877 lines
32 KiB
Plaintext
877 lines
32 KiB
Plaintext
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From: muzzle@cs.uq.oz.au (Murray Chapman)
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Subject: BLADE RUNNER FAQ Version 1.0
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Summary: This file contains information on "Blade Runner", a "cult movie"
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which causes a great deal of debate in various newsgroups.
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Keywords: blade runner faq cult movies
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Message-ID: <11583@uqcspe.cs.uq.oz.au>
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Date: 5 Jan 93 03:31:38 GMT
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Lines: 867
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Version: 1.0 (January 1993)
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-------------------------------------------------------------------------------
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BLADE RUNNER
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Frequently Asked Questions
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-------------------------------------------------------------------------------
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Compiled by Murray Chapman (muzzle@cs.uq.oz.au), from sources too numerous to
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mention. Thank-you one and all.
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Please send your contributions/corrections/donations/suggestions to
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muzzle@cs.uq.oz.au. Changes posted to the net are not 100% guaranteed to be
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seen by me. Please read the notes at the end of this file before mailing me.
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INTRODUCTION
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------------
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The movie "Blade Runner" is one of rec.arts.movies and alt.cult-movies most
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talked about movies. In an attempt to stop the same questions being asked and
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answered every few months or so, I present the Blade Runner FAQ. This list
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will be posted monthly to: alt.cult-movies, rec.arts.movies, alt.cyberpunk, and
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rec.arts.sf.movies. The list will appear in news.answers as soon as I can sort
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out a few problems. The followup field will be set to alt.cult-movies, because
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this is the most relevant newsgroup for discussions.
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Suggestions welcome (ie wanted desperately) for all areas, especially those
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marked with []'s.
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This FAQ contains spoilers.
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-------------------------------------------------------------------------------
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CONTENTS
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--------
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1. What is Blade Runner?
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2. What book is it based on?
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3. Is the sound track available?
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4. What are replicants?
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5. Who/what is <so-and-so>?
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6. I don't like the voice-overs/ending.
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7. What different versions of Blade Runner are there?
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8. Memorable Quotes
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9. What is the significance of the unicorn?
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10. Problems in Blade Runner
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11. Trivia / What makes Blade Runner popular/special?
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12. More questions/answers
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13. Is Deckard a replicant?
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-------------------------------------------------------------------------------
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1. WHAT IS BLADE RUNNER?
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Blade Runner (BR) is a science-fiction film starring Harrison Ford, Rutger
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Hauer, Sean Young, and Daryl Hannah. Although it was a box-office failure, it
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has become perhaps the definitive cult movie, and is one of the few films
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which remain faithful to the ideals of 20th century science fiction literature.
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Blade Runner was directed by Ridley Scott, and features music by Vangelis.
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Plot Synopsis
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-------------
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Preamble from movie:
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Early in the 21st Century, THE TYRELL
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CORPORATION advanced Robot evolution
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into the NEXUS phase -- a being virtually
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identical to a human -- known as replicants.
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The NEXUS 6 Replicants were superior
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in strength and agility, and at least equal
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in intelligence, to the genetic engineers
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who created them.
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Replicants were used Off-world as
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slave labor, in the hazardous exploration and
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colonization of other planets.
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After a bloody mutiny by a NEXUS 6
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combat team in an Off-world colony,
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Replicants were declared illegal
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on earth -- under penalty of death.
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Special police squads -- BLADE RUNNER
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UNITS -- had orders to shoot to kill, upon
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detection, any trespassing Replicants.
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This was not called execution.
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It was called retirement.
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LOS ANGELES
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NOVEMBER, 2019
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A number of replicants have made it to Earth, and ex-Blade Runner Deckard
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(Harrison Ford) is convinced to track them down.
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-------------------------------------------------------------------------------
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2. WHAT BOOK IS IT BASED ON?
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Blade Runner is LOOSELY based on a Philip K. Dick novella, "Do Androids
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Dream of Electric Sheep" (DADoES). Dick also wrote the story that _Total
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Recall_ was based on, "We Can Remember It For You, Wholesale". A recurring
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theme in Dick's work is the question of personal and human identity. A
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question explored more in DADoES and _Total Recall_ than in Blade Runner is
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"what is reality?"
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At the most, one can say that the movie borrowed a concept and some characters
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from the book.
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Dick's book has been re-released as: "Blade Runner (Do Androids Dream of
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Electric Sheep?)."
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The title comes from a story co-authored by William S. Burroughs. Ridley Scott
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liked it and got permission to use it. It refers to people who deliver medical
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instruments to outlaw doctors who can't obtain them legally.
