2112 lines
112 KiB
Plaintext
2112 lines
112 KiB
Plaintext
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**ELECTROPOLIS:**
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**COMMUNICATION AND COMMUNITY**
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**ON INTERNET RELAY CHAT**
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Elizabeth M. Reid
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Honours Thesis
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1991
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University Of Melbourne
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Department Of History
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Internet email:
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emr@munagin.ee.mu.oz.au
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emr@ariel.ucs.unimelb.edu.au
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IRC:
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Ireshi
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**ACKNOWLEDGEMENTS**
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I would like to thank the History Department for sponsoring my use of
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the University of Melbourne's computing facilities, which enabled me
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to undertake this research. I would also like to thank Richard Oxbrow
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of the Department of Electrical and Electronic Engineering, and
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Matthew Higgins of the Department of Engineering Computer Resources,
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for allowing me to use the computing facilities of each of those
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departments. Lastly, I would like to thank Daniel Carosone (Waftam on
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IRC) for his unfailing support, and for his advice on technical
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details.
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**PREFACE**
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_COMPUTER-MEDIATED_COMMUNICATION_
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Despite the recent innovations of radio and telecommunications,
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communication and language theorists make a sharp distinction between
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the spoken and the written word. That distinction is based on a
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perception of temporal and spatial proximity in the case of spoken
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communication, and distance in the case of written communication.
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"Most analyses of linguistic interaction," as Naomi Baron notes, "are
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based on the paradigm of two people speaking face-to-face."(1) It is
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further assumed that alternative methods of communication -
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telephones and letters for example - supplement, as Baron expresses
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it, 'normal' face-to-face communication.(2) The underlying assumption
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that physical contact is necessarily a part of human communication
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pervades social theory. This is understandable. Until recently,
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physical contact was almost always a prerequisite for communication,
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with letters mainly being transmitted between people who had met in
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the flesh. Even the telephone assumes physical contact. It is
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generally only in the business world that people phone others whom
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they have not met, and personal telephone conversations are, as in
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the case of letters, conducted between people who are already known
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to each other.
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The technology of computer-mediated communication offers an
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alternative to this. Computer-mediated communications systems
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(CMCS's) use computers and telecommunications networks to compose,
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store, deliver and process communication. There are three basic
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types of computer-mediated communication systems: email, news, and
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chat programs. 'Email', or electronic mail, allows users of computer
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systems to send messages to each other. 'News' allows users to send
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messages to a database divided under subject headings, facilitating
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electronic mail between multiple users on diverse subjects. These two
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types of communication are asynchronous - messages, whether private
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email or public news, can be created and received at widely separated
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times, allowing time for reflection and deliberation in response. The
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third type of CMCS is the chat program, which does not store messages
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but transmits one person's typing directly to the monitor of another
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person or group of people. Chat programs deal in a form of
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synchronous communication that defies conventional understandings of
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the differences between spoken and written language.
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CMCS's are a recent development, with widespread availability only
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becoming possible within the last decade. Consequently, little has
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been written about them outside of technical considerations of their
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design and implementation. The few articles that have addressed the
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subject tend to do so from a commercial orientation - discussing the
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impact of CMC on problem solving techniques, office communication and
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corporate structure.(3) An assumption that is commonly made by
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researchers of computer-mediated communication is that the medium is
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not conducive to emotional exchanges. As Ronald Rice and Gail Love
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state, "the typical conclusion is that as [the communication]
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bandwidth narrows, media allow less 'social presence'; communication
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is likely to be described as less friendly, emotional, or personal
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and more serious, business-like and task oriented."(4) This may have
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been found to be the case in some instances, and may reflect the
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overall concern among researchers to study CMC in a business
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environment. But computer-mediated communication systems are not -
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either theoretically or in practice - limited to commercial use. It
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is also possible to use them for social interaction. Internet Relay
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Chat is one such system. IRC is a multi-user synchronous
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communication facility that is available all over the world to people
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with access to the 'Internet' network of computer systems. IRC was
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not specifically designed for a business environment - the use to
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which it is put is entirely decided by those who use it. Work is
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certainly done on IRC. It is an excellent forum for consultations
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between workers on different points of the globe - everything from
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programming to translation to authorial collaboration goes on on IRC.
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However, a large part of what goes on on IRC is not work but play,
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and it is this aspect of it that I will address.
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Communication using the Internet Relay Chat program is written, and
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users are spatially distant, but it is also synchronous. It is a
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written - or rather, typed - form of communication that is
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transmitted, received and responded to within a time frame that has
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formerly been only thought relevant to spoken communication. IRC does
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not assume physical contact between users - either prior to or
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after communication via computer. Users of the system will, as the
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medium is international, know in person at most only a few fellow
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users. IRC allows - encourages - recreational communication between
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people who have never been, most likely will never be, in a situation
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to base their knowledge of each other and their methods of
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communication on physical cues.
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Users of IRC do not, however, have no knowledge of each other. The
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people who make up the IRC community are effectively preselected by
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external social structures - access to IRC is restricted to those
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who have access to the Internet computer network. There are many such
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people - the Internet spans countries as diverse as Germany, the
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United States, Japan, Israel, Australia and Korea. However, those
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individuals who use IRC will be in an economically privileged
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position in their society. They have access to high technology. Due
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to the nature of the computer network on which IRC runs, the
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Internet, they will most likely be members of an academic community,
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often students of computer science.(5) Interaction on IRC is then
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carried out in the knowledge that users are on a rough equality -
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according to conventional economic measures - and members of
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similarly privileged social groups. This 'equality' is not intrinsic
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to IRC, it is a by-product of the social structures surrounding
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computer technology.
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Nevertheless, IRC provides a unique field to the social theorist. It
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challenges and forces an escape from traditional paradigms of social
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interaction by reference to an architecture that allows relative
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anonymity. It stands as a challenge to the methods of analysis that
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have been directed at computer-mediated communication systems. IRC
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was not designed to perform a corporate function, nor has it come to
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do so. It was intended to be a tool for social interaction between
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spatially disparate people, and as such it cannot be completely
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explained or analysed by reference to the methods used by other CMC
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theorists.(6)
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Interaction on IRC involves a deconstruction of traditional
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assumptions about the dynamics of communication, and the construction
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of alternative systems. IRC is essentially a playground. Within its
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domain people are free to experiment with different forms of
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communication and self-representation. Within IRC, "Power is
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challenged and supplanted by rituals combining both destruction and
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rejuvenation."(7) To paraphrase F.R. Ankersmit, users of IRC do not
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shape themselves according to or in conformity with the conventions
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of social contexts external to the medium, but learn to "play" their
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"cultural game" with them.(8)
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This is my central thesis, and I will seek to address it from two
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perspectives. My first concern will be the methods by which users of
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IRC utilise the medium in the deconstruction of social boundaries. As
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I have suggested, users of IRC are a pre-selected community - they
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have much in common as far as such considerations as social position
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and education are concerned. IRC, however, presents unique problems
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for the expression of this community. The methods by which such
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groups are usually held together rely on physical proximity. These
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methods are not open to users of IRC - computer-mediated
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communication challenges and deconstructs these social tools. I will
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discuss the means by which communication on IRC does this.
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My second concern is the construction of alternative communities on
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IRC. Denied or having deconstructed the more traditional methods of
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sustaining a community, users of IRC must develop alternative or
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parallel methods. Both positive and negative methods of sustaining
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community are developed on IRC. Computer-mediated rewards and
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punishments are developed, and complex rituals have evolved to keep
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users within the IRC 'fold' and to regulate the use of authority.
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Discussion of these points will lead to a presentation of the social
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discourse of IRC. The challenging of the power of social norms and
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their replacement with rituals combining both destruction and
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rejuvenation, brings into play areas of discourse that are
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postmodern. This connection between postmodernism and that phase of
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culture and technology marked by computerisation has been remarked
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upon by even those antipathetic to the discourse. Perez Zagorin
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describes postmodernism as "a fundamental mutation in the sphere of
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culture reflecting the new multinational phase of... [the] electronic
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society."(9) Culture, as defined by Schneider, is a "system of
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symbols and meanings."(10) Since computer-mediated communication
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systems are "designed specifically to affect the transmission of
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symbols and meanings", IRC - which is both international and
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electronic - has the potential to alter understandings of cultural
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analysis.(11) My conclusion is that Internet Relay Chat, by
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deconstructing social boundaries and by the ways in which users
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construct their own community and culture, is a postmodern
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phenomenon.
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Cultural criticism in this postmodern age is, as Alan Lui states,
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governed by "its belief that criticism can, and must, engage with
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context".(12) It is also, as Ankersmit suggests, reflexive, self-
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referential.(13) If history is to be able to address the questions
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raised by computer-mediated culture, then historians must examine the
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impact of that cultural context upon their craft. Historians must ask
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what will happen to the practice of history when "societies enter
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what is known as the postindustrial age and cultures enter what is
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known as the postmodern age"?(14) If computer-mediated communication
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problematises cultural criticism by questioning conventional notions
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about the construction of the self and of culture, then it also
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problematises historiography. If historians continue to take to the
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increasingly more complex forms of computerised information exchange
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that are being developed then these factors will have ideological
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implications for their craft. What will happen to the relationship of
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the historian to his text, and what will happen to the historian's
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view of texts, once electronic data itself becomes subject to
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historical study?
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The most prosaic aspects of the historian's craft are challenged in a
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computer-mediated culture. If primary and secondary sources are
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produced and disseminated electronically, what becomes of the
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conventions of citation?(15) Under the application of this
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technology, historical texts become subject to, as Lyotard describes
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it, an "exteriorization of knowledge with respect to the
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'knower'"(16) The form which computerised knowledge takes -
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electronic encoding, or data files - is not inherently identifiable
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with its creator. Electronic data can be modified by anyone who has
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the appropriate technology. It is subject to a fluidity that 'hard
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copy' is not - it can be changed without that change being
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detectable. The context of information changes the relationship
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between information and power, between information and discourse. As
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John Perry Barlow asks, "What are data and what is free speech? How
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does one treat property which has no physical form and can be
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infinitely reproduced? Is a computer the same as a printing press?...
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Can anyone morally claim to own knowledge itself?"(17)
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In examining the Internet Relay Chat computer-mediated communication
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system I attempt to write history within the context of the culture
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of an electronic, postindustrial, postmodern society.
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**INTRODUCTION**
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Most people are familiar with personal computers. Although only a
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small number are conversant with the technical details of
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microcomputer technology, or with computer programming languages,
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most people have a rough idea of what a computer looks like, and that
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they are used by typing commands into a keyboard and viewing feedback
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from the machine on a monitor. Word processing has become so common
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that it would be hard to find a person living in the Western world -
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especially in an academic community - who had not actually used a
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computer.
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Throughout this essay I shall assume a basic understanding of the
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physical act of computer use. I do not intend to explain any of the
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technical details pertaining to my subject - most of them are, at any
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rate, beyond my understanding. However I feel that it would be useful
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to give some explanation of the historical context within which
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Internet Relay Chat has been developed, and necessary to offer a
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description of the IRC environment.
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_ARPANET,_THE_INTERNET,_AND_AARNET_(18)
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The personal computers with which most readers will be familiar - IBM
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compatibles, Apple Macintoshes, Amigas and so on - are a relatively
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recent phenomenon. It is only within the last ten to twenty years
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that computers have become household items. Before that computing was
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the domain of governmental or commercial organisations which owned
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large - mainframe - computer systems. As usage of these systems
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increased, it became common for computers at one geographical
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location, or site, to be linked together so that users on each could
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have access to the data and facilities contained on all the others.
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These local area networks, or LANs, developed into networks
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connecting machines at dispersed sites, utilising the telephone line
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system. The first of these 'long-haul' networks was the ARPANET,
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which came into existence in 1969. This project was funded by the
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Advanced Research Projects Agency, an arm of the United States
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Department of Defence. ARPANET initially connected machines at the
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University of California (Los Angeles and Santa Barbara campuses) and
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the University of Utah, and was intended to facilitate research at
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those sites. Along the idea of sharing electronic data went the idea
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of communication between users. ARPANET originally allowed two
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methods of communication between users - email and news.
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ARPANET's membership grew, with many other educational institutions
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in the United States adopting the new technology. In 1983 ARPANET was
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divided into two networks, known as ARPANET (for research use) and
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MILNET (for military use). The ARPANET arm continued to grow, with
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local area networks at various government, educational and commercial
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sites being added to the system. With the advent of satellite
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communications, it became possible for computers in other countries
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to join the network, and ARPANET became known as the Internet.
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Technically, the Internet is not one network, but a number of
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networks that communicate with each other, however to the user it
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appears to be one big network.
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The Australian arm of the Internet is known as AARNet, the Australian
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Academic Research Network. AARNet grew out of ACSnet, the Australian
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Computer Science Network, which served to connect computers used
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directly by computer science researchers. Initially this network was
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linked by conventional telephone lines, with machines exchanging data
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and mail each night. This has developed into a nationwide system
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permanently linking virtually all computers at major academic
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institutions, and some commercial and government research
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organisations. Initially a link to the Internet was run via undersea
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cables to Hawaii, but in early July 1990 the final links were
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installed to make AARNet fully operational, and operation of a
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satellite connection to the United States West Coast segment of the
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Internet was commenced.
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The most heavily used forms of inter-user communication on the
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Internet are still the asynchronous forms of email and news. On most
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computers on the Internet synchronous communication is possible using
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a program that enables two users to type directly to each others'
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screens, thus having a real-time electronically mediated
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conversation. This method of communication is, however, fairly
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limited - only two people can 'talk' to each other at once.
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It was in response to the limitations of the synchronous
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communication programs in existence that Jarkko Oikarinen decided to
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write a computer program that would enable multiple users to engage
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in synchronous communication across a network. This project was known
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as Internet Relay Chat.
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_INTERNET_RELAY_CHAT_(19)
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Jarkko Oikarinen wrote the original IRC program at the University of
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Oulu, Finland, in 1988. He designed IRC as a 'client-server' program.
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The user runs a 'client' program from his or her local machine, which
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then connects, via the Internet, to a 'server' program which may not
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be running on that local machine. There are hundreds of IRC 'servers'
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over the world, all of which communicate with each other and pass
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information back to the client programs - and users - connected to
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them. IRC was first tested on a single machine with less than twenty
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users participating. IRC's networking capabilities were then tested
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on a suite of three machines in southern Finland. Once tested it was
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installed throughout the Finnish national network - FUNET - and then
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connected to NORDUNET, the Scandinavian branch of the Internet. By
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November of 1988, IRC had spread across the Internet. The latest
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listing of countries whose Internet branches host IRC include
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Australia, the United States, Italy, Israel and Korea.(20)
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IRC differs significantly from previous synchronous communication
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programs. Fundamental to IRC is the concept of a channel. 'Talk',
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'chat' and 'voice' had no need of such a concept since only two
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people could communicate at one time, typing directly to each other's
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screen. On IRC however, where two or three hundred users is the
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normal population, such a system would create chaos. It was therefore
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necessary to devise some way of allowing users to decide whose
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activity they wanted to see and who they wanted to make aware of
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their own activity. 'Channels' were the answer. On entering the IRC
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program, the user is not at first able to see the activity of other
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connected users. To do so he must join a channel. Channels are
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created or joined by users issuing a command to the IRC program to
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join a channel. If there is already a channel of the specified name
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in operation, then the user is added to the list of people
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communicating within that channel; if such a channel does not exist,
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then IRC opens a new channel containing the name of the user who
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invoked it, who may then be joined by other users. The user can issue
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a commands requesting a list of the users connected to IRC and
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which channels they are attached to. IRC keeps track of who has
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joined which channels, and ensures that only people within the same
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channel can see each others' typed messages. IRC can support an
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unlimited number of channels. Channels can have any name, but
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generally the name of the channel indicates the nature of the
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conversation being carried out within it - 'Finland', 'hottub',
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'worker', 'party', and so on. The user who initially invokes a
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channel name is known an a channel operator, or 'chanop', and has
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certain privileges. He or she may change the mode of the channel -
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may instruct IRC to limit usage of the channel to a certain number of
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users, may limit entry to the channel to people specifically invited
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by him or her to join, may make the channel invisible to other users
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by specifying it's exclusion from the list of active channels that a
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user may request of IRC, may kick another user off the channel, or
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confer chanop privileges on another user.
