123 lines
6.7 KiB
Plaintext
123 lines
6.7 KiB
Plaintext
|
Photographing TV and Computer Screen Images
|
|||
|
|
|||
|
From the brochure "KODAK Scientific Imaging Products", pages 26 and 27:
|
|||
|
Photographing TV and Computer Screen Images
|
|||
|
|
|||
|
It is a relatively simple task to record a color or monochrome image
|
|||
|
displayed on a television set, monitor, or computer screen. Although
|
|||
|
a 35 mm single-lens-relfex (SLR) camera is recommended for ease of
|
|||
|
focusing and framing the image, any automatic or adjustable camera will
|
|||
|
yield good resutls. Close focusing capability is a must if the screen
|
|||
|
image is to fill the film frame.
|
|||
|
Several options are available: use a camera with a close-focusing
|
|||
|
(macro) lens, use a lens with a fixed focal length of about 100 mm,
|
|||
|
use "tele-extenders' to increase the focal length of a normal lens, or
|
|||
|
use a supplementary close-up lens on a normal 50 mm lens. A lens of longer
|
|||
|
focal length, (e.g., one of 100 mm), minimizes the effect of screen
|
|||
|
curvature. You also need a stable tripod or platform because exposure
|
|||
|
times are too long to permit hand-holding the camera.
|
|||
|
|
|||
|
Shutter Speed
|
|||
|
Becuase images on a television or computer screen are formed line-by-line
|
|||
|
by a rapidly moving electron beam, you can obtain a complete picture of the
|
|||
|
screen only if the camera shutter speed is slow enough to allow the moving
|
|||
|
beam to complete its scan. To avoid photographs with dark or light "banding,"
|
|||
|
the beam should complete many scans.
|
|||
|
TV images typically are composed of 525 horizontal scan lines (U.S.
|
|||
|
standard) or 625 scan lines (the standard adopted by other countries).
|
|||
|
For the U.S. standard, a complete scan takes 1/30 second (1/60th for the
|
|||
|
odd- and 1/60 for the even-numbered lines). Theoretically you should use
|
|||
|
a shutter speed no faster than 1/30 second, or 1/25 second for a 625-line
|
|||
|
picture. These times are for a camera with a leaf shutter; for cameras
|
|||
|
with a focal-plane shutter, reduce shutter speed to 1/8 second in order
|
|||
|
to avoid getting a dark band across your picture and to stop TV action
|
|||
|
scenes.
|
|||
|
For computer screens, however, the subject is not moving and the
|
|||
|
resolution requirements are much higher. Also, photographs are frequently
|
|||
|
made of charts or graphs with light-colored backgrounds, and which show up
|
|||
|
dark bands particularly well. When photographing computer screens, you can
|
|||
|
obtain the best results with exposure times of 1/2 to 1 second. This exposure
|
|||
|
puts many images of the screen on the film to minimize the effect of
|
|||
|
"banding"--a film speed of ISO 100 is ideal.
|
|||
|
|
|||
|
Adjusting The Screen Image
|
|||
|
Reduce the contrast of the screen image to slightly below the setting for
|
|||
|
normal viewing. For a black-and-white image, adjust the brightness control so
|
|||
|
that there is detail in the highlights and also in the shadows. For a color
|
|||
|
image, adjust the color controls so the image is visually pleasing.
|
|||
|
If your TV, monitor, or computer has an automatic brightness control--
|
|||
|
one that varies image brightness in response to changing levels of room
|
|||
|
lighting--turn the control off and adjust the brightness manually. For
|
|||
|
computer screens, reduce the brightness so there are no scan lines visible on a
|
|||
|
black screen.
|
|||
|
|
|||
|
Room Lighting
|
|||
|
Darken the room completely if possible, or to a practical level to reduce
|
|||
|
ambient illumination. Doing so helps make the area around the screen image
|
|||
|
appear black in your pictures. A black surround is usually more pleasing than
|
|||
|
a lighter one or one reflecting part of the room. If you photograph screen
|
|||
|
images frequently, consider using a specially devised black "tent" or cone that
|
|||
|
fits tightly around the screen.
