7935 lines
366 KiB
Plaintext
7935 lines
366 KiB
Plaintext
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Around the World in 80 Days, by Jules Verne
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AROUND THE WORLD IN EIGHTY DAYS
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Chapter I
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IN WHICH PHILEAS FOGG AND PASSEPARTOUT ACCEPT EACH OTHER,
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THE ONE AS MASTER, THE OTHER AS MAN
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Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington
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Gardens, the house in which Sheridan died in 1814. He was one of
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the most noticeable members of the Reform Club, though he seemed
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always to avoid attracting attention; an enigmatical personage,
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about whom little was known, except that he was a polished man
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of the world. People said that he resembled Byron--at least
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that his head was Byronic; but he was a bearded, tranquil Byron,
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who might live on a thousand years without growing old.
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Certainly an Englishman, it was more doubtful whether Phileas Fogg
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was a Londoner. He was never seen on 'Change, nor at the Bank,
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nor in the counting-rooms of the "City"; no ships ever came into
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London docks of which he was the owner; he had no public employment;
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he had never been entered at any of the Inns of Court, either at the Temple,
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or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded
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in the Court of Chancery, or in the Exchequer, or the Queen's Bench,
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or the Ecclesiastical Courts. He certainly was not a manufacturer;
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nor was he a merchant or a gentleman farmer. His name was strange
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to the scientific and learned societies, and he never was known
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to take part in the sage deliberations of the Royal Institution
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or the London Institution, the Artisan's Association, or the
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Institution of Arts and Sciences. He belonged, in fact,
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to none of the numerous societies which swarm in the English capital,
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from the Harmonic to that of the Entomologists, founded mainly
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for the purpose of abolishing pernicious insects.
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Phileas Fogg was a member of the Reform, and that was all.
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The way in which he got admission to this exclusive club
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was simple enough.
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He was recommended by the Barings, with whom he had an open credit.
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His cheques were regularly paid at sight from his account current,
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which was always flush.
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Was Phileas Fogg rich? Undoubtedly. But those who knew him
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best could not imagine how he had made his fortune, and Mr. Fogg
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was the last person to whom to apply for the information. He was
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not lavish, nor, on the contrary, avaricious; for, whenever he knew
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that money was needed for a noble, useful, or benevolent purpose,
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he supplied it quietly and sometimes anonymously. He was, in short,
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the least communicative of men. He talked very little, and seemed
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all the more mysterious for his taciturn manner. His daily habits
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were quite open to observation; but whatever he did was so exactly
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the same thing that he had always done before, that the wits
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of the curious were fairly puzzled.
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Had he travelled? It was likely, for no one seemed to know
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the world more familiarly; there was no spot so secluded
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that he did not appear to have an intimate acquaintance with it.
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He often corrected, with a few clear words, the thousand conjectures
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advanced by members of the club as to lost and unheard-of travellers,
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pointing out the true probabilities, and seeming as if gifted with
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a sort of second sight, so often did events justify his predictions.
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He must have travelled everywhere, at least in the spirit.
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It was at least certain that Phileas Fogg had not absented himself
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from London for many years. Those who were honoured by a better
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acquaintance with him than the rest, declared that nobody could
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pretend to have ever seen him anywhere else. His sole pastimes
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were reading the papers and playing whist. He often won at this game,
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which, as a silent one, harmonised with his nature; but his winnings
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never went into his purse, being reserved as a fund for his charities.
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Mr. Fogg played, not to win, but for the sake of playing.
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The game was in his eyes a contest, a struggle with a difficulty,
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yet a motionless, unwearying struggle, congenial to his tastes.
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Phileas Fogg was not known to have either wife or children,
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which may happen to the most honest people; either relatives
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or near friends, which is certainly more unusual. He lived alone
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in his house in Saville Row, whither none penetrated. A single
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domestic sufficed to serve him. He breakfasted and dined at the club,
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at hours mathematically fixed, in the same room, at the same table,
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never taking his meals with other members, much less bringing
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a guest with him; and went home at exactly midnight, only to retire
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at once to bed. He never used the cosy chambers which the Reform
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provides for its favoured members. He passed ten hours out of the
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twenty-four in Saville Row, either in sleeping or making his toilet.
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When he chose to take a walk it was with a regular step in the
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entrance hall with its mosaic flooring, or in the circular gallery
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with its dome supported by twenty red porphyry Ionic columns,
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and illumined by blue painted windows. When he breakfasted or dined
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all the resources of the club--its kitchens and pantries,
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its buttery and dairy--aided to crowd his table with their most
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succulent stores; he was served by the gravest waiters,
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in dress coats, and shoes with swan-skin soles, who proffered
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the viands in special porcelain, and on the finest linen;
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club decanters, of a lost mould, contained his sherry,
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his port, and his cinnamon-spiced claret; while his beverages
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were refreshingly cooled with ice, brought at great cost
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from the American lakes.
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If to live in this style is to be eccentric, it must be
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confessed that there is something good in eccentricity.
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The mansion in Saville Row, though not sumptuous, was exceedingly comfortable.
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The habits of its occupant were such as to demand but little from the
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sole domestic, but Phileas Fogg required him to be almost superhumanly
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prompt and regular. On this very 2nd of October he had dismissed
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James Forster, because that luckless youth had brought him shaving-water
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at eighty-four degrees Fahrenheit instead of eighty-six;
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and he was awaiting his successor, who was due at the house
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between eleven and half-past.
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Phileas Fogg was seated squarely in his armchair, his feet close together
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like those of a grenadier on parade, his hands resting on his knees,
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his body straight, his head erect; he was steadily watching a complicated
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clock which indicated the hours, the minutes, the seconds, the days,
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the months, and the years. At exactly half-past eleven Mr. Fogg would,
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according to his daily habit, quit Saville Row, and repair to the Reform.
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A rap at this moment sounded on the door of the cosy apartment where
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Phileas Fogg was seated, and James Forster, the dismissed servant, appeared.
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"The new servant," said he.
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A young man of thirty advanced and bowed.
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"You are a Frenchman, I believe," asked Phileas Fogg, "and your name is John?"
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"Jean, if monsieur pleases," replied the newcomer, "Jean Passepartout,
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a surname which has clung to me because I have a natural aptness
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for going out of one business into another. I believe I'm honest,
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monsieur, but, to be outspoken, I've had several trades. I've been
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an itinerant singer, a circus-rider, when I used to vault like Leotard,
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and dance on a rope like Blondin. Then I got to be a professor of gymnastics,
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so as to make better use of my talents; and then I was a sergeant fireman
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at Paris, and assisted at many a big fire. But I quitted France
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five years ago, and, wishing to taste the sweets of domestic life,
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took service as a valet here in England. Finding myself out of place,
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and hearing that Monsieur Phileas Fogg was the most exact and settled
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gentleman in the United Kingdom, I have come to monsieur in the hope
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of living with him a tranquil life, and forgetting even the name
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of Passepartout."
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"Passepartout suits me," responded Mr. Fogg. "You are well recommended
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to me; I hear a good report of you. You know my conditions?"
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"Yes, monsieur."
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"Good! What time is it?"
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"Twenty-two minutes after eleven," returned Passepartout,
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drawing an enormous silver watch from the depths of his pocket.
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"You are too slow," said Mr. Fogg.
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"Pardon me, monsieur, it is impossible--"
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"You are four minutes too slow. No matter; it's enough to mention
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the error. Now from this moment, twenty-nine minutes after eleven, a.m.,
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this Wednesday, 2nd October, you are in my service."
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Phileas Fogg got up, took his hat in his left hand, put it on
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his head with an automatic motion, and went off without a word.
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Passepartout heard the street door shut once; it was his new
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master going out. He heard it shut again; it was his predecessor,
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James Forster, departing in his turn. Passepartout remained
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alone in the house in Saville Row.
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Chapter II
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IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL
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"Faith," muttered Passepartout, somewhat flurried, "I've seen people
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at Madame Tussaud's as lively as my new master!"
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Madame Tussaud's "people," let it be said, are of wax, and are much
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visited in London; speech is all that is wanting to make them human.
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During his brief interview with Mr. Fogg, Passepartout had been
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carefully observing him. He appeared to be a man about forty years of age,
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with fine, handsome features, and a tall, well-shaped figure;
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his hair and whiskers were light, his forehead compact and unwrinkled,
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his face rather pale, his teeth magnificent. His countenance possessed
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in the highest degree what physiognomists call "repose in action,"
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a quality of those who act rather than talk. Calm and phlegmatic,
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with a clear eye, Mr. Fogg seemed a perfect type of that English
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composure which Angelica Kauffmann has so skilfully represented on canvas.
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Seen in the various phases of his daily life, he gave the idea of being
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perfectly well-balanced, as exactly regulated as a Leroy chronometer.
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Phileas Fogg was, indeed, exactitude personified, and this was betrayed
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even in the expression of his very hands and feet; for in men, as well as
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in animals, the limbs themselves are expressive of the passions.
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He was so exact that he was never in a hurry, was always ready,
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and was economical alike of his steps and his motions. He never took
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one step too many, and always went to his destination by the shortest cut;
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he made no superfluous gestures, and was never seen to be moved or agitated.
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He was the most deliberate person in the world, yet always reached his
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destination at the exact moment.
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He lived alone, and, so to speak, outside of every social relation;
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and as he knew that in this world account must be taken of friction,
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and that friction retards, he never rubbed against anybody.
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As for Passepartout, he was a true Parisian of Paris. Since he
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had abandoned his own country for England, taking service as a valet,
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he had in vain searched for a master after his own heart.
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Passepartout was by no means one of those pert dunces depicted by
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Moliere with a bold gaze and a nose held high in the air; he was
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an honest fellow, with a pleasant face, lips a trifle protruding,
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soft-mannered and serviceable, with a good round head, such as one
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likes to see on the shoulders of a friend. His eyes were blue,
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his complexion rubicund, his figure almost portly and well-built,
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his body muscular, and his physical powers fully developed by the
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exercises of his younger days. His brown hair was somewhat tumbled;
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for, while the ancient sculptors are said to have known eighteen methods
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of arranging Minerva's tresses, Passepartout was familiar with but one of
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dressing his own: three strokes of a large-tooth comb completed his toilet.
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It would be rash to predict how Passepartout's lively nature would agree
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with Mr. Fogg. It was impossible to tell whether the new servant
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would turn out as absolutely methodical as his master required;
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experience alone could solve the question. Passepartout had been
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a sort of vagrant in his early years, and now yearned for repose;
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but so far he had failed to find it, though he had already served
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in ten English houses. But he could not take root in any of these;
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with chagrin, he found his masters invariably whimsical and irregular,
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constantly running about the country, or on the look-out for adventure.
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His last master, young Lord Longferry, Member of Parliament,
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after passing his nights in the Haymarket taverns, was too often
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brought home in the morning on policemen's shoulders. Passepartout,
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desirous of respecting the gentleman whom he served, ventured a mild
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remonstrance on such conduct; which, being ill-received, he took his leave.
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Hearing that Mr. Phileas Fogg was looking for a servant, and that his life
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was one of unbroken regularity, that he neither travelled nor stayed
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from home overnight, he felt sure that this would be the place he was after.
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He presented himself, and was accepted, as has been seen.
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At half-past eleven, then, Passepartout found himself alone in
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the house in Saville Row. He begun its inspection without delay,
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scouring it from cellar to garret. So clean, well-arranged,
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solemn a mansion pleased him ; it seemed to him like a snail's shell,
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lighted and warmed by gas, which sufficed for both these purposes.
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When Passepartout reached the second story he recognised at once
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the room which he was to inhabit, and he was well satisfied with it.
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Electric bells and speaking-tubes afforded communication with
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the lower stories; while on the mantel stood an electric clock,
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precisely like that in Mr. Fogg's bedchamber, both beating
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the same second at the same instant. "That's good, that'll do,"
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said Passepartout to himself.
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He suddenly observed, hung over the clock, a card which, upon inspection,
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proved to be a programme of the daily routine of the house.
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It comprised all that was required of the servant, from eight in the morning,
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exactly at which hour Phileas Fogg rose, till half-past eleven,
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when he left the house for the Reform Club--all the details of service,
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the tea and toast at twenty-three minutes past eight, the shaving-water
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at thirty-seven minutes past nine, and the toilet at twenty minutes before ten.
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Everything was regulated and foreseen that was to be done from
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half-past eleven a.m. till midnight, the hour at which the
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methodical gentleman retired.
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Mr. Fogg's wardrobe was amply supplied and in the best taste.
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Each pair of trousers, coat, and vest bore a number,
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indicating the time of year and season at which they were
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in turn to be laid out for wearing; and the same system
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was applied to the master's shoes. In short, the house
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in Saville Row, which must have been a very temple of disorder
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and unrest under the illustrious but dissipated Sheridan, was cosiness,
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comfort, and method idealised. There was no study, nor were there books,
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which would have been quite useless to Mr. Fogg; for at the Reform
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two libraries, one of general literature and the other of law and politics,
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were at his service. A moderate-sized safe stood in his bedroom,
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constructed so as to defy fire as well as burglars; but Passepartout
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found neither arms nor hunting weapons anywhere; everything betrayed
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the most tranquil and peaceable habits.
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Having scrutinised the house from top to bottom, he rubbed his hands,
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a broad smile overspread his features, and he said joyfully,
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"This is just what I wanted! Ah, we shall get on together,
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Mr. Fogg and I! What a domestic and regular gentleman!
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A real machine; well, I don't mind serving a machine."
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Chapter III
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IN WHICH A CONVERSATION TAKES PLACE WHICH SEEMS LIKELY TO COST
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PHILEAS FOGG DEAR
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Phileas Fogg, having shut the door of his house at half-past eleven, and
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having put his right foot before his left five hundred and seventy-five times, and his left foot
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before his right five hundred and seventy-six times, reached the Reform Club,
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an imposing edifice in Pall Mall, which could not have cost less than
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three millions. He repaired at once to the dining-room, the nine windows
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of which open upon a tasteful garden, where the trees were already gilded
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with an autumn colouring; and took his place at the habitual table,
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the cover of which had already been laid for him. His breakfast consisted
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of a side-dish, a broiled fish with Reading sauce, a scarlet slice of
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roast beef garnished with mushrooms, a rhubarb and gooseberry tart,
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and a morsel of Cheshire cheese, the whole being washed down with
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several cups of tea, for which the Reform is famous. He rose at
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thirteen minutes to one, and directed his steps towards the large hall,
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a sumptuous apartment adorned with lavishly-framed paintings.
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A flunkey handed him an uncut Times, which he proceeded to cut
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with a skill which betrayed familiarity with this delicate operation.
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The perusal of this paper absorbed Phileas Fogg until a quarter before four,
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whilst the Standard, his next task, occupied him till the dinner hour.
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Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the
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reading-room and sat down to the Pall Mall at twenty minutes before six.
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Half an hour later several members of the Reform came in and drew up
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to the fireplace, where a coal fire was steadily burning.
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They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer;
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John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer;
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and Gauthier Ralph, one of the Directors of the Bank of England--
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all rich and highly respectable personages, even in a club which
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comprises the princes of English trade and finance.
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"Well, Ralph," said Thomas Flanagan, "what about that robbery?"
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"Oh," replied Stuart, "the Bank will lose the money."
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"On the contrary," broke in Ralph, "I hope we may put our hands
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on the robber. Skilful detectives have been sent to all the
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principal ports of America and the Continent, and he'll
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be a clever fellow if he slips through their fingers."
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"But have you got the robber's description?" asked Stuart.
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"In the first place, he is no robber at all," returned Ralph, positively.
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"What! a fellow who makes off with fifty-five thousand pounds, no robber?"
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"No."
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"Perhaps he's a manufacturer, then."
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"The Daily Telegraph says that he is a gentleman."
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It was Phileas Fogg, whose head now emerged from behind his newspapers, who
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made this remark. He bowed to his friends, and entered into the conversation.
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The affair which formed its subject, and which was town talk, had occurred
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three days before at the Bank of England. A package of banknotes, to the
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value of fifty-five thousand pounds, had been taken from the principal
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cashier's table, that functionary being at the moment engaged in registering
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the receipt of three shillings and sixpence. Of course, he could not have
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his eyes everywhere. Let it be observed that the Bank of England reposes
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a touching confidence in the honesty of the public. There are neither guards
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nor gratings to protect its treasures; gold, silver, banknotes are freely
|
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|
exposed, at the mercy of the first comer. A keen observer of English customs
|
||
|
relates that, being in one of the rooms of the Bank one day, he had the
|
||
|
curiosity to examine a gold ingot weighing some seven or eight pounds.
|
||
|
He took it up, scrutinised it, passed it to his neighbour, he to the next man,
|
||
|
and so on until the ingot, going from hand to hand, was transferred to the end
|
||
|
of a dark entry; nor did it return to its place for half an hour. Meanwhile,
|
||
|
the cashier had not so much as raised his head. But in the present instance
|
||
|
things had not gone so smoothly. The package of notes not being found when
|
||
|
five o'clock sounded from the ponderous clock in the "drawing office,"
|
||
|
the amount was passed to the account of profit and loss. As soon as
|
||
|
the robbery was discovered, picked detectives hastened off to Liverpool,
|
||
|
Glasgow, Havre, Suez, Brindisi, New York, and other ports, inspired by
|
||
|
the proffered reward of two thousand pounds, and five per cent. on the sum
|
||
|
that might be recovered. Detectives were also charged with narrowly watching
|
||
|
those who arrived at or left London by rail, and a judicial examination
|
||
|
was at once entered upon.
|
||
|
|
||
|
There were real grounds for supposing, as the Daily Telegraph said,
|
||
|
that the thief did not belong to a professional band. On the day
|
||
|
of the robbery a well-dressed gentleman of polished manners,
|
||
|
and with a well-to-do air, had been observed going to and fro
|
||
|
in the paying room where the crime was committed. A description
|
||
|
of him was easily procured and sent to the detectives; and some
|
||
|
hopeful spirits, of whom Ralph was one, did not despair of his apprehension.
|
||
|
The papers and clubs were full of the affair, and everywhere people were
|
||
|
discussing the probabilities of a successful pursuit; and the Reform Club
|
||
|
was especially agitated, several of its members being Bank officials.
|
||
|
|
||
|
Ralph would not concede that the work of the detectives was likely
|
||
|
to be in vain, for he thought that the prize offered would greatly
|
||
|
stimulate their zeal and activity. But Stuart was far from sharing
|
||
|
this confidence; and, as they placed themselves at the whist-table,
|
||
|
they continued to argue the matter. Stuart and Flanagan played together,
|
||
|
while Phileas Fogg had Fallentin for his partner. As the game proceeded
|
||
|
the conversation ceased, excepting between the rubbers, when it revived again.
|
||
|
|
||
|
"I maintain," said Stuart, "that the chances are in favour of the
|
||
|
thief, who must be a shrewd fellow."
|
||
|
|
||
|
"Well, but where can he fly to?" asked Ralph. "No country is safe for him."
|
||
|
|
||
|
"Pshaw!"
|
||
|
|
||
|
"Where could he go, then?"
|
||
|
|
||
|
"Oh, I don't know that. The world is big enough."
|
||
|
|
||
|
"It was once," said Phileas Fogg, in a low tone. "Cut, sir,"
|
||
|
he added, handing the cards to Thomas Flanagan.
|
||
|
|
||
|
The discussion fell during the rubber, after which Stuart took up its thread.
|
||
|
|
||
|
"What do you mean by `once'? Has the world grown smaller?"
|
||
|
|
||
|
"Certainly," returned Ralph. "I agree with Mr. Fogg. The world
|
||
|
has grown smaller, since a man can now go round it ten times more quickly
|
||
|
than a hundred years ago. And that is why the search for this thief
|
||
|
will be more likely to succeed."
|
||
|
|
||
|
"And also why the thief can get away more easily."
|
||
|
|
||
|
"Be so good as to play, Mr. Stuart," said Phileas Fogg.
|
||
|
|
||
|
But the incredulous Stuart was not convinced, and when the
|
||
|
hand was finished, said eagerly: "You have a strange way, Ralph,
|
||
|
of proving that the world has grown smaller. So, because you
|
||
|
can go round it in three months--"
|
||
|
|
||
|
"In eighty days," interrupted Phileas Fogg.
|
||
|
|
||
|
"That is true, gentlemen," added John Sullivan. "Only eighty days,
|
||
|
now that the section between Rothal and Allahabad, on the
|
||
|
Great Indian Peninsula Railway, has been opened.
|
||
|
Here is the estimate made by the Daily Telegraph:
|
||
|
|
||
|
From London to Suez via Mont Cenis and
|
||
|
Brindisi, by rail and steamboats ................. 7 days
|
||
|
From Suez to Bombay, by steamer .................... 13 "
|
||
|
From Bombay to Calcutta, by rail ................... 3 "
|
||
|
From Calcutta to Hong Kong, by steamer ............. 13 "
|
||
|
From Hong Kong to Yokohama (Japan), by steamer ..... 6 "
|
||
|
From Yokohama to San Francisco, by steamer ......... 22 "
|
||
|
From San Francisco to New York, by rail ............. 7 "
|
||
|
From New York to London, by steamer and rail ........ 9 "
|
||
|
----
|
||
|
Total ............................................ 80 days."
|
||
|
|
||
|
"Yes, in eighty days!" exclaimed Stuart, who in his excitement
|
||
|
made a false deal. "But that doesn't take into account bad weather,
|
||
|
contrary winds, shipwrecks, railway accidents, and so on."
|
||
|
|
||
|
"All included," returned Phileas Fogg, continuing to play
|
||
|
despite the discussion.
|
||
|
|
||
|
"But suppose the Hindoos or Indians pull up the rails,"
|
||
|
replied Stuart; "suppose they stop the trains, pillage
|
||
|
the luggage-vans, and scalp the passengers!"
|
||
|
|
||
|
"All included," calmly retorted Fogg; adding, as he threw down the cards,
|
||
|
"Two trumps."
|
||
|
|
||
|
Stuart, whose turn it was to deal, gathered them up, and went on:
|
||
|
"You are right, theoretically, Mr. Fogg, but practically--"
|
||
|
|
||
|
"Practically also, Mr. Stuart."
|
||
|
|
||
|
"I'd like to see you do it in eighty days."
|
||
|
|
||
|
"It depends on you. Shall we go?"
|
||
|
|
||
|
"Heaven preserve me! But I would wager four thousand pounds
|
||
|
that such a journey, made under these conditions, is impossible."
|
||
|
|
||
|
"Quite possible, on the contrary," returned Mr. Fogg.
|
||
|
|
||
|
"Well, make it, then!"
|
||
|
|
||
|
"The journey round the world in eighty days?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"I should like nothing better."
|
||
|
|
||
|
"When?"
|
||
|
|
||
|
"At once. Only I warn you that I shall do it at your expense."
|
||
|
|
||
|
"It's absurd!" cried Stuart, who was beginning to be annoyed at
|
||
|
the persistency of his friend. "Come, let's go on with the game."
|
||
|
|
||
|
"Deal over again, then," said Phileas Fogg. "There's a false deal."
|
||
|
|
||
|
Stuart took up the pack with a feverish hand; then suddenly
|
||
|
put them down again.
|
||
|
|
||
|
"Well, Mr. Fogg," said he, "it shall be so: I will wager
|
||
|
the four thousand on it."
|
||
|
|
||
|
"Calm yourself, my dear Stuart," said Fallentin. "It's only a joke."
|
||
|
|
||
|
"When I say I'll wager," returned Stuart, "I mean it." "All right,"
|
||
|
said Mr. Fogg; and, turning to the others, he continued:
|
||
|
"I have a deposit of twenty thousand at Baring's which
|
||
|
I will willingly risk upon it."
|
||
|
|
||
|
"Twenty thousand pounds!" cried Sullivan. "Twenty thousand pounds,
|
||
|
which you would lose by a single accidental delay!"
|
||
|
|
||
|
"The unforeseen does not exist," quietly replied Phileas Fogg.
|
||
|
|
||
|
"But, Mr. Fogg, eighty days are only the estimate of the least possible
|
||
|
time in which the journey can be made."
|
||
|
|
||
|
"A well-used minimum suffices for everything."
|
||
|
|
||
|
"But, in order not to exceed it, you must jump mathematically
|
||
|
from the trains upon the steamers, and from the steamers upon
|
||
|
the trains again."
|
||
|
|
||
|
"I will jump--mathematically."
|
||
|
|
||
|
"You are joking."
|
||
|
|
||
|
"A true Englishman doesn't joke when he is talking about so
|
||
|
serious a thing as a wager," replied Phileas Fogg, solemnly.
|
||
|
"I will bet twenty thousand pounds against anyone who wishes
|
||
|
that I will make the tour of the world in eighty days or less;
|
||
|
in nineteen hundred and twenty hours, or a hundred and fifteen
|
||
|
thousand two hundred minutes. Do you accept?"
|
||
|
|
||
|
"We accept," replied Messrs. Stuart, Fallentin, Sullivan,
|
||
|
Flanagan, and Ralph, after consulting each other.
|
||
|
|
||
|
"Good," said Mr. Fogg. "The train leaves for Dover at a
|
||
|
quarter before nine. I will take it."
|
||
|
|
||
|
"This very evening?" asked Stuart.
|
||
|
|
||
|
"This very evening," returned Phileas Fogg. He took out and
|
||
|
consulted a pocket almanac, and added, "As today is Wednesday,
|
||
|
the 2nd of October, I shall be due in London in this very room of
|
||
|
the Reform Club, on Saturday, the 21st of December, at a quarter
|
||
|
before nine p.m.; or else the twenty thousand pounds,
|
||
|
now deposited in my name at Baring's, will belong to you,
|
||
|
in fact and in right, gentlemen. Here is a cheque for the amount."
|
||
|
|
||
|
A memorandum of the wager was at once drawn up and signed by
|
||
|
the six parties, during which Phileas Fogg preserved a stoical
|
||
|
composure. He certainly did not bet to win, and had only staked
|
||
|
the twenty thousand pounds, half of his fortune, because he
|
||
|
foresaw that he might have to expend the other half to carry out
|
||
|
this difficult, not to say unattainable, project. As for his
|
||
|
antagonists, they seemed much agitated; not so much by the value
|
||
|
of their stake, as because they had some scruples about betting
|
||
|
under conditions so difficult to their friend.
|
||
|
|
||
|
The clock struck seven, and the party offered to suspend the
|
||
|
game so that Mr. Fogg might make his preparations for departure.
|
||
|
|
||
|
"I am quite ready now," was his tranquil response. "Diamonds are trumps:
|
||
|
be so good as to play, gentlemen."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter IV
|
||
|
|
||
|
IN WHICH PHILEAS FOGG ASTOUNDS PASSEPARTOUT, HIS SERVANT
|
||
|
|
||
|
|
||
|
Having won twenty guineas at whist, and taken leave of his friends,
|
||
|
Phileas Fogg, at twenty-five minutes past seven, left the Reform Club.
|
||
|
|
||
|
Passepartout, who had conscientiously studied the programme of his duties,
|
||
|
was more than surprised to see his master guilty of the inexactness
|
||
|
of appearing at this unaccustomed hour; for, according to rule,
|
||
|
he was not due in Saville Row until precisely midnight.
|
||
|
|
||
|
Mr. Fogg repaired to his bedroom, and called out, "Passepartout!"
|
||
|
|
||
|
Passepartout did not reply. It could not be he who was called;
|
||
|
it was not the right hour.
|
||
|
|
||
|
"Passepartout!" repeated Mr. Fogg, without raising his voice.
|
||
|
|
||
|
Passepartout made his appearance.
|
||
|
|
||
|
"I've called you twice," observed his master.
|
||
|
|
||
|
"But it is not midnight," responded the other, showing his watch.
|
||
|
|
||
|
"I know it; I don't blame you. We start for Dover and Calais
|
||
|
in ten minutes."
|
||
|
|
||
|
A puzzled grin overspread Passepartout's round face;
|
||
|
clearly he had not comprehended his master.
|
||
|
|
||
|
"Monsieur is going to leave home?"
|
||
|
|
||
|
"Yes," returned Phileas Fogg. "We are going round the world."
|
||
|
|
||
|
Passepartout opened wide his eyes, raised his eyebrows,
|
||
|
held up his hands, and seemed about to collapse,
|
||
|
so overcome was he with stupefied astonishment.
|
||
|
|
||
|
"Round the world!" he murmured.
|
||
|
|
||
|
"In eighty days," responded Mr. Fogg. "So we haven't a moment to lose."
|
||
|
|
||
|
"But the trunks?" gasped Passepartout, unconsciously swaying
|
||
|
his head from right to left.
|
||
|
|
||
|
"We'll have no trunks; only a carpet-bag, with two shirts
|
||
|
and three pairs of stockings for me, and the same for you.
|
||
|
We'll buy our clothes on the way. Bring down my mackintosh
|
||
|
and traveling-cloak, and some stout shoes, though we shall
|
||
|
do little walking. Make haste!"
|
||
|
|
||
|
Passepartout tried to reply, but could not. He went out,
|
||
|
mounted to his own room, fell into a chair, and muttered:
|
||
|
"That's good, that is! And I, who wanted to remain quiet!"
|
||
|
|
||
|
He mechanically set about making the preparations for departure.
|
||
|
Around the world in eighty days! Was his master a fool? No.
|
||
|
Was this a joke, then? They were going to Dover; good!
|
||
|
To Calais; good again! After all, Passepartout, who had
|
||
|
been away from France five years, would not be sorry
|
||
|
to set foot on his native soil again. Perhaps they would
|
||
|
go as far as Paris, and it would do his eyes good to see Paris once more.
|
||
|
But surely a gentleman so chary of his steps would stop there; no doubt--
|
||
|
but, then, it was none the less true that he was going away,
|
||
|
this so domestic person hitherto!
|
||
|
|
||
|
By eight o'clock Passepartout had packed the modest carpet-bag,
|
||
|
containing the wardrobes of his master and himself; then,
|
||
|
still troubled in mind, he carefully shut the door of his room,
|
||
|
and descended to Mr. Fogg.
|
||
|
|
||
|
Mr. Fogg was quite ready. Under his arm might have been observed a red-bound
|
||
|
copy of Bradshaw's Continental Railway Steam Transit and General Guide,
|
||
|
with its timetables showing the arrival and departure of steamers and railways.
|
||
|
He took the carpet-bag, opened it, and slipped into it a goodly roll of
|
||
|
Bank of England notes, which would pass wherever he might go.
|
||
|
|
||
|
"You have forgotten nothing?" asked he.
|
||
|
|
||
|
"Nothing, monsieur."
|
||
|
|
||
|
"My mackintosh and cloak?"
|
||
|
|
||
|
"Here they are."
|
||
|
|
||
|
"Good! Take this carpet-bag," handing it to Passepartout.
|
||
|
"Take good care of it, for there are twenty thousand pounds in it."
|
||
|
|
||
|
Passepartout nearly dropped the bag, as if the twenty thousand pounds
|
||
|
were in gold, and weighed him down.
|
||
|
|
||
|
Master and man then descended, the street-door was double-locked,
|
||
|
and at the end of Saville Row they took a cab and drove rapidly
|
||
|
to Charing Cross. The cab stopped before the railway station
|
||
|
at twenty minutes past eight. Passepartout jumped off the box
|
||
|
and followed his master, who, after paying the cabman,
|
||
|
was about to enter the station, when a poor beggar-woman,
|
||
|
with a child in her arms, her naked feet smeared with mud,
|
||
|
her head covered with a wretched bonnet, from which hung a tattered feather,
|
||
|
and her shoulders shrouded in a ragged shawl, approached,
|
||
|
and mournfully asked for alms.
|
||
|
|
||
|
Mr. Fogg took out the twenty guineas he had just won at whist,
|
||
|
and handed them to the beggar, saying, "Here, my good woman.
|
||
|
I'm glad that I met you;" and passed on.
|
||
|
|
||
|
Passepartout had a moist sensation about the eyes;
|
||
|
his master's action touched his susceptible heart.
|
||
|
|
||
|
Two first-class tickets for Paris having been speedily purchased,
|
||
|
Mr. Fogg was crossing the station to the train, when he perceived
|
||
|
his five friends of the Reform.
|
||
|
|
||
|
"Well, gentlemen," said he, "I'm off, you see; and, if you
|
||
|
will examine my passport when I get back, you will be able
|
||
|
to judge whether I have accomplished the journey agreed upon."
|
||
|
|
||
|
"Oh, that would be quite unnecessary, Mr. Fogg," said Ralph politely.
|
||
|
"We will trust your word, as a gentleman of honour."
|
||
|
|
||
|
"You do not forget when you are due in London again?" asked Stuart.
|
||
|
|
||
|
"In eighty days; on Saturday, the 21st of December, 1872,
|
||
|
at a quarter before nine p.m. Good-bye, gentlemen."
|
||
|
|
||
|
Phileas Fogg and his servant seated themselves in a first-class carriage
|
||
|
at twenty minutes before nine; five minutes later the whistle screamed,
|
||
|
and the train slowly glided out of the station.
|
||
|
|
||
|
The night was dark, and a fine, steady rain was falling.
|
||
|
Phileas Fogg, snugly ensconced in his corner, did not open his lips.
|
||
|
Passepartout, not yet recovered from his stupefaction,
|
||
|
clung mechanically to the carpet-bag, with its enormous treasure.
|
||
|
|
||
|
Just as the train was whirling through Sydenham,
|
||
|
Passepartout suddenly uttered a cry of despair.
|
||
|
|
||
|
"What's the matter?" asked Mr. Fogg.
|
||
|
|
||
|
"Alas! In my hurry--I--I forgot--"
|
||
|
|
||
|
"What?"
|
||
|
|
||
|
"To turn off the gas in my room!"
|
||
|
|
||
|
"Very well, young man," returned Mr. Fogg, coolly; "it will burn--
|
||
|
at your expense."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter V
|
||
|
|
||
|
|
||
|
IN WHICH A NEW SPECIES OF FUNDS, UNKNOWN TO THE MONEYED MEN,
|
||
|
APPEARS ON 'CHANGE
|
||
|
|
||
|
|
||
|
Phileas Fogg rightly suspected that his departure from London
|
||
|
would create a lively sensation at the West End. The news of the
|
||
|
bet spread through the Reform Club, and afforded an exciting topic
|
||
|
of conversation to its members. From the club it soon got into
|
||
|
the papers throughout England. The boasted "tour of the world"
|
||
|
was talked about, disputed, argued with as much warmth as if the
|
||
|
subject were another Alabama claim. Some took sides with Phileas
|
||
|
Fogg, but the large majority shook their heads and declared
|
||
|
against him; it was absurd, impossible, they declared, that the
|
||
|
tour of the world could be made, except theoretically and on paper,
|
||
|
in this minimum of time, and with the existing means of travelling.
|
||
|
The Times, Standard, Morning Post, and Daily News, and twenty other
|
||
|
highly respectable newspapers scouted Mr. Fogg's project as madness;
|
||
|
the Daily Telegraph alone hesitatingly supported him. People in general
|
||
|
thought him a lunatic, and blamed his Reform Club friends for having
|
||
|
accepted a wager which betrayed the mental aberration of its proposer.
|
||
|
|
||
|
Articles no less passionate than logical appeared on the question,
|
||
|
for geography is one of the pet subjects of the English;
|
||
|
and the columns devoted to Phileas Fogg's venture were eagerly
|
||
|
devoured by all classes of readers. At first some rash individuals,
|
||
|
principally of the gentler sex, espoused his cause, which became
|
||
|
still more popular when the Illustrated London News came out
|
||
|
with his portrait, copied from a photograph in the Reform Club.
|
||
|
A few readers of the Daily Telegraph even dared to say,
|
||
|
"Why not, after all? Stranger things have come to pass."
|
||
|
|
||
|
At last a long article appeared, on the 7th of October, in the bulletin
|
||
|
of the Royal Geographical Society, which treated the question from
|
||
|
every point of view, and demonstrated the utter folly of the enterprise.
|
||
|
|
||
|
Everything, it said, was against the travellers, every obstacle imposed
|
||
|
alike by man and by nature. A miraculous agreement of the times of departure
|
||
|
and arrival, which was impossible, was absolutely necessary to his success.
|
||
|
He might, perhaps, reckon on the arrival of trains at the designated hours,
|
||
|
in Europe, where the distances were relatively moderate; but when
|
||
|
he calculated upon crossing India in three days, and the United States
|
||
|
in seven, could he rely beyond misgiving upon accomplishing his task?
|
||
|
There were accidents to machinery, the liability of trains to run off the line,
|
||
|
collisions, bad weather, the blocking up by snow--were not all these against
|
||
|
Phileas Fogg? Would he not find himself, when travelling by steamer in winter,
|
||
|
at the mercy of the winds and fogs? Is it uncommon for the best ocean steamers
|
||
|
to be two or three days behind time? But a single delay would suffice to
|
||
|
fatally break the chain of communication; should Phileas Fogg once miss,
|
||
|
even by an hour; a steamer, he would have to wait for the next,
|
||
|
and that would irrevocably render his attempt vain.
|
||
|
|
||
|
This article made a great deal of noise, and, being copied into
|
||
|
all the papers, seriously depressed the advocates of the rash tourist.
|
||
|
|
||
|
Everybody knows that England is the world of betting men, who are
|
||
|
of a higher class than mere gamblers; to bet is in the English temperament.
|
||
|
Not only the members of the Reform, but the general public, made heavy wagers
|
||
|
for or against Phileas Fogg, who was set down in the betting books as if
|
||
|
he were a race-horse. Bonds were issued, and made their appearance on 'Change;
|
||
|
"Phileas Fogg bonds" were offered at par or at a premium, and a great business
|
||
|
was done in them. But five days after the article in the bulletin of the
|
||
|
Geographical Society appeared, the demand began to subside: "Phileas Fogg"
|
||
|
declined. They were offered by packages, at first of five, then of ten,
|
||
|
until at last nobody would take less than twenty, fifty, a hundred!
|
||
|
|
||
|
Lord Albemarle, an elderly paralytic gentleman, was now the only advocate
|
||
|
of Phileas Fogg left. This noble lord, who was fastened to his chair,
|
||
|
would have given his fortune to be able to make the tour of the world,
|
||
|
if it took ten years; and he bet five thousand pounds on Phileas Fogg.
|
||
|
When the folly as well as the uselessness of the adventure was pointed out
|
||
|
to him, he contented himself with replying, "If the thing is feasible,
|
||
|
the first to do it ought to be an Englishman."
|
||
|
|
||
|
The Fogg party dwindled more and more, everybody was going against him,
|
||
|
and the bets stood a hundred and fifty and two hundred to one;
|
||
|
and a week after his departure an incident occurred which deprived him
|
||
|
of backers at any price.
|
||
|
|
||
|
The commissioner of police was sitting in his office at nine o'clock
|
||
|
one evening, when the following telegraphic dispatch was put into his hands:
|
||
|
|
||
|
Suez to London.
|
||
|
|
||
|
Rowan, Commissioner of Police, Scotland Yard:
|
||
|
|
||
|
I've found the bank robber, Phileas Fogg. Send with out delay warrant
|
||
|
of arrest to Bombay.
|
||
|
|
||
|
Fix, Detective.
|
||
|
|
||
|
The effect of this dispatch was instantaneous. The polished gentleman
|
||
|
disappeared to give place to the bank robber. His photograph, which was
|
||
|
hung with those of the rest of the members at the Reform Club,
|
||
|
was minutely examined, and it betrayed, feature by feature,
|
||
|
the description of the robber which had been provided to the police.
|
||
|
The mysterious habits of Phileas Fogg were recalled; his solitary ways,
|
||
|
his sudden departure; and it seemed clear that, in undertaking a tour
|
||
|
round the world on the pretext of a wager, he had had no other end in view
|
||
|
than to elude the detectives, and throw them off his track.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter VI
|
||
|
|
||
|
IN WHICH FIX, THE DETECTIVE, BETRAYS A VERY NATURAL IMPATIENCE
|
||
|
|
||
|
|
||
|
The circumstances under which this telegraphic dispatch about
|
||
|
Phileas Fogg was sent were as follows:
|
||
|
|
||
|
The steamer Mongolia, belonging to the Peninsular and Oriental Company,
|
||
|
built of iron, of two thousand eight hundred tons burden, and five hundred
|
||
|
horse-power, was due at eleven o'clock a.m. on Wednesday, the 9th of October,
|
||
|
at Suez. The Mongolia plied regularly between Brindisi and Bombay via
|
||
|
the Suez Canal, and was one of the fastest steamers belonging to the company,
|
||
|
always making more than ten knots an hour between Brindisi and Suez,
|
||
|
and nine and a half between Suez and Bombay.
|
||
|
|
||
|
Two men were promenading up and down the wharves, among the crowd
|
||
|
of natives and strangers who were sojourning at this once straggling village--
|
||
|
now, thanks to the enterprise of M. Lesseps, a fast-growing town. One was
|
||
|
the British consul at Suez, who, despite the prophecies of the
|
||
|
English Government, and the unfavourable predictions of Stephenson,
|
||
|
was in the habit of seeing, from his office window, English ships
|
||
|
daily passing to and fro on the great canal, by which the old roundabout
|
||
|
route from England to India by the Cape of Good Hope was abridged
|
||
|
by at least a half. The other was a small, slight-built personage,
|
||
|
with a nervous, intelligent face, and bright eyes peering out
|
||
|
from under eyebrows which he was incessantly twitching.
|
||
|
He was just now manifesting unmistakable signs of impatience,
|
||
|
nervously pacing up and down, and unable to stand still for a moment.
|
||
|
This was Fix, one of the detectives who had been dispatched from England
|
||
|
in search of the bank robber; it was his task to narrowly watch every
|
||
|
passenger who arrived at Suez, and to follow up all who seemed to
|
||
|
be suspicious characters, or bore a resemblance to the description
|
||
|
of the criminal, which he had received two days before from the
|
||
|
police headquarters at London. The detective was evidently inspired
|
||
|
by the hope of obtaining the splendid reward which would be the prize
|
||
|
of success, and awaited with a feverish impatience, easy to understand,
|
||
|
the arrival of the steamer Mongolia.
|
||
|
|
||
|
"So you say, consul," asked he for the twentieth time, "that this steamer
|
||
|
is never behind time?"
|
||
|
|
||
|
"No, Mr. Fix," replied the consul. "She was bespoken yesterday at Port Said,
|
||
|
and the rest of the way is of no account to such a craft. I repeat that
|
||
|
the Mongolia has been in advance of the time required by the company's
|
||
|
regulations, and gained the prize awarded for excess of speed."
|
||
|
|
||
|
"Does she come directly from Brindisi?"
|
||
|
|
||
|
"Directly from Brindisi; she takes on the Indian mails there,
|
||
|
and she left there Saturday at five p.m. Have patience, Mr. Fix;
|
||
|
she will not be late. But really, I don't see how, from the
|
||
|
description you have, you will be able to recognise your man,
|
||
|
even if he is on board the Mongolia."
|
||
|
|
||
|
"A man rather feels the presence of these fellows, consul,
|
||
|
than recognises them. You must have a scent for them,
|
||
|
and a scent is like a sixth sense which combines hearing,
|
||
|
seeing, and smelling. I've arrested more than one of these gentlemen
|
||
|
in my time, and, if my thief is on board, I'll answer for it;
|
||
|
he'll not slip through my fingers."
|
||
|
|
||
|
"I hope so, Mr. Fix, for it was a heavy robbery."
|
||
|
|
||
|
"A magnificent robbery, consul; fifty-five thousand pounds!
|
||
|
We don't often have such windfalls. Burglars are getting to be so
|
||
|
contemptible nowadays! A fellow gets hung for a handful of shillings!"
|
||
|
|
||
|
"Mr. Fix," said the consul, "I like your way of talking, and hope
|
||
|
you'll succeed; but I fear you will find it far from easy.
|
||
|
Don't you see, the description which you have there has
|
||
|
a singular resemblance to an honest man?"
|
||
|
|
||
|
"Consul," remarked the detective, dogmatically, "great robbers
|
||
|
always resemble honest folks. Fellows who have rascally faces
|
||
|
have only one course to take, and that is to remain honest;
|
||
|
otherwise they would be arrested off-hand. The artistic thing is,
|
||
|
to unmask honest countenances; it's no light task, I admit,
|
||
|
but a real art."
|
||
|
|
||
|
Mr. Fix evidently was not wanting in a tinge of self-conceit.
|
||
|
|
||
|
Little by little the scene on the quay became more animated;
|
||
|
sailors of various nations, merchants, ship-brokers, porters, fellahs,
|
||
|
bustled to and fro as if the steamer were immediately expected.
|
||
|
The weather was clear, and slightly chilly. The minarets of the town
|
||
|
loomed above the houses in the pale rays of the sun. A jetty pier,
|
||
|
some two thousand yards along, extended into the roadstead.
|
||
|
A number of fishing-smacks and coasting boats, some retaining
|
||
|
the fantastic fashion of ancient galleys, were discernible on the Red Sea.
|
||
|
|
||
|
As he passed among the busy crowd, Fix, according to habit,
|
||
|
scrutinised the passers-by with a keen, rapid glance.
|
||
|
|
||
|
It was now half-past ten.
|
||
|
|
||
|
"The steamer doesn't come!" he exclaimed, as the port clock struck.
|
||
|
|
||
|
"She can't be far off now," returned his companion.
|
||
|
|
||
|
"How long will she stop at Suez?"
|
||
|
|
||
|
"Four hours; long enough to get in her coal. It is thirteen hundred
|
||
|
and ten miles from Suez to Aden, at the other end of the Red Sea,
|
||
|
and she has to take in a fresh coal supply."
|
||
|
|
||
|
"And does she go from Suez directly to Bombay?"
|
||
|
|
||
|
"Without putting in anywhere."
|
||
|
|
||
|
"Good!" said Fix. "If the robber is on board he will no doubt
|
||
|
get off at Suez, so as to reach the Dutch or French colonies in
|
||
|
Asia by some other route. He ought to know that he would not be
|
||
|
safe an hour in India, which is English soil."
|
||
|
|
||
|
"Unless," objected the consul, "he is exceptionally shrewd.
|
||
|
An English criminal, you know, is always better concealed
|
||
|
n London than anywhere else."
|
||
|
|
||
|
This observation furnished the detective food for thought,
|
||
|
and meanwhile the consul went away to his office. Fix, left alone,
|
||
|
was more impatient than ever, having a presentiment that the
|
||
|
robber was on board the Mongolia. If he had indeed left London
|
||
|
intending to reach the New World, he would naturally take the
|
||
|
route via India, which was less watched and more difficult
|
||
|
to watch than that of the Atlantic. But Fix's reflections were
|
||
|
soon interrupted by a succession of sharp whistles, which announced
|
||
|
the arrival of the Mongolia. The porters and fellahs rushed
|
||
|
down the quay, and a dozen boats pushed off from the shore to go
|
||
|
and meet the steamer. Soon her gigantic hull appeared passing
|
||
|
along between the banks, and eleven o'clock struck as she anchored
|
||
|
in the road. She brought an unusual number of passengers,
|
||
|
some of whom remained on deck to scan the picturesque panorama
|
||
|
of the town, while the greater part disembarked in the boats,
|
||
|
and landed on the quay.
|
||
|
|
||
|
Fix took up a position, and carefully examined each face
|
||
|
and figure which made its appearance. Presently one of
|
||
|
the passengers, after vigorously pushing his way through the
|
||
|
importunate crowd of porters, came up to him and politely asked if
|
||
|
he could point out the English consulate, at the same time showing
|
||
|
a passport which he wished to have visaed. Fix instinctively took
|
||
|
the passport, and with a rapid glance read the description
|
||
|
of its bearer. An involuntary motion of surprise nearly escaped him,
|
||
|
for the description in the passport was identical with that of the
|
||
|
bank robber which he had received from Scotland Yard.
|
||
|
|
||
|
"Is this your passport?" asked he.
|
||
|
|
||
|
"No, it's my master's."
|
||
|
|
||
|
"And your master is--"
|
||
|
|
||
|
"He stayed on board."
|
||
|
|
||
|
"But he must go to the consul's in person, so as to establish his identity."
|
||
|
|
||
|
"Oh, is that necessary?"
|
||
|
|
||
|
"Quite indispensable."
|
||
|
|
||
|
"And where is the consulate?"
|
||
|
|
||
|
"There, on the corner of the square," said Fix, pointing to
|
||
|
a house two hundred steps off.
|
||
|
|
||
|
"I'll go and fetch my master, who won't be much pleased, however,
|
||
|
to be disturbed."
|
||
|
|
||
|
The passenger bowed to Fix, and returned to the steamer.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter VII
|
||
|
|
||
|
WHICH ONCE MORE DEMONSTRATES THE USELESSNESS OF PASSPORTS
|
||
|
AS AIDS TO DETECTIVES
|
||
|
|
||
|
|
||
|
The detective passed down the quay, and rapidly made his way to
|
||
|
the consul's office, where he was at once admitted to the presence
|
||
|
of that official.
|
||
|
|
||
|
"Consul," said he, without preamble, "I have strong reasons
|
||
|
for believing that my man is a passenger on the Mongolia."
|
||
|
And he narrated what had just passed concerning the passport.
|
||
|
|
||
|
"Well, Mr. Fix," replied the consul, "I shall not be sorry to
|
||
|
see the rascal's face; but perhaps he won't come here--that is,
|
||
|
if he is the person you suppose him to be. A robber doesn't quite
|
||
|
like to leave traces of his flight behind him; and, besides,
|
||
|
he is not obliged to have his passport countersigned."
|
||
|
|
||
|
"If he is as shrewd as I think he is, consul, he will come."
|
||
|
|
||
|
"To have his passport visaed?"
|
||
|
|
||
|
"Yes. Passports are only good for annoying honest folks,
|
||
|
and aiding in the flight of rogues. I assure you it will be quite
|
||
|
the thing for him to do; but I hope you will not visa the passport."
|
||
|
|
||
|
"Why not? If the passport is genuine I have no right to refuse."
|
||
|
|
||
|
"Still, I must keep this man here until I can get a warrant to
|
||
|
arrest him from London."
|
||
|
|
||
|
"Ah, that's your look-out. But I cannot--"
|
||
|
|
||
|
The consul did not finish his sentence, for as he spoke a knock was heard
|
||
|
at the door, and two strangers entered, one of whom was the servant
|
||
|
whom Fix had met on the quay. The other, who was his master,
|
||
|
held out his passport with the request that the consul would do him
|
||
|
the favour to visa it. The consul took the document and carefully read it,
|
||
|
whilst Fix observed, or rather devoured, the stranger with his eyes
|
||
|
from a corner of the room.
|
||
|
|
||
|
"You are Mr. Phileas Fogg?" said the consul, after reading the passport.
