883 lines
36 KiB
Plaintext
883 lines
36 KiB
Plaintext
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-------------------------------------
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many, Many, MANY jokes from USENET...
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How to buy a New STEREO.....
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-1-
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Carefully calculate power requirements, based on room dimensions, etc.
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Multiply by a factor of 100.
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-2-
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The ideal system should have as many lights as possible, preferably
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blinking and flashing in time with the music.
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(NOTE: not the 60's psychedelic kind, but sleek arrays of LEDs)
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-3-
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The components should all have black metal finish, and generally look
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very C00L.
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-4-
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The system should be broken up into as many components as possible.
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(e.g. pre-amp, pre-pre-amp, post-amp, etc.)
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-5-
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The most important part of a stereo system is the speakers, they should
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look very cool. Size and number of sub-speakers is important.
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(e.g. woofers, tweeters, sub-woofers, super-sub-woofers, etc.)
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-6-
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The system should resemble the cockpit of an F16 or 757 aircraft.
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-7-
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The system should have full remote control capability, including over the
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mobile auto cellular phone so that the stereo can be playing as you get home.
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-8-
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Should have the capability of playing different music in every room of the
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house.
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-9-
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Components should have a cool names.
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(like Nakamichi, Bang & Olufsen, Akai, etc. -- NOT Luxman, Soundesign
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or Magnavox)
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-10-
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The complete set up should put a major recording studio (or large radio
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station to shame).
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-11-
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Having state of the art equiptment is not enough. You should be a year or two
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ahead of everyone else. Equipment over the warranty period is obsolete and
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should be disposed of promptly.
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-12-
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The most important factor....
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Out of everyone you know who owns stereo equipment, yours should be better.
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Canonical List of oxymorons
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===========================
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Advanced BASIC
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Airline food
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American culture
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Athletic scholarship
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Black Light
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Brave politician
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Business ethics
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Central Intelligence (Agency)
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Cheerful pessimist
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Chili
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Communist party (fun time!)
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Corporate planning
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Covert U.S. operations in Central America
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Creationist Science
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Definite maybe
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Fallout Shelter
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Good Television (Shows)
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High School Education
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Honest crook
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Honest politician
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House Ethics Committee
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Innocent women
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Jumbo shrimp
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Justice Burger
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Justice system
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Libertarian Organization
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Liberty Federation
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Limited Nuclear War
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Logical Thought
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Long-Island Expressway
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Management Science
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Military intelligence
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Moral Majority
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Never generalize!!
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New Democratic Party
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Non-Alcoholic Beer
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Plastic glasses?
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Postal service
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Practical logic
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President Reagan
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Progressive Conservative
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Rapid transit
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Resident Visitor (from consultant to a company who works on premises)
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Same difference
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Social Security
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Student Athlete
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Super Bowl (XX = Yawn)
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Sweet sorrow
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Terribly pleased
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Union craftsman
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United Nations
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Wise fool
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=============================================================================
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Dear Mr. Jefferson:
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We have read your 'Declaration of Independence' with great interest.
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Certainly, it represents a considerable undertaking, and many of your
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statements do merit serious consideration. Unfortunately, the Declaration as a
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whole fails to meet recently adopted specifications for proposals to the Crown,
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so we must return the document to you for further refinement. The questions
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which follow might assist you in your process of revision:
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1. In your opening paragraph you use the phrase 'the Laws of Nature and
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Nature's God.' What are these laws? In what way are they the criteria
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on which you base your central arguments? Please document with
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citations from the recent literature.
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2. In the same paragraph you refer to the 'opinions of mankind.' Whose
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polling data are you using? Without specific evidence, it seems to
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us the 'opinions of mankind' are a matter of opinion.
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3. You hold certain truths to be 'self-evident.' Could you please
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elaborate. If they are as evident as you claim then it should not be
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difficult for you to locate the appropriate supporting statistics.
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4. 'Life, Liberty, and the pursuit of happiness' seem to be the goals of
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your proposal. These are not measurable goals. If you were to say that
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'among these is the ability to sustain an average life expectancy in
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six of the 13 colonies of at last 55 years, and to enable newspapers
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in the colonies to print news without outside interference, and to
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raise the average income of the colonists by 10 percent in the next
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10 years,' these could be measureable goals. Please clarify.
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5. You state that 'Whenever any Form of Government becomes destructive of
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these ends, it is the Right of the People to alter or to abolish it,
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and to institute a new Government....' Have you weighed this assertion
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against all the alternatives? What are the trade-off considerations?
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6. Your description of the existing situation is quite extensive. Such a
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long list of grievances should precede the statement of goals, not
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follow it. Your problem statement needs improvement.
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7. Your strategy for achieving your goal is not developed at all. You
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state that the colonies 'ought to be Free and Independent States,' and
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that they are 'Absolved from All Allegiance to the British Crown.' Who
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or what must change to achieve this objective? In what way must they
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change? What specific steps will you take to overcome the resistance?
