584 lines
29 KiB
Plaintext
584 lines
29 KiB
Plaintext
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BLAST.famy
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volume 1 ish 8
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December 1994
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dilettante squabbling over "freedom" issue
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6666666666 666 66666666666
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666 666 666 6 666666666666 66666666666
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666 666 666 66 66 66 666
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666 666 666 66 66 666 666
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666666666 666 666666666666 6666 666
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666 666 666 666 666 66666666666 666
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666 666 666 666 666 6666 666
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666 666 66666666666 666 666 6666 666 666
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666666666666 66666666666 666 666 6666666666666 666
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F _ A _ M _ Y
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A Private World E-zine.
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Publisher = P. W. Casual, C.E.O, PWE; C.O.B, PWC pwcasual@io.org
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Editor = Mark "Jr" Jeftovic, markjr@shmooze.net
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c h e c k o u t P L A N E T S H M OO Z E
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http://www.shmooze.net/pwcasual
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+---------------------------------------------+
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| "...while most people respond to their |
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| world instinctively -without thought |
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| -there exist an "intelligent few" who |
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| have been charged with the responsibilty |
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| of contemplating and influencing the tide |
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| of history". |
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| -Edward Bernays |
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+---------------------------------------------+
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back issues:
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ftp etext.archive.umich.edu /pub/Zines/Blastfamy
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----------------------------=======================--------------------------
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||||||||||||||||||||||||||| c o n t r i b u t o r s |||||||||||||||||||||||||
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============================(a.k.a the plagarized)===========================
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Women's International League for Peace & Freedom
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J.Deagnon
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Philip Heggie
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!*@# reviewers:
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James Keast, Phil Saunders, Edward Balog
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--------------------------================--------------------------
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||||||||||||||||||||||||| c o n t e n t s |||||||||||||||||||||||||
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===========================---------------==========================
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don't say you haven't been warned...
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U.S. ARMY TO BLAST ATMOSPHERE WITH E/M RADIATION
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Jr's Rant:
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Give me a Break with this
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"Free the net"
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SHIT
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!*@# (Exclaim) Magazine Reviews:
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Daddy's of Eden
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Acid Bath
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Exit 13
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Godflesh
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J.Deagnon's
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My Cavorting with Canadian
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Censorship
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cDc Gnuz
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The damnable # pops up again.
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New Subscription Policy
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regarding subreqs from the
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military-industrial complex
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U.S. ARMY TO BLAST ATMOSPHERE WITH E/M RADIATION
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High Frequency Active Auroral Research Program
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> Congress has provided funding for a new super beam space weapon. Called
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> the High Frequency Active Auroral Research Program (HAARP), it would beam
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> huge amounts of electromagnetic energy (E.M.) from Alaska to the upper
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> atmosphere. The skies above Alaska are home to the Aurora Borealis,
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> created by radiation from space hitting Earth's atmosphere. Bombarding
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> these cosmic rays might create unpredictable results. Besides electro-
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> magnetically blinding enemy missiles and satellites, it could change
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> global weather patterns, disrupt world communications and push the
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> ionosphere away from the earth.
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> Its civilian applications are equally dazzling and dangerous. It would be
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> powered by 30 trillion cubic feet of North Slope natural gas owned by ARCO
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> Power Technologies, Inc. (too expensive to sell in the United States).
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> Even if we needed such a diabolical weapon (which we don't) how can any
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> respectable scientist justify meddling in natural systems that we have
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> already disrupted in such major ways?
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> Action:
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> * Urge President Clinton and all of Congress to harness HAARP. Un-fund
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> this dangerous and expensive project that is potentially disastrous to
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> the environment.
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---
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[from Women's International League for Peace & Freedom online newsletter,
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via PNEWS. To subscribe to a PNEWS list on Internet send request to:
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<pnews-request@world.std.com> ]
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JR's RRRRRRRRaannt
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(mail bombings can be directed to markjr@io.org)
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Forget What "Should be", and deal with
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What's Gonna Happen
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Give Me a break with this "Free the Net, man!" bullshit. Spare me the random
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acts of cyber-terrorism aimed at making "commercialism" on the net unviable
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through intimidation and core-warz. Give it up babies you don't stand a
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chance, you're going about it all wrong, and your means, carried through
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to logical extremes, negate your ends.
