135 lines
7.3 KiB
Plaintext
135 lines
7.3 KiB
Plaintext
|
Copyright 1992 by S. Kitterman Jr. and the Las Vegas PC Users Group,
|
||
|
316 Bridger Avenue, Suite 240; Las Vegas, NV 89101. All rights reserved.
|
||
|
This file was originally printed in the January/February 1992 issue of
|
||
|
The Bytes of Las Vegas, a publication of the Las Vegas PC Users Group,
|
||
|
and may be reprinted only by nonprofit organizations.
|
||
|
Please give proper credit to the author and The Bytes of Las Vegas.
|
||
|
-------------------------------------------------------------------------------
|
||
|
Copyrights and Computer Software: Part IV
|
||
|
|
||
|
by Sam Kitterman, Jr., LVPCUG
|
||
|
|
||
|
[The purpose of these articles is to give general
|
||
|
information regarding copyrights and how they pertain to
|
||
|
protection of software. It is not intended to constitute
|
||
|
legal advice nor should it be relief upon to address a
|
||
|
particular situation since the tone of these articles is
|
||
|
general in nature.]
|
||
|
|
||
|
In these articles I have reviewed various aspects of the
|
||
|
Copyright Act, including such matters as what is copyrightable, the
|
||
|
rights under copyright law, and who is considered the owner of the
|
||
|
copyright in a particular work.
|
||
|
Yet, what rights do you have when you purchase an authorized
|
||
|
copy [hereinafter I'll refer to such as the Copy] of a particular
|
||
|
work? More specifically, where you purchase certain software, what
|
||
|
rights do you have to that software. In this article, I'll begin
|
||
|
a discussion of those rights.
|
||
|
When discussing the rights of a buyer of the Copy, there
|
||
|
are certain matters that must be remembered.
|
||
|
First, remember that several of the rights possessed by
|
||
|
the owner of the copyright are (1) control copies of the Work and
|
||
|
(2) control distribution of those copies of the Work.
|
||
|
Second, remember that ownership of a copyright is
|
||
|
ownership of a tangible piece of property. Consequently, the
|
||
|
copyright owner has the right to use that property as he or she
|
||
|
sees fit, including the right to license others certain rights to
|
||
|
the copyright or to sell those rights in total to another person.
|
||
|
For example, if I own the copyright to the music and
|
||
|
lyrics of a particular song, I have the right to license another
|
||
|
person/party, such as a band, to record that music/lyrics and sell
|
||
|
that record to the public. I can also decide to license certain
|
||
|
other rights, such as the sheetmusic rights, to another
|
||
|
person/party and by such efforts, increase the "fruits, so to
|
||
|
speak, that I can get from that one work.
|
||
|
Since the owner of a copyright has such abilities and
|
||
|
such is often exercised by way of contracts and agreements, the
|
||
|
rights a buyer of the Copy will have will be determined by two
|
||
|
sources: (a) the Copyright Act (the primary source) and (b) the
|
||
|
contract between the seller and the buyer of the Copy.
|
||
|
Clearly, the buyer of a Copy has the right to use that
|
||
|
Copy for its intended purpose. For example, if I purchase a
|
||
|
commercially produced video tape of a movie, I have the right to
|
||
|
possess that movie and view that movie. Yet, does that entitle me
|
||
|
to turn my house into a neighborhood theatre and charge others a
|
||
|
fee for watching the movie? Or, if I purchase a non-fiction book,
|
||
|
do I have the right to take excerpts from that book and incorporate
|
||
|
such into a book I am writing on the same subject?
|
||
|
Such questions are dealt with by the doctrine of "fair
|
||
|
use". Found in section 107 of the Copyright Act, "Fair Use"
|
||
|
entitles a buyer to use the Copy, "use" including the right to make
|
||
|
copies of the Copy, for various purposes. As further stated
|
||
|
therein, those rights are tied to
|
||
|
|
||
|
purposes such as critcism, comment, news
|
||
|
reporting, teaching (including multiple copies
|
||
|
for classroom use), scholarship, or research....
|
||
|
|
||
|
As explained by one commentator, "fair use" itself is defined as
|
||
|
|
||
|
a privilege in others than the owner of a
|
||
|
copyright to use the copyrighted material
|
||
|
in a reasonable manner without his consent,
|
||
|
notwithstanding the monopoly granted to the
|
||
|
owner by the copyright.
|
||
|
H. Ball, The Law of Copyright and Literary Property 260 (1944).
|
||
|
As also noted by the United States Supreme Court, fair use is "an
|
||
|
equitable rule of reason". Sony Corp. of Am. v. Universal City
|
||
|
Studios, Inc., 464 U.S. 417, 448 (1984) (a case dealing with the
|
||
|
right of owners of VCRs to tape television programs at home).
|
||
|
Although that section does spells out some allowed purposes,
|
||
|
there is no list of approved purposes. Rather, the Act sets forth
|
||
|
certain factors by which one can determine whether the right of
|
||
|
"fair use" will be applicable to a particular situation. Those
|
||
|
factors are as follows:
|
||
|
(1) the purpose and character of the use, including
|
||
|
whether such use is of a commercial nature or is
|
||
|
for nonprofit educational purposes;
|
||
|
|
||
|
(2) the nature of the copyrighted work;
|
||
|
|
||
|
(3) the amount and substantiality of the portion used
|
||
|
in relation to the copyrighted work as a whole; and
|
||
|
|
||
|
(4) the effect of the use upon the potential market for
|
||
|
or value of the copyrighted work.
|
||
|
|
||
|
Applying these factors to the examples set forth above, what
|
||
|
is the result:
|
||
|
My idea of charging admission to view videotapes in my
|
||
|
house would violate the Copyright Act because:
|
||
|
(a) the purpose/character of my use is commercial.
|
||
|
(b) since a movie embodied in a video tape is for
|
||
|
the express purpose of watching that movie, my use
|
||
|
interferes with the rights of the copyright owner of
|
||
|
that movie; and,
|
||
|
(c) if I allow others to watch that movie in my
|
||
|
home for a fee, then I am robbing the owner of that
|
||
|
movie's copyright the ability to gain from that
|
||
|
particular "market".
|
||
|
As for my use of excerpts from another's book for my own
|
||
|
book, that is a far closer call. It will depend upon the nature of
|
||
|
the excerpts themselves, how much I'm taking from the other's book,
|
||
|
and the reason(s) I'm using those materials rather than creating my
|
||
|
own. Indeed, if all I've taken from that book is factual
|
||
|
materials such as dates or historical information and I rewrite
|
||
|
that information in my own words, then I'm most likely not only not
|
||
|
infringing because copyright protection of factual information is
|
||
|
subject to certain constraints, but also the fact that such would
|
||
|
fall within the gambit of "fair use".
|
||
|
What if I purchase software? What are my rights to that
|
||
|
software? Can I use that software to create my own applications?
|
||
|
Those questions will be the topic of next month's article.
|
||
|
|
||
|
----------------------------------
|
||
|
Copyright 1992--S. Kitterman Jr.
|
||
|
|
||
|
[Sam Kitterman, a member of the Las Vegas PC Users Group is an attorney
|
||
|
with the firm of Quirk, Tratos & Rothel; he specializes in issues
|
||
|
related to computer software. This is the fourth of a series
|
||
|
of articles Sam is writing for The Bytes of Las Vegas.
|
||
|
It was originally published in the January/February 1992 issue of The Bytes
|
||
|
of Las Vegas, the official newsletter of the Las Vegas PC Users Group.]
|
||
|
|
||
|
Downloaded From P-80 International Information Systems 304-744-2253
|