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
"And this man is your servant?"
|
||
|
|
||
|
"He is: a Frenchman, named Passepartout."
|
||
|
|
||
|
"You are from London?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"And you are going--"
|
||
|
|
||
|
"To Bombay."
|
||
|
|
||
|
"Very good, sir. You know that a visa is useless, and that no passport
|
||
|
is required?"
|
||
|
|
||
|
"I know it, sir," replied Phileas Fogg; "but I wish to prove,
|
||
|
by your visa, that I came by Suez."
|
||
|
|
||
|
"Very well, sir."
|
||
|
|
||
|
The consul proceeded to sign and date the passport, after which
|
||
|
he added his official seal. Mr. Fogg paid the customary fee,
|
||
|
coldly bowed, and went out, followed by his servant.
|
||
|
|
||
|
"Well?" queried the detective.
|
||
|
|
||
|
"Well, he looks and acts like a perfectly honest man," replied the consul.
|
||
|
|
||
|
"Possibly; but that is not the question. Do you think, consul,
|
||
|
that this phelgmatic gentleman resembles, feature by feature,
|
||
|
the robber whose description I have received?"
|
||
|
|
||
|
"I concede that; but then, you know, all descriptions--"
|
||
|
|
||
|
"I'll make certain of it," interrupted Fix. "The servant seems
|
||
|
to me less mysterious than the master; besides, he's a Frenchman,
|
||
|
and can't help talking. Excuse me for a little while, consul."
|
||
|
|
||
|
Fix started off in search of Passepartout.
|
||
|
|
||
|
Meanwhile Mr. Fogg, after leaving the consulate, repaired to
|
||
|
the quay, gave some orders to Passepartout, went off to
|
||
|
the Mongolia in a boat, and descended to his cabin.
|
||
|
He took up his note-book, which contained the following memoranda:
|
||
|
|
||
|
"Left London, Wednesday, October 2nd, at 8.45 p.m.
|
||
|
"Reached Paris, Thursday, October 3rd, at 7.20 a.m.
|
||
|
"Left Paris, Thursday, at 8.40 a.m.
|
||
|
"Reached Turin by Mont Cenis, Friday, October 4th, at 6.35 a.m.
|
||
|
"Left Turin, Friday, at 7.20 a.m.
|
||
|
"Arrived at Brindisi, Saturday, October 5th, at 4 p.m.
|
||
|
"Sailed on the Mongolia, Saturday, at 5 p.m.
|
||
|
"Reached Suez, Wednesday, October 9th, at 11 a.m.
|
||
|
"Total of hours spent, 158+; or, in days, six days and a half."
|
||
|
|
||
|
These dates were inscribed in an itinerary divided into columns,
|
||
|
indicating the month, the day of the month, and the day for the
|
||
|
stipulated and actual arrivals at each principal point Paris,
|
||
|
Brindisi, Suez, Bombay, Calcutta, Singapore, Hong Kong, Yokohama,
|
||
|
San Francisco, New York, and London--from the 2nd of October
|
||
|
to the 21st of December; and giving a space for setting down
|
||
|
the gain made or the loss suffered on arrival at each locality.
|
||
|
This methodical record thus contained an account of everything needed,
|
||
|
and Mr. Fogg always knew whether he was behind-hand or in advance
|
||
|
of his time. On this Friday, October 9th, he noted his arrival at Suez,
|
||
|
and observed that he had as yet neither gained nor lost.
|
||
|
He sat down quietly to breakfast in his cabin, never once thinking
|
||
|
of inspecting the town, being one of those Englishmen who are wont
|
||
|
to see foreign countries through the eyes of their domestics.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter VIII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT TALKS RATHER MORE, PERHAPS, THAN IS PRUDENT
|
||
|
|
||
|
|
||
|
Fix soon rejoined Passepartout, who was lounging and looking about
|
||
|
on the quay, as if he did not feel that he, at least, was obliged
|
||
|
not to see anything.
|
||
|
|
||
|
"Well, my friend," said the detective, coming up with him,
|
||
|
"is your passport visaed?"
|
||
|
|
||
|
"Ah, it's you, is it, monsieur?" responded Passepartout.
|
||
|
"Thanks, yes, the passport is all right."
|
||
|
|
||
|
"And you are looking about you?"
|
||
|
|
||
|
"Yes; but we travel so fast that I seem to be journeying in a dream.
|
||
|
So this is Suez?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"In Egypt?"
|
||
|
|
||
|
"Certainly, in Egypt."
|
||
|
|
||
|
"And in Africa?"
|
||
|
|
||
|
"In Africa."
|
||
|
|
||
|
"In Africa!" repeated Passepartout. "Just think, monsieur,
|
||
|
I had no idea that we should go farther than Paris; and all that I
|
||
|
saw of Paris was between twenty minutes past seven and twenty
|
||
|
minutes before nine in the morning, between the Northern and
|
||
|
the Lyons stations, through the windows of a car, and in a
|
||
|
driving rain! How I regret not having seen once more Pere la Chaise
|
||
|
and the circus in the Champs Elysees!"
|
||
|
|
||
|
"You are in a great hurry, then?"
|
||
|
|
||
|
"I am not, but my master is. By the way, I must buy some shoes and shirts.
|
||
|
We came away without trunks, only with a carpet-bag."
|
||
|
|
||
|
"I will show you an excellent shop for getting what you want."
|
||
|
|
||
|
"Really, monsieur, you are very kind."
|
||
|
|
||
|
And they walked off together, Passepartout chatting volubly
|
||
|
as they went along.
|
||
|
|
||
|
"Above all," said he; "don't let me lose the steamer."
|
||
|
|
||
|
"You have plenty of time; it's only twelve o'clock."
|
||
|
|
||
|
Passepartout pulled out his big watch. "Twelve!" he exclaimed;
|
||
|
"why, it's only eight minutes before ten."
|
||
|
|
||
|
"Your watch is slow."
|
||
|
|
||
|
"My watch? A family watch, monsieur, which has come down from
|
||
|
my great-grandfather! It doesn't vary five minutes in the year.
|
||
|
It's a perfect chronometer, look you."
|
||
|
|
||
|
"I see how it is," said Fix. "You have kept London time,
|
||
|
which is two hours behind that of Suez. You ought to regulate
|
||
|
your watch at noon in each country."
|
||
|
|
||
|
"I regulate my watch? Never!"
|
||
|
|
||
|
"Well, then, it will not agree with the sun."
|
||
|
|
||
|
"So much the worse for the sun, monsieur. The sun will be wrong, then!"
|
||
|
|
||
|
And the worthy fellow returned the watch to its fob with a
|
||
|
defiant gesture. After a few minutes silence, Fix resumed:
|
||
|
"You left London hastily, then?"
|
||
|
|
||
|
"I rather think so! Last Friday at eight o'clock in the evening,
|
||
|
Monsieur Fogg came home from his club, and three-quarters of an hour
|
||
|
afterwards we were off."
|
||
|
|
||
|
"But where is your master going?"
|
||
|
|
||
|
"Always straight ahead. He is going round the world."
|
||
|
|
||
|
"Round the world?" cried Fix.
|
||
|
|
||
|
"Yes, and in eighty days! He says it is on a wager; but, between us,
|
||
|
I don't believe a word of it. That wouldn't be common sense.
|
||
|
There's something else in the wind."
|
||
|
|
||
|
"Ah! Mr. Fogg is a character, is he?"
|
||
|
|
||
|
"I should say he was."
|
||
|
|
||
|
"Is he rich?"
|
||
|
|
||
|
"No doubt, for he is carrying an enormous sum in brand new
|
||
|
banknotes with him. And he doesn't spare the money on the way,
|
||
|
either: he has offered a large reward to the engineer of the
|
||
|
Mongolia if he gets us to Bombay well in advance of time."
|
||
|
|
||
|
"And you have known your master a long time?"
|
||
|
|
||
|
"Why, no; I entered his service the very day we left London."
|
||
|
|
||
|
The effect of these replies upon the already suspicious
|
||
|
and excited detective may be imagined. The hasty departure
|
||
|
from London soon after the robbery; the large sum carried by Mr. Fogg;
|
||
|
his eagerness to reach distant countries; the pretext of an
|
||
|
eccentric and foolhardy bet--all confirmed Fix in his theory.
|
||
|
He continued to pump poor Passepartout, and learned that he really
|
||
|
knew little or nothing of his master, who lived a solitary
|
||
|
existence in London, was said to be rich, though no one knew
|
||
|
whence came his riches, and was mysterious and impenetrable
|
||
|
in his affairs and habits. Fix felt sure that Phileas Fogg
|
||
|
would not land at Suez, but was really going on to Bombay.
|
||
|
|
||
|
"Is Bombay far from here?" asked Passepartout.
|
||
|
|
||
|
"Pretty far. It is a ten days' voyage by sea."
|
||
|
|
||
|
"And in what country is Bombay?"
|
||
|
|
||
|
"India."
|
||
|
|
||
|
"In Asia?"
|
||
|
|
||
|
"Certainly."
|
||
|
|
||
|
"The deuce! I was going to tell you there's one thing that worries me--
|
||
|
my burner!"
|
||
|
|
||
|
"What burner?"
|
||
|
|
||
|
"My gas-burner, which I forgot to turn off, and which is at
|
||
|
this moment burning at my expense. I have calculated, monsieur,
|
||
|
that I lose two shillings every four and twenty hours, exactly
|
||
|
sixpense more than I earn; and you will understand that the longer
|
||
|
our journey--"
|
||
|
|
||
|
Did Fix pay any attention to Passepartout's trouble about the gas?
|
||
|
It is not probable. He was not listening, but was cogitating a project.
|
||
|
Passepartout and he had now reached the shop, where Fix left his companion
|
||
|
to make his purchases, after recommending him not to miss the steamer,
|
||
|
and hurried back to the consulate. Now that he was fully convinced,
|
||
|
Fix had quite recovered his equanimity.
|
||
|
|
||
|
"Consul," said he, "I have no longer any doubt. I have spotted my man.
|
||
|
He passes himself off as an odd stick who is going round the world
|
||
|
in eighty days."
|
||
|
|
||
|
"Then he's a sharp fellow," returned the consul, "and counts on
|
||
|
returning to London after putting the police of the two countries
|
||
|
off his track."
|
||
|
|
||
|
"We'll see about that," replied Fix.
|
||
|
|
||
|
"But are you not mistaken?"
|
||
|
|
||
|
"I am not mistaken."
|
||
|
|
||
|
"Why was this robber so anxious to prove, by the visa,
|
||
|
that he had passed through Suez?"
|
||
|
|
||
|
"Why? I have no idea; but listen to me."
|
||
|
|
||
|
He reported in a few words the most important parts
|
||
|
of his conversation with Passepartout.
|
||
|
|
||
|
"In short," said the consul, "appearances are wholly against this man.
|
||
|
And what are you going to do?"
|
||
|
|
||
|
"Send a dispatch to London for a warrant of arrest to be dispatched
|
||
|
instantly to Bombay, take passage on board the Mongolia, follow my rogue
|
||
|
to India, and there, on English ground, arrest him politely, with my warrant
|
||
|
in my hand, and my hand on his shoulder."
|
||
|
|
||
|
Having uttered these words with a cool, careless air, the detective
|
||
|
took leave of the consul, and repaired to the telegraph office,
|
||
|
whence he sent the dispatch which we have seen to the London police office.
|
||
|
A quarter of an hour later found Fix, with a small bag in his hand,
|
||
|
proceeding on board the Mongolia; and, ere many moments longer,
|
||
|
the noble steamer rode out at full steam upon the waters of the Red Sea.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter IX
|
||
|
|
||
|
IN WHICH THE RED SEA AND THE INDIAN OCEAN PROVE PROPITIOUS
|
||
|
TO THE DESIGNS OF PHILEAS FOGG
|
||
|
|
||
|
|
||
|
The distance between Suez and Aden is precisely thirteen hundred
|
||
|
and ten miles, and the regulations of the company allow the
|
||
|
steamers one hundred and thirty-eight hours in which to traverse it.
|
||
|
The Mongolia, thanks to the vigorous exertions of the engineer,
|
||
|
seemed likely, so rapid was her speed, to reach her destination
|
||
|
considerably within that time. The greater part of the passengers
|
||
|
from Brindisi were bound for India some for Bombay, others for Calcutta
|
||
|
by way of Bombay, the nearest route thither, now that a railway crosses
|
||
|
the Indian peninsula. Among the passengers was a number of officials
|
||
|
and military officers of various grades, the latter being either attached
|
||
|
to the regular British forces or commanding the Sepoy troops,
|
||
|
and receiving high salaries ever since the central
|
||
|
government has assumed the powers of the East India Company:
|
||
|
for the sub-lieutenants get 280 pounds, brigadiers, 2,400 pounds,
|
||
|
and generals of divisions, 4,000 pounds. What with the military men,
|
||
|
a number of rich young Englishmen on their travels, and the hospitable
|
||
|
efforts of the purser, the time passed quickly on the Mongolia.
|
||
|
The best of fare was spread upon the cabin tables at breakfast,
|
||
|
lunch, dinner, and the eight o'clock supper, and the ladies
|
||
|
scrupulously changed their toilets twice a day; and the hours
|
||
|
were whirled away, when the sea was tranquil, with music, dancing, and games.
|
||
|
|
||
|
But the Red Sea is full of caprice, and often boisterous, like most long
|
||
|
and narrow gulfs. When the wind came from the African or Asian coast
|
||
|
the Mongolia, with her long hull, rolled fearfully. Then the ladies
|
||
|
speedily disappeared below; the pianos were silent; singing and dancing
|
||
|
suddenly ceased. Yet the good ship ploughed straight on, unretarded by wind
|
||
|
or wave, towards the straits of Bab-el-Mandeb. What was Phileas Fogg
|
||
|
doing all this time? It might be thought that, in his anxiety, he would
|
||
|
be constantly watching the changes of the wind, the disorderly raging
|
||
|
of the billows--every chance, in short, which might force the Mongolia
|
||
|
to slacken her speed, and thus interrupt his journey. But, if he thought
|
||
|
of these possibilities, he did not betray the fact by any outward sign.
|
||
|
|
||
|
Always the same impassible member of the Reform Club, whom no
|
||
|
incident could surprise, as unvarying as the ship's chronometers,
|
||
|
and seldom having the curiosity even to go upon the deck, he passed
|
||
|
through the memorable scenes of the Red Sea with cold indifference;
|
||
|
did not care to recognise the historic towns and villages which,
|
||
|
along its borders, raised their picturesque outlines against the sky;
|
||
|
and betrayed no fear of the dangers of the Arabic Gulf, which the old
|
||
|
historians always spoke of with horror, and upon which the ancient
|
||
|
navigators never ventured without propitiating the gods by ample sacrifices.
|
||
|
How did this eccentric personage pass his time on the Mongolia? He made his
|
||
|
four hearty meals every day, regardless of the most persistent rolling
|
||
|
and pitching on the part of the steamer; and he played whist indefatigably,
|
||
|
for he had found partners as enthusiastic in the game as himself.
|
||
|
A tax-collector, on the way to his post at Goa; the Rev. Decimus Smith,
|
||
|
returning to his parish at Bombay; and a brigadier-general of the English army,
|
||
|
who was about to rejoin his brigade at Benares, made up the party, and,
|
||
|
with Mr. Fogg, played whist by the hour together in absorbing silence.
|
||
|
|
||
|
As for Passepartout, he, too, had escaped sea-sickness, and took his meals
|
||
|
conscientiously in the forward cabin. He rather enjoyed the voyage,
|
||
|
for he was well fed and well lodged, took a great interest in the scenes
|
||
|
through which they were passing, and consoled himself with the delusion
|
||
|
that his master's whim would end at Bombay. He was pleased, on the day after
|
||
|
leaving Suez, to find on deck the obliging person with whom he had walked
|
||
|
and chatted on the quays.
|
||
|
|
||
|
"If I am not mistaken," said he, approaching this person, with his most
|
||
|
amiable smile, "you are the gentleman who so kindly volunteered
|
||
|
to guide me at Suez?"
|
||
|
|
||
|
"Ah! I quite recognise you. You are the servant of the strange Englishman--"
|
||
|
|
||
|
"Just so, monsieur--"
|
||
|
|
||
|
"Fix."
|
||
|
|
||
|
"Monsieur Fix," resumed Passepartout, "I'm charmed to find you on board.
|
||
|
Where are you bound?"
|
||
|
|
||
|
"Like you, to Bombay."
|
||
|
|
||
|
"That's capital! Have you made this trip before?"
|
||
|
|
||
|
"Several times. I am one of the agents of the Peninsular Company."
|
||
|
|
||
|
"Then you know India?"
|
||
|
|
||
|
"Why yes," replied Fix, who spoke cautiously.
|
||
|
|
||
|
"A curious place, this India?"
|
||
|
|
||
|
"Oh, very curious. Mosques, minarets, temples, fakirs, pagodas, tigers,
|
||
|
snakes, elephants! I hope you will have ample time to see the sights."
|
||
|
|
||
|
"I hope so, Monsieur Fix. You see, a man of sound sense ought not
|
||
|
to spend his life jumping from a steamer upon a railway train,
|
||
|
and from a railway train upon a steamer again, pretending to make the tour
|
||
|
of the world in eighty days! No; all these gymnastics, you may be sure,
|
||
|
will cease at Bombay."
|
||
|
|
||
|
"And Mr. Fogg is getting on well?" asked Fix, in the most natural
|
||
|
tone in the world.
|
||
|
|
||
|
"Quite well, and I too. I eat like a famished ogre; it's the sea air.
|
||
|
|
||
|
"But I never see your master on deck."
|
||
|
|
||
|
"Never; he hasn't the least curiosity."
|
||
|
|
||
|
"Do you know, Mr. Passepartout, that this pretended tour in eighty days
|
||
|
may conceal some secret errand--perhaps a diplomatic mission?"
|
||
|
|
||
|
"Faith, Monsieur Fix, I assure you I know nothing about it,
|
||
|
nor would I give half a crown to find out."
|
||
|
|
||
|
After this meeting, Passepartout and Fix got into the habit
|
||
|
of chatting together, the latter making it a point to gain
|
||
|
the worthy man's confidence. He frequently offered him a glass
|
||
|
of whiskey or pale ale in the steamer bar-room, which Passepartout
|
||
|
never failed to accept with graceful alacrity, mentally pronouncing
|
||
|
Fix the best of good fellows.
|
||
|
|
||
|
Meanwhile the Mongolia was pushing forward rapidly; on the 13th,
|
||
|
Mocha, surrounded by its ruined walls whereon date-trees were growing,
|
||
|
was sighted, and on the mountains beyond were espied vast coffee-fields.
|
||
|
Passepartout was ravished to behold this celebrated place, and thought that,
|
||
|
with its circular walls and dismantled fort, it looked like an immense
|
||
|
coffee-cup and saucer. The following night they passed through the Strait
|
||
|
of Bab-el-Mandeb, which means in Arabic The Bridge of Tears, and the
|
||
|
next day they put in at Steamer Point, north-west of Aden harbour,
|
||
|
to take in coal. This matter of fuelling steamers is a serious
|
||
|
one at such distances from the coal-mines; it costs the Peninsular
|
||
|
Company some eight hundred thousand pounds a year. In these
|
||
|
distant seas, coal is worth three or four pounds sterling a ton.
|
||
|
|
||
|
The Mongolia had still sixteen hundred and fifty miles to traverse
|
||
|
before reaching Bombay, and was obliged to remain four hours at
|
||
|
Steamer Point to coal up. But this delay, as it was foreseen,
|
||
|
did not affect Phileas Fogg's programme; besides, the Mongolia,
|
||
|
instead of reaching Aden on the morning of the 15th, when she was due,
|
||
|
arrived there on the evening of the 14th, a gain of fifteen hours.
|
||
|
|
||
|
Mr. Fogg and his servant went ashore at Aden to have the passport
|
||
|
again visaed; Fix, unobserved, followed them. The visa procured,
|
||
|
Mr. Fogg returned on board to resume his former habits; while Passepartout,
|
||
|
according to custom, sauntered about among the mixed population of Somanlis,
|
||
|
Banyans, Parsees, Jews, Arabs, and Europeans who comprise the twenty-five
|
||
|
thousand inhabitants of Aden. He gazed with wonder upon the fortifications
|
||
|
which make this place the Gibraltar of the Indian Ocean, and the vast cisterns
|
||
|
where the English engineers were still at work, two thousand years after
|
||
|
the engineers of Solomon.
|
||
|
|
||
|
"Very curious, very curious," said Passepartout to himself,
|
||
|
on returning to the steamer. "I see that it is by no means useless
|
||
|
to travel, if a man wants to see something new." At six p.m.
|
||
|
the Mongolia slowly moved out of the roadstead, and was soon
|
||
|
once more on the Indian Ocean. She had a hundred and sixty-eight hours
|
||
|
in which to reach Bombay, and the sea was favourable, the wind being
|
||
|
in the north-west, and all sails aiding the engine. The steamer
|
||
|
rolled but little, the ladies, in fresh toilets, reappeared
|
||
|
on deck, and the singing and dancing were resumed. The trip
|
||
|
was being accomplished most successfully, and Passepartout
|
||
|
was enchanted with the congenial companion which chance had secured
|
||
|
him in the person of the delightful Fix. On Sunday, October 20th,
|
||
|
towards noon, they came in sight of the Indian coast: two hours
|
||
|
later the pilot came on board. A range of hills lay against the
|
||
|
sky in the horizon, and soon the rows of palms which adorn Bombay
|
||
|
came distinctly into view. The steamer entered the road formed by
|
||
|
the islands in the bay, and at half-past four she hauled up at the
|
||
|
quays of Bombay.
|
||
|
|
||
|
Phileas Fogg was in the act of finishing the thirty-third rubber
|
||
|
of the voyage, and his partner and himself having, by a bold stroke,
|
||
|
captured all thirteen of the tricks, concluded this fine campaign
|
||
|
with a brilliant victory.
|
||
|
|
||
|
The Mongolia was due at Bombay on the 22nd; she arrived on the
|
||
|
20th. This was a gain to Phileas Fogg of two days since his
|
||
|
departure from London, and he calmly entered the fact in the
|
||
|
itinerary, in the column of gains.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter X
|
||
|
|
||
|
IN WHICH PASSEPARTOUT IS ONLY TOO GLAD TO GET OFF
|
||
|
WITH THE LOSS OF HIS SHOES
|
||
|
|
||
|
|
||
|
Everybody knows that the great reversed triangle of land, with its
|
||
|
base in the north and its apex in the south, which is called India,
|
||
|
embraces fourteen hundred thousand square miles, upon which is spread
|
||
|
unequally a population of one hundred and eighty millions of souls.
|
||
|
The British Crown exercises a real and despotic dominion over the
|
||
|
larger portion of this vast country, and has a governor-general
|
||
|
stationed at Calcutta, governors at Madras, Bombay, and in Bengal,
|
||
|
and a lieutenant-governor at Agra.
|
||
|
|
||
|
But British India, properly so called, only embraces seven
|
||
|
hundred thousand square miles, and a population of from
|
||
|
one hundred to one hundred and ten millions of inhabitants.
|
||
|
A considerable portion of India is still free from British authority;
|
||
|
and there are certain ferocious rajahs in the interior who are
|
||
|
absolutely independent. The celebrated East India Company
|
||
|
was all-powerful from 1756, when the English first gained a foothold
|
||
|
on the spot where now stands the city of Madras, down to the time
|
||
|
of the great Sepoy insurrection. It gradually annexed province
|
||
|
after province, purchasing them of the native chiefs, whom it seldom paid,
|
||
|
and appointed the governor-general and his subordinates, civil and military.
|
||
|
But the East India Company has now passed away, leaving the British
|
||
|
possessions in India directly under the control of the Crown.
|
||
|
The aspect of the country, as well as the manners and distinctions of race,
|
||
|
is daily changing.
|
||
|
|
||
|
Formerly one was obliged to travel in India by the old cumbrous methods
|
||
|
of going on foot or on horseback, in palanquins or unwieldly coaches;
|
||
|
now fast steamboats ply on the Indus and the Ganges, and a great railway,
|
||
|
with branch lines joining the main line at many points on its route,
|
||
|
traverses the peninsula from Bombay to Calcutta in three days.
|
||
|
This railway does not run in a direct line across India.
|
||
|
The distance between Bombay and Calcutta, as the bird flies,
|
||
|
is only from one thousand to eleven hundred miles;
|
||
|
but the deflections of the road increase this distance by more than a third.
|
||
|
|
||
|
The general route of the Great Indian Peninsula Railway is as follows:
|
||
|
Leaving Bombay, it passes through Salcette, crossing to the continent
|
||
|
opposite Tannah, goes over the chain of the Western Ghauts,
|
||
|
runs thence north-east as far as Burhampoor, skirts the nearly
|
||
|
independent territory of Bundelcund, ascends to Allahabad,
|
||
|
turns thence eastwardly, meeting the Ganges at Benares,
|
||
|
then departs from the river a little, and, descending south-eastward
|
||
|
by Burdivan and the French town of Chandernagor, has its terminus at Calcutta.
|
||
|
|
||
|
The passengers of the Mongolia went ashore at half-past four p.m.;
|
||
|
at exactly eight the train would start for Calcutta.
|
||
|
|
||
|
Mr. Fogg, after bidding good-bye to his whist partners, left the steamer,
|
||
|
gave his servant several errands to do, urged it upon him to be at the station
|
||
|
promptly at eight, and, with his regular step, which beat to the second,
|
||
|
like a astronomical clock, directed his steps to the passport office.
|
||
|
As for the wonders of Bombay its famous city hall, its splendid library,
|
||
|
its forts and docks, its bazaars, mosques, synagogues, its Armenian churches,
|
||
|
and the noble pagoda on Malabar Hill, with its two polygonal towers--
|
||
|
he cared not a straw to see them. He would not deign to examine
|
||
|
even the masterpieces of Elephanta, or the mysterious hypogea,
|
||
|
concealed south-east from the docks, or those fine remains of Buddhist
|
||
|
architecture, the Kanherian grottoes of the island of Salcette.
|
||
|
|
||
|
Having transacted his business at the passport office, Phileas Fogg
|
||
|
repaired quietly to the railway station, where he ordered dinner.
|
||
|
Among the dishes served up to him, the landlord especially recommended
|
||
|
a certain giblet of "native rabbit," on which he prided himself.
|
||
|
|
||
|
Mr. Fogg accordingly tasted the dish, but, despite its spiced sauce,
|
||
|
found it far from palatable. He rang for the landlord, and,
|
||
|
on his appearance, said, fixing his clear eyes upon him,
|
||
|
"Is this rabbit, sir?"
|
||
|
|
||
|
"Yes, my lord," the rogue boldly replied, "rabbit from the jungles."
|
||
|
|
||
|
"And this rabbit did not mew when he was killed?"
|
||
|
|
||
|
"Mew, my lord! What, a rabbit mew! I swear to you--"
|
||
|
|
||
|
"Be so good, landlord, as not to swear, but remember this:
|
||
|
cats were formerly considered, in India, as sacred animals.
|
||
|
That was a good time."
|
||
|
|
||
|
"For the cats, my lord?"
|
||
|
|
||
|
"Perhaps for the travellers as well!"
|
||
|
|
||
|
After which Mr. Fogg quietly continued his dinner. Fix had gone
|
||
|
on shore shortly after Mr. Fogg, and his first destination was
|
||
|
the headquarters of the Bombay police. He made himself known
|
||
|
as a London detective, told his business at Bombay, and the
|
||
|
position of affairs relative to the supposed robber, and nervously
|
||
|
asked if a warrant had arrived from London. It had not reached
|
||
|
the office; indeed, there had not yet been time for it to arrive.
|
||
|
Fix was sorely disappointed, and tried to obtain an order of arrest
|
||
|
from the director of the Bombay police. This the director refused,
|
||
|
as the matter concerned the London office, which alone could legally
|
||
|
deliver the warrant. Fix did not insist, and was fain to resign himself
|
||
|
to await the arrival of the important document; but he was determined
|
||
|
not to lose sight of the mysterious rogue as long as he stayed in Bombay.
|
||
|
He did not doubt for a moment, any more than Passepartout, that Phileas Fogg
|
||
|
would remain there, at least until it was time for the warrant to arrive.
|
||
|
|
||
|
Passepartout, however, had no sooner heard his master's orders
|
||
|
on leaving the Mongolia than he saw at once that they were to
|
||
|
leave Bombay as they had done Suez and Paris, and that the journey
|
||
|
would be extended at least as far as Calcutta, and perhaps beyond
|
||
|
that place. He began to ask himself if this bet that Mr. Fogg
|
||
|
talked about was not really in good earnest, and whether his fate
|
||
|
was not in truth forcing him, despite his love of repose, around
|
||
|
the world in eighty days!
|
||
|
|
||
|
Having purchased the usual quota of shirts and shoes, he took
|
||
|
a leisurely promenade about the streets, where crowds of people
|
||
|
of many nationalities--Europeans, Persians with pointed caps,
|
||
|
Banyas with round turbans, Sindes with square bonnets, Parsees
|
||
|
with black mitres, and long-robed Armenians--were collected.
|
||
|
It happened to be the day of a Parsee festival. These descendants
|
||
|
of the sect of Zoroaster--the most thrifty, civilised, intelligent,
|
||
|
and austere of the East Indians, among whom are counted the richest
|
||
|
native merchants of Bombay--were celebrating a sort of religious carnival,
|
||
|
with processions and shows, in the midst of which Indian dancing-girls,
|
||
|
clothed in rose-coloured gauze, looped up with gold and silver,
|
||
|
danced airily, but with perfect modesty, to the sound of viols
|
||
|
and the clanging of tambourines. It is needless to say that Passepartout
|
||
|
watched these curious ceremonies with staring eyes and gaping mouth,
|
||
|
and that his countenance was that of the greenest booby imaginable.
|
||
|
|
||
|
Unhappily for his master, as well as himself, his curiosity
|
||
|
drew him unconsciously farther off than he intended to go.
|
||
|
At last, having seen the Parsee carnival wind away in the distance,
|
||
|
he was turning his steps towards the station, when he happened
|
||
|
to espy the splendid pagoda on Malabar Hill, and was seized with
|
||
|
an irresistible desire to see its interior. He was quite ignorant
|
||
|
that it is forbidden to Christians to enter certain Indian temples,
|
||
|
and that even the faithful must not go in without first leaving their
|
||
|
shoes outside the door. It may be said here that the wise policy
|
||
|
of the British Government severely punishes a disregard of the practices
|
||
|
of the native religions.
|
||
|
|
||
|
Passepartout, however, thinking no harm, went in like a simple tourist,
|
||
|
and was soon lost in admiration of the splendid Brahmin ornamentation
|
||
|
which everywhere met his eyes, when of a sudden he found himself sprawling
|
||
|
on the sacred flagging. He looked up to behold three enraged priests,
|
||
|
who forthwith fell upon him; tore off his shoes, and began to beat him
|
||
|
with loud, savage exclamations. The agile Frenchman was soon upon his feet
|
||
|
again, and lost no time in knocking down two of his long-gowned
|
||
|
adversaries with his fists and a vigorous application of his toes;
|
||
|
then, rushing out of the pagoda as fast as his legs could carry him,
|
||
|
he soon escaped the third priest by mingling with the crowd in the streets.
|
||
|
|
||
|
At five minutes before eight, Passepartout, hatless, shoeless,
|
||
|
and having in the squabble lost his package of shirts and shoes,
|
||
|
rushed breathlessly into the station.
|
||
|
|
||
|
Fix, who had followed Mr. Fogg to the station, and saw that he
|
||
|
was really going to leave Bombay, was there, upon the platform.
|
||
|
He had resolved to follow the supposed robber to Calcutta,
|
||
|
and farther, if necessary. Passepartout did not observe the
|
||
|
detective, who stood in an obscure corner; but Fix heard him
|
||
|
relate his adventures in a few words to Mr. Fogg.
|
||
|
|
||
|
"I hope that this will not happen again," said Phileas Fogg coldly,
|
||
|
as he got into the train. Poor Passepartout, quite crestfallen,
|
||
|
followed his master without a word. Fix was on the point of entering
|
||
|
another carriage, when an idea struck him which induced him to alter his plan.
|
||
|
|
||
|
"No, I'll stay," muttered he. "An offence has been committed on Indian soil.
|
||
|
I've got my man."
|
||
|
|
||
|
Just then the locomotive gave a sharp screech, and the train passed out
|
||
|
into the darkness of the night.
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XI
|
||
|
|
||
|
IN WHICH PHILEAS FOGG SECURES A CURIOUS MEANS OF CONVEYANCE
|
||
|
AT A FABULOUS PRICE
|
||
|
|
||
|
|
||
|
The train had started punctually. Among the passengers were
|
||
|
a number of officers, Government officials, and opium and indigo
|
||
|
merchants, whose business called them to the eastern coast.
|
||
|
Passepartout rode in the same carriage with his master, and a
|
||
|
third passenger occupied a seat opposite to them. This was
|
||
|
Sir Francis Cromarty, one of Mr. Fogg's whist partners
|
||
|
on the Mongolia, now on his way to join his corps at Benares.
|
||
|
Sir Francis was a tall, fair man of fifty, who had greatly
|
||
|
distinguished himself in the last Sepoy revolt. He made India
|
||
|
his home, only paying brief visits to England at rare intervals;
|
||
|
and was almost as familiar as a native with the customs, history,
|
||
|
and character of India and its people. But Phileas Fogg, who was
|
||
|
not travelling, but only describing a circumference, took no pains
|
||
|
to inquire into these subjects; he was a solid body, traversing
|
||
|
an orbit around the terrestrial globe, according to the laws
|
||
|
of rational mechanics. He was at this moment calculating in his mind
|
||
|
the number of hours spent since his departure from London, and,
|
||
|
had it been in his nature to make a useless demonstration,
|
||
|
would have rubbed his hands for satisfaction. Sir Francis Cromarty
|
||
|
had observed the oddity of his travelling companion--although the
|
||
|
only opportunity he had for studying him had been while he was
|
||
|
dealing the cards, and between two rubbers--and questioned himself
|
||
|
whether a human heart really beat beneath this cold exterior,
|
||
|
and whether Phileas Fogg had any sense of the beauties of nature.
|
||
|
The brigadier-general was free to mentally confess that,
|
||
|
of all the eccentric persons he had ever met, none was comparable
|
||
|
to this product of the exact sciences.
|
||
|
|
||
|
Phileas Fogg had not concealed from Sir Francis his design of going
|
||
|
round the world, nor the circumstances under which he set out;
|
||
|
and the general only saw in the wager a useless eccentricity
|
||
|
and a lack of sound common sense. In the way this strange gentleman
|
||
|
was going on, he would leave the world without having done any good
|
||
|
to himself or anybody else.
|
||
|
|
||
|
An hour after leaving Bombay the train had passed the viaducts
|
||
|
and the Island of Salcette, and had got into the open country.
|
||
|
At Callyan they reached the junction of the branch line which
|
||
|
descends towards south-eastern India by Kandallah and Pounah;
|
||
|
and, passing Pauwell, they entered the defiles of the mountains,
|
||
|
with their basalt bases, and their summits crowned with thick
|
||
|
and verdant forests. Phileas Fogg and Sir Francis Cromarty exchanged
|
||
|
a few words from time to time, and now Sir Francis, reviving the conversation,
|
||
|
observed, "Some years ago, Mr. Fogg, you would have met with a delay
|
||
|
at this point which would probably have lost you your wager."
|
||
|
|
||
|
"How so, Sir Francis?"
|
||
|
|
||
|
"Because the railway stopped at the base of these mountains,
|
||
|
which the passengers were obliged to cross in palanquins
|
||
|
or on ponies to Kandallah, on the other side."
|
||
|
|
||
|
"Such a delay would not have deranged my plans in the least,"
|
||
|
said Mr. Fogg. "I have constantly foreseen the likelihood of
|
||
|
certain obstacles."
|
||
|
|
||
|
"But, Mr. Fogg," pursued Sir Francis, "you run the risk of
|
||
|
having some difficulty about this worthy fellow's adventure
|
||
|
at the pagoda." Passepartout, his feet comfortably wrapped
|
||
|
in his travelling-blanket, was sound asleep and did not dream
|
||
|
that anybody was talking about him. "The Government is very severe
|
||
|
upon that kind of offence. It takes particular care that the
|
||
|
religious customs of the Indians should be respected,
|
||
|
and if your servant were caught--"
|
||
|
|
||
|
"Very well, Sir Francis," replied Mr. Fogg; "if he had been
|
||
|
caught he would have been condemned and punished, and then would
|
||
|
have quietly returned to Europe. I don't see how this affair
|
||
|
could have delayed his master."
|
||
|
|
||
|
The conversation fell again. During the night the train left
|
||
|
the mountains behind, and passed Nassik, and the next day
|
||
|
proceeded over the flat, well-cultivated country of the Khandeish,
|
||
|
with its straggling villages, above which rose the minarets
|
||
|
of the pagodas. This fertile territory is watered by numerous
|
||
|
small rivers and limpid streams, mostly tributaries of the Godavery.
|
||
|
|
||
|
Passepartout, on waking and looking out, could not realise
|
||
|
that he was actually crossing India in a railway train.
|
||
|
The locomotive, guided by an English engineer and fed with English
|
||
|
coal, threw out its smoke upon cotton, coffee, nutmeg, clove,
|
||
|
and pepper plantations, while the steam curled in spirals around
|
||
|
groups of palm-trees, in the midst of which were seen picturesque
|
||
|
bungalows, viharis (sort of abandoned monasteries), and marvellous
|
||
|
temples enriched by the exhaustless ornamentation of Indian architecture.
|
||
|
Then they came upon vast tracts extending to the horizon, with jungles
|
||
|
inhabited by snakes and tigers, which fled at the noise of the train;
|
||
|
succeeded by forests penetrated by the railway, and still haunted
|
||
|
by elephants which, with pensive eyes, gazed at the train as it passed.
|
||
|
The travellers crossed, beyond Milligaum, the fatal country so often
|
||
|
stained with blood by the sectaries of the goddess Kali. Not far off
|
||
|
rose Ellora, with its graceful pagodas, and the famous Aurungabad,
|
||
|
capital of the ferocious Aureng-Zeb, now the chief town of one of the
|
||
|
detached provinces of the kingdom of the Nizam. It was thereabouts
|
||
|
that Feringhea, the Thuggee chief, king of the stranglers, held his sway.
|
||
|
These ruffians, united by a secret bond, strangled victims of every age
|
||
|
in honour of the goddess Death, without ever shedding blood; there was
|
||
|
a period when this part of the country could scarcely be travelled over
|
||
|
without corpses being found in every direction. The English Government
|
||
|
has succeeded in greatly diminishing these murders, though the Thuggees
|
||
|
still exist, and pursue the exercise of their horrible rites.
|
||
|
|
||
|
At half-past twelve the train stopped at Burhampoor where
|
||
|
Passepartout was able to purchase some Indian slippers,
|
||
|
ornamented with false pearls, in which, with evident vanity,
|
||
|
he proceeded to encase his feet. The travellers made a hasty breakfast
|
||
|
and started off for Assurghur, after skirting for a little the banks
|
||
|
of the small river Tapty, which empties into the Gulf of Cambray, near Surat.
|
||
|
|
||
|
Passepartout was now plunged into absorbing reverie. Up to
|
||
|
his arrival at Bombay, he had entertained hopes that their journey
|
||
|
would end there; but, now that they were plainly whirling across
|
||
|
India at full speed, a sudden change had come over the spirit of
|
||
|
his dreams. His old vagabond nature returned to him; the fantastic
|
||
|
ideas of his youth once more took possession of him. He came to regard
|
||
|
his master's project as intended in good earnest, believed in the reality
|
||
|
of the bet, and therefore in the tour of the world and the necessity
|
||
|
of making it without fail within the designated period. Already he began
|
||
|
to worry about possible delays, and accidents which might happen on the way.
|
||
|
He recognised himself as being personally interested in the wager,
|
||
|
and trembled at the thought that he might have been the means of losing it
|
||
|
by his unpardonable folly of the night before. Being much less cool-headed
|
||
|
than Mr. Fogg, he was much more restless, counting and recounting the
|
||
|
days passed over, uttering maledictions when the train stopped,
|
||
|
and accusing it of sluggishness, and mentally blaming Mr. Fogg
|
||
|
for not having bribed the engineer. The worthy fellow was ignorant that,
|
||
|
while it was possible by such means to hasten the rate of a steamer,
|
||
|
it could not be done on the railway.
|
||
|
|
||
|
The train entered the defiles of the Sutpour Mountains, which separate
|
||
|
the Khandeish from Bundelcund, towards evening. The next day Sir Francis
|
||
|
Cromarty asked Passepartout what time it was; to which, on consulting
|
||
|
his watch, he replied that it was three in the morning. This famous timepiece,
|
||
|
always regulated on the Greenwich meridian, which was now some seventy-seven
|
||
|
degrees westward, was at least four hours slow. Sir Francis corrected
|
||
|
Passepartout's time, whereupon the latter made the same remark that he had
|
||
|
done to Fix; and up on the general insisting that the watch should be
|
||
|
regulated in each new meridian, since he was constantly going eastward,
|
||
|
that is in the face of the sun, and therefore the days were shorter
|
||
|
by four minutes for each degree gone over, Passepartout obstinately refused
|
||
|
to alter his watch, which he kept at London time. It was an innocent delusion
|
||
|
which could harm no one.
|
||
|
|
||
|
The train stopped, at eight o'clock, in the midst of a glade some
|
||
|
fifteen miles beyond Rothal, where there were several bungalows,
|
||
|
and workmen's cabins. The conductor, passing along the carriages,
|
||
|
shouted, "Passengers will get out here!"
|
||
|
|
||
|
Phileas Fogg looked at Sir Francis Cromarty for an explanation;
|
||
|
but the general could not tell what meant a halt in the midst
|
||
|
of this forest of dates and acacias.
|
||
|
|
||
|
Passepartout, not less surprised, rushed out and speedily returned, crying:
|
||
|
"Monsieur, no more railway!"
|
||
|
|
||
|
"What do you mean?" asked Sir Francis.
|
||
|
|
||
|
"I mean to say that the train isn't going on."
|
||
|
|
||
|
The general at once stepped out, while Phileas Fogg calmly followed him,
|
||
|
and they proceeded together to the conductor.
|
||
|
|
||
|
"Where are we?" asked Sir Francis.
|
||
|
|
||
|
"At the hamlet of Kholby."
|
||
|
|
||
|
"Do we stop here?"
|
||
|
|
||
|
"Certainly. The railway isn't finished."
|
||
|
|
||
|
"What! not finished?"
|
||
|
|
||
|
"No. There's still a matter of fifty miles to be laid
|
||
|
from here to Allahabad, where the line begins again."
|
||
|
|
||
|
"But the papers announced the opening of the railway throughout."
|
||
|
|
||
|
"What would you have, officer? The papers were mistaken."
|
||
|
|
||
|
"Yet you sell tickets from Bombay to Calcutta," retorted Sir Francis,
|
||
|
who was growing warm.
|
||
|
|
||
|
"No doubt," replied the conductor; "but the passengers know
|
||
|
that they must provide means of transportation for themselves
|
||
|
from Kholby to Allahabad."
|
||
|
|
||
|
Sir Francis was furious. Passepartout would willingly have knocked
|
||
|
the conductor down, and did not dare to look at his master.
|
||
|
|
||
|
"Sir Francis," said Mr. Fogg quietly, "we will, if you please,
|
||
|
look about for some means of conveyance to Allahabad."
|
||
|
|
||
|
"Mr. Fogg, this is a delay greatly to your disadvantage."
|
||
|
|
||
|
"No, Sir Francis; it was foreseen."
|
||
|
|
||
|
"What! You knew that the way--"
|
||
|
|
||
|
"Not at all; but I knew that some obstacle or other would sooner or later
|
||
|
arise on my route. Nothing, therefore, is lost. I have two days,
|
||
|
which I have already gained, to sacrifice. A steamer leaves Calcutta
|
||
|
for Hong Kong at noon, on the 25th. This is the 22nd, and we shall
|
||
|
reach Calcutta in time."
|
||
|
|
||
|
There was nothing to say to so confident a response.
|
||
|
|
||
|
It was but too true that the railway came to a termination at this point.
|
||
|
The papers were like some watches, which have a way of getting too fast,
|
||
|
and had been premature in their announcement of the completion of the line.
|
||
|
The greater part of the travellers were aware of this interruption, and,
|
||
|
leaving the train, they began to engage such vehicles as the village
|
||
|
could provide four-wheeled palkigharis, waggons drawn by zebus,
|
||
|
carriages that looked like perambulating pagodas, palanquins, ponies,
|
||
|
and what not.
|
||
|
|
||
|
Mr. Fogg and Sir Francis Cromarty, after searching the village
|
||
|
from end to end, came back without having found anything.
|
||
|
|
||
|
"I shall go afoot," said Phileas Fogg.
|
||
|
|
||
|
Passepartout, who had now rejoined his master, made a wry grimace,
|
||
|
as he thought of his magnificent, but too frail Indian shoes.
|
||
|
Happily he too had been looking about him, and, after a moment's hesitation,
|
||
|
said, "Monsieur, I think I have found a means of conveyance."
|
||
|
|
||
|
"What?"
|
||
|
|
||
|
"An elephant! An elephant that belongs to an Indian who lives
|
||
|
but a hundred steps from here."
|
||
|
|
||
|
"Let's go and see the elephant," replied Mr. Fogg.
|
||
|
|
||
|
They soon reached a small hut, near which, enclosed within
|
||
|
some high palings, was the animal in question. An Indian came
|
||
|
out of the hut, and, at their request, conducted them within
|
||
|
the enclosure. The elephant, which its owner had reared, not for
|
||
|
a beast of burden, but for warlike purposes, was half domesticated.
|
||
|
The Indian had begun already, by often irritating him, and feeding
|
||
|
him every three months on sugar and butter, to impart to him
|
||
|
a ferocity not in his nature, this method being often employed
|
||
|
by those who train the Indian elephants for battle. Happily,
|
||
|
however, for Mr. Fogg, the animal's instruction in this direction
|
||
|
had not gone far, and the elephant still preserved his natural
|
||
|
gentleness. Kiouni--this was the name of the beast--could
|
||
|
doubtless travel rapidly for a long time, and, in default of
|
||
|
any other means of conveyance, Mr. Fogg resolved to hire him.
|
||
|
But elephants are far from cheap in India, where they are becoming
|
||
|
scarce, the males, which alone are suitable for circus shows,
|
||
|
are much sought, especially as but few of them are domesticated.
|
||
|
When therefore Mr. Fogg proposed to the Indian to hire Kiouni,
|
||
|
he refused point-blank. Mr. Fogg persisted, offering the excessive
|
||
|
sum of ten pounds an hour for the loan of the beast to Allahabad.
|
||
|
Refused. Twenty pounds? Refused also. Forty pounds? Still refused.
|
||
|
Passepartout jumped at each advance; but the Indian declined to be tempted.
|
||
|
Yet the offer was an alluring one, for, supposing it took the elephant
|
||
|
fifteen hours to reach Allahabad, his owner would receive no less than
|
||
|
six hundred pounds sterling.
|
||
|
|
||
|
Phileas Fogg, without getting in the least flurried, then proposed
|
||
|
to purchase the animal outright, and at first offered a thousand pounds
|
||
|
for him. The Indian, perhaps thinking he was going to make a great bargain,
|
||
|
still refused.
|
||
|
|
||
|
Sir Francis Cromarty took Mr. Fogg aside, and begged him to reflect
|
||
|
before he went any further; to which that gentleman replied that
|
||
|
he was not in the habit of acting rashly, that a bet of twenty thousand
|
||
|
pounds was at stake, that the elephant was absolutely necessary to him,
|
||
|
and that he would secure him if he had to pay twenty times his value.
|
||
|
Returning to the Indian, whose small, sharp eyes, glistening with avarice,
|
||
|
betrayed that with him it was only a question of how great a price
|
||
|
he could obtain. Mr. Fogg offered first twelve hundred, then fifteen hundred,
|
||
|
eighteen hundred, two thousand pounds. Passepartout, usually so rubicund,
|
||
|
was fairly white with suspense.
|
||
|
|
||
|
At two thousand pounds the Indian yielded.
|
||
|
|
||
|
"What a price, good heavens!" cried Passepartout, "for an elephant.
|
||
|
|
||
|
It only remained now to find a guide, which was comparatively easy.
|
||
|
A young Parsee, with an intelligent face, offered his services,
|
||
|
which Mr. Fogg accepted, promising so generous a reward as to materially
|
||
|
stimulate his zeal. The elephant was led out and equipped. The Parsee,
|
||
|
who was an accomplished elephant driver, covered his back with a sort
|
||
|
of saddle-cloth, and attached to each of his flanks some curiously
|
||
|
uncomfortable howdahs. Phileas Fogg paid the Indian with some banknotes
|
||
|
which he extracted from the famous carpet-bag, a proceeding that seemed
|
||
|
to deprive poor Passepartout of his vitals. Then he offered to carry
|
||
|
Sir Francis to Allahabad, which the brigadier gratefully accepted,
|
||
|
as one traveller the more would not be likely to fatigue the
|
||
|
gigantic beast. Provisions were purchased at Kholby, and,
|
||
|
while Sir Francis and Mr. Fogg took the howdahs on either side,
|
||
|
Passepartout got astride the saddle-cloth between them.
|
||
|
The Parsee perched himself on the elephant's neck, and at nine o'clock
|
||
|
they set out from the village, the animal marching off through the
|
||
|
dense forest of palms by the shortest cut.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XII
|
||
|
|
||
|
IN WHICH PHILEAS FOGG AND HIS COMPANIONS
|
||
|
VENTURE ACROSS THE INDIAN FORESTS, AND WHAT ENSUED
|
||
|
|
||
|
|
||
|
In order to shorten the journey, the guide passed to the left of the line
|
||
|
where the railway was still in process of being built. This line,
|
||
|
owing to the capricious turnings of the Vindhia Mountains,
|
||
|
did not pursue a straight course. The Parsee, who was quite familiar
|
||
|
with the roads and paths in the district, declared that they would gain
|
||
|
twenty miles by striking directly through the forest.
|
||
|
|
||
|
Phileas Fogg and Sir Francis Cromarty, plunged to the neck
|
||
|
in the peculiar howdahs provided for them, were horribly jostled
|
||
|
by the swift trotting of the elephant, spurred on as he was by
|
||
|
the skilful Parsee; but they endured the discomfort with true
|
||
|
British phlegm, talking little, and scarcely able to catch a glimpse
|
||
|
of each other. As for Passepartout, who was mounted on the beast's back,
|
||
|
and received the direct force of each concussion as he trod along,
|
||
|
he was very careful, in accordance with his master's advice,
|
||
|
to keep his tongue from between his teeth, as it would otherwise
|
||
|
have been bitten off short. The worthy fellow bounced from
|
||
|
the elephant's neck to his rump, and vaulted like a clown on a spring-board;
|
||
|
yet he laughed in the midst of his bouncing, and from time to time took
|
||
|
a piece of sugar out of his pocket, and inserted it in Kiouni's trunk,
|
||
|
who received it without in the least slackening his regular trot.
|
||
|
|
||
|
After two hours the guide stopped the elephant, and gave him
|
||
|
an hour for rest, during which Kiouni, after quenching his thirst
|
||
|
at a neighbouring spring, set to devouring the branches and shrubs
|
||
|
round about him. Neither Sir Francis nor Mr. Fogg regretted
|
||
|
the delay, and both descended with a feeling of relief. "Why, he's
|
||
|
made of iron!" exclaimed the general, gazing admiringly on Kiouni.
|
||
|
|
||
|
"Of forged iron," replied Passepartout, as he set about preparing
|
||
|
a hasty breakfast.
|
||
|
|
||
|
At noon the Parsee gave the signal of departure. The country
|
||
|
soon presented a very savage aspect. Copses of dates and
|
||
|
dwarf-palms succeeded the dense forests; then vast, dry plains,
|
||
|
dotted with scanty shrubs, and sown with great blocks of syenite.
|
||
|
All this portion of Bundelcund, which is little frequented
|
||
|
by travellers, is inhabited by a fanatical population,
|
||
|
hardened in the most horrible practices of the Hindoo faith.
|
||
|
The English have not been able to secure complete dominion over
|
||
|
this territory, which is subjected to the influence of rajahs,
|
||
|
whom it is almost impossible to reach in their inaccessible
|
||
|
mountain fastnesses. The travellers several times saw bands
|
||
|
of ferocious Indians, who, when they perceived the elephant
|
||
|
striding across-country, made angry arid threatening motions.
|
||
|
The Parsee avoided them as much as possible. Few animals were
|
||
|
observed on the route; even the monkeys hurried from their path
|
||
|
with contortions and grimaces which convulsed Passepartout with laughter.
|
||
|
|
||
|
In the midst of his gaiety, however, one thought troubled the worthy servant.
|
||
|
What would Mr. Fogg do with the elephant when he got to Allahabad?
|
||
|
Would he carry him on with him? Impossible! The cost of transporting him
|
||
|
would make him ruinously expensive. Would he sell him, or set him free?
|
||
|
The estimable beast certainly deserved some consideration. Should Mr. Fogg
|
||
|
choose to make him, Passepartout, a present of Kiouni, he would be very much
|
||
|
embarrassed; and these thoughts did not cease worrying him for a long time.
|
||
|
|
||
|
The principal chain of the Vindhias was crossed by eight in the evening,
|
||
|
and another halt was made on the northern slope, in a ruined bungalow.
|
||
|
They had gone nearly twenty-five miles that day, and an equal distance
|
||
|
still separated them from the station of Allahabad.
|
||
|
|
||
|
The night was cold. The Parsee lit a fire in the bungalow
|
||
|
with a few dry branches, and the warmth was very grateful,
|
||
|
provisions purchased at Kholby sufficed for supper, and the
|
||
|
travellers ate ravenously. The conversation, beginning with a few
|
||
|
disconnected phrases, soon gave place to loud and steady snores.
|
||
|
The guide watched Kiouni, who slept standing, bolstering himself
|
||
|
against the trunk of a large tree. Nothing occurred during the
|
||
|
night to disturb the slumberers, although occasional growls front
|
||
|
panthers and chatterings of monkeys broke the silence; the more
|
||
|
formidable beasts made no cries or hostile demonstration against
|
||
|
the occupants of the bungalow. Sir Francis slept heavily, like an
|
||
|
honest soldier overcome with fatigue. Passepartout was wrapped in
|
||
|
uneasy dreams of the bouncing of the day before. As for Mr. Fogg,
|
||
|
he slumbered as peacefully as if he had been in his serene mansion
|
||
|
in Saville Row.