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Your premise is flawed from the outset. Your noble creed: i) Information is
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Power (correct), ii) Inforamtion wants to be free (also correct) iii) there
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should be no money involved in any of this (seriously crashes here).
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Look at this way: Information, Prana, Lifeforce, a.k.a "the best things in
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Life" may indeed be free, but the conduits of those forces, as a rule,
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have their ongoing maintenance expenses. The truth of the matter is that
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the internet is not an "information superhighway". (The phrase has sickened
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me from day 1). The internet is a gigantic, complex, amoebic ...thing.
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It's mind/body duality can be best summarized as information and medium.
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It costs money to maintain the medium. It costs money to stay alive.
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You want the internet to be free? Then kill it.
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The information IS FREE. It's already a done deal. There is nothing to
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fight for here. The reason it's free is because any idiot can generate
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some at will or on demand. Simply take two different pieces of information,
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compare them, and the difference is more information (How do you think
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baseball commentators make the entire damn yawn sound so interesting?).
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You put something on the net. It's gone. Forget about it and hope it's
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nothing you'll regret `cause your name/alias is likely on it all the way
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down the pipe. It is at this point that the medium kicks in. And unless
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you're a college puke, you'll understand that this is the part that involves
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gear and bandwidth, -read money. (That is why "This is just a test -ignore"
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posts with world-wide distribution on Usenet piss me off a lot more than
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Pizza Hut slinging pies on WWW).
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I feel like it's gonna take awhile to lead up to this point, so let's dispense
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with further preliminaries and hit it: Doing cool shit on the net is fine.
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The best in fact. It takes money to do that. The more money there is in the
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net (unfortunately including the commercialism, corporate scum and sell-outs
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that typically accompany it), the better it is for the net.
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Why?
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Because.... As the money pours in, it does so in the form
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of increased bandwidth, improved or fancier retreival mechanisms, and above
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all, more users. Granted a product of this will be mainstream
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commerciallized enclaves, no doubt a bore to us cyberpunks. But if some major
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biz-pigs like the Stentor corporation make good on promises to wire the
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country with fibre-optic cable within 10 years, what do I care if most of
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their action consists of piping Mariah Carey videos on demand? As long as
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I can pump my 1's and 0's along the parking lanes of their "highway"
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(I have been told this will be the case by a Stentor rep. The possibility
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of a renege on this pledge will no doubt be the subject of a future rant)
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I could care less about the drivel I'm passing on the inside lane.
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Those who are stifling screams of "treacherous sell out!" as they read this
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are missing a crucial point: On the net, you can create cyberspace at will.
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You want the net to be "free and anarchistic"? Then create a corner of it
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that is exactly that. And leave my "free and <whatever>" corner of it the
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fuck alone. Let the low-brow trash hang out on the Zellers Web pages,
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filling out market survey forms in exchange for Club Z points, barely an
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improvement over the television zombies they used to be... I'll be over at
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the floating pancreas bbs or some similar place grabbing the latest issue
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of PrivateLine.
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You want the corporate pigs off the net? Ok, then tell me who's going to wire
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the fibre-optic cables, or should we just keep this whole not-for-profit
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net thang running over copper wires and 14,400 modems?
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All I really want out of the net is to earn a living doing what I like to do.
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Sorry, that entails the exchange of money, (one of the things I like to do
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is pay the rent) and, now I bear my soul: some of it comes from <GaSP> Major
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Record Labels, who pay us to do what we would we already be doing all day
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anyhow.
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The main reason the filthy corporation is required on the net is to
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wire the hardware (backbones, relays, switches, main routers, etc) and
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to facilitate a stable infrastructure (or similar facsimile) to
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provide a means of electronic funds transactions.
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The hackers who profess to prevent this should perhaps grow up a bit
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(I know, that can be hard for a 12 year-old) and realize that this is
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inevitable and necessary. But hear me out, angry young man. There is
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a higher calling and a better use for your talents. The corporate run on
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the net _will_ likely incorporate some Big-Brother-ish tactics. But what's
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the point in monkey-wrenching the net? The real art, that coveted elegance
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of "hacker finesse" as it were, would lie in gerry-rigging it to foster a
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semblence of privacy and autonomy, cause ya know the bastards'll try to snag
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those at their earliest convenience. In the mean time, earn a living,
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invest (diversify your assets), aquire gear, farm info.