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IRC supports numerous other commands. Once a channel has been joined,
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everything that the user types will be by default sent to all other
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occupants of the channel. It is possible, however, to alter that
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default setting by issuing commands to direct a message to a
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||
|
particular user, users, channel or channels. A number of other
|
||
|
commands - the ability to send messages to all users or to kick a
|
||
|
user off the IRC system entirely - are reserved for IRC operators, or
|
||
|
'opers', the people who run and maintain the IRC network connections.
|
||
|
Opers also have access to special commands related to the technical
|
||
|
implementation of IRC.
|
||
|
|
||
|
IRC is not an 'official' program. There are few 'official' programs
|
||
|
on the Internet. Most are simply programs that a group of people, who
|
||
|
by virtue of their paid or student work have access to computers on
|
||
|
the Internet, have decided to install on these machines. IRC
|
||
|
operators are people who have chosen to invest the time needed to set
|
||
|
up and maintain the IRC program on their local machines for the
|
||
|
benefit of other local users.
|
||
|
|
||
|
IRC, then, is a multi-user synchronous communications system. It
|
||
|
allows people to choose which person or group of people they wish to
|
||
|
see the activity of, and to whom they wish their own activity to be
|
||
|
transmitted.(21) IRC - the whole Internet - forms a 'virtual
|
||
|
reality'.(22) In the words of John Perry Barlow:
|
||
|
|
||
|
Whether by one telephonic tendril or millions, [these computers are
|
||
|
all] connected to one another. Collectively, they form what their
|
||
|
inhabitants call the Net. It extends across that immense region of
|
||
|
electron states, microwaves, magnetic fields, light pulses and
|
||
|
thought which sci-fi writer William Gibson named Cyberspace.
|
||
|
|
||
|
Cyberspace, in its present condition, has a lot in common with the
|
||
|
19th Century West. It is vast, unmapped, culturally and legally
|
||
|
ambiguous, verbally terse (unless you happen to be a court
|
||
|
stenographer), hard to get around in, and up for grabs... In this
|
||
|
silent world, all conversation is typed. To enter it, one forsakes
|
||
|
both body and place and becomes a thing of words alone... It is, of
|
||
|
course, a perfect breeding ground for both outlaws and new
|
||
|
ideas...(23)
|
||
|
|
||
|
Within this breeding ground, users of IRC invent new concepts of
|
||
|
culture and interaction, and challenge the conventions of both.
|
||
|
|
||
|
|
||
|
**PART ONE:**
|
||
|
**DECONSTRUCTING BOUNDARIES**
|
||
|
|
||
|
Traditional forms of human interaction have their codes of etiquette.
|
||
|
We are all brought up to behave according to the demands of social
|
||
|
context. We know, as if instinctively, when it is appropriate to
|
||
|
flirt, to be respectful, to be angry, or silent. The information on
|
||
|
which we decide which aspects of our systems of social conduct are
|
||
|
appropriate to our circumstances are more often physical than verbal.
|
||
|
Place and time are perceptions of a physical reality that are not
|
||
|
dependent on statements made by other people. We do not need to be
|
||
|
told that we are at a wedding, and should be quiet during the
|
||
|
ceremony, in order to enact the code of etiquette that our culture
|
||
|
reserves for such occasions. "Being cultured" says Greg Dening, "we
|
||
|
are experts in our semiotics... we read sign and symbol [and] codify
|
||
|
a thousand words in a gesture."(24) In interacting with other people,
|
||
|
we rely on non-verbal information to delineate a context for our own
|
||
|
contributions. Smiles, frowns, tones of voice, posture and dress -
|
||
|
Geertz's "significant symbols" - tell us more about the social
|
||
|
context within which we are placed than do the statements of the
|
||
|
people we socialise with.(25) Language does not express the full play
|
||
|
of our interpersonal exchanges - which, continues Dening, "are
|
||
|
expressed in terms of address, in types of clothing, in postures and
|
||
|
facial expressions, in appeals to rules and ways of doing
|
||
|
things."(26) The words themselves tell only half the story - it is
|
||
|
their presentation that completes the picture.
|
||
|
|
||
|
Internet Relay Chat, however, deals only in words. Computer-mediated
|
||
|
communication relies only upon words as a channel of meaning.(27)
|
||
|
"Computer-mediated communication has at least two interesting
|
||
|
characteristics:" writes Kiesler, "(a) a paucity of social context
|
||
|
information and (b) few widely shared norms governing its use."(28)
|
||
|
Users of these systems are unable to rely on the conventions of
|
||
|
gesture and nuances of tone to provide social feedback. They cannot
|
||
|
rely upon the conventional systems of interaction if they are to make
|
||
|
sense to one another. Words, as we use them in speech, fail to
|
||
|
express what they really mean once they are deprived of the
|
||
|
subtleties of speech and the non-verbal cues that we assume will
|
||
|
accompany it. Internet Relay Chat is synchronous, as is face-to-face
|
||
|
interaction, but it is unable to transmit the non-verbal aspects of
|
||
|
speech that conventions of synchronous communication demand.
|
||
|
|
||
|
It is not only the meanings of sentences that become problematic in
|
||
|
computer-mediated communication. The standards of behaviour that are
|
||
|
normally decided upon by non-verbal cues are not clearly indicated
|
||
|
when information is purely verbal. Not only are smiles and frowns
|
||
|
lost in the translation of synchronous speech to pure text, but
|
||
|
factors of environment are unknown to interlocutors. It is not
|
||
|
immediately apparent, in computer-mediated communication, what forms
|
||
|
of social etiquette are appropriate at any given time.
|
||
|
|
||
|
Kiesler, Siegel and McGuire have described computer-mediated
|
||
|
communication as having four distinct features in comparison to
|
||
|
conventional forms of interaction: an absence of regulating feedback,
|
||
|
dramaturgical weakness, few social status cues and social anonymity.
|
||
|
Conventional systems for regulating interaction fall apart. The
|
||
|
structure of IRC causes its users to deconstruct the conventional
|
||
|
boundaries defining social interaction. "Anonymity [and] reduced
|
||
|
self-regulation" become, as I shall discuss, pronounced in computer-
|
||
|
mediated communication.(29)
|
||
|
|
||
|
_ANONYMITY_
|
||
|
Although the social and economic status generally associated with the
|
||
|
use of such high technology as computer systems offers IRC users, as
|
||
|
I have indicated, some general context within which to place each
|
||
|
other, they know little else about each other, and that little is
|
||
|
open to manipulation by the user.
|
||
|
|
||
|
Users of Internet Relay Chat are not generally known by their 'real'
|
||
|
names. The convention of IRC is to choose a nickname under which to
|
||
|
interact.(30) The nicknames - or 'nicks' as they are referred to -
|
||
|
chosen by IRC users range from 'normal' first names such as 'Peggy'
|
||
|
and 'Matthew', to inventive and evocative pseudonyms such as
|
||
|
'Tmbrwolf', 'Pplater', 'LuxYacht' and 'WildWoman'.(31) The
|
||
|
information which one user can gain about others on IRC consists of
|
||
|
the names by which they choose to be known and the Internet 'address'
|
||
|
of the computer by which they are accessing the IRC program. The
|
||
|
first is easily changed. IRC supports a command that allows users to
|
||
|
change their nicknames as often as they wish. The second is not so
|
||
|
easily manipulated, but still open to tampering provided that the
|
||
|
user has some technical skill. Essentially there is nothing that one
|
||
|
IRC user can ascertain about another - beyond the fact that they have
|
||
|
access to the Internet - that is not manipulable by that user.
|
||
|
|
||
|
Our conventional presentation of self assumes that we cannot change
|
||
|
the basics of our appearance. Physical characteristics, although open
|
||
|
to cosmetic or fashionable manipulation, are basically unalterable.
|
||
|
What we look like, we have to live with. This is, however, not the
|
||
|
case on IRC. How an IRC user 'looks' to another user is entirely
|
||
|
dependant upon information supplied by that person. It becomes
|
||
|
possible to play with identity. The boundaries delineated by cultural
|
||
|
constructs of beauty, ugliness, fashionableness or unfashionableness,
|
||
|
can be by-passed on IRC. It is possible to appear to be, quite
|
||
|
literally, whoever you wish.
|
||
|
|
||
|
The anonymity of interaction in IRC allows users to play games with
|
||
|
their identities. The chance to escape the assumed boundaries of
|
||
|
gender, race, and age create a game of interaction in which there are
|
||
|
few rules but those that the users create themselves. IRC offers a
|
||
|
chance to escape the language of culture and body and return to an
|
||
|
idealised 'source code' of mind.
|
||
|
|
||
|
The changes that a user might make to his or her perceived identity
|
||
|
can be small, a matter of realising in others' minds a desire to be
|
||
|
attractive, impressive, popular:
|
||
|
|
||
|
*BabyDoll* Well, I gotta admit, I shave a few lbs off of my
|
||
|
wieght when I tell the guys on irc what i look like..
|
||
|
|
||
|
However, the anonymity of IRC can provide more than a means to 'fix'
|
||
|
minor problems of appearance - one of the most fascinating aspects of
|
||
|
this computer-mediated fluidity of cultural boundaries is the
|
||
|
possibility of gender-switching. While secondary characteristics such
|
||
|
as hair colour are relatively easily changed in 'real life', gender
|
||
|
reassignment is a far more involved process. This aspect of computer-
|
||
|
mediated communication has had little attention given it. Sproull and
|
||
|
Kiesler note that "unless first names are used as well as last names,
|
||
|
gender information is also missing", but do not discuss the
|
||
|
implications of this.(32) IRC destroys the usually all but
|
||
|
insurmountable confines of sex: changing gender is as simple as
|
||
|
changing one's nickname to something that suggests the opposite of
|
||
|
one's actual gender. It is possible for IRC to become the arena for
|
||
|
experimentation with gender specific social roles:
|
||
|
|
||
|
<Marion> I've tried presenting m,yslef as male on occasion - to
|
||
|
be honest I found itdull
|
||
|
<Barf> Umm, I've gender switched once or twice for about 2 hour
|
||
|
or so - mainly to lead another male up the garden path as a
|
||
|
practical joke; but never a serious gender switch.
|
||
|
<Marion> how did you find being perceived as female?
|
||
|
<Barf> I wasn't really being perceived as female, since I was
|
||
|
basically just calling myself by a female name and utilising my
|
||
|
knowledge of being male to get the other male all stirred up
|
||
|
<Barf> I did find it mildly irritating that I should get so much
|
||
|
attention and be immediately fixated as a sex object simply by
|
||
|
pretending to be female
|
||
|
<Marion> to be honest, I didn't like being male becuaseI missed
|
||
|
the flattery that women tend to get
|
||
|
<Marion> being expected to give attention ratehr than recieve it
|
||
|
was quite a shock!
|
||
|
<Barf> ahh - that is one reason that I tend to dislike unequal
|
||
|
ratios in the sexes - the females get all the attention.(33)
|
||
|
|
||
|
The potential for such experimentation governs the expectations of
|
||
|
many users of IRC. Gender is one of the more 'sacred' institutions in
|
||
|
our society, a quality whose fixity is so assumed that enacted or
|
||
|
surgical reassignment has and does involve complex rituals, taboos,
|
||
|
procedures and stigmas. The attitudes taken by individual users of
|
||
|
IRC differ as regards the possibility for gender concealment. Some
|
||
|
view it as 'part of the game', others are hostile toward users who
|
||
|
gender switch:
|
||
|
|
||
|
<saro> KAREN IS A BOY
|
||
|
<saro> KAREN IS A BOY
|
||
|
<saro> KAREN IS A BOY
|
||
|
<SmilyFace> aros: so?????????
|
||
|
<Karen> yes aros I heard you
|
||
|
<FuzzyB> Takes a relaxed place beside Karen offering her her
|
||
|
favourite drink.
|
||
|
|
||
|
Whatever may be the attitude of individual users of the IRC program
|
||
|
to such examples of gender experimentation, the crucial point is that
|
||
|
it is an inherent possibility offered by the IRC software.
|
||
|
Exploitation of this potential is an accepted part of the 'virtual
|
||
|
reality' - a popular phrase amongst users of the Internet - of IRC.
|
||
|
It becomes possible to play with aspects of behaviour and identity
|
||
|
that are not normally possible. IRC enables people to deconstruct
|
||
|
aspects of their own identity, and of their cultural classification,
|
||
|
and to challenge and obscure the boundaries between some of our most
|
||
|
deeply felt cultural significances. A willingness to accept this
|
||
|
phenomenon, and to join in the games that can be played within it, is
|
||
|
an aspect of the culture of IRC users.
|
||
|
|
||
|
_REDUCED_SELF-REGULATION_
|
||
|
Researchers of human behaviour on computer-mediated communication
|
||
|
systems have often noted that users of such systems tend to behave in
|
||
|
a more uninhibited manner than they would in face-to-face encounters.
|
||
|
Sproull and Kiesler state that computer-mediated behaviour "is
|
||
|
relatively uninhibited and nonconforming."(34) Kielser, Siegel and
|
||
|
McGuire have observed that "people in computer-mediated groups were
|
||
|
more uninhibited than they were in face-to-face groups."(35) Rice and
|
||
|
Love suggest that "disinhibition" may occur "because of the lack of
|
||
|
social control that nonverbal cues provide."(36)
|
||
|
|
||
|
Internet Relay Chat reflects this observation. Protected by the
|
||
|
anonymity of the computer medium, and with few social context cues to
|
||
|
indicate 'proper' ways to behave, users are able to express and
|
||
|
experiment with aspects of their personality that social inhibition
|
||
|
would generally encourage them to suppress:
|
||
|
|
||
|
<Barf> Yes.. Oh well - I'm just saying that I switch
|
||
|
personalities all the time, and my usual personality on IRC and
|
||
|
my usual personality on Fidonet are at extremes, and I've never
|
||
|
really shown my real self on any computer medium.
|
||
|
<Barf> I'm deliberately creating fake personalities instead of
|
||
|
highlighting less obvious parts of my personality, so I do the
|
||
|
opposite of what my real self would do.