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-------------------------------------------------------------------------------
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3. IS THE SOUND TRACK AVAILABLE?
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The original movie soundtrack has never been officially released, although the
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credits claim it is available on Polydor records.
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There is an album called the "Blade Runner Soundtrack" (WEA 1982), but it is NOT
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the music from the movie, rather an orchestral arrangement. Vangelis released
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an album called "Themes", which contains:
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"End Titles"
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"Love Theme"
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"Memories of Green" (originally from Vangelis' "See You Later")
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The Japanese Woman taking the pills on the billboard sings something like
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"Iichi Kotoru", which is Japanese temple music.
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There are recurring rumors that a few LPs of the real soundtrack were sold
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in Europe.
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-------------------------------------------------------------------------------
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4. WHAT ARE REPLICANTS?
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The following definitions appear in the BR script, but not the movie:
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[What is this script? Where can you get it?]
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_android_ (an'droid) adj. Possessing human features -n.
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A synthetic man created from biological materials.
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Also called humanoid. (Late Greek androeides,
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manlike: ANDR(O) - OID.)
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THE AMERICAN HERITAGE
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DICTIONARY OF THE ENGLISH
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LANGUAGE (1976)
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_android_ (an'droid) n, Gk. humanoid automation. more at
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robot./ 1. early version utilized for work too
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boring, dangerous or unpleasant for humans.
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2. second generation bio-engineered. Electronic
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relay units and positronic brains. Used in space
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to explore inhospitable environments. 3. third
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generation synthogenetic. REPLICANT, constructed
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of skin/flesh culture. Selected enogenic transfer
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conversion. Capable of self perpetuating thought.
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Paraphysical abilities. Developed for emigration
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program.
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WEBSTER'S DICTIONARY
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New International (2012)
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Replicants are manufactured organisms designed to carry out work too boring,
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dangerous, or distasteful for humans. Early models were crude and clumsy, but
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the new "NEXUS 6" replicants are nearly indistinguishable from humans. (An
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early draft of the script contained an autopsy scene, in which the surgeons were
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unaware that the body they were examining was a replicant, until two hours into
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the procedure.)
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Replicants differ from humans in one important factor: they are lacking in
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empathy. In BR, replicants' eyes glow, however Ridley Scott has stressed that
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this glow can't be seen by the characters in the story, only by the audience.
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A test, called the "Voight-Kampf Test" (VK) is administered to determine if the
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subject is a human by trying to elicit an empathetic response.
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NEXUS 6 (and possibly all other) replicants are manufactured by the Tyrell
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Corporation, although there is evidence that third party manufacturers are
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utilized. (Chew's Eye World). Replicants can endure greater pain than humans,
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and are generally physically superior. NEXUS 6 replicants have a in-built
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fail-safe mechanism, which means that they have a lifespan of only four
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years. It was noticed that replicants had eccentricities, because they were
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emotionally immature. Rachael was a NEXUS 6 replicant with experimental memory
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implants, designed to provide a cushion for her emotions. Consequently, she
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was unaware that she was a replicant.
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-------------------------------------------------------------------------------
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5. WHO/WHAT IS <SO-AND-SO>?
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Terminology
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-----------
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RETIRE: (slang) To kill a replicant.
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BLADE RUNNER: Member of special police squad, retires replicants.
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OFFWORLD: Colonies not on earth.
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SKIN JOB: (slang, derogative) Replicant.
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SPINNER: Flying vehicle.
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ESPER MACHINE: Image processing device.
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Behind the Scenes
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-----------------
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RIDLEY SCOTT: Director. A veteran television commercial maker, Scott
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consistently makes quality movies. His feature-film credits include:
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The Duellists, Alien, Blade Runner, Someone to Watch Over Me, Legend,
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Black Rain, Thelma and Louise, 1492. Ridley's brother Tony is also a
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director, and his film credits include Top Gun, The Last Boy Scout, and
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Days of Thunder.
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SYD MEAD: Visual Futurist [bio/info needed]
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VANGELIS (Evangelos Papathanassiou): Greek Composer. He has written numerous
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movie scores, perhaps the most famous being for "Chariots of Fire". Also wrote
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some of the music for the TV series "Cosmos".
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HAMPTON FANCHER, DAVID PEOPLES: Screenplay.
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JORDAN CRONENWETH: Cinematographer. (Altered States, Stop Making Sense)
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On Screen
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---------
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DECKARD (Harrison Ford): (Ex) Blade Runner.
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DR ELDON TYRELL (Joe Turkel): Owner/Chairman of the Tyrell Corp,
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manufacturers of replicants. Extremely intelligent, designed the NEXUS 6 brain.