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Don't forget to take the time to smell the roses.
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!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
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E X C L A I M M A G A Z I N E R E V I E W S
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!*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@# !*@#
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More of this month's !*@# is available electronically:
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via WWW: http://www.shmooze.net/pwcasual/exclaim
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email: exclaim@io.org
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for all of it:
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S[nM]ail: Exclaim Magazine
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7b pleasant blvd., #966, toronto, ont, canada, m4t 1k2
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print subscriptions $25 CDN/yr, Canada, $35 CDN/yr, USA, $45 CDN/yr elsewhere
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12 issues, tabloid fmt, circ. 25,000
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Daddy's of Eden
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Nobody
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(Sony)
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The alternative music scene is rapidly becoming like living near
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the airport. The noise bothers you at first, everyone comments on
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it when they visit, but after a while, you just ignore it. You
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don't even know it's there. More planes, fewer planes, more bad pop
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bands, fewer bad pop bands, it really doesn't matter after a while.
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Onto this burgeoning bandwagon now jumps Daddys of Eden
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with their preview EP, Nobody, featuring a single from their
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upcoming album and three "unreleased" tracks that (thankfully)
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won't appear on the album. Ironically, the lead single is called
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"Nothing New" because that's exactly what they have to offer
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(although I doubt the word "irony" is in their vocabulary). The
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alternative pop garbage scow is leaving. All a-bored.
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- James Keast
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Acid Bath
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When The Kite String Pops
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(Rotten Records)
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From the folks that incessantly gave us DRI comes more metal. This
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one starts off okay - you see, I ve been listening to a lot of
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Kyuss lately - but something goes terribly wrong. I mean those
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pseudo-70s vocal stylings are kinda cute, but suddenly you re sent
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into Opus-land. Imagine Jethro Tull trying to do a hip Melvins
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meets Kyuss thing. Its coupled with the John Wayne Gacy
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artwork, leaving you with something that belongs to the larger
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portion that's left after good metal (about 10%): generic,
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derivative and predictable drivel (the other 90%). Actually, this
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wouldn t be so bad if it had come out about five years ago, but
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then again, I d be bored with it by now anyway.
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-Phil Saunders
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Exit 13
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Ethos Musick
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(Relapse/ Cargo)
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Hemp-loving, psychedelic, off-the-wall
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-arrangement-and-tempo-peddling, hippie-punk-grind
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rockers Exit 13 (headed by Bill Yurkiewicz, who also is Matt's
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partner in Relapse) return with Ethos Musick, packed with over 70
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minutes of unrelenting and intense low-tuned musical copulation on
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13 tracks that defy categorization. Handling the drums this time
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around is Scott Lewis (ex-Brutal Truth), while Danny Lilker of
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Brutal Truth looks after the bass, keyboards and some sampling and
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Kevin Sharp sneaks in some psychotic, anguished howls in the chorus
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of "My Minds Mine." From the first track to the very last, they
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enter different chambers of tempos and go up and down, fast and
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slow, while still knowing where and when to tear you apart, and
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while early Carcass/General Surgery moments can still be heard.
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From sampled beginnings (at times informative ones) to even clean
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chord-strumming, ("Anthropocentric Ecocodial, Conundrum") to even
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rumbling and speaker-shattering blurs that nearly last a half an
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hour ("An Electronic Fugue For The Imminent Demise Of Planet Earth
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(28:03)"), they flaunt their off-the-wall splatterings and
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dismemberings of half-coherent sounds or frequencies. Warning:
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Surgeon General suggests that extreme doses of Exit 13 will in some
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cases cause heart failure with the possibility of severe cerebral
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hemorrhaging. However, if under extreme caution you do intend or
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attempt to submit your ears to this Grinding Noise Orgy, then do so
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only at maximum volume to achieve best results!
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-Edward Balog
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Godflesh
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Selfless
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(Earache/Sony)
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Clocking in at almost 80 minutes of music, Selfless could possibly
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be the most consistently interesting Godflesh release to date. The
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first track stikes the listenner with an immediate
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realization that this is unlike any previous release by Broderick
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and Green. For the last few releases, Godflesh has been meandering
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in trance-like dirges, as though desperately trying to
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break free from the corner they d worked themselves into with the
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staggering Streetcleaner.