|
||
|
<Marion> by doing something it by definition becomes an aspect
|
||
|
of yourself - what you call your 'real self' is most likely the
|
||
|
way you would like to see yourself or the way you usually are
|
||
|
<Barf> I'm experiment in being different people, and that
|
||
|
involves doing things that I don't want to do to make the fake
|
||
|
character consistent and believable
|
||
|
<Barf> No - my fake characters often do things and behave in
|
||
|
such a way that I wouldn't want to ever be like
|
||
|
<Marion> woulsn't want to - perhaps not - but if it occurs to
|
||
|
you to encat it then it is part of your potentiality
|
||
|
<Barf> Ah - but the reason that I experiment with different
|
||
|
characters is so I can see how other people react and then adopt
|
||
|
the good parts of the character that provoked a favourable
|
||
|
response - however I don't compromise my own individuality and
|
||
|
will continue
|
||
|
<Barf> to do things that I like to do that not everyone else
|
||
|
would like me to do.(37)
|
||
|
|
||
|
IRC encourages disinhibition. The lack of social context cues in
|
||
|
computer-mediated communication obscures the boundaries that would
|
||
|
generally separate acceptable and unacceptable forms of behaviour.
|
||
|
Furthermore, the essential physical impression of each user that he
|
||
|
is alone releases him from the social expectations incurred in group
|
||
|
interaction. Computer-mediated communication is less bound by
|
||
|
conventions than is face-to-face interaction. With little regulating
|
||
|
feedback to govern behaviour, users behave in ways that would not
|
||
|
generally be acceptable with people who are essentially total
|
||
|
strangers.
|
||
|
|
||
|
The lack of self-regulation amongst users of IRC can be both positive
|
||
|
and negative, as far as interaction is concerned. The safety of
|
||
|
anonymity can "reduce self-consciousness and promote intimacy"
|
||
|
between people who might not otherwise have had the chance to become
|
||
|
close.(38) It can also encourage "flaming", which Kiesler, Siegel and
|
||
|
McGuire define as the gratuitous and uninhibited making of "remarks
|
||
|
containing swearing, insults, name calling, and hostile
|
||
|
comments."(39)
|
||
|
|
||
|
Users of IRC often form strong friendships. Without social context
|
||
|
cues to inhibit a free exchange between people - to encourage shyness
|
||
|
- computer-mediated interlocutors will often 'open up' to each other
|
||
|
to a great degree. Freedom is given, either to be someone whom you
|
||
|
are not, or to be more yourself than would usually be acceptable. As
|
||
|
one user of the system sums it up:
|
||
|
|
||
|
*bob* by nature I'm shy..
|
||
|
*bob* normally wouldn't talk about such thingsw if you met me
|
||
|
face to face
|
||
|
*bob* thus the network is good.. (40)
|
||
|
|
||
|
Personal relationships amongst participants in computer-mediated
|
||
|
communication systems can often be deep and highly emotional. Hiltz
|
||
|
and Turoff have noted that some participants in such systems "come to
|
||
|
feel that their very best and closest friends are members of their
|
||
|
electronic group, whom they seldom or never see."(41) 'Net.romances',
|
||
|
long distance romantic relationships carried out over IRC, can result
|
||
|
from the increased tendency for participants in CMC systems to be
|
||
|
uninhibited:(42)
|
||
|
|
||
|
Channel Nickname S User@Host (Name)
|
||
|
+custard Ireshi G *@*.*.*.OZ.AU (Libby)
|
||
|
+custard Lori H@ *@*.*.washington.edu (Lori -
|
||
|
Daniel's beloved)
|
||
|
+custard Daniel H@ *@*.*.*.edu.au (Daniel - Lori's
|
||
|
beloved)...
|
||
|
<Lori> After just a few chats on irc, it became obvious to me
|
||
|
that this was someone I could easily become very good friends
|
||
|
with him...
|
||
|
<Lori> The more we talked, the more we discovered we had in
|
||
|
common...
|
||
|
<Lori> By this time, I knew I was starting to have "more than
|
||
|
just a friend" feelings about Daniel...
|
||
|
<Lori> I told him that I was starting to get a crush on him...
|
||
|
<Lori> Anyway, it's grown and grown over the months.
|
||
|
<Daniel> A few mishaps, but we've overcome them, to bounce back
|
||
|
stronger than ever.
|
||
|
<Lori> And, as you know, we'll be getting together for 3 weeks
|
||
|
at the end of November, to see if we're as wonderful as we think
|
||
|
we are.
|
||
|
|
||
|
Such expressions of feeling are not in any way thought to be shallow
|
||
|
or ephemeral. Far from being unsatisfactory for "more interpersonally
|
||
|
involving communication tasks, such as getting to know someone", as
|
||
|
Hiemstra describes researchers of CMC behaviour as having
|
||
|
characterised the medium, IRC has in this instance fostered an
|
||
|
extremely emotional bond between two people.(43) Users of IRC are
|
||
|
able to so dispense with the conventional boundaries surrounding
|
||
|
communication, and cross-cultural exchange, to form deep friendships,
|
||
|
even love-affairs, with people whom they have never met.
|
||
|
|
||
|
Net.romances display computer-mediated relationships at their most
|
||
|
idyllic. However, disinhibition and increased freedom from social
|
||
|
norms have another side. Along with increased broad-mindedness and
|
||
|
intimacy among some users goes increased hostility on the part of
|
||
|
others. 'Flaming', the expression of anger, insults and hatred, is a
|
||
|
common phenomenon in all forms of computer-mediated communication,
|
||
|
and IRC is no exception. Anonymity makes the possibility of social
|
||
|
punishment for transgression of cultural mores appear to be limited.
|
||
|
Attracting the anger of other users of the system is a relatively
|
||
|
unthreatening prospect - although it is possible for users to ignore
|
||
|
a particular user, all that user need do is change his or her
|
||
|
nickname to 'start afresh' with the people whom he or she had
|
||
|
alienated. Protected by terminals and separated by distance, the
|
||
|
sanction of physical violence is irrelevant, although, as I shall
|
||
|
discuss later, social sanctions are present and often in a verbal
|
||
|
form that apes physical violence. The safety of anonymous expression
|
||
|
of hostilities and obscenities that would otherwise incur social
|
||
|
sanctions, encourages some people to use IRC as a forum for airing
|
||
|
their resentment of individuals or groups in a blatantly uninhibited
|
||
|
manner:
|
||
|
|
||
|
!Venice! Bashers have taken over +gblf... we could use some
|
||
|
help...
|
||
|
!radv*! Comment: -Gay_Bashe:+gblf- FUCK ALL OF BUTT FUCKING, ASS
|
||
|
LICKING, CHICKEN SHIT BIOLOGICAL DISIASTERS!(44)
|
||
|
|
||
|
Not all uninhibited behaviour on IRC is either so negative or so
|
||
|
positive. Much of the opportunity for uninhibited behaviour is
|
||
|
invested by users of IRC in sexual experimentation. The usually
|
||
|
culturally-enforced boundaries between sexual and platonic
|
||
|
relationships are challenged in computer-mediated circumstances.
|
||
|
Norms of etiquette are obscured by the lack of social context cues,
|
||
|
and the safety given by anonymity and distance allow users to ignore
|
||
|
otherwise strict codes regarding sexual behaviour. Conversations on
|
||
|
IRC can be sexually explicit, in blatant disregard for social norms
|
||
|
regarding the propositioning of strangers:
|
||
|
|
||
|
*Han* does this compu-sex stuff really happen?
|
||
|
Lola-> *Han* *smooch*
|
||
|
*Han* mmmmmmm......hehehe you alonee ; )?
|
||
|
Lola-> *Han* certianly am! I'm dialling in from home
|
||
|
*Han* me tooo.....are oyu horny today at all ; )?
|
||
|
Lola-> *Han* today? it's the middle of the night where I am...
|
||
|
as for the adjective, well, do what you can ;-)
|
||
|
*Han* mmmmmm......when did you last get off?(45)
|
||
|
|
||
|
Such behaviour is often referred to as 'net.sleazing'. Perhaps
|
||
|
because the majority of the users of IRC are in their late teens or
|
||
|
early twenties, since the Internet primarily serves educational
|
||
|
institutions and thus students, sexual experimentation is a popular
|
||
|
Internet game. Adolescents, coming to terms with their sexuality in
|
||
|
the 'real world', find that the freedom of 'virtual reality' allows
|
||
|
them to safely engage in sexual experimentation. Ranging from the
|
||
|
afore-mentioned gender-role switching to flirtation and 'compu-sex',
|
||
|
IRC provides a medium for the safe expression of a "steady barrage of
|
||
|
typed testosterone."(46)
|
||
|
|
||
|
Disinhibition and the lack of sanctions encouraging self-regulation
|
||
|
lead to extremes of behaviour on IRC. Users express hate, love,
|
||
|
intimacy and anger, employing the freedom of the electronic medium to
|
||
|
air views and engage in relationships that would in other
|
||
|
circumstances be deemed unacceptable in relating to strangers. This
|
||
|
'freedom' does not imply that IRC is an idyllic environment. Play
|
||
|
with social conventions can indeed lead to greater positive affect
|
||
|
between people, as it has between 'Daniel' and 'Lori', and to greater
|
||
|
personal fulfilment for some users. It can, however, also create a
|
||
|
violent chaos in which people feel 'free' to act upon prejudices,
|
||
|
even hatreds, that might otherwise be socially controlled.
|
||
|
|
||
|
_BEYOND_BOUNDARIES_
|
||
|
Users of IRC treat the medium as a frontier world, a virtual reality
|
||
|
of virtual freedom, in which participants feel free to act out their
|
||
|
fantasies, to challenge social norms, and exercise aspects of their
|
||
|
personality that would under normal interactive circumstances be
|
||
|
inhibited. The medium itself blocks some of the socially inhibiting
|
||
|
institutions that users would, under other circumstances, be
|
||
|
operating within. Social indicators - of social position, of age and
|
||
|
authority, of personal appearance - are relatively weak in a
|
||
|
computer-mediated context. They might be inferred, but they are not
|
||
|
evident. Internet Relay Chat leaves it open to users to create
|
||
|
virtual replacements for these social cues - as I shall discuss in
|
||
|
Part Two, IRC interaction involves the creation of replacements and
|
||
|
substitutes for physical cues, and the construction of social
|
||
|
hierarchies and positions of authority. That it is possible for users
|
||
|
of IRC to do this is due to the ways in which the medium deconstructs
|
||
|
conventional boundaries constraining interaction and conventional
|
||
|
institutions of interpersonal relationships. It is this freedom from
|
||
|
convention that allows IRC users to create their own conventions, and
|
||
|
to become a cohesive community.
|
||
|
|
||
|
The chance for deconstruction of social boundaries that is offered by
|
||
|
IRC is essentially postmodern. On its lighter side, computer-mediated
|
||
|
communication lends itself to irony, pastiche, playfulness and a
|
||
|
celebration of ephemeral and essentially superficial examples of
|
||
|
witty bravado. On its more negative side, the disinhibiting effect of
|
||
|
computer-mediated communication encourages the expression of dissent,
|
||
|
rebellion, hostility, and anti-social chaos. It involves a stripping
|
||
|
away of the social coordinates that let the user know where he or she
|
||
|
is in the cultural network, indeed it encourages this by allowing the
|
||
|
continual invention of new moves to old language games.(47)
|
||
|
|
||
|
Users challenge the boundaries between their differing social
|
||
|
systems, introducing elements of intimacy to meetings with strangers
|
||
|
and foreigners, overstepping the thresholds of social nicety. There
|
||
|
is a continual search for ways to present the unpresentable, to bring
|
||
|
elements technically outside the medium of communication within its
|
||
|
realm. Whether this continual play with the limits of expression is
|
||
|
positive or negative, it involves users of the system in a game that
|
||
|
is essentially postmodern. Engagement with the system involves
|
||
|
immersion in the specific context of the IRC program. There is no way
|
||
|
to interact with IRC without being a part of it - it is interaction
|
||
|
that creates the virtual reality of channels and spaces for
|
||
|
communication. Immersed in this specific, although not 'local' in any
|
||
|
geographic sense, context, players of the IRC game are involved in
|
||
|
turning upside down the taken-for-granted norms of the external
|
||
|
culture. Emotions and behaviours are taken out of their usual
|
||
|
contexts and transposed into the electronic context of IRC, where
|
||
|
they cease to be unproblematic. Faced with the impossibility of
|
||
|
replicating conventional social boundaries in the IRC environment,
|
||
|
users of the system search out and experiment with new and
|
||
|
unconventional ways of relating. It is this "symbolic cultural
|
||
|
ethos... that reflects the postmodern elements of the computer
|
||
|
underground and separates it from modernism... by offering an ironic
|
||
|
response to the primacy of a master technocratic language."(48) The
|
||
|
users of IRC have created a culture that challenges "the sanctity of
|
||
|
an established... authority."(49) To paraphrase Jim Thomas and Gordon
|
||
|
Meyer, speaking on the computer underground of 'hackers', it is this
|
||
|
style of playful rebellion, irreverent subversion and juxtaposition
|
||
|
of fantasy with high-tech reality that impels me to interpret IRC as
|
||
|
a postmodernist culture.(50)
|
||
|
|
||
|
|
||
|
|
||
|
**PART TWO:**
|
||
|
**CONSTRUCTING COMMUNITIES**
|
||
|
|
||
|
In crude relief, culture can be understood as a set of solutions
|
||
|
devised by a group of people to meet specific problems posed by
|
||
|
situations they face in common... This notion of culture as a
|
||
|
living, historical product of group problem solving allows an
|
||
|
approach to cultural study that is applicable to any group, be it a
|
||
|
society, a neighbourhood, a family, a dance band, or an organization
|
||
|
and its segments.(51)
|
||
|
|
||
|
This definition of culture owes much to Geertz's understanding of
|
||
|
culture as a "system of meanings that give significance to shared
|
||
|
behaviours which must be interpreted from the perspective of those
|
||
|
engaged in them."(52) 'Culture' includes not only the systems and
|
||
|
standards adopted by a group for "perceiving, believing, evaluating
|
||
|
and acting", but also includes the "rules and symbols of
|
||
|
interpretation and discourse" utilised by the members of the
|
||
|
group.(53) Culture, says Geertz, is "a set of control mechanisms -
|
||
|
plans, recipes, rules, instructions (what computer engineers call
|
||
|
'programs') - for the governing of behaviour."(54) In this sense the
|
||
|
users of IRC constitute a culture, a community. They are commonly
|
||
|
faced with the problems posed by the medium's inherent deconstruction
|
||
|
of traditional models of social interaction which are based on
|
||
|
physical proximity.
