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Freckles, by Gene Stratton-Porter
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February, 1994 [Etext #111]
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The Project Gutenberg Etext of Gene Stratton-Porter's Freckles
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FRECKLES
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Gene Stratton-Porter
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To
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all good Irishmen
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in general
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and one
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CHARLES DARWIN PORTER
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in particular
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Characters
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FRECKLES, a plucky waif who guards the Limberlost timber leases
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and dreams of Angels.
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THE SWAMP ANGEL, in whom Freckles' sweetest dream materializes.
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MCLEAN, a member of a Grand Rapids lumber company, who befriends Freckles.
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MRS. DUNCAN, who gives mother-love and a home to Freckles.
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DUNCAN, head teamster of McLean's timber gang.
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THE BIRD WOMAN, who is collecting camera studies of birds for a book.
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LORD AND LADY O'MORE, who come from Ireland in quest of a lost relative.
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THE MAN OF AFFAIRS, brusque of manner, but big of heart.
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WESSNER, a Dutch timber-thief who wants rascality made easy.
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BLACK JACK, a villain to whom thought of repentance comes too late.
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SEARS, camp cook.
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Contents
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I Wherein Great Risks Are Taken and the Limberlost Guard Is Hired
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II Wherein Freckles Proves His Mettle and Finds Friends
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III Wherein a Feather Falls and a Soul Is Born
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IV Wherein Freckles Faces Trouble Bravely and Opens the Way for
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New Experiences
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V Wherein an Angel Materializes and a Man Worships
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VI Wherein a Fight Occurs and Women Shoot Straight
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VII Wherein Freckles Wins Honor and Finds a Footprint on the Trail
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VIII Wherein Freckles Meets a Man of Affairs and Loses Nothing by
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the Encounter
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IX Wherein the Limberlost Falls upon Mrs. Duncan and Freckles
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Comes to the Rescue
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X Wherein Freckles Strives Mightily and the Swamp Angel Rewards Him
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XI Wherein the Butterflies Go on a Spree and Freckles Informs the
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Bird Woman
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XII Wherein Black Jack Captures Freckles and the Angel Captures Jack
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XIII Wherein the Angel Releases Freckles, and the Curse of Black
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Jack Falls upon Her
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XIV Wherein Freckles Nurses a Heartache and Black Jack Drops Out
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XV Wherein Freckles and the Angel Try Taking a Picture, and Little
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Chicken Furnishes the Subject
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XVI Wherein the Angel Locates a Rare Tree and Dines with the Gang
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XVII Wherein Freckles Offers His Life for His Love and Gets a Broken Body
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XVIII Wherein Freckles Refuses Love Without Knowledge of Honorable
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Birth, and the Angel Goes in Quest of it
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XIX Wherein Freckles Finds His Birthright and the Angel Loses Her Heart
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XX Wherein Freckles Returns to the Limberlost, and Lord O'More
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Sails for Ireland Without Him
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CHAPTER I
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Wherein Great Risks Are Taken and the Limberlost Guard Is Hired
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Freckles came down the corduroy that crosses the lower end of
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the Limberlost. At a glance he might have been mistaken for a
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tramp, but he was truly seeking work. He was intensely eager
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to belong somewhere and to be attached to almost any enterprise
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that would furnish him food and clothing.
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Long before he came in sight of the camp of the Grand Rapids Lumber
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Company, he could hear the cheery voices of the men, the neighing
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of the horses, and could scent the tempting odors of cooking food.
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A feeling of homeless friendlessness swept over him in a sickening wave.
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Without stopping to think, he turned into the newly made road and
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followed it to the camp, where the gang was making ready for supper
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and bed.
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The scene was intensely attractive. The thickness of the swamp
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made a dark, massive background below, while above towered
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gigantic trees. The men were calling jovially back and forth as
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they unharnessed tired horses that fell into attitudes of rest and
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crunched, in deep content, the grain given them. Duncan, the brawny
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Scotch head-teamster, lovingly wiped the flanks of his big bays
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with handfuls of pawpaw leaves, as he softly whistled, "O wha will
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be my dearie, O!" and a cricket beneath the leaves at his feet
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accompanied him. The green wood fire hissed and crackled merrily.
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Wreathing tongues of flame wrapped around the big black kettles,
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and when the cook lifted the lids to plunge in his testing-fork,
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gusts of savory odors escaped.
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Freckles approached him.
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"I want to speak with the Boss," he said.
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The cook glanced at him and answered carelessly: "He can't use you."
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The color flooded Freckles' face, but he said simply: "If you will
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be having the goodness to point him out, we will give him a chance
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to do his own talking."
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With a shrug of astonishment, the cook led the way to a rough board
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table where a broad, square-shouldered man was bending over some
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account-books.
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"Mr. McLean, here's another man wanting to be taken on the gang,
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I suppose," he said.
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"All right," came the cheery answer. "I never needed a good man
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more than I do just now."
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The manager turned a page and carefully began a new line.
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"No use of your bothering with this fellow," volunteered the cook.
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"He hasn't but one hand."
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The flush on Freckles' face burned deeper. His lips thinned to a
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mere line. He lifted his shoulders, took a step forward, and thrust
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out his right arm, from which the sleeve dangled empty at the wrist.
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"That will do, Sears," came the voice of the Boss sharply. "I will
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interview my man when I finish this report."
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He turned to his work, while the cook hurried to the fires.
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Freckles stood one instant as he had braced himself to meet the
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eyes of the manager; then his arm dropped and a wave of whiteness
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swept him. The Boss had not even turned his head. He had used
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the possessive. When he said "my man," the hungry heart of
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Freckles went reaching toward him.
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The boy drew a quivering breath. Then he whipped off his old hat
|
||
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and beat the dust from it carefully. With his left hand he caught
|
||
|
the right sleeve, wiped his sweaty face, and tried to straighten
|
||
|
his hair with his fingers. He broke a spray of ironwort beside
|
||
|
him and used the purple bloom to beat the dust from his shoulders
|
||
|
and limbs. The Boss, busy over his report, was, nevertheless, vaguely
|
||
|
alive to the toilet being made behind him, and scored one for the man.
|
||
|
|
||
|
McLean was a Scotchman. It was his habit to work slowly
|
||
|
and methodically. The men of his camps never had known him to be
|
||
|
in a hurry or to lose his temper. Discipline was inflexible, but
|
||
|
the Boss was always kind. His habits were simple. He shared camp
|
||
|
life with his gangs. The only visible signs of wealth consisted
|
||
|
of a big, shimmering diamond stone of ice and fire that glittered
|
||
|
and burned on one of his fingers, and the dainty, beautiful
|
||
|
thoroughbred mare he rode between camps and across the country
|
||
|
on business.
|
||
|
|
||
|
No man of McLean's gangs could honestly say that he ever had been
|
||
|
overdriven or underpaid. The Boss never had exacted any deference
|
||
|
from his men, yet so intense was his personality that no man of
|
||
|
them ever had attempted a familiarity. They all knew him to be a
|
||
|
thorough gentleman, and that in the great timber city several
|
||
|
millions stood to his credit.
|
||
|
|
||
|
He was the only son of that McLean who had sent out the finest
|
||
|
ships ever built in Scotland. That his son should carry on this
|
||
|
business after the father's death had been his ambition. He had
|
||
|
sent the boy through the universities of Oxford and Edinburgh, and
|
||
|
allowed him several years' travel before he should attempt his
|
||
|
first commission for the firm.
|
||
|
|
||
|
Then he was ordered to southern Canada and Michigan to purchase
|
||
|
a consignment of tall, straight timber for masts, and south to
|
||
|
Indiana for oak beams. The young man entered these mighty forests,
|
||
|
parts of which lay untouched since the dawn of the morning of time.
|
||
|
The clear, cool, pungent atmosphere was intoxicating. The intense
|
||
|
silence, like that of a great empty cathedral, fascinated him.
|
||
|
He gradually learned that, to the shy wood creatures that darted
|
||
|
across his path or peeped inquiringly from leafy ambush, he
|
||
|
was brother. He found himself approaching, with a feeling of
|
||
|
reverence, those majestic trees that had stood through ages of
|
||
|
sun, wind, and snow. Soon it became difficult to fell them.
|
||
|
When he had filled his order and returned home, he was amazed
|
||
|
to learn that in the swamps and forests he had lost his heart
|
||
|
and it was calling--forever calling him.
|
||
|
|
||
|
When he inherited his father's property, he promptly disposed of
|
||
|
it, and, with his mother, founded a home in a splendid residence in
|
||
|
the outskirts of Grand Rapids. With three partners, he organized a
|
||
|
lumber company. His work was to purchase, fell, and ship the timber
|
||
|
to the mills. Marshall managed the milling process and passed the
|
||
|
lumber to the factory. From the lumber, Barthol made beautiful and
|
||
|
useful furniture, which Uptegrove scattered all over the world from
|
||
|
a big wholesale house. Of the thousands who saw their faces
|
||
|
reflected on the polished surfaces of that furniture and found
|
||
|
comfort in its use, few there were to whom it suggested mighty
|
||
|
forests and trackless swamps, and the man, big of soul and body,
|
||
|
who cut his way through them, and with the eye of experience doomed
|
||
|
the proud trees that were now entering the homes of civilization
|
||
|
for service.
|
||
|
|
||
|
When McLean turned from his finished report, he faced a young man,
|
||
|
yet under twenty, tall, spare, heavily framed, closely freckled,
|
||
|
and red-haired, with a homely Irish face, but in the steady gray
|
||
|
eyes, straightly meeting his searching ones of blue, there was
|
||
|
unswerving candor and the appearance of longing not to be ignored.
|
||
|
He was dressed in the roughest of farm clothing, and seemed tired
|
||
|
to the point of falling.
|
||
|
|
||
|
"You are looking for work?" questioned McLean.
|
||
|
|
||
|
"Yis," answered Freckles.
|
||
|
|
||
|
"I am very sorry," said the Boss with genuine sympathy in his every
|
||
|
tone, "but there is only one man I want at present--a hardy, big
|
||
|
fellow with a stout heart and a strong body. I hoped that you would
|
||
|
do, but I am afraid you are too young and scarcely strong enough."
|
||
|
|
||
|
Freckles stood, hat in hand, watching McLean.
|
||
|
|
||
|
"And what was it you thought I might be doing?" he asked.
|
||
|
|
||
|
The Boss could scarcely repress a start. Somewhere before accident
|
||
|
and poverty there had been an ancestor who used cultivated English,
|
||
|
even with an accent. The boy spoke in a mellow Irish voice, sweet
|
||
|
and pure. It was scarcely definite enough to be called brogue, yet
|
||
|
there was a trick in the turning of the sentence, the wrong sound
|
||
|
of a letter here and there, that was almost irresistible to McLean,
|
||
|
and presaged a misuse of infinitives and possessives with which he
|
||
|
was very familiar and which touched him nearly. He was of foreign
|
||
|
birth, and despite years of alienation, in times of strong feeling
|
||
|
he committed inherited sins of accent and construction.
|
||
|
|
||
|
"It's no child's job," answered McLean. "I am the field manager of
|
||
|
a big lumber company. We have just leased two thousand acres of
|
||
|
the Limberlost. Many of these trees are of great value. We can't
|
||
|
leave our camp, six miles south, for almost a year yet; so we have
|
||
|
blazed a trail and strung barbed wires securely around this lease.
|
||
|
Before we return to our work, I must put this property in the hands
|
||
|
of a reliable, brave, strong man who will guard it every hour of
|
||
|
the day, and sleep with one eye open at night. I shall require the
|
||
|
entire length of the trail to be walked at least twice each day, to
|
||
|
make sure that our lines are up and that no one has been trespassing."
|
||
|
|
||
|
Freckles was leaning forward, absorbing every word with such
|
||
|
intense eagerness that he was beguiling the Boss into explanations
|
||
|
he had never intended making.
|
||
|
|
||
|
"But why wouldn't that be the finest job in the world for me?"
|
||
|
he pleaded. "I am never sick. I could walk the trail twice,
|
||
|
three times every day, and I'd be watching sharp all the while."
|
||
|
|
||
|
"It's because you are scarcely more than a boy, and this will be a
|
||
|
trying job for a work-hardened man," answered McLean. "You see, in
|
||
|
the first place, you would be afraid. In stretching our lines, we
|
||
|
killed six rattlesnakes almost as long as your body and as thick as
|
||
|
your arm. It's the price of your life to start through the
|
||
|
marshgrass surrounding the swamp unless you are covered with
|
||
|
heavy leather above your knees.
|
||
|
|
||
|
"You should be able to swim in case high water undermines the
|
||
|
temporary bridge we have built where Sleepy Snake Creek enters
|
||
|
the swamp. The fall and winter changes of weather are abrupt and
|
||
|
severe, while I would want strict watch kept every day. You would
|
||
|
always be alone, and I don't guarantee what is in the Limberlost.
|
||
|
It is lying here as it has lain since the beginning of time, and it
|
||
|
is alive with forms and voices. I don't pretend to say what all of
|
||
|
them come from; but from a few slinking shapes I've seen, and
|
||
|
hair-raising yells I've heard, I'd rather not confront their owners
|
||
|
myself; and I am neither weak nor fearful.
|
||
|
|
||
|
"Worst of all, any man who will enter the swamp to mark and steal
|
||
|
timber is desperate. One of my employees at the south camp, John
|
||
|
Carter, compelled me to discharge him for a number of serious reasons.
|
||
|
He came here, entered the swamp alone, and succeeded in locating
|
||
|
and marking a number of valuable trees that he was endeavoring
|
||
|
to sell to a rival company when we secured the lease. He has
|
||
|
sworn to have these trees if he has to die or to kill others to
|
||
|
get them; and he is a man that the strongest would not care to meet."
|
||
|
|
||
|
"But if he came to steal trees, wouldn't he bring teams and men
|
||
|
enough: that all anyone could do would be to watch and be after
|
||
|
you?" queried the boy.
|
||
|
|
||
|
"Yes," replied McLean.
|
||
|
|
||
|
"Then why couldn't I be watching just as closely, and coming as
|
||
|
fast, as an older, stronger man?" asked Freckles.
|
||
|
|
||
|
"Why, by George, you could!" exclaimed McLean. "I don't know as
|
||
|
the size of a man would be half so important as his grit and
|
||
|
faithfulness, come to think of it. Sit on that log there and we
|
||
|
will talk it over. What is your name?"
|
||
|
|
||
|
Freckles shook his head at the proffer of a seat, and folding his
|
||
|
arms, stood straight as the trees around him. He grew a shade
|
||
|
whiter, but his eyes never faltered.
|
||
|
|
||
|
"Freckles!" he said.
|
||
|
|
||
|
"Good enough for everyday," laughed McLean, "but I scarcely can
|
||
|
put `Freckles' on the company's books. Tell me your name."
|
||
|
|
||
|
"I haven't any name," replied the boy.
|
||
|
|
||
|
"I don't understand," said McLean.
|
||
|
|
||
|
"I was thinking from the voice and the face of you that you
|
||
|
wouldn't," said Freckles slowly. "I've spent more time on it than
|
||
|
I ever did on anything else in all me life, and I don't understand.
|
||
|
Does it seem to you that anyone would take a newborn baby and row
|
||
|
over it, until it was bruised black, cut off its hand, and leave it
|
||
|
out in a bitter night on the steps of a charity home, to the care
|
||
|
of strangers? That's what somebody did to me."
|
||
|
|
||
|
McLean stared aghast. He had no reply ready, and presently in a low
|
||
|
voice he suggested: "And after?"
|
||
|
|
||
|
"The Home people took me in, and I was there the full legal age and
|
||
|
several years over. For the most part we were a lot of little
|
||
|
Irishmen together. They could always find homes for the other
|
||
|
children, but nobody would ever be wanting me on account of me arm."
|
||
|
|
||
|
"Were they kind to you?" McLean regretted the question the minute
|
||
|
it was asked.
|
||
|
|
||
|
"I don't know," answered Freckles. The reply sounded so hopeless,
|
||
|
even to his own ears, that he hastened to qualify it by adding:
|
||
|
"You see, it's like this, sir. Kindnesses that people are paid to
|
||
|
lay off in job lots and that belong equally to several hundred
|
||
|
others, ain't going to be soaking into any one fellow so much."
|
||
|
|
||
|
"Go on," said McLean, nodding comprehendingly.
|
||
|
|
||
|
"There's nothing worth the taking of your time to tell,"
|
||
|
replied Freckles. "The Home was in Chicago, and I was there all
|
||
|
me life until three months ago. When I was too old for the
|
||
|
training they gave to the little children, they sent me to the
|
||
|
closest ward school as long as the law would let them; but I was
|
||
|
never like any of the other children, and they all knew it.
|
||
|
I'd to go and come like a prisoner, and be working around the
|
||
|
Home early and late for me board and clothes. I always wanted
|
||
|
to learn mighty bad, but I was glad when that was over.
|
||
|
|
||
|
"Every few days, all me life, I'd to be called up, looked over,
|
||
|
and refused a home and love, on account of me hand and ugly face;
|
||
|
but it was all the home I'd ever known, and I didn't seem to
|
||
|
belong to any place else.
|
||
|
|
||
|
"Then a new superintendent was put in. He wasn't for being like
|
||
|
any of the others, and he swore he'd weed me out the first thing
|
||
|
he did. He made a plan to send me down the State to a man he said
|
||
|
he knew who needed a boy. He wasn't for remembering to tell that man
|
||
|
that I was a hand short, and he knocked me down the minute he found
|
||
|
I was the boy who had been sent him. Between noon and that evening,
|
||
|
he and his son close my age had me in pretty much the same shape in
|
||
|
which I was found in the beginning, so I lay awake that night and
|
||
|
ran away. I'd like to have squared me account with that boy before
|
||
|
I left, but I didn't dare for fear of waking the old man, and I
|
||
|
knew I couldn't handle the two of them; but I'm hoping to meet him
|
||
|
alone some day before I die."
|
||
|
|
||
|
McLean tugged at his mustache to hide the smile on his lips, but he
|
||
|
liked the boy all the better for this confession.
|
||
|
|
||
|
"I didn't even have to steal clothes to get rid of starting in me
|
||
|
Home ones," Freckles continued, "for they had already taken all me
|
||
|
clean, neat things for the boy and put me into his rags, and that
|
||
|
went almost as sore as the beatings, for where I was we were always
|
||
|
kept tidy and sweet-smelling, anyway. I hustled clear into this
|
||
|
State before I learned that man couldn't have kept me if he'd
|
||
|
wanted to. When I thought I was good and away from him, I
|
||
|
commenced hunting work, but it is with everybody else just as it
|
||
|
is with you, sir. Big, strong, whole men are the only ones for
|
||
|
being wanted."
|
||
|
|
||
|
"I have been studying over this matter," answered McLean. "I am not
|
||
|
so sure but that a man no older than you and similar in every way
|
||
|
could do this work very well, if he were not a coward, and had it
|
||
|
in him to be trustworthy and industrious."
|
||
|
|
||
|
Freckles came forward a step.
|
||
|
|
||
|
"If you will give me a job where I can earn me food, clothes, and
|
||
|
a place to sleep," he said, "if I can have a Boss to work for like
|
||
|
other men, and a place I feel I've a right to, I will do precisely
|
||
|
what you tell me or die trying."
|
||
|
|
||
|
He spoke so convincingly that McLean believed, although in his
|
||
|
heart he knew that to employ a stranger would be wretched business
|
||
|
for a man with the interests he had involved.
|
||
|
|
||
|
"Very well," the Boss found himself answering, "I will enter you on
|
||
|
my pay rolls. We'll have supper, and then I will provide you with
|
||
|
clean clothing, wading-boots, the wire-mending apparatus, and
|
||
|
a revolver. The first thing in the morning, I will take you the
|
||
|
length of the trail myself and explain fully what I want done.
|
||
|
All I ask of you is to come to me at once at the south camp and
|
||
|
tell me as a man if you find this job too hard for you. It will not
|
||
|
surprise me. It is work that few men would perform faithfully.
|
||
|
What name shall I put down?"
|
||
|
|
||
|
Freckles' gaze never left McLean's face, and the Boss saw the
|
||
|
swift spasm of pain that swept his lonely, sensitive features.
|
||
|
|
||
|
"I haven't any name," he said stubbornly, "no more than one
|
||
|
somebody clapped on to me when they put me on the Home books, with
|
||
|
not the thought or care they'd name a house cat. I've seen how they
|
||
|
enter those poor little abandoned devils often enough to know.
|
||
|
What they called me is no more my name than it is yours. I don't
|
||
|
know what mine is, and I never will; but I am going to be your man
|
||
|
and do your work, and I'll be glad to answer to any name you choose
|
||
|
to call me. Won't you please be giving me a name, Mr. McLean?"
|
||
|
|
||
|
The Boss wheeled abruptly and began stacking his books. What he was
|
||
|
thinking was probably what any other gentleman would have thought
|
||
|
in the circumstances. With his eyes still downcast, and in a voice
|
||
|
harsh with huskiness, he spoke.
|
||
|
|
||
|
"I will tell you what we will do, my lad," he said. "My father
|
||
|
was my ideal man, and I loved him better than any other I have
|
||
|
ever known. He went out five years ago, but that he would have been
|
||
|
proud to leave you his name I firmly believe. If I give to you the
|
||
|
name of my nearest kin and the man I loved best--will that do?"
|
||
|
|
||
|
Freckles' rigid attitude relaxed suddenly. His head dropped, and
|
||
|
big tears splashed on the soiled calico shirt. McLean was not
|
||
|
surprised at the silence, for he found that talking came none too
|
||
|
easily just then.
|
||
|
|
||
|
"All right," he said. "I will write it on the roll--James Ross McLean."
|
||
|
|
||
|
"Thank you mightily," said Freckles. "That makes me feel almost as
|
||
|
if I belonged, already."
|
||
|
|
||
|
"You do," said McLean. "Until someone armed with every right comes
|
||
|
to claim you, you are mine. Now, come and take a bath, have some
|
||
|
supper, and go to bed."
|
||
|
|
||
|
As Freckles followed into the lights and sounds of the camp, his
|
||
|
heart and soul were singing for joy.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER II
|
||
|
|
||
|
Wherein Freckles Proves His Mettle and Finds Friends
|
||
|
|
||
|
Next morning found Freckles in clean, whole clothing, fed,
|
||
|
and rested. Then McLean outfitted him and gave him careful
|
||
|
instruction in the use of his weapon. The Boss showed him around
|
||
|
the timber-line, and engaged him a place to board with the family
|
||
|
of his head teamster, Duncan, whom he had brought from Scotland with
|
||
|
him, and who lived in a small clearing he was working out between
|
||
|
the swamp and the corduroy. When the gang was started for the
|
||
|
south camp, Freckles was left to guard a fortune in the Limberlost.
|
||
|
That he was under guard himself those first weeks he never knew.
|
||
|
|
||
|
Each hour was torture to the boy. The restricted life of a great
|
||
|
city orphanage was the other extreme of the world compared with
|
||
|
the Limberlost. He was afraid for his life every minute. The heat
|
||
|
was intense. The heavy wading-boots rubbed his feet until they bled.
|
||
|
He was sore and stiff from his long tramp and outdoor exposure.
|
||
|
The seven miles of trail was agony at every step. He practiced at
|
||
|
night, under the direction of Duncan, until he grew sure in the use
|
||
|
of his revolver. He cut a stout hickory cudgel, with a knot on the
|
||
|
end as big as his fist; this never left his hand. What he thought
|
||
|
in those first days he himself could not recall clearly afterward.
|
||
|
|
||
|
His heart stood still every time he saw the beautiful marsh-grass
|
||
|
begin a sinuous waving AGAINST the play of the wind, as McLean had
|
||
|
told him it would. He bolted half a mile with the first boom of
|
||
|
the bittern, and his hat lifted with every yelp of the sheitpoke.
|
||
|
Once he saw a lean, shadowy form following him, and fired his revolver.
|
||
|
Then he was frightened worse than ever for fear it might have been
|
||
|
Duncan's collie.
|
||
|
|
||
|
The first afternoon that he found his wires down, and he was
|
||
|
compelled to plunge knee deep into the black swamp-muck to restring
|
||
|
them, he became so ill from fear and nervousness that he scarcely
|
||
|
could control his shaking hand to do the work. With every step, he
|
||
|
felt that he would miss secure footing and be swallowed in that
|
||
|
clinging sea of blackness. In dumb agony he plunged forward,
|
||
|
clinging to the posts and trees until he had finished restringing
|
||
|
and testing the wire. He had consumed much time. Night closed in.
|
||
|
The Limberlost stirred gently, then shook herself, growled, and
|
||
|
awoke around him.
|
||
|
|
||
|
There seemed to be a great owl hooting from every hollow tree, and
|
||
|
a little one screeching from every knothole. The bellowing of big
|
||
|
bullfrogs was not sufficiently deafening to shut out the wailing of
|
||
|
whip-poor-wills that seemed to come from every bush. Nighthawks swept
|
||
|
past him with their shivering cry, and bats struck his face.
|
||
|
A prowling wildcat missed its catch and screamed with rage.
|
||
|
A straying fox bayed incessantly for its mate.
|
||
|
|
||
|
The hair on the back of Freckles' neck arose as bristles, and his
|
||
|
knees wavered beneath him. He could not see whether the dreaded
|
||
|
snakes were on the trail, or, in the pandemonium, hear the rattle
|
||
|
for which McLean had cautioned him to listen. He stood motionless
|
||
|
in an agony of fear. His breath whistled between his teeth.
|
||
|
The perspiration ran down his face and body in little streams.
|
||
|
|
||
|
Something big, black, and heavy came crashing through the swamp
|
||
|
close to him, and with a yell of utter panic Freckles ran--how far
|
||
|
he did not know; but at last he gained control over himself and
|
||
|
retraced his steps. His jaws set stiffly and the sweat dried on
|
||
|
his body. When he reached the place from which he had started to
|
||
|
run, he turned and with measured steps made his way down the line.
|
||
|
After a time he realized that he was only walking, so he faced
|
||
|
that sea of horrors again. When he came toward the corduroy,
|
||
|
the cudgel fell to test the wire at each step.
|
||
|
|
||
|
Sounds that curdled his blood seemed to encompass him, and shapes
|
||
|
of terror to draw closer and closer. Fear had so gained the mastery
|
||
|
that he did not dare look behind him; and just when he felt that he
|
||
|
would fall dead before he ever reached the clearing, came Duncan's
|
||
|
rolling call: "Freckles! Freckles!" A shuddering sob burst in the
|
||
|
boy's dry throat; but he only told Duncan that finding the wire
|
||
|
down had caused the delay.
|
||
|
|
||
|
The next morning he started on time. Day after day, with his heart
|
||
|
pounding, he ducked, dodged, ran when he could, and fought when he
|
||
|
was brought to bay. If he ever had an idea of giving up, no one
|
||
|
knew it; for he clung to his job without the shadow of wavering.
|
||
|
All these things, in so far as he guessed them, Duncan, who had
|
||
|
been set to watch the first weeks of Freckles' work, carried to the
|
||
|
Boss at the south camp; but the innermost, exquisite torture of the
|
||
|
thing the big Scotchman never guessed, and McLean, with his finer
|
||
|
perceptions, came only a little closer.
|
||
|
|
||
|
After a few weeks, when Freckles learned that he was still living,
|
||
|
that he had a home, and the very first money he ever had possessed
|
||
|
was safe in his pockets, he began to grow proud. He yet side-
|
||
|
stepped, dodged, and hurried to avoid being late again, but he
|
||
|
was gradually developing the fearlessness that men ever acquire
|
||
|
of dangers to which they are hourly accustomed.
|
||
|
|
||
|
His heart seemed to be leaping when his first rattler disputed the
|
||
|
trail with him, but he mustered courage to attack it with his club.
|
||
|
After its head had been crushed, he mastered an Irishman's inborn
|
||
|
repugnance for snakes sufficiently to cut off its rattles to
|
||
|
show Duncan. With this victory, his greatest fear of them was gone.
|
||
|
|
||
|
Then he began to realize that with the abundance of food in the
|
||
|
swamp, flesh-hunters would not come on the trail and attack him,
|
||
|
and he had his revolver for defence if they did. He soon learned to
|
||
|
laugh at the big, floppy birds that made horrible noises. One day,
|
||
|
watching behind a tree, he saw a crane solemnly performing a few
|
||
|
measures of a belated nuptial song-and-dance with his mate.
|
||
|
Realizing that it was intended in tenderness, no matter how it
|
||
|
appeared, the lonely, starved heart of the boy sympathized with them.
|
||
|
|
||
|
Before the first month passed, he was fairly easy about his job; by
|
||
|
the next he rather liked it. Nature can be trusted to work her own
|
||
|
miracle in the heart of any man whose daily task keeps him alone
|
||
|
among her sights, sounds, and silences.
|
||
|
|
||
|
When day after day the only thing that relieved his utter
|
||
|
loneliness was the companionship of the birds and beasts of the
|
||
|
swamp, it was the most natural thing in the world that Freckles
|
||
|
should turn to them for friendship. He began by instinctively
|
||
|
protecting the weak and helpless. He was astonished at the
|
||
|
quickness with which they became accustomed to him and the
|
||
|
disregard they showed for his movements, when they learned that
|
||
|
he was not a hunter, while the club he carried was used more
|
||
|
frequently for their benefit than his own. He scarcely could
|
||
|
believe what he saw.
|
||
|
|
||
|
From the effort to protect the birds and animals, it was only a
|
||
|
short step to the possessive feeling, and with that sprang the
|
||
|
impulse to caress and provide. Through fall, when brooding was
|
||
|
finished and the upland birds sought the swamp in swarms to feast
|
||
|
on its seeds and berries, Freckles was content with watching them
|
||
|
and speculating about them. Outside of half a dozen of the very
|
||
|
commonest they were strangers to him. The likeness of their actions
|
||
|
to humanity was an hourly surprise.
|
||
|
|
||
|
When black frost began stripping the Limberlost, cutting the ferns,
|
||
|
shearing the vines from the trees, mowing the succulent green
|
||
|
things of the swale, and setting the leaves swirling down, he
|
||
|
watched the departing troops of his friends with dismay. He began
|
||
|
to realize that he would be left alone. He made especial efforts
|
||
|
toward friendliness with the hope that he could induce some of them
|
||
|
to stay. It was then that he conceived the idea of carrying food to
|
||
|
the birds; for he saw that they were leaving for lack of it; but he
|
||
|
could not stop them. Day after day, flocks gathered and departed:
|
||
|
by the time the first snow whitened his trail around the Limberlost,
|
||
|
there were left only the little black-and-white juncos, the
|
||
|
sapsuckers, yellow-hammers, a few patriarchs among the flaming
|
||
|
cardinals, the blue jays, the crows, and the quail.
|
||
|
|
||
|
Then Freckles began his wizard work. He cleared a space of swale,
|
||
|
and twice a day he spread a birds' banquet. By the middle of
|
||
|
December the strong winds of winter had beaten most of the seed
|
||
|
from the grass and bushes. The snow fell, covering the swamp, and
|
||
|
food was very scarce and difficult to find. The birds scarcely
|
||
|
waited until Freckles' back was turned to attack his provisions.
|
||
|
In a few weeks they flew toward the clearing to meet him. During the
|
||
|
bitter weather of January they came halfway to the cabin every
|
||
|
morning, and fluttered around him as doves all the way to the
|
||
|
feeding-ground. Before February they were so accustomed to him, and
|
||
|
so hunger-driven, that they would perch on his head and shoulders,
|
||
|
and the saucy jays would try to pry into his pockets.
|
||
|
|
||
|
Then Freckles added to wheat and crumbs, every scrap of refuse food
|
||
|
he could find at the cabin. He carried to his pets the parings of
|
||
|
apples, turnips, potatoes, stray cabbage-leaves, and carrots, and
|
||
|
tied to the bushes meat-bones having scraps of fat and gristle.
|
||
|
One morning, coming to his feeding-ground unusually early, he found
|
||
|
a gorgeous cardinal and a rabbit side by side sociably nibbling a
|
||
|
cabbage-leaf, and that instantly gave to him the idea of cracking
|
||
|
nuts, from the store he had gathered for Duncan's children, for the
|
||
|
squirrels, in the effort to add them to his family. Soon he had
|
||
|
them coming--red, gray, and black; then he became filled with a
|
||
|
vast impatience that he did not know their names or habits.
|
||
|
|
||
|
So the winter passed. Every week McLean rode to the Limberlost;
|
||
|
never on the same day or at the same hour. Always he found Freckles
|
||
|
at his work, faithful and brave, no matter how severe the weather.
|
||
|
|
||
|
The boy's earnings constituted his first money; and when the Boss
|
||
|
explained to him that he could leave them safe at a bank and carry
|
||
|
away a scrap of paper that represented the amount, he went straight
|
||
|
on every payday and made his deposit, keeping out barely what was
|
||
|
necessary for his board and clothing. What he wanted to do with his
|
||
|
money he did not know, but it gave to him a sense of freedom and
|
||
|
power to feel that it was there--it was his and he could have it
|
||
|
when he chose. In imitation of McLean, he bought a small pocket
|
||
|
account-book, in which he carefully set down every dollar he earned
|
||
|
and every penny he spent. As his expenses were small and the Boss
|
||
|
paid him generously, it was astonishing how his little hoard grew.
|
||
|
|
||
|
That winter held the first hours of real happiness in Freckles' life.
|
||
|
He was free. He was doing a man's work faithfully, through
|
||
|
every rigor of rain, snow, and blizzard. He was gathering a
|
||
|
wonderful strength of body, paying his way, and saving money.
|
||
|
Every man of the gang and of that locality knew that he was under
|
||
|
the protection of McLean, who was a power, this had the effect of
|
||
|
smoothing Freckles' path in many directions.
|
||
|
|
||
|
Mrs. Duncan showed him that individual kindness for which his
|
||
|
hungry heart was longing. She had a hot drink ready for him when he
|
||
|
came from a freezing day on the trail. She knit him a heavy mitten
|
||
|
for his left hand, and devised a way to sew and pad the right
|
||
|
sleeve that protected the maimed arm in bitter weather. She patched
|
||
|
his clothing--frequently torn by the wire--and saved kitchen scraps
|
||
|
for his birds, not because she either knew or cared anything about
|
||
|
them, but because she herself was close enough to the swamp to be
|
||
|
touched by its utter loneliness. When Duncan laughed at her for
|
||
|
this, she retorted: "My God, mannie, if Freckles hadna the birds
|
||
|
and the beasts he would be always alone. It was never meant for a
|
||
|
human being to be so solitary. He'd get touched in the head if he
|
||
|
hadna them to think for and to talk to."
|
||
|
|
||
|
"How much answer do ye think he gets to his talkin', lass?"
|
||
|
laughed Duncan.
|
||
|
|
||
|
"He gets the answer that keeps the eye bright, the heart happy,
|
||
|
and the feet walking faithful the rough path he's set them in,"
|
||
|
answered Mrs. Duncan earnestly.
|
||
|
|
||
|
Duncan walked away appearing very thoughtful. The next morning
|
||
|
he gave an ear from the corn he was shelling for his chickens to
|
||
|
Freckles, and told him to carry it to his wild chickens in
|
||
|
the Limberlost. Freckles laughed delightedly.
|
||
|
|
||
|
"Me chickens!" he said. "Why didn't I ever think of that before?
|
||
|
Of course they are! They are just little, brightly colored cocks
|
||
|
and hens! But `wild' is no good. What would you say to me `wild
|
||
|
chickens' being a good deal tamer than yours here in your yard?"
|
||
|
|
||
|
"Hoot, lad!" cried Duncan.
|
||
|
|
||
|
"Make yours light on your head and eat out of your hands and
|
||
|
pockets," challenged Freckles.
|
||
|
|
||
|
"Go and tell your fairy tales to the wee people! They're juist
|
||
|
brash on believin' things," said Duncan. "Ye canna invent any
|
||
|
story too big to stop them from callin' for a bigger."
|
||
|
|
||
|
"I dare you to come see!" retorted Freckles.
|
||
|
|
||
|
"Take ye!" said Duncan. "If ye make juist ane bird licht on your
|
||
|
heid or eat frae your hand, ye are free to help yoursel' to my
|
||
|
corn-crib and wheat bin the rest of the winter."
|
||
|
|
||
|
Freckles sprang in air and howled in glee.
|
||
|
|
||
|
"Oh, Duncan! You're too, aisy" he cried. "When will you come?"
|
||
|
|
||
|
"I'll come next Sabbath," said Duncan. "And I'll believe the birds of
|
||
|
the Limberlost are tame as barnyard fowl when I see it, and no sooner!"
|
||
|
|
||
|
After that Freckles always spoke of the birds as his chickens, and
|
||
|
the Duncans followed his example. The very next Sabbath, Duncan,
|
||
|
with his wife and children, followed Freckles to the swamp.
|
||
|
They saw a sight so wonderful it will keep them talking all the
|
||
|
remainder of their lives, and make them unfailing friends of all
|
||
|
the birds.
|
||
|
|
||
|
Freckles' chickens were awaiting him at the edge of the clearing.
|
||
|
They cut the frosty air around his head into curves and circles of
|
||
|
crimson, blue, and black. They chased each other from Freckles, and
|
||
|
swept so closely themselves that they brushed him with their
|
||
|
outspread wings.
|
||
|
|
||
|
At their feeding-ground Freckles set down his old pail of scraps
|
||
|
and swept the snow from a small level space with a broom improvised
|
||
|
of twigs. As soon as his back was turned, the birds clustered over
|
||
|
the food, snatching scraps to carry to the nearest bushes. Several of
|
||
|
the boldest, a big crow and a couple of jays, settled on the rim and
|
||
|
feasted at leisure, while a cardinal, that hesitated to venture,
|
||
|
fumed and scolded from a twig overhead.
|
||
|
|
||
|
Then Freckles scattered his store. At once the ground resembled the
|
||
|
spread mantle of Montezuma, except that this mass of gaily colored
|
||
|
feathers was on the backs of living birds. While they feasted,
|
||
|
Duncan gripped his wife's arm and stared in astonishment; for from
|
||
|
the bushes and dry grass, with gentle cheeping and queer, throaty
|
||
|
chatter, as if to encourage each other, came flocks of quail.
|
||
|
Before anyone saw it arrive, a big gray rabbit sat in the midst of
|
||
|
the feast, contentedly gnawing a cabbage-leaf.
|
||
|
|
||
|
"Weel, I be drawed on!" came Mrs. Duncan's tense whisper.
|
||
|
|
||
|
"Shu-shu," cautioned Duncan.
|
||
|
|
||
|
Lastly Freckles removed his cap. He began filling it with handfuls
|
||
|
of wheat from his pockets. In a swarm the grain-eaters arose around
|
||
|
him as a flock of tame pigeons. They perched on his arms and the
|
||
|
cap, and in the stress of hunger, forgetting all caution, a
|
||
|
brilliant cock cardinal and an equally gaudy jay fought for a
|
||
|
perching-place on his head.
|
||
|
|
||
|
"Weel, I'm beat," muttered Duncan, forgetting the silence imposed
|
||
|
on his wife. "I'll hae to give in. `Seein' is believin'. A man
|
||
|
wad hae to see that to believe it. We mauna let the Boss miss that
|
||
|
sight, for it's a chance will no likely come twice in a life.
|
||
|
Everything is snowed under and thae craturs near starved, but
|
||
|
trustin' Freckles that complete they are tamer than our chickens.
|
||
|
Look hard, bairns!" he whispered. "Ye winna see the like o' yon
|
||
|
again, while God lets ye live. Notice their color against the ice
|
||
|
and snow, and the pretty skippin' ways of them! And spunky!
|
||
|
Weel, I'm heat fair!"
|
||
|
|
||
|
Freckles emptied his cap, turned his pockets and scattered his
|
||
|
last grain. Then he waved his watching friends good-bye and
|
||
|
started down the timber-line.
|
||
|
|
||
|
A week later, Duncan and Freckles arose from breakfast to face the
|
||
|
bitterest morning of the winter. When Freckles, warmly capped and
|
||
|
gloved, stepped to the corner of the kitchen for his scrap-pail, he
|
||
|
found a big pan of steaming boiled wheat on the top of it. He wheeled
|
||
|
to Mrs. Duncan with a shining face.
|
||
|
|
||
|
"Were you fixing this warm food for me chickens or yours?" he asked.
|
||
|
|
||
|
"It's for yours, Freckles," she said. "I was afeared this cold
|
||
|
weather they wadna lay good without a warm bite now and then."
|
||
|
|
||
|
Duncan laughed as he stepped to the other room for his pipe; but
|
||
|
Freckles faced Mrs. Duncan with a trace of every pang of starved
|
||
|
mother-hunger he ever had suffered written large on his homely,
|
||
|
splotched, narrow features.
|
||
|
|
||
|
"Oh, how I wish you were my mother!" he cried.
|
||
|
|
||
|
Mrs. Duncan attempted an echo of her husband's laugh.
|
||
|
|
||
|
"Lord love the lad!" she exclaimed. "Why, Freckles, are ye no
|
||
|
bright enough to learn without being taught by a woman that I am
|
||
|
your mither? If a great man like yoursel' dinna ken that, learn it
|
||
|
now and ne'er forget it. Ance a woman is the wife of any man, she
|
||
|
becomes wife to all men for having had the wifely experience she kens!
|
||
|
Ance a man-child has beaten his way to life under the heart of a
|
||
|
woman, she is mither to all men, for the hearts of mithers are
|
||
|
everywhere the same. Bless ye, laddie, I am your mither!"
|
||
|
|
||
|
She tucked the coarse scarf she had knit for him closer over his
|
||
|
chest and pulled his cap lower over his ears, but Freckles,
|
||
|
whipping it off and holding it under his arm, caught her rough,
|
||
|
reddened hand and pressed it to his lips in a long kiss. Then he
|
||
|
hurried away to hide the happy, embarrassing tears that were coming
|
||
|
straight from his swelling heart.
|
||
|
|
||
|
Mrs. Duncan, sobbing unrestrainedly, swept into the adjoining room
|
||
|
and threw herself into Duncan's arms.
|
||
|
|
||
|
"Oh, the puir lad!" she wailed. "Oh, the puir mither-hungry lad!
|
||
|
He breaks my heart!"
|
||
|
|
||
|
Duncan's arms closed convulsively around his wife. With a big,
|
||
|
brown hand he lovingly stroked her rough, sorrel hair.
|
||
|
|
||
|
"Sarah, you're a guid woman!" he said. "You're a michty guid woman!
|
||
|
Ye hae a way o' speakin' out at times that's like the inspired
|
||
|
prophets of the Lord. If that had been put to me, now, I'd `a' felt
|
||
|
all I kent how to and been keen enough to say the richt thing; but
|
||
|
dang it, I'd `a' stuttered and stammered and got naething out that
|
||
|
would ha' done onybody a mite o' good. But ye, Sarah! Did ye see
|
||
|
his face, woman? Ye sent him off lookin' leke a white light of
|
||
|
holiness had passed ower and settled on him. Ye sent the lad away
|
||
|
too happy for mortal words, Sarah. And ye made me that proud o' ye!
|
||
|
I wouldna trade ye an' my share o' the Limberlost with ony king ye
|
||
|
could mention."
|
||
|
|
||
|
He relaxed his clasp, and setting a heavy hand on each shoulder, he
|
||
|
looked straight into her eyes.
|
||
|
|
||
|
"Ye're prime, Sarah! Juist prime!" he said.
|
||
|
|
||
|
Sarah Duncan stood alone in the middle of her two-roomed log cabin
|
||
|
and lifted a bony, clawlike pair of hands, reddened by frequent
|
||
|
immersion in hot water, cracked and chafed by exposure to cold,
|
||
|
black-lined by constant battle with swamp-loam, calloused with
|
||
|
burns, and stared at them wonderingly.
|
||
|
|
||
|
"Pretty-lookin' things ye are!" she whispered. "But ye hae juist
|
||
|
been kissed. And by such a man! Fine as God ever made at His
|
||
|
verra best. Duncan wouldna trade wi' a king! Na! Nor I wadna
|
||
|
trade with a queen wi' a palace, an' velvet gowns, an' diamonds
|
||
|
big as hazelnuts, an' a hundred visitors a day into the bargain.
|
||
|
Ye've been that honored I'm blest if I can bear to souse ye in
|
||
|
dish-water. Still, that kiss winna come off! Naething can take it
|
||
|
from me, for it's mine till I dee. Lord, if I amna proud! Kisses on
|
||
|
these old claws! Weel, I be drawed on!"
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER III
|
||
|
|
||
|
Wherein a Feather Falls and a Soul Is Born
|
||
|
|
||
|
So Freckles fared through the bitter winter. He was very happy.
|
||
|
He had hungered for freedom, love, and appreciation so long!
|
||
|
He had been unspeakably lonely at the Home; and the utter
|
||
|
loneliness of a great desert or forest is not so difficult to
|
||
|
endure as the loneliness of being constantly surrounded by crowds
|
||
|
of people who do not care in the least whether one is living or dead.
|
||
|
|
||
|
All through the winter Freckles' entire energy was given to keeping
|
||
|
up his lines and his "chickens" from freezing or starving. When the
|
||
|
first breath of spring touched the Limberlost, and the snow receded
|
||
|
before it; when the catkins began to bloom; when there came a hint
|
||
|
of green to the trees, bushes, and swale; when the rushes lifted
|
||
|
their heads, and the pulse of the newly resurrected season beat
|
||
|
strongly in the heart of nature, something new stirred in the
|
||
|
breast of the boy.
|
||
|
|
||
|
Nature always levies her tribute. Now she laid a powerful hand on the
|
||
|
soul of Freckles, to which the boy's whole being responded, though
|
||
|
he had not the least idea what was troubling him. Duncan accepted
|
||
|
his wife's theory that it was a touch of spring fever, but Freckles
|
||
|
knew better. He never had been so well. Clean, hot, and steady
|
||
|
the blood pulsed in his veins. He was always hungry, and his most
|
||
|
difficult work tired him not at all. For long months, without a
|
||
|
single intermission, he had tramped those seven miles of trail twice
|
||
|
each day, through every conceivable state of weather. With the
|
||
|
heavy club he gave his wires a sure test, and between sections,
|
||
|
first in play, afterward to keep his circulation going, he had
|
||
|
acquired the skill of an expert drum major. In his work there was
|
||
|
exercise for every muscle of his body each hour of the day, at
|
||
|
night a bath, wholesome food, and sound sleep in a room that never
|
||
|
knew fire. He had gained flesh and color, and developed a greater
|
||
|
strength and endurance than anyone ever could have guessed.
|
||
|
|
||
|
Nor did the Limberlost contain last year's terrors. He had been
|
||
|
with her in her hour of desolation, when stripped bare and
|
||
|
deserted, she had stood shivering, as if herself afraid. He had
|
||
|
made excursions into the interior until he was familiar with every
|
||
|
path and road that ever had been cut. He had sounded the depths of
|
||
|
her deepest pools, and had learned why the trees grew so magnificently.
|
||
|
He had found that places of swamp and swale were few compared with
|
||
|
miles of solid timber-land, concealed by summer's luxuriant undergrowth.
|
||
|
|
||
|
The sounds that at first had struck cold fear into his soul he now
|
||
|
knew had left on wing and silent foot at the approach of winter.
|
||
|
As flock after flock of the birds returned and he recognized the
|
||
|
old echoes reawakening, he found to his surprise that he had
|
||
|
been lonely for them and was hailing their return with great joy.
|
||
|
All his fears were forgotten. Instead, he was possessed of an
|
||
|
overpowering desire to know what they were, to learn where they had
|
||
|
been, and whether they would make friends with him as the winter
|
||
|
birds had done; and if they did, would they be as fickle? For, with
|
||
|
the running sap, creeping worm, and winging bug, most of Freckles'
|
||
|
"chickens" had deserted him, entered the swamp, and feasted to such
|
||
|
a state of plethora on its store that they cared little for his
|
||
|
supply, so that in the strenuous days of mating and nest-building
|
||
|
the boy was deserted.
|
||
|
|
||
|
He chafed at the birds' ingratitude, but he found speedy
|
||
|
consolation in watching and befriending the newcomers. He surely
|
||
|
would have been proud and highly pleased if he had known that many
|
||
|
of the former inhabitants of the interior swamp now grouped their
|
||
|
nests beside the timber-line solely for the sake of his protection
|
||
|
and company.
|
||
|
|
||
|
The yearly resurrection of the Limberlost is a mighty revival.
|
||
|
Freckles stood back and watched with awe and envy the gradual
|
||
|
reclothing and repopulation of the swamp. Keen-eyed and alert
|
||
|
through danger and loneliness, he noted every stage of development,
|
||
|
from the first piping frog and unsheathing bud, to full leafage and
|
||
|
the return of the last migrant.
|
||
|
|
||
|
The knowledge of his complete loneliness and utter insignificance
|
||
|
was hourly thrust upon him. He brooded and fretted until he was in
|
||
|
a fever; yet he never guessed the cause. He was filled with a vast
|
||
|
impatience, a longing that he scarcely could endure.
|
||
|
|
||
|
It was June by the zodiac, June by the Limberlost, and by every
|
||
|
delight of a newly resurrected season it should have been June in
|
||
|
the hearts of all men. Yet Freckles scowled darkly as he came down
|
||
|
the trail, and the running TAP, TAP that tested the sagging wire
|
||
|
and telegraphed word of his coming to his furred and feathered
|
||
|
friends of the swamp, this morning carried the story of his
|
||
|
discontent a mile ahead of him.
|
||
|
|
||
|
Freckles' special pet, a dainty, yellow-coated, black-sleeved, cock
|
||
|
goldfinch, had remained on the wire for several days past the
|
||
|
bravest of all; and Freckles, absorbed with the cunning and beauty
|
||
|
of the tiny fellow, never guessed that he was being duped. For the
|
||
|
goldfinch was skipping, flirting, and swinging for the express
|
||
|
purpose of so holding his attention that he would not look up and
|
||
|
see a small cradle of thistledown and wool perilously near his head.
|
||
|
In the beginning of brooding, the spunky little homesteader had clung
|
||
|
heroically to the wire when he was almost paralyzed with fright.
|
||
|
When day after day passed and brought only softly whistled
|
||
|
repetitions of his call, a handful of crumbs on the top of a locust
|
||
|
line-post, and gently worded coaxings, he grew in confidence.
|
||
|
Of late he had sung and swung during the passing of Freckles, who,
|
||
|
not dreaming of the nest and the solemn-eyed little hen so close above,
|
||
|
thought himself unusually gifted in his power to attract the birds.
|
||
|
This morning the goldfinch scarcely could believe his ears, and
|
||
|
clung to the wire until an unusually vicious rap sent him spinning
|
||
|
a foot in air, and his "PTSEET" came with a squall of utter panic.
|
||
|
|
||
|
The wires were ringing with a story the birds could not translate,
|
||
|
and Freckles was quite as ignorant of the trouble as they.
|
||
|
|
||
|
A peculiar movement beneath a small walnut tree caught his attention.
|
||
|
He stopped to investigate. There was an unusually large Luna
|
||
|
cocoon, and the moth was bursting the upper end in its struggles
|
||
|
to reach light and air. Freckles stood and stared.
|
||
|
|
||
|
"There's something in there trying to get out," he muttered.
|
||
|
"Wonder if I could help it? Guess I best not be trying. If I hadn't
|
||
|
happened along, there wouldn't have been anyone to do anything, and
|
||
|
maybe I'd only be hurting it. It's--it's----Oh, skaggany! It's just
|
||
|
being born!"
|
||
|
|
||
|
Freckles gasped with surprise. The moth cleared the opening, and
|
||
|
with many wabblings and contortions climbed up the tree. He stared
|
||
|
speechless with amazement as the moth crept around a limb and clung
|
||
|
to the under side. There was a big pursy body, almost as large as
|
||
|
his thumb, and of the very snowiest white that Freckles ever had seen.
|
||
|
There was a band of delicate lavender across its forehead, and its
|
||
|
feet were of the same colour; there were antlers, like tiny,
|
||
|
straw-colored ferns, on its head, and from its shoulders hung
|
||
|
the crumpled wet wings. As Freckles gazed, tense with astonishment,
|
||
|
he saw that these were expanding, drooping, taking on color, and
|
||
|
small, oval markings were beginning to show.
|
||
|
|
||
|
The minutes passed. Freckles' steady gaze never wavered.
|
||
|
Without realizing it, he was trembling with eagerness and anxiety.
|
||
|
As he saw what was taking place, "It's going to fly," he breathed
|
||
|
in hushed wonder. The morning sun fell on the moth and dried its
|
||
|
velvet down, while the warm air made it fluffy. The rapidly growing
|
||
|
wings began to show the most delicate green, with lavender
|
||
|
fore-ribs, transparent, eye-shaped markings, edged with lines of
|
||
|
red, tan, and black, and long, crisp trailers.
|
||
|
|
||
|
Freckles was whispering to himself for fear of disturbing the moth.
|
||
|
It began a systematic exercise of raising and lowering its
|
||
|
exquisite wings to dry them and to establish circulation. The boy
|
||
|
realized that soon it would be able to spread them and sail away.
|
||
|
His long-coming soul sent up its first shivering cry.
|
||
|
|
||
|
"I don't know what it is! Oh, I wish I knew! How I wish I knew!
|
||
|
It must be something grand! It can't be a butterfly! It's away
|
||
|
too big. Oh, I wish there was someone to tell me what it is!"
|
||
|
|
||
|
He climbed on the locust post, and balancing himself with the wire,
|
||
|
held a finger in the line of the moth's advance up the twig.
|
||
|
It unhesitatingly climbed on, so he stepped to the path, holding
|
||
|
it to the light and examining it closely. Then he held it in the
|
||
|
shade and turned it, gloating over its markings and beautiful coloring.
|
||
|
When he held the moth to the limb, it climbed on, still waving those
|
||
|
magnificent wings.
|
||
|
|
||
|
"My, but I'd like to be staying with you!" he said. "But if I was
|
||
|
to stand here all day you couldn't grow any prettier than you are
|
||
|
right now, and I wouldn't grow smart enough to tell what you are.
|
||
|
I suppose there's someone who knows. Of course there is! Mr. McLean
|
||
|
said there were people who knew every leaf, bird, and flower in
|
||
|
the Limberlost. Oh Lord! How I wish You'd be telling me just this
|
||
|
one thing!"
|
||
|
|
||
|
The goldfinch had ventured back to the wire, for there was his
|
||
|
mate, only a few inches above the man-creature's head; and indeed,
|
||
|
he simply must not be allowed to look up, so the brave little
|
||
|
fellow rocked on the wire and piped, as he had done every day for
|
||
|
a week: "SEE ME? SEE ME?"
|
||
|
|
||
|
"See you! Of course I see you," growled Freckles. "I see you day
|
||
|
after day, and what good is it doing me? I might see you every
|
||
|
morning for a year, and then not be able to be telling anyone
|
||
|
about it. `Seen a bird with black silk wings--little, and yellow
|
||
|
as any canary.' That's as far as I'd get. What you doing here, anyway?
|
||
|
Have you a mate? What's your name? `See you?' I reckon I see you;
|
||
|
but I might as well be blind, for any good it's doing me!"
|
||
|
|
||
|
Freckles impatiently struck the wire. With a screech of fear, the
|
||
|
goldfinch fled precipitately. His mate arose from the nest with a
|
||
|
whirr--Freckles looked up and saw it.
|
||
|
|
||
|
"O--ho!" he cried. "So THAT'S what you are doing here! You have
|
||
|
a wife. And so close my head I have been mighty near wearing a bird
|
||
|
on my bonnet, and never knew it!"
|
||
|
|
||
|
Freckles laughed at his own jest, while in better humor he climbed
|
||
|
to examine the neat, tiny cradle and its contents. The hen darted
|
||
|
at him in a frenzy. "Now, where do you come in?" he demanded, when
|
||
|
he saw that she was not similar to the goldfinch.
|
||
|
|
||
|
"You be clearing out of here! This is none of your fry. This is the
|
||
|
nest of me little, yellow friend of the wire, and you shan't be
|
||
|
touching it. Don't blame you for wanting to see, though. My, but
|
||
|
it's a fine nest and beauties of eggs. Will you be keeping away, or
|
||
|
will I fire this stick at you?"
|
||
|
|
||
|
Freckles dropped to the trail. The hen darted to the nest and
|
||
|
settled on it with a tender, coddling movement. He of the yellow
|
||
|
coat flew to the edge to make sure that everything was right.
|
||
|
It would have been plain to the veriest novice that they were
|
||
|
partners in that cradle.
|
||
|
|
||
|
"Well, I'll be switched!" muttered Freckles. "If that ain't both
|
||
|
their nest! And he's yellow and she's green, or she's yellow and
|
||
|
he's green. Of course, I don't know, and I haven't any way to find
|
||
|
out, but it's plain as the nose on your face that they are both
|
||
|
ready to be fighting for that nest, so, of course, they belong.
|
||
|
Doesn't that beat you? Say, that's what's been sticking me all
|
||
|
of this week on that grass nest in the thorn tree down the line.
|
||
|
One day a blue bird is setting, so I think it is hers. The next day
|
||
|
a brown bird is on, and I chase it off because the nest is blue's.
|
||
|
Next day the brown bird is on again, and I let her be, because I
|
||
|
think it must be hers. Next day, be golly, blue's on, and off I
|
||
|
send her because it's brown's; and now, I bet my hat, it's both
|
||
|
their nest and I've only been bothering them and making a big fool
|
||
|
of mesilf. Pretty specimen I am, pretending to be a friend to the
|
||
|
birds, and so blamed ignorant I don't know which ones go in pairs,
|
||
|
and blue and brown are a pair, of course, if yellow and green
|
||
|
are--and there's the red birds! I never thought of them! He's red
|
||
|
and she's gray--and now I want to be knowing, are they all different?
|
||
|
Why no! Of course, they ain't! There's the jays all blue, and
|
||
|
the crows all black."
|
||
|
|
||
|
The tide of Freckles' discontent welled until he almost choked with
|
||
|
anger and chagrin. He plodded down the trail, scowling blackly and
|
||
|
viciously spanging the wire. At the finches' nest he left the line
|
||
|
and peered into the thorn tree. There was no bird brooding.
|
||
|
He pressed closer to take a peep at the snowy, spotless little eggs
|
||
|
he had found so beautiful, when at the slight noise up raised four
|
||
|
tiny baby heads with wide-open mouths, uttering hunger cries.
|
||
|
Freckles stepped back. The brown bird alighted on the edge and
|
||
|
closed one cavity with a wiggling green worm, while not two minutes
|
||
|
later the blue filled another with a white. That settled it.
|
||
|
The blue and brown were mates. Once again Freckles repeated his
|
||
|
"How I wish I knew!"
|
||
|
|
||
|
Around the bridge spanning Sleepy Snake Creek the swale spread
|
||
|
widely, the timber was scattering, and willows, rushes, marsh-
|
||
|
grass, and splendid wild flowers grew abundantly. Here lazy,
|
||
|
big, black water snakes, for which the creek was named, sunned on
|
||
|
the bushes, wild ducks and grebe chattered, cranes and herons
|
||
|
fished, and muskrats plowed the bank in queer, rolling furrows.
|
||
|
It was always a place full of interest, so Freckles loved to linger on
|
||
|
the bridge, watching the marsh and water people. He also transacted
|
||
|
affairs of importance with the wild flowers and sweet marsh-grass.
|
||
|
He enjoyed splashing through the shallow pools on either side of
|
||
|
the bridge.
|
||
|
|
||
|
Then, too, where the creek entered the swamp was a place of
|
||
|
unusual beauty. The water spread in darksome, mossy, green pools.
|
||
|
Water-plants and lilies grew luxuriantly, throwing up large, rank,
|
||
|
green leaves. Nowhere else in the Limberlost could be found
|
||
|
frog-music to equal that of the mouth of the creek. The drumming
|
||
|
and piping rolled in never-ending orchestral effect, while the full
|
||
|
chorus rang to its accompaniment throughout the season.
|
||
|
|
||
|
Freckles slowly followed the path leading from the bridge to
|
||
|
the line. It was the one spot at which he might relax his vigilance.
|
||
|
The boldest timber thief the swamp ever had known would not have
|
||
|
attempted to enter it by the mouth of the creek, on account of the
|
||
|
water and because there was no protection from surrounding trees.
|
||
|
He was bending the rank grass with his cudgel, and thinking of the
|
||
|
shade the denser swamp afforded, when he suddenly dodged sidewise;
|
||
|
the cudgel whistled sharply through the air and Freckles sprang back.
|
||
|
|
||
|
From the clear sky above him, first level with his face, then skimming,
|
||
|
dipping, tilting, whirling until it struck, quill down, in the path
|
||
|
in front of him, came a glossy, iridescent, big black feather. As it
|
||
|
touched the ground, Freckles snatched it up with almost a continuous
|
||
|
movement facing the sky. There was not a tree of any size in a
|
||
|
large open space. There was no wind to carry it. From the clear sky
|
||
|
it had fallen, and Freckles, gazing eagerly into the arch of June
|
||
|
blue with a few lazy clouds floating high in the sea of ether,
|
||
|
had neither mind nor knowledge to dream of a bird hanging as if
|
||
|
frozen there. He turned the big quill questioningly, and again
|
||
|
his awed eyes swept the sky.
|
||
|
|
||
|
"A feather dropped from Heaven!" he breathed reverently. "Are the
|
||
|
holy angels moulting? But no; if they were, it would be white.
|
||
|
Maybe all the angels are not for being white. What if the angels of
|
||
|
God are white and those of the devil are black? But a black one has
|
||
|
no business up there. Maybe some poor black angel is so tired of
|
||
|
being punished it's for slipping to the gates, beating its wings
|
||
|
trying to make the Master hear!"
|
||
|
|
||
|
Again and again Freckles searched the sky, but there was no
|
||
|
answering gleam of golden gates, no form of sailing bird; then he
|
||
|
went slowly on his way, turning the feather and wondering about it.
|
||
|
It was a wing quill, eighteen inches in length, with a heavy spine,
|
||
|
gray at the base, shading to jet black at the tip, and it caught the
|
||
|
play of the sun's rays in slanting gleams of green and bronze.
|
||
|
Again Freckles' "old man of the sea" sat sullen and heavy on his
|
||
|
shoulders and weighted him down until his step lagged and his
|
||
|
heart ached.
|
||
|
|
||
|
"Where did it come from? What is it? Oh, how I wish I knew!" he
|
||
|
kept repeating as he turned and studied the feather, with almost
|
||
|
unseeing eyes, so intently was he thinking.
|
||
|
|
||
|
Before him spread a large, green pool, filled with rotting logs and
|
||
|
leaves, bordered with delicate ferns and grasses among which lifted
|
||
|
the creamy spikes of the arrow-head, the blue of water-hyacinth,
|
||
|
and the delicate yellow of the jewel-flower. As Freckles leaned,
|
||
|
handling the feather and staring at it, then into the depths of the
|
||
|
pool, he once more gave voice to his old query: "I wonder what it is!"