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Though Slavestate was interesting, subsequent releases became
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downright disappointing. Selfless successfully bridges the gaps and
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seems to surge forward onto some new terrain. It still bothers
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me that Godflesh are seen by many as some kind of death metal band.
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Godflesh transcended that category with their first release, and it
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s time their prospective audience did the same. There isn t
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a Godflesh disciple alive that doesn t recognise the broad,
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reaching significance of this band, and Selfless reaffirms that
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point.
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-Phil Saunders
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+++ +++ +++ +++ +++
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My Cavorting With Canadian Censorship
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By J.Deagnon
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I have my petty hang ups as I'm sure everyone does, and I suppose in our
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dealings with certain subjects our judgement can become hazy. Perhaps
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clouded by our personal preferences, we sometimes don't realize that the
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door swings both ways and that we shouldn't force our chosen beliefs upon
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others. I'm speaking of freedom. Call me naive, but as the dread creeps in, I
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begin to understand that freedom is a term used far too loosely in our
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supposedly liberated Western Civilization.
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Being from Canada, you may think I'd have the same rights that any other
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person has in this so-called democratic society, but this is obviously some
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twisted joke. When you've been fucked up the ass by the Canadian
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Government like I have, you realize that your future is controlled by Right
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Wing Fundamentalist Stooges. The self-sanctioned Customs Gestapo have
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taken my rights (ha!) into their greasy, chubby little fists and ripped any
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vestige of latitude procurable to a free thinking schmoe like me. Anyway, I
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must reiterate two instances of my brush with constitutional rape before I
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dispense with the subject at hand.
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I sent away to the United States for an adult oriented video cassette, (okay,
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cum shot smut tape) thinking that since I'm of "legal" age, I should be able
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to handle watching it in the privacy of my own home. Well, the Government of
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Canada seems to have a different stand on what we can or can't do in
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private). Instead of getting the aforementioned video, all I received after
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surrendering my hard-earned money was, a letter.
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This letter informed me, in effect, that some weasly Revenue bastard opened
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my mail, then, after seeing what the contents were, viewed the tape only to
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declare it too adult for my sensibilities. The official ruling was "degrading
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to women". After the initial shock of this information, I was further informed
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that if I wanted my tape back, I would have to fill out a "B-2" form. On this
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form I was required to fill out various information about the tape and
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myself, then, in a tiny little box at the bottom, I was to tell Customs Agents
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reasons for thinking I should be allowed to view such an abomination.
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I, needless to say, flew off the fucking handle.
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Writing them a full page letter, I tried to justify my rights as a Canadian
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citizen, and why they were bile-spewing rat bastards. A few months later, I
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received another letter ignoring my pleas for freedom and giving me two
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alternatives:
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1. Send it back to the States for a full refund, or,
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2. It will be destroyed. (read: dubbed and sent around the office)
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My patriotism for this country was so mutilated by this blatant act of
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censorship, the money was no longer an issue.
|
|||
|
|
|||
|
All this over a couple of people copulating on videotape. (Why do you think
|
|||
|
videotape was invented in the first place? News and Porno!)
|
|||
|
|
|||
|
The second time my balls crawled up into my stomach was a few days ago
|
|||
|
when my girlfriend called me at my pathetic workplace and told me that I
|
|||
|
received another missive that some video cassettes from California had been
|
|||
|
"detained". In other words, the cowardly Revenue scum ripped open another
|
|||
|
package of mine, perused the contents, wanked off over it ,and in their cum-
|
|||
|
spattered frenzy couldn't pass the tapes on to me because their
|
|||
|
spermatozoa had gummed up the mechanism. The tape in question was the
|
|||
|
bogus video FILM THREAT magazine hands over to their hapless subscribers;
|
|||
|
"Shocking T.V.". The reasons for withholding the tape are hideously
|
|||
|
apparent under Section 2, Memorandum D9-1-1. (See Notice of Detention)
|
|||
|
Now, I have to call these motherfuckers and speak to some seven-dollar-an-
|
|||
|
hour ass-scratching, nose-picking public servant and "make arrangements
|
|||
|
for the payment of duties on admissible goods !!!"