|
||
|
|
||
|
The measures which users of the IRC system have devised to meet their
|
||
|
common problems, posed by the medium's lack of regulating feedback
|
||
|
and social context cues, its dramaturgical weakness, and the factor
|
||
|
of anonymity, are the markers of their community, their common
|
||
|
culture. These measures fall into two distinct categories. Firstly,
|
||
|
users of IRC have devised systems of symbolism and textual
|
||
|
significance to ensure that they achieve understanding despite the
|
||
|
lack of more usual channels of communication. Secondly, a variety of
|
||
|
social sanctions have arisen amongst the IRC community in order to
|
||
|
punish users who disobey the rules of etiquette - or 'netiquette' -
|
||
|
and the integrity of those shared systems of the interpretation.(55)
|
||
|
|
||
|
_SHARED_SIGNIFICANCES_
|
||
|
In traditional forms of communication, as I have already suggested,
|
||
|
nods, smiles, eye contact, distance, tone of voice and other non-
|
||
|
verbal behaviours give speakers and listeners information they can
|
||
|
use to regulate, modify and control communication. Separated by at
|
||
|
least the ethernet cables of local area networks, and quite likely by
|
||
|
thousands of kilometres, the users of IRC are unable to base
|
||
|
interaction on these phenomena. This "dramaturgical weakness of
|
||
|
electronic media" presents a unique problem.(56) Much of our
|
||
|
understandings of linguistic meaning and social context are derived
|
||
|
from non-verbal cues. With these unavailable, it remains for users of
|
||
|
computer-mediated communication to create methods of compensating for
|
||
|
the lack. As Hiltz and Turoff have reported, computer conferees have
|
||
|
developed ways of sending computerised screams, hugs and kisses.(57)
|
||
|
This is apparent on IRC.
|
||
|
|
||
|
Textual substitution for traditionally non-verbal information is a
|
||
|
highly stylized, even artistic, procedure that is central to the
|
||
|
construction of an IRC community. Common practice is to simply
|
||
|
verbalise physical cues, for instance literally typing 'hehehe' when
|
||
|
traditional methods of communication would call for laughter. IRC
|
||
|
behaviour takes this to an extreme. It is a recognised convention to
|
||
|
describe physical actions or reactions, denoted as such by
|
||
|
presentation between two asterisks:(58)
|
||
|
|
||
|
<Wizard> Come, brave Knight! Let me cast a spell of protection
|
||
|
on you..... Oooops - wrong spell! You don;t mind being green for
|
||
|
a while- do you???
|
||
|
<Prince> Lioness: please don't eat him...
|
||
|
<storm> *shivers from the looks of lioness*
|
||
|
<Knight> Wizard: Not at all.
|
||
|
<Bel_letre> *hahahah*
|
||
|
<Lioness> Very well, your excellency. *looks frustrated*
|
||
|
<Prince> *falls down laughing*.
|
||
|
<Knight> Wizard: as long as I can protect thou ass, I'd be utter
|
||
|
grateful! :-)
|
||
|
<Bel_letre> *Plays a merry melody*
|
||
|
<storm> *walks over to lioness and pats her paw*
|
||
|
<Wizard> *Dispells the spells cast on Knight!*
|
||
|
<Wizard> Knight: Your back to normal!!!
|
||
|
<Prince> *brings a pallete of meat for Lioness*
|
||
|
<Lioness> *licks Storm*
|
||
|
<storm> *Looking up* Thank You for not eating me!(59)
|
||
|
|
||
|
The above extract from a log of an IRC session, involving an online
|
||
|
fantasy role-playing game, shows a concentration of verbalised
|
||
|
physical actions and reactions. This density of virtually physical
|
||
|
cues is somewhat abnormal, but it amply demonstrates the extent to
|
||
|
which users of the IRC system feel it important to create a physical
|
||
|
context within which their peers can interpret their behaviour.
|
||
|
Verbal statements by themselves give little indication of the
|
||
|
emotional state of the speaker, and without physical expression to
|
||
|
decode the specific context of statements, it is easy to misinterpret
|
||
|
their intent:
|
||
|
|
||
|
*Whopper* just kidding...not trying to be offensive
|
||
|
<Fireship-> *Whopper* didn't assume that you were...(60)
|
||
|
|
||
|
The corollary of Geertz's definition of culture is that groups of
|
||
|
people who fail to communicate do not compose a common culture. If
|
||
|
meaning is lost in transition from speaker to addressee, then
|
||
|
community is lost - "undirected by culture patterns - organized
|
||
|
systems of significant symbols - man's behaviour would be virtually
|
||
|
ungovernable, a mere chaos of pointless acts and exploding emotions,
|
||
|
his experience virtually shapeless."(61) In order for IRC users to
|
||
|
constitute a community it is necessary for them to contrive a method
|
||
|
to circumvent the possibility of loss of intended meaning of
|
||
|
statements. Verbalisation of physical condition is that method.
|
||
|
Interlocutors will describe what their reactions to specific
|
||
|
statements would be were they in physical contact. Of course, this
|
||
|
stylized description of action is not intended to be taken as a
|
||
|
literal description of the speakers' physical actions, which are,
|
||
|
obviously, typing at a keyboard and staring at a monitor. Rather they
|
||
|
are meant to represent what would be their actions were the virtual
|
||
|
reality of IRC an actual reality. Without some way of compensating
|
||
|
for the inherent lack of social context cues in computer-mediated
|
||
|
communication, IRC would get no further than the deconstruction of
|
||
|
conventional social boundaries. The textual cues utilised on IRC
|
||
|
provide the symbols of interpretation and discourse that the users of
|
||
|
IRC have devised to 'meet specific problems posed by situations they
|
||
|
face in common.' Without these textual cues to substitute for non-
|
||
|
verbal language, the users of IRC would fail to constitute a
|
||
|
community - with them, they do.
|
||
|
|
||
|
The users of IRC often utilise a 'shorthand' for the description of
|
||
|
physical condition. They (in common with users of other computer-
|
||
|
mediated communication systems such as news and email) have developed
|
||
|
a system of presenting textual characters as representations of
|
||
|
physical action. Commonly known as 'smileys', CMC users employ
|
||
|
alphanumeric characters and punctuation symbols to create strings of
|
||
|
highly emotively charged keyboard art:
|
||
|
|
||
|
:-) or : ) a smiling face, as viewed side-on
|
||
|
;-) or ; ) a winking, smiling face
|
||
|
:-( or : ( an 'unsmiley': an unhappy face
|
||
|
:-(*) someone about to throw up
|
||
|
8-) someone wearing glasses
|
||
|
:-P someone sticking out their tongue
|
||
|
>:-O someone screaming in fright, their hair standing on
|
||
|
end
|
||
|
:-& someone whose lips are sealed
|
||
|
@}-`-,-`-- a rose
|
||
|
|
||
|
These 'emoticons' are many and various.(62) Although the most
|
||
|
commonly used is the plain smiling face - used to denote pleasure or
|
||
|
amusement, or to soften a sarcastic comment - it is common for IRC
|
||
|
users to develop their own emoticons, adapting the symbols available
|
||
|
on the standard keyboard to create minute and essentially ephemeral
|
||
|
pieces of textual art to represent their own virtual actions and
|
||
|
responses. Such inventiveness and lateral thinking demands skill.
|
||
|
Successful communication within IRC depends on the use of such
|
||
|
conventions as verbalised action and the use of emoticons. Personal
|
||
|
success on IRC, then, depends on the user's ability to manipulate
|
||
|
these tools. The users who can succinctly and graphically portray
|
||
|
themselves to the rest of the IRC usership will be most able to
|
||
|
create a community within that virtual system.
|
||
|
|
||
|
Speed of response and wit are the stuff of popularity and community
|
||
|
on IRC. The Internet relays chat, and such social endeavour demands
|
||
|
speed of thought - witty replies and keyboard savoir faire blend into
|
||
|
a stream-of-consciousness interaction that valorises shortness of
|
||
|
response time, ingenuity and ingenuousness in the presentation of
|
||
|
statements. The person who cannot fulfil these requirements - who is
|
||
|
a slow typist, who demands time to reflect before responding, will be
|
||
|
disadvantaged. For those who can keep the pace, such 'stream-of-
|
||
|
consciousness' communication encourages a degree of intimacy and
|
||
|
emotion that would be unusual between complete strangers in the 'real
|
||
|
world'. The IRC community relies on this intimacy, on spur of the
|
||
|
moment social overtures made to other users:
|
||
|
|
||
|
/time
|
||
|
*** munagin.ee.mu.OZ.AU : Tuesday August 27 1991 -- 00:28 EST
|
||
|
(from munagin.ee.mu.OZ.AU)
|
||
|
/join +Sadness
|
||
|
*** Miri has joined channel +Sadness
|
||
|
/away Dying of a broken heart
|
||
|
You have been marked as being away(63)
|
||
|
/topic Heartbreak
|
||
|
*** Miri has changed the topic to "Heartbreak"
|
||
|
*MALAY* What's wrong? Are you OK? <Tue Aug 27 00:36>
|
||
|
*Stodge* Hey, what's happened? Wanna talk about it? <Tue Aug 27
|
||
|
00:36>
|
||
|
*LadyJay* What's the matter Miri? <Tue Aug 27 00:37>
|
||
|
|
||
|
IRC users regard their electronic world with a great deal of
|
||
|
seriousness, and generally with a sense of responsibility for their
|
||
|
fellows. The degree of trust in the supportive nature of the
|
||
|
community that is shown in the above example, and the degree to which
|
||
|
that trust was justified, demonstrates this. Hiltz and Turoff have
|
||
|
described this syndrome of empathetic community arising amongst
|
||
|
groups of people participating in CMC systems. They have "observed
|
||
|
very overt attempts to be personal and friendly" and note that
|
||
|
"strong feelings of friendship" arise between computer-mediated
|
||
|
interlocutors who have never met face-to-face. IRC may encourage
|
||
|
participants to play with the conventions of social interaction, but
|
||
|
the games are not always funny. The threads holding IRC together as a
|
||
|
community are made up of shared modes of understanding, and the
|
||
|
concepts shared range from the light-hearted and fanciful to the
|
||
|
personal and anguished. The success of this is dependant upon the
|
||
|
degree to which users can trust that the issues that they communicate
|
||
|
will be well received - they depend on the integrity of users.
|
||
|
|
||
|
This expectation of personal integrity and sincerity is both upheld
|
||
|
by convention and enforced by structure.
|
||
|
|
||
|
_SOCIAL_SANCTIONS_
|
||
|
One of the most sensitive issues amongst users is the question of
|
||
|
nicknames. The IRC program demands that users offer a unique name to
|
||
|
the system, to be used in their interaction with other users. These
|
||
|
aliases are chosen as the primary method by which a user is known to
|
||
|
other users, and thus generally reflect some aspect of the user's
|
||
|
personality or interests. It is common for users to prefer and
|
||
|
consistently use one nickname. Members of the IRC community have
|
||
|
developed a service, known as 'Nickserv', which enables IRC users to
|
||
|
register nicknames as belonging to a specific user accessing the IRC
|
||
|
system from a specific computer on the Internet. Any other user who
|
||
|
chooses to use a nickname thus registered is sent a message from
|
||
|
Nickserv telling him or her that the chosen nickname is registered,
|
||
|
and advising them to choose an alternate name. Furthermore, the IRC
|
||
|
program will not allow two users to adopt the same nickname
|
||
|
simultaneously. The program design is so structured as to refuse a
|
||
|
user access to the system should he or she attempt to use the
|
||
|
nickname of another user who is online, regardless of whether their
|
||
|
nickname is registered. The user must choose a unique nickname before
|
||
|
being able to interact within IRC. Names, then, as the primary
|
||
|
personal interface on IRC, are of great importance. One of the
|
||
|
greatest taboos, one that is upheld by the basic software design, is
|
||
|
the use of another's chosen nickname.
|
||
|
|
||
|
The illegitimate use of nicknames can cause anger on the part of
|
||
|
their rightful users and sometimes deep feelings of guilt on the part
|
||
|
of the perpetrators. This public announcement was made by a male IRC
|
||
|
user to the newsgroup alt.irc, a forum for asynchronous discussion of
|
||
|
IRC:(64)
|
||
|
|
||
|
I admit to having used the nickname "allison" on several
|
||
|
occasions,the name of an acquaintance and "virtual" friend at
|
||
|
another university.Under this nick, I talked on channels +hottub
|
||
|
and +gblf, as well as witha few individuals privately. This
|
||
|
was a deceptive, immature thing to do,and I am both embarrassed
|
||
|
and ashamed of myself.(65) I wish to apologizeto everyone I
|
||
|
misled, particularly users 'badping' and 'kired'...
|
||
|
I am truly sorry for what I have done, and regret ever having
|
||
|
usedIRC, though I think it has the potential to be a wonderful
|
||
|
forum and meansof communication. It certainly makes the world
|
||
|
seem a small place.I shall never invade IRC with a false nick or
|
||
|
username again.(66)
|
||
|
|
||
|
The physical aspect of IRC may be only virtual, but the emotional
|
||
|
aspect is actual. IRC is not a 'game' in any light-hearted sense - it
|
||
|
can inspire deep feelings of guilt and responsibility. It is also
|
||
|
clear that users' acceptance of IRC's potential for the
|
||
|
deconstruction of social boundaries is limited by their reliance on
|
||
|
the construction of communities. Experimentation ceases to be
|
||
|
acceptable when it threatens the delicate balance of trust that holds
|
||
|
IRC together. The uniqueness of names, their consistent use, and
|
||
|
respect for - and expectation of - their integrity, is crucial to the
|
||
|
development of online communities. As previously noted, should a user
|
||
|
find him or herself unwelcome in a particular channel all he or she
|
||
|
need do is adopt another nickname to be unrecognizable. The idea of
|
||
|
community, however, does demand that members be recognizable to each
|
||
|
other. Were they not so, it would be impossible for a coherent
|
||
|
community to emerge.
|
||
|
|
||
|
The sanctions available to the IRC community for use against errant
|
||
|
members are both social and structural. The degree to which members
|
||
|
feel, as 'Allison' did, a sense of shame for actions which abuse the
|
||
|
systems of meaning devised by the IRC community, is related to the
|
||
|
degree to which they participate in the deconstruction of traditional
|
||
|
social conventions. By being uninhibited, by experimenting with
|
||
|
cultural norms of gender and reciprocity in relationships, 'Allison'
|
||
|
became a part of a social network that encourages self-exposure by
|
||
|
simulating anonymity and therefore invulnerability. In this case, the
|
||
|
systems of meaning created by the users of IRC have become
|
||
|
conventions with a terrorizing authority over those who participate
|
||
|
in their use. As I shall describe, users of IRC who flout the
|
||
|
conventions of the medium are ostracised, banished from the
|
||
|
community. The way to redemption for such erring members is through a
|
||
|
process of guilt and redemption; through, in 'Allison's' case, a
|
||
|
'public' ritual of self-accusation, confession, repentance and
|
||
|
atonement.
