384 lines
17 KiB
Plaintext
384 lines
17 KiB
Plaintext
![]() |
|
|||
|
|
|||
|
HOW TO GET A COPYRIGHT
|
|||
|
|
|||
|
Copyright 1989 C. Garvey
|
|||
|
|
|||
|
Permission is granted to reproduce and distribute this text file
|
|||
|
in its entirety in any media. If you want to reproduce only part
|
|||
|
of it, you must get my permission. You must include the copyright
|
|||
|
notice and my name, address, and phone number on all repro-
|
|||
|
ductions.
|
|||
|
|
|||
|
AUTHOR
|
|||
|
The author, Christopher B. Garvey, is an attorney
|
|||
|
specializing in patents, copyrights and trademarks with the firm
|
|||
|
Nolte, Nolte and Hunter, P.C., 350 Jericho Turnpike, Jericho, New
|
|||
|
York 11753, telephone: 516-935-0180.
|
|||
|
|
|||
|
INTRODUCTION
|
|||
|
The question "How do I get a copyright?" pops up often on
|
|||
|
these bulletin boards. This text file is an attempt to provide
|
|||
|
some guidance in obtaining a copyright. The most important advice
|
|||
|
in this file is: "Always use a copyright notice".
|
|||
|
|
|||
|
INTELLECTUAL PROPERTY
|
|||
|
Copyrights are a form of intellectual property. You know
|
|||
|
about other types of property: real property includes real
|
|||
|
estate, buildings, land; personal property includes your watch,
|
|||
|
your pen, your car. One of the most valuable types of property is
|
|||
|
an intangible one -- a property created by the mind, including
|
|||
|
inventions, books, pictures and names. Such property is created
|
|||
|
by the intellect; hence the term "intellectual property". People
|
|||
|
often confuse patents, trademarks and copyrights, so I'll also
|
|||
|
briefly tell you what a patent is and what a trademark is.
|
|||
|
|
|||
|
PATENTS
|
|||
|
A patent is a piece of paper given to you by the government
|
|||
|
that gives you the right to sue people to prevent them from
|
|||
|
making or using or selling whatever it is that you invented.
|
|||
|
Inventions are properties that didn't exist before somebody
|
|||
|
invented them -- the instant camera, the plain paper
|
|||
|
photo-copier, nylon fibers. There were no such things in the
|
|||
|
1800's, but modern inventors gave these inventions to the world.
|
|||
|
They created new devices and processes, and in return the
|
|||
|
government gave each of these inventors a monopoly on the making,
|
|||
|
using and selling of his invention for seventeen years. That
|
|||
|
monopoly, the right to exclude others from making, using or
|
|||
|
selling the invention, is a reward for giving us the knowledge of
|
|||
|
how to make or use that thing, which didn't exist before its
|
|||
|
inventor created it. Without patents, inventors could protect
|
|||
|
their inventions only by keeping them secret. (An invention, kept
|
|||
|
secret, might be a trade secret, which, by the way, can be one
|
|||
|
more form of intellectual property.)
|
|||
|
|
|||
|
Secrecy is of course not possible when the invention can be
|
|||
|
observed in a device that is marketed. Secrecy can better protect
|
|||
|
processes, substances or circuits and mechanisms not clearly
|
|||
|
evident by inspection.
|
|||
|
|
|||
|
A patent may be obtained on any new and useful process,
|
|||
|
machine, manufacture, or composition of matter, or any new and
|
|||
|
useful improvement thereof [35 USC Sec. 101]. In addition to
|
|||
|
being new, the invention must not have been obvious at the time
|
|||
|
it was invented. [35 USC Sec. 103].
|
|||
|
|
|||
|
You can't get a patent on a name or on your novel.
