327 lines
18 KiB
Plaintext
327 lines
18 KiB
Plaintext
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_____________ _/_/ | | \ \ _/_/ _____________
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| ___________ _/_/ | | \ \ _/_/ ___________ |
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| | _/_/_____ | | > > _/_/_____ | |
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| | c o m m u n i c a t i o n s | |
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| |________________________________________________________________| |
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|____________________________________________________________________|
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...presents... The Evil Truth About Peter Pan
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by Lady Carolin
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>>> a cDc publication.......1993 <<<
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-cDc- CULT OF THE DEAD COW -cDc-
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____ _ ____ _ ____ _ ____ _ ____
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|____digital_media____digital_culture____digital_media____digital_culture____|
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Countless numbers of children and adults have enjoyed J.M. Barrie's
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frolicking, sugar-sweet tale of _Peter Pan_. Originally titled _Peter and
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Wendy_, this children's story has been a universal favorite, read and enjoyed
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by many millions of sexually frustrated people, unaware consciously of their
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sexual desires and naughty impulses.
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It is safe to assume that the vast majority of parents do not realize the
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evil, sexual, twisted nature of the story they read to their sweet little
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children. The frightening truth is that Freudian symbolism and Jungian
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archetypes pervade the story, turning innocent fun into perverted sexual
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sadism. Mythological overtones cast a shadow of black voodoo magic.
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Sociological concepts such as rape, murder, crime and violence permeate the
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story, unseen to many of the readers.
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On the sub-conscious level, the subliminal messages implanted throughout
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the book enter the minds of what were once innocent, pure children, perverting
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them and turning their minds to sludge. Walt Disney Studios has for many years
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helped to perpetuate this Satanic fable, thus assisting in the corruption of
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our children, our morals; yea, the destruction of the very fabric of our
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society.
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The Main Characters
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===================
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Peter Pan
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---------
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In mythology, the god Pan was a fertility god, most often represented as a
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satyr, that sexually insatiable, well-hung beast of the forest and woodlands.
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Pan is a solar god, and as most primitive peoples see the sun as flying through
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the sky or being carried in the sky, it is safe to assume that Peter Pan's
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flying comes from this particular aspect of the folk god. Another aspect of
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Pan is that of the Horned God. In this aspect, Pan was often associated and
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identified with Satan, the Devil. Like Satan, Peter Pan is hooved, horned,
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flies by night, and seduces innocent young girls. The rampant Satanic under
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currents in this story have yet to be studied in detail but may prove to be
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quite astonishing and indeed terrifying.
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As the word "Peter" is often used as slang for the penis, it is surmised
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that the name Peter Pan translates roughly to "Dick God." A pop-psychology
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book of the 1980's described the "Peter Pan Syndrome" in which men refuse to
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grow up and take responsibility for their actions. Peter Pan indeed refuses to
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grow up. Instead he indulges in escapist fantasies and cavorts wildly with
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small boys in secluded caves. Peter Pan runs away from his past (repression
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and denial) and blames Captain Hook for all the evils in the world
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(projection). Peter's own crusade against evil (reaction formation) stems from
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his superego insecurities. Peter's Shadow represents his paranoiac tendencies
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and his persecution complex.
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Wendy
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Wendy has continually captivated the imagination of men and lesbians
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alike, in her filmy, transparent, oh-so-sexy blue dress. Like Peter and most
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of the characters in the story, she has an unresolved childhood complex. In
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Wendy's case it is the Electra complex he runs away from when she joins Peter
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and his merry troupe. Besides agreeing to submit to Peter sexually, she brings
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along her younger brothers and the family pet in the hopes that Peter's sexual
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needs will be fulfilled by the young boys and the dog. Thus Wendy is making a
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sacrifice of a sort to her god. Peter asks Wendy to be mother to him and the
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Lost Boys. Wendy agrees readily, because of her power/control fixation.
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Wendy's love for her father and her own insecurities revolving around penis
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envy cause her to fall in love with Peter and, concordantly, with his penis.
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Tinkerbelle
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This sexual nymph uses her wiles and her charm to peddle drugs for a
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living. Her "pixie dust" is none other than angel dust (PCP) or sometimes
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crystal meth. Tinkerbelle uses the drug to lure Wendy, Michael and John to
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follow Peter Pan. The PCP really shows the children how to "fly" and their
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hallucinations will conduct them to the magical realm of Never Never Land.
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Their addiction guarantees that they will follow Peter, thus Peter will be
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happy. Thus Tinkerbelle will be happy, as she loves Peter with all her little
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heart. Her hatred for Wendy stems from her jealousy of Wendy's voluptuous
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sexuality. Tinkerbelle's worst handicap is her small size, which makes her
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unable to ride on Peter's love pole. However, it is extremely likely that
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Tinkerbelle was on several occasions used by Wendy as an animated, warm,
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squirming dildo.
