138 lines
6.8 KiB
Plaintext
138 lines
6.8 KiB
Plaintext
|
|
|||
|
AN INTERVIEW WITH TIMOTHY LEARY
|
|||
|
by Denise Caruso
|
|||
|
reporter, InfoWorld
|
|||
|
|
|||
|
Timothy Leary, one of the founders of humanistic psychology in the 1950s,
|
|||
|
gained both fame and infamy in the 1960s when he began experiments with
|
|||
|
psychedelic drugs such as LSD. During the past several years Leary has been
|
|||
|
focusing on the use of personal computers -- and more specifically, what he
|
|||
|
calls very highly interactive software -- as a harbinger of "the next wave" of
|
|||
|
evolution for human society. Toward this end Leary has designed a programming
|
|||
|
language called SKIPI (Super Knowledge Information Processing Intelligence)
|
|||
|
that enhances self-knowledge by issuing underlying psychological tests to
|
|||
|
evaluate each person's responses.
|
|||
|
|
|||
|
Q:) HOW WILL YOU BE USING SKIPI?
|
|||
|
|
|||
|
A:) Right now I'm using SKIPI in a "book" based on Mark Twain's "Huckleberry
|
|||
|
Finn." When you start you can pick who you want to be, Becky Thatcher or Tom
|
|||
|
Sawyer. It asks you questions about yourself, like "Are you adventurous or
|
|||
|
timid?" And you have choices. When Huck goes out the window to meet Tom in
|
|||
|
the
|
|||
|
bushes, who's there, Tom or Becky? Now if you're a girl and you say Becky, it
|
|||
|
becomes a Nancy Drew thing of the two girls going down the river with Huck.
|
|||
|
But every choice in any of these books is coded with something we call "me
|
|||
|
mes". They're the elements of human behavior that are passed on, just like
|
|||
|
genes pass on genetic traits. As you determine the narrative, it's a
|
|||
|
projective psychological test that gets fed back to you with these profiles
|
|||
|
and
|
|||
|
characteristics. And there's a master data file for SKIPI, which you can
|
|||
|
access your whole library. It knows what scores you got, your frustration
|
|||
|
tolerance, whether you prefer math to spatial problem solving...
|
|||
|
|
|||
|
Q:) ALL ON FLOPPIES?
|
|||
|
|
|||
|
A:) Its the easiest thing in the world. It takes up less memory than Donkey
|
|||
|
Kong.
|
|||
|
|
|||
|
Q:) WHAT IS THE PURPOSE OF CREATING THIS VERY HIGHLY INTERACTIVE SOFTWARE?
|
|||
|
|
|||
|
A:) It's the next wave. Everything that's happening today is the function
|
|||
|
of
|
|||
|
changing from an industrial, smokestack, material civilization to an
|
|||
|
information, communication, intelligence civilization. In the industrial age
|
|||
|
we're categorized by our professions. So this one's a carpenter, and
|
|||
|
(there's)
|
|||
|
a lawyer and a writer and an artist. But if you're an artist, then what am I?
|
|||
|
An artee? an art victim? With highly interactive software, everyone in the
|
|||
|
new age will be an author. Robots will do all the work that professions used
|
|||
|
to do. And everyone will be freed.
|
|||
|
|
|||
|
Q:) IT SEEMS THAT YOU COULD ALSO BE ROBBED OF PURPOSE.
|
|||
|
|
|||
|
A:) Anyone who has committed himself to an industrial age profession and
|
|||
|
isn't willing to change -- too bad. Nothing comes easy in evolution. When
|
|||
|
you
|
|||
|
crawl out of the water, you got to deal with gravity and muggers and things.
|
|||
|
|
|||
|
Q:) BUT THERE HAS TO BE SOMETHING TO REPLACE THAT SELF-WORTH.
|
|||
|
|
|||
|
A:) Exactly. The function of human life in the industrial age was to be a
|
|||
|
worker. Unemployment was dread. You lost your hope and pride if you didn't
|
|||
|
have a job. Well, the motto in the new age is, "Only robots and serfs and
|
|||
|
people in worker states work." The function of human life is to grow and
|
|||
|
evolve. We're here to simulate each other. The whole function of human life
|
|||
|
is now to be an author of your own experiences.