|
|||
|
|
|||
|
COPYRIGHTS
|
|||
|
Another type of intellectual property is a copyright. A
|
|||
|
copyright is a monopoly that's given to an author of some
|
|||
|
original work. By a monopoly, I mean a right to sue others:
|
|||
|
|
|||
|
to prevent them from copying, distributing, or performing
|
|||
|
the copyrighted work or derivative works; or
|
|||
|
to collect damages; or
|
|||
|
both.
|
|||
|
|
|||
|
You can't copyright an idea but you can copyright an original
|
|||
|
expression of an idea -- something that has been put on paper or
|
|||
|
made tangible -- something that other people can look at or read.
|
|||
|
For example, you can get a copyright:
|
|||
|
|
|||
|
if you write:
|
|||
|
|
|||
|
a book,
|
|||
|
a poem, or
|
|||
|
|
|||
|
if you create:
|
|||
|
|
|||
|
a painting,
|
|||
|
a sculpture,
|
|||
|
a photograph,
|
|||
|
a movie; or
|
|||
|
|
|||
|
if you write:
|
|||
|
|
|||
|
a play,
|
|||
|
a computer program,
|
|||
|
a song; or
|
|||
|
|
|||
|
if you record a song;
|
|||
|
|
|||
|
if you lay-up an advertisement; or
|
|||
|
|
|||
|
if you create a semiconductor chip.
|
|||
|
|
|||
|
If you have a copyright, some imitator can't come along and
|
|||
|
make money by selling unauthorized copies of your book in
|
|||
|
competition with you, without risking being sued.
|
|||
|
|
|||
|
TRADEMARKS
|
|||
|
Trademarks and service marks are words, symbols or devices
|
|||
|
which indicate a source of origin for goods or services. You
|
|||
|
can't copyright a name or a slogan but you can obtain a trademark
|
|||
|
on it. You acquire trademark rights by using your mark in
|
|||
|
commerce. Registering the mark provides some evidence and notice
|
|||
|
of your trademark rights. A fuller discussion of trademarks may
|
|||
|
be found in the file TRADEMRK.ZIP, which I have also uploaded to
|
|||
|
this bulletin board.
|
|||
|
|
|||
|
The purpose of patents and copyrights is, according to
|
|||
|
Article 1, Section 8, of the Constitution, "To promote the
|
|||
|
Progress of Science and the useful Arts, by securing for limited
|
|||
|
Times to Authors and Inventors the exclusive Right to their
|
|||
|
respective Writings and Discoveries".
|
|||
|
|
|||
|
Trademarks are common law rights with a purpose of preventing
|
|||
|
customer confusion as to who supplies products and services.
|
|||
|
|
|||
|
HOW TO GET A COPYRIGHT
|
|||
|
The most important step in obtaining a copyright is the
|
|||
|
placing of a copyright notice upon the work, whenever the work is
|
|||
|
published by authority of the copyright owner. If you fail to
|
|||
|
place a copyright notice on publicly distributed copies from
|
|||
|
which your work can be visually perceived (perceived either
|
|||
|
directly or with the aid of a machine or device) you will
|
|||
|
probably lose your copyright. 17 USC Chapter 4. (If you have
|
|||
|
published already without a copyright notice, consult your
|
|||
|
attorney. There may be a way to save your copyright. See 17 USC
|
|||
|
Section 405.)
|
|||
|
|
|||
|
Fortunately, it is very easy to comply with the notice
|
|||
|
requirement. The statute [17 USC Sec. 401(b)] states that:
|
|||
|
|
|||
|
"The notice appearing on the copies shall consist of the
|
|||
|
following three elements:
|
|||
|
|
|||
|
(1) the symbol consisting of the letter "C" in a circle,
|
|||
|
or the word "Copyright", or the appreviation "Copyr.";
|
|||
|
and
|
|||
|
|
|||
|
(2) the year of the first publication of the work;...and
|
|||
|
|
|||
|
(3) the name of the owner of the copyright in the work,
|
|||
|
or an abbreviation by which the name can be recognized,
|
|||
|
or a generally known alternative designation of the
|
|||
|
owner."