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How long will it take? We have found that a little foresight in these
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areas helps to prevent careless errors later on. How cost-effective are
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your stategies?
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8. Who among the list of signatories will be responsible for implementing
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your strategy? Who conceived it? Who provided the theoretical research?
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Who will constite the advisory committee? Please submit an organization
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chart and vitas of the principal investigators.
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9. You must include an evaluation design. We have been requiring this
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since Queen Anne's War.
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10. What impact will your problem have? Your failure to include any
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assesment of this inspires little confidence in the long-range
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prospects of your undertaking.
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11. Please submit a PERT diagram, an activity chart, itemized budget, and
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manpower utilization matrix.
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We hope that these comments prove useful in revising your 'Declaration of
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Independence.' We welcome the submission of your revised proposal. Our due date
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for unsolicited proposals is July 31, 1776. Ten copies with original signatures
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will be required.
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Signed: Management Analyst to the British Crown
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--
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O'Donnell's Laws of Cartoon Motion
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[Quoted without permission from Jun '80 Esquire]
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I. Any body suspended in space will remain in space until made
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aware of its situation.
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Daffy Duck steps off a cliff, expecting further pastureland.
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He loiters in midair, soliloquizing flippantly, until he
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chances to look down. At this point, the familiar principle
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of 32 feet per second per second takes over.
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II. Any body in motion will tend to remain in motion until solid matter
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intervenes suddenly.
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Whether shot from a cannon or in hot pursuit on foot, cartoon
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characters are so absolute in their momentum that only a
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telephone pole or an outsize boulder retards their forward
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motion absolutely. Sir Isaac Newton called this sudden
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termination of motion the stooge's surcease.
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III. Any body passing through solid matter will leave a perforation
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conforming to its perimeter.
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Also called the silhouette of passage, this phenomenon is the
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speciality of victims of directed-pressure explosions and of
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reckless cowards who are so eager to escape that they exit
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directly through the wall of a house, leaving a cookie-cutout-
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perfect hole. The threat of skunks or matrimony often
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catalyzes this reaction.
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IV. The time required for an object to fall twenty stories is greater
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than or equal to the time it takes for whoever knocked it off the
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ledge to spiral down twenty flights to attempt to capture it unbroken.
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Such an object is inevitably priceless, the attempt to capture
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it inevitably unsuccessful.
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V. All principles of gravity are negated by fear.
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Psychic forces are sufficient in most bodies for a shock to
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propel them directly away from the earth's surface. A spooky
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noise or an adversary's signature sound will induce motion
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upward, usually to the cradle of a chandelier, a treetop, or
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the crewst of a flagpole. The feet of a character who is
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running or the wheels of a speeding auto need never touch
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the ground, especially when in flight.
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VI. As speed increases, objects can be in several places at once.
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This is particularly true of tooth-and-claw fights, in
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which a character's head may be glimpsed emerging from the
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cloud of altercation at several places simultaneously. This
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effect is common as well among bodies that are spinning or
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being throttled. A "wacky" character has the option of self-
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replication only at manic high speeds and may ricochet off
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walls to achieve the velocity required.
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VII. Certain bodies can pass through solid walls painted to resemble
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tunnel entrances; others cannot.
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This trompe l'oeil inconsistency has baffled generation, but
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at least it is known that whoever paints an entrance on a
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wall's surface to trick an opponent will be unable to pursue
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him into this theoretical space. The painter is flattened
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against the wall when he attempts to follow into the painting.
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This is ultimately a problem of art, not of science.
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VIII. Any violent rearrangement of feline matter is impermanent.
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Cartoon cats possess even more deaths than the traditional
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nine lives might comfortably afford. They can be decimated,
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spliced, splayed, accordion-pleated, spindled, or disassembled,
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but they cannot be destroyed. After a few moments of blinking
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self pity, they reinflate, elongate, snap back, or solidify.
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IX. For every vengeance there is an equal and opposite revengeance.
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This is the one law of animated cartoon motion that also
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applies to the physical world at large. For that reason,
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we need the relief of watching it happen to a duck instead.
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Q: What is the speed limit of sex?
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A:68, because at 69 you eat it!!
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(raucous laughter)
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--
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A certain English earl received word of a new Crusade, and decided to go
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into the Holy Land to fight the heathen. So, he got his lands in order,
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assigned lesser nobles to run his lands, and got his men all armed and ready
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for battle.
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Immediately before he left, he turned to his old, trusted steward.
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"Phillip," he told him. "Of all my subjects, it is you that I trust the
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most. I am leaving with you all my possesions, my gold, and my home; I know
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that you will keep them well. I am also leaving you this."
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He handed the steward a small key.