|
||
|
|
||
|
IRC supports mechanisms for the enforcement of acceptable behaviour
|
||
|
on IRC. Channel operators - 'chanops' or 'chops' - have access to the
|
||
|
/kick command, which throws a specified user out of the given
|
||
|
channel. IRC operators - 'opers' - have the ability to 'kill' users,
|
||
|
to break the network link that connects them to IRC. The code of
|
||
|
etiquette for doing so is outlined in the documentation that is part
|
||
|
of the IRC program:
|
||
|
|
||
|
Obnoxious users had best beware the operator who's fast on the
|
||
|
/kill command. "/kill nickname" blows any given nickname
|
||
|
completely out of the chat system. Obnoxiousness is not to be
|
||
|
tolerated. But operators do not use /kill lightly.(67)
|
||
|
|
||
|
There is a curious paradox in the concomitant usage of the words
|
||
|
'obnoxious' and 'kill'. Obnoxiousness seems a somewhat trivial term
|
||
|
to warrant the use of such textually violent commands such as /kick
|
||
|
and /kill. The word trivialises the degree to which abusive
|
||
|
behaviour, deceit, and shame can play a part in interaction on
|
||
|
Internet Relay Chat. The existence of such negative behaviour and
|
||
|
emotions is played down, denigrated - what is stressed is the
|
||
|
measures that can be taken by the 'authorities' - the chanops and
|
||
|
opers - on IRC. Violators of the integrity of the IRC system are
|
||
|
marginalised, outcast, described so as to seem insignificant, but
|
||
|
their potential for disrupting the IRC community is suggested by the
|
||
|
emotive strength of the words with which they are punished. The terms
|
||
|
'killing' and 'kicking' substitute for their physical counterparts -
|
||
|
IRC users may be safe from physical threat, but the community
|
||
|
sanctions of violence and restraint are there, albeit in textualised
|
||
|
form.
|
||
|
|
||
|
Operators have adopted their own code of etiquette regarding /kills.
|
||
|
It is the general rule that an operator issuing such a command should
|
||
|
let other operators, and the victim, know the reason for his or her
|
||
|
action by adding a comment to the '/kill message' that fellow
|
||
|
operators will receive:
|
||
|
|
||
|
*** Notice -- Received KILL message for I4982784 from MaryD
|
||
|
(Obscene Dumps!!!)
|
||
|
*** Notice -- Received KILL message for mic from mgp (massive
|
||
|
abusive channel dumping involving lots of ctrl-gs and
|
||
|
gaybashing, amongst other almost as obnoxious stuff)
|
||
|
*** Notice -- Received KILL message for JP from Cyberman
|
||
|
((repeatedely ignorning warnings to stop nickname abuse))(68)
|
||
|
|
||
|
There is no technical reason why such comments or excuses should be
|
||
|
given - they are purely a 'courtesy'. Those in authority on IRC have
|
||
|
self-imposed codes of behaviour which supposedly serve to ensure that
|
||
|
operator privileges are not abused.
|
||
|
|
||
|
Operators have considerable power within IRC. They can control not
|
||
|
only an individual's access to IRC, but are also responsible for
|
||
|
maintaining the network connections that enable IRC programs at
|
||
|
widely geographically separated sites to 'see' each other. The issue
|
||
|
of whether or not operators have too much power is a contentious one.
|
||
|
While operators are careful to present their /killings as justifiable
|
||
|
in the eyes of their peers, this is often not felt to be the case by
|
||
|
their victims. Accusations of prejudice and injustice abound. IRC
|
||
|
operators answer user's complaints and charges with self-
|
||
|
justifications - often the debates are reduced to 'flame-wars',
|
||
|
abusive arguments between opponents who are more concerned to insult
|
||
|
and defeat rather than reason with each other:
|
||
|
|
||
|
!JP! fucking stupid op cybman /killd me - think ya some kind of
|
||
|
net.god? WHy not _ask_ people in the channle i'm in if I'm
|
||
|
annoying them before blazing away????
|
||
|
*** Notice -- Received KILL message for JP from Cyberman
|
||
|
(abusive wallops)(69)
|
||
|
|
||
|
'Kills' can also be seen as unjustified by other operators, and the
|
||
|
operator whose actions are questioned by his peers is likely to be
|
||
|
'killed' himself:
|
||
|
|
||
|
*** Notice -- Received KILL message for Alfred from Kamikaze
|
||
|
(public insults are not appreciated)
|
||
|
*** Notice -- Received KILL message for Kamikaze from dave (yes,
|
||
|
but they are allowed.)(70)
|
||
|
|
||
|
The potential for tension between operators of IRC is often diffused
|
||
|
into a game. 'Killwars', episodes in which opers will kill each
|
||
|
other, often happen. There is rarely overt hostility in these 'wars'
|
||
|
- the attitude taken is one of ironic realisation of the
|
||
|
responsibilities and powers that opers have, mixed with bravado and
|
||
|
humour - an effort to parody those same powers and responsibilities:
|
||
|
|
||
|
!puppy*! ok! one frivolous kill coming up! :D
|
||
|
!Maryd*! Go puppy! :*)
|
||
|
*** Notice -- Received KILL message for puppy from Glee (and
|
||
|
here it IS! : )
|
||
|
!Chas*! HAHA : )
|
||
|
*** Notice -- Received KILL message for Glee from Maryd (and
|
||
|
here's another)
|
||
|
*** Notice -- Received KILL message for Maryd from Chas (and
|
||
|
another)
|
||
|
*** Notice -- Received KILL message for Chas from blopam (chain
|
||
|
reaction - john farnham here I come)
|
||
|
*** Notice -- Received KILL message for blopam from dave (you
|
||
|
must be next.)
|
||
|
!Chas*! HA HA HA : )
|
||
|
*** Notice -- Received KILL message for Chas from Maryd (Only
|
||
|
family is allowed to kill me!!!)
|
||
|
*** Notice -- Received KILL message for Maryd from dave (am I
|
||
|
still family?)
|
||
|
*** Notice -- Received KILL message for Glee from puppy (just
|
||
|
returning the favor ;D)
|
||
|
*** Notice -- Received KILL message for Maryd from Chas (Oh
|
||
|
yeah?? Oh my brother !!)
|
||
|
*** Notice -- Received KILL message for dave from Maryd (yep,
|
||
|
you sure are : ))
|
||
|
*** Notice -- Received KILL message for Chas from Maryd (8 now)
|
||
|
*** Notice -- Received KILL message for Maryd from Chas (Oh yah
|
||
|
?)
|
||
|
!Alfred! thank you for a marvellously refreshing kill war; this
|
||
|
completes my intro into the rarified and solemn IRCop
|
||
|
godhood.(71)
|
||
|
|
||
|
The ideas of authority and freedom are often in opposition on IRC, as
|
||
|
the newly invented social conventions of the IRC community attempt to
|
||
|
deal with emotions and actions in ways that emulate the often violent
|
||
|
social sanctions of the 'real world.' The potential for tension and
|
||
|
hostility between users and opers arising over the latter's use of
|
||
|
power can erupt into anger and abuse. Disagreement between operators
|
||
|
over their implementation of power can result in the use of
|
||
|
operators' powers against each other. The games that opers play with
|
||
|
'killing' express their realisation of the existence of these
|
||
|
elements in the hierarchical nature of IRC culture and serve to
|
||
|
diffuse that tension - at least among opers - and to unite them as an
|
||
|
authoritative class. But it does not fully resolve these conflicts -
|
||
|
the tensions that are expressed regarding the oper/user power
|
||
|
segregation system point to the nexus point between the
|
||
|
deconstruction of boundaries and the construction of communities on
|
||
|
IRC.
|
||
|
|
||
|
_THE_IRC_CCOMMUNITY_
|
||
|
The emergent culture of IRC is essentially heterogeneous. Users
|
||
|
access the system from all over the world, and - within the
|
||
|
constraints of language compatibility - interact with people from
|
||
|
cultures that they might not have the chance to learn about through
|
||
|
any other direct means. The melting pot of the IRC 'electropolis', as
|
||
|
Hiltz and Turoff term computer-mediated communication networks,
|
||
|
serves to break down, yet valorise, the differences between
|
||
|
cultures.(72) It is not uncommon for IRC channels to contain no two
|
||
|
people from the same country. With the encouragement of intimacy
|
||
|
between users and the tendency for conventional social mores to be
|
||
|
ignored on IRC, it becomes possible for people to investigate the
|
||
|
differences between their cultures. No matter on how superficial a
|
||
|
level that might be, the encouragement of what can only be called
|
||
|
friendship between people of disparate cultural backgrounds helps to
|
||
|
destroy any sense of intolerance that each may have for the other's
|
||
|
culture and to foster a sense of cross-cultural community:(73)
|
||
|
|
||
|
<Corwyn> Eldi: London, Paris, Waterloo, Dublin, Exeter, are all
|
||
|
in Ontario
|
||
|
<eldi> Ontarior!!! haha! Paris, France, London, England, Dublin,
|
||
|
Irelang are all better than SF, CA, US
|
||
|
<yarly> the coffeeshops! :-)
|
||
|
<Corwyn> Eldi: Don't you like San Francisco?
|
||
|
<eldi> well, it's like anything else. if you're around it too
|
||
|
much, there's no novelty in it.
|
||
|
<Corwyn> Eldi: I guess so
|
||
|
<eldi> I'm going to Paris in a few days. I'm gonna this that's
|
||
|
the greatest thing I've ever seen, I'm sure
|
||
|
<Corwyn> Eldi: never been further west than Hannibal, MO I am
|
||
|
afraid
|
||
|
<eldi> but i'm gonna be living with a host family(studenmt echa
|
||
|
exchange) history and philosophy
|
||
|
<eldi> at thier summer home.
|
||
|
<Corwyn> Eldi: parlez-vous francais?
|
||
|
<eldi> Thier regular home is in the suburbs of Paris. I'm
|
||
|
sureParis wouldn't be as exciting to THEM,. and me! see what i
|
||
|
mean?
|
||
|
<yarly> francais!
|
||
|
<eldi> BIEN SUR! j'espere que je puisse communiquer en (a)
|
||
|
Paris!!!
|
||
|
<eldi> of course! I hope thatI will be able to commin
|
||
|
(communicate) in paris,
|
||
|
<yarly> translation please eldi!
|
||
|
<yarly> je ne parle pas francias
|
||
|
<eldi> in french, in paris all
|
||
|
<eldi> of course there is one phrease that is most important for
|
||
|
americans abraoad
|
||
|
<Corwyn> Eldi: what is that? Parlez-vous anglais?
|
||
|
<eldi> "Ne tirer pas! Je suis Canadaien" "Don't shoot! I'm a
|
||
|
canadian"
|
||
|
<eldi> why bother to kill a canadaien? There goverment never
|
||
|
does anything you can protest against! ;-)? (74)
|
||
|
|
||
|
Irreverent, and ironic, this kind of exchange exhibits the
|
||
|
cosmopolitan nature of IRC. Cultural differences are celebrated, are
|
||
|
made the object of curiosity and excitement, while the interlocutors
|
||
|
remain aware of the relativity of their remarks. The ability to
|
||
|
appreciate cultural differences and to welcome immersion in them,
|
||
|
while retaining a sense of ironic distance from both that visited
|
||
|
culture and one's native culture, is the object of interest.
|
||
|
|
||
|
Community on IRC is "created through symbolic strategies and
|
||
|
collective beliefs."(75) IRC users share a common language, a shared
|
||
|
web of verbal and textual significances that are substitutes for, and
|
||
|
yet distinct from, the shared networks of meaning of the wider
|
||
|
community. Users of IRC share a vocabulary and a system of
|
||
|
understanding that is unique and therefore defines them as
|
||
|
constituting a distinct culture. This community is self-regulating,
|
||
|
having systems of hierarchy and power that allow for the punishment
|
||
|
of transgressors of those systems of behaviour and meaning. Members
|
||
|
of the community feel a sense of responsibility for IRC - most
|
||
|
respect the conventions of their subculture, and those who don't are
|
||
|
either marginalised or reclaimed through guilt and atonement. The
|
||
|
symbolic identity - the virtual reality - of the world of computer-
|
||
|
mediated communication is a rich and diverse culture comprised of
|
||
|
highly specialised skills, language and unifying symbolic meanings.
|
||
|
|
||
|
As I have suggested, this community is essentially postmodern. The
|
||
|
IRC community shares a concern for diversity, for care in nuances of
|
||
|
language and symbolism, a realisation of the power of language and
|
||
|
the importance of social context cues, that are hallmarks of
|
||
|
postmodern culture. IRC culture fulfils Denzin's prescription that
|
||
|
the identity and activity of postmodern culture should "make fun of
|
||
|
the past [and of past cultural rituals] while keeping it alive, and
|
||
|
search for new ways to present the unpresentable in order to break
|
||
|
down the barriers that keep the profane out of the everyday."(76)
|
||
|
|
||
|
|
||
|
|
||
|
**CONCLUSION:**
|
||
|
**DISCOURSE AND MORAL JUDGEMENT**
|
||
|
|
||
|
It is tempting to view IRC in moral terms. I have sought to show that
|
||
|
IRC provides a medium in which behaviour that is both outside of and
|
||
|
in opposition to accepted social norms is accepted and even
|
||
|
encouraged. I have demonstrated the ways in which the IRC community
|
||
|
has developed its own distinctive system of significant signs and
|
||
|
symbols. But this is not to imply that the IRC community is
|
||
|
democratic or liberating. This freedom - from old conventions and to
|
||
|
create new ones - can be both positive and negative. 'Positive' forms
|
||
|
of human interaction exist on IRC - there is friendship, tolerance,
|
||
|
humour, even love. There is also hatred, violence, shame and guilt.
|
||
|
The 'freedom' of computer mediated communication is expressed in a
|
||
|
lack of conventional social controls, not in any utopian implication.
|
||
|
|
||
|
I feel that it would be a mistake to project future societal effects
|
||
|
from the kinds of phenomena that I have described as happening on
|
||
|
IRC. But the temptation is there. On this issue, Johansen, Vallee and
|
||
|
Spangler say:
|
||
|
|
||
|
Whenever a new technology emerges, it is tempting to predict
|
||
|
that it will lead to a new and better form of society. The
|
||
|
technology for electronic meetings is no exception. The new
|
||
|
media invite a look at alternative organizations and alternative
|
||
|
societies. Combined with current social concerns, they also
|
||
|
encourage utopian visions... In this vision, electronic media
|
||
|
create a sense of community and commonalty among all people of
|
||
|
the world...(77)
|
||
|
|
||
|
Such a wide-ranging conclusion is unjustifiable. As I have shown, IRC
|
||
|
users can share a sense of community and commonalty, but they can
|
||
|
also exhibit alienation and hostility. It is impossible to say which,
|
||
|
if either, will prevail in IRC's future.
|
||
|
|
||
|
Nevertheless, the cultural play that occurs on IRC does have
|
||
|
implications for individual players beyond the scope of the
|
||
|
virtuality of the computer network. If, as Hiltz and Turoff have
|
||
|
said, users of CMC systems can come to feel that their most highly
|
||
|
emotional relationships are with fellow users whom they rarely or
|
||
|
never see, then this indicates the potential for computer-mediated
|
||
|
communication systems to influence the lives of their users.
|
||
|
Certainly for 'Lori' and 'Daniel', and for 'Allison', the virtual
|
||
|
reality of Internet Relay Chat has strongly affected their
|
||
|
relationships with others and their view of themselves. For them, and
|
||
|
others, 'virtuality' is reality.