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John and Michael
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----------------
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Wendy's brothers serve minor roles in the story. Their only importance as
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characters revolves around their roles as sex slaves for the sole purpose of
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gratification for the other characters. It can be noted that both brothers
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carry some sort of fetish for protection and as sexual toys. John carries his
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umbrella, a long, hard black object with a pointy end, and the baby carries his
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teddy bear, symbolizing his enjoyment of sex with animals.
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Captain Hook
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Captain Hook represents Satan in his evil aspect, while Peter represents
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Satan in his good aspect. Captain Hook's loss of a hand represents his
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castration anxiety. His hook itself represents the captain's handicapped
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sexual skills and inability to maintain an erection. Captain Hook's impotence
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persists unless he is raping someone. Due to schizophrenic tendencies, Captain
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Hook hears voices and imagines he hears a ticking clock (representing his fear
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of his own impending death) inside the womb-like belly of the alligator.
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The Lost Boys
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The Lost Boys are delinquents to an even greater extent than Peter Pan.
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These rebels without a cause follow blindly their Satanic leader. The Lost
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Boys have all run away from home (ostensibly to escape sexual abuse) and now
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must sexually satisfy Peter. They are continually abused by Peter in that they
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are forced to give him their sexual favors, they are condemned to live in a
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damp cave, and they must eat their own cooking. The cave symbolizes the black,
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dark wombs of their mothers, and despite the abuse, the Lost Boys continually
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prefer the cave to returning home to face up to their own Oedipal complexes.
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The Mermaids
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The mermaids represent the hedonist lifestyle that author J.M. Barrie
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longed for but was unable to accomplish. They drink, they swim, they play,
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they sun themselves, they brush their hair, and they engage in numerous lesbian
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sexual acts (providing much voyeur enjoyment for the other island inhabitants.)
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Their breasts are hidden by their long silky hair, which reminds the pirates of
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their terrible weaning periods, when the breasts of their mothers were made
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unavailable to them. This deprivation also applies to the sexual organs of the
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mermaids, which are not visible, creating an intriguing mystery for the pirate
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crew. The cunts of the mermaids are as inaccessible to the men as the vaginas
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of their own mothers. Men always want what they can't see or can't have, and
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the pirate crew spend many an hour forcing the helpless mermaids to engage in
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oral sex with them to relieve some of their sexual frustrations from not being
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able to have penile/vaginal intercourse with the sea-nymphs. This oral rape is
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a catharsis by which the pirates vent their own oral fixation and relieve their
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neurotic anxiety.
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Smee
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Smee is Captain Hook's homosexual lover. Although obese due to being
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fixated at the oral stage, Smee is capable of the wild sexual abandon in love-
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making which Captain Hook can never get from quiet Tiger Lily or prim and
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proper Wendy. Smee's fat, untidy appearance leads us to also suspect anal
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expulsive tendencies.
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The Pirates
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The pirates, in their servitude to Captain Hook, are Satan's evil minions.
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With their assistance, Satan/Hook terrorizes Never Never Land and rapes,
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pillages and plunders. The pirates spend a lot of time drunk, it can be
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inferred, although most readers may not have noticed that it is not rum or beer
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the pirates drink, but actually the blood of kittens and helpless babes which
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have been sacrificed to their Lord and Master.
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The Alligator
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The alligator, with its wide, gaping pink mouth symbolizes the vaginal
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cavity, the great chasm of a Mother-hole from which we all emerge. Captain
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Hook's fear of the alligator may stem from his unresolved Oedipal fantasies
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which center around the wet, warm, open mouth of the alligator. Gazing into
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what he perceives as the inviting space of his mother's vagina, Hook falters
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and becomes frightened, backing away as if to run.
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Tiger Lily
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The Indian princess brings a racist aspect to the story. While Wendy, who
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is white, fights valiantly and intelligently against the nefarious Captain,
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Tiger Lily sits passively, awaiting her fate. The stereotype this brings into
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the story is that of Indians being passive and uninitiating. The Indian maid
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is of course Captain Hook's love slave. Raped repeatedly by the Captain and
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his loyal band of hairy, animalistic sailors, the Indian Princess succumbs
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quietly to her fate. The dark skin of the girl enables the Captain to live out
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his racist, brutalizing fantasies as he subjugates a racial minority in his
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white-supremacist quest for power. Possibly Tiger Lily's constant stiff
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posture is due to chronic attacks of catatonic schizophrenia.