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"This is the key to my wife's chastity belt. If, God forbid, I am killed in
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the Holy Land, and never return, I charge you to free my wife, that she
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might marry again." And so the earl left.
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As he and his troops were galloping of to meet the ship that would take them
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to Palestine, the watchman at the end of the group cried: "Ho! A rider!"
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The earl halted his troops, and they saw the rider, riding as though the
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very devil was behind him. As he got nearer, he could see it was his
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steward, shouting frantically at him. "Sire! Sire! Wrong key!"
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*-----------------------------------------------------------------------------*
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One day, the aged magician Merlin brought Arthur into his workshop to see
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his latest invention.
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"It is a chastity belt, your highness"
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Arthur was not amused. "Are you mad, Merlin? That belt has a hole in it the
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size of my arm!"
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Merlin only smiled, and picked up a large carrot off the table. As he
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started to insert it into the hole, a razor-sharp blade VSSHED out, slicing
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off the it's top.
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"Wonderful, Merlin! Now I can go to battle in complete security!" And so he
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did.
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After returning from battle, Arthur called together all of his knights for
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an inspection, and told them all to drop their pants. As he walked up and
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down the line, he saw that all of them had seriously slashed and bloodied
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penis caps--all except Launcelot.
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Impressed, Arthur brought Launcelot to the front of the room, and spoke to
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his knights. "Of you all," he told them. "Only Launcelot was able to resist
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temptation. Launcelot! Tell us how you resisted!"
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Launcelot stood before the crowd. "Thh mnd thve blhnn!"
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Meanwhile, back at the ranch, Tonto not knowing Lone Ranger disguised as
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pool table, grabs stick and racks balls!
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Little Miss Muffet sat on her tuffet,
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Eating her curds and whey.
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With her force-field around her
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The spider, the bounder,
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Is not in the picture today.
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-The Space Child's Mother Goose
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there was a young monk from dundee
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who hung a nun's c__t on a tree
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he grabbed her fair a__
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and performed a high mass
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that even the pope came to see.
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----------------------------------------------------------------------------------------------------------------------------------------------------------------
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while out on a picnic,Mcfee
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was stung on the b__ls by a bee
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he made oodles of money
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by oozing pure honey
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every time ha attempted to pee.
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there was a young bartender named link
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who possessed a very tart dink.
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to sweeten it some
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he steeped it in rum,
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and he's driven the ladies to drink.
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Little Miss Muffit,
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Sat on her tuffit,
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While Jack ate her curds and whey,
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When along came a spider,
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And sat down beside her,
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And the three of them rolled in the hay!
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--
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"I am writing in response to your reqest for additional information in
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block number three of the accident-reporting form. I put "poor
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planning" as the cause of my accident. You said in your letter that I
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should explain more fully, and I trust that the following details will
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be sufficient. I am an amateur radio operator. On the day of the
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accident I was working alone on the top section of my new 80 foot tower,
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when I completed my work, I discovered that I had, over the course of
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several trips up the tower, brought up about 300 lbs of tools and
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spare hardware. Rather than carry the now unneeded tools and material
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down by hand, I decided to lower the items down in a small barrel by
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using a pulley, which fortunately was attached to the gin pole at the
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top of the tower."
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"Securing the rope at ground level, I went to the top of the tower and
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loaded the tools and materials into the barrel. Then I wentback to the
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ground and untied the rope, holding it tightly to ensure a slow descent
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of the 300 lbs of tools. You will note in block #11 of the accident-
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reporting form that I weigh only 155 lbs."
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"Due to my suprise at being jerked off the ground so suddenly, I lost
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my presence of mind and forgot to let go of the rope. Needless to say,
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I proceeded at a rather rapid rate of speed up the side of the tower.
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In the vicinity of the 40 foot level, I met the barrel coming down.
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This explains my fractured skull and broken collarbone. Slowed only
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slightly, I continued my rapid ascent, not stopping until the fingers
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of my right hand were two knuckles deep into the pulley."
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"Fortunately, by this time, I had regained my presence of mind and
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was able to hold on to the rope in spite of my pain. At approximat-
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ely the same time, however, the barrel of tools hit the ground and
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the bottom fell out of the barrel. Devoid of the weight of the tools,
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the barrel now weighed approximately 20 lbs. I refer you again to my
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weight in block #11. As you might imagine, I began a rapid descent
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down the side of the tower. In the vicinity of the 40 foot level, I
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met the barrel coming up, this accounts for the two fractured ankles
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and the lacerations of my legs and lower body."