|
|||
|
|
|||
|
For example: Copyright 1989 C. Garvey
|
|||
|
|
|||
|
17 USC Sec. 401(c) tells you where to put your copyright
|
|||
|
notice:
|
|||
|
|
|||
|
"(c) Position of notice--the notice shall be fixed to the
|
|||
|
copies in such a manner and location as to give reasonable
|
|||
|
notice of the claim of copyright."
|
|||
|
|
|||
|
You will observe that at the beginning of this text file I
|
|||
|
have placed a copyright notice which complies with the above
|
|||
|
requirements. Placing this notice on the work is all I have to do
|
|||
|
to obtain my copyright. Having done so, I will now be able to
|
|||
|
take steps to stop any unauthorized duplication of this work.
|
|||
|
However, since my purpose in writing this work is to educate
|
|||
|
people, I have granted permission to reproduce the file. But,
|
|||
|
since I don't care to have my words distorted, I have required
|
|||
|
that any reproduction must be of the complete file.
|
|||
|
|
|||
|
It costs almost nothing to put a copyright notice on a work.
|
|||
|
If you publish without such a notice you can forfeit all your
|
|||
|
rights to control your work. Why would anyone publish anything
|
|||
|
without including a copyright notice? I can't think of any good
|
|||
|
reason.
|
|||
|
|
|||
|
You can always grant permission, even in the work, to use
|
|||
|
your work under terms that you specify. This text file and many
|
|||
|
of the programs posted on computer bulletin boards are examples
|
|||
|
of copyrighted works which include permission for reproduction.
|
|||
|
Even if you don't intend to make any money from your copyrighted
|
|||
|
work, its a good idea to own the rights in your work so that you
|
|||
|
can prevent people from distorting your work and using it for
|
|||
|
purposes of which you may strongly disapprove. For example, if
|
|||
|
someone used your copyrighted computer program as a carrier for a
|
|||
|
virus, you could sue him for copyright infringement.
|
|||
|
|
|||
|
REGISTRATION OF THE COPYRIGHT
|
|||
|
It's a very good idea to register your copyright with the
|
|||
|
Register of Copyrights. Registration is not a condition of
|
|||
|
copyright protection. If you don't register, you still own your
|
|||
|
copyright. However, registration only costs $10.00 and has
|
|||
|
certain advantages. First of all, registration is a prerequisite
|
|||
|
to an infringement suit. In other words, you can't sue someone
|
|||
|
who is infringing your copyright until you have registered your
|
|||
|
copyright. Furthermore, there are certain remedies which are only
|
|||
|
available with respect to infringements made after registration.
|
|||
|
The statute [17 USC Sec. 412] states that:
|
|||
|
|
|||
|
"no award of statutory damages or of attorneys fees, as
|
|||
|
provided by Sections 504 and 505, shall be made for -
|
|||
|
|
|||
|
(1) any infringement of a copyright in an unpublished work
|
|||
|
commenced before the effective date of its registration; or
|
|||
|
|
|||
|
(2) any infringement of copyright commenced after first
|
|||
|
publication of the work and before the effective date of its
|
|||
|
registration, unless such registration is made within three
|
|||
|
months after the first publication of the work."
|
|||
|
|
|||
|
Actual damages, if you can prove them, are still available
|
|||
|
with respect to pre-registration infringements. Statutory damages
|
|||
|
are different from and can be in addition to actual damages.
|
|||
|
Another reason to register a copyright is that the law [17
|
|||
|
USC Sec. 407] requires the owner of the copyright to deposit
|
|||
|
within three months after the date of publication:
|
|||
|
|
|||
|
"(1) two complete copies of the best editions; or
|
|||
|
|
|||
|
(2) if the work is a sound recording, two complete phono
|
|||
|
records of the best editions, together with any printed or
|
|||
|
other visually perceptable material published with such
|
|||
|
phono records."