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Symbolism
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Swords
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Swords figure prominently throughout the story. To Captain Hook, the
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sword represents his desire to have a longer penis and to conquer the world.
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As the sword is a symbolic representation of his penis, Captain Hook repeatedly
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thrusts the sword into the faces of his friends and enemies alike, representing
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his power over them, raping them symbolically. Peter Pan's sword is shorter
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but more skilled, possibly representing author J.M. Barrie's own sexual
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frustration at having a small endowment, but also symbolizing his persistent
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goal of acquiring skill with which to use his tool. "Quality not quantity...."
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The Plank
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The plank is a phallic symbol. Wendy and Peter's punishment is to "walk
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the plank," a metaphor for intercourse with Captain Hook. The edge of the
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plank is the brink of the Captain's sexual peak. Jumping off the plank is a
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release, a climax. The prisoner falls into the wet waters far below after the
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peak is reached. Wendy is handcuffed and gagged to be more helpless, symbolic
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of how Captain Hook feels about his own sexuality at times. The handcuffing
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may mirror Captain Hook's own anger at having his hands tied as a child to
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prevent him from masturbating excessively. The gag in Wendy's mouth is another
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symbol for oral sex. The punishment for not being a pirate (which on the
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subconscious level represents converting to Satanism) is walking the plank.
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Water
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Water figures prominently in the story. Again, water is a symbol of the
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mother, and also of the end result of climax.
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The Islands
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Never Never Land consists of a series of small islands, representing the
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feelings of isolation of all the main characters. The boats, with their
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phallic masts, represent tools which can be utilized to reduce isolation. With
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all the hidden sexual symbolism, and the implied sexual frenzy and frequent
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orgies, the islands can be described as a hotbed of sedition.
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Skull Rock
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Skull Rock, that foreboding monolith, is the most powerful representation
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of death in the entire story. The characters view it differently: Most fear it
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because they are afraid of reprisals for homosexual or promiscuous behavior.
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Skull Rock may indeed be a temple to Satan, a place where blood sacrifices are
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offered up to the Dark One.
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Cows
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I think you will most definitely agree with me that the utter (udder?)
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lack of cow imagery in the Peter Pan story leaves this tale quite shallow,
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incomplete, and devoid of religious symbolism, meaning, and purpose.
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Plot
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The plot of this book is simplistic and straightforward, intended to
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capture the attention of not only children but also that of an illiterate,
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uninformed, ignorant audience.
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The plot follows a well-known success formula, found in many of today's
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other popular novels:
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1. Abused children dream about leaving home.
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2. The children's dreams are answered when a drug dealer arrives (in the
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guise of a friend).
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3. The children subsequently become drug addicted and are taken away to
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live in a new place under the control of the drug dealer.
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4. The children are forced to give sexual favors to miscreant, perverted,
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pedophilic adults.
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5. The children manage to escape and return home after a serious of
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mishaps and adventures.
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6. The children are glad to be home and vow to behave themselves
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forevermore.
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The moral in the story was placed to attract adults to purchase the book
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and read it to their children. However it is a shallow, false stab at
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morality, in that the other 99% of the book is comprised of attempts to
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sexualize the world's children and convert them en masse to Satanism.
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Summary
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=======
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Readers who have paid close attention have found that the entire Peter Pan
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book is full of nasty sexual antics, bestiality, voodoo, cult religious
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practices, and an undercurrent of evil and hatred. Thus this book makes
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EXCELLENT reading for your children and mine. It can almost be thought of as a
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survival guide or a Do-It-Yourself Street Smarts course. "Scared Straight"
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uses this novel as a textbook in all their programs. Be sure to run right out
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and buy a copy today so that your children may be well informed, well adjusted,
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and well on their way down the path to success, love, exciting occult religious
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practices, animal husbandry, and long life.
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_______ __________________________________________________________________
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/ _ _ \|Demon Roach Undrgrnd.806/794-4362|Kingdom of Shit.....806/794-1842|
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((___)) |Cool Beans!..........510/THE-COOL|Polka AE {PW:KILL}..806/794-4362|
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[ x x ] |The Alcazar..........401/782-6721|Moody Loners w/Guns.415/221-8608|
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\ / |The Works............617/861-8976|Finitopia...........916/673-8412|
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(' ') |ftp - zero.cypher.com in pub/cdc |ftp - ftp.eff.org in pub/cud/cdc|
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(U) |==================================================================|
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.ooM |Copr. 1993 cDc communications by Lady Carolin 04/01/93-#229|
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\_______/|All Rights Drooled Away. SIX GLORIOUS YEARS of cDc|
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