|
|||
|
Do not use flash or other lighting to illuminate the screen; it will
|
|||
|
overpower the screen image. If you camera is equipped with automatic flash,
|
|||
|
disable it or cover the flash with a piece of cardboard or other opaque material.
|
|||
|
|
|||
|
Film Recommendations
|
|||
|
Use daylight color film to photgraph images on color screens. Color pictures of
|
|||
|
color screen images may have a blue-green appearance because the sensitivity of
|
|||
|
the film is different from that of the eye. Use a slow film, e.g., KODAK
|
|||
|
EKTACHROME 100 Profressional Film. This film speed will call for a 1-second
|
|||
|
exposure at f-8 to f-11. A 400-speed film may be too fast; you will not be
|
|||
|
able to stop down to near f-11. Excellent photographs of computer screens are
|
|||
|
made using small f-stops (to account for screen curvature) _and_ long shutter
|
|||
|
speeds. KODACHROME 25 Professional Film has produced very good results.
|
|||
|
To improve color rendition with KODACHROME and EKTACHROME Professional Films,
|
|||
|
you may need to use a KODAK Color Compensating Filter CC10 or 20R over the
|
|||
|
camera lens and to increase the exposure by 1/3 stop. Use a CC20B filter with
|
|||
|
a color negative film such as KODAK VERICOLOR III Professional Film, which
|
|||
|
provides brighter colors than and increased color contrast over the "conventional"
|
|||
|
100-speed film. Experiment with this film, becasue it works better with some
|
|||
|
phosphors than others.
|
|||
|
You can also use the above color films to record the white, green, or amber
|
|||
|
images from monochrome computer screens (without the use of color compensating
|
|||
|
filters), or use black-and-white films if you do not need to retain the green or
|
|||
|
amber colors in the picture.
|
|||
|
|
|||
|
[herein are listed a number of KODAK films. It is, after all, a KODAK document.]
|
|||
|
|
|||
|
Exposure Determination
|
|||
|
Choose the correct shutter speed (1/2 to 1 second for computer screens and
|
|||
|
1/4 to 1/8 second for TV images), and leave the f-stop stetting to be determined.
|
|||
|
Consult your camera manual to determine how to set exposures with an essentially
|
|||
|
fixed shutter speed.
|
|||
|
Cameras equipped with a built-in exposure meter are useful, but the TV or
|
|||
|
computer screen should fill the image area when the reading is taken. For
|
|||
|
typical displays of "average" color and brightness content, you meter should
|
|||
|
yield correctly exposed slides. For predominantly bright displays, bracket
|
|||
|
exposures on the "overexpose" side; for predominantly dark screen displays,
|
|||
|
bracket on the "underexposure" side. If you have through-the-lens metering
|
|||
|
and you are using a color film with a color compensating filter over the camera
|
|||
|
lens, your camera should automatically increase exposure to compensate for
|
|||
|
attenuation by the filter.
|
|||
|
To be sure of getting a properly exposed picture, bracket your exposures.
|
|||
|
In 1/3-stop increments, overexpose or underexpose 1 full stop from any
|
|||
|
calculated exposure.
|
|||
|
|
|||
|
Selected Reference
|
|||
|
Eastman Kodak Company 1986. Photographing Television and Computer Screen
|
|||
|
Images (AC-10).
|
|||
|
|
|||
|
To order publications from KODAK, write to:
|
|||
|
Eastman Kodak Company
|
|||
|
Dept 412-SP
|
|||
|
343 State Street
|
|||
|
Rochester, New York 14650-0608
|
|||
|
|
|||
|
|
|||
|
Copied without permission, but then, it was a free catalogue, so I don't
|
|||
|
think they'll mind.
|
|||
|
|
|||
|
Alan Berenbaum adb@research.att.com
|
|||
|
AT&T Bell Labs
|
|||
|
Murray Hill, NJ
|
|||
|
|