|
|||
|
|
|||
|
The law provides that the Register of Copyrights may make a
|
|||
|
written demand for the required deposit on any persons obligated
|
|||
|
to make the deposit. If you fail to respond to such a demand, you
|
|||
|
may be liable to a fine of not more than $250 for each work or a
|
|||
|
fine of $2,500 if you repeatedly fail or refuse to comply with
|
|||
|
such a demand.
|
|||
|
|
|||
|
Registration is simple. You can have it done by your
|
|||
|
attorney. Our firm charges $278 at the time of this writing for
|
|||
|
filing a copyright registration. This reflects the amount of time
|
|||
|
it takes for us to fill out the form with information that we
|
|||
|
must obtain from you. But, it's simpler and far less expensive to
|
|||
|
fill out and submit these forms yourself. You can obtain the
|
|||
|
forms by calling the copyright forms hot line at 202-707-9100.
|
|||
|
The Copyright Office will be happy to send you the forms and
|
|||
|
instructions.
|
|||
|
|
|||
|
TEXT
|
|||
|
If you your work is primarily text, ask for form TX, with
|
|||
|
instructions.
|
|||
|
|
|||
|
ART
|
|||
|
If your work is primarily in the visual arts, such as a
|
|||
|
sculpture or picture, ask for form VA, with instructions.
|
|||
|
|
|||
|
TEXT AND ART
|
|||
|
Many works are combinations of visual arts and text. Make a
|
|||
|
determination yourself as to which aspect of the work predom-
|
|||
|
inates and ask for that form. The Copyright Office is unlikely to
|
|||
|
be too critical about your choice of forms.
|
|||
|
|
|||
|
PERIODICALS
|
|||
|
If you are creating a periodical such as a magazine,
|
|||
|
newspaper, or a weekly bulletin to be posted on a computer
|
|||
|
bulletin board, ask for form SE, with instructions. The SE stands
|
|||
|
for serial.
|
|||
|
|
|||
|
PERFORMING ARTS
|
|||
|
Ask for form PA with instructions for registration of
|
|||
|
published or unpublished works of the performing arts. Works of
|
|||
|
the performing arts include:
|
|||
|
|
|||
|
(1) musical works, including any accompanying words;
|
|||
|
|
|||
|
(2) dramatic works, including any accompanying music;
|
|||
|
|
|||
|
(3) pantomimes and choreographic works; and
|
|||
|
|
|||
|
(4) motion pictures and other audio visual works.
|
|||
|
|
|||
|
SOUND RECORDINGS
|
|||
|
Ask for form SR, with instructions, for copyright
|
|||
|
registration of published or unpublished sound recordings. By the
|
|||
|
way, the required copyright notice for sound recordings differs
|
|||
|
slightly from the notice on other works. Under 17 USC Sec.
|
|||
|
402(b):
|
|||
|
|
|||
|
"The required form of a notice for phono records of sound
|
|||
|
recordings consists of three elements:
|
|||
|
|
|||
|
(1) a symbol consisting of the letter "P" in a circle;
|
|||
|
|
|||
|
(2) the year of first publication of the sound recording;
|
|||
|
and
|
|||
|
|
|||
|
(3) the name of the owner of the copyright in the sound
|
|||
|
recording..."
|
|||
|
|
|||
|
SEMICONDUCTOR CHIPS
|
|||
|
Semiconductor chips are copyrightable [17 USC Chapter 9]. The
|
|||
|
copyright duration is ten years [17 USC Sec. 904]. Registration
|
|||
|
is required within two years or protection terminates [17 USC
|
|||
|
908]. There are special notice requirements [17 USC Sec. 909].
|
|||
|
|
|||
|
HELP
|
|||
|
As government publications go, the copyright forms and
|
|||
|
instructions are remarkably clear and self-explanatory. The
|
|||
|
Copyright Office is also helpful in answering some of your
|
|||
|
questions. For others, they will refer you to a lawyer. Their
|
|||
|
copyright information specialists can be called at 202-479-0700.