|
||
|
|
||
|
The journey was resumed at six in the morning; the guide hoped
|
||
|
to reach Allahabad by evening. In that case, Mr. Fogg would only
|
||
|
lose a part of the forty-eight hours saved since the beginning
|
||
|
of the tour. Kiouni, resuming his rapid gait, soon descended
|
||
|
the lower spurs of the Vindhias, and towards noon they passed
|
||
|
by the village of Kallenger, on the Cani, one of the branches
|
||
|
of the Ganges. The guide avoided inhabited places, thinking it safer
|
||
|
to keep the open country, which lies along the first depressions
|
||
|
of the basin of the great river. Allahabad was now only twelve miles
|
||
|
to the north-east. They stopped under a clump of bananas,
|
||
|
the fruit of which, as healthy as bread and as succulent as cream,
|
||
|
was amply partaken of and appreciated.
|
||
|
|
||
|
At two o'clock the guide entered a thick forest which extended
|
||
|
several miles; he preferred to travel under cover of the woods.
|
||
|
They had not as yet had any unpleasant encounters, and the journey
|
||
|
seemed on the point of being successfully accomplished, when the
|
||
|
elephant, becoming restless, suddenly stopped.
|
||
|
|
||
|
It was then four o'clock.
|
||
|
|
||
|
"What's the matter?" asked Sir Francis, putting out his head.
|
||
|
|
||
|
"I don't know, officer," replied the Parsee, listening attentively
|
||
|
to a confused murmur which came through the thick branches.
|
||
|
|
||
|
The murmur soon became more distinct; it now seemed like a distant
|
||
|
concert of human voices accompanied by brass instruments.
|
||
|
Passepartout was all eyes and ears. Mr. Fogg patiently
|
||
|
waited without a word. The Parsee jumped to the ground,
|
||
|
fastened the elephant to a tree, and plunged into the thicket.
|
||
|
He soon returned, saying:
|
||
|
|
||
|
"A procession of Brahmins is coming this way. We must prevent
|
||
|
their seeing us, if possible."
|
||
|
|
||
|
The guide unloosed the elephant and led him into a thicket,
|
||
|
at the same time asking the travellers not to stir. He held himself
|
||
|
ready to bestride the animal at a moment's notice, should flight
|
||
|
become necessary; but he evidently thought that the procession
|
||
|
of the faithful would pass without perceiving them amid
|
||
|
the thick foliage, in which they were wholly concealed.
|
||
|
|
||
|
The discordant tones of the voices and instruments drew nearer,
|
||
|
and now droning songs mingled with the sound of the tambourines and cymbals.
|
||
|
The head of the procession soon appeared beneath the trees,
|
||
|
a hundred paces away; and the strange figures who performed the religious
|
||
|
ceremony were easily distinguished through the branches.
|
||
|
First came the priests, with mitres on their heads,
|
||
|
and clothed in long lace robes. They were surrounded by men,
|
||
|
women, and children, who sang a kind of lugubrious psalm,
|
||
|
interrupted at regular intervals by the tambourines and cymbals;
|
||
|
while behind them was drawn a car with large wheels,
|
||
|
the spokes of which represented serpents entwined with each other.
|
||
|
Upon the car, which was drawn by four richly caparisoned zebus,
|
||
|
stood a hideous statue with four arms, the body coloured a dull red,
|
||
|
with haggard eyes, dishevelled hair, protruding tongue, and lips tinted
|
||
|
with betel. It stood upright upon the figure of a prostrate
|
||
|
and headless giant.
|
||
|
|
||
|
Sir Francis, recognising the statue, whispered, "The goddess Kali;
|
||
|
the goddess of love and death."
|
||
|
|
||
|
"Of death, perhaps," muttered back Passepartout, "but of love--
|
||
|
that ugly old hag? Never!"
|
||
|
|
||
|
The Parsee made a motion to keep silence.
|
||
|
|
||
|
A group of old fakirs were capering and making a wild ado round the statue;
|
||
|
these were striped with ochre, and covered with cuts whence their blood
|
||
|
issued drop by drop--stupid fanatics, who, in the great Indian ceremonies,
|
||
|
still throw themselves under the wheels of Juggernaut. Some Brahmins,
|
||
|
clad in all the sumptuousness of Oriental apparel, and leading a woman
|
||
|
who faltered at every step, followed. This woman was young, and as
|
||
|
fair as a European. Her head and neck, shoulders, ears, arms,
|
||
|
hands, and toes were loaded down with jewels and gems with bracelets,
|
||
|
earrings, and rings; while a tunic bordered with gold, and covered
|
||
|
with a light muslin robe, betrayed the outline of her form.
|
||
|
|
||
|
The guards who followed the young woman presented a violent contrast
|
||
|
to her, armed as they were with naked sabres hung at their waists,
|
||
|
and long damascened pistols, and bearing a corpse on a palanquin.
|
||
|
It was the body of an old man, gorgeously arrayed in the habiliments
|
||
|
of a rajah, wearing, as in life, a turban embroidered with pearls,
|
||
|
a robe of tissue of silk and gold, a scarf of cashmere sewed with diamonds,
|
||
|
and the magnificent weapons of a Hindoo prince. Next came the musicians
|
||
|
and a rearguard of capering fakirs, whose cries sometimes drowned the noise
|
||
|
of the instruments; these closed the procession.
|
||
|
|
||
|
Sir Francis watched the procession with a sad countenance, and,
|
||
|
turning to the guide, said, "A suttee."
|
||
|
|
||
|
The Parsee nodded, and put his finger to his lips. The procession slowly
|
||
|
wound under the trees, and soon its last ranks disappeared in the depths
|
||
|
of the wood. The songs gradually died away; occasionally cries were heard
|
||
|
in the distance, until at last all was silence again.
|
||
|
|
||
|
Phileas Fogg had heard what Sir Francis said, and, as soon as
|
||
|
the procession had disappeared, asked: "What is a suttee?"
|
||
|
|
||
|
"A suttee," returned the general, "is a human sacrifice, but a voluntary one.
|
||
|
The woman you have just seen will be burned to-morrow at the dawn of day."
|
||
|
|
||
|
"Oh, the scoundrels!" cried Passepartout, who could not repress
|
||
|
his indignation.
|
||
|
|
||
|
"And the corpse?" asked Mr. Fogg.
|
||
|
|
||
|
"Is that of the prince, her husband," said the guide; "an independent
|
||
|
rajah of Bundelcund."
|
||
|
|
||
|
"Is it possible," resumed Phileas Fogg, his voice betraying not
|
||
|
the least emotion, "that these barbarous customs still exist in India,
|
||
|
and that the English have been unable to put a stop to them?"
|
||
|
|
||
|
"These sacrifices do not occur in the larger portion of India,"
|
||
|
replied Sir Francis; "but we have no power over these savage territories,
|
||
|
and especially here in Bundelcund. The whole district north of the Vindhias
|
||
|
is the theatre of incessant murders and pillage."
|
||
|
|
||
|
"The poor wretch!" exclaimed Passepartout, "to be burned alive!"
|
||
|
|
||
|
"Yes," returned Sir Francis, "burned alive. And, if she were not,
|
||
|
you cannot conceive what treatment she would be obliged to submit
|
||
|
to from her relatives. They would shave off her hair, feed her
|
||
|
on a scanty allowance of rice, treat her with contempt;
|
||
|
she would be looked upon as an unclean creature, and would die
|
||
|
in some corner, like a scurvy dog. The prospect of so frightful
|
||
|
an existence drives these poor creatures to the sacrifice
|
||
|
much more than love or religious fanaticism. Sometimes, however,
|
||
|
the sacrifice is really voluntary, and it requires the active
|
||
|
interference of the Government to prevent it. Several years ago,
|
||
|
when I was living at Bombay, a young widow asked permission
|
||
|
of the governor to be burned along with her husband's body;
|
||
|
but, as you may imagine, he refused. The woman left the town,
|
||
|
took refuge with an independent rajah, and there carried out
|
||
|
her self-devoted purpose."
|
||
|
|
||
|
While Sir Francis was speaking, the guide shook his head several times,
|
||
|
and now said: "The sacrifice which will take place to-morrow at dawn
|
||
|
is not a voluntary one."
|
||
|
|
||
|
"How do you know?"
|
||
|
|
||
|
"Everybody knows about this affair in Bundelcund."
|
||
|
|
||
|
"But the wretched creature did not seem to be making any resistance,"
|
||
|
observed Sir Francis.
|
||
|
|
||
|
"That was because they had intoxicated her with fumes of hemp and opium."
|
||
|
|
||
|
"But where are they taking her?"
|
||
|
|
||
|
"To the pagoda of Pillaji, two miles from here; she will pass the night there."
|
||
|
|
||
|
"And the sacrifice will take place--"
|
||
|
|
||
|
"To-morrow, at the first light of dawn."
|
||
|
|
||
|
The guide now led the elephant out of the thicket, and leaped upon his neck.
|
||
|
Just at the moment that he was about to urge Kiouni forward with a peculiar
|
||
|
whistle, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said,
|
||
|
"Suppose we save this woman."
|
||
|
|
||
|
"Save the woman, Mr. Fogg!"
|
||
|
|
||
|
"I have yet twelve hours to spare; I can devote them to that."
|
||
|
|
||
|
"Why, you are a man of heart!"
|
||
|
|
||
|
"Sometimes," replied Phileas Fogg, quietly; "when I have the time."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XIII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT RECEIVES A NEW PROOF
|
||
|
THAT FORTUNE FAVORS THE BRAVE
|
||
|
|
||
|
|
||
|
The project was a bold one, full of difficulty, perhaps impracticable.
|
||
|
Mr. Fogg was going to risk life, or at least liberty, and therefore
|
||
|
the success of his tour. But he did not hesitate, and he found in
|
||
|
Sir Francis Cromarty an enthusiastic ally.
|
||
|
|
||
|
As for Passepartout, he was ready for anything that might be proposed.
|
||
|
His master's idea charmed him; he perceived a heart, a soul, under that
|
||
|
icy exterior. He began to love Phileas Fogg.
|
||
|
|
||
|
There remained the guide: what course would he adopt? Would he
|
||
|
not take part with the Indians? In default of his assistance,
|
||
|
it was necessary to be assured of his neutrality.
|
||
|
|
||
|
Sir Francis frankly put the question to him.
|
||
|
|
||
|
"Officers," replied the guide, "I am a Parsee, and this woman is a Parsee.
|
||
|
Command me as you will."
|
||
|
|
||
|
"Excellent!" said Mr. Fogg.
|
||
|
|
||
|
"However," resumed the guide, "it is certain, not only that
|
||
|
we shall risk our lives, but horrible tortures, if we are taken."
|
||
|
|
||
|
"That is foreseen," replied Mr. Fogg. "I think we must wait till night
|
||
|
before acting."
|
||
|
|
||
|
"I think so," said the guide.
|
||
|
|
||
|
The worthy Indian then gave some account of the victim, who,
|
||
|
he said, was a celebrated beauty of the Parsee race, and the
|
||
|
daughter of a wealthy Bombay merchant. She had received a
|
||
|
thoroughly English education in that city, and, from her manners
|
||
|
and intelligence, would be thought an European. Her name was Aouda.
|
||
|
Left an orphan, she was married against her will to the old rajah
|
||
|
of Bundelcund; and, knowing the fate that awaited her, she escaped,
|
||
|
was retaken, and devoted by the rajah's relatives, who had an interest
|
||
|
in her death, to the sacrifice from which it seemed she could not escape.
|
||
|
|
||
|
The Parsee's narrative only confirmed Mr. Fogg and his companions
|
||
|
in their generous design. It was decided that the guide should direct
|
||
|
the elephant towards the pagoda of Pillaji, which he accordingly approached
|
||
|
as quickly as possible. They halted, half an hour afterwards, in a copse,
|
||
|
some five hundred feet from the pagoda, where they were well concealed;
|
||
|
but they could hear the groans and cries of the fakirs distinctly.
|
||
|
|
||
|
They then discussed the means of getting at the victim. The guide
|
||
|
was familiar with the pagoda of Pillaji, in which, as he declared,
|
||
|
the young woman was imprisoned. Could they enter any of its doors
|
||
|
while the whole party of Indians was plunged in a drunken sleep,
|
||
|
or was it safer to attempt to make a hole in the walls?
|
||
|
This could only be determined at the moment and the place themselves;
|
||
|
but it was certain that the abduction must be made that night,
|
||
|
and not when, at break of day, the victim was led to her funeral pyre.
|
||
|
Then no human intervention could save her.
|
||
|
|
||
|
As soon as night fell, about six o'clock, they decided to make
|
||
|
a reconnaissance around the pagoda. The cries of the fakirs were
|
||
|
just ceasing; the Indians were in the act of plunging themselves
|
||
|
into the drunkenness caused by liquid opium mingled with hemp,
|
||
|
and it might be possible to slip between them to the temple itself.
|
||
|
|
||
|
The Parsee, leading the others, noiselessly crept through the wood,
|
||
|
and in ten minutes they found themselves on the banks of a small stream,
|
||
|
whence, by the light of the rosin torches, they perceived a pyre of wood,
|
||
|
on the top of which lay the embalmed body of the rajah, which was to be
|
||
|
burned with his wife. The pagoda, whose minarets loomed above the trees
|
||
|
in the deepening dusk, stood a hundred steps away.
|
||
|
|
||
|
"Come!" whispered the guide.
|
||
|
|
||
|
He slipped more cautiously than ever through the brush,
|
||
|
followed by his companions; the silence around was only broken
|
||
|
by the low murmuring of the wind among the branches.
|
||
|
|
||
|
Soon the Parsee stopped on the borders of the glade, which was lit up
|
||
|
by the torches. The ground was covered by groups of the Indians,
|
||
|
motionless in their drunken sleep; it seemed a battlefield strewn
|
||
|
with the dead. Men, women, and children lay together.
|
||
|
|
||
|
In the background, among the trees, the pagoda of Pillaji
|
||
|
loomed distinctly. Much to the guide's disappointment,
|
||
|
the guards of the rajah, lighted by torches, were watching
|
||
|
at the doors and marching to and fro with naked sabres;
|
||
|
probably the priests, too, were watching within.
|
||
|
|
||
|
The Parsee, now convinced that it was impossible to force
|
||
|
an entrance to the temple, advanced no farther, but led his
|
||
|
companions back again. Phileas Fogg and Sir Francis Cromarty
|
||
|
also saw that nothing could be attempted in that direction.
|
||
|
They stopped, and engaged in a whispered colloquy.
|
||
|
|
||
|
"It is only eight now," said the brigadier, "and these guards
|
||
|
may also go to sleep."
|
||
|
|
||
|
"It is not impossible," returned the Parsee.
|
||
|
|
||
|
They lay down at the foot of a tree, and waited.
|
||
|
|
||
|
The time seemed long; the guide ever and anon left them
|
||
|
to take an observation on the edge of the wood, but the guards
|
||
|
watched steadily by the glare of the torches, and a dim light
|
||
|
crept through the windows of the pagoda.
|
||
|
|
||
|
They waited till midnight; but no change took place among the guards,
|
||
|
and it became apparent that their yielding to sleep could not be counted on.
|
||
|
The other plan must be carried out; an opening in the walls of the pagoda
|
||
|
must be made. It remained to ascertain whether the priests were watching
|
||
|
by the side of their victim as assiduously as were the soldiers at the door.
|
||
|
|
||
|
After a last consultation, the guide announced that he was ready
|
||
|
for the attempt, and advanced, followed by the others. They took
|
||
|
a roundabout way, so as to get at the pagoda on the rear.
|
||
|
They reached the walls about half-past twelve, without having met anyone;
|
||
|
here there was no guard, nor were there either windows or doors.
|
||
|
|
||
|
The night was dark. The moon, on the wane, scarcely left the horizon,
|
||
|
and was covered with heavy clouds; the height of the trees deepened
|
||
|
the darkness.
|
||
|
|
||
|
It was not enough to reach the walls; an opening in them must
|
||
|
be accomplished, and to attain this purpose the party only had
|
||
|
their pocket-knives. Happily the temple walls were built of brick
|
||
|
and wood, which could be penetrated with little difficulty;
|
||
|
after one brick had been taken out, the rest would yield easily.
|
||
|
|
||
|
They set noiselessly to work, and the Parsee on one side
|
||
|
and Passepartout on the other began to loosen the bricks
|
||
|
so as to make an aperture two feet wide. They were getting on rapidly,
|
||
|
when suddenly a cry was heard in the interior of the temple,
|
||
|
followed almost instantly by other cries replying from the outside.
|
||
|
Passepartout and the guide stopped. Had they been heard? Was the
|
||
|
alarm being given? Common prudence urged them to retire, and they
|
||
|
did so, followed by Phileas Fogg and Sir Francis. They again hid
|
||
|
themselves in the wood, and waited till the disturbance, whatever
|
||
|
it might be, ceased, holding themselves ready to resume their attempt
|
||
|
without delay. But, awkwardly enough, the guards now appeared
|
||
|
at the rear of the temple, and there installed themselves,
|
||
|
in readiness to prevent a surprise.
|
||
|
|
||
|
It would be difficult to describe the disappointment of the party,
|
||
|
thus interrupted in their work. They could not now reach the victim;
|
||
|
how, then, could they save her? Sir Francis shook his fists,
|
||
|
Passepartout was beside himself, and the guide gnashed his teeth with rage.
|
||
|
The tranquil Fogg waited, without betraying any emotion.
|
||
|
|
||
|
"We have nothing to do but to go away," whispered Sir Francis.
|
||
|
|
||
|
"Nothing but to go away," echoed the guide.
|
||
|
|
||
|
"Stop," said Fogg. "I am only due at Allahabad tomorrow before noon."
|
||
|
|
||
|
"But what can you hope to do?" asked Sir Francis. "In a few hours
|
||
|
it will be daylight, and--"
|
||
|
|
||
|
"The chance which now seems lost may present itself at the last moment."
|
||
|
|
||
|
Sir Francis would have liked to read Phileas Fogg's eyes.
|
||
|
What was this cool Englishman thinking of? Was he planning
|
||
|
to make a rush for the young woman at the very moment
|
||
|
of the sacrifice, and boldly snatch her from her executioners?
|
||
|
|
||
|
This would be utter folly, and it was hard to admit that Fogg
|
||
|
was such a fool. Sir Francis consented, however, to remain
|
||
|
to the end of this terrible drama. The guide led them to the rear
|
||
|
of the glade, where they were able to observe the sleeping groups.
|
||
|
|
||
|
Meanwhile Passepartout, who had perched himself on the lower branches
|
||
|
of a tree, was resolving an idea which had at first struck him like a flash,
|
||
|
and which was now firmly lodged in his brain.
|
||
|
|
||
|
He had commenced by saying to himself, "What folly!" and then he repeated,
|
||
|
"Why not, after all? It's a chance perhaps the only one; and with such sots!"
|
||
|
Thinking thus, he slipped, with the suppleness of a serpent,
|
||
|
to the lowest branches, the ends of which bent almost to the ground.
|
||
|
|
||
|
The hours passed, and the lighter shades now announced the
|
||
|
approach of day, though it was not yet light. This was the moment.
|
||
|
The slumbering multitude became animated, the tambourines sounded,
|
||
|
songs and cries arose; the hour of the sacrifice had come.
|
||
|
The doors of the pagoda swung open, and a bright light escaped
|
||
|
from its interior, in the midst of which Mr. Fogg and Sir Francis
|
||
|
espied the victim. She seemed, having shaken off the stupor of intoxication,
|
||
|
to be striving to escape from her executioner. Sir Francis's heart throbbed;
|
||
|
and, convulsively seizing Mr. Fogg's hand, found in it an open knife.
|
||
|
Just at this moment the crowd began to move. The young woman had again
|
||
|
fallen into a stupor caused by the fumes of hemp, and passed among
|
||
|
the fakirs, who escorted her with their wild, religious cries.
|
||
|
|
||
|
Phileas Fogg and his companions, mingling in the rear ranks of the crowd,
|
||
|
followed; and in two minutes they reached the banks of the stream,
|
||
|
and stopped fifty paces from the pyre, upon which still lay the rajah's corpse.
|
||
|
In the semi-obscurity they saw the victim, quite senseless, stretched out
|
||
|
beside her husband's body. Then a torch was brought, and the wood,
|
||
|
heavily soaked with oil, instantly took fire.
|
||
|
|
||
|
At this moment Sir Francis and the guide seized Phileas Fogg, who,
|
||
|
in an instant of mad generosity, was about to rush upon the pyre.
|
||
|
But he had quickly pushed them aside, when the whole scene suddenly changed.
|
||
|
A cry of terror arose. The whole multitude prostrated themselves,
|
||
|
terror-stricken, on the ground.
|
||
|
|
||
|
The old rajah was not dead, then, since he rose of a sudden,
|
||
|
like a spectre, took up his wife in his arms, and descended from
|
||
|
the pyre in the midst of the clouds of smoke, which only
|
||
|
heightened his ghostly appearance.
|
||
|
|
||
|
Fakirs and soldiers and priests, seized with instant terror,
|
||
|
lay there, with their faces on the ground, not daring to lift
|
||
|
their eyes and behold such a prodigy.
|
||
|
|
||
|
The inanimate victim was borne along by the vigorous arms which
|
||
|
supported her, and which she did not seem in the least to burden.
|
||
|
Mr. Fogg and Sir Francis stood erect, the Parsee bowed his head,
|
||
|
and Passepartout was, no doubt, scarcely less stupefied.
|
||
|
|
||
|
The resuscitated rajah approached Sir Francis and Mr. Fogg,
|
||
|
and, in an abrupt tone, said, "Let us be off!"
|
||
|
|
||
|
It was Passepartout himself, who had slipped upon the pyre
|
||
|
in the midst of the smoke and, profiting by the still
|
||
|
overhanging darkness, had delivered the young woman from death!
|
||
|
It was Passepartout who, playing his part with a happy audacity,
|
||
|
had passed through the crowd amid the general terror.
|
||
|
|
||
|
A moment after all four of the party had disappeared in the woods,
|
||
|
and the elephant was bearing them away at a rapid pace. But the cries
|
||
|
and noise, and a ball which whizzed through Phileas Fogg's hat,
|
||
|
apprised them that the trick had been discovered.
|
||
|
|
||
|
The old rajah's body, indeed, now appeared upon the burning pyre;
|
||
|
and the priests, recovered from their terror, perceived that an abduction
|
||
|
had taken place. They hastened into the forest, followed by the soldiers,
|
||
|
who fired a volley after the fugitives; but the latter rapidly increased
|
||
|
the distance between them, and ere long found themselves beyond the reach
|
||
|
of the bullets and arrows.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XIV
|
||
|
|
||
|
IN WHICH PHILEAS FOGG DESCENDS THE WHOLE LENGTH OF THE BEAUTIFUL
|
||
|
VALLEY OF THE GANGES WITHOUT EVER THINKING OF SEEING IT
|
||
|
|
||
|
|
||
|
The rash exploit had been accomplished; and for an hour
|
||
|
Passepartout laughed gaily at his success. Sir Francis pressed
|
||
|
the worthy fellow's hand, and his master said, "Well done!" which,
|
||
|
from him, was high commendation; to which Passepartout replied
|
||
|
that all the credit of the affair belonged to Mr. Fogg. As for him,
|
||
|
he had only been struck with a "queer" idea; and he laughed
|
||
|
to think that for a few moments he, Passepartout, the ex-gymnast,
|
||
|
ex-sergeant fireman, had been the spouse of a charming woman,
|
||
|
a venerable, embalmed rajah! As for the young Indian woman,
|
||
|
she had been unconscious throughout of what was passing, and now,
|
||
|
wrapped up in a travelling-blanket, was reposing in one of the howdahs.
|
||
|
|
||
|
The elephant, thanks to the skilful guidance of the Parsee,
|
||
|
was advancing rapidly through the still darksome forest, and,
|
||
|
an hour after leaving the pagoda, had crossed a vast plain.
|
||
|
They made a halt at seven o'clock, the young woman being still
|
||
|
in a state of complete prostration. The guide made her drink a little
|
||
|
brandy and water, but the drowsiness which stupefied her could not
|
||
|
yet be shaken off. Sir Francis, who was familiar with the effects
|
||
|
of the intoxication produced by the fumes of hemp, reassured his
|
||
|
companions on her account. But he was more disturbed at the
|
||
|
prospect of her future fate. He told Phileas Fogg that,
|
||
|
should Aouda remain in India, she would inevitably fall again
|
||
|
into the hands of her executioners. These fanatics were scattered
|
||
|
throughout the county, and would, despite the English police,
|
||
|
recover their victim at Madras, Bombay, or Calcutta. She would
|
||
|
only be safe by quitting India for ever.
|
||
|
|
||
|
Phileas Fogg replied that he would reflect upon the matter.
|
||
|
|
||
|
The station at Allahabad was reached about ten o'clock, and,
|
||
|
the interrupted line of railway being resumed, would enable them
|
||
|
to reach Calcutta in less than twenty-four hours. Phileas Fogg
|
||
|
would thus be able to arrive in time to take the steamer which
|
||
|
left Calcutta the next day, October 25th, at noon, for Hong Kong.
|
||
|
|
||
|
The young woman was placed in one of the waiting-rooms of the station,
|
||
|
whilst Passepartout was charged with purchasing for her various articles
|
||
|
of toilet, a dress, shawl, and some furs; for which his master gave him
|
||
|
unlimited credit. Passepartout started off forthwith, and found himself
|
||
|
in the streets of Allahabad, that is, the City of God, one of the most
|
||
|
venerated in India, being built at the junction of the two sacred rivers,
|
||
|
Ganges and Jumna, the waters of which attract pilgrims from every part
|
||
|
of the peninsula. The Ganges, according to the legends of the Ramayana,
|
||
|
rises in heaven, whence, owing to Brahma's agency, it descends to the earth.
|
||
|
|
||
|
Passepartout made it a point, as he made his purchases, to take
|
||
|
a good look at the city. It was formerly defended by a noble fort,
|
||
|
which has since become a state prison; its commerce has dwindled away,
|
||
|
and Passepartout in vain looked about him for such a bazaar as he used
|
||
|
to frequent in Regent Street. At last he came upon an elderly,
|
||
|
crusty Jew, who sold second-hand articles, and from whom he purchased
|
||
|
a dress of Scotch stuff, a large mantle, and a fine otter-skin pelisse,
|
||
|
for which he did not hesitate to pay seventy-five pounds. He then
|
||
|
returned triumphantly to the station.
|
||
|
|
||
|
The influence to which the priests of Pillaji had subjected Aouda
|
||
|
began gradually to yield, and she became more herself,
|
||
|
so that her fine eyes resumed all their soft Indian expression.
|
||
|
|
||
|
When the poet-king, Ucaf Uddaul, celebrates the charms
|
||
|
of the queen of Ahmehnagara, he speaks thus:
|
||
|
|
||
|
"Her shining tresses, divided in two parts, encircle the harmonious
|
||
|
contour of her white and delicate cheeks, brilliant in their glow
|
||
|
and freshness. Her ebony brows have the form and charm of the bow of Kama,
|
||
|
the god of love, and beneath her long silken lashes the purest reflections
|
||
|
and a celestial light swim, as in the sacred lakes of Himalaya,
|
||
|
in the black pupils of her great clear eyes. Her teeth, fine,
|
||
|
equal, and white, glitter between her smiling lips like dewdrops
|
||
|
in a passion-flower's half-enveloped breast. Her delicately formed ears,
|
||
|
her vermilion hands, her little feet, curved and tender as the lotus-bud,
|
||
|
glitter with the brilliancy of the loveliest pearls of Ceylon,
|
||
|
the most dazzling diamonds of Golconda. Her narrow and supple waist,
|
||
|
which a hand may clasp around, sets forth the outline of her rounded
|
||
|
figure and the beauty of her bosom, where youth in its flower displays
|
||
|
the wealth of its treasures; and beneath the silken folds of her tunic
|
||
|
she seems to have been modelled in pure silver by the godlike hand
|
||
|
of Vicvarcarma, the immortal sculptor."
|
||
|
|
||
|
It is enough to say, without applying this poetical rhapsody to Aouda,
|
||
|
that she was a charming woman, in all the European acceptation of the phrase.
|
||
|
She spoke English with great purity, and the guide had not exaggerated
|
||
|
in saying that the young Parsee had been transformed by her bringing up.
|
||
|
|
||
|
The train was about to start from Allahabad, and Mr. Fogg
|
||
|
proceeded to pay the guide the price agreed upon for his service,
|
||
|
and not a farthing more; which astonished Passepartout,
|
||
|
who remembered all that his master owed to the guide's devotion.
|
||
|
He had, indeed, risked his life in the adventure at Pillaji, and,
|
||
|
if he should be caught afterwards by the Indians, he would with
|
||
|
difficulty escape their vengeance. Kiouni, also, must be disposed of.
|
||
|
What should be done with the elephant, which had been so dearly purchased?
|
||
|
Phileas Fogg had already determined this question.
|
||
|
|
||
|
"Parsee," said he to the guide, "you have been serviceable and devoted.
|
||
|
I have paid for your service, but not for your devotion. Would you like
|
||
|
to have this elephant? He is yours."
|
||
|
|
||
|
The guide's eyes glistened.
|
||
|
|
||
|
"Your honour is giving me a fortune!" cried he.
|
||
|
|
||
|
"Take him, guide," returned Mr. Fogg, "and I shall still be your debtor."
|
||
|
|
||
|
"Good!" exclaimed Passepartout. "Take him, friend. Kiouni is a brave
|
||
|
and faithful beast." And, going up to the elephant, he gave him several
|
||
|
lumps of sugar, saying, "Here, Kiouni, here, here."
|
||
|
|
||
|
The elephant grunted out his satisfaction, and, clasping Passepartout
|
||
|
around the waist with his trunk, lifted him as high as his head.
|
||
|
Passepartout, not in the least alarmed, caressed the animal,
|
||
|
which replaced him gently on the ground.
|
||
|
|
||
|
Soon after, Phileas Fogg, Sir Francis Cromarty, and Passepartout,
|
||
|
installed in a carriage with Aouda, who had the best seat,
|
||
|
were whirling at full speed towards Benares. It was a run of eighty miles,
|
||
|
and was accomplished in two hours. During the journey, the young woman
|
||
|
fully recovered her senses. What was her astonishment to find herself
|
||
|
in this carriage, on the railway, dressed in European habiliments,
|
||
|
and with travellers who were quite strangers to her! Her companions
|
||
|
first set about fully reviving her with a little liquor,
|
||
|
and then Sir Francis narrated to her what had passed,
|
||
|
dwelling upon the courage with which Phileas Fogg
|
||
|
had not hesitated to risk his life to save her, and recounting
|
||
|
the happy sequel of the venture, the result of Passepartout's rash idea.
|
||
|
Mr. Fogg said nothing; while Passepartout, abashed, kept repeating that
|
||
|
"it wasn't worth telling."
|
||
|
|
||
|
Aouda pathetically thanked her deliverers, rather with tears
|
||
|
than words; her fine eyes interpreted her gratitude better
|
||
|
than her lips. Then, as her thoughts strayed back to the scene
|
||
|
of the sacrifice, and recalled the dangers which still menaced her,
|
||
|
she shuddered with terror.
|
||
|
|
||
|
Phileas Fogg understood what was passing in Aouda's mind, and offered,
|
||
|
in order to reassure her, to escort her to Hong Kong, where she might remain
|
||
|
safely until the affair was hushed up--an offer which she eagerly
|
||
|
and gratefully accepted. She had, it seems, a Parsee relation,
|
||
|
who was one of the principal merchants of Hong Kong, which is wholly
|
||
|
an English city, though on an island on the Chinese coast.
|
||
|
|
||
|
At half-past twelve the train stopped at Benares. The Brahmin legends
|
||
|
assert that this city is built on the site of the ancient Casi, which,
|
||
|
like Mahomet's tomb, was once suspended between heaven and earth;
|
||
|
though the Benares of to-day, which the Orientalists call the Athens of India,
|
||
|
stands quite unpoetically on the solid earth, Passepartout caught glimpses
|
||
|
of its brick houses and clay huts, giving an aspect of desolation to the place,
|
||
|
as the train entered it.
|
||
|
|
||
|
Benares was Sir Francis Cromarty's destination, the troops he
|
||
|
was rejoining being encamped some miles northward of the city.
|
||
|
He bade adieu to Phileas Fogg, wishing him all success,
|
||
|
and expressing the hope that he would come that way again
|
||
|
in a less original but more profitable fashion. Mr. Fogg lightly
|
||
|
pressed him by the hand. The parting of Aouda, who did not forget
|
||
|
what she owed to Sir Francis, betrayed more warmth; and, as for
|
||
|
Passepartout, he received a hearty shake of the hand from the
|
||
|
gallant general.
|
||
|
|
||
|
The railway, on leaving Benares, passed for a while along the
|
||
|
valley of the Ganges. Through the windows of their carriage
|
||
|
the travellers had glimpses of the diversified landscape of Behar,
|
||
|
with its mountains clothed in verdure, its fields of barley,
|
||
|
wheat, and corn, its jungles peopled with green alligators,
|
||
|
its neat villages, and its still thickly-leaved forests.
|
||
|
Elephants were bathing in the waters of the sacred river,
|
||
|
and groups of Indians, despite the advanced season and chilly air,
|
||
|
were performing solemnly their pious ablutions. These were
|
||
|
fervent Brahmins, the bitterest foes of Buddhism, their deities
|
||
|
being Vishnu, the solar god, Shiva, the divine impersonation of
|
||
|
natural forces, and Brahma, the supreme ruler of priests and legislators.
|
||
|
What would these divinities think of India, anglicised as it is to-day,
|
||
|
with steamers whistling and scudding along the Ganges, frightening the gulls
|
||
|
which float upon its surface, the turtles swarming along its banks,
|
||
|
and the faithful dwelling upon its borders?
|
||
|
|
||
|
The panorama passed before their eyes like a flash, save when
|
||
|
the steam concealed it fitfully from the view; the travellers
|
||
|
could scarcely discern the fort of Chupenie, twenty miles
|
||
|
south-westward from Benares, the ancient stronghold of the rajahs
|
||
|
of Behar; or Ghazipur and its famous rose-water factories; or the
|
||
|
tomb of Lord Cornwallis, rising on the left bank of the Ganges;
|
||
|
the fortified town of Buxar, or Patna, a large manufacturing and
|
||
|
trading-place, where is held the principal opium market of India;
|
||
|
or Monghir, a more than European town, for it is as English as
|
||
|
Manchester or Birmingham, with its iron foundries, edgetool factories,
|
||
|
and high chimneys puffing clouds of black smoke heavenward.
|
||
|
|
||
|
Night came on; the train passed on at full speed, in the midst
|
||
|
of the roaring of the tigers, bears, and wolves which fled before
|
||
|
the locomotive; and the marvels of Bengal, Golconda ruined Gour,
|
||
|
Murshedabad, the ancient capital, Burdwan, Hugly, and the French
|
||
|
town of Chandernagor, where Passepartout would have been proud to see
|
||
|
his country's flag flying, were hidden from their view in the darkness.
|
||
|
|
||
|
Calcutta was reached at seven in the morning,
|
||
|
and the packet left for Hong Kong at noon;
|
||
|
so that Phileas Fogg had five hours before him.
|
||
|
|
||
|
According to his journal, he was due at Calcutta on the 25th
|
||
|
of October, and that was the exact date of his actual arrival.
|
||
|
He was therefore neither behind-hand nor ahead of time.
|
||
|
The two days gained between London and Bombay had been lost,
|
||
|
as has been seen, in the journey across India. But it is not
|
||
|
to be supposed that Phileas Fogg regretted them.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XV
|
||
|
|
||
|
IN WHICH THE BAG OF BANKNOTES DISGORGES
|
||
|
SOME THOUSANDS OF POUNDS MORE
|
||
|
|
||
|
|
||
|
The train entered the station, and Passepartout jumping out first,
|
||
|
was followed by Mr. Fogg, who assisted his fair companion to descend.
|
||
|
Phileas Fogg intended to proceed at once to the Hong Kong steamer,
|
||
|
in order to get Aouda comfortably settled for the voyage.
|
||
|
He was unwilling to leave her while they were still on dangerous ground.
|
||
|
|
||
|
Just as he was leaving the station a policeman came up to him, and said,
|
||
|
"Mr. Phileas Fogg?"
|
||
|
|
||
|
"I am he."
|
||
|
|
||
|
"Is this man your servant?" added the policeman, pointing to Passepartout.
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Be so good, both of you, as to follow me."
|
||
|
|
||
|
Mr. Fogg betrayed no surprise whatever. The policeman was a
|
||
|
representative of the law, and law is sacred to an Englishman.
|
||
|
Passepartout tried to reason about the matter, but the policeman
|
||
|
tapped him with his stick, and Mr. Fogg made him a signal to obey.
|
||
|
|
||
|
"May this young lady go with us?" asked he.
|
||
|
|
||
|
"She may," replied the policeman.
|
||
|
|
||
|
Mr. Fogg, Aouda, and Passepartout were conducted to a palkigahri,
|
||
|
a sort of four-wheeled carriage, drawn by two horses, in which they
|
||
|
took their places and were driven away. No one spoke during
|
||
|
the twenty minutes which elapsed before they reached their destination.
|
||
|
They first passed through the "black town," with its narrow streets,
|
||
|
its miserable, dirty huts, and squalid population; then through the
|
||
|
"European town," which presented a relief in its bright brick mansions,
|
||
|
shaded by coconut-trees and bristling with masts, where, although it was
|
||
|
early morning, elegantly dressed horsemen and handsome equipages
|
||
|
were passing back and forth.
|
||
|
|
||
|
The carriage stopped before a modest-looking house, which,
|
||
|
however, did not have the appearance of a private mansion.
|
||
|
The policeman having requested his prisoners for so, truly,
|
||
|
they might be called-to descend, conducted them into a room
|
||
|
with barred windows, and said: "You will appear before
|
||
|
Judge Obadiah at half-past eight."
|
||
|
|
||
|
He then retired, and closed the door.
|
||
|
|
||
|
"Why, we are prisoners!" exclaimed Passepartout, falling into a chair.
|
||
|
|
||
|
Aouda, with an emotion she tried to conceal, said to Mr. Fogg:
|
||
|
"Sir, you must leave me to my fate! It is on my account that
|
||
|
you receive this treatment, it is for having saved me!"
|
||
|
|
||
|
Phileas Fogg contented himself with saying that it was impossible.
|
||
|
It was quite unlikely that he should be arrested for preventing a suttee.
|
||
|
The complainants would not dare present themselves with such a charge.
|
||
|
There was some mistake. Moreover, he would not, in any event,
|
||
|
abandon Aouda, but would escort her to Hong Kong.
|
||
|
|
||
|
"But the steamer leaves at noon!" observed Passepartout, nervously.
|
||
|
|
||
|
"We shall be on board by noon," replied his master, placidly.
|
||
|
|
||
|
It was said so positively that Passepartout could not help
|
||
|
muttering to himself, "Parbleu that's certain! Before noon
|
||
|
we shall be on board." But he was by no means reassured.
|
||
|
|
||
|
At half-past eight the door opened, the policeman appeared, and,
|
||
|
requesting them to follow him, led the way to an adjoining hall.
|
||
|
It was evidently a court-room, and a crowd of Europeans and natives
|
||
|
already occupied the rear of the apartment.
|
||
|
|
||
|
Mr. Fogg and his two companions took their places on a
|
||
|
bench opposite the desks of the magistrate and his clerk.
|
||
|
Immediately after, Judge Obadiah, a fat, round man, followed by
|
||
|
the clerk, entered. He proceeded to take down a wig which was
|
||
|
hanging on a nail, and put it hurriedly on his head.
|
||
|
|
||
|
"The first case," said he. Then, putting his hand to his
|
||
|
head, he exclaimed, "Heh! This is not my wig!"
|
||
|
|
||
|
"No, your worship," returned the clerk, "it is mine."
|
||
|
|
||
|
"My dear Mr. Oysterpuff, how can a judge give a wise sentence
|
||
|
in a clerk's wig?"
|
||
|
|
||
|
The wigs were exchanged.
|
||
|
|
||
|
Passepartout was getting nervous, for the hands on the face of the big clock
|
||
|
over the judge seemed to go around with terrible rapidity.
|
||
|
|
||
|
"The first case," repeated Judge Obadiah.
|
||
|
|
||
|
"Phileas Fogg?" demanded Oysterpuff.
|
||
|
|
||
|
"I am here," replied Mr. Fogg.
|
||
|
|
||
|
"Passepartout?"
|
||
|
|
||
|
"Present," responded Passepartout.
|
||
|
|
||
|
"Good," said the judge. "You have been looked for, prisoners,
|
||
|
for two days on the trains from Bombay."
|
||
|
|
||
|
"But of what are we accused?" asked Passepartout, impatiently.
|
||
|
|
||
|
"You are about to be informed."
|
||
|
|
||
|
"I am an English subject, sir," said Mr. Fogg, "and I have the right--"
|
||
|
|
||
|
"Have you been ill-treated?"
|
||
|
|
||
|
"Not at all."
|
||
|
|
||
|
"Very well; let the complainants come in."
|
||
|
|
||
|
A door was swung open by order of the judge, and three Indian priests entered.
|
||
|
|
||
|
"That's it," muttered Passepartout; "these are the rogues
|
||
|
who were going to burn our young lady."
|
||
|
|
||
|
The priests took their places in front of the judge, and the clerk
|
||
|
proceeded to read in a loud voice a complaint of sacrilege against
|
||
|
Phileas Fogg and his servant, who were accused of having violated
|
||
|
a place held consecrated by the Brahmin religion.
|
||
|
|
||
|
"You hear the charge?" asked the judge.
|
||
|
|
||
|
"Yes, sir," replied Mr. Fogg, consulting his watch, "and I admit it."
|
||
|
|
||
|
"You admit it?"
|
||
|
|
||
|
"I admit it, and I wish to hear these priests admit, in their turn,
|
||
|
what they were going to do at the pagoda of Pillaji."
|
||
|
|
||
|
The priests looked at each other; they did not seem to understand
|
||
|
what was said.
|
||
|
|
||
|
"Yes," cried Passepartout, warmly; "at the pagoda of Pillaji,
|
||
|
where they were on the point of burning their victim."
|
||
|
|
||
|
The judge stared with astonishment, and the priests were stupefied.
|
||
|
|
||
|
"What victim?" said Judge Obadiah. "Burn whom? In Bombay itself?"
|
||
|
|
||
|
"Bombay?" cried Passepartout.
|
||
|
|
||
|
"Certainly. We are not talking of the pagoda of Pillaji, but of the pagoda
|
||
|
of Malabar Hill, at Bombay."
|
||
|
|
||
|
"And as a proof," added the clerk, "here are the desecrator's very shoes,
|
||
|
which he left behind him."
|
||
|
|
||
|
Whereupon he placed a pair of shoes on his desk.
|
||
|
|
||
|
"My shoes!" cried Passepartout, in his surprise permitting
|
||
|
this imprudent exclamation to escape him.
|
||
|
|
||
|
The confusion of master and man, who had quite forgotten the
|
||
|
affair at Bombay, for which they were now detained at Calcutta,
|
||
|
may be imagined.
|
||
|
|
||
|
Fix the detective, had foreseen the advantage which Passepartout's
|
||
|
escapade gave him, and, delaying his departure for twelve hours,
|
||
|
had consulted the priests of Malabar Hill. Knowing that the English
|
||
|
authorities dealt very severely with this kind of misdemeanour,
|
||
|
he promised them a goodly sum in damages, and sent them forward
|
||
|
to Calcutta by the next train. Owing to the delay caused by the rescue
|
||
|
of the young widow, Fix and the priests reached the Indian capital before
|
||
|
Mr. Fogg and his servant, the magistrates having been already warned
|
||
|
by a dispatch to arrest them should they arrive. Fix's disappointment
|
||
|
when he learned that Phileas Fogg had not made his appearance in Calcutta
|
||
|
may be imagined. He made up his mind that the robber had stopped
|
||
|
somewhere on the route and taken refuge in the southern provinces.
|
||
|
For twenty-four hours Fix watched the station with feverish anxiety;
|
||
|
at last he was rewarded by seeing Mr. Fogg and Passepartout arrive,
|
||
|
accompanied by a young woman, whose presence he was wholly at a loss
|
||
|
to explain. He hastened for a policeman; and this was how the party came
|
||
|
to be arrested and brought before Judge Obadiah.
|
||
|
|
||
|
Had Passepartout been a little less preoccupied, he would have
|
||
|
espied the detective ensconced in a corner of the court-room,
|
||
|
watching the proceedings with an interest easily understood;
|
||
|
for the warrant had failed to reach him at Calcutta,
|
||
|
as it had done at Bombay and Suez.
|
||
|
|
||
|
Judge Obadiah had unfortunately caught Passepartout's rash exclamation,
|
||
|
which the poor fellow would have given the world to recall.
|
||
|
|
||
|
"The facts are admitted?" asked the judge.
|
||
|
|
||
|
"Admitted," replied Mr. Fogg, coldly.
|
||
|
|
||
|
"Inasmuch," resumed the judge, "as the English law protects equally
|
||
|
and sternly the religions of the Indian people, and as the man
|
||
|
Passepartout has admitted that he violated the sacred pagoda of Malabar Hill,
|
||
|
at Bombay, on the 20th of October, I condemn the said Passepartout
|
||
|
to imprisonment for fifteen days and a fine of three hundred pounds."
|
||
|
|
||
|
"Three hundred pounds!" cried Passepartout, startled at the largeness
|
||
|
of the sum.
|
||
|
|
||
|
"Silence!" shouted the constable.
|
||
|
|
||
|
"And inasmuch," continued the judge, "as it is not proved that
|
||
|
the act was not done by the connivance of the master with the servant,
|
||
|
and as the master in any case must be held responsible for the acts
|
||
|
of his paid servant, I condemn Phileas Fogg to a week's imprisonment
|
||
|
and a fine of one hundred and fifty pounds."
|
||
|
|
||
|
Fix rubbed his hands softly with satisfaction; if Phileas Fogg
|
||
|
could be detained in Calcutta a week, it would be more than time
|
||
|
for the warrant to arrive. Passepartout was stupefied. This sentence
|
||
|
ruined his master. A wager of twenty thousand pounds lost, because he,
|
||
|
like a precious fool, had gone into that abominable pagoda!
|
||
|
|
||
|
Phileas Fogg, as self-composed as if the judgment did not
|
||
|
in the least concern him, did not even lift his eyebrows while
|
||
|
it was being pronounced. Just as the clerk was calling the next case,
|
||
|
he rose, and said, "I offer bail."
|
||
|
|
||
|
"You have that right," returned the judge.
|
||
|
|
||
|
Fix's blood ran cold, but he resumed his composure when he heard
|
||
|
the judge announce that the bail required for each prisoner
|
||
|
would be one thousand pounds.
|
||
|
|
||
|
"I will pay it at once," said Mr. Fogg, taking a roll of bank-bills
|
||
|
from the carpet-bag, which Passepartout had by him, and placing them
|
||
|
on the clerk's desk.
|
||
|
|
||
|
"This sum will be restored to you upon your release from prison,"
|
||
|
said the judge. "Meanwhile, you are liberated on bail."
|
||
|
|
||
|
"Come!" said Phileas Fogg to his servant.
|
||
|
|
||
|
"But let them at least give me back my shoes!" cried Passepartout angrily.
|
||
|
|
||
|
"Ah, these are pretty dear shoes!" he muttered, as they were handed to him.
|
||
|
"More than a thousand pounds apiece; besides, they pinch my feet."
|
||
|
|
||
|
Mr. Fogg, offering his arm to Aouda, then departed, followed
|
||
|
by the crestfallen Passepartout. Fix still nourished hopes
|
||
|
that the robber would not, after all, leave the two thousand pounds
|
||
|
behind him, but would decide to serve out his week in jail,
|
||
|
and issued forth on Mr. Fogg's traces. That gentleman took a carriage,
|
||
|
and the party were soon landed on one of the quays.
|
||
|
|
||
|
The Rangoon was moored half a mile off in the harbour, its signal
|
||
|
of departure hoisted at the mast-head. Eleven o'clock was striking;
|
||
|
Mr. Fogg was an hour in advance of time. Fix saw them leave the carriage and
|
||
|
push off in a boat for the steamer, and stamped his feet with disappointment.
|
||
|
|
||
|
"The rascal is off, after all!" he exclaimed. "Two thousand pounds sacrificed!
|
||
|
He's as prodigal as a thief! I'll follow him to the end of the world
|
||
|
if necessary; but, at the rate he is going on, the stolen money will
|
||
|
soon be exhausted."
|
||
|
|
||
|
The detective was not far wrong in making this conjecture.
|
||
|
Since leaving London, what with travelling expenses, bribes,
|
||
|
the purchase of the elephant, bails, and fines, Mr. Fogg
|
||
|
had already spent more than five thousand pounds on the way,
|
||
|
and the percentage of the sum recovered from the bank robber
|
||
|
promised to the detectives, was rapidly diminishing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XVI
|
||
|
|
||
|
IN WHICH FIX DOES NOT SEEM TO UNDERSTAND
|
||
|
IN THE LEAST WHAT IS SAID TO HIM
|
||
|
|
||
|
|
||
|
The Rangoon--one of the Peninsular and Oriental Company's boats
|
||
|
plying in the Chinese and Japanese seas--was a screw steamer,
|
||
|
built of iron, weighing about seventeen hundred and seventy tons,
|
||
|
and with engines of four hundred horse-power. She was as fast,
|
||
|
but not as well fitted up, as the Mongolia, and Aouda was not as
|
||
|
comfortably provided for on board of her as Phileas Fogg could have wished.
|
||
|
However, the trip from Calcutta to Hong Kong only comprised some
|
||
|
three thousand five hundred miles, occupying from ten to twelve days,
|
||
|
and the young woman was not difficult to please.
|
||
|
|
||
|
During the first days of the journey Aouda became better acquainted
|
||
|
with her protector, and constantly gave evidence of her deep gratitude
|
||
|
for what he had done. The phlegmatic gentleman listened to her,
|
||
|
apparently at least, with coldness, neither his voice nor his manner
|
||
|
betraying the slightest emotion; but he seemed to be always on the watch
|
||
|
that nothing should be wanting to Aouda's comfort. He visited her
|
||
|
regularly each day at certain hours, not so much to talk himself,
|
||
|
as to sit and hear her talk. He treated her with the strictest politeness,
|
||
|
but with the precision of an automaton, the movements of which had been
|
||
|
arranged for this purpose. Aouda did not quite know what to make of him,
|
||
|
though Passepartout had given her some hints of his master's eccentricity,
|
||
|
and made her smile by telling her of the wager which was sending him
|
||
|
round the world. After all, she owed Phileas Fogg her life, and she
|
||
|
always regarded him through the exalting medium of her gratitude.
|
||
|
|
||
|
Aouda confirmed the Parsee guide's narrative of her touching history.
|
||
|
She did, indeed, belong to the highest of the native races of India.
|
||
|
Many of the Parsee merchants have made great fortunes there by dealing
|
||
|
in cotton; and one of them, Sir Jametsee Jeejeebhoy, was made a baronet
|
||
|
by the English government. Aouda was a relative of this great man,
|
||
|
and it was his cousin, Jeejeeh, whom she hoped to join at Hong Kong.
|
||
|
Whether she would find a protector in him she could not tell;
|
||
|
but Mr. Fogg essayed to calm her anxieties, and to assure her that
|
||
|
everything would be mathematically--he used the very word--arranged.
|
||
|
Aouda fastened her great eyes, "clear as thee sacred lakes of the Himalaya,"
|
||
|
upon him; but the intractable Fogg, as reserved as ever, did not seem
|
||
|
at all inclined to throw himself into this lake.
|
||
|
|
||
|
The first few days of the voyage passed prosperously, amid favourable
|
||
|
weather and propitious winds, and they soon came in sight of
|
||
|
the great Andaman, the principal of the islands in the Bay of Bengal,
|
||
|
with its picturesque Saddle Peak, two thousand four hundred feet high,
|
||
|
looming above the waters. The steamer passed along near the shores,
|
||
|
but the savage Papuans, who are in the lowest scale of humanity,
|
||
|
but are not, as has been asserted, cannibals, did not make their appearance.
|
||
|
|
||
|
The panorama of the islands, as they steamed by them, was superb.
|
||
|
Vast forests of palms, arecs, bamboo, teakwood, of the gigantic mimosa,
|
||
|
and tree-like ferns covered the foreground, while behind, the graceful outlines
|
||
|
of the mountains were traced against the sky; and along the coasts swarmed
|
||
|
by thousands the precious swallows whose nests furnish a luxurious dish
|
||
|
to the tables of the Celestial Empire. The varied landscape afforded by
|
||
|
the Andaman Islands was soon passed, however, and the Rangoon rapidly
|
||
|
approached the Straits of Malacca, which gave access to the China seas.
|
||
|
|
||
|
What was detective Fix, so unluckily drawn on from country to country,
|
||
|
doing all this while? He had managed to embark on the Rangoon at Calcutta
|
||
|
without being seen by Passepartout, after leaving orders that,
|
||
|
if the warrant should arrive, it should be forwarded to him at Hong Kong;
|
||
|
and he hoped to conceal his presence to the end of the voyage.
|
||
|
It would have been difficult to explain why he was on board
|
||
|
without awakening Passepartout's suspicions, who thought him still at Bombay.
|
||
|
But necessity impelled him, nevertheless, to renew his acquaintance
|
||
|
with the worthy servant, as will be seen.
|
||
|
|
||
|
All the detective's hopes and wishes were now centred on Hong Kong;
|
||
|
for the steamer's stay at Singapore would be too brief to enable
|
||
|
him to take any steps there. The arrest must be made at Hong Kong,
|
||
|
or the robber would probably escape him for ever. Hong Kong was
|
||
|
the last English ground on which he would set foot; beyond, China,
|
||
|
Japan, America offered to Fogg an almost certain refuge.
|
||
|
If the warrant should at last make its appearance at Hong Kong,
|
||
|
Fix could arrest him and give him into the hands of the local police,
|
||
|
and there would be no further trouble. But beyond Hong Kong,
|
||
|
a simple warrant would be of no avail; an extradition warrant
|
||
|
would be necessary, and that would result in delays and obstacles,
|
||
|
of which the rascal would take advantage to elude justice.
|
||
|
|
||
|
Fix thought over these probabilities during the long hours
|
||
|
which he spent in his cabin, and kept repeating to himself,
|
||
|
"Now, either the warrant will be at Hong Kong, in which case
|
||
|
I shall arrest my man, or it will not be there; and this time
|
||
|
it is absolutely necessary that I should delay his departure.
|
||
|
I have failed at Bombay, and I have failed at Calcutta; if I fail
|
||
|
at Hong Kong, my reputation is lost: Cost what it may, I must succeed!
|
||
|
But how shall I prevent his departure, if that should turn out to be
|
||
|
my last resource?"
|
||
|
|
||
|
Fix made up his mind that, if worst came to worst, he would make
|
||
|
a confidant of Passepartout, and tell him what kind of a fellow
|
||
|
his master really was. That Passepartout was not Fogg's accomplice,
|
||
|
he was very certain. The servant, enlightened by his disclosure,
|
||
|
and afraid of being himself implicated in the crime, would doubtless
|
||
|
become an ally of the detective. But this method was a dangerous one,
|
||
|
only to be employed when everything else had failed. A word from
|
||
|
Passepartout to his master would ruin all. The detective was therefore
|
||
|
in a sore strait. But suddenly a new idea struck him. The presence
|
||
|
of Aouda on the Rangoon, in company with Phileas Fogg, gave him
|
||
|
new material for reflection.
|
||
|
|
||
|
Who was this woman? What combination of events had made her Fogg's
|
||
|
travelling companion? They had evidently met somewhere between Bombay
|
||
|
and Calcutta; but where? Had they met accidentally, or had Fogg gone
|
||
|
into the interior purposely in quest of this charming damsel?
|
||
|
Fix was fairly puzzled. He asked himself whether there had not
|
||
|
been a wicked elopement; and this idea so impressed itself
|
||
|
upon his mind that he determined to make use of the supposed intrigue.
|
||
|
Whether the young woman were married or not, he would be able to create
|
||
|
such difficulties for Mr. Fogg at Hong Kong that he could not escape
|
||
|
by paying any amount of money.
|
||
|
|
||
|
But could he even wait till they reached Hong Kong? Fogg had an
|
||
|
abominable way of jumping from one boat to another, and, before anything
|
||
|
could be effected, might get full under way again for Yokohama.
|
||
|
|
||
|
Fix decided that he must warn the English authorities, and signal
|
||
|
the Rangoon before her arrival. This was easy to do, since the steamer
|
||
|
stopped at Singapore, whence there is a telegraphic wire to Hong Kong.
|
||
|
He finally resolved, moreover, before acting more positively,
|
||
|
to question Passepartout. It would not be difficult to make him talk;
|
||
|
and, as there was no time to lose, Fix prepared to make himself known.
|
||
|
|
||
|
It was now the 30th of October, and on the following day the Rangoon
|
||
|
was due at Singapore.
|
||
|
|
||
|
Fix emerged from his cabin and went on deck. Passepartout was
|
||
|
promenading up and down in the forward part of the steamer.
|
||
|
The detective rushed forward with every appearance of extreme
|
||
|
surprise, and exclaimed, "You here, on the Rangoon?"
|
||
|
|
||
|
"What, Monsieur Fix, are you on board?" returned the really
|
||
|
astonished Passepartout, recognising his crony of the Mongolia.
|
||
|
"Why, I left you at Bombay, and here you are, on the way to Hong Kong!
|
||
|
Are you going round the world too?"
|
||
|
|
||
|
"No, no," replied Fix; "I shall stop at Hong Kong--at least for some days."
|
||
|
|
||
|
"Hum!" said Passepartout, who seemed for an instant perplexed.
|
||
|
"But how is it I have not seen you on board since we left Calcutta?"
|
||
|
|
||
|
"Oh, a trifle of sea-sickness--I've been staying in my berth.
|
||
|
The Gulf of Bengal does not agree with me as well as the Indian Ocean.
|
||
|
And how is Mr. Fogg?"
|
||
|
|
||
|
"As well and as punctual as ever, not a day behind time!
|
||
|
But, Monsieur Fix, you don't know that we have a young lady with us."
|
||
|
|
||
|
"A young lady?" replied the detective, not seeming to comprehend
|
||
|
what was said.
|
||
|
|
||
|
Passepartout thereupon recounted Aouda's history, the affair
|
||
|
at the Bombay pagoda, the purchase of the elephant for
|
||
|
two thousand pounds, the rescue, the arrest, and sentence
|
||
|
of the Calcutta court, and the restoration of Mr. Fogg
|
||
|
and himself to liberty on bail. Fix, who was familiar
|
||
|
with the last events, seemed to be equally ignorant of all
|
||
|
that Passepartout related; and the later was charmed
|
||
|
to find so interested a listener.
|
||
|
|
||
|
"But does your master propose to carry this young woman to Europe?"
|
||
|
|
||
|
"Not at all. We are simply going to place her under the protection
|
||
|
of one of her relatives, a rich merchant at Hong Kong."
|
||
|
|
||
|
"Nothing to be done there," said Fix to himself, concealing his disappointment.
|
||
|
"A glass of gin, Mr. Passepartout?"
|
||
|
|
||
|
"Willingly, Monsieur Fix. We must at least have a friendly glass
|
||
|
on board the Rangoon."