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"The encounter with the barrel slowed me enough to lessen my injuries
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when I fell onto the pole of tools and fortunately, only three
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vertabrae were cracked. I am sorry to report, however, that as I lay
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there on the tools in pain, unable to stand and watching the empty
|
|||
|
barrel 80 feet above me...I again lost my presence of mind...I let
|
|||
|
go of the rope."
|
|||
|
|
|||
|
--
|
|||
|
|
|||
|
A small band of Trids lived on a peninsula connected to the mainland only by
|
|||
|
a narrow strip of land. Each day the Trids would walk across the strip and
|
|||
|
get their food and other stuff.
|
|||
|
|
|||
|
One day, a fearsome Gloglum monster sat right down on that narrow strip
|
|||
|
of land. Whenever a Trid tries to get past, the Gloglum monster would boot
|
|||
|
him straight back to the Peninsula. Soon, the Trids were on the brink of
|
|||
|
starvation.
|
|||
|
|
|||
|
A rabbi in town heard of their troubles, and decided to bring food to the
|
|||
|
Trids. Each day he'd cross the narrow strip of land with provisions and
|
|||
|
return, and the Gloglum monster paid him no mind.
|
|||
|
|
|||
|
Finally, the rabbi asked why he could go back and forth, but the Trids
|
|||
|
couldn't. The Gloglum monster laughed, and said, "Silly rabbi! Kicks are for
|
|||
|
Trids!"
|
|||
|
|
|||
|
** The rest of this is continued in Part II... I hope...
|
|||
|
|
|||
|
(>View: UA SENET JOKES P FILE P.2
|
|||
|
|
|||
|
-----------------------------
|
|||
|
the USENET jokes file part II
|
|||
|
-----------------------------
|
|||
|
|
|||
|
"Hispanic oriented ads lose in the translation"
|
|||
|
|
|||
|
San Antonio (AP) -- More companies are trying to reach the Hispanic market
|
|||
|
through advertising and some of their efforts have resulted in emabarrassing
|
|||
|
errors, a marketing expert says.
|
|||
|
|
|||
|
Marketers have only a limited understanding of Hispanic culture and language,
|
|||
|
according to Humberto Valencia, assistant professor of marketing at
|
|||
|
Texas Tech University in Lubbock.
|
|||
|
|
|||
|
For example, a beer company translated its "turn it loose" slogan into
|
|||
|
Spanish learned to late that the message to Spanish-speaking consumers
|
|||
|
had become "Our beer causes diarrhea."
|
|||
|
|
|||
|
A pet-food manufacturer tried the humorous approach, but once again the
|
|||
|
message was lost in translation, he said. The situation depicted a certain
|
|||
|
feline as having died eight times and, if he did not eat this particular
|
|||
|
cat food, he was going to die for the ninth and final time. The language
|
|||
|
used was correct, but the agency failed to realize one major difference:
|
|||
|
in Latin folk culture, cats have only seven lives. The commercial bombed.
|
|||
|
|
|||
|
A telephone company ran a campaign depicting a woman telling her husband
|
|||
|
to "run downstairs and phone Maria to tell her we'll be a little late."
|
|||
|
|
|||
|
Again, culture was not taken into account. In the Hispanic home, Valencia
|
|||
|
said, seldome does a woman give her husband orders. And rarely will a
|
|||
|
family call to say they will be late. It is customary to arrive late, he
|
|||
|
said.
|
|||
|
|
|||
|
A chicken company had one of its slogans translated too literally. The
|
|||
|
ad in English said, "It takes a tough man to make a chicken tender."
|
|||
|
The slogan was understood in Spanish as, "It makes a sexually excited
|
|||
|
man to make a chick sensual."
|
|||
|
|
|||
|
A beer company used the wrong gender in one of its campaigns. Beer, cerveza,
|
|||
|
is a feminine noun in Spanish and should have been labeled the "queen"
|
|||
|
rather than the "king" of beers.
|
|||
|
|
|||
|
A cigarette advertisement claimed that it had "less asphalt" rather than
|
|||
|
less tar, he said, and a beer company found out that its ad was being
|
|||
|
sung incorrectly in the Spanish media. The company's "less filling,
|
|||
|
delicious" claim came across as "filling, less delicious."
|
|||
|
|
|||
|
Some brand names attract the wrong kind of attention, the Chevrolet Nova
|
|||
|
story being perhaps the best known example. What Spanish speaker would want
|
|||
|
a car that means "no go?"
|
|||
|
|
|||
|
Some ads contain subtle, non-verbal details that can disturb a particular
|
|||
|
subgroup.
|
|||
|
|
|||
|
A commercial for a beer company, which used San Antonio's River Walk as a
|
|||
|
backdrop, was well-received among West Coast Hispanics who enjoyed the
|
|||
|
Spanish flavor, Valencia said.
|
|||
|
|
|||
|
Ironically, San Antonio's own Hispanics did not relate well, he said,
|
|||
|
because they felt the "Paseo del Rio" was more for Anlgo tourists than for
|
|||
|
Hispanic residents.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
NEWS FLASH: 2,543,788 Virgin Females (18-32) in L.A. County
|
|||
|
|
|||
|
Now, if the length of the average vagina is 8.3 inches, that
|
|||
|
means that in L.A. County, there are over 333.23 miles (yup,
|
|||
|
MILES) of unused pussy in L.A!!!! (and I've got 245 to go!)