|
|||
|
Circular R2B, available from the Copyright Office, comprises
|
|||
|
selected bibliographies on the subject of copyrights.
|
|||
|
|
|||
|
PUBLICATION
|
|||
|
17 USC Section 101 states:
|
|||
|
|
|||
|
"'Publication' is the distribution of copies or phonorecords
|
|||
|
of a work to the public by sale or other transfer of
|
|||
|
ownership, or by rental, lease, or lending. The offering to
|
|||
|
distribute copies or phonorecords to a group of persons for
|
|||
|
purposes of further distribution, public performance or
|
|||
|
public display, constitutes publication. A public perform-
|
|||
|
ance or display of a work does not of itself constitute
|
|||
|
publication."
|
|||
|
|
|||
|
UNPUBLISHED
|
|||
|
You should register published works and you may register
|
|||
|
unpublished works. You might register an unpublished work to
|
|||
|
create an official record of your authorship prior to submitting
|
|||
|
the work to publishers. When registering an unpublished work, you
|
|||
|
need only deposit one complete copy of the work with your
|
|||
|
registration. Where the work has been published, deposit two
|
|||
|
complete copies of the best edition of the work.
|
|||
|
|
|||
|
Under 17 USC Sec. 402(c):
|
|||
|
|
|||
|
"(c) Position of Notice - The notice is to be placed on the
|
|||
|
surface of the phono record, or on the label or container,
|
|||
|
in such manner and location as to give reasonable notice of
|
|||
|
the claim of copyright."
|
|||
|
|
|||
|
DURATION
|
|||
|
On a work created on or after January 1, 1978, the copyright
|
|||
|
lasts for the life of the author plus fifty years [17 USC
|
|||
|
302(a)]. If the work is anonymous, or written under a pseudonym,
|
|||
|
or written for hire, the copyright lasts seventy-five years.
|
|||
|
|
|||
|
REMEDIES
|
|||
|
Copyright law is very plaintiff oriented, and judges usually
|
|||
|
have great sympathy for authors who have been ripped off. If you
|
|||
|
believe that someone has made unauthorized use of your copy-
|
|||
|
righted work, contact a lawyer, preferably one who specializes in
|
|||
|
areas of intellectual property. In many cases, copyright
|
|||
|
infringers will cease their infringement as soon as the copyright
|
|||
|
owner or his attorney confronts them. An infringer may pay you
|
|||
|
for past infringement in order to avoid or settle a suit. If you
|
|||
|
sue him, you may collect damages and obtain a court order that he
|
|||
|
stop infringing.
|
|||
|
|
|||
|
CONCLUSION
|
|||
|
Of course, there's more to copyright law than can be covered in
|
|||
|
this brief discussion. My purpose in this article is primarily to
|
|||
|
help you secure a copyright. If you have any questions, you may
|
|||
|
call me.
|
|||
|
|
|||
|
In closing, I repeat that the most important step in
|
|||
|
obtaining a copyright is affixing a copyright notice to your
|
|||
|
published copies. The copyright notice will probably prevent
|
|||
|
unauthorized copying of your work. If it doesn't prevent
|
|||
|
infringement, it will enable you to sue for an injunction (to
|
|||
|
stop the copying) and for money damages.
|
|||
|
|
|||
|
Remember the copyright notice.
|
|||
|
|
|||
|
|
|||
|
["17 USC" refers to Title 17 of the United States Code]
|
|||
|
["35 USC" refers to Title 35 of the United States Code]
|
|||
|
|
|||
|
|
|||
|
Graciously supplied by Double Helix BBS
|
|||
|
1 (212) 865-7043......2400 N81N
|
|||
|
Listed by KeelyNet BBS
|
|||
|
1 (214) 324-3501......2400 N81N
|