than if the modems did not perform any data
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compression.
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Unfortunately, in the BBS world compressed data is more common than
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non-compressed data. Sure, you'll be able to read messages faster (if
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you can move your eyes that fast!) and you can download bulletins and
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other non-compressed data faster. But downloads of most files on BBS's
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will actually be slower.
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Fortunately, you can usually tell your modem to turn data
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compression off (prior to making the phone call) so as not to slow down
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your file transfers.
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----------------------------------------------------------------------
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Insights
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by Ron Albright
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If you don't subscribe to or haven't picked up a,copy of this
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month's Personal Computing magazine at the bookstores, do so. It's one
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of the best issues for any computer magazine I have run across. For
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those of you familiar with "PC'ing," it's sort of the "Everyman's
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Computer Magazine." One of the few that cuts across the MS-DOS/Macintosh
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barriers and covers both well. It's more about productivity that batch
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files, and users of computers than how to roll-your-own code.
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The reason this particular issue stands out is that it is their
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annual "Computing in America" issue. Every year for the past 4 years,
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PC'ing has stood back and taken a close look at where we have been in
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computer technology and where we might be heading. It's a combination of
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nostalgia, a "State of the PC" message, and a glimpse at the future of
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computing. I think I have all 4 such issues and have enjoyed each one.
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They make excellent references sources for those fanatics among us who
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like to prepare for some future "Computer Trivia" game we may be asked
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to be a contestant on. More, it has short articles written by a true
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"Who's Who" in computing. Gates, Manzi, Gibbons, Kahn, Sculley, Roach,
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and others all have a chance to give us their views on where computers
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are headed.
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I get to use the issue this year as a springboard to this month's
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column. What I would like to do is present a few of the statistics they
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present in their "Trends" section. This part of the issue deals with
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some hard numbers about what's hot and what's not, software and
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hardware. I will add a personal observation with the numbers. You might
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learn something - I sure did - and I get the chance to blow off some
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steam as well.
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|
Fact #1 - In software sales, word processors continue to lead with
|
|||
|
17% of all software; spreadsheets are close at 16.5%,
|
|||
|
databases are at 12%. What's surprising is that
|
|||
|
communications software is not even given a category. It
|
|||
|
might fall into the "Other Productivity" grouping - at 12.5%.
|
|||
|
I continue to be amazed that communications - e-mail as well
|
|||
|
as information access - is still only a potential Cinderella.
|
|||
|
She's a gem in the rough, still mopping floors. I guess until
|
|||
|
there is some effort to standardize networks or enhance
|
|||
|
connections across networks (X.400?), we modem users will
|
|||
|
continue to wait for our glass slipper.
|
|||
|
|
|||
|
Fact #2 - Someone thinks things will change. Electronic databases are
|
|||
|
projected to grow from a $4.2 billion business this year to
|
|||
|
$11.8 billion in 1994. I see the potential there. I hope
|
|||
|
others do as well. Particularly, the industry themselves.
|
|||
|
They need to get better user interfaces, simpler access, and
|
|||
|
better front-end communications if this spectacular growth is
|
|||
|
to be realized. I wish them luck.
|
|||
|
|
|||
|
Fact #3 - The Leading Edge Model D was the 7th top-selling computer for
|
|||
|
1988. The IBM Modem 50 was tops (460,800 units); Mac SE was
|
|||
|
3rd (261,660). I mention this only because the Edge was my
|
|||
|
first MS-DOS machine. I bought it in July, 1986. It has run
|
|||
|
like a top since. Never a breakdown, never a hard-drive
|
|||
|
failure, never a glitch. A great machine. Too bad the Leading
|
|||
|
Edge customer and vendor support network was so lousy it
|
|||
|
forced the company into Chapter 11 reorganization.
|
|||
|
|
|||
|
Fact #4 - Of the top 10 personal computers old in the last decade, five
|
|||
|
are now orphans. By my quick addition, it came to something
|
|||
|
like 8 million computers sold and no longer in production.
|
|||
|
Amazing!
|
|||
|
|
|||
|
Fact #5 - John Sculley is the highest paid CEO in the computer industry.
|
|||
|
He pulls down a cool $2,479,000 per year. Double amazing.
|
|||
|
Sorry, but I don't think anyone's skills are worth that. No
|
|||
|
wonder he wanted to get rid of Jobs - Apple couldn't afford
|
|||
|
them both.
|
|||
|
|
|||
|
Fact #6 - The Commodore VIC-20 was the first computer to sell a million
|
|||
|
units. The TI 99/4A was second. What a great war that was!
|
|||
|
Commodore and Texas Instruments...1982-1983. Commodore won,
|
|||
|
but not with the VIC-20. It was the C64 that sunk TI (and
|
|||
|
Coleco's Adam, and the Timex Sinclair, and the Mattel Tomy,
|
|||
|
and ...).
|
|||
|
|
|||
|
Fact #7 - A whopping 220 Apple I computers were sold at $666.66 each.
|
|||
|
|
|||
|
Fact #8 - The ratio of computers-to-students in U.S. schools is 1-
|
|||
|
to-19. I wonder what it is in Birmingham? In Alabama? My
|
|||
|
guess is 1-to-50 - maybe.
|
|||
|
|
|||
|
Fact #9 - In 1988, 15.4 million corporate Americans telecommuted
|
|||
|
full-time. Where do I sign up? Have modem, travel not.
|
|||
|
|
|||
|
Fact #10 - Pete Rose has a software game named after him called "Pennant
|
|||
|
Fever." I wonder if it has a betting module? Sorry, couldn't
|
|||
|
resist.