|
|||
|
|
|||
|
Q:) IS SKIPI A GAME OR AN EDUCATIONAL TOOL?
|
|||
|
|
|||
|
A:) It's an interactive adventure game, an educational adventure,
|
|||
|
personality
|
|||
|
processing, tests and feedback, an autobiography. But you end up with all
|
|||
|
these little disk "books" as your library.
|
|||
|
|
|||
|
Q:) SO IF SKIPI, OR SKIPI-LIKE PROGRAMS, ARE WIDELY ADOPTED, TH% mHOLE
|
|||
|
SYSTEM
|
|||
|
OF BOOKS AND EDUCATION AND LEARNING WOULD BE...
|
|||
|
|
|||
|
A:) Finished. What the Reagan adminstration says is, "We have to have more
|
|||
|
class hours, more homework, more of this and, less vacations." But there's
|
|||
|
still one teacher standing in front of 30 kids, each of whom is entirely
|
|||
|
different. George Leonard, a humanist psychologist in San Francisco, has got
|
|||
|
this plan. In the morning a kid would go to school and punch in and work on
|
|||
|
personal computer stuff, all tailored to the individual's personality,
|
|||
|
achievements, and so forth. Then in the afternoon, there'd be lectures, but
|
|||
|
it
|
|||
|
would be more like theater. You would read about Hamlet and Shakespeare, but
|
|||
|
in the afternoon you would act it out.
|
|||
|
|
|||
|
Q:) WHY ALL OF A SUDDEN ARE BOOKS OBSOLETE? WHY DO WE NEED TO INTERACT WITH
|
|||
|
OUR LEARNING MATERIAL?
|
|||
|
|
|||
|
A:) A book is now the way an oil painting was before Gutenberg invented the
|
|||
|
printing press. But an oil painting is not the way to communicate kno wledge
|
|||
|
information. You wouldn't carry one around to show what happened in Beirut or
|
|||
|
at the DeLorean trial.
|
|||
|
|
|||
|
Q:) ARE WE GOING TO START A REVOULTION WITH PERSONAL COMPUTERS?
|
|||
|
|
|||
|
A:) It's already happened. I see the '60s and '70s and '80s as a generation
|
|||
|
growing up. The '60s were kind of the teen-age part of it, and the '70s were
|
|||
|
kind of getting settled, and the '80s is the flowering of it. Bureaucracies
|
|||
|
are totally addicted and enslaved to mainframes. United Airlines and the
|
|||
|
Internal Revenue Service -- these things couldn't funct ion without
|
|||
|
mainframes.
|
|||
|
When you put control in the hands of individuals, however, we don't need
|
|||
|
security guards. The personal computer you keep at home. It's hooked up only
|
|||
|
to your brain or a collective brain. It's the ultimate egalitarian democracy.
|
|||
|
|
|||
|
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
ݰ The PIRATES' HOLLOW <20><>
|
|||
|
ݰ Gfile Distribution Center / MASS Megs <20><>
|
|||
|
ݰ 415/236/2371 RoR - Alucard 415/236/2371 <20><>
|
|||
|
ݰ Sysops: Doctor Murdock ~ Sir Death ~ Dark Nite ~ Ratsnatcher <20><>
|
|||
|
ݰShawn-Da-Lay Boy Production Inc. The Electric Pub : 415/236/4380<38><30>
|
|||
|
ݰ<><DDB0><EFBFBD><EFBFBD> The Gates of Hell are open Night and Day; <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
ݱ<><DDB1> <20> Smooth is the Descent and Easy is the Way <20> <20><><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
X-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-X
|
|||
|
Another file downloaded from: The NIRVANAnet(tm) Seven
|
|||
|
|
|||
|
& the Temple of the Screaming Electron Taipan Enigma 510/935-5845
|
|||
|
Burn This Flag Zardoz 408/363-9766
|
|||
|
realitycheck Poindexter Fortran 510/527-1662
|
|||
|
Lies Unlimited Mick Freen 801/278-2699
|
|||
|
The New Dork Sublime Biffnix 415/864-DORK
|
|||
|
The Shrine Rif Raf 206/794-6674
|
|||
|
Planet Mirth Simon Jester 510/786-6560
|
|||
|
|
|||
|
"Raw Data for Raw Nerves"
|
|||
|
X-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-X
|