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HOW TO GET A COPYRIGHT
Copyright 1989 C. Garvey
Permission is granted to reproduce and distribute this text file
in its entirety in any media. If you want to reproduce only part
of it, you must get my permission. You must include the copyright
notice and my name, address, and phone number on all repro-
ductions.
AUTHOR
The author, Christopher B. Garvey, is an attorney
specializing in patents, copyrights and trademarks with the firm
Nolte, Nolte and Hunter, P.C., 350 Jericho Turnpike, Jericho, New
York 11753, telephone: 516-935-0180.
INTRODUCTION
The question "How do I get a copyright?" pops up often on
these bulletin boards. This text file is an attempt to provide
some guidance in obtaining a copyright. The most important advice
in this file is: "Always use a copyright notice".
INTELLECTUAL PROPERTY
Copyrights are a form of intellectual property. You know
about other types of property: real property includes real
estate, buildings, land; personal property includes your watch,
your pen, your car. One of the most valuable types of property is
an intangible one -- a property created by the mind, including
inventions, books, pictures and names. Such property is created
by the intellect; hence the term "intellectual property". People
often confuse patents, trademarks and copyrights, so I'll also
briefly tell you what a patent is and what a trademark is.
PATENTS
A patent is a piece of paper given to you by the government
that gives you the right to sue people to prevent them from
making or using or selling whatever it is that you invented.
Inventions are properties that didn't exist before somebody
invented them -- the instant camera, the plain paper
photo-copier, nylon fibers. There were no such things in the
1800's, but modern inventors gave these inventions to the world.
They created new devices and processes, and in return the
government gave each of these inventors a monopoly on the making,
using and selling of his invention for seventeen years. That
monopoly, the right to exclude others from making, using or
selling the invention, is a reward for giving us the knowledge of
how to make or use that thing, which didn't exist before its
inventor created it. Without patents, inventors could protect
their inventions only by keeping them secret. (An invention, kept
secret, might be a trade secret, which, by the way, can be one
more form of intellectual property.)
Secrecy is of course not possible when the invention can be
observed in a device that is marketed. Secrecy can better protect
processes, substances or circuits and mechanisms not clearly
evident by inspection.
A patent may be obtained on any new and useful process,
machine, manufacture, or composition of matter, or any new and
useful improvement thereof [35 USC Sec. 101]. In addition to
being new, the invention must not have been obvious at the time
it was invented. [35 USC Sec. 103].
You can't get a patent on a name or on your novel.
COPYRIGHTS
Another type of intellectual property is a copyright. A
copyright is a monopoly that's given to an author of some
original work. By a monopoly, I mean a right to sue others:
to prevent them from copying, distributing, or performing
the copyrighted work or derivative works; or
to collect damages; or
both.
You can't copyright an idea but you can copyright an original
expression of an idea -- something that has been put on paper or
made tangible -- something that other people can look at or read.
For example, you can get a copyright:
if you write:
a book,
a poem, or
if you create:
a painting,
a sculpture,
a photograph,
a movie; or
if you write:
a play,
a computer program,
a song; or
if you record a song;
if you lay-up an advertisement; or
if you create a semiconductor chip.
If you have a copyright, some imitator can't come along and
make money by selling unauthorized copies of your book in
competition with you, without risking being sued.
TRADEMARKS
Trademarks and service marks are words, symbols or devices
which indicate a source of origin for goods or services. You
can't copyright a name or a slogan but you can obtain a trademark
on it. You acquire trademark rights by using your mark in
commerce. Registering the mark provides some evidence and notice
of your trademark rights. A fuller discussion of trademarks may
be found in the file TRADEMRK.ZIP, which I have also uploaded to
this bulletin board.
The purpose of patents and copyrights is, according to
Article 1, Section 8, of the Constitution, "To promote the
Progress of Science and the useful Arts, by securing for limited
Times to Authors and Inventors the exclusive Right to their
respective Writings and Discoveries".
Trademarks are common law rights with a purpose of preventing
customer confusion as to who supplies products and services.