|
|||
|
|
|||
|
That's enough (I hear you! I hear you!). Do get the issue. I like
|
|||
|
PC'ing most of the time. This month, I like it more than ever.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
IDCUTILS - Infinity Design Concepts Utilities
|
|||
|
Part One of Two: Alarm thru Freeram
|
|||
|
by Jay Enterkin
|
|||
|
|
|||
|
IDCUTILS is a set of utilities from the creators of the NARC
|
|||
|
archiving/file compression programs.
|
|||
|
|
|||
|
-----
|
|||
|
ALARM - This is a clock display and alarm function.
|
|||
|
-----
|
|||
|
USAGE: ALARM enable clock display
|
|||
|
ALARM hh:mm enable clock display and set alarm to hh:mm
|
|||
|
ALARM - disable alarm and clock display
|
|||
|
|
|||
|
Once you enable this function with one of the above commands, the
|
|||
|
current day and date are displayed in reverse video in the upper right
|
|||
|
hand corner of the screen in the format: Day hh:mm:ss am/pm. Example:
|
|||
|
Sun. 11:19:36 am Since the ALARM function is memory resident, the
|
|||
|
display is continuous in the upper right hand corner of the screen, even
|
|||
|
when you load other programs. This might be a plus if you really want a
|
|||
|
continuous day/date/time display at all times, but there is no way to
|
|||
|
disable the display without disabling the alarm, and you can't view any
|
|||
|
data that another program you are using might display in the last 16
|
|||
|
positions of row 1 while ALARM is active. The alarm only lasts 5
|
|||
|
seconds, and depending on how loud your PC's built-in speaker is, and
|
|||
|
how close you are to your PC, it may or may not get your attention.
|
|||
|
Disabling the alarm and display with the "ALARM -" command does not free
|
|||
|
up the memory used by ALARM, but since it is only 1008 bytes that
|
|||
|
shouldn't be a problem (assuming there is no memory conflict with other
|
|||
|
programs/TSRs). Although the time is displayed in AM/PM format, you must
|
|||
|
key in the alarm time in military format (ie. 1700 rather than 5:00 pm).
|
|||
|
|
|||
|
----
|
|||
|
BOOT - This is a small program to re-boot your computer.
|
|||
|
----
|
|||
|
|
|||
|
This small (5 bytes!) program re-boots your PC when you key in
|
|||
|
"BOOT" on the command line and press ENTER. The documentation has an
|
|||
|
example of a .BAT file that allows alternate configurations using
|
|||
|
different AUTOEXEC.BAT files, and shows how you can use BOOT to select
|
|||
|
various TSR configurations automatically using .BAT files.
|
|||
|
|
|||
|
---
|
|||
|
CRC - Displays CRC-16 and CRC-32 for selected file(s).
|
|||
|
---
|
|||
|
|
|||
|
CRC-16 is the standard used with ARC files and CRC-32 is the
|
|||
|
standard used with ZIP files. If the original CRC value of the file is
|
|||
|
known, this provides a means of finding out if the file has been altered
|
|||
|
or corrupted.
|
|||
|
|
|||
|
--
|
|||
|
DD - Disk directory program
|
|||
|
--
|
|||
|
|
|||
|
This disk directory automatically pauses when the screen is full
|
|||
|
unless you invoke the /np (no pause) switch. It can also display 43
|
|||
|
lines in EGA mode by using the /43 switch. When all files in the
|
|||
|
directory have been displayed, additional information is shown at the
|
|||
|
bottom of the screen including the number of files in the displayed
|
|||
|
directory, total space used by those files, total drive space, drive
|
|||
|
space used, and drive free space.
|
|||
|
|
|||
|
----
|
|||
|
DISK
|
|||
|
----
|
|||
|
|
|||
|
This program displays a wide range of data about the selected disk
|
|||
|
drive from the BIOS parameter block including bytes per sector, sectors
|
|||
|
per cluster, reserved sectors, number of FAT tables, maximum number of
|
|||
|
root directory entries, data start sector, total data clusters, sectors
|
|||
|
per FAT, directory start sector, media descriptor, total sectors,
|
|||
|
sectors per cylinder, the number of heads and number of hidden sectors.
|
|||
|
|
|||
|
------
|
|||
|
DTROFF
|
|||
|
------
|
|||
|
|
|||
|
USAGE: DTROFF COMPORT <1 or 2>
|
|||
|
|
|||
|
Turns DTR OFF (hangs up) modem.
|
|||
|
|
|||
|
--------
|
|||
|
DUMPINTS
|
|||
|
--------
|
|||
|
|
|||
|
This programmer's aid displays a list of interrupt vectors and
|
|||
|
their meanings to the screen, and can be redirected to a printer if
|
|||
|
desired.
|
|||
|
|
|||
|
-------
|
|||
|
EGADUMP
|
|||
|
-------
|
|||
|
|
|||
|
This program is a TSR (memory resident) utility that adds more
|
|||
|
capabilities to the DOS print screen functions. The DOS program
|
|||
|
GRAPHICS.COM will not work with certain EGA graphics modes, and this
|
|||
|
program is designed to overcome this limitation. I was unable to
|
|||
|
personally test EGADUMP since I don't have an EGA monitor available at
|
|||
|
this writing.
|
|||
|
|
|||
|
--
|
|||
|
FF
|
|||
|
--
|
|||
|
|
|||
|
This is a file find utility that is very similar to Norton's
|
|||
|
FileFind utility, in fact it has the same exact name and filename. The
|
|||
|
only difference I could find is that Norton's also displays the day with
|
|||
|
the date (as Sun 11/02/89) where the IDC version only displays the date
|
|||
|
(11/02/89). In every other respect they are virtually identical. The
|
|||
|
IDC FF is one of the FEW file find utilities that is as fast as Norton's
|
|||
|
FF. In my tests, there was never more than a second or two's difference
|
|||
|
between them.