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XVII
|
||
|
|
||
|
SHOWING WHAT HAPPENED ON THE VOYAGE FROM SINGAPORE TO HONG KONG
|
||
|
|
||
|
|
||
|
The detective and Passepartout met often on deck after this interview,
|
||
|
though Fix was reserved, and did not attempt to induce his companion
|
||
|
to divulge any more facts concerning Mr. Fogg. He caught a glimpse
|
||
|
of that mysterious gentleman once or twice; but Mr. Fogg usually confined
|
||
|
himself to the cabin, where he kept Aouda company, or, according to his
|
||
|
inveterate habit, took a hand at whist.
|
||
|
|
||
|
Passepartout began very seriously to conjecture what strange
|
||
|
chance kept Fix still on the route that his master was pursuing.
|
||
|
It was really worth considering why this certainly very amiable
|
||
|
and complacent person, whom he had first met at Suez, had then
|
||
|
encountered on board the Mongolia, who disembarked at Bombay,
|
||
|
which he announced as his destination, and now turned up so
|
||
|
unexpectedly on the Rangoon, was following Mr. Fogg's tracks step
|
||
|
by step. What was Fix's object? Passepartout was ready to wager his
|
||
|
Indian shoes--which he religiously preserved--that Fix would also leave
|
||
|
Hong Kong at the same time with them, and probably on the same steamer.
|
||
|
|
||
|
Passepartout might have cudgelled his brain for a century without
|
||
|
hitting upon the real object which the detective had in view.
|
||
|
He never could have imagined that Phileas Fogg was being tracked
|
||
|
as a robber around the globe. But, as it is in human nature to attempt
|
||
|
the solution of every mystery, Passepartout suddenly discovered
|
||
|
an explanation of Fix's movements, which was in truth far from unreasonable.
|
||
|
Fix, he thought, could only be an agent of Mr. Fogg's friends
|
||
|
at the Reform Club, sent to follow him up, and to ascertain
|
||
|
that he really went round the world as had been agreed upon.
|
||
|
|
||
|
"It's clear!" repeated the worthy servant to himself, proud of his shrewdness.
|
||
|
"He's a spy sent to keep us in view! That isn't quite the thing, either,
|
||
|
to be spying Mr. Fogg, who is so honourable a man! Ah, gentlemen of the Reform,
|
||
|
this shall cost you dear!"
|
||
|
|
||
|
Passepartout, enchanted with his discovery, resolved to say
|
||
|
nothing to his master, lest he should be justly offended at this
|
||
|
mistrust on the part of his adversaries. But he determined
|
||
|
to chaff Fix, when he had the chance, with mysterious allusions,
|
||
|
which, however, need not betray his real suspicions.
|
||
|
|
||
|
During the afternoon of Wednesday, 30th October, the Rangoon
|
||
|
entered the Strait of Malacca, which separates the peninsula
|
||
|
of that name from Sumatra. The mountainous and craggy islets
|
||
|
intercepted the beauties of this noble island from the view
|
||
|
of the travellers. The Rangoon weighed anchor at Singapore the next day
|
||
|
at four a.m., to receive coal, having gained half a day on the prescribed
|
||
|
time of her arrival. Phileas Fogg noted this gain in his journal, and then,
|
||
|
accompanied by Aouda, who betrayed a desire for a walk on shore, disembarked.
|
||
|
|
||
|
Fix, who suspected Mr. Fogg's every movement, followed them cautiously,
|
||
|
without being himself perceived; while Passepartout, laughing in his sleeve
|
||
|
at Fix's manoeuvres, went about his usual errands.
|
||
|
|
||
|
The island of Singapore is not imposing in aspect, for there are
|
||
|
no mountains; yet its appearance is not without attractions.
|
||
|
It is a park checkered by pleasant highways and avenues.
|
||
|
A handsome carriage, drawn by a sleek pair of New Holland horses,
|
||
|
carried Phileas Fogg and Aouda into the midst of rows of palms
|
||
|
with brilliant foliage, and of clove-trees, whereof the cloves
|
||
|
form the heart of a half-open flower. Pepper plants replaced
|
||
|
the prickly hedges of European fields; sago-bushes, large ferns
|
||
|
with gorgeous branches, varied the aspect of this tropical clime;
|
||
|
while nutmeg-trees in full foliage filled the air with a penetrating perfume.
|
||
|
Agile and grinning bands of monkeys skipped about in the trees, nor were tigers
|
||
|
wanting in the jungles.
|
||
|
|
||
|
After a drive of two hours through the country, Aouda and Mr. Fogg
|
||
|
returned to the town, which is a vast collection of heavy-looking,
|
||
|
irregular houses, surrounded by charming gardens rich in tropical fruits
|
||
|
and plants; and at ten o'clock they re-embarked, closely followed by
|
||
|
the detective, who had kept them constantly in sight.
|
||
|
|
||
|
Passepartout, who had been purchasing several dozen mangoes--
|
||
|
a fruit as large as good-sized apples, of a dark-brown colour
|
||
|
outside and a bright red within, and whose white pulp, melting in
|
||
|
the mouth, affords gourmands a delicious sensation--was waiting
|
||
|
for them on deck. He was only too glad to offer some mangoes
|
||
|
to Aouda, who thanked him very gracefully for them.
|
||
|
|
||
|
At eleven o'clock the Rangoon rode out of Singapore harbour,
|
||
|
and in a few hours the high mountains of Malacca, with their forests,
|
||
|
inhabited by the most beautifully-furred tigers in the world,
|
||
|
were lost to view. Singapore is distant some thirteen hundred miles
|
||
|
from the island of Hong Kong, which is a little English colony
|
||
|
near the Chinese coast. Phileas Fogg hoped to accomplish the journey
|
||
|
in six days, so as to be in time for the steamer which would leave
|
||
|
on the 6th of November for Yokohama, the principal Japanese port.
|
||
|
|
||
|
The Rangoon had a large quota of passengers, many of whom disembarked
|
||
|
at Singapore, among them a number of Indians, Ceylonese, Chinamen,
|
||
|
Malays, and Portuguese, mostly second-class travellers.
|
||
|
|
||
|
The weather, which had hitherto been fine, changed with the
|
||
|
last quarter of the moon. The sea rolled heavily, and the wind
|
||
|
at intervals rose almost to a storm, but happily blew from
|
||
|
the south-west, and thus aided the steamer's progress.
|
||
|
The captain as often as possible put up his sails,
|
||
|
and under the double action of steam and sail the vessel made
|
||
|
rapid progress along the coasts of Anam and Cochin China.
|
||
|
Owing to the defective construction of the Rangoon, however,
|
||
|
unusual precautions became necessary in unfavourable weather;
|
||
|
but the loss of time which resulted from this cause, while it
|
||
|
nearly drove Passepartout out of his senses, did not seem
|
||
|
to affect his master in the least. Passepartout blamed the captain,
|
||
|
the engineer, and the crew, and consigned all who were connected
|
||
|
with the ship to the land where the pepper grows. Perhaps the thought
|
||
|
of the gas, which was remorselessly burning at his expense in Saville Row,
|
||
|
had something to do with his hot impatience.
|
||
|
|
||
|
"You are in a great hurry, then," said Fix to him one day, "to reach Hong Kong?"
|
||
|
|
||
|
"A very great hurry!"
|
||
|
|
||
|
"Mr. Fogg, I suppose, is anxious to catch the steamer for Yokohama?"
|
||
|
|
||
|
"Terribly anxious."
|
||
|
|
||
|
"You believe in this journey around the world, then?"
|
||
|
|
||
|
"Absolutely. Don't you, Mr. Fix?"
|
||
|
|
||
|
"I? I don't believe a word of it."
|
||
|
|
||
|
"You're a sly dog!" said Passepartout, winking at him.
|
||
|
|
||
|
This expression rather disturbed Fix, without his knowing why.
|
||
|
Had the Frenchman guessed his real purpose? He knew not what
|
||
|
to think. But how could Passepartout have discovered that he
|
||
|
was a detective? Yet, in speaking as he did, the man evidently
|
||
|
meant more than he expressed.
|
||
|
|
||
|
Passepartout went still further the next day; he could not hold his tongue.
|
||
|
|
||
|
"Mr. Fix," said he, in a bantering tone, "shall we be so unfortunate
|
||
|
as to lose you when we get to Hong Kong?"
|
||
|
|
||
|
"Why," responded Fix, a little embarrassed, "I don't know; perhaps--"
|
||
|
|
||
|
"Ah, if you would only go on with us! An agent of the Peninsular Company,
|
||
|
you know, can't stop on the way! You were only going to Bombay,
|
||
|
and here you are in China. America is not far off, and from America
|
||
|
to Europe is only a step."
|
||
|
|
||
|
Fix looked intently at his companion, whose countenance was
|
||
|
as serene as possible, and laughed with him. But Passepartout
|
||
|
persisted in chaffing him by asking him if he made much by his
|
||
|
present occupation.
|
||
|
|
||
|
"Yes, and no," returned Fix; "there is good and bad luck in such things.
|
||
|
But you must understand that I don't travel at my own expense."
|
||
|
|
||
|
"Oh, I am quite sure of that!" cried Passepartout, laughing heartily.
|
||
|
|
||
|
Fix, fairly puzzled, descended to his cabin and gave himself
|
||
|
up to his reflections. He was evidently suspected; somehow
|
||
|
or other the Frenchman had found out that he was a detective.
|
||
|
But had he told his master? What part was he playing in all this:
|
||
|
was he an accomplice or not? Was the game, then, up? Fix spent
|
||
|
several hours turning these things over in his mind, sometimes
|
||
|
thinking that all was lost, then persuading himself that Fogg
|
||
|
was ignorant of his presence, and then undecided what course
|
||
|
it was best to take.
|
||
|
|
||
|
Nevertheless, he preserved his coolness of mind, and at last
|
||
|
resolved to deal plainly with Passepartout. If he did not find it
|
||
|
practicable to arrest Fogg at Hong Kong, and if Fogg made preparations
|
||
|
to leave that last foothold of English territory, he, Fix, would tell
|
||
|
Passepartout all. Either the servant was the accomplice of his master,
|
||
|
and in this case the master knew of his operations, and he should fail;
|
||
|
or else the servant knew nothing about the robbery, and then his interest
|
||
|
would be to abandon the robber.
|
||
|
|
||
|
Such was the situation between Fix and Passepartout. Meanwhile Phileas Fogg
|
||
|
moved about above them in the most majestic and unconscious indifference.
|
||
|
He was passing methodically in his orbit around the world, regardless of
|
||
|
the lesser stars which gravitated around him. Yet there was near by what
|
||
|
the astronomers would call a disturbing star, which might have produced
|
||
|
an agitation in this gentleman's heart. But no! the charms of Aouda
|
||
|
failed to act, to Passepartout's great surprise; and the disturbances,
|
||
|
if they existed, would have been more difficult to calculate than those
|
||
|
of Uranus which led to the discovery of Neptune.
|
||
|
|
||
|
It was every day an increasing wonder to Passepartout, who read
|
||
|
in Aouda's eyes the depths of her gratitude to his master.
|
||
|
Phileas Fogg, though brave and gallant, must be, he thought,
|
||
|
quite heartless. As to the sentiment which this journey might
|
||
|
have awakened in him, there was clearly no trace of such a thing;
|
||
|
while poor Passepartout existed in perpetual reveries.
|
||
|
|
||
|
One day he was leaning on the railing of the engine-room,
|
||
|
and was observing the engine, when a sudden pitch of the steamer
|
||
|
threw the screw out of the water. The steam came hissing out
|
||
|
of the valves; and this made Passepartout indignant.
|
||
|
|
||
|
"The valves are not sufficiently charged!" he exclaimed. "We are
|
||
|
not going. Oh, these English! If this was an American craft,
|
||
|
we should blow up, perhaps, but we should at all events go faster!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XVIII
|
||
|
|
||
|
IN WHICH PHILEAS FOGG, PASSEPARTOUT, AND FIX GO EACH ABOUT HIS BUSINESS
|
||
|
|
||
|
|
||
|
The weather was bad during the latter days of the voyage.
|
||
|
The wind, obstinately remaining in the north-west, blew a gale,
|
||
|
and retarded the steamer. The Rangoon rolled heavily and the
|
||
|
passengers became impatient of the long, monstrous waves which
|
||
|
the wind raised before their path. A sort of tempest arose on
|
||
|
the 3rd of November, the squall knocking the vessel about with fury,
|
||
|
and the waves running high. The Rangoon reefed all her sails, and even
|
||
|
the rigging proved too much, whistling and shaking amid the squall.
|
||
|
The steamer was forced to proceed slowly, and the captain estimated
|
||
|
that she would reach Hong Kong twenty hours behind time, and more
|
||
|
if the storm lasted.
|
||
|
|
||
|
Phileas Fogg gazed at the tempestuous sea, which seemed to be struggling
|
||
|
especially to delay him, with his habitual tranquillity. He never changed
|
||
|
countenance for an instant, though a delay of twenty hours, by making him
|
||
|
too late for the Yokohama boat, would almost inevitably cause the loss
|
||
|
of the wager. But this man of nerve manifested neither impatience
|
||
|
nor annoyance; it seemed as if the storm were a part of his programme,
|
||
|
and had been foreseen. Aouda was amazed to find him as calm as he had been
|
||
|
from the first time she saw him.
|
||
|
|
||
|
Fix did not look at the state of things in the same light.
|
||
|
The storm greatly pleased him. His satisfaction would have
|
||
|
been complete had the Rangoon been forced to retreat before
|
||
|
the violence of wind and waves. Each delay filled him with hope,
|
||
|
for it became more and more probable that Fogg would be obliged
|
||
|
to remain some days at Hong Kong; and now the heavens themselves
|
||
|
became his allies, with the gusts and squalls. It mattered not
|
||
|
that they made him sea-sick--he made no account of this inconvenience;
|
||
|
and, whilst his body was writhing under their effects, his spirit bounded
|
||
|
with hopeful exultation.
|
||
|
|
||
|
Passepartout was enraged beyond expression by the unpropitious weather.
|
||
|
Everything had gone so well till now! Earth and sea had seemed to be
|
||
|
at his master's service; steamers and railways obeyed him; wind and steam
|
||
|
united to speed his journey. Had the hour of adversity come?
|
||
|
Passepartout was as much excited as if the twenty thousand pounds
|
||
|
were to come from his own pocket. The storm exasperated him,
|
||
|
the gale made him furious, and he longed to lash the obstinate sea
|
||
|
into obedience. Poor fellow! Fix carefully concealed from him
|
||
|
his own satisfaction, for, had he betrayed it, Passepartout could
|
||
|
scarcely have restrained himself from personal violence.
|
||
|
|
||
|
Passepartout remained on deck as long as the tempest lasted,
|
||
|
being unable to remain quiet below, and taking it into his head
|
||
|
to aid the progress of the ship by lending a hand with the crew.
|
||
|
He overwhelmed the captain, officers, and sailors, who could not
|
||
|
help laughing at his impatience, with all sorts of questions.
|
||
|
He wanted to know exactly how long the storm was going to last;
|
||
|
whereupon he was referred to the barometer, which seemed to have
|
||
|
no intention of rising. Passepartout shook it, but with no
|
||
|
perceptible effect; for neither shaking nor maledictions
|
||
|
could prevail upon it to change its mind.
|
||
|
|
||
|
On the 4th, however, the sea became more calm, and the storm
|
||
|
lessened its violence; the wind veered southward, and was once
|
||
|
more favourable. Passepartout cleared up with the weather.
|
||
|
Some of the sails were unfurled, and the Rangoon resumed its
|
||
|
most rapid speed. The time lost could not, however, be regained.
|
||
|
Land was not signalled until five o'clock on the morning of the 6th;
|
||
|
the steamer was due on the 5th. Phileas Fogg was twenty-four hours
|
||
|
behind-hand, and the Yokohama steamer would, of course, be missed.
|
||
|
|
||
|
The pilot went on board at six, and took his place on the bridge,
|
||
|
to guide the Rangoon through the channels to the port of Hong Kong.
|
||
|
Passepartout longed to ask him if the steamer had left for Yokohama;
|
||
|
but he dared not, for he wished to preserve the spark of hope,
|
||
|
which still remained till the last moment. He had confided
|
||
|
his anxiety to Fix who--the sly rascal!--tried to console him
|
||
|
by saying that Mr. Fogg would be in time if he took the next boat;
|
||
|
but this only put Passepartout in a passion.
|
||
|
|
||
|
Mr. Fogg, bolder than his servant, did not hesitate to approach the pilot,
|
||
|
and tranquilly ask him if he knew when a steamer would leave Hong Kong
|
||
|
for Yokohama.
|
||
|
|
||
|
"At high tide to-morrow morning," answered the pilot.
|
||
|
|
||
|
"Ah!" said Mr. Fogg, without betraying any astonishment.
|
||
|
|
||
|
Passepartout, who heard what passed, would willingly have embraced the pilot,
|
||
|
while Fix would have been glad to twist his neck.
|
||
|
|
||
|
"What is the steamer's name?" asked Mr. Fogg.
|
||
|
|
||
|
"The Carnatic."
|
||
|
|
||
|
"Ought she not to have gone yesterday?"
|
||
|
|
||
|
"Yes, sir; but they had to repair one of her boilers,
|
||
|
and so her departure was postponed till to-morrow."
|
||
|
|
||
|
"Thank you," returned Mr. Fogg, descending mathematically to the saloon.
|
||
|
|
||
|
Passepartout clasped the pilot's hand and shook it heartily in his delight,
|
||
|
exclaiming, "Pilot, you are the best of good fellows!"
|
||
|
|
||
|
The pilot probably does not know to this day why his responses
|
||
|
won him this enthusiastic greeting. He remounted the bridge,
|
||
|
and guided the steamer through the flotilla of junks,
|
||
|
tankas, and fishing boats which crowd the harbour of Hong Kong.
|
||
|
|
||
|
At one o'clock the Rangoon was at the quay, and the passengers
|
||
|
were going ashore.
|
||
|
|
||
|
Chance had strangely favoured Phileas Fogg, for had not the
|
||
|
Carnatic been forced to lie over for repairing her boilers,
|
||
|
she would have left on the 6th of November, and the passengers
|
||
|
for Japan would have been obliged to await for a week the sailing
|
||
|
of the next steamer. Mr. Fogg was, it is true, twenty-four hours
|
||
|
behind his time; but this could not seriously imperil the
|
||
|
remainder of his tour.
|
||
|
|
||
|
The steamer which crossed the Pacific from Yokohama to San Francisco
|
||
|
made a direct connection with that from Hong Kong, and it could not sail
|
||
|
until the latter reached Yokohama; and if Mr. Fogg was twenty-four hours
|
||
|
late on reaching Yokohama, this time would no doubt be easily regained
|
||
|
in the voyage of twenty-two days across the Pacific. He found himself,
|
||
|
then, about twenty-four hours behind-hand, thirty-five days
|
||
|
after leaving London.
|
||
|
|
||
|
The Carnatic was announced to leave Hong Kong at five the next morning.
|
||
|
Mr. Fogg had sixteen hours in which to attend to his business there,
|
||
|
which was to deposit Aouda safely with her wealthy relative.
|
||
|
|
||
|
On landing, he conducted her to a palanquin, in which they
|
||
|
repaired to the Club Hotel. A room was engaged for the young woman,
|
||
|
and Mr. Fogg, after seeing that she wanted for nothing, set out in search
|
||
|
of her cousin Jeejeeh. He instructed Passepartout to remain at the hotel
|
||
|
until his return, that Aouda might not be left entirely alone.
|
||
|
|
||
|
Mr. Fogg repaired to the Exchange, where, he did not doubt,
|
||
|
every one would know so wealthy and considerable a personage
|
||
|
as the Parsee merchant. Meeting a broker, he made the inquiry,
|
||
|
to learn that Jeejeeh had left China two years before, and, retiring
|
||
|
from business with an immense fortune, had taken up his residence
|
||
|
in Europe--in Holland the broker thought, with the merchants
|
||
|
of which country he had principally traded. Phileas Fogg returned
|
||
|
to the hotel, begged a moment's conversation with Aouda, and without
|
||
|
more ado, apprised her that Jeejeeh was no longer at Hong Kong,
|
||
|
but probably in Holland.
|
||
|
|
||
|
Aouda at first said nothing. She passed her hand across her forehead,
|
||
|
and reflected a few moments. Then, in her sweet, soft voice, she said:
|
||
|
"What ought I to do, Mr. Fogg?"
|
||
|
|
||
|
"It is very simple," responded the gentleman. "Go on to Europe."
|
||
|
|
||
|
"But I cannot intrude--"
|
||
|
|
||
|
"You do not intrude, nor do you in the least embarrass my project.
|
||
|
Passepartout!"
|
||
|
|
||
|
"Monsieur."
|
||
|
|
||
|
"Go to the Carnatic, and engage three cabins."
|
||
|
|
||
|
Passepartout, delighted that the young woman, who was very gracious to him,
|
||
|
was going to continue the journey with them, went off at a brisk gait
|
||
|
to obey his master's order.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XIX
|
||
|
|
||
|
IN WHICH PASSEPARTOUT TAKES A TOO GREAT INTEREST IN HIS MASTER,
|
||
|
AND WHAT COMES OF IT
|
||
|
|
||
|
Hong Kong is an island which came into the possession of the
|
||
|
English by the Treaty of Nankin, after the war of 1842;
|
||
|
and the colonising genius of the English has created upon it
|
||
|
an important city and an excellent port. The island is situated
|
||
|
at the mouth of the Canton River, and is separated by about sixty miles
|
||
|
from the Portuguese town of Macao, on the opposite coast. Hong Kong
|
||
|
has beaten Macao in the struggle for the Chinese trade, and now
|
||
|
the greater part of the transportation of Chinese goods finds
|
||
|
its depot at the former place. Docks, hospitals, wharves,
|
||
|
a Gothic cathedral, a government house, macadamised streets,
|
||
|
give to Hong Kong the appearance of a town in Kent or Surrey
|
||
|
transferred by some strange magic to the antipodes.
|
||
|
|
||
|
Passepartout wandered, with his hands in his pockets, towards the
|
||
|
Victoria port, gazing as he went at the curious palanquins
|
||
|
and other modes of conveyance, and the groups of Chinese, Japanese,
|
||
|
and Europeans who passed to and fro in the streets. Hong Kong seemed
|
||
|
to him not unlike Bombay, Calcutta, and Singapore, since, like them,
|
||
|
it betrayed everywhere the evidence of English supremacy.
|
||
|
At the Victoria port he found a confused mass of ships of all nations:
|
||
|
English, French, American, and Dutch, men-of-war and trading vessels,
|
||
|
Japanese and Chinese junks, sempas, tankas, and flower-boats,
|
||
|
which formed so many floating parterres. Passepartout noticed
|
||
|
in the crowd a number of the natives who seemed very old
|
||
|
and were dressed in yellow. On going into a barber's
|
||
|
to get shaved he learned that these ancient men were all
|
||
|
at least eighty years old, at which age they are permitted
|
||
|
to wear yellow, which is the Imperial colour. Passepartout,
|
||
|
without exactly knowing why, thought this very funny.
|
||
|
|
||
|
On reaching the quay where they were to embark on the Carnatic,
|
||
|
he was not astonished to find Fix walking up and down.
|
||
|
The detective seemed very much disturbed and disappointed.
|
||
|
|
||
|
"This is bad," muttered Passepartout, "for the gentlemen of
|
||
|
the Reform Club!" He accosted Fix with a merry smile, as if he
|
||
|
had not perceived that gentleman's chagrin. The detective had, indeed,
|
||
|
good reasons to inveigh against the bad luck which pursued him.
|
||
|
The warrant had not come! It was certainly on the way,
|
||
|
but as certainly it could not now reach Hong Kong for several days;
|
||
|
and, this being the last English territory on Mr. Fogg's route,
|
||
|
the robber would escape, unless he could manage to detain him.
|
||
|
|
||
|
"Well, Monsieur Fix," said Passepartout, "have you decided to go with us
|
||
|
so far as America?"
|
||
|
|
||
|
"Yes," returned Fix, through his set teeth.
|
||
|
|
||
|
"Good!" exclaimed Passepartout, laughing heartily.
|
||
|
"I knew you could not persuade yourself to separate from us.
|
||
|
Come and engage your berth."
|
||
|
|
||
|
They entered the steamer office and secured cabins for four persons.
|
||
|
The clerk, as he gave them the tickets, informed them that,
|
||
|
the repairs on the Carnatic having been completed, the steamer
|
||
|
would leave that very evening, and not next morning, as had been announced.
|
||
|
|
||
|
"That will suit my master all the better," said Passepartout.
|
||
|
"I will go and let him know."
|
||
|
|
||
|
Fix now decided to make a bold move; he resolved to tell Passepartout all.
|
||
|
It seemed to be the only possible means of keeping Phileas Fogg several days
|
||
|
longer at Hong Kong. He accordingly invited his companion into a tavern
|
||
|
which caught his eye on the quay. On entering, they found themselves
|
||
|
in a large room handsomely decorated, at the end of which was a large
|
||
|
camp-bed furnished with cushions. Several persons lay upon this bed
|
||
|
in a deep sleep. At the small tables which were arranged about the room
|
||
|
some thirty customers were drinking English beer, porter, gin, and brandy;
|
||
|
smoking, the while, long red clay pipes stuffed with little balls of opium
|
||
|
mingled with essence of rose. From time to time one of the smokers,
|
||
|
overcome with the narcotic, would slip under the table, whereupon the waiters,
|
||
|
taking him by the head and feet, carried and laid him upon the bed.
|
||
|
The bed already supported twenty of these stupefied sots.
|
||
|
|
||
|
Fix and Passepartout saw that they were in a smoking-house haunted
|
||
|
by those wretched, cadaverous, idiotic creatures to whom the English
|
||
|
merchants sell every year the miserable drug called opium,
|
||
|
to the amount of one million four hundred thousand pounds--
|
||
|
thousands devoted to one of the most despicable vices
|
||
|
which afflict humanity! The Chinese government has in vain
|
||
|
attempted to deal with the evil by stringent laws. It passed
|
||
|
gradually from the rich, to whom it was at first exclusively reserved,
|
||
|
to the lower classes, and then its ravages could not be arrested.
|
||
|
Opium is smoked everywhere, at all times, by men and women,
|
||
|
in the Celestial Empire; and, once accustomed to it, the victims
|
||
|
cannot dispense with it, except by suffering horrible bodily contortions
|
||
|
and agonies. A great smoker can smoke as many as eight pipes a day;
|
||
|
but he dies in five years. It was in one of these dens that Fix
|
||
|
and Passepartout, in search of a friendly glass, found themselves.
|
||
|
Passepartout had no money, but willingly accepted Fix's invitation
|
||
|
in the hope of returning the obligation at some future time.
|
||
|
|
||
|
They ordered two bottles of port, to which the Frenchman did ample justice,
|
||
|
whilst Fix observed him with close attention. They chatted about the journey,
|
||
|
and Passepartout was especially merry at the idea that Fix was going to
|
||
|
continue it with them. When the bottles were empty, however,
|
||
|
he rose to go and tell his master of the change in the time
|
||
|
of the sailing of the Carnatic.
|
||
|
|
||
|
Fix caught him by the arm, and said, "Wait a moment."
|
||
|
|
||
|
"What for, Mr. Fix?"
|
||
|
|
||
|
"I want to have a serious talk with you."
|
||
|
|
||
|
"A serious talk!" cried Passepartout, drinking up the little wine
|
||
|
that was left in the bottom of his glass. "Well, we'll talk
|
||
|
about it to-morrow; I haven't time now."
|
||
|
|
||
|
"Stay! What I have to say concerns your master."
|
||
|
|
||
|
Passepartout, at this, looked attentively at his companion.
|
||
|
Fix's face seemed to have a singular expression. He resumed his seat.
|
||
|
|
||
|
"What is it that you have to say?"
|
||
|
|
||
|
Fix placed his hand upon Passepartout's arm, and,
|
||
|
lowering his voice, said, "You have guessed who I am?"
|
||
|
|
||
|
"Parbleu!" said Passepartout, smiling.
|
||
|
|
||
|
"Then I'm going to tell you everything--"
|
||
|
|
||
|
"Now that I know everything, my friend! Ah! that's very good.
|
||
|
But go on, go on. First, though, let me tell you that those
|
||
|
gentlemen have put themselves to a useless expense."
|
||
|
|
||
|
"Useless!" said Fix. "You speak confidently. It's clear that
|
||
|
you don't know how large the sum is."
|
||
|
|
||
|
"Of course I do," returned Passepartout. "Twenty thousand pounds."
|
||
|
|
||
|
"Fifty-five thousand!" answered Fix, pressing his companion's hand.
|
||
|
|
||
|
"What!" cried the Frenchman. "Has Monsieur Fogg dared--
|
||
|
fifty-five thousand pounds! Well, there's all the more reason
|
||
|
for not losing an instant," he continued, getting up hastily.
|
||
|
|
||
|
Fix pushed Passepartout back in his chair, and resumed:
|
||
|
"Fifty-five thousand pounds; and if I succeed, I get two thousand pounds.
|
||
|
If you'll help me, I'll let you have five hundred of them."
|
||
|
|
||
|
"Help you?" cried Passepartout, whose eyes were standing wide open.
|
||
|
|
||
|
"Yes; help me keep Mr. Fogg here for two or three days."
|
||
|
|
||
|
"Why, what are you saying? Those gentlemen are not satisfied
|
||
|
with following my master and suspecting his honour, but they must
|
||
|
try to put obstacles in his way! I blush for them!"
|
||
|
|
||
|
"What do you mean?"
|
||
|
|
||
|
"I mean that it is a piece of shameful trickery. They might
|
||
|
as well waylay Mr. Fogg and put his money in their pockets!"
|
||
|
|
||
|
"That's just what we count on doing."
|
||
|
|
||
|
"It's a conspiracy, then," cried Passepartout, who became more
|
||
|
and more excited as the liquor mounted in his head, for he drank
|
||
|
without perceiving it. "A real conspiracy! And gentlemen, too. Bah!"
|
||
|
|
||
|
Fix began to be puzzled.
|
||
|
|
||
|
"Members of the Reform Club!" continued Passepartout. "You must know,
|
||
|
Monsieur Fix, that my master is an honest man, and that,
|
||
|
when he makes a wager, he tries to win it fairly!"
|
||
|
|
||
|
"But who do you think I am?" asked Fix, looking at him intently.
|
||
|
|
||
|
"Parbleu! An agent of the members of the Reform Club, sent out here
|
||
|
to interrupt my master's journey. But, though I found you out some time ago,
|
||
|
I've taken good care to say nothing about it to Mr. Fogg."
|
||
|
|
||
|
"He knows nothing, then?"
|
||
|
|
||
|
"Nothing," replied Passepartout, again emptying his glass.
|
||
|
|
||
|
The detective passed his hand across his forehead, hesitating before
|
||
|
he spoke again. What should he do? Passepartout's mistake seemed sincere,
|
||
|
but it made his design more difficult. It was evident that the servant
|
||
|
was not the master's accomplice, as Fix had been inclined to suspect.
|
||
|
|
||
|
"Well," said the detective to himself, "as he is not an accomplice,
|
||
|
he will help me."
|
||
|
|
||
|
He had no time to lose: Fogg must be detained at Hong Kong,
|
||
|
so he resolved to make a clean breast of it.
|
||
|
|
||
|
"Listen to me," said Fix abruptly. "I am not, as you think,
|
||
|
an agent of the members of the Reform Club--"
|
||
|
|
||
|
"Bah!" retorted Passepartout, with an air of raillery.
|
||
|
|
||
|
"I am a police detective, sent out here by the London office."
|
||
|
|
||
|
"You, a detective?"
|
||
|
|
||
|
"I will prove it. Here is my commission."
|
||
|
|
||
|
Passepartout was speechless with astonishment when Fix displayed
|
||
|
this document, the genuineness of which could not be doubted.
|
||
|
|
||
|
"Mr. Fogg's wager," resumed Fix, "is only a pretext, of which you
|
||
|
and the gentlemen of the Reform are dupes. He had a motive
|
||
|
for securing your innocent complicity."
|
||
|
|
||
|
"But why?"
|
||
|
|
||
|
"Listen. On the 28th of last September a robbery of fifty-five thousand pounds
|
||
|
was committed at the Bank of England by a person whose description
|
||
|
was fortunately secured. Here is his description; it answers exactly
|
||
|
to that of Mr. Phileas Fogg."
|
||
|
|
||
|
"What nonsense!" cried Passepartout, striking the table with his fist.
|
||
|
"My master is the most honourable of men!"
|
||
|
|
||
|
"How can you tell? You know scarcely anything about him. You went into
|
||
|
his service the day he came away; and he came away on a foolish pretext,
|
||
|
without trunks, and carrying a large amount in banknotes. And yet you
|
||
|
are bold enough to assert that he is an honest man!"
|
||
|
|
||
|
"Yes, yes," repeated the poor fellow, mechanically.
|
||
|
|
||
|
"Would you like to be arrested as his accomplice?"
|
||
|
|
||
|
Passepartout, overcome by what he had heard, held his head
|
||
|
between his hands, and did not dare to look at the detective.
|
||
|
Phileas Fogg, the saviour of Aouda, that brave and generous man,
|
||
|
a robber! And yet how many presumptions there were against him!
|
||
|
Passepartout essayed to reject the suspicions which forced themselves
|
||
|
upon his mind; he did not wish to believe that his master was guilty.
|
||
|
|
||
|
"Well, what do you want of me?" said he, at last, with an effort.
|
||
|
|
||
|
"See here," replied Fix; "I have tracked Mr. Fogg to this place,
|
||
|
but as yet I have failed to receive the warrant of arrest for which
|
||
|
I sent to London. You must help me to keep him here in Hong Kong--"
|
||
|
|
||
|
"I! But I--"
|
||
|
|
||
|
"I will share with you the two thousand pounds reward offered
|
||
|
by the Bank of England."
|
||
|
|
||
|
"Never!" replied Passepartout, who tried to rise, but fell back,
|
||
|
exhausted in mind and body.
|
||
|
|
||
|
"Mr. Fix," he stammered, "even should what you say be true--
|
||
|
if my master is really the robber you are seeking for--which I deny--
|
||
|
I have been, am, in his service; I have seen his generosity and goodness;
|
||
|
and I will never betray him--not for all the gold in the world.
|
||
|
I come from a village where they don't eat that kind of bread!"
|
||
|
|
||
|
"You refuse?"
|
||
|
|
||
|
"I refuse."
|
||
|
|
||
|
"Consider that I've said nothing," said Fix; "and let us drink."
|
||
|
|
||
|
"Yes; let us drink!"
|
||
|
|
||
|
Passepartout felt himself yielding more and more to the effects
|
||
|
of the liquor. Fix, seeing that he must, at all hazards, be separated
|
||
|
from his master, wished to entirely overcome him. Some pipes full of opium
|
||
|
lay upon the table. Fix slipped one into Passepartout's hand.
|
||
|
He took it, put it between his lips, lit it, drew several puffs,
|
||
|
and his head, becoming heavy under the influence of the narcotic,
|
||
|
fell upon the table.
|
||
|
|
||
|
"At last!" said Fix, seeing Passepartout unconscious.
|
||
|
"Mr. Fogg will not be informed of the Carnatic's departure; and,
|
||
|
if he is, he will have to go without this cursed Frenchman!"
|
||
|
|
||
|
And, after paying his bill, Fix left the tavern.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XX
|
||
|
|
||
|
IN WHICH FIX COMES FACE TO FACE WITH PHILEAS FOGG
|
||
|
|
||
|
|
||
|
While these events were passing at the opium-house, Mr. Fogg,
|
||
|
unconscious of the danger he was in of losing the steamer,
|
||
|
was quietly escorting Aouda about the streets of the English quarter,
|
||
|
making the necessary purchases for the long voyage before them.
|
||
|
It was all very well for an Englishman like Mr. Fogg to make the
|
||
|
tour of the world with a carpet-bag; a lady could not be expected
|
||
|
to travel comfortably under such conditions. He acquitted
|
||
|
his task with characteristic serenity, and invariably replied
|
||
|
to the remonstrances of his fair companion, who was confused
|
||
|
by his patience and generosity:
|
||
|
|
||
|
"It is in the interest of my journey--a part of my programme."
|
||
|
|
||
|
The purchases made, they returned to the hotel, where they
|
||
|
dined at a sumptuously served table-d'hote; after which Aouda,
|
||
|
shaking hands with her protector after the English fashion,
|
||
|
retired to her room for rest. Mr. Fogg absorbed himself throughout
|
||
|
the evening in the perusal of The Times and Illustrated London News.
|
||
|
|
||
|
Had he been capable of being astonished at anything, it would
|
||
|
have been not to see his servant return at bedtime.
|
||
|
But, knowing that the steamer was not to leave for Yokohama until
|
||
|
the next morning, he did not disturb himself about the matter.
|
||
|
When Passepartout did not appear the next morning to answer
|
||
|
his master's bell, Mr. Fogg, not betraying the least vexation,
|
||
|
contented himself with taking his carpet-bag, calling Aouda,
|
||
|
and sending for a palanquin.
|
||
|
|
||
|
It was then eight o'clock; at half-past nine, it being then high
|
||
|
tide, the Carnatic would leave the harbour. Mr. Fogg and Aouda
|
||
|
got into the palanquin, their luggage being brought after on a wheelbarrow,
|
||
|
and half an hour later stepped upon the quay whence they were to embark.
|
||
|
Mr. Fogg then learned that the Carnatic had sailed the evening before.
|
||
|
He had expected to find not only the steamer, but his domestic,
|
||
|
and was forced to give up both; but no sign of disappointment appeared
|
||
|
on his face, and he merely remarked to Aouda, "It is an accident, madam;
|
||
|
nothing more."
|
||
|
|
||
|
At this moment a man who had been observing him attentively approached.
|
||
|
It was Fix, who, bowing, addressed Mr. Fogg: "Were you not, like me,
|
||
|
sir, a passenger by the Rangoon, which arrived yesterday?"
|
||
|
|
||
|
"I was, sir," replied Mr. Fogg coldly. "But I have not the honour--"
|
||
|
|
||
|
"Pardon me; I thought I should find your servant here."
|
||
|
|
||
|
"Do you know where he is, sir?" asked Aouda anxiously.
|
||
|
|
||
|
"What!" responded Fix, feigning surprise. "Is he not with you?"
|
||
|
|
||
|
"No," said Aouda. "He has not made his appearance since yesterday.
|
||
|
Could he have gone on board the Carnatic without us?"
|
||
|
|
||
|
"Without you, madam?" answered the detective. "Excuse me, did you intend
|
||
|
to sail in the Carnatic?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"So did I, madam, and I am excessively disappointed. The Carnatic,
|
||
|
its repairs being completed, left Hong Kong twelve hours before
|
||
|
the stated time, without any notice being given; and we must now wait
|
||
|
a week for another steamer."
|
||
|
|
||
|
As he said "a week" Fix felt his heart leap for joy. Fogg detained
|
||
|
at Hong Kong for a week! There would be time for the warrant to arrive,
|
||
|
and fortune at last favoured the representative of the law. His horror
|
||
|
may be imagined when he heard Mr. Fogg say, in his placid voice,
|
||
|
"But there are other vessels besides the Carnatic, it seems to me,
|
||
|
in the harbour of Hong Kong."
|
||
|
|
||
|
And, offering his arm to Aouda, he directed his steps toward the docks
|
||
|
in search of some craft about to start. Fix, stupefied, followed;
|
||
|
it seemed as if he were attached to Mr. Fogg by an invisible thread.
|
||
|
Chance, however, appeared really to have abandoned the man it had hitherto
|
||
|
served so well. For three hours Phileas Fogg wandered about the docks,
|
||
|
with the determination, if necessary, to charter a vessel to carry him
|
||
|
to Yokohama; but he could only find vessels which were loading or unloading,
|
||
|
and which could not therefore set sail. Fix began to hope again.
|
||
|
|
||
|
But Mr. Fogg, far from being discouraged, was continuing his search,
|
||
|
resolved not to stop if he had to resort to Macao, when he was accosted
|
||
|
by a sailor on one of the wharves.
|
||
|
|
||
|
"Is your honour looking for a boat?"
|
||
|
|
||
|
"Have you a boat ready to sail?"
|
||
|
|
||
|
"Yes, your honour; a pilot-boat--No. 43--the best in the harbour."
|
||
|
|
||
|
"Does she go fast?"
|
||
|
|
||
|
"Between eight and nine knots the hour. Will you look at her?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Your honour will be satisfied with her. Is it for a sea excursion?"
|
||
|
|
||
|
"No; for a voyage."
|
||
|
|
||
|
"A voyage?"
|
||
|
|
||
|
"Yes, will you agree to take me to Yokohama?"
|
||
|
|
||
|
The sailor leaned on the railing, opened his eyes wide, and said,
|
||
|
"Is your honour joking?"
|
||
|
|
||
|
"No. I have missed the Carnatic, and I must get to Yokohama
|
||
|
by the 14th at the latest, to take the boat for San Francisco."
|
||
|
|
||
|
"I am sorry," said the sailor; "but it is impossible."
|
||
|
|
||
|
"I offer you a hundred pounds per day, and an additional
|
||
|
reward of two hundred pounds if I reach Yokohama in time."
|
||
|
|
||
|
"Are you in earnest?"
|
||
|
|
||
|
"Very much so."
|
||
|
|
||
|
The pilot walked away a little distance, and gazed out to sea,
|
||
|
evidently struggling between the anxiety to gain a large sum
|
||
|
and the fear of venturing so far. Fix was in mortal suspense.
|
||
|
|
||
|
Mr. Fogg turned to Aouda and asked her, "You would not be afraid,
|
||
|
would you, madam?"
|
||
|
|
||
|
"Not with you, Mr. Fogg," was her answer.
|
||
|
|
||
|
The pilot now returned, shuffling his hat in his hands.
|
||
|
|
||
|
"Well, pilot?" said Mr. Fogg.
|
||
|
|
||
|
"Well, your honour," replied he, "I could not risk myself, my men,
|
||
|
or my little boat of scarcely twenty tons on so long a voyage
|
||
|
at this time of year. Besides, we could not reach Yokohama in time,
|
||
|
for it is sixteen hundred and sixty miles from Hong Kong."
|
||
|
|
||
|
"Only sixteen hundred," said Mr. Fogg.
|
||
|
|
||
|
"It's the same thing."
|
||
|
|
||
|
Fix breathed more freely.
|
||
|
|
||
|
"But," added the pilot, "it might be arranged another way."
|
||
|
|
||
|
Fix ceased to breathe at all.
|
||
|
|
||
|
"How?" asked Mr. Fogg.
|
||
|
|
||
|
"By going to Nagasaki, at the extreme south of Japan, or even
|
||
|
to Shanghai, which is only eight hundred miles from here.
|
||
|
In going to Shanghai we should not be forced to sail wide
|
||
|
of the Chinese coast, which would be a great advantage,
|
||
|
as the currents run northward, and would aid us.
|
||
|
|
||
|
"Pilot," said Mr. Fogg, "I must take the American steamer
|
||
|
at Yokohama, and not at Shanghai or Nagasaki."
|
||
|
|
||
|
"Why not?" returned the pilot. "The San Francisco steamer
|
||
|
does not start from Yokohama. It puts in at Yokohama
|
||
|
and Nagasaki, but it starts from Shanghai."
|
||
|
|
||
|
"You are sure of that?"
|
||
|
|
||
|
"Perfectly."
|
||
|
|
||
|
"And when does the boat leave Shanghai?"
|
||
|
|
||
|
"On the 11th, at seven in the evening. We have, therefore,
|
||
|
four days before us, that is ninety-six hours; and in that time,
|
||
|
if we had good luck and a south-west wind, and the sea was calm,
|
||
|
we could make those eight hundred miles to Shanghai."
|
||
|
|
||
|
"And you could go--"
|
||
|
|
||
|
"In an hour; as soon as provisions could be got aboard
|
||
|
and the sails put up."
|
||
|
|
||
|
"It is a bargain. Are you the master of the boat?"
|
||
|
|
||
|
"Yes; John Bunsby, master of the Tankadere."
|
||
|
|
||
|
"Would you like some earnest-money?"
|
||
|
|
||
|
"If it would not put your honour out--"
|
||
|
|
||
|
"Here are two hundred pounds on account sir," added Phileas Fogg,
|
||
|
turning to Fix, "if you would like to take advantage--"
|
||
|
|
||
|
"Thanks, sir; I was about to ask the favour."
|
||
|
|
||
|
"Very well. In half an hour we shall go on board."
|
||
|
|
||
|
"But poor Passepartout?" urged Aouda, who was much disturbed
|
||
|
by the servant's disappearance.
|
||
|
|
||
|
"I shall do all I can to find him," replied Phileas Fogg.
|
||
|
|
||
|
While Fix, in a feverish, nervous state, repaired to the pilot-boat,
|
||
|
the others directed their course to the police-station at Hong Kong.
|
||
|
Phileas Fogg there gave Passepartout's description, and left a sum of money
|
||
|
to be spent in the search for him. The same formalities having been gone
|
||
|
through at the French consulate, and the palanquin having stopped at the hotel
|
||
|
for the luggage, which had been sent back there, they returned to the wharf.
|
||
|
|
||
|
It was now three o'clock; and pilot-boat No. 43, with its crew
|
||
|
on board, and its provisions stored away, was ready for departure.