|
||
|
|
||
|
Straight across from him, couched in the mosses of a soggy old log,
|
||
|
a big green bullfrog, with palpitant throat and batting eyes,
|
||
|
lifted his head and bellowed in answer. "FIN' DOUT! FIN' DOUT!"
|
||
|
|
||
|
"Wha--what's that?" stammered Freckles, almost too much bewildered
|
||
|
to speak. "I--I know you are only a bullfrog, but, be jabbers, that
|
||
|
sounded mightily like speech. Wouldn't you please to be saying it over?"
|
||
|
|
||
|
The bullfrog cuddled contentedly in the ooze. Then suddenly he
|
||
|
lifted his voice, and, as an imperative drumbeat, rolled it again:
|
||
|
"FIN' DOUT! FIN' DOUT! FIN DOUT!"
|
||
|
|
||
|
Freckles had the answer. Something seemed to snap in his brain.
|
||
|
There was a wavering flame before his eyes. Then his mind cleared.
|
||
|
His head lifted in a new poise, his shoulders squared, while his
|
||
|
spine straightened. The agony was over. His soul floated free.
|
||
|
Freckles came into his birthright.
|
||
|
|
||
|
"Before God, I will!" He uttered the oath so impressively that the
|
||
|
recording angel never winced as he posted it in the prayer column.
|
||
|
|
||
|
Freckles set his hat over the top of one of the locust posts used
|
||
|
between trees to hold up the wire while he fastened the feather
|
||
|
securely in the band. Then he started down the line, talking to
|
||
|
himself as men who have worked long alone always fall into the
|
||
|
habit of doing.
|
||
|
|
||
|
"What a fool I have been!" he muttered. "Of course that's what I
|
||
|
have to do! There wouldn't likely anybody be doing it for me.
|
||
|
Of course I can! What am I a man for? If I was a four-footed thing
|
||
|
of the swamp, maybe I couldn't; but a man can do anything if he's
|
||
|
the grit to work hard enough and stick at it, Mr. McLean is always
|
||
|
saying, and here's the way I am to do it. He said, too, that there
|
||
|
were people that knew everything in the swamp. Of course they have
|
||
|
written books! The thing for me to be doing is to quit moping and be
|
||
|
buying some. Never bought a book in me life, or anything else of much
|
||
|
account, for that matter. Oh, ain't I glad I didn't waste me money!
|
||
|
I'll surely be having enough to get a few. Let me see."
|
||
|
|
||
|
Freckles sat on a log, took his pencil and account-book, and
|
||
|
figured on a back page. He had walked the timber-line ten months.
|
||
|
His pay was thirty dollars a month, and his board cost him eight.
|
||
|
That left twenty-two dollars a month, and his clothing had cost him
|
||
|
very little. At the least he had two hundred dollars in the bank.
|
||
|
He drew a deep breath and smiled at the sky with satisfaction.
|
||
|
|
||
|
"I'll be having a book about all the birds, trees, flowers,
|
||
|
butterflies, and----Yes, by gummy! I'll be having one about the
|
||
|
frogs--if it takes every cent I have," he promised himself.
|
||
|
|
||
|
He put away the account-book, that was his most cherished
|
||
|
possession, caught up his stick, and started down the line.
|
||
|
The even tap, tap, and the cheery, gladsome whistle carried
|
||
|
far ahead of him the message that Freckles was himself again.
|
||
|
|
||
|
He fell into a rapid pace, for he had lost time that morning; when
|
||
|
he rounded the last curve he was almost running. There was a chance
|
||
|
that the Boss might be there for his weekly report.
|
||
|
|
||
|
Then, wavering, flickering, darting here and there over the sweet
|
||
|
marsh-grass, came a large black shadow, sweeping so closely before
|
||
|
him that for the second time that morning Freckles dodged and
|
||
|
sprang back. He had seen some owls and hawks of the swamp that he
|
||
|
thought might be classed as large birds, but never anything like
|
||
|
this, for six feet it spread its big, shining wings. Its strong
|
||
|
feet could be seen drawn among its feathers. The sun glinted on its
|
||
|
sharp, hooked beak. Its eyes glowed, caught the light, and seemed
|
||
|
able to pierce the ground at his feet. It cared no more for
|
||
|
Freckles than if he had not been there; for it perched on a low
|
||
|
tree, while a second later it awkwardly hopped to the trunk of a
|
||
|
lightning-riven elm, turned its back, and began searching the blue.
|
||
|
|
||
|
Freckles looked just in time to see a second shadow sweep the grass;
|
||
|
and another bird, a trifle smaller and not quite so brilliant
|
||
|
in the light, slowly sailed down to perch beside the first.
|
||
|
Evidently they were mates, for with a queer, rolling hop the
|
||
|
first-comer shivered his bronze wings, sidled to the new arrival,
|
||
|
and gave her a silly little peck on her wing. Then he coquettishly
|
||
|
drew away and ogled her. He lifted his head, waddled from her a few
|
||
|
steps, awkwardly ambled back, and gave her such a simple sort of
|
||
|
kiss on her beak that Freckles burst into a laugh, but clapped his
|
||
|
hand over his mouth to stifle the sound.
|
||
|
|
||
|
The lover ducked and side-stepped a few feet. He spread his wings
|
||
|
and slowly and softly waved them precisely as if he were fanning
|
||
|
his charmer, which was indeed the result he accomplished. Then a
|
||
|
wave of uncontrollable tenderness moved him so he hobbled to his
|
||
|
bombardment once more. He faced her squarely this time, and turned
|
||
|
his head from side to side with queer little jerks and
|
||
|
indiscriminate peckings at her wings and head, and smirkings that
|
||
|
really should have been irresistible. She yawned and shuffled away
|
||
|
indifferently. Freckles reached up, pulled the quill from his hat,
|
||
|
and looking from it to the birds, nodded in settled conviction.
|
||
|
|
||
|
"So you're me black angels, ye spalpeens! No wonder you didn't
|
||
|
get in! But I'll back you to come closer it than any other birds
|
||
|
ever did. You fly higher than I can see. Have you picked the
|
||
|
Limberlost for a good thing and come to try it? Well, you can be
|
||
|
me chickens if you want to, but I'm blest if you ain't cool for
|
||
|
new ones. Why don't you take this stick for a gun and go skinning
|
||
|
a mile?"
|
||
|
|
||
|
Freckles broke into an unrestrained laugh, for the bird-lover was
|
||
|
keen about his courting, while evidently his mate was diffident.
|
||
|
When he approached too boisterously, she relieved him of a goodly
|
||
|
tuft of feathers and sent him backward in a series of squirmy
|
||
|
little jumps that gave the boy an idea of what had happened up-sky
|
||
|
to send the falling feather across his pathway.
|
||
|
|
||
|
"Score one for the lady! I'll be umpiring this," volunteered Freckles.
|
||
|
|
||
|
With a ravishing swagger, half-lifted wings, and deep, guttural
|
||
|
hissing, the lover approached again. He suddenly lifted his body,
|
||
|
but she coolly rocked forward on the limb, glided gracefully
|
||
|
beneath him, and slowly sailed into the Limberlost. He recovered
|
||
|
himself and gazed after her in astonishment.
|
||
|
|
||
|
Freckles hurried down the trail, shaking with laughter. When he
|
||
|
neared the path to the clearing and saw the Boss sitting motionless
|
||
|
on the mare that was the pride of his heart, the boy broke into a run.
|
||
|
|
||
|
"Oh, Mr. McLean!" he cried. "I hope I haven't kept you waiting very
|
||
|
long! And the sun is getting hot! I have been so slow this morning!
|
||
|
I could have gone faster, only there were that many things to keep
|
||
|
me, and I didn't know you would be here. I'll hurry after this.
|
||
|
I've never had to be giving excuses before. The line wasn't down,
|
||
|
and there wasn't a sign of trouble; it was other things that were
|
||
|
making me late."
|
||
|
|
||
|
McLean, smiling on the boy, immediately noticed the difference
|
||
|
in him. This flushed, panting, talkative lad was not the same
|
||
|
creature who had sought him in despair and bitterness. He watched
|
||
|
in wonder as Freckles mopped the perspiration from his forehead and
|
||
|
began to laugh. Then, forgetting all his customary reserve with
|
||
|
the Boss, the pent-up boyishness in the lad broke forth. With an
|
||
|
eloquence of which he never dreamed he told his story. He talked
|
||
|
with such enthusiasm that McLean never took his eyes from his face
|
||
|
or shifted in the saddle until he described the strange bird-lover,
|
||
|
and then the Boss suddenly bent over the pommel and laughed with
|
||
|
the boy.
|
||
|
|
||
|
Freckles decorated his story with keen appreciation and rare
|
||
|
touches of Irish wit and drollery that made it most interesting as
|
||
|
well as very funny. It was a first attempt at descriptive
|
||
|
narration. With an inborn gift for striking the vital point, a
|
||
|
naturalist's dawning enthusiasm for the wonders of the Limberlost,
|
||
|
and the welling joy of his newly found happiness, he made McLean
|
||
|
see the struggles of the moth and its freshly painted wings, the
|
||
|
dainty, brilliant bird-mates of different colors, the feather
|
||
|
sliding through the clear air, the palpitant throat and batting
|
||
|
eyes of the frog; while his version of the big bird's courtship won
|
||
|
for the Boss the best laugh he had enjoyed for years.
|
||
|
|
||
|
"They're in the middle of a swamp now" said Freckles. "Do you
|
||
|
suppose there is any chance of them staying with me chickens?
|
||
|
If they do, they'll be about the queerest I have; but I tell you, sir,
|
||
|
I am finding some plum good ones. There's a new kind over at the
|
||
|
mouth of the creek that uses its wings like feet and walks on all
|
||
|
fours. It travels like a thrashing machine. There's another, tall
|
||
|
as me waist, with a bill a foot long, a neck near two, not the
|
||
|
thickness of me wrist and an elegant color. He's some blue and
|
||
|
gray, touched up with black, white, and brown. The voice of him is
|
||
|
such that if he'd be going up and standing beside a tree and crying
|
||
|
at it a few times he could be sawing it square off. I don't know
|
||
|
but it would be a good idea to try him on the gang, sir."
|
||
|
|
||
|
McLean laughed. "Those must be blue herons, Freckles," he said.
|
||
|
"And it doesn't seem possible, but your description of the big
|
||
|
black birds sounds like genuine black vultures. They are common
|
||
|
enough in the South. I've seen them numerous around the lumber
|
||
|
camps of Georgia, but I never before heard of any this far north.
|
||
|
They must be strays. You have described perfectly our nearest
|
||
|
equivalent to a branch of these birds called in Europe Pharaoh's
|
||
|
Chickens, but if they are coming to the Limberlost they will have
|
||
|
to drop Pharaoh and become Freckles' Chickens, like the remainder of
|
||
|
the birds; won't they? Or are they too odd and ugly to interest you?"
|
||
|
|
||
|
"Oh, not at all, at all!" cried Freckles, bursting into pure brogue
|
||
|
in his haste. "I don't know as I'd be calling them exactly pretty,
|
||
|
and they do move like a rocking-horse loping, but they are so big
|
||
|
and fearless. They have a fine color for black birds, and their
|
||
|
feet and beaks seem so strong. You never saw anything so keen as
|
||
|
their eyes! And fly? Why, just think, sir, they must be flying
|
||
|
miles straight up, for they were out of sight completely when the
|
||
|
feather fell. I don't suppose I've a chicken in the swamp that can
|
||
|
go as close heaven as those big, black fellows, and then----"
|
||
|
|
||
|
Freckles' voice dragged and he hesitated.
|
||
|
|
||
|
"Then what?" interestedly urged McLean.
|
||
|
|
||
|
"He was loving her so," answered Freckles in a hushed voice. "I
|
||
|
know it looked awful funny, and I laughed and told on him, but if
|
||
|
I'd taken time to think I don't believe I'd have done it. You see,
|
||
|
I've seen such a little bit of loving in me life. You easily can be
|
||
|
understanding that at the Home it was every day the old story of
|
||
|
neglect and desertion. Always people that didn't even care enough
|
||
|
for their children to keep them, so you see, sir, I had to like him
|
||
|
for trying so hard to make her know how he loved her. Of course,
|
||
|
they're only birds, but if they are caring for each other like
|
||
|
that, why, it's just the same as people, ain't it?"
|
||
|
|
||
|
Freckles lifted his brave, steady eyes to the Boss.
|
||
|
|
||
|
"If anybody loved me like that, Mr. McLean, I wouldn't be spending
|
||
|
any time on how they looked or moved. All I'd be thinking of would
|
||
|
be how they felt toward me. If they will stay, I'll be caring as
|
||
|
much for them as any chickens I have. If I did laugh at them I
|
||
|
thought he was just fine!"
|
||
|
|
||
|
The face of McLean was a study; but the honest eyes of the boy were
|
||
|
so compelling that he found himself answering: "You are right,
|
||
|
Freckles. He's a gentleman, isn't he? And the only real chicken
|
||
|
you have. Of course he'll remain! The Limberlost will be paradise
|
||
|
for his family. And now, Freckles, what has been the trouble
|
||
|
all spring? You have done your work as faithfully as anyone could
|
||
|
ask, but I can't help seeing that there is something wrong. Are you
|
||
|
tired of your job?"
|
||
|
|
||
|
"I love it," answered Freckles. "It will almost break me heart when the
|
||
|
gang comes and begins tearing up the swamp and scaring away me chickens."
|
||
|
|
||
|
"Then what is the trouble?" insisted McLean.
|
||
|
|
||
|
"I think, sir, it's been books," answered Freckles. "You see, I
|
||
|
didn't realize it meself until the bullfrog told me this morning.
|
||
|
I hadn't ever even heard about a place like this. Anyway, I wasn't
|
||
|
understanding how it would be, if I had. Being among these
|
||
|
beautiful things every day, I got so anxious like to be knowing and
|
||
|
naming them, that it got to eating into me and went and made me
|
||
|
near sick, when I was well as I could be. Of course, I learned to
|
||
|
read, write, and figure some at school, but there was nothing
|
||
|
there, or in any of the city that I ever got to see, that would
|
||
|
make a fellow even be dreaming of such interesting things as there
|
||
|
are here. I've seen the parks--but good Lord, they ain't even
|
||
|
beginning to be in it with the Limberlost! It's all new and strange
|
||
|
to me. I don't know a thing about any of it. The bullfrog told me
|
||
|
to `find out,' plain as day, and books are the only way; ain't they?"
|
||
|
|
||
|
"Of course," said McLean, astonished at himself for his
|
||
|
heartfelt relief. He had not guessed until that minute what it
|
||
|
would have meant to him to have Freckles give up. "You know
|
||
|
enough to study out what you want yourself, if you have the books;
|
||
|
don't you?"
|
||
|
|
||
|
"I am pretty sure I do," said Freckles. "I learned all I'd the
|
||
|
chance at in the Home, and me schooling was good as far as it went.
|
||
|
Wouldn't let you go past fourteen, you know. I always did me sums
|
||
|
perfect, and loved me history books. I had them almost by heart. I
|
||
|
never could get me grammar to suit them. They said it was just born
|
||
|
in me to go wrong talking, and if it hadn't been I suppose I would
|
||
|
have picked it up from the other children; but I'd the best voice
|
||
|
of any of them in the Home or at school. I could knock them all
|
||
|
out singing. I was always leader in the Home, and once one of the
|
||
|
superintendents gave me carfare and let me go into the city and
|
||
|
sing in a boys' choir. The master said I'd the swatest voice of
|
||
|
them all until it got rough like, and then he made me quit for
|
||
|
awhile, but he said it would be coming back by now, and I'm railly
|
||
|
thinking it is, sir, for I've tried on the line a bit of late and
|
||
|
it seems to go smooth again and lots stronger. That and me chickens
|
||
|
have been all the company I've been having, and it will be all I'll
|
||
|
want if I can have some books and learn the real names of things,
|
||
|
where they come from, and why they do such interesting things. It's
|
||
|
been fretting me more than I knew to be shut up here among all
|
||
|
these wonders and not knowing a thing. I wanted to ask you what
|
||
|
some books would cost me, and if you'd be having the goodness to
|
||
|
get me the right ones. I think I have enough money"
|
||
|
|
||
|
Freckles offered his account-book and the Boss studied it gravely.
|
||
|
|
||
|
"You needn't touch your account, Freckles," he said. "Ten dollars
|
||
|
from this month's pay will provide you everything you need to start on.
|
||
|
I will write a friend in Grand Rapids today to select you the very
|
||
|
best and send them at once."
|
||
|
|
||
|
Freckles' eyes were shining.
|
||
|
|
||
|
"Never owned a book in me life!" he said. "Even me schoolbooks were
|
||
|
never mine. Lord! How I used to wish I could have just one of them
|
||
|
for me very own! Won't it be fun to see me sawbird and me little
|
||
|
yellow fellow looking at me from the pages of a book, and their
|
||
|
real names and all about them printed alongside? How long will it
|
||
|
be taking, sir?"
|
||
|
|
||
|
"Ten days should do it nicely," said McLean. Then, seeing Freckles'
|
||
|
lengthening face, he added: "I'll have Duncan bring you a
|
||
|
ten-bushel store-box the next time he goes to town. He can haul it
|
||
|
to the west entrance and set it up wherever you want it. You can
|
||
|
put in your spare time filling it with the specimens you find until
|
||
|
the books come, and then you can study out what you have. I suspect
|
||
|
you could collect specimens that I could send to naturalists in the
|
||
|
city and sell for you; things like that winged creature, this morning.
|
||
|
I don't know much in that line, but it must have been a moth, and
|
||
|
it might have been rare. I've seen them by the thousand in
|
||
|
museums, and in all nature I don't remember rarer coloring than
|
||
|
their wings. I'll order you a butterfly-net and box and show you
|
||
|
how scientists pin specimens. Possibly you can make a fine
|
||
|
collection of these swamp beauties. It will be all right for you to
|
||
|
take a pair of different moths and butterflies, but I don't want to
|
||
|
hear of your killing any birds. They are protected by heavy fines."
|
||
|
|
||
|
McLean rode away leaving Freckles staring aghast. Then he saw the
|
||
|
point and smiled. Standing on the trail, he twirled the feather and
|
||
|
thought over the morning.
|
||
|
|
||
|
"Well, if life ain't getting to be worth living!" he said wonderingly.
|
||
|
"Biggest streak of luck I ever had! `Bout time something was
|
||
|
coming my way, but I wouldn't ever thought anybody could strike
|
||
|
such magnificent prospects through only a falling feather."
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER IV
|
||
|
|
||
|
Wherein Freckles Faces Trouble Bravely and Opens the Way
|
||
|
for New Experiences
|
||
|
|
||
|
On Duncan's return from his next trip to town there was a big
|
||
|
store-box loaded on the back of his wagon. He drove to the west
|
||
|
entrance of the swamp, set the box on a stump that Freckles had
|
||
|
selected in a beautiful, sheltered place, and made it secure on its
|
||
|
foundations with a tree at its back.
|
||
|
|
||
|
"It seems most a pity to nail into that tree," said Duncan.
|
||
|
"I haena the time to examine into the grain of it, but it looks as
|
||
|
if it might be a rare ane. Anyhow, the nailin' winna hurt it deep,
|
||
|
and havin' the case by it will make it safer if it is a guid ane."
|
||
|
|
||
|
"Isn't it an oak?" asked Freckles.
|
||
|
|
||
|
"Ay," said Duncan. "It looks like it might be ane of thae
|
||
|
fine-grained white anes that mak' such grand furniture."
|
||
|
|
||
|
When the body of the case was secure, Duncan made a door from the
|
||
|
lid and fastened it with hinges. He drove a staple, screwed on a
|
||
|
latch, and gave Freckles a small padlock--so that he might fasten
|
||
|
in his treasures safely. He made a shelf at the top for his books,
|
||
|
and last of all covered the case with oil-cloth.
|
||
|
|
||
|
It was the first time in Freckles' life that anyone ever had done
|
||
|
that much for his pleasure, and it warmed his heart with pure joy.
|
||
|
If the interior of the box already had been covered with the rarest
|
||
|
treasures of the Limberlost he could have been no happier.
|
||
|
|
||
|
When the big teamster stood back to look at his work he laughingly
|
||
|
quoted, "`Neat, but no' gaudy,' as McLean says. All we're, needing
|
||
|
now is a coat of paint to make a cupboard that would turn Sarah
|
||
|
green with envy. Ye'll find that safe an' dry, lad, an' that's all
|
||
|
that's needed."
|
||
|
|
||
|
"Mr. Duncan," said Freckles, "I don't know why you are being so
|
||
|
mighty good to me; but if you have any jobs at the cabin that I
|
||
|
could do for you or Mrs. Duncan, hours off the line, it would make
|
||
|
me mighty happy."
|
||
|
|
||
|
Duncan laughed. "Ye needna feel ye are obliged to me, lad. Ye mauna
|
||
|
think I could take a half-day off in the best hauling season and go
|
||
|
to town for boxes to rig up, and spend of my little for fixtures."
|
||
|
|
||
|
"I knew Mr. McLean sent you," said Freckles, his eyes wide and
|
||
|
bright with happiness. "It's so good of him. How I wish I could do
|
||
|
something that would please him as much!"
|
||
|
|
||
|
"Why, Freckles," said Duncan, as he knelt and began collecting his
|
||
|
tools, "I canna see that it will hurt ye to be told that ye are
|
||
|
doing every day a thing that pleases the Boss as much as anything
|
||
|
ye could do. Ye're being uncommon faithful, lad, and honest as old
|
||
|
Father Time. McLean is trusting ye as he would his own flesh and blood."
|
||
|
|
||
|
"Oh, Duncan!" cried the happy boy. "Are you sure?"
|
||
|
|
||
|
"Why I know," answered Duncan. "I wadna venture to say so else.
|
||
|
In those first days he cautioned me na to tell ye, but now he
|
||
|
wadna care. D'ye ken, Freckles, that some of the single trees
|
||
|
ye are guarding are worth a thousand dollars?"
|
||
|
|
||
|
Freckles caught his breath and stood speechless.
|
||
|
|
||
|
"Ye see," said Duncan, "that's why they maun be watched so closely.
|
||
|
They tak', say, for instance, a burl maple--bird's eye they call it
|
||
|
in the factory, because it's full o' wee knots and twists that look
|
||
|
like the eve of a bird. They saw it out in sheets no muckle thicker
|
||
|
than writin' paper. Then they make up the funiture out of cheaper
|
||
|
wood and cover it with the maple--veneer, they call it. When it's
|
||
|
all done and polished ye never saw onythin' grander. Gang into a
|
||
|
retail shop the next time ye are in town and see some. By sawin' it
|
||
|
thin that way they get finish for thousands of dollars' worth of
|
||
|
furniture from a single tree. If ye dinna watch faithful, and Black
|
||
|
Jack gets out a few he has marked, it means the loss of more money
|
||
|
than ye ever dreamed of, lad. The other night, down at camp, some
|
||
|
son of Balaam was suggestin' that ye might be sellin' the Boss out
|
||
|
to Jack and lettin' him tak' the trees secretly, and nobody wad
|
||
|
ever ken till the gang gets here."
|
||
|
|
||
|
A wave of scarlet flooded Freckles' face and he blazed hotly at the insult.
|
||
|
|
||
|
"And the Boss," continued Duncan, coolly ignoring Freckles' anger,
|
||
|
"he lays back just as cool as cowcumbers an' says: `I'll give a
|
||
|
thousand dollars to ony man that will show me a fresh stump when we
|
||
|
reach the Limberlost,' says he. Some of the men just snapped him op
|
||
|
that they'd find some. So you see bow the Boss is trustin' ye, lad."
|
||
|
|
||
|
"I am gladder than I can ever expriss," said Freckles. "And now
|
||
|
will I be walking double time to keep some of them from cutting a
|
||
|
tree to get all that money!"
|
||
|
|
||
|
"Mither o' Moses!" howled Duncan. "Ye can trust the Scotch to
|
||
|
bungle things a'thegither. McLean was only meanin' to show ye all
|
||
|
confidence and honor. He's gone and set a high price for some dirty
|
||
|
whelp to ruin ye. I was just tryin' to show ye how he felt toward
|
||
|
ye, and I've gone an' give ye that worry to bear. Damn the Scotch!
|
||
|
They're so slow an' so dumb!"
|
||
|
|
||
|
"Exciptin' prisint company?" sweetly inquired Freckles.
|
||
|
|
||
|
"No!" growled Duncan. "Headin' the list! He'd nae business to set
|
||
|
a price on ye, lad, for that's about the amount of it, an' I'd nae
|
||
|
right to tell ye. We've both done ye ill, an' both meanin' the
|
||
|
verra best. Juist what I'm always sayin' to Sarah."
|
||
|
|
||
|
"I am mighty proud of what you have been telling me, Duncan,"
|
||
|
said Freckles. "I need the warning, sure. For with the books
|
||
|
coming I might be timpted to neglect me work when double watching
|
||
|
is needed. Thank you more than I can say for putting me on to it.
|
||
|
What you've told me may be the saving of me. I won't stop for
|
||
|
dinner now. I'll be getting along the east line, and when I come
|
||
|
around about three, maybe Mother Duncan will let me have a glass
|
||
|
of milk and a bite of something."
|
||
|
|
||
|
"Ye see now!" cried Duncan in disgust. "Ye'll start on that
|
||
|
seven-mile tramp with na bite to stay your stomach. What was it I
|
||
|
told ye?"
|
||
|
|
||
|
"You told me that the Scotch had the hardest heads and the softest
|
||
|
hearts of any people that's living," answered Freckles.
|
||
|
|
||
|
Duncan grunted in gratified disapproval.
|
||
|
|
||
|
Freckles picked up his club and started down the line, whistling
|
||
|
cheerily, for he had an unusually long repertoire upon which to draw.
|
||
|
|
||
|
Duncan went straight to the lower camp, and calling McLean aside,
|
||
|
repeated the conversation verbatim, ending: "And nae matter what
|
||
|
happens now or ever, dinna ye dare let onythin' make ye believe
|
||
|
that Freckles hasna guarded faithful as ony man could."
|
||
|
|
||
|
"I don't think anything could shake my faith in the lad," answered McLean.
|
||
|
|
||
|
Freckles was whistling merrily. He kept one eye religiously on
|
||
|
the line. The other he divided between the path, his friends of the
|
||
|
wire, and a search of the sky for his latest arrivals. Every day
|
||
|
since their coming he had seen them, either hanging as small, black
|
||
|
clouds above the swamp or bobbing over logs and trees with their
|
||
|
queer, tilting walk. Whenever he could spare time, he entered the
|
||
|
swamp and tried to make friends with them, for they were the tamest
|
||
|
of all his unnumbered subjects. They ducked, dodged, and ambled
|
||
|
around him, over logs and bushes, and not even a near approach
|
||
|
would drive them to flight.
|
||
|
|
||
|
For two weeks he had found them circling over the Limberlost
|
||
|
regularly, but one morning the female was missing and only the big
|
||
|
black chicken hung sentinel above the swamp. His mate did not
|
||
|
reappear in the following days, and Freckles grew very anxious.
|
||
|
He spoke of it to Mrs. Duncan, and she quieted his fears by raising
|
||
|
a delightful hope in their stead.
|
||
|
|
||
|
"Why, Freckles, if it's the hen-bird ye are missing, it's ten to
|
||
|
one she's safe," she said. "She's laid, and is setting, ye silly!
|
||
|
Watch him and mark whaur he lichts. Then follow and find the nest.
|
||
|
Some Sabbath we'll all gang see it."
|
||
|
|
||
|
Accepting this theory, Freckles began searching for the nest.
|
||
|
Because these "chickens" were large, as the hawks, he looked among
|
||
|
the treetops until he almost sprained the back of his neck. He had
|
||
|
half the crow and hawk nests in the swamp located. He searched for
|
||
|
this nest instead of collecting subjects for his case. He found the
|
||
|
pair the middle of one forenoon on the elm where he had watched
|
||
|
their love-making. The big black chicken was feeding his mate; so
|
||
|
it was proved that they were a pair, they were both alive, and
|
||
|
undoubtedly she was brooding. After that Freckles' nest-hunting
|
||
|
continued with renewed zeal, but as he had no idea where to look
|
||
|
and Duncan could offer no helpful suggestion, the nest was no
|
||
|
nearer to being found.
|
||
|
|
||
|
Coming from a long day on the trail, Freckles saw Duncan's children
|
||
|
awaiting him much closer the swale than they usually ventured, and
|
||
|
from their wild gestures he knew that something had happened.
|
||
|
He began to run, but the cry that reached him was: "The books
|
||
|
have come!"
|
||
|
|
||
|
How they hurried! Freckles lifted the youngest to his shoulder, the
|
||
|
second took his club and dinner pail, and when they reached Mrs.
|
||
|
Duncan they found her at work on a big box. She had loosened the
|
||
|
lid, and then she laughingly sat on it.
|
||
|
|
||
|
"Ye canna have a peep in here until ye have washed and eaten
|
||
|
supper," she said. "It's all ready on the table. Ance ye begin on
|
||
|
this, ye'll no be willin' to tak' your nose o' it till bedtime, and
|
||
|
I willna get my work done the nicht. We've eaten long ago."
|
||
|
|
||
|
It was difficult work, but Freckles smiled bravely. He made himself
|
||
|
neat, swallowed a few bites, then came so eagerly that Mrs. Duncan
|
||
|
yielded, although she said she very well knew all the time that his
|
||
|
supper would be spoiled.
|
||
|
|
||
|
Lifting the lid, they removed the packing and found in that box
|
||
|
books on birds, trees, flowers, moths, and butterflies. There was
|
||
|
also one containing Freckles' bullfrog, true to life. Besides these
|
||
|
were a butterfly-net, a naturalist's tin specimen-box, a bottle of
|
||
|
cyanide, a box of cotton, a paper of long, steel specimen-pins, and
|
||
|
a letter telling what all these things were and how to use them.
|
||
|
|
||
|
At the discovery of each new treasure, Freckles shouted: "Will you
|
||
|
be looking at this, now?"
|
||
|
|
||
|
Mrs. Duncan cried: "Weel, I be drawed on!"
|
||
|
|
||
|
The eldest boy turned a somersault for every extra, while the baby,
|
||
|
trying to follow his example, bunched over in a sidewise sprawl and
|
||
|
cut his foot on the axe with which his mother had prized up the
|
||
|
box-lid. That sobered them, they carried the books indoors. Mrs.
|
||
|
Duncan had a top shelf in her closet cleared for them, far above
|
||
|
the reach of meddling little fingers.
|
||
|
|
||
|
When Freckles started for the trail next morning, the shining new
|
||
|
specimen-box flashed on his back. The black "chicken," a mere speck
|
||
|
in the blue, caught the gleam of it. The folded net hung beside the
|
||
|
boy's hatchet, and the bird book was in the box. He walked the line
|
||
|
and tested each section scrupulously, watching every foot of the
|
||
|
trail, for he was determined not to slight his work; but if ever a
|
||
|
boy "made haste slowly" in a hurry, it was Freckles that morning.
|
||
|
When at last he reached the space he had cleared and planted around
|
||
|
his case, his heart swelled with the pride of possessing even so
|
||
|
much that he could call his own, while his quick eyes feasted on
|
||
|
the beauty of it.
|
||
|
|
||
|
He had made a large room with the door of the case set even with
|
||
|
one side of it. On three sides, fine big bushes of wild rose
|
||
|
climbed to the lower branches of the trees. Part of his walls were
|
||
|
mallow, part alder, thorn, willow, and dogwood. Below there filled
|
||
|
in a solid mass of pale pink sheep-laurel, and yellow St. John's
|
||
|
wort, while the amber threads of the dodder interlaced everywhere.
|
||
|
At one side the swamp came close, here cattails grew in profusion.
|
||
|
In front of them he had planted a row of water-hyacinths without
|
||
|
disturbing in the least the state of their azure bloom, and where
|
||
|
the ground arose higher for his floor, a row of foxfire, that soon
|
||
|
would be open.
|
||
|
|
||
|
To the left he had discovered a queer natural arrangement of the
|
||
|
trees, that grew to giant size and were set in a gradually
|
||
|
narrowing space so that a long, open vista stretched away until
|
||
|
lost in the dim recesses of the swamp. A little trimming of
|
||
|
underbush, rolling of dead logs, levelling of floor and carpeting
|
||
|
with moss, made it easy to understand why Freckles had named this
|
||
|
the "cathedral"; yet he never had been taught that "the groves were
|
||
|
God's first temples."
|
||
|
|
||
|
On either side of the trees that constituted the first arch of this
|
||
|
dim vista of the swamp he planted ferns that grew waist-high thus
|
||
|
early in the season, and so skilfully the work had been done that
|
||
|
not a frond drooped because of the change. Opposite, he cleared a
|
||
|
space and made a flower bed. He filled one end with every delicate,
|
||
|
lacy vine and fern he could transplant successfully. The body of
|
||
|
the bed was a riot of color. Here he set growing dainty
|
||
|
blue-eyed-Marys and blue-eyed grass side by side. He planted
|
||
|
harebells; violets, blue, white, and yellow; wild geranium,
|
||
|
cardinal-flower, columbine, pink snake's mouth, buttercups, painted
|
||
|
trilliums, and orchis. Here were blood-root, moccasin-flower,
|
||
|
hepatica, pitcher-plant, Jack-in-the-pulpit, and every other flower
|
||
|
of the Limberlost that was in bloom or bore a bud presaging a
|
||
|
flower. Every day saw the addition of new specimens. The place
|
||
|
would have driven a botanist wild with envy.
|
||
|
|
||
|
On the line side he left the bushes thick for concealment, entering
|
||
|
by a narrow path he and Duncan had cleared in setting up the case.
|
||
|
He called this the front door, though he used every precaution to
|
||
|
hide it. He built rustic seats between several of the trees,
|
||
|
leveled the floor, and thickly carpeted it with rank, heavy,
|
||
|
woolly-dog moss. Around the case he planted wild clematis,
|
||
|
bittersweet, and wild-grapevines, and trained them over it until it
|
||
|
was almost covered. Every day he planted new flowers, cut back
|
||
|
rough bushes, and coaxed out graceful ones. His pride in his room
|
||
|
was very great, but he had no idea how surprisingly beautiful it
|
||
|
would appear to anyone who had not witnessed its growth and construction.
|
||
|
|
||
|
This morning Freckles walked straight to his case, unlocked it, and
|
||
|
set his apparatus and dinner inside. He planted a new specimen he
|
||
|
had found close the trail, and, bringing his old scrap-bucket from
|
||
|
the corner in which it was hidden, from a near-by pool he dipped
|
||
|
water to pour over his carpet and flowers.
|
||
|
|
||
|
Then he took out the bird book, settled comfortably on a bench, and
|
||
|
with a deep sigh of satisfaction turned to the section headed. "V."
|
||
|
Past "veery" and "vireo" he went, down the line until his finger,
|
||
|
trembling with eagerness, stopped at "vulture."
|
||
|
|
||
|
"`Great black California vulture,'" he read.
|
||
|
|
||
|
"Humph! This side the Rockies will do for us."
|
||
|
|
||
|
"`Common turkey-buzzard.'"
|
||
|
|
||
|
"Well, we ain't hunting common turkeys. McLean said chickens, and
|
||
|
what he says goes."
|
||
|
|
||
|
"`Black vulture of the South.'"
|
||
|
|
||
|
"Here we are arrived at once."
|
||
|
|
||
|
Freckles' finger followed the line, and he read scraps aloud.
|
||
|
|
||
|
"`Common in the South. Sometimes called Jim Crow. Nearest
|
||
|
equivalent to C-a-t-h-a-r-t-e-s A-t-r-a-t-a.'"
|
||
|
|
||
|
"How the divil am I ever to learn them corkin' big words by mesel'?"
|
||
|
|
||
|
"`--the Pharaoh's Chickens of European species. Sometimes stray
|
||
|
north as far as Virginia and Kentucky----'"
|
||
|
|
||
|
"And sometimes farther," interpolated Freckles, "'cos I got them
|
||
|
right here in Indiana so like these pictures I can just see me big
|
||
|
chicken bobbing up to get his ears boxed. Hey?"
|
||
|
|
||
|
"`Light-blue eggs'----"
|
||
|
|
||
|
"Golly! I got to be seeing them!"
|
||
|
|
||
|
"`--big as a common turkey's, but shaped like a hen's, heavily
|
||
|
splotched with chocolate----'"
|
||
|
|
||
|
"Caramels, I suppose. And----"
|
||
|
|
||
|
"`--in hollow logs or stumps.'"
|
||
|
|
||
|
"Oh, hagginy! Wasn't I barking up the wrong tree, though? Ought to
|
||
|
been looking close the ground all this time. Now it's all to do
|
||
|
over, and I suspect the sooner I start the sooner I'll be likely to
|
||
|
find them."
|
||
|
|
||
|
Freckles put away his book, dampened the smudge-fire, without which
|
||
|
the mosquitoes made the swamp almost unbearable, took his cudgel
|
||
|
and lunch, and went to the line. He sat on a log, ate at
|
||
|
dinner-time and drank his last drop of water. The heat of June was
|
||
|
growing intense. Even on the west of the swamp, where one had full
|
||
|
benefit of the breeze from the upland, it was beginning to be
|
||
|
unpleasant in the middle of the day.
|
||
|
|
||
|
He brushed the crumbs from his knees and sat resting awhile and
|
||
|
watching the sky to see if his big chicken were hanging up there.
|
||
|
But he came to the earth abruptly, for there were steps coming down
|
||
|
the trail that were neither McLean's nor Duncan's--and there never
|
||
|
had been others. Freckles' heart leaped hotly. He ran a quick hand
|
||
|
over his belt to feel if his revolver and hatchet were there,
|
||
|
caught up his cudgel and laid it across his knees--then sat quietly,
|
||
|
waiting. Was it Black Jack, or someone even worse? Forced to do
|
||
|
something to brace his nerves, he puckered his stiffening lips and
|
||
|
began whistling a tune he had led in his clear tenor every year of
|
||
|
his life at the Home Christmas exercises.
|
||
|
|
||
|
"Who comes this way, so blithe and gay,
|
||
|
Upon a merry Christmas day?"
|
||
|
|
||
|
|
||
|
His quick Irish wit roused to the ridiculousness of it until he
|
||
|
broke into a laugh that steadied him amazingly.
|
||
|
|
||
|
Through the bushes he caught a glimpse of the oncoming figure. His
|
||
|
heart flooded with joy, for it was a man from the gang. Wessner had
|
||
|
been his bunk-mate the night he came down the corduroy. He knew him
|
||
|
as well as any of McLean's men. This was no timber-thief. No doubt
|
||
|
the Boss had sent him with a message. Freckles sprang up and called
|
||
|
cheerily, a warm welcome on his face.
|
||
|
|
||
|
"Well, it's good telling if you're glad to see me," said Wessner,
|
||
|
with something very like a breath of relief. "We been hearing down
|
||
|
at the camp you were so mighty touchy you didn't allow a man within
|
||
|
a rod of the line."
|
||
|
|
||
|
"No more do I," answered Freckles, "if he's a stranger, but you're
|
||
|
from McLean, ain't you?"
|
||
|
|
||
|
"Oh, damn McLean!" said Wessner.
|
||
|
|
||
|
Freckles gripped the cudgel until his knuckles slowly turned purple.
|
||
|
|
||
|
"And are you railly saying so?" he inquired with elaborate politeness.
|
||
|
|
||
|
"Yes, I am," said Wessner. "So would every man of the gang if they
|
||
|
wasn't too big cowards to say anything, unless maybe that other
|
||
|
slobbering old Scotchman, Duncan. Grinding the lives out of us!
|
||
|
Working us like dogs, and paying us starvation wages, while he
|
||
|
rolls up his millions and lives like a prince!"
|
||
|
|
||
|
Green lights began to play through the gray of Freckles' eyes.
|
||
|
|
||
|
"Wessner," he said impressively, "you'd make a fine pattern for the
|
||
|
father of liars! Every man on that gang is strong and hilthy, paid
|
||
|
all he earns, and treated with the courtesy of a gentleman! As for
|
||
|
the Boss living like a prince, he shares fare with you every day of
|
||
|
your lives!"
|
||
|
|
||
|
Wessner was not a born diplomat, but he saw he was on the wrong
|
||
|
tack, so he tried another.
|
||
|
|
||
|
"How would you like to make a good big pile of money, without even
|
||
|
lifting your hand?" he asked.
|
||
|
|
||
|
"Humph!" said Freckles. "Have you been up to Chicago and cornered
|
||
|
wheat, and are you offering me a friendly tip on the invistment of
|
||
|
me fortune?"
|
||
|
|
||
|
Wessner came close.
|
||
|
|
||
|
"Freckles, old fellow," he said, "if you let me give you a pointer,
|
||
|
I can put you on to making a cool five hundred without stepping out
|
||
|
of your tracks."
|
||
|
|
||
|
Freckles drew back.
|
||
|
|
||
|
"You needn't be afraid of speaking up," he said. "There isn't a
|
||
|
soul in the Limberlost save the birds and the beasts, unless some
|
||
|
of your sort's come along and's crowding the privileges of the
|
||
|
legal tinints."
|
||
|
|
||
|
"None of my friends along," said Wessner. "Nobody knew I came but
|
||
|
Black, I--I mean a friend of mine. If you want to hear sense and
|
||
|
act with reason, he can see you later, but it ain't necessary. We
|
||
|
can make all the plans needed. The trick's so dead small and easy."
|
||
|
|
||
|
"Must be if you have the engineering of it," said Freckles. But he
|
||
|
heard, with a sigh of relief, that they were alone.
|
||
|
|
||
|
Wessner was impervious. "You just bet it is! Why, only think,
|
||
|
Freckles, slavin' away at a measly little thirty dollars a month,
|
||
|
and here is a chance to clear five hundred in a day! You surely
|
||
|
won't be the fool to miss it!"
|
||
|
|
||
|
"And how was you proposing for me to stale it?" inquired Freckles.
|
||
|
"Or am I just to find it laying in me path beside the line?"
|
||
|
|
||
|
"That's it, Freckles," blustered the Dutchman, "you're just to
|
||
|
find it. You needn't do a thing. You needn't know a thing.
|
||
|
You name a morning when you will walk up the west side of the
|
||
|
swamp and then turn round and walk back down the same side again
|
||
|
and the money is yours. Couldn't anything be easier than that,
|
||
|
could it?"
|
||
|
|
||
|
"Depinds entirely on the man," said Freckles. The lilt of a lark
|
||
|
hanging above the swale beside them was not sweeter than the
|
||
|
sweetness of his voice. "To some it would seem to come aisy as
|
||
|
breathing; and to some, wringin' the last drop of their heart's
|
||
|
blood couldn't force thim! I'm not the man that goes into a scheme
|
||
|
like that with the blindfold over me eyes, for, you see, it manes
|
||
|
to break trust with the Boss; and I've served him faithful as I knew.
|
||
|
You'll have to be making the thing very clear to me understanding."
|
||
|
|
||
|
"It's so dead easy," repeated Wessner, "it makes me tired of the
|
||
|
simpleness of it. You see there's a few trees in the swamp that's
|
||
|
real gold mines. There's three especial. Two are back in, but one's
|
||
|
square on the line. Why, your pottering old Scotch fool of a Boss
|
||
|
nailed the wire to it with his own hands! He never noticed where
|
||
|
the bark had been peeled, or saw what it was. If you will stay on
|
||
|
this side of the trail just one day we can have it cut, loaded, and
|
||
|
ready to drive out at night. Next morning you can find it, report,
|
||
|
and be the busiest man in the search for us. We know where to fix
|
||
|
it all safe and easy. Then McLean has a bet up with a couple of
|
||
|
the gang that there can't be a raw stump found in the Limberlost.
|
||
|
There's plenty of witnesses to swear to it, and I know three that will.
|
||
|
There's a cool thousand, and this tree is worth all of that, raw.
|
||
|
Say, it's a gold mine, I tell you, and just five hundred of it
|
||
|
is yours. There's no danger on earth to you, for you've got McLean
|
||
|
that bamboozled you could sell out the whole swamp and he'd never
|
||
|
mistrust you. What do you say?"
|
||
|
|
||
|
Freckles' soul was satisfied. "Is that all?" he asked.
|
||
|
|
||
|
"No, it ain't," said Wessner. "If you really want to brace up and
|
||
|
be a man and go into the thing for keeps, you can make five times
|
||
|
that in a week. My friend knows a dozen others we could get out in
|
||
|
a few days, and all you'd have to do would be to keep out of sight.
|
||
|
Then you could take your money and skip some night, and begin life
|
||
|
like a gentleman somewhere else. What do you think about it?"
|
||
|
|
||
|
Freckles purred like a kitten.
|
||
|
|
||
|
"'Twould be a rare joke on the Boss," he said, "to be stalin' from
|
||
|
him the very thing he's trusted me to guard, and be getting me wages
|
||
|
all winter throwed in free. And you're making the pay awful high.
|
||
|
Me to be getting five hundred for such a simple little thing as that.
|
||
|
You're trating me most royal indade! It's away beyond all I'd
|
||
|
be expecting. Sivinteen cints would be a big price for that job.
|
||
|
It must be looked into thorough. Just you wait here until I do
|
||
|
a minute's turn in the swamp, and then I'll be eschorting you out
|
||
|
of the clearing and giving you the answer."
|
||
|
|
||
|
Freckles lifted the overhanging bushes and hurried to the case.
|
||
|
He unslung the specimen-box and laid it inside with his hatchet
|
||
|
and revolver. He slipped the key in his pocket and went back
|
||
|
to Wessner.
|
||
|
|
||
|
"Now for the answer," he said. "Stand up!"
|
||
|
|
||
|
There was iron in his voice, and he was commanding as an
|
||
|
outraged general. "Anything, you want to be taking off?"
|
||
|
he questioned.
|
||
|
|
||
|
Wessner looked the astonishment he felt. "Why, no, Freckles," he said.
|
||
|
|
||
|
"Have the goodness to be calling me Mister McLean," snapped Freckles.
|
||
|
"I'm after resarvin' me pet name for the use of me friends!
|
||
|
You may stand with your back to the light or be taking any
|
||
|
advantage you want."
|
||
|
|
||
|
"Why, what do you mean?" spluttered Wessner.
|
||
|
|
||
|
"I'm manin'," said Freckles tersely, "to lick a quarter-section of
|
||
|
hell out of you, and may the Holy Vargin stay me before I leave you
|
||
|
here carrion, for your carcass would turn the stummicks of me chickens!"
|
||
|
|
||
|
At the camp that morning, Wessner's conduct had been so palpable
|
||
|
an excuse to force a discharge that Duncan moved near McLean and
|
||
|
whispered, "Think of the boy, sir?"
|
||
|
|
||
|
McLean was so troubled that, an hour later, he mounted Nellie and
|
||
|
followed Wessner to his home in Wildcat Hollow, only to find that
|
||
|
he had left there shortly before, heading for the Limberlost.
|
||
|
McLean rode at top speed. When Mrs. Duncan told him that a man
|
||
|
answering Wessner's description had gone down the west side of the
|
||
|
swamp close noon, he left the mare in her charge and followed on foot.
|
||
|
When he heard voices he entered the swamp and silently crept close
|
||
|
just in time to hear Wessner whine: "But I can't fight you, Freckles.
|
||
|
I hain't done nothing to you. I'm away bigger than you, and you've
|
||
|
only one hand."
|
||
|
|
||
|
The Boss slid off his coat and crouched among the bushes, ready to
|
||
|
spring; but as Freckles' voice reached him he held himself, with a
|
||
|
strong effort, to learn what mettle was in the boy.
|
||
|
|
||
|
"Don't you be wasting of me good time in the numbering of me
|
||
|
hands," cried Freckles. "The stringth of me cause will make up
|
||
|
for the weakness of me mimbers, and the size of a cowardly thief
|
||
|
doesn't count. You'll think all the wildcats of the Limberlost
|
||
|
are turned loose on you whin I come against you, and as for me
|
||
|
cause----I slept with you, Wessner, the night I came down the
|
||
|
corduroy like a dirty, friendless tramp, and the Boss was for
|
||
|
taking me up, washing, clothing, and feeding me, and giving me a
|
||
|
home full of love and tinderness, and a master to look to, and
|
||
|
good, well-earned money in the bank. He's trusting me his heartful,
|
||
|
and here comes you, you spotted toad of the big road, and insults
|
||
|
me, as is an honest Irish gintleman, by hinting that you concaive
|
||
|
I'd be willing to shut me eyes and hold fast while you rob him of
|
||
|
the thing I was set and paid to guard, and then act the sneak
|
||
|
and liar to him, and ruin and eternally blacken the soul of me.
|
||
|
You damned rascal," raved Freckles, "be fighting before I forget the
|
||
|
laws of a gintlemin's game and split your dirty head with me stick!"
|
||
|
|
||
|
Wessner backed away, mumbling, "But I don't want to hurt you, Freckles!"
|
||
|
|
||
|
"Oh, don't you!" raged the boy, now fairly frothing. "Well, you
|
||
|
ain't resembling me none, for I'm itching like death to git me
|
||
|
fingers in the face of you."
|
||
|
|
||
|
He danced up, and as Wessner lunged in self-defense, ducked under
|
||
|
his arm as a bantam and punched him in the pit of the stomach so
|
||
|
that he doubled with a groan. Before Wessner could straighten
|
||
|
himself, Freckles was on him, fighting like the wildest fury that
|
||
|
ever left the beautiful island. The Dutchman dealt thundering blows
|
||
|
that sometimes landed and sent Freckles reeling, and sometimes missed,
|
||
|
while he went plunging into the swale with the impetus of them.
|
||
|
Freckles could not strike with half Wessner's force, but he could
|
||
|
land three blows to the Dutchman's one. It was here that the boy's
|
||
|
days of alert watching on the line, the perpetual swinging of the
|
||
|
heavy cudgel, and the endurance of all weather stood him in good
|
||
|
stead; for he was tough, and agile. He skipped, ducked, and dodged.
|
||
|
For the first five minutes he endured fearful punishment.
|
||
|
Then Wessner's breath commenced to whistle between his teeth, when
|
||
|
Freckles only had begun fighting. He sprang back with shrill laughter.
|
||
|
|
||
|
"Begolly! and will your honor be whistling the hornpipe for me to
|
||
|
be dancing of?" he cried.
|
||
|
|
||
|
SPANG! went his fist into Wessner's face, and he was past him into
|
||
|
the swale.
|
||
|
|
||
|
"And would you be pleased to tune up a little livelier?" he gasped,
|
||
|
and clipped his ear as he sprang back. Wessner lunged at him in
|
||
|
blind fury. Freckles, seeing an opening, forgot the laws of a
|
||
|
gentleman's game and drove the toe of his heavy wading-boot in
|
||
|
Wessner's middle until he doubled and fell heavily. In a flash
|
||
|
Freckles was on him. For a time McLean could not see what
|
||
|
was happening. "Go! Go to him now!" he commanded himself,
|
||
|
but so intense was his desire to see the boy win alone that he
|
||
|
did not stir.
|
||
|
|
||
|
At last Freckles sprang up and backed away. "Time!" he yelled as
|
||
|
a fury. "Be getting up, Mr. Wessner, and don't be afraid of
|
||
|
hurting me. I'll let you throw in an extra hand and lick you to
|
||
|
me complate satisfaction all the same. Did you hear me call
|
||
|
the limit? Will you get up and be facing me?"
|
||
|
|
||
|
As Wessner struggled to his feet, he resembled a battlefield, for
|
||
|
his clothing was in ribbons and his face and hands streaming blood.
|
||
|
|
||
|
"I--I guess I got enough," he mumbled.
|
||
|
|
||
|
"Oh, you do?" roared Freckles. "Well this ain't your say. You come
|
||
|
on to me ground, lying about me Boss and intimatin' I'd stale from
|
||
|
his very pockets. Now will you be standing up and taking your
|
||
|
medicine like a man, or getting it poured down the throat of you
|
||
|
like a baby? I ain't got enough! This is only just the beginning
|
||
|
with me. Be looking out there!"
|
||
|
|
||
|
He sprang against Wessner and sent him rolling. He attacked the
|
||
|
unresisting figure and fought him until he lay limp and quiet and
|
||
|
Freckles had no strength left to lift an arm. Then he arose and
|
||
|
stepped back, gasping for breath. With his first lungful of air
|
||
|
he shouted: "Time!" But the figure of Wessner lay motionless.
|
||
|
|
||
|
Freckles watched him with regardful eye and saw at last that he was
|
||
|
completely exhausted. He bent over him, and catching him by the
|
||
|
back of the neck, jerked him to his knees. Wessner lifted the face
|
||
|
of a whipped cur, and fearing further punishment, burst into
|
||
|
shivering sobs, while the tears washed tiny rivulets through the
|
||
|
blood and muck. Freckles stepped back, glaring at Wessner, but
|
||
|
suddenly the scowl of anger and the ugly disfiguring red faded from
|
||
|
the boy's face. He dabbed at a cut on his temple from which issued
|
||
|
a tiny crimson stream, and jauntily shook back his hair. His face
|
||
|
took on the innocent look of a cherub, and his voice rivaled that of
|
||
|
a brooding dove, but into his eyes crept a look of diabolical mischief.
|
||
|
|
||
|
He glanced vaguely around him until he saw his club, seized and
|
||
|
twirled it as a drum major, stuck it upright in the muck, and
|
||
|
marched on tiptoe to Wessner, mechanically, as a puppet worked by
|
||
|
a string. Bending over, Freckles reached an arm around Wessner's
|
||
|
waist and helped him to his feet.
|
||
|
|
||
|
"Careful, now" he cautioned, "be careful, Freddy; there's danger of
|
||
|
you hurting me."
|
||
|
|
||
|
Drawing a handkerchief from a back pocket, Freckles tenderly wiped
|
||
|
Wessner's eyes and nose.
|
||
|
|
||
|
"Come, Freddy, me child," he admonished Wessner, "it's time little
|
||
|
boys were going home. I've me work to do, and can't be entertaining
|
||
|
you any more today. Come back tomorrow, if you ain't through yet,
|
||
|
and we'll repate the perfarmance. Don't be staring at me so wild like!
|
||
|
I would eat you, but I can't afford it. Me earnings, being honest,
|
||
|
come slow, and I've no money to be squanderin' on the pailful of
|
||
|
Dyspeptic's Delight it would be to taking to work you out of my innards!"
|
||
|
|
||
|
Again an awful wrenching seized McLean. Freckles stepped back as
|
||
|
Wessner, tottering and reeling, as a thoroughly drunken man, came
|
||
|
toward the path, appearing indeed as if wildcats had attacked him.
|
||
|
|
||
|
The cudgel spun high in air, and catching it with an expertness
|
||
|
acquired by long practice on the line, the boy twirled it a second,
|
||
|
shook back his thick hair bonnily, and stepping into the trail,
|
||
|
followed Wessner. Because Freckles was Irish, it was impossible to
|
||
|
do it silently, so presently his clear tenor rang out, though there
|
||
|
were bad catches where he was hard pressed for breath:
|
||
|
|
||
|
"It was the Dutch. It was the Dutch.
|
||
|
Do you think it was the Irish hollered help?
|
||
|
Not much!
|
||
|
It was the Dutch. It was the Dutch----"
|
||
|
|
||
|
|
||
|
Wessner turned and mumbled: "What you following me for? What are
|
||
|
you going to do with me?"
|
||
|
|
||
|
Freckles called the Limberlost to witness: "How's that for the
|
||
|
ingratitude of a beast? And me troubling mesilf to show him off me
|
||
|
territory with the honors of war!"
|
||
|
|
||
|
Then he changed his tone completely and added: "Belike it's
|
||
|
this, Freddy. You see, the Boss might come riding down this trail
|
||
|
any minute, and the little mare's so wheedlesome that if she'd
|
||
|
come on to you in your prisint state all of a sudden, she'd stop
|
||
|
that short she'd send Mr. McLean out over the ears of her.
|
||
|
No disparagement intinded to the sinse of the mare!" he added hastily.
|
||
|
|
||
|
Wessner belched a fearful oath, while Freckles laughed merrily.
|
||
|
|
||
|
"That's a sample of the thanks a generous act's always for
|
||
|
getting," he continued. "Here's me negictin' me work to eschort you
|
||
|
out proper, and you saying such awful words Freddy," he demanded
|
||
|
sternly, "do you want me to soap out your mouth? You don't seem to
|
||
|
be realizing it, but if you was to buck into Mr. McLean in your
|
||
|
prisint state, without me there to explain matters the chance is
|
||
|
he'd cut the liver out of you; and I shouldn't think you'd be
|
||
|
wanting such a fine gintleman as him to see that it's white!"
|
||
|
|
||
|
Wessner grew ghastly under his grime and broke into a staggering run.
|
||
|
|
||
|
"And now will you be looking at the manners of him?" questioned
|
||
|
Freckles plaintively. "Going without even a `thank you,' right in
|
||
|
the face of all the pains I've taken to make it interesting for him!"
|
||
|
|
||
|
Freckles twirled the club and stood as a soldier at attention until
|
||
|
Wessner left the clearing, but it was the last scene of that
|
||
|
performance. When the boy turned, there was deathly illness on his
|
||
|
face, while his legs wavered beneath his weight. He staggered to
|
||
|
the case, and opening it he took out a piece of cloth. He dipped it
|
||
|
into the water, and sitting on a bench, he wiped the blood and grime
|
||
|
from his face, while his breath sucked between his clenched teeth.
|
||
|
He was shivering with pain and excitement in spite of himself.
|
||
|
He unbuttoned the band of his right sleeve, and turning it back,
|
||
|
exposed the blue-lined, calloused whiteness of his maimed arm,
|
||
|
now vividly streaked with contusions, while in a series of circular
|
||
|
dots the blood oozed slowly. Here Wessner had succeeded in setting
|
||
|
his teeth. When Freckles saw what it was he forgave himself the
|
||
|
kick in the pit of Wessner's stomach, and cursed fervently and deep.
|
||
|
|
||
|
"Freckles, Freckles," said McLean's voice.
|
||
|
|
||
|
Freckles snatched down his sleeve and arose to his feet.
|
||
|
|
||
|
"Excuse me, sir," he said. "You'll surely be belavin' I thought
|
||
|
meself alone."
|
||
|
|
||
|
McLean pushed him carefully to the seat, and bending over him,
|
||
|
opened a pocket-case that he carried as regularly as his revolver and
|
||
|
watch, for cuts and bruises were of daily occurrence among the gang.
|
||
|
|
||
|
Taking the hurt arm, he turned back the sleeve and bathed and bound
|
||
|
the wounds. He examined Freckles' head and body and convinced
|
||
|
himself that there was no permanent injury, although the cruelty of
|
||
|
the punishment the boy had borne set the Boss shuddering. Then he
|
||
|
closed the case, shoved it into his pocket, and sat beside Freckles.
|
||
|
All the indescribable beauty of the place was strong around him,
|
||
|
but he saw only the bruised face of the suffering boy, who had
|
||
|
hedged for the information he wanted as a diplomat, argued as a
|
||
|
judge, fought as a sheik, and triumphed as a devil.
|
||
|
|
||
|
When the pain lessened and breath reieved Freckles' pounding heart,
|
||
|
he watched the Boss covertly. How had McLean gotten there and how
|
||
|
long had he been there? Freckles did not dare ask. At last he
|
||
|
arose, and going to the case, took out his revolver and the wire-
|
||
|
mending apparatus and locked the door. Then he turned to McLean.
|
||
|
|
||
|
"Have you any orders, sir?" he asked.
|
||
|
|
||
|
"Yes," said McLean, "I have, and you are to follow them to
|
||
|
the letter. Turn over that apparatus to me and go straight home.
|
||
|
Soak yourself in the hottest bath your skin will bear and go to
|
||
|
bed at once. Now hurry."
|
||
|
|
||
|
"Mr. McLean," said Freckles, "it's sorry I am to be telling you,
|
||
|
but the afternoon's walking of the line ain't done. You see, I was
|
||
|
just for getting to me feet to start, and I was on time, when up
|
||
|
came a gintleman, and we got into a little heated argument.
|
||
|
It's either settled, or it's just begun, but between us, I'm that
|
||
|
late I haven't started for the afternoon yet. I must be going
|
||
|
at once, for there's a tree I must find before the day's over."
|
||
|
|
||
|
"You plucky little idiot," growled McLean. "You can't walk the line!
|
||
|
I doubt if you can reach Duncan's. Don't you know when you are
|
||
|
done up? You go to bed; I'll finish your work."
|
||
|
|
||
|
"Niver!" protested Freckles. "I was just a little done up for the
|
||
|
prisint, a minute ago. I'm all right now. Riding-boots are far
|
||
|
too low. The day's hot and the walk a good seven miles, sir. Niver!"
|
||
|
|
||
|
As he reached for the outfit he pitched forward and his eyes closed.
|
||
|
McLean stretched him on the moss and applied restoratives.
|
||
|
When Freckles returned to consciousness, McLean ran to the cabin to
|
||
|
tell Mrs. Duncan to have a hot bath ready, and to bring Nellie.
|
||
|
That worthy woman promptly filled the wash-boiler, starting a
|
||
|
roaring fire under it. She pushed the horse-trough from its base
|
||
|
and rolled it to the kitchen.
|
||
|
|
||
|
By the time McLean came again, leading Nelie and holding Freckles
|
||
|
on her back, Mrs. Duncan was ready for business. She and the Boss
|
||
|
laid Freckles in the trough and poured on hot water until he squirmed.
|
||
|
They soaked and massaged him. Then they drew off the hot water and
|
||
|
closed his pores with cold. Lastly they stretched him on the floor
|
||
|
and chafed, rubbed, and kneaded him until he cried out for mercy.
|
||
|
As they rolled him into bed, his eyes dropped shut, but a little
|
||
|
later they flared open.
|
||
|
|
||
|
"Mr. McLean," he cried, "the tree! Oh, do be looking after the tree!"
|
||
|
|
||
|
McLean bent over him. "Which tree, Freckles?"
|
||
|
|
||
|
"I don't know exact" sir; but it's on the east line, and the wire
|
||
|
is fastened to it. He bragged that you nailed it yourself, sir.
|
||
|
You'll know it by the bark having been laid open to the grain
|
||
|
somewhere low down. Five hundred dollars he offered me--to be--
|
||
|
selling you out--sir!"
|
||
|
|
||
|
Freckles' head rolled over and his eyes dropped shut. McLean towered
|
||
|
above the lad. His bright hair waved on the pillow. His face was
|
||
|
swollen, and purple with bruises. His left arm, with the hand
|
||
|
battered almost out of shape, stretched beside him, and the right,
|
||
|
with no hand at all, lay across a chest that was a mass of purple welts.
|
||
|
McLean's mind traveled to the night, almost a year before, when he
|
||
|
had engaged Freckles, a stranger.