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RACHAEL (Sean Young): Prototype NEXUS 6 replicant. Works for Tyrell.
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ROY BATTY (Rutger Hauer): Leader of the renegade replicants.
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INCEPT DATE: 8 Jan, 2016
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FUNCTION: Combat, Colonization Defense Prog
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PHYS: A MENT: A
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PRIS (Daryl Hannah): Replicant, "Yer standard pleasure model".
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INCEPT DATE: 14 Feb, 2016
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FUNCTION: Military/leisure
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PHYS: A MENT: B
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ZHORA (Joanna Cassidy): Replicant.
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INCEPT DATE: 12 June, 2016
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FUNCTION: Retrained (9 Feb, 2018) Polit. Homicide
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PHYS: A MENT: B
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LEON KOWALSKI (Brion James): Replicant.
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INCEPT DATE: 10 April, 2017
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FUNC: Combat/loader (Nuc. Fus.)
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PHYS: A MENT: C
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J F SEBASTIAN (William Sanderson): Genetic designer for the Tyrell Corporation.
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Stuck on Earth because of a premature geriactricism (Methuselah's Syndrome).
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Has defeated Tyrell once in chess.
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M BRYANT (M Emmet Walsh): Inspector of the Police force, Deckard's former boss.
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GAFF (Edward James Olmos): A member of the Police Force. Makes origami.
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HOLDEN (Morgan Paull): Blade Runner, shot by Leon.
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-------------------------------------------------------------------------------
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6. I DON'T LIKE THE VOICE-OVERS/ENDING.
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Ridley Scott made BR in a style called "film noir". Film noir is the
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"hardboiled detective" style of film making, and perhaps the most famous
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example is the Humphrey Bogart movie "The Maltese Falcon". A characteristic of
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this film is the voice-overs by the detective, explaining what he is
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thinking/doing at the time.
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Having said that, it is interesting to note that Ridley Scott originally
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made BR *without* the voice-overs, but due to it's poor reception when
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sneak-previewed, the studio insisted that the voice-overs be added. Ridley
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Scott said that in film noir, voice-overs sometimes work, and sometimes don't,
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and they didn't work in BR.
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The ending of the film was also changed by the studio. Scott wanted to end
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the film with Deckard and Rachael getting into the elevator, but the studio
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decided that the film needed a happier, less ambiguous ending. The aerial
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landscape photography used in the theatrical release was outtakes from Kubrik's
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"The Shining".
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In 1992, Ridley Scott released a "Director's Cut" of Blade Runner (BRDC), which
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eliminates the voice-overs and the happy ending. This version is discussed
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in more detail below.
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-------------------------------------------------------------------------------
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7. WHAT DIFFERENT VERSIONS OF BLADE RUNNER ARE THERE?
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- US sneak preview, (1982, very limited release in 1991)
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- US theatrical release (1982)
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- European/LD cut (more violence)
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- Director's Cut (1992)
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Violent version:
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----------------
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- added footage
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- Batty sticks his thumbs in Tyrell's eyes, which bleed copiously
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- More of Pris kicking and screaming when she is shot by Deckard.
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Director's Cut vs 1982 Cut:
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---------------------------
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- added footage
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- a few seconds added before Deckard gets his seat to eat sushi
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- unicorn scene when Deckard plays piano and falls asleep (about 12 seconds)
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- a few seconds added of Zhora lying dead on the floor [not 100% sure]
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- removed footage
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- possibly a bit when the spinner starts to bring Gaff and Deckard to Bryant
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(not sure about this)
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- no happy end, movie ends with closing elevator door
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- no added violence as on LD
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Soundtrack completely redone digitally for the Director's Cut, and is more
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prominent.
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PUBLICATIONS:
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Retrofitting Blade Runner:
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Issues in Ridley Scott's _Blade Runner_ and Philip
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K. Dick's _Do Androids Dream of Electric Sheep?_
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Judith B. Kerman, editor, 1991, 291 pages
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Bowling Green State University Press, Bowling Green, Ohio 43403
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"The Blade Cuts", Starburst (UK) no. 51, November 1982. Phil Edwards
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LASERDISCS:
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In the NTSC markets (M/NTSC 3.58 525/60: US and Japan), there have been up
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to four versions of Blade Runner continuously available on laserdisc for
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the last several years. They are all the 118 minute European or home-video
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edition.
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Ignoring the Japanese edition(s), we have:
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* Criterion Collection CC1120L, $90, CAV, 2.2:1 letterboxed, 4 sides,
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digital stereo, CX/analog stereo, 3M pressing, extensive still-frame
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supplements.