|
|||
|
(More like TWENTY-seven-dollar-an-hour ass-scratching, nose-picking, etc. -ed)
|
|||
|
You've seriously got to wonder if turning to crime isn't the best way to
|
|||
|
combat these totalitarian methods of cleansing our chaste country, in order
|
|||
|
to get a little of what's deserving of us!
|
|||
|
|
|||
|
You may think that I'm going a little overboard for some smut tapes,
|
|||
|
but it's the principle. You've heard all the popular arguments for anti-
|
|||
|
censorship, so I won't rehash them here, but it's my right as a "free"
|
|||
|
individual to watch whatever I choose, whether it's art or meaningless
|
|||
|
trash! (Which is really which ?)
|
|||
|
|
|||
|
So, to help you poor slobs out there with similar unexplained problems with
|
|||
|
your local fascist organize, uh, I mean, government, here's just a few helpful
|
|||
|
hints to make the shipper or receiver's life a little easier:
|
|||
|
|
|||
|
1. Disguise the package.
|
|||
|
|
|||
|
The Powers That Be look for suspicious packaging, and even plain brown
|
|||
|
envelopes are a hazard now. What I
|
|||
|
suggest is to put the item in a much larger box than needed. Then on the
|
|||
|
outside of the box, put something like,
|
|||
|
"I love you grandma. Hope you enjoy the blankets!"
|
|||
|
|
|||
|
2. Don't use your own address.
|
|||
|
|
|||
|
When shipping or receiving questionable material through the mail, use a
|
|||
|
friend's address, and steer clear of
|
|||
|
company logos even remotely related to the film or video industry. Instead,
|
|||
|
use the letterhead of a well-respected charity organization or christian
|
|||
|
fellowship, and they won't touch 'em. Better yet, devise a completely
|
|||
|
unheard of bogus organization and print your own envelopes avoiding any
|
|||
|
pending legal action, if caught.
|
|||
|
|
|||
|
3. Bring it over yourself.
|
|||
|
|
|||
|
This is the most dangerous route. The best thing to do here, is to purchase
|
|||
|
the video or film across the border, then disguise it before coming back. Buy
|
|||
|
or take blank video cassette boxes and get a hold of one of those shrink wrap
|
|||
|
machines (fairly cheap at various warehouse outlets) and strip the labels
|
|||
|
from the "bad" tape, throw into the "good" box and voila!
|
|||
|
Smuggle...er...transport easily across the border, hassle free except for duty,
|
|||
|
of course. Those darn Border Patrols!
|
|||
|
|
|||
|
4. Let your local video store take the rap.
|
|||
|
|
|||
|
Bug the shit out of a mom and pop operation to get videos from distributors
|
|||
|
that carry weird and banned titles. Don't go to major chain stores like
|
|||
|
BLOCKBUSTER, because they dumped all adult title stock in order to sap the
|
|||
|
energy from the legions of swinish families that gorge on shit like "Home
|
|||
|
Alone" and "Free Willy". (Look, don't get me started on these Big Buck video
|
|||
|
chains or this'll take all day.)
|
|||
|
|
|||
|
5. Safer Alternatives for Videophiles with the "Fear".
|
|||
|
|
|||
|
a. Use UPS.
|
|||
|
|
|||
|
This usually works, but it's a bit like playing russian roulette. Just
|
|||
|
make sure you send money orders, or, if you're the gambling type, send cash
|
|||
|
and leave instructions that you'll pick it up at the Post Office personally.
|
|||
|
(Don't forget your I.D., pinhead!)
|
|||
|
|
|||
|
b. Move to the States. (Canucks, only.)
|
|||
|
|
|||
|
This is a big hassle for people who have jobs and/or lives. Getting a
|
|||
|
green card is a nightmare, so if you're a real masochist, this is for you.
|
|||
|
|
|||
|
6. Send tapes dismantled.
|
|||
|
|
|||
|
Deconstruct the video cassette casing and spools, then send the tape piece by
|
|||
|
piece until the receiver gets the entire film. (The worst part is that spring
|
|||
|
that doesn't seem to fit anywhere, but good luck.)
|
|||
|
|
|||
|
The ironic thing about the governments' tactics in the censorship game is
|
|||
|
that they aren't stopping anyone from procuring low brow culture , they're
|
|||
|
just making it a wee bit harder to obtain it. But that's half the fun isn't
|
|||
|
kids?? And we all know that you always appreciate something more when
|
|||
|
you've worked hard for it!