|
||
|
|
||
|
The Boss bent, covering the hurt arm with one hand and laying the
|
||
|
other with a caress on the boy's forehead. Freckles stirred at his
|
||
|
touch, and whispered as softly as the swallows under the eaves:
|
||
|
"If you're coming this way--tomorrow--be pleased to step over--
|
||
|
and we'll repate--the chorus softly!"
|
||
|
|
||
|
"Bless the gritty devil," muttered McLean.
|
||
|
|
||
|
Then he went out and told Mrs. Duncan to keep close watch on
|
||
|
Freckles, also to send Duncan to him at the swamp the minute he
|
||
|
came home. Following the trail to the line and back to the scent
|
||
|
of the fight, the Boss entered Freckles' study quietly, as if his
|
||
|
spirit, keeping there, might be roused, and gazed around with
|
||
|
astonished eyes.
|
||
|
|
||
|
How had the boy conceived it? What a picture he had wrought in
|
||
|
living colors! He had the heart of a painter. He had the soul of
|
||
|
a poet. The Boss stepped carefully over the velvet carpet to touch
|
||
|
the walls of crisp verdure with gentle fingers. He stood long
|
||
|
beside the flower bed, and gazed at the banked wall of bright bloom
|
||
|
as if he doubted its reality.
|
||
|
|
||
|
Where had Freckles ever found, and how had he transplanted
|
||
|
such ferns? As McLean turned from them he stopped suddenly.
|
||
|
|
||
|
He had reached the door of the cathedral. That which Freckles had
|
||
|
attempted would have been patent to anyone. What had been in the
|
||
|
heart of the shy, silent boy when he had found that long, dim
|
||
|
stretch of forest, decorated its entrance, cleared and smoothed
|
||
|
its aisle, and carpeted its altar? What veriest work of God was
|
||
|
in these mighty living pillars and the arched dome of green!
|
||
|
How similar to stained cathedral windows were the long openings
|
||
|
between the trees, filled with rifts of blue, rays of gold, and the
|
||
|
shifting emerald of leaves! Where could be found mosaics to match
|
||
|
this aisle paved with living color and glowing light? Was Freckles
|
||
|
a devout Christian, and did he worship here? Or was he an untaught
|
||
|
heathen, and down this vista of entrancing loveliness did Pan come
|
||
|
piping, and dryads, nymphs, and fairies dance for him?
|
||
|
|
||
|
Who can fathom the heart of a boy? McLean had been thinking of
|
||
|
Freckles as a creature of unswerving honesty, courage, and
|
||
|
faithfulness. Here was evidence of a heart aching for beauty, art,
|
||
|
companionship, worship. It was writ large all over the floor,
|
||
|
walls, and furnishing of that little Limberlost clearing.
|
||
|
|
||
|
When Duncan came, McLean told him the story of the fight, and they
|
||
|
laughed until they cried. Then they started around the line in
|
||
|
search of the tree.
|
||
|
|
||
|
Said Duncan: "Now the boy is in for sore trouble!"
|
||
|
|
||
|
"I hope not," answered McLean. "You never in all your life saw a
|
||
|
cur whipped so completely. He won't come back for the repetition of
|
||
|
the chorus. We surely can find the tree. If we can't, Freckles can.
|
||
|
I will bring enough of the gang to take it out at once. That will
|
||
|
insure peace for a time, at least, and I am hoping that in a month
|
||
|
more the whole gang may be moved here. It soon will be fall, and
|
||
|
then, if he will go, I intend to send Freckles to my mother to
|
||
|
be educated. With his quickness of mind and body and a few years'
|
||
|
good help he can do anything. Why, Duncan, I'd give a hundred-
|
||
|
dollar bill if you could have been here and seen for yourself."
|
||
|
|
||
|
"Yes, and I'd `a' done murder," muttered the big teamster. "I hope,
|
||
|
sir, ye will make good your plans for Freckles, though I'd as soon
|
||
|
see ony born child o' my ain taken from our home. We love the lad,
|
||
|
me and Sarah."
|
||
|
|
||
|
Locating the tree was easy, because it was so well identified.
|
||
|
When the rumble of the big lumber wagons passing the cabin on the
|
||
|
way to the swamp wakened Freckles next morning, he sprang up and
|
||
|
was soon following them. He was so sore and stiff that every
|
||
|
movement was torture at first, but he grew easier, and shortly did
|
||
|
not suffer so much. McLean scolded him for coming, yet in his
|
||
|
heart triumphed over every new evidence of fineness in the boy.
|
||
|
|
||
|
The tree was a giant maple, and so precious that they almost dug it
|
||
|
out by the roots. When it was down, cut in lengths, and loaded,
|
||
|
there was yet an empty wagon. As they were gathering up their tools
|
||
|
to go, Duncan said: "There's a big hollow tree somewhere mighty
|
||
|
close here that I've been wanting for a watering-trough for my
|
||
|
stock; the one I have is so small. The Portland company cut this
|
||
|
for elm butts last year, and it's six feet diameter and hollow for
|
||
|
forty feet. It was a buster! While the men are here and there is an
|
||
|
empty wagon, why mightn't I load it on and tak' it up to the barn
|
||
|
as we pass?"
|
||
|
|
||
|
McLean said he was very willing, ordered the driver to break line
|
||
|
and load the log, detailing men to assist. He told Freckles to ride
|
||
|
on a section of the maple with him, but now the boy asked to enter
|
||
|
the swamp with Duncan.
|
||
|
|
||
|
"I don't see why you want to go," said McLean. "I have no business
|
||
|
to let you out today at all."
|
||
|
|
||
|
"It's me chickens," whispered Freckles in distress. "You see, I was
|
||
|
just after finding yesterday, from me new book, how they do be
|
||
|
nesting in hollow trees, and there ain't any too many in the swamp.
|
||
|
There's just a chance that they might be in that one."
|
||
|
|
||
|
"Go ahead," said McLean. "That's a different story. If they happen
|
||
|
to be there, why tell Duncan he must give up the tree until they
|
||
|
have finished with it."
|
||
|
|
||
|
Then he climbed on a wagon and was driven away. Freckles hurried
|
||
|
into the swamp. He was a little behind, yet he could see the men.
|
||
|
Before he overtook them, they had turned from the west road and had
|
||
|
entered the swamp toward the east.
|
||
|
|
||
|
They stopped at the trunk of a monstrous prostrate log. It had been
|
||
|
cut three feet from the ground, over three-fourths of the way
|
||
|
through, and had fallen toward the east, the body of the log still
|
||
|
resting on the stump. The underbrush was almost impenetrable, but
|
||
|
Duncan plunged in and with a crowbar began tapping along the trunk
|
||
|
to decide how far it was hollow, so that they would know where to cut.
|
||
|
As they waited his decision, there came from the mouth of it--on
|
||
|
wings--a large black bird that swept over their heads.
|
||
|
|
||
|
Freckles danced wildly. "It's me chickens! Oh, it's me chickens!"
|
||
|
he shouted. "Oh, Duncan, come quick! You've found the nest of me
|
||
|
precious chickens!"
|
||
|
|
||
|
Duncan hurried to the mouth of the log, but Freckles was before him.
|
||
|
He crashed through poison-vines and underbrush regardless of any
|
||
|
danger, and climbed on the stump. When Duncan came he was shouting
|
||
|
like a wild man.
|
||
|
|
||
|
"It's hatched!" he yelled. "Oh, me big chicken has hatched out me
|
||
|
little chicken, and there's another egg. I can see it plain, and
|
||
|
oh, the funny little white baby! Oh, Duncan, can you see me little
|
||
|
white chicken?"
|
||
|
|
||
|
Duncan could easily see it; so could everyone else. Freckles crept
|
||
|
into the log and tenderly carried the hissing, blinking little bird
|
||
|
to the light in a leaf-lined hat. The men found it sufficiently
|
||
|
wonderful to satisfy even Freckles, who had forgotten he was ever
|
||
|
sore or stiff, and coddled over it with every blarneying term of
|
||
|
endearment he knew.
|
||
|
|
||
|
Duncan gathered his tools. "Deal's off, boys!" he said cheerfully.
|
||
|
"This log mauna be touched until Freckles' chaukies have finished
|
||
|
with it. We might as weel gang. Better put it back, Freckles.
|
||
|
It's just out, and it may chill. Ye will probably hae twa the morn."
|
||
|
|
||
|
Freckles crept into the log and carefully deposited the baby beside
|
||
|
the egg. When he came back, he said: "I made a big mistake not to
|
||
|
be bringing the egg out with the baby, but I was fearing to touch it.
|
||
|
It's shaped like a hen's egg, and it's big as a turkey's, and the
|
||
|
beautifulest blue--just splattered with big brown splotches,
|
||
|
like me book said, precise. Bet you never saw such a sight as it
|
||
|
made on the yellow of the rotten wood beside that funny
|
||
|
leathery-faced little white baby."
|
||
|
|
||
|
"Tell you what, Freckles," said one of the teamsters. "Have you
|
||
|
ever heard of this Bird Woman who goes all over the country with a
|
||
|
camera and makes pictures? She made some on my brother Jim's place
|
||
|
last summer, and Jim's so wild about them he quits plowing and goes
|
||
|
after her about every nest he finds. He helps her all he can to
|
||
|
take them, and then she gives him a picture. Jim's so proud of what
|
||
|
he has he keeps them in the Bible. He shows them to everybody that
|
||
|
comes, and brags about how he helped. If you're smart, you'll send
|
||
|
for her and she'll come and make a picture just like life. If you
|
||
|
help her, she will give you one. It would be uncommon pretty to
|
||
|
keep, after your birds are gone. I dunno what they are. I never see
|
||
|
their like before. They must be something rare. Any you fellows
|
||
|
ever see a bird like that hereabouts?"
|
||
|
|
||
|
No one ever had.
|
||
|
|
||
|
"Well," said the teamster, "failing to get this log lets me off
|
||
|
till noon, and I'm going to town. I go right past her place.
|
||
|
I've a big notion to stop and tell her. If she drives straight
|
||
|
back in the swamp on the west road, and turns east at this big
|
||
|
sycamore, she can't miss finding the tree, even if Freckles ain't
|
||
|
here to show her. Jim says her work is a credit to the State she
|
||
|
lives in, and any man is a measly creature who isn't willing to
|
||
|
help her all he can. My old daddy used to say that all there was
|
||
|
to religion was doing to the other fellow what you'd want him to
|
||
|
do to you, and if I was making a living taking bird pictures,
|
||
|
seems to me I'd be mighty glad for a chance to take one like that.
|
||
|
So I'll just stop and tell her, and by gummy! maybe she will give
|
||
|
me a picture of the little white sucker for my trouble."
|
||
|
|
||
|
Freckles touched his arm.
|
||
|
|
||
|
"Will she be rough with it?" he asked.
|
||
|
|
||
|
"Government land! No!" said the teamster. "She's dead down on
|
||
|
anybody that shoots a bird or tears up a nest. Why, she's half
|
||
|
killing herself in all kinds of places and weather to teach people
|
||
|
to love and protect the birds. She's that plum careful of them that
|
||
|
Jim's wife says she has Jim a standin' like a big fool holding an
|
||
|
ombrelly over them when they are young and tender until she gets a
|
||
|
focus, whatever that is. Jim says there ain't a bird on his place
|
||
|
that don't actually seem to like having her around after she has
|
||
|
wheedled them a few days, and the pictures she takes nobody would
|
||
|
ever believe who didn't stand by and see."
|
||
|
|
||
|
"Will you he sure to tell her to come?" asked Freckles.
|
||
|
|
||
|
Duncan slept at home that night. He heard Freckles slipping out
|
||
|
early the next morning, but he was too sleepy to wonder why, until
|
||
|
he came to do his morning chores. When he found that none of his
|
||
|
stock was at all thirsty, and saw the water-trough brimming, he
|
||
|
knew that the boy was trying to make up to him for the loss of the
|
||
|
big trough that he had been so anxious to have.
|
||
|
|
||
|
"Bless his fool little hot heart!" said Duncan. "And him so sore it
|
||
|
is tearing him to move for anything. Nae wonder he has us all
|
||
|
loving him!"
|
||
|
|
||
|
Freckles was moving briskly, and his heart was so happy that he
|
||
|
forgot all about the bruises. He hurried around the trail, and on
|
||
|
his way down the east side he went to see the chickens. The mother
|
||
|
bird was on the nest. He was afraid the other egg might be
|
||
|
hatching, so he did not venture to disturb her. He made the round
|
||
|
and reached his study early. He ate his lunch, but did not need
|
||
|
to start on the second trip until the middle of the afternoon.
|
||
|
He would have long hours to work on his flower bed, improve his study,
|
||
|
and learn about his chickens. Lovingly he set his room in order and
|
||
|
watered the flowers and carpet. He had chosen for his resting-place
|
||
|
the coolest spot on the west side, where there was almost always a
|
||
|
breeze; but today the heat was so intense that it penetrated even there.
|
||
|
|
||
|
"I'm mighty glad there's nothing calling me inside!" he said.
|
||
|
"There's no bit of air stirring, and it will just be steaming.
|
||
|
Oh, but it's luck Duncan found the nest before it got so unbearing hot!
|
||
|
I might have missed it altogether. Wouldn't it have been a shame to
|
||
|
lose that sight? The cunning little divil! When he gets to toddling
|
||
|
down that log to meet me, won't he be a circus? Wonder if he'll be
|
||
|
as graceful a performer afoot as his father and mother?"
|
||
|
|
||
|
The heat became more insistent. Noon came; Freckles ate his dinner
|
||
|
and settled for an hour or two on a bench with a book.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER V
|
||
|
|
||
|
Wherein an Angel Materializes and a Man Worships
|
||
|
|
||
|
Perhaps there was a breath of sound--Freckles never afterward could
|
||
|
remember--but for some reason he lifted his head as the bushes
|
||
|
parted and the face of an angel looked between. Saints, nymphs, and
|
||
|
fairies had floated down his cathedral aisle for him many times,
|
||
|
with forms and voices of exquisite beauty.
|
||
|
|
||
|
Parting the wild roses at the entrance was beauty of which
|
||
|
Freckles never had dreamed. Was it real or would it vanish as the
|
||
|
other dreams? He dropped his book, and rising to his feet, went a step
|
||
|
closer, gazing intently. This was real flesh and blood. It was in
|
||
|
every way kin to the Limberlost, for no bird of its branches swung
|
||
|
with easier grace than this dainty young thing rocked on the bit of
|
||
|
morass on which she stood. A sapling beside her was not straighter
|
||
|
or rounder than her slender form. Her soft, waving hair clung
|
||
|
around her face from the heat, and curled over her shoulders.
|
||
|
It was all of one piece with the gold of the sun that filtered
|
||
|
between the branches. Her eyes were the deepest blue of the iris,
|
||
|
her lips the reddest red of the foxfire, while her cheeks were
|
||
|
exactly of the same satin as the wild rose petals caressing them.
|
||
|
She was smiling at Freckles in perfect confidence, and she cried:
|
||
|
|
||
|
"Oh, I'm so delighted that I've found you!"
|
||
|
|
||
|
The wildly leaping heart of Freckles burst from his body and fell
|
||
|
in the black swamp-muck at her feet with such a thud that he did
|
||
|
not understand how she could avoid hearing. He really felt that if
|
||
|
she looked down she would see.
|
||
|
|
||
|
Incredulous, he quavered: "An'--an' was you looking for me?"
|
||
|
|
||
|
"I hoped I might find you," said the Angel. "You see, I didn't do
|
||
|
as I was told, and I'm lost. The Bird Woman said I should wait in
|
||
|
the carriage until she came back. She's been gone hours. It's a
|
||
|
perfect Turkish bath in there, and I'm all lumpy with mosquito bites.
|
||
|
Just when I thought that I couldn't bear it another minute,
|
||
|
along came the biggest Papilio Ajax you ever saw. I knew how
|
||
|
pleased she'd be, so I ran after it. It flew so slow and so low
|
||
|
that I thought a dozen times I had it. Then all at once it went
|
||
|
from sight above the trees, and I couldn't find my way back to save me.
|
||
|
I think I've walked more than an hour. I have been mired to my knees.
|
||
|
A thorn raked my arm until it is bleeding, and I'm so tired and warm."
|
||
|
|
||
|
She parted the bushes farther. Freckles saw that her blue cotton
|
||
|
frock clung to her, limp with perspiration. It was torn across
|
||
|
the breast. One sleeve hung open from shoulder to elbow. A thorn
|
||
|
had torn her arm until it was covered with blood, and the gnats and
|
||
|
mosquitoes were clustering around it. Her feet were in lace hose
|
||
|
and low shoes. Freckles gasped. In the Limberlost in low shoes!
|
||
|
He caught an armful of moss from his carpet and buried it in the
|
||
|
ooze in front of her for a footing.
|
||
|
|
||
|
"Come out here so I can see where you are stepping. Quick, for the
|
||
|
life of you!" he ordered.
|
||
|
|
||
|
She smiled on him indulgently.
|
||
|
|
||
|
"Why?" she inquired.
|
||
|
|
||
|
"Did anybody let you come here and not be telling you of the
|
||
|
snakes?" urged Freckles.
|
||
|
|
||
|
"We met Mr. McLean on the corduroy, and he did say something about
|
||
|
snakes, I believe. The Bird Woman put on leather leggings, and a
|
||
|
nice, parboiled time she must be having! Worst dose I ever endured,
|
||
|
and I'd nothing to do but swelter."
|
||
|
|
||
|
"Will you be coming out of there?" groaned Freckles.
|
||
|
|
||
|
She laughed as if it were a fine joke.
|
||
|
|
||
|
"Maybe if I'd be telling you I killed a rattler curled upon that
|
||
|
same place you're standing, as long as me body and the thickness
|
||
|
of me arm, you'd be moving where I can see your footing,"
|
||
|
he urged insistently.
|
||
|
|
||
|
"What a perfectly delightful little brogue you speak," she said.
|
||
|
"My father is Irish, and half should be enough to entitle me to
|
||
|
that much. `Maybe--if I'd--be telling you,'" she imitated, rounding
|
||
|
and accenting each word carefully.
|
||
|
|
||
|
Freckles was beginning to feel a wildness in his head. He had
|
||
|
derided Wessner at that same hour yesterday. Now his own eyes were
|
||
|
filling with tears.
|
||
|
|
||
|
"If you were understanding the danger!" he continued desperately.
|
||
|
|
||
|
"Oh, I don't think there is much!"
|
||
|
|
||
|
She tilted on the morass.
|
||
|
|
||
|
"If you killed one snake here, it's probably all there is near; and
|
||
|
anyway, the Bird Woman says a rattlesnake is a gentleman and always
|
||
|
gives warning before he strikes. I don't hear any rattling. Do you?"
|
||
|
|
||
|
"Would you be knowing it if you did?" asked Freckles, almost impatiently.
|
||
|
|
||
|
How the laugh of the young thing rippled!
|
||
|
|
||
|
"`Would I be knowing it?'" she mocked. "You should see the swamps
|
||
|
of Michigan where they dump rattlers from the marl-dredgers three
|
||
|
and four at a time!"
|
||
|
|
||
|
Freckles stood astounded. She did know. She was not in the
|
||
|
least afraid. She was depending on a rattlesnake to live up to
|
||
|
his share of the contract and rattle in time for her to move.
|
||
|
The one characteristic an Irishman admires in a woman, above all
|
||
|
others, is courage. Freckles worshiped anew. He changed his tactics.
|
||
|
|
||
|
"I'd be pleased to be receiving you at me front door," he said,
|
||
|
"but as you have arrived at the back, will you come in and be seated?"
|
||
|
|
||
|
He waved toward a bench. The Angel came instantly.
|
||
|
|
||
|
"Oh, how lovely and cool!" she cried.
|
||
|
|
||
|
As she moved across his room, Freckles had difficult work to keep
|
||
|
from falling on his knees; for they were very weak, while he was
|
||
|
hard driven by an impulse to worship.
|
||
|
|
||
|
"Did you arrange this?" she asked.
|
||
|
|
||
|
"Yis," said Freckles simply.
|
||
|
|
||
|
"Someone must come with a big canvas and copy each side of it," she
|
||
|
said. "I never saw anything so beautiful! How I wish I might remain
|
||
|
here with you! I will, some day, if you will let me; but now, if
|
||
|
you can spare the time, will you help me find the carriage? If the
|
||
|
Bird Woman comes back and I am gone, she will be almost distracted."
|
||
|
|
||
|
"Did you come on the west road?" asked Freckles.
|
||
|
|
||
|
"I think so," she said. "The man who told the Bird Woman said that
|
||
|
was the only place the wires were down. We drove away in, and it
|
||
|
was dreadful--over stumps and logs, and we mired to the hubs. I
|
||
|
suppose you know, though. I should have stayed in the carriage, but
|
||
|
I was so tired. I never dreamed of getting lost. I suspect I will
|
||
|
be scolded finely. I go with the Bird Woman half the time during
|
||
|
the summer vacations. My father says I learn a lot more than I do
|
||
|
at school, and get it straight. I never came within a smell of
|
||
|
being lost before. I thought, at first, it was going to be horrid;
|
||
|
but since I've found you, maybe it will be good fun after all."
|
||
|
|
||
|
Freckles was amazed to hear himself excusing: "It was so hot
|
||
|
in there. You couldn't be expected to bear it for hours and not
|
||
|
be moving. I can take you around the trail almost to where you were.
|
||
|
Then you can sit in the carriage, and I will go find the Bird Woman."
|
||
|
|
||
|
"You'll be killed if you do! When she stays this long, it means
|
||
|
that she has a focus on something. You see, when she has a focus,
|
||
|
and lies in the weeds and water for hours, and the sun bakes her,
|
||
|
and things crawl over her, and then someone comes along and scares
|
||
|
her bird away just as she has it coaxed up--why, she kills them.
|
||
|
If I melt, you won't go after her. She's probably blistered and
|
||
|
half eaten up; but she never will quit until she is satisfied."
|
||
|
|
||
|
"Then it will be safer to be taking care of you," suggested Freckles.
|
||
|
|
||
|
"Now you're talking sense!" said the Angel.
|
||
|
|
||
|
"May I try to help your arm?" he asked.
|
||
|
|
||
|
"Have you any idea how it hurts?" she parried.
|
||
|
|
||
|
"A little," said Freckles.
|
||
|
|
||
|
"Well, Mr. McLean said We'd probably find his son here"
|
||
|
|
||
|
"His son!" cried Freckles.
|
||
|
|
||
|
"That's what he said. And that you would do anything you could for
|
||
|
us; and that we could trust you with our lives. But I would have
|
||
|
trusted you anyway, if I hadn't known a thing about you. Say, your
|
||
|
father is rampaging proud of you, isn't he?"
|
||
|
|
||
|
"I don't know," answered the dazed Freckles.
|
||
|
|
||
|
"Well, call on me if you want reliable information. He's so proud
|
||
|
of you he is all swelled up like the toad in AEsop's Fables. If you
|
||
|
have ever had an arm hurt like this, and can do anything, why, for
|
||
|
pity sake, do it!"
|
||
|
|
||
|
She turned back her sleeve, holding toward Freckles an arm of
|
||
|
palest cameo, shaped so exquisitely that no sculptor could have
|
||
|
chiseled it.
|
||
|
|
||
|
Freckles unlocked his case, and taking out some cotton cloth, he
|
||
|
tore it in strips. Then he brought a bucket of the cleanest water
|
||
|
he could find. She yielded herself to his touch as a baby, and
|
||
|
he bathed away the blood and bandaged the ugly, ragged wound.
|
||
|
He finished his surgery by lapping the torn sleeve over the cloth
|
||
|
and binding it down with a piece of twine, with the Angel's help
|
||
|
about the knots.
|
||
|
|
||
|
Freckles worked with trembling fingers and a face tense with earnestness.
|
||
|
|
||
|
"Is it feeling any better?" he asked.
|
||
|
|
||
|
"Oh, it's well now!" cried the Angel. "It doesn't hurt at all, any more."
|
||
|
|
||
|
"I'm mighty glad," said Freckles. "But you had best go and be
|
||
|
having your doctor fix it right; the minute you get home."
|
||
|
|
||
|
"Oh, bother! A little scratch like that!" jeered the Angel.
|
||
|
"My blood is perfectly pure. It will heal in three days."
|
||
|
|
||
|
"It's cut cruel deep. It might be making a scar," faltered Freckles,
|
||
|
his eyes on the ground. "'Twould--'twould be an awful pity.
|
||
|
A doctor might know something to prevent it."
|
||
|
|
||
|
"Why, I never thought of that!" exclaimed the Angel.
|
||
|
|
||
|
"I noticed you didn't," said Freckles softly. "I don't know much
|
||
|
about it, but it seems as if most girls would."
|
||
|
|
||
|
The Angel thought intently, while Freckles still knelt beside her.
|
||
|
Suddenly she gave herself an impatient little shake, lifted her
|
||
|
glorious eyes full to his, and the smile that swept her sweet,
|
||
|
young face was the loveliest thing that Freckles ever had seen.
|
||
|
|
||
|
"Don't let's bother about it," she proposed, with the faintest hint
|
||
|
of a confiding gesture toward him. "It won't make a scar. Why, it
|
||
|
couldn't, when you have dressed it so nicely."
|
||
|
|
||
|
The velvety touch of her warm arm was tingling in Freckles' fingertips.
|
||
|
Dainty lace and fine white ribbon peeped through her torn dress.
|
||
|
There were beautiful rings on her fingers. Every article she wore
|
||
|
was of the finest material and in excellent taste. There was the
|
||
|
trembling Limberlost guard in his coarse clothing, with his cotton
|
||
|
rags and his old pail of swamp water. Freckles was sufficiently
|
||
|
accustomed to contrasts to notice them, and sufficiently fine to be
|
||
|
hurt by them always.
|
||
|
|
||
|
He lifted his eyes with a shadowy pain in them to hers, and found
|
||
|
them of serene, unconscious purity. What she had said was straight
|
||
|
from a kind, untainted, young heart. She meant every word of it.
|
||
|
Freckles' soul sickened. He scarcely knew whether he could muster
|
||
|
strength to stand.
|
||
|
|
||
|
"We must go and hunt for the carriage," said the Angel, rising.
|
||
|
|
||
|
In instant alarm for her, Freckles sprang up, grasped the cudgel,
|
||
|
and led the way, sharply watching every step. He went as close the
|
||
|
log as he felt that he dared, and with a little searching found
|
||
|
the carriage. He cleared a path for the Angel, and with a sigh of
|
||
|
relief saw her enter it safely. The heat was intense. She pushed
|
||
|
the damp hair from her temples.
|
||
|
|
||
|
"This is a shame!" said Freckles. "You'll never be coming here again."
|
||
|
|
||
|
"Oh yes I shall!" said the Angel. "The Bird Woman says that these
|
||
|
birds remain over a month in the nest and she would like to make a
|
||
|
picture every few days for seven or eight weeks, perhaps."
|
||
|
|
||
|
Freckles barely escaped crying aloud for joy.
|
||
|
|
||
|
"Then don't you ever be torturing yourself and your horse to be
|
||
|
coming in here again," he said. "I'll show you a way to drive
|
||
|
almost to the nest on the east trail, and then you can come around
|
||
|
to my room and stay while the Bird Woman works. It's nearly always
|
||
|
cool there, and there's comfortable seats, and water."
|
||
|
|
||
|
"Oh! did you have drinking-water there?" she cried. "I was never so
|
||
|
thirsty or so hungry in my life, but I thought I wouldn't mention it."
|
||
|
|
||
|
"And I had not the wit to be seeing!" wailed Freckles. "I can be
|
||
|
getting you a good drink in no time."
|
||
|
|
||
|
He turned to the trail.
|
||
|
|
||
|
"Please wait a minute," called the Angel. "What's your name? I want
|
||
|
to think about you while you are gone." Freckles lifted his face
|
||
|
with the brown rift across it and smiled quizzically.
|
||
|
|
||
|
"Freckles?" she guessed, with a peal of laughter. "And mine is----"
|
||
|
|
||
|
"I'm knowing yours," interrupted Freckles.
|
||
|
|
||
|
"I don't believe you do. What is it?" asked the girl.
|
||
|
|
||
|
"You won't be getting angry?"
|
||
|
|
||
|
"Not until I've had the water, at least."
|
||
|
|
||
|
It was Freckles' turn to laugh. He whipped off his big, floppy
|
||
|
straw hat, stood uncovered before her, and said, in the sweetest of
|
||
|
all the sweet tones of his voice: "There's nothing you could be but
|
||
|
the Swamp Angel."
|
||
|
|
||
|
The girl laughed happily.
|
||
|
|
||
|
Once out of her sight, Freckles ran every step of the way to
|
||
|
the cabin. Mrs. Duncan gave him a small bucket of water, cool from
|
||
|
the well. He carried it in the crook of his right arm, and a basket
|
||
|
filled with bread and butter, cold meat, apple pie, and pickles, in
|
||
|
his left hand.
|
||
|
|
||
|
"Pickles are kind o' cooling," said Mrs. Duncan.
|
||
|
|
||
|
Then Freckles ran again.
|
||
|
|
||
|
The Angel was on her knees, reaching for the bucket, as he came up.
|
||
|
|
||
|
"Be drinking slow," he cautioned her.
|
||
|
|
||
|
"Oh!" she cried, with a long breath of satisfaction. "It's so good!
|
||
|
You are more than kind to bring it!"
|
||
|
|
||
|
Freckles stood blinking in the dazzling glory of her smile until he
|
||
|
scarcely could see to lift the basket.
|
||
|
|
||
|
"Mercy!" she exclaimed. "I think I had better be naming you
|
||
|
the `Angel.' My Guardian Angel."
|
||
|
|
||
|
"Yis," said Freckles. "I look the character every day--but today
|
||
|
most emphatic!"
|
||
|
|
||
|
"Angels don't go by looks," laughed the girl. "Your father told us
|
||
|
you had been scrapping. But he told us why. I'd gladly wear all
|
||
|
your cuts and bruises if I could do anything that would make my
|
||
|
father look as peacocky as yours did. He strutted about proper.
|
||
|
I never saw anyone look prouder."
|
||
|
|
||
|
"Did he say he was proud of me?" marveled Freckles.
|
||
|
|
||
|
"He didn't need to," answered the Angel. "He was radiating
|
||
|
pride from every pore. Now, have you brought me your dinner?"
|
||
|
|
||
|
"I had my dinner two hours ago," answered Freckles.
|
||
|
|
||
|
"Honest Injun?" bantered the Angel.
|
||
|
|
||
|
"Honest! I brought that on purpose for you."
|
||
|
|
||
|
"Well, if you knew how hungry I am, you would know how thankful
|
||
|
I am, to the dot," said the Angel.
|
||
|
|
||
|
"Then you be eating," cried the happy Freckles.
|
||
|
|
||
|
The Angel sat on a big camera, spread the lunch on the carriage
|
||
|
seat, and divided it in halves. The daintiest parts she could
|
||
|
select she carefully put back into the basket. The remainder
|
||
|
she ate. Again Freckles found her of the swamp, for though she was
|
||
|
almost ravenous, she managed her food as gracefully as his little
|
||
|
yellow fellow, and her every movement was easy and charming. As he
|
||
|
watched her with famished eyes, Freckles told her of his birds,
|
||
|
flowers, and books, and never realized what he was doing.
|
||
|
|
||
|
He led the horse to a deep pool that he knew of, and the tortured
|
||
|
creature drank greedily, and lovingly rubbed him with its nose as
|
||
|
he wiped down its welted body with grass. Suddenly the Angel cried:
|
||
|
"There comes the Bird Woman!"
|
||
|
|
||
|
Freckles had intended leaving before she came, but now he was glad
|
||
|
indeed to be there, for a warmer, more worn, and worse bitten
|
||
|
creature he never had seen. She was staggering under a load of
|
||
|
cameras and paraphernalia. Freckles ran to her aid. He took all he
|
||
|
could carry of her load, stowed it in the back of the carriage, and
|
||
|
helped her in. The Angel gave her water, knelt and unfastened the
|
||
|
leggings, bathed her face, and offered the lunch.
|
||
|
|
||
|
Freckles brought the horse. He was not sure about the harness, but
|
||
|
the Angel knew, and soon they left the swamp. Then he showed them
|
||
|
how to reach the chicken tree from the outside, indicated a cooler
|
||
|
place for the horse, and told them how, the next time they came,
|
||
|
the Angel could find his room while she waited.
|
||
|
|
||
|
The Bird Woman finished her lunch, and lay back, almost too tired
|
||
|
to speak.
|
||
|
|
||
|
"Were you for getting Little Chicken's picture?" Freckles asked.
|
||
|
|
||
|
"Finely!" she answered. "He posed splendidly. But I couldn't do
|
||
|
anything with his mother. She will require coaxing."
|
||
|
|
||
|
"The Lord be praised!" muttered Freckles under his breath.
|
||
|
|
||
|
The Bird Woman began to feel better.
|
||
|
|
||
|
"Why do you call the baby vulture `Little Chicken'?" she asked,
|
||
|
leaning toward Freckles in an interested manner.
|
||
|
|
||
|
"'Twas Duncan began it," said Freckles. "You see, through the
|
||
|
fierce cold of winter the birds of the swamp were almost starving.
|
||
|
It is mighty lonely here, and they were all the company I was having.
|
||
|
I got to carrying scraps and grain down to them. Duncan was
|
||
|
that ginerous he was giving me of his wheat and corn from his
|
||
|
chickens' feed, and he called the birds me swamp chickens.
|
||
|
Then when these big black fellows came, Mr. McLean said they were
|
||
|
our nearest kind to some in the old world that they called
|
||
|
`Pharaoh's Chickens,' and he called mine `Freckles' Chickens.'"
|
||
|
|
||
|
"Good enough!" cried the Bird Woman, her splotched purple face
|
||
|
lighting with interest. "You must shoot something for them
|
||
|
occasionally, and I'll bring more food when I come. If you will
|
||
|
help me keep them until I get my series, I'll give you a copy of
|
||
|
each study I make, mounted in a book."
|
||
|
|
||
|
Freckles drew a deep breath.
|
||
|
|
||
|
"I'll be doing me very best," he promised, and from the deeps he
|
||
|
meant it.
|
||
|
|
||
|
"I wonder if that other egg is going to hatch?" mused the Bird Woman.
|
||
|
"I am afraid not. It should have pipped today. Isn't it a beauty!
|
||
|
I never before saw either an egg or the young. They are rare this
|
||
|
far north."
|
||
|
|
||
|
"So Mr. McLean said," answered Freckles.
|
||
|
|
||
|
Before they drove away, the Bird Woman thanked him for his kindness
|
||
|
to the Angel and to her. She gave him her hand at parting, and
|
||
|
Freckles joyfully realized that this was going to be another person
|
||
|
for him to love. He could not remember, after they had driven away,
|
||
|
that they even had noticed his missing hand, and for the first time
|
||
|
in his life he had forgotten it.
|
||
|
|
||
|
When the Bird Woman and the Angel were on the home road, she told
|
||
|
of the little corner of paradise into which she had strayed and
|
||
|
of her new name. The Bird Woman looked at the girl and guessed
|
||
|
its appropriateness.
|
||
|
|
||
|
"Did you know Mr. McLean had a son?" asked the Angel. "Isn't the
|
||
|
little accent he has, and the way he twists a sentence, too dear?
|
||
|
And isn't it too old-fashioned and funny to hear him call his
|
||
|
father `mister'?"
|
||
|
|
||
|
"It sounds too good to be true," said the Bird Woman, answering the
|
||
|
last question first. "I am so tired of these present-day young men
|
||
|
who patronizingly call their fathers `Dad,' `Governor,' `Old Man"
|
||
|
and `Old Chap,' that the boy's attitude of respect and deference
|
||
|
appealed to me as being fine as silk. There must be something rare
|
||
|
about that young man."
|
||
|
|
||
|
She did not find it necessary to tell the Angel that for several
|
||
|
years she had known the man who so proudly proclaimed himself
|
||
|
Freckles' father to be a bachelor and a Scotchman. The Bird Woman
|
||
|
had a fine way of attending strictly to her own business.
|
||
|
|
||
|
Freckles turned to the trail, but he stopped at every wild brier to
|
||
|
study the pink satin of the petals. She was not of his world, and
|
||
|
better than any other he knew it; but she might be his Angel, and
|
||
|
he was dreaming of naught but blind, silent worship. He finished
|
||
|
the happiest day of his life, and that night he returned to the
|
||
|
swamp as if drawn by invisible force. That Wessner would try for
|
||
|
his revenge, he knew. That he would be abetted by Black Jack was
|
||
|
almost certain, but fear had fled the happy heart of Freckles.
|
||
|
He had kept his trust. He had won the respect of the Boss.
|
||
|
No one ever could wipe from his heart the flood of holy adoration
|
||
|
that had welled with the coming of his Angel. He would do his best,
|
||
|
and trust for strength to meet the dark day of reckoning that he
|
||
|
knew would come sooner or later. He swung round the trail, briskly
|
||
|
tapping the wire, and singing in a voice that scarcely could have
|
||
|
been surpassed for sweetness.
|
||
|
|
||
|
At the edge of the clearing he came into the bright moonlight and
|
||
|
there sat McLean on his mare. Freckles hurried to him.
|
||
|
|
||
|
"Is there trouble?" he inquired anxiously.
|
||
|
|
||
|
"That's what I wanted to ask you," said the Boss. "I stopped at the
|
||
|
cabin to see you a minute, before I turned in, and they said you
|
||
|
had come down here. You must not do it, Freckles. The swamp is none
|
||
|
too healthful at any time, and at night it is rank poison."
|
||
|
|
||
|
Freckles stood combing his fingers through Nellie's mane, while the
|
||
|
dainty creature was twisting her head for his caresses. He pushed
|
||
|
back his hat and looked into McLean's face. "It's come to the
|
||
|
`sleep with one eye open,' sir. I'm not looking for anything to be
|
||
|
happening for a week or two, but it's bound to come, and soon.
|
||
|
If I'm to keep me trust as I've promised you and meself, I've to live
|
||
|
here mostly until the gang comes. You must be knowing that, sir."
|
||
|
|
||
|
"I'm afraid it's true, Freckles," said McLean. "And I've decided to
|
||
|
double the guard until we come. It will be only a few weeks, now;
|
||
|
and I'm so anxious for you that you must not be left alone further.
|
||
|
If anything should happen to you, Freckles, it would spoil one of
|
||
|
the very dearest plans of my life."
|
||
|
|
||
|
Freckles heard with dismay the proposition to place a second guard.
|
||
|
|
||
|
"Oh! no, no, Mr. McLean," he cried. "Not for the world! I wouldn't
|
||
|
be having a stranger around, scaring me birds and tramping up me
|
||
|
study, and disturbing all me ways, for any money! I am all the
|
||
|
guard you need! I will be faithful! I will turn over the lease with
|
||
|
no tree missing--on me life, I will! Oh, don't be sending another
|
||
|
man to set them saying I turned coward and asked for help. It will
|
||
|
just kill the honor of me heart if you do it. The only thing I want
|
||
|
is another gun. If it railly comes to trouble, six cartridges ain't
|
||
|
many, and you know I am slow-like about reloading." McLean reached
|
||
|
into his hip pocket and handed a shining big revolver to Freckles,
|
||
|
who slipped it beside the one already in his belt.
|
||
|
|
||
|
Then the Boss sat brooding.
|
||
|
|
||
|
"Freckles," he said at last, "we never know the timber of a man's
|
||
|
soul until something cuts into him deeply and brings the grain
|
||
|
out strong. You've the making of a mighty fine piece of furniture,
|
||
|
my boy, and you shall have your own way these few weeks yet.
|
||
|
Then, if you will go, I intend to take you to the city and educate
|
||
|
you, and you are to be my son, my lad--my own son!"
|
||
|
|
||
|
Freckles twisted his finger in Nellie's mane to steady himself.
|
||
|
|
||
|
"But why should you be doing that, sir?" he faltered.
|
||
|
|
||
|
McLean slid his arm around the boy's shoulder and gathered him close.
|
||
|
|
||
|
"Because I love you, Freckles," he said simply.
|
||
|
|
||
|
Freckles lifted a white face. "My God, sir!" he whispered. "Oh, my God!"
|
||
|
|
||
|
McLean tightened his clasp a second longer, then he rode down the trail.
|
||
|
|
||
|
Freckles lifted his hat and faced the sky. The harvest moon looked
|
||
|
down, sheeting the swamp in silver glory. The Limberlost sang her
|
||
|
night song. The swale softly rustled in the wind. Winged things of
|
||
|
night brushed his face; and still Freckles gazed upward, trying to
|
||
|
fathom these things that had come to him. There was no help from
|
||
|
the sky. It seemed far away, cold, and blue. The earth, where
|
||
|
flowers blossomed, angels walked, and love could be found, was better.
|
||
|
But to One, above, he must make acknowledgment for these miracles.
|
||
|
His lips moved and he began talking softly.
|
||
|
|
||
|
"Thank You for each separate good thing that has come to me," he
|
||
|
said, "and above all for the falling of the feather. For if it
|
||
|
didn't really fall from an angel, its falling brought an Angel, and
|
||
|
if it's in the great heart of you to exercise yourself any further
|
||
|
about me, oh, do please to be taking good care of her!"
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER VI
|
||
|
|
||
|
Wherein a Fight Occurs and Women Shoot Straight
|
||
|
|
||
|
The following morning Freckles, inexpressibly happy, circled the
|
||
|
Limberlost. He kept snatches of song ringing, as well as the wires.
|
||
|
His heart was so full that tears of joy glistened in his eyes.
|
||
|
He rigorously strove to divide his thought evenly between McLean and
|
||
|
the Angel. He realized to the fullest the debt he already owed the
|
||
|
Boss and the magnitude of last night's declaration and promises.
|
||
|
He was hourly planning to deliver his trust and then enter with
|
||
|
equal zeal on whatever task his beloved Boss saw fit to set him next.
|
||
|
He wanted to be ready to meet every device that Wessner and Black Jack
|
||
|
could think of to outwit him. He recognized their double leverage,
|
||
|
for if they succeeded in felling even one tree McLean became liable
|
||
|
for his wager.
|
||
|
|
||
|
Freckles' brow wrinkled in his effort to think deeply and strongly,
|
||
|
but from every swaying wild rose the Angel beckoned to him. When he
|
||
|
crossed Sleepy Snake Creek and the goldfinch, waiting as ever,
|
||
|
challenged: "SEE ME?" Freckles saw the dainty swaying grace of the
|
||
|
Angel instead. What is a man to do with an Angel who dismembers
|
||
|
herself and scatters over a whole swamp, thrusting a vivid reminder
|
||
|
upon him at every turn?
|
||
|
|
||
|
Freckles counted the days. This first one he could do little but
|
||
|
test his wires, sing broken snatches, and dream; but before the
|
||
|
week would bring her again he could do many things. He would carry
|
||
|
all his books to the swamp to show to her. He would complete his
|
||
|
flower bed, arrange every detail he had planned for his room, and
|
||
|
make of it a bower fairies might envy. He must devise a way to keep
|
||
|
water cool. He would ask Mrs. Duncan for a double lunch and an
|
||
|
especially nice one the day of her next coming, so that if the Bird
|
||
|
Woman happened to be late, the Angel might not suffer from thirst
|
||
|
and hunger. He would tell her to bring heavy leather leggings, so
|
||
|
that he might take her on a trip around the trail. She should make
|
||
|
friends with all of his chickens and see their nests.
|
||
|
|
||
|
On the line he talked of her incessantly.
|
||
|
|
||
|
"You needn't be thinking," he said to the goldfinch, "that because
|
||
|
I'm coming down this line alone day after day, it's always to be so.
|
||
|
Some of these times you'll be swinging on this wire, and you'll
|
||
|
see me coming, and you'll swing, skip, and flirt yourself around,
|
||
|
and chip up right spunky: `SEE ME?' I'll be saying `See you?
|
||
|
Oh, Lord! See her!' You'll look, and there she'll stand.
|
||
|
The sunshine won't look gold any more, or the roses pink, or the
|
||
|
sky blue, because she'll be the pinkest, bluest, goldest thing
|
||
|
of all. You'll be yelling yourself hoarse with the jealousy of her.
|
||
|
The sawbird will stretch his neck out of joint, and she'll turn the
|
||
|
heads of all the flowers. Wherever she goes, I can go back
|
||
|
afterward and see the things she's seen, walk the path she's walked,
|
||
|
hear the grasses whispering over all she's said; and if there's
|
||
|
a place too swampy for her bits of feet; Holy Mother! Maybe--maybe
|
||
|
she'd be putting the beautiful arms of her around me neck and letting
|
||
|
me carry her over!"
|
||
|
|
||
|
Freckles shivered as with a chill. He sent the cudgel whirling
|
||
|
skyward, dexterously caught it, and set it spinning.
|
||
|
|
||
|
"You damned presumptuous fool!" he cried. "The thing for you to be
|
||
|
thinking of would be to stretch in the muck for the feet of her to
|
||
|
be walking over, and then you could hold yourself holy to be even
|
||
|
of that service to her.
|
||
|
|
||
|
"Maybe she'll be wanting the cup me blue-and-brown chickens raised
|
||
|
their babies in. Perhaps she'd like to stop at the pool and see me
|
||
|
bullfrog that had the goodness to take on human speech to show me
|
||
|
the way out of me trouble. If there's any feathers falling that
|
||
|
day, why, it's from the wings of me chickens--it's sure to be, for
|
||
|
the only Angel outside the gates will be walking this timberline,
|
||
|
and every step of the way I'll be holding me breath and praying that
|
||
|
she don't unfold wings and sail away before the hungry eyes of me."
|
||
|
|
||
|
So Freckles dreamed his dreams, made his plans, and watched his line.
|
||
|
He counted not only the days, but the hours of each day. As he
|
||
|
told them off, every one bringing her closer, he grew happier in
|
||
|
the prospect of her coming. He managed daily to leave some offering
|
||
|
at the big elm log for his black chickens. He slipped under the
|
||
|
line at every passing, and went to make sure that nothing was
|
||
|
molesting them. Though it was a long trip, he paid them several
|
||
|
extra visits a day for fear a snake, hawk, or fox might have found
|
||
|
the baby. For now his chickens not only represented all his former
|
||
|
interest in them, but they furnished the inducement that was
|
||
|
bringing his Angel.
|
||
|
|
||
|
Possibly he could find other subjects that the Bird Woman wanted.
|
||
|
The teamster had said that his brother went after her every time he
|
||
|
found a nest. He never had counted the nests that he knew of, and
|
||
|
it might be that among all the birds of the swamp some would be
|
||
|
rare to her.
|
||
|
|
||
|
The feathered folk of the Limberlost were practically undisturbed
|
||
|
save by their natural enemies. It was very probable that among his
|
||
|
chickens others as odd as the big black ones could be found. If she
|
||
|
wanted pictures of half-grown birds, he could pick up fifty in one
|
||
|
morning's trip around the line, for he had fed, handled, and made
|
||
|
friends with them ever since their eyes opened.
|
||
|
|
||
|
He had gathered bugs and worms all spring as he noticed them on the
|
||
|
grass and bushes, and dropped them into the first little open mouth
|
||
|
he had found. The babies gladly had accepted this queer tri-parent
|
||
|
addition to their natural providers.
|
||
|
|
||
|
When the week had passed, Freckles had his room crisp and glowing
|
||
|
with fresh living things that represented every color of the swamp.
|
||
|
He carried bark and filled all the muckiest places of the trail.
|
||
|
|
||
|
It was middle July. The heat of the past few days had dried the
|
||
|
water around and through the Limberlost, so that it was possible to
|
||
|
cross it on foot in almost any direction--if one had an idea of
|
||
|
direction and did not become completely lost in its rank tangle of
|
||
|
vegetation and bushes. The brighter-hued flowers were opening.
|
||
|
The trumpet-creepers were flaunting their gorgeous horns of red
|
||
|
and gold sweetness from the tops of lordly oak and elm, and below
|
||
|
entire pools were pink-sheeted in mallow bloom.
|
||
|
|
||
|
The heat was doing one other thing that was bound to make Freckles,
|
||
|
as a good Irishman, shiver. As the swale dried, its inhabitants
|
||
|
were seeking the cooler depths of the swamp. They liked neither the
|
||
|
heat nor leaving the field mice, moles, and young rabbits of their
|
||
|
chosen location. He saw them crossing the trail every day as the
|
||
|
heat grew intense. The rattlers were sadly forgetting their
|
||
|
manners, for they struck on no provocation whatever, and did not
|
||
|
even remember to rattle afterward. Daily Freckles was compelled to
|
||
|
drive big black snakes and blue racers from the nests of his chickens.
|
||
|
Often the terrified squalls of the parent birds would reach him far
|
||
|
down the line and he would run to rescue the babies.
|
||
|
|
||
|
He saw the Angel when the carriage turned from the corduroy into
|
||
|
the clearing. They stopped at the west entrance to the swamp,
|
||
|
waiting for him to precede them down the trail, as he had told them
|
||
|
it was safest for the horse that he should do. They followed the
|
||
|
east line to a point opposite the big chickens' tree, and Freckles
|
||
|
carried in the cameras and showed the Bird Woman a path he had
|
||
|
cleared to the log. He explained to her the effect the heat was
|
||
|
having on the snakes, and creeping back to Little Chicken, brought
|
||
|
him to the light. As she worked at setting up her camera, he told
|
||
|
her of the birds of the line, while she stared at him, wide-eyed
|
||
|
and incredulous.
|
||
|
|
||
|
They arranged that Freckles should drive the carriage into the east
|
||
|
entrance in the shade and then take the horse toward the north to
|
||
|
a better place he knew. Then he was to entertain the Angel at his
|
||
|
study or on the line until the Bird Woman finished her work and
|
||
|
came to them.
|
||
|
|
||
|
"This will take only a little time," she said. "I know where to set
|
||
|
the camera now, and Little Chicken is big enough to be good and too
|
||
|
small to run away or to act very ugly, so I will be coming soon to
|
||
|
see about those nests. I have ten plates along, and I surely won't
|
||
|
use more than two on him; so perhaps I can get some nests or young
|
||
|
birds this morning."
|
||
|
|
||
|
Freckles almost flew, for his dream had come true so soon. He was
|
||
|
walking the timber-line and the Angel was following him. He asked
|
||
|
to be excused for going first, because he wanted to be sure the
|
||
|
trail was safe for her. She laughed at his fears, telling him that
|
||
|
it was the polite thing for him to do, anyway.
|
||
|
|
||
|
"Oh!" said Freckles, "so you was after knowing that? Well, I didn't
|
||
|
s'pose you did, and I was afraid you'd think me wanting in respect
|
||
|
to be preceding you!"
|
||
|
|
||
|
The astonished Angel looked at him, caught the irrepressible gleam
|
||
|
of Irish fun in his eyes, so they stood and laughed together.
|
||
|
|
||
|
Freckles did not realize how he was talking that morning. He showed
|
||
|
her many of the beautiful nests and eggs of the line. She could
|
||
|
identify a number of them, but of some she was ignorant, so they
|
||
|
made notes of the number and color of the eggs, material, and
|
||
|
construction of nest, color, size, and shape of the birds, and went
|
||
|
to find them in the book.
|
||
|
|
||
|
At his room, when Freckles had lifted the overhanging bushes and
|
||
|
stepped back for her to enter, his heart was all out of time
|
||
|
and place. The study was vastly more beautiful than a week previous.
|
||
|
The Angel drew a deep breath and stood gazing first at one side,
|
||
|
then at another, then far down the cathedral aisle. "It's just
|
||
|
fairyland!" she cried ecstatically. Then she turned and stared at
|
||
|
Freckles as she had at his handiwork.
|
||
|
|
||
|
"What are you planning to be?" she asked wonderingly.
|
||
|
|
||
|
"Whatever Mr. McLean wants me to," he replied.
|
||
|
|
||
|
"What do you do most?" she asked.
|
||
|
|
||
|
"Watch me lines."
|
||
|
|
||
|
"I don't mean work!"
|
||
|
|
||
|
"Oh, in me spare time I keep me room and study in me books."
|
||
|
|
||
|
"Do you work on the room or the books most?"
|
||
|
|
||
|
"On the room only what it takes to keep it up, and the rest of the
|
||
|
time on me books."
|
||
|
|
||
|
The Angel studied him closely. "Well, maybe you are going to be a
|
||
|
great scholar," she said, "but you don't look it. Your face isn't
|
||
|
right for that, but it's got something big in it--something really great.
|
||
|
I must find out what it is and then you must work on it. Your father
|
||
|
is expecting you to do something. One can tell by the way he talks.
|
||
|
You should begin right away. You've wasted too much time already."
|
||
|
|
||
|
Poor Freckles hung his head. He never had wasted an hour in his life.
|
||
|
There never had been one that was his to waste.
|
||
|
|
||
|
The Angel, studying him intently, read the thought in his face.
|
||
|
"Oh, I don't mean that!" she cried, with the frank dismay of
|
||
|
sixteen. "Of course, you're not lazy! No one ever would think that
|
||
|
from your appearance. It's this I mean: there is something fine,
|
||
|
strong, and full of power in your face. There is something you are
|
||
|
to do in this world, and no matter how you work at all these other
|
||
|
things, or how successfully you do them, it is all wasted until you
|
||
|
find the ONE THING that you can do best. If you hadn't a thing in
|
||
|
the world to keep you, and could go anywhere you please and do
|
||
|
anything you want, what would you do?" persisted the Angel.
|
||
|
|
||
|
"I'd go to Chicago and sing in the First Episcopal choir," answered
|
||
|
Freckles promptly.
|
||
|
|
||
|
The Angel dropped on a seat--the hat she had removed and held in
|
||
|
her fingers rolled to her feet. "There!" she exclaimed vehemently.
|
||
|
"You can see what I'm going to be. Nothing! Absolutely nothing!
|
||
|
You can sing? Of course you can sing! It is written all over you."
|
||
|
|
||
|
"Anyone with half wit could have seen he could sing, without having
|
||
|
to be told," she thought. "It's in the slenderness of his fingers
|
||
|
and his quick nervous touch. It is in the brightness of his hair,
|
||
|
the fire of his eyes, the breadth of his chest, the muscles of his
|
||
|
throat and neck; and above all, it's in every tone of his voice,
|
||
|
for even as he speak it's the sweetest sound I ever heard from the
|
||
|
throat of a mortal."
|
||
|
|
||
|
"Will you do something for me?" she asked.
|
||
|
|
||
|
"I'll do anything in the world you want me to," said Freckles
|
||
|
largely, "and if I can't do what you want, I'll go to work at once
|
||
|
and I'll try `til I can."
|
||
|
|
||
|
"Good! That's business!" said the Angel. "You go over there and
|
||
|
stand before that hedge and sing something. Just anything you think
|
||
|
of first."
|
||
|
|
||
|
Freckles faced the Angel from his banked wall of brown, blue, and
|
||
|
crimson, with its background of solid green, and lifting his face
|
||
|
to the sky, he sang the first thing that came into his mind. It was
|
||
|
a children's song that he had led for the little folks at the Home
|
||
|
many times, recalled to his mind by the Angel's exclamation:
|
||
|
|
||
|
"To fairyland we go,
|
||
|
With a song of joy, heigh-o.
|
||
|
In dreams we'll stand upon that shore
|
||
|
And all the realm behold;
|
||
|
We'll see the sights so grand
|
||
|
That belong to fairyland,
|
||
|
Its mysteries we will explore,
|
||
|
Its beauties will unfold.
|
||
|
|
||
|
Oh, tra, la, la, oh, ha, ha, ha! We're happy now as we can be,
|
||
|
Our welcome song we will prolong, and greet you with our melody.
|
||
|
O fairyland, sweet fairyland, we love to sing----"
|
||
|
|
||
|
|
||
|
No song could have given the intense sweetness and rollicking
|
||
|
quality of Freckles' voice better scope. He forgot everything but
|
||
|
pride in his work. He was singing the chorus, and the Angel was
|
||
|
shivering in ecstasy, when clip! clip! came the sharply beating
|
||
|
feet of a swiftly ridden horse down the trail from the north. They
|
||
|
both sprang toward the entrance.
|
||
|
|
||
|
"Freckles! Freckles!" called the voice of the Bird Woman.
|
||
|
|
||
|
They were at the trail on the instant.
|
||
|
|
||
|
"Both those revolvers loaded?" she asked.
|
||
|
|
||
|
"Yes," said Freckles.
|
||
|
|
||
|
"Is there a way you can cut across the swamp and reach the chicken
|
||
|
tree in a few minutes, and with little noise?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Then go flying," said the Bird Woman. "Give the Angel a lift
|
||
|
behind me, and we will ride the horse back where you left him and
|
||
|
wait for you. I finished Little Chicken in no time and put him back.
|
||
|
His mother came so close, I felt sure she would enter the log.
|
||
|
The light was fine, so I set and focused the camera and covered
|
||
|
it with branches, attached the long hose, and went away over a
|
||
|
hundred feet and hid in some bushes to wait. A short, stout man
|
||
|
and a tall, dark one passed me so closely I almost could have reached
|
||
|
out and touched them. They carried a big saw on their shoulders.
|
||
|
They said they could work until near noon, and then they must lay
|
||
|
off until you passed and then try to load and get out at night.
|
||
|
They went on--not entirely from sight--and began cutting a tree.
|
||
|
Mr. McLean told me the other day what would probably happen here,
|
||
|
and if they fell that tree he loses his wager on you. Keep to the
|
||
|
east and north and hustle. We'll meet you at the carriage. I always
|
||
|
am armed. Give Angel one of your revolvers, and you keep the other.
|
||
|
We will separate and creep toward them from different sides and
|
||
|
give them a fusillade that will send them flying. You hurry, now!"
|
||
|
|
||
|
She lifted the reins and started briskly down the trail. The Angel,
|
||
|
hatless and with sparkling eyes, was clinging around her waist.
|
||
|
|
||
|
Freckles wheeled and ran. He worked his way with much care, dodging
|
||
|
limbs and bushes with noiseless tread, and cutting as closely where
|
||
|
he thought the men were as he felt that he dared if he were to
|
||
|
remain unseen. As he ran he tried to think. It was Wessner, burning
|
||
|
for his revenge, aided by the bully of the locality, that he was
|
||
|
going to meet. He was accustomed to that thought but not to the
|
||
|
complication of having two women on his hands who undoubtedly would
|
||
|
have to be taken care of in spite of the Bird Woman's offer to help him.
|
||
|
His heart was jarring as it never had before with running. He must
|
||
|
follow the Bird Woman's plan and meet them at the carriage, but if
|
||
|
they really did intend to try to help him, he must not allow it.
|
||
|
Allow the Angel to try to handle a revolver in his defence? Never!
|
||
|
Not for all the trees in the Limberlost! She might shoot herself.
|
||
|
She might forget to watch sharply and run across a snake that was
|
||
|
not particularly well behaved that morning. Freckles permitted
|
||
|
himself a grim smile as he went speeding on.
|
||
|
|
||
|
When he reached the carriage, the Bird Woman and the Angel had the
|
||
|
horse hitched, the outfit packed, and were calmly waiting. The Bird
|
||
|
Woman held a revolver in her hand. She wore dark clothing. They had
|
||
|
pinned a big focusing cloth over the front of the Angel's light dress.
|
||
|
|
||
|
"Give Angel one of your revolvers, quick!" said the Bird Woman.
|
||
|
"We will creep up until we are in fair range. The underbrush is so
|
||
|
thick and they are so busy that they will never notice us, if we
|
||
|
don't make a noise. You fire first, then I will pop in from my
|
||
|
direction, and then you, Angel, and shoot quite high, or else very low.
|
||
|
We mustn't really hit them. We'll go close enough to the cowards
|
||
|
to make it interesting, and keep it up until we have them going."
|
||
|
|
||
|
Freckles protested.
|
||
|
|
||
|
The Bird Woman reached over, and, taking the smaller revolver from
|
||
|
his belt, handed it to the Angel. "Keep your nerve steady, dear;
|
||
|
watch where you step, and shoot high," she said. "Go straight at
|
||
|
them from where you are. Wait until you hear Freckles' first shot,
|
||
|
then follow me as closely as you can, to let them know that we
|
||
|
outnumber them. If you want to save McLean's wager on you, now you
|
||
|
go!" she commanded Freckles, who, with an agonized glance at the
|
||
|
Angel, ran toward the east.
|
||
|
|
||
|
The Bird Woman chose the middle distance, and for a last time
|
||
|
cautioned the Angel as she moved away to lie down and shoot high.
|
||
|
|
||
|
Through the underbrush the Bird Woman crept even more closely than
|
||
|
she had intended, found a clear range, and waited for Freckles' shot.
|
||
|
There was one long minute of sickening suspense. The men
|
||
|
straightened for breath. Work was difficult with a handsaw in the
|
||
|
heat of the swamp. As they rested, the big dark fellow took a
|
||
|
bottle from his pocket and began oiling the saw.
|
||
|
|
||
|
"We got to keep mighty quiet," he said, "and wait to fell it until
|
||
|
that damned guard has gone to his dinner."
|
||
|
|
||
|
Again they bent to their work. Freckles' revolver spat fire. Lead
|
||
|
spanged on steel. The saw-handle flew from Wessner's hand and he
|
||
|
reeled from the jar of the shock. Black Jack straightened, uttering
|
||
|
a fearful oath. The hat sailed from his head from the far northeast.
|
||
|
The Angel had not waited for the Bird Woman, and her shot scarcely
|
||
|
could have been called high. At almost the same instant the third
|
||
|
shot whistled from the east. Black Jack sprang into the air with
|
||
|
a yell of complete panic, for it ripped a heel from his boot.
|
||
|
Freckles emptied his second chamber, and the earth spattered
|
||
|
over Wessner. Shots poured in rapidly. Without even reaching
|
||
|
for a weapon, both men ran toward the east road in great leaping
|
||
|
bounds, while leaden slugs sung and hissed around them in
|
||
|
deadly earnest.
|
||
|
|
||
|
Freckles was trimming his corners as closely as he dared, but if
|
||
|
the Angel did not really intend to hit, she was taking risks in a
|
||
|
scandalous manner.
|
||
|
|
||
|
When the men reached the trail, Freckles yelled at the top of his
|
||
|
voice: "Head them off on the south, boys! Fire from the south!"
|
||
|
|
||
|
As he had hoped, Jack and Wessner instantly plunged into the swale.
|
||
|
A spattering of lead followed them. They crossed the swale, running
|
||
|
low, with not even one backward glance, and entered the woods
|
||
|
beyond the corduroy.
|
||
|
|
||
|
Then the little party gathered at the tree.
|
||
|
|
||
|
"I'd better fix this saw so they can't be using it if they come
|
||
|
back," said Freckles, taking out his hatchet and making saw-teeth fly.
|
||
|
|
||
|
"Now we must leave here without being seen," said the Bird Woman to
|
||
|
the Angel. "It won't do for me to make enemies of these men, for I
|
||
|
am likely to meet them while at work any day."
|
||
|
|
||
|
"You can do it by driving straight north on this road," said Freckles.