|
|||
|
|
|||
|
|
|||
|
IMB (Nukesbury) Product Announcement
|
|||
|
|
|||
|
"Amuses Industry, Analysts"
|
|||
|
|
|||
|
IMB announced its long-awaited Tolkien Ring Network today.
|
|||
|
In an informal and unauthorized interview with the product
|
|||
|
manager, G. Gray, we extracted the following information.
|
|||
|
(Sodium Pentathol -- the "standard" of the electronics
|
|||
|
industry's journalists, has proved to be less effective than
|
|||
|
simple, old-fashioned methods, the more old-fashioned the
|
|||
|
better. We only wish that Mr. Gray's heart condition had
|
|||
|
been noted on his dossier).
|
|||
|
|
|||
|
|
|||
|
Q. Why did IMB pick Tolkien ring over one of the more
|
|||
|
proven technologies like eth*rnet?
|
|||
|
|
|||
|
A. It seemed like a good idea at the time. We didn't
|
|||
|
like any of the standards out there, so we said,
|
|||
|
"What the hell, let's make our own", and we did.
|
|||
|
|
|||
|
Q. How do you prevent duplicate tokens?
|
|||
|
|
|||
|
A. We don't really care.
|
|||
|
|
|||
|
Q. How do you pick host IDs?
|
|||
|
|
|||
|
A. Each host is assigned a 256-bit random number. The
|
|||
|
likelyhood of a duplication is astronomically small,
|
|||
|
on the order of your mother-in-law leaving without
|
|||
|
having been asked to.
|
|||
|
|
|||
|
Q. What would a typical tolkien ring installation con-
|
|||
|
sist of?
|
|||
|
|
|||
|
A. Three Rings for the elven kings under the sky,
|
|||
|
Seven for the Dwarf lords in their halls of stone,
|
|||
|
Nine for Mortal men doomed to die,
|
|||
|
One for the Dark lord on his dark throne
|
|||
|
In the land of Mordor where the shadows lie.
|
|||
|
One Ring to rule them all, One Ring to find them,
|
|||
|
One Ring to bring them all and in the darkness
|
|||
|
bind them
|
|||
|
In the land of Mordor where the shadows lie.
|
|||
|
|
|||
|
Q. Do you expect any opposition to the tolkien ring es-
|
|||
|
tablishment?
|
|||
|
|
|||
|
A. Our experience has been that potential users can be
|
|||
|
dealt with quite easily if you use a little imagina-
|
|||
|
tion. Hot wax works well. So does COBOL. Manage-
|
|||
|
ment should pick out the troublemakers early on and
|
|||
|
kill them as soon as possible.
|
|||
|
|
|||
|
Q. Has your mother-in-law left yet?
|
|||
|
|
|||
|
A. No. Most users report that it will be a cold day in
|
|||
|
hell before that token comes around the ring again.
|
|||
|
Usually they have to find it with a flashlight, or
|
|||
|
flush it out of the basement with smoke. Tokens are
|
|||
|
heavy, and they tend to get stuck where the cables
|
|||
|
dip or rise suddenly.
|
|||
|
|
|||
|
Q. What about network security?
|
|||
|
|
|||
|
A. We surgically alter users and take their families
|
|||
|
hostage. This is a major breakthrough in security
|
|||
|
technology, and we are considering using it on other
|
|||
|
fronts, such as in our lobbying techniques.
|
|||
|
|
|||
|
Q. What enhancements to the Tolkien ring network do you
|
|||
|
expect to make in the near future?
|
|||
|
|
|||
|
A. Our Miami research center is reportedly working on
|
|||
|
something they call a `Drug' ring, but what that
|
|||
|
really is is anyone's guess. The Colorado people
|
|||
|
are experimenting with anti-tokens, more commonly
|
|||
|
called "hot potatoes", which cause system crashes if
|
|||
|
they are held too long -- great incentive to make
|
|||
|
the network work as fast as possible. And we can't
|
|||
|
understand what the California people are working
|
|||
|
on, since too many of them took est.
|
|||
|
|
|||
|
Q. What other exciting, new technologies will IMB re-
|
|||
|
veal in the next year?
|
|||
|
|
|||
|
A. Look for us to be very aggressive in microprocessor
|
|||
|
and memory devices. I shouldn't tell you this, but
|
|||
|
next month we will be announcing a RISC with a 1 GIP
|
|||
|
instruction-fetch rate, a 16 or 17 megabit dynamic
|
|||
|
RAM for twelve cents, an artificial intelligence
|
|||
|
that will run for president, and a revolutionary
|
|||
|
sexual position that actually cures herpes.