|
||
|
|
||
|
The Tankadere was a neat little craft of twenty tons,
|
||
|
as gracefully built as if she were a racing yacht.
|
||
|
Her shining copper sheathing, her galvanised iron-work,
|
||
|
her deck, white as ivory, betrayed the pride taken by John Bunsby
|
||
|
in making her presentable. Her two masts leaned a trifle backward;
|
||
|
she carried brigantine, foresail, storm-jib, and standing-jib,
|
||
|
and was well rigged for running before the wind; and she seemed capable
|
||
|
of brisk speed, which, indeed, she had already proved by gaining
|
||
|
several prizes in pilot-boat races. The crew of the Tankadere
|
||
|
was composed of John Bunsby, the master, and four hardy mariners,
|
||
|
who were familiar with the Chinese seas. John Bunsby, himself,
|
||
|
a man of forty-five or thereabouts, vigorous, sunburnt, with a
|
||
|
sprightly expression of the eye, and energetic and self-reliant
|
||
|
countenance, would have inspired confidence in the most timid.
|
||
|
|
||
|
Phileas Fogg and Aouda went on board, where they found Fix
|
||
|
already installed. Below deck was a square cabin, of which
|
||
|
the walls bulged out in the form of cots, above a circular divan;
|
||
|
in the centre was a table provided with a swinging lamp.
|
||
|
The accommodation was confined, but neat.
|
||
|
|
||
|
"I am sorry to have nothing better to offer you," said Mr.
|
||
|
Fogg to Fix, who bowed without responding.
|
||
|
|
||
|
The detective had a feeling akin to humiliation in profiting
|
||
|
by the kindness of Mr. Fogg.
|
||
|
|
||
|
"It's certain," thought he, "though rascal as he is, he is a polite one!"
|
||
|
|
||
|
The sails and the English flag were hoisted at ten minutes past three.
|
||
|
Mr. Fogg and Aouda, who were seated on deck, cast a last glance at the quay,
|
||
|
in the hope of espying Passepartout. Fix was not without his fears
|
||
|
lest chance should direct the steps of the unfortunate servant,
|
||
|
whom he had so badly treated, in this direction; in which case
|
||
|
an explanation the reverse of satisfactory to the detective
|
||
|
must have ensued. But the Frenchman did not appear, and, without doubt,
|
||
|
was still lying under the stupefying influence of the opium.
|
||
|
|
||
|
John Bunsby, master, at length gave the order to start, and
|
||
|
the Tankadere, taking the wind under her brigantine, foresail,
|
||
|
and standing-jib, bounded briskly forward over the waves.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXI
|
||
|
|
||
|
IN WHICH THE MASTER OF THE "TANKADERE" RUNS
|
||
|
GREAT RISK OF LOSING A REWARD OF TWO HUNDRED POUNDS
|
||
|
|
||
|
|
||
|
This voyage of eight hundred miles was a perilous venture
|
||
|
on a craft of twenty tons, and at that season of the year.
|
||
|
The Chinese seas are usually boisterous, subject to terrible
|
||
|
gales of wind, and especially during the equinoxes;
|
||
|
and it was now early November.
|
||
|
|
||
|
It would clearly have been to the master's advantage to carry
|
||
|
his passengers to Yokohama, since he was paid a certain sum per day;
|
||
|
but he would have been rash to attempt such a voyage, and it was imprudent
|
||
|
even to attempt to reach Shanghai. But John Bunsby believed in the Tankadere,
|
||
|
which rode on the waves like a seagull; and perhaps he was not wrong.
|
||
|
|
||
|
Late in the day they passed through the capricious channels of Hong Kong,
|
||
|
and the Tankadere, impelled by favourable winds, conducted herself admirably.
|
||
|
|
||
|
"I do not need, pilot," said Phileas Fogg, when they got into
|
||
|
the open sea, "to advise you to use all possible speed."
|
||
|
|
||
|
"Trust me, your honour. We are carrying all the sail the wind will let us.
|
||
|
The poles would add nothing, and are only used when we are going into port."
|
||
|
|
||
|
"Its your trade, not mine, pilot, and I confide in you."
|
||
|
|
||
|
Phileas Fogg, with body erect and legs wide apart, standing
|
||
|
like a sailor, gazed without staggering at the swelling waters.
|
||
|
The young woman, who was seated aft, was profoundly affected
|
||
|
as she looked out upon the ocean, darkening now with the twilight,
|
||
|
on which she had ventured in so frail a vessel. Above her head
|
||
|
rustled the white sails, which seemed like great white wings.
|
||
|
The boat, carried forward by the wind, seemed to be flying in the air.
|
||
|
|
||
|
Night came. The moon was entering her first quarter, and her
|
||
|
insufficient light would soon die out in the mist on the horizon.
|
||
|
Clouds were rising from the east, and already overcast a part
|
||
|
of the heavens.
|
||
|
|
||
|
The pilot had hung out his lights, which was very necessary
|
||
|
in these seas crowded with vessels bound landward; for collisions
|
||
|
are not uncommon occurrences, and, at the speed she was going,
|
||
|
the least shock would shatter the gallant little craft.
|
||
|
|
||
|
Fix, seated in the bow, gave himself up to meditation. He kept apart
|
||
|
from his fellow-travellers, knowing Mr. Fogg's taciturn tastes; besides,
|
||
|
he did not quite like to talk to the man whose favours he had accepted.
|
||
|
He was thinking, too, of the future. It seemed certain that Fogg would not
|
||
|
stop at Yokohama, but would at once take the boat for San Francisco;
|
||
|
and the vast extent of America would ensure him impunity and safety.
|
||
|
Fogg's plan appeared to him the simplest in the world. Instead of sailing
|
||
|
directly from England to the United States, like a common villain,
|
||
|
he had traversed three quarters of the globe, so as to gain the
|
||
|
American continent more surely; and there, after throwing
|
||
|
the police off his track, he would quietly enjoy himself
|
||
|
with the fortune stolen from the bank. But, once in the United States,
|
||
|
what should he, Fix, do? Should he abandon this man? No, a hundred times no!
|
||
|
Until he had secured his extradition, he would not lose sight of him for an hour.
|
||
|
It was his duty, and he would fulfil it to the end. At all events,
|
||
|
there was one thing to be thankful for; Passepartout was not with his master;
|
||
|
and it was above all important, after the confidences Fix had imparted to him,
|
||
|
that the servant should never have speech with his master.
|
||
|
|
||
|
Phileas Fogg was also thinking of Passepartout, who had so
|
||
|
strangely disappeared. Looking at the matter from every point of view,
|
||
|
it did not seem to him impossible that, by some mistake, the man might
|
||
|
have embarked on the Carnatic at the last moment; and this was also
|
||
|
Aouda's opinion, who regretted very much the loss of the worthy fellow
|
||
|
to whom she owed so much. They might then find him at Yokohama;
|
||
|
for, if the Carnatic was carrying him thither, it would be easy
|
||
|
to ascertain if he had been on board.
|
||
|
|
||
|
A brisk breeze arose about ten o'clock; but, though it might
|
||
|
have been prudent to take in a reef, the pilot, after carefully
|
||
|
examining the heavens, let the craft remain rigged as before.
|
||
|
The Tankadere bore sail admirably, as she drew a great deal of water,
|
||
|
and everything was prepared for high speed in case of a gale.
|
||
|
|
||
|
Mr. Fogg and Aouda descended into the cabin at midnight,
|
||
|
having been already preceded by Fix, who had lain down on one of the cots.
|
||
|
The pilot and crew remained on deck all night.
|
||
|
|
||
|
At sunrise the next day, which was 8th November, the boat had made
|
||
|
more than one hundred miles. The log indicated a mean speed of between
|
||
|
eight and nine miles. The Tankadere still carried all sail,
|
||
|
and was accomplishing her greatest capacity of speed.
|
||
|
If the wind held as it was, the chances would be in her favour.
|
||
|
During the day she kept along the coast, where the currents were favourable;
|
||
|
the coast, irregular in profile, and visible sometimes across the clearings,
|
||
|
was at most five miles distant. The sea was less boisterous,
|
||
|
since the wind came off land--a fortunate circumstance for the boat,
|
||
|
which would suffer, owing to its small tonnage, by a heavy surge on the sea.
|
||
|
|
||
|
The breeze subsided a little towards noon, and set in from the south-west.
|
||
|
The pilot put up his poles, but took them down again within two hours,
|
||
|
as the wind freshened up anew.
|
||
|
|
||
|
Mr. Fogg and Aouda, happily unaffected by the roughness of the sea,
|
||
|
ate with a good appetite, Fix being invited to share their repast,
|
||
|
which he accepted with secret chagrin. To travel at this man's
|
||
|
expense and live upon his provisions was not palatable to him.
|
||
|
Still, he was obliged to eat, and so he ate.
|
||
|
|
||
|
When the meal was over, he took Mr. Fogg apart, and said,
|
||
|
"sir"--this "sir" scorched his lips, and he had to control himself
|
||
|
to avoid collaring this "gentleman"--"sir, you have been very kind
|
||
|
to give me a passage on this boat. But, though my means will not admit
|
||
|
of my expending them as freely as you, I must ask to pay my share--"
|
||
|
|
||
|
"Let us not speak of that, sir," replied Mr. Fogg.
|
||
|
|
||
|
"But, if I insist--"
|
||
|
|
||
|
"No, sir," repeated Mr. Fogg, in a tone which did not admit of a
|
||
|
reply. "This enters into my general expenses."
|
||
|
|
||
|
Fix, as he bowed, had a stifled feeling, and, going forward,
|
||
|
where he ensconced himself, did not open his mouth for the rest of the day.
|
||
|
|
||
|
Meanwhile they were progressing famously, and John Bunsby was
|
||
|
in high hope. He several times assured Mr. Fogg that they would
|
||
|
reach Shanghai in time; to which that gentleman responded
|
||
|
that he counted upon it. The crew set to work in good earnest,
|
||
|
inspired by the reward to be gained. There was not a sheet
|
||
|
which was not tightened not a sail which was not vigorously hoisted;
|
||
|
not a lurch could be charged to the man at the helm. They worked
|
||
|
as desperately as if they were contesting in a Royal yacht regatta.
|
||
|
|
||
|
By evening, the log showed that two hundred and twenty miles had been
|
||
|
accomplished from Hong Kong, and Mr. Fogg might hope that he would be able
|
||
|
to reach Yokohama without recording any delay in his journal; in which case,
|
||
|
the many misadventures which had overtaken him since he left London
|
||
|
would not seriously affect his journey.
|
||
|
|
||
|
The Tankadere entered the Straits of Fo-Kien, which separate
|
||
|
the island of Formosa from the Chinese coast, in the small hours
|
||
|
of the night, and crossed the Tropic of Cancer. The sea was very
|
||
|
rough in the straits, full of eddies formed by the counter-currents,
|
||
|
and the chopping waves broke her course, whilst it became very difficult
|
||
|
to stand on deck.
|
||
|
|
||
|
At daybreak the wind began to blow hard again, and the heavens
|
||
|
seemed to predict a gale. The barometer announced a speedy change,
|
||
|
the mercury rising and falling capriciously; the sea also,
|
||
|
in the south-east, raised long surges which indicated a tempest.
|
||
|
The sun had set the evening before in a red mist,
|
||
|
in the midst of the phosphorescent scintillations of the ocean.
|
||
|
|
||
|
John Bunsby long examined the threatening aspect of the heavens,
|
||
|
muttering indistinctly between his teeth. At last he said in a low voice
|
||
|
to Mr. Fogg, "Shall I speak out to your honour?"
|
||
|
|
||
|
"Of course."
|
||
|
|
||
|
"Well, we are going to have a squall."
|
||
|
|
||
|
"Is the wind north or south?" asked Mr. Fogg quietly.
|
||
|
|
||
|
"South. Look! a typhoon is coming up."
|
||
|
|
||
|
"Glad it's a typhoon from the south, for it will carry us forward."
|
||
|
|
||
|
"Oh, if you take it that way," said John Bunsby, "I've nothing more to say."
|
||
|
John Bunsby's suspicions were confirmed. At a less advanced season of the year
|
||
|
the typhoon, according to a famous meteorologist, would have passed away
|
||
|
like a luminous cascade of electric flame; but in the winter equinox
|
||
|
it was to be feared that it would burst upon them with great violence.
|
||
|
|
||
|
The pilot took his precautions in advance. He reefed all sail,
|
||
|
the pole-masts were dispensed with; all hands went forward to the bows.
|
||
|
A single triangular sail, of strong canvas, was hoisted as a storm-jib,
|
||
|
so as to hold the wind from behind. Then they waited.
|
||
|
|
||
|
John Bunsby had requested his passengers to go below; but this
|
||
|
imprisonment in so narrow a space, with little air, and the boat
|
||
|
bouncing in the gale, was far from pleasant. Neither Mr. Fogg,
|
||
|
Fix, nor Aouda consented to leave the deck.
|
||
|
|
||
|
The storm of rain and wind descended upon them towards eight o'clock.
|
||
|
With but its bit of sail, the Tankadere was lifted like a feather by a wind,
|
||
|
an idea of whose violence can scarcely be given. To compare her speed
|
||
|
to four times that of a locomotive going on full steam would be below
|
||
|
the truth.
|
||
|
|
||
|
The boat scudded thus northward during the whole day, borne on
|
||
|
by monstrous waves, preserving always, fortunately, a speed equal
|
||
|
to theirs. Twenty times she seemed almost to be submerged by
|
||
|
these mountains of water which rose behind her; but the adroit
|
||
|
management of the pilot saved her. The passengers were often
|
||
|
bathed in spray, but they submitted to it philosophically.
|
||
|
Fix cursed it, no doubt; but Aouda, with her eyes fastened upon
|
||
|
her protector, whose coolness amazed her, showed herself worthy
|
||
|
of him, and bravely weathered the storm. As for Phileas Fogg,
|
||
|
it seemed just as if the typhoon were a part of his programme.
|
||
|
|
||
|
Up to this time the Tankadere had always held her course to the north;
|
||
|
but towards evening the wind, veering three quarters, bore down from
|
||
|
the north-west. The boat, now lying in the trough of the waves,
|
||
|
shook and rolled terribly; the sea struck her with fearful violence.
|
||
|
At night the tempest increased in violence. John Bunsby saw the approach
|
||
|
of darkness and the rising of the storm with dark misgivings.
|
||
|
He thought awhile, and then asked his crew if it was not time to slacken speed.
|
||
|
After a consultation he approached Mr. Fogg, and said, "I think, your honour,
|
||
|
that we should do well to make for one of the ports on the coast."
|
||
|
|
||
|
"I think so too."
|
||
|
|
||
|
"Ah!" said the pilot. "But which one?"
|
||
|
|
||
|
"I know of but one," returned Mr. Fogg tranquilly.
|
||
|
|
||
|
"And that is--"
|
||
|
|
||
|
"Shanghai."
|
||
|
|
||
|
The pilot, at first, did not seem to comprehend; he could
|
||
|
scarcely realise so much determination and tenacity.
|
||
|
Then he cried, "Well--yes! Your honour is right. To Shanghai!"
|
||
|
|
||
|
So the Tankadere kept steadily on her northward track.
|
||
|
|
||
|
The night was really terrible; it would be a miracle if the
|
||
|
craft did not founder. Twice it could have been all over with her
|
||
|
if the crew had not been constantly on the watch. Aouda was exhausted,
|
||
|
but did not utter a complaint. More than once Mr. Fogg rushed
|
||
|
to protect her from the violence of the waves.
|
||
|
|
||
|
Day reappeared. The tempest still raged with undiminished fury;
|
||
|
but the wind now returned to the south-east. It was a favourable change,
|
||
|
and the Tankadere again bounded forward on this mountainous sea,
|
||
|
though the waves crossed each other, and imparted shocks and counter-shocks
|
||
|
which would have crushed a craft less solidly built. From time to time
|
||
|
the coast was visible through the broken mist, but no vessel was in sight.
|
||
|
The Tankadere was alone upon the sea.
|
||
|
|
||
|
There were some signs of a calm at noon, and these became more distinct
|
||
|
as the sun descended toward the horizon. The tempest had been as brief
|
||
|
as terrific. The passengers, thoroughly exhausted, could now eat a little,
|
||
|
and take some repose.
|
||
|
|
||
|
The night was comparatively quiet. Some of the sails were again hoisted,
|
||
|
and the speed of the boat was very good. The next morning at dawn
|
||
|
they espied the coast, and John Bunsby was able to assert that they were
|
||
|
not one hundred miles from Shanghai. A hundred miles, and only one day
|
||
|
to traverse them! That very evening Mr. Fogg was due at Shanghai,
|
||
|
if he did not wish to miss the steamer to Yokohama. Had there been no storm,
|
||
|
during which several hours were lost, they would be at this moment within
|
||
|
thirty miles of their destination.
|
||
|
|
||
|
The wind grew decidedly calmer, and happily the sea fell with it.
|
||
|
All sails were now hoisted, and at noon the Tankadere was within
|
||
|
forty-five miles of Shanghai. There remained yet six hours
|
||
|
in which to accomplish that distance. All on board feared
|
||
|
that it could not be done, and every one--Phileas Fogg, no doubt,
|
||
|
excepted--felt his heart beat with impatience. The boat must keep up
|
||
|
an average of nine miles an hour, and the wind was becoming calmer
|
||
|
every moment! It was a capricious breeze, coming from the coast,
|
||
|
and after it passed the sea became smooth. Still, the Tankadere
|
||
|
was so light, and her fine sails caught the fickle zephyrs so well,
|
||
|
that, with the aid of the currents John Bunsby found himself at six o'clock
|
||
|
not more than ten miles from the mouth of Shanghai River. Shanghai itself
|
||
|
is situated at least twelve miles up the stream. At seven they were still
|
||
|
three miles from Shanghai. The pilot swore an angry oath; the reward of
|
||
|
two hundred pounds was evidently on the point of escaping him. He looked
|
||
|
at Mr. Fogg. Mr. Fogg was perfectly tranquil; and yet his whole fortune
|
||
|
was at this moment at stake.
|
||
|
|
||
|
At this moment, also, a long black funnel, crowned with wreaths of smoke,
|
||
|
appeared on the edge of the waters. It was the American steamer,
|
||
|
leaving for Yokohama at the appointed time.
|
||
|
|
||
|
"Confound her!" cried John Bunsby, pushing back the rudder
|
||
|
with a desperate jerk.
|
||
|
|
||
|
"Signal her!" said Phileas Fogg quietly.
|
||
|
|
||
|
A small brass cannon stood on the forward deck of the Tankadere,
|
||
|
for making signals in the fogs. It was loaded to the muzzle;
|
||
|
but just as the pilot was about to apply a red-hot coal to the touchhole,
|
||
|
Mr. Fogg said, "Hoist your flag!"
|
||
|
|
||
|
The flag was run up at half-mast, and, this being the signal of distress,
|
||
|
it was hoped that the American steamer, perceiving it, would change her
|
||
|
course a little, so as to succour the pilot-boat.
|
||
|
|
||
|
"Fire!" said Mr. Fogg. And the booming of the little cannon
|
||
|
resounded in the air.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT FINDS OUT THAT, EVEN AT THE ANTIPODES,
|
||
|
IT IS CONVENIENT TO HAVE SOME MONEY IN ONE'S POCKET
|
||
|
|
||
|
|
||
|
The Carnatic, setting sail from Hong Kong at half-past six on the
|
||
|
7th of November, directed her course at full steam towards Japan.
|
||
|
She carried a large cargo and a well-filled cabin of passengers.
|
||
|
Two state-rooms in the rear were, however, unoccupied--those which
|
||
|
had been engaged by Phileas Fogg.
|
||
|
|
||
|
The next day a passenger with a half-stupefied eye, staggering gait,
|
||
|
and disordered hair, was seen to emerge from the second cabin,
|
||
|
and to totter to a seat on deck.
|
||
|
|
||
|
It was Passepartout; and what had happened to him was as follows:
|
||
|
Shortly after Fix left the opium den, two waiters had lifted
|
||
|
the unconscious Passepartout, and had carried him to the bed
|
||
|
reserved for the smokers. Three hours later, pursued even
|
||
|
in his dreams by a fixed idea, the poor fellow awoke,
|
||
|
and struggled against the stupefying influence of the narcotic.
|
||
|
The thought of a duty unfulfilled shook off his torpor,
|
||
|
and he hurried from the abode of drunkenness.
|
||
|
Staggering and holding himself up by keeping against the walls,
|
||
|
falling down and creeping up again, and irresistibly impelled
|
||
|
by a kind of instinct, he kept crying out, "The Carnatic! the Carnatic!"
|
||
|
|
||
|
The steamer lay puffing alongside the quay, on the point of starting.
|
||
|
Passepartout had but few steps to go; and, rushing upon the plank,
|
||
|
he crossed it, and fell unconscious on the deck, just as the Carnatic
|
||
|
was moving off. Several sailors, who were evidently accustomed
|
||
|
to this sort of scene, carried the poor Frenchman down into the second cabin,
|
||
|
and Passepartout did not wake until they were one hundred and fifty miles
|
||
|
away from China. Thus he found himself the next morning on the deck
|
||
|
of the Carnatic, and eagerly inhaling the exhilarating sea-breeze.
|
||
|
The pure air sobered him. He began to collect his sense, which he found
|
||
|
a difficult task; but at last he recalled the events of the evening before,
|
||
|
Fix's revelation, and the opium-house.
|
||
|
|
||
|
"It is evident," said he to himself, "that I have been abominably drunk!
|
||
|
What will Mr. Fogg say? At least I have not missed the steamer,
|
||
|
which is the most important thing."
|
||
|
|
||
|
Then, as Fix occurred to him: "As for that rascal, I hope we
|
||
|
are well rid of him, and that he has not dared, as he proposed,
|
||
|
to follow us on board the Carnatic. A detective on the track
|
||
|
of Mr. Fogg, accused of robbing the Bank of England! Pshaw!
|
||
|
Mr. Fogg is no more a robber than I am a murderer."
|
||
|
|
||
|
Should he divulge Fix's real errand to his master? Would it
|
||
|
do to tell the part the detective was playing. Would it not be
|
||
|
better to wait until Mr. Fogg reached London again, and then
|
||
|
impart to him that an agent of the metropolitan police had been
|
||
|
following him round the world, and have a good laugh over it?
|
||
|
No doubt; at least, it was worth considering. The first thing to
|
||
|
do was to find Mr. Fogg, and apologise for his singular behaviour.
|
||
|
|
||
|
Passepartout got up and proceeded, as well as he could with
|
||
|
the rolling of the steamer, to the after-deck. He saw no one
|
||
|
who resembled either his master or Aouda. "Good!" muttered he;
|
||
|
"Aouda has not got up yet, and Mr. Fogg has probably found some
|
||
|
partners at whist."
|
||
|
|
||
|
He descended to the saloon. Mr. Fogg was not there.
|
||
|
Passepartout had only, however, to ask the purser the number
|
||
|
of his master's state-room. The purser replied that he
|
||
|
did not know any passenger by the name of Fogg.
|
||
|
|
||
|
"I beg your pardon," said Passepartout persistently. "He is a tall gentleman,
|
||
|
quiet, and not very talkative, and has with him a young lady--"
|
||
|
|
||
|
"There is no young lady on board," interrupted the purser.
|
||
|
"Here is a list of the passengers; you may see for yourself."
|
||
|
|
||
|
Passepartout scanned the list, but his master's name was not upon it.
|
||
|
All at once an idea struck him.
|
||
|
|
||
|
"Ah! am I on the Carnatic?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"On the way to Yokohama?"
|
||
|
|
||
|
"Certainly."
|
||
|
|
||
|
Passepartout had for an instant feared that he was on the wrong boat;
|
||
|
but, though he was really on the Carnatic, his master was not there.
|
||
|
|
||
|
He fell thunderstruck on a seat. He saw it all now.
|
||
|
He remembered that the time of sailing had been changed,
|
||
|
that he should have informed his master of that fact,
|
||
|
and that he had not done so. It was his fault, then,
|
||
|
that Mr. Fogg and Aouda had missed the steamer.
|
||
|
Yes, but it was still more the fault of the traitor who,
|
||
|
in order to separate him from his master, and detain
|
||
|
the latter at Hong Kong, had inveigled him into getting drunk!
|
||
|
He now saw the detective's trick; and at this moment Mr. Fogg
|
||
|
was certainly ruined, his bet was lost, and he himself perhaps
|
||
|
arrested and imprisoned! At this thought Passepartout tore his hair.
|
||
|
Ah, if Fix ever came within his reach, what a settling of accounts
|
||
|
there would be!
|
||
|
|
||
|
After his first depression, Passepartout became calmer,
|
||
|
and began to study his situation. It was certainly not
|
||
|
an enviable one. He found himself on the way to Japan,
|
||
|
and what should he do when he got there? His pocket was empty;
|
||
|
he had not a solitary shilling not so much as a penny.
|
||
|
His passage had fortunately been paid for in advance;
|
||
|
and he had five or six days in which to decide upon his future course.
|
||
|
He fell to at meals with an appetite, and ate for Mr. Fogg, Aouda,
|
||
|
and himself. He helped himself as generously as if Japan were a desert,
|
||
|
where nothing to eat was to be looked for.
|
||
|
|
||
|
At dawn on the 13th the Carnatic entered the port of Yokohama.
|
||
|
This is an important port of call in the Pacific, where all the
|
||
|
mail-steamers, and those carrying travellers between North America,
|
||
|
China, Japan, and the Oriental islands put in. It is situated
|
||
|
in the bay of Yeddo, and at but a short distance from that
|
||
|
second capital of the Japanese Empire, and the residence of the Tycoon,
|
||
|
the civil Emperor, before the Mikado, the spiritual Emperor,
|
||
|
absorbed his office in his own. The Carnatic anchored at the quay
|
||
|
near the custom-house, in the midst of a crowd of ships bearing
|
||
|
the flags of all nations.
|
||
|
|
||
|
Passepartout went timidly ashore on this so curious territory
|
||
|
of the Sons of the Sun. He had nothing better to do than,
|
||
|
taking chance for his guide, to wander aimlessly through the streets
|
||
|
of Yokohama. He found himself at first in a thoroughly European quarter,
|
||
|
the houses having low fronts, and being adorned with verandas,
|
||
|
beneath which he caught glimpses of neat peristyles. This quarter occupied,
|
||
|
with its streets, squares, docks, and warehouses, all the space between
|
||
|
the "promontory of the Treaty" and the river. Here, as at Hong Kong
|
||
|
and Calcutta, were mixed crowds of all races Americans and English,
|
||
|
Chinamen and Dutchmen, mostly merchants ready to buy or sell anything.
|
||
|
The Frenchman felt himself as much alone among them as if he had dropped
|
||
|
down in the midst of Hottentots.
|
||
|
|
||
|
He had, at least, one resource to call on the French and English consuls
|
||
|
at Yokohama for assistance. But he shrank from telling the story
|
||
|
of his adventures, intimately connected as it was with that of his master;
|
||
|
and, before doing so, he determined to exhaust all other means of aid.
|
||
|
As chance did not favour him in the European quarter, he penetrated
|
||
|
that inhabited by the native Japanese, determined, if necessary,
|
||
|
to push on to Yeddo.
|
||
|
|
||
|
The Japanese quarter of Yokohama is called Benten, after the
|
||
|
goddess of the sea, who is worshipped on the islands round about.
|
||
|
There Passepartout beheld beautiful fir and cedar groves, sacred
|
||
|
gates of a singular architecture, bridges half hid in the midst
|
||
|
of bamboos and reeds, temples shaded by immense cedar-trees,
|
||
|
holy retreats where were sheltered Buddhist priests and sectaries
|
||
|
of Confucius, and interminable streets, where a perfect harvest of
|
||
|
rose-tinted and red-cheeked children, who looked as if they had been
|
||
|
cut out of Japanese screens, and who were playing in the midst
|
||
|
of short-legged poodles and yellowish cats, might have been gathered.
|
||
|
|
||
|
The streets were crowded with people. Priests were passing
|
||
|
in processions, beating their dreary tambourines; police and
|
||
|
custom-house officers with pointed hats encrusted with lac and
|
||
|
carrying two sabres hung to their waists; soldiers, clad in blue
|
||
|
cotton with white stripes, and bearing guns; the Mikado's guards,
|
||
|
enveloped in silken doubles, hauberks and coats of mail;
|
||
|
and numbers of military folk of all ranks--for the military
|
||
|
profession is as much respected in Japan as it is despised
|
||
|
in China--went hither and thither in groups and pairs.
|
||
|
Passepartout saw, too, begging friars, long-robed pilgrims,
|
||
|
and simple civilians, with their warped and jet-black hair,
|
||
|
big heads, long busts, slender legs, short stature, and complexions
|
||
|
varying from copper-colour to a dead white, but never yellow,
|
||
|
like the Chinese, from whom the Japanese widely differ.
|
||
|
He did not fail to observe the curious equipages--carriages and palanquins,
|
||
|
barrows supplied with sails, and litters made of bamboo; nor the women--
|
||
|
whom he thought not especially handsome--who took little steps with their
|
||
|
little feet, whereon they wore canvas shoes, straw sandals, and clogs
|
||
|
of worked wood, and who displayed tight-looking eyes, flat chests,
|
||
|
teeth fashionably blackened, and gowns crossed with silken scarfs,
|
||
|
tied in an enormous knot behind an ornament which the modern
|
||
|
Parisian ladies seem to have borrowed from the dames of Japan.
|
||
|
|
||
|
Passepartout wandered for several hours in the midst of this motley crowd,
|
||
|
looking in at the windows of the rich and curious shops, the jewellery
|
||
|
establishments glittering with quaint Japanese ornaments, the restaurants
|
||
|
decked with streamers and banners, the tea-houses, where the odorous beverage
|
||
|
was being drunk with saki, a liquor concocted from the fermentation of rice,
|
||
|
and the comfortable smoking-houses, where they were puffing, not opium,
|
||
|
which is almost unknown in Japan, but a very fine, stringy tobacco.
|
||
|
He went on till he found himself in the fields, in the midst of vast
|
||
|
rice plantations. There he saw dazzling camellias expanding themselves,
|
||
|
with flowers which were giving forth their last colours and perfumes,
|
||
|
not on bushes, but on trees, and within bamboo enclosures, cherry, plum,
|
||
|
and apple trees, which the Japanese cultivate rather for their blossoms
|
||
|
than their fruit, and which queerly-fashioned, grinning scarecrows
|
||
|
protected from the sparrows, pigeons, ravens, and other voracious birds.
|
||
|
On the branches of the cedars were perched large eagles; amid the foliage
|
||
|
of the weeping willows were herons, solemnly standing on one leg;
|
||
|
and on every hand were crows, ducks, hawks, wild birds, and a
|
||
|
multitude of cranes, which the Japanese consider sacred,
|
||
|
and which to their minds symbolise long life and prosperity.
|
||
|
|
||
|
As he was strolling along, Passepartout espied some violets among the shrubs.
|
||
|
|
||
|
"Good!" said he; "I'll have some supper."
|
||
|
|
||
|
But, on smelling them, he found that they were odourless.
|
||
|
|
||
|
"No chance there," thought he.
|
||
|
|
||
|
The worthy fellow had certainly taken good care to eat as
|
||
|
hearty a breakfast as possible before leaving the Carnatic;
|
||
|
but, as he had been walking about all day, the demands of hunger
|
||
|
were becoming importunate. He observed that the butchers stalls
|
||
|
contained neither mutton, goat, nor pork; and, knowing also that
|
||
|
it is a sacrilege to kill cattle, which are preserved solely for farming,
|
||
|
he made up his mind that meat was far from plentiful in Yokohama--
|
||
|
nor was he mistaken; and, in default of butcher's meat,
|
||
|
he could have wished for a quarter of wild boar or deer,
|
||
|
a partridge, or some quails, some game or fish, which, with rice,
|
||
|
the Japanese eat almost exclusively. But he found it necessary
|
||
|
to keep up a stout heart, and to postpone the meal he craved till
|
||
|
the following morning. Night came, and Passepartout re-entered
|
||
|
the native quarter, where he wandered through the streets,
|
||
|
lit by vari-coloured lanterns, looking on at the dancers,
|
||
|
who were executing skilful steps and boundings, and the astrologers
|
||
|
who stood in the open air with their telescopes. Then he came
|
||
|
to the harbour, which was lit up by the resin torches of the fishermen,
|
||
|
who were fishing from their boats.
|
||
|
|
||
|
The streets at last became quiet, and the patrol, the officers
|
||
|
of which, in their splendid costumes, and surrounded by their suites,
|
||
|
Passepartout thought seemed like ambassadors, succeeded the bustling crowd.
|
||
|
Each time a company passed, Passepartout chuckled, and said to himself:
|
||
|
"Good! another Japanese embassy departing for Europe!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXIII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT'S NOSE BECOMES OUTRAGEOUSLY LONG
|
||
|
|
||
|
|
||
|
The next morning poor, jaded, famished Passepartout said to
|
||
|
himself that he must get something to eat at all hazards, and the
|
||
|
sooner he did so the better. He might, indeed, sell his watch;
|
||
|
but he would have starved first. Now or never he must use the
|
||
|
strong, if not melodious voice which nature had bestowed upon him.
|
||
|
He knew several French and English songs, and resolved to try them
|
||
|
upon the Japanese, who must be lovers of music, since they were
|
||
|
for ever pounding on their cymbals, tam-tams, and tambourines, and
|
||
|
could not but appreciate European talent.
|
||
|
|
||
|
It was, perhaps, rather early in the morning to get up a
|
||
|
concert, and the audience prematurely aroused from their slumbers,
|
||
|
might not possibly pay their entertainer with coin bearing the
|
||
|
Mikado's features. Passepartout therefore decided to wait several
|
||
|
hours; and, as he was sauntering along, it occurred to him that he
|
||
|
would seem rather too well dressed for a wandering artist. The
|
||
|
idea struck him to change his garments for clothes more in harmony
|
||
|
with his project; by which he might also get a little money to
|
||
|
satisfy the immediate cravings of hunger. The resolution taken,
|
||
|
it remained to carry it out.
|
||
|
|
||
|
It was only after a long search that Passepartout discovered a
|
||
|
native dealer in old clothes, to whom he applied for an exchange.
|
||
|
The man liked the European costume, and ere long Passepartout
|
||
|
issued from his shop accoutred in an old Japanese coat, and a sort
|
||
|
of one-sided turban, faded with long use. A few small pieces of silver,
|
||
|
moreover, jingled in his pocket.
|
||
|
|
||
|
Good!" thought he. "I will imagine I am at the Carnival!"
|
||
|
|
||
|
His first care, after being thus "Japanesed," was to enter a tea-house
|
||
|
of modest appearance, and, upon half a bird and a little rice,
|
||
|
to breakfast like a man for whom dinner was as yet a problem to be solved.
|
||
|
|
||
|
"Now," thought he, when he had eaten heartily, "I mustn't lose my head.
|
||
|
I can't sell this costume again for one still more Japanese. I must
|
||
|
consider how to leave this country of the Sun, of which I shall not retain
|
||
|
the most delightful of memories, as quickly as possible."
|
||
|
|
||
|
It occurred to him to visit the steamers which were about to
|
||
|
leave for America. He would offer himself as a cook or servant,
|
||
|
in payment of his passage and meals. Once at San Francisco,
|
||
|
he would find some means of going on. The difficulty was,
|
||
|
how to traverse the four thousand seven hundred miles
|
||
|
of the Pacific which lay between Japan and the New World.
|
||
|
|
||
|
Passepartout was not the man to let an idea go begging,
|
||
|
and directed his steps towards the docks. But, as he approached
|
||
|
them, his project, which at first had seemed so simple, began to grow
|
||
|
more and more formidable to his mind. What need would they have
|
||
|
of a cook or servant on an American steamer, and what confidence would
|
||
|
they put in him, dressed as he was? What references could he give?
|
||
|
|
||
|
As he was reflecting in this wise, his eyes fell upon an immense
|
||
|
placard which a sort of clown was carrying through the streets.
|
||
|
This placard, which was in English, read as follows:
|
||
|
|
||
|
ACROBATIC JAPANESE TROUPE,
|
||
|
HONOURABLE WILLIAM BATULCAR, PROPRIETOR,
|
||
|
LAST REPRESENTATIONS,
|
||
|
PRIOR TO THEIR DEPARTURE TO THE UNITED STATES,
|
||
|
OF THE
|
||
|
LONG NOSES! LONG NOSES!
|
||
|
UNDER THE DIRECT PATRONAGE OF THE GOD TINGOU!
|
||
|
GREAT ATTRACTION!
|
||
|
|
||
|
"The United States!" said Passepartout; "that's just what I want!"
|
||
|
|
||
|
He followed the clown, and soon found himself once more
|
||
|
in the Japanese quarter. A quarter of an hour later
|
||
|
he stopped before a large cabin, adorned with several
|
||
|
clusters of streamers, the exterior walls of which
|
||
|
were designed to represent, in violent colours
|
||
|
and without perspective, a company of jugglers.
|
||
|
|
||
|
This was the Honourable William Batulcar's establishment.
|
||
|
That gentleman was a sort of Barnum, the director of a troupe
|
||
|
of mountebanks, jugglers, clowns, acrobats, equilibrists,
|
||
|
and gymnasts, who, according to the placard, was giving
|
||
|
his last performances before leaving the Empire of the Sun
|
||
|
for the States of the Union.
|
||
|
|
||
|
Passepartout entered and asked for Mr. Batulcar, who straightway
|
||
|
appeared in person.
|
||
|
|
||
|
"What do you want?" said he to Passepartout, whom he at first
|
||
|
took for a native.
|
||
|
|
||
|
"Would you like a servant, sir?" asked Passepartout.
|
||
|
|
||
|
"A servant!" cried Mr. Batulcar, caressing the thick grey beard
|
||
|
which hung from his chin. "I already have two who are obedient
|
||
|
and faithful, have never left me, and serve me for their nourishment
|
||
|
and here they are," added he, holding out his two robust arms,
|
||
|
furrowed with veins as large as the strings of a bass-viol.
|
||
|
|
||
|
"So I can be of no use to you?"
|
||
|
|
||
|
"None."
|
||
|
|
||
|
"The devil! I should so like to cross the Pacific with you!"
|
||
|
|
||
|
"Ah!" said the Honourable Mr. Batulcar. "You are no more a Japanese
|
||
|
than I am a monkey! Who are you dressed up in that way?"
|
||
|
|
||
|
"A man dresses as he can."
|
||
|
|
||
|
"That's true. You are a Frenchman, aren't you?"
|
||
|
|
||
|
"Yes; a Parisian of Paris."
|
||
|
|
||
|
"Then you ought to know how to make grimaces?"
|
||
|
|
||
|
"Why," replied Passepartout, a little vexed that his nationality
|
||
|
should cause this question, "we Frenchmen know how to make grimaces,
|
||
|
it is true but not any better than the Americans do."
|
||
|
|
||
|
"True. Well, if I can't take you as a servant, I can as a clown.
|
||
|
You see, my friend, in France they exhibit foreign clowns,
|
||
|
and in foreign parts French clowns."
|
||
|
|
||
|
"Ah!"
|
||
|
|
||
|
"You are pretty strong, eh?"
|
||
|
|
||
|
"Especially after a good meal."
|
||
|
|
||
|
"And you can sing?"
|
||
|
|
||
|
"Yes," returned Passepartout, who had formerly been wont
|
||
|
to sing in the streets.
|
||
|
|
||
|
"But can you sing standing on your head, with a top spinning
|
||
|
on your left foot, and a sabre balanced on your right?"
|
||
|
|
||
|
"Humph! I think so," replied Passepartout, recalling the exercises
|
||
|
of his younger days.
|
||
|
|
||
|
"Well, that's enough," said the Honourable William Batulcar.
|
||
|
|
||
|
The engagement was concluded there and then.
|
||
|
|
||
|
Passepartout had at last found something to do. He was engaged
|
||
|
to act in the celebrated Japanese troupe. It was not a very dignified
|
||
|
position, but within a week he would be on his way to San Francisco.
|
||
|
|
||
|
The performance, so noisily announced by the Honourable Mr. Batulcar,
|
||
|
was to commence at three o'clock, and soon the deafening instruments
|
||
|
of a Japanese orchestra resounded at the door. Passepartout,
|
||
|
though he had not been able to study or rehearse a part,
|
||
|
was designated to lend the aid of his sturdy shoulders
|
||
|
in the great exhibition of the "human pyramid," executed
|
||
|
by the Long Noses of the god Tingou. This "great attraction"
|
||
|
was to close the performance.
|
||
|
|
||
|
Before three o'clock the large shed was invaded by the spectators,
|
||
|
comprising Europeans and natives, Chinese and Japanese, men, women
|
||
|
and children, who precipitated themselves upon the narrow benches
|
||
|
and into the boxes opposite the stage. The musicians took up a position
|
||
|
inside, and were vigorously performing on their gongs, tam-tams, flutes,
|
||
|
bones, tambourines, and immense drums.
|
||
|
|
||
|
The performance was much like all acrobatic displays; but it must be
|
||
|
confessed that the Japanese are the first equilibrists in the world.
|
||
|
|
||
|
One, with a fan and some bits of paper, performed the graceful
|
||
|
trick of the butterflies and the flowers; another traced in the air,
|
||
|
with the odorous smoke of his pipe, a series of blue words,
|
||
|
which composed a compliment to the audience; while a third juggled
|
||
|
with some lighted candles, which he extinguished successively
|
||
|
as they passed his lips, and relit again without interrupting
|
||
|
for an instant his juggling. Another reproduced the most singular
|
||
|
combinations with a spinning-top; in his hands the revolving tops
|
||
|
seemed to be animated with a life of their own in their
|
||
|
interminable whirling; they ran over pipe-stems, the edges of sabres,
|
||
|
wires and even hairs stretched across the stage; they turned around
|
||
|
on the edges of large glasses, crossed bamboo ladders, dispersed into
|
||
|
all the corners, and produced strange musical effects by the combination
|
||
|
of their various pitches of tone. The jugglers tossed them in the air,
|
||
|
threw them like shuttlecocks with wooden battledores, and yet they kept
|
||
|
on spinning; they put them into their pockets, and took them out
|
||
|
still whirling as before.
|
||
|
|
||
|
It is useless to describe the astonishing performances of the acrobats
|
||
|
and gymnasts. The turning on ladders, poles, balls, barrels, &c.,
|
||
|
was executed with wonderful precision.
|
||
|
|
||
|
But the principal attraction was the exhibition of the Long Noses,
|
||
|
a show to which Europe is as yet a stranger.
|
||
|
|
||
|
The Long Noses form a peculiar company, under the direct patronage
|
||
|
of the god Tingou. Attired after the fashion of the Middle Ages,
|
||
|
they bore upon their shoulders a splendid pair of wings;
|
||
|
but what especially distinguished them was the long noses
|
||
|
which were fastened to their faces, and the uses which they made of them.
|
||
|
These noses were made of bamboo, and were five, six, and even ten feet long,
|
||
|
some straight, others curved, some ribboned, and some having imitation warts
|
||
|
upon them. It was upon these appendages, fixed tightly on their real noses,
|
||
|
that they performed their gymnastic exercises. A dozen of these sectaries
|
||
|
of Tingou lay flat upon their backs, while others, dressed to represent
|
||
|
lightning-rods, came and frolicked on their noses, jumping from one to another,
|
||
|
and performing the most skilful leapings and somersaults.
|
||
|
|
||
|
As a last scene, a "human pyramid" had been announced, in which
|
||
|
fifty Long Noses were to represent the Car of Juggernaut.
|
||
|
But, instead of forming a pyramid by mounting each other's shoulders,
|
||
|
the artists were to group themselves on top of the noses.
|
||
|
It happened that the performer who had hitherto formed the base
|
||
|
of the Car had quitted the troupe, and as, to fill this part,
|
||
|
only strength and adroitness were necessary, Passepartout
|
||
|
had been chosen to take his place.
|
||
|
|
||
|
The poor fellow really felt sad when--melancholy reminiscence
|
||
|
of his youth!--he donned his costume, adorned with vari-coloured wings,
|
||
|
and fastened to his natural feature a false nose six feet long.
|
||
|
But he cheered up when he thought that this nose was winning
|
||
|
him something to eat.
|
||
|
|
||
|
He went upon the stage, and took his place beside the rest
|
||
|
who were to compose the base of the Car of Juggernaut.
|
||
|
They all stretched themselves on the floor, their noses pointing
|
||
|
to the ceiling. A second group of artists disposed themselves on
|
||
|
these long appendages, then a third above these, then a fourth,
|
||
|
until a human monument reaching to the very cornices of the theatre
|
||
|
soon arose on top of the noses. This elicited loud applause,
|
||
|
in the midst of which the orchestra was just striking up a deafening air,
|
||
|
when the pyramid tottered, the balance was lost, one of the lower
|
||
|
noses vanished from the pyramid, and the human monument was
|
||
|
shattered like a castle built of cards!
|
||
|
|
||
|
It was Passepartout's fault. Abandoning his position,
|
||
|
clearing the footlights without the aid of his wings, and,
|
||
|
clambering up to the right-hand gallery, he fell at the feet of
|
||
|
one of the spectators, crying, "Ah, my master! my master!"
|
||
|
|
||
|
"You here?"
|
||
|
|
||
|
"Myself."
|
||
|
|
||
|
"Very well; then let us go to the steamer, young man!"
|
||
|
|
||
|
Mr. Fogg, Aouda, and Passepartout passed through the lobby
|
||
|
of the theatre to the outside, where they encountered
|
||
|
the Honourable Mr. Batulcar, furious with rage. He demanded damages
|
||
|
for the "breakage" of the pyramid; and Phileas Fogg appeased him
|
||
|
by giving him a handful of banknotes.
|
||
|
|
||
|
At half-past six, the very hour of departure, Mr. Fogg and Aouda,
|
||
|
followed by Passepartout, who in his hurry had retained his wings,
|
||
|
and nose six feet long, stepped upon the American steamer.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXIV
|
||
|
|
||
|
DURING WHICH MR. FOGG AND PARTY CROSS THE PACIFIC OCEAN
|
||
|
|
||
|
|
||
|
What happened when the pilot-boat came in sight of Shanghai will
|
||
|
be easily guessed. The signals made by the Tankadere had been
|
||
|
seen by the captain of the Yokohama steamer, who, espying the flag
|
||
|
at half-mast, had directed his course towards the little craft.
|
||
|
Phileas Fogg, after paying the stipulated price of his passage to
|
||
|
John Busby, and rewarding that worthy with the additional sum of
|
||
|
five hundred and fifty pounds, ascended the steamer with Aouda
|
||
|
and Fix; and they started at once for Nagasaki and Yokohama.
|
||
|
|
||
|
They reached their destination on the morning of the 14th of November.
|
||
|
Phileas Fogg lost no time in going on board the Carnatic, where he learned,
|
||
|
to Aouda's great delight--and perhaps to his own, though he betrayed
|
||
|
no emotion--that Passepartout, a Frenchman, had really arrived on her
|
||
|
the day before.
|
||
|
|
||
|
The San Francisco steamer was announced to leave that very evening,
|
||
|
and it became necessary to find Passepartout, if possible, without delay.
|
||
|
Mr. Fogg applied in vain to the French and English consuls, and,
|
||
|
after wandering through the streets a long time, began to despair
|
||
|
of finding his missing servant. Chance, or perhaps a kind of presentiment,
|
||
|
at last led him into the Honourable Mr. Batulcar's theatre. He certainly
|
||
|
would not have recognised Passepartout in the eccentric mountebank's costume;
|
||
|
but the latter, lying on his back, perceived his master in the gallery.
|
||
|
He could not help starting, which so changed the position of his nose
|
||
|
as to bring the "pyramid" pell-mell upon the stage.
|
||
|
|
||
|
All this Passepartout learned from Aouda, who recounted to him
|
||
|
what had taken place on the voyage from Hong Kong to Shanghai
|
||
|
on the Tankadere, in company with one Mr. Fix.
|
||
|
|
||
|
Passepartout did not change countenance on hearing this name.
|
||
|
He thought that the time had not yet arrived to divulge to his
|
||
|
master what had taken place between the detective and himself;
|
||
|
and, in the account he gave of his absence, he simply excused himself
|
||
|
for having been overtaken by drunkenness, in smoking opium
|
||
|
at a tavern in Hong Kong.
|
||
|
|
||
|
Mr. Fogg heard this narrative coldly, without a word; and then
|
||
|
furnished his man with funds necessary to obtain clothing more
|
||
|
in harmony with his position. Within an hour the Frenchman had
|
||
|
cut off his nose and parted with his wings, and retained nothing
|
||
|
about him which recalled the sectary of the god Tingou.
|
||
|
|
||
|
The steamer which was about to depart from Yokohama to San Francisco
|
||
|
belonged to the Pacific Mail Steamship Company, and was named
|
||
|
the General Grant. She was a large paddle-wheel steamer
|
||
|
of two thousand five hundred tons; well equipped and very fast.
|
||
|
The massive walking-beam rose and fell above the deck;
|
||
|
at one end a piston-rod worked up and down; and at the other
|
||
|
was a connecting-rod which, in changing the rectilinear motion
|
||
|
to a circular one, was directly connected with the shaft of the paddles.
|
||
|
The General Grant was rigged with three masts, giving a large capacity
|
||
|
for sails, and thus materially aiding the steam power. By making
|
||
|
twelve miles an hour, she would cross the ocean in twenty-one days.
|
||
|
Phileas Fogg was therefore justified in hoping that he would reach
|
||
|
San Francisco by the 2nd of December, New York by the 11th,
|
||
|
and London on the 20th--thus gaining several hours on the fatal date
|
||
|
of the 21st of December.
|
||
|
|
||
|
There was a full complement of passengers on board, among them English,
|
||
|
many Americans, a large number of coolies on their way to California,
|
||
|
and several East Indian officers, who were spending their vacation
|
||
|
in making the tour of the world. Nothing of moment happened on the voyage;
|
||
|
the steamer, sustained on its large paddles, rolled but little,
|
||
|
and the Pacific almost justified its name. Mr. Fogg was as calm
|
||
|
and taciturn as ever. His young companion felt herself more and more
|
||
|
attached to him by other ties than gratitude; his silent but generous nature
|
||
|
impressed her more than she thought; and it was almost unconsciously that
|
||
|
she yielded to emotions which did not seem to have the least effect upon
|
||
|
her protector. Aouda took the keenest interest in his plans, and became
|
||
|
impatient at any incident which seemed likely to retard his journey.
|
||
|
|
||
|
She often chatted with Passepartout, who did not fail to perceive
|
||
|
the state of the lady's heart; and, being the most faithful of domestics,
|
||
|
he never exhausted his eulogies of Phileas Fogg's honesty, generosity,
|
||
|
and devotion. He took pains to calm Aouda's doubts of a successful
|
||
|
termination of the journey, telling her that the most difficult part
|
||
|
of it had passed, that now they were beyond the fantastic countries
|
||
|
of Japan and China, and were fairly on their way to civilised places again.
|
||
|
A railway train from San Francisco to New York, and a transatlantic steamer
|
||
|
from New York to Liverpool, would doubtless bring them to the end of this
|
||
|
impossible journey round the world within the period agreed upon.
|
||
|
|
||
|
On the ninth day after leaving Yokohama, Phileas Fogg had traversed exactly
|
||
|
one half of the terrestrial globe. The General Grant passed, on the 23rd
|
||
|
of November, the one hundred and eightieth meridian, and was at the very
|
||
|
antipodes of London. Mr. Fogg had, it is true, exhausted fifty-two
|
||
|
of the eighty days in which he was to complete the tour, and there were
|
||
|
only twenty-eight left. But, though he was only half-way by the
|
||
|
difference of meridians, he had really gone over two-thirds of the
|
||
|
whole journey; for he had been obliged to make long circuits from
|
||
|
London to Aden, from Aden to Bombay, from Calcutta to Singapore,
|
||
|
and from Singapore to Yokohama. Could he have followed without
|
||
|
deviation the fiftieth parallel, which is that of London,
|
||
|
the whole distance would only have been about twelve thousand miles;
|
||
|
whereas he would be forced, by the irregular methods of locomotion,
|
||
|
to traverse twenty-six thousand, of which he had, on the 23rd of November,
|
||
|
accomplished seventeen thousand five hundred. And now the course was
|
||
|
a straight one, and Fix was no longer there to put obstacles in their way!