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* Criterion Collection CC1169L, $50, CLV, 2.2:1 letterboxed, 2 sides,
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digital stereo, CX/analog stereo, Pioneer pressing, (no supplements).
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* Embassy (Nelson Ent.) 13806, $35, CLV, 1.3:1 panned&scanned, 2 sides,
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CX/analog stereo, Pioneer pressing, (no digital sound, no supplements)
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The Embassy LD is also available as an identical VHS release, and both are
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inferior to the Criterion discs.
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-------------------------------------------------------------------------------
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8. MEMORABLE QUOTES.
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RACHAEL:
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"Is this testing whether I'm a replicant, or a lesbian, Mr Deckard?"
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DECKARD:
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"I've had people walk out on me before, but not when I was being
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so charming."
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CHEW:
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"I design your eyes"
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ROY BATTY:
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"Chew, if only you could see what I've seen with your eyes!"
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"I've done . . . questionable things . . . but nothing that the
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God of genetics wouldn't let you into heaven for."
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"Six, seven! Go to hell or go to heaven!"
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"I've seen things you people wouldn't believe.
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Attacks ships on fire off the shoulder of Orion.
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I watched C-beams glitter in the dark near the Tannhauser gate.
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All these moments will be lost in time, like tears in rain.
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Time to die."
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TYRELL:
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"The light that burns twice as bright burns half as long...
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...and you have burned so very, very brightly, Roy."
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LEON:
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"My mother... let me tell you about my mother!"
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"Nothing's worse than having an itch you can never scratch!"
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"Wake up! Time to die!"
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SEBASTIAN:
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"I MAKE friends."
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|
||
|
|
||
|
GAFF:
|
||
|
"It's too bad she won't live! But then again, who does?"
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------------------------
|
||
|
9. WHAT IS THE SIGNIFICANCE OF THE UNICORN?
|
||
|
|
||
|
When Deckard leaves his apartment with Rachael at the end of the film, she
|
||
|
knocks over an origami unicorn, probably left there by Gaff.
|
||
|
|
||
|
The voiceover speculates that the unicorn was simply a message to Deckard to say
|
||
|
"I know you've got Rachael, but I'll let her live."
|
||
|
|
||
|
The unicorn is the last of a series of origami figures that Gaff uses to taunt
|
||
|
Deckard. In Bryant's office when Deckard insists he's retired, Gaff folds a
|
||
|
chicken: "You're afraid to do it". Later he makes a man with an erection:
|
||
|
"You've got the hots for her". And finally, the unicorn: "You're dreaming, you
|
||
|
can run away with her, but she won't live" (he says basically the same thing to
|
||
|
Deckard on the rooftop).
|
||
|
|
||
|
A unicorn has long been the symbol of virginity and purity (being white), which
|
||
|
ties in with Rachel's status. Legend states that only a VIRGIN could capture a
|
||
|
unicorn. Unicorns are extinct, and Gaff may think the same of Rachael, as she
|
||
|
definitely has a limited lifespan.
|
||
|
|
||
|
A unicorn was used in Tennessee Williams' "The Glass Menagerie" to symbolize
|
||
|
that the girl was "different to other horses". The horn on this unicorn
|
||
|
represented her physical handicap, which prevented her from meeting people.
|
||
|
When she finally did meet a man, they danced and knocked over the unicorn,
|
||
|
breaking its horn off. "It's just like all the other horses now.", she said,
|
||
|
which symbolizes that she has overcome her shyness/lost her virginity.
|
||
|
|
||
|
The unicorn may symbolize one of the following:
|
||
|
|
||
|
- Rachael is (and always will be) a replicant among humans, and will
|
||
|
be different, like a unicorn among horses, because of her termination
|
||
|
date. (In the tacked-on ending, Deckard says that she doesn't have a
|
||
|
termination date)
|
||
|
|
||
|
- Rachael leaving and knocking over the unicorn symbolizes her escape
|
||
|
from the Tyrell corporation, which only looked at her as a replicant.
|
||
|
Deckard fell in love with her as a human, and by doing so, she became
|
||
|
human.
|
||
|
|
||
|
The Director's Cut includes a scene not in the original release. It is a dream
|
||
|
sequence, showing Deckard's dream of a white unicorn. Given this, one can
|
||
|
argue that Gaff left the unicorn outside Deckard's apartment because he knew
|
||
|
that Deckard dreamt of a unicorn. If Gaff knew what Deckard was dreaming, then
|
||
|
we can assume that Deckard was a replicant himself, and Gaff knew he would be
|
||
|
dreaming of a unicorn.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------------------------
|
||
|
10. PROBLEMS IN BLADE RUNNER
|
||
|
|
||
|
Plot
|
||
|
----
|
||
|
|
||
|
How did Leon smuggle his gun into room where Holden tested him? And how did
|
||
|
he escape from the building, given that the whole incident was on videotape,
|
||
|
and occurred high up in the Tyrell building?