|
||
|
"I will go ahead and cut the wires for you. The swale is almost dry.
|
||
|
You will only be sinking a little. In a few rods you will strike
|
||
|
a cornfield. I will take down the fence and let you into that.
|
||
|
Follow the furrows and drive straight across it until you come to
|
||
|
the other side. Be following the fence south until you come to a
|
||
|
road through the woods east of it. Then take that road and follow
|
||
|
east until you reach the pike. You will come out on your way back
|
||
|
to town, and two miles north of anywhere they are likely to be.
|
||
|
Don't for your lives ever let it out that you did this," he
|
||
|
earnestly cautioned, "for it's black enemies you would be making."
|
||
|
|
||
|
Freckles clipped the wires and they drove through. The Angel leaned
|
||
|
from the carriage and held out his revolver. Freckles looked at her
|
||
|
in surprise. Her eyes were black, while her face was a deeper rose
|
||
|
than usual. He felt that his own was white.
|
||
|
|
||
|
"Did I shoot high enough?" she asked sweetly. "I really forgot
|
||
|
about lying down."
|
||
|
|
||
|
Freckles winced. Did the child know how close she had gone?
|
||
|
Surely she could not! Or was it possible that she had the nerve
|
||
|
and skill to fire like that purposely?
|
||
|
|
||
|
"I will send the first reliable man I meet for McLean," said the
|
||
|
Bird Woman, gathering up the lines. "If I don't meet one when we
|
||
|
reach town, we will send a messenger. If it wasn't for having the
|
||
|
gang see me, I would go myself; but I will promise you that you
|
||
|
will have help in a little over two hours. You keep well hidden.
|
||
|
They must think some of the gang is with you now. There isn't a
|
||
|
chance that they will be back, but don't run any risks. Remain
|
||
|
under cover. If they should come, it probably would be for
|
||
|
their saw." She laughed as at a fine joke.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER VII
|
||
|
|
||
|
Wherein Freckles Wins Honor and Finds a Footprint on the Trail
|
||
|
|
||
|
Round-eyed, Freckles watched the Bird Woman and the Angel drive
|
||
|
away. After they were from sight and he was safely hidden among the
|
||
|
branches of a small tree, he remembered that he neither had thanked
|
||
|
them nor said good-bye. Considering what they had been through,
|
||
|
they never would come again. His heart sank until he had
|
||
|
palpitation in his wading-boots.
|
||
|
|
||
|
Stretching the length of the limb, he thought deeply, though he was
|
||
|
not thinking of Black Jack or Wessner. Would the Bird Woman and the
|
||
|
Angel come again? No other woman whom he ever had known would.
|
||
|
But did they resemble any other women he ever had known? He thought
|
||
|
of the Bird Woman's unruffled face and the Angel's revolver practice,
|
||
|
and presently he was not so sure that they would not return.
|
||
|
|
||
|
What were the people in the big world like? His knowledge was so
|
||
|
very limited. There had been people at the Home, who exchanged a
|
||
|
stilted, perfunctory kindness for their salaries. The visitors who
|
||
|
called on receiving days he had divided into three classes: the
|
||
|
psalm-singing kind, who came with a tear in the eye and hypocrisy
|
||
|
in every feature of their faces; the kind who dressed in silks and
|
||
|
jewels, and handed to those poor little mother-hungry souls worn
|
||
|
toys that their children no longer cared for, in exactly the same
|
||
|
spirit in which they pitched biscuits to the monkeys at the zoo,
|
||
|
and for the same reason--to see how they would take them and be
|
||
|
amused by what they would do; and the third class, whom he
|
||
|
considered real people. They made him feel they cared that he was
|
||
|
there, and that they would have been glad to see him elsewhere.
|
||
|
|
||
|
Now here was another class, that had all they needed of the world's
|
||
|
best and were engaged in doing work that counted. They had things
|
||
|
worth while to be proud of; and they had met him as a son and brother.
|
||
|
With them he could, for the only time in his life, forget the
|
||
|
lost hand that every day tortured him with a new pang. What kind
|
||
|
of people were they and where did they belong among the classes
|
||
|
he knew? He failed to decide, because he never had known others
|
||
|
similar to them; but how he loved them!
|
||
|
|
||
|
In the world where he was going soon, were the majority like them,
|
||
|
or were they of the hypocrite and bun-throwing classes?
|
||
|
|
||
|
He had forgotten the excitement of the morning and the passing of
|
||
|
time when distant voices aroused him, and he gently lifted his head.
|
||
|
Nearer and nearer they came, and as the heavy wagons rumbled down
|
||
|
the east trail he could hear them plainly. The gang were shouting
|
||
|
themselves hoarse for the Limberlost guard. Freckles did not feel
|
||
|
that he deserved it. He would have given much to he able to go
|
||
|
to the men and explain, but to McLean only could he tell his story.
|
||
|
|
||
|
At the sight of Freckles the men threw up their hats and cheered.
|
||
|
McLean shook hands with him warmly, but big Duncan gathered him
|
||
|
into his arms and hugged him as a bear and choked over a few words
|
||
|
of praise. The gang drove in and finished felling the tree.
|
||
|
McLean was angry beyond measure at this attempt on his property,
|
||
|
for in their haste to fell the tree the thieves had cut too high
|
||
|
and wasted a foot and a half of valuable timber.
|
||
|
|
||
|
When the last wagon rolled away, McLean sat on the stump and
|
||
|
Freckles told the story he was aching to tell. The Boss scarcely
|
||
|
could believe his senses. Also, he was much disappointed.
|
||
|
|
||
|
"I have been almost praying all the way over, Freckles," he said,
|
||
|
"that you would have some evidence by which we could arrest those
|
||
|
fellows and get them out of our way, but this will never do.
|
||
|
We can't mix up those women in it. They have helped you save me
|
||
|
the tree and my wager as well. Going across the country as she
|
||
|
does, the Bird Woman never could be expected to testify against them."
|
||
|
|
||
|
"No, indeed; nor the Angel, either, sir," said Freckles.
|
||
|
|
||
|
"The Angel?" queried the astonished McLean.
|
||
|
|
||
|
The Boss listened in silence while Freckles told of the coming and
|
||
|
christening of the Angel.
|
||
|
|
||
|
"I know her father well," said McLean at last, "and I have often
|
||
|
seen her. You are right; she is a beautiful young girl, and she
|
||
|
appears to be utterly free from the least particle of false pride
|
||
|
or foolishness. I do not understand why her father risks such a
|
||
|
jewel in this place."
|
||
|
|
||
|
"He's daring it because she is a jewel, sir," said Freckles, eagerly.
|
||
|
"Why, she's trusting a rattlesnake to rattle before it strikes her,
|
||
|
and of course, she thinks she can trust mankind as well. The man
|
||
|
isn't made who wouldn't lay down the life of him for her. She doesn't
|
||
|
need any care. Her face and the pretty ways of her are all the
|
||
|
protection she would need in a band of howling savages."
|
||
|
|
||
|
"Did you say she handled one of the revolvers?" asked McLean.
|
||
|
|
||
|
"She scared all the breath out of me body," admitted Freckles.
|
||
|
"Seems that her father has taught her to shoot. The Bird Woman told
|
||
|
her distinctly to lie low and blaze away high, just to help scare them.
|
||
|
The spunky little thing followed them right out into the west
|
||
|
road, spitting lead like hail, and clipping all around the heads
|
||
|
and heels of them; and I'm damned, sir, if I believe she'd cared a
|
||
|
rap if she'd hit. I never saw much shooting, but if that wasn't the
|
||
|
nearest to miss I ever want to see! Scared the life near out of me
|
||
|
body with the fear that she'd drop one of them. As long as I'd no
|
||
|
one to help me but a couple of women that didn't dare be mixed up
|
||
|
in it, all I could do was to let them get away."
|
||
|
|
||
|
"Now, will they come back?" asked McLean.
|
||
|
|
||
|
"Of course!" said Freckles. "They're not going to be taking that.
|
||
|
You could stake your life on it, they'll be coming back. At least,
|
||
|
Black Jack will. Wessner may not have the pluck, unless he is
|
||
|
half drunk. Then he'd be a terror. And the next time--"
|
||
|
Freckles hesitated.
|
||
|
|
||
|
"What?"
|
||
|
|
||
|
"It will be a question of who shoots first and straightest."
|
||
|
|
||
|
"Then the only thing for me to do is to double the guard and bring
|
||
|
the gang here the first minute possible. As soon as I feel that we
|
||
|
have the rarest of the stuff out below, we will come. The fact is,
|
||
|
in many cases, until it is felled it's difficult to tell what a
|
||
|
tree will prove to be. It won't do to leave you here longer alone.
|
||
|
Jack has been shooting twenty years to your one, and it stands to
|
||
|
reason that you are no match for him. Who of the gang would you
|
||
|
like best to have with you?"
|
||
|
|
||
|
"No one, sir," said Freckles emphatically. "Next time is where I run.
|
||
|
I won't try to fight them alone. I'll just be getting wind of
|
||
|
them, and then make tracks for you. I'll need to come like
|
||
|
lightning, and Duncan has no extra horse, so I'm thinking you'd
|
||
|
best get me one--or perhaps a wheel would be better. I used to do
|
||
|
extra work for the Home doctor, and he would let me take his
|
||
|
bicycle to ride around the place. And at times the head nurse would
|
||
|
loan me his for an hour. A wheel would cost less and be faster than
|
||
|
a horse, and would take less care. I believe, if you are going to
|
||
|
town soon, you had best pick up any kind of an old one at some
|
||
|
second-hand store, for if I'm ever called to use it in a hurry
|
||
|
there won't be the handlebars left after crossing the corduroy."
|
||
|
|
||
|
"Yes," said McLean; "and if you didn't have a first-class wheel,
|
||
|
you never could cross the corduroy on it at all."
|
||
|
|
||
|
As they walked to the cabin, McLean insisted on another guard, but
|
||
|
Freckles was stubbornly set on fighting his battle alone. He made
|
||
|
one mental condition. If the Bird Woman was going to give up the
|
||
|
Little Chicken series, he would yield to the second guard, solely
|
||
|
for the sake of her work and the presence of the Angel in the
|
||
|
Limberlost. He did not propose to have a second man unless it were
|
||
|
absolutely necessary, for he had been alone so long that he loved
|
||
|
the solitude, his chickens, and flowers. The thought of having a
|
||
|
stranger to all his ways come and meddle with his arrangements,
|
||
|
frighten his pets, pull his flowers, and interrupt him when he
|
||
|
wanted to study, so annoyed him that he was blinded to his real
|
||
|
need for help.
|
||
|
|
||
|
With McLean it was a case of letting his sober, better judgment be
|
||
|
overridden by the boy he was growing so to love that he could not
|
||
|
endure to oppose him, and to have Freckles keep his trust and win
|
||
|
alone meant more than any money the Boss might lose.
|
||
|
|
||
|
The following morning McLean brought the wheel, and Freckles took
|
||
|
it to the trail to test it. It was new, chainless, with as little
|
||
|
as possible to catch in hurried riding, and in every way the best
|
||
|
of its kind. Freckles went skimming around the trail on it on a
|
||
|
preliminary trip before he locked it in his case and started his
|
||
|
minute examination of his line on foot. He glanced around his room
|
||
|
as he left it, and then stood staring.
|
||
|
|
||
|
On the moss before his prettiest seat lay the Angel's hat. In the
|
||
|
excitement of yesterday all of them had forgotten it. He went and
|
||
|
picked it up, oh! so carefully, gazing at it with hungry eyes, but
|
||
|
touching it only to carry it to his case, where he hung it on the
|
||
|
shining handlebar of the new wheel and locked it among his treasures.
|
||
|
Then he went to the trail, with a new expression on his face and
|
||
|
a strange throbbing in his heart. He was not in the least afraid
|
||
|
of anything that morning. He felt he was the veriest Daniel, but
|
||
|
all his lions seemed weak and harmless.
|
||
|
|
||
|
What Black Jack's next move would be he could not imagine, but that
|
||
|
there would be a move of some kind was certain. The big bully was
|
||
|
not a man to give up his purpose, or to have the hat swept from his
|
||
|
head with a bullet and bear it meekly. Moreover, Wessner would
|
||
|
cling to his revenge with a Dutchman's singleness of mind.
|
||
|
|
||
|
Freckles tried to think connectedly, but there were too many places
|
||
|
on the trail where the Angel's footprints were vet visible. She had
|
||
|
stepped in one mucky spot and left a sharp impression. The afternoon
|
||
|
sun had baked it hard, and the horses' hoofs had not obliterated
|
||
|
any part of it, as they had in so many places. Freckles stood
|
||
|
fascinated, gazing at it. He measured it lovingly with his eye.
|
||
|
He would not have ventured a caress on her hat any more than
|
||
|
on her person, but this was different. Surely a footprint on a
|
||
|
trail might belong to anyone who found and wanted it. He stooped
|
||
|
under the wires and entered the swamp. With a little searching, he
|
||
|
found a big piece of thick bark loose on a log and carefully
|
||
|
peeling it, carried it out and covered the print so that the first
|
||
|
rain would not obliterate it.
|
||
|
|
||
|
When he reached his room, he tenderly laid the hat upon his
|
||
|
bookshelf, and to wear off his awkwardness, mounted his wheel and
|
||
|
went spinning on trail again. It was like flying, for the path was
|
||
|
worn smooth with his feet and baked hard with the sun almost all
|
||
|
the way. When he came to the bark, he veered far to one side and
|
||
|
smiled at it in passing. Suddenly he was off the wheel, kneeling
|
||
|
beside it. He removed his hat, carefully lifted the bark, and gazed
|
||
|
lovingly at the imprint.
|
||
|
|
||
|
"I wonder what she was going to say of me voice," he whispered.
|
||
|
"She never got it said, but from the face of her, I believe she was
|
||
|
liking it fairly well. Perhaps she was going to say that singing
|
||
|
was the big thing I was to be doing. That's what they all thought
|
||
|
at the Home. Well, if it is, I'll just shut me eyes, think of me
|
||
|
little room, the face of her watching, and the heart of her
|
||
|
beating, and I'll raise them. Damn them, if singing will do it,
|
||
|
I'll raise them from the benches!"
|
||
|
|
||
|
With this dire threat, Freckles knelt, as at a wayside spring, and
|
||
|
deliberately laid his lips on the footprint. Then he arose,
|
||
|
appearing as if he had been drinking at the fountain of gladness.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER VIII
|
||
|
|
||
|
Wherein Freckles Meets a Man of Affairs and Loses Nothing by the Encounter
|
||
|
|
||
|
"Weel, I be drawed on!" exclaimed Mrs. Duncan.
|
||
|
|
||
|
Freckles stood before her, holding the Angel's hat.
|
||
|
|
||
|
"I've been thinking this long time that ye or Duncan would see that
|
||
|
sunbonnets werena braw enough for a woman of my standing, and ye're
|
||
|
a guid laddie to bring me this beautiful hat."
|
||
|
|
||
|
She turned it around, examining the weave of the straw and the
|
||
|
foliage trimmings, passing her rough fingers over the satin
|
||
|
ties delightedly. As she held it up, admiring it, Freckles'
|
||
|
astonished eyes saw a new side of Sarah Duncan. She was jesting,
|
||
|
but under the jest the fact loomed strong that, though poor,
|
||
|
overworked, and with none but God-given refinement, there was
|
||
|
something in her soul crying after that bit of feminine finery,
|
||
|
and it made his heart ache for her. He resolved that when he
|
||
|
reached the city he would send her a hat, if it took fifty
|
||
|
dollars to do it.
|
||
|
|
||
|
She lingeringly handed it back to him.
|
||
|
|
||
|
"It's unco guid of ye to think of me," she said lightly, "but I maun
|
||
|
question your taste a wee. D'ye no think ye had best return this
|
||
|
and get a woman with half her hair gray a little plainer headdress?
|
||
|
Seems like that's far ower gay for me. I'm no' saying that it's
|
||
|
no' exactly what I'd like to hae, but I mauna mak mysel' ridiculous.
|
||
|
Ye'd best give this to somebody young and pretty, say about sixteen.
|
||
|
Where did ye come by it, Freckles? If there's anything been
|
||
|
dropping lately, ye hae forgotten to mention it."
|
||
|
|
||
|
"Do you see anything heavenly about that hat?" queried Freckles,
|
||
|
holding it up.
|
||
|
|
||
|
The morning breeze waved the ribbons gracefully, binding one around
|
||
|
Freckles' sleeve and the other across his chest, where they caught
|
||
|
and clung as if magnetized.
|
||
|
|
||
|
"Yes," said Sarah Duncan. "It's verra plain and simple, but it
|
||
|
juist makes ye feel that it's all of the finest stuff. It's exactly
|
||
|
what I'd call a heavenly hat."
|
||
|
|
||
|
"Sure," said Freckles, "for it's belonging to an Angel!"
|
||
|
|
||
|
Then he told her about the hat and asked her what he should do with it.
|
||
|
|
||
|
"Take it to her, of course!" said Sarah Duncan. "Like it's the only
|
||
|
ane she has and she may need it badly."
|
||
|
|
||
|
Freckles smiled. He had a clear idea about the hat being the only
|
||
|
one the Angel had. However, there was a thing he felt he should do
|
||
|
and wanted to do, but he was not sure.
|
||
|
|
||
|
"You think I might be taking it home?" he said.
|
||
|
|
||
|
"Of course ye must," said Mrs. Duncan. "And without another
|
||
|
hour's delay. It's been here two days noo, and she may want it,
|
||
|
and be too busy or afraid to come."
|
||
|
|
||
|
"But how can I take it?" asked Freckles.
|
||
|
|
||
|
"Gang spinning on your wheel. Ye can do it easy in an hour."
|
||
|
|
||
|
"But in that hour, what if----?"
|
||
|
|
||
|
"Nonsense!" interrupted Sarah Duncan. "Ye've watched that
|
||
|
timber-line until ye're grown fast to it, lad. Give me your boots
|
||
|
and club and I'll gae walk the south end and watch doon the east
|
||
|
and west sides until ye come back."
|
||
|
|
||
|
"Mrs. Duncan! You never would be doing it," cried Freckles.
|
||
|
|
||
|
"Why not?" inquired she.
|
||
|
|
||
|
"But you know you're mortal afraid of snakes and a lot of other
|
||
|
things in the swamp."
|
||
|
|
||
|
"I am afraid of snakes," said Mrs. Duncan, "but likely they've gone
|
||
|
into the swamp this hot weather. I'll juist stay on the trail and
|
||
|
watch, and ye might hurry the least bit. The day's so bright it
|
||
|
feels like storm. I can put the bairns on the woodpile to play
|
||
|
until I get back. Ye gang awa and take the blessed little angel her
|
||
|
beautiful hat."
|
||
|
|
||
|
"Are you sure it will be all right?" urged Freckles. "Do you think
|
||
|
if Mr. McLean came he would care?"
|
||
|
|
||
|
"Na," said Mrs. Duncan; "I dinna. If ye and me agree that a thing
|
||
|
ought to be done, and I watch in your place, why, it's bound to be
|
||
|
all right with McLean. Let me pin the hat in a paper, and ye jump
|
||
|
on your wheel and gang flying. Ought ye put on your Sabbath-day clothes?"
|
||
|
|
||
|
Freckles shook his head. He knew what he should do, but there was
|
||
|
no use in taking time to try to explain it to Mrs. Duncan while he
|
||
|
was so hurried. He exchanged his wading-boots for shoes, gave her
|
||
|
his club, and went spinning toward town. He knew very well where
|
||
|
the Angel lived. He had seen her home many times, and he passed it
|
||
|
again without even raising his eyes from the street, steering
|
||
|
straight for her father's place of business.
|
||
|
|
||
|
Carrying the hat, Freckles passed a long line of clerks, and at the
|
||
|
door of the private office asked to see the proprietor. When he had
|
||
|
waited a moment, a tall, spare, keen-eyed man faced him, and in
|
||
|
brisk, nervous tones asked: "How can I serve you, sir?"
|
||
|
|
||
|
Freckles handed him the package and answered, "By delivering to
|
||
|
your daughter this hat, which she was after leaving at me place the
|
||
|
other day, when she went away in a hurry. And by saying to her and
|
||
|
the Bird Woman that I'm more thankful than I'll be having words to
|
||
|
express for the brave things they was doing for me. I'm McLean's
|
||
|
Limberlost guard, sir."
|
||
|
|
||
|
"Why don't you take it yourself?" questioned the Man of Affairs.
|
||
|
|
||
|
Freckles' clear gray eyes met those of the Angel's father squarely, and
|
||
|
he asked: "If you were in my place, would you take it to her yourself?"
|
||
|
|
||
|
"No, I would not," said that gentleman quickly.
|
||
|
|
||
|
"Then why ask why I did not?" came Freckles' lamb-like query.
|
||
|
|
||
|
"Bless me!" said the Angel's father. He stared at the package, then
|
||
|
at the lifted chin of the boy, and then at the package again, and
|
||
|
muttered, "Excuse me!"
|
||
|
|
||
|
Freckles bowed.
|
||
|
|
||
|
"It would be favoring me greatly if you would deliver the hat and
|
||
|
the message. Good morning, sir," and he turned away.
|
||
|
|
||
|
"One minute," said the Angel's father. "Suppose I give you permission
|
||
|
to return this hat in person and make your own acknowledgments."
|
||
|
|
||
|
Freckles stood one moment thinking intently, and then he lifted
|
||
|
those eyes of unswerving truth and asked: "Why should you, sir?
|
||
|
You are kind, indade, to mention it, and it's thanking you I am for
|
||
|
your good intintions, but my wanting to go or your being willing to
|
||
|
have me ain't proving that your daughter would be wanting me or
|
||
|
care to bother with me."
|
||
|
|
||
|
The Angel's father looked keenly into the face of this
|
||
|
extraordinary young man, for he found it to his liking.
|
||
|
|
||
|
"There's one other thing I meant to say," said Freckles. "Every day
|
||
|
I see something, and at times a lot of things, that I think the
|
||
|
Bird Woman would be wanting pictures of badly, if she knew.
|
||
|
You might be speaking of it to her, and if she'd want me to,
|
||
|
I can send her word when I find things she wouldn't likely
|
||
|
get elsewhere."
|
||
|
|
||
|
"If that's the case," said the Angel's father, "and you feel under
|
||
|
obligations for her assistance the other day, you can discharge
|
||
|
them in that way. She is spending all her time in the fields and
|
||
|
woods searching for subjects. If you run across things, perhaps
|
||
|
rarer than she may find, about your work, it would save her the
|
||
|
time she spends searching for subjects, and she could work in
|
||
|
security under your protection. By all means let her know if you
|
||
|
find subjects you think she could use, and we will do anything we
|
||
|
can for you, if you will give her what help you can and see that
|
||
|
she is as safe as possible."
|
||
|
|
||
|
"It's hungry for human beings I am," said Freckles, "and it's like
|
||
|
Heaven to me to have them come. Of course, I'll be telling or
|
||
|
sending her word every time me work can spare me. Anything I can do
|
||
|
it would make me uncommon happy, but"--again truth had to be told,
|
||
|
because it was Freckles who was speaking--"when it comes to
|
||
|
protecting them, I'd risk me life, to be sure, but even that
|
||
|
mightn't do any good in some cases. There are many dangers to be
|
||
|
reckoned with in the swamp, sir, that call for every person to
|
||
|
look sharp. If there wasn't really thieving to guard against, why,
|
||
|
McLean wouldn't need be paying out good money for a guard. I'd love
|
||
|
them to be coming, and I'll do all I can, but you must be told that
|
||
|
there's danger of them running into timber thieves again any day, sir."
|
||
|
|
||
|
"Yes," said the Angel's father, "and I suppose there's danger of
|
||
|
the earth opening up and swallowing the town any day, but I'm
|
||
|
damned if I quit business for fear it will, and the Bird Woman
|
||
|
won't, either. Everyone knows her and her work, and there is no
|
||
|
danger in the world of anyone in any way molesting her, even if he
|
||
|
were stealing a few of McLean's gold-plated trees. She's as safe
|
||
|
in the Limberlost as she is at home, so far as timber thieves
|
||
|
are concerned. All I am ever uneasy about are the snakes, poison-
|
||
|
vines, and insects; and those are risks she must run anywhere.
|
||
|
You need not hesitate a minute about that. I shall be glad to tell
|
||
|
them what you wish. Thank you very much, and good day, sir."
|
||
|
|
||
|
There was no way in which Freckles could know it, but by following
|
||
|
his best instincts and being what he conceived a gentleman should
|
||
|
be, he surprised the Man of Affairs into thinking of him and seeing
|
||
|
his face over his books many times that morning; whereas, if he had
|
||
|
gone to the Angel as he had longed to do, her father never would
|
||
|
have given him a second thought.
|
||
|
|
||
|
On the street he drew a deep breath. How had he acquitted himself?
|
||
|
He only knew that he had lived up to his best impulse, and that is
|
||
|
all anyone can do. He glanced over his wheel to see that it was all
|
||
|
right, and just as he stepped to the curb to mount he heard a voice
|
||
|
that thrilled him through and through: "Freckles! Oh Freckles!"
|
||
|
|
||
|
The Angel separated from a group of laughing, sweet-faced girls and
|
||
|
came hurrying to him. She was in snowy white--a quaint little
|
||
|
frock, with a marvel of soft lace around her throat and wrists.
|
||
|
Through the sheer sleeves of it her beautiful, rounded arms showed
|
||
|
distinctly, and it was cut just to the base of her perfect neck.
|
||
|
On her head was a pure white creation of fancy braid, with folds on
|
||
|
folds of tulle, soft and silken as cobwebs, lining the brim; while
|
||
|
a mass of white roses clustered against the gold of her hair, crept
|
||
|
around the crown, and fell in a riot to her shoulders at the back.
|
||
|
There were gleams of gold with settings of blue on her fingers, and
|
||
|
altogether she was the daintiest, sweetest sight he ever had seen.
|
||
|
Freckles, standing on the curb, forgot himself in his cotton shirt,
|
||
|
corduroys, and his belt to which his wire-cutter and pliers were
|
||
|
hanging, and gazed as a man gazes when first he sees the woman he adores
|
||
|
with all her charms enhanced by appropriate and beautiful clothing.
|
||
|
|
||
|
"Oh Freckles," she cried as she came to him. "I was wondering about
|
||
|
you the other day. Do you know I never saw you in town before.
|
||
|
You watch that old line so closely! Why did you come? Is there
|
||
|
any trouble? Are you just starting to the Limberlost?"
|
||
|
|
||
|
"I came to bring your hat," said Freckles. "You forgot it in the
|
||
|
rush the other day. I have left it with your father, and a message
|
||
|
trying to ixpriss the gratitude of me for how you and the Bird
|
||
|
Woman were for helping me out."
|
||
|
|
||
|
The Angel nodded gravely, then Freckles saw that he had done the
|
||
|
proper thing in going to her father. His heart bounded until it
|
||
|
jarred his body, for she was saying that she scarcely could wait for
|
||
|
the time to come for the next picture of the Little Chicken series.
|
||
|
"I want to hear the remainder of that song, and I hadn't even
|
||
|
begun seeing your room yet," she complained. "As for singing,
|
||
|
if you can sing like that every day, I never can get enough of it.
|
||
|
I wonder if I couldn't bring my banjo and some of the songs I
|
||
|
like best. I'll play and you sing, and we'll put the birds out
|
||
|
of commission."
|
||
|
|
||
|
Freckles stood on the curb with drooped eyes, for he felt that if
|
||
|
he lifted them the tumult of tender adoration in them would show
|
||
|
and frighten her.
|
||
|
|
||
|
"I was afraid your ixperience the other day would scare you so that
|
||
|
you'd never be coming again," he found himself saying.
|
||
|
|
||
|
The Angel laughed gaily.
|
||
|
|
||
|
"Did I seem scared?" she questioned.
|
||
|
|
||
|
"No," said Freckles, "you did not."
|
||
|
|
||
|
"Oh, I just enjoyed that," she cried. "Those hateful, stealing
|
||
|
old things! I had a big notion to pink one of them, but I thought
|
||
|
maybe someway it would be best for you that I shouldn't. They needed it.
|
||
|
That didn't scare me; and as for the Bird Woman, she's accustomed
|
||
|
to finding snakes, tramps, cross dogs, sheep, cattle, and goodness
|
||
|
knows what! You can't frighten her when she's after a picture.
|
||
|
Did they come back?"
|
||
|
|
||
|
"No," said Freckles. "The gang got there a little after noon and
|
||
|
took out the tree, but I must tell you, and you must tell the Bird
|
||
|
Woman, that there's no doubt but they will be coming back, and they
|
||
|
will have to make it before long now, for it's soon the gang will
|
||
|
be there to work on the swamp."
|
||
|
|
||
|
"Oh, what a shame!" cried the Angel. "They'll clear out roads, cut
|
||
|
down the beautiful trees, and tear up everything. They'll drive
|
||
|
away the birds and spoil the cathedral. When they have done their
|
||
|
worst, then all these mills close here will follow in and take out
|
||
|
the cheap timber. Then the landowners will dig a few ditches, build
|
||
|
some fires, and in two summers more the Limberlost will be in corn
|
||
|
and potatoes."
|
||
|
|
||
|
They looked at each other, and groaned despairingly in unison.
|
||
|
|
||
|
"You like it, too," said Freckles.
|
||
|
|
||
|
"Yes," said the Angel, "I love it. Your room is a little piece
|
||
|
right out of the heart of fairyland, and the cathedral is God's
|
||
|
work, not yours. You only found it and opened the door after He had
|
||
|
it completed. The birds, flowers, and vines are all so lovely.
|
||
|
The Bird Woman says it is really a fact that the mallows, foxfire,
|
||
|
iris, and lilies are larger and of richer coloring there than in
|
||
|
the remainder of the country. She says it's because of the rich
|
||
|
loam and muck. I hate seeing the swamp torn up, and to you it will
|
||
|
be like losing your best friend; won't it?"
|
||
|
|
||
|
"Something like," said Freckles. "Still, I've the Limberlost in me
|
||
|
heart so that all of it will be real to me while I live, no matter
|
||
|
what they do to it. I'm glad past telling if you will be coming a
|
||
|
few more times, at least until the gang arrives. Past that time I
|
||
|
don't allow mesilf to be thinking."
|
||
|
|
||
|
"Come, have a cool drink before you start back," said the Angel.
|
||
|
|
||
|
"I couldn't possibly," said Freckles. "I left Mrs. Duncan on the
|
||
|
trail, and she's terribly afraid of a lot of things. If she even
|
||
|
sees a big snake, I don't know what she'll do."
|
||
|
|
||
|
"It won't take but a minute, and you can ride fast enough to make
|
||
|
up for it. Please. I want to think of something fine for you, to
|
||
|
make up a little for what you did for me that first day."
|
||
|
|
||
|
Freckles looked in sheer wonderment into the beautiful face of
|
||
|
the Angel. Did she truly mean it? Would she walk down that street
|
||
|
with him, crippled, homely, in mean clothing, with the tools of his
|
||
|
occupation on him, and share with him the treat she was offering?
|
||
|
He could not believe it, even of the Angel. Still, in justice to
|
||
|
the candor of her pure, sweet face, he would not think that she
|
||
|
would make the offer and not mean it. She really did mean just what
|
||
|
she said, but when it came to carrying out her offer and he saw the
|
||
|
stares of her friends, the sneers of her enemies--if such as she
|
||
|
could have enemies--and heard the whispered jeers of the curious,
|
||
|
then she would see her mistake and be sorry. It would be only a
|
||
|
manly thing for him to think this out, and save her from the
|
||
|
results of her own blessed bigness of heart.
|
||
|
|
||
|
"I railly must be off," said Freckles earnestly, "but I'm thanking
|
||
|
you more than you'll ever know for your kindness. I'll just be
|
||
|
drinking bowls of icy things all me way home in the thoughts of it."
|
||
|
|
||
|
Down came the Angel's foot. Her eyes flashed indignantly. "There's
|
||
|
no sense in that," she said. "How do you think you would have felt
|
||
|
when you knew I was warm and thirsty and you went and brought me a
|
||
|
drink and I wouldn't take it because--because goodness knows why!
|
||
|
You can ride faster to make up for the time. I've just thought out
|
||
|
what I want to fix for you."
|
||
|
|
||
|
She stepped to his side and deliberately slipped her hand under his
|
||
|
arm--that right arm that ended in an empty sleeve.
|
||
|
|
||
|
"You are coming," she said firmly. "I won't have it."
|
||
|
|
||
|
Freckles could not have told how he felt, neither could anyone else.
|
||
|
His blood rioted and his head swam, but he kept his wits. He bent
|
||
|
over her.
|
||
|
|
||
|
"Please don't, Angel," he said softly. "You don't understand."
|
||
|
|
||
|
How Freckles came to understand was a problem.
|
||
|
|
||
|
"It's this," he persisted. "If your father met me on the street, in
|
||
|
my station and dress, with you on me arm, he'd have every right to
|
||
|
be caning me before the people, and not a finger would I lift to
|
||
|
stay him."
|
||
|
|
||
|
The Angel's eyes snapped. "If you think my father cares about my
|
||
|
doing anything that is right and kind, and that makes me happy to
|
||
|
do--why, then you completely failed in reading my father, and I'll
|
||
|
ask him and just show you."
|
||
|
|
||
|
She dropped Freckles' arm and turned toward the entrance to
|
||
|
the building. "Why, look there!" she exclaimed.
|
||
|
|
||
|
Her father stood in a big window fronting the street, a bundle of
|
||
|
papers in his hand, interestedly watching the little scene, with
|
||
|
eyes that comprehended quite as thoroughly as if he had heard
|
||
|
every word. The Angel caught his glance and made a despairing little
|
||
|
gesture toward Freckles. The Man of Affairs answered her with a
|
||
|
look of infinite tenderness. He nodded his head and waved the
|
||
|
papers in the direction she had indicated, and the veriest dolt
|
||
|
could have read the words his lips formed: "Take him along!"
|
||
|
|
||
|
A sudden trembling seized Freckles. At sight of the Angel's father
|
||
|
he had stepped back as far from her as he could, leaned the wheel
|
||
|
against him, and snatched off his hat.
|
||
|
|
||
|
The Angel turned on him with triumphing eyes.
|
||
|
|
||
|
She was highly strung and not accustomed to being thwarted.
|
||
|
"Did You see that?" she demanded. "Now are you satisfied?
|
||
|
Will you come, or must I call a policeman to bring you?"
|
||
|
|
||
|
Freckles went. There was nothing else to do. Guiding his wheel, he
|
||
|
walked down the street beside her. On every hand she was kept busy
|
||
|
giving and receiving the cheeriest greetings. She walked into the
|
||
|
parlors exactly as if she owned them. A clerk came hurrying to meet her.
|
||
|
|
||
|
"There's a table vacant beside a window where it is cool. I'll save
|
||
|
it for you," and he started back.
|
||
|
|
||
|
"Please not," said the Angel. "I've taken this man unawares, when
|
||
|
he's in a rush. I'm afraid if we sit down we'll take too much time
|
||
|
and afterward he will blame me."
|
||
|
|
||
|
She walked to the fountain, and a long row of people stared with
|
||
|
all the varying degrees of insolence and curiosity that Freckles
|
||
|
had felt they would. He glanced at the Angel. NOW would she see?
|
||
|
|
||
|
"On my soul!" he muttered under his breath. "They don't aven touch her!"
|
||
|
|
||
|
She laid down her sunshade and gloves. She walked to the end of the
|
||
|
counter and turned the full battery of her eyes on the attendant.
|
||
|
|
||
|
"Please," she said.
|
||
|
|
||
|
The white-aproned individual stepped back and gave delighted assent.
|
||
|
The Angel stepped beside him, and selecting a tall, flaring glass,
|
||
|
of almost paper thinness, she stooped and rolled it in a tray of
|
||
|
cracked ice.
|
||
|
|
||
|
"I want to mix a drink for my friend," she said. "He has a long,
|
||
|
hot ride before him, and I don't want him started off with one of
|
||
|
those old palate-teasing sweetnesses that you mix just on purpose
|
||
|
to drive a man back in ten minutes." There was an appreciative
|
||
|
laugh from the line at the counter.
|
||
|
|
||
|
"I want a clear, cool, sparkling drink that has a tang of acid in it.
|
||
|
Where's the cherry phosphate? That, not at all sweet, would be good;
|
||
|
don't you think?"
|
||
|
|
||
|
The attendant did think. He pointed out the different taps, and the
|
||
|
Angel compounded the drink, while Freckles, standing so erect he
|
||
|
almost leaned backward, gazed at her and paid no attention to
|
||
|
anyone else. When she had the glass brimming, she tilted a little
|
||
|
of its contents into a second glass and tasted it.
|
||
|
|
||
|
"That's entirely too sweet for a thirsty man," she said.
|
||
|
|
||
|
She poured out half the mixture, and refilling the glass, tasted
|
||
|
it a second time. She submitted that result to the attendant.
|
||
|
"Isn't that about the thing?" she asked.
|
||
|
|
||
|
He replied enthusiastically. "I'd get my wages raised ten a month
|
||
|
if I could learn that trick."
|
||
|
|
||
|
The Angel carried the brimming, frosty glass to Freckles. He removed
|
||
|
his hat, and lifting the icy liquid even with her eyes and looking
|
||
|
straight into them, he said in the mellowest of all the mellow
|
||
|
tones of his voice: "I'll be drinking it to the Swamp Angel."
|
||
|
|
||
|
As he had said to her that first day, she now cautioned him:
|
||
|
"Be drinking slowly."
|
||
|
|
||
|
When the screen-door swung behind them, one of the men at the
|
||
|
counter asked of the attendant: "Now, what did that mean?"
|
||
|
|
||
|
"Exactly what you saw," replied he, rather curtly. "We're accustomed
|
||
|
to it here. Hardly a day passes, this hot weather, but she's
|
||
|
picking up some poor, god-forsaken mortal and bringing him in.
|
||
|
Then she comes behind the counter herself and fixes up a drink
|
||
|
to suit the occasion. She's all sorts of fancies about what's what
|
||
|
for all kinds of times and conditions, and you bet she can just hit
|
||
|
the spot! Ain't a clerk here can put up a drink to touch her.
|
||
|
She's a sort of knack at it. Every once in a while, when the Boss
|
||
|
sees her, he calls out to her to mix him a drink."
|
||
|
|
||
|
"And does she?" asked the man with an interested grin.
|
||
|
|
||
|
"Well, I guess! But first she goes back and sees how long it is
|
||
|
since he's had a drink. What he drank last. How warm he is. When he
|
||
|
ate last. Then she comes here and mixes a glass of fizz with a
|
||
|
little touch of acid, and a bit of cherry, lemon, grape, pineapple,
|
||
|
or something sour and cooling, and it hits the spot just as no spot
|
||
|
was ever hit before. I honestly believe that the INTEREST she takes
|
||
|
in it is half the trick, for I watch her closely and I can't come
|
||
|
within gunshot of her concoctions. She has a running bill here.
|
||
|
Her father settles once a month. She gives nine-tenths of it away.
|
||
|
Hardly ever touches it herself, but when she does she makes me mix it.
|
||
|
She's just old persimmons. Even the scrub-boy of this establishment
|
||
|
would fight for her. It lasts the year round, for in winter it's some
|
||
|
poor, frozen cuss that she's warming up on hot coffee or chocolate."
|
||
|
|
||
|
"Mighty queer specimen she had this time," volunteered another.
|
||
|
"Irish, hand off, straight as a ramrod, and something worth while
|
||
|
in his face. Notice that hat peel off, and the eyes of him?
|
||
|
There's a case of `fight for her!' Wonder who he is?"
|
||
|
|
||
|
"I think," said a third, "that he's McLean's Limberlost guard, and
|
||
|
I suspect she's gone to the swamp with the Bird Woman for pictures
|
||
|
and knows him that way. I've heard that he is a master hand with
|
||
|
the birds, and that would just suit the Bird Woman to a T."
|
||
|
|
||
|
On the street the Angel walked beside Freckles to the first
|
||
|
crossing and there she stopped. "Now, will you promise to ride fast
|
||
|
enough to make up for the five minutes that took?" she asked.
|
||
|
"I am a little uneasy about Mrs. Duncan."
|
||
|
|
||
|
Freckles turned his wheel into the street. It seemed to him he had
|
||
|
poured that delicious icy liquid into every vein in his body
|
||
|
instead of his stomach. It even went to his brain.
|
||
|
|
||
|
"Did you insist on fixing that drink because you knew how
|
||
|
intoxicating `twould be?" he asked.
|
||
|
|
||
|
There was subtlety in the compliment and it delighted the Angel.
|
||
|
She laughed gleefully.
|
||
|
|
||
|
"Next time, maybe you won't take so much coaxing," she teased.
|
||
|
|
||
|
"I wouldn't this, if I had known your father and been understanding
|
||
|
you better. Do you really think the Bird Woman will be coming again?"
|
||
|
|
||
|
The Angel jeered. "Wild horses couldn't drag her away," she cried.
|
||
|
"She will have hard work to wait the week out. I shouldn't be in
|
||
|
the least surprised to see her start any hour."
|
||
|
|
||
|
Freckles could not endure the suspense; it had to come.
|
||
|
|
||
|
"And you?" he questioned, but he dared not lift his eyes.
|
||
|
|
||
|
"Wild horses me, too," she laughed, "couldn't keep me away either!
|
||
|
I dearly love to come, and the next time I am going to bring my
|
||
|
banjo, and I'll play, and you sing for me some of the songs I like
|
||
|
best; won't you?"
|
||
|
|
||
|
"Yis," said Freckles, because it was all he was capable of saying
|
||
|
just then.
|
||
|
|
||
|
"It's beginning to act stormy," she said. "If you hurry you will
|
||
|
just about make it. Now, good-bye."
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER IX
|
||
|
|
||
|
Wherein the Limberlost Falls upon Mrs. Duncan and Freckles
|
||
|
Comes to the Rescue
|
||
|
|
||
|
Freckles was halfway to the Limberlost when he dismounted. He could
|
||
|
ride no farther, because he could not see the road. He sat under a
|
||
|
tree, and, leaning against it, sobs shook, twisted, and rent him.
|
||
|
If they would remind him of his position, speak condescendingly, or
|
||
|
notice his hand, he could endure it, but this--it surely would kill him!
|
||
|
His hot, pulsing Irish blood was stirred deeply. What did they mean?
|
||
|
Why did they do it? Were they like that to everyone? Was it pity?
|
||
|
|
||
|
It could not be, for he knew that the Bird Woman and the Angel's
|
||
|
father must know that he was not really McLean's son, and it did
|
||
|
not matter to them in the least. In spite of accident and poverty,
|
||
|
they evidently expected him to do something worth while in the world.
|
||
|
That must be his remedy. He must work on his education. He must
|
||
|
get away. He must find and do the great thing of which the
|
||
|
Angel talked. For the first time, his thoughts turned anxiously
|
||
|
toward the city and the beginning of his studies. McLean and the
|
||
|
Duncans spoke of him as "the boy," but he was a man. He must face
|
||
|
life bravely and act a man's part. The Angel was a mere child.
|
||
|
He must not allow her to torture him past endurance with her frank
|
||
|
comradeship that meant to him high heaven, earth's richness, and
|
||
|
all that lay between, and NOTHING to her.
|
||
|
|
||
|
There was an ominous growl of thunder, and amazed at himself,
|
||
|
Freckles snatched up his wheel and raced toward the swamp. He was
|
||
|
worried to find his boots lying at the cabin door; the children
|
||
|
playing on the woodpile told him that "mither" said they were so
|
||
|
heavy she couldn't walk in them, and she had come back and taken
|
||
|
them off. Thoroughly frightened, he stopped only long enough to
|
||
|
slip them on, and then sped with all his strength for the Limberlost.
|
||
|
To the west, the long, black, hard-beaten trail lay clear; but far
|
||
|
up the east side, straight across the path, he could see what was
|
||
|
certainly a limp, brown figure. Freckles spun with all his might.
|
||
|
|
||
|
Face down, Sarah Duncan lay across the trail. When Freckles turned
|
||
|
her over, his blood chilled at the look of horror settled on her face.
|
||
|
There was a low humming and something spatted against him.
|
||
|
Glancing around, Freckles shivered in terror, for there was a swarm
|
||
|
of wild bees settled on a scrub-thorn only a few yards away.
|
||
|
The air was filled with excited, unsettled bees making ready to
|
||
|
lead farther in search of a suitable location. Then he thought he
|
||
|
understood, and with a prayer of thankfulness in his heart that she
|
||
|
had escaped, even so narrowly, he caught her up and hurried down
|
||
|
the trail until they were well out of danger. He laid her in the
|
||
|
shade, and carrying water from the swamp in the crown of his hat,
|
||
|
he bathed her face and hands; but she lay in unbroken stillness,
|
||
|
without a sign of life.
|
||
|
|
||
|
She had found Freckles' boots so large and heavy that she had gone
|
||
|
back and taken them off, although she was mortally afraid to
|
||
|
approach the swamp without them. The thought of it made her
|
||
|
nervous, and the fact that she never had been there alone added to
|
||
|
her fears. She had not followed the trail many rods when her
|
||
|
trouble began. She was not Freckles, so not a bird of the line was
|
||
|
going to be fooled into thinking she was.
|
||
|
|
||
|
They began jumping from their nests and darting from unexpected
|
||
|
places around her head and feet, with quick whirs, that kept her
|
||
|
starting and dodging. Before Freckles was halfway to the town, poor
|
||
|
Mrs. Duncan was hysterical, and the Limberlost had neither sung nor
|
||
|
performed for her.
|
||
|
|
||
|
But there was trouble brewing. It was quiet and intensely hot, with
|
||
|
that stifling stillness that precedes a summer storm, and feathers
|
||
|
and fur were tense and nervous. The birds were singing only a few
|
||
|
broken snatches, and flying around, seeking places of shelter.
|
||
|
One moment everything seemed devoid of life, the next there was an
|
||
|
unexpected whir, buzz, and sharp cry. Inside, a pandemonium of
|
||
|
growling, spatting, snarling, and grunting broke loose.
|
||
|
|
||
|
The swale bent flat before heavy gusts of wind, and the big black
|
||
|
chicken swept lower and lower above the swamp. Patches of clouds
|
||
|
gathered, shutting out the sun and making it very dark, and the
|
||
|
next moment were swept away. The sun poured with fierce, burning
|
||
|
brightness, and everything was quiet. It was at the first growl of
|
||
|
thunder that Freckles really had noticed the weather, and putting
|
||
|
his own troubles aside resolutely, raced for the swamp.
|
||
|
|
||
|
Sarah Duncan paused on the line. "Weel, I wouldna stay in this
|
||
|
place for a million a month," she said aloud, and the sound of her
|
||
|
voice brought no comfort, for it was so little like she had thought
|
||
|
it that she glanced hastily around to see if it had really been she
|
||
|
that spoke. She tremblingly wiped the perspiration from her face
|
||
|
with the skirt of her sunbonnet.
|
||
|
|
||
|
"Awfu' hot," she panted huskily. "B'lieve there's going to be a
|
||
|
big storm. I do hope Freckles will hurry."
|
||
|
|
||
|
Her chin was quivering as a terrified child's. She lifted her
|
||
|
bonnet to replace it and brushed against a bush beside her.
|
||
|
WHIRR, almost into her face, went a nighthawk stretched along a limb
|
||
|
for its daytime nap. Mrs. Duncan cried out and sprang down the trail,
|
||
|
alighting on a frog that was hopping across. The horrible croak it
|
||
|
gave as she crushed it sickened her. She screamed wildly and jumped
|
||
|
to one side. That carried her into the swale, where the grasses
|
||
|
reached almost to her waist, and her horror of snakes returning,
|
||
|
she made a flying leap for an old log lying beside the line.
|
||
|
She alighted squarely, but it was so damp and rotten that she sank
|
||
|
straight through it to her knees. She caught at the wire as she
|
||
|
went down, and missing, raked her wrist across a barb until she
|
||
|
tore a bleeding gash. Her fingers closed convulsively around the
|
||
|
second strand. She was too frightened to scream now. Her tongue
|
||
|
stiffened. She clung frantically to the sagging wire, and finally
|
||
|
managed to grasp it with the other hand. Then she could reach the top
|
||
|
wire, and so she drew herself up and found solid footing. She picked
|
||
|
up the club that she had dropped in order to extricate herself.
|
||
|
Leaning heavily on it, she managed to return to the trail, but
|
||
|
she was trembling so that she scarcely could walk. Going a few
|
||
|
steps farther, she came to the stump of the first tree that had
|
||
|
been taken out.
|
||
|
|
||
|
She sat bolt upright and very still, trying to collect her thoughts
|
||
|
and reason away her terror. A squirrel above her dropped a nut, and
|
||
|
as it came rattling down, bouncing from branch to branch, every
|
||
|
nerve in her tugged wildly. When the disgusted squirrel barked
|
||
|
loudly, she sprang to the trail.
|
||
|
|
||
|
The wind arose higher, the changes from light to darkness were more
|
||
|
abrupt, while the thunder came closer and louder at every peal.
|
||
|
In swarms the blackbirds arose from the swale and came flocking
|
||
|
to the interior, with a clamoring cry: "T'CHECK, T'CHECK."
|
||
|
Grackles marshaled to the tribal call: "TRALL-A-HEE, TRALL-A-HEE."
|
||
|
Red-winged blackbirds swept low, calling to belated mates:
|
||
|
"FOL-LOW-ME, FOL-LOW-ME." Big, jetty crows gathered close to her,
|
||
|
crying, as if warning her to flee before it was everlastingly
|
||
|
too late. A heron, fishing the near-by pool for Freckles' "find-out"
|
||
|
frog, fell into trouble with a muskrat and uttered a rasping note
|
||
|
that sent Mrs. Duncan a rod down the line without realizing that
|
||
|
she had moved. She was too shaken to run far. She stopped and
|
||
|
looked around her fearfully.
|
||
|
|
||
|
Several bees struck her and were angrily buzzing before she
|
||
|
noticed them. Then the humming swelled on all sides.
|
||
|
A convulsive sob shook her, and she ran into the bushes,
|
||
|
now into the swale, anywhere to avoid the swarming bees, ducking,
|
||
|
dodging, fighting for her very life. Presently the humming
|
||
|
seemed to become a little fainter. She found the trail again,
|
||
|
and ran with all her might from a few of her angry pursuers.
|
||
|
|
||
|
As she ran, straining every muscle, she suddenly became aware that,
|
||
|
crossing the trail before her, was a big, round, black body, with
|
||
|
brown markings on its back, like painted geometrical patterns.
|
||
|
She tried to stop, but the louder buzzing behind warned her she
|
||
|
dared not. Gathering her skirts higher, with hair flying around her
|
||
|
face and her eyes almost bursting from their sockets, she ran straight
|
||
|
toward it. The sound of her feet and the humming of the bees
|
||
|
alarmed the rattler, so it stopped across the trail, lifting its
|
||
|
head above the grasses of the swale and rattling inquiringly--rattled
|
||
|
until the bees were outdone.
|
||
|
|
||
|
Straight toward it went the panic-stricken woman, running wildly
|
||
|
and uncontrollably. She took one leap, clearing its body on the
|
||
|
path, then flew ahead with winged feet. The snake, coiled to
|
||
|
strike, missed Mrs. Duncan and landed among the bees instead.
|
||
|
They settled over and around it, and realizing that it had found
|
||
|
trouble, it sank among the grasses and went threshing toward its
|
||
|
den in the deep willow-fringed low ground. The swale appeared as if
|
||
|
a reaper were cutting a wide swath. The mass of enraged bees darted
|
||
|
angrily around, searching for it, and striking the scrub-thorn,
|
||
|
began a temporary settling there to discover whether it were a
|
||
|
suitable place. Completely exhausted, Mrs. Duncan staggered on a
|
||
|
few steps farther, fell facing the path, where Freckles found her,
|
||
|
and lay quietly.
|
||
|
|
||
|
Freckles worked over her until she drew a long, quivering breath
|
||
|
and opened her eyes.
|
||
|
|
||
|
When she saw him bending above her, she closed them tightly, and
|
||
|
gripping him, struggled to her feet. He helped her, and with his
|
||
|
arm around and half carrying her, they made their way to the clearing.
|
||
|
She clung to him with all her remaining strength, but open her eyes
|
||
|
she would not until her children came clustering around her.
|
||
|
Then, brawny, big Scotswoman though she was, she quietly keeled
|
||
|
over again. The children added their wailing to Freckles' panic.
|
||
|
|
||
|
This time he was so close the cabin that he could carry her into
|
||
|
the house and lay her on the bed. He sent the oldest boy scudding
|
||
|
down the corduroy for the nearest neighbor, and between them they
|
||
|
undressed Mrs. Duncan and discovered that she was not bitten.
|
||
|
They bathed and bound the bleeding wrist and coaxed her back
|
||
|
to consciousness. She lay sobbing and shuddering. The first
|
||
|
intelligent word she said was: "Freckles, look at that jar on the
|
||
|
kitchen table and see if my yeast is no running ower."
|
||
|
|
||
|
Several days passed before she could give Duncan and Freckles any
|
||
|
detailed account of what had happened to her, even then she could
|
||
|
not do it without crying as the least of her babies. Freckles was
|
||
|
almost heartbroken, and nursed her as well as any woman could have
|
||
|
done; while big Duncan, with a heart full for them both, worked
|
||
|
early and late to chink every crack of the cabin and examine every
|
||
|
spot that possibly could harbor a snake. The effects of her morning
|
||
|
on the trail kept her shivering half the time. She could not rest
|
||
|
until she sent for McLean and begged him to save Freckles from
|
||
|
further risk, in that place of horrors. The Boss went to the swamp
|
||
|
with his mind fully determined to do so.
|
||
|
|
||
|
Freckles stood and laughed at him. "Why, Mr. McLean, don't you
|
||
|
let a woman's nervous system set you worrying about me," he said.
|
||
|
"I'm not denying how she felt, because I've been through it meself,
|
||
|
but that's all over and gone. It's the height of me glory to fight it
|
||
|
out with the old swamp, and all that's in it, or will be coming to
|
||
|
it, and then to turn it over to you as I promised you and meself
|
||
|
I'd do, sir. You couldn't break the heart of me entire quicker than
|
||
|
to be taking it from me now, when I'm just on the home-stretch.
|
||
|
It won't be over three or four weeks yet, and when I've gone it
|
||
|
almost a year, why, what's that to me, sir? You mustn't let a
|
||
|
woman get mixed up with business, for I've always heard about how
|
||
|
it's bringing trouble."
|
||
|
|
||
|
McLean smiled. "What about that last tree?" he said.
|
||
|
|
||
|
Freckles blushed and grinned appreciatively.
|
||
|
|
||
|
"Angels and Bird Women don't count in the common run, sir," he
|
||
|
affirmed shamelessly.
|
||
|
|
||
|
McLean sat in the saddle and laughed.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER X
|
||
|
|
||
|
Wherein Freckles Strives Mightily and the Swamp Angel Rewards Him
|
||
|
|
||
|
The Bird Woman and the Angel did not seem to count in the common
|
||
|
run, for they arrived on time for the third of the series and found
|
||
|
McLean on the line talking to Freckles. The Boss was filled with
|
||
|
enthusiasm over a marsh article of the Bird Woman's that he just
|
||
|
had read. He begged to be allowed to accompany her into the swamp
|
||
|
and watch the method by which she secured an illustration in such
|
||
|
a location.
|
||
|
|
||
|
The Bird Woman explained to him that it was an easy matter with the
|
||
|
subject she then had in hand; and as Little Chicken was too small
|
||
|
to be frightened by him, and big enough to be growing troublesome,
|
||
|
she was glad for his company. They went to the chicken log
|
||
|
together, leaving to the happy Freckles the care of the Angel, who
|
||
|
had brought her banjo and a roll of songs that she wanted to hear
|
||
|
him sing. The Bird Woman told them that they might practice in
|
||
|
Freckles' room until she finished with Little Chicken, and then she
|
||
|
and McLean would come to the concert.
|
||
|
|
||
|
It was almost three hours before they finished and came down the
|
||
|
west trail for their rest and lunch. McLean walked ahead, keeping
|
||
|
sharp watch on the trail and clearing it of fallen limbs from
|
||
|
overhanging trees. He sent a big piece of bark flying into the
|
||
|
swale, and then stopped short and stared at the trail.
|
||
|
|
||
|
The Bird Woman bent forward. Together they studied that imprint of
|
||
|
the Angel's foot. At last their eyes met, the Bird Woman's filled
|
||
|
with astonishment, and McLean's humid with pity. Neither said a
|
||
|
word, but they knew. McLean entered the swale and hunted up the bark.
|
||
|
He replaced it, and the Bird Woman carefully stepped over. As they
|
||
|
reached the bushes at the entrance, the voice of the Angel stopped
|
||
|
them, for it was commanding and filled with much impatience.
|
||
|
|
||
|
"Freckles James Ross McLean!" she was saying. "You fill me with
|
||
|
dark-blue despair! You're singing as if your voice were glass and
|
||
|
might break at any minute. Why don't you sing as you did a week ago?
|
||
|
Answer me that, please."
|
||
|
|
||
|
Freckles smiled confusedly at the Angel, who sat on one of his
|
||
|
fancy seats, playing his accompaniment on her banjo.
|
||
|
|
||
|
"You are a fraud," she said. "Here you went last week and led me to
|
||
|
think that there was the making of a great singer in you, and now
|
||
|
you are singing--do you know how badly you are singing?"
|
||
|
|
||
|
"Yis," said Freckles meekly. "I'm thinking I'm too happy to be
|
||
|
singing well today. The music don't come right only when I'm
|
||
|
lonesome and sad. The world's for being all sunshine at prisint,
|
||
|
for among you and Mr. McLean and the Bird Woman I'm after being
|
||
|
THAT happy that I can't keep me thoughts on me notes. It's more
|
||
|
than sorry I am to be disappointing you. Play it over, and I'll be
|
||
|
beginning again, and this time I'll hold hard."
|
||
|
|
||
|
"Well," said the Angel disgustedly, "it seems to me that if I had
|
||
|
all the things to be proud of that you have, I'd lift up my head
|
||
|
and sing!"
|
||
|
|
||
|
"And what is it I've to be proud of, ma'am?" politely inquired Freckles.
|
||
|
|
||
|
"Why, a whole worldful of things," cried the Angel explosively.
|
||
|
"For one thing, you can be good and proud over the way you've kept
|
||
|
the timber thieves out of this lease, and the trust your father has
|
||
|
in you. You can be proud that you've never even once disappointed
|
||
|
him or failed in what he believed you could do. You can be proud
|
||
|
over the way everyone speaks of you with trust and honor, and about
|
||
|
how brave of heart and strong of body you are I heard a big man say
|
||
|
a few days ago that the Limberlost was full of disagreeable
|
||
|
things--positive dangers, unhealthful as it could be, and that
|
||
|
since the memory of the first settlers it has been a rendezvous for
|
||
|
runaways, thieves, and murderers. This swamp is named for a man
|
||
|
that was lost here and wandered around `til he starved. That man I
|
||
|
was talking with said he wouldn't take your job for a thousand
|
||
|
dollars a month--in fact, he said he wouldn't have it for any
|
||
|
money, and you've never missed a day or lost a tree. Proud! Why, I
|
||
|
should think you would just parade around about proper over that!
|
||
|
|
||
|
"And you can always be proud that you are born an Irishman. My
|
||
|
father is Irish, and if you want to see him get up and strut give
|
||
|
him a teeny opening to enlarge on his race. He says that if the
|
||
|
Irish had decent territory they'd lead the world. He says they've
|
||
|
always been handicapped by lack of space and of fertile soil.
|
||
|
He says if Ireland had been as big and fertile as Indiana, why,
|
||
|
England wouldn't ever have had the upper hand. She'd only be an
|
||
|
appendage. Fancy England an appendage! He says Ireland has the
|
||
|
finest orators and the keenest statesmen in Europe today, and when
|
||
|
England wants to fight, with whom does she fill her trenches?
|
||
|
Irishmen, of course! Ireland has the greenest grass and trees, the
|
||
|
finest stones and lakes, and they've jaunting-cars. I don't know
|
||
|
just exactly what they are, but Ireland has all there are, anyway.
|
||
|
They've a lot of great actors, and a few singers, and there never
|
||
|
was a sweeter poet than one of theirs. You should hear my father
|
||
|
recite `Dear Harp of My Country.' He does it this way."
|
||
|
|
||
|
The Angel arose, made an elaborate old-time bow, and holding up the
|
||
|
banjo, recited in clipping feet and meter, with rhythmic swing and
|
||
|
a touch of brogue that was simply irresistible:
|
||
|
|
||
|
"Dear harp of my country" [The Angel ardently clasped the banjo],
|
||
|
|
||
|
"In darkness I found thee" [She held it to the light],
|
||
|
|
||
|
"The cold chain of silence had hung o'er thee long" [She muted the
|
||
|
strings with her rosy palm];
|
||
|
|
||
|
"Then proudly, my own Irish harp, I unbound thee" [She threw up her
|
||
|
head and swept a ringing harmony];
|
||
|
|
||
|
"And gave all thy chords to light, freedom, and song" [She crashed
|
||
|
into the notes of the accompaniment she had been playing for Freckles].
|
||
|
|
||
|
"That's what you want to be thinking of!" she cried. "Not darkness,
|
||
|
and lonesomeness, and sadness, but `light, freedom, and song.'
|
||
|
I can't begin to think offhand of all the big, splendid things an
|
||
|
Irishman has to be proud of; but whatever they are, they are all
|
||
|
yours, and you are a part of them. I just despise that `saddest-
|
||
|
when-I-sing' business. You can sing! Now you go over there
|
||
|
and do it! Ireland has had her statesmen, warriors, actors, and
|
||
|
poets; now you be her voice! You stand right out there before the
|
||
|
cathedral door, and I'm going to come down the aisle playing that
|
||
|
accompaniment, and when I stop in front of you--you sing!"
|
||
|
|
||
|
The Angel's face wore an unusual flush. Her eyes were flashing and
|
||
|
she was palpitating with earnestness.
|
||
|
|
||
|
She parted the bushes and disappeared. Freckles, straight and
|
||
|
tense, stood waiting. Presently, before he saw she was there, she
|
||
|
was coming down the aisle toward him, playing compellingly, and
|
||
|
rifts of light were touching her with golden glory. Freckles stood
|
||
|
as if transfixed.
|
||
|
|
||
|
The cathedral was majestically beautiful, from arched dome of
|
||
|
frescoed gold, green, and blue in never-ending shades and
|
||
|
harmonies, to the mosaic aisle she trod, richly inlaid in choicest
|
||
|
colors, and gigantic pillars that were God's handiwork fashioned
|
||
|
and perfected through ages of sunshine and rain. But the fair young
|
||
|
face and divinely molded form of the Angel were His most perfect
|
||
|
work of all. Never had she appeared so surpassingly beautiful.
|
||
|
She was smiling encouragingly now, and as she came toward him, she
|
||
|
struck the chords full and strong.
|
||
|
|
||
|
The heart of poor Freckles almost burst with dull pain and his
|
||
|
great love for her. In his desire to fulfill her expectations he
|
||
|
forgot everything else, and when she reached his initial chord he
|
||
|
was ready. He literally burst forth:
|
||
|
|
||
|
|
||
|
"Three little leaves of Irish green,
|
||
|
United on one stem,
|
||
|
Love, truth, and valor do they mean,
|
||
|
They form a magic gem."
|
||
|
|
||
|
|
||
|
The Angel's eyes widened curiously and her lips parted. A deep
|
||
|
color swept into her cheeks. She had intended to arouse him.
|
||
|
She had more than succeeded. She was too young to know that in the
|
||
|
effort to rouse a man, women frequently kindle fires that they
|
||
|
neither can quench nor control. Freckles was looking over her head
|
||
|
now and singing that song, as it never had been sung before, for
|
||
|
her alone; and instead of her helping him, as she had intended, he
|
||
|
was carrying her with him on the waves of his voice, away, away
|
||
|
into another world. When he struck into the chorus, wide-eyed and
|
||
|
panting, she was swaying toward him and playing with all her might.
|
||
|
|
||
|
|
||
|
"Oh, do you love? Oh, say you love
|
||
|
You love the shamrock green!"
|
||
|
|
||
|
|
||
|
At the last note, Freckles' voice ceased and he looked at the Angel.
|
||
|
He had given his best and his all. He fell on his knees and
|
||
|
folded his arms across his breast. The Angel, as if magnetized,
|
||
|
walked straight down the aisle to him, and running her fingers into
|
||
|
the crisp masses of his red hair, tilted his head back and laid her
|
||
|
lips on his forehead.
|
||
|
|
||
|
Then she stepped back and faced him. "Good boy!" she said, in a
|
||
|
voice that wavered from the throbbing of her shaken heart.
|
||
|
"Dear boy! I knew you could do it! I knew it was in you!
|
||
|
Freckles, when you go into the world, if you can face a big
|
||
|
audience and sing like that, just once, you will be immortal,
|
||
|
and anything you want will be yours."
|
||
|
|
||
|
"Anything!" gasped Freckles.
|
||
|
|
||
|
"Anything," said the Angel.
|
||
|
|
||
|
Freckles arose, muttered something, and catching up his old bucket,
|
||
|
plunged into the swamp blindly on a pretence of bringing water.
|
||
|
The Angel walked slowly across the study, sat on the rustic bench,
|
||
|
and, through narrowed lids, intently studied the tip of her shoe.
|
||
|
|
||
|
On the trail the Bird Woman wheeled to McLean with a dumbfounded look.
|
||
|
|
||
|
"God!" muttered he.
|
||
|
|
||
|
At last the Bird Woman spoke.
|
||
|
|
||
|
"Do you think the Angel knew she did that?" she asked softly.
|
||
|
|
||
|
"No," said McLean; "I do not. But the poor boy knew it. Heaven help him!"
|
||
|
|
||
|
The Bird Woman stared across the gently waving swale. "I don't see
|
||
|
how I am going to blame her," she said at last. "It's so exactly
|
||
|
what I would have done myself."
|
||
|
|
||
|
"Say the remainder," demanded McLean hoarsely. "Do him justice."
|
||
|
|
||
|
"He was born a gentleman," conceded the Bird Woman. "He took
|
||
|
no advantage. He never even offered to touch her. Whatever that
|
||
|
kiss meant to him, he recognized that it was the loving impulse of a
|
||
|
child under stress of strong emotion. He was fine and manly as any
|
||
|
man ever could have been."
|
||
|
|
||
|
McLean lifted his hat. "Thank you," he said simply, and parted the
|
||
|
bushes for her to enter Freckles' room.
|
||
|
|
||
|
It was her first visit. Before she left she sent for her cameras
|
||
|
and made studies of each side of it and of the cathedral. She was
|
||
|
entranced with the delicate beauty of the place, while her eyes
|
||
|
kept following Freckles as if she could not believe that it could
|
||
|
be his conception and work.
|
||
|
|
||
|
That was a happy day. The Bird Woman had brought a lunch, and they
|
||
|
spread it, with Freckles' dinner, on the study floor and sat,
|
||
|
resting and enjoying themselves. But the Angel put her banjo into
|
||
|
its case, silently gathered her music, and no one mentioned the concert.
|
||
|
|
||
|
The Bird Woman left McLean and the Angel to clear away the lunch,
|
||
|
and with Freckles examined the walls of his room and told him all
|
||
|
she knew about his shrubs and flowers. She analyzed a
|
||
|
cardinal-flower and showed him what he had wanted to know all
|
||
|
summer--why the bees buzzed ineffectually around it while the
|
||
|
humming-birds found in it an ever-ready feast. Some of his
|
||
|
specimens were so rare that she was unfamiliar with them, and
|
||
|
with the flower book between them they knelt, studying the
|
||
|
different varieties. She wandered the length of the cathedral
|
||
|
aisle with him, and it was at her suggestion that he lighted his
|
||
|
altar with a row of flaming foxfire.
|
||
|
|
||
|
As Freckles came to the cabin from his long day at the swamp he saw
|
||
|
Mrs. Chicken sweeping to the south and wondered where she was going.
|
||
|
He stepped into the bright, cosy little kitchen, and as he reached
|
||
|
down the wash-basin he asked Mrs. Duncan a question.
|
||
|
|
||
|
"Mother Duncan, do kisses wash off?"
|
||
|
|
||
|
So warm a wave swept her heart that a half-flush mantled her face.
|
||
|
She straightened her shoulders and glanced at her hands tenderly.
|
||
|
|
||
|
"Lord, na! Freckles," she cried. "At least, the anes ye get from
|
||
|
people ye love dinna. They dinna stay on the outside. They strike
|
||
|
in until they find the center of your heart and make their
|
||
|
stopping-place there, and naething can take them from ye--I doubt
|
||
|
if even death----Na, lad, ye can be reet sure kisses dinna wash off!"
|
||
|
|
||
|
Freckles set the basin down and muttered as he plunged his hot,
|
||
|
tired face into the water, "I needn't be afraid to be washing,
|
||
|
then, for that one struck in."
