123 lines
6.4 KiB
Plaintext
123 lines
6.4 KiB
Plaintext
|
Copyright 1991 by S. Kitterman Jr. and the Las Vegas PC Users Group,
|
|||
|
316 Bridger Avenue, Suite 240; Las Vegas, NV 89101. All rights reserved.
|
|||
|
This file was originally printed in the October 1991 issue of The Bytes
|
|||
|
of Las Vegas, a publication of the Las Vegas PC Users Group, and may be
|
|||
|
reprinted only by nonprofit organizations.
|
|||
|
Please give proper credit to the author and The Bytes of Las Vegas.
|
|||
|
-------------------------------------------------------------------------------
|
|||
|
|
|||
|
Copyrights and Computer Software - An Introduction
|
|||
|
|
|||
|
by Sam Kitterman, Jr., LVPCUG
|
|||
|
|
|||
|
[The purpose of these articles is to give general
|
|||
|
information regarding copyrights and how they pertain to protection
|
|||
|
of software. It is not intended to constitute legal advice nor
|
|||
|
should it be relied upon to address a particular situation since
|
|||
|
the tone of the article itself is general in nature. This part is an
|
|||
|
overview of Copyright Law.]
|
|||
|
|
|||
|
Much has been said about copyrights and whether such can
|
|||
|
or can not protect something one has created, whether that
|
|||
|
something, better known as the "work" in the parlance of copyright
|
|||
|
law, is a book, a movie, or software.
|
|||
|
Yet, what is a copyright? Is it more than the <20>? What
|
|||
|
does it protect? What doesn't it protect? How does one obtain a
|
|||
|
copyright? Although multiple books have been written and can be
|
|||
|
written on the subject, here's a glimpse into the World of
|
|||
|
Copyrights.
|
|||
|
Copyrights are a creation of Federal Law. Found in 17
|
|||
|
U.S.C. 101, et seq., the Copyright Act may protect a "work" if the
|
|||
|
"work" meets the following criteria:
|
|||
|
(1) It is an expression (the "work") of an idea
|
|||
|
where the expression is original; and,
|
|||
|
(2) the expression is in a tangible form.
|
|||
|
For example, if you had an idea for a story and wrote that story,
|
|||
|
the manuscript would be the "work". If your story was "original",
|
|||
|
then the manuscript would be protectable under copyright.
|
|||
|
However, those criteria are subject to certain
|
|||
|
exceptions. First, certain materials are not copyrightable, to-
|
|||
|
wit: works created by the United States Government, official
|
|||
|
documents, or works that are "functional" in nature.
|
|||
|
More importantly, it must be understood that the
|
|||
|
copyright only protects the expression of the idea, not the idea
|
|||
|
itself. For example, an individual copyrights their recipe for a
|
|||
|
peanut butter pie. The copyright only protects the written recipe
|
|||
|
(the "expression"), not the actual making of the pie itself.
|
|||
|
Consequently, although one could not make a copy of the recipe,
|
|||
|
they could take that recipe and make as many pies as they want for
|
|||
|
whatever purpose, including selling them commercially.
|
|||
|
|
|||
|
What does a Copyright protect? Simply put, a valid
|
|||
|
copyright grants the owner thereof the following rights:
|
|||
|
(1) the exclusive right to reproduce the Work;
|
|||
|
(2) the exclusive right to distribute the Work;
|
|||
|
(3) the exclusive right to perform the Work;
|
|||
|
(4) the exclusive right to prepare derivative
|
|||
|
works based upon the "Work".
|
|||
|
Again, there are certain exceptions to these rights which will be
|
|||
|
discussed in a later article.
|
|||
|
|
|||
|
What do these rights mean? An example of these rights is
|
|||
|
as follows: if you have "authored" a movie which is subject to a
|
|||
|
valid copyright, then you have the sole right to make copies of
|
|||
|
that movie, to take those copies and distribute them, to show the
|
|||
|
movie, and to take clips from that movie and use those clips as you
|
|||
|
see fit.
|
|||
|
|
|||
|
How long is a copyright good for? For works for which a
|
|||
|
copyright registration has been obtained since 1978, the
|
|||
|
registration is valid for the life of the author plus fifty years
|
|||
|
from the time of creation of the Work. For example, if I create a
|
|||
|
piece of music on January 1, 1992 and register that music with the
|
|||
|
Copyright Office, then my copyright is valid until my death, say
|
|||
|
2030 plus fifty years, or in other words, 2080 is when that
|
|||
|
copyright will expire.
|
|||
|
|
|||
|
What does it take to obtain a copyright?
|
|||
|
First, once you have authored the Work, or some
|
|||
|
substantial form of it, make sure that you have placed the
|
|||
|
Copyright Notice on those materials in a location reasonably
|
|||
|
visible to the public. The Copyright Notice consists of the
|
|||
|
following elements: the symbol <20> or the word copyright, the year
|
|||
|
you authored the Work, and your name or the name of the owner of
|
|||
|
the copyright. For example, if you were president of a corporation
|
|||
|
and your employee created a software package for the corporation,
|
|||
|
then the copyright notice would read as follows:
|
|||
|
|
|||
|
(c) 1992 - John Doe Corporation.
|
|||
|
|
|||
|
Although the law no longer requires use of the copyright
|
|||
|
notice, you lose certain rights if you fail to use the notice. So
|
|||
|
the advice is: use it!
|
|||
|
Second, you should register the Work with the Copyright
|
|||
|
Office. This requires you to obtain the appropriate form for the
|
|||
|
Work, i.e., if it is textual in nature, you use the TX form, if it
|
|||
|
is a sound recording, you use the SR, etc. You then fill out the
|
|||
|
form, send the form with twenty dollars and a copy of the Work,
|
|||
|
what is otherwise called the "Deposit". If you've done everything
|
|||
|
right, then you should receive your copyright registration anywhere
|
|||
|
from four to six months thereafter.
|
|||
|
Although this may appear easy (and most of the time it
|
|||
|
may be), certain rules and practices must be followed depending
|
|||
|
upon the nature of the Work you are seeking to register.
|
|||
|
Why register? If you fail to register the copyright for
|
|||
|
your Work, you can not sue someone for infringement of your Work.
|
|||
|
Simple as that.
|
|||
|
In next month's issue I'll discuss details as to who is
|
|||
|
considered the author of a Work, the requirement of originality for
|
|||
|
a Work, and the types of works for which one can seek copyright
|
|||
|
protection.
|
|||
|
----------------------------------
|
|||
|
Copyright 1991--S. Kitterman Jr.
|
|||
|
|
|||
|
[Sam Kitterman, a member of the Las Vegas PC Users Group is an attorney
|
|||
|
with the firm of Quirk, Tratos & Rothel; he specializes in issues
|
|||
|
related to computer software. This is the first of a series
|
|||
|
of articles Sam is writing for The Bytes of Las Vegas.
|
|||
|
It was originally published in the October 1991 issue of The Bytes of Las
|
|||
|
Vegas, the official newsletter of the Las Vegas PC Users Group.]
|
|||
|
|
|||
|
|
|||
|
Downloaded From P-80 International Information Systems 304-744-2253
|