|
||
|
|
||
|
IRC has the potential to affect users of the system in many and often
|
||
|
opposing ways. For the shy and socially ill-at-ease, computer
|
||
|
mediated communication can provide a way of learning social skills in
|
||
|
a non-threatening environment. It may also provide a crutch and an
|
||
|
excuse not to develop social skills that can be implemented in the
|
||
|
'real world'. Relationships formed on IRC may be supportive, deeply
|
||
|
felt and may give users much happiness. They may also lead to a
|
||
|
reluctance to form relationships outside the electronic medium, and
|
||
|
may be in themselves painful due to the lack of possibilities for the
|
||
|
expression of more conventional forms of affection. The cross-
|
||
|
cultural, international nature of IRC can create a sense of empathy
|
||
|
and tolerance for differing cultures. It can also provide a medium
|
||
|
for the uninhibited expression of racial hatred. Little is as yet
|
||
|
known about the potential psychological and social effects of
|
||
|
computer-mediated communication. At present we have, as Hiltz and
|
||
|
Turoff admit, "only the skimpiest of insights" into what those
|
||
|
effects might be, and which might predominate.(78)
|
||
|
|
||
|
It would be easy to gloss over the less attractive aspects of IRC and
|
||
|
to stress the more positive side. IRC is, after all - as it was
|
||
|
intended to be - fun. Nevertheless, those unattractive aspects cannot
|
||
|
be ignored. IRC, in common with other examples of computer mediated
|
||
|
communication, has no intrinsic moral implications. It is a cultural
|
||
|
tool, of a kind whose specific discursive background I have located
|
||
|
in postmodernism, that can be used in a number of differing and
|
||
|
contradictory ways.
|
||
|
|
||
|
Moral judgement of IRC is fruitless, since the possibilities are so
|
||
|
balanced that it is unclear which aspects of IRC might be dominant -
|
||
|
if any are. IRC is essentially postmodern, and as such its cultural
|
||
|
subversion can be as effectively channelled at egalitarianism as at
|
||
|
racism, at feminism as at sexism. IRC cannot be made to serve a moral
|
||
|
point - but it can be used to problematise the discourses of many
|
||
|
academic disciplines.
|
||
|
|
||
|
Interaction on IRC presents many anomalies that cannot be understood
|
||
|
in the light of present discourse. Its mode of communication is
|
||
|
synchronous, yet interlocutors are neither proximate nor necessarily
|
||
|
known to each other. There is a lack of conventional social and
|
||
|
emotive context cues - yet conversation can be highly personalised,
|
||
|
and a social structure has emerged. IRC is a social phenomena, yet
|
||
|
its existence is in the nowhere of electron states and its artifacts
|
||
|
in magnetic recordings. If IRC, and computer-mediated communication
|
||
|
in general, is to be fully understood and analysed, then the
|
||
|
conventions of many disciplines must be deconstructed. Linguistics,
|
||
|
communication theory, sociology, anthropology - and history - are
|
||
|
challenged by the culture shared by the users of IRC. The divisions
|
||
|
between spoken and written, and synchronous and asynchronous forms of
|
||
|
language, are broken down. The idea that as the communication
|
||
|
bandwidth narrows interaction should become increasingly impersonal
|
||
|
does not hold true for IRC. Understandings of cultural significances
|
||
|
as relying on physical display are challenged. Factors of authority,
|
||
|
hierarchy and social control are reconstructed. IRC deconstructs and
|
||
|
reconstructs not only its own structure but also the conventions of
|
||
|
the discourses that might address it.
|
||
|
|
||
|
If these disciplines are to be able to address postindustrial,
|
||
|
postmodern phenomena, they must be able to incorporate the challenges
|
||
|
that those phenomena offer them. IRC is only one example of the kinds
|
||
|
of interaction that are increasingly common in media utilising high-
|
||
|
tech, computerised technology. As it becomes more common - as more
|
||
|
corporations take to electronic mail and news systems to facilitate
|
||
|
communication, as more academics from non-science disciplines begin
|
||
|
to utilise the facilities offered by the Internet, as more people
|
||
|
come to rely on the styles of communication, community and culture
|
||
|
that have developed on Internet Relay Chat - discourse, and therefore
|
||
|
disciplines, must alter to encompass these media.
|
||
|
|
||
|
|
||
|
|
||
|
**APPENDIX_A:_IRC_COMMANDS**
|
||
|
|
||
|
The IRC user interface consists of a status line on the second line
|
||
|
from the bottom of the user's screen, and a command line on the
|
||
|
bottom of the screen on which typed input from the user can be seen.
|
||
|
The remainder of the screen shows the activity of other users,
|
||
|
results of input to the command line, or the results of information
|
||
|
requests of the IRC program. From this interface a number of commands
|
||
|
can be issued. The syntax for a command is:
|
||
|
/<command-name> <command-modifiers>
|
||
|
There are three sets of commands, available to three sets of users.
|
||
|
'User commands' are available to all users of IRC; 'chanop commands'
|
||
|
are available to the initiators of a channel; and 'oper commands' are
|
||
|
available to IRC server operators.
|
||
|
|
||
|
_USER_ COMMANDS_
|
||
|
Away: /away <some-string-of-text> is used when a user does not wish
|
||
|
to leave IRC, but can't attend to the screen for a while. Anyone
|
||
|
who /msg's or /whois's that user will be sent a message saying
|
||
|
that he is away, with his explanatory text string attached.
|
||
|
Msg's sent to him will be there for him to read when he, say,
|
||
|
gets back from lunch, and he will not have given the senders the
|
||
|
impression that he is ignoring them. Msg's sent will be
|
||
|
displayed to the recipient with the time and date received
|
||
|
shown.
|
||
|
Bye: /bye quits IRC.
|
||
|
Clear: /clear clears the screen.
|
||
|
Help: /help <command-name> will give the user detailed instructions
|
||
|
on how to use a specific command.
|
||
|
Ignore: /ignore <nickname> <message-type> makes the messages of a
|
||
|
specified type, from a given user, invisible to the issuer. The
|
||
|
use of 'all' for 'message-type' makes the specified user
|
||
|
invisible.
|
||
|
Join: /join <channel-name> joins a channel of that name, or creates
|
||
|
one if a channel of that name does not exist. There are four
|
||
|
types of channel:
|
||
|
Null channel: when the user initially enters IRC he will be
|
||
|
placed in channel 0, which is the null channel - he cannot
|
||
|
see the activity of any other users on that channel, but he
|
||
|
can issue commands, and receive and send private messages.
|
||
|
This null channel is a necessity considering that there are
|
||
|
usually over two hundred people using IRC at any one time.
|
||
|
Numeric channels: these channels can be of three types - public
|
||
|
channels (that show up on a /list or /names), secret
|
||
|
channels (which don't show up on /list etc., but the users
|
||
|
on them are listed as being on the null channel) and hidden
|
||
|
channels (neither channel name nor users on it will be shown
|
||
|
by any user command). Public channels are numbers 1-999,
|
||
|
secret channels are numbers 1000 and up, and hidden channels
|
||
|
are negative numbers.
|
||
|
+channels: these channels have a text name, prefixed by a '+'
|
||
|
(ie. +mychannel, +hottub and +gblf). The status of the
|
||
|
channel can be selected by the channel operator (see /mode
|
||
|
command).
|
||
|
#channels: these channels have a text name, prefixed by a '#'
|
||
|
(ie. #twilight_ or #report). As with +channels, the channel
|
||
|
status can be set by the channel operator. Unlike '+'
|
||
|
channels and numeric channels, a user may be on more than
|
||
|
one, and up to ten, #channels at one time, in addition to
|
||
|
being on one +channel or numeric channel.
|
||
|
Note that /join will, if issued from a +channel or a numeric
|
||
|
channel, automatically exit the user from that channel before he
|
||
|
can join another + or numeric channel.
|
||
|
Leave: /leave <channel-name> leaves that channel. If the user is not
|
||
|
on any other channels, he is placed in the null channel.
|
||
|
Links: /links lists the currently active set of IRC servers.
|
||
|
List: /list will give the user a list of all active chat channels,
|
||
|
the number of users on each, and the topics associated with each
|
||
|
channel.
|
||
|
Lusers: /lusers will tell the user how many people are on IRC, how
|
||
|
many "have a connection to the twilight zone" (are IRC
|
||
|
operators) and how many channels there are.
|
||
|
Msg: /msg <nickname or channel-name> sends a private message to
|
||
|
another user, or to all users on a specific channel.
|
||
|
Names: /names will list all channels and the nicks of people attached
|
||
|
to them. Chanops will be marked by an '@' sign prefixing their
|
||
|
nick.
|
||
|
Nick: /nick <some-string-of-text> changes the user's IRC nickname.
|
||
|
Note that IRC nicks can only be up to nine characters long.
|
||
|
Query: /query <nickname> opens a private conversation with another
|
||
|
user. Until a second query command, without an argument, is
|
||
|
issued, everything that the user types will be by default sent
|
||
|
only to the specified user instead of to a channel.
|
||
|
Time: /time <servername> will display the time and date local to that
|
||
|
IRC server. If a servername is not specified then the time and
|
||
|
date local to the user's server will be shown.
|
||
|
Topic: /topic <some-string-of-text> will set or change the topic of
|
||
|
the channel the user is on to the string specified.
|
||
|
Wallops: /wallops <some-string-of-text> writes a message to all IRC
|
||
|
operators online. This is useful if, for instance, special help
|
||
|
is needed with IRC.
|
||
|
Who: /who will return a list of the users currently on IRC, giving
|
||
|
their IRC nicknames and host addresses. This command can be
|
||
|
modified to list only users on particular servers, or particular
|
||
|
hosts. For instance. '/who -server *.au' would return a list of
|
||
|
all the people on Australian servers; '/who *' returns a list of
|
||
|
the users is on the same channel as the issuer of the command;
|
||
|
'/who <channel-name>' lists users on a particular channel.
|
||
|
Whois: /whois <nickname> gives detailed information about a user on
|
||
|
IRC.
|
||
|
Whowas: /whowas <nickname> gives detailed information about a user
|
||
|
who has recently logged off the system or recently changed
|
||
|
nicknames.
|
||
|
|
||
|
_CHANOP_COMMANDS_
|
||
|
Invite: /invite <nickname> invites a user to the channel that the
|
||
|
issuer of the command is on. Note that this command can be used
|
||
|
by non-chanops if the channel is not invite-only.
|
||
|
Kick: /kick <channel-name> <nickname> throws a specified user off
|
||
|
that channel and places them in the null channel.
|
||
|
Mode: this command is used by channel operators, who are the people
|
||
|
who initially invoked a channel name or have had chanop status
|
||
|
given them by a chanop. The syntax is: /mode <channel-name>
|
||
|
<modifier> <parameter>. Modifiers are
|
||
|
p - Private channel. Users who are not on the channel will not
|
||
|
see the channel name on a /names or /who list - the members
|
||
|
of the channel will appear to be on the null channel.
|
||
|
s - Secret channel. Users who are not on the channel will not
|
||
|
see the channel name on a /names or /who list, nor will the
|
||
|
names of the people who are on the channel appear on any
|
||
|
listing. The channel and users on it are invisible.
|
||
|
m - Moderated channel. Only chanops can 'speak'.
|
||
|
o - Operator privilege. This bestows chanop status and
|
||
|
privileges to the person (parameter) given. That person then
|
||
|
has access to these chanop commands.
|
||
|
t - Only operators can change the topic of the channel.
|
||
|
l - Limited channel. The number of people in this channel is
|
||
|
limited to the number (parameter) given.
|
||
|
i - Invite-only channel. Users cannot join the channel unless
|
||
|
invited to do so by a chanop.
|
||
|
note that all these modifiers must be used with either '+' or '-
|
||
|
to add or remove a specification from the channel's status.
|
||
|
|
||
|
_OPER_COMMANDS_
|
||
|
kill: /kill <nickname> breaks the specified user's connection to the
|
||
|
IRC network.
|
||
|
Oper: /oper <nickname> <password> users who have the potential for
|
||
|
operator privileges initially invoke those privileges with this
|
||
|
command, where nickname is the nickname under which operation is
|
||
|
intended, and password is the password known to the chat system
|
||
|
for that nickname.
|
||
|
Wall: /wall <some-string-of-text> is used to send a broadcast message
|
||
|
to everyone connected to IRC.
|
||
|
|
||
|
There are a number of other commands available to IRC operators -
|
||
|
/trace, /connect, /squit, /stats for example - pertaining to the
|
||
|
technical operation of IRC, controlling the network connections and
|
||
|
so forth. These commands are numerous and not strictly relevant to my
|
||
|
essay so I have chosen to exclude them from this list.
|
||
|
|
||
|
_MESSAGE_AND_COMMAND_FORMATS_
|
||
|
_IRC_messages_appear_as_follows:_
|
||
|
|
||
|
Private /msgs to a person:
|
||
|
are seen by the sender as: ->*recipient* <text>
|
||
|
are seen by the recipient as: *sender* <text>
|
||
|
Private /msgs to a channel:
|
||
|
are seen by the sender as: >channel> test
|
||
|
are seen by the recipient as: <sender/channel> text
|
||
|
Public messages:
|
||
|
are seen by the sender as: > text
|
||
|
are seen by the recipient/s as: <sender> text
|
||
|
Walls:
|
||
|
are seen by the sender as: #sender# text
|
||
|
are seen by the recipient/s as: #sender# text
|
||
|
Wallops:
|
||
|
are seen by the sender as: !sender! text
|
||
|
are seen by the recipient as: !sender! text
|
||
|
|
||
|
_The_results_of_IRC_commands_appear_as_follows:_
|
||
|
|
||
|
/invite commands produce:
|
||
|
as seen by the inviter:
|
||
|
*** Inviting Waftam to channel +anarres
|
||
|
as seen by the invited person:
|
||
|
*** Ireshi invites you to channel +anarres
|
||
|
/join commands produce:
|
||
|
*** Ireshi has joined channel +anarres
|
||
|
|
||
|
/kill commands produce:
|
||
|
as seen by IRC operators:
|
||
|
*** Notice -- Received KILL message for Ireshi. Path:
|
||
|
munagin.ee.mu.OZ.AU!Waftam (You don't know how much this
|
||
|
hurts me..)
|
||
|
as seen by the 'victim':
|
||
|
*** You have been killed by Waftam at
|
||
|
munagin.ee.mu.OZ.AU!Waftam
|
||
|
(You don't know how much this hurts me..)