|
|||
|
|
|||
|
--------
|
|||
|
FINDASCI
|
|||
|
--------
|
|||
|
|
|||
|
Findasci finds ASCII text within executable files and displays it
|
|||
|
to the screen. The stated purpose of the program is to find copyright
|
|||
|
notices within executable files, but it could also be used to screen for
|
|||
|
suspicious ASCII text within possible 'trojan' files, like CHK4BOMB
|
|||
|
does.
|
|||
|
|
|||
|
-------
|
|||
|
FREERAM
|
|||
|
-------
|
|||
|
|
|||
|
This utility displays the total RAM memory, the amount of free RAM
|
|||
|
and the amount of RAM currently in use.
|
|||
|
|
|||
|
All of the utilities reviewed above worked well on my
|
|||
|
IBM-compatible XT machine as well as on a Compaq 286-12. I was
|
|||
|
particularly impressed with the speed of the FF (FileFind) utility, the
|
|||
|
large amount of information returned by DISK, and with DUMPINTS which
|
|||
|
has the potential to keep programmers who need interrupt vector data
|
|||
|
from constantly referring to the reference manuals for this info.
|
|||
|
|
|||
|
Next time, in part two of this review, we will cover the rest of
|
|||
|
the IDCUTILS and summarize our findings and impressions.
|
|||
|
|
|||
|
Suggested shareware registration fee for IDCUTILS is $25 from:
|
|||
|
|
|||
|
Infinity Design Concepts
|
|||
|
1052 Parkway Drive
|
|||
|
Louisville, Kentucky 40217
|
|||
|
(502) 636-1234
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
PROFILE
|
|||
|
by Chris Mohney
|
|||
|
|
|||
|
The Pro File is a short, half-serious biographical sketch given to
|
|||
|
various computer telecommunications personalities around Birmingham.
|
|||
|
Victims are selected randomly from a group of names put into the
|
|||
|
notorious Hat. Anyone who thinks himself brave or witty enough may
|
|||
|
petition for admittance to the Hat by leaving E-Mail to me (Chris
|
|||
|
Mohney, most boards around town) to that effect. Anyone who wishes to
|
|||
|
suggest more questions or sneakily nominate someone without their
|
|||
|
knowledge may take the same route ....
|
|||
|
|
|||
|
---------
|
|||
|
|
|||
|
Pro File on SOHAIL RABBANI
|
|||
|
|
|||
|
---------
|
|||
|
|
|||
|
Age: 459.5 lunar months
|
|||
|
|
|||
|
Birthplace: Latitude 32 degrees North, Longitude 73 degrees East.
|
|||
|
|
|||
|
Occupation: perpetual student of LIFE
|
|||
|
|
|||
|
My hobbies include: Wine and women, and other assorted delicacies.
|
|||
|
|
|||
|
Years telecomputing: Who knows, who cares, why bother, who's counting?
|
|||
|
|
|||
|
My oddest habit is:
|
|||
|
Sleepwalking. Next morning I remember nothing. I've been told
|
|||
|
that I tend to concentrate on, and am quite apt at, performing a
|
|||
|
whole range of physiological functions in that state. My eyes are
|
|||
|
open and alert but I do not make conversation. I have been
|
|||
|
accused by overnight guests of inventing this lame excuse to
|
|||
|
violate my "scout's honor" pledge that I shall sleep on the living
|
|||
|
room couch.
|
|||
|
|
|||
|
My greatest unfulfilled ambition is:
|
|||
|
To be a women's locker-room attendant at the UAB gym.
|
|||
|
|
|||
|
The single accomplishment of which I am most proud is:
|
|||
|
I have never been caught red handed, ever!
|
|||
|
|
|||
|
My favorite performers are:
|
|||
|
Donald Duck and Ronald Reagan
|
|||
|
|
|||
|
The last good movie I saw was:
|
|||
|
BLOOD THIRSTY RAMBO Part XVIII, which I saw by chance after
|
|||
|
tickets to DEAD POETS' SOCIETY were sold out.
|
|||
|
|
|||
|
The last good book I read was:
|
|||
|
Uh, well I can't translate it in english (seriously). "DAVAAM",
|
|||
|
its a collection of urdu poetry.
|
|||
|
|
|||
|
If they were making a movie of my life, I'd like to see my part played by:
|
|||
|
Roger Rabbit! (At least I'll be indestructible)
|
|||
|
|
|||
|
My pet peeves are:
|
|||
|
A bottle of wine that is empty, and a woman who is "full of it"!
|
|||
|
|
|||
|
When nobody's looking, I like to:
|
|||
|
Pretend that I am Mozart. Standing before the mirror with a
|
|||
|
plastic straw in hand and bowing three times to the audience I
|
|||
|
gracefully proceed to conduct the 41st symphony at the Royal Opera
|
|||
|
House in Vienna.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
PROTOSYS 2.0
|
|||
|
|
|||
|
Software Review by Tyros
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Since the introduction of ProtoSys 1.0 and KonServe's Cascade, the
|
|||
|
quest for a comprehensive and compact QYS data amalgam-fixing program
|
|||
|
has been a confusing one. Enter ProtoSys 2.0, a major upgrade that
|
|||
|
apparently solves the dilemmas inherent in its predecessors while
|
|||
|
capitalizing on the improvements found in its competitors.