|
|||
|
Well, those are just a few suggestions for sending or receiving underground
|
|||
|
culture, but I'd like to make it clear that I<>m not telling you to deceive the
|
|||
|
government - God knows they<65>ve never deceived us. I'm just saying that
|
|||
|
you've got to search for loopholes.
|
|||
|
|
|||
|
It's really the only way you'll get the simulated "freedom" you so rightly
|
|||
|
deserve.
|
|||
|
|
|||
|
POSTSCRIPT
|
|||
|
|
|||
|
Recently, I was given the chance to work at the head office of a certain Adult
|
|||
|
Video Chain, under the pretense of "editing" pre-film promos. This in fact
|
|||
|
was not the case. I found that the adult films that this Canadian chain
|
|||
|
receives from Montreal, (where nothing in American Porn is censored),and
|
|||
|
the U.S., is rather hastily dubbed to a "master" 3/4" cassette, then edited
|
|||
|
for Ontario audiences. I was to be that editor.
|
|||
|
The equipment used for the transfers and subsequent dubbing is prehistoric,
|
|||
|
to say the least. The quality of the final dubs is absolutely sickening. Worst
|
|||
|
of all, the editing is about as professional as a biker sitting in his living room
|
|||
|
with two VCRs wired together.
|
|||
|
The guy who was assigned to "train" me, (and coming from a fairly
|
|||
|
professional working environment, this was a fucking cakewalk) was a
|
|||
|
completely disillusioned individual, desensitized from his daily routine of
|
|||
|
hacking out cum shot after cum shot in literally hundreds of splat fests. The
|
|||
|
"guidelines" for censoring were not recorded anywhere. No memos, no legal
|
|||
|
type dossiers on what was permitted, nada. These wonderful laws were
|
|||
|
passed on (in this institution anyway) by word of mouth. He told me,
|
|||
|
"Basically, ya can't show shots to the face. If there's more than one guy on
|
|||
|
her, that's a no-no, especially if they're all jacking off on her. There's
|
|||
|
definately no slapping of her ass. (This was aparently considered violence
|
|||
|
against women!!) So, you gotta find the edit point where he starts slappin',
|
|||
|
then ya can't have her red ass in it either. I got this tape called 'Bang'er 100
|
|||
|
Times" and I couldn't even show a thing. She was covered in cum from the
|
|||
|
word go. But, it's over on that shelf if you want to look at it. I once saw a
|
|||
|
video where these chicks were screwing a retarded guy. It's not in the
|
|||
|
guidelines, but I cut it out anyway....disgusting..."
|
|||
|
|
|||
|
So this is how it worked!!?
|
|||
|
|
|||
|
The mutilated "master was then sent to the Ontario Film Review Board ( read
|
|||
|
CENSORSHIP board, changed, probably, after bad PR forced them to choose a
|
|||
|
more palatable banner) where they either approved the video or sent it back
|
|||
|
to have more cuts made. The object was to make sure it was sent only once,
|
|||
|
because the Video Chain had to make a quick turnover, and a tape sent back
|
|||
|
and forth was money lost. So, in effect, the editor was to cut all he was
|
|||
|
told, and if he was unsure of certain content chop it anyway! After spending
|
|||
|
the day with this yak, studying the chintzy equipment and studying the actual
|
|||
|
duties involved, I quit, siting wrongful job description, shit pay, and
|
|||
|
violation of my morality.
|
|||
|
|
|||
|
I could not become a part of editing out the only reason I viddy porn!
|
|||
|
|
|||
|
__________________________________/cDc Gnuz\__________________________________
|
|||
|
_ _
|
|||
|
|\ /^\ /^\
|
|||
|
/ / / @ )^ -| @ )^ - _
|
|||
|
/ / 666 ( \/-^-^^| /--^-^-~
|
|||
|
\o \ \ o \ / /@ )^ - _
|
|||
|
| o| _ - _ \ / o /| /--^-^-~
|
|||
|
/ / / O o ^ - / ( O |/ / /\
|
|||
|
| o \__ _/ O o O o ( o \ o \ /_/@ |
|
|||
|
\ o o o / |__ _ \\
|
|||
|
\ o O \ O ( o - o / . ^ \S
|
|||
|
- - \ o ) \ ( ) /(_ / /^
|
|||
|
| / - _ - - \ \ -_ -- -
|
|||
|
| / \ / \ | \ \.