|
||
|
|
||
|
Bryant first tells Deckard that there were six replicants, three male, three
|
||
|
female. Obviously, Roy and Leon are two of the males, and Pris and Zhora are
|
||
|
two of the females. Bryant also says that "one of them got fried trying to
|
||
|
get into the Tyrell building", but doesn't specify the sex. That leaves one
|
||
|
replicant, either male or female.
|
||
|
|
||
|
Some versions of the script say that this fried replicant was "Mary" (the one
|
||
|
in the autopsy), which means that the missing replicant is male, generally
|
||
|
considered to be Deckard. We'll call the fried replicant "Mary" for the sake
|
||
|
of simplicity, whether Mary is male or female. If Mary is male, then Deckard
|
||
|
can't be the sixth replicant, if Mary is female, then he can be.
|
||
|
|
||
|
Why is it so difficult to tell a replicant from a human, when replicants can
|
||
|
put their hands in boiling/freezing substances without damage?
|
||
|
|
||
|
How did Rachael get away with killing Leon in public, when she was wanted dead
|
||
|
by the police? The police arrived pretty soon after Deckard killed Zhora, so
|
||
|
why didn't they swoop when Rachael killed Leon?
|
||
|
|
||
|
How did Roy get into Tyrell's office so easily? Did Tyrell trust Sebastian
|
||
|
enough to give him the option of bringing anyone/anything up in the lift?
|
||
|
|
||
|
Supposedly an earlier version of the script had the Tyrell we see as a
|
||
|
replicant, and Roy picking up on this because of the lift letting him in.
|
||
|
(Supposedly the lift was programmed to accept only people that it knew...
|
||
|
meaning that it couldn't detect Roy. This, however leads to a problem in that
|
||
|
the lift would be a better replicant identifier than the VK test.)
|
||
|
In that version the real Tyrell was dead in a "cryocrypt", for sketches of
|
||
|
which see "The Blade Runner Sketchbook". Supposedly (after Roy kills Sebastian)
|
||
|
he finds the crypt and kills Tyrell; this would also allude to "UBIK".
|
||
|
|
||
|
[Blade Runner Sketchbook?]
|
||
|
|
||
|
|
||
|
Technical
|
||
|
---------
|
||
|
|
||
|
In the very first shot of Batty, we see his hand clenching up. If you look
|
||
|
carefully as he turns his hand just before the shot changes, you can see
|
||
|
the nail sticking through the back of his hand. He doesn't actually insert
|
||
|
that nail until later in the film. [Couldn't find this. Anyone?]
|
||
|
|
||
|
Also, in the same scene, though Roy is supposedly alone (in a phone booth)
|
||
|
you see someone's hand on his shoulder. This is actually a later scene with
|
||
|
Tyrell, shown in mirror image.
|
||
|
|
||
|
The snake tattoo on Zhora only appears after the Esper machine has stopped
|
||
|
zooming, and when it produces a hard copy, Zhora's face is at a different angle
|
||
|
to that on the screen.
|
||
|
|
||
|
The serial number that the Cambodian woman gives Deckard is not the same as
|
||
|
the one in the electron microscope image.
|
||
|
|
||
|
When Deckard goes to Ben Hassan's (the snake dealer), their lip movements do not
|
||
|
match the dialog.
|
||
|
|
||
|
When Zhora goes crashing through those plate-glass windows, the stunt double
|
||
|
looks nothing like the actress, and her wounds disappear and appear several
|
||
|
times. The sounds of the gun hitting Zhora doesn't correspond to when she is
|
||
|
visibly hit.
|
||
|
|
||
|
When Leon throws Deckard into the car window, the window was already broken.
|
||
|
Not necessarily a goof, but could be.
|
||
|
|
||
|
In all version of the film, events occur in this sequence: Deckard kills
|
||
|
Zhora, and then buys a bottle of Tsing Tao. Gaff grabs him, and takes him
|
||
|
to Bryant. Deckard then chases Rachael, but gets beaten up by Leon.
|
||
|
|
||
|
When the film included Mary, the story ran as follows: Deckard killed Zhora,
|
||
|
and then saw Rachael. He chased Rachael, only to be beaten up by Leon. After
|
||
|
Rachael killed Leon, Bryant bought his bottle of Tsing Tao, and met with Bryant,
|
||
|
who told him that there were "four to go" (Roy, Pris, Mary, and Rachael).