|
|||
|
|
|||
|
Q. Thank you Mr. Gray.
|
|||
|
|
|||
|
(Muffled thud and scream just before the tape runs
|
|||
|
out...).
|
|||
|
|
|||
|
|
|||
|
Here are more books for those interested:
|
|||
|
|
|||
|
"Making Crime Pay", Robin Steal
|
|||
|
"Descriptions of Heaven", Pearly Gates
|
|||
|
"Virgin Marriage", Chastity Belt
|
|||
|
"Powerful Drinks", Micky Finn
|
|||
|
"Taking a Long Vacation", Helen Back
|
|||
|
"Why there are no jokes on net.jokes", I. M. Just & Jo King
|
|||
|
"Civil War Firearms", Captain Ball
|
|||
|
"Carpooling", Sharif d'Ride
|
|||
|
|
|||
|
"Military Life", Private Parts, Corporal Punishment,
|
|||
|
Sargent Atarms, Major Problem, Coronel O'Corn, and General
|
|||
|
Condition.
|
|||
|
|
|||
|
"Drummed to Death", Tom Tomb
|
|||
|
"Crossing Rivers", Bridget Fast
|
|||
|
"The Escape of Bonnie Prince Charlie", Scot Free
|
|||
|
"Jogging", Ron Around
|
|||
|
"The American Legal System", Sue Someone
|
|||
|
"The Christmas Spirit", Joy X. Noel
|
|||
|
|
|||
|
|
|||
|
/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/-\/-\-/
|
|||
|
|
|||
|
1. What do you call a boomerang which doesn't come back? A stick.
|
|||
|
|
|||
|
%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%$%&%
|
|||
|
|
|||
|
2. "I was in [fill in lesser-developed country of choice] the
|
|||
|
other week, and I had to get to the airport in a hurry,
|
|||
|
so I hailed a taxi. Well, I must say, the driver was insane!
|
|||
|
Not three minutes after I hailed him, he ran a red light.
|
|||
|
I yelled out, 'Hey, you just ran a red light!' (My tendency
|
|||
|
to bespeak the obvious undoubtedly was quite poignantly received.)
|
|||
|
He simply replied, 'Yes, I know, but don't worry -- my brother
|
|||
|
taught me to drive, so everything is okay.'
|
|||
|
"Then, not two blocks later, he stopped at the intersection -- and
|
|||
|
the light was green! So I said, 'Why have you stopped? The
|
|||
|
light is green!' And he said, 'I know, I'm just checking to see
|
|||
|
if my brother's coming.'"
|
|||
|
|
|||
|
~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|~|
|
|||
|
|
|||
|
And, in the real life humour (sic) section, I offer the following
|
|||
|
TRUE story -- this happened to a speech coach at the High School
|
|||
|
I went to:
|
|||
|
|
|||
|
3. For some reason, Trans-World Airlines [whatever] was selling T-shirts
|
|||
|
to celebrate their n-millionth crossing of the Atlantic or the
|
|||
|
Pacific or the dead sea or whatever they were crossing. Anyway, the
|
|||
|
T-shirt they were selling was only $3.00 and the speech coach
|
|||
|
in question hadn't taken enough luggage along, so, she purchased one of
|
|||
|
these T-shirts.
|
|||
|
|
|||
|
It was green, and written across the entire surface of the shirt was
|
|||
|
the acronym for Trans-World.
|
|||
|
|
|||
|
You tell me what you see in it:
|
|||
|
|
|||
|
TWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWA
|
|||
|
TWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWA
|
|||
|
TWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWA
|
|||
|
TWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWA
|
|||
|
TWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWATWA
|
|||
|
|
|||
|
Bestseller #1: Chinese Population By: We Fukemyoung
|
|||
|
Bestseller #2: Hawaiian Population By: Komon Iwannalaya
|
|||
|
Bestseller #3: Russian Castration By: I. Bitchyakokoff
|
|||
|
|
|||
|
Didja hear 'bout the merger between McDonalds and Kentucky
|
|||
|
Fried Chicken?
|
|||
|
|
|||
|
They have a new product: Crispy McAuliffe
|
|||
|
^^
|
|||
|
|
|||
|
|
|||
|
How long did the Hundred Years' War last?
|
|||
|
What is a nickel primarily composed of?
|
|||
|
Where was the Battle of Bunker Hill fought?
|
|||
|
|
|||
|
Please don't consider the obvious.
|
|||
|
Scott Kajihara
|
|||
|
|
|||
|
|
|||
|
Mommy, mommy, can I lick the bowl?
|
|||
|
Too late, kid, I already flushed it.
|
|||
|
|
|||
|
Mommy, mommy, I hate daddy's guts.
|
|||
|
Shut up, kid, and eat what's on your plate.