|
||
|
|
||
|
It happened also, on the 23rd of November, that Passepartout
|
||
|
made a joyful discovery. It will be remembered that the obstinate
|
||
|
fellow had insisted on keeping his famous family watch at London time,
|
||
|
and on regarding that of the countries he had passed through as quite false
|
||
|
and unreliable. Now, on this day, though he had not changed the hands,
|
||
|
he found that his watch exactly agreed with the ship's chronometers.
|
||
|
His triumph was hilarious. He would have liked to know what Fix
|
||
|
would say if he were aboard!
|
||
|
|
||
|
"The rogue told me a lot of stories," repeated Passepartout,
|
||
|
"about the meridians, the sun, and the moon! Moon, indeed!
|
||
|
moonshine more likely! If one listened to that sort of people,
|
||
|
a pretty sort of time one would keep! I was sure that the sun
|
||
|
would some day regulate itself by my watch!"
|
||
|
|
||
|
Passepartout was ignorant that, if the face of his watch had
|
||
|
been divided into twenty-four hours, like the Italian clocks,
|
||
|
he would have no reason for exultation; for the hands of his watch
|
||
|
would then, instead of as now indicating nine o'clock in the morning,
|
||
|
indicate nine o'clock in the evening, that is, the twenty-first hour
|
||
|
after midnight precisely the difference between London time and that
|
||
|
of the one hundred and eightieth meridian. But if Fix had been able
|
||
|
to explain this purely physical effect, Passepartout would not have admitted,
|
||
|
even if he had comprehended it. Moreover, if the detective had been on board
|
||
|
at that moment, Passepartout would have joined issue with him on a quite
|
||
|
different subject, and in an entirely different manner.
|
||
|
|
||
|
Where was Fix at that moment?
|
||
|
|
||
|
He was actually on board the General Grant.
|
||
|
|
||
|
On reaching Yokohama, the detective, leaving Mr. Fogg, whom he expected
|
||
|
to meet again during the day, had repaired at once to the English consulate,
|
||
|
where he at last found the warrant of arrest. It had followed him from Bombay,
|
||
|
and had come by the Carnatic, on which steamer he himself was supposed to be.
|
||
|
Fix's disappointment may be imagined when he reflected that the warrant was
|
||
|
now useless. Mr. Fogg had left English ground, and it was now necessary
|
||
|
to procure his extradition!
|
||
|
|
||
|
"Well," thought Fix, after a moment of anger, "my warrant is not good here,
|
||
|
but it will be in England. The rogue evidently intends to return to his
|
||
|
own country, thinking he has thrown the police off his track. Good!
|
||
|
I will follow him across the Atlantic. As for the money, heaven grant
|
||
|
there may be some left! But the fellow has already spent in travelling,
|
||
|
rewards, trials, bail, elephants, and all sorts of charges, more than
|
||
|
five thousand pounds. Yet, after all, the Bank is rich!"
|
||
|
|
||
|
His course decided on, he went on board the General Grant,
|
||
|
and was there when Mr. Fogg and Aouda arrived. To his utter
|
||
|
amazement, he recognised Passepartout, despite his theatrical disguise.
|
||
|
He quickly concealed himself in his cabin, to avoid an awkward explanation,
|
||
|
and hoped--thanks to the number of passengers--to remain unperceived
|
||
|
by Mr. Fogg's servant.
|
||
|
|
||
|
On that very day, however, he met Passepartout face to face
|
||
|
on the forward deck. The latter, without a word,
|
||
|
made a rush for him, grasped him by the throat,
|
||
|
and, much to the amusement of a group of Americans,
|
||
|
who immediately began to bet on him, administered
|
||
|
to the detective a perfect volley of blows,
|
||
|
which proved the great superiority of French
|
||
|
over English pugilistic skill.
|
||
|
|
||
|
When Passepartout had finished, he found himself relieved
|
||
|
and comforted. Fix got up in a somewhat rumpled condition,
|
||
|
and, looking at his adversary, coldly said, "Have you done?"
|
||
|
|
||
|
"For this time--yes."
|
||
|
|
||
|
"Then let me have a word with you."
|
||
|
|
||
|
"But I--"
|
||
|
|
||
|
"In your master's interests."
|
||
|
|
||
|
Passepartout seemed to be vanquished by Fix's coolness, for he quietly
|
||
|
followed him, and they sat down aside from the rest of the passengers.
|
||
|
|
||
|
"You have given me a thrashing," said Fix. "Good, I expected it.
|
||
|
Now, listen to me. Up to this time I have been Mr. Fogg's adversary.
|
||
|
I am now in his game."
|
||
|
|
||
|
"Aha!" cried Passepartout; "you are convinced he is an honest man?"
|
||
|
|
||
|
"No," replied Fix coldly, "I think him a rascal. Sh! don't budge,
|
||
|
and let me speak. As long as Mr. Fogg was on English ground,
|
||
|
it was for my interest to detain him there until my warrant
|
||
|
of arrest arrived. I did everything I could to keep him back.
|
||
|
I sent the Bombay priests after him, I got you intoxicated at Hong Kong,
|
||
|
I separated you from him, and I made him miss the Yokohama steamer."
|
||
|
|
||
|
Passepartout listened, with closed fists.
|
||
|
|
||
|
"Now," resumed Fix, "Mr. Fogg seems to be going back to England.
|
||
|
Well, I will follow him there. But hereafter I will do as much
|
||
|
to keep obstacles out of his way as I have done up to this time
|
||
|
to put them in his path. I've changed my game, you see,
|
||
|
and simply because it was for my interest to change it.
|
||
|
Your interest is the same as mine; for it is only in England
|
||
|
that you will ascertain whether you are in the service of a criminal
|
||
|
or an honest man."
|
||
|
|
||
|
Passepartout listened very attentively to Fix,
|
||
|
and was convinced that he spoke with entire good faith.
|
||
|
|
||
|
"Are we friends?" asked the detective.
|
||
|
|
||
|
"Friends?--no," replied Passepartout; "but allies, perhaps.
|
||
|
At the least sign of treason, however, I'll twist your neck for you."
|
||
|
|
||
|
"Agreed," said the detective quietly.
|
||
|
|
||
|
Eleven days later, on the 3rd of December, the General Grant
|
||
|
entered the bay of the Golden Gate, and reached San Francisco.
|
||
|
|
||
|
Mr. Fogg had neither gained nor lost a single day.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXV
|
||
|
|
||
|
IN WHICH A SLIGHT GLIMPSE IS HAD OF SAN FRANCISCO
|
||
|
|
||
|
|
||
|
It was seven in the morning when Mr. Fogg, Aouda, and Passepartout
|
||
|
set foot upon the American continent, if this name can be given to
|
||
|
the floating quay upon which they disembarked. These quays,
|
||
|
rising and falling with the tide, thus facilitate the loading
|
||
|
and unloading of vessels. Alongside them were clippers of all sizes,
|
||
|
steamers of all nationalities, and the steamboats, with several decks
|
||
|
rising one above the other, which ply on the Sacramento and its tributaries.
|
||
|
There were also heaped up the products of a commerce which extends to Mexico,
|
||
|
Chili, Peru, Brazil, Europe, Asia, and all the Pacific islands.
|
||
|
|
||
|
Passepartout, in his joy on reaching at last the American continent,
|
||
|
thought he would manifest it by executing a perilous vault in fine style;
|
||
|
but, tumbling upon some worm-eaten planks, he fell through them.
|
||
|
Put out of countenance by the manner in which he thus "set foot"
|
||
|
upon the New World, he uttered a loud cry, which so frightened
|
||
|
the innumerable cormorants and pelicans that are always perched
|
||
|
upon these movable quays, that they flew noisily away.
|
||
|
|
||
|
Mr. Fogg, on reaching shore, proceeded to find out at what hour the first
|
||
|
train left for New York, and learned that this was at six o'clock p.m.;
|
||
|
he had, therefore, an entire day to spend in the Californian capital.
|
||
|
Taking a carriage at a charge of three dollars, he and Aouda entered it,
|
||
|
while Passepartout mounted the box beside the driver, and they set out
|
||
|
for the International Hotel.
|
||
|
|
||
|
From his exalted position Passepartout observed with much curiosity
|
||
|
the wide streets, the low, evenly ranged houses, the Anglo-Saxon
|
||
|
Gothic churches, the great docks, the palatial wooden and brick warehouses,
|
||
|
the numerous conveyances, omnibuses, horse-cars, and upon the side-walks,
|
||
|
not only Americans and Europeans, but Chinese and Indians. Passepartout
|
||
|
was surprised at all he saw. San Francisco was no longer the legendary city
|
||
|
of 1849--a city of banditti, assassins, and incendiaries, who had flocked
|
||
|
hither in crowds in pursuit of plunder; a paradise of outlaws, where they
|
||
|
gambled with gold-dust, a revolver in one hand and a bowie-knife in the other:
|
||
|
it was now a great commercial emporium.
|
||
|
|
||
|
The lofty tower of its City Hall overlooked the whole panorama
|
||
|
of the streets and avenues, which cut each other at right-angles,
|
||
|
and in the midst of which appeared pleasant, verdant squares,
|
||
|
while beyond appeared the Chinese quarter, seemingly imported
|
||
|
from the Celestial Empire in a toy-box. Sombreros and red shirts
|
||
|
and plumed Indians were rarely to be seen; but there were silk hats
|
||
|
and black coats everywhere worn by a multitude of nervously active,
|
||
|
gentlemanly-looking men. Some of the streets-- especially Montgomery Street,
|
||
|
which is to San Francisco what Regent Street is to London,
|
||
|
the Boulevard des Italiens to Paris, and Broadway to New York--
|
||
|
were lined with splendid and spacious stores, which exposed
|
||
|
in their windows the products of the entire world.
|
||
|
|
||
|
When Passepartout reached the International Hotel,
|
||
|
it did not seem to him as if he had left England at all.
|
||
|
|
||
|
The ground floor of the hotel was occupied by a large bar,
|
||
|
a sort of restaurant freely open to all passers-by, who might
|
||
|
partake of dried beef, oyster soup, biscuits, and cheese,
|
||
|
without taking out their purses. Payment was made only for the ale,
|
||
|
porter, or sherry which was drunk. This seemed "very American"
|
||
|
to Passepartout. The hotel refreshment-rooms were comfortable,
|
||
|
and Mr. Fogg and Aouda, installing themselves at a table,
|
||
|
were abundantly served on diminutive plates by negroes of darkest hue.
|
||
|
|
||
|
After breakfast, Mr. Fogg, accompanied by Aouda, started for
|
||
|
the English consulate to have his passport visaed. As he was
|
||
|
going out, he met Passepartout, who asked him if it would not be well,
|
||
|
before taking the train, to purchase some dozens of Enfield rifles
|
||
|
and Colt's revolvers. He had been listening to stories of attacks
|
||
|
upon the trains by the Sioux and Pawnees. Mr. Fogg thought it
|
||
|
a useless precaution, but told him to do as he thought best,
|
||
|
and went on to the consulate.
|
||
|
|
||
|
He had not proceeded two hundred steps, however, when, "by the
|
||
|
greatest chance in the world," he met Fix. The detective seemed
|
||
|
wholly taken by surprise. What! Had Mr. Fogg and himself
|
||
|
crossed the Pacific together, and not met on the steamer!
|
||
|
At least Fix felt honoured to behold once more the gentleman
|
||
|
to whom he owed so much, and, as his business recalled him to Europe,
|
||
|
he should be delighted to continue the journey in such pleasant company.
|
||
|
|
||
|
Mr. Fogg replied that the honour would be his; and the detective--
|
||
|
who was determined not to lose sight of him--begged permission
|
||
|
to accompany them in their walk about San Francisco--a request
|
||
|
which Mr. Fogg readily granted.
|
||
|
|
||
|
They soon found themselves in Montgomery Street, where a great
|
||
|
crowd was collected; the side-walks, street, horsecar rails,
|
||
|
the shop-doors, the windows of the houses, and even the roofs,
|
||
|
were full of people. Men were going about carrying large posters,
|
||
|
and flags and streamers were floating in the wind; while loud cries
|
||
|
were heard on every hand.
|
||
|
|
||
|
"Hurrah for Camerfield!"
|
||
|
|
||
|
"Hurrah for Mandiboy!"
|
||
|
|
||
|
It was a political meeting; at least so Fix conjectured, who said to Mr. Fogg,
|
||
|
"Perhaps we had better not mingle with the crowd. There may be danger in it."
|
||
|
|
||
|
"Yes," returned Mr. Fogg; "and blows, even if they are political
|
||
|
are still blows."
|
||
|
|
||
|
Fix smiled at this remark; and, in order to be able to see without
|
||
|
being jostled about, the party took up a position on the top of a flight
|
||
|
of steps situated at the upper end of Montgomery Street. Opposite them,
|
||
|
on the other side of the street, between a coal wharf and a petroleum warehouse,
|
||
|
a large platform had been erected in the open air, towards which the current
|
||
|
of the crowd seemed to be directed.
|
||
|
|
||
|
For what purpose was this meeting? What was the occasion of this
|
||
|
excited assemblage? Phileas Fogg could not imagine. Was it to nominate
|
||
|
some high official--a governor or member of Congress? It was not improbable,
|
||
|
so agitated was the multitude before them.
|
||
|
|
||
|
Just at this moment there was an unusual stir in the human mass.
|
||
|
All the hands were raised in the air. Some, tightly closed,
|
||
|
seemed to disappear suddenly in the midst of the cries--an energetic way,
|
||
|
no doubt, of casting a vote. The crowd swayed back, the banners and flags
|
||
|
wavered, disappeared an instant, then reappeared in tatters.
|
||
|
The undulations of the human surge reached the steps,
|
||
|
while all the heads floundered on the surface like a sea
|
||
|
agitated by a squall. Many of the black hats disappeared,
|
||
|
and the greater part of the crowd seemed to have diminished in height.
|
||
|
|
||
|
"It is evidently a meeting," said Fix, "and its object must be
|
||
|
an exciting one. I should not wonder if it were about the Alabama,
|
||
|
despite the fact that that question is settled."
|
||
|
|
||
|
"Perhaps," replied Mr. Fogg, simply.
|
||
|
|
||
|
"At least, there are two champions in presence of each other,
|
||
|
the Honourable Mr. Camerfield and the Honourable Mr. Mandiboy."
|
||
|
|
||
|
Aouda, leaning upon Mr. Fogg's arm, observed the tumultuous scene
|
||
|
with surprise, while Fix asked a man near him what the cause of it all was.
|
||
|
Before the man could reply, a fresh agitation arose; hurrahs and excited
|
||
|
shouts were heard; the staffs of the banners began to be used
|
||
|
as offensive weapons; and fists flew about in every direction.
|
||
|
Thumps were exchanged from the tops of the carriages and omnibuses
|
||
|
which had been blocked up in the crowd. Boots and shoes went whirling
|
||
|
through the air, and Mr. Fogg thought he even heard the crack of revolvers
|
||
|
mingling in the din, the rout approached the stairway, and flowed over
|
||
|
the lower step. One of the parties had evidently been repulsed;
|
||
|
but the mere lookers-on could not tell whether Mandiboy or Camerfield
|
||
|
had gained the upper hand.
|
||
|
|
||
|
"It would be prudent for us to retire," said Fix, who was anxious
|
||
|
that Mr. Fogg should not receive any injury, at least until
|
||
|
they got back to London. "If there is any question about England
|
||
|
in all this, and we were recognised, I fear it would go hard with us."
|
||
|
|
||
|
"An English subject--" began Mr. Fogg.
|
||
|
|
||
|
He did not finish his sentence; for a terrific hubbub now arose
|
||
|
on the terrace behind the flight of steps where they stood,
|
||
|
and there were frantic shouts of, "Hurrah for Mandiboy! Hip, hip, hurrah!"
|
||
|
|
||
|
It was a band of voters coming to the rescue of their allies,
|
||
|
and taking the Camerfield forces in flank. Mr. Fogg, Aouda,
|
||
|
and Fix found themselves between two fires; it was too late to escape.
|
||
|
The torrent of men, armed with loaded canes and sticks, was irresistible.
|
||
|
Phileas Fogg and Fix were roughly hustled in their attempts to protect
|
||
|
their fair companion; the former, as cool as ever, tried to defend himself
|
||
|
with the weapons which nature has placed at the end of every Englishman's arm,
|
||
|
but in vain. A big brawny fellow with a red beard, flushed face,
|
||
|
and broad shoulders, who seemed to be the chief of the band,
|
||
|
raised his clenched fist to strike Mr. Fogg, whom he would have given
|
||
|
a crushing blow, had not Fix rushed in and received it in his stead.
|
||
|
An enormous bruise immediately made its appearance under the detective's
|
||
|
silk hat, which was completely smashed in.
|
||
|
|
||
|
"Yankee!" exclaimed Mr. Fogg, darting a contemptuous look at the ruffian.
|
||
|
|
||
|
"Englishman!" returned the other. "We will meet again!"
|
||
|
|
||
|
"When you please."
|
||
|
|
||
|
"What is your name?"
|
||
|
|
||
|
"Phileas Fogg. And yours?"
|
||
|
|
||
|
"Colonel Stamp Proctor."
|
||
|
|
||
|
The human tide now swept by, after overturning Fix, who speedily
|
||
|
got upon his feet again, though with tattered clothes. Happily,
|
||
|
he was not seriously hurt. His travelling overcoat was divided
|
||
|
into two unequal parts, and his trousers resembled those of certain Indians,
|
||
|
which fit less compactly than they are easy to put on.
|
||
|
Aouda had escaped unharmed, and Fix alone bore marks
|
||
|
of the fray in his black and blue bruise.
|
||
|
|
||
|
"Thanks," said Mr. Fogg to the detective,
|
||
|
as soon as they were out of the crowd.
|
||
|
|
||
|
"No thanks are necessary," replied. Fix; "but let us go."
|
||
|
|
||
|
"Where?"
|
||
|
|
||
|
"To a tailor's."
|
||
|
|
||
|
Such a visit was, indeed, opportune. The clothing of both Mr. Fogg
|
||
|
and Fix was in rags, as if they had themselves been actively engaged
|
||
|
in the contest between Camerfield and Mandiboy. An hour after,
|
||
|
they were once more suitably attired, and with Aouda returned
|
||
|
to the International Hotel.
|
||
|
|
||
|
Passepartout was waiting for his master, armed with half a dozen
|
||
|
six-barrelled revolvers. When he perceived Fix, he knit his brows;
|
||
|
but Aouda having, in a few words, told him of their adventure,
|
||
|
his countenance resumed its placid expression. Fix evidently
|
||
|
was no longer an enemy, but an ally; he was faithfully keeping his word.
|
||
|
|
||
|
Dinner over, the coach which was to convey the passengers and their luggage
|
||
|
to the station drew up to the door. As he was getting in, Mr. Fogg
|
||
|
said to Fix, "You have not seen this Colonel Proctor again?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"I will come back to America to find him," said Phileas Fogg calmly.
|
||
|
"It would not be right for an Englishman to permit himself to be treated
|
||
|
in that way, without retaliating."
|
||
|
|
||
|
The detective smiled, but did not reply. It was clear that Mr. Fogg
|
||
|
was one of those Englishmen who, while they do not tolerate duelling at home,
|
||
|
fight abroad when their honour is attacked.
|
||
|
|
||
|
At a quarter before six the travellers reached the station,
|
||
|
and found the train ready to depart. As he was about to enter it,
|
||
|
Mr. Fogg called a porter, and said to him: "My friend,
|
||
|
was there not some trouble to-day in San Francisco?"
|
||
|
|
||
|
"It was a political meeting, sir," replied the porter.
|
||
|
|
||
|
"But I thought there was a great deal of disturbance in the streets."
|
||
|
|
||
|
"It was only a meeting assembled for an election."
|
||
|
|
||
|
"The election of a general-in-chief, no doubt?" asked Mr. Fogg.
|
||
|
|
||
|
"No, sir; of a justice of the peace."
|
||
|
|
||
|
Phileas Fogg got into the train, which started off at full speed.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXVI
|
||
|
|
||
|
IN WHICH PHILEAS FOGG AND PARTY TRAVEL BY THE PACIFIC RAILROAD
|
||
|
|
||
|
|
||
|
"From ocean to ocean"--so say the Americans; and these four words
|
||
|
compose the general designation of the "great trunk line"
|
||
|
which crosses the entire width of the United States.
|
||
|
The Pacific Railroad is, however, really divided into two distinct lines:
|
||
|
the Central Pacific, between San Francisco and Ogden, and the Union Pacific,
|
||
|
between Ogden and Omaha. Five main lines connect Omaha with New York.
|
||
|
|
||
|
New York and San Francisco are thus united by an uninterrupted metal ribbon,
|
||
|
which measures no less than three thousand seven hundred and eighty-six miles.
|
||
|
Between Omaha and the Pacific the railway crosses a territory which is still
|
||
|
infested by Indians and wild beasts, and a large tract which the Mormons,
|
||
|
after they were driven from Illinois in 1845, began to colonise.
|
||
|
|
||
|
The journey from New York to San Francisco consumed, formerly,
|
||
|
under the most favourable conditions, at least six months.
|
||
|
It is now accomplished in seven days.
|
||
|
|
||
|
It was in 1862 that, in spite of the Southern Members of Congress,
|
||
|
who wished a more southerly route, it was decided to lay the road
|
||
|
between the forty-first and forty-second parallels. President Lincoln
|
||
|
himself fixed the end of the line at Omaha, in Nebraska. The work was
|
||
|
at once commenced, and pursued with true American energy; nor did the
|
||
|
rapidity with which it went on injuriously affect its good execution.
|
||
|
The road grew, on the prairies, a mile and a half a day. A locomotive,
|
||
|
running on the rails laid down the evening before, brought the rails
|
||
|
to be laid on the morrow, and advanced upon them as fast as they were
|
||
|
put in position.
|
||
|
|
||
|
The Pacific Railroad is joined by several branches in Iowa, Kansas,
|
||
|
Colorado, and Oregon. On leaving Omaha, it passes along the left bank
|
||
|
of the Platte River as far as the junction of its northern branch,
|
||
|
follows its southern branch, crosses the Laramie territory and the
|
||
|
Wahsatch Mountains, turns the Great Salt Lake, and reaches Salt Lake City,
|
||
|
the Mormon capital, plunges into the Tuilla Valley, across the American Desert,
|
||
|
Cedar and Humboldt Mountains, the Sierra Nevada, and descends, via Sacramento,
|
||
|
to the Pacific--its grade, even on the Rocky Mountains, never exceeding
|
||
|
one hundred and twelve feet to the mile.
|
||
|
|
||
|
Such was the road to be traversed in seven days, which would enable
|
||
|
Phileas Fogg--at least, so he hoped--to take the Atlantic steamer
|
||
|
at New York on the 11th for Liverpool.
|
||
|
|
||
|
The car which he occupied was a sort of long omnibus on eight wheels,
|
||
|
and with no compartments in the interior. It was supplied with two rows
|
||
|
of seats, perpendicular to the direction of the train on either side
|
||
|
of an aisle which conducted to the front and rear platforms.
|
||
|
These platforms were found throughout the train, and the passengers
|
||
|
were able to pass from one end of the train to the other.
|
||
|
It was supplied with saloon cars, balcony cars, restaurants,
|
||
|
and smoking-cars; theatre cars alone were wanting, and they will
|
||
|
have these some day.
|
||
|
|
||
|
Book and news dealers, sellers of edibles, drinkables, and cigars,
|
||
|
who seemed to have plenty of customers, were continually circulating
|
||
|
in the aisles.
|
||
|
|
||
|
The train left Oakland station at six o'clock. It was already night,
|
||
|
cold and cheerless, the heavens being overcast with clouds which seemed
|
||
|
to threaten snow. The train did not proceed rapidly; counting the stoppages,
|
||
|
it did not run more than twenty miles an hour, which was a sufficient speed,
|
||
|
however, to enable it to reach Omaha within its designated time.
|
||
|
|
||
|
There was but little conversation in the car, and soon many of the passengers
|
||
|
were overcome with sleep. Passepartout found himself beside the detective;
|
||
|
but he did not talk to him. After recent events, their relations with each
|
||
|
other had grown somewhat cold; there could no longer be mutual sympathy or
|
||
|
intimacy between them. Fix's manner had not changed; but Passepartout was very
|
||
|
reserved, and ready to strangle his former friend on the slightest provocation.
|
||
|
|
||
|
Snow began to fall an hour after they started, a fine snow, however,
|
||
|
which happily could not obstruct the train; nothing could be seen
|
||
|
from the windows but a vast, white sheet, against which the smoke
|
||
|
of the locomotive had a greyish aspect.
|
||
|
|
||
|
At eight o'clock a steward entered the car and announced that
|
||
|
the time for going to bed had arrived; and in a few minutes
|
||
|
the car was transformed into a dormitory. The backs of the seats
|
||
|
were thrown back, bedsteads carefully packed were rolled out by
|
||
|
an ingenious system, berths were suddenly improvised, and each traveller
|
||
|
had soon at his disposition a comfortable bed, protected from curious eyes
|
||
|
by thick curtains. The sheets were clean and the pillows soft.
|
||
|
It only remained to go to bed and sleep which everybody did--
|
||
|
while the train sped on across the State of California.
|
||
|
|
||
|
The country between San Francisco and Sacramento is not very hilly.
|
||
|
The Central Pacific, taking Sacramento for its starting-point,
|
||
|
extends eastward to meet the road from Omaha. The line from San Francisco
|
||
|
to Sacramento runs in a north-easterly direction, along the American River,
|
||
|
which empties into San Pablo Bay. The one hundred and twenty miles between
|
||
|
these cities were accomplished in six hours, and towards midnight, while
|
||
|
fast asleep, the travellers passed through Sacramento; so that they saw nothing
|
||
|
of that important place, the seat of the State government, with its fine quays,
|
||
|
its broad streets, its noble hotels, squares, and churches.
|
||
|
|
||
|
The train, on leaving Sacramento, and passing the junction, Roclin, Auburn,
|
||
|
and Colfax, entered the range of the Sierra Nevada. 'Cisco was reached
|
||
|
at seven in the morning; and an hour later the dormitory was transformed
|
||
|
into an ordinary car, and the travellers could observe the picturesque
|
||
|
beauties of the mountain region through which they were steaming.
|
||
|
The railway track wound in and out among the passes, now approaching
|
||
|
the mountain-sides, now suspended over precipices, avoiding abrupt angles
|
||
|
by bold curves, plunging into narrow defiles, which seemed to have
|
||
|
no outlet. The locomotive, its great funnel emitting a weird light,
|
||
|
with its sharp bell, and its cow-catcher extended like a spur,
|
||
|
mingled its shrieks and bellowings with the noise of torrents and cascades,
|
||
|
and twined its smoke among the branches of the gigantic pines.
|
||
|
|
||
|
There were few or no bridges or tunnels on the route. The railway
|
||
|
turned around the sides of the mountains, and did not attempt to violate
|
||
|
nature by taking the shortest cut from one point to another.
|
||
|
|
||
|
The train entered the State of Nevada through the Carson Valley
|
||
|
about nine o'clock, going always northeasterly; and at midday reached Reno,
|
||
|
where there was a delay of twenty minutes for breakfast.
|
||
|
|
||
|
From this point the road, running along Humboldt River,
|
||
|
passed northward for several miles by its banks; then it
|
||
|
turned eastward, and kept by the river until it reached
|
||
|
the Humboldt Range, nearly at the extreme eastern limit of Nevada.
|
||
|
|
||
|
Having breakfasted, Mr. Fogg and his companions resumed their places
|
||
|
in the car, and observed the varied landscape which unfolded itself
|
||
|
as they passed along the vast prairies, the mountains lining the horizon,
|
||
|
and the creeks, with their frothy, foaming streams. Sometimes a great herd
|
||
|
of buffaloes, massing together in the distance, seemed like a moveable dam.
|
||
|
These innumerable multitudes of ruminating beasts often form an
|
||
|
insurmountable obstacle to the passage of the trains; thousands
|
||
|
of them have been seen passing over the track for hours together,
|
||
|
in compact ranks. The locomotive is then forced to stop and wait
|
||
|
till the road is once more clear.
|
||
|
|
||
|
This happened, indeed, to the train in which Mr. Fogg was travelling.
|
||
|
About twelve o'clock a troop of ten or twelve thousand head of buffalo
|
||
|
encumbered the track. The locomotive, slackening its speed, tried to clear
|
||
|
the way with its cow-catcher; but the mass of animals was too great.
|
||
|
The buffaloes marched along with a tranquil gait, uttering now and then
|
||
|
deafening bellowings. There was no use of interrupting them, for,
|
||
|
having taken a particular direction, nothing can moderate and change
|
||
|
their course; it is a torrent of living flesh which no dam could contain.
|
||
|
|
||
|
The travellers gazed on this curious spectacle from the platforms;
|
||
|
but Phileas Fogg, who had the most reason of all to be in a hurry,
|
||
|
remained in his seat, and waited philosophically until it should please
|
||
|
the buffaloes to get out of the way.
|
||
|
|
||
|
Passepartout was furious at the delay they occasioned, and longed
|
||
|
to discharge his arsenal of revolvers upon them.
|
||
|
|
||
|
"What a country!" cried he. "Mere cattle stop the trains, and go by
|
||
|
in a procession, just as if they were not impeding travel! Parbleu!
|
||
|
I should like to know if Mr. Fogg foresaw this mishap in his programme!
|
||
|
And here's an engineer who doesn't dare to run the locomotive
|
||
|
into this herd of beasts!"
|
||
|
|
||
|
The engineer did not try to overcome the obstacle, and he was wise.
|
||
|
He would have crushed the first buffaloes, no doubt, with the cow-catcher;
|
||
|
but the locomotive, however powerful, would soon have been checked,
|
||
|
the train would inevitably have been thrown off the track,
|
||
|
and would then have been helpless.
|
||
|
|
||
|
The best course was to wait patiently, and regain the lost time
|
||
|
by greater speed when the obstacle was removed. The procession
|
||
|
of buffaloes lasted three full hours, and it was night before
|
||
|
the track was clear. The last ranks of the herd were now passing over
|
||
|
the rails, while the first had already disappeared below the southern horizon.
|
||
|
|
||
|
It was eight o'clock when the train passed through the defiles
|
||
|
of the Humboldt Range, and half-past nine when it penetrated Utah,
|
||
|
the region of the Great Salt Lake, the singular colony of the Mormons.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXVII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT UNDERGOES, AT A SPEED OF TWENTY MILES AN HOUR,
|
||
|
A COURSE OF MORMON HISTORY
|
||
|
|
||
|
|
||
|
During the night of the 5th of December, the train ran south-easterly
|
||
|
for about fifty miles; then rose an equal distance in a north-easterly
|
||
|
direction, towards the Great Salt Lake.
|
||
|
|
||
|
Passepartout, about nine o'clock, went out upon the platform to take the air.
|
||
|
The weather was cold, the heavens grey, but it was not snowing.
|
||
|
The sun's disc, enlarged by the mist, seemed an enormous ring of gold,
|
||
|
and Passepartout was amusing himself by calculating its value
|
||
|
in pounds sterling, when he was diverted from this interesting study
|
||
|
by a strange-looking personage who made his appearance on the platform.
|
||
|
|
||
|
This personage, who had taken the train at Elko, was tall and dark,
|
||
|
with black moustache, black stockings, a black silk hat, a black waistcoat,
|
||
|
black trousers, a white cravat, and dogskin gloves. He might have been
|
||
|
taken for a clergyman. He went from one end of the train to the other,
|
||
|
and affixed to the door of each car a notice written in manuscript.
|
||
|
|
||
|
Passepartout approached and read one of these notices, which stated that
|
||
|
Elder William Hitch, Mormon missionary, taking advantage of his presence
|
||
|
on train No. 48, would deliver a lecture on Mormonism in car No. 117,
|
||
|
from eleven to twelve o'clock; and that he invited all who were desirous
|
||
|
of being instructed concerning the mysteries of the religion of the
|
||
|
"Latter Day Saints" to attend.
|
||
|
|
||
|
"I'll go," said Passepartout to himself. He knew nothing
|
||
|
of Mormonism except the custom of polygamy, which is its foundation.
|
||
|
|
||
|
The news quickly spread through the train, which contained
|
||
|
about one hundred passengers, thirty of whom, at most,
|
||
|
attracted by the notice, ensconced themselves in car No. 117.
|
||
|
Passepartout took one of the front seats. Neither Mr. Fogg
|
||
|
nor Fix cared to attend.
|
||
|
|
||
|
At the appointed hour Elder William Hitch rose, and, in an irritated voice,
|
||
|
as if he had already been contradicted, said, "I tell you that Joe Smith
|
||
|
is a martyr, that his brother Hiram is a martyr, and that the persecutions
|
||
|
of the United States Government against the prophets will also make a martyr
|
||
|
of Brigham Young. Who dares to say the contrary?"
|
||
|
|
||
|
No one ventured to gainsay the missionary, whose excited tone contrasted
|
||
|
curiously with his naturally calm visage. No doubt his anger arose
|
||
|
from the hardships to which the Mormons were actually subjected.
|
||
|
The government had just succeeded, with some difficulty, in reducing
|
||
|
these independent fanatics to its rule. It had made itself master of Utah,
|
||
|
and subjected that territory to the laws of the Union, after imprisoning
|
||
|
Brigham Young on a charge of rebellion and polygamy. The disciples
|
||
|
of the prophet had since redoubled their efforts, and resisted,
|
||
|
by words at least, the authority of Congress. Elder Hitch, as is seen,
|
||
|
was trying to make proselytes on the very railway trains.
|
||
|
|
||
|
Then, emphasising his words with his loud voice and frequent gestures,
|
||
|
he related the history of the Mormons from Biblical times: how that,
|
||
|
in Israel, a Mormon prophet of the tribe of Joseph published the annals
|
||
|
of the new religion, and bequeathed them to his son Mormon;
|
||
|
how, many centuries later, a translation of this precious book,
|
||
|
which was written in Egyptian, was made by Joseph Smith, junior,
|
||
|
a Vermont farmer, who revealed himself as a mystical prophet in 1825;
|
||
|
and how, in short, the celestial messenger appeared to him
|
||
|
in an illuminated forest, and gave him the annals of the Lord.
|
||
|
|
||
|
Several of the audience, not being much interested in
|
||
|
the missionary's narrative, here left the car; but Elder Hitch,
|
||
|
continuing his lecture, related how Smith, junior, with his father,
|
||
|
two brothers, and a few disciples, founded the church of the
|
||
|
"Latter Day Saints," which, adopted not only in America,
|
||
|
but in England, Norway and Sweden, and Germany, counts many artisans,
|
||
|
as well as men engaged in the liberal professions, among its members;
|
||
|
how a colony was established in Ohio, a temple erected there at a
|
||
|
cost of two hundred thousand dollars, and a town built at Kirkland;
|
||
|
how Smith became an enterprising banker, and received from a simple mummy
|
||
|
showman a papyrus scroll written by Abraham and several famous Egyptians.
|
||
|
|
||
|
The Elder's story became somewhat wearisome, and his audience
|
||
|
grew gradually less, until it was reduced to twenty passengers.
|
||
|
But this did not disconcert the enthusiast, who proceeded with
|
||
|
the story of Joseph Smith's bankruptcy in 1837, and how his ruined
|
||
|
creditors gave him a coat of tar and feathers; his reappearance
|
||
|
some years afterwards, more honourable and honoured than ever,
|
||
|
at Independence, Missouri, the chief of a flourishing colony
|
||
|
of three thousand disciples, and his pursuit thence by outraged Gentiles,
|
||
|
and retirement into the Far West.
|
||
|
|
||
|
Ten hearers only were now left, among them honest Passepartout,
|
||
|
who was listening with all his ears. Thus he learned that,
|
||
|
after long persecutions, Smith reappeared in Illinois,
|
||
|
and in 1839 founded a community at Nauvoo, on the Mississippi,
|
||
|
numbering twenty-five thousand souls, of which he became mayor,
|
||
|
chief justice, and general-in-chief; that he announced himself,
|
||
|
in 1843, as a candidate for the Presidency of the United States;
|
||
|
and that finally, being drawn into ambuscade at Carthage,
|
||
|
he was thrown into prison, and assassinated by a band of men
|
||
|
disguised in masks.
|
||
|
|
||
|
Passepartout was now the only person left in the car, and the Elder,
|
||
|
looking him full in the face, reminded him that, two years after
|
||
|
the assassination of Joseph Smith, the inspired prophet, Brigham Young,
|
||
|
his successor, left Nauvoo for the banks of the Great Salt Lake, where,
|
||
|
in the midst of that fertile region, directly on the route of the emigrants
|
||
|
who crossed Utah on their way to California, the new colony, thanks to
|
||
|
the polygamy practised by the Mormons, had flourished beyond expectations.
|
||
|
|
||
|
"And this," added Elder William Hitch, "this is why the jealousy of Congress
|
||
|
has been aroused against us! Why have the soldiers of the Union invaded
|
||
|
the soil of Utah? Why has Brigham Young, our chief, been imprisoned,
|
||
|
in contempt of all justice? Shall we yield to force? Never!
|
||
|
Driven from Vermont, driven from Illinois, driven from Ohio,
|
||
|
driven from Missouri, driven from Utah, we shall yet find some
|
||
|
independent territory on which to plant our tents. And you,
|
||
|
my brother," continued the Elder, fixing his angry eyes
|
||
|
upon his single auditor, "will you not plant yours there,
|
||
|
too, under the shadow of our flag?"
|
||
|
|
||
|
"No!" replied Passepartout courageously, in his turn retiring
|
||
|
from the car, and leaving the Elder to preach to vacancy.
|
||
|
|
||
|
During the lecture the train had been making good progress,
|
||
|
and towards half-past twelve it reached the northwest border
|
||
|
of the Great Salt Lake. Thence the passengers could observe
|
||
|
the vast extent of this interior sea, which is also called the Dead Sea,
|
||
|
and into which flows an American Jordan. It is a picturesque expanse,
|
||
|
framed in lofty crags in large strata, encrusted with white salt--
|
||
|
a superb sheet of water, which was formerly of larger extent than now,
|
||
|
its shores having encroached with the lapse of time, and thus at once
|
||
|
reduced its breadth and increased its depth.
|
||
|
|
||
|
The Salt Lake, seventy miles long and thirty-five wide,
|
||
|
is situated three miles eight hundred feet above the sea.
|
||
|
Quite different from Lake Asphaltite, whose depression
|
||
|
is twelve hundred feet below the sea, it contains considerable salt,
|
||
|
and one quarter of the weight of its water is solid matter,
|
||
|
its specific weight being 1,170, and, after being distilled, 1,000.
|
||
|
Fishes are, of course, unable to live in it, and those which descend
|
||
|
through the Jordan, the Weber, and other streams soon perish.
|
||
|
|
||
|
The country around the lake was well cultivated, for the Mormons
|
||
|
are mostly farmers; while ranches and pens for domesticated animals,
|
||
|
fields of wheat, corn, and other cereals, luxuriant prairies,
|
||
|
hedges of wild rose, clumps of acacias and milk-wort,
|
||
|
would have been seen six months later. Now the ground
|
||
|
was covered with a thin powdering of snow.
|
||
|
|
||
|
The train reached Ogden at two o'clock, where it rested for six hours,
|
||
|
Mr. Fogg and his party had time to pay a visit to Salt Lake City,
|
||
|
connected with Ogden by a branch road; and they spent two hours
|
||
|
in this strikingly American town, built on the pattern of other cities
|
||
|
of the Union, like a checker-board, "with the sombre sadness of right-angles,"
|
||
|
as Victor Hugo expresses it. The founder of the City of the Saints
|
||
|
could not escape from the taste for symmetry which distinguishes
|
||
|
the Anglo-Saxons. In this strange country, where the people
|
||
|
are certainly not up to the level of their institutions,
|
||
|
everything is done "squarely"--cities, houses, and follies.
|
||
|
|
||
|
The travellers, then, were promenading, at three o'clock,
|
||
|
about the streets of the town built between the banks of the
|
||
|
Jordan and the spurs of the Wahsatch Range. They saw few
|
||
|
or no churches, but the prophet's mansion, the court-house,
|
||
|
and the arsenal, blue-brick houses with verandas and porches,
|
||
|
surrounded by gardens bordered with acacias, palms, and locusts.
|
||
|
A clay and pebble wall, built in 1853, surrounded the town;
|
||
|
and in the principal street were the market and several hotels
|
||
|
adorned with pavilions. The place did not seem thickly populated.
|
||
|
The streets were almost deserted, except in the vicinity of the temple,
|
||
|
which they only reached after having traversed several quarters
|
||
|
surrounded by palisades. There were many women, which was easily
|
||
|
accounted for by the "peculiar institution" of the Mormons;
|
||
|
but it must not be supposed that all the Mormons are polygamists.
|
||
|
They are free to marry or not, as they please; but it is worth noting
|
||
|
that it is mainly the female citizens of Utah who are anxious to marry,
|
||
|
as, according to the Mormon religion, maiden ladies are not admitted
|
||
|
to the possession of its highest joys. These poor creatures seemed
|
||
|
to be neither well off nor happy. Some--the more well-to-do, no doubt--
|
||
|
wore short, open, black silk dresses, under a hood or modest shawl;
|
||
|
others were habited in Indian fashion.
|
||
|
|
||
|
Passepartout could not behold without a certain fright these women,
|
||
|
charged, in groups, with conferring happiness on a single Mormon.
|
||
|
His common sense pitied, above all, the husband. It seemed to him
|
||
|
a terrible thing to have to guide so many wives at once across
|
||
|
the vicissitudes of life, and to conduct them, as it were,
|
||
|
in a body to the Mormon paradise with the prospect of seeing them
|
||
|
in the company of the glorious Smith, who doubtless was the chief ornament
|
||
|
of that delightful place, to all eternity. He felt decidedly repelled
|
||
|
from such a vocation, and he imagined--perhaps he was mistaken--
|
||
|
that the fair ones of Salt Lake City cast rather alarming glances
|
||
|
on his person. Happily, his stay there was but brief. At four the party
|
||
|
found themselves again at the station, took their places in the train,
|
||
|
and the whistle sounded for starting. Just at the moment, however,
|
||
|
that the locomotive wheels began to move, cries of "Stop! stop!" were heard.
|
||
|
|
||
|
Trains, like time and tide, stop for no one. The gentleman
|
||
|
who uttered the cries was evidently a belated Mormon. He was
|
||
|
breathless with running. Happily for him, the station had neither
|
||
|
gates nor barriers. He rushed along the track, jumped on the rear
|
||
|
platform of the train, and fell, exhausted, into one of the seats.
|
||
|
|
||
|
Passepartout, who had been anxiously watching this amateur gymnast,
|
||
|
approached him with lively interest, and learned that he had taken flight
|
||
|
after an unpleasant domestic scene.
|
||
|
|
||
|
When the Mormon had recovered his breath, Passepartout ventured
|
||
|
to ask him politely how many wives he had; for, from the manner
|
||
|
in which he had decamped, it might be thought that he had twenty at least.
|
||
|
|
||
|
"One, sir," replied the Mormon, raising his arms heavenward
|
||
|
--"one, and that was enough!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXVIII
|
||
|
|
||
|
IN WHICH PASSEPARTOUT DOES NOT SUCCEED IN MAKING ANYBODY LISTEN TO REASON
|
||
|
|
||
|
|
||
|
The train, on leaving Great Salt Lake at Ogden, passed northward
|
||
|
for an hour as far as Weber River, having completed nearly nine
|
||
|
hundred miles from San Francisco. From this point it took
|
||
|
an easterly direction towards the jagged Wahsatch Mountains.
|
||
|
It was in the section included between this range and the
|
||
|
Rocky Mountains that the American engineers found the most
|
||
|
formidable difficulties in laying the road, and that the government
|
||
|
granted a subsidy of forty-eight thousand dollars per mile,
|
||
|
instead of sixteen thousand allowed for the work done on the plains.
|
||
|
But the engineers, instead of violating nature, avoided its difficulties
|
||
|
by winding around, instead of penetrating the rocks. One tunnel only,
|
||
|
fourteen thousand feet in length, was pierced in order to arrive
|
||
|
at the great basin.
|
||
|
|
||
|
The track up to this time had reached its highest elevation at
|
||
|
the Great Salt Lake. From this point it described a long curve,
|
||
|
descending towards Bitter Creek Valley, to rise again to the
|
||
|
dividing ridge of the waters between the Atlantic and the Pacific.
|
||
|
There were many creeks in this mountainous region, and it was necessary
|
||
|
to cross Muddy Creek, Green Creek, and others, upon culverts.
|
||
|
|
||
|
Passepartout grew more and more impatient as they went on,
|
||
|
while Fix longed to get out of this difficult region, and was more
|
||
|
anxious than Phileas Fogg himself to be beyond the danger of delays
|
||
|
and accidents, and set foot on English soil.
|
||
|
|
||
|
At ten o'clock at night the train stopped at Fort Bridger station,
|
||
|
and twenty minutes later entered Wyoming Territory, following the
|
||
|
valley of Bitter Creek throughout. The next day, 7th December,
|
||
|
they stopped for a quarter of an hour at Green River station.
|
||
|
Snow had fallen abundantly during the night, but, being mixed with rain,
|
||
|
it had half melted, and did not interrupt their progress. The bad weather,
|
||
|
however, annoyed Passepartout; for the accumulation of snow, by blocking
|
||
|
the wheels of the cars, would certainly have been fatal to Mr. Fogg's tour.
|
||
|
|
||
|
"What an idea!" he said to himself. "Why did my master make
|
||
|
this journey in winter? Couldn't he have waited for the good
|
||
|
season to increase his chances?"
|
||
|
|
||
|
While the worthy Frenchman was absorbed in the state of the sky
|
||
|
and the depression of the temperature, Aouda was experiencing
|
||
|
fears from a totally different cause.
|
||
|
|
||
|
Several passengers had got off at Green River, and were walking up and down
|
||
|
the platforms; and among these Aouda recognised Colonel Stamp Proctor,
|
||
|
the same who had so grossly insulted Phileas Fogg at the San Francisco meeting.
|
||
|
Not wishing to be recognised, the young woman drew back from the window,
|
||
|
feeling much alarm at her discovery. She was attached to the man who,
|
||
|
however coldly, gave her daily evidences of the most absolute devotion.
|
||
|
She did not comprehend, perhaps, the depth of the sentiment with which
|
||
|
her protector inspired her, which she called gratitude, but which,
|
||
|
though she was unconscious of it, was really more than that.
|
||
|
Her heart sank within her when she recognised the man whom
|
||
|
Mr. Fogg desired, sooner or later, to call to account for his conduct.
|
||
|
Chance alone, it was clear, had brought Colonel Proctor on this train;
|
||
|
but there he was, and it was necessary, at all hazards, that Phileas Fogg
|
||
|
should not perceive his adversary.
|
||
|
|
||
|
Aouda seized a moment when Mr. Fogg was asleep to tell Fix and Passepartout
|
||
|
whom she had seen.
|
||
|
|
||
|
"That Proctor on this train!" cried Fix. "Well, reassure yourself,
|
||
|
madam; before he settles with Mr. Fogg; he has got to deal with me!
|
||
|
It seems to me that I was the more insulted of the two."
|
||
|
|
||
|
"And, besides," added Passepartout, "I'll take charge of him,
|
||
|
colonel as he is."
|
||
|
|
||
|
"Mr. Fix," resumed Aouda, "Mr. Fogg will allow no one to avenge him.
|
||
|
He said that he would come back to America to find this man.
|
||
|
Should he perceive Colonel Proctor, we could not prevent a collision
|
||
|
which might have terrible results. He must not see him."
|
||
|
|
||
|
"You are right, madam," replied Fix; "a meeting between them
|
||
|
might ruin all. Whether he were victorious or beaten, Mr. Fogg
|
||
|
would be delayed, and--"
|
||
|
|
||
|
"And," added Passepartout, "that would play the game of the gentlemen
|
||
|
of the Reform Club. In four days we shall be in New York. Well,
|
||
|
if my master does not leave this car during those four days,
|
||
|
we may hope that chance will not bring him face to face with this
|
||
|
confounded American. We must, if possible, prevent his stirring out of it."
|
||
|
|
||
|
The conversation dropped. Mr. Fogg had just woke up,
|
||
|
and was looking out of the window. Soon after Passepartout,
|
||
|
without being heard by his master or Aouda, whispered to the detective,
|
||
|
"Would you really fight for him?"
|
||
|
|
||
|
"I would do anything," replied Fix, in a tone which betrayed determined will,
|
||
|
"to get him back living to Europe!"
|
||
|
|
||
|
Passepartout felt something like a shudder shoot through his frame,
|
||
|
but his confidence in his master remained unbroken.
|
||
|
|
||
|
Was there any means of detaining Mr. Fogg in the car, to avoid a meeting
|
||
|
between him and the colonel? It ought not to be a difficult task,
|
||
|
since that gentleman was naturally sedentary and little curious.
|
||
|
The detective, at least, seemed to have found a way; for, after a few moments,
|
||
|
he said to Mr. Fogg, "These are long and slow hours, sir, that we are passing
|
||
|
on the railway."
|
||
|
|
||
|
"Yes," replied Mr. Fogg; "but they pass."
|
||
|
|
||
|
"You were in the habit of playing whist," resumed Fix, "on the steamers."
|
||
|
|
||
|
"Yes; but it would be difficult to do so here. I have neither cards
|
||
|
nor partners."
|
||
|
|
||
|
"Oh, but we can easily buy some cards, for they are sold
|
||
|
on all the American trains. And as for partners, if madam plays--"
|
||
|
|
||
|
"Certainly, sir," Aouda quickly replied; "I understand whist.
|
||
|
It is part of an English education."
|
||
|
|
||
|
"I myself have some pretensions to playing a good game.
|
||
|
Well, here are three of us, and a dummy--"
|
||
|
|
||
|
"As you please, sir," replied Phileas Fogg, heartily glad
|
||
|
to resume his favourite pastime even on the railway.
|
||
|
|
||
|
Passepartout was dispatched in search of the steward,
|
||
|
and soon returned with two packs of cards, some pins,
|
||
|
counters, and a shelf covered with cloth.
|
||
|
|
||
|
The game commenced. Aouda understood whist sufficiently well,
|
||
|
and even received some compliments on her playing from Mr. Fogg.
|
||
|
As for the detective, he was simply an adept, and worthy of being
|
||
|
matched against his present opponent.
|
||
|
|
||
|
"Now," thought Passepartout, "we've got him. He won't budge."
|
||
|
|
||
|
At eleven in the morning the train had reached the dividing ridge of the waters
|
||
|
at Bridger Pass, seven thousand five hundred and twenty-four feet above
|
||
|
the level of the sea, one of the highest points attained by the track
|
||
|
in crossing the Rocky Mountains. After going about two hundred miles,
|
||
|
the travellers at last found themselves on one of those vast plains
|
||
|
which extend to the Atlantic, and which nature has made so propitious
|
||
|
for laying the iron road.
|
||
|
|
||
|
On the declivity of the Atlantic basin the first streams,
|
||
|
branches of the North Platte River, already appeared.
|
||
|
The whole northern and eastern horizon was bounded by the immense
|
||
|
semi-circular curtain which is formed by the southern portion
|
||
|
of the Rocky Mountains, the highest being Laramie Peak.
|
||
|
Between this and the railway extended vast plains,
|
||
|
plentifully irrigated. On the right rose the lower spurs
|
||
|
of the mountainous mass which extends southward to the sources
|
||
|
of the Arkansas River, one of the great tributaries of the Missouri.
|
||
|
|
||
|
At half-past twelve the travellers caught sight for an instant of Fort Halleck,
|
||
|
which commands that section; and in a few more hours the Rocky Mountains
|
||
|
were crossed. There was reason to hope, then, that no accident would mark
|
||
|
the journey through this difficult country. The snow had ceased falling,
|
||
|
and the air became crisp and cold. Large birds, frightened by the locomotive,
|
||
|
rose and flew off in the distance. No wild beast appeared on the plain.
|
||
|
It was a desert in its vast nakedness.
|
||
|
|
||
|
After a comfortable breakfast, served in the car, Mr. Fogg and his partners had
|
||
|
just resumed whist, when a violent whistling was heard, and the train stopped.
|
||
|
Passepartout put his head out of the door, but saw nothing to cause the delay;
|
||
|
no station was in view.
|
||
|
|
||
|
Aouda and Fix feared that Mr. Fogg might take it into his head to get out;
|
||
|
but that gentleman contented himself with saying to his servant,
|
||
|
"See what is the matter."
|
||
|
|
||
|
Passepartout rushed out of the car. Thirty or forty passengers
|
||
|
had already descended, amongst them Colonel Stamp Proctor.