|
||
|
|
||
|
When they cut Mary from the film, they had a problem: Bryant should say that
|
||
|
there were three to go (Roy, Pris, and Rachael). Instead of reshooting this
|
||
|
scene, they moved it (and the scene of Deckard buying Tsing Tao, because Gaff
|
||
|
walks up to him and says "Bryant") to a position before the Deckard/Leon fight,
|
||
|
so that the "four to go" would be Roy, Pris, LEON (not Mary), and Rachael.
|
||
|
They nearly got away with this, but are now a few problems:
|
||
|
|
||
|
1) When Deckard is talking to Bryant, he shows wounds from his fight
|
||
|
with Leon, although he hasn't had the fight yet.
|
||
|
2) Since he now buys his bottle before he fights Leon, it should be
|
||
|
there while he's chasing Rachael and fighting Leon (it's not). The
|
||
|
bottle mysteriously reappears when he gets back to his flat.
|
||
|
3) Bryant's dialog as he steps out of the spinner is dubbed.
|
||
|
|
||
|
This error is also evident when Bryant tells Deckard at the beginning:
|
||
|
"I've got four skin jobs walking the streets", and then proceeds to tell him
|
||
|
that SIX replicants came to earth, and ONE had been killed.
|
||
|
|
||
|
The song Rachael plays on the piano does not match the music she is looking at.
|
||
|
|
||
|
When Pris steps out of Sebastian's elevator, her hair is dry, but when she
|
||
|
is inside, it's wet again.
|
||
|
|
||
|
The cuckoo clock in Sebastian's apartment strikes six twice.
|
||
|
|
||
|
Support cables are clearly visible when some of the spinners take off.
|
||
|
[Exact place, anyone?]
|
||
|
|
||
|
In the Deckard/Batty confrontation, after Deckard has been given his gun back,
|
||
|
and stalks off, you can see (in letterboxed/widescreen versions) the shadow of
|
||
|
the cameraman and camera on the wall.
|
||
|
|
||
|
Batty's incept date of January 2016 means that he should have lived to January
|
||
|
2020, however he dies in November 2019.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------------------------
|
||
|
11. TRIVIA / WHAT MAKES BLADE RUNNER POPULAR/SPECIAL?
|
||
|
|
||
|
The secret of Blade Runner is the attention to detail, and the mystery.
|
||
|
|
||
|
Consider this first:
|
||
|
|
||
|
Deckard kills only women.
|
||
|
|
||
|
Gaff's origami taunts Deckard: when Deckard tries to leave Bryant's office
|
||
|
without taking the job, Gaff makes a chicken. Gaff makes a man with a huge
|
||
|
erection to tease Deckard about either being attracted to Rachael, or getting
|
||
|
so involved/excited by the job, when he didn't want it in the first place.
|
||
|
|
||
|
The origami evolves: Chicken --> Man --> Unicorn (replicant?)
|
||
|
|
||
|
The Japanese woman taking pills on the giant screen might be a homage to
|
||
|
Philip K Dick's book "UBIK".
|
||
|
|
||
|
Rachael's picture comes to life momentarily.
|
||
|
|
||
|
Rachael's hairstyle: as a replicant, it is perfect, rigid, machine like, and
|
||
|
cold. As a human, it's soft, curly, and messed up.
|
||
|
|
||
|
Sebastian's apartment is called "The Bradbury".
|
||
|
|
||
|
Sebastian's apartment is full of bastardised creatures, part man, part machine,
|
||
|
and part animal.
|
||
|
|
||
|
Each character is associated with an animal:
|
||
|
|
||
|
Leon = Turtle
|
||
|
Roy = Dove
|
||
|
Zhora = Snake
|
||
|
Rachael = Spider
|
||
|
Tyrell = Owl
|
||
|
Sebastian = Bear
|
||
|
Pris = Raccoon
|
||
|
Deckard = Sushi (raw fish)
|
||
|
|
||
|
Sebastian's chess pieces are animals (he makes animals), Tyrell's are people
|
||
|
(he makes "people").
|
||
|
|
||
|
It is possible that the chess match between Tyrell and Sebastian is similar
|
||
|
to a game played in the 1800s between two masters. One of the masters
|
||
|
sacrificed virtually all his pieces to get a checkmate. This game has been
|
||
|
used in a few other literary places. [Interpretation relevant to BR, anyone?]