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XI
|
||
|
|
||
|
Wherein the Butterflies Go on a Spree and Freckles Informs the Bird Woman
|
||
|
|
||
|
"I wish," said Freckles at breakfast one morning, "that I had some
|
||
|
way to be sending a message to the Bird Woman. I've something at
|
||
|
the swamp that I'm believing never happened before, and surely
|
||
|
she'll be wanting it."
|
||
|
|
||
|
"What now, Freckles?" asked Mrs. Duncan.
|
||
|
|
||
|
"Why, the oddest thing you ever heard of," said Freckles; "the
|
||
|
whole insect tribe gone on a spree. I'm supposing it's my doings,
|
||
|
but it all happened by accident, like. You see, on the swale side
|
||
|
of the line, right against me trail, there's one of these scrub
|
||
|
wild crabtrees. Where the grass grows thick around it, is the
|
||
|
finest place you ever conceived of for snakes. Having women about
|
||
|
has set me trying to clean out those fellows a bit, and yesterday
|
||
|
I noticed that tree in passing. It struck me that it would be a
|
||
|
good idea to be taking it out. First I thought I'd take me hatchet
|
||
|
and cut it down, for it ain't thicker than me upper arm. Then I
|
||
|
remembered how it was blooming in the spring and filling all the
|
||
|
air with sweetness. The coloring of the blossoms is beautiful, and
|
||
|
I hated to be killing it. I just cut the grass short all around it.
|
||
|
Then I started at the ground, trimmed up the trunk near the height
|
||
|
of me shoulder, and left the top spreading. That made it look so
|
||
|
truly ornamental that, idle like, I chips off the rough places neat,
|
||
|
and this morning, on me soul, it's a sight! You see, cutting off
|
||
|
the limbs and trimming up the trunk sets the sap running. In this
|
||
|
hot sun it ferments in a few hours. There isn't much room for more
|
||
|
things to crowd on that tree than there are, and to get drunker
|
||
|
isn't noways possible."
|
||
|
|
||
|
"Weel, I be drawed on!" exclaimed Mrs. Duncan. "What kind of things
|
||
|
do ye mean, Freckles?"
|
||
|
|
||
|
"Why, just an army of black ants. Some of them are sucking away
|
||
|
like old topers. Some of them are setting up on their tails and
|
||
|
hind legs, fiddling with their fore-feet and wiping their eyes.
|
||
|
Some are rolling around on the ground, contented. There are
|
||
|
quantities of big blue-bottle flies over the bark and hanging on
|
||
|
the grasses around, too drunk to steer a course flying; so they
|
||
|
just buzz away like flying, and all the time sitting still.
|
||
|
The snake-feeders are too full to feed anything--even more sap to
|
||
|
themselves. There's a lot of hard-backed bugs--beetles, I
|
||
|
guess--colored like the brown, blue, and black of a peacock's tail.
|
||
|
They hang on until the legs of them are so wake they can't stick a
|
||
|
minute longer, and then they break away and fall to the ground.
|
||
|
They just lay there on their backs, fably clawing air. When it
|
||
|
wears off a bit, up they get, and go crawling back for more, and they
|
||
|
so full they bump into each other and roll over. Sometimes they
|
||
|
can't climb the tree until they wait to sober up a little.
|
||
|
There's a lot of big black-and-gold bumblebees, done for entire,
|
||
|
stumbling over the bark and rolling on the ground. They just lay
|
||
|
there on their backs, rocking from side to side, singing to
|
||
|
themselves like fat, happy babies. The wild bees keep up a steady
|
||
|
buzzing with the beating of their wings.
|
||
|
|
||
|
"The butterflies are the worst old topers of them all. They're just
|
||
|
a circus! You never saw the like of the beauties! They come every
|
||
|
color you could be naming, and every shape you could be thinking up.
|
||
|
They drink and drink until, if I'm driving them away, they stagger
|
||
|
as they fly and turn somersaults in the air. If I lave them alone,
|
||
|
they cling to the grasses, shivering happy like; and I'm blest,
|
||
|
Mother Duncan, if the best of them could be unlocking the front
|
||
|
door with a lead pencil, even."
|
||
|
|
||
|
"I never heard of anything sae surprising," said Mrs. Duncan.
|
||
|
|
||
|
"It's a rare sight to watch them, and no one ever made a picture of
|
||
|
a thing like that before, I'm for thinking," said Freckles earnestly.
|
||
|
|
||
|
"Na," said Mrs. Duncan. "Ye can be pretty sure there didna. The
|
||
|
Bird Woman must have word in some way, if ye walk the line and I
|
||
|
walk to town and tell her. If ye think ye can wait until after
|
||
|
supper, I am most sure ye can gang yoursel', for Duncan is coming
|
||
|
home and he'd be glad to watch for ye. If he does na come, and na
|
||
|
ane passes that I can send word with today, I really will gang
|
||
|
early in the morning and tell her mysel'."
|
||
|
|
||
|
Freckles took his lunch and went to the swamp. He walked and
|
||
|
watched eagerly. He could find no trace of anything, yet he felt a
|
||
|
tense nervousness, as if trouble might be brooding. He examined
|
||
|
every section of the wire, and kept watchful eyes on the grasses of
|
||
|
the swale, in an effort to discover if anyone had passed through
|
||
|
them; but he could discover no trace of anything to justify his fears.
|
||
|
|
||
|
He tilted his hat brim to shade his face and looked for his chickens.
|
||
|
They were hanging almost beyond sight in the sky.
|
||
|
|
||
|
"Gee!" he said. "If I only had your sharp eyes and convenient
|
||
|
location now, I wouldn't need be troubling so."
|
||
|
|
||
|
He reached his room and cautiously scanned the entrance before he
|
||
|
stepped in. Then he pushed the bushes apart with his right arm and
|
||
|
entered, his left hand on the butt of his favorite revolver.
|
||
|
Instantly he knew that someone had been there. He stepped to the
|
||
|
center of the room, closely scanning each wall and the floor.
|
||
|
He could find no trace of a clue to confirm his belief, yet so
|
||
|
intimate was he with the spirit of the place that he knew.
|
||
|
|
||
|
How he knew he could not have told, yet he did know that someone
|
||
|
had entered his room, sat on his benches, and walked over his floor.
|
||
|
He was surest around the case. Nothing was disturbed, yet it
|
||
|
seemed to Freckles that he could see where prying fingers had tried
|
||
|
the lock. He stepped behind the case, carefully examining the
|
||
|
ground all around it, and close beside the tree to which it was
|
||
|
nailed he found a deep, fresh footprint in the spongy soil--a long,
|
||
|
narrow print, that was never made by the foot of Wessner. His heart
|
||
|
tugged in his breast as he mentally measured the print, but he did
|
||
|
not linger, for now the feeling arose that he was being watched.
|
||
|
It seemed to him that he could feel the eyes of some intruder at
|
||
|
his back. He knew he was examining things too closely: if anyone
|
||
|
were watching, he did not want him to know that he felt it.
|
||
|
|
||
|
He took the most open way, and carried water for his flowers and
|
||
|
moss as usual; but he put himself into no position in which he was
|
||
|
fully exposed, and his hand was close his revolver constantly.
|
||
|
Growing restive at last under the strain, he plunged boldly into
|
||
|
the swamp and searched minutely all around his room, but he could
|
||
|
not discover the least thing to give him further cause for alarm.
|
||
|
He unlocked his case, took out his wheel, and for the remainder of
|
||
|
the day he rode and watched as he never had before. Several times
|
||
|
he locked the wheel and crossed the swamp on foot, zigzagging to
|
||
|
cover all the space possible. Every rod he traveled he used the
|
||
|
caution that sprang from knowledge of danger and the direction from
|
||
|
which it probably would come. Several times he thought of sending
|
||
|
for McLean, but for his life he could not make up his mind to do it
|
||
|
with nothing more tangible than one footprint to justify him.
|
||
|
|
||
|
He waited until he was sure Duncan would be at home, if he were
|
||
|
coming for the night, before he went to supper. The first thing he
|
||
|
saw as he crossed the swale was the big bays in the yard.
|
||
|
|
||
|
There had been no one passing that day, and Duncan readily agreed
|
||
|
to watch until Freckles rode to town. He told Duncan of the
|
||
|
footprint, and urged him to guard closely. Duncan said he might
|
||
|
rest easy, and filling his pipe and taking a good revolver, the big
|
||
|
man went to the Limberlost.
|
||
|
|
||
|
Freckles made himself clean and neat, and raced to town, but it was
|
||
|
night and the stars were shining before he reached the home of the
|
||
|
Bird Woman. From afar he could see that the house was ablaze
|
||
|
with lights. The lawn and veranda were strung with fancy lanterns and
|
||
|
alive with people. He thought his errand important, so to turn back
|
||
|
never occurred to Freckles. This was all the time or opportunity
|
||
|
he would have. He must see the Bird Woman, and see her at once.
|
||
|
He leaned his wheel inside the fence and walked up the broad
|
||
|
front entrance. As he neared the steps, he saw that the place was
|
||
|
swarming with young people, and the Angel, with an excuse to a
|
||
|
group that surrounded her, came hurrying to him.
|
||
|
|
||
|
"Oh Freckles!" she cried delightedly. "So you could come? We were
|
||
|
so afraid you could not! I'm as glad as I can be!"
|
||
|
|
||
|
"I don't understand," said Freckles. "Were you expecting me?"
|
||
|
|
||
|
"Why of course!" exclaimed the Angel. "Haven't you come to my party?
|
||
|
Didn't you get my invitation? I sent you one."
|
||
|
|
||
|
"By mail?" asked Freckles.
|
||
|
|
||
|
"Yes," said the Angel. "I had to help with the preparations, and I
|
||
|
couldn't find time to drive out; but I wrote you a letter, and told
|
||
|
you that the Bird Woman was giving a party for me, and we wanted
|
||
|
you to come, surely. I told them at the office to put it with Mr.
|
||
|
Duncan's mail."
|
||
|
|
||
|
"Then that's likely where it is at present," said Freckles.
|
||
|
"Duncan comes to town only once a week, and at times not that.
|
||
|
He's home tonight for the first in a week. He's watching an
|
||
|
hour for me until I come to the Bird Woman with a bit of work
|
||
|
I thought she'd be caring to hear about bad. Is she where I
|
||
|
can see her?"
|
||
|
|
||
|
The Angel's face clouded.
|
||
|
|
||
|
"What a disappointment!" she cried. "I did so want all my friends
|
||
|
to know you. Can't you stay anyway?"
|
||
|
|
||
|
Freckles glanced from his wading-boots to the patent leathers of
|
||
|
some of the Angel's friends, and smiled whimsically, but there was
|
||
|
no danger of his ever misjudging her again.
|
||
|
|
||
|
"You know I cannot, Angel," he said.
|
||
|
|
||
|
"I am afraid I do," she said ruefully. "It's too bad! But there is
|
||
|
a thing I want for you more than to come to my party, and that is
|
||
|
to hang on and win with your work. I think of you every day, and I
|
||
|
just pray that those thieves are not getting ahead of you.
|
||
|
Oh, Freckles, do watch closely!"
|
||
|
|
||
|
She was so lovely a picture as she stood before him, ardent in his
|
||
|
cause, that Freckles could not take his eyes from her to notice
|
||
|
what her friends were thinking. If she did not mind, why should he?
|
||
|
Anyway, if they really were the Angel's friends, probably they were
|
||
|
better accustomed to her ways than he.
|
||
|
|
||
|
Her face and bared neck and arms were like the wild rose bloom.
|
||
|
Her soft frock of white tulle lifted and stirred around her with the
|
||
|
gentle evening air. The beautiful golden hair, that crept around
|
||
|
her temples and ears as if it loved to cling there, was caught back
|
||
|
and bound with broad blue satin ribbon. There was a sash of blue at
|
||
|
her waist, and knots of it catching up her draperies.
|
||
|
|
||
|
"Must I go after the Bird Woman?" she pleaded.
|
||
|
|
||
|
"Indade, you must," answered Freckles firmly.
|
||
|
|
||
|
The Angel went away, but returned to say that the Bird Woman was
|
||
|
telling a story to those inside and she could not come for a short time.
|
||
|
|
||
|
"You won't come in?" she pleaded.
|
||
|
|
||
|
"I must not," said Freckles. "I am not dressed to be among your
|
||
|
friends, and I might be forgetting meself and stay too long."
|
||
|
|
||
|
"Then," said the Angel, "we mustn't go through the house, because
|
||
|
it would disturb the story; but I want you to come the outside way
|
||
|
to the conservatory and have some of my birthday lunch and some
|
||
|
cake to take to Mrs. Duncan and the babies. Won't that be fun?"
|
||
|
|
||
|
Freckles thought that it would be more than fun, and followed delightedly.
|
||
|
|
||
|
The Angel gave him a big glass, brimming with some icy, sparkling
|
||
|
liquid that struck his palate as it never had been touched before,
|
||
|
because a combination of frosty fruit juices had not been a
|
||
|
frequent beverage with him. The night was warm, and the Angel most
|
||
|
beautiful and kind. A triple delirium of spirit, mind, and body
|
||
|
seized upon him and developed a boldness all unnatural. He slightly
|
||
|
parted the heavy curtains that separated the conservatory from the
|
||
|
company and looked between. He almost stopped breathing. He had
|
||
|
read of things like that, but he never had seen them.
|
||
|
|
||
|
The open space seemed to stretch through half a dozen rooms, all
|
||
|
ablaze with lights, perfumed with flowers, and filled with
|
||
|
elegantly dressed people. There were glimpses of polished floors,
|
||
|
sparkling glass, and fine furnishings. From somewhere, the voice of
|
||
|
his beloved Bird Woman arose and fell.
|
||
|
|
||
|
The Angel crowded beside him and was watching also.
|
||
|
|
||
|
"Doesn't it look pretty?" she whispered.
|
||
|
|
||
|
"Do you suppose Heaven is any finer than that?" asked Freckles.
|
||
|
|
||
|
The Angel began to laugh.
|
||
|
|
||
|
"Do you want to be laughing harder than that?" queried Freckles.
|
||
|
|
||
|
"A laugh is always good," said the Angel. "A little more
|
||
|
avoirdupois won't hurt me. Go ahead."
|
||
|
|
||
|
"Well then," said Freckles, "it's only that I feel all over as if
|
||
|
I belonged there. I could wear fine clothes, and move over those
|
||
|
floors, and hold me own against the best of them."
|
||
|
|
||
|
"But where does my laugh come in?" demanded the Angel, as if she
|
||
|
had been defrauded.
|
||
|
|
||
|
"And you ask me where the laugh comes in, looking me in the face
|
||
|
after that," marveled Freckles.
|
||
|
|
||
|
"I wouldn't be so foolish as to laugh at such a manifest truth as
|
||
|
that," said the Angel. "Anyone who knows you even half as well as
|
||
|
I do, knows that you are never guilty of a discourtesy, and you
|
||
|
move with twice the grace of any man here. Why shouldn't you feel
|
||
|
as if you belonged where people are graceful and courteous?"
|
||
|
|
||
|
"On me soul!" said Freckles, "you are kind to be thinking it.
|
||
|
You are doubly kind to be saying it."
|
||
|
|
||
|
The curtains parted and a woman came toward them. Her silks and
|
||
|
laces trailed across the polished floors. The lights gleamed on her
|
||
|
neck and arms, and flashed from rare jewels. She was smiling
|
||
|
brightly; and until she spoke, Freckles had not realized fully that
|
||
|
it was his loved Bird Woman.
|
||
|
|
||
|
Noticing his bewilderment, she cried: "Why, Freckles! Don't you
|
||
|
know me in my war clothes?"
|
||
|
|
||
|
"I do in the uniform in which you fight the Limberlost," said Freckles.
|
||
|
|
||
|
The Bird Woman laughed. Then he told her why he had come, but she
|
||
|
scarcely could believe him. She could not say exactly when she
|
||
|
would go, but she would make it as soon as possible, for she was
|
||
|
most anxious for the study.
|
||
|
|
||
|
While they talked, the Angel was busy packing a box of sandwiches,
|
||
|
cake, fruit, and flowers. She gave him a last frosty glass, thanked
|
||
|
him repeatedly for bringing news of new material; then Freckles
|
||
|
went into the night. He rode toward the Limberlost with his eyes on
|
||
|
the stars. Presently he removed his hat, hung it to his belt, and
|
||
|
ruffled his hair to the sweep of the night wind. He filled the air
|
||
|
all the way with snatches of oratorios, gospel hymns, and dialect
|
||
|
and coon songs, in a startlingly varied programme. The one thing
|
||
|
Freckles knew that he could do was to sing. The Duncans heard him
|
||
|
coming a mile up the corduroy and could not believe their senses.
|
||
|
Freckles unfastened the box from his belt, and gave Mrs. Duncan and
|
||
|
the children all the eatables it contained, except one big piece of
|
||
|
cake that he carried to the sweet-loving Duncan. He put the flowers
|
||
|
back in the box and set it among his books. He did not say
|
||
|
anything, but they understood it was not to be touched.
|
||
|
|
||
|
"Thae's Freckles' flow'rs," said a tiny Scotsman, "but," he added
|
||
|
cheerfully, "it's oor sweeties!"
|
||
|
|
||
|
Freckles' face slowly flushed as he took Duncan's cake and started
|
||
|
toward the swamp. While Duncan ate, Freckles told him something
|
||
|
about the evening, as well as he could find words to express
|
||
|
himself, and the big man was so amazed he kept forgetting the treat
|
||
|
in his hands.
|
||
|
|
||
|
Then Freckles mounted his wheel and began a spin that terminated
|
||
|
only when the biggest Plymouth Rock in Duncan's coop saluted a new
|
||
|
day, and long lines of light reddened the east. As he rode he sang,
|
||
|
while he sang he worshiped, but the god he tried to glorify was a
|
||
|
dim and faraway mystery. The Angel was warm flesh and blood.
|
||
|
|
||
|
Every time he passed the little bark-covered imprint on the trail
|
||
|
he dismounted, removed his hat, solemnly knelt and laid his lips on
|
||
|
the impression. Because he kept no account himself, only the
|
||
|
laughing-faced old man of the moon knew how often it happened; and
|
||
|
as from the beginning, to the follies of earth that gentleman has
|
||
|
ever been kind.
|
||
|
|
||
|
With the near approach of dawn Freckles tuned his last note.
|
||
|
Wearied almost to falling, he turned from the trail into the path
|
||
|
leading to the cabin for a few hours' rest.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XII
|
||
|
|
||
|
Wherein Black Jack Captures Freckles and the Angel Captures Jack
|
||
|
|
||
|
As Freckles left the trail, from the swale close the south
|
||
|
entrance, four large muscular men arose and swiftly and carefully
|
||
|
entered the swamp by the wagon road. Two of them carried a big saw,
|
||
|
the third, coils of rope and wire, and all of them were heavily armed.
|
||
|
They left one man on guard at the entrance. The other three made
|
||
|
their way through the darkness as best they could, and were soon
|
||
|
at Freckles' room. He had left the swamp on his wheel from the
|
||
|
west trail. They counted on his returning on the wheel and circling
|
||
|
the east line before he came there.
|
||
|
|
||
|
A little below the west entrance to Freckles' room, Black Jack
|
||
|
stepped into the swale, and binding a wire tightly around a scrub
|
||
|
oak, carried it below the waving grasses, stretched it taut across
|
||
|
the trail, and fastened it to a tree in the swamp. Then he
|
||
|
obliterated all signs of his work, and arranged the grass over
|
||
|
the wire until it was so completely covered that only minute
|
||
|
examination would reveal it. They entered Freckles' room with
|
||
|
coarse oaths and jests. In a few moments, his specimen case with
|
||
|
its precious contents was rolled into the swamp, while the saw was
|
||
|
eating into one of the finest trees of the Limberlost.
|
||
|
|
||
|
The first report from the man on watch was that Duncan had driven
|
||
|
to the South camp; the second, that Freckles was coming. The man
|
||
|
watching was sent to see on which side the boy turned into the
|
||
|
path; as they had expected, he took the east. He was a little tired
|
||
|
and his head was rather stupid, for he had not been able to sleep
|
||
|
as he had hoped, but he was very happy. Although he watched until
|
||
|
his eyes ached, he could see no sign of anyone having entered the swamp.
|
||
|
|
||
|
He called a cheery greeting to all his chickens. At Sleepy Snake
|
||
|
Creek he almost fell from his wheel with surprise: the saw-bird
|
||
|
was surrounded by four lanky youngsters clamoring for breakfast.
|
||
|
The father was strutting with all the importance of a drum major.
|
||
|
|
||
|
"No use to expect the Bird Woman today," said Freckles; "but now
|
||
|
wouldn't she be jumping for a chance at that?"
|
||
|
|
||
|
As soon as Freckles was far down the east line, the watch was
|
||
|
posted below the room on the west to report his coming. It was only
|
||
|
a few moments before the signal came. Then the saw stopped, and the
|
||
|
rope was brought out and uncoiled close to a sapling. Wessner and
|
||
|
Black Jack crowded to the very edge of the swamp a little above the
|
||
|
wire, and crouched, waiting.
|
||
|
|
||
|
They heard Freckles before they saw him. He came gliding down the
|
||
|
line swiftly, and as he rode he was singing softly:
|
||
|
|
||
|
|
||
|
"Oh, do you love,
|
||
|
Oh, say you love----"
|
||
|
|
||
|
|
||
|
He got no farther. The sharply driven wheel struck the tense wire
|
||
|
and bounded back. Freckles shot over the handlebar and coasted down
|
||
|
the trail on his chest. As he struck, Black Jack and Wessner were
|
||
|
upon him. Wessner caught off an old felt hat and clapped it over
|
||
|
Freckles' mouth, while Black Jack twisted the boy's arms behind him
|
||
|
and they rushed him into his room. Almost before he realized that
|
||
|
anything had happened, he was trussed to a tree and securely gagged.
|
||
|
|
||
|
Then three of the men resumed work on the tree. The other followed
|
||
|
the path Freckles had worn to Little Chicken's tree, and presently
|
||
|
he reported that the wires were down and two teams with the loading
|
||
|
apparatus coming to take out the timber. All the time the saw was
|
||
|
slowly eating, eating into the big tree.
|
||
|
|
||
|
Wessner went to the trail and removed the wire. He picked up
|
||
|
Freckles' wheel, that did not seem to be injured, and leaned it
|
||
|
against the bushes so that if anyone did pass on the trail he would
|
||
|
not see it doubled in the swamp-grass.
|
||
|
|
||
|
Then he came and stood in front of Freckles and laughed in
|
||
|
devilish hate. To his own amazement, Freckles found himself
|
||
|
looking fear in the face, and marveled that he was not afraid.
|
||
|
Four to one! The tree halfway eaten through, the wagons coming
|
||
|
up the inside road--he, bound and gagged! The men with Black
|
||
|
Jack and Wessner had belonged to McLean's gang when last he
|
||
|
had heard of them, but who those coming with the wagons might
|
||
|
be he could not guess.
|
||
|
|
||
|
If they secured that tree, McLean lost its value, lost his wager,
|
||
|
and lost his faith in him. The words of the Angel hammered in
|
||
|
his ears. "Oh, Freckles, do watch closely!"
|
||
|
|
||
|
The saw worked steadily.
|
||
|
|
||
|
When the tree was down and loaded, what would they do? Pull out,
|
||
|
and leave him there to report them? It was not to be hoped for.
|
||
|
The place always had been lawless. It could mean but one thing.
|
||
|
|
||
|
A mist swept before his eyes, while his head swam. Was it only last
|
||
|
night that he had worshiped the Angel in a delirium of happiness?
|
||
|
And now, what? Wessner, released from a turn at the saw, walked to
|
||
|
the flower bed, and tearing up a handful of rare ferns by the
|
||
|
roots, started toward Freckles. His intention was obvious.
|
||
|
Black Jack stopped him, with an oath.
|
||
|
|
||
|
"You see here, Dutchy," he bawled, "mebby you think you'll wash his
|
||
|
face with that, but you won't. A contract's a contract. We agreed
|
||
|
to take out these trees and leave him for you to dispose of whatever
|
||
|
way you please, provided you shut him up eternally on this deal.
|
||
|
But I'll not see a tied man tormented by a fellow that he can
|
||
|
lick up the ground with, loose, and that's flat. It raises my gorge
|
||
|
to think what he'll get when we're gone, but you needn't think
|
||
|
you're free to begin before. Don't you lay a hand on him while
|
||
|
I'm here! What do you say, boys?"
|
||
|
|
||
|
"I say yes," growled one of McLean's latest deserters. "What's more,
|
||
|
we're a pack of fools to risk the dirty work of silencing him.
|
||
|
You had him face down and you on his back; why the hell didn't
|
||
|
you cover his head and roll him into the bushes until we were gone?
|
||
|
When I went into this, I didn't understand that he was to see all
|
||
|
of us and that there was murder on the ticket. I'm not up to it.
|
||
|
I don't mind lifting trees we came for, but I'm cursed if I want
|
||
|
blood on my hands."
|
||
|
|
||
|
"Well, you ain't going to get it," bellowed Jack. "You fellows
|
||
|
only contracted to help me get out my marked trees. He belong to
|
||
|
Wessner, and it ain't in our deal what happens to him."
|
||
|
|
||
|
"Yes, and if Wessner finishes him safely, we are practically in for
|
||
|
murder as well as stealing the trees; and if he don't, all hell's
|
||
|
to pay. I think you've made a damnable bungle of this thing; that's
|
||
|
what I think!"
|
||
|
|
||
|
"Then keep your thoughts to yourself," cried Jack. "We're doing
|
||
|
this, and it's all planned safe and sure. As for killing that
|
||
|
buck--come to think of it, killing is what he needs. He's away too
|
||
|
good for this world of woe, anyhow. I tell you, it's all safe
|
||
|
enough. His dropping out won't be the only secret the old
|
||
|
Limberlost has never told. It's too dead easy to make it look like
|
||
|
he helped take the timber and then cut. Why, he's played right into
|
||
|
our hands. He was here at the swamp all last night, and back again
|
||
|
in an hour or so. When we get our plan worked out, even old fool
|
||
|
Duncan won't lift a finger to look for his carcass. We couldn't
|
||
|
have him going in better shape."
|
||
|
|
||
|
"You just bet," said Wessner. "I owe him all he'll get, and be
|
||
|
damned to you, but I'll pay!" he snarled at Freckles.
|
||
|
|
||
|
So it was killing, then. They were not only after this one tree,
|
||
|
but many, and with his body it was their plan to kill his honor.
|
||
|
To brand him a thief, with them, before the Angel, the Bird Woman,
|
||
|
the dear Boss, and the Duncans--Freckles, in sick despair, sagged
|
||
|
against the ropes.
|
||
|
|
||
|
Then he gathered his forces and thought swiftly. There was no hope
|
||
|
of McLean's coming. They had chosen a day when they knew he had a
|
||
|
big contract at the South camp. The Boss could not come before
|
||
|
tomorrow by any possibility, and there would be no tomorrow for
|
||
|
the boy. Duncan was on his way to the South camp, and the Bird Woman
|
||
|
had said she would come as soon as she could. After the fatigue of
|
||
|
the party, it was useless to expect her and the Angel today, and
|
||
|
God save them from coming! The Angel's father had said they would
|
||
|
be as safe in the Limberlost as at home. What would he think of this?
|
||
|
|
||
|
The sweat broke on Freckles' forehead. He tugged at the ropes
|
||
|
whenever he felt that he dared, but they were passed around the
|
||
|
tree and his body several times, and knotted on his chest.
|
||
|
He was helpless. There was no hope, no help. And after they had
|
||
|
conspired to make him appear a runaway thief to his loved ones,
|
||
|
what was it that Wessner would do to him?
|
||
|
|
||
|
Whatever it was, Freckles lifted his head and resolved that he
|
||
|
would bear in mind what he had once heard the Bird Woman say.
|
||
|
He would go out bonnily. Never would he let them see, if he
|
||
|
grew afraid. After all, what did it matter what they did to his
|
||
|
body if by some scheme of the devil they could encompass his disgrace?
|
||
|
|
||
|
Then hope suddenly rose high in Freckles' breast. They could not
|
||
|
do that! The Angel would not believe. Neither would McLean. He would
|
||
|
keep up his courage. Kill him they could; dishonor him they could not.
|
||
|
|
||
|
Yet, summon all the fortitude he might, that saw eating into the
|
||
|
tree rasped his nerves worse and worse. With whirling brain he
|
||
|
gazed into the Limberlost, searching for something, he knew not
|
||
|
what, and in blank horror found his eyes focusing on the Angel.
|
||
|
She was quite a distance away, but he could see her white lips and
|
||
|
angry expression.
|
||
|
|
||
|
Last week he had taken her and the Bird Woman across the swamp over
|
||
|
the path he followed in going from his room to the chicken tree.
|
||
|
He had told them the night before, that the butterfly tree was on the
|
||
|
line close to this path. In figuring on their not coming that day,
|
||
|
he failed to reckon with the enthusiasm of the Bird Woman. They must
|
||
|
be there for the study, and the Angel had risked crossing the swamp
|
||
|
in search of him. Or was there something in his room they needed?
|
||
|
The blood surged in his ears as the roar of the Limberlost in the
|
||
|
wrath of a storm.
|
||
|
|
||
|
He looked again, and it had been a dream. She was not there.
|
||
|
Had she been? For his life, Freckles could not tell whether he
|
||
|
really had seen the Angel, or whether his strained senses had
|
||
|
played him the most cruel trick of all. Or was it not the kindest?
|
||
|
Now he could go with the vision of her lovely face fresh with him.
|
||
|
|
||
|
"Thank You for that, oh God!" whispered Freckles." `Twas more than
|
||
|
kind of You and I don't s'pose I ought to be wanting anything else;
|
||
|
but if You can, oh, I wish I could know before this ends, if `twas
|
||
|
me mother"--Freckles could not even whisper the words, for he
|
||
|
hesitated a second and ended--"IF `TWAS ME MOTHER DID IT!"
|
||
|
|
||
|
"Freckles! Freckles! Oh, Freckles!" the voice of the Angel
|
||
|
came calling. Freckles swayed forward and wrenched at the rope
|
||
|
until it cut deeply into his body.
|
||
|
|
||
|
"Hell!" cried Black Jack. "Who is that? Do you know?"
|
||
|
|
||
|
Freckles nodded.
|
||
|
|
||
|
Jack whipped out a revolver and snatched the gag from Freckles' mouth.
|
||
|
|
||
|
"Say quick, or it's up with you right now, and whoever that is with you!"
|
||
|
|
||
|
"It's the girl the Bird Woman takes with her," whispered Freckles
|
||
|
through dry, swollen lips.
|
||
|
|
||
|
"They ain't due here for five days yet," said Wessner. "We got on
|
||
|
to that last week."
|
||
|
|
||
|
"Yes," said Freckles, "but I found a tree covered with butterflies
|
||
|
and things along the east line yesterday that I thought the Bird
|
||
|
Woman would want extra, and I went to town to tell her last night.
|
||
|
She said she'd come soon, but she didn't say when. They must be
|
||
|
here. I take care of the girl while the Bird Woman works. Untie me
|
||
|
quick until she is gone. I'll try to send her back, and then you
|
||
|
can go on with your dirty work."
|
||
|
|
||
|
"He ain't lying," volunteered Wessner. "I saw that tree covered
|
||
|
with butterflies and him watching around it when we were spying on
|
||
|
him yesterday."
|
||
|
|
||
|
"No, he leaves lying to your sort," snapped Black Jack, as he undid
|
||
|
the rope and pitched it across the room. "Remember that you're
|
||
|
covered every move you make, my buck," he cautioned.
|
||
|
|
||
|
"Freckles! Freckles!" came the Angel's impatient voice, closer and closer.
|
||
|
|
||
|
"I must be answering," said Freckles, and Jack nodded. "Right here!"
|
||
|
he called, and to the men: "You go on with your work, and
|
||
|
remember one thing yourselves. The work of the Bird Woman is known
|
||
|
all over the world. This girl's father is a rich man, and she is
|
||
|
all he has. If you offer hurt of any kind to either of them, this
|
||
|
world has no place far enough away or dark enough for you to be
|
||
|
hiding in. Hell will be easy to what any man will get if he touches
|
||
|
either of them!"
|
||
|
|
||
|
"Freckles, where are you?" demanded the Angel.
|
||
|
|
||
|
Soulsick with fear for her, Freckles went toward her and parted the
|
||
|
bushes that she might enter. She came through without apparently
|
||
|
giving him a glance, and the first words she said were: "Why have
|
||
|
the gang come so soon? I didn't know you expected them for three
|
||
|
weeks yet. Or is this some especial tree that Mr. McLean needs to
|
||
|
fill an order right now?"
|
||
|
|
||
|
Freckles hesitated. Would a man dare lie to save himself? No.
|
||
|
But to save the Angel--surely that was different. He opened his lips,
|
||
|
but the Angel was capable of saving herself. She walked among them,
|
||
|
exactly as if she had been reared in a lumber camp, and never
|
||
|
waited for an answer.
|
||
|
|
||
|
"Why, your specimen case!" she cried. "Look! Haven't you noticed
|
||
|
that it's tipped over? Set it straight, quickly!"
|
||
|
|
||
|
A couple of the men stepped out and carefully righted the case.
|
||
|
|
||
|
"There! That's better," she said. "Freckles, I'm surprised at your
|
||
|
being so careless. It would be a shame to break those lovely
|
||
|
butterflies for one old tree! Is that a valuable tree? Why didn't
|
||
|
you tell us last night you were going to take out a tree this morning?
|
||
|
Oh, say, did you put your case there to protect that tree from
|
||
|
that stealing old Black Jack and his gang? I bet you did!
|
||
|
Well, if that wasn't bright! What kind of a tree is it?"
|
||
|
|
||
|
"It's a white oak," said Freckles.
|
||
|
|
||
|
"Like those they make dining-tables and sideboards from?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"My! How interesting!" she cried. "I don't know a thing about
|
||
|
timber, but my father wants me to learn just everything I can. I am
|
||
|
going to ask him to let me come here and watch you until I know
|
||
|
enough to boss a gang myself. Do you like to cut trees, gentlemen?"
|
||
|
she asked with angelic sweetness of the men.
|
||
|
|
||
|
Some of them appeared foolish and some grim, but one managed to say
|
||
|
they did.
|
||
|
|
||
|
Then the Angel's eyes turned full on Black Jack, and she gave the
|
||
|
most natural little start of astonishment.
|
||
|
|
||
|
"Oh! I almost thought that you were a ghost!" she cried. "But I see
|
||
|
now that you are really and truly. Were you ever in Colorado?"
|
||
|
|
||
|
"No," said Jack.
|
||
|
|
||
|
"I see you aren't the same man," said the Angel. "You know, we
|
||
|
were in Colorado last year, and there was a cowboy who was the
|
||
|
handsomest man anywhere around. He'd come riding into town every
|
||
|
night, and all we girls just adored him! Oh, but he was a beauty!
|
||
|
I thought at first glance you were really he, but I see now he
|
||
|
wasn't nearly so tall nor so broad as you, and only half as handsome."
|
||
|
|
||
|
The men began to laugh while Jack flushed crimson. The Angel joined
|
||
|
in the laugh.
|
||
|
|
||
|
"Well, I'll leave it to you! Isn't he handsome?" she challenged.
|
||
|
"As for that cowboy's face, it couldn't be compared with yours.
|
||
|
The only trouble with you is that your clothes are spoiling you.
|
||
|
It's the dress those cowboys wear that makes half their attraction.
|
||
|
If you were properly clothed, you could break the heart of the
|
||
|
prettiest girl in the country."
|
||
|
|
||
|
With one accord the other men looked at Black Jack, and for the
|
||
|
first time realized that he was a superb specimen of manhood, for
|
||
|
he stood six feet tall, was broad, well-rounded, and had dark, even
|
||
|
skin, big black eyes, and full red lips.
|
||
|
|
||
|
"I'll tell you what!" exclaimed the Angel. "I'd just love to see
|
||
|
you on horseback. Nothing sets a handsome man off so splendidly.
|
||
|
Do you ride?"
|
||
|
|
||
|
"Yes," said Jack, and his eyes were burning on the Angel as if he
|
||
|
would fathom the depths of her soul.
|
||
|
|
||
|
"Well," said the Angel winsomely, "I know what I just wish you'd do.
|
||
|
I wish you would let your hair grow a little longer. Then wear
|
||
|
a blue flannel shirt a little open at the throat, a red tie, and a
|
||
|
broad-brimmed felt hat, and ride past my house of evenings.
|
||
|
I'm always at home then, and almost always on the veranda, and, oh!
|
||
|
but I would like to see you! Will you do that for me?" It is impossible
|
||
|
to describe the art with which the Angel asked the question. She was
|
||
|
looking straight into Jack's face, coarse and hardened with sin and
|
||
|
careless living, which was now taking on a wholly different expression.
|
||
|
The evil lines of it were softening and fading under her clear gaze.
|
||
|
A dull red flamed into his bronze cheeks, while his eyes were
|
||
|
growing brightly tender.
|
||
|
|
||
|
"Yes," he said, and the glance he gave the men was of such a nature
|
||
|
that no one saw fit even to change countenance.
|
||
|
|
||
|
"Oh, goody!" she cried, tilting on her toes. "I'll ask all the
|
||
|
girls to come see, but they needn't stick in! We can get along
|
||
|
without them, can't we?"
|
||
|
|
||
|
Jack leaned toward her. He was the charmed fluttering bird, while
|
||
|
the Angel was the snake.
|
||
|
|
||
|
"Well, I rather guess!" he cried.
|
||
|
|
||
|
The Angel drew a deep breath and surveyed him rapturously.
|
||
|
|
||
|
"My, but you're tall!" she commented. "Do you suppose I ever will
|
||
|
grow to reach your shoulders?"
|
||
|
|
||
|
She stood on tiptoe and measured the distance with her eyes. Then she
|
||
|
developed timid confusion, while her glance sought the ground.
|
||
|
|
||
|
"I wish I could do something," she half whispered.
|
||
|
|
||
|
Jack seemed to increase an inch in height.
|
||
|
|
||
|
"What?" he asked hoarsely.
|
||
|
|
||
|
"Lariat Bill used always to have a bunch of red flowers in his
|
||
|
shirt pocket. The red lit up his dark eyes and olive cheeks and
|
||
|
made him splendid. May I put some red flowers on you?"
|
||
|
|
||
|
Freckles stared as he wheezed for breath. He wished the earth would
|
||
|
open and swallow him. Was he dead or alive? Since his Angel had
|
||
|
seen Black Jack she never had glanced his way. Was she completely
|
||
|
bewitched? Would she throw herself at the man's feet before them all?
|
||
|
Couldn't she give him even one thought? Hadn't she seen that
|
||
|
he was gagged and bound? Did she truly think that these were
|
||
|
McLean's men? Why, she could not! It was only a few days ago that
|
||
|
she had been close enough to this man and angry enough with him to
|
||
|
peel the hat from his head with a shot! Suddenly a thing she had
|
||
|
said jestingly to him one day came back with startling force:
|
||
|
"You must take Angels on trust." Of course you must! She was
|
||
|
his Angel. She must have seen! His life, and what was far more,
|
||
|
her own, was in her hands. There was nothing he could do but
|
||
|
trust her. Surely she was working out some plan.
|
||
|
|
||
|
The Angel knelt beside his flower bed and recklessly tore up by the
|
||
|
roots a big bunch of foxfire.
|
||
|
|
||
|
"These stems are so tough and sticky," she said. "I can't
|
||
|
break them. Loan me your knife," she ordered Freckles.
|
||
|
|
||
|
As she reached for the knife, her back was for one second toward
|
||
|
the men. She looked into his eyes and deliberately winked.
|
||
|
|
||
|
She severed the stems, tossed the knife to Freckles, and walking to
|
||
|
Jack, laid the flowers over his heart.
|
||
|
|
||
|
Freckles broke into a sweat of agony. He had said she would be safe
|
||
|
in a herd of howling savages. Would she? If Black Jack even made a
|
||
|
motion toward touching her, Freckles knew that from somewhere he
|
||
|
would muster the strength to kill him. He mentally measured the
|
||
|
distance to where his club lay and set his muscles for a spring.
|
||
|
But no--by the splendor of God! The big fellow was baring his head
|
||
|
with a hand that was unsteady. The Angel pulled one of the long
|
||
|
silver pins from her hat and fastened her flowers securely.
|
||
|
|
||
|
Freckles was quaking. What was to come next? What was she planning,
|
||
|
and oh! did she understand the danger of her presence among those
|
||
|
men; the real necessity for action?
|
||
|
|
||
|
As the Angel stepped from Jack, she turned her head to one side and
|
||
|
peered at him, quite as Freckles had seen the little yellow fellow
|
||
|
do on the line a hundred times, and said: "Well, that does the trick!
|
||
|
Isn't that fine? See how it sets him off, boys? Don't you forget
|
||
|
the tie is to be red, and the first ride soon. I can't wait
|
||
|
very long. Now I must go. The Bird Woman will be ready to start,
|
||
|
and she will come here hunting me next, for she is busy today.
|
||
|
What did I come here for anyway?"
|
||
|
|
||
|
She glanced inquiringly around, and several of the men laughed.
|
||
|
Oh, the delight of it! She had forgotten her errand for him!
|
||
|
Jack had a second increase in height. The Angel glanced helplessly
|
||
|
as if seeking a clue. Then her eyes fell, as if by accident, on
|
||
|
Freckles, and she cried, "Oh, I know now! It was those magazines
|
||
|
the Bird Woman promised you. I came to tell you that we put them
|
||
|
under the box where we hide things, at the entrance to the swamp
|
||
|
as we came in. I knew I would need my hands crossing the swamp,
|
||
|
so I hid them there. You'll find them at the same old place."
|
||
|
|
||
|
Then Freckles spoke.
|
||
|
|
||
|
"It's mighty risky for you to be crossing the swamp alone," he said.
|
||
|
"I'm surprised that the Bird Woman would be letting you try it.
|
||
|
I know it's a little farther, but it's begging you I am to be
|
||
|
going back by the trail. That's bad enough, but it's far safer than
|
||
|
the swamp."
|
||
|
|
||
|
The Angel laughed merrily.
|
||
|
|
||
|
"Oh stop your nonsense!" she cried. "I'm not afraid! Not in
|
||
|
the least! The Bird Woman didn't want me to try following a path
|
||
|
that I'd been over only once, but I was sure I could do it, and I'm
|
||
|
rather proud of the performance. Now, don't go babying! You know
|
||
|
I'm not afraid!"
|
||
|
|
||
|
"No," said Freckles gently, "I know you're not; but that has
|
||
|
nothing to do with the fact that your friends are afraid for you.
|
||
|
On the trail you can see your way a bit ahead, and you've all the
|
||
|
world a better chance if you meet a snake."
|
||
|
|
||
|
Then Freckles had an inspiration. He turned to Jack imploringly.
|
||
|
|
||
|
"You tell her!" he pleaded. "Tell her to go by the trail. She will
|
||
|
for you."
|
||
|
|
||
|
The implication of this statement was so gratifying to Black Jack
|
||
|
that he seemed again to expand and take on increase before their
|
||
|
very eyes.
|
||
|
|
||
|
"You bet!" exclaimed Jack. And to the Angel: "You better take
|
||
|
Freckles' word for it, miss. He knows the old swamp better than any
|
||
|
of us, except me, and if he says `go by the trail,' you'd best do it."
|
||
|
|
||
|
The Angel hesitated. She wanted to recross the swamp and try to
|
||
|
reach the horse. She knew Freckles would brave any danger to save
|
||
|
her crossing the swamp alone, but she really was not afraid, while
|
||
|
the trail added over a mile to the walk. She knew the path.
|
||
|
She intended to run for dear life the instant she felt herself from
|
||
|
their sight, and tucked in the folds of her blouse was a fine
|
||
|
little 32-caliber revolver that her father had presented her for
|
||
|
her share in what he was pleased to call her military exploit.
|
||
|
One last glance at Freckles showed her the agony in his eyes, and
|
||
|
immediately she imagined he had some other reason. She would follow
|
||
|
the trail.
|
||
|
|
||
|
"All right," she said, giving Jack a thrilling glance. "If you say
|
||
|
so, I'll return by the trail to please you. Good-bye, everybody."
|
||
|
|
||
|
She lifted the bushes and started toward the entrance.
|
||
|
|
||
|
"You damned fool! Stop her!" growled Wessner. "Keep her till we're
|
||
|
loaded, anyhow. You're playing hell! Can't you see that when this
|
||
|
thing is found out, there she'll be to ruin all of us. If you let
|
||
|
her go, every man of us has got to cut, and some of us will be
|
||
|
caught sure."
|
||
|
|
||
|
Jack sprang forward. Freckles' heart muffled in his throat.
|
||
|
The Angel seemed to divine Jack's coming. She was humming a
|
||
|
little song. She deliberately stopped and began pulling the heads
|
||
|
of the curious grasses that grew all around her. When she straightened,
|
||
|
she took a step backward and called: "Ho! Freckles, the Bird Woman
|
||
|
wants that natural history pamphlet returned. It belongs to a set
|
||
|
she is going to have bound. That's one of the reasons we put it
|
||
|
under the box. You be sure to get them as you go home tonight, for
|
||
|
fear it rains or becomes damp with the heavy dews."
|
||
|
|
||
|
"All right," said Freckles, but it was in a voice that he never had
|
||
|
heard before.
|
||
|
|
||
|
Then the Angel turned and sent a parting glance at Jack. She was
|
||
|
overpoweringly human and bewitchingly lovely.
|
||
|
|
||
|
"You won't forget that ride and the red tie," she half asserted,
|
||
|
half questioned.
|
||
|
|
||
|
Jack succumbed. Freckles was his captive, but he was the Angel's,
|
||
|
soul and body. His face wore the holiest look it ever had known as
|
||
|
he softly re-echoed Freckles' "All right." With her head held well
|
||
|
up, the Angel walked slowly away, and Jack turned to the men.
|
||
|
|
||
|
"Drop your damned staring and saw wood," he shouted. "Don't you
|
||
|
know anything at all about how to treat a lady?" It might have been
|
||
|
a question which of the cronies that crouched over green wood fires
|
||
|
in the cabins of Wildcat Hollow, eternally sucking a corncob pipe
|
||
|
and stirring the endless kettles of stewing coon and opossum, had
|
||
|
taught him to do even as well as he had by the Angel.
|
||
|
|
||
|
The men muttered and threatened among themselves, but they began
|
||
|
working desperately. Someone suggested that a man be sent to follow
|
||
|
the Angel and to watch her and the Bird Woman leave the swamp.
|
||
|
Freckles' heart sank within him, but Jack was in a delirium and
|
||
|
past all caution.
|
||
|
|
||
|
"Yes," he sneered. "Mebby all of you had better give over on the
|
||
|
saw and run after the girl. I guess not! Seems to me I got the
|
||
|
favors. I didn't see no bouquets on the rest of you! If anybody
|
||
|
follows her, I do, and I'm needed here among such a pack of idiots.
|
||
|
There's no danger in that baby face. She wouldn't give me away!
|
||
|
You double and work like forty, while me and Wessner will take the
|
||
|
axes and begin to cut in on the other side."
|
||
|
|
||
|
"What about the noise?" asked Wessner.
|
||
|
|
||
|
"No difference about the noise," answered Jack. "She took us to be
|
||
|
from McLean's gang, slick as grease. Make the chips fly!"
|
||
|
|
||
|
So all of them attacked the big tree.
|
||
|
|
||
|
Freckles sat on one of his benches and waited. In their haste to
|
||
|
fell the tree and load it, so that the teamsters could start, and
|
||
|
leave them free to attack another, they had forgotten to rebind him.
|
||
|
|
||
|
The Angel was on the trail and safely started. The cold
|
||
|
perspiration made Freckles' temples clammy and ran in little
|
||
|
streams down his chest. It would take her more time to follow the
|
||
|
trail, but her safety was Freckles' sole thought in urging her to
|
||
|
go that way. He tried to figure on how long it would require to
|
||
|
walk to the carriage. He wondered if the Bird Woman had unhitched.
|
||
|
He followed the Angel every step of the way. He figured on when she
|
||
|
would cross the path of the clearing, pass the deep pool where his
|
||
|
"find-out" frog lived, cross Sleepy Snake Creek, and reach the carriage.
|
||
|
|
||
|
He wondered what she would say to the Bird Woman, and how long it
|
||
|
would take them to pack and start. He knew now that they would
|
||
|
understand, and the Angel would try to get the Boss there in time
|
||
|
to save his wager. She could never do it, for the saw was over half
|
||
|
through, and Jack and Wessner cutting into the opposite side of
|
||
|
the tree. It appeared as if they could fell at least that tree,
|
||
|
before McLean could come, and if they did he lost his wager.
|
||
|
|
||
|
When it was down, would they rebind him and leave him for Wessner
|
||
|
to wreak his insane vengeance on, or would they take him along to
|
||
|
the next tree and dispose of him when they had stolen all the
|
||
|
timber they could? Jack had said that he should not be touched
|
||
|
until he left. Surely he would not run all that risk for one tree,
|
||
|
when he had many others of far greater value marked. Freckles felt
|
||
|
that he had some hope to cling to now, but he found himself praying
|
||
|
that the Angel would hurry.
|
||
|
|
||
|
Once Jack came to Freckles and asked if he had any water. Freckles
|
||
|
arose and showed him where he kept his drinking-water. Jack drank
|
||
|
in great gulps, and as he passed back the bucket, he said: "When a
|
||
|
man's got a chance of catching a fine girl like that, he ought not
|
||
|
be mixed up in any dirty business. I wish to God I was out of this!"
|
||
|
|
||
|
Freckles answered heartily: "I wish I was, too!"
|
||
|
|
||
|
Jack stared at him a minute and then broke into a roar of rough laughter.
|
||
|
|
||
|
"Blest if I blame you," he said. "But you had your chance!
|
||
|
We offered you a fair thing and you gave Wessner his answer.
|
||
|
I ain't envying you when he gives you his."
|
||
|
|
||
|
"You're six to one," answered Freckles. "It will be easy enough for
|
||
|
you to be killing the body of me, but, curse you all, you can't
|
||
|
blacken me soul!"
|
||
|
|
||
|
"Well, I'd give anything you could name if I had your honesty,"
|
||
|
said Jack.
|
||
|
|
||
|
When the mighty tree fell, the Limberlost shivered and screamed
|
||
|
with the echo. Freckles groaned in despair, but the gang took heart.
|
||
|
That was so much accomplished. They knew where to dispose of it
|
||
|
safely, with no questions asked. Before the day was over, they
|
||
|
could remove three others, all suitable for veneer and worth far
|
||
|
more than this. Then they would leave Freckles to Wessner and
|
||
|
scatter for safety, with more money than they had ever hoped for in
|
||
|
their possession.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XIII
|
||
|
|
||
|
Wherein the Angel Releases Freckles, and the Curse of Black Jack
|
||
|
Falls upon Her
|
||
|
|
||
|
On the line, the Angel gave one backward glance at Black Jack, to
|
||
|
see that he had returned to his work. Then she gathered her skirts
|
||
|
above her knees and leaped forward on the run. In the first three
|
||
|
yards she passed Freckles' wheel. Instantly she imagined that was
|
||
|
why he had insisted on her coming by the trail. She seized it and
|
||
|
sprang on. The saddle was too high, but she was an expert rider and
|
||
|
could catch the pedals as they came up. She stopped at Duncan's
|
||
|
cabin long enough to remedy this, telling Mrs. Duncan while working
|
||
|
what was happening, and for her to follow the east trail until she
|
||
|
found the Bird Woman, and told her that she had gone after McLean
|
||
|
and for her to leave the swamp as quickly as possible.
|
||
|
|
||
|
Even with her fear for Freckles to spur her, Sarah Duncan blanched
|
||
|
and began shivering at the idea of facing the Limberlost. The Angel
|
||
|
looked her in the eyes.
|
||
|
|
||
|
"No matter how afraid you are, you have to go," she said. "If you
|
||
|
don't the Bird Woman will go to Freckles' room, hunting me, and
|
||
|
they will have trouble with her. If she isn't told to leave at
|
||
|
once, they may follow me, and, finding I'm gone, do some terrible
|
||
|
thing to Freckles. I can't go--that's flat--for if they caught me,
|
||
|
then there'd be no one to go for help. You don't suppose they are
|
||
|
going to take out the trees they're after and then leave Freckles
|
||
|
to run and tell? They are going to murder the boy; that's what they
|
||
|
are going to do. You run, and run for life! For Freckles' life!
|
||
|
You can ride back with the Bird Woman."
|
||
|
|
||
|
The Angel saw Mrs. Duncan started; then began her race.
|
||
|
|
||
|
Those awful miles of corduroy! Would they never end? She did not
|
||
|
dare use the wheel too roughly, for if it broke she never could
|
||
|
arrive on time afoot. Where her way was impassable for the wheel,
|
||
|
she jumped off, and pushing it beside her or carrying it, she ran
|
||
|
as fast as she could. The day was fearfully warm. The sun poured
|
||
|
with the fierce baking heat of August. The bushes claimed her hat,
|
||
|
and she did not stop for it.
|
||
|
|
||
|
Where it was at all possible, the Angel mounted and pounded over
|
||
|
the corduroy again. She was panting for breath and almost worn out
|
||
|
when she reached the level pike. She had no idea how long she had
|
||
|
been--and only two miles covered. She leaned over the bars, almost
|
||
|
standing on the pedals, racing with all the strength in her body.
|
||
|
The blood surged in her ears while her head swam, but she kept a
|
||
|
straight course, and rode and rode. It seemed to her that she was
|
||
|
standing still, while the trees and houses were racing past her.
|
||
|
|
||
|
Once a farmer's big dog rushed angrily into the road and she
|
||
|
swerved until she almost fell, but she regained her balance, and
|
||
|
setting her muscles, pedaled as fast as she could. At last she
|
||
|
lifted her head. Surely it could not be over a mile more. She had
|
||
|
covered two of corduroy and at least three of gravel, and it was
|
||
|
only six in all.
|
||
|
|
||
|
She was reeling in the saddle, but she gripped the bars with new
|
||
|
energy, and raced desperately. The sun beat on her bare head and
|
||
|
hands. Just when she was choking with dust, and almost prostrate
|
||
|
with heat and exhaustion--crash, she ran into a broken bottle.
|
||
|
Snap! went the tire; the wheel swerved and pitched over. The Angel
|
||
|
rolled into the thick yellow dust of the road and lay quietly.
|
||
|
|
||
|
From afar, Duncan began to notice a strange, dust-covered object in the
|
||
|
road, as he headed toward town with the first load of the day's felling.
|
||
|
|
||
|
He chirruped to the bays and hurried them all he could. As he
|
||
|
neared the Angel, he saw it was a woman and a broken wheel. He was
|
||
|
beside her in an instant. He carried her to a shaded fence-corner,
|
||
|
stretched her on the grass, and wiped the dust from the lovely face
|
||
|
all dirt-streaked, crimson, and bearing a startling whiteness
|
||
|
around the mouth and nose.
|
||
|
|
||
|
Wheels were common enough. Many of the farmers' daughters owned and
|
||
|
rode them, but he knew these same farmers' daughters; this face was
|
||
|
a stranger's. He glanced at the Angel's tumbled clothing, the
|
||
|
silkiness of her hair, with its pale satin ribbon, and noticed that
|
||
|
she had lost her hat. Her lips tightened in an ominous quiver.
|
||
|
He left her and picked up the wheel: as he had surmised, he knew it.
|
||
|
This, then, was Freckles' Swamp Angel. There was trouble in the
|
||
|
Limberlost, and she had broken down racing to McLean. Duncan turned
|
||
|
the bays into a fence-corner, tied one of them, unharnessed the
|
||
|
other, fastened up the trace chains, and hurried to the nearest
|
||
|
farmhouse to send help to the Angel. He found a woman, who took a
|
||
|
bottle of camphor, a jug of water, and some towels, and started on
|
||
|
the run.
|
||
|
|
||
|
Then Duncan put the bay to speed and raced to camp.
|
||
|
|
||
|
The Angel, left alone, lay still for a second, then she shivered
|
||
|
and opened her eyes. She saw that she was on the grass and the
|
||
|
broken wheel beside her. Instantly she realized that someone had
|
||
|
carried her there and gone after help. She sat up and looked
|
||
|
around. She noticed the load of logs and the one horse. Someone was
|
||
|
riding after help for her!
|
||
|
|
||
|
"Oh, poor Freckles!" she wailed. "They may be killing him by now.
|
||
|
Oh, how much time have I wasted?"
|
||
|
|
||
|
She hurried to the other bay, her fingers flying as she set him free.
|
||
|
Snatching up a big blacksnake whip that lay on the ground, she
|
||
|
caught the hames, stretched along the horse's neck, and, for
|
||
|
the first time, the fine, big fellow felt on his back the quality
|
||
|
of the lash that Duncan was accustomed to crack over him. He was
|
||
|
frightened, and ran at top speed.