|
|||
|
|
|||
|
Mommy, mommy, I don't like tomato soup.
|
|||
|
Shut up, kid, and eat it before it clots.
|
|||
|
|
|||
|
Mommy, mommy, where's Ethiopia?
|
|||
|
Shut up, kid, and get inside the care package.
|
|||
|
|
|||
|
Mommy, mommy, these potato chips are stale.
|
|||
|
Have some respect, kid. It took me a long time to peel those scabs
|
|||
|
off.
|
|||
|
|
|||
|
Mommy, mommy, why is daddy running?
|
|||
|
Shut up, kid, and hand me another box of shotgun shells.
|
|||
|
|
|||
|
Mommy, mommy, Billy threw up!
|
|||
|
So what?
|
|||
|
Jimmy's getting all the big pieces!
|
|||
|
|
|||
|
Mommy, mommy, where's England?
|
|||
|
Shut up and start rowing!
|
|||
|
|
|||
|
Mommy, mommy, can I go out and play?
|
|||
|
Shut up, drink your beer, and deal!
|
|||
|
|
|||
|
Mommy, mommy, how far is it to Edgartown?
|
|||
|
Shut up, Teddy, and keep swimming!
|
|||
|
|
|||
|
"Mommy, Mommy! I don't WANT to visit grandpa!"
|
|||
|
SHUTUP AND KEEP DIGGING!
|
|||
|
|
|||
|
"Mommy, Mommy! Why is Daddy running around out in that field?"
|
|||
|
SHUTUP AND RELOAD!
|
|||
|
|
|||
|
"Mommy, Mommy! I don't like walking around in circles!"
|
|||
|
SHUTUP OR I'LL NAIL YOUR OTHER FOOT TO THE FLOOR!
|
|||
|
|
|||
|
"Mommy, Mommy! I HATE spaghetti!"
|
|||
|
SHUTUP OR I'LL TEAR THE VEINS OUT OF YOUR OTHER ARM!
|
|||
|
|
|||
|
Q: How many shuttle crew members can fit in a VW?
|
|||
|
A: Eleven. Two in the rear, two in the front, and seven in the ashtray.
|
|||
|
|
|||
|
What does N.A.S.A. stand for?
|
|||
|
Need Another Seven Astronauts.
|
|||
|
*
|
|||
|
Hear the weather in Florida?
|
|||
|
Cloudy, with widely scattered shuttles.
|
|||
|
*
|
|||
|
How is a Walrus like NASA?
|
|||
|
They're both looking for a tight seal.
|
|||
|
*
|
|||
|
Did you hear where Christa intended to go on her honeymoon?
|
|||
|
All over Florida.
|
|||
|
*
|
|||
|
What do you call the first teacher in space?
|
|||
|
History.
|
|||
|
*
|
|||
|
Did you hear that Christa was to do a spot for the U.S Forestry Service?
|
|||
|
"Learn not to burn"
|
|||
|
*
|
|||
|
What color were Dick's eyes?
|
|||
|
Blew.
|
|||
|
*
|
|||
|
There's another Shuttle going up...
|
|||
|
But this time they'll be a substitute teacher.
|
|||
|
*
|
|||
|
Christa's son was really upset during the liftoff
|
|||
|
But it was his mom that went to pieces.
|
|||
|
*
|
|||
|
What was the last thing to go through Christa's mind?
|
|||
|
A heat tile.
|
|||
|
*
|
|||
|
What were her last words?
|
|||
|
"hey, what's this button for?"
|
|||
|
-or-
|
|||
|
"NO! a BUD light!"
|
|||
|
*
|
|||
|
Christa was a very level-headed teacher...
|
|||
|
This was the first time she ever blew up in front of her class.
|
|||
|
|
|||
|
|
|||
|
IMPURE MATHEMATICS
|
|||
|
|
|||
|
Wherein it is related how that polygon of womanly virtue
|
|||
|
young ** Polly Nomial ** (our heroine) is accosted by that
|
|||
|
notorious villain %% Curly Pi %%, and factored (Oh Horror!).
|
|||
|
|
|||
|
Once upon a time (1/t) pretty Polly Nomial was strolling
|
|||
|
across a field of vectors when she came across to the
|
|||
|
boundary of a singularly large matrix. Now Polly was
|
|||
|
convergent and her mother had it made it an absolute
|
|||
|
condition that she never enter such an array without her
|
|||
|
brackets on. Polly, however, who had changed her variables
|
|||
|
that morning and was feeling particularly badly behaved,
|
|||
|
ignored this condition on the basis that it was
|
|||
|
insufficient, and made her way amongst the complex elements.