|
||
|
It does have one flaw, in that Sebastian would have planned this attack long
|
||
|
before Batty saw the game. How could Roy just come in at the end and
|
||
|
recognize how to checkmate without Sebastian already having planned to do so?
|
||
|
|
||
|
The chess moves were:
|
||
|
Sebastian: Queen to Bishop 6 check
|
||
|
Tyrell: Knight takes Queen
|
||
|
Sebastian: Bishop to King 7 Checkmate
|
||
|
|
||
|
[Proper chess notation, anyone?]
|
||
|
|
||
|
When Gaff picks up Deckard, the launch sequence on the computer is exactly
|
||
|
the same as in Scott's _Alien_, when the landing vehicle separates from the
|
||
|
Nostromo. Notice that both _Alien_ and have "artificial persons", and there
|
||
|
is ambiguity as to who is/was a real human. _Alien_ and Blade Runner are
|
||
|
perfectly compatible, the only problem being that Ash should have been a
|
||
|
replicant, as opposed to a robot.
|
||
|
|
||
|
|
||
|
RELIGIOUS/PHILOSOPHICAL PARALLELS:
|
||
|
|
||
|
The replicants are fallen angels (fell from the heavens/outer space).
|
||
|
|
||
|
Tyrell lives in a giant pyramid (like a Pharaoh), which looks like a cathedral
|
||
|
inside, whereas Sebastian lives in an abandoned apartment with a "toilet bowl
|
||
|
plunger" on his head.
|
||
|
|
||
|
Tyrell creates. He builds his creations imperfect. Once of his creations
|
||
|
resents the inbuilt imperfection (since the creator had no reason apart from
|
||
|
fear to inhibit his creations), and returns to the creator to undo him.
|
||
|
|
||
|
Sebastian as Judas, betraying Tyrell (God), by saying he'll help Pris and Roy.
|
||
|
|
||
|
Batty as Judas, kissing Tyrell (God) before killing him.
|
||
|
|
||
|
When Batty leaves the Tyrell Corporation in the elevator, Tyrell and Sebastian,
|
||
|
he is Lucifer, the "fallen angel".
|
||
|
|
||
|
Roy:
|
||
|
"Fiery the angels rose, and as they rose deep thunder roll'd
|
||
|
Around their shores: indignant burning with the fires of Orc."
|
||
|
|
||
|
This alludes to the freeing of the slaves in the American Civil War.
|
||
|
|
||
|
Roy puts a nail through his palm, ie crucifies himself.
|
||
|
|
||
|
When Batty dies, he is released from torment as he releases the dove. Only shot
|
||
|
of blue sky. (Laserdisc notes say that they couldn't get the dove to fly off
|
||
|
into the rain.)
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------------------------
|
||
|
12. MORE QUESTIONS/ANSWERS
|
||
|
|
||
|
The following characters smoke:
|
||
|
Holden, Bryant, Rachael, Pris, lady on video screen.
|
||
|
|
||
|
|
||
|
Q: Whose eye is it at the start?
|
||
|
A: The storyboard says that it is Holden's
|
||
|
|
||
|
|
||
|
Q: Why can't Tyrell afford a real owl?
|
||
|
A: The screenplay was written as:
|
||
|
|
||
|
Deckard: "It's artificial?"
|
||
|
|
||
|
Rachael: "Of course not."
|
||
|
|
||
|
I believe this is how it was shot. If you watch Rachael's lips when she is
|
||
|
saying this it looks like an overdub. Hard to see except in a theater.
|
||
|
|
||
|
Tyrell may want to keep a replicant owl in his penthouse, the same as
|
||
|
most companies have showpiece models in their offices.
|
||
|
|
||
|
|
||
|
Q: How did Gaff get Deckard's gun? Was he following them?
|
||
|
A: Good question!
|
||
|
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------------------------
|
||
|
13. IS DECKARD A REPLICANT?
|
||
|
|
||
|
|
||
|
This question causes the most debate among BR fans. The different versions
|
||
|
of BR support this notion to differing degrees. One might argue that in the
|
||
|
theatrical release (1982), Deckard is not a replicant, but in the Director's
|
||
|
cut, he is.
|
||
|
|
||
|
There is no definitive answer: Ridley Scott himself has stated that, although he
|
||
|
deliberately made the ending ambiguous, he also intentionally introduced enough
|
||
|
evidence to support the notion, and (as far as he is concerned), Deckard is a
|
||
|
replicant.
|
||
|
|
||
|
[Source for this wanted]
|
||
|
|
||
|
|
||
|
|
||
|
The "for" case
|
||
|
--------------
|
||
|
|
||
|
- Ridley Scott and Harrison Ford have stated that Deckard was meant to be a
|
||
|
replicant.