|
||
|
|
||
|
The train had stopped before a red signal which blocked the way.
|
||
|
The engineer and conductor were talking excitedly with a signal-man,
|
||
|
whom the station-master at Medicine Bow, the next stopping place,
|
||
|
had sent on before. The passengers drew around and took part
|
||
|
in the discussion, in which Colonel Proctor, with his insolent manner,
|
||
|
was conspicuous.
|
||
|
|
||
|
Passepartout, joining the group, heard the signal-man say,
|
||
|
"No! you can't pass. The bridge at Medicine Bow is shaky,
|
||
|
and would not bear the weight of the train."
|
||
|
|
||
|
This was a suspension-bridge thrown over some rapids, about a
|
||
|
mile from the place where they now were. According to the
|
||
|
signal-man, it was in a ruinous condition, several of the iron
|
||
|
wires being broken; and it was impossible to risk the passage.
|
||
|
He did not in any way exaggerate the condition of the bridge.
|
||
|
It may be taken for granted that, rash as the Americans usually are,
|
||
|
when they are prudent there is good reason for it.
|
||
|
|
||
|
Passepartout, not daring to apprise his master of what he heard,
|
||
|
listened with set teeth, immovable as a statue.
|
||
|
|
||
|
"Hum!" cried Colonel Proctor; "but we are not going to stay here,
|
||
|
I imagine, and take root in the snow?"
|
||
|
|
||
|
"Colonel," replied the conductor, "we have telegraphed to Omaha for a train,
|
||
|
but it is not likely that it will reach Medicine Bow is less than six hours."
|
||
|
|
||
|
"Six hours!" cried Passepartout.
|
||
|
|
||
|
"Certainly," returned the conductor, "besides, it will take us as long
|
||
|
as that to reach Medicine Bow on foot."
|
||
|
|
||
|
"But it is only a mile from here," said one of the passengers.
|
||
|
|
||
|
"Yes, but it's on the other side of the river."
|
||
|
|
||
|
"And can't we cross that in a boat?" asked the colonel.
|
||
|
|
||
|
"That's impossible. The creek is swelled by the rains. It is a rapid,
|
||
|
and we shall have to make a circuit of ten miles to the north to find a ford."
|
||
|
|
||
|
The colonel launched a volley of oaths, denouncing the railway
|
||
|
company and the conductor; and Passepartout, who was furious,
|
||
|
was not disinclined to make common cause with him. Here was
|
||
|
an obstacle, indeed, which all his master's banknotes could not remove.
|
||
|
|
||
|
There was a general disappointment among the passengers, who,
|
||
|
without reckoning the delay, saw themselves compelled to trudge
|
||
|
fifteen miles over a plain covered with snow. They grumbled and
|
||
|
protested, and would certainly have thus attracted Phileas Fogg's
|
||
|
attention if he had not been completely absorbed in his game.
|
||
|
|
||
|
Passepartout found that he could not avoid telling his master what
|
||
|
had occurred, and, with hanging head, he was turning towards the car,
|
||
|
when the engineer a true Yankee, named Forster called out,
|
||
|
"Gentlemen, perhaps there is a way, after all, to get over."
|
||
|
|
||
|
"On the bridge?" asked a passenger.
|
||
|
|
||
|
"On the bridge."
|
||
|
|
||
|
"With our train?"
|
||
|
|
||
|
"With our train."
|
||
|
|
||
|
Passepartout stopped short, and eagerly listened to the engineer.
|
||
|
|
||
|
"But the bridge is unsafe," urged the conductor.
|
||
|
|
||
|
"No matter," replied Forster; "I think that by putting on the
|
||
|
very highest speed we might have a chance of getting over."
|
||
|
|
||
|
"The devil!" muttered Passepartout.
|
||
|
|
||
|
But a number of the passengers were at once attracted by the
|
||
|
engineer's proposal, and Colonel Proctor was especially delighted,
|
||
|
and found the plan a very feasible one. He told stories about
|
||
|
engineers leaping their trains over rivers without bridges,
|
||
|
by putting on full steam; and many of those present avowed
|
||
|
themselves of the engineer's mind.
|
||
|
|
||
|
"We have fifty chances out of a hundred of getting over," said one.
|
||
|
|
||
|
"Eighty! ninety!"
|
||
|
|
||
|
Passepartout was astounded, and, though ready to attempt anything to get
|
||
|
over Medicine Creek, thought the experiment proposed a little too American.
|
||
|
"Besides," thought he, "there's a still more simple way, and it does not even
|
||
|
occur to any of these people! Sir," said he aloud to one of the passengers,
|
||
|
"the engineer's plan seems to me a little dangerous, but--"
|
||
|
|
||
|
"Eighty chances!" replied the passenger, turning his back on him.
|
||
|
|
||
|
"I know it," said Passepartout, turning to another passenger,
|
||
|
"but a simple idea--"
|
||
|
|
||
|
"Ideas are no use," returned the American, shrugging his shoulders,
|
||
|
"as the engineer assures us that we can pass."
|
||
|
|
||
|
"Doubtless," urged Passepartout, "we can pass, but perhaps it would
|
||
|
be more prudent--"
|
||
|
|
||
|
"What! Prudent!" cried Colonel Proctor, whom this word seemed
|
||
|
to excite prodigiously. "At full speed, don't you see, at full speed!"
|
||
|
|
||
|
"I know--I see," repeated Passepartout; "but it would be, if not more prudent,
|
||
|
since that word displeases you, at least more natural--"
|
||
|
|
||
|
"Who! What! What's the matter with this fellow?" cried several.
|
||
|
|
||
|
The poor fellow did not know to whom to address himself.
|
||
|
|
||
|
"Are you afraid?" asked Colonel Proctor.
|
||
|
|
||
|
"I afraid? Very well; I will show these people that a Frenchman
|
||
|
can be as American as they!"
|
||
|
|
||
|
"All aboard!" cried the conductor.
|
||
|
|
||
|
"Yes, all aboard!" repeated Passepartout, and immediately.
|
||
|
"But they can't prevent me from thinking that it would be more natural
|
||
|
for us to cross the bridge on foot, and let the train come after!"
|
||
|
|
||
|
But no one heard this sage reflection, nor would anyone have acknowledged
|
||
|
its justice. The passengers resumed their places in the cars.
|
||
|
Passepartout took his seat without telling what had passed.
|
||
|
The whist-players were quite absorbed in their game.
|
||
|
|
||
|
The locomotive whistled vigorously; the engineer, reversing the steam,
|
||
|
backed the train for nearly a mile--retiring, like a jumper, in order
|
||
|
to take a longer leap. Then, with another whistle, he began to move forward;
|
||
|
the train increased its speed, and soon its rapidity became frightful;
|
||
|
a prolonged screech issued from the locomotive; the piston worked up and down
|
||
|
twenty strokes to the second. They perceived that the whole train, rushing
|
||
|
on at the rate of a hundred miles an hour, hardly bore upon the rails at all.
|
||
|
|
||
|
And they passed over! It was like a flash. No one saw the bridge.
|
||
|
The train leaped, so to speak, from one bank to the other,
|
||
|
and the engineer could not stop it until it had gone five miles
|
||
|
beyond the station. But scarcely had the train passed the river,
|
||
|
when the bridge, completely ruined, fell with a crash into the rapids
|
||
|
of Medicine Bow.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXIX
|
||
|
|
||
|
IN WHICH CERTAIN INCIDENTS ARE NARRATED
|
||
|
WHICH ARE ONLY TO BE MET WITH ON AMERICAN RAILROADS
|
||
|
|
||
|
|
||
|
The train pursued its course, that evening, without interruption,
|
||
|
passing Fort Saunders, crossing Cheyne Pass, and reaching Evans Pass.
|
||
|
The road here attained the highest elevation of the journey,
|
||
|
eight thousand and ninety-two feet above the level of the sea.
|
||
|
The travellers had now only to descend to the Atlantic by limitless plains,
|
||
|
levelled by nature. A branch of the "grand trunk" led off southward to Denver,
|
||
|
the capital of Colorado. The country round about is rich in gold and silver,
|
||
|
and more than fifty thousand inhabitants are already settled there.
|
||
|
|
||
|
Thirteen hundred and eighty-two miles had been passed over from San Francisco,
|
||
|
in three days and three nights; four days and nights more would probably
|
||
|
bring them to New York. Phileas Fogg was not as yet behind-hand.
|
||
|
|
||
|
During the night Camp Walbach was passed on the left; Lodge Pole Creek
|
||
|
ran parallel with the road, marking the boundary between the territories
|
||
|
of Wyoming and Colorado. They entered Nebraska at eleven, passed near
|
||
|
Sedgwick, and touched at Julesburg, on the southern branch of the Platte River.
|
||
|
|
||
|
It was here that the Union Pacific Railroad was inaugurated on
|
||
|
the 23rd of October, 1867, by the chief engineer, General Dodge.
|
||
|
Two powerful locomotives, carrying nine cars of invited guests,
|
||
|
amongst whom was Thomas C. Durant, vice-president of the road,
|
||
|
stopped at this point; cheers were given, the Sioux and Pawnees
|
||
|
performed an imitation Indian battle, fireworks were let off,
|
||
|
and the first number of the Railway Pioneer was printed by a press
|
||
|
brought on the train. Thus was celebrated the inauguration
|
||
|
of this great railroad, a mighty instrument of progress
|
||
|
and civilisation, thrown across the desert, and destined to link
|
||
|
together cities and towns which do not yet exist. The whistle
|
||
|
of the locomotive, more powerful than Amphion's lyre, was about
|
||
|
to bid them rise from American soil.
|
||
|
|
||
|
Fort McPherson was left behind at eight in the morning,
|
||
|
and three hundred and fifty-seven miles had yet to be traversed
|
||
|
before reaching Omaha. The road followed the capricious windings
|
||
|
of the southern branch of the Platte River, on its left bank.
|
||
|
At nine the train stopped at the important town of North Platte,
|
||
|
built between the two arms of the river, which rejoin each other
|
||
|
around it and form a single artery a large tributary whose waters
|
||
|
empty into the Missouri a little above Omaha.
|
||
|
|
||
|
The one hundred and first meridian was passed.
|
||
|
|
||
|
Mr. Fogg and his partners had resumed their game; no one--not even the dummy--
|
||
|
complained of the length of the trip. Fix had begun by winning several
|
||
|
guineas, which he seemed likely to lose; but he showed himself a not less
|
||
|
eager whist-player than Mr. Fogg. During the morning, chance distinctly
|
||
|
favoured that gentleman. Trumps and honours were showered upon his hands.
|
||
|
|
||
|
Once, having resolved on a bold stroke, he was on the point of playing a spade,
|
||
|
when a voice behind him said, "I should play a diamond."
|
||
|
|
||
|
Mr. Fogg, Aouda, and Fix raised their heads, and beheld Colonel Proctor.
|
||
|
|
||
|
Stamp Proctor and Phileas Fogg recognised each other at once.
|
||
|
|
||
|
"Ah! it's you, is it, Englishman?" cried the colonel;
|
||
|
"it's you who are going to play a spade!"
|
||
|
|
||
|
"And who plays it," replied Phileas Fogg coolly,
|
||
|
throwing down the ten of spades.
|
||
|
|
||
|
"Well, it pleases me to have it diamonds,"
|
||
|
replied Colonel Proctor, in an insolent tone.
|
||
|
|
||
|
He made a movement as if to seize the card which had just been played,
|
||
|
adding, "You don't understand anything about whist."
|
||
|
|
||
|
"Perhaps I do, as well as another," said Phileas Fogg, rising.
|
||
|
|
||
|
"You have only to try, son of John Bull," replied the colonel.
|
||
|
|
||
|
Aouda turned pale, and her blood ran cold. She seized Mr. Fogg's
|
||
|
arm and gently pulled him back. Passepartout was ready to pounce
|
||
|
upon the American, who was staring insolently at his opponent.
|
||
|
But Fix got up, and, going to Colonel Proctor said, "You forget
|
||
|
that it is I with whom you have to deal, sir; for it was I
|
||
|
whom you not only insulted, but struck!"
|
||
|
|
||
|
"Mr. Fix," said Mr. Fogg, "pardon me, but this affair is mine,
|
||
|
and mine only. The colonel has again insulted me, by insisting
|
||
|
that I should not play a spade, and he shall give me satisfaction for it."
|
||
|
|
||
|
"When and where you will," replied the American, "and with whatever
|
||
|
weapon you choose."
|
||
|
|
||
|
Aouda in vain attempted to retain Mr. Fogg; as vainly did the
|
||
|
detective endeavour to make the quarrel his. Passepartout wished
|
||
|
to throw the colonel out of the window, but a sign from his master
|
||
|
checked him. Phileas Fogg left the car, and the American followed
|
||
|
him upon the platform. "Sir," said Mr. Fogg to his adversary,
|
||
|
"I am in a great hurry to get back to Europe, and any delay whatever
|
||
|
will be greatly to my disadvantage."
|
||
|
|
||
|
"Well, what's that to me?" replied Colonel Proctor.
|
||
|
|
||
|
"Sir," said Mr. Fogg, very politely, "after our meeting at San Francisco,
|
||
|
I determined to return to America and find you as soon as I had completed
|
||
|
the business which called me to England."
|
||
|
|
||
|
"Really!"
|
||
|
|
||
|
"Will you appoint a meeting for six months hence?"
|
||
|
|
||
|
"Why not ten years hence?"
|
||
|
|
||
|
"I say six months," returned Phileas Fogg; "and I shall be
|
||
|
at the place of meeting promptly."
|
||
|
|
||
|
"All this is an evasion," cried Stamp Proctor. "Now or never!"
|
||
|
|
||
|
"Very good. You are going to New York?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"To Chicago?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"To Omaha?"
|
||
|
|
||
|
"What difference is it to you? Do you know Plum Creek?"
|
||
|
|
||
|
"No," replied Mr. Fogg.
|
||
|
|
||
|
"It's the next station. The train will be there in an hour,
|
||
|
and will stop there ten minutes. In ten minutes several
|
||
|
revolver-shots could be exchanged."
|
||
|
|
||
|
"Very well," said Mr. Fogg. "I will stop at Plum Creek."
|
||
|
|
||
|
"And I guess you'll stay there too," added the American insolently.
|
||
|
|
||
|
"Who knows?" replied Mr. Fogg, returning to the car as coolly as usual.
|
||
|
He began to reassure Aouda, telling her that blusterers were never
|
||
|
to be feared, and begged Fix to be his second at the approaching duel,
|
||
|
a request which the detective could not refuse. Mr. Fogg resumed
|
||
|
the interrupted game with perfect calmness.
|
||
|
|
||
|
At eleven o'clock the locomotive's whistle announced that they were
|
||
|
approaching Plum Creek station. Mr. Fogg rose, and, followed by Fix,
|
||
|
went out upon the platform. Passepartout accompanied him, carrying
|
||
|
a pair of revolvers. Aouda remained in the car, as pale as death.
|
||
|
|
||
|
The door of the next car opened, and Colonel Proctor appeared on the platform,
|
||
|
attended by a Yankee of his own stamp as his second. But just as the
|
||
|
combatants were about to step from the train, the conductor hurried up,
|
||
|
and shouted, "You can't get off, gentlemen!"
|
||
|
|
||
|
"Why not?" asked the colonel.
|
||
|
|
||
|
"We are twenty minutes late, and we shall not stop."
|
||
|
|
||
|
"But I am going to fight a duel with this gentleman."
|
||
|
|
||
|
"I am sorry," said the conductor; "but we shall be off at once.
|
||
|
There's the bell ringing now."
|
||
|
|
||
|
The train started.
|
||
|
|
||
|
"I'm really very sorry, gentlemen," said the conductor.
|
||
|
"Under any other circumstances I should have been happy to oblige you.
|
||
|
But, after all, as you have not had time to fight here,
|
||
|
why not fight as we go along?
|
||
|
|
||
|
"That wouldn't be convenient, perhaps, for this gentleman,"
|
||
|
said the colonel, in a jeering tone.
|
||
|
|
||
|
"It would be perfectly so," replied Phileas Fogg.
|
||
|
|
||
|
"Well, we are really in America," thought Passepartout,
|
||
|
"and the conductor is a gentleman of the first order!"
|
||
|
|
||
|
So muttering, he followed his master.
|
||
|
|
||
|
The two combatants, their seconds, and the conductor passed through
|
||
|
the cars to the rear of the train. The last car was only occupied
|
||
|
by a dozen passengers, whom the conductor politely asked if they would
|
||
|
not be so kind as to leave it vacant for a few moments, as two gentlemen
|
||
|
had an affair of honour to settle. The passengers granted the request
|
||
|
with alacrity, and straightway disappeared on the platform.
|
||
|
|
||
|
The car, which was some fifty feet long, was very convenient
|
||
|
for their purpose. The adversaries might march on each other
|
||
|
in the aisle, and fire at their ease. Never was duel more easily
|
||
|
arranged. Mr. Fogg and Colonel Proctor, each provided with two
|
||
|
six-barrelled revolvers, entered the car. The seconds, remaining
|
||
|
outside, shut them in. They were to begin firing at the first
|
||
|
whistle of the locomotive. After an interval of two minutes,
|
||
|
what remained of the two gentlemen would be taken from the car.
|
||
|
|
||
|
Nothing could be more simple. Indeed, it was all so simple
|
||
|
that Fix and Passepartout felt their hearts beating as if they
|
||
|
would crack. They were listening for the whistle agreed upon,
|
||
|
when suddenly savage cries resounded in the air, accompanied
|
||
|
by reports which certainly did not issue from the car where
|
||
|
the duellists were. The reports continued in front and the whole
|
||
|
length of the train. Cries of terror proceeded from the interior
|
||
|
of the cars.
|
||
|
|
||
|
Colonel Proctor and Mr. Fogg, revolvers in hand, hastily quitted
|
||
|
their prison, and rushed forward where the noise was most clamorous.
|
||
|
They then perceived that the train was attacked by a band of Sioux.
|
||
|
|
||
|
This was not the first attempt of these daring Indians, for more than
|
||
|
once they had waylaid trains on the road. A hundred of them had,
|
||
|
according to their habit, jumped upon the steps without stopping
|
||
|
the train, with the ease of a clown mounting a horse at full gallop.
|
||
|
|
||
|
The Sioux were armed with guns, from which came the reports,
|
||
|
to which the passengers, who were almost all armed, responded
|
||
|
by revolver-shots.
|
||
|
|
||
|
The Indians had first mounted the engine, and half stunned
|
||
|
the engineer and stoker with blows from their muskets.
|
||
|
A Sioux chief, wishing to stop the train, but not knowing
|
||
|
how to work the regulator, had opened wide instead of closing
|
||
|
the steam-valve, and the locomotive was plunging forward
|
||
|
with terrific velocity.
|
||
|
|
||
|
The Sioux had at the same time invaded the cars, skipping like
|
||
|
enraged monkeys over the roofs, thrusting open the doors,
|
||
|
and fighting hand to hand with the passengers. Penetrating the
|
||
|
baggage-car, they pillaged it, throwing the trunks out of the train.
|
||
|
The cries and shots were constant. The travellers defended
|
||
|
themselves bravely; some of the cars were barricaded,
|
||
|
and sustained a siege, like moving forts, carried along
|
||
|
at a speed of a hundred miles an hour.
|
||
|
|
||
|
Aouda behaved courageously from the first. She defended herself
|
||
|
like a true heroine with a revolver, which she shot through the broken
|
||
|
windows whenever a savage made his appearance. Twenty Sioux had fallen
|
||
|
mortally wounded to the ground, and the wheels crushed those who fell
|
||
|
upon the rails as if they had been worms. Several passengers,
|
||
|
shot or stunned, lay on the seats.
|
||
|
|
||
|
It was necessary to put an end to the struggle, which had lasted
|
||
|
for ten minutes, and which would result in the triumph of the Sioux
|
||
|
if the train was not stopped. Fort Kearney station, where there was
|
||
|
a garrison, was only two miles distant; but, that once passed,
|
||
|
the Sioux would be masters of the train between Fort Kearney
|
||
|
and the station beyond.
|
||
|
|
||
|
The conductor was fighting beside Mr. Fogg, when he was shot and fell.
|
||
|
At the same moment he cried, "Unless the train is stopped in five minutes,
|
||
|
we are lost!"
|
||
|
|
||
|
"It shall be stopped," said Phileas Fogg, preparing to rush from the car.
|
||
|
|
||
|
"Stay, monsieur," cried Passepartout; "I will go."
|
||
|
|
||
|
Mr. Fogg had not time to stop the brave fellow, who, opening a door
|
||
|
unperceived by the Indians, succeeded in slipping under the car;
|
||
|
and while the struggle continued and the balls whizzed across each
|
||
|
other over his head, he made use of his old acrobatic experience,
|
||
|
and with amazing agility worked his way under the cars, holding on
|
||
|
to the chains, aiding himself by the brakes and edges of the sashes,
|
||
|
creeping from one car to another with marvellous skill,
|
||
|
and thus gaining the forward end of the train.
|
||
|
|
||
|
There, suspended by one hand between the baggage-car and the tender,
|
||
|
with the other he loosened the safety chains; but, owing to the traction,
|
||
|
he would never have succeeded in unscrewing the yoking-bar,
|
||
|
had not a violent concussion jolted this bar out. The train,
|
||
|
now detached from the engine, remained a little behind,
|
||
|
whilst the locomotive rushed forward with increased speed.
|
||
|
|
||
|
Carried on by the force already acquired, the train still moved
|
||
|
for several minutes; but the brakes were worked and at last they stopped,
|
||
|
less than a hundred feet from Kearney station.
|
||
|
|
||
|
The soldiers of the fort, attracted by the shots, hurried up;
|
||
|
the Sioux had not expected them, and decamped in a body before
|
||
|
the train entirely stopped.
|
||
|
|
||
|
But when the passengers counted each other on the station platform
|
||
|
several were found missing; among others the courageous Frenchman,
|
||
|
whose devotion had just saved them.
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXX
|
||
|
|
||
|
IN WHICH PHILEAS FOGG SIMPLY DOES HIS DUTY
|
||
|
|
||
|
|
||
|
Three passengers including Passepartout had disappeared. Had they been
|
||
|
killed in the struggle? Were they taken prisoners by the Sioux?
|
||
|
It was impossible to tell.
|
||
|
|
||
|
There were many wounded, but none mortally. Colonel Proctor was one
|
||
|
of the most seriously hurt; he had fought bravely, and a ball had entered
|
||
|
his groin. He was carried into the station with the other wounded passengers,
|
||
|
to receive such attention as could be of avail.
|
||
|
|
||
|
Aouda was safe; and Phileas Fogg, who had been in the thickest
|
||
|
of the fight, had not received a scratch. Fix was slightly
|
||
|
wounded in the arm. But Passepartout was not to be found,
|
||
|
and tears coursed down Aouda's cheeks.
|
||
|
|
||
|
All the passengers had got out of the train, the wheels
|
||
|
of which were stained with blood. From the tyres and spokes
|
||
|
hung ragged pieces of flesh. As far as the eye could reach
|
||
|
on the white plain behind, red trails were visible. The last Sioux
|
||
|
were disappearing in the south, along the banks of Republican River.
|
||
|
|
||
|
Mr. Fogg, with folded arms, remained motionless. He had a serious
|
||
|
decision to make. Aouda, standing near him, looked at him without speaking,
|
||
|
and he understood her look. If his servant was a prisoner, ought he not
|
||
|
to risk everything to rescue him from the Indians? "I will find him,
|
||
|
living or dead," said he quietly to Aouda.
|
||
|
|
||
|
"Ah, Mr.--Mr. Fogg!" cried she, clasping his hands
|
||
|
and covering them with tears.
|
||
|
|
||
|
"Living," added Mr. Fogg, "if we do not lose a moment."
|
||
|
|
||
|
Phileas Fogg, by this resolution, inevitably sacrificed himself;
|
||
|
he pronounced his own doom. The delay of a single day would make
|
||
|
him lose the steamer at New York, and his bet would be certainly lost.
|
||
|
But as he thought, "It is my duty," he did not hesitate.
|
||
|
|
||
|
The commanding officer of Fort Kearney was there. A hundred
|
||
|
of his soldiers had placed themselves in a position to defend
|
||
|
the station, should the Sioux attack it.
|
||
|
|
||
|
"Sir," said Mr. Fogg to the captain, "three passengers have disappeared."
|
||
|
|
||
|
"Dead?" asked the captain.
|
||
|
|
||
|
"Dead or prisoners; that is the uncertainty which must be solved.
|
||
|
Do you propose to pursue the Sioux?"
|
||
|
|
||
|
"That's a serious thing to do, sir," returned the captain.
|
||
|
"These Indians may retreat beyond the Arkansas, and I cannot
|
||
|
leave the fort unprotected."
|
||
|
|
||
|
"The lives of three men are in question, sir," said Phileas Fogg.
|
||
|
|
||
|
"Doubtless; but can I risk the lives of fifty men to save three?"
|
||
|
|
||
|
"I don't know whether you can, sir; but you ought to do so."
|
||
|
|
||
|
"Nobody here," returned the other, "has a right to teach me my duty."
|
||
|
|
||
|
"Very well," said Mr. Fogg, coldly. "I will go alone."
|
||
|
|
||
|
"You, sir!" cried Fix, coming up; "you go alone in pursuit of the Indians?"
|
||
|
|
||
|
"Would you have me leave this poor fellow to perish--
|
||
|
him to whom every one present owes his life? I shall go."
|
||
|
|
||
|
"No, sir, you shall not go alone," cried the captain,
|
||
|
touched in spite of himself. "No! you are a brave man.
|
||
|
Thirty volunteers!" he added, turning to the soldiers.
|
||
|
|
||
|
The whole company started forward at once. The captain had
|
||
|
only to pick his men. Thirty were chosen, and an old sergeant
|
||
|
placed at their head.
|
||
|
|
||
|
"Thanks, captain," said Mr. Fogg.
|
||
|
|
||
|
"Will you let me go with you?" asked Fix.
|
||
|
|
||
|
"Do as you please, sir. But if you wish to do me a favour,
|
||
|
you will remain with Aouda. In case anything should happen to me--"
|
||
|
|
||
|
A sudden pallor overspread the detective's face. Separate himself
|
||
|
from the man whom he had so persistently followed step by step!
|
||
|
Leave him to wander about in this desert! Fix gazed attentively
|
||
|
at Mr. Fogg, and, despite his suspicions and of the struggle
|
||
|
which was going on within him, he lowered his eyes before that calm
|
||
|
and frank look.
|
||
|
|
||
|
"I will stay," said he.
|
||
|
|
||
|
A few moments after, Mr. Fogg pressed the young woman's hand, and,
|
||
|
having confided to her his precious carpet-bag, went off with the sergeant
|
||
|
and his little squad. But, before going, he had said to the soldiers,
|
||
|
"My friends, I will divide five thousand dollars among you, if we save
|
||
|
the prisoners."
|
||
|
|
||
|
It was then a little past noon.
|
||
|
|
||
|
Aouda retired to a waiting-room, and there she waited alone,
|
||
|
thinking of the simple and noble generosity, the tranquil courage
|
||
|
of Phileas Fogg. He had sacrificed his fortune, and was now
|
||
|
risking his life, all without hesitation, from duty, in silence.
|
||
|
|
||
|
Fix did not have the same thoughts, and could scarcely conceal
|
||
|
his agitation. He walked feverishly up and down the platform,
|
||
|
but soon resumed his outward composure. He now saw the folly of which
|
||
|
he had been guilty in letting Fogg go alone. What! This man,
|
||
|
whom he had just followed around the world, was permitted now to
|
||
|
separate himself from him! He began to accuse and abuse himself,
|
||
|
and, as if he were director of police, administered to himself
|
||
|
a sound lecture for his greenness.
|
||
|
|
||
|
"I have been an idiot!" he thought, "and this man will see it.
|
||
|
He has gone, and won't come back! But how is it that I, Fix,
|
||
|
who have in my pocket a warrant for his arrest, have been
|
||
|
so fascinated by him? Decidedly, I am nothing but an ass!"
|
||
|
|
||
|
So reasoned the detective, while the hours crept by all too slowly.
|
||
|
He did not know what to do. Sometimes he was tempted to tell Aouda all;
|
||
|
but he could not doubt how the young woman would receive his confidences.
|
||
|
What course should he take? He thought of pursuing Fogg across
|
||
|
the vast white plains; it did not seem impossible that he might overtake him.
|
||
|
Footsteps were easily printed on the snow! But soon, under a new sheet,
|
||
|
every imprint would be effaced.
|
||
|
|
||
|
Fix became discouraged. He felt a sort of insurmountable longing
|
||
|
to abandon the game altogether. He could now leave Fort Kearney station,
|
||
|
and pursue his journey homeward in peace.
|
||
|
|
||
|
Towards two o'clock in the afternoon, while it was snowing hard,
|
||
|
long whistles were heard approaching from the east. A great shadow,
|
||
|
preceded by a wild light, slowly advanced, appearing still larger
|
||
|
through the mist, which gave it a fantastic aspect. No train
|
||
|
was expected from the east, neither had there been time for the succour
|
||
|
asked for by telegraph to arrive; the train from Omaha to San Francisco
|
||
|
was not due till the next day. The mystery was soon explained.
|
||
|
|
||
|
The locomotive, which was slowly approaching with deafening whistles,
|
||
|
was that which, having been detached from the train, had continued
|
||
|
its route with such terrific rapidity, carrying off the unconscious
|
||
|
engineer and stoker. It had run several miles, when, the fire becoming
|
||
|
low for want of fuel, the steam had slackened; and it had finally stopped
|
||
|
an hour after, some twenty miles beyond Fort Kearney. Neither the engineer
|
||
|
nor the stoker was dead, and, after remaining for some time in their swoon,
|
||
|
had come to themselves. The train had then stopped. The engineer, when he
|
||
|
found himself in the desert, and the locomotive without cars, understood
|
||
|
what had happened. He could not imagine how the locomotive had become
|
||
|
separated from the train; but he did not doubt that the train left behind
|
||
|
was in distress.
|
||
|
|
||
|
He did not hesitate what to do. It would be prudent to continue
|
||
|
on to Omaha, for it would be dangerous to return to the train,
|
||
|
which the Indians might still be engaged in pillaging.
|
||
|
Nevertheless, he began to rebuild the fire in the furnace;
|
||
|
the pressure again mounted, and the locomotive returned,
|
||
|
running backwards to Fort Kearney. This it was which was whistling
|
||
|
in the mist.
|
||
|
|
||
|
The travellers were glad to see the locomotive resume its
|
||
|
place at the head of the train. They could now continue
|
||
|
the journey so terribly interrupted.
|
||
|
|
||
|
Aouda, on seeing the locomotive come up, hurried out of the station,
|
||
|
and asked the conductor, "Are you going to start?"
|
||
|
|
||
|
"At once, madam."
|
||
|
|
||
|
"But the prisoners, our unfortunate fellow-travellers--"
|
||
|
|
||
|
"I cannot interrupt the trip," replied the conductor.
|
||
|
"We are already three hours behind time."
|
||
|
|
||
|
"And when will another train pass here from San Francisco?"
|
||
|
|
||
|
"To-morrow evening, madam."
|
||
|
|
||
|
"To-morrow evening! But then it will be too late! We must wait--"
|
||
|
|
||
|
"It is impossible," responded the conductor. "If you wish to go,
|
||
|
please get in."
|
||
|
|
||
|
"I will not go," said Aouda.
|
||
|
|
||
|
Fix had heard this conversation. A little while before, when there
|
||
|
was no prospect of proceeding on the journey, he had made up his mind
|
||
|
to leave Fort Kearney; but now that the train was there, ready to start,
|
||
|
and he had only to take his seat in the car, an irresistible influence
|
||
|
held him back. The station platform burned his feet, and he could not stir.
|
||
|
The conflict in his mind again began; anger and failure stifled him.
|
||
|
He wished to struggle on to the end.
|
||
|
|
||
|
Meanwhile the passengers and some of the wounded, among them
|
||
|
Colonel Proctor, whose injuries were serious, had taken their
|
||
|
places in the train. The buzzing of the over-heated boiler was
|
||
|
heard, and the steam was escaping from the valves. The engineer
|
||
|
whistled, the train started, and soon disappeared, mingling
|
||
|
its white smoke with the eddies of the densely falling snow.
|
||
|
|
||
|
The detective had remained behind.
|
||
|
|
||
|
Several hours passed. The weather was dismal, and it was very cold.
|
||
|
Fix sat motionless on a bench in the station; he might have been
|
||
|
thought asleep. Aouda, despite the storm, kept coming out
|
||
|
of the waiting-room, going to the end of the platform,
|
||
|
and peering through the tempest of snow, as if to pierce
|
||
|
the mist which narrowed the horizon around her, and to hear,
|
||
|
if possible, some welcome sound. She heard and saw nothing.
|
||
|
Then she would return, chilled through, to issue out again
|
||
|
after the lapse of a few moments, but always in vain.
|
||
|
|
||
|
Evening came, and the little band had not returned. Where could they be?
|
||
|
Had they found the Indians, and were they having a conflict with them,
|
||
|
or were they still wandering amid the mist? The commander of the fort
|
||
|
was anxious, though he tried to conceal his apprehensions.
|
||
|
As night approached, the snow fell less plentifully,
|
||
|
but it became intensely cold. Absolute silence rested on the plains.
|
||
|
Neither flight of bird nor passing of beast troubled the perfect calm.
|
||
|
|
||
|
Throughout the night Aouda, full of sad forebodings, her heart
|
||
|
stifled with anguish, wandered about on the verge of the plains.
|
||
|
Her imagination carried her far off, and showed her innumerable dangers.
|
||
|
What she suffered through the long hours it would be impossible to describe.
|
||
|
|
||
|
Fix remained stationary in the same place, but did not sleep.
|
||
|
Once a man approached and spoke to him, and the detective
|
||
|
merely replied by shaking his head.
|
||
|
|
||
|
Thus the night passed. At dawn, the half-extinguished disc of the sun
|
||
|
rose above a misty horizon ; but it was now possible to recognise objects
|
||
|
two miles off. Phileas Fogg and the squad had gone southward;
|
||
|
in the south all was still vacancy. It was then seven o'clock.
|
||
|
|
||
|
The captain, who was really alarmed, did not know what course to take.
|
||
|
|
||
|
Should he send another detachment to the rescue of the first?
|
||
|
Should he sacrifice more men, with so few chances of saving those
|
||
|
already sacrificed? His hesitation did not last long, however.
|
||
|
Calling one of his lieutenants, he was on the point of ordering
|
||
|
a reconnaissance, when gunshots were heard. Was it a signal?
|
||
|
The soldiers rushed out of the fort, and half a mile off they
|
||
|
perceived a little band returning in good order.
|
||
|
|
||
|
Mr. Fogg was marching at their head, and just behind him were
|
||
|
Passepartout and the other two travellers, rescued from the Sioux.
|
||
|
|
||
|
They had met and fought the Indians ten miles south of Fort Kearney.
|
||
|
Shortly before the detachment arrived. Passepartout and his companions
|
||
|
had begun to struggle with their captors, three of whom the Frenchman
|
||
|
had felled with his fists, when his master and the soldiers hastened up
|
||
|
to their relief.
|
||
|
|
||
|
All were welcomed with joyful cries. Phileas Fogg distributed
|
||
|
the reward he had promised to the soldiers, while Passepartout,
|
||
|
not without reason, muttered to himself, "It must certainly be
|
||
|
confessed that I cost my master dear!"
|
||
|
|
||
|
Fix, without saying a word, looked at Mr. Fogg, and it would have
|
||
|
been difficult to analyse the thoughts which struggled within him.
|
||
|
As for Aouda, she took her protector's hand and pressed it in her own,
|
||
|
too much moved to speak.
|
||
|
|
||
|
Meanwhile, Passepartout was looking about for the train; he thought
|
||
|
he should find it there, ready to start for Omaha, and he hoped
|
||
|
that the time lost might be regained.
|
||
|
|
||
|
"The train! the train!" cried he.
|
||
|
|
||
|
"Gone," replied Fix.
|
||
|
|
||
|
"And when does the next train pass here?" said Phileas Fogg.
|
||
|
|
||
|
"Not till this evening."
|
||
|
|
||
|
"Ah!" returned the impassible gentleman quietly.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXI
|
||
|
|
||
|
IN WHICH FIX, THE DETECTIVE,
|
||
|
CONSIDERABLY FURTHERS THE INTERESTS OF PHILEAS FOGG
|
||
|
|
||
|
|
||
|
Phileas Fogg found himself twenty hours behind time.
|
||
|
Passepartout, the involuntary cause of this delay, was desperate.
|
||
|
He had ruined his master!
|
||
|
|
||
|
At this moment the detective approached Mr. Fogg, and,
|
||
|
looking him intently in the face, said:
|
||
|
|
||
|
"Seriously, sir, are you in great haste?"
|
||
|
|
||
|
"Quite seriously."
|
||
|
|
||
|
"I have a purpose in asking," resumed Fix. "Is it absolutely
|
||
|
necessary that you should be in New York on the 11th, before nine o'clock
|
||
|
in the evening, the time that the steamer leaves for Liverpool?"
|
||
|
|
||
|
"It is absolutely necessary."
|
||
|
|
||
|
"And, if your journey had not been interrupted by these Indians,
|
||
|
you would have reached New York on the morning of the 11th?"
|
||
|
|
||
|
"Yes; with eleven hours to spare before the steamer left."
|
||
|
|
||
|
"Good! you are therefore twenty hours behind. Twelve from twenty
|
||
|
leaves eight. You must regain eight hours. Do you wish to try to do so?"
|
||
|
|
||
|
"On foot?" asked Mr. Fogg.
|
||
|
|
||
|
"No; on a sledge," replied Fix. "On a sledge with sails.
|
||
|
A man has proposed such a method to me."
|
||
|
|
||
|
It was the man who had spoken to Fix during the night, and
|
||
|
whose offer he had refused.
|
||
|
|
||
|
Phileas Fogg did not reply at once; but Fix, having pointed out the man,
|
||
|
who was walking up and down in front of the station, Mr. Fogg went up to him.
|
||
|
An instant after, Mr. Fogg and the American, whose name was Mudge,
|
||
|
entered a hut built just below the fort.
|
||
|
|
||
|
There Mr. Fogg examined a curious vehicle, a kind of frame on two long beams,
|
||
|
a little raised in front like the runners of a sledge, and upon which there
|
||
|
was room for five or six persons. A high mast was fixed on the frame, held
|
||
|
firmly by metallic lashings, to which was attached a large brigantine sail.
|
||
|
This mast held an iron stay upon which to hoist a jib-sail. Behind, a sort
|
||
|
of rudder served to guide the vehicle. It was, in short, a sledge rigged
|
||
|
like a sloop. During the winter, when the trains are blocked up by the snow,
|
||
|
these sledges make extremely rapid journeys across the frozen plains from one
|
||
|
station to another. Provided with more sails than a cutter, and with the wind
|
||
|
behind them, they slip over the surface of the prairies with a speed equal
|
||
|
if not superior to that of the express trains.
|
||
|
|
||
|
Mr. Fogg readily made a bargain with the owner of this land-craft.
|
||
|
The wind was favourable, being fresh, and blowing from the west.
|
||
|
The snow had hardened, and Mudge was very confident of being able
|
||
|
to transport Mr. Fogg in a few hours to Omaha. Thence the trains
|
||
|
eastward run frequently to Chicago and New York. It was not impossible
|
||
|
that the lost time might yet be recovered; and such an opportunity
|
||
|
was not to be rejected.
|
||
|
|
||
|
Not wishing to expose Aouda to the discomforts of travelling
|
||
|
in the open air, Mr. Fogg proposed to leave her with Passepartout
|
||
|
at Fort Kearney, the servant taking upon himself to escort her
|
||
|
to Europe by a better route and under more favourable conditions.
|
||
|
But Aouda refused to separate from Mr. Fogg, and Passepartout
|
||
|
was delighted with her decision; for nothing could induce him
|
||
|
to leave his master while Fix was with him.
|
||
|
|
||
|
It would be difficult to guess the detective's thoughts. Was this
|
||
|
conviction shaken by Phileas Fogg's return, or did he still regard him
|
||
|
as an exceedingly shrewd rascal, who, his journey round the world completed,
|
||
|
would think himself absolutely safe in England? Perhaps Fix's opinion
|
||
|
of Phileas Fogg was somewhat modified; but he was nevertheless resolved
|
||
|
to do his duty, and to hasten the return of the whole party to England
|
||
|
as much as possible.
|
||
|
|
||
|
At eight o'clock the sledge was ready to start. The passengers
|
||
|
took their places on it, and wrapped themselves up closely
|
||
|
in their travelling-cloaks. The two great sails were hoisted,
|
||
|
and under the pressure of the wind the sledge slid over the hardened
|
||
|
snow with a velocity of forty miles an hour.
|
||
|
|
||
|
The distance between Fort Kearney and Omaha, as the birds fly,
|
||
|
is at most two hundred miles. If the wind held good, the distance
|
||
|
might be traversed in five hours; if no accident happened the sledge
|
||
|
might reach Omaha by one o'clock.
|
||
|
|
||
|
What a journey! The travellers, huddled close together, could not speak
|
||
|
for the cold, intensified by the rapidity at which they were going.
|
||
|
The sledge sped on as lightly as a boat over the waves. When the breeze
|
||
|
came skimming the earth the sledge seemed to be lifted off the ground
|
||
|
by its sails. Mudge, who was at the rudder, kept in a straight line,
|
||
|
and by a turn of his hand checked the lurches which the vehicle
|
||
|
had a tendency to make. All the sails were up, and the jib
|
||
|
was so arranged as not to screen the brigantine. A top-mast was hoisted,
|
||
|
and another jib, held out to the wind, added its force to the other sails.
|
||
|
Although the speed could not be exactly estimated, the sledge could not
|
||
|
be going at less than forty miles an hour.
|
||
|
|
||
|
"If nothing breaks," said Mudge, "we shall get there!"
|
||
|
|
||
|
Mr. Fogg had made it for Mudge's interest to reach Omaha
|
||
|
within the time agreed on, by the offer of a handsome reward.
|
||
|
|
||
|
The prairie, across which the sledge was moving in a straight
|
||
|
line, was as flat as a sea. It seemed like a vast frozen lake.
|
||
|
The railroad which ran through this section ascended from the
|
||
|
south-west to the north-west by Great Island, Columbus,
|
||
|
an important Nebraska town, Schuyler, and Fremont, to Omaha.
|
||
|
It followed throughout the right bank of the Platte River.
|
||
|
The sledge, shortening this route, took a chord of the arc
|
||
|
described by the railway. Mudge was not afraid of being stopped
|
||
|
by the Platte River, because it was frozen. The road, then, was quite
|
||
|
clear of obstacles, and Phileas Fogg had but two things to fear--
|
||
|
an accident to the sledge, and a change or calm in the wind.
|
||
|
|
||
|
But the breeze, far from lessening its force, blew as if to
|
||
|
bend the mast, which, however, the metallic lashings held firmly.
|
||
|
These lashings, like the chords of a stringed instrument,
|
||
|
resounded as if vibrated by a violin bow. The sledge slid along
|
||
|
in the midst of a plaintively intense melody.
|
||
|
|
||
|
"Those chords give the fifth and the octave," said Mr. Fogg.
|
||
|
|
||
|
These were the only words he uttered during the journey.
|
||
|
Aouda, cosily packed in furs and cloaks, was sheltered
|
||
|
as much as possible from the attacks of the freezing wind.
|
||
|
As for Passepartout, his face was as red as the sun's disc
|
||
|
when it sets in the mist, and he laboriously inhaled the biting air.
|
||
|
With his natural buoyancy of spirits, he began to hope again.
|
||
|
They would reach New York on the evening, if not on the morning,
|
||
|
of the 11th, and there was still some chances that it would be before
|
||
|
the steamer sailed for Liverpool.
|
||
|
|
||
|
Passepartout even felt a strong desire to grasp his ally, Fix, by the hand.
|
||
|
He remembered that it was the detective who procured the sledge,
|
||
|
the only means of reaching Omaha in time; but, checked by some presentiment,
|
||
|
he kept his usual reserve. One thing, however, Passepartout would
|
||
|
never forget, and that was the sacrifice which Mr. Fogg had made,
|
||
|
without hesitation, to rescue him from the Sioux. Mr. Fogg had risked
|
||
|
his fortune and his life. No! His servant would never forget that!
|
||
|
|
||
|
While each of the party was absorbed in reflections so different,
|
||
|
the sledge flew past over the vast carpet of snow.
|
||
|
The creeks it passed over were not perceived. Fields and streams
|
||
|
disappeared under the uniform whiteness. The plain was absolutely deserted.
|
||
|
Between the Union Pacific road and the branch which unites Kearney
|
||
|
with Saint Joseph it formed a great uninhabited island.
|
||
|
Neither village, station, nor fort appeared. From time to time
|
||
|
they sped by some phantom-like tree, whose white skeleton twisted
|
||
|
and rattled in the wind. Sometimes flocks of wild birds rose,
|
||
|
or bands of gaunt, famished, ferocious prairie-wolves ran howling
|
||
|
after the sledge. Passepartout, revolver in hand, held himself ready
|
||
|
to fire on those which came too near. Had an accident then happened
|
||
|
to the sledge, the travellers, attacked by these beasts, would have been
|
||
|
in the most terrible danger; but it held on its even course, soon gained
|
||
|
on the wolves, and ere long left the howling band at a safe distance behind.
|
||
|
|
||
|
About noon Mudge perceived by certain landmarks that he was
|
||
|
crossing the Platte River. He said nothing, but he felt certain
|
||
|
that he was now within twenty miles of Omaha. In less than an
|
||
|
hour he left the rudder and furled his sails, whilst the sledge,
|
||
|
carried forward by the great impetus the wind had given it,
|
||
|
went on half a mile further with its sails unspread.
|
||
|
|
||
|
It stopped at last, and Mudge, pointing to a mass of roofs
|
||
|
white with snow, said: "We have got there!"
|
||
|
|
||
|
Arrived! Arrived at the station which is in daily communication,
|
||
|
by numerous trains, with the Atlantic seaboard!
|
||
|
|
||
|
Passepartout and Fix jumped off, stretched their stiffened limbs,
|
||
|
and aided Mr. Fogg and the young woman to descend from the sledge.
|
||
|
Phileas Fogg generously rewarded Mudge, whose hand Passepartout
|
||
|
warmly grasped, and the party directed their steps to the Omaha
|
||
|
railway station.
|
||
|
|
||
|
The Pacific Railroad proper finds its terminus at this
|
||
|
important Nebraska town. Omaha is connected with
|
||
|
Chicago by the Chicago and Rock Island Railroad,
|
||
|
which runs directly east, and passes fifty stations.
|
||
|
|
||
|
A train was ready to start when Mr. Fogg and his party reached
|
||
|
the station, and they only had time to get into the cars.
|
||
|
They had seen nothing of Omaha; but Passepartout confessed
|
||
|
to himself that this was not to be regretted, as they were not
|
||
|
travelling to see the sights.
|
||
|
|
||
|
The train passed rapidly across the State of Iowa, by Council Bluffs,
|
||
|
Des Moines, and Iowa City. During the night it crossed the Mississippi
|
||
|
at Davenport, and by Rock Island entered Illinois. The next day,
|
||
|
which was the 10th, at four o'clock in the evening, it reached Chicago,
|
||
|
already risen from its ruins, and more proudly seated than ever
|
||
|
on the borders of its beautiful Lake Michigan.
|
||
|
|
||
|
Nine hundred miles separated Chicago from New York; but trains
|
||
|
are not wanting at Chicago. Mr. Fogg passed at once from one
|
||
|
to the other, and the locomotive of the Pittsburgh, Fort Wayne,
|
||
|
and Chicago Railway left at full speed, as if it fully comprehended
|
||
|
that that gentleman had no time to lose. It traversed Indiana,
|
||
|
Ohio, Pennsylvania, and New Jersey like a flash, rushing through
|
||
|
towns with antique names, some of which had streets and car-tracks,
|
||
|
but as yet no houses. At last the Hudson came into view; and,
|
||
|
at a quarter-past eleven in the evening of the 11th,
|
||
|
the train stopped in the station on the right bank of the river,
|
||
|
before the very pier of the Cunard line.
|
||
|
|
||
|
The China, for Liverpool, had started three-quarters of an hour before!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXII
|
||
|
|
||
|
IN WHICH PHILEAS FOGG ENGAGES IN A DIRECT STRUGGLE WITH BAD FORTUNE
|
||
|
|
||
|
|
||
|
The China, in leaving, seemed to have carried off Phileas Fogg's
|
||
|
last hope. None of the other steamers were able to serve his projects.
|
||
|
The Pereire, of the French Transatlantic Company, whose admirable steamers
|
||
|
are equal to any in speed and comfort, did not leave until the 14th;
|
||
|
the Hamburg boats did not go directly to Liverpool or London, but to Havre;
|
||
|
and the additional trip from Havre to Southampton would render Phileas Fogg's
|
||
|
last efforts of no avail. The Inman steamer did not depart till the next day,
|
||
|
and could not cross the Atlantic in time to save the wager.
|
||
|
|
||
|
Mr. Fogg learned all this in consulting his Bradshaw,
|
||
|
which gave him the daily movements of the trans-Atlantic steamers.
|
||
|
|
||
|
Passepartout was crushed; it overwhelmed him to lose the boat
|
||
|
by three-quarters of an hour. It was his fault, for,
|
||
|
instead of helping his master, he had not ceased putting obstacles
|
||
|
in his path! And when he recalled all the incidents of the tour,
|
||
|
when he counted up the sums expended in pure loss and on his own account,
|
||
|
when he thought that the immense stake, added to the heavy charges
|
||
|
of this useless journey, would completely ruin Mr. Fogg,
|
||
|
he overwhelmed himself with bitter self-accusations. Mr. Fogg,
|
||
|
however, did not reproach him; and, on leaving the Cunard pier,
|
||
|
only said: "We will consult about what is best to-morrow. Come."
|
||
|
|
||
|
The party crossed the Hudson in the Jersey City ferryboat,
|
||
|
and drove in a carriage to the St. Nicholas Hotel, on Broadway.
|
||
|
Rooms were engaged, and the night passed, briefly to Phileas Fogg,
|
||
|
who slept profoundly, but very long to Aouda and the others,
|
||
|
whose agitation did not permit them to rest.
|
||
|
|
||
|
The next day was the 12th of December. From seven in the morning
|
||
|
of the 12th to a quarter before nine in the evening of the 21st
|
||
|
there were nine days, thirteen hours, and forty-five minutes.
|
||
|
If Phileas Fogg had left in the China, one of the fastest steamers
|
||
|
on the Atlantic, he would have reached Liverpool, and then London,
|
||
|
within the period agreed upon.
|
||
|
|
||
|
Mr. Fogg left the hotel alone, after giving Passepartout instructions
|
||
|
to await his return, and inform Aouda to be ready at an instant's notice.
|
||
|
He proceeded to the banks of the Hudson, and looked about among the vessels
|
||
|
moored or anchored in the river, for any that were about to depart.
|
||
|
Several had departure signals, and were preparing to put to sea
|
||
|
at morning tide; for in this immense and admirable port there is not one day
|
||
|
in a hundred that vessels do not set out for every quarter of the globe.
|
||
|
But they were mostly sailing vessels, of which, of course, Phileas Fogg
|
||
|
could make no use.
|
||
|
|
||
|
He seemed about to give up all hope, when he espied, anchored at the Battery,
|
||
|
a cable's length off at most, a trading vessel, with a screw, well-shaped,
|
||
|
whose funnel, puffing a cloud of smoke, indicated that she was getting ready
|
||
|
for departure.
|
||
|
|
||
|
Phileas Fogg hailed a boat, got into it, and soon found himself on board
|
||
|
the Henrietta, iron-hulled, wood-built above. He ascended to the deck,
|
||
|
and asked for the captain, who forthwith presented himself. He was a man
|
||
|
of fifty, a sort of sea-wolf, with big eyes, a complexion of oxidised copper,
|
||
|
red hair and thick neck, and a growling voice.
|
||
|
|
||
|
"The captain?" asked Mr. Fogg.
|
||
|
|
||
|
"I am the captain."
|
||
|
|
||
|
"I am Phileas Fogg, of London."
|
||
|
|
||
|
"And I am Andrew Speedy, of Cardiff."
|
||
|
|
||
|
"You are going to put to sea?"
|
||
|
|
||
|
"In an hour."
|
||
|
|
||
|
"You are bound for--"
|
||
|
|
||
|
"Bordeaux."
|
||
|
|
||
|
"And your cargo?"
|
||
|
|
||
|
"No freight. Going in ballast."
|
||
|
|
||
|
"Have you any passengers?"
|
||
|
|
||
|
"No passengers. Never have passengers. Too much in the way."
|
||
|
|
||
|
"Is your vessel a swift one?"
|
||
|
|
||
|
"Between eleven and twelve knots. The Henrietta, well known."
|
||
|
|
||
|
"Will you carry me and three other persons to Liverpool?"
|
||
|
|
||
|
"To Liverpool? Why not to China?"
|
||
|
|
||
|
"I said Liverpool."
|
||
|
|
||
|
"No!"
|
||
|
|
||
|
"No?"
|
||
|
|
||
|
"No. I am setting out for Bordeaux, and shall go to Bordeaux."
|
||
|
|
||
|
"Money is no object?"
|
||
|
|
||
|
"None."
|
||
|
|
||
|
The captain spoke in a tone which did not admit of a reply.
|
||
|
|
||
|
"But the owners of the Henrietta--" resumed Phileas Fogg.
|
||
|
|
||
|
"The owners are myself," replied the captain. "The vessel belongs to me."
|
||
|
|
||
|
"I will freight it for you."