|
|||
|
|
|||
|
A big problem with ProtoSys 1.0 was the lack of any capsule-type
|
|||
|
autoloop breaking routines. HoseaWare has made huge strides in this
|
|||
|
area; a whole scan level command block has been set aside for people who
|
|||
|
like to dabble in C-type processing. In fact, a plethora of the more
|
|||
|
esoteric cross-stack sequences have been implemented, making for quite
|
|||
|
an impressive package.
|
|||
|
|
|||
|
Even so, harried trace-crunchers who are still stuck with
|
|||
|
free-loading break patterns shouldn't fret; ProtoSys is more than
|
|||
|
accommodating when it comes to uni- and bi-surface gap searching.
|
|||
|
Default function spin has been cleaned up, and a lot of flat-field
|
|||
|
sort/base operations have been put in to prevent resulting catch-groups
|
|||
|
from being fraught with misslotted trisync points. There's even a
|
|||
|
ReCollapse pointer for moving individual system headers from one
|
|||
|
multiform to another.
|
|||
|
|
|||
|
Performance time is excellent. A fully-linked fault-checked
|
|||
|
dynalog with 200 translocked multilines going both ways was shot through
|
|||
|
the GN-op cache in less than 46 mF. Test stores can be high-placed just
|
|||
|
as quickly, and left/right time for roving screen slots is pretty good
|
|||
|
too.
|
|||
|
|
|||
|
The only shortcoming I found was that you still can't send a file
|
|||
|
rider over the top of a DENN-format stagescale. This is something a lot
|
|||
|
of people hoped would be worked out by now, but it's a fairly universal
|
|||
|
problem. ProtoSys fully supports FRM20, OverThink-Z, SD-Elkin and Tenth
|
|||
|
Planet formats; and if your flash-count doesn't entail more than 20
|
|||
|
topgates, you can add Conway and Smartserve to the list.
|
|||
|
|
|||
|
Even documentation is ample; comprehensive, clear, organized, and
|
|||
|
best of all, both hardcopy and online. All in all, ProtoSys is the
|
|||
|
definitive way to go in practically every respect.
|
|||
|
|
|||
|
|
|||
|
ProtoSys 2.0, $399.00
|
|||
|
HoseaWare
|
|||
|
Youngstown, OH
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
Censorship and You - A Layman's Guide
|
|||
|
by Douglas A. Reinsch
|
|||
|
|
|||
|
|
|||
|
One of many problems that Sysops face today is rampant in American
|
|||
|
society. This problem is censorship. Having control over semi-private
|
|||
|
and public messages on BBSs, they must often decide whether the content
|
|||
|
of a particular message is acceptable or appropriate to be posted in the
|
|||
|
message base. This situation arises often, due to the wide diversity of
|
|||
|
people who use computer bulletin boards.
|
|||
|
|
|||
|
|
|||
|
As a new Sysop, I have only recently been subjected to some of the
|
|||
|
intricacies involved with censorship. You must walk the fine line
|
|||
|
between freedom of speech and elimination of inappropriate outbursts.
|
|||
|
But who should decide such a thing? What standard do you consult? Is it
|
|||
|
best to allow as much freedom as possible without censoring, or should
|
|||
|
the Sysop rule with an iron fist? Each Sysop must find his/her own
|
|||
|
answers to these questions and reconcile the users to live with that
|
|||
|
judgment.
|
|||
|
|
|||
|
|
|||
|
So, what is the Sysop's legal responsibility? Well, it could be
|
|||
|
argued that Sysops have no right to control the content of messages on
|
|||
|
their systems because of freedom of speech. This is not binding
|
|||
|
however, because the user is free to go elsewhere to express his/her
|
|||
|
thoughts. The key words here are "rights" and "privileges". It is your
|
|||
|
"right" to express yourself. It is your "privilege" to express yourself
|
|||
|
on someone else's computer system. So clearly a Sysop has the authority
|
|||
|
to censor. But is it required? I think not. As in most things, you are
|
|||
|
ultimately responsible for your own actions (If you are a minor, then in
|
|||
|
some cases it is your parent's responsibility). If you send an obscene
|
|||
|
letter to a city official (nobody HERE would do that of course), the
|
|||
|
U.S. Postal Service is not responsible for your action. You are
|
|||
|
responsible, even if the Postal Service could have intercepted the
|
|||
|
letter.
|
|||
|
|
|||
|
|
|||
|
If Sysops don't have to censor, then why do they? We all have an
|
|||
|
internal code by which we conduct ourselves in public. Sysops generally
|
|||
|
extrapolate their codes to include all users on their systems. I would
|
|||
|
say that in most cases Sysops are willing to permit a fair amount of
|
|||
|
slack beyond what they themselves would do however. Many Sysops do not
|
|||
|
use profanity themselves, but they are willing to tolerate users who do
|
|||
|
not push the issue too often. Censoring is the Sysop's way of keeping
|
|||
|
some degree of control over the bulletin board. The analogy has been
|
|||
|
raised that entering a BBS is like entering the home of the Sysop, and
|
|||
|
you should behave accordingly. This is not far from the truth, since
|
|||
|
the computer is in fact in the home of the Sysop, and the Sysop IS your
|
|||
|
host. If your host does not like profanity, then you had better not use
|
|||
|
it, or you may be thrown out on your tail. Aggression toward other
|
|||
|
users is in the same line. Your host does not want his/her "home" used
|
|||
|
as a battlefield by other people.
|
|||
|
|
|||
|
So is there a standard for acceptable behavior on bulletin boards?