|
||
|
|
||
|
- Gaff knew that Deckard dreamt of a unicorn, therefore Gaff knew what dreams
|
||
|
that Deckard had been implanted with. (BRDC only)
|
||
|
|
||
|
- Replicants have a penchant for photographs, because it gives them a tie to
|
||
|
their non-existent past. Deckard's flat is packed with photos, and none of
|
||
|
them are recent or in color.
|
||
|
|
||
|
- Only a replicant could survive the beating that Deckard took.
|
||
|
|
||
|
- Deckard's eyes glow (blue-gray)
|
||
|
|
||
|
- Deckard and Rachel were part of the off world rebellion. They were both caught
|
||
|
breaking into Tyrell's. Deckard demonstrated that he loved Rachel. Tyrell
|
||
|
decided to test his memory implant technology on them; the rest of the movie
|
||
|
is a series of tests - first to see if Deckard would follow orders, then to
|
||
|
see if he would recognize Rachel, then to see if he would kill a compatriot
|
||
|
(Zhora), then to see if he would kill the woman he loved, Rachel.
|
||
|
|
||
|
- Bryant got Deckard back to work for him too easily.
|
||
|
|
||
|
- If you listen closely in the audio dissolve during Rachael's VK test, you can
|
||
|
hear Deckard say "orange body, green legs". How did he know that this was
|
||
|
significant to Rachael?
|
||
|
|
||
|
|
||
|
The "against" case
|
||
|
------------------
|
||
|
|
||
|
- A major point of the film was to show Deckard (ie The Common Man) how
|
||
|
good it is to be alive, and how much we take it for granted. "What's it
|
||
|
like to live in fear?" If all the main characters become replicants, the
|
||
|
contrast between humans and replicants is lost.
|
||
|
|
||
|
- Why send a replicant to kill other replicants? What was Deckard doing on
|
||
|
Earth, if replicants are outlawed there? Why did the police trust him?
|
||
|
|
||
|
- Deckard wasn't a replicant in the novel.
|
||
|
|
||
|
|
||
|
FURTHER:
|
||
|
|
||
|
- In the novel, Gaff and Bryant were replicants
|
||
|
|
||
|
- In some versions, Holden's eyes glow after explaining to Leon that the
|
||
|
questions were written down for him.
|
||
|
|
||
|
|
||
|
================================================================================
|
||
|
NOTES
|
||
|
|
||
|
This file has been primarily compiled from my own viewings of Blade Runner,
|
||
|
debates on the net, and private email messages. The contributors are too
|
||
|
numerous to mention, and likewise this task would never have been completed
|
||
|
had I replied to everyone that sent me mail.
|
||
|
|
||
|
Please don't be offended if you don't get a reply, or if I don't include your
|
||
|
views in the FAQ. If your opinions don't make it into the FAQ, it's for
|
||
|
one of the following reasons:
|
||
|
|
||
|
1) I didn't get your mail.
|
||
|
|
||
|
2) The explanation/rebuttal is already in the file.
|
||
|
If particular questions keep being brought up, I'll
|
||
|
try to clarify the relevant areas of the FAQ.
|
||
|
|
||
|
3) The point is irrelevant or insignificant.
|
||
|
A lot of the feedback I've received is of the type:
|
||
|
"This wasn't denied in the film, so it must be true."
|
||
|
Sorry, this file is too big already for speculations.
|
||
|
|
||
|
4) It is generally accepted that (you are wrong | it is unclear).
|
||
|
Remember, other people have different views. I'm specifically
|
||
|
referring to the "Deckard is a replicant" question. Half of
|
||
|
you tell me that he is a replicant, and half tell me that
|
||
|
he isn't. *I* am in the best position to decide what is
|
||
|
the consensus of opinion. I have tried to provide a balanced
|
||
|
and objective viewpoint.
|
||
|
|
||
|
At present, I have no plans to form a mailing list, however this may change,
|
||
|
depending on how many people are interested. My policy stands like this at the
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moment: If you don't have access to net news, I'll mail it to you. If you
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still don't get it, that means the mail has bounced, and you should try again,
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possibly with a different return address.
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If anyone has/knows of a place where I can make this list available for
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anonymous FTP, please let me know. The more time I spend on mailing it,
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the less time I have for revisions.
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This FAQ has generated enormous interest. I get approximately 10 to 15 mail
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messages a day about it.
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--
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~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^~^
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Murray Chapman muzzle@cs.uq.oz.au
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|
University of Queensland How many lightbulb jokes does it
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Brisbane, Australia take to change the subject?
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