|
||
|
*** Use /SERVER to reconnect to a server
|
||
|
|
||
|
/kick commands produce:
|
||
|
as seen by the kicker and other members of the channel:
|
||
|
*** Waftam has been kicked off channel +anarres by Ireshi
|
||
|
as seen by the person kicked:
|
||
|
*** You have been kicked off channel +anarres by Ireshi
|
||
|
|
||
|
/lists commands produce the following:
|
||
|
*** Channel Users Topic
|
||
|
*** +Vikz! 1
|
||
|
*** +Hulk 1
|
||
|
*** +anarres 2 Tests
|
||
|
*** +ricker 1
|
||
|
*** +hottub 5 Computers no bubbles.
|
||
|
*** +hack 1
|
||
|
*** #twilight_ 5
|
||
|
|
||
|
/mode commands produce:
|
||
|
*** Mode change "+i " on channel +anarres by Ireshi
|
||
|
|
||
|
/names commands produce:
|
||
|
Pub: +Vikz! @Vikz
|
||
|
Pub: +Hulk @HulkHogan
|
||
|
Pub: +anarres Waftam @Ireshi
|
||
|
Pub: +ricker @CandyMan
|
||
|
Pub: +hottub Glenn ozfuzzy Chetnik GA spewbabe
|
||
|
Pub: +hack sachz
|
||
|
Pub: #twilight_ Troy spewbabe Glenn @Avalon @Waftam
|
||
|
Prv: * titus dean ktpham DNA McAdder Amphiuma Titan
|
||
|
ThreeAM darling Xen
|
||
|
|
||
|
/nick commands produce:
|
||
|
*** Ireshi is now known as Test
|
||
|
|
||
|
/query commands produce:
|
||
|
- with an argument: *** Starting conversation with waftam
|
||
|
- without arguments: *** Ending conversation with waftam
|
||
|
|
||
|
/time commands produce:
|
||
|
*** munagin.ee.mu.OZ.AU : Thursday September 26 1991 -- 09:33
|
||
|
EST (from
|
||
|
munagin.ee.mu.OZ.AU)
|
||
|
|
||
|
/topic commands produce:
|
||
|
*** Ireshi has changed the topic to "Test"
|
||
|
|
||
|
/whois or /whowas commands produce:
|
||
|
*** Waftam is/was danielce@munagin.ee.mu.OZ.AU (Daniel Carosone)
|
||
|
*** on channels: Waftam :+anarres #twilight_zone
|
||
|
*** on irc via server munagin.ee.mu.OZ.AU (University of Melbourne,
|
||
|
Australia)
|
||
|
*** Waftam is away: busy working
|
||
|
*** Waftam has a connection to the twilight zone (is an IRC operator)
|
||
|
|
||
|
|
||
|
|
||
|
**BIBLIOGRAPHY**
|
||
|
|
||
|
ALLEN, THOMAS J. and OSCAR HAUPTMAN, "The Influence of Communication
|
||
|
Technologies on Organizational Structure" in Communication Research,
|
||
|
Vol.14 No.5, October 1987, pp. 575-587
|
||
|
|
||
|
ANKERSMIT, F.R., "Historiography and Postmodernism", History and
|
||
|
Theory no.28 (No. 2, 1989), pp 137-153.
|
||
|
|
||
|
BARLOW, JOHN PERRY, "Crime and Puzzlement: Desperados of the
|
||
|
DataSphere" electronic manuscript (also published in Whole Earth
|
||
|
Review, Sausalito, California, Fall 1990, pp.45-57).
|
||
|
|
||
|
BARON, N. S., Computer mediated communication as a force in language
|
||
|
change", Visible Language, Volume 18, Number 2, Spring 1984, pp.
|
||
|
118-141.
|
||
|
|
||
|
DENING, GREG, The Bounty: An Ethnographic History, Melbourne
|
||
|
University Press, 1988.
|
||
|
|
||
|
GEERTZ, CLIFFORD, The Interpretation of Cultures: selected essays,
|
||
|
Basic Books, Inc.: New York, 1973.
|
||
|
|
||
|
HIEMSTRA, GLEN, "Teleconferencing, Concern for Face, and
|
||
|
Organizational Culture", in M. Burgoon (ed.), Communication Yearbook
|
||
|
6, Sage: Berverly Hills, 1982, p.874.
|
||
|
|
||
|
HILTZ, STARR ROXANNE and MURRAY TUROFF, The Network Nation: Human
|
||
|
Communication via Computer, Addison-Wesley Publishing Company, Inc.:
|
||
|
Reading, Mass., 1978.
|
||
|
|
||
|
HILTZ, S. R., and TUROFF, M., "Structuring computer-mediated
|
||
|
communication systems to avoid information overload", Communications
|
||
|
of the ACM,Volume 28, Number 7, July 1985, pp. 680-689.
|
||
|
|
||
|
JOHANSEN, ROBERT, JACQUES VALLEE and KATHLEEN SPANGLER, Electronic
|
||
|
Meetings: Technical Alternatives and Social Choices, Addison-Wesley
|
||
|
Publishing Company, Inc.: Reading, Mass., 1979.
|
||
|
|
||
|
KIESLER, SARA, JANE SIEGEL, and TIMOTHY W. McGUIRE, "Social
|
||
|
psychological aspects of computer-mediated communication", American
|
||
|
Psychologist, Volume 39, Number 10, October 1984, pp. 1123-1134.
|
||
|
|
||
|
KIESLER, SARA and LEE SPROULL, "Reducing Social Context Cues:
|
||
|
Electronic Mail in Organizational Communication" in Management
|
||
|
Science Vol.32 No.11, November 1986, pp.1492-1512.
|
||
|
|
||
|
LAQUEY, TRACEY L., The User's Directory of Computer Networks,
|
||
|
Digital Press: Massachussets, 1990.
|
||
|
|
||
|
Logs of IRC sessions (included as Appendix B).
|
||
|
|
||
|
LUI, ALAN, "Local Transcendence: Cultural Criticism, Postmodernism,
|
||
|
and the Romanticism of Detail", Representations No. 32: Fall 1990, pp
|
||
|
77-78.
|
||
|
|
||
|
LYOTARD, JEAN-FRANCOIS, The Postmodern Condition: A Report on
|
||
|
Knowledge, University of Minnesota Press: Minneapolis, 1984.
|
||
|
|
||
|
MEYER, GORDON and JIM THOMAS, "The Baudy World of the Byte Bandit: A
|
||
|
Postmodernist Interpretation of the Computer Underground" electronic
|
||
|
manuscript (also published in SCHMALLEGER, F. (ed.), Computers in
|
||
|
Criminal Justice,Wyndham Hall: Bristol, Indiana, 1990, pp. 31-67 )
|
||
|
An earlier version of this paper was presented at the American
|
||
|
Society of Criminology annual meetings, Reno (November 9, 1989).
|
||
|
|
||
|
MEYER, GORDON R., The Social Organization of the Computer
|
||
|
Underground, Masters Thesis: Northern Illinois University,
|
||
|
Department of Sociology, DeKalb, Illinois: 1989.
|
||
|
|
||
|
See MILLWARD, ROSS and PHILIP LEVERTON,Technical note 82: Using the
|
||
|
UNIX Mail System, University Computing Services: University of
|
||
|
Melbourne, 1989, pp 13-15.
|
||
|
|
||
|
The on-line hacker Jargon File, version 2.9.4, July 1991.
|
||
|
|
||
|
RICE, RONALD E. and DONALD CASE, "Electronic Message Systems in the
|
||
|
University: A Description of Use and Utility" in Journal of
|
||
|
Communication No.33 1983, pp131-152
|
||
|
|
||
|
RICE, RONALD E. and GAIL LOVE, "Electronic Emotion: Socioemotional
|
||
|
Content in a Computer-Mediated Communication Network" in
|
||
|
Communication Research Vol.14 No.1, February 1987, pp 85-108.
|
||
|
|
||
|
SCHNEIDER, D., "Notes Toward a Theory of Culture", in K.R. Basso and
|
||
|
H.A. Selby (eds.), Meaning in Anthropology, University of New Mexico
|
||
|
Press: Albuquerque, 1976, p.197-220.
|
||
|
|
||
|
VAN MAANEN, JOHN, and STEPHEN BARLEY, "Cultural Organization:
|
||
|
Fragments of a Theory." in P.J. Frost, et. al., (eds.),
|
||
|
Organizational Culture, Sage: Beverly Hills, 1985, pp. 31-53.
|
||
|
|
||
|
ZAGORIN, PEREZ, "Historiography and Postmodernism: Reconsiderations",
|
||
|
History and Theory,pp 263-274.
|
||
|
|
||
|
|
||
|
|
||
|
**FOOTNOTES**
|
||
|
|
||
|
1 BARON, NAOMI S., "Computer Mediated Communication as a Force in
|
||
|
Language Change" in Visible Language Vol.18 No.2 Spring 1984, p.120.
|
||
|
2 BARON, op cit, p.122.
|
||
|
3 Many of the references that I have used approach CMC from this
|
||
|
perspective - see, for instance, RICE, RONALD E. and DONALD CASE,
|
||
|
"Electronic Message Systems in the University: A Description of Use
|
||
|
and Utility" in Journal of Communication No.33 1983, pp131-152, and
|
||
|
ALLEN, THOMAS J. and OSCAR HAUPTMAN, "The Influence of Communication
|
||
|
Technologies on Organizational Structure" in Communication Research,
|
||
|
Vol.14 No.5, October 1987, pp. 575-587. A notable exception is the
|
||
|
work of Gordon Meyer and Jim Thomas, particularly "The Baudy World of
|
||
|
the Byte Bandit: A Postmodernist Interpretation of the Computer
|
||
|
Underground" (published in SCHMALLEGER, F. (ed.), Computers in
|
||
|
Criminal Justice, Wyndham Hall: Bristol, Indiana, 1990, pp. 31-67 )
|
||
|
While not discussing the impact of CMC on human interaction per se,
|
||
|
they discuss computer-mediated communities in the context of
|
||
|
'hacking', that is, unauthorised access to computer media.
|
||
|
4 RICE, RONALD E. and GAIL LOVE, "Electronic Emotion:
|
||
|
Socioemotional Content in a Computer-Mediated Communication Network"
|
||
|
in Communication Research Vol.14 No.1, February 1987, p. 88.
|
||
|
5 The Internet will be discussed in detail in the Introduction.
|
||
|
6 A common test has been the assessment of the time taken and
|
||
|
methods used by CMC groups to reach concensus on a given problem as
|
||
|
compared to face-to-face groups. See, for instance, KIESLER, SARA,,
|
||
|
JANE SIEGEL and TIMOTHY W. McGUIRE, "Social Psychological Aspects of
|
||
|
Computer-Mediated Communication" in American Psychologist Vol.39
|
||
|
No.10 October 1984, pp.1123-1134. This is clearly not an accurate
|
||
|
measure of the kind of communication that occurs on IRC, which is
|
||
|
chat rather than debate.
|
||
|
7 MEYER, GORDON and JIM THOMAS, "The Baudy World of the Byte
|
||
|
Bandit: A Postmodernist Interpretation of the Computer Underground",
|
||
|
electronic manuscript, (also published in SCHMALLEGER, F. (ed.),
|
||
|
Computers in Criminal Justice, Wyndham Hall: Bristol, Indiana, 1990,
|
||
|
pp. 31-67) lines 837-838. See Footnote 15 regarding electronic
|
||
|
manuscripts.
|
||
|
8 ANKERSMIT, F.R., "Historiography and Postmodernism", History
|
||
|
and Theory no.28 (No. 2, 1989), p.151.
|
||
|
9 ZAGORIN, PEREZ, "Historiography and Postmodernism:
|
||
|
Reconsiderations", History and Theory, Vol.29 No.3, 1990, p. 265.
|
||
|
10 SCHNEIDER, D., "Notes Toward a Theory of Culture", in K.R.
|
||
|
Basso and H.A. Selby (eds.), Meaning in Anthropology, University of
|
||
|
New Mexico Press: Albuquerque, 1976, p.198.
|
||
|
11 HIEMSTRA, GLEN, "Teleconferencing, Concern for Face, and
|
||
|
Organizational Culture", in M. Burgoon (ed.), Communication Yearbook
|
||
|
6, Sage: Berverly Hills 1982, p.874.
|
||
|
12 LUI, ALAN, "Local Transcendence: Cultural Criticism,
|
||
|
Postmodernism, and the Romanticism of Detail", Representations No.
|
||
|
32: Fall 1990, pp 77-78.
|
||
|
13 ANKERSMIT, F.R., "Historiography and Postmodernism", History
|
||
|
and Theory No. 28 (No.2, 1989) p.148.
|
||
|
14 LYOTARD, JEAN-FRANCOIS, The Postmodern Condition: A Report on
|
||
|
Knowledge, University of Minnesota Press: Minneapolis, 1984, p.3.
|
||
|
15 Two of the articles that I have made use of have only been
|
||
|
available to me in electronic format, although they have been
|
||
|
published in the United States. These are: MEYER, GORDON and JIM
|
||
|
THOMAS, "The Baudy World of the Byte Bandit: A Postmodernist
|
||
|
Interpretation of the Computer Underground" (published in
|
||
|
SCHMALLEGER, F. (ed.), Computers in Criminal Justice, Wyndham Hall:
|
||
|
Bristol, Indiana, 1990, pp. 31-67 ), and BARLOW, JOHN PERRY, "Crime
|
||
|
and Puzzlement: Desperados of the DataSphere" (published in Whole
|
||
|
Earth Review, Sausalito, California, Fall 1990, pp.45-57). The former
|
||
|
was electronically mailed to me by the authors, the latter was posted
|
||
|
to the newsgroup alt.hackers. In referring to these articles, I have
|
||
|
cited the electronic form of the texts, since that is what I have
|
||
|
been working with, giving line numbers rather than page references.
|
||
|
However, electronic manuscripts would generally be read from within a
|
||
|
text editor or word processor, enabling the reader to search for a
|
||
|
specific text string.
|
||
|
16 LYOTARD, op cit, p.4.
|
||
|
17 BARLOW, op cit, lines 322-326.
|
||
|
18 For a brief description of ARPANET, the Internet and AARNet,
|
||
|
see MILLWARD, ROSS and PHILIP LEVERTON,Technical note 82: Using the
|
||
|
UNIX Mail System, University Computing Services: University of
|
||
|
Melbourne, 1989,,pp 13-15. For a more detailed discussion, see
|
||
|
LAQUEY, TRACEY L., The User's Directory of Computer Networks,
|
||
|
Digital Press: Massachusetts, 1990, pp.193-379, especially pp.193-
|
||
|
204.
|
||
|
19 Based on a conversation with 'Max' on IRC, Thursday July 11th,
|
||
|
22.20. My quotes from IRC sessions are taken from 'logs', computer
|
||
|
files which consist of the records of conversations on IRC, either
|
||
|
kept by me or given to me by the log keepers. In all quotes from
|
||
|
logged IRC sessions, I have preserved the original spelling and
|
||
|
syntax. I have, however, changed the names of the interlocutors
|
||
|
unless I have been specifically requested by them not to do so. I
|
||
|
have done my best to be certain that I have not used nicknames
|
||
|
already in use on IRC - if I have inadvertently done so, my apologies
|
||
|
to the people concerned. I have also deleted the Internet emailing
|
||
|
addresses of IRC users so as to protect their privacy - for instance,
|
||
|
my own address emr@munagin.ee.mu.oz.au appears as *@*.*.*.oz.au. I
|
||
|
have thus indicated the geographic location of users without
|
||
|
disclosing their full addresses and identities. In the version
|
||
|
submitted to the University of Melbourne, these logs were included as
|
||
|
Appendix B.
|
||
|
20 The full listing is: Austria, Australia, Canada, Switzerland,
|
||
|
Germany, Denmark, Finland, France, Israel, Italy, Japan, Korea,
|
||
|
Mexico, Netherlands, New Zealand, Norway, Spain, Sweden, United
|
||
|
Kingdom, United States. Taken from a posting to the newsgroup alt.irc
|
||
|
(from: troy@plod.cbme.unsw.oz.au (Troy Rollo), Organization: Centre
|
||
|
for Biomedical Engineering, Uni of NSW, Date: 10 Jul 91 10:27:48 GMT,
|
||
|
Subject: NickServ Statistics as at July 10 1991).
|
||
|
21 See Appendix A for a more complete (though not exhaustive) list
|
||
|
and description of IRC commands.