|
|||
|
I think that there is a range of acceptability. Some boards will fall
|
|||
|
on the lax end of the spectrum and others will be on the restrictive
|
|||
|
end. The best observation I can make is that users can get away with
|
|||
|
just about anything, anywhere......once. If you do not consistently
|
|||
|
disrupt the operation of a board or a whole group of boards, then
|
|||
|
chances are that Sysops will let you alone. Police do not always stop
|
|||
|
you for speeding, even though it is against the law. As long as you are
|
|||
|
not really harming anyone, what does it hurt to give you the benefit of
|
|||
|
the doubt? There will always be exceptions of course, since some Sysops
|
|||
|
have had major altercations with "bad" users and have bitter attitudes.
|
|||
|
You can hardly blame them for this since in most cases they have put
|
|||
|
considerable time and money into a computer system for the benefit of
|
|||
|
others only to be slapped in the face.
|
|||
|
|
|||
|
|
|||
|
What about messages that some people find to be offensive? We have
|
|||
|
to ask ourselves, "Is the thing being said REALLY offensive, or have we
|
|||
|
just decided to take exception with it?" I have recently witnessed an
|
|||
|
incident where one user chastised another for saying certain things in
|
|||
|
messages which the first user found to be offensive. While the first
|
|||
|
user certainly has the right to voice that opinion, I feel that making
|
|||
|
this sort of judgment is a dangerous thing. The highest laws of this
|
|||
|
land are based on the Declaration of Independence and the Constitution.
|
|||
|
These documents outline a tremendous amount of freedom (because of
|
|||
|
religious and political persecution in other parts of the world),
|
|||
|
including the freedom of speech. They do not say anything about freedom
|
|||
|
of speech except where it is deemed by somebody to be offensive. This
|
|||
|
is a subjective view clearly prohibited by the laws enacted by the
|
|||
|
creators of this country. Without these freedoms we are little more
|
|||
|
than a dictatorship, only in our case we have a group of people deciding
|
|||
|
what everyone else will or will not be allowed to do instead of having a
|
|||
|
dictator. Jesus said, "Let he who is without sin cast the first stone."
|
|||
|
I say, "Let he who has the absolute knowledge of a god pass judgment on
|
|||
|
another person for being offensive." I don't have that knowledge, and I
|
|||
|
don't think any of you do either. I say this with the understanding that
|
|||
|
these judgments will be made, and in some cases they will be justified,
|
|||
|
but just as in the analogy of the home, the Sysop is the only one who
|
|||
|
may make such a judgment on his/her own board. Users do not have
|
|||
|
"rights" or "due process" on computer bulletin boards.
|
|||
|
|
|||
|
|
|||
|
If both users and Sysops can keep a view of the other's
|
|||
|
perspective, then I think that the computer community will be a happier
|
|||
|
place, without the needless bickering and squabbling. So Sysops, think
|
|||
|
about the necessity of your actions next time you decide to censor a
|
|||
|
user, and users, use a little discretion as to the way you present your
|
|||
|
ideas in public. Surely it will make <<<<<<CENSORED>>>>>>>.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
So, what do I do with it now?
|
|||
|
by Dean Costello
|
|||
|
|
|||
|
Well, there are a fairly good quantity of people out there that own
|
|||
|
musical keyboards. The newer ones have something in them called MIDI
|
|||
|
(Musical Instrument Digital Interface). MIDI allows keyboards to yak
|
|||
|
with each other, and to other devices, including computers. Now I
|
|||
|
realize that Keith Cahoon has already written a bit about MIDI, but this
|
|||
|
is less technical, more generalized and for the non-musicians out there,
|
|||
|
you may even learn a little something.
|
|||
|
|
|||
|
MIDI is a fairly clever idea. The idea of it is kind of like this.
|
|||
|
Let's say I own a Korg keyboard and a Ensoniq sampler. In a song I
|
|||
|
perform I need the sounds from both the Korg and the Ensoniq. So what
|
|||
|
do I do, of course, I play each of them separately, each with one hand.
|
|||
|
But on the other hand, let's assume I like the feel of the keyboard on
|
|||
|
the Korg better than the one on the Ensoniq. MIDI allows me to transmit
|
|||
|
data to the Ensoniq from the Korg that controls which note was hit, how
|
|||
|
hard it was hit, aftertouch, and a couple of other parameters; thusly
|
|||
|
making Ensoniq noises on the Ensoniq whenever I hit a key on the Korg.
|
|||
|
Clever, isn't it?
|
|||
|
|
|||
|
Now, you needn't use MIDI merely for going from synthesizer to
|
|||
|
synthesizer. You can also connect synthesizers with sampling keyboards
|
|||
|
(like the Ensoniq mentioned above), drum machines, sequencers (kind of
|
|||
|
like a digital tape player, it records MIDI data, and replays it at a
|
|||
|
later time), and to, yes, the computer.
|
|||
|
|
|||
|
I don't know how easy (or hard, as the case may be) it is to
|
|||
|
install MIDI on other computers, but on mine, it is extremely easy. All
|
|||
|
you do is plug in a cable that is similar to 5-pin DIN cable, and there
|
|||
|
you are, with a MIDI cable that desperately want to interface with
|
|||
|
something. As a matter of fact, that was one of the reasons why I
|
|||
|
bought my computer.
|
|||
|
|
|||
|
But then another question comes up. What do you do after you have
|
|||
|
your trusty synth hooked up to your computer? Well, there are a number
|
|||
|
of different things to do from there. They include getting sequencing
|
|||
|
programs, patch editors, samplers, and compositional programs.