HOW TO GET A COPYRIGHT
The most important step in obtaining a copyright is the
placing of a copyright notice upon the work, whenever the work is
published by authority of the copyright owner. If you fail to
place a copyright notice on publicly distributed copies from
which your work can be visually perceived (perceived either
directly or with the aid of a machine or device) you will
probably lose your copyright. 17 USC Chapter 4. (If you have
published already without a copyright notice, consult your
attorney. There may be a way to save your copyright. See 17 USC
Section 405.)
Fortunately, it is very easy to comply with the notice
requirement. The statute [17 USC Sec. 401(b)] states that:
"The notice appearing on the copies shall consist of the
following three elements:
(1) the symbol consisting of the letter "C" in a circle,
or the word "Copyright", or the appreviation "Copyr.";
and
(2) the year of the first publication of the work;...and
(3) the name of the owner of the copyright in the work,
or an abbreviation by which the name can be recognized,
or a generally known alternative designation of the
owner."
For example: Copyright 1989 C. Garvey
17 USC Sec. 401(c) tells you where to put your copyright
notice:
"(c) Position of notice--the notice shall be fixed to the
copies in such a manner and location as to give reasonable
notice of the claim of copyright."
You will observe that at the beginning of this text file I
have placed a copyright notice which complies with the above
requirements. Placing this notice on the work is all I have to do
to obtain my copyright. Having done so, I will now be able to
take steps to stop any unauthorized duplication of this work.
However, since my purpose in writing this work is to educate
people, I have granted permission to reproduce the file. But,
since I don't care to have my words distorted, I have required
that any reproduction must be of the complete file.
It costs almost nothing to put a copyright notice on a work.
If you publish without such a notice you can forfeit all your
rights to control your work. Why would anyone publish anything
without including a copyright notice? I can't think of any good
reason.
You can always grant permission, even in the work, to use
your work under terms that you specify. This text file and many
of the programs posted on computer bulletin boards are examples
of copyrighted works which include permission for reproduction.
Even if you don't intend to make any money from your copyrighted
work, its a good idea to own the rights in your work so that you
can prevent people from distorting your work and using it for
purposes of which you may strongly disapprove. For example, if
someone used your copyrighted computer program as a carrier for a
virus, you could sue him for copyright infringement.
REGISTRATION OF THE COPYRIGHT
It's a very good idea to register your copyright with the
Register of Copyrights. Registration is not a condition of
copyright protection. If you don't register, you still own your
copyright. However, registration only costs $10.00 and has
certain advantages. First of all, registration is a prerequisite
to an infringement suit. In other words, you can't sue someone
who is infringing your copyright until you have registered your
copyright. Furthermore, there are certain remedies which are only
available with respect to infringements made after registration.
The statute [17 USC Sec. 412] states that:
"no award of statutory damages or of attorneys fees, as
provided by Sections 504 and 505, shall be made for -
(1) any infringement of a copyright in an unpublished work
commenced before the effective date of its registration; or
(2) any infringement of copyright commenced after first
publication of the work and before the effective date of its
registration, unless such registration is made within three
months after the first publication of the work."
Actual damages, if you can prove them, are still available
with respect to pre-registration infringements. Statutory damages
are different from and can be in addition to actual damages.
Another reason to register a copyright is that the law [17
USC Sec. 407] requires the owner of the copyright to deposit
within three months after the date of publication:
"(1) two complete copies of the best editions; or
(2) if the work is a sound recording, two complete phono
records of the best editions, together with any printed or
other visually perceptable material published with such
phono records."
The law provides that the Register of Copyrights may make a
written demand for the required deposit on any persons obligated
to make the deposit. If you fail to respond to such a demand, you
may be liable to a fine of not more than $250 for each work or a
fine of $2,500 if you repeatedly fail or refuse to comply with
such a demand.
Registration is simple. You can have it done by your
attorney. Our firm charges $278 at the time of this writing for
filing a copyright registration. This reflects the amount of time
it takes for us to fill out the form with information that we
must obtain from you. But, it's simpler and far less expensive to
fill out and submit these forms yourself. You can obtain the
forms by calling the copyright forms hot line at 202-707-9100.
The Copyright Office will be happy to send you the forms and
instructions.