|
|||
|
/ | | \ | \
|
|||
|
/_ \ / | \ / _ \
|
|||
|
| \ - | \ -
|
|||
|
|
|||
|
"This low-go you've received is the image of the be east. Whatever you
|
|||
|
do, do not hold this image in your write hand or receive its image by foe-ton
|
|||
|
trance Miss-shun through your I balls into your mined full crane he um or
|
|||
|
you've received the mark of the bee east. Stung, by buy bull revel lay shun.
|
|||
|
Keep your clothes on and don't follow the be eastly bare whoreds."
|
|||
|
-Philip Heggie
|
|||
|
(appropriated from cDc Global Domination update #18, Nov 1st/64, see below)
|
|||
|
|
|||
|
S. Ratte'
|
|||
|
cDc/Editor and P|-|Ear13zz |_3@DeRrr
|
|||
|
"We're into t-files for the groupies and money."
|
|||
|
Middle finger for all.
|
|||
|
Write to: cDc communications, P.O. Box 53011, Lubbock, TX 79453.
|
|||
|
Internet: sratte@phantom.com.
|
|||
|
--x X x--
|
|||
|
|
|||
|
It's another...
|
|||
|
oh oh
|
|||
|
MMM MMM MMM MMM
|
|||
|
MMM MMM MMM MMM
|
|||
|
FFFFFF A CCC TTTTTTTTTTTTTTTTTTTT OOOOOOOOOOOOOOO RRRRRRRRRRRRRRRRR
|
|||
|
MMM (char)0x0D MMM
|
|||
|
MMM MMM MMM
|
|||
|
|
|||
|
More Military Subreqs. BLAST.faMy staffers (basically Myself) face first
|
|||
|
[mM]oral call:
|
|||
|
|
|||
|
I would have to look at the subreq.not folder for an exact figure on how many
|
|||
|
subreqs I get from US [mM]iltary domains and quite frankly it disturbs me.
|
|||
|
I admit i'M paranoid in certain respects, but I do it on purpose to
|
|||
|
offset my mind-numbing naivity in matters of trust, or in some cases, coMmon
|
|||
|
sense. Given the nature of the content of this digital spewage we all know
|
|||
|
as BLAST.famy, getting subreqs from the DoD is akin to a cop asking me
|
|||
|
for rolling papers.
|
|||
|
|
|||
|
To be honest, I haven't added any of them to the list. When a subreq catches
|
|||
|
my eye I usually run a finger on it, and in the case of the ddn adresses I
|
|||
|
draw a "connection refused" as a rule. So now I know this much: whoever
|
|||
|
this is, s/he works for the military-industrial complex, and nothing else.
|
|||
|
They could be peeling potatoes wondering if there's more to life or sitting
|
|||
|
at a terminal typing "append <thisfile> >> subversives.can.tor.markjr".
|
|||
|
|
|||
|
So here we have an admitted discriminatory policy. No military subscriptions.
|
|||
|
Is it fair? My gut says no, unfortunately. I'd like to hope that these
|
|||
|
subreqs are coming from some cool johnsons who happen.to.be.in.the.army.
|
|||
|
My brain says, "don't be a complete idiot", so here's the deal:
|
|||
|
If you want to get on the list for this e-zine, and you happen to have
|
|||
|
a military IP address, email pwcasual@io.org and ask for a
|
|||
|
copy of the:
|
|||
|
Sentinal-Of-Big-Brother New Surveiller Registration form T1 v1.3.3
|
|||
|
|
|||
|
And fill out the questoinaire that will arrive shortly thereafter.
|
|||
|
Send back in to pwcasual@io.org, with "ATTENTION APPROVAL COMMITEE"
|
|||
|
in the subject line. If you never hear from anyone here again,
|
|||
|
then "thanks for being on our show".
|
|||
|
|
|||
|
As for the rest of you.....
|
|||
|
=============================================================================
|
|||
|
To Subscribe to BLAST.famy email pwcasual@io.org and say "sign me up!"
|
|||
|
send SUBMISSIONS, FLAMES, FEEDBACK, ETC. to markjr@shmooze.net
|
|||
|
=============================================================================
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|