|
|||
|
|
|||
|
Let me start at sequencing programs. These neat little rascals are
|
|||
|
quickly becoming indispensable in performing music. What they do is
|
|||
|
allow, in one form or another, data in the form of musical notes to be
|
|||
|
inputted to its memory. The data can then be replayed into a MIDI
|
|||
|
device (usually either a drum machine or a synthesizer) at a particular
|
|||
|
point in time. Basically, they act as a kind of MIDI tape recorder. You
|
|||
|
either type in the data (on the computer) or play it in, depending on
|
|||
|
the program you are using. After it is in, you can then edit the music
|
|||
|
around so that it sounds exactly like you want it to. This can include
|
|||
|
moving hunks of the composition around, changing the time, changing the
|
|||
|
key, or just deleting or adding notes at a strategic place. A number of
|
|||
|
bands use sequencers to play some of the parts of a song.
|
|||
|
|
|||
|
Patch editors and patch bays are rapidly becoming even more
|
|||
|
important than sequencers. As the number of patches that a keyboard
|
|||
|
player owns grows, the logistics of keeping them all under control
|
|||
|
rapidly gets out of hand. For instance, my keyboard can handle 64
|
|||
|
patches at a time. For each particular performance I give, a different
|
|||
|
bank of 64 patches is usually used. I have about 600-1200 specific
|
|||
|
patches for my keyboard lying around on audio cassette (Just like the
|
|||
|
old TIs). But, using patch editors, I can load a patch into the
|
|||
|
computer, play with all the parameters, and then store it on a disk
|
|||
|
somewhere using the patch bay program. When it is time to play, I load
|
|||
|
the new patches back into the keyboard from the computer, and life is
|
|||
|
significantly easier.
|
|||
|
|
|||
|
Sampling programs are not so much a sound generation program, but
|
|||
|
it is like the patch editor, in that it is used more for altering the
|
|||
|
sound that has already been sampled and for storing the sound, than for
|
|||
|
creation of the sound. For instance, the sampling device is used for
|
|||
|
the actual acquisition of the sampled sound, and then the sampling
|
|||
|
program is used to alter the sound where necessary. There are sampling
|
|||
|
programs for my computer, in particular, that would allow me to create a
|
|||
|
sampled sound, edit it, then in essence use my computer as a MIDI
|
|||
|
keyboard, in that I would play a note on my Korg, and the sound would
|
|||
|
come from the computer.
|
|||
|
|
|||
|
Finally, the compositional programs. These little honeys are
|
|||
|
designed for the professional composer or arranger, not so much for the
|
|||
|
amateur player. They are on the expensive side (ie. about $500-1000)
|
|||
|
and they use things that most people just don't use. They are similar to
|
|||
|
the sequencer, in that one would be able to edit data without much
|
|||
|
trouble, but they are more designed for the compositional end of things,
|
|||
|
not for performance. The print-out from one of these programs is
|
|||
|
exceptional, and is many times geared for the laser printer. Like I
|
|||
|
said, these are more for the professional than for the weekend
|
|||
|
performer.
|
|||
|
|
|||
|
I am also under the impression that the IBM-types out there can buy
|
|||
|
a card that in essence operates as a keyboard, and one accesses it using
|
|||
|
a specific type of software. This leads me to another area of
|
|||
|
keyboards: The rack mounts. Many keyboards today are built without
|
|||
|
actual keys on it, as a result of MIDI. The rationale is that since
|
|||
|
many players use MIDI anyway, there isn't any reason to have keys on
|
|||
|
some keyboards. All the performer needs to do is to attach the MIDI
|
|||
|
cables to the rack mounts (which have the same internal components as
|
|||
|
normal keyboards), and she/he can play it from another keyboard; via
|
|||
|
MIDI.
|
|||
|
|
|||
|
I hope that the above has helped you with at least the rudiments of
|
|||
|
MIDI. I can't come close to the information that Keith Cahoon has, and
|
|||
|
if you have any questions about the technical end of things, I
|
|||
|
definitely recommend that you take a look at his article in BTN a couple
|
|||
|
of months ago. I hope you get something out of this.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
The Windows Column:
|
|||
|
by Eric Hunt
|
|||
|
|
|||
|
This month I will look at one of the entertainment applications
|
|||
|
offered under Windows, Taipei!. Taipei! is an Oriental tile game unlike
|
|||
|
anything I have ever seen. People have told me that it is similar to
|
|||
|
Shanghai for the Apple IIGS or Mahjongg for IBM EGA machines.
|
|||
|
|
|||
|
The object of the game is to remove all of the tiles from the
|
|||
|
screen by sliding them off with another tile that matches. The catch is
|
|||
|
that in order for the tile to be removed, one of the left or right sides
|
|||
|
has to be free. The board is set up in a three-dimensional pyramid-type
|
|||
|
design with one hundred forty four tiles on it. You simply select the
|
|||
|
two tiles that you wish to remove with the mouse. An added bonus is
|
|||
|
that the mouse pointer changes to a cross on a tile that is free, so you
|
|||
|
really don't have to guess where the free tiles are. Tiles must match
|
|||
|
exactly OR they must either be one of two groups to match. The tiles are
|
|||
|
divided into groups: Craks, Bams, Dragons, Wind, Flowers, and Seasons.
|
|||
|
If two tiles are both Seasons then they match, or if two tiles are both
|
|||
|
Flowers, they match and are removed from the board.
|
|||
|
|
|||
|
The main menus that appear on the menu bar are Game, Help, and
|
|||
|
Options. Under Game there is New Game, Select Game, Hint, Start Over,
|
|||
|
Backup, and Autoplay. On my version, Select Game did absolutely
|
|||
|
nothing, Nada, Zilch. Must be an option for further improvements. Hint
|
|||
|
is invaluable, for in a sea of tiles it highlights two tiles that match.