|
|||
|
Rows and columns closed in from all sides. Tangents
|
|||
|
approached her surface. She became tensor and tensor. Quite
|
|||
|
suddenly, two branches of a hyperbola touched her at a
|
|||
|
single point. She oscillated violently, lost sense of
|
|||
|
directrix, and went completely divergent. As she reached a
|
|||
|
turning point, she tripped over a square root that was
|
|||
|
protruding from a erf and plunged headlong down a steep
|
|||
|
gradient. When she rounded off once more, and found herself
|
|||
|
inverted, apparently alone, in a non-euclidean space.
|
|||
|
|
|||
|
She was watched, however. That smooth operator, Curly Pi,
|
|||
|
was lurking innerproduct. As his eyes devoured her
|
|||
|
curvilinear coordinates, a singular expression crossed his
|
|||
|
face. He wondered, was she still convergent ? He decided to
|
|||
|
integrate improperly at once. Hearing a common fraction
|
|||
|
behind her, Polly rotated and saw Curly Pi approaching with
|
|||
|
his power series extrapolated. She could see at once by his
|
|||
|
degenerate conic and dissipative terms that he was bent on
|
|||
|
no good.
|
|||
|
|
|||
|
"Arcsinh !" she gasped.
|
|||
|
"Ho, ho," he said. "What a symmetric little asymptote
|
|||
|
you have. I can see you angles have a lot of secs."
|
|||
|
"Oh sir, " she protested, "Keep away from me, I
|
|||
|
haven't got my brackets on."
|
|||
|
"Calm yourself, my dear," said our suave operator,
|
|||
|
"Your fears are purely imaginary."
|
|||
|
"I, i, " She thought, "perhaps he's not normal but
|
|||
|
homologous."
|
|||
|
"What order are you ? " the brute demanded.
|
|||
|
"Seventeen," replied Polly. Curly leered. " I
|
|||
|
suppose you've never been operated on."
|
|||
|
"Of course not, " Polly replied quite properly, " I'm
|
|||
|
absolutely convergent."
|
|||
|
"Come, come," said Curly Pi. " Let's off to a decimal
|
|||
|
place I know and I'll take you to the limit."
|
|||
|
" Never!" gasped Polly.
|
|||
|
" Abscissa! " he swore, using the vilest oath he
|
|||
|
knew. His patience was gone. Coshing her over the
|
|||
|
coefficient with a log until she was powerless, Curly
|
|||
|
removed her discontinuities. He stared at her significant
|
|||
|
places, and begin smoothing out her points of inflection.
|
|||
|
Poor Polly. The algorithmic method was her only hope. She
|
|||
|
felt his his hand tending to her asymptotic limit. Her
|
|||
|
convergence would soon be gone forever.
|
|||
|
|
|||
|
There was no mercy, for Curly was a heaviside operator.
|
|||
|
Curly's radius squared itself; Polly's loci quivered. He
|
|||
|
integrated by parts. He integrated by partial fractions.
|
|||
|
After he cofactored, he performed Runge-Kutta on her. The
|
|||
|
complex beast even went all the way around and did a contour
|
|||
|
integration. Curly went on operating until he satisfied her
|
|||
|
hypothesis, then he exponentiated and became completely
|
|||
|
orthogonal.
|
|||
|
|
|||
|
When Polly got home that night, her mother noticed that
|
|||
|
she no longer piecewise continuous, but had been truncated
|
|||
|
in several places. But it was too late to differentiate now.
|
|||
|
As months went by, Polly's denominator increased
|
|||
|
monotonically. Finally she went to L' Hospital and generated
|
|||
|
a small but pathological function which left surds all over
|
|||
|
the place and drove Polly to deviation.
|
|||
|
|
|||
|
The moral of our sad story is this:
|
|||
|
|
|||
|
If you want to keep your expressions convergent, never
|
|||
|
allow them a single degree of freedom.....
|
|||
|
|
|||
|
"Finally stopped Grandma from sliding down the bannister."
|
|||
|
"How'd you do that?"
|
|||
|
"Wrapped barbed wire around it."
|
|||
|
"Guess that stopped her, huh?"
|
|||
|
"Not yet, but it sure slows her down."
|
|||
|
|
|||
|
"Fences" by Barb Dwyer or
|
|||
|
"Pasta" by Liz Onya or
|
|||
|
"Running" by Jim Shorts or
|
|||
|
"Male Anatomy" by Hugh G. Rection or
|
|||
|
"Hair Styles" by Bobby Pin
|
|||
|
"V.D." by Dick Hertz
|
|||
|
"More Stupid Jokes" by Hugh E. Diots,
|
|||
|
"The Ultimate in Hypocrisy" by Im Won Too :-).
|
|||
|
|
|||
|
XI. The Jetstream Hypothesis -
|
|||
|
Anything going from a standstill to a great enough speed
|
|||
|
will leave a visible trail.
|
|||
|
|
|||
|
End of silly file. Seriously.
|
|||
|
-----------------------------
|
|||
|
|
|||
|
(>
|