|
||
|
|
||
|
The Angel passed a wildly waving, screaming woman on the road, and
|
||
|
a little later a man riding as if he, too, were in great haste.
|
||
|
The man called to her, but she only lay lower and used the whip.
|
||
|
Soon the feet of the man's horse sounded farther and farther away.
|
||
|
|
||
|
At the South camp they were loading a second wagon, when the Angel
|
||
|
appeared riding one of Duncan's bays, lathered and dripping, and
|
||
|
cried: "Everybody go to Freckles! There are thieves stealing trees,
|
||
|
and they had him bound. They're going to kill him!"
|
||
|
|
||
|
She wheeled the horse toward the Limberlost. The alarm sounded
|
||
|
through camp. The gang were not unprepared. McLean sprang to
|
||
|
Nellie's back and raced after the Angel. As they passed Duncan, he
|
||
|
wheeled and followed. Soon the pike was an irregular procession of
|
||
|
barebacked riders, wildly driving flying horses toward the swamp.
|
||
|
|
||
|
The Boss rode neck-and-neck with the Angel. He repeatedly commanded
|
||
|
her to stop and fall out of line, until he remembered that he would
|
||
|
need her to lead him to Freckles. Then he gave up and rode beside
|
||
|
her, for she was sending the bay at as sharp a pace as the other
|
||
|
horses could keep and hold out. He could see that she was not
|
||
|
hearing him. He glanced back and saw that Duncan was close.
|
||
|
There was something terrifying in the appearance of the big man, and
|
||
|
the manner in which he sat his beast and rode. It would be a sad day
|
||
|
for the man on whom Duncan's wrath broke. There were four others
|
||
|
close behind him, and the pike filling with the remainder of the
|
||
|
gang; so McLean took heart and raced beside the Angel. Over and
|
||
|
over he asked her where the trouble was, but she only gripped the
|
||
|
hames, leaned along the bay's neck, and slashed away with the
|
||
|
blacksnake. The steaming horse, with crimson nostrils and heaving
|
||
|
sides, stretched out and ran for home with all the speed there was
|
||
|
in him.
|
||
|
|
||
|
When they passed the cabin, the Bird Woman's carriage was there and
|
||
|
Mrs. Duncan in the door wringing her hands, but the Bird Woman was
|
||
|
nowhere to be seen. The Angel sent the bay along the path and
|
||
|
turned into the west trail, while the men bunched and followed her.
|
||
|
When she reached the entrance to Freckles' room, there were four
|
||
|
men with her, and two more very close behind. She slid from the
|
||
|
horse, and snatching the little revolver from her pocket, darted
|
||
|
toward the bushes. McLean caught them back, and with drawn weapon,
|
||
|
pressed beside her. There they stopped in astonishment.
|
||
|
|
||
|
The Bird Woman blocked the entrance. Over a small limb lay
|
||
|
her revolver. It was trained at short range on Black Jack and
|
||
|
Wessner, who stood with their hands above their heads.
|
||
|
|
||
|
Freckles, with the blood trickling down his face, from an ugly cut
|
||
|
in his temple, was gagged and bound to the tree again; the
|
||
|
remainder of the men were gone. Black Jack was raving as a maniac,
|
||
|
and when they looked closer it was only the left arm that he raised.
|
||
|
His right, with the hand shattered, hung helpless at his side,
|
||
|
while his revolver lay at Freckles' feet. Wessner's weapon
|
||
|
was in his belt, and beside him Freckles' club.
|
||
|
|
||
|
Freckles' face was white, with colorless lips, but in his eyes was
|
||
|
the strength of undying courage. McLean pushed past the Bird
|
||
|
Woman crying. "Hold steady on them only one minute more!"
|
||
|
|
||
|
He snatched the revolver from Wessner's belt, and stooped for Jack's.
|
||
|
|
||
|
At that instant the Angel rushed past. She tore the gag from
|
||
|
Freckles, and seizing the rope knotted on his chest, she tugged at
|
||
|
it desperately. Under her fingers it gave way, and she hurled it
|
||
|
to McLean. The men were crowding in, and Duncan seized Wessner.
|
||
|
As the Angel saw Freckles stand out, free, she reached her arms to him
|
||
|
and pitched forward. A fearful oath burst from the lips of Black Jack.
|
||
|
To have saved his life, Freckles could not have avoided the glance
|
||
|
of triumph he gave Jack, when folding the Angel in his arms and
|
||
|
stretching her on the mosses.
|
||
|
|
||
|
The Bird Woman cried out sharply for water as she ran to them.
|
||
|
Someone sprang to bring that, and another to break open the case
|
||
|
for brandy. As McLean arose from binding Wessner, there was a cry
|
||
|
that Jack was escaping.
|
||
|
|
||
|
He was already far in the swamp, running for its densest part in
|
||
|
leaping bounds. Every man who could be spared plunged after him.
|
||
|
|
||
|
Other members of the gang arriving, were sent to follow the tracks
|
||
|
of the wagons. The teamsters had driven from the west entrance, and
|
||
|
crossing the swale, had taken the same route the Bird Woman and the
|
||
|
Angel had before them. There had been ample time for the drivers to
|
||
|
reach the road; after that they could take any one of four directions.
|
||
|
Traffic was heavy, and lumber wagons were passing almost constantly,
|
||
|
so the men turned back and joined the more exciting hunt for a man.
|
||
|
The remainder of the gang joined them, also farmers of the region
|
||
|
and travelers attracted by the disturbance.
|
||
|
|
||
|
Watchers were set along the trail at short intervals. They patrolled
|
||
|
the line and roads through the swamp that night, with lighted torches,
|
||
|
and the next day McLean headed as thorough a search as he felt could
|
||
|
be made of one side, while Duncan covered the other; but Black Jack
|
||
|
could not be found. Spies were set around his home, in Wildcat
|
||
|
Hollow, to ascertain if he reached there or aid was being sent in
|
||
|
any direction to him; but it was soon clear that his relatives were
|
||
|
ignorant of his hiding-place, and were searching for him.
|
||
|
|
||
|
Great is the elasticity of youth. A hot bath and a sound night's
|
||
|
sleep renewed Freckles' strength, and it needed but little more to
|
||
|
work the same result with the Angel. Freckles was on the trail
|
||
|
early the next morning. Besides a crowd of people anxious to witness
|
||
|
Jack's capture, he found four stalwart guards, one at each turn.
|
||
|
In his heart he was compelled to admit that he was glad to have
|
||
|
them there. Close noon, McLean placed his men in charge of Duncan,
|
||
|
and taking Freckles, drove to town to see how the Angel fared.
|
||
|
McLean visited a greenhouse and bought an armload of its finest
|
||
|
products; but Freckles would have none of them. He would carry
|
||
|
his message in a glowing mass of the Limberlost's first goldenrod.
|
||
|
|
||
|
The Bird Woman received them, and in answer to their eager
|
||
|
inquiries, said that the Angel was in no way seriously injured,
|
||
|
only so bruised and shaken that their doctor had ordered her to lie
|
||
|
quietly for the day. Though she was sore and stiff, they were
|
||
|
having work to keep her in bed. Her callers sent up their flowers
|
||
|
with their grateful regards, and the Angel promptly returned word
|
||
|
that she wanted to see them.
|
||
|
|
||
|
She reached both hands to McLean. "What if one old tree is gone?
|
||
|
You don't care, sir? You feel that Freckles has kept his trust as
|
||
|
nobody ever did before, don't you? You won't forget all those long
|
||
|
first days of fright that you told us of, the fearful cold of
|
||
|
winter, the rain, heat, and lonesomeness, and the brave days, and
|
||
|
lately, nights, too, and let him feel that his trust is broken?
|
||
|
Oh, Mr. McLean," she begged, "say something to him! Do something to
|
||
|
make him feel that it isn't for nothing he has watched and suffered
|
||
|
it out with that old Limberlost. Make him see how great and fine it
|
||
|
is, and how far, far better he has done than you or any of us expected!
|
||
|
What's one old tree, anyway?" she cried passionately.
|
||
|
|
||
|
"I was thinking before you came. Those other men were rank
|
||
|
big cowards. They were scared for their lives. If they were the
|
||
|
drivers, I wager you gloves against gloves they never took those
|
||
|
logs out to the pike. My coming upset them. Before you feel bad any
|
||
|
more, you go look and see if they didn't lose courage the minute
|
||
|
they left Wessner and Black Jack, dump that timber and run. I don't
|
||
|
believe they ever had the grit to drive out with it in daylight.
|
||
|
Go see if they didn't figure on leaving the way we did the other
|
||
|
morning, and you'll find the logs before you reach the road.
|
||
|
They never risked taking them into the open, when they got away
|
||
|
and had time to think. Of course they didn't!
|
||
|
|
||
|
"And, then, another thing. You haven't lost your wager! It never
|
||
|
will be claimed, because you made it with a stout, dark, red-faced
|
||
|
man who drives a bay and a gray. He was right back of you, Mr.
|
||
|
McLean, when I came yesterday. He went deathly white and shook on
|
||
|
his feet when he saw those men probably would be caught. Some one
|
||
|
of them was something to him, and you can just spot him for one of
|
||
|
the men at the bottom of your troubles, and urging those younger
|
||
|
fellows to steal from you. I suppose he'd promised to divide.
|
||
|
You settle with him, and that business will stop."
|
||
|
|
||
|
She turned to Freckles. "And you be the happiest man alive, because
|
||
|
you have kept your trust. Go look where I tell you and you'll find
|
||
|
the logs. I can see just about where they are. When they go up that
|
||
|
steep little hill, into the next woods after the cornfield, why,
|
||
|
they could unloose the chains and the logs would roll from the
|
||
|
wagons themselves. Now, you go look; and Mr. McLean, you do feel
|
||
|
that Freckles has been brave and faithful? You won't love him any
|
||
|
the less even if you don't find the logs"
|
||
|
|
||
|
The Angel's nerve gave way and she began to cry. Freckles could not
|
||
|
endure it. He almost ran from the room, with the tears in his eyes;
|
||
|
but McLean took the Angel from the Bird Woman's arms, and kissed
|
||
|
her brave little face, stroked her hair, and petted her into
|
||
|
quietness before he left.
|
||
|
|
||
|
As they drove to the swamp, McLean so earnestly seconded all that
|
||
|
the Angel had said that he soon had the boy feeling much better.
|
||
|
|
||
|
"Freckles, your Angel has a spice of the devil in her, but
|
||
|
she's superb! You needn't spend any time questioning or bewailing
|
||
|
anything she does. Just worship blindly, my boy. By heaven! she's
|
||
|
sense, courage, and beauty for half a dozen girls," said McLean.
|
||
|
|
||
|
"It's altogether right you are, sir," affirmed Freckles heartily.
|
||
|
Presently he added, "There's no question but the series is over now."
|
||
|
|
||
|
"Don't think it!" answered McLean. "The Bird Woman is working for
|
||
|
success, and success along any line is not won by being scared out.
|
||
|
She will be back on the usual day, and ten to one, the Angel will
|
||
|
be with her. They are made of pretty stern stuff, and they don't
|
||
|
scare worth a cent. Before I left, I told the Bird Woman it would
|
||
|
be safe; and it will. You may do your usual walking, but those four
|
||
|
guards are there to remain. They are under your orders absolutely.
|
||
|
They are prohibited from firing on any bird or molesting anything
|
||
|
that you want to protect, but there they remain, and this time it
|
||
|
is useless for you to say one word. I have listened to your pride
|
||
|
too long. You are too precious to me, and that voice of yours is
|
||
|
too precious to the world to run any more risks."
|
||
|
|
||
|
"I am sorry to have anything spoil the series," said Freckles, "and
|
||
|
I'd love them to be coming, the Angel especial, but it can't be.
|
||
|
You'll have to tell them so. You see, Jack would have been ready to
|
||
|
stake his life she meant what she said and did to him. When the
|
||
|
teams pulled out, Wessner seized me; then he and Jack went to
|
||
|
quarreling over whether they should finish me then or take me to
|
||
|
the next tree they were for felling. Between them they were pulling
|
||
|
me around and hurting me bad. Wessner wanted to get at me right
|
||
|
then, and Jack said he shouldn't be touching me till the last tree
|
||
|
was out and all the rest of them gone. I'm belaying Jack really
|
||
|
hated to see me done for in the beginning; and I think, too, he was
|
||
|
afraid if Wessner finished me then he'd lose his nerve and cut, and
|
||
|
they couldn't be managing the felling without him; anyway, they
|
||
|
were hauling me round like I was already past all feeling, and they
|
||
|
tied me up again. To keep me courage up, I twits Wessner about
|
||
|
having to tie me and needing another man to help handle me. I told
|
||
|
him what I'd do to him if I was free, and he grabs up me own club
|
||
|
and lays open me head with it. When the blood came streaming, it
|
||
|
set Jack raving, and he cursed and damned Wessner for a coward and
|
||
|
a softy. Then Wessner turned on Jack and gives it to him for
|
||
|
letting the Angel make a fool of him. Tells him she was just
|
||
|
playing with him, and beyond all manner of doubt she'd gone after
|
||
|
you, and there was nothing to do on account of his foolishness but
|
||
|
finish me, get out, and let the rest of the timber go, for likely
|
||
|
you was on the way right then. That drove Jack plum crazy.
|
||
|
|
||
|
"I don't think he was for having a doubt of the Angel before, but
|
||
|
then he just raved. He grabbed out his gun and turned on Wessner.
|
||
|
Spang! It went out of his fist, and the order comes: `Hands up!'
|
||
|
Wessner reached for kingdom come like he was expecting to grab hold
|
||
|
and pull himself up. Jack puts up what he has left. Then he leans
|
||
|
over to me and tells me what he'll do to me if he ever gets out of
|
||
|
there alive. Then, just like a snake hissing, he spits out what
|
||
|
he'll do to her for playing him. He did get away, and with his
|
||
|
strength, that wound in his hand won't be bothering him long.
|
||
|
He'll do to me just what he said, and when he hears it really was
|
||
|
she that went after you, why, he'll keep his oath about her.
|
||
|
|
||
|
"He's lived in the swamp all his life, sir, and everybody says it's
|
||
|
always been the home of cutthroats, outlaws, and runaways. He knows
|
||
|
its most secret places as none of the others. He's alive. He's in
|
||
|
there now, sir. Some way he'll keep alive. If you'd seen his face,
|
||
|
all scarlet with passion, twisted with pain, and black with hate,
|
||
|
and heard him swearing that oath, you'd know it was a sure thing.
|
||
|
I ain't done with him yet, and I've brought this awful thing on her."
|
||
|
|
||
|
"And I haven't begun with him yet," said McLean, setting his teeth.
|
||
|
"I've been away too slow and too easy, believing there'd be no
|
||
|
greater harm than the loss of a tree. I've sent for a couple of
|
||
|
first-class detectives. We will put them on his track, and rout him
|
||
|
out and rid the country of him. I don't propose for him to stop
|
||
|
either our work or our pleasure. As for his being in the swamp now,
|
||
|
I don't believe it. He'd find a way out last night, in spite of us.
|
||
|
Don't you worry! I am at the helm now, and I'll see to that
|
||
|
gentleman in my own way."
|
||
|
|
||
|
"I wish to my soul you had seen and heard him!" said Freckles, unconvinced.
|
||
|
|
||
|
They entered the swamp, taking the route followed by the Bird Woman
|
||
|
and the Angel. They really did find the logs, almost where the
|
||
|
Angel had predicted they would be. McLean went to the South camp
|
||
|
and had an interview with Crowen that completely convinced him that
|
||
|
the Angel was correct there also. But he had no proof, so all he
|
||
|
could do was to discharge the man, although his guilt was so
|
||
|
apparent that he offered to withdraw the wager.
|
||
|
|
||
|
Then McLean sent for a pack of bloodhounds and put them on the
|
||
|
trail of Black Jack. They clung to it, on and on, into the depths
|
||
|
of the swamp, leading their followers through what had been
|
||
|
considered impassable and impenetrable ways, and finally, around
|
||
|
near the west entrance and into the swale. Here the dogs bellowed,
|
||
|
raved, and fell over each other in their excitement. They raced
|
||
|
back and forth from swamp to swale, but follow the scent farther
|
||
|
they would not, even though cruelly driven. At last their owner
|
||
|
attributed their actions to snakes, and as they were very valuable
|
||
|
dogs, abandoned the effort to urge them on. So that all they really
|
||
|
established was the fact that Black Jack had eluded their vigilance
|
||
|
and crossed the trail some time in the night. He had escaped to the
|
||
|
swale; from there he probably crossed the corduroy, and reaching
|
||
|
the lower end of the swamp, had found friends. It was a great
|
||
|
relief to feel that he was not in the swamp, and it raised the
|
||
|
spirits of every man on the line, though many of them expressed
|
||
|
regrets that he who was undoubtedly most to blame should escape,
|
||
|
while Wessner, who in the beginning was only his tool, should be
|
||
|
left to punishment.
|
||
|
|
||
|
But for Freckles, with Jack's fearful oath ringing in his ears,
|
||
|
there was neither rest nor peace. He was almost ill when the day
|
||
|
for the next study of the series arrived and he saw the Bird Woman
|
||
|
and the Angel coming down the corduroy. The guards of the east line
|
||
|
he left at their customary places, but those of the west he brought
|
||
|
over and placed, one near Little Chicken's tree, and the other at
|
||
|
the carriage. He was firm about the Angel's remaining in the
|
||
|
carriage, that he did not offer to have unhitched. He went with the
|
||
|
Bird Woman to secure the picture, which was the easiest matter it
|
||
|
had been at any time yet, for the simple reason that the placing of
|
||
|
the guards and the unusual movement around the swamp had made Mr.
|
||
|
and Mrs. Chicken timid, and they had not carried Little Chicken the
|
||
|
customary amount of food. Freckles, in the anxiety of the past few
|
||
|
days, had neglected him, and he had been so hungry, much of the
|
||
|
time, that when the Bird Woman held up a sweet-bread, although he
|
||
|
had started toward the recesses of the log at her coming, he
|
||
|
stopped; with slightly opened beak, he waited anxiously for the
|
||
|
treat, and gave a study of great value, showing every point of his
|
||
|
head, also his wing and tail development.
|
||
|
|
||
|
When the Bird Woman proposed to look for other subjects close about
|
||
|
the line, Freckles went so far as to tell her that Jack had made
|
||
|
fearful threats against the Angel. He implored her to take the
|
||
|
Angel home and keep her under unceasing guard until Jack was
|
||
|
located. He wanted to tell her all about it, but he knew how dear
|
||
|
the Angel was to her, and he dreaded to burden her with his fears
|
||
|
when they might prove groundless. He allowed her to go, but
|
||
|
afterward blamed himself severely for having done so.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XIV
|
||
|
|
||
|
Wherein Freckles Nurses a Heartache and Black Jack Drops Out
|
||
|
|
||
|
"McLean," said Mrs. Duncan, as the Boss paused to greet her in
|
||
|
passing the cabin, "do you know that Freckles hasna been in bed the
|
||
|
past five nights and all he's eaten in that many days ye could pack
|
||
|
into a pint cup?"
|
||
|
|
||
|
"Why, what does the boy mean?" demanded McLean. "There's no
|
||
|
necessity for him being on guard, with the watch I've set on
|
||
|
the line. I had no idea he was staying down there."
|
||
|
|
||
|
"He's no there," said Mrs. Duncan. "He goes somewhere else.
|
||
|
He leaves on his wheel juist after we're abed and rides in close
|
||
|
cock-crow or a little earlier, and he's looking like death and
|
||
|
nothing short of it."
|
||
|
|
||
|
"But where does he go?" asked McLean in astonishment.
|
||
|
|
||
|
"I'm no given to bearing tales out of school," said Sarah Duncan,
|
||
|
"but in this case I'd tell ye if I could. What the trouble is I
|
||
|
dinna ken. If it is no' stopped, he's in for dreadful sickness, and
|
||
|
I thought ye could find out and help him. He's in sair trouble;
|
||
|
that's all I know."
|
||
|
|
||
|
McLean sat brooding as he stroked Nellie's neck.
|
||
|
|
||
|
At last he said: "I suspect I understand. At any rate, I think I
|
||
|
can find out. Thank you for telling me."
|
||
|
|
||
|
"Ye'll no need telling, once ye clap your eyes on him," prophesied
|
||
|
Mrs. Duncan. "His face is all a glist'ny yellow, and he's peaked as
|
||
|
a starving caged bird."
|
||
|
|
||
|
McLean rode to the Limberlost, and stopping in the shade, sat
|
||
|
waiting for Freckles, whose hour for passing the foot of the lease
|
||
|
had come.
|
||
|
|
||
|
Along the north line came Freckles, fairly staggering. When he
|
||
|
turned east and reached Sleepy Snake Creek, sliding through the
|
||
|
swale as the long black snake for which it was named, he sat on the
|
||
|
bridge and closed his burning eyes, but they would not remain shut.
|
||
|
As if pulled by wires, the heavy lids flew open, while the outraged
|
||
|
nerves and muscles of his body danced, twitched, and tingled.
|
||
|
|
||
|
He bent forward and idly watched the limpid little stream flowing
|
||
|
beneath his feet. Stretching into the swale, it came creeping
|
||
|
between an impenetrable wall of magnificent wild flowers, vines,
|
||
|
and ferns. Milkweed, goldenrod, ironwort, fringed gentians,
|
||
|
cardinal-flowers, and turtle-head stood on the very edge of the
|
||
|
creek, and every flower of them had a double in the water.
|
||
|
Wild clematis crowned with snow the heads of trees scattered
|
||
|
here and there on the bank.
|
||
|
|
||
|
From afar the creek appeared to be murky, dirty water. Really it
|
||
|
was clear and sparkling. The tinge of blackness was gained from its
|
||
|
bed of muck showing through the transparent current. He could see
|
||
|
small and wonderfully marked fish. What became of them when the
|
||
|
creek spread into the swamp? For one thing, they would make mighty
|
||
|
fine eating for the family of that self-satisfied old blue heron.
|
||
|
|
||
|
Freckles sat so quietly that soon the brim of his hat was covered
|
||
|
with snake-feeders, rasping their crisp wings and singing while
|
||
|
they rested. Some of them settled on the club, and one on
|
||
|
his shoulder. He was so motionless; feathers, fur, and gauze were
|
||
|
so accustomed to him, that all through the swale they continued
|
||
|
their daily life and forgot he was there.
|
||
|
|
||
|
The heron family were wading the mouth of the creek. Freckles idly
|
||
|
wondered whether the nerve-racking rasps they occasionally emitted
|
||
|
indicated domestic felicity or a raging quarrel. He could not decide.
|
||
|
A sheitpoke, with flaring crest, went stalking across a bare
|
||
|
space close to the creek's mouth. A stately brown bittern waded
|
||
|
into the clear-flowing water, lifting his feet high at every
|
||
|
step, and setting them down carefully, as if he dreaded wetting
|
||
|
them, and with slightly parted beak, stood eagerly watching around
|
||
|
him for worms. Behind him were some mighty trees of the swamp
|
||
|
above, and below the bank glowed a solid wall of goldenrod.
|
||
|
|
||
|
No wonder the ancients had chosen yellow as the color to represent
|
||
|
victory, for the fierce, conquering hue of the sun was in it.
|
||
|
They had done well, too, in selecting purple as the emblem of royalty.
|
||
|
It was a dignified, compelling color, while in its warm tone there
|
||
|
was a hint of blood.
|
||
|
|
||
|
It was the Limberlost's hour to proclaim her sovereignty and triumph.
|
||
|
Everywhere she flaunted her yellow banner and trailed the purple of
|
||
|
her mantle, that was paler in the thistle-heads, took on strength
|
||
|
in the first opening asters, and glowed and burned in the ironwort.
|
||
|
|
||
|
He gazed into her damp, mossy recesses where high-piled riven trees
|
||
|
decayed under coats of living green, where dainty vines swayed and
|
||
|
clambered, and here and there a yellow leaf, fluttering down,
|
||
|
presaged the coming of winter. His love of the swamp laid hold of
|
||
|
him and shook him with its force.
|
||
|
|
||
|
Compellingly beautiful was the Limberlost, but cruel withal; for
|
||
|
inside bleached the uncoffined bones of her victims, while she had
|
||
|
missed cradling him, oh! so narrowly.
|
||
|
|
||
|
He shifted restlessly; the movement sent the snake-feeders skimming.
|
||
|
The hum of life swelled and roared in his strained ears.
|
||
|
Small turtles, that had climbed on a log to sun, splashed clumsily
|
||
|
into the water. Somewhere in the timber of the bridge a
|
||
|
bloodthirsty little frog cried sharply. "KEEL'IM! KEEL'IM!"
|
||
|
|
||
|
Freckles muttered: "It's worse than that Black Jack swore to do to
|
||
|
me, little fellow."
|
||
|
|
||
|
A muskrat waddled down the bank and swam for the swamp, its pointed
|
||
|
nose riffling the water into a shining trail in its wake.
|
||
|
|
||
|
Then, below the turtle-log, a dripping silver-gray head, with
|
||
|
shining eyes, was cautiously lifted, and Freckles' hand slid to his
|
||
|
revolver. Higher and higher came the head, a long, heavy, furcoated
|
||
|
body arose, now half, now three-fourths from the water. Freckles
|
||
|
looked at his shaking hand and doubted, but he gathered his forces,
|
||
|
the shot rang, and the otter lay quiet. He hurried down and tried to
|
||
|
lift it. He scarcely could muster strength to carry it to the bridge.
|
||
|
The consciousness that he really could go no farther with it made
|
||
|
Freckles realize the fact that he was close the limit of
|
||
|
human endurance. He could bear it little, if any, longer.
|
||
|
Every hour the dear face of the Angel wavered before him, and
|
||
|
behind it the awful distorted image of Black Jack, as he had sworn
|
||
|
to the punishment he would mete out to her. He must either see
|
||
|
McLean, or else make a trip to town and find her father. Which should
|
||
|
he do? He was almost a stranger, so the Angel's father might not be
|
||
|
impressed with what he said as he would if McLean went to him.
|
||
|
Then he remembered that McLean had said he would come that morning.
|
||
|
Freckles never had forgotten before. He hurried on the east trail
|
||
|
as fast as his tottering legs would carry him.
|
||
|
|
||
|
He stopped when he came to the first guard, and telling him of his
|
||
|
luck, asked him to get the otter and carry it to the cabin, as he
|
||
|
was anxious to meet McLean.
|
||
|
|
||
|
Freckles passed the second guard without seeing him, and hurried to
|
||
|
the Boss. He took off his hat, wiped his forehead, and stood silent
|
||
|
under the eyes of McLean.
|
||
|
|
||
|
The Boss was dumbfounded. Mrs. Duncan had led him to expect that
|
||
|
he would find a change in Freckles, but this was almost deathly.
|
||
|
The fact was apparent that the boy scarcely knew what he was doing.
|
||
|
His eyes had a glazed, far-sighted appearance, that wrung the heart of
|
||
|
the man who loved him. Without a thought of preliminaries, McLean
|
||
|
leaned in the saddle and drew Freckles to him.
|
||
|
|
||
|
"My poor lad!" he said. "My poor, dear lad! tell me, and we will
|
||
|
try to right it!"
|
||
|
|
||
|
Freckles had twisted his fingers in Nellie's mane. At the kind
|
||
|
words his face dropped on McLean's thigh and he shook with a
|
||
|
nervous chill. McLean gathered him closer and waited.
|
||
|
|
||
|
When the guard came with the otter, McLean without a word motioned
|
||
|
him to lay it down and leave them.
|
||
|
|
||
|
"Freckles," said McLean at last, "will you tell me, or must I set
|
||
|
to work in the dark and try to find the trouble?"
|
||
|
|
||
|
"Oh, I want to tell you! I must tell you, sir," shuddered Freckles.
|
||
|
"I cannot be bearing it the day out alone. I was coming to you when
|
||
|
I remimbered you would be here."
|
||
|
|
||
|
He lifted his face and gazed across the swale, with his jaws set
|
||
|
firmly a minute, as if gathering his forces. Then he spoke.
|
||
|
|
||
|
"It's the Angel, sir," he said.
|
||
|
|
||
|
Instinctively McLean's grip on him tightened, and Freckles looked
|
||
|
into the Boss's face in wonder.
|
||
|
|
||
|
"I tried, the other day," said Freckles, "and I couldn't seem to
|
||
|
make you see. It's only that there hasn't been an hour, waking or
|
||
|
sleeping, since the day she parted the bushes and looked into me
|
||
|
room, that the face of her hasn't been before me in all the
|
||
|
tinderness, beauty, and mischief of it. She talked to me
|
||
|
friendly like. She trusted me entirely to take right care of her.
|
||
|
She helped me with things about me books. She traited me like I
|
||
|
was born a gintleman, and shared with me as if I were of her own blood.
|
||
|
She walked the streets of the town with me before her friends with all
|
||
|
the pride of a queen. She forgot herself and didn't mind the Bird
|
||
|
Woman, and run big risks to help me out that first day, sir.
|
||
|
This last time she walked into that gang of murderers, took their
|
||
|
leader, and twisted him to the will of her. She outdone him and
|
||
|
raced the life almost out of her trying to save me.
|
||
|
|
||
|
"Since I can remimber, whatever the thing was that happened to me
|
||
|
in the beginning has been me curse. I've been bitter, hard, and
|
||
|
smarting under it hopelessly. She came by, and found me voice, and
|
||
|
put hope of life and success like other men into me in spite of it."
|
||
|
|
||
|
Freckles held up his maimed arm.
|
||
|
|
||
|
"Look at it, sir!" he said. "A thousand times I've cursed it,
|
||
|
hanging there helpless. She took it on the street, before all the
|
||
|
people, just as if she didn't see that it was a thing to hide and
|
||
|
shrink from. Again and again I've had the feeling with her, if I
|
||
|
didn't entirely forget it, that she didn't see it was gone and I
|
||
|
must he pointing it out to her. Her touch on it was so sacred-like,
|
||
|
at times since I've caught meself looking at the awful thing near
|
||
|
like I was proud of it, sir. If I had been born your son she
|
||
|
couldn't be traiting me more as her equal, and she can't help
|
||
|
knowing you ain't truly me father. Nobody can know the homeliness
|
||
|
or the ignorance of me better than I do, and all me lack of birth,
|
||
|
relatives, and money, and what's it all to her?"
|
||
|
|
||
|
Freckles stepped back, squared his shoulders, and with a royal lift
|
||
|
of his head looked straight into the Boss's eyes.
|
||
|
|
||
|
"You saw her in the beautiful little room of her, and you can't be
|
||
|
forgetting how she begged and plead with you for me. She touched
|
||
|
me body, and `twas sanctified. She laid her lips on my brow, and
|
||
|
`twas sacrament. Nobody knows the height of her better than me.
|
||
|
Nobody's studied my depths closer. There's no bridge for the great
|
||
|
distance between us, sir, and clearest of all, I'm for realizing it:
|
||
|
but she risked terrible things when she came to me among that gang
|
||
|
of thieves. She wore herself past bearing to save me from such an
|
||
|
easy thing as death! Now, here's me, a man, a big, strong man, and
|
||
|
letting her live under that fearful oath, so worse than any death
|
||
|
`twould be for her, and lifting not a finger to save her. I cannot
|
||
|
hear it, sir. It's killing me by inches! Black Jack's hand may not
|
||
|
have been hurt so bad. Any hour he may be creeping up behind her!
|
||
|
Any minute the awful revenge he swore to be taking may in some way
|
||
|
fall on her, and I haven't even warned her father. I can't stay
|
||
|
here doing nothing another hour. The five nights gone I've watched
|
||
|
under her windows, but there's the whole of the day. She's her own
|
||
|
horse and little cart, and's free to be driving through the town and
|
||
|
country as she pleases. If any evil comes to her through Black Jack,
|
||
|
it comes from her angel-like goodness to me. Somewhere he's hiding!
|
||
|
Somewhere he is waiting his chance! Somewhere he is reaching out
|
||
|
for her! I tell you I cannot, I dare not be bearing it longer!"
|
||
|
|
||
|
"Freckles, be quiet!" said McLean, his eyes humid and his voice
|
||
|
quivering with the pity of it all. "Believe me, I did not understand.
|
||
|
I know the Angel's father well. I will go to him at once. I have
|
||
|
transacted business with him for the past three years. I will make
|
||
|
him see! I am only beginning to realize your agony, and the real
|
||
|
danger there is for the Angel. Believe me, I will see that she
|
||
|
is fully protected every hour of the day and night until Jack
|
||
|
is located and disposed of. And I promise you further, that if I
|
||
|
fail to move her father or make him understand the danger, I will
|
||
|
maintain a guard over her until Jack is caught. Now will you go
|
||
|
bathe, drink some milk, go to bed, and sleep for hours, and then be
|
||
|
my brave, bright old boy again?"
|
||
|
|
||
|
"Yis," said Freckles simply.
|
||
|
|
||
|
But McLean could see the flesh was twitching on the lad's bones.
|
||
|
|
||
|
"What was it the guard brought there?" McLean asked in an effort to
|
||
|
distract Freckles' thoughts.
|
||
|
|
||
|
"Oh!" Freckles said, glancing where the Boss pointed, "I forgot it!
|
||
|
`Tis an otter, and fine past believing, for this warm weather.
|
||
|
I shot it at the creek this morning. `Twas a good shot, considering.
|
||
|
I expected to miss."
|
||
|
|
||
|
Freckles picked up the animal and started toward McLean with it,
|
||
|
but Nellie pricked up her dainty little ears, danced into the
|
||
|
swale, and snorted with fright. Freckles dropped the otter and ran
|
||
|
to her head.
|
||
|
|
||
|
"For pity's sake, get her on the trail, sir," he begged. "She's
|
||
|
just about where the old king rattler crosses to go into the
|
||
|
swamp--the old buster Duncan and I have been telling you of.
|
||
|
I haven't a doubt but it was the one Mother Duncan met. 'Twas down
|
||
|
the trail there, just a little farther on, that I found her, and
|
||
|
it's sure to be close yet."
|
||
|
|
||
|
McLean slid from Nellie's back, led her into the trail farther down
|
||
|
the line, and tied her to a bush. Then he went to examine the otter.
|
||
|
It was a rare, big specimen, with exquisitely fine, long, silky hair.
|
||
|
|
||
|
"What do you want to do with it, Freckles?" asked McLean, as he stroked
|
||
|
the soft fur lingeringly. "Do you know that it is very valuable?"
|
||
|
|
||
|
"I was for almost praying so, sir," said Freckles. "As I saw it
|
||
|
coming up the bank I thought this: Once somewhere in a book there
|
||
|
was a picture of a young girl, and she was just a breath like the
|
||
|
beautifulness of the Angel. Her hands were in a muff as big as her
|
||
|
body, and I thought it was so pretty. I think she was some queen,
|
||
|
or the like. Do you suppose I could have this skin tanned and made
|
||
|
into such a muff as that?--an enormous big one, sir?"
|
||
|
|
||
|
"Of course you can," said McLean. "That's a fine idea and it's
|
||
|
easy enough. We must box and express the otter, cold storage, by the
|
||
|
first train. You stand guard a minute and I'll tell Hall to carry
|
||
|
it to the cabin. I'll put Nellie to Duncan's rig, and we'll drive
|
||
|
to town and call on the Angel's father. Then we'll start the otter
|
||
|
while it is fresh, and I'll write your instructions later. It would
|
||
|
be a mighty fine thing for you to give to the Angel as a little
|
||
|
reminder of the Limberlost before it is despoiled, and as a
|
||
|
souvenir of her trip for you."
|
||
|
|
||
|
Freckles lifted a face with a glow of happy color creeping into it
|
||
|
and eyes lighting with a former brightness. Throwing his arms
|
||
|
around McLean, he cried: "Oh, how I love you! Oh, I wish I could
|
||
|
make you know how I love you!"
|
||
|
|
||
|
McLean strained him to his breast.
|
||
|
|
||
|
"God bless you, Freckles," he said. "I do know! We're going to have
|
||
|
some good old times out of this world together, and we can't begin
|
||
|
too soon. Would you rather sleep first, or have a bite of lunch,
|
||
|
take the drive with me, and then rest? I don't know but sleep will
|
||
|
come sooner and deeper to take the ride and have your mind set at
|
||
|
ease before you lie down. Suppose you go."
|
||
|
|
||
|
"Suppose I do," said Freckles, with a glimmer of the old light
|
||
|
in his eyes and newly found strength to shoulder the otter.
|
||
|
Together they turned into the trail.
|
||
|
|
||
|
McLean noticed and spoke of the big black chickens.
|
||
|
|
||
|
"They've been hanging round out there for several days past,"
|
||
|
said Freckles. "I'll tell you what I think it means. I think the
|
||
|
old rattler has killed something too big for him to swallow, and he's
|
||
|
keeping guard and won't let me chickens have it. I'm just sure,
|
||
|
from the way the birds have acted out there all summer, that it is
|
||
|
the rattler's den. You watch them now. See the way they dip and
|
||
|
then rise, frightened like!"
|
||
|
|
||
|
Suddenly McLean turned toward him with blanching face
|
||
|
|
||
|
"Freckles!" he cried.
|
||
|
|
||
|
"My God, sir!" shuddered Freckles.
|
||
|
|
||
|
He dropped the otter, caught up his club, and plunged into the swale.
|
||
|
Reaching for his revolver, McLean followed. The chickens
|
||
|
circled higher at their coming, and the big snake lifted his head
|
||
|
and rattled angrily. It sank in sinuous coils at the report of
|
||
|
McLean's revolver, and together he and Freckles stood beside Black Jack.
|
||
|
His fate was evident and most horrible.
|
||
|
|
||
|
"Come," said the Boss at last. "We don't dare touch him. We will get
|
||
|
a sheet from Mrs. Duncan and tuck over him, to keep these swarms of
|
||
|
insects away, and set Hall on guard, while we find the officers."
|
||
|
|
||
|
Freckles' lips closed resolutely. He deliberately thrust his club
|
||
|
under Black Jack's body, and, raising him, rested it on his knee.
|
||
|
He pulled a long silver pin from the front of the dead man's shirt
|
||
|
and sent it spinning into the swale. Then he gathered up a few
|
||
|
crumpled bright flowers and dropped them into the pool far away.
|
||
|
|
||
|
"My soul is sick with the horror of this thing," said McLean, as he
|
||
|
and Freckles drove toward town. "I can't understand how Jack dared
|
||
|
risk creeping through the swale, even in desperation. No one knew
|
||
|
its dangers better than he. And why did he choose the rankest,
|
||
|
muckiest place to cross the swamp?"
|
||
|
|
||
|
"Don't you think, sir, it was because it was on a line with the
|
||
|
Limberlost south of the corduroy? The grass was tallest there, and
|
||
|
he counted on those willows to screen him. Once he got among them,
|
||
|
he would have been safe to walk by stooping. If he'd made it past
|
||
|
that place, he'd been sure to get out."
|
||
|
|
||
|
"Well, I'm as sorry for Jack as I know how to be," said McLean,
|
||
|
"but I can't help feeling relieved that our troubles are over, for
|
||
|
now they are. With so dreadful a punishment for Jack, Wessner under
|
||
|
arrest, and warrants for the others, we can count on their going
|
||
|
away and remaining. As for anyone else, I don't think they will
|
||
|
care to attempt stealing my timber after the experience of these men.
|
||
|
There is no other man here with Jack's fine ability in woodcraft.
|
||
|
He was an expert."
|
||
|
|
||
|
"Did you ever hear of anyone who ever tried to locate any trees
|
||
|
excepting him?" asked Freckles.
|
||
|
|
||
|
"No, I never did," said McLean. "I am sure there was no one
|
||
|
besides him. You see, it was only with the arrival of our company
|
||
|
that the other fellows scented good stuff in the Limberlost, and
|
||
|
tried to work in. Jack knew the swamp better than anyone here.
|
||
|
When he found there were two companies trying to lease, he wanted
|
||
|
to stand in with the one from which he could realize the most.
|
||
|
Even then he had trees marked that he was trying to dispose of.
|
||
|
I think his sole intention in forcing me to discharge him from
|
||
|
my gang was to come here and try to steal timber. We had no idea,
|
||
|
when we took the lease, what a gold mine it was."
|
||
|
|
||
|
"That's exactly what Wessner said that first day," said Freckles eagerly.
|
||
|
"That 'twas a `gold mine'! He said he didn't know where the marked
|
||
|
trees were, but he knew a man who did, and if I would hold off and
|
||
|
let them get the marked ones, there were a dozen they could get out
|
||
|
in a few days."
|
||
|
|
||
|
"Freckles!" cried McLean. "You don't mean a dozen!"
|
||
|
|
||
|
"That's what he said, sir--a dozen. He said they couldn't tell how
|
||
|
the grain of all of them would work up, of course, but they were
|
||
|
all worth taking out, and five or six were real gold mines. This
|
||
|
makes three they've tried, so there must be nine more marked, and
|
||
|
several of them for being just fine."
|
||
|
|
||
|
"Well, I wish I knew which they are," said McLean, "so I could get
|
||
|
them out first."
|
||
|
|
||
|
"I have been thinking," said Freckles. "I believe if you will leave
|
||
|
one of the guards on the line--say Hall--that I will begin on the
|
||
|
swamp, at the north end, and lay it off in sections, and try to
|
||
|
hunt out the marked trees. I suppose they are all marked something
|
||
|
like that first maple on the line was. Wessner mentioned another
|
||
|
good one not so far from that. He said it was best of all. I'd be
|
||
|
having the swelled head if I could find that. Of course, I don't
|
||
|
know a thing about the trees, but I could hunt for the marks.
|
||
|
Jack was so good at it he could tell some of them by the bark, but all
|
||
|
he wanted to take that we've found so far have just had a deep chip
|
||
|
cut out, rather low down, and where the bushes were thick over it.
|
||
|
I believe I could be finding some of them."
|
||
|
|
||
|
"Good head!" said McLean. "We will do that. You may begin as soon
|
||
|
as you are rested. And about things you come across in the swamp,
|
||
|
Freckles--the most trifling little thing that you think the Bird
|
||
|
Woman would want, take your wheel and go after her at any time.
|
||
|
I'll leave two men on the line, so that you will have one on either
|
||
|
side, and you can come and go as you please. Have you stopped to
|
||
|
think of all we owe her, my boy?"
|
||
|
|
||
|
"Yis; and the Angel--we owe her a lot, too," said Freckles. "I owe
|
||
|
her me life and honor. It's lying awake nights I'll have to be
|
||
|
trying to think how I'm ever to pay her up."
|
||
|
|
||
|
"Well, begin with the muff," suggested McLean. "That should be fine."
|
||
|
|
||
|
He bent down and ruffled the rich fur of the otter lying at his feet.
|
||
|
|
||
|
"I don't exactly see how it comes to be in such splendid fur in summer.
|
||
|
Their coats are always thick in cold weather, but this scarcely
|
||
|
could be improved. I'll wire Cooper to be watching for it.
|
||
|
They must have it fresh. When it's tanned we won't spare any
|
||
|
expense in making it up. It should be a royal thing, and some way
|
||
|
I think it will exactly suit the Angel. I can't think of anything
|
||
|
that would be more appropriate for her."
|
||
|
|
||
|
"Neither can I," agreed Freckles heartily. "When I reach the city
|
||
|
there's one other thing, if I've the money after the muff is finished."
|
||
|
|
||
|
He told McLean of Mrs. Duncan's desire for a hat similar to
|
||
|
the Angel's. He hesitated a little in the telling, keeping sharp
|
||
|
watch on McLean's face. When he saw the Boss's eyes were full of
|
||
|
comprehension and sympathy, he loved him anew, for, as ever, McLean
|
||
|
was quick to understand. Instead of laughing, he said: "I think
|
||
|
you'll have to let me in on that, too. You mustn't be selfish,
|
||
|
you know. I'll tell you what we'll do. Send it for Christmas.
|
||
|
I'll be home then, and we can fill a box. You get the hat.
|
||
|
I'll add a dress and wrap. You buy Duncan a hat and gloves.
|
||
|
I'll send him a big overcoat, and we'll put in a lot of little
|
||
|
stuff for the babies. Won't that be fun?"
|
||
|
|
||
|
Freckles fairly shivered with delight.
|
||
|
|
||
|
"That would be away too serious for fun," he said. "That would
|
||
|
be heavenly. How long will it be?"
|
||
|
|
||
|
He began counting the time, and McLean deliberately set himself to
|
||
|
encourage Freckles and keep his thoughts from the trouble of the
|
||
|
past few days, for he had been overwrought and needed quiet and rest.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XV
|
||
|
|
||
|
Wherein Freckles and the Angel Try Taking a Picture, and Little
|
||
|
Chicken Furnishes the Subject
|
||
|
|
||
|
A week later everything at the Limberlost was precisely as it had
|
||
|
been before the tragedy, except the case in Freckles' room now
|
||
|
rested on the stump of the newly felled tree. Enough of the vines
|
||
|
were left to cover it prettily, and every vestige of the havoc of
|
||
|
a few days before was gone. New guards were patrolling the trail.
|
||
|
Freckles was roughly laying off the swamp in sections and searching
|
||
|
for marked trees. In that time he had found one deeply chipped and
|
||
|
the chip cunningly replaced and tacked in. It promised to be quite
|
||
|
rare, so he was jubilant. He also found so many subjects for the
|
||
|
Bird Woman that her coming was of almost daily occurrence, and the
|
||
|
hours he spent with her and the Angel were nothing less than golden.
|
||
|
|
||
|
The Limberlost was now arrayed as the Queen of Sheba in all her glory.
|
||
|
The first frosts of autumn had bejewelled her crown in flashing
|
||
|
topaz, ruby, and emerald. Around her feet trailed the purple
|
||
|
of her garments, while in her hand was her golden scepter.
|
||
|
Everything was at full tide. It seemed as if nothing could grow
|
||
|
lovelier, and it was all standing still a few weeks, waiting
|
||
|
coming destruction.
|
||
|
|
||
|
The swamp was palpitant with life. Every pair of birds that had
|
||
|
flocked to it in the spring was now multiplied by from two to ten.
|
||
|
The young were tame from Freckles' tri-parenthood, and so plump and
|
||
|
sleek that they were quite as beautiful as their elders, even if in
|
||
|
many cases they lacked their brilliant plumage. It was the same
|
||
|
story of increase everywhere. There were chubby little ground-hogs
|
||
|
scudding on the trail. There were cunning baby coons and opossums
|
||
|
peeping from hollow logs and trees. Young muskrats followed their
|
||
|
parents across the lagoons.
|
||
|
|
||
|
If you could come upon a family of foxes that had not yet
|
||
|
disbanded, and see the young playing with a wild duck's carcass
|
||
|
that their mother had brought, and note the pride and satisfaction
|
||
|
in her eyes as she lay at one side guarding them, it would be a
|
||
|
picture not to be forgotten. Freckles never tired of studying the
|
||
|
devotion of a fox mother to her babies. To him, whose early life
|
||
|
had been so embittered by continual proof of neglect and cruelty in
|
||
|
human parents toward their children, the love of these furred and
|
||
|
feathered folk of the Limberlost was even more of a miracle than to
|
||
|
the Bird Woman and the Angel.
|
||
|
|
||
|
The Angel liked the baby rabbits and squirrels. Earlier in the
|
||
|
season, when the young were yet very small, it so happened that at
|
||
|
times Freckles could give into her hands one of these little ones.
|
||
|
Then it was pure joy to stand back and watch her heaving breast,
|
||
|
flushed cheek, and shining eyes. Hers were such lovely eyes.
|
||
|
Freckles had discovered lately that they were not so dark as he had
|
||
|
thought them at first, but that the length and thickness of lash,
|
||
|
by which they were shaded, made them appear darker than they really
|
||
|
were. They were forever changing. Now sparkling and darkling with
|
||
|
wit, now humid with sympathy, now burning with the fire of courage,
|
||
|
now taking on strength of color with ambition, now flashing
|
||
|
indignantly at the abuse of any creature.
|
||
|
|
||
|
She had carried several of the squirrel and bunny babies home, and
|
||
|
had littered the conservatory with them. Her care of them was perfect.
|
||
|
She was learning her natural history from nature, and having much
|
||
|
healthful exercise. To her, they were the most interesting of all,
|
||
|
but the Bird Woman preferred the birds, with a close second in the
|
||
|
moths and butterflies.
|
||
|
|
||
|
Brown butterfly time had come. The edge of the swale was filled
|
||
|
with milkweed, and other plants beloved of them, and the air was
|
||
|
golden with the flashing satin wings of the monarch, viceroy,
|
||
|
and argynnis. They outnumbered those of any other color three to one.
|
||
|
|
||
|
Among the birds it really seemed as if the little yellow fellows
|
||
|
were in the preponderance. At least, they were until the redwinged
|
||
|
blackbirds and bobolinks, that had nested on the upland, suddenly
|
||
|
saw in the swamp the garden of the Lord and came swarming by hundreds
|
||
|
to feast and adventure upon it these last few weeks before migration.
|
||
|
Never was there a finer feast spread for the birds. The grasses
|
||
|
were filled with seeds: so, too, were weeds of every variety.
|
||
|
Fall berries were ripe. Wild grapes and black haws were ready.
|
||
|
Bugs were creeping everywhere. The muck was yeasty with worms.
|
||
|
Insects filled the air. Nature made glorious pause for holiday
|
||
|
before her next change, and by none of the frequenters of the
|
||
|
swamp was this more appreciated than by the big black chickens.
|
||
|
|
||
|
They seemed to feel the new reign of peace and fullness most of all.
|
||
|
As for food, they did not even have to hunt for themselves these
|
||
|
days, for the feasts now being spread before Little Chicken
|
||
|
were more than he could use, and he was glad to have his parents
|
||
|
come down and help him.
|
||
|
|
||
|
He was a fine, big, overgrown fellow, and his wings, with quills of
|
||
|
jetty black, gleaming with bronze, were so strong they almost
|
||
|
lifted his body. He had three inches of tail, and his beak and
|
||
|
claws were sharp. His muscles began to clamor for exercise.
|
||
|
He raced the forty feet of his home back and forth many times every
|
||
|
hour of the day. After a few days of that, he began lifting and
|
||
|
spreading his wings, and flopping them until the down on his back
|
||
|
was filled with elm fiber. Then he commenced jumping. The funny
|
||
|
little hops, springs, and sidewise bounds he gave set Freckles and
|
||
|
the Angel, hidden in the swamp, watching him, into smothered
|
||
|
chuckles of delight.
|
||
|
|
||
|
Sometimes he fell to coquetting with himself; and that was the
|
||
|
funniest thing of all, for he turned his head up, down, from side
|
||
|
to side, and drew in his chin with prinky little jerks and tilts.
|
||
|
He would stretch his neck, throw up his head, turn it to one side
|
||
|
and smirk--actually smirk, the most complacent and self-satisfied
|
||
|
smirk that anyone ever saw on the face of a bird. It was so comical
|
||
|
that Freckles and the Angel told the Bird Woman of it one day.
|
||
|
|
||
|
When she finished her work on Little Chicken, she left them the
|
||
|
camera ready for use, telling them they might hide in the bushes
|
||
|
and watch. If Little Chicken came out and truly smirked, and they
|
||
|
could squeeze the bulb at the proper moment to snap him, she would
|
||
|
be more than delighted.
|
||
|
|
||
|
Freckles and the Angel quietly curled beside a big log, and with
|
||
|
eager eyes and softest breathing they patiently waited; but Little
|
||
|
Chicken had feasted before they told of his latest accomplishment.
|
||
|
He was tired and sleepy, so he went into the log to bed, and for an
|
||
|
hour he never stirred.
|
||
|
|
||
|
They were becoming anxious, for the light soon would be gone, and
|
||
|
they had so wanted to try for the picture. At last Little Chicken
|
||
|
lifted his head, opened his beak, and gaped widely. He dozed a
|
||
|
minute or two more. The Angel said that was his beauty sleep.
|
||
|
Then he lazily gaped again and stood up, stretching and yawning.
|
||
|
He ambled leisurely toward the gateway, and the Angel said:
|
||
|
"Now, we may have a chance, at last."
|
||
|
|
||
|
"I do hope so," shivered Freckles.
|
||
|
|
||
|
With one accord they arose to their knees and trained their eyes on
|
||
|
the mouth of the log. The light was full and strong. Little Chicken
|
||
|
prospected again with no results. He dressed his plumage, polished
|
||
|
his beak, and when he felt fine and in full toilet he began to
|
||
|
flirt with himself. Freckles' eyes snapped and his breath sucked
|
||
|
between his clenched teeth.
|
||
|
|
||
|
"He's going to do it!" whispered the Angel. "That will come next.
|
||
|
You'll best give me that bulb!"
|
||
|
|
||
|
"Yis," assented Freckles, but he was looking at the log and he made
|
||
|
no move to relinquish the bulb.
|
||
|
|
||
|
Little Chicken nodded daintily and ruffled his feathers. He gave
|
||
|
his head sundry little sidewise jerks and rapidly shifted his point
|
||
|
of vision. Once there was the fleeting little ghost of a smirk.
|
||
|
|
||
|
"Now!--No!" snapped the Angel.
|
||
|
|
||
|
Freckles leaned toward the bird. Tensely he waited. Unconsciously
|
||
|
the hand of the Angel clasped his. He scarcely knew it was there.
|
||
|
Suddenly Little Chicken sprang straight in the air and landed with
|
||
|
a thud. The Angel started slightly, but Freckles was immovable.
|
||
|
Then, as if in approval of his last performance, the big, overgrown
|
||
|
baby wheeled until he was more than three-quarters, almost full
|
||
|
side, toward the camera, straightened on his legs, squared his
|
||
|
shoulders, stretched his neck full height, drew in his chin and
|
||
|
smirked his most pronounced smirk, directly in the face of the lens.
|
||
|
|
||
|
Freckles' fingers closed on the bulb convulsively, and the Angel's
|
||
|
closed on his at the instant. Then she heaved a great sigh of
|
||
|
relief and lifted her hands to push back the damp, clustering hair
|
||
|
from her face.
|
||
|
|
||
|
"How soon do you s'pose it will be finished?" came Freckles'
|
||
|
strident whisper.
|
||
|
|
||
|
For the first time the Angel looked at him. He was on his knees,
|
||
|
leaning forward, his eyes directed toward the bird, the
|
||
|
perspiration running in little streams down his red,
|
||
|
mosquito-bitten face. His hat was awry, his bright hair rampant,
|
||
|
his breast heaving with excitement, while he yet gripped the bulb
|
||
|
with every ounce of strength in his body.
|
||
|
|
||
|
"Do you think we were for getting it?" he asked.
|
||
|
|
||
|
The Angel could only nod. Freckles heaved a deep sigh of relief.
|
||
|
|
||
|
"Well, if that ain't the hardest work I ever did in me life!"
|
||
|
he exclaimed. "It's no wonder the Bird Woman's for coming out of
|
||
|
the swamp looking as if she's been through a fire, a flood, and a
|
||
|
famine, if that's what she goes through day after day. But if you
|
||
|
think we got it, why, it's worth all it took, and I'm glad as ever
|
||
|
you are, sure!"
|
||
|
|
||
|
They put the holders in the case, carefully closed the camera, set
|
||
|
it in also, and carried it to the road.
|
||
|
|
||
|
Then Freckles exulted.
|
||
|
|
||
|
"Now, let's be telling the Bird Woman about it!" he shouted, wildly
|
||
|
dancing and swinging his hat.
|
||
|
|
||
|
"We got it! We got it! I bet a farm we got it!"
|
||
|
|
||
|
Hand in hand they ran to the north end of the swamp, yelling "We
|
||
|
got it!" like young Comanches, and never gave a thought to what
|
||
|
they might do until a big blue-gray bird, with long neck and
|
||
|
trailing legs, arose on flapping wings and sailed over the Limberlost.
|
||
|
|
||
|
The Angel became white to the lips and gripped Freckles with
|
||
|
both hands. He gulped with mortification and turned his back.
|
||
|
|
||
|
To frighten her subject away carelessly! It was the head crime in
|
||
|
the Bird Woman's category. She extended her hands as she arose,
|
||
|
baked, blistered, and dripping, and exclaimed: "Bless you, my
|
||
|
children! Bless you!" And it truly sounded as if she meant it.
|
||
|
|
||
|
"Why, why----" stammered the bewildered Angel.
|
||
|
|
||
|
Freckles hurried into the breach.
|
||
|
|
||
|
"You must be for blaming it every bit on me. I was thinking we got
|
||
|
Little Chicken's picture real good. I was so drunk with the joy of
|
||
|
it I lost all me senses and, `Let's run tell the Bird Woman,' says I.
|
||
|
Like a fool I was for running, and I sort of dragged the Angel along."
|
||
|
|
||
|
"Oh Freckles!" expostulated the Angel. "Are you loony? Of course,
|
||
|
it was all my fault! I've been with her hundreds of times. I knew
|
||
|
perfectly well that I wasn't to let anything--NOT ANYTHING--scare
|
||
|
her bird away! I was so crazy I forgot. The blame is all mine, and
|
||
|
she'll never forgive me."
|
||
|
|
||
|
"She will, too!" cried Freckles. "Wasn't you for telling me that
|
||
|
very first day that when people scared her birds away she just
|
||
|
killed them! It's all me foolishness, and I'll never forgive meself!"
|
||
|
|
||
|
The Bird Woman plunged into the swale at the mouth of Sleepy Snake
|
||
|
Creek, and came wading toward them, with a couple of cameras and
|
||
|
dripping tripods.
|
||
|
|
||
|
"If you will permit me a word, my infants," she said, "I will
|
||
|
explain to you that I have had three shots at that fellow."
|
||
|
|
||
|
The Angel heaved a deep sigh of relief, and Freckles' face cleared
|
||
|
a little.
|
||
|
|
||
|
"Two of them," continued the Bird Woman, "in the rushes--one
|
||
|
facing, crest lowered; one light on back, crest flared; and the
|
||
|
last on wing, when you came up. I simply had been praying for
|
||
|
something to make him arise from that side, so that he would fly
|
||
|
toward the camera, for he had waded around until in my position I
|
||
|
couldn't do it myself. See? Behold in yourselves the answer to the
|
||
|
prayers of the long-suffering!"
|
||
|
|
||
|
Freckles took a step toward her.
|
||
|
|
||
|
"Are you really meaning that?" he asked wonderingly. "Only think,
|
||
|
Angel, we did the right thing! She won't lose her picture through
|
||
|
the carelessness of us, when she's waited and soaked nearly two hours.
|
||
|
She's not angry with us!"
|
||
|
|
||
|
"Never was in a sweeter temper in my life," said the Bird Woman,
|
||
|
busily cleaning and packing the cameras.
|
||
|
|
||
|
Freckles removed his hat and solemnly held out his hand. With equal
|
||
|
solemnity the Angel grasped it. The Bird Woman laughed alone, for
|
||
|
to them the situation had been too serious to develop any of the
|
||
|
elements of fun.
|
||
|
|
||
|
Then they loaded the carriage, and the Bird Woman and the Angel
|
||
|
started for their homes. It had been a difficult time for all of
|
||
|
them, so they were very tired, but they were joyful. Freckles was
|
||
|
so happy it seemed to him that life could hold little more. As the
|
||
|
Bird Woman was ready to drive away he laid his hand on the lines
|
||
|
and looked into her face.
|
||
|
|
||
|
"Do you suppose we got it?" he asked, so eagerly that she would
|
||
|
have given much to be able to say yes with conviction.
|
||
|
|
||
|
"Why, my dear, I don't know," she said. "I've no way to judge.
|
||
|
If you made the exposure just before you came to me, there was yet
|
||
|
a fine light. If you waited until Little Chicken was close the
|
||
|
entrance, you should have something good, even if you didn't catch
|
||
|
just the fleeting expression for which you hoped. Of course, I
|
||
|
can't say surely, but I think there is every reason to believe that
|
||
|
you have it all right. I will develop the plate tonight, make you
|
||
|
a proof from it early in the morning, and bring it when we come.
|
||
|
It's only a question of a day or two now until the gang arrives.
|
||
|
I want to work in all the studies I can before that time, for they
|
||
|
are bound to disturb the birds. Mr. McLean will need you then, and
|
||
|
I scarcely see how we are to do without you."
|
||
|
|
||
|
Moved by an impulse she never afterward regretted, she bent and
|
||
|
laid her lips on Freckles' forehead, kissing him gently and
|
||
|
thanking him for his many kindnesses to her in her loved work.
|
||
|
Freckles started away so happy that he felt inclined to keep
|
||
|
watching behind to see if the trail were not curling up and rolling
|
||
|
down the line after him.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XVI
|
||
|
|
||
|
Wherein the Angel Locates a Rare Tree and Dines with the Gang
|
||
|
|
||
|
From afar Freckles saw them coming. The Angel was standing, waving
|
||
|
her hat. He sprang on his wheel and raced, jolting and pounding,
|
||
|
down the corduroy to meet them. The Bird Woman stopped the horse
|
||
|
and the Angel gave him the bit of print paper. Freckles leaned the
|
||
|
wheel against a tree and took the proof with eager fingers.
|
||
|
He never before had seen a study from any of his chickens.
|
||
|
He stood staring. When he turned his face toward them it was
|
||
|
transfigured with delight.
|
||
|
|
||
|
"You see!" he exclaimed, and began gazing again. "Oh, me Little
|
||
|
Chicken!" he cried. "Oh me ilegant Little Chicken! I'd be giving
|
||
|
all me money in the bank for you!"
|
||
|
|
||
|
Then he thought of the Angel's muff and Mrs. Duncan's hat, and
|
||
|
added, "or at least, all but what I'm needing bad for something else.
|
||
|
Would you mind stopping at the cabin a minute and showing this
|
||
|
to Mother Duncan?" he asked.
|
||
|
|
||
|
"Give me that little book in your pocket," said the Bird Woman.
|
||
|
|
||
|
She folded the outer edges of the proof so that it would fit into
|
||
|
the book, explaining as she did so its perishable nature in
|
||
|
that state. Freckles went hurrying ahead, and they arrived in time
|
||
|
to see Mrs. Duncan gazing as if awestruck, and to hear her bewildered
|
||
|
"Weel I be drawed on!"
|
||
|
|
||
|
Freckles and the Angel helped the Bird Woman to establish herself
|
||
|
for a long day at the mouth of Sleepy Snake Creek. Then she sent
|
||
|
them away and waited what luck would bring to her.
|
||
|
|
||
|
"Now, what shall we do?" inquired the Angel, who was a bundle of
|
||
|
nerves and energy.
|
||
|
|
||
|
"Would you like to go to me room awhile?" asked Freckles.
|
||
|
|
||
|
"If you don't care to very much, I'd rather not," said the Angel.
|
||
|
"I'll tell you. Let's go help Mrs. Duncan with dinner and play with
|
||
|
the baby. I love a nice, clean baby."