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"I will buy it of you."
|
||
|
|
||
|
"No."
|
||
|
|
||
|
Phileas Fogg did not betray the least disappointment; but the
|
||
|
situation was a grave one. It was not at New York as at Hong Kong,
|
||
|
nor with the captain of the Henrietta as with the captain of the Tankadere.
|
||
|
Up to this time money had smoothed away every obstacle. Now money failed.
|
||
|
|
||
|
Still, some means must be found to cross the Atlantic on a boat,
|
||
|
unless by balloon--which would have been venturesome,
|
||
|
besides not being capable of being put in practice.
|
||
|
It seemed that Phileas Fogg had an idea, for he said to the captain,
|
||
|
"Well, will you carry me to Bordeaux?"
|
||
|
|
||
|
"No, not if you paid me two hundred dollars."
|
||
|
|
||
|
"I offer you two thousand."
|
||
|
|
||
|
"Apiece?"
|
||
|
|
||
|
"Apiece."
|
||
|
|
||
|
"And there are four of you?"
|
||
|
|
||
|
"Four."
|
||
|
|
||
|
Captain Speedy began to scratch his head. There were eight thousand dollars
|
||
|
to gain, without changing his route; for which it was well worth conquering
|
||
|
the repugnance he had for all kinds of passengers. Besides, passenger's
|
||
|
at two thousand dollars are no longer passengers, but valuable merchandise.
|
||
|
"I start at nine o'clock," said Captain Speedy, simply. "Are you and your
|
||
|
party ready?"
|
||
|
|
||
|
"We will be on board at nine o'clock," replied, no less simply, Mr. Fogg.
|
||
|
|
||
|
It was half-past eight. To disembark from the Henrietta, jump into a hack,
|
||
|
hurry to the St. Nicholas, and return with Aouda, Passepartout, and even
|
||
|
the inseparable Fix was the work of a brief time, and was performed by
|
||
|
Mr. Fogg with the coolness which never abandoned him. They were on board
|
||
|
when the Henrietta made ready to weigh anchor.
|
||
|
|
||
|
When Passepartout heard what this last voyage was going to cost,
|
||
|
he uttered a prolonged "Oh!" which extended throughout his vocal gamut.
|
||
|
|
||
|
As for Fix, he said to himself that the Bank of England would certainly
|
||
|
not come out of this affair well indemnified. When they reached England,
|
||
|
even if Mr. Fogg did not throw some handfuls of bank-bills into the sea,
|
||
|
more than seven thousand pounds would have been spent!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXIII
|
||
|
|
||
|
IN WHICH PHILEAS FOGG SHOWS HIMSELF EQUAL TO THE OCCASION
|
||
|
|
||
|
|
||
|
An hour after, the Henrietta passed the lighthouse which marks the
|
||
|
entrance of the Hudson, turned the point of Sandy Hook, and put to
|
||
|
sea. During the day she skirted Long Island, passed Fire Island,
|
||
|
and directed her course rapidly eastward.
|
||
|
|
||
|
At noon the next day, a man mounted the bridge to ascertain the
|
||
|
vessel's position. It might be thought that this was Captain Speedy.
|
||
|
Not the least in the world. It was Phileas Fogg, Esquire.
|
||
|
As for Captain Speedy, he was shut up in his cabin under lock and key,
|
||
|
and was uttering loud cries, which signified an anger at once pardonable
|
||
|
and excessive.
|
||
|
|
||
|
What had happened was very simple. Phileas Fogg wished
|
||
|
to go to Liverpool, but the captain would not carry him there.
|
||
|
Then Phileas Fogg had taken passage for Bordeaux, and, during
|
||
|
the thirty hours he had been on board, had so shrewdly managed
|
||
|
with his banknotes that the sailors and stokers, who were only
|
||
|
an occasional crew, and were not on the best terms with the captain,
|
||
|
went over to him in a body. This was why Phileas Fogg was in command
|
||
|
instead of Captain Speedy; why the captain was a prisoner in his cabin;
|
||
|
and why, in short, the Henrietta was directing her course towards Liverpool.
|
||
|
It was very clear, to see Mr. Fogg manage the craft, that he had been a sailor.
|
||
|
|
||
|
How the adventure ended will be seen anon. Aouda was anxious, though she
|
||
|
said nothing. As for Passepartout, he thought Mr. Fogg's manoeuvre
|
||
|
simply glorious. The captain had said "between eleven and twelve knots,"
|
||
|
and the Henrietta confirmed his prediction.
|
||
|
|
||
|
If, then--for there were "ifs" still--the sea did not become
|
||
|
too boisterous, if the wind did not veer round to the east,
|
||
|
if no accident happened to the boat or its machinery, the Henrietta
|
||
|
might cross the three thousand miles from New York to Liverpool
|
||
|
in the nine days, between the 12th and the 21st of December.
|
||
|
It is true that, once arrived, the affair on board the Henrietta,
|
||
|
added to that of the Bank of England, might create more difficulties
|
||
|
for Mr. Fogg than he imagined or could desire.
|
||
|
|
||
|
During the first days, they went along smoothly enough. The sea was
|
||
|
not very unpropitious, the wind seemed stationary in the north-east,
|
||
|
the sails were hoisted, and the Henrietta ploughed across the waves
|
||
|
like a real trans-Atlantic steamer.
|
||
|
|
||
|
Passepartout was delighted. His master's last exploit, the consequences
|
||
|
of which he ignored, enchanted him. Never had the crew seen so jolly
|
||
|
and dexterous a fellow. He formed warm friendships with the sailors,
|
||
|
and amazed them with his acrobatic feats. He thought they managed
|
||
|
the vessel like gentlemen, and that the stokers fired up like heroes.
|
||
|
His loquacious good-humour infected everyone. He had forgotten the past,
|
||
|
its vexations and delays. He only thought of the end, so nearly accomplished;
|
||
|
and sometimes he boiled over with impatience, as if heated by the furnaces
|
||
|
of the Henrietta. Often, also, the worthy fellow revolved around Fix,
|
||
|
looking at him with a keen, distrustful eye; but he did not speak to him,
|
||
|
for their old intimacy no longer existed.
|
||
|
|
||
|
Fix, it must be confessed, understood nothing of what was going on.
|
||
|
The conquest of the Henrietta, the bribery of the crew, Fogg managing
|
||
|
the boat like a skilled seaman, amazed and confused him. He did not know
|
||
|
what to think. For, after all, a man who began by stealing fifty-five thousand
|
||
|
pounds might end by stealing a vessel; and Fix was not unnaturally inclined
|
||
|
to conclude that the Henrietta under Fogg's command, was not going to Liverpool
|
||
|
at all, but to some part of the world where the robber, turned into a pirate,
|
||
|
would quietly put himself in safety. The conjecture was at least a plausible
|
||
|
one, and the detective began to seriously regret that he had embarked
|
||
|
on the affair.
|
||
|
|
||
|
As for Captain Speedy, he continued to howl and growl in his cabin;
|
||
|
and Passepartout, whose duty it was to carry him his meals,
|
||
|
courageous as he was, took the greatest precautions. Mr. Fogg
|
||
|
did not seem even to know that there was a captain on board.
|
||
|
|
||
|
On the 13th they passed the edge of the Banks of Newfoundland,
|
||
|
a dangerous locality; during the winter, especially, there are
|
||
|
frequent fogs and heavy gales of wind. Ever since the evening
|
||
|
before the barometer, suddenly falling, had indicated an approaching
|
||
|
change in the atmosphere; and during the night the temperature varied,
|
||
|
the cold became sharper, and the wind veered to the south-east.
|
||
|
|
||
|
This was a misfortune. Mr. Fogg, in order not to deviate from his course,
|
||
|
furled his sails and increased the force of the steam; but the vessel's speed
|
||
|
slackened, owing to the state of the sea, the long waves of which broke against
|
||
|
the stern. She pitched violently, and this retarded her progress.
|
||
|
The breeze little by little swelled into a tempest, and it was to be feared
|
||
|
that the Henrietta might not be able to maintain herself upright on the waves.
|
||
|
|
||
|
Passepartout's visage darkened with the skies, and for two days the poor
|
||
|
fellow experienced constant fright. But Phileas Fogg was a bold mariner,
|
||
|
and knew how to maintain headway against the sea; and he kept on his course,
|
||
|
without even decreasing his steam. The Henrietta, when she could not rise
|
||
|
upon the waves, crossed them, swamping her deck, but passing safely.
|
||
|
Sometinies the screw rose out of the water, beating its protruding end,
|
||
|
when a mountain of water raised the stern above the waves; but the craft
|
||
|
always kept straight ahead.
|
||
|
|
||
|
The wind, however, did not grow as boisterous as might have been feared;
|
||
|
it was not one of those tempests which burst, and rush on with a speed
|
||
|
of ninety miles an hour. It continued fresh, but, unhappily, it remained
|
||
|
obstinately in the south-east, rendering the sails useless.
|
||
|
|
||
|
The 16th of December was the seventy-fifth day since Phileas Fogg's
|
||
|
departure from London, and the Henrietta had not yet been seriously delayed.
|
||
|
Half of the voyage was almost accomplished, and the worst localities
|
||
|
had been passed. In summer, success would have been well-nigh certain.
|
||
|
In winter, they were at the mercy of the bad season. Passepartout
|
||
|
said nothing; but he cherished hope in secret, and comforted himself
|
||
|
with the reflection that, if the wind failed them, they might still
|
||
|
count on the steam.
|
||
|
|
||
|
On this day the engineer came on deck, went up to Mr. Fogg, and
|
||
|
began to speak earnestly with him. Without knowing why it was
|
||
|
a presentiment, perhaps Passepartout became vaguely uneasy.
|
||
|
He would have given one of his ears to hear with the other what
|
||
|
the engineer was saying. He finally managed to catch a few words,
|
||
|
and was sure he heard his master say, "You are certain of what you tell me?"
|
||
|
|
||
|
"Certain, sir," replied the engineer. "You must remember that,
|
||
|
since we started, we have kept up hot fires in all our furnaces,
|
||
|
and, though we had coal enough to go on short steam from New York to
|
||
|
Bordeaux, we haven't enough to go with all steam from New York to Liverpool."
|
||
|
"I will consider," replied Mr. Fogg.
|
||
|
|
||
|
Passepartout understood it all; he was seized with mortal anxiety.
|
||
|
The coal was giving out! "Ah, if my master can get over that,"
|
||
|
muttered he, "he'll be a famous man!" He could not help imparting
|
||
|
to Fix what he had overheard.
|
||
|
|
||
|
"Then you believe that we really are going to Liverpool?"
|
||
|
|
||
|
"Of course."
|
||
|
|
||
|
"Ass!" replied the detective, shrugging his shoulders and turning on his heel.
|
||
|
|
||
|
Passepartout was on the point of vigorously resenting the epithet,
|
||
|
the reason of which he could not for the life of him comprehend;
|
||
|
but he reflected that the unfortunate Fix was probably very much
|
||
|
disappointed and humiliated in his self-esteem, after having so
|
||
|
awkwardly followed a false scent around the world, and refrained.
|
||
|
|
||
|
And now what course would Phileas Fogg adopt? It was difficult
|
||
|
to imagine. Nevertheless he seemed to have decided upon one,
|
||
|
for that evening he sent for the engineer, and said to him,
|
||
|
"Feed all the fires until the coal is exhausted."
|
||
|
|
||
|
A few moments after, the funnel of the Henrietta vomited forth torrents
|
||
|
of smoke. The vessel continued to proceed with all steam on;
|
||
|
but on the 18th, the engineer, as he had predicted, announced
|
||
|
that the coal would give out in the course of the day.
|
||
|
|
||
|
"Do not let the fires go down," replied Mr. Fogg.
|
||
|
"Keep them up to the last. Let the valves be filled."
|
||
|
|
||
|
Towards noon Phileas Fogg, having ascertained their position,
|
||
|
called Passepartout, and ordered him to go for Captain Speedy.
|
||
|
It was as if the honest fellow had been commanded to unchain a tiger.
|
||
|
He went to the poop, saying to himself, "He will be like a madman!"
|
||
|
|
||
|
In a few moments, with cries and oaths, a bomb appeared on the poop-deck.
|
||
|
The bomb was Captain Speedy. It was clear that he was on the point
|
||
|
of bursting. "Where are we?" were the first words his anger permitted
|
||
|
him to utter. Had the poor man be an apoplectic, he could never have
|
||
|
recovered from his paroxysm of wrath.
|
||
|
|
||
|
"Where are we?" he repeated, with purple face.
|
||
|
|
||
|
"Seven hundred and seven miles from Liverpool,"
|
||
|
replied Mr. Fogg, with imperturbable calmness.
|
||
|
|
||
|
"Pirate!" cried Captain Speedy.
|
||
|
|
||
|
"I have sent for you, sir--"
|
||
|
|
||
|
"Pickaroon!"
|
||
|
|
||
|
"--sir," continued Mr. Fogg, "to ask you to sell me your vessel."
|
||
|
|
||
|
"No! By all the devils, no!"
|
||
|
|
||
|
"But I shall be obliged to burn her."
|
||
|
|
||
|
"Burn the Henrietta!"
|
||
|
|
||
|
"Yes; at least the upper part of her. The coal has given out."
|
||
|
|
||
|
"Burn my vessel!" cried Captain Speedy, who could scarcely
|
||
|
pronounce the words. "A vessel worth fifty thousand dollars!"
|
||
|
|
||
|
"Here are sixty thousand," replied Phileas Fogg, handing the
|
||
|
captain a roll of bank-bills. This had a prodigious effect
|
||
|
on Andrew Speedy. An American can scarcely remain unmoved
|
||
|
at the sight of sixty thousand dollars. The captain forgot
|
||
|
in an instant his anger, his imprisonment, and all his grudges
|
||
|
against his passenger. The Henrietta was twenty years old;
|
||
|
it was a great bargain. The bomb would not go off after all.
|
||
|
Mr. Fogg had taken away the match.
|
||
|
|
||
|
"And I shall still have the iron hull," said the captain in a softer tone.
|
||
|
|
||
|
"The iron hull and the engine. Is it agreed?"
|
||
|
|
||
|
"Agreed."
|
||
|
|
||
|
And Andrew Speedy, seizing the banknotes, counted them
|
||
|
and consigned them to his pocket.
|
||
|
|
||
|
During this colloquy, Passepartout was as white as a sheet,
|
||
|
and Fix seemed on the point of having an apoplectic fit.
|
||
|
Nearly twenty thousand pounds had been expended, and Fogg
|
||
|
left the hull and engine to the captain, that is,
|
||
|
near the whole value of the craft! It was true, however,
|
||
|
that fifty-five thousand pounds had been stolen from the Bank.
|
||
|
|
||
|
When Andrew Speedy had pocketed the money, Mr. Fogg said to him,
|
||
|
"Don't let this astonish you, sir. You must know that I shall
|
||
|
lose twenty thousand pounds, unless I arrive in London by
|
||
|
a quarter before nine on the evening of the 21st of December.
|
||
|
I missed the steamer at New York, and as you refused to take me to Liverpool--"
|
||
|
|
||
|
"And I did well!" cried Andrew Speedy; "for I have gained at
|
||
|
least forty thousand dollars by it!" He added, more sedately,
|
||
|
"Do you know one thing, Captain--"
|
||
|
|
||
|
"Fogg."
|
||
|
|
||
|
"Captain Fogg, you've got something of the Yankee about you."
|
||
|
|
||
|
And, having paid his passenger what he considered a high compliment,
|
||
|
he was going away, when Mr. Fogg said, "The vessel now belongs to me?"
|
||
|
|
||
|
"Certainly, from the keel to the truck of the masts--all the wood, that is."
|
||
|
|
||
|
"Very well. Have the interior seats, bunks, and frames pulled down,
|
||
|
and burn them."
|
||
|
|
||
|
It was necessary to have dry wood to keep the steam up
|
||
|
to the adequate pressure, and on that day the poop, cabins,
|
||
|
bunks, and the spare deck were sacrificed. On the next day,
|
||
|
the 19th of December, the masts, rafts, and spars were burned;
|
||
|
the crew worked lustily, keeping up the fires. Passepartout hewed, cut,
|
||
|
and sawed away with all his might. There was a perfect rage for demolition.
|
||
|
|
||
|
The railings, fittings, the greater part of the deck, and top sides
|
||
|
disappeared on the 20th, and the Henrietta was now only a flat hulk.
|
||
|
But on this day they sighted the Irish coast and Fastnet Light.
|
||
|
By ten in the evening they were passing Queenstown. Phileas Fogg
|
||
|
had only twenty-four hours more in which to get to London;
|
||
|
that length of time was necessary to reach Liverpool, with all steam on.
|
||
|
And the steam was about to give out altogether!
|
||
|
|
||
|
"Sir," said Captain Speedy, who was now deeply interested in
|
||
|
Mr. Fogg's project, "I really commiserate you. Everything is
|
||
|
against you. We are only opposite Queenstown."
|
||
|
|
||
|
"Ah," said Mr. Fogg, "is that place where we see the lights Queenstown?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Can we enter the harbour?"
|
||
|
|
||
|
"Not under three hours. Only at high tide."
|
||
|
|
||
|
"Stay," replied Mr. Fogg calmly, without betraying in his features
|
||
|
that by a supreme inspiration he was about to attempt once more
|
||
|
to conquer ill-fortune.
|
||
|
|
||
|
Queenstown is the Irish port at which the trans-Atlantic steamers
|
||
|
stop to put off the mails. These mails are carried to Dublin
|
||
|
by express trains always held in readiness to start; from Dublin
|
||
|
they are sent on to Liverpool by the most rapid boats,
|
||
|
and thus gain twelve hours on the Atlantic steamers.
|
||
|
|
||
|
Phileas Fogg counted on gaining twelve hours in the same way.
|
||
|
Instead of arriving at Liverpool the next evening by the Henrietta,
|
||
|
he would be there by noon, and would therefore have time to reach London
|
||
|
before a quarter before nine in the evening.
|
||
|
|
||
|
The Henrietta entered Queenstown Harbour at one o'clock in the morning,
|
||
|
it then being high tide; and Phileas Fogg, after being grasped heartily
|
||
|
by the hand by Captain Speedy, left that gentleman on the levelled hulk
|
||
|
of his craft, which was still worth half what he had sold it for.
|
||
|
|
||
|
The party went on shore at once. Fix was greatly tempted
|
||
|
to arrest Mr. Fogg on the spot; but he did not. Why? What struggle
|
||
|
was going on within him? Had he changed his mind about "his man"?
|
||
|
Did he understand that he had made a grave mistake? He did not,
|
||
|
however, abandon Mr. Fogg. They all got upon the train, which was
|
||
|
just ready to start, at half-past one; at dawn of day they were
|
||
|
in Dublin; and they lost no time in embarking on a steamer which,
|
||
|
disdaining to rise upon the waves, invariably cut through them.
|
||
|
|
||
|
Phileas Fogg at last disembarked on the Liverpool quay,
|
||
|
at twenty minutes before twelve, 21st December. He was only
|
||
|
six hours distant from London.
|
||
|
|
||
|
But at this moment Fix came up, put his hand upon Mr. Fogg's shoulder,
|
||
|
and, showing his warrant, said, "You are really Phileas Fogg?"
|
||
|
|
||
|
"I am."
|
||
|
|
||
|
"I arrest you in the Queen's name!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXIV
|
||
|
|
||
|
IN WHICH PHILEAS FOGG AT LAST REACHES LONDON
|
||
|
|
||
|
|
||
|
Phileas Fogg was in prison. He had been shut up in the Custom House,
|
||
|
and he was to he transferred to London the next day.
|
||
|
|
||
|
Passepartout, when he saw his master arrested, would have
|
||
|
fallen upon Fix had he not been held back by some policemen.
|
||
|
Aouda was thunderstruck at the suddenness of an event which
|
||
|
she could not understand. Passepartout explained to her how
|
||
|
it was that the honest and courageous Fogg was arrested as a robber.
|
||
|
The young woman's heart revolted against so heinous a charge,
|
||
|
and when she saw that she could attempt to do nothing to save
|
||
|
her protector, she wept bitterly.
|
||
|
|
||
|
As for Fix, he had arrested Mr. Fogg because it was his duty,
|
||
|
whether Mr. Fogg were guilty or not.
|
||
|
|
||
|
The thought then struck Passepartout, that he was the cause of this
|
||
|
new misfortune! Had he not concealed Fix's errand from his master?
|
||
|
When Fix revealed his true character and purpose, why had he not told
|
||
|
Mr. Fogg? If the latter had been warned, he would no doubt have given
|
||
|
Fix proof of his innocence, and satisfied him of his mistake; at least,
|
||
|
Fix would not have continued his journey at the expense and on the heels
|
||
|
of his master, only to arrest him the moment he set foot on English soil.
|
||
|
Passepartout wept till he was blind, and felt like blowing his brains out.
|
||
|
|
||
|
Aouda and he had remained, despite the cold, under the portico
|
||
|
of the Custom House. Neither wished to leave the place;
|
||
|
both were anxious to see Mr. Fogg again.
|
||
|
|
||
|
That gentleman was really ruined, and that at the moment
|
||
|
when he was about to attain his end. This arrest was fatal.
|
||
|
Having arrived at Liverpool at twenty minutes before
|
||
|
twelve on the 21st of December, he had till a quarter before nine
|
||
|
that evening to reach the Reform Club, that is, nine hours and a quarter;
|
||
|
the journey from Liverpool to London was six hours.
|
||
|
|
||
|
If anyone, at this moment, had entered the Custom House,
|
||
|
he would have found Mr. Fogg seated, motionless, calm, and without
|
||
|
apparent anger, upon a wooden bench. He was not, it is true,
|
||
|
resigned; but this last blow failed to force him into an outward
|
||
|
betrayal of any emotion. Was he being devoured by one of those
|
||
|
secret rages, all the more terrible because contained, and which
|
||
|
only burst forth, with an irresistible force, at the last moment?
|
||
|
No one could tell. There he sat, calmly waiting--for what?
|
||
|
Did he still cherish hope? Did he still believe, now that the door
|
||
|
of this prison was closed upon him, that he would succeed?
|
||
|
|
||
|
However that may have been, Mr. Fogg carefully put his watch
|
||
|
upon the table, and observed its advancing hands. Not a word
|
||
|
escaped his lips, but his look was singularly set and stern.
|
||
|
The situation, in any event, was a terrible one, and might be
|
||
|
thus stated: if Phileas Fogg was honest he was ruined; if he
|
||
|
was a knave, he was caught.
|
||
|
|
||
|
Did escape occur to him? Did he examine to see if there were
|
||
|
any practicable outlet from his prison? Did he think of escaping
|
||
|
from it? Possibly; for once he walked slowly around the room.
|
||
|
But the door was locked, and the window heavily barred with
|
||
|
iron rods. He sat down again, and drew his journal from his pocket.
|
||
|
On the line where these words were written, "21st December,
|
||
|
Saturday, Liverpool," he added, "80th day, 11.40 a.m.," and waited.
|
||
|
|
||
|
The Custom House clock struck one. Mr. Fogg observed that his watch
|
||
|
was two hours too fast.
|
||
|
|
||
|
Two hours! Admitting that he was at this moment taking an
|
||
|
express train, he could reach London and the Reform Club
|
||
|
by a quarter before nine, p.m. His forehead slightly wrinkled.
|
||
|
|
||
|
At thirty-three minutes past two he heard a singular noise outside,
|
||
|
then a hasty opening of doors. Passepartout's voice was audible,
|
||
|
and immediately after that of Fix. Phileas Fogg's eyes brightened
|
||
|
for an instant.
|
||
|
|
||
|
The door swung open, and he saw Passepartout, Aouda, and Fix,
|
||
|
who hurried towards him.
|
||
|
|
||
|
Fix was out of breath, and his hair was in disorder. He could not speak.
|
||
|
"Sir," he stammered, "sir--forgive me--most-- unfortunate resemblance--
|
||
|
robber arrested three days ago--you are free!"
|
||
|
|
||
|
Phileas Fogg was free! He walked to the detective, looked him steadily
|
||
|
in the face, and with the only rapid motion he had ever made in his life,
|
||
|
or which he ever would make, drew back his arms, and with the precision
|
||
|
of a machine knocked Fix down.
|
||
|
|
||
|
"Well hit!" cried Passepartout, "Parbleu! that's what
|
||
|
you might call a good application of English fists!"
|
||
|
|
||
|
Fix, who found himself on the floor, did not utter a word.
|
||
|
He had only received his deserts. Mr. Fogg, Aouda, and Passepartout
|
||
|
left the Custom House without delay, got into a cab, and in a few
|
||
|
moments descended at the station.
|
||
|
|
||
|
Phileas Fogg asked if there was an express train
|
||
|
about to leave for London. It was forty minutes past two.
|
||
|
The express train had left thirty-five minutes before.
|
||
|
Phileas Fogg then ordered a special train.
|
||
|
|
||
|
There were several rapid locomotives on hand; but the railway arrangements
|
||
|
did not permit the special train to leave until three o'clock.
|
||
|
|
||
|
At that hour Phileas Fogg, having stimulated the engineer by
|
||
|
the offer of a generous reward, at last set out towards London
|
||
|
with Aouda and his faithful servant.
|
||
|
|
||
|
It was necessary to make the journey in five hours and a half;
|
||
|
and this would have been easy on a clear road throughout.
|
||
|
But there were forced delays, and when Mr. Fogg stepped
|
||
|
from the train at the terminus, all the clocks in London
|
||
|
were striking ten minutes before nine."
|
||
|
|
||
|
Having made the tour of the world, he was behind-hand
|
||
|
five minutes. He had lost the wager!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXV
|
||
|
|
||
|
IN WHICH PHILEAS FOGG DOES NOT HAVE TO
|
||
|
REPEAT HIS ORDERS TO PASSEPARTOUT TWICE
|
||
|
|
||
|
|
||
|
The dwellers in Saville Row would have been surprised the next day,
|
||
|
if they had been told that Phileas Fogg had returned home.
|
||
|
His doors and windows were still closed, no appearance of change was visible.
|
||
|
|
||
|
After leaving the station, Mr. Fogg gave Passepartout instructions
|
||
|
to purchase some provisions, and quietly went to his domicile.
|
||
|
|
||
|
He bore his misfortune with his habitual tranquillity.
|
||
|
Ruined! And by the blundering of the detective! After having
|
||
|
steadily traversed that long journey, overcome a hundred obstacles,
|
||
|
braved many dangers, and still found time to do some good on his way,
|
||
|
to fail near the goal by a sudden event which he could not have foreseen,
|
||
|
and against which he was unarmed; it was terrible! But a few pounds were
|
||
|
left of the large sum he had carried with him. There only remained
|
||
|
of his fortune the twenty thousand pounds deposited at Barings,
|
||
|
and this amount he owed to his friends of the Reform Club.
|
||
|
So great had been the expense of his tour that, even had he won,
|
||
|
it would not have enriched him; and it is probable that he had not sought
|
||
|
to enrich himself, being a man who rather laid wagers for honour's sake
|
||
|
than for the stake proposed. But this wager totally ruined him.
|
||
|
|
||
|
Mr. Fogg's course, however, was fully decided upon; he knew what remained
|
||
|
for him to do.
|
||
|
|
||
|
A room in the house in Saville Row was set apart for Aouda,
|
||
|
who was overwhelmed with grief at her protector's misfortune.
|
||
|
From the words which Mr. Fogg dropped, she saw that he was
|
||
|
meditating some serious project.
|
||
|
|
||
|
Knowing that Englishmen governed by a fixed idea sometimes resort
|
||
|
to the desperate expedient of suicide, Passepartout kept a narrow watch
|
||
|
upon his master, though he carefully concealed the appearance of so doing.
|
||
|
|
||
|
First of all, the worthy fellow had gone up to his room, and had extinguished
|
||
|
the gas burner, which had been burning for eighty days. He had found
|
||
|
in the letter-box a bill from the gas company, and he thought it more
|
||
|
than time to put a stop to this expense, which he had been doomed to bear.
|
||
|
|
||
|
The night passed. Mr. Fogg went to bed, but did he sleep?
|
||
|
Aouda did not once close her eyes. Passepartout watched
|
||
|
all night, like a faithful dog, at his master's door.
|
||
|
|
||
|
Mr. Fogg called him in the morning, and told him to get
|
||
|
Aouda's breakfast, and a cup of tea and a chop for himself.
|
||
|
He desired Aouda to excuse him from breakfast and dinner,
|
||
|
as his time would be absorbed all day in putting his affairs to rights.
|
||
|
In the evening he would ask permission to have a few moment's
|
||
|
conversation with the young lady.
|
||
|
|
||
|
Passepartout, having received his orders, had nothing to do but obey them.
|
||
|
He looked at his imperturbable master, and could scarcely bring his mind
|
||
|
to leave him. His heart was full, and his conscience tortured by remorse;
|
||
|
for he accused himself more bitterly than ever of being the cause
|
||
|
of the irretrievable disaster. Yes! if he had warned Mr. Fogg,
|
||
|
and had betrayed Fix's projects to him, his master would certainly
|
||
|
not have given the detective passage to Liverpool, and then--
|
||
|
|
||
|
Passepartout could hold in no longer.
|
||
|
|
||
|
"My master! Mr. Fogg!" he cried, "why do you not curse me?
|
||
|
It was my fault that--"
|
||
|
|
||
|
"I blame no one," returned Phileas Fogg, with perfect calmness. "Go!"
|
||
|
|
||
|
Passepartout left the room, and went to find Aouda,
|
||
|
to whom he delivered his master's message.
|
||
|
|
||
|
"Madam," he added, "I can do nothing myself--nothing!
|
||
|
I have no influence over my master; but you, perhaps--"
|
||
|
|
||
|
"What influence could I have?" replied Aouda. "Mr. Fogg
|
||
|
is influenced by no one. Has he ever understood that my gratitude
|
||
|
to him is overflowing? Has he ever read my heart? My friend,
|
||
|
he must not be left alone an instant! You say he is going to
|
||
|
speak with me this evening?"
|
||
|
|
||
|
"Yes, madam; probably to arrange for your protection and comfort in England."
|
||
|
|
||
|
"We shall see," replied Aouda, becoming suddenly pensive.
|
||
|
|
||
|
Throughout this day (Sunday) the house in Saville Row was as if uninhabited,
|
||
|
and Phileas Fogg, for the first time since he had lived in that house,
|
||
|
did not set out for his club when Westminster clock struck half-past eleven.
|
||
|
|
||
|
Why should he present himself at the Reform? His friends no longer expected
|
||
|
him there. As Phileas Fogg had not appeared in the saloon on the
|
||
|
evening before (Saturday, the 21st of December, at a quarter before nine),
|
||
|
he had lost his wager. It was not even necessary that he should go to
|
||
|
his bankers for the twenty thousand pounds; for his antagonists already
|
||
|
had his cheque in their hands, and they had only to fill it out
|
||
|
and send it to the Barings to have the amount transferred to their credit.
|
||
|
|
||
|
Mr. Fogg, therefore, had no reason for going out, and so
|
||
|
he remained at home. He shut himself up in his room,
|
||
|
and busied himself putting his affairs in order.
|
||
|
Passepartout continually ascended and descended the stairs.
|
||
|
The hours were long for him. He listened at his master's door,
|
||
|
and looked through the keyhole, as if he had a perfect right so to do,
|
||
|
and as if he feared that something terrible might happen at any moment.
|
||
|
Sometimes he thought of Fix, but no longer in anger. Fix, like all
|
||
|
the world, had been mistaken in Phileas Fogg, and had only done his duty
|
||
|
in tracking and arresting him; while he, Passepartout. . . .
|
||
|
This thought haunted him, and he never ceased cursing his miserable folly.
|
||
|
|
||
|
Finding himself too wretched to remain alone, he knocked at Aouda's door,
|
||
|
went into her room, seated himself, without speaking, in a corner,
|
||
|
and looked ruefully at the young woman. Aouda was still pensive.
|
||
|
|
||
|
About half-past seven in the evening Mr. Fogg sent to know
|
||
|
if Aouda would receive him, and in a few moments he found himself
|
||
|
alone with her.
|
||
|
|
||
|
Phileas Fogg took a chair, and sat down near the fireplace,
|
||
|
opposite Aouda. No emotion was visible on his face.
|
||
|
Fogg returned was exactly the Fogg who had gone away;
|
||
|
there was the same calm, the same impassibility.
|
||
|
|
||
|
He sat several minutes without speaking; then, bending his eyes on Aouda,
|
||
|
"Madam," said he, "will you pardon me for bringing you to England?"
|
||
|
|
||
|
"I, Mr. Fogg!" replied Aouda, checking the pulsations of her heart.
|
||
|
|
||
|
"Please let me finish," returned Mr. Fogg. "When I decided to
|
||
|
bring you far away from the country which was so unsafe for you,
|
||
|
I was rich, and counted on putting a portion of my fortune
|
||
|
at your disposal; then your existence would have been free and happy.
|
||
|
But now I am ruined."
|
||
|
|
||
|
"I know it, Mr. Fogg," replied Aouda; "and I ask you in my turn,
|
||
|
will you forgive me for having followed you, and--who knows?--for having,
|
||
|
perhaps, delayed you, and thus contributed to your ruin?"
|
||
|
|
||
|
"Madam, you could not remain in India, and your safety could
|
||
|
only be assured by bringing you to such a distance that your
|
||
|
persecutors could not take you."
|
||
|
|
||
|
"So, Mr. Fogg," resumed Aouda, "not content with rescuing me
|
||
|
from a terrible death, you thought yourself bound to secure
|
||
|
my comfort in a foreign land?"
|
||
|
|
||
|
"Yes, madam; but circumstances have been against me.
|
||
|
Still, I beg to place the little I have left at your service."
|
||
|
|
||
|
"But what will become of you, Mr. Fogg?"
|
||
|
|
||
|
"As for me, madam," replied the gentleman, coldly, "I have need of nothing."
|
||
|
|
||
|
"But how do you look upon the fate, sir, which awaits you?"
|
||
|
|
||
|
"As I am in the habit of doing."
|
||
|
|
||
|
"At least," said Aouda, "want should not overtake a man like you.
|
||
|
Your friends--"
|
||
|
|
||
|
"I have no friends, madam."
|
||
|
|
||
|
"Your relatives--"
|
||
|
|
||
|
"I have no longer any relatives."
|
||
|
|
||
|
"I pity you, then, Mr. Fogg, for solitude is a sad thing,
|
||
|
with no heart to which to confide your griefs. They say,
|
||
|
though, that misery itself, shared by two sympathetic souls,
|
||
|
may be borne with patience."
|
||
|
|
||
|
"They say so, madam."
|
||
|
|
||
|
"Mr. Fogg," said Aouda, rising and seizing his hand, "do you wish
|
||
|
at once a kinswoman and friend? Will you have me for your wife?"
|
||
|
|
||
|
Mr. Fogg, at this, rose in his turn. There was an unwonted
|
||
|
light in his eyes, and a slight trembling of his lips.
|
||
|
Aouda looked into his face. The sincerity, rectitude, firmness,
|
||
|
and sweetness of this soft glance of a noble woman, who could dare
|
||
|
all to save him to whom she owed all, at first astonished,
|
||
|
then penetrated him. He shut his eyes for an instant,
|
||
|
as if to avoid her look. When he opened them again,
|
||
|
"I love you!" he said, simply. "Yes, by all that is holiest,
|
||
|
I love you, and I am entirely yours!"
|
||
|
|
||
|
"Ah!" cried Aouda, pressing his hand to her heart.
|
||
|
|
||
|
Passepartout was summoned and appeared immediately. Mr. Fogg
|
||
|
still held Aouda's hand in his own; Passepartout understood,
|
||
|
and his big, round face became as radiant as the tropical sun
|
||
|
at its zenith.
|
||
|
|
||
|
Mr. Fogg asked him if it was not too late to notify
|
||
|
the Reverend Samuel Wilson, of Marylebone parish, that evening.
|
||
|
|
||
|
Passepartout smiled his most genial smile, and said,
|
||
|
"Never too late."
|
||
|
|
||
|
It was five minutes past eight.
|
||
|
|
||
|
"Will it be for to-morrow, Monday?"
|
||
|
|
||
|
"For to-morrow, Monday," said Mr. Fogg, turning to Aouda.
|
||
|
|
||
|
"Yes; for to-morrow, Monday," she replied.
|
||
|
|
||
|
Passepartout hurried off as fast as his legs could carry him.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXVI
|
||
|
|
||
|
IN WHICH PHILEAS FOGG'S NAME IS ONCE MORE AT A PREMIUM ON 'CHANGE
|
||
|
|
||
|
|
||
|
It is time to relate what a change took place in English
|
||
|
public opinion when it transpired that the real bankrobber,
|
||
|
a certain James Strand, had been arrested, on the 17th day of December,
|
||
|
at Edinburgh. Three days before, Phileas Fogg had been a criminal,
|
||
|
who was being desperately followed up by the police; now he was an
|
||
|
honourable gentleman, mathematically pursuing his eccentric journey
|
||
|
round the world.
|
||
|
|
||
|
The papers resumed their discussion about the wager; all those
|
||
|
who had laid bets, for or against him, revived their interest,
|
||
|
as if by magic; the "Phileas Fogg bonds" again became negotiable,
|
||
|
and many new wagers were made. Phileas Fogg's name was once more
|
||
|
at a premium on 'Change.
|
||
|
|
||
|
His five friends of the Reform Club passed these three days in
|
||
|
a state of feverish suspense. Would Phileas Fogg, whom they had
|
||
|
forgotten, reappear before their eyes! Where was he at this moment?
|
||
|
The 17th of December, the day of James Strand's arrest,
|
||
|
was the seventy-sixth since Phileas Fogg's departure,
|
||
|
and no news of him had been received. Was he dead?
|
||
|
Had he abandoned the effort, or was he continuing his journey
|
||
|
along the route agreed upon? And would he appear on Saturday,
|
||
|
the 21st of December, at a quarter before nine in the evening,
|
||
|
on the threshold of the Reform Club saloon?
|
||
|
|
||
|
The anxiety in which, for three days, London society existed,
|
||
|
cannot be described. Telegrams were sent to America and Asia
|
||
|
for news of Phileas Fogg. Messengers were dispatched to the house
|
||
|
in Saville Row morning and evening. No news. The police were
|
||
|
ignorant what had become of the detective, Fix, who had so
|
||
|
unfortunately followed up a false scent. Bets increased,
|
||
|
nevertheless, in number and value. Phileas Fogg, like a
|
||
|
racehorse, was drawing near his last turning-point. The bonds
|
||
|
were quoted, no longer at a hundred below par, but at twenty,
|
||
|
at ten, and at five; and paralytic old Lord Albemarle bet even
|
||
|
in his favour.
|
||
|
|
||
|
A great crowd was collected in Pall Mall and the neighbouring
|
||
|
streets on Saturday evening; it seemed like a multitude of brokers
|
||
|
permanently established around the Reform Club. Circulation
|
||
|
was impeded, and everywhere disputes, discussions, and financial
|
||
|
transactions were going on. The police had great difficulty in
|
||
|
keeping back the crowd, and as the hour when Phileas Fogg
|
||
|
was due approached, the excitement rose to its highest pitch.
|
||
|
|
||
|
The five antagonists of Phileas Fogg had met in the great saloon of the club.
|
||
|
John Sullivan and Samuel Fallentin, the bankers, Andrew Stuart, the engineer,
|
||
|
Gauthier Ralph, the director of the Bank of England, and Thomas Flanagan,
|
||
|
the brewer, one and all waited anxiously.
|
||
|
|
||
|
When the clock indicated twenty minutes past eight, Andrew Stuart got up,
|
||
|
saying, "Gentlemen, in twenty minutes the time agreed upon between Mr. Fogg
|
||
|
and ourselves will have expired."
|
||
|
|
||
|
"What time did the last train arrive from Liverpool?" asked Thomas Flanagan.
|
||
|
|
||
|
"At twenty-three minutes past seven," replied Gauthier Ralph;
|
||
|
"and the next does not arrive till ten minutes after twelve."
|
||
|
|
||
|
"Well, gentlemen," resumed Andrew Stuart, "if Phileas Fogg
|
||
|
had come in the 7:23 train, he would have got here by this time.
|
||
|
We can, therefore, regard the bet as won."
|
||
|
|
||
|
"Wait; don't let us be too hasty," replied Samuel Fallentin.
|
||
|
"You know that Mr. Fogg is very eccentric. His punctuality
|
||
|
is well known; he never arrives too soon, or too late; and I
|
||
|
should not be surprised if he appeared before us at the last minute."
|
||
|
|
||
|
"Why," said Andrew Stuart nervously, "if I should see him,
|
||
|
I should not believe it was he."
|
||
|
|
||
|
"The fact is," resumed Thomas Flanagan, "Mr. Fogg's project
|
||
|
was absurdly foolish. Whatever his punctuality, he could not
|
||
|
prevent the delays which were certain to occur; and a delay
|
||
|
of only two or three days would be fatal to his tour."
|
||
|
|
||
|
"Observe, too," added John Sullivan, "that we have received no
|
||
|
intelligence from him, though there are telegraphic lines all
|
||
|
along is route."
|
||
|
|
||
|
"He has lost, gentleman," said Andrew Stuart, "he has a hundred times lost!
|
||
|
You know, besides, that the China the only steamer he could have taken
|
||
|
from New York to get here in time arrived yesterday. I have seen a list
|
||
|
of the passengers, and the name of Phileas Fogg is not among them.
|
||
|
Even if we admit that fortune has favoured him, he can scarcely
|
||
|
have reached America. I think he will be at least twenty days behind-hand,
|
||
|
and that Lord Albemarle will lose a cool five thousand."
|
||
|
|
||
|
"It is clear," replied Gauthier Ralph; "and we have nothing to do
|
||
|
but to present Mr. Fogg's cheque at Barings to-morrow."
|
||
|
|
||
|
At this moment, the hands of the club clock pointed
|
||
|
to twenty minutes to nine.
|
||
|
|
||
|
"Five minutes more," said Andrew Stuart.
|
||
|
|
||
|
The five gentlemen looked at each other. Their anxiety was becoming intense;
|
||
|
but, not wishing to betray it, they readily assented to Mr. Fallentin's
|
||
|
proposal of a rubber.
|
||
|
|
||
|
"I wouldn't give up my four thousand of the bet," said Andrew Stuart,
|
||
|
as he took his seat, "for three thousand nine hundred and ninety-nine."
|
||
|
|
||
|
The clock indicated eighteen minutes to nine.
|
||
|
|
||
|
The players took up their cards, but could not keep their eyes
|
||
|
off the clock. Certainly, however secure they felt,
|
||
|
minutes had never seemed so long to them!
|
||
|
|
||
|
"Seventeen minutes to nine," said Thomas Flanagan, as he cut the cards
|
||
|
which Ralph handed to him.
|
||
|
|
||
|
Then there was a moment of silence. The great saloon was perfectly quiet; but
|
||
|
the murmurs of the crowd outside were heard, with now and then a shrill cry.
|
||
|
The pendulum beat the seconds, which each player eagerly counted,
|
||
|
as he listened, with mathematical regularity.
|
||
|
|
||
|
"Sixteen minutes to nine!" said John Sullivan, in a voice which betrayed
|
||
|
his emotion.
|
||
|
|
||
|
One minute more, and the wager would be won. Andrew Stuart
|
||
|
and his partners suspended their game. They left their cards,
|
||
|
and counted the seconds.
|
||
|
|
||
|
At the fortieth second, nothing. At the fiftieth, still nothing.
|
||
|
|
||
|
At the fifty-fifth, a loud cry was heard in the street,
|
||
|
followed by applause, hurrahs, and some fierce growls.
|
||
|
|
||
|
The players rose from their seats.
|
||
|
|
||
|
At the fifty-seventh second the door of the saloon opened;
|
||
|
and the pendulum had not beat the sixtieth second when
|
||
|
Phileas Fogg appeared, followed by an excited crowd
|
||
|
who had forced their way through the club doors,
|
||
|
and in his calm voice, said, "Here I am, gentlemen!"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter XXXVII
|
||
|
|
||
|
IN WHICH IT IS SHOWN THAT PHILEAS FOGG GAINED NOTHING BY HIS
|
||
|
TOUR AROUND THE WORLD, UNLESS IT WERE HAPPINESS
|
||
|
|
||
|
|
||
|
Yes; Phileas Fogg in person.
|
||
|
|
||
|
The reader will remember that at five minutes past eight in the evening--
|
||
|
about five and twenty hours after the arrival of the travellers in London--
|
||
|
Passepartout had been sent by his master to engage the services of
|
||
|
the Reverend Samuel Wilson in a certain marriage ceremony,
|
||
|
which was to take place the next day.
|
||
|
|
||
|
Passepartout went on his errand enchanted. He soon
|
||
|
reached the clergyman's house, but found him not at home.
|
||
|
Passepartout waited a good twenty minutes, and when he left
|
||
|
the reverend gentleman, it was thirty-five minutes past eight.
|
||
|
But in what a state he was! With his hair in disorder,
|
||
|
and without his hat, he ran along the street as never man
|
||
|
was seen to run before, overturning passers-by,
|
||
|
rushing over the sidewalk like a waterspout.
|
||
|
|
||
|
In three minutes he was in Saville Row again,
|
||
|
and staggered back into Mr. Fogg's room.
|
||
|
|
||
|
He could not speak.
|
||
|
|
||
|
"What is the matter?" asked Mr. Fogg.
|
||
|
|
||
|
"My master!" gasped Passepartout--"marriage--impossible--"
|
||
|
|
||
|
"Impossible?"
|
||
|
|
||
|
"Impossible--for to-morrow."
|
||
|
|
||
|
"Why so?"
|
||
|
|
||
|
"Because to-morrow--is Sunday!"
|
||
|
|
||
|
"Monday," replied Mr. Fogg.
|
||
|
|
||
|
"No--to-day is Saturday."
|
||
|
|
||
|
"Saturday? Impossible!"
|
||
|
|
||
|
"Yes, yes, yes, yes!" cried Passepartout. "You have made a mistake
|
||
|
of one day! We arrived twenty-four hours ahead of time;
|
||
|
but there are only ten minutes left!"
|
||
|
|
||
|
Passepartout had seized his master by the collar,
|
||
|
and was dragging him along with irresistible force.
|
||
|
|
||
|
Phileas Fogg, thus kidnapped, without having time to think,
|
||
|
left his house, jumped into a cab, promised a hundred pounds
|
||
|
to the cabman, and, having run over two dogs and overturned
|
||
|
five carriages, reached the Reform Club.
|
||
|
|
||
|
The clock indicated a quarter before nine when he appeared
|
||
|
in the great saloon.
|
||
|
|
||
|
Phileas Fogg had accomplished the journey round the world in eighty days!
|
||
|
|
||
|
Phileas Fogg had won his wager of twenty thousand pounds!
|
||
|
|
||
|
How was it that a man so exact and fastidious could have made
|
||
|
this error of a day? How came he to think that he had arrived
|
||
|
in London on Saturday, the twenty-first day of December,
|
||
|
when it was really Friday, the twentieth, the seventy-ninth day
|
||
|
only from his departure?
|
||
|
|
||
|
The cause of the error is very simple.
|
||
|
|
||
|
Phileas Fogg had, without suspecting it, gained one day on his journey,
|
||
|
and this merely because he had travelled constantly eastward; he would,
|
||
|
on the contrary, have lost a day had he gone in the opposite direction,
|
||
|
that is, westward.
|
||
|
|
||
|
In journeying eastward he had gone towards the sun, and the days therefore
|
||
|
diminished for him as many times four minutes as he crossed degrees
|
||
|
in this direction. There are three hundred and sixty degrees
|
||
|
on the circumference of the earth; and these three hundred and sixty degrees,
|
||
|
multiplied by four minutes, gives precisely twenty-four hours--that is,
|
||
|
the day unconsciously gained. In other words, while Phileas Fogg,
|
||
|
going eastward, saw the sun pass the meridian eighty times,
|
||
|
his friends in London only saw it pass the meridian seventy-nine times.
|
||
|
This is why they awaited him at the Reform Club on Saturday,
|
||
|
and not Sunday, as Mr. Fogg thought.
|
||
|
|
||
|
And Passepartout's famous family watch, which had always kept London time,
|
||
|
would have betrayed this fact, if it had marked the days as well as
|
||
|
the hours and the minutes!
|
||
|
|
||
|
Phileas Fogg, then, had won the twenty thousand pounds; but,
|
||
|
as he had spent nearly nineteen thousand on the way, the pecuniary
|
||
|
gain was small. His object was, however, to be victorious,
|
||
|
and not to win money. He divided the one thousand pounds
|
||
|
that remained between Passepartout and the unfortunate Fix,
|
||
|
against whom he cherished no grudge. He deducted, however,
|
||
|
from Passepartout's share the cost of the gas which had burned
|
||
|
in his room for nineteen hundred and twenty hours,
|
||
|
for the sake of regularity.
|
||
|
|
||
|
That evening, Mr. Fogg, as tranquil and phlegmatic as ever,
|
||
|
said to Aouda: "Is our marriage still agreeable to you?"
|
||
|
|
||
|
"Mr. Fogg," replied she, "it is for me to ask that question.
|
||
|
You were ruined, but now you are rich again."
|
||
|
|
||
|
"Pardon me, madam; my fortune belongs to you. If you had not
|
||
|
suggested our marriage, my servant would not have gone to
|
||
|
the Reverend Samuel Wilson's, I should not have been apprised
|
||
|
of my error, and--"
|
||
|
|
||
|
"Dear Mr. Fogg!" said the young woman.
|
||
|
|
||
|
"Dear Aouda!" replied Phileas Fogg.
|
||
|
|
||
|
It need not be said that the marriage took place forty-eight hours after,
|
||
|
and that Passepartout, glowing and dazzling, gave the bride away.
|
||
|
Had he not saved her, and was he not entitled to this honour?
|
||
|
|
||
|
The next day, as soon as it was light, Passepartout rapped
|
||
|
vigorously at his master's door. Mr. Fogg opened it, and asked,
|
||
|
"What's the matter, Passepartout?"
|
||
|
|
||
|
"What is it, sir? Why, I've just this instant found out--"
|
||
|
|
||
|
"What?"
|
||
|
|
||
|
"That we might have made the tour of the world in only seventy-eight days."
|
||
|
|
||
|
"No doubt," returned Mr. Fogg, "by not crossing India. But if
|
||
|
I had not crossed India, I should not have saved Aouda;
|
||
|
she would not have been my wife, and--"
|
||
|
|
||
|
Mr. Fogg quietly shut the door.
|
||
|
|
||
|
Phileas Fogg had won his wager, and had made his journey
|
||
|
around the world in eighty days. To do this he had employed
|
||
|
every means of conveyance--steamers, railways, carriages, yachts,
|
||
|
trading-vessels, sledges, elephants. The eccentric gentleman
|
||
|
had throughout displayed all his marvellous qualities of coolness
|
||
|
and exactitude. But what then? What had he really gained by all
|
||
|
this trouble? What had he brought back from this long and weary journey?
|
||
|
|
||
|
Nothing, say you? Perhaps so; nothing but a charming woman,
|
||
|
who, strange as it may appear, made him the happiest of men!
|
||
|
|
||
|
Truly, would you not for less than that make the tour around the world?
|
||
|
|
||
|
|
||
|
End of Around the World in 80 Days
|
||
|
|
||
|
|
||
|
|