|
|||
|
Autoplay pretty much freezes the computer until the game is finished, I
|
|||
|
had to do a reset to regain control when I decided that I really didn't
|
|||
|
want to watch. The next main menu item is Help and it contains How to
|
|||
|
Play, Tiles, and Strategy. Tiles is the only option that works and it
|
|||
|
brings up a dialogue box that gives the name and description of every
|
|||
|
tile, grouped by category. The other two options were always dimmed on
|
|||
|
my version. The last main menu item is Options. It contains Color, No
|
|||
|
Beeps, Lighten Tile Sides, and Darken Tile Sides. Color was dimmed,
|
|||
|
which is feasible, since I have a CGA system. The last two, Lighten and
|
|||
|
Darken Tile sides are for those people who have problems with depth
|
|||
|
perception on the 3-D pyramid.
|
|||
|
|
|||
|
A note about running on an XT with CGA: The game itself runs fairly
|
|||
|
fast but the black and white display doesn't do justice to the tiles
|
|||
|
themselves. I have seen this exact game on EGA and the brilliant color
|
|||
|
and detail is breathtaking, even with only 8 colors. Also, with CGA, do
|
|||
|
not run this under anything but a full-screen window. Trying to cram it
|
|||
|
into anything less will cause the tiles to become totally
|
|||
|
unintelligible. If you suffer from eye fatigue or eyestrain while using
|
|||
|
a CRT, don't play this game. I would leave everyday after playing it
|
|||
|
with a terrific headache that would last the rest of the day. The game
|
|||
|
itself takes a while to load and Windows has to swap itself out to the
|
|||
|
HD on my XT, which takes a good while.
|
|||
|
|
|||
|
Overall, the game is very enjoyable, and if it weren't for the
|
|||
|
eyestrain that I experience, I would play it all the time. It is
|
|||
|
addicting and the people around you will often be drawn to the screen
|
|||
|
and help play and to find matching tiles.
|
|||
|
|
|||
|
Taipei! can be found on The Crunchy Frog and if you would like to
|
|||
|
ask me for help personally with Taipei! or with Windows, I can be
|
|||
|
reached under Monk Eric on Crunchy and Eric Hunt on most other boards.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
MESSAGE BOARD
|
|||
|
by Barry Bowden
|
|||
|
|
|||
|
|
|||
|
NOVEMBER 1989
|
|||
|
|
|||
|
S M T W T F S
|
|||
|
1 2 3 4
|
|||
|
5 6 7 8 9 10 11
|
|||
|
12 13 14 15 16 17 18
|
|||
|
19 20 21 22 23 24 25
|
|||
|
26 27 28 29 30
|
|||
|
|
|||
|
November 1 All Saint's Day
|
|||
|
November 4 FAOUG
|
|||
|
November 5 BIPUG
|
|||
|
November 14 CCS (C64/C128)
|
|||
|
Election Day
|
|||
|
November 11 Veterans Day
|
|||
|
November 12 BCCC
|
|||
|
November 13 BACE
|
|||
|
November 17 BEPCUG
|
|||
|
November 20 CCS (Amiga)
|
|||
|
November 21 CADUB
|
|||
|
November 23 Thanksgiving
|
|||
|
November 26 BCCC
|
|||
|
November 28 CCS (C64/C128)
|
|||
|
|
|||
|
BEPCUG CCS
|
|||
|
Birmingham East PC Users Group Commodore Club South
|
|||
|
Jefferson Sate Jr. College Springville Road Library
|
|||
|
Ruby Carson Hall, Rm 114 2nd & 4th Tuesday (C64/C128)
|
|||
|
3rd Friday, 7-9 PM 3rd Monday (Amiga)
|
|||
|
Paula Ballard 251-6058 (after 5PM) 7:30-10 PM
|
|||
|
Maurice Lovelady 684-6843
|
|||
|
|
|||
|
BCCC BIPUG
|
|||
|
Birmingham Commodore Computer Club Birmingham IBM-PC Users Group
|
|||
|
POB 59564 UAB Nutrition Science Blg
|
|||
|
Birmingham, Al 35259 RM 535/541
|
|||
|
UAB School of Education, Rm 153 1st Sunday (delayed one week
|
|||
|
2nd and 4th Sundays, 2 PM if meeting is a holiday)
|
|||
|
Rusty Hargett 854-5172 Marty Schulman 967-5883
|
|||
|
|
|||
|
BACE FAOUG
|
|||
|
Birmingham Atari Computer First Alabama Osborne Users
|
|||
|
Enthusiast Group
|
|||
|
Vestavia Library, downstairs Homewood Library
|
|||
|
2nd Monday, 7 PM 1st Saturday, 1PM
|
|||
|
Benny Brown 822-5059 Ed Purquez 669-5200
|
|||
|
|
|||
|
CADUB
|
|||
|
CAD Users of Birmingham
|
|||
|
Homewood Library
|
|||
|
3rd Tuesday, 6:30PM-8:30PM
|
|||
|
Bobby Benson 791-0426
|
|||
|
|
|||
|
If you belong to or know of a user group that is not listed, please let
|
|||
|
me know by sending E-Mail to me thru EzNet or on The Bus System BBS.
|
|||
|
Please leave the group name and a contact person/phone number.