|
||
|
|
||
|
They started toward the cabin. Every few minutes they stopped to
|
||
|
investigate something or to chatter over some natural history wonder.
|
||
|
The Angel had quick eyes; she seemed to see everything, but Freckles'
|
||
|
were even quicker; for life itself had depended on their sharpness
|
||
|
ever since the beginning of his work at the swamp. They saw it at
|
||
|
the same time.
|
||
|
|
||
|
"Someone has been making a flagpole," said the Angel, running the
|
||
|
toe of her shoe around the stump, evidently made that season.
|
||
|
"Freckles, what would anyone cut a tree as small as that for?"
|
||
|
|
||
|
"I don't know," said Freckles.
|
||
|
|
||
|
"Well, but I want to know!" said the Angel. "No one came away here
|
||
|
and cut it for fun. They've taken it away. Let's go back and see if
|
||
|
we can see it anywhere around there."
|
||
|
|
||
|
She turned, retraced her footsteps, and began eagerly searching.
|
||
|
Freckles did the same.
|
||
|
|
||
|
"There it is!" he exclaimed at last, "leaning against the trunk of
|
||
|
that big maple."
|
||
|
|
||
|
"Yes, and leaning there has killed a patch of dried bark," said
|
||
|
the Angel. "See how dried it appears?"
|
||
|
|
||
|
Freckles stared at her.
|
||
|
|
||
|
"Angel!" he shouted, "I bet you it's a marked tree!"
|
||
|
|
||
|
"Course it is!" cried the Angel. "No one would cut that sapling and
|
||
|
carry it away there and lean it up for nothing. I'll tell you! This
|
||
|
is one of Jack's marked trees. He's climbed up there above anyone's
|
||
|
head, peeled the bark, and cut into the grain enough to be sure.
|
||
|
Then he's laid the bark back and fastened it with that pole to mark it.
|
||
|
You see, there're a lot of other big maples close around it. Can you
|
||
|
climb to that place?"
|
||
|
|
||
|
"Yes," said Freckles; "if I take off my wading-boots I can."
|
||
|
|
||
|
"Then take them off," said the Angel, "and do hurry! Can't you see
|
||
|
that I am almost crazy to know if this tree is a marked one?"
|
||
|
|
||
|
When they pushed the sapling over, a piece of bark as big as the
|
||
|
crown of Freckles' hat fell away.
|
||
|
|
||
|
"I believe it looks kind of nubby," encouraged the Angel, backing
|
||
|
away, with her face all screwed into a twist in an effort to
|
||
|
intensify her vision.
|
||
|
|
||
|
Freckles reached the opening, then slid rapidly to the ground.
|
||
|
He was almost breathless while his eyes were flashing.
|
||
|
|
||
|
"The bark's been cut clean with a knife, the sap scraped away, and
|
||
|
a big chip taken out deep. The trunk is the twistiest thing you
|
||
|
ever saw. It's full of eyes as a bird is of feathers!"
|
||
|
|
||
|
The Angel was dancing and shaking his hand.
|
||
|
|
||
|
"Oh, Freckles," she cried, "I'm so delighted that you found it!"
|
||
|
|
||
|
"But I didn't," said the astonished Freckles. "That tree isn't my
|
||
|
find; it's yours. I forgot it and was going on; you wouldn't give
|
||
|
up, and kept talking about it, and turned back. You found it!"
|
||
|
|
||
|
"You'd best be looking after your reputation for truth and
|
||
|
veracity," said the Angel. "You know you saw that sapling first!"
|
||
|
|
||
|
"Yes, after you took me back and set me looking for it," scoffed Freckles.
|
||
|
|
||
|
The clear, ringing echo of strongly swung axes came crashing
|
||
|
through the Limberlost.
|
||
|
|
||
|
"'Tis the gang!" shouted Freckles. "They're clearing a place to
|
||
|
make the camp. Let's go help!"
|
||
|
|
||
|
"Hadn't we better mark that tree again?" cautioned the Angel.
|
||
|
"It's away in here. There's such a lot of them, and all so
|
||
|
much alike. We'd feel good and green to find it and then lose it."
|
||
|
|
||
|
Freckles lifted the sapling to replace it, but the Angel motioned
|
||
|
him away.
|
||
|
|
||
|
"Use your hatchet," she said. "I predict this is the most valuable
|
||
|
tree in the swamp. You found it. I'm going to play that you're
|
||
|
my knight. Now, you nail my colors on it."
|
||
|
|
||
|
She reached up, and pulling a blue bow from her hair, untied and
|
||
|
doubled it against the tree. Freckles turned his eyes from her and
|
||
|
managed the fastening with shaking fingers. The Angel had called
|
||
|
him her knight! Dear Lord, how he loved her! She must not see his
|
||
|
face, or surely her quick eyes would read what he was fighting to hide.
|
||
|
He did not dare lay his lips on that ribbon then, but that night
|
||
|
he would return to it. When they had gone a little distance,
|
||
|
they both looked back, and the morning breeze set the bit of blue
|
||
|
waving them a farewell.
|
||
|
|
||
|
They walked at a rapid pace.
|
||
|
|
||
|
"I am sorry about scaring the birds," said the Angel, "but it's
|
||
|
almost time for them to go anyway. I feel dreadfully over having
|
||
|
the swamp ruined, but isn't it a delight to hear the good, honest
|
||
|
ring of those axes, instead of straining your ears for stealthy
|
||
|
sounds? Isn't it fine to go openly and freely, with nothing worse
|
||
|
than a snake or a poison-vine to fear?"
|
||
|
|
||
|
"Ah!" said Freckles, with a long breath, "it's better than you can
|
||
|
dream, Angel. Nobody will ever be guessing some of the things I've
|
||
|
been through trying to keep me promise to the Boss, and to hold out
|
||
|
until this day. That it's come with only one fresh stump, and the
|
||
|
log from that saved, and this new tree to report, isn't it grand?
|
||
|
Maybe Mr. McLean will be forgetting that stump when he sees this
|
||
|
tree, Angel!"
|
||
|
|
||
|
"He can't forget it," said the Angel; and in answer to Freckles'
|
||
|
startled eyes she added, "because he never had any reason to
|
||
|
remember it. He couldn't have done a whit better himself. My father
|
||
|
says so. You're all right, Freckles!"
|
||
|
|
||
|
She reached him her hand, and as two children, they broke into a
|
||
|
run when they came closer the gang. They left the swamp by the west
|
||
|
road and followed the trail until they found the men. To the Angel
|
||
|
it seemed complete charm. In the shadiest spot on the west side of
|
||
|
the line, at the edge of the swamp and very close Freckles' room,
|
||
|
they were cutting bushes and clearing space for a big tent for the
|
||
|
men's sleeping-quarters, another for a dining-hall, and a board
|
||
|
shack for the cook. The teamsters were unloading, the horses were
|
||
|
cropping leaves from the bushes, while each man was doing his part
|
||
|
toward the construction of the new Limberlost quarters.
|
||
|
|
||
|
Freckles helped the Angel climb on a wagonload of canvas in the shade.
|
||
|
She removed her leggings, wiped her heated face, and glowed with
|
||
|
happiness and interest.
|
||
|
|
||
|
The gang had been sifted carefully. McLean now felt that there was
|
||
|
not a man in it who was not trustworthy.
|
||
|
|
||
|
They all had heard of the Angel's plucky ride for Freckles' relief;
|
||
|
several of them had been in the rescue party. Others, new since
|
||
|
that time, had heard the tale rehearsed in its every aspect around
|
||
|
the smudge-fires at night. Almost all of them knew the Angel by
|
||
|
sight from her trips with the Bird Woman to their leases. They all
|
||
|
knew her father, her position, and the luxuries of her home.
|
||
|
Whatever course she had chosen with them they scarcely would have
|
||
|
resented it, but the Angel never had been known to choose a course.
|
||
|
Her spirit of friendliness was inborn and inbred. She loved
|
||
|
everyone, so she sympathized with everyone. Her generosity was only
|
||
|
limited by what was in her power to give.
|
||
|
|
||
|
She came down the trail, hand in hand with the red-haired, freckled
|
||
|
timber guard whom she had worn herself past the limit of endurance
|
||
|
to save only a few weeks before, racing in her eagerness to reach
|
||
|
them, and laughing her "Good morning, gentlemen," right and left.
|
||
|
When she was ensconced on the wagonload of tenting, she sat on a
|
||
|
roll of canvas as a queen on her throne. There was not a man of the
|
||
|
gang who did not respect her. She was a living exponent of
|
||
|
universal brotherhood. There was no man among them who needed her
|
||
|
exquisite face or dainty clothing to teach him that the deference
|
||
|
due a gentlewoman should be paid her. That the spirit of good
|
||
|
fellowship she radiated levied an especial tribute of its own, and
|
||
|
it became their delight to honor and please her.
|
||
|
|
||
|
As they raced toward the wagon--"Let me tell about the tree,
|
||
|
please?" she begged Freckles.
|
||
|
|
||
|
"Why, sure!" said Freckles.
|
||
|
|
||
|
He probably would have said the same to anything she suggested.
|
||
|
When McLean came, he found the Angel flushed and glowing, sitting
|
||
|
on the wagon, her hands already filled. One of the men, who was
|
||
|
cutting a scrub-oak, had carried to her a handful of crimson leaves.
|
||
|
Another had gathered a bunch of delicate marsh-grass heads for her.
|
||
|
Someone else, in taking out a bush, had found a daintily built and
|
||
|
lined little nest, fresh as when made.
|
||
|
|
||
|
She held up her treasures and greeted McLean, "Good morning, Mr.
|
||
|
Boss of the Limberlost!"
|
||
|
|
||
|
The gang shouted, while he bowed profoundly before her.
|
||
|
|
||
|
"Everyone listen!" cried the Angel, climbing a roll of canvas.
|
||
|
"I have something to say! Freckles has been guarding here over a year
|
||
|
now, and he presents the Limberlost to you, with every tree in it
|
||
|
saved; for good measure he has this morning located the rarest one
|
||
|
of them all: the one in from the east line, that Wessner spoke of
|
||
|
the first day--nearest the one you took out. All together!
|
||
|
Everyone! Hurrah for Freckles!"
|
||
|
|
||
|
With flushing cheeks and gleaming eyes, gaily waving the grass above
|
||
|
her head, she led in three cheers and a tiger. Freckles slipped
|
||
|
into the swamp and hid himself, for fear he could not conceal his
|
||
|
pride and his great surging, throbbing love for her.
|
||
|
|
||
|
The Angel subsided on the canvas and explained to McLean about
|
||
|
the maple. The Boss was mightily pleased. He took Freckles and
|
||
|
set out to re-locate and examine the tree. The Angel was interested
|
||
|
in the making of the camp, so she preferred to remain with the men.
|
||
|
With her sharp eyes she was watching every detail of construction;
|
||
|
but when it came to the stretching of the dining-hall canvas she
|
||
|
proceeded to take command. The men were driving the rope-pins, when
|
||
|
the Angel arose on the wagon and, leaning forward, spoke to Duncan,
|
||
|
who was directing the work.
|
||
|
|
||
|
"I believe if you will swing that around a few feet farther, you
|
||
|
will find it better, Mr. Duncan," she said. "That way will let the
|
||
|
hot sun in at noon, while the sides will cut off the best breeze."
|
||
|
|
||
|
"That's a fact," said Duncan, studying the conditions.
|
||
|
|
||
|
So, by shifting the pins a little, they obtained comfort for which
|
||
|
they blessed the Angel every day. When they came to the
|
||
|
sleeping-tent, they consulted her about that. She explained the
|
||
|
general direction of the night breeze and indicated the best
|
||
|
position for the tent. Before anyone knew how it happened, the
|
||
|
Angel was standing on the wagon, directing the location and
|
||
|
construction of the cooking-shack, the erection of the crane
|
||
|
for the big boiling-pots, and the building of the store-room.
|
||
|
She superintended the laying of the floor of the sleeping-tent
|
||
|
lengthwise, So that it would be easier to sweep, and suggested a
|
||
|
new arrangement of the cots that would afford all the men an equal
|
||
|
share of night breeze. She left the wagon, and climbing on the
|
||
|
newly erected dining-table, advised with the cook in placing his
|
||
|
stove, table, and kitchen utensils.
|
||
|
|
||
|
When Freckles returned from the tree to join in the work around the
|
||
|
camp, he caught glimpses of her enthroned on a soapbox, cleaning beans.
|
||
|
She called to him that they were invited for dinner, and that they
|
||
|
had accepted the invitation.
|
||
|
|
||
|
When the beans were steaming in the pot, the Angel advised the cook
|
||
|
to soak them overnight the next time, so that they would cook more
|
||
|
quickly and not burst. She was sure their cook at home did that
|
||
|
way, and the CHEF of the gang thought it would be a good idea.
|
||
|
The next Freckles saw of her she was paring potatoes. A little later
|
||
|
she arranged the table.
|
||
|
|
||
|
She swept it with a broom, instead of laying a cloth; took the
|
||
|
hatchet and hammered the deepest dents from the tin plates, and
|
||
|
nearly skinned her fingers scouring the tinware with rushes.
|
||
|
She set the plates an even distance apart, and laid the forks and
|
||
|
spoons beside them. When the cook threw away half a dozen
|
||
|
fruit-cans, she gathered them up and melted off the tops, although
|
||
|
she almost blistered her face and quite blistered her fingers doing it.
|
||
|
Then she neatly covered these improvised vases with the Manila paper
|
||
|
from the groceries, tying it with wisps of marshgrass. These she
|
||
|
filled with fringed gentians, blazing-star, asters, goldenrod,
|
||
|
and ferns, placing them the length of the dining-table. In one of
|
||
|
the end cans she arranged her red leaves, and in the other the
|
||
|
fancy grass. Two men, watching her, went away proud of themselves
|
||
|
and said that she was "a born lady." She laughingly caught up a
|
||
|
paper bag and fitted it jauntily to her head in imitation of a
|
||
|
cook's cap. Then she ground the coffee, and beat a couple of eggs
|
||
|
to put in, "because there is company," she gravely explained to
|
||
|
the cook. She asked that delighted individual if he did not like it
|
||
|
best that way, and he said he did not know, because he never had a
|
||
|
chance to taste it. The Angel said that was her case exactly--she
|
||
|
never had, either; she was not allowed anything stronger than milk.
|
||
|
Then they laughed together.
|
||
|
|
||
|
She told the cook about camping with her father, and explained that
|
||
|
he made his coffee that way. When the steam began to rise from the
|
||
|
big boiler, she stuffed the spout tightly with clean marshgrass, to
|
||
|
keep the aroma in, placed the boiler where it would only simmer,
|
||
|
and explained why. The influence of the Angel's visit lingered with
|
||
|
the cook through the remainder of his life, while the men prayed
|
||
|
for her frequent return.
|
||
|
|
||
|
She was having a happy time, when McLean came back jubilant, from
|
||
|
his trip to the tree. How jubilant he told only the Angel, for he
|
||
|
had been obliged to lose faith in some trusted men of late, and had
|
||
|
learned discretion by what he suffered. He planned to begin
|
||
|
clearing out a road to the tree that same afternoon, and to set two
|
||
|
guards every night, for it promised to be a rare treasure, so he
|
||
|
was eager to see it on the way to the mills.
|
||
|
|
||
|
"I am coming to see it felled," cried the Angel. "I feel a sort of
|
||
|
motherly interest in that tree."
|
||
|
|
||
|
McLean was highly amused. He would have staked his life on the
|
||
|
honesty of either the Angel or Freckles; yet their versions of the
|
||
|
finding of the tree differed widely.
|
||
|
|
||
|
"Tell me, Angel," the Boss said jestingly. "I think I have a right
|
||
|
to know. Who really did locate that tree?"
|
||
|
|
||
|
"Freckles," she answered promptly and emphatically.
|
||
|
|
||
|
"But he says quite as positively that it was you. I don't understand."
|
||
|
|
||
|
The Angel's legal look flashed into her face. Her eyes grew tense
|
||
|
with earnestness. She glanced around, and seeing no towel or basin,
|
||
|
held out her hand for Sears to pour water over them. Then, using
|
||
|
the skirt of her dress to dry them, she climbed on the wagon.
|
||
|
|
||
|
"I'll tell you, word for word, how it happened," she said, "and
|
||
|
then you shall decide, and Freckles and I will agree with you."
|
||
|
|
||
|
When she had finished her version, "Tell us, `oh, most learned
|
||
|
judge!'" she laughingly quoted, "which of us located that tree?"
|
||
|
|
||
|
"Blest if I know who located it!" exclaimed McLean. "But I have a
|
||
|
fairly accurate idea as to who put the blue ribbon on it."
|
||
|
|
||
|
The Boss smiled significantly at Freckles, who just had come, for
|
||
|
they had planned that they would instruct the company to reserve
|
||
|
enough of the veneer from that very tree to make the most beautiful
|
||
|
dressing table they could design for the Angel's share of the discovery.
|
||
|
|
||
|
"What will you have for yours?" McLean had asked of Freckles.
|
||
|
|
||
|
"If it's all the same to you, I'll be taking mine out in music lessons--
|
||
|
begging your pardon--voice culture," said Freckles with a grimace.
|
||
|
|
||
|
McLean laughed, for Freckles needed to see or hear only once to
|
||
|
absorb learning as the thirsty earth sucks up water.
|
||
|
|
||
|
The Angel placed McLean at the head of the table. She took the
|
||
|
foot, with Freckles on her right, while the lumber gang, washed,
|
||
|
brushed, and straightened until they felt unfamiliar with
|
||
|
themselves and each other, filled the sides. That imposed a slight
|
||
|
constraint. Then, too, the men were afraid of the flowers, the
|
||
|
polished tableware, and above all, of the dainty grace of the Angel.
|
||
|
Nowhere do men so display lack of good breeding and culture as
|
||
|
in dining. To sprawl on the table, scoop with their knives, chew
|
||
|
loudly, gulp coffee, and duck their heads as snapping-turtles for
|
||
|
every bite, had not been noticed by them until the Angel, sitting
|
||
|
straightly, suddenly made them remember that they, too, were
|
||
|
possessed of spines. Instinctively every man at the table straightened.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XVII
|
||
|
|
||
|
Wherein Freckles Offers His Life for His Love and Gets a Broken Body
|
||
|
|
||
|
To reach the tree was a more difficult task than McLean had supposed.
|
||
|
The gang could approach nearest on the outside toward the east,
|
||
|
but after they reached the end of the east entrance there was
|
||
|
yet a mile of most impenetrable thicket, trees big and little, and
|
||
|
bushes of every variety and stage of growth. In many places the
|
||
|
muck had to be filled to give the horses and wagons a solid
|
||
|
foundation over which to haul heavy loads. It was several days
|
||
|
before they completed a road to the noble, big tree and were ready
|
||
|
to fell it.
|
||
|
|
||
|
When the sawing began, Freckles was watching down the road where it
|
||
|
met the trail leading from Little Chicken's tree. He had gone to the
|
||
|
tree ahead of the gang to remove the blue ribbon. Carefully folded,
|
||
|
it now lay over his heart. He was promising himself much
|
||
|
comfort with that ribbon, when he would leave for the city next
|
||
|
month to begin his studies and dream the summer over again.
|
||
|
It would help to make things tangible. When he was dressed as other
|
||
|
men, and at his work, he knew where he meant to home that precious
|
||
|
bit of blue. It should be his good-luck token, and he would wear it
|
||
|
always to keep bright in memory the day on which the Angel had
|
||
|
called him her knight.
|
||
|
|
||
|
How he would study, and oh, how he would sing! If only he could
|
||
|
fulfill McLean's expectations, and make the Angel proud of him!
|
||
|
If only he could be a real knight!
|
||
|
|
||
|
He could not understand why the Angel had failed to come. She had
|
||
|
wanted to see their tree felled. She would be too late if she did
|
||
|
not arrive soon. He had told her it would be ready that morning,
|
||
|
and she had said she surely would be there. Why, of all mornings,
|
||
|
was she late on this?
|
||
|
|
||
|
McLean had ridden to town. If he had been there, Freckles would
|
||
|
have asked that they delay the felling, but he scarcely liked to
|
||
|
ask the gang. He really had no authority, although he thought the
|
||
|
men would wait; but some way he found such embarrassment in framing
|
||
|
the request that he waited until the work was practically ended.
|
||
|
The saw was out, and the men were cutting into the felling side of
|
||
|
the tree when the Boss rode in.
|
||
|
|
||
|
His first word was to inquire for the Angel. When Freckles said she
|
||
|
had not yet come, the Boss at once gave orders to stop work on the
|
||
|
tree until she arrived; for he felt that she virtually had located
|
||
|
it, and if she desired to see it felled, she should. As the men
|
||
|
stepped back, a stiff morning breeze caught the top, that towered
|
||
|
high above its fellows. There was an ominous grinding at the base,
|
||
|
a shiver of the mighty trunk, then directly in line of its fall the
|
||
|
bushes swung apart and the laughing face of the Angel looked on them.
|
||
|
|
||
|
A groan of horror burst from the dry throats of the men, and
|
||
|
reading the agony in their faces, she stopped short, glanced up,
|
||
|
and understood.
|
||
|
|
||
|
"South!" shouted McLean. "Run south!"
|
||
|
|
||
|
The Angel was helpless. It was apparent that she did not know which
|
||
|
way south was. There was another slow shiver of the big tree.
|
||
|
The remainder of the gang stood motionless, but Freckles sprang past
|
||
|
the trunk and went leaping in big bounds. He caught up the Angel
|
||
|
and dashed through the thicket for safety. The swaying trunk was
|
||
|
half over when, for an instant, a near-by tree stayed its fall.
|
||
|
They saw Freckles' foot catch, and with the Angel he plunged headlong.
|
||
|
|
||
|
A terrible cry broke from the men, while McLean covered his face.
|
||
|
Instantly Freckles was up, with the Angel in his arms, struggling on.
|
||
|
The outer limbs were on them when they saw Freckles hurl the
|
||
|
Angel, face down, in the muck, as far from him as he could send her.
|
||
|
Springing after, in an attempt to cover her body with his own,
|
||
|
he whirled to see if they were yet in danger, and with outstretched
|
||
|
arms braced himself for the shock. The branches shut them from
|
||
|
sight, and the awful crash rocked the earth.
|
||
|
|
||
|
McLean and Duncan ran with axes and saws. The remainder of the gang
|
||
|
followed, and they worked desperately. It seemed a long time before
|
||
|
they caught a glimpse of the Angel's blue dress, but it renewed
|
||
|
their vigor. Duncan fell on his knees beside her and tore the muck
|
||
|
from underneath her with his hands. In a few seconds he dragged her
|
||
|
out, choking and stunned, but surely not fatally hurt.
|
||
|
|
||
|
Freckles lay a little farther under the tree, a big limb pinning
|
||
|
him down. His eyes were wide open. He was perfectly conscious.
|
||
|
Duncan began mining beneath him, but Freckles stopped him.
|
||
|
|
||
|
"You can't be moving me," he said. "You must cut off the limb and
|
||
|
lift it. I know."
|
||
|
|
||
|
Two men ran for the big saw. A number of them laid hold of the limb
|
||
|
and bore up. In a short time it was removed, and Freckles lay free.
|
||
|
|
||
|
The men bent over to lift him, but he motioned them away.
|
||
|
|
||
|
"Don't be touching me until I rest a bit," he pleaded.
|
||
|
|
||
|
Then he twisted his head until he saw the Angel, who was wiping
|
||
|
muck from her eyes and face on the skirt of her dress.
|
||
|
|
||
|
"Try to get up," he begged.
|
||
|
|
||
|
McLean laid hold of the Angel and helped her to her feet.
|
||
|
|
||
|
"Do you think any bones are broken?" gasped Freckles.
|
||
|
|
||
|
The Angel shook her head and wiped muck.
|
||
|
|
||
|
"You see if you can find any, sir," Freckles commanded.
|
||
|
|
||
|
The Angel yielded herself to McLean's touch, and he assured
|
||
|
Freckles that she was not seriously injured.
|
||
|
|
||
|
Freckles settled back, a smile of ineffable tenderness on his face.
|
||
|
|
||
|
"Thank the Lord!" he hoarsely whispered.
|
||
|
|
||
|
The Angel leaned toward him.
|
||
|
|
||
|
"Now, Freckles, you!" she cried. "It's your turn. Please get up!"
|
||
|
|
||
|
A pitiful spasm swept Freckles' face. The sight of it washed every
|
||
|
vestige of color from the Angel's. She took hold of his hands.
|
||
|
|
||
|
"Freckles, get up!" It was half command, half entreaty.
|
||
|
|
||
|
"Easy, Angel, easy! Let me rest a bit first!" implored Freckles.
|
||
|
|
||
|
She knelt beside him. He reached his arm around her and drew
|
||
|
her closely. He looked at McLean in an agony of entreaty that
|
||
|
brought the Boss to his knees on the other side.
|
||
|
|
||
|
"Oh, Freckles!" McLean cried. "Not that! Surely we can do something!
|
||
|
We must! Let me see!"
|
||
|
|
||
|
He tried to unfasten Freckles' neckband, but his fingers shook so
|
||
|
clumsily that the Angel pushed them away and herself laid Freckles'
|
||
|
chest bare. With one hasty glance she gathered the clothing
|
||
|
together and slipped her arm under his head. Freckles lifted his
|
||
|
eyes of agony to hers.
|
||
|
|
||
|
"You see?" he said.
|
||
|
|
||
|
The Angel nodded dumbly.
|
||
|
|
||
|
Freckles turned to McLean.
|
||
|
|
||
|
"Thank you for everything," he panted. "Where are the boys?"
|
||
|
|
||
|
"They are all here," said the Boss, "except a couple who have gone
|
||
|
for doctors, Mrs. Duncan and the Bird Woman."
|
||
|
|
||
|
"It's no use trying to do anything," said Freckles. "You won't
|
||
|
forget the muff and the Christmas box. The muff especial?"
|
||
|
|
||
|
There was a movement above them so pronounced that it attracted
|
||
|
Freckles' attention, even in that extreme hour. He looked up, and
|
||
|
a pleased smile flickered on his drawn face.
|
||
|
|
||
|
"Why, if it ain't me Little Chicken!" he cried hoarsely. "He must
|
||
|
be making his very first trip from the log. Now Duncan can have his
|
||
|
big watering-trough."
|
||
|
|
||
|
"It was Little Chicken that made me late," faltered the Angel.
|
||
|
"I was so anxious to get here early I forgot to bring his breakfast
|
||
|
from the carriage. He must have been hungry, for when I passed the
|
||
|
log he started after me. He was so wabbly, and so slow flying from
|
||
|
tree to tree and through the bushes, I just had to wait on him, for
|
||
|
I couldn't drive him back."
|
||
|
|
||
|
"Of course you couldn't! Me bird has too amazing good sinse to go
|
||
|
back when he could be following you," exulted Freckles, exactly as
|
||
|
if he did not realize what the delay had cost him. Then he lay
|
||
|
silently thinking, but presently he asked slowly: "And so `twas me
|
||
|
Little Chicken that was making you late, Angel?"
|
||
|
|
||
|
"Yes," said the Angel.
|
||
|
|
||
|
A spasm of fierce pain shook Freckles, and a look of uncertainty
|
||
|
crossed his face.
|
||
|
|
||
|
"All summer I've been thanking God for the falling of the feather
|
||
|
and all the delights it's brought me," he muttered, "but this looks
|
||
|
as if----"
|
||
|
|
||
|
He stopped short and raised questioning eyes to McLean.
|
||
|
|
||
|
"I can't help being Irish, but I can help being superstitious,"
|
||
|
he said. "I mustn't be laying it to the Almighty, or to me bird,
|
||
|
must I?"
|
||
|
|
||
|
"No, dear lad," said McLean, stroking the brilliant hair.
|
||
|
"The choice lay with you. You could have stood a rooted dolt like
|
||
|
all the remainder of us. It was through your great love and your
|
||
|
high courage that you made the sacrifice."
|
||
|
|
||
|
"Don't you be so naming it, sir!" cried Freckles. "It's just
|
||
|
the reverse. If I could be giving me body the hundred times over to
|
||
|
save hers from this, I'd be doing it and take joy with every pain."
|
||
|
|
||
|
He turned with a smile of adoring tenderness to the Angel. She was
|
||
|
ghastly white, and her eyes were dull and glazed. She scarcely
|
||
|
seemed to hear or understand what was coming, but she bravely tried
|
||
|
to answer that smile.
|
||
|
|
||
|
"Is my forehead covered with dirt?" he asked.
|
||
|
|
||
|
She shook her head.
|
||
|
|
||
|
"You did once," he gasped.
|
||
|
|
||
|
Instantly she laid her lips on his forehead, then on each cheek,
|
||
|
and then in a long kiss on his lips.
|
||
|
|
||
|
McLean bent over him.
|
||
|
|
||
|
"Freckles," he said brokenly, "you will never know how I love you.
|
||
|
You won't go without saying good-bye to me?"
|
||
|
|
||
|
That word stung the Angel to quick comprehension. She started as if
|
||
|
arousing from sleep.
|
||
|
|
||
|
"Good-bye?" she cried sharply, her eyes widening and the color
|
||
|
rushing into her white face. "Good-bye! Why, what do you mean?
|
||
|
Who's saying good-bye? Where could Freckles go, when he is hurt
|
||
|
like this, save to the hospital? You needn't say good-bye for that.
|
||
|
Of course, we will all go with him! You call up the men. We must
|
||
|
start right away."
|
||
|
|
||
|
"It's no use, Angel," said Freckles. "I'm thinking ivry bone in me
|
||
|
breast is smashed. You'll have to be letting me go!"
|
||
|
|
||
|
"I will not," said the Angel flatly. "It's no use wasting precious
|
||
|
time talking about it. You are alive. You are breathing; and no
|
||
|
matter how badly your bones are broken, what are great surgeons for
|
||
|
but to fix you up and make you well again? You promise me that
|
||
|
you'll just grit your teeth and hang on when we hurt you, for we
|
||
|
must start with you as quickly as it can be done. I don't know what
|
||
|
has been the matter with me. Here's good time wasted already."
|
||
|
|
||
|
"Oh, Angel!" moaned Freckles, "I can't! You don't know how bad it is.
|
||
|
I'll die the minute you are for trying to lift me!"
|
||
|
|
||
|
"Of course you will, if you make up your mind to do it," said
|
||
|
the Angel. "But if you are determined you won't, and set yourself to
|
||
|
breathing deep and strong, and hang on to me tight, I can get you out.
|
||
|
Really you must, Freckles, no matter how it hurts, for you did this
|
||
|
for me, and now I must save you, so you might as well promise."
|
||
|
|
||
|
She bent over him, trying to smile encouragement with her
|
||
|
fear-stiffened lips.
|
||
|
|
||
|
"You will promise, Freckles?"
|
||
|
|
||
|
Big drops of cold sweat ran together on Freckles' temples.
|
||
|
|
||
|
"Angel, darlin' Angel," he pleaded, taking her hand in his.
|
||
|
"You ain't understanding, and I can't for the life of me be
|
||
|
telling you, but indade, it's best to be letting me go.
|
||
|
This is my chance. Please say good-bye, and let me slip
|
||
|
off quick!"
|
||
|
|
||
|
He appealed to McLean.
|
||
|
|
||
|
"Dear Boss, you know! You be telling her that, for me, living is
|
||
|
far worse pain than dying. Tell her you know death is the best
|
||
|
thing that could ever be happening to me!"
|
||
|
|
||
|
"Merciful Heaven!" burst in the Angel. "I can't endure this delay!"
|
||
|
|
||
|
She caught Freckles' hand to her breast, and bending over him,
|
||
|
looked deeply into his stricken eyes.
|
||
|
|
||
|
"`Angel, I give you my word of honor that I will keep right
|
||
|
on breathing.' That's what you are going to promise me," she said.
|
||
|
"Do you say it?"
|
||
|
|
||
|
Freckles hesitated.
|
||
|
|
||
|
"Freckles!" imploringly commanded the Angel, "YOU DO SAY IT!"
|
||
|
|
||
|
"Yis," gasped Freckles.
|
||
|
|
||
|
The Angel sprang to her feet.
|
||
|
|
||
|
"Then that's all right," she said, with a tinge of her old-
|
||
|
time briskness. "You just keep breathing away like a steam
|
||
|
engine, and I will do all the remainder."
|
||
|
|
||
|
The eager men gathered around her.
|
||
|
|
||
|
"It's going to be a tough pull to get Freckles out," she said, "but
|
||
|
it's our only chance, so listen closely and don't for the lives of
|
||
|
you fail me in doing quickly what I tell you. There's no time to
|
||
|
spend falling down over each other; we must have some system.
|
||
|
You four there get on those wagon horses and ride to the sleeping-tent.
|
||
|
Get the stoutest cot, a couple of comforts, and a pillow. Ride back
|
||
|
with them some way to save time. If you meet any other men of the
|
||
|
gang, send them here to help carry the cot. We won't risk the jolt
|
||
|
of driving with him. The others clear a path out to the road; and
|
||
|
Mr. McLean, you take Nellie and ride to town. Tell my father how
|
||
|
Freckles is hurt and that he risked it to save me. Tell him I'm
|
||
|
going to take Freckles to Chicago on the noon train, and I want him
|
||
|
to hold it if we are a little late. If he can't, then have a
|
||
|
special ready at the station and another on the Pittsburgh at Fort
|
||
|
Wayne, so we can go straight through. You needn't mind leaving us.
|
||
|
The Bird Woman will be here soon. We will rest awhile."
|
||
|
|
||
|
She dropped into the muck beside Freckles and began stroking his
|
||
|
hair and hand. He lay with his face of agony turned to hers, and
|
||
|
fought to smother the groans that would tell her what he was suffering.
|
||
|
|
||
|
When they stood ready to lift him, the Angel bent over him in a
|
||
|
passion of tenderness.
|
||
|
|
||
|
"Dear old Limberlost guard, we're going to lift you now," she said.
|
||
|
"I suspect you will faint from the pain of it, but we will be as
|
||
|
easy as ever we can, and don't you dare forget your promise!"
|
||
|
|
||
|
A whimsical half-smile touched Freckles' quivering lips.
|
||
|
|
||
|
"Angel, can a man be remembering a promise when he ain't knowing?"
|
||
|
he asked.
|
||
|
|
||
|
"You can," said the Angel stoutly, "because a promise means so much
|
||
|
more to you than it does to most men."
|
||
|
|
||
|
A look of strength flashed into Freckles' face at her words.
|
||
|
|
||
|
"I am ready," he said.
|
||
|
|
||
|
With the first touch his eyes closed, a mighty groan was wrenched
|
||
|
from him, and he lay senseless. The Angel gave Duncan one panic-
|
||
|
stricken look. Then she set her lips and gathered her forces again.
|
||
|
|
||
|
"I guess that's a good thing," she said. "Maybe he won't feel how
|
||
|
we are hurting him. Oh boys, are you being quick and gentle?"
|
||
|
|
||
|
She stepped to the side of the cot and bathed Freckles' face.
|
||
|
Taking his hand in hers, she gave the word to start. She told the
|
||
|
men to ask every able-bodied man they met to join them so that they
|
||
|
could change carriers often and make good time.
|
||
|
|
||
|
The Bird Woman insisted upon taking the Angel into the carriage and
|
||
|
following the cot, but she refused to leave Freckles, and suggested
|
||
|
that the Bird Woman drive ahead, pack them some clothing, and be at
|
||
|
the station ready to accompany them to Chicago. All the way the
|
||
|
Angel walked beside the cot, shading Freckles' face with a branch,
|
||
|
and holding his hand. At every pause to change carriers she
|
||
|
moistened his face and lips and watched each breath with
|
||
|
heart-breaking anxiety.
|
||
|
|
||
|
She scarcely knew when her father joined them, and taking the branch
|
||
|
from her, slipped an arm around her waist and almost carried her.
|
||
|
To the city streets and the swarm of curious, staring faces she
|
||
|
paid no more attention than she had to the trees of the Limberlost.
|
||
|
When the train came and the gang placed Freckles aboard, big
|
||
|
Duncan made a place for the Angel beside the cot.
|
||
|
|
||
|
With the best physician to be found, and with the Bird Woman and
|
||
|
McLean in attendance, the four-hours' run to Chicago began. The Angel
|
||
|
constantly watched over Freckles; bathed his face, stroked his
|
||
|
hand, and gently fanned him. Not for an instant would she yield
|
||
|
her place, or allow anyone else to do anything for him. The Bird
|
||
|
Woman and McLean regarded her in amazement. There seemed to be no
|
||
|
end to her resources and courage. The only time she spoke was to
|
||
|
ask McLean if he were sure the special would be ready on the
|
||
|
Pittsburgh road. He replied that it was made up and waiting.
|
||
|
|
||
|
At five o'clock Freckles lay stretched on the operating-table of
|
||
|
Lake View Hospital, while three of the greatest surgeons in Chicago
|
||
|
bent over him. At their command, McLean picked up the unwilling
|
||
|
Angel and carried her to the nurses to be bathed, have her bruises
|
||
|
attended, and to be put to bed.
|
||
|
|
||
|
In a place where it is difficult to surprise people, they were
|
||
|
astonished women as they removed the Angel's dainty stained and
|
||
|
torn clothing, drew off hose muck-baked to her limbs, soaked the
|
||
|
dried loam from her silken hair, and washed the beautiful
|
||
|
scratched, bruised, dirt-covered body. The Angel fell fast asleep
|
||
|
long before they had finished, and lay deeply unconscious, while
|
||
|
the fight for Freckles' life was being waged.
|
||
|
|
||
|
Three days later she was the same Angel as of old, except that
|
||
|
Freckles was constantly in her thoughts. The anxiety and
|
||
|
responsibility that she felt for his condition had bred in her a
|
||
|
touch of womanliness and authority that was new. That morning she
|
||
|
arose early and hovered near Freckles' door. She had been allowed
|
||
|
to remain with him constantly, for the nurses and surgeons had
|
||
|
learned, with his returning consciousness, that for her alone would
|
||
|
the active, highly strung, pain-racked sufferer be quiet and obey
|
||
|
orders. When she was dropping from loss of sleep, the threat that
|
||
|
she would fall ill had to be used to send her to bed. Then by
|
||
|
telling Freckles that the Angel was asleep and they would waken her
|
||
|
the moment he moved, they were able to control him for a short time.
|
||
|
|
||
|
The surgeon was with Freckles. The Angel had been told that the
|
||
|
word he brought that morning would be final, so she curled in a
|
||
|
window seat, dropped the curtains behind her, and in dire anxiety,
|
||
|
waited the opening of the door.
|
||
|
|
||
|
Just as it unclosed, McLean came hurrying down the hall and to the
|
||
|
surgeon, but with one glance at his face he stepped back in dismay;
|
||
|
while the Angel, who had arisen, sank to the seat again, too dazed
|
||
|
to come forward. The men faced each other. The Angel, with parted
|
||
|
lips and frightened eyes, bent forward in tense anxiety.
|
||
|
|
||
|
"I--I thought he was doing nicely?" faltered McLean.
|
||
|
|
||
|
"He bore the operation well," replied the surgeon, "and his wounds
|
||
|
are not necessarily fatal. I told you that yesterday, but I did not
|
||
|
tell you that something else probably would kill him; and it will.
|
||
|
He need not die from the accident, but he will not live the day out."
|
||
|
|
||
|
"But why? What is it?" asked McLean hurriedly. "We all dearly love
|
||
|
the boy. We have millions among us to do anything that money
|
||
|
can accomplish. Why must he die, if those broken bones are not
|
||
|
the cause?"
|
||
|
|
||
|
"That is what I am going to give you the opportunity to tell me,"
|
||
|
replied the surgeon. "He need not die from the accident, yet he is
|
||
|
dying as fast as his splendid physical condition will permit, and
|
||
|
it is because he so evidently prefers death to life. If he were
|
||
|
full of hope and ambition to live, my work would be easy. If all of
|
||
|
you love him as you prove you do, and there is unlimited means to
|
||
|
give him anything he wants, why should he desire death?"
|
||
|
|
||
|
"Is he dying?" demanded McLean.
|
||
|
|
||
|
"He is," said the surgeon. "He will not live this day out, unless
|
||
|
some strong reaction sets in at once. He is so low, that preferring
|
||
|
death to life, nature cannot overcome his inertia. If he is to
|
||
|
live, he must be made to desire life. Now he undoubtedly wishes for
|
||
|
death, and that it come quickly."
|
||
|
|
||
|
"Then he must die," said McLean.
|
||
|
|
||
|
His broad shoulders shook convulsively. His strong hands opened and
|
||
|
closed mechanically.
|
||
|
|
||
|
"Does that mean that you know what he desires and cannot, or will
|
||
|
not, supply it?"
|
||
|
|
||
|
McLean groaned in misery.
|
||
|
|
||
|
"It means," he said desperately, "that I know what he wants, but it
|
||
|
is as far removed from my power to help him as it would be to give
|
||
|
him a star. The thing for which he will die, he can never have."
|
||
|
|
||
|
"Then you must prepare for the end very shortly" said the surgeon,
|
||
|
turning abruptly away.
|
||
|
|
||
|
McLean caught his arm roughly.
|
||
|
|
||
|
"You look here!" he cried in desperation. "You say that as if I
|
||
|
could do something if I would. I tell you the boy is dear to me
|
||
|
past expression. I would do anything--spend any sum. You have
|
||
|
noticed and repeatedly commented on the young girl with me. It is
|
||
|
that child that he wants! He worships her to adoration, and knowing
|
||
|
he can never be anything to her, he prefers death to life. In God's
|
||
|
name, what can I do about it?"
|
||
|
|
||
|
"Barring that missing hand, I never examined a finer man," said the
|
||
|
surgeon, "and she seemed perfectly devoted to him; why cannot he
|
||
|
have her?"
|
||
|
|
||
|
"Why?" echoed McLean. "Why? Well, for many reasons! I told you he
|
||
|
was my son. You probably knew that he was not. A little over a year
|
||
|
ago I never had seen him. He joined one of my lumber gangs from
|
||
|
the road. He is a stray, left at one of your homes for the friendless
|
||
|
here in Chicago. When he grew up the superintendent bound him to a
|
||
|
brutal man. He ran away and landed in one of my lumber camps. He
|
||
|
has no name or knowledge of legal birth. The Angel--we have talked
|
||
|
of her. You see what she is, physically and mentally. She has
|
||
|
ancestors reaching back to Plymouth Rock, and across the sea for
|
||
|
generations before that. She is an idolized, petted only child, and
|
||
|
there is great wealth. Life holds everything for her, nothing for him.
|
||
|
He sees it more plainly than anyone else could. There is nothing
|
||
|
for the boy but death, if it is the Angel that is required to save him."
|
||
|
|
||
|
The Angel stood between them.
|
||
|
|
||
|
"Well, I just guess not!" she cried. "If Freckles wants me, all he
|
||
|
has to do is to say so, and he can have me!"
|
||
|
|
||
|
The amazed men stepped back, staring at her.
|
||
|
|
||
|
"That he will never say," said McLean at last, "and you don't
|
||
|
understand, Angel. I don't know how you came here. I wouldn't have
|
||
|
had you hear that for the world, but since you have, dear girl, you
|
||
|
must be told that it isn't your friendship or your kindness
|
||
|
Freckles wants; it is your love."
|
||
|
|
||
|
The Angel looked straight into the great surgeon's eyes with her clear,
|
||
|
steady orbs of blue, and then into McLean's with unwavering frankness.
|
||
|
|
||
|
"Well, I do love him," she said simply.
|
||
|
|
||
|
McLean's arms dropped helplessly.
|
||
|
|
||
|
"You don't understand," he reiterated patiently. "It isn't the love
|
||
|
of a friend, or a comrade, or a sister, that Freckles wants from
|
||
|
you; it is the love of a sweetheart. And if to save the life he has
|
||
|
offered for you, you are thinking of being generous and impulsive
|
||
|
enough to sacrifice your future--in the absence of your father, it
|
||
|
will become my plain duty, as the protector in whose hands he has
|
||
|
placed you, to prevent such rashness. The very words you speak, and
|
||
|
the manner in which you say them, prove that you are a mere child,
|
||
|
and have not dreamed what love is."
|
||
|
|
||
|
Then the Angel grew splendid. A rosy flush swept the pallor of fear
|
||
|
from her face. Her big eyes widened and dilated with intense lights.
|
||
|
She seemed to leap to the height and the dignity of superb womanhood
|
||
|
before their wondering gaze.
|
||
|
|
||
|
"I never have had to dream of love," she said proudly. "I never
|
||
|
have known anything else, in all my life, but to love everyone and
|
||
|
to have everyone love me. And there never has been anyone so dear
|
||
|
as Freckles. If you will remember, we have been through a good deal
|
||
|
together. I do love Freckles, just as I say I do. I don't know
|
||
|
anything about the love of sweethearts, but I love him with all the
|
||
|
love in my heart, and I think that will satisfy him."
|
||
|
|
||
|
"Surely it should!" muttered the man of knives and lancets.
|
||
|
|
||
|
McLean reached to take hold of the Angel, but she saw the movement
|
||
|
and swiftly stepped back.
|
||
|
|
||
|
"As for my father," she continued, "he at once told me what he
|
||
|
learned from you about Freckles. I've known all you know for
|
||
|
several weeks. That knowledge didn't change your love for him
|
||
|
a particle. I think the Bird Woman loved him more. Why should
|
||
|
you two have all the fine perceptions there are? Can't I see how
|
||
|
brave, trustworthy, and splendid he is? Can't I see how his soul
|
||
|
vibrates with his music, his love of beautiful things and the pangs
|
||
|
of loneliness and heart hunger? Must you two love him with all the
|
||
|
love there is, and I give him none? My father is never unreasonable.
|
||
|
He won't expect me not to love Freckles, or not to tell him so,
|
||
|
if the telling will save him."
|
||
|
|
||
|
She darted past McLean into Freckles' room, closed the door, and
|
||
|
turned the key.
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XVIII
|
||
|
|
||
|
Wherein Freckles refuses Love Without Knowledge of Honorable Birth,
|
||
|
and the Angel Goes in Quest of it
|
||
|
|
||
|
Freckles lay on a flat pillow, his body immovable in a plaster
|
||
|
cast, his maimed arm, as always, hidden. His greedy gaze fastened
|
||
|
at once on the Angel's face. She crossed to him with light step and
|
||
|
bent over him with infinite tenderness. Her heart ached at the
|
||
|
change in his appearance. He seemed so weak, heart hungry, so
|
||
|
utterly hopeless, so alone. She could see that the night had been
|
||
|
one long terror.
|
||
|
|
||
|
For the first time she tried putting herself in Freckles' place.
|
||
|
What would it mean to have no parents, no home, no name? No name!
|
||
|
That was the worst of all. That was to be lost--indeed--utterly and
|
||
|
hopelessly lost. The Angel lifted her hands to her dazed head and
|
||
|
reeled, as she tried to face that proposition. She dropped on her
|
||
|
knees beside the bed, slipped her arm under the pillow, and leaning
|
||
|
over Freckles, set her lips on his forehead. He smiled faintly, but
|
||
|
his wistful face appeared worse for it. It hurt the Angel to the heart.
|
||
|
|
||
|
"Dear Freckles," she said, "there is a story in your eyes this
|
||
|
morning, tell me?"
|
||
|
|
||
|
Freckles drew a long, wavering breath.
|
||
|
|
||
|
"Angel," he begged, "be generous! Be thinking of me a little.
|
||
|
I'm so homesick and worn out, dear Angel, be giving me back me promise.
|
||
|
Let me go?"
|
||
|
|
||
|
"Why Freckles!" faltered the Angel. "You don't know what you
|
||
|
are asking. `Let you go!' I cannot! I love you better than
|
||
|
anyone, Freckles. I think you are the very finest person I ever knew.
|
||
|
I have our lives all planned. I want you to be educated and learn
|
||
|
all there is to know about singing, just as soon as you are well enough.
|
||
|
By the time you have completed your education I will have
|
||
|
finished college, and then I want," she choked a second, "I want
|
||
|
you to be my real knight, Freckles, and come to me and tell me that
|
||
|
you--like me--a little. I have been counting on you for my
|
||
|
sweetheart from the very first, Freckles. I can't give you up,
|
||
|
unless you don't like me. But you do like me--just a little--don't
|
||
|
you, Freckles?"
|
||
|
|
||
|
Freckles lay whiter than the coverlet, his staring eyes on the
|
||
|
ceiling and his breath wheezing between dry lips. The Angel awaited
|
||
|
his answer a second, and when none came, she dropped her crimsoning
|
||
|
face beside him on the pillow and whispered in his ear:
|
||
|
|
||
|
"Freckles, I--I'm trying to make love to you. Oh, can't you help me
|
||
|
only a little bit? It's awful hard all alone! I don't know how,
|
||
|
when I really mean it, but Freckles, I love you. I must have you,
|
||
|
and now I guess--I guess maybe I'd better kiss you next."
|
||
|
|
||
|
She lifted her shamed face and bravely laid her feverish, quivering
|
||
|
lips on his. Her breath, like clover-bloom, was in his nostrils, and
|
||
|
her hair touched his face. Then she looked into his eyes with reproach.
|
||
|
|
||
|
"Freckles," she panted, "Freckles! I didn't think it was in you to
|
||
|
be mean!"
|
||
|
|
||
|
"Mean, Angel! Mean to you?" gasped Freckles.
|
||
|
|
||
|
"Yes," said the Angel. "Downright mean. When I kiss you, if you had
|
||
|
any mercy at all you'd kiss back, just a little bit."
|
||
|
|
||
|
Freckles' sinewy fist knotted into the coverlet. His chin pointed
|
||
|
ceilingward while his head rocked on the pillow.
|
||
|
|
||
|
"Oh, Jesus!" burst from him in agony. "You ain't the only one that
|
||
|
was crucified!"
|
||
|
|
||
|
The Angel caught Freckles' hand and carried it to her breast.
|
||
|
|
||
|
"Freckles!" she wailed in terror, "Freckles! It is a mistake? Is it
|
||
|
that you don't want me?"
|
||
|
|
||
|
Freckles' head rolled on in wordless suffering.
|
||
|
|
||
|
"Wait a bit, Angel?" he panted at last. "Be giving me a little time!"
|
||
|
|
||
|
The Angel arose with controlled features. She bathed his face,
|
||
|
straightened his hair, and held water to his lips. It seemed a long
|
||
|
time before he reached toward her. Instantly she knelt again,
|
||
|
carried his hand to her breast, and leaned her cheek upon it.
|
||
|
|
||
|
"Tell me, Freckles," she whispered softly.
|
||
|
|
||
|
"If I can," said Freckles in agony. "It's just this. Angels are
|
||
|
from above. Outcasts are from below. You've a sound body and you're
|
||
|
beautifulest of all. You have everything that loving, careful
|
||
|
raising and money can give you. I have so much less than nothing
|
||
|
that I don't suppose I had any right to be born. It's a sure
|
||
|
thing--nobody wanted me afterward, so of course, they didn't
|
||
|
before. Some of them should have been telling you long ago."
|
||
|
|
||
|
"If that's all you have to say, Freckles, I've known that quite a
|
||
|
while," said the Angel stoutly. "Mr. McLean told my father, and he
|
||
|
told me. That only makes me love you more, to pay for all you've missed."
|
||
|
|
||
|
"Then I'm wondering at you," said Freckles in a voice of awe.
|
||
|
"Can't you see that if you were willing and your father would come
|
||
|
and offer you to me, I couldn't be touching the soles of your feet,
|
||
|
in love--me, whose people brawled over me, cut off me hand, and
|
||
|
throwed me away to freeze and to die! Me, who has no name just as
|
||
|
much because I've no RIGHT to any, as because I don't know it.
|
||
|
When I was little, I planned to find me father and mother when I
|
||
|
grew up. Now I know me mother deserted me, and me father was maybe a
|
||
|
thief and surely a liar. The pity for me suffering and the watching
|
||
|
over me have gone to your head, dear Angel, and it's me must be
|
||
|
thinking for you. If you could be forgetting me lost hand, where I
|
||
|
was raised, and that I had no name to give you, and if you would be
|
||
|
taking me as I am, some day people such as mine must be, might come
|
||
|
upon you. I used to pray ivery night and morning and many times the
|
||
|
day to see me mother. Now I only pray to die quickly and never risk
|
||
|
the sight of her. 'Tain't no ways possible, Angel! It's a wildness
|
||
|
of your dear head. Oh, do for mercy sake, kiss me once more and be
|
||
|
letting me go!"
|
||
|
|
||
|
"Not for a minute!" cried the Angel. "Not for a minute, if those
|
||
|
are all the reasons you have. It's you who are wild in your head,
|
||
|
but I can understand just how it happened. Being shut in that Home
|
||
|
most of your life, and seeing children every day whose parents did
|
||
|
neglect and desert them, makes you sure yours did the same; and yet
|
||
|
there are so many other things that could have happened so much
|
||
|
more easily than that. There are thousands of young couples who
|
||
|
come to this country and start a family with none of their
|
||
|
relatives here. Chicago is a big, wicked city, and grown people
|
||
|
could disappear in many ways, and who would there ever be to find
|
||
|
to whom their little children belonged? The minute my father told
|
||
|
me how you felt, I began to study this thing over, and I've made up
|
||
|
my mind you are dead wrong. I meant to ask my father or the Bird
|
||
|
Woman to talk to you before you went away to school, but as matters
|
||
|
are right now I guess I'll just do it myself. It's all so plain
|
||
|
to me. Oh, if I could only make you see!"
|
||
|
|
||
|
She buried her face in the pillow and presently lifted it, transfigured.
|
||
|
|
||
|
"Now I have it!" she cried. "Oh, dear heart! I can make it
|
||
|
so plain! Freckles, can you imagine you see the old Limberlost trail?
|
||
|
Well when we followed it, you know there were places where ugly,
|
||
|
prickly thistles overgrew the path, and you went ahead with your
|
||
|
club and bent them back to keep them from stinging through my clothing.
|
||
|
Other places there were big shining pools where lovely, snow-white
|
||
|
lilies grew, and you waded in and gathered them for me. Oh dear
|
||
|
heart, don't you see? It's this! Everywhere the wind carried
|
||
|
that thistledown, other thistles sprang up and grew prickles;
|
||
|
and wherever those lily seeds sank to the mire, the pure white
|
||
|
of other lilies bloomed. But, Freckles, there was never a
|
||
|
place anywhere in the Limberlost, or in the whole world, where the
|
||
|
thistledown floated and sprang up and blossomed into white lilies!
|
||
|
Thistles grow from thistles, and lilies from other lilies.
|
||
|
Dear Freckles, think hard! You must see it! You are a lily,
|
||
|
straight through. You never, never could have drifted from the
|
||
|
thistle-patch.
|
||
|
|
||
|
"Where did you find the courage to go into the Limberlost and face
|
||
|
its terrors? You inherited it from the blood of a brave father,
|
||
|
dear heart. Where did you get the pluck to hold for over a year a
|
||
|
job that few men would have taken at all? You got it from a plucky
|
||
|
mother, you bravest of boys. You attacked single-handed a man
|
||
|
almost twice your size, and fought as a demon, merely at the
|
||
|
suggestion that you be deceptive and dishonest. Could your mother
|
||
|
or your father have been untruthful? Here you are, so hungry and
|
||
|
starved that you are dying for love. Where did you get all that
|
||
|
capacity for loving? You didn't inherit it from hardened, heartless
|
||
|
people, who would disfigure you and purposely leave you to die,
|
||
|
that's one sure thing. You once told me of saving your big bullfrog
|
||
|
from a rattlesnake. You knew you risked a horrible death when you
|
||
|
did it. Yet you will spend miserable years torturing yourself with
|
||
|
the idea that your own mother might have cut off that hand. Shame on
|
||
|
you, Freckles! Your mother would have done this----"
|
||
|
|
||
|
The Angel deliberately turned back the cover, slipped up the
|
||
|
sleeve, and laid her lips on the scars.
|
||
|
|
||
|
"Freckles! Wake up!" she cried, almost shaking him. "Come to
|
||
|
your senses! Be a thinking, reasoning man! You have brooded too much,
|
||
|
and been all your life too much alone. It's all as plain as plain
|
||
|
can be to me. You must see it! Like breeds like in this world!
|
||
|
You must be some sort of a reproduction of your parents, and I am not
|
||
|
afraid to vouch for them, not for a minute!
|
||
|
|
||
|
"And then, too, if more proof is needed, here it is: Mr. McLean
|
||
|
says that you never once have failed in tact and courtesy. He says
|
||
|
that you are the most perfect gentleman he ever knew, and he has
|
||
|
traveled the world over. How does it happen, Freckles? No one at
|
||
|
that Home taught you. Hundreds of men couldn't be taught, even in
|
||
|
a school of etiquette; so it must be instinctive with you. If it
|
||
|
is, why, that means that it is born in you, and a direct
|
||
|
inheritance from a race of men that have been gentlemen for ages,
|
||
|
and couldn't be anything else.
|
||
|
|
||
|
"Then there's your singing. I don't believe there ever was a mortal
|
||
|
with a sweeter voice than yours, and while that doesn't prove
|
||
|
anything, there is a point that does. The little training you had
|
||
|
from that choirmaster won't account for the wonderful accent and
|
||
|
ease with which you sing. Somewhere in your close blood is a
|
||
|
marvelously trained vocalist; we every one of us believe that, Freckles.
|
||
|
|
||
|
"Why does my father refer to you constantly as being of fine
|
||
|
perceptions and honor? Because you are, Freckles. Why does the Bird
|
||
|
Woman leave her precious work and come here to help look after you?
|
||
|
I never heard of her losing any time over anyone else. It's because
|
||
|
she loves you. And why does Mr. McLean turn all of his valuable
|
||
|
business over to hired men and watch you personally? And why is he
|
||
|
hunting excuses every day to spend money on you? My father says
|
||
|
McLean is full Scotch-close with a dollar. He is a hard-headed
|
||
|
business man, Freckles, and he is doing it because he finds you
|
||
|
worthy of it. Worthy of all we all can do and more than we know how
|
||
|
to do, dear heart! Freckles, are you listening to me? Oh! won't you
|
||
|
see it? Won't you believe it?"
|
||
|
|
||
|
"Oh, Angel!" chattered the bewildered Freckles, "are you truly
|
||
|
maning it? Could it be?"
|
||
|
|
||
|
"Of course it could," flashed the Angel, "because it just is!"
|
||
|
|
||
|
"But you can't prove it," wailed Freckles. "It ain't giving me a
|
||
|
name, or me honor!"
|
||
|
|
||
|
"Freckles," said the Angel sternly, "you are unreasonable! Why, I
|
||
|
did prove every word I said! Everything proves it! You look here!
|
||
|
If you knew for sure that I could give you a name and your honor,
|
||
|
and prove to you that your mother did love you, why, then, would
|
||
|
you just go to breathing like perpetual motion and hang on for dear
|
||
|
life and get well?"
|
||
|
|
||
|
A bright light shone in Freckles' eyes.
|
||
|
|
||
|
"If I knew that, Angel," he said solemnly, "you couldn't be killing
|
||
|
me if you felled the biggest tree in the Limberlost smash on me!"
|
||
|
|
||
|
"Then you go right to work," said the Angel, "and before night I'll
|
||
|
prove one thing to you: I can show you easily enough how much your
|
||
|
mother loved you. That will be the first step, and then the
|
||
|
remainder will all come. If my father and Mr. McLean are so anxious
|
||
|
to spend some money, I'll give them a chance. I don't see why we
|
||
|
haven't comprehended how you felt and so have been at work weeks ago.
|
||
|
We've been awfully selfish. We've all been so comfortable, we never
|
||
|
stopped to think what other people were suffering before our eyes.
|
||
|
None of us has understood. I'll hire the finest detective in
|
||
|
Chicago, and we'll go to work together. This is nothing compared
|
||
|
with things people do find out. We'll go at it, beak and claw, and
|
||
|
we'll show you a thing or two."
|
||
|
|
||
|
Freckles caught her sleeve.
|
||
|
|
||
|
"Me mother, Angel! Me mother!" he marveled hoarsely. "Did you say
|
||
|
you could be finding out today if me mother loved me? How? Oh, Angel!
|
||
|
Nothing matters, IF ONLY ME MOTHER DIDN'T DO IT!"
|
||
|
|
||
|
"Then you rest easy," said the Angel, with large confidence.
|
||
|
"Your mother didn't do it! Mothers of sons such as you don't do things
|
||
|
like that. I'll go to work at once and prove it to you. The first
|
||
|
thing to do is to go to that Home where you were and get the
|
||
|
clothes you wore the night you were left there. I know that they
|
||
|
are required to save those things carefully. We can find out almost
|
||
|
all there is to know about your mother from them. Did you ever see them?"
|
||
|
|
||
|
"Yis," he replied.
|
||
|
|
||
|
"Freckles! Were they white?" she cried.
|
||
|
|
||
|
"Maybe they were once. They're all yellow with laying, and brown
|
||
|
with blood-stains now" said Freckles, the old note of bitterness
|
||
|
creeping in. "You can't be telling anything at all by them, Angel!"
|
||
|
|
||
|
"Well, but I just can!" said the Angel positively. "I can see from
|
||
|
the quality what kind of goods your mother could afford to buy.
|
||
|
I can see from the cut whether she had good taste. I can see from
|
||
|
the care she took in making them how much she loved and wanted you."
|
||
|
|
||
|
"But how? Angel, tell me how!" implored Freckles with trembling eagerness.
|
||
|
|
||
|
"Why, easily enough," said the Angel. "I thought you'd understand.
|
||
|
People that can afford anything at all, always buy white for little
|
||
|
new babies--linen and lace, and the very finest things to be had.
|
||
|
There's a young woman living near us who cut up her wedding clothes
|
||
|
to have fine things for her baby. Mothers who love and want their
|
||
|
babies don't buy little rough, ready-made things, and they don't
|
||
|
run up what they make on an old sewing machine. They make fine
|
||
|
seams, and tucks, and put on lace and trimming by hand. They sit and
|
||
|
stitch, and stitch--little, even stitches, every one just as careful.
|
||
|
Their eyes shine and their faces glow. When they have to quit to
|
||
|
do something else, they look sorry, and fold up their work
|
||
|
so particularly. There isn't much worth knowing about your mother
|
||
|
that those little clothes won't tell. I can see her putting the
|
||
|
little stitches into them and smiling with shining eyes over
|
||
|
your coming. Freckles, I'll wager you a dollar those little clothes
|
||
|
of yours are just alive with the dearest, tiny handmade stitches."
|
||
|
|
||
|
A new light dawned in Freckles' eyes. A tinge of warm color swept
|
||
|
into his face. Renewed strength was noticeable in his grip of her hands.
|
||
|
|
||
|
"Oh Angel! Will you go now? Will you be hurrying?" he cried.
|
||
|
|
||
|
"Right away," said the Angel. "I won't stop for a thing, and I'll
|
||
|
hurry with all my might."