|
||
|
22 'Virtual reality' is a phrase often used by users and
|
||
|
constructors of computer systems designed to mimic 'real life'. The
|
||
|
word 'virtual' is also used to describe individual computer-simulated
|
||
|
equivalents of aspects of reality. The ABC recently aired a program
|
||
|
discussing the technology of virtual reality: the BBC production
|
||
|
"Colonising Cyberspace: Advances in Virtual Reality Technology" was
|
||
|
shown on Sunday 11th August at 9.30pm as part of the "Horizens"
|
||
|
series.
|
||
|
23 BARLOW, JOHN PERRY, "Crime and Puzzlement: Desperados of the
|
||
|
DataSphere", electronic manuscript (also published in Whole Earth
|
||
|
Review, Sausalito, California, Fall 1990, pp.45-57), lines 56-68.
|
||
|
24 DENING, GREG, The Bounty: An Ethnographic History, Melbourne
|
||
|
University Press, 1988, p.102.
|
||
|
25 GEERTZ, CLIFFORD; The Interpretation of Cultures: selected
|
||
|
essays; Basic Books, Inc.: New York, 1973, p.45.
|
||
|
26 DENING, op cit, p.100.
|
||
|
27 This may not be the case in the future. Recent advances in
|
||
|
'multi-media' computer applications make the development of CMC
|
||
|
systems that incorporate video, audio and textual elements a
|
||
|
possibility.
|
||
|
28 KIESLER, SARA, JANE SIEGEL, and TIMOTHY W. McGUIRE, "Social
|
||
|
Psychological Aspects of Computer-Mediated Communication", American
|
||
|
Psychologist, Volume 39, Number 10, October 1984, p. 1126.
|
||
|
29 KIESLER, SIEGEL and McGUIRE, op cit, p. 1126.
|
||
|
30 For technical reasons - which I am not competent to explain -
|
||
|
IRC nicknames cannot be of more than nine characters in length.
|
||
|
31 The significance of IRC 'nicks' will be discussed in Part Two:
|
||
|
Constructing Communities.
|
||
|
32 KIESLER, SARA and LEE SPROULL, "Reducing Social Context Cues:
|
||
|
Electronic Mail in Organizational Communication" in Management
|
||
|
Science Vol.32 No.11, November 1986, p.1497. Sproull and Kiesler's
|
||
|
comment suggests that user names were predetermined in the system
|
||
|
that they were investigating. If this has been generally the case in
|
||
|
the CMC systems that have been written about, then users may not have
|
||
|
the option of altering names, and therefore potentially their
|
||
|
perceived gender.
|
||
|
33 IRC log, Friday July 12th, 00.39. This log is taken by
|
||
|
'Marion', therefore her name does not appear in the log. I have added
|
||
|
her name to the beginning of her statements for the sake of clarity.
|
||
|
34 KIESLER, SARA and LEE SPROULL, op cit, p.1498.
|
||
|
35 KIESLER, SIEGEL and McGUIRE, op cit, p.1129.
|
||
|
36 RICE, RONALD E. and GAIL LOVE, "Electronic Emotion:
|
||
|
Socioemotional Content in a Computer-Mediated Communication Network"
|
||
|
in Communication Research Vol.14 No.1, February 1987, p.89.
|
||
|
37 IRC log, Friday July 12th, 00.39.
|
||
|
38 KIESLER, SIEGEL and McGUIRE, op cit, p.1127.
|
||
|
39 KIESLER, SIEGEL and McGUIRE, op cit, p.1129.
|
||
|
40 IRC log, Tuesday May 14th, 23.48
|
||
|
41 HILTZ, STARR ROXANNE and MURRAY TUROFF, The Network Nation:
|
||
|
Human Communication via Computer, Addison-Wesley Publishing Company,
|
||
|
Inc.: Reading, Mass., 1978,,p.101.
|
||
|
42 Users of the Internet often refer to social phenomena occurring
|
||
|
on the system by using the format "net.<phenomenon>" - thus
|
||
|
'net.sleazing' and 'net.romance.'
|
||
|
43 HIEMSTRA, GLEN, "Teleconferencing, Concern for Face, and
|
||
|
Organizational Culture", in M. Burgoon (ed.), Communication Yearbook
|
||
|
6, Sage: Berverly Hills, 1982, p.880.
|
||
|
44 IRC log, Sunday July 7th, 18.36 - note that these are 'wallop'
|
||
|
messages, that is messages written to all operators. +gblf is a
|
||
|
popular channel on IRC, so popular that it is in almost - that is,
|
||
|
barring technical mishaps - permanent use. The acronym stands for
|
||
|
'gays, bisexuals, lesbians and friends.' Other 'permanent' IRC
|
||
|
channels are +hottub, known for flirtatious chat, and +initgame, in
|
||
|
which users play games of 'twenty questions'.
|
||
|
45 IRC log, Tuesday May 14th, 23.48. In the original transcript,
|
||
|
taken by 'Lola', her name is not shown. 'Han's' private messages to
|
||
|
'Lola' appear as shown, however her private messages to him appear in
|
||
|
the format "->*Han* <message text>. I have included 'Lola's' name at
|
||
|
the beginning of her statements for the sake of clarity.
|
||
|
46 BARLOW, JOHN PERRY, "Crime and Puzzlement: Desperados of the
|
||
|
DataSphere" electronic manuscript (published in Whole Earth Review,
|
||
|
Sausalito, California, Fall 1990, pp.45-57) lines 114-115.
|
||
|
47 See LYOTARD, JEAN-FRANCOIS, The Postmodern Condition: A Report
|
||
|
on Knowledge, University of Minnesota Press: Minneapolis, 1984,
|
||
|
especially "Part Three - The Method: Language Games," pp.9-11 for a
|
||
|
discussion of this concept.
|
||
|
48 MEYER, GORDON and JIM THOMAS, "The Baudy World of the Byte
|
||
|
Bandit: A Postmodernist Interpretation of the Computer Underground"
|
||
|
electronic manuscript (also published in SCHMALLEGER, F. (ed.),
|
||
|
Computers in Criminal Justice, Wyndham Hall: Bristol, Indiana, 1990,
|
||
|
pp. 31-67 ) lines 208-236.
|
||
|
49 MEYER and THOMAS, lines 237-238.
|
||
|
50 MEYER and THOMAS, lines 289-291
|
||
|
51 VAN MAANEN, JOHN, and STEPHEN BARLEY, "Cultural Organization:
|
||
|
Fragments of a Theory." in P.J. Frost, et. al., (eds.),
|
||
|
Organizational Culture, Sage: Beverly Hills, 1985, p.33..
|
||
|
52 MEYER and THOMAS, lines 172-174.
|
||
|
53 MEYER and THOMAS, lines 175-177.
|
||
|
54 GEERTZ, CLIFFORD, The Interpretation of Cultures: selected
|
||
|
essays, Basic Books, Inc.: New York, 1973, p.44.
|
||
|
55 The "The on-line hacker Jargon File, version 2.9.4, July 1991",
|
||
|
an electronic dictionary of computer-related terms defines
|
||
|
'netiquette' "as, /net'ee-ket/ or /net'i-ket/ [portmanteau from
|
||
|
"network etiquette"] n. Conventions of politeness recognized on
|
||
|
{USENET}." Note that USENET is the news network that the Internet
|
||
|
carries.
|
||
|
56 KIESLER, S., SIEGEL, J., and McGUIRE, T. W., "Social
|
||
|
psychological aspects of computer-mediated communication", American
|
||
|
Psychologist, Volume 39, Number 10, October 1984, p.1125.
|
||
|
57 Cited in KIESLER, et al, p.1125.
|
||
|
58 To a lesser extent, users of IRC will also use other non-
|
||
|
alphanumeric characters (for instance '<', '>', '#', '!' and '-') to
|
||
|
enclose and denote 'physical' actions and responses. The asterisk is,
|
||
|
however, by far the most common indicator.
|
||
|
59 IRC log, Thursday May 2nd, 20.06.
|
||
|
60 IRC log, Sunday June 30th, 17.12. As in previous quotes, the
|
||
|
name of the log keeper - 'Fireship' - has been added for the sake of
|
||
|
clarity.
|
||
|
61 Geertz, op cit, p.46.
|
||
|
62 This term is in general use throughout the computer network.
|
||
|
The "The on-line hacker Jargon File, version 2.9.4, July 1991"
|
||
|
defines them as follows:
|
||
|
emoticon: /ee-moh'ti-kon/ n. An ASCII glyph used to indicate an
|
||
|
emotional state in email or news. Hundreds have been proposed, but
|
||
|
only a few are in common use. These include:
|
||
|
:-) `smiley face' (for humor, laughter, friendliness,
|
||
|
occasionally sarcasm)
|
||
|
:-( `frowney face' (for sadness, anger, or upset)
|
||
|
,-) `half-smiley' ({ha ha only serious}), also known as `semi-
|
||
|
smiley' or `winkey face'.
|
||
|
:-/ `wry face'
|
||
|
(These may become more comprehensible if you tilt your head sideways,
|
||
|
to the left.)
|
||
|
The first 2 listed are by far the most frequently encountered.
|
||
|
Hyphenless forms of them are common on CompuServe, GEnie, and BIX,
|
||
|
see also {bixie}. On {USENET}, `smiley' is often used as a generic
|
||
|
term synonymous with {emoticon}, as well as specifically for the
|
||
|
happy-face emoticon. It appears that the emoticon was invented by one
|
||
|
Scott Fahlman on the CMU {bboard} systems around 1980. He later
|
||
|
wrote: "I wish I had saved the original post, or at least recorded
|
||
|
the date for posterity, but I had no idea that I was starting
|
||
|
something that would soon pollute all the world's communication
|
||
|
channels."
|
||
|
Note that CompuServe, GEnie, and BIX are computer networks.
|
||
|
63 Note that the setting of an 'away message' causes all private
|
||
|
messages sent to someone who is /away to appear on their screen with
|
||
|
the date and time at which they were received shown. The sender
|
||
|
receives the 'away message' - this function is mostly used when a
|
||
|
person must be away from their terminal for a while, but does not
|
||
|
wish to leave IRC.
|
||
|
64 The news service carried by the Internet, known as Usenet News,
|
||
|
contains many hundreds of groups, which are organised into divisions
|
||
|
according to their application. Each division will contain many
|
||
|
newsgroups, further divided into smaller subdivisions. These
|
||
|
divisions and their subdivisions are known as hierarchies. Examples
|
||
|
of major newsgroup divisions are the 'alt', 'rec' and 'sci'
|
||
|
hierarchies, which contain such newsgroups as alt.irc, rec.humour,
|
||
|
rec.society.greek, rec.society.italian and sci.physics.fusion.edward.
|
||
|
teller.boom.boom.boom.
|
||
|
65 See Footnote 20 in Part One regarding channels +hottub and
|
||
|
+gblf.
|
||
|
66 Newsgroup alt.irc 28.9.91. I have omitted the name and Internet
|
||
|
address of the poster at his request.
|
||
|
67 Internet Relay Chat, documentation file 'MANUAL.' Copyright
|
||
|
(C) 1990, Karl Kleinpaste (Author: Karl Kleinpaste; email
|
||
|
karl@cis.ohio-state.edu; Date: 04 Apr 1989; Last modification: 05
|
||
|
Oct 1990).
|
||
|
68 IRC log, Sunday July 7th, 18.36. This log was taken by an irc
|
||
|
operator - these lines consist of 'notices' sent by operators to all
|
||
|
other operators online. They are read as follows: the first 'notice'
|
||
|
announces that a user named '14982784' has been banished from the IRC
|
||
|
system by an operator named 'MaryD', the second that a user named
|
||
|
'mic' was 'killed' by an operator named 'mgp.' 'Dumping' denotes the
|
||
|
sending of long strings of text to the IRC environment. This is
|
||
|
frowned upon since it prevents other users from being able to
|
||
|
converse, and because it can cause the IRC server connections to
|
||
|
malfunction. 'ctrl-gs' refers to the combination of the [control] and
|
||
|
[g] keys on a computer keyboard which, when pressed together, will
|
||
|
cause the computer to sound a 'beep'. If many 'ctrl-gs' are sent to
|
||
|
an IRC channel then the terminals of all the channel participants
|
||
|
will 'beep', which can be extremely annoying to those users. '/kill
|
||
|
notices' are accompanied by technical information regarding the
|
||
|
details of the 'path' over the computer network that the command
|
||
|
travelled - these details, being lengthy and irrelevant to my
|
||
|
purpose, I have omitted. Note that there is nothing to stop 'killed'
|
||
|
users from reconnecting to IRC.
|
||
|
69 IRC log, Sunday July 7th, 18.36.
|
||
|
70 IRC log, Sunday September 22nd, 08.22. Again, I have deleted
|
||
|
all information pertaining to the IRC network routes from these
|
||
|
messages.
|
||
|
71 IRC log, Sunday September 22nd, 08.22. Note that Chas's
|
||
|
'laughter', and Alfred's final comment, are wallop messages, that is,
|
||
|
a message written to all operators.
|
||
|
72 HILTZ, S. R., and TUROFF, M., "Structuring computer-mediated
|
||
|
communication systems to avoid information overload", Communications
|
||
|
of the ACM,Volume 28, Number 7, July 1985, p. 688.
|
||
|
73 Apparently, Kuwait had just purchased an Internet link some few
|
||
|
weeks before the Iraq invasion, and, while radio and television
|
||
|
broadcasts out of the country were quickly stifled, almost a week
|
||
|
passed before the Internet link was disabled. A number of Kuwaiti
|
||
|
students were able to use IRC during this time and gave on-the-spot
|
||
|
reports. Israel is also on the Internet, and I am told that users
|
||
|
from the two countries often interacted with very few disagreements
|
||
|
and mostly with sympathy for each other's position and outlook. A
|
||
|
similar pattern was followed during the attempted Russian coup. At
|
||
|
times of such international crisis, IRC users will form a channel
|
||
|
named +report in which news or eyewitness reports from around the
|
||
|
world will be shared.
|
||
|
74 IRC log, Sunday June 30th, 17.12
|
||
|
75 MEYER, GORDON and JIM THOMAS, "The Baudy World of the Byte
|
||
|
Bandit: A Postmodernist Interpretation of the Computer Underground"
|
||
|
electronic manuscript (also published in SCHMALLEGER, F. (ed.),
|
||
|
Computers in Criminal Justice, Wyndham Hall: Bristol, Indiana, 1990)
|
||
|
lines 1145-1146.
|
||
|
76 Quoted in MEYER and THOMAS, lines 1158-1161.
|
||
|
77 JOHANSEN, ROBERT, JACQUES VALLEE and KATHLEEN SPANGLER,
|
||
|
Electronic Meetings: Technical Alternatives and Social Choices,
|
||
|
Addison-Wesley Publishing Company, Inc.: Reading, Mass., 1979,
|
||
|
pp.117-118.
|
||
|
78 HILTZ, STARR ROXANNE and MURRAY TUROFF, The Network Nation:
|
||
|
Human Communication via Computer, Addison-Wesley Publishing Company,
|
||
|
Inc.: Reading, Mass., 1978, p.102.
|
||
|
79 These examples are taken from a sample session of IRC. The results
|
||
|
of /names and /list have been shortened.
|