TEXT
If you your work is primarily text, ask for form TX, with
instructions.
ART
If your work is primarily in the visual arts, such as a
sculpture or picture, ask for form VA, with instructions.
TEXT AND ART
Many works are combinations of visual arts and text. Make a
determination yourself as to which aspect of the work predom-
inates and ask for that form. The Copyright Office is unlikely to
be too critical about your choice of forms.
PERIODICALS
If you are creating a periodical such as a magazine,
newspaper, or a weekly bulletin to be posted on a computer
bulletin board, ask for form SE, with instructions. The SE stands
for serial.
PERFORMING ARTS
Ask for form PA with instructions for registration of
published or unpublished works of the performing arts. Works of
the performing arts include:
(1) musical works, including any accompanying words;
(2) dramatic works, including any accompanying music;
(3) pantomimes and choreographic works; and
(4) motion pictures and other audio visual works.
SOUND RECORDINGS
Ask for form SR, with instructions, for copyright
registration of published or unpublished sound recordings. By the
way, the required copyright notice for sound recordings differs
slightly from the notice on other works. Under 17 USC Sec.
402(b):
"The required form of a notice for phono records of sound
recordings consists of three elements:
(1) a symbol consisting of the letter "P" in a circle;
(2) the year of first publication of the sound recording;
and
(3) the name of the owner of the copyright in the sound
recording..."
SEMICONDUCTOR CHIPS
Semiconductor chips are copyrightable [17 USC Chapter 9]. The
copyright duration is ten years [17 USC Sec. 904]. Registration
is required within two years or protection terminates [17 USC
908]. There are special notice requirements [17 USC Sec. 909].
HELP
As government publications go, the copyright forms and
instructions are remarkably clear and self-explanatory. The
Copyright Office is also helpful in answering some of your
questions. For others, they will refer you to a lawyer. Their
copyright information specialists can be called at 202-479-0700.
Circular R2B, available from the Copyright Office, comprises
selected bibliographies on the subject of copyrights.
PUBLICATION
17 USC Section 101 states:
"'Publication' is the distribution of copies or phonorecords
of a work to the public by sale or other transfer of
ownership, or by rental, lease, or lending. The offering to
distribute copies or phonorecords to a group of persons for
purposes of further distribution, public performance or
public display, constitutes publication. A public perform-
ance or display of a work does not of itself constitute
publication."
UNPUBLISHED
You should register published works and you may register
unpublished works. You might register an unpublished work to
create an official record of your authorship prior to submitting
the work to publishers. When registering an unpublished work, you
need only deposit one complete copy of the work with your
registration. Where the work has been published, deposit two
complete copies of the best edition of the work.
Under 17 USC Sec. 402(c):
"(c) Position of Notice - The notice is to be placed on the
surface of the phono record, or on the label or container,
in such manner and location as to give reasonable notice of
the claim of copyright."
DURATION
On a work created on or after January 1, 1978, the copyright
lasts for the life of the author plus fifty years [17 USC
302(a)]. If the work is anonymous, or written under a pseudonym,
or written for hire, the copyright lasts seventy-five years.
REMEDIES
Copyright law is very plaintiff oriented, and judges usually
have great sympathy for authors who have been ripped off. If you
believe that someone has made unauthorized use of your copy-
righted work, contact a lawyer, preferably one who specializes in
areas of intellectual property. In many cases, copyright
infringers will cease their infringement as soon as the copyright
owner or his attorney confronts them. An infringer may pay you
for past infringement in order to avoid or settle a suit. If you
sue him, you may collect damages and obtain a court order that he
stop infringing.
CONCLUSION
Of course, there's more to copyright law than can be covered in
this brief discussion. My purpose in this article is primarily to
help you secure a copyright. If you have any questions, you may
call me.
In closing, I repeat that the most important step in
obtaining a copyright is affixing a copyright notice to your
published copies. The copyright notice will probably prevent
unauthorized copying of your work. If it doesn't prevent
infringement, it will enable you to sue for an injunction (to
stop the copying) and for money damages.
Remember the copyright notice.
["17 USC" refers to Title 17 of the United States Code]
["35 USC" refers to Title 35 of the United States Code]
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