|
||
|
|
||
|
She smoothed his pillow, straightened the cover, gave him one
|
||
|
steady look in the eyes, and went quietly from the room.
|
||
|
|
||
|
Outside the door, McLean and the surgeon anxiously awaited her.
|
||
|
McLean caught her shoulders.
|
||
|
|
||
|
"Angel, what have you done?" he demanded.
|
||
|
|
||
|
The Angel smiled defiance into his eyes.
|
||
|
|
||
|
"`What have I done?'" she repeated. "I've tried to save Freckles."
|
||
|
|
||
|
"What will your father say?" groaned McLean.
|
||
|
|
||
|
"It strikes me," said the Angel, "that what Freckles said would be
|
||
|
to the point."
|
||
|
|
||
|
"Freckles!" exclaimed McLean. "What could he say?"
|
||
|
|
||
|
"He seemed to be able to say several things," answered the
|
||
|
Angel sweetly. "I fancy the one that concerns you most at present
|
||
|
was, that if my father should offer me to him he would not have me."
|
||
|
|
||
|
"And no one knows why better than I do," cried McLean. "Every day
|
||
|
he must astonish me with some new fineness."
|
||
|
|
||
|
He turned to the surgeon. "Save him!" he commanded. "Save him!"
|
||
|
he implored. "He is too fine to be sacrificed."
|
||
|
|
||
|
"His salvation lies here," said the surgeon, stroking the Angel's
|
||
|
sunshiny hair, "and I can read in the face of her that she knows
|
||
|
how she is going to work it out. Don't trouble for the boy.
|
||
|
She will save him!"
|
||
|
|
||
|
The Angel laughingly sped down the hall, and into the street, just
|
||
|
as she was.
|
||
|
|
||
|
"I have come," she said to the matron of the Home, "to ask if you
|
||
|
will allow me to examine, or, better yet, to take with me, the
|
||
|
little clothes that a boy you called Freckles, discharged last
|
||
|
fall, wore the night he was left here."
|
||
|
|
||
|
The woman looked at her in greater astonishment than the occasion demanded.
|
||
|
|
||
|
"Well, I'd be glad to let you see them," she said at last, "but the
|
||
|
fact is we haven't them. I do hope we haven't made some mistake.
|
||
|
I was thoroughly convinced, and so was the superintendent. We let his
|
||
|
people take those things away yesterday. Who are you, and what do
|
||
|
you want with them?"
|
||
|
|
||
|
The Angel stood dazed and speechless, staring at the matron.
|
||
|
|
||
|
"There couldn't have been a mistake," continued the matron, seeing
|
||
|
the Angel's distress. "Freckles was here when I took charge, ten
|
||
|
years ago. These people had it all proved that he belonged to them.
|
||
|
They had him traced to where he ran away in Illinois last fall, and
|
||
|
there they completely lost track of him. I'm sorry you seem so
|
||
|
disappointed, but it is all right. The man is his uncle, and as
|
||
|
like the boy as he possibly could be. He is almost killed to go
|
||
|
back without him. If you know where Freckles is, they'd give big
|
||
|
money to find out."
|
||
|
|
||
|
The Angel laid a hand along each cheek to steady her chattering teeth.
|
||
|
|
||
|
"Who are they?" she stammered. "Where are they going?"
|
||
|
|
||
|
"They are Irish folks, miss," said the matron. "They have been in
|
||
|
Chicago and over the country for the past three months, hunting him
|
||
|
everywhere. They have given up, and are starting home today. They----"
|
||
|
|
||
|
"Did they leave an address? Where could I find them?" interrupted
|
||
|
the Angel.
|
||
|
|
||
|
"They left a card, and I notice the morning paper has the man's
|
||
|
picture and is full of them. They've advertised a great deal in the
|
||
|
city papers. It's a wonder you haven't seen something."
|
||
|
|
||
|
"Trains don't run right. We never get Chicago papers," said
|
||
|
the Angel. "Please give me that card quickly. They may escape me.
|
||
|
I simply must catch them!"
|
||
|
|
||
|
The matron hurried to the secretary and came back with a card.
|
||
|
|
||
|
"Their addresses are there," she said. "Both in Chicago and at
|
||
|
their home. They made them full and plain, and I was to cable at
|
||
|
once if I got the least clue of him at any time. If they've left
|
||
|
the city, you can stop them in New York. You're sure to catch them
|
||
|
before they sail--if you hurry."
|
||
|
|
||
|
The matron caught up a paper and thrust it into the Angel's hand as
|
||
|
she ran to the street.
|
||
|
|
||
|
The Angel glanced at the card. The Chicago address was Suite
|
||
|
Eleven, Auditorium. She laid her hand on her driver's sleeve and
|
||
|
looked into his eyes.
|
||
|
|
||
|
"There is a fast-driving limit?" she asked.
|
||
|
|
||
|
"Yes, miss."
|
||
|
|
||
|
"Will you crowd it all you can without danger of arrest? I will
|
||
|
pay well. I must catch some people!"
|
||
|
|
||
|
Then she smiled at him. The hospital, an Orphans' Home, and the
|
||
|
Auditorium seemed a queer combination to that driver, but the Angel
|
||
|
was always and everywhere the Angel, and her methods were strictly
|
||
|
her own.
|
||
|
|
||
|
"I will take you there as quickly as any man could with a team," he
|
||
|
said promptly.
|
||
|
|
||
|
The Angel clung to the card and paper, and as best she could in the
|
||
|
lurching, swaying cab, read the addresses over.
|
||
|
|
||
|
"O'More, Suite Eleven, Auditorium."
|
||
|
|
||
|
"`O'More,'" she repeated. "Seems to fit Freckles to a dot. Wonder if
|
||
|
that could be his name? `Suite Eleven' means that you are pretty
|
||
|
well fixed. Suites in the Auditorium come high."
|
||
|
|
||
|
Then she turned the card and read on its reverse, Lord Maxwell
|
||
|
O'More, M. P., Killvany Place, County Clare, Ireland.
|
||
|
|
||
|
The Angel sat on the edge of the seat, bracing her feet against the
|
||
|
one opposite, as the cab pitched and swung around corners and
|
||
|
past vehicles. She mechanically fingered the pasteboard and stared
|
||
|
straight ahead. Then she drew a deep breath and read the card again.
|
||
|
|
||
|
"A Lord-man!" she groaned despairingly. "A Lord-man! Bet my
|
||
|
hoecake's scorched! Here I've gone and pledged my word to Freckles
|
||
|
I'd find him some decent relatives, that he could be proud of, and
|
||
|
now there isn't a chance out of a dozen that he'll have to be
|
||
|
ashamed of them after all. It's too mean!"
|
||
|
|
||
|
The tears of vexation rolled down the tired, nerve-racked Angel's cheeks.
|
||
|
|
||
|
"This isn't going to do," she said, resolutely wiping her eyes with
|
||
|
the palm of her hand and gulping down the nervous spasm in her throat.
|
||
|
"I must read this paper before I meet Lord O'More."
|
||
|
|
||
|
She blinked back the tears and spreading the paper on her knee, read:
|
||
|
"After three months' fruitless search, Lord O'More gives up the
|
||
|
quest of his lost nephew, and leaves Chicago today for his home
|
||
|
in Ireland."
|
||
|
|
||
|
She read on, and realized every word. The likeness settled any doubt.
|
||
|
It was Freckles over again, only older and well dressed.
|
||
|
|
||
|
"Well, I must catch you if I can," muttered the Angel. "But when I
|
||
|
do, if you are a gentleman in name only, you shan't have Freckles;
|
||
|
that's flat. You're not his father and he is twenty. Anyway, if the
|
||
|
law will give him to you for one year, you can't spoil him, because
|
||
|
nobody could, and," she added, brightening, "he'll probably do you
|
||
|
a lot of good. Freckles and I both must study years yet, and you
|
||
|
should be something that will save him. I guess it will come out
|
||
|
all right. At least, I don't believe you can take him away if I say no."
|
||
|
|
||
|
"Thank you; and wait, no matter how long," she said to her driver.
|
||
|
|
||
|
Catching up the paper, she hurried to the desk and laid down Lord
|
||
|
O'More's card.
|
||
|
|
||
|
"Has my uncle started yet?" she asked sweetly.
|
||
|
|
||
|
The surprised clerk stepped back on a bellboy, and covertly kicked
|
||
|
him for being in the way.
|
||
|
|
||
|
"His lordship is in his room," he said, with a low bow.
|
||
|
|
||
|
"All right," said the Angel, picking up the card. "I thought he
|
||
|
might have started. I'll see him."
|
||
|
|
||
|
The clerk shoved the bellboy toward the Angel.
|
||
|
|
||
|
"Show her ladyship to the elevator and Lord O'More's suite," he
|
||
|
said, bowing double.
|
||
|
|
||
|
"Aw, thanks," said the Angel with a slight nod, as she turned away.
|
||
|
|
||
|
"I'm not sure," she muttered to herself as the elevator sped
|
||
|
upward, "whether it's the Irish or the English who say:
|
||
|
`Aw, thanks,' but it's probable he isn't either; and anyway,
|
||
|
I just had to do something to counteract that `All right.'
|
||
|
How stupid of me!"
|
||
|
|
||
|
At the bellboy's tap, the door swung open and the liveried servant
|
||
|
thrust a cardtray before the Angel. The opening of the door created
|
||
|
a current that swayed a curtain aside, and in an adjoining room,
|
||
|
lounging in a big chair, with a paper in his hand, sat a man who
|
||
|
was, beyond question, of Freckles' blood and race.
|
||
|
|
||
|
With perfect control the Angel dropped Lord O'More's card in the
|
||
|
tray, stepped past his servant, and stood before his lordship.
|
||
|
|
||
|
"Good morning," she said with tense politeness.
|
||
|
|
||
|
Lord O'More said nothing. He carelessly glanced her over with
|
||
|
amused curiosity, until her color began to deepen and her blood to
|
||
|
run hotly.
|
||
|
|
||
|
"Well, my dear," he said at last, "how can I serve you?"
|
||
|
|
||
|
Instantly the Angel became indignant. She had been so shielded
|
||
|
in the midst of almost entire freedom, owing to the circumstances
|
||
|
of her life, that the words and the look appeared to her as
|
||
|
almost insulting. She lifted her head with a proud gesture.
|
||
|
|
||
|
"I am not your `dear,'" she said with slow distinctness. "There
|
||
|
isn't a thing in the world you can do for me. I came here to see if
|
||
|
I could do something--a very great something--for you; but if I
|
||
|
don't like you, I won't do it!"
|
||
|
|
||
|
Then Lord O'More did stare. Suddenly he broke into a ringing laugh.
|
||
|
Without a change of attitude or expression, the Angel stood looking
|
||
|
steadily at him.
|
||
|
|
||
|
There was a silken rustle, then a beautiful woman with cheeks of
|
||
|
satiny pink, dark hair, and eyes of pure Irish blue, moved to Lord
|
||
|
O'More's side, and catching his arm, shook him impatiently.
|
||
|
|
||
|
"Terence! Have you lost your senses?" she cried. "Didn't you
|
||
|
understand what the child said? Look at her face! See what she has!"
|
||
|
|
||
|
Lord O'More opened his eyes widely and sat up. He did look at the
|
||
|
Angel's face intently, and suddenly found it so good that it was
|
||
|
difficult to follow the next injunction. He arose instantly.
|
||
|
|
||
|
"I beg your pardon," he said. "The fact is, I am leaving Chicago
|
||
|
sorely disappointed. It makes me bitter and reckless. I thought you
|
||
|
one more of those queer, useless people who have thrust themselves
|
||
|
on me constantly, and I was careless. Forgive me, and tell me why
|
||
|
you came."
|
||
|
|
||
|
"I will if I like you," said the Angel stoutly, "and if I don't, I won't!"
|
||
|
|
||
|
"But I began all wrong, and now I don't know how to make you like
|
||
|
me," said his lordship, with sincere penitence in his tone.
|
||
|
|
||
|
The Angel found herself yielding to his voice. He spoke in a soft,
|
||
|
mellow, smoothly flowing Irish tone, and although his speech was
|
||
|
perfectly correct, it was so rounded, and accented, and the
|
||
|
sentences so turned, that it was Freckles over again. Still, it was
|
||
|
a matter of the very greatest importance, and she must be sure; so
|
||
|
she looked into the beautiful woman's face.
|
||
|
|
||
|
"Are you his wife?" she asked.
|
||
|
|
||
|
"Yes," said the woman, "I am his wife."
|
||
|
|
||
|
"Well," said the Angel judicially, "the Bird Woman says no one in
|
||
|
the whole world knows all a man's bignesses and all his
|
||
|
littlenesses as his wife does. What you think of him should do
|
||
|
for me. Do you like him?"
|
||
|
|
||
|
The question was so earnestly asked that it met with equal earnestness.
|
||
|
The dark head moved caressingly against Lord O'More's sleeve.
|
||
|
|
||
|
"Better than anyone in the whole world," said Lady O'More promptly.
|
||
|
|
||
|
The Angel mused a second, and then her legal tinge came to the fore again.
|
||
|
|
||
|
"Yes, but have you anyone you could like better, if he wasn't all
|
||
|
right?" she persisted.
|
||
|
|
||
|
"I have three of his sons, two little daughters, a father, mother,
|
||
|
and several brothers and sisters," came the quick reply.
|
||
|
|
||
|
"And you like him best?" persisted the Angel with finality.
|
||
|
|
||
|
"I love him so much that I would give up every one of them with dry
|
||
|
eyes if by so doing I could save him," cried Lord O'More's wife.
|
||
|
|
||
|
"Oh!" cried the Angel. "Oh, my!"
|
||
|
|
||
|
She lifted her clear eyes to Lord O'More's and shook her head.
|
||
|
|
||
|
"She never, never could do that!" she said. "But it's a mighty big
|
||
|
thing to your credit that she THINKS she could. I guess I'll tell
|
||
|
you why I came."
|
||
|
|
||
|
She laid down the paper, and touched the portrait.
|
||
|
|
||
|
"When you were only a boy, did people call you Freckles?" she asked.
|
||
|
|
||
|
"Dozens of good fellows all over Ireland and the Continent are
|
||
|
doing it today," answered Lord O'More.
|
||
|
|
||
|
The Angel's face wore her most beautiful smile.
|
||
|
|
||
|
"I was sure of it," she said winningly. "That's what we call him,
|
||
|
and he is so like you, I doubt if any one of those three boys of
|
||
|
yours are more so. But it's been twenty years. Seems to me you've
|
||
|
been a long time coming!"
|
||
|
|
||
|
Lord O'More caught the Angel's wrists and his wife slipped her arms
|
||
|
around her.
|
||
|
|
||
|
"Steady, my girl!" said the man's voice hoarsely. "Don't make me
|
||
|
think you've brought word of the boy at this last hour, unless you
|
||
|
know surely."
|
||
|
|
||
|
"It's all right," said the Angel. "We have him, and there's no
|
||
|
chance of a mistake. If I hadn't gone to that Home for his little
|
||
|
clothes, and heard of you and been hunting you, and had met you on
|
||
|
the street, or anywhere, I would have stopped you and asked you who
|
||
|
you were, just because you are so like him. It's all right. I can
|
||
|
tell you where Freckles is; but whether you deserve to know--that's
|
||
|
another matter!"
|
||
|
|
||
|
Lord O'More did not hear her. He dropped in his chair, and covering
|
||
|
his face, burst into those terrible sobs that shake and rend a
|
||
|
strong man. Lady O'More hovered over him, weeping.
|
||
|
|
||
|
"Umph! Looks pretty fair for Freckles," muttered the Angel.
|
||
|
"Lots of things can be explained; now perhaps they can explain this."
|
||
|
|
||
|
They did explain so satisfactorily that in a few minutes the Angel
|
||
|
was on her feet, hurrying Lord and Lady O'More to reach the hospital.
|
||
|
"You said Freckles' old nurse knew his mother's picture instantly,"
|
||
|
said the Angel. "I want that picture and the bundle of little clothes."
|
||
|
|
||
|
Lady O'More gave them into her hands.
|
||
|
|
||
|
The likeness was a large miniature, painted on ivory, with a frame
|
||
|
of beaten gold. Surrounded by masses of dark hair was a delicately
|
||
|
cut face. In the upper part of it there was no trace of Freckles,
|
||
|
but the lips curving in a smile were his very own. The Angel gazed
|
||
|
at it steadily. Then with a quivering breath she laid the portrait
|
||
|
aside and reached both hands to Lord O'More.
|
||
|
|
||
|
"That will save Freckles' life and insure his happiness," she
|
||
|
said positively. "Thank you, oh thank you for coming!"
|
||
|
|
||
|
She opened the bundle of yellow and brown linen and gave only a
|
||
|
glance at the texture and work. Then she gathered the little
|
||
|
clothes and the picture to her heart and led the way to the cab.
|
||
|
|
||
|
Ushering Lord and Lady O'More into the reception room, she said to
|
||
|
McLean, "Please go call up my father and ask him to come on the
|
||
|
first train."
|
||
|
|
||
|
She closed the door after him.
|
||
|
|
||
|
"These are Freckles' people," she said to the Bird Woman. "You can
|
||
|
find out about each other; I'm going to him."
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XIX
|
||
|
|
||
|
Wherein Freckles Finds His Birthright and the Angel Loses Her Heart
|
||
|
|
||
|
The nurse left the room quietly, as the Angel entered, carrying the
|
||
|
bundle and picture. When they were alone, she turned to Freckles
|
||
|
and saw that the crisis was indeed at hand.
|
||
|
|
||
|
That she had good word to give him was his salvation, for despite
|
||
|
the heavy plaster jacket that held his body immovable, his head was
|
||
|
lifted from the pillow. Both arms reached for her. His lips and
|
||
|
cheeks flamed, while his eyes flashed with excitement.
|
||
|
|
||
|
"Angel," he panted. "Oh Angel! Did you find them? Are they white?
|
||
|
Are the little stitches there? OH ANGEL! DID ME MOTHER LOVE ME?"
|
||
|
|
||
|
The words seemed to leap from his burning lips. The Angel dropped
|
||
|
the bundle on the bed and laid the picture face down across his knees.
|
||
|
She gently pushed his head to the pillow and caught his arms in a
|
||
|
firm grasp.
|
||
|
|
||
|
"Yes, dear heart," she said with fullest assurance. "No little
|
||
|
clothes were ever whiter. I never in all my life saw such dainty,
|
||
|
fine, little stitches; and as for loving you, no boy's mother ever
|
||
|
loved him more!"
|
||
|
|
||
|
A nervous trembling seized Freckles.
|
||
|
|
||
|
"Sure? Are you sure?" he urged with clicking teeth.
|
||
|
|
||
|
"I know," said the Angel firmly. "And Freckles, while you rest and
|
||
|
be glad, I want to tell you a story. When you feel stronger we will
|
||
|
look at the clothes together. They are here. They are all right.
|
||
|
But while I was at the Home getting them, I heard of some people
|
||
|
that were hunting a lost boy. I went to see them, and what they
|
||
|
told me was all so exactly like what might have happened to you that
|
||
|
I must tell you. Then you'll understand that things could be very
|
||
|
different from what you always have tortured yourself with thinking.
|
||
|
Are you strong enough to listen? May I tell you?"
|
||
|
|
||
|
"Maybe 'twasn't me mother! Maybe someone else made those little stitches!"
|
||
|
|
||
|
"Now, goosie, don't you begin that," said the Angel, "because I
|
||
|
know that it was!"
|
||
|
|
||
|
"Know!" cried Freckles, his head springing from the pillow. "Know!
|
||
|
How can you know?"
|
||
|
|
||
|
The Angel gently soothed him back.
|
||
|
|
||
|
"Why, because nobody else would ever sit and do it the way it
|
||
|
is done. That's how I know," she said emphatically. "Now you
|
||
|
listen while I tell you about this lost boy and his people, who
|
||
|
have hunted for months and can't find him."
|
||
|
|
||
|
Freckles lay quietly under her touch, but he did not hear a word
|
||
|
that she was saying until his roving eyes rested on her face; he
|
||
|
immediately noticed a remarkable thing. For the first time she was
|
||
|
talking to him and avoiding his eyes. That was not like the Angel
|
||
|
at all. It was the delight of hearing her speak that she looked one
|
||
|
squarely in the face and with perfect frankness. There were no side
|
||
|
glances and down-drooping eyes when the Angel talked; she was
|
||
|
business straight through. Instantly Freckles' wandering thoughts
|
||
|
fastened on her words.
|
||
|
|
||
|
"--and he was a sour, grumpy, old man," she was saying. "He always
|
||
|
had been spoiled, because he was an only son, so he had a title,
|
||
|
and a big estate. He would have just his way, no matter about his
|
||
|
sweet little wife, or his boys, or anyone. So when his elder son
|
||
|
fell in love with a beautiful girl having a title, the very girl of
|
||
|
all the world his father wanted him to, and added a big adjoining
|
||
|
estate to his, why, that pleased him mightily.
|
||
|
|
||
|
"Then he went and ordered his younger son to marry a poky kind of
|
||
|
a girl, that no one liked, to add another big estate on the other
|
||
|
side, and that was different. That was all the world different,
|
||
|
because the elder son had been in love all his life with the girl
|
||
|
he married, and, oh, Freckles, it's no wonder, for I saw her!
|
||
|
She's a beauty and she has the sweetest way.
|
||
|
|
||
|
"But that poor younger son, he had been in love with the village
|
||
|
vicar's daughter all his life. That's no wonder either, for she was
|
||
|
more beautiful yet. She could sing as the angels, but she hadn't a
|
||
|
cent. She loved him to death, too, if he was bony and freckled and
|
||
|
red-haired--I don't mean that! They didn't say what color his hair
|
||
|
was, but his father's must have been the reddest ever, for when he
|
||
|
found out about them, and it wasn't anything so terrible, HE JUST CAVED!
|
||
|
|
||
|
"The old man went to see the girl--the pretty one with no money, of
|
||
|
course--and he hurt her feelings until she ran away. She went to
|
||
|
London and began studying music. Soon she grew to be a fine singer,
|
||
|
so she joined a company and came to this country.
|
||
|
|
||
|
"When the younger son found that she had left London, he followed her.
|
||
|
When she got here all alone, and afraid, and saw him coming to her,
|
||
|
why, she was so glad she up and married him, just like anybody
|
||
|
else would have done. He didn't want her to travel with the troupe,
|
||
|
so when they reached Chicago they thought that would be a good
|
||
|
place, and they stopped, while he hunted work. It was slow
|
||
|
business, because he never had been taught to do a useful thing,
|
||
|
and he didn't even know how to hunt work, least of all to do it
|
||
|
when he found it; so pretty soon things were going wrong. But if he
|
||
|
couldn't find work, she could always sing, so she sang at night,
|
||
|
and made little things in the daytime. He didn't like her to sing
|
||
|
in public, and he wouldn't allow her when he could HELP himself;
|
||
|
but winter came, it was very cold, and fire was expensive.
|
||
|
Rents went up, and they had to move farther out to cheaper and
|
||
|
cheaper places; and you were coming--I mean, the boy that is lost
|
||
|
was coming--and they were almost distracted. Then the man wrote and
|
||
|
told his father all about it; and his father sent the letter back
|
||
|
unopened with a line telling him never to write again. When the
|
||
|
baby came, there was very little left to pawn for food and a
|
||
|
doctor, and nothing at all for a nurse; so an old neighbor woman
|
||
|
went in and took care of the young mother and the little baby,
|
||
|
because she was so sorry for them. By that time they were away in
|
||
|
the suburbs on the top floor of a little wooden house, among a lot
|
||
|
of big factories, and it kept growing colder, with less to eat.
|
||
|
Then the man grew desperate and he went just to find something to
|
||
|
eat and the woman was desperate, too. She got up, left the old
|
||
|
woman to take care of her baby, and went into the city to sing for
|
||
|
some money. The woman became so cold she put the baby in bed and
|
||
|
went home. Then a boiler blew up in a big factory beside the little
|
||
|
house and set it on fire. A piece of iron was pitched across and
|
||
|
broke through the roof. It came down smash, and cut just one little
|
||
|
hand off the poor baby. It screamed and screamed; and the fire kept
|
||
|
coming closer and closer.
|
||
|
|
||
|
"The old woman ran out with the other people and saw what had happened.
|
||
|
She knew there wasn't going to be time to wait for firemen or
|
||
|
anything, so she ran into the building. She could hear the baby
|
||
|
screaming, and she couldn't stand that; so she worked her way to it.
|
||
|
There it was, all hurt and bleeding. Then she was almost scared
|
||
|
to death over thinking what its mother would do to her for
|
||
|
going away and leaving it, so she ran to a Home for little
|
||
|
friendless babies, that was close, and banged on the door. Then she
|
||
|
hid across the street until the baby was taken in, and then she ran
|
||
|
back to see if her own house was burning. The big factory and the
|
||
|
little house and a lot of others were all gone. The people there
|
||
|
told her that the beautiful lady came back and ran into the house
|
||
|
to find her baby. She had just gone in when her husband came, and
|
||
|
he went in after her, and the house fell over both of them."
|
||
|
|
||
|
Freckles lay rigidly, with his eyes on the Angel's face, while she
|
||
|
talked rapidly to the ceiling.
|
||
|
|
||
|
"Then the old woman was sick about that poor little baby. She was
|
||
|
afraid to tell them at the Home, because she knew she never should
|
||
|
have left it, but she wrote a letter and sent it to where the
|
||
|
beautiful woman, when she was ill, had said her husband's people lived.
|
||
|
She told all about the little baby that she could remember:
|
||
|
when it was born, how it was named for the man's elder brother,
|
||
|
that its hand had been cut off in the fire, and where she had put
|
||
|
it to be doctored and taken care of. She told them that its mother
|
||
|
and father were both burned, and she begged and implored them to
|
||
|
come after it.
|
||
|
|
||
|
"You'd think that would have melted a heart of ice, but that old
|
||
|
man hadn't any heart to melt, for he got that letter and read it.
|
||
|
He hid it away among his papers and never told a soul. A few months
|
||
|
ago he died. When his elder son went to settle his business, he
|
||
|
found the letter almost the first thing. He dropped everything, and
|
||
|
came, with his wife, to hunt that baby, because he always had loved
|
||
|
his brother dearly, and wanted him back. He had hunted for him all
|
||
|
he dared all these years, but when he got here you were gone--I
|
||
|
mean the baby was gone, and I had to tell you, Freckles, for you
|
||
|
see, it might have happened to you like that just as easy as to
|
||
|
that other lost boy."
|
||
|
|
||
|
Freckles reached up and turned the Angel's face until he compelled
|
||
|
her eyes to meet his.
|
||
|
|
||
|
"Angel," he asked quietly, "why don't you look at me when you are
|
||
|
telling about that lost boy?"
|
||
|
|
||
|
"I--I didn't know I wasn't," faltered the Angel.
|
||
|
|
||
|
"It seems to me," said Freckles, his breath beginning to come in
|
||
|
sharp wheezes, "that you got us rather mixed, and it ain't like you
|
||
|
to be mixing things till one can't be knowing. If they were telling
|
||
|
you so much, did they say which hand was for being off that lost boy?"
|
||
|
|
||
|
The Angel's eyes escaped again.
|
||
|
|
||
|
"It--it was the same as yours," she ventured, barely breathing in
|
||
|
her fear.
|
||
|
|
||
|
Still Freckles lay rigid and whiter than the coverlet.
|
||
|
|
||
|
"Would that boy be as old as me?" he asked.
|
||
|
|
||
|
"Yes," said the Angel faintly.
|
||
|
|
||
|
"Angel," said Freckles at last, catching her wrist, "are you trying
|
||
|
to tell me that there is somebody hunting a boy that you're
|
||
|
thinking might be me? Are you belavin' you've found me relations?"
|
||
|
|
||
|
Then the Angel's eyes came home. The time had come. She pinioned
|
||
|
Freckles' arms to his sides and bent above him.
|
||
|
|
||
|
"How strong are you, dear heart?" she breathed. "How brave are you?
|
||
|
Can you bear it? Dare I tell you that?"
|
||
|
|
||
|
"No!" gasped Freckles. "Not if you're sure! I can't bear it!
|
||
|
I'll die if you do!"
|
||
|
|
||
|
The day had been one unremitting strain with the Angel.
|
||
|
Nerve tension was drawn to the finest thread. It snapped suddenly.
|
||
|
|
||
|
"Die!" she flamed. "Die, if I tell you that! You said this morning
|
||
|
that you would die if you DIDN'T know your name, and if your people
|
||
|
were honorable. Now I've gone and found you a name that stands for
|
||
|
ages of honor, a mother who loved you enough to go into the fire
|
||
|
and die for you, and the nicest kind of relatives, and you turn
|
||
|
round and say you'll die over that! YOU JUST TRY DYING AND YOU'LL
|
||
|
GET A GOOD SLAP!"
|
||
|
|
||
|
The Angel stood glaring at him. One second Freckles lay paralyzed
|
||
|
and dumb with astonishment. The next the Irish in his soul arose
|
||
|
above everything. A laugh burst from him. The terrified Angel
|
||
|
caught him in her arms and tried to stifle the sound. She implored
|
||
|
and commanded. When he was too worn to utter another sound, his
|
||
|
eyes laughed silently.
|
||
|
|
||
|
After a long time, when he was quiet and rested, the Angel
|
||
|
commenced talking to him gently, and this time her big eyes, humid
|
||
|
with tenderness and mellow with happiness, seemed as if they could
|
||
|
not leave his face.
|
||
|
|
||
|
"Dear Freckles," she was saying, "across your knees there is the
|
||
|
face of the mother who went into the fire for you, and I know the
|
||
|
name--old and full of honor--to which you were born. Dear heart,
|
||
|
which will you have first?"
|
||
|
|
||
|
Freckles was very tired; the big drops of perspiration ran together
|
||
|
on his temples; but the watching Angel caught the words his lips
|
||
|
formed, "Me mother!"
|
||
|
|
||
|
She lifted the lovely pictured face and set it in the nook of his arm.
|
||
|
Freckles caught her hand and drew her beside him, and together
|
||
|
they gazed at the picture while the tears slid over their cheeks.
|
||
|
|
||
|
"Me mother! Oh, me mother! Can you ever be forgiving me? Oh, me
|
||
|
beautiful little mother!" chanted Freckles over and over in exalted
|
||
|
wonder, until he was so completely exhausted that his lips refused
|
||
|
to form the question in his weary eyes.
|
||
|
|
||
|
"Wait!" cried the Angel with inborn refinement, for she could no
|
||
|
more answer that question than he could ask. "Wait, I will write it!"
|
||
|
|
||
|
She hurried to the table, caught up the nurse's pencil, and on the
|
||
|
back of a prescription tablet scrawled it: "Terence Maxwell O'More,
|
||
|
Dunderry House, County Clare, Ireland."
|
||
|
|
||
|
Before she had finished came Freckles' voice: "Angel, are you hurrying?"
|
||
|
|
||
|
"Yes," said the Angel; "I am. But there is a good deal of it. I have
|
||
|
to put in your house and country, so that you will feel located."
|
||
|
|
||
|
"Me house?" marveled Freckles.
|
||
|
|
||
|
"Of course," said the Angel. "Your uncle says your grandmother left
|
||
|
your father her dower house and estate, because she knew his father
|
||
|
would cut him off. You get that, and all your share of your
|
||
|
grandfather's property besides. It is all set off for you and
|
||
|
waiting. Lord O'More told me so. I suspect you are richer than
|
||
|
McLean, Freckles."
|
||
|
|
||
|
She closed his fingers over the slip and straightened his hair.
|
||
|
|
||
|
"Now you are all right, dear Limberlost guard," she said. "You go
|
||
|
to sleep and don't think of a thing but just pure joy, joy, joy!
|
||
|
I'll keep your people until you wake up. You are too tired to see
|
||
|
anyone else just now!"
|
||
|
|
||
|
Freckles caught her skirt as she turned from him.
|
||
|
|
||
|
"I'll go to sleep in five minutes," he said, "if you will be doing
|
||
|
just one thing more for me. Send for your father! Oh, Angel, send
|
||
|
for him quick! How will I ever be waiting until he comes?"
|
||
|
|
||
|
One instant the Angel stood looking at him. The next a crimson wave
|
||
|
darkly stained her lovely face. Her chin began a spasmodic
|
||
|
quivering and the tears sprang into her eyes. Her hands caught at
|
||
|
her chest as if she were stifling. Freckles' grasp on her tightened
|
||
|
until he drew her beside him. He slipped his arm around her and
|
||
|
drew her face to his pillow.
|
||
|
|
||
|
"Don't, Angel; for the love of mercy don't be doing that,"
|
||
|
he implored. "I can't be bearing it. Tell me. You must tell me."
|
||
|
|
||
|
The Angel shook her head.
|
||
|
|
||
|
"That ain't fair, Angel," said Freckles. "You made me tell you
|
||
|
when it was like tearing the heart raw from me breast. And you was
|
||
|
for making everything heaven--just heaven and nothing else for me.
|
||
|
If I'm so much more now than I was an hour ago, maybe I can be
|
||
|
thinking of some way to fix things. You will be telling me?" he
|
||
|
coaxed, moving his cheek against her hair.
|
||
|
|
||
|
The Angel's head moved in negation. Freckles did a moment of
|
||
|
intent thinking.
|
||
|
|
||
|
"Maybe I can be guessing," he whispered. "Will you be giving me
|
||
|
three chances?"
|
||
|
|
||
|
There was the faintest possible assent.
|
||
|
|
||
|
"You didn't want me to be knowing me name," guessed Freckles.
|
||
|
|
||
|
The Angel's head sprang from the pillow and her tear-stained face
|
||
|
flamed with outraged indignation.
|
||
|
|
||
|
"Why, I did too!" she cried angrily.
|
||
|
|
||
|
"One gone," said Freckles calmly. "You didn't want me to have
|
||
|
relatives, a home, and money."
|
||
|
|
||
|
"I did!" exclaimed the Angel. "Didn't I go myself, all alone, into
|
||
|
the city, and find them when I was afraid as death? I did too!"
|
||
|
|
||
|
"Two gone," said Freckles. "You didn't want the beautifulest girl
|
||
|
in the world to be telling me.----"
|
||
|
|
||
|
Down went the Angel's face and a heavy sob shook her. Freckles'
|
||
|
clasp tightened around her shoulders, while his face, in its
|
||
|
conflicting emotions, was a study. He was so stunned and bewildered
|
||
|
by the miracle that had been performed in bringing to light his
|
||
|
name and relatives that he had no strength left for elaborate
|
||
|
mental processes. Despite all it meant to him to know his name at
|
||
|
last, and that he was of honorable birth--knowledge without which
|
||
|
life was an eternal disgrace and burden the one thing that was
|
||
|
hammering in Freckles' heart and beating in his brain, past any
|
||
|
attempted expression, was the fact that, while nameless and
|
||
|
possibly born in shame, the Angel had told him that she loved him.
|
||
|
He could find no word with which to begin to voice the rapture of
|
||
|
his heart over that. But if she regretted it--if it had been a
|
||
|
thing done out of her pity for his condition, or her feeling of
|
||
|
responsibility, if it killed him after all, there was only one
|
||
|
thing left to do. Not for McLean, not for the Bird Woman, not for
|
||
|
the Duncans would Freckles have done it--but for the Angel--if it
|
||
|
would make her happy--he would do anything.
|
||
|
|
||
|
"Angel," whispered Freckles, with his lips against her hair, "you
|
||
|
haven't learned your history book very well, or else you've forgotten."
|
||
|
|
||
|
"Forgotten what?" sobbed the Angel.
|
||
|
|
||
|
"Forgotten about the real knight, Ladybird," breathed Freckles.
|
||
|
"Don't you know that, if anything happened that made his lady
|
||
|
sorry, a real knight just simply couldn't be remembering it? Angel,
|
||
|
darling little Swamp Angel, you be listening to me. There was one
|
||
|
night on the trail, one solemn, grand, white night, that there
|
||
|
wasn't ever any other like before or since, when the dear Boss put
|
||
|
his arm around me and told me that he loved me; but if you care,
|
||
|
Angel, if you don't want it that way, why, I ain't remembering that
|
||
|
anyone else ever did--not in me whole life."
|
||
|
|
||
|
The Angel lifted her head and looked into the depths of Freckles'
|
||
|
honest gray eyes, and they met hers unwaveringly; but the pain in
|
||
|
them was pitiful.
|
||
|
|
||
|
"Do you mean," she demanded, "that you don't remember that a
|
||
|
brazen, forward girl told you, when you hadn't asked her, that
|
||
|
she"--the Angel choked on it a second, but she gave a gulp and
|
||
|
brought it out bravely--"that she loved you?"
|
||
|
|
||
|
"No!" cried Freckles. "No! I don't remember anything of the kind!"
|
||
|
|
||
|
But all the songbirds of his soul burst into melody over that one
|
||
|
little clause: "When you hadn't asked her."
|
||
|
|
||
|
"But you will," said the Angel. "You may live to be an old, old
|
||
|
man, and then you will."
|
||
|
|
||
|
"I will not!" cried Freckles. "How can you think it, Angel?"
|
||
|
|
||
|
"You won't even LOOK as if you remember?"
|
||
|
|
||
|
"I will not!" persisted Freckles. "I'll be swearing to it if you
|
||
|
want me to. If you wasn't too tired to think this thing out
|
||
|
straight, you'd be seeing that I couldn't--that I just simply
|
||
|
couldn't! I'd rather give it all up now and go into eternity alone,
|
||
|
without ever seeing a soul of me same blood, or me home, or hearing
|
||
|
another man call me by the name I was born to, than to remember
|
||
|
anything that would be hurting you, Angel. I should think you'd be
|
||
|
understanding that it ain't no ways possible for me to do it."
|
||
|
|
||
|
The Angel's tear-stained face flashed into dazzling beauty.
|
||
|
A half-hysterical little laugh broke from her heart and bubbled over
|
||
|
her lips.
|
||
|
|
||
|
"Oh, Freckles, forgive me!" she cried. "I've been through so much
|
||
|
that I'm scarcely myself, or I wouldn't be here bothering you when you
|
||
|
should be sleeping. Of course you couldn't! I knew it all the time!
|
||
|
I was just scared! I was forgetting that you were you! You're too
|
||
|
good a knight to remember a thing like that. Of course you are!
|
||
|
And when you don't remember, why, then it's the same as if it
|
||
|
never happened. I was almost killed because I'd gone and spoiled
|
||
|
everything, but now it will be all right. Now you can go on and do
|
||
|
things like other men, and I can have some flowers, and letters,
|
||
|
and my sweetheart coming, and when you are SURE, why, then YOU can tell
|
||
|
ME things, can't you? Oh, Freckles, I'm so glad! Oh, I'm so happy!
|
||
|
It's dear of you not to remember, Freckles; perfectly dear!
|
||
|
It's no wonder I love you so. The wonder would be if I did not.
|
||
|
Oh, I should like to know how I'm ever going to make you understand
|
||
|
how much I love you!"
|
||
|
|
||
|
Pillow and all, she caught him to her breast one long second; then
|
||
|
she was gone.
|
||
|
|
||
|
Freckles lay dazed with astonishment. At last his amazed eyes
|
||
|
searched the room for something approaching the human to which he
|
||
|
could appeal, and falling on his mother's portrait, he set it
|
||
|
before him.
|
||
|
|
||
|
"For the love of life! Me little mother," he panted, "did you
|
||
|
hear that? Did you hear it! Tell me, am I living, or am I dead and
|
||
|
all heaven come true this minute? Did you hear it?"
|
||
|
|
||
|
He shook the frame in his impatience at receiving no answer.
|
||
|
|
||
|
"You are only a pictured face," he said at last, "and of course you
|
||
|
can't talk; but the soul of you must be somewhere, and surely in this
|
||
|
hour you are close enough to be hearing. Tell me, did you hear that?
|
||
|
I can't ever be telling a living soul; but darling little mother,
|
||
|
who gave your life for mine, I can always be talking of it
|
||
|
to you! Every day we'll talk it over and try to understand the
|
||
|
miracle of it. Tell me, are all women like that? Were you like me
|
||
|
Swamp Angel? If you were, then I'm understanding why me father
|
||
|
followed across the ocean and went into the fire."
|
||
|
|
||
|
|
||
|
|
||
|
CHAPTER XX
|
||
|
|
||
|
Wherein Freckles returns to the Limberlost, and Lord O'More Sails
|
||
|
for Ireland Without Him
|
||
|
|
||
|
Freckles' voice ceased, his eyes closed, and his head rolled back
|
||
|
from exhaustion. Later in the day he insisted on seeing Lord and
|
||
|
Lady O'More, but he fainted before the resemblance of another man
|
||
|
to him, and gave all of his friends a terrible fright.
|
||
|
|
||
|
The next morning, the Man of Affairs, with a heart filled with
|
||
|
misgivings, undertook the interview on which Freckles insisted.
|
||
|
His fears were without cause. Freckles was the soul of honor
|
||
|
and simplicity.
|
||
|
|
||
|
"Have they been telling you what's come to me?" he asked without
|
||
|
even waiting for a greeting.
|
||
|
|
||
|
"Yes," said the Angel's father.
|
||
|
|
||
|
"Do you think you have the very worst of it clear to your understanding?"
|
||
|
|
||
|
Under Freckles' earnest eyes the Man of Affairs answered soberly:
|
||
|
"I think I have, Mr. O'More."
|
||
|
|
||
|
That was the first time Freckles heard his name from the lips
|
||
|
of another. One second he lay overcome; the next, tears filled his
|
||
|
eyes, and he reached out his hand. Then the Angel's father understood,
|
||
|
and he clasped that hand and held it in a strong, firm grasp.
|
||
|
|
||
|
"Terence, my boy," he said, "let me do the talking. I came here
|
||
|
with the understanding that you wanted to ask me for my only child.
|
||
|
I should like, at the proper time, to regard her marriage, if she
|
||
|
has found the man she desires to marry, not as losing all I have,
|
||
|
but as gaining a man on whom I can depend to love as a son and to
|
||
|
take charge of my affairs for her when I retire from business.
|
||
|
Bend all of your energies toward rapid recovery, and from this hour
|
||
|
understand that my daughter and my home are yours."
|
||
|
|
||
|
"You're not forgetting this?"
|
||
|
|
||
|
Freckles lifted his right arm.
|
||
|
|
||
|
"Terence, I'm sorrier than I have words to express about that,"
|
||
|
said the Man of Affairs. "It's a damnable pity! But if it's for me
|
||
|
to choose whether I give all I have left in this world to a man
|
||
|
lacking a hand, or to one of these gambling, tippling, immoral
|
||
|
spendthrifts of today, with both hands and feet off their souls,
|
||
|
and a rotten spot in the core, I choose you; and it seems that my
|
||
|
daughter does the same. Put what is left you of that right arm to
|
||
|
the best uses you can in this world, and never again mention or
|
||
|
feel that it is defective so long as you live. Good day, sir!"
|
||
|
|
||
|
"One minute more," said Freckles. "Yesterday the Angel was telling
|
||
|
me that there was money coming to me from two sources. She said
|
||
|
that me grandmother had left me father all of her fortune and her
|
||
|
house, because she knew that his father would be cutting him off,
|
||
|
and also that me uncle had set aside for me what would be me
|
||
|
father's interest in his father's estate.
|
||
|
|
||
|
"Whatever the sum is that me grandmother left me father, because
|
||
|
she loved him and wanted him to be having it, that I'll be taking.
|
||
|
'Twas hers from her father, and she had the right to be giving it
|
||
|
as she chose. Anything from the man that knowingly left me father
|
||
|
and me mother to go cold and hungry, and into the fire in misery,
|
||
|
when just a little would have made life so beautiful to them, and
|
||
|
saved me this crippled body--money that he willed from me when he
|
||
|
knew I was living, of his blood and on charity among strangers, I
|
||
|
don't touch, not if I freeze, starve, and burn too! If there ain't
|
||
|
enough besides that, and I can't be earning enough to fix things
|
||
|
for the Angel----"
|
||
|
|
||
|
"We are not discussing money!" burst in the Man of Affairs.
|
||
|
"We don't want any blood-money! We have all we need without it.
|
||
|
If you don't feel right and easy over it, don't you touch a cent
|
||
|
of any of it."
|
||
|
|
||
|
"It's right I should have what me grandmother intinded for me
|
||
|
father, and I want it," said Freckles, "but I'd die before I'd
|
||
|
touch a cent of me grandfather's money!"
|
||
|
|
||
|
|
||
|
"Now," said the Angel, "we are all going home. We have done all we
|
||
|
can for Freckles. His people are here. He should know them. They are
|
||
|
very anxious to become acquainted with him. We'll resign him to them.
|
||
|
When he is well, why, then he will be perfectly free to go to
|
||
|
Ireland or come to the Limberlost, just as he chooses. We will go
|
||
|
at once."
|
||
|
|
||
|
McLean held out for a week, and then he could endure it no longer.
|
||
|
He was heart hungry for Freckles. Communing with himself in the
|
||
|
long, soundful nights of the swamp, he had learned to his
|
||
|
astonishment that for the past year his heart had been circling the
|
||
|
Limberlost with Freckles. He began to wish that he had not left him.
|
||
|
Perhaps the boy--his boy by first right, after all--was being neglected.
|
||
|
If the Boss had been a nervous old woman, he scarcely could have
|
||
|
imagined more things that might be going wrong.
|
||
|
|
||
|
He started for Chicago, loaded with a big box of goldenrod, asters,
|
||
|
fringed gentians, and crimson leaves, that the Angel carefully had
|
||
|
gathered from Freckles' room, and a little, long slender package.
|
||
|
He traveled with biting, stinging jealousy in his heart. He would
|
||
|
not admit it even to himself, but he was unable to remain longer
|
||
|
away from Freckles and leave him to the care of Lord O'More.
|
||
|
|
||
|
In a few minutes' talk, while McLean awaited admission to Freckles'
|
||
|
room, his lordship had chatted genially of Freckles' rapid
|
||
|
recovery, of his delight that he was unspotted by his early
|
||
|
surroundings, and his desire to visit the Limberlost with Freckles
|
||
|
before they sailed; he expressed the hope that he could prevail
|
||
|
upon the Angel's father to place her in his wife's care and have
|
||
|
her education finished in Paris. He said they were anxious to do
|
||
|
all they could to help bind Freckles' arrangements with the Angel,
|
||
|
as both he and Lady O'More regarded her as the most promising girl
|
||
|
they knew, and one who could be fitted to fill the high position in
|
||
|
which Freckles would place her.
|
||
|
|
||
|
Every word he uttered was pungent with bitterness to McLean. The
|
||
|
swamp had lost its flavor without Freckles; and yet, as Lord O'More
|
||
|
talked, McLean fervently wished himself in the heart of it. As he
|
||
|
entered Freckles' room he almost lost his breath. Everything was changed.
|
||
|
|
||
|
Freckles lay beside a window where he could follow Lake Michigan's
|
||
|
blue until the horizon dipped into it. He could see big soft
|
||
|
clouds, white-capped waves, shimmering sails, and puffing steamers
|
||
|
trailing billowing banners of lavender and gray across the sky.
|
||
|
Gulls and curlews wheeled over the water and dipped their wings in
|
||
|
the foam. The room was filled with every luxury that taste and
|
||
|
money could introduce.
|
||
|
|
||
|
All the tan and sunburn had been washed from Freckles' face in
|
||
|
sweats of agony. It was a smooth, even white, its brown rift
|
||
|
scarcely showing. What the nurses and Lady O'More had done to
|
||
|
Freckles' hair McLean could not guess, but it was the most
|
||
|
beautiful that he ever had seen. Fine as floss, bright in color,
|
||
|
waving and crisp, it fell around the white face.
|
||
|
|
||
|
They had gotten his arms into and his chest covered with a finely
|
||
|
embroidered, pale-blue silk shirt, with soft, white tie at the throat.
|
||
|
Among the many changes that had taken place during his absence,
|
||
|
the fact that Freckles was most attractive and barely escaped
|
||
|
being handsome remained almost unnoticed by the Boss, so great
|
||
|
was his astonishment at seeing both cuffs turned back and the
|
||
|
right arm in view. Freckles was using the maimed arm that
|
||
|
previously he always had hidden.
|
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|
||
|
"Oh Lord, sir, but I'm glad to see you!" cried Freckles, almost
|
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|
rolling from the bed as he reached toward McLean. "Tell me quick,
|
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|
is the Angel well and happy? Can me Little Chicken spread six feet
|
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|
of wing and sail to his mother? How's me new father, the Bird
|
||
|
Woman, Duncans, and Nellie--darling little high-stepping Nelie?
|
||
|
Me Aunt Alice is going to choose the hat just as soon as I'm mended
|
||
|
enough to be going with her. How are all the gang? Have they found
|
||
|
any more good trees? I've been thinking a lot, sir. I believe I can
|
||
|
find others near that last one. Me Aunt Alice thinks maybe I can,
|
||
|
and Uncle Terence says it's likely. Golly, but they're nice,
|
||
|
ilegant people. I tell you I'm proud to be same blood with them!
|
||
|
Come closer, quick! I was going to do this yesterday, and somehow
|
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|
I just felt that you'd surely be coming today and I waited.
|
||
|
I'm selecting the Angel's ring stone. The ring she ordered for me
|
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|
is finished and they sent it to keep me company. See? It's an
|
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|
emerald--just me color, Lord O'More says."
|
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|
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|
Freckles flourished his hand.
|
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|
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|
"Ain't that fine? Never took so much comfort with anything in
|
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|
me life. Every color of the old swamp is in it. I asked the Angel
|
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|
to have a little shamrock leaf cut on it, so every time I saw it I'd
|
||
|
be thinking of the `love, truth, and valor' of that song she was
|
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|
teaching me. Ain't that a beautiful song? Some of these days I'm
|
||
|
going to make it echo. I'm a little afraid to be doing it with me
|
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|
voice yet, but me heart's tuning away on it every blessed hour.
|
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|
Will you be looking at these now?"
|
||
|
|
||
|
Freckles tilted a tray of unset stones from Peacock's that would
|
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|
have ransomed several valuable kings. He held them toward McLean,
|
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|
stirring them with his right arm.
|
||
|
|
||
|
"I tell you I'm glad to see you, sir" he said. "I tried to tell me
|
||
|
uncle what I wanted, but this ain't for him to be mixed up in,
|
||
|
anyway, and I don't think I made it clear to him. I couldn't seem
|
||
|
to say the words I wanted. I can be telling you, sir."
|
||
|
|
||
|
McLean's heart began to thump as a lover's.
|
||
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|
||
|
"Go on, Freckles," he said assuringly.
|
||
|
|
||
|
"It's this," said Freckles. "I told him that I would pay only three
|
||
|
hundred dollars for the Angel's stone. I'm thinking that with what
|
||
|
he has laid up for me, and the bigness of things that the Angel did
|
||
|
for me, it seems like a stingy little sum to him. I know he thinks
|
||
|
I should be giving much more, but I feel as if I just had to be
|
||
|
buying that stone with money I earned meself; and that is all I
|
||
|
have saved of me wages. I don't mind paying for the muff, or the
|
||
|
drexing table, or Mrs. Duncan's things, from that other money, and
|
||
|
later the Angel can have every last cent of me grandmother's, if
|
||
|
she'll take it; but just now--oh, sir, can't you see that I have to
|
||
|
be buying this stone with what I have in the bank? I'm feeling that
|
||
|
I couldn't do any other way, and don't you think the Angel would
|
||
|
rather have the best stone I can buy with the money I earned meself
|
||
|
than a finer one paid for with other money?"
|
||
|
|
||
|
"In other words, Freckles," said the Boss in a husky voice, "you
|
||
|
don't want to buy the Angel's ring with money. You want to give for
|
||
|
it your first awful fear of the swamp. You want to pay for it with
|
||
|
the loneliness and heart hunger you have suffered there, with last
|
||
|
winter's freezing on the line and this summer's burning in the sun.
|
||
|
You want it to stand to her for every hour in which you risked your
|
||
|
life to fulfill your contract honorably. You want the price of that
|
||
|
stone to be the fears that have chilled your heart--the sweat and
|
||
|
blood of your body."
|
||
|
|
||
|
Freckles' eyes were filled with tears and his face quivering with feeling.
|
||
|
|
||
|
"Dear Mr. McLean," he said, reaching with a caress over the Boss's
|
||
|
black hair and his cheek. "Dear Boss, that's why I've wanted you so.
|
||
|
I knew you would know. Now you will be looking at these? I don't
|
||
|
want emeralds, because that's what she gave me."
|
||
|
|
||
|
He pushed the green stones into a little heap of rejected ones.
|
||
|
Then he singled out all the pearls.
|
||
|
|
||
|
"Ain't they pretty things?" he said. "I'll be getting her some of
|
||
|
those later. They are like lily faces, turtle-head flowers,
|
||
|
dewdrops in the shade or moonlight; but they haven't the life in
|
||
|
them that I want in the stone I give to the Angel right now."
|
||
|
|
||
|
Freckles heaped the pearls with the emeralds. He studied the
|
||
|
diamonds a long time.
|
||
|
|
||
|
"These things are so fascinating like they almost tempt one, though
|
||
|
they ain't quite the proper thing," he said. "I've always dearly
|
||
|
loved to be watching yours, sir. I must get her some of these big
|
||
|
ones, too, some day. They're like the Limberlost in January, when
|
||
|
it's all ice-coated, and the sun is in the west and shines through
|
||
|
and makes all you can see of the whole world look like fire and
|
||
|
ice; but fire and ice ain't like the Angel."
|
||
|
|
||
|
The diamonds joined the emeralds and pearls. There was left a
|
||
|
little red heap, and Freckles' fingers touched it with a new
|
||
|
tenderness. His eyes were flashing.
|
||
|
|
||
|
"I'm thinking here's me Angel's stone," he exulted. "The
|
||
|
Limberlost, and me with it, grew in mine; but it's going to bloom,
|
||
|
and her with it, in this! There's the red of the wild poppies, the
|
||
|
cardinal-flowers, and the little bunch of crushed foxfire that we
|
||
|
found where she put it to save me. There's the light of the
|
||
|
campfire, and the sun setting over Sleepy Snake Creek. There's the
|
||
|
red of the blood we were willing to give for each other. It's like
|
||
|
her lips, and like the drops that dried on her beautiful arm that
|
||
|
first day, and I'm thinking it must be like the brave, tender,
|
||
|
clean, red heart of her."
|
||
|
|
||
|
Freckles lifted the ruby to his lips and handed it to McLean.
|
||
|
|
||
|
"I'll be signing me cheque and you have it set," he said. "I want
|
||
|
you to draw me money and pay for it with those very same dollars, sir."
|
||
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|
||
|
Again the heart of McLean took hope.
|
||
|
|
||
|
"Freckles, may I ask you something?" he said.
|
||
|
|
||
|
"Why, sure," said Freckles. "There's nothing you would be asking
|
||
|
that it wouldn't be giving me joy to be telling you."
|
||
|
|
||
|
McLean's eyes traveled to Freckles' right arm with which he was
|
||
|
moving the jewels.
|
||
|
|
||
|
"Oh, that!" cried Freckles with a laugh. "You're wanting to know
|
||
|
where all the bitterness is gone? Well sir, 'twas carried from me
|
||
|
soul, heart, and body on the lips of an Angel. Seems that hurt was
|
||
|
necessary in the beginning to make today come true. The wound had
|
||
|
always been raw, but the Angel was healing it. If she doesn't care,
|
||
|
I don't. Me dear new father doesn't, nor me aunt and uncle, and you
|
||
|
never did. Why should I be fretting all me life about what can't
|
||
|
be helped. The real truth is, that since what happened to it last
|
||
|
week, I'm so everlastingly proud of it I catch meself sticking it
|
||
|
out on display a bit."
|
||
|
|
||
|
Freckles looked the Boss in the eyes and began to laugh.
|
||
|
|
||
|
"Well thank heaven!" said McLean.
|
||
|
|
||
|
"Now it's me turn," said Freckles. "I don't know as I ought to be
|
||
|
asking you, and yet I can't see a reason good enough to keep me
|
||
|
from it. It's a thing I've had on me mind every hour since I've had
|
||
|
time to straighten things out a little. May I be asking you a question?"
|
||
|
|
||
|
McLean reached over and took Freckles' hand. His voice was shaken
|
||
|
with feeling as he replied: "Freckles, you almost hurt me. Will you
|
||
|
never learn how much you are to me--how happy you make me in coming
|
||
|
to me with anything, no matter what?"
|
||
|
|
||
|
"Then it's this," said Freckles, gripping the hand of McLean strongly.
|
||
|
"If this accident, and all that's come to me since, had never
|
||
|
happened, where was it you had planned to send me to school?
|
||
|
What was it you meant for me to do?"
|
||
|
|
||
|
"Why, Freckles," answered McLean, "I'm scarcely prepared to
|
||
|
state definitely. My ideas were rather hazy. I thought we would
|
||
|
make a beginning and see which way things went. I figured on taking
|
||
|
you to Grand Rapids first, and putting you in the care of my mother.
|
||
|
I had an idea it would be best to secure a private tutor to coach you
|
||
|
for a year or two, until you were ready to enter Ann Arbor or the
|
||
|
Chicago University in good shape. Then I thought we'd finish in
|
||
|
this country at Yale or Harvard, and end with Oxford, to get a
|
||
|
good, all-round flavor."
|
||
|
|
||
|
"Is that all?" asked Freckles.
|
||
|
|
||
|
"No; that's leaving the music out," said McLean. "I intended to
|
||
|
have your voice tested by some master, and if you really were
|
||
|
endowed for a career as a great musician, and had inclinations that
|
||
|
way, I wished to have you drop some of the college work and make
|
||
|
music your chief study. Finally, I wanted us to take a trip through
|
||
|
Europe and clear around the circle together"
|
||
|
|
||
|
"And then what?" queried Freckles breathlessly.
|
||
|
|
||
|
"Why, then," said McLean, "you know that my heart is hopelessly in
|
||
|
the woods. I never will quit the timber business while there is
|
||
|
timber to handle and breath in my body. I thought if you didn't
|
||
|
make a profession of music, and had any inclination my way, we
|
||
|
would stretch the partnership one more and take you into the firm,
|
||
|
placing your work with me. Those plans may sound jumbled in the
|
||
|
telling, but they have grown steadily on me, Freckles, as you have
|
||
|
grown dear to me."
|
||
|
|
||
|
Freckles lifted anxious and eager eyes to McLean.
|
||
|
|
||
|
"You told me once on the trail, and again when we thought that I
|
||
|
was dying, that you loved me. Do these things that have come to me
|
||
|
make any difference in any way with your feeing toward me?"
|
||
|
|
||
|
"None," said McLean. "How could they, Freckles? Nothing could make
|
||
|
me love you more, and you never will do anything that will make me
|
||
|
love you less."
|
||
|
|
||
|
"Glory be to God!" cried Freckles. "Glory to the Almighty! Hurry
|
||
|
and be telling your mother I'm coming! Just as soon as I can get on
|
||
|
me feet I'll be taking that ring to me Angel, and then I'll go to
|
||
|
Grand Rapids and be making me start just as you planned, only that
|
||
|
I can be paying me own way. When I'm educated enough, we'll
|
||
|
all--the Angel and her father, the Bird Woman, you, and me--all of
|
||
|
us will go together and see me house and me relations and be taking
|
||
|
that trip. When we get back, we'll add O'More to the Lumber
|
||
|
Company, and golly, sir, but we'll make things hum! Good land, sir!
|
||
|
Don't do that! Why, Mr. McLean, dear Boss, dear father, don't be
|
||
|
doing that! What is it?"
|
||
|
|
||
|
"Nothing, nothing!" boomed McLean's deep bass; "nothing at all!"
|
||
|
|
||
|
He abruptly turned, and hurried to the window.
|
||
|
|
||
|
"This is a mighty fine view," he said. "Lake's beautiful
|
||
|
this morning. No wonder Chicago people are so proud of their city's
|
||
|
location on its shore. But, Freckles, what is Lord O'More going to
|
||
|
say to this?"
|
||
|
|
||
|
"I don't know," said Freckles. "I am going to be cut deep if he
|
||
|
cares, for he's been more than good to me, and Lady Alice is next
|
||
|
to me Angel. He's made me feel me blood and race me own possession.
|
||
|
She's talked to me by the hour of me father and mother and
|
||
|
me grandmother. She's made them all that real I can lay claim to them
|
||
|
and feel that they are mine. I'm very sorry to be hurting them, if
|
||
|
it will, but it can't be changed. Nobody ever puts the width of the
|
||
|
ocean between me and the Angel. From here to the Limberlost is all
|
||
|
I can be bearing peaceable. I want the education, and then I want
|
||
|
to work and live here in the country where I was born, and where
|
||
|
the ashes of me father and mother rest.
|
||
|
|
||
|
"I'll be glad to see Ireland, and glad especial to see those little
|
||
|
people who are my kin, but I ain't ever staying long. All me heart
|
||
|
is the Angel's, and the Limberlost is calling every minute.
|
||
|
You're thinking, sir, that when I look from that window I see the
|
||
|
beautiful water, ain't you? I'm not.
|
||
|
|
||
|
"I see soft, slow clouds oozing across the blue, me big black
|
||
|
chickens hanging up there, and a great feather softly sliding down.
|
||
|
I see mighty trees, swinging vines, bright flowers, and always
|
||
|
masses of the wild roses, with the wild rose face of me Ladybird
|
||
|
looking through. I see the swale rocking, smell the sweetness of
|
||
|
the blooming things, and the damp, mucky odor of the swamp; and I
|
||
|
hear me birds sing, me squirrels bark, the rattlers hiss, and the
|
||
|
step of Wessner or Black Jack coming; and whether it's the things
|
||
|
that I loved or the things that I feared, it's all a part of the day.
|
||
|
|
||
|
"Me heart's all me Swamp Angel's, and me love is all hers, and I
|
||
|
have her and the swamp so confused in me mind I never can be
|
||
|
separating them. When I look at her, I see blue sky, the sun
|
||
|
rifting through the leaves and pink and red flowers; and when I
|
||
|
look at the Limberlost I see a pink face with blue eyes, gold hair,
|
||
|
and red lips, and, it's the truth, sir, they're mixed till they're
|
||
|
one to me!
|
||
|
|
||
|
"I'm afraid it will be hurting some, but I have the feeing that I
|
||
|
can be making my dear people understand, so that they will be
|
||
|
willing to let me come back home. Send Lady O'More to put these
|
||
|
flowers God made in the place of these glass-house ilegancies, and
|
||
|
please be cutting the string of this little package the Angel's
|
||
|
sent me."
|
||
|
|
||
|
As Freckles held up the package, the lights of the Limberlost
|
||
|
flashed from the emerald on his finger. On the cover was printed:
|
||
|
"To the Limberlost Guard!" Under it was a big, crisp, iridescent
|
||
|
black feather.
|
||
|
|
||
|
|
||
|
End of Project Gutenberg etext of "Freckles"
|
||
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|
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