|
|||
|
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
Known BBS Numbers For The Birmingham Area
|
|||
|
|
|||
|
NAME NUMBER BAUD RATES SUPPORTED MODEM TYPE
|
|||
|
|
|||
|
*American BBS 674-1851 300, 1200, 2400
|
|||
|
*Bus System BBS 595-1627 300, 1200, 2400
|
|||
|
*Byte Me 979-2983 1200, 2400
|
|||
|
Cat House 854-5907 300, 1200, 2400
|
|||
|
*Channel 8250 744-8546 300, 1200, 2400, 9600 HST, V.32
|
|||
|
Club Phoenix 942-0252 300, 1200, 2400
|
|||
|
*Crunchy Frog 956-1755 300, 1200, 2400
|
|||
|
D3 Systems BBS 663-2759 300, 1200, 2400
|
|||
|
+Duck Pond BBS 822-0956 300, 1200, 2400, 9600 HST, V.32
|
|||
|
Eazy's Playhouse 870-0434 300, 1200
|
|||
|
Elite Fleet 853-1257 300, 1200
|
|||
|
Gizmo's Atari BBS 854-0698 300, 1200
|
|||
|
+I.S.A. BBS 995-6590 300, 1200, 2400
|
|||
|
*Joker's Castle 744-6120 300, 1200, 2400
|
|||
|
*Little Kingdom 823-9175 300, 1200, 2400
|
|||
|
LZ Birmingham 870-7770 300, 1200, 2400
|
|||
|
*Magnolia BBS 854-6407 300, 1200, 2400, 9600 HST
|
|||
|
Penny Arcade 226-1841 300, 1200, 2400
|
|||
|
Posys BBS 854-5131 300, 1200, 2400
|
|||
|
ProSoft Systems BBS 853-8718 300, 1200, 2400
|
|||
|
Radio Free TROAD 592-2545 300, 1200, 2400
|
|||
|
Role Player's Paradise 631-7654 300, 1200, 2400
|
|||
|
Shadetree BBS 787-6723 300, 1200, 2400
|
|||
|
Sperry BBS 853-6144 300, 1200, 2400, 9600 Hayes
|
|||
|
*ST BBS 836-9311 300, 1200, 2400
|
|||
|
*The Connection Node 1 854-9074 1200, 2400
|
|||
|
*The Connection Node 2 854-2308 1200, 2400
|
|||
|
The Islands BBS 870-7776 300, 1200
|
|||
|
The Matrix Nodes 1-4 323-2016 300, 1200, 2400
|
|||
|
The Matrix Node 5 251-2344 300, 1200, 2400, 9600 HST
|
|||
|
*The Outer Limits 969-3262 1200, 2400, 9600 HST
|
|||
|
*The Professional's Board 856-0679 300, 1200, 2400
|
|||
|
Twilight Zone 856-3783 300, 1200
|
|||
|
Willie's DYM Node 1 979-1629 300, 1200, 2400
|
|||
|
Willie's DYM Node 2 979-7739 300, 1200, 2400
|
|||
|
Willie's RBBS 979-7743 300, 1200, 2400
|
|||
|
Ziggy Unaxess 991-5696 300, 1200
|
|||
|
|
|||
|
Boards with a "*" before their name are members of our local network,
|
|||
|
EzNet, and public messages left in the EzNet Conferences of any of these
|
|||
|
boards will be echoed to all members.
|
|||
|
|
|||
|
Boards with a "+" before their name are members of FidoNet, an
|
|||
|
international network that provides a variety of public forums as well
|
|||
|
as private mail services all over the world.
|
|||
|
|
|||
|
-----------------------------------------------------------------------
|
|||
|
|
|||
|
Eznet Multiple Echo List
|
|||
|
|
|||
|
EZNET now supports multiple conference echoing but there are a few
|
|||
|
things you should be aware of regarding private mail.
|
|||
|
|
|||
|
A. You have one 'address' for private mail. If you are registered
|
|||
|
for private mail on Channel 8250 and someone sends you a private
|
|||
|
message in the Writers conference from Crunchy Frog it will wind
|
|||
|
up in the Writers conference on Channel 8250 as it should.
|
|||
|
|
|||
|
However, if you were registered for private mail on Magnolia and
|
|||
|
someone sends you a private message in a conference that
|
|||
|
Magnolia does not support (echo) then the message will wind up in
|
|||
|
the twilight zone.
|
|||
|
|
|||
|
B. If you go by a handle on one BBS and your real name on another
|
|||
|
even if the private message goes where it is supposed to, you
|
|||
|
will not be able to read it because it is addressed to someone
|
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else as far as PC Board is concerned. PC Board has no way of
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knowing that Red Foxx and John Doe are the same person. No
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tickee, no washee.
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Advice on sending private mail: If you don't know if the person you
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are sending private mail to is registered for private mail then keep a
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copy of the message in case you have to find an alternate route.
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EzNet Central will delete your private, undelivered message and inform
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you that the user you attempted to reach is not registered for private
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mail on any EzNet Node.
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This is a list of the current echos that I am aware of. More are in
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the making and will be posted in future issues.
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Eznet Program Hardware Writers Scitech BTNWA
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American BBS ........ * ..... ...... ....... ...... ..... ..
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Bus System BBS ...... * ..... ...... ....... ...... * ..... P ..
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Byte Me ............. * ..... * ...... * ....... ...... ..... ..
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Channel 8250 ........ * ..... * ...... * ....... P ...... * ..... ..
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Connection .......... * ..... ...... ....... ...... ..... ..
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Crunchy Frog ........ * ..... ...... ....... P ...... ..... P ..
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Joker's Castle ...... * ..... ...... ....... ...... ..... ..
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Little Kingdom ...... * ..... ...... ....... ...... ..... ..
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Magnolia BBS ........ * ..... ...... ....... ...... ..... ..
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Outer Limits ........ * ..... ...... ....... ...... ..... ..
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Professional's Board * ..... ...... ....... ...... ..... ..
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ST BBS .............. * ..... ...... ....... ...... ..... ..
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editor's note: As a last minute entry in the echo business,
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Joker's Castle's Lust Boat and Crunchy Frog's
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Roxanne's are now echoing messages in order to
|
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provide better access to all of the perverse types
|
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who frequent these two areas. MM
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