920 lines
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920 lines
43 KiB
Plaintext
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_.-------------------[ The B A D G U I D E to ]------------------._
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/ .----------------------------------------------------------------. \
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| | ______ ____________ ___ ________ | |
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| | / _____|____ ____| / \ | ____ \ | |
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| | ( (___ | | / \ | |____) ) | |
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| | \____ \ | | / ^ \ | __ / | |
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| |________________) ) | | / /~~~\ \ | | \ \ ___________| |
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| __________________/ |__|__/__/ __\__\|__| \______________ |
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| ___________ \ / / \ | ____ \ / _____________ |
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| | \ \ __ / / \ | |____) ) ( (___ | |
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| | \ \ / \ / / ^ \ | __ / \____ \ | |
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| | \ ` /\ ' / /~~~\ \ | | \ \ _______) ) | |
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| | \__/ \__/__/ \__\|__| \____________/ | |
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| | | |
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\ `----------------------------------------------------------------' /
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`----------------------[ Revision 5.3, 9-28-94 ]---------------------'
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Compiled by Brandon Gillespie <brandon@cc.usu.edu>
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_________________________________________________________________
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A fan's comprehensive guide to bloopers, mis-cuts, special effects,
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and Trivia in and about the Star Wars series.
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The Bad Guide to Star Wars is Copyright 1993, 1994 by Brandon
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Gillespie, all rights reserved. The Bad Guide to Star Wars may be
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publicly distributed and reproduced, as long as no profit is made, nor
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is any charge required for a copy.
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_________________________________________________________________
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The Bad Guide to Star Wars, Revision 5.3 is actually in a half
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state. It has taken quite a bit of work and several different
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aborted revision attempts to find a format I like. In the end I
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simply have done it as a single large list, rather than to try to
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categorize each entry. This is because most of the entries are quite
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hard to categorize, and can fit into several of the categories I
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managed to come up with.
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I will be sifting through the uncountable comments I have been sent
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by people, Revision 5.4+ will reflect all of these updates. When I
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am finished adding in the changes I will create a continuity guide,
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which will be an attempt at indexing when each event happens in the
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film (should make it easier to find each one while watching them).
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The final result will be Revision 6.
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Until then, Enjoy!
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-Brandon Gillespie
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_________________________________________________________________
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Key:
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Throughout the Bad Guide to Star Wars several different textual icons
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are used to represent various different things:
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[?] represents information which is (as of yet) unverified.
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[vi] Represents Starwars IV, A New Hope
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[vi] Represents Starwars V, The Empire Strikes Back
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[vi] Represents Starwars VI, Return of the Jedi
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_________________________________________________________________
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AIKIDO AND THE FORCE
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Lucas talked to many masters of Aikido, because he had heard of
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the energy that is involved with Aikido. He ended up using a
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lot of these ideas in designing the Force (Aikido is a form of
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martial arts).
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[VI] BACKWARDS FILM
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In one of Jabba's Palace sequences, when Jabba is speaking, the
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film is actually running backwards. Upon close inspection you
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can see the smoke from his pipe moving downards along with the
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bubbles in his bong.
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Note: This may be intentional to create an eerie effect.
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[IV] THE BIGGS SCENES
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In the Script for Star Wars there are several Scenes which
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include Biggs, who is a friend of Luke. These scenes were
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filmed, but when the final cut came around for Star Wars, they
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were left on the cutting room floor.
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Many people believe they saw these scenes in the theater.
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However, the only place where footage containing Biggs can be
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found is in the Star Wars Storybooks.
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[IV] C-3PO: LOOSE FOOTING
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When Luke is cleaning R2 on Tatooine
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Near the line, "Well, my little friend, you've got something
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jammed in here real good." Just as the hologram appears, C-3P0
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falls off the step he is on. Recovering quickly, it is all but
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unnoticable.
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Note: This could simply be surprise on C-3PO's behalf.
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[IV] C-3PO: FALLING APART
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[?]
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Just as C-3PO enters the area and lifts his arm to tap Han's
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shoulder.
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Neil <nwa101@psuvm.psu.edu> writes:
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The "hydrolic mechanism" attached to his elbow and upper arm becomes
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detached. I'm not sure but I remember catching a glimpse of
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something falling to the floor. Then you can clearly see this
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"mechanism" protruding out of C-3PO's upper arm, it is not attached
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to his elbow any more.
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[VI] C-3P0, KING OF THE EWOKS
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This is only noticeable in the letterboxed version. There are
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two mistakes in the scene where C-3PO is "king" of the Ewoks.
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While our heroes are tied up, Peter Mahey, dressed as Chewie,
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sticks his head out from the left side of the screen behind one
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of the Ewok huts.
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There is also a shot of R2-D2 untied when he has not been cut
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loose yet.
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C-3PO WHEELIN' AND DEALIN'
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[?]
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C-3PO was originally scripted as a "used car salesman" type
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CAMERAS
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ILM (Industrial Light and Magic) has become renouned for their
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high quality, sharp, special effects. The following is
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reproduced without permission from the book, Industrial Light &
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Magic, the Art of Special Effect (by Thomas G. Smith). A [...]
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represents where I have edited out a portion of the text, in
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lee of space:
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Special effects rely on rephotography in order to manipulate images.
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If the intermediate film format is larger than than a standard 35mm film
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frame, the final special effects shot will have greater clarity. Many
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effects have been done using 70mm film, but it has the disadvantage of a
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limited variety of film stock. So what was needed was a significantly
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larger image size that still used the standard 35mm film format. We [ILM]
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started looking for a solution to this problem in the history of film
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technology.
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Since its beginning, the motion picture industry agreed that 35mm film
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with a certain type of perforation should be the international standard
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[...] [in this format] there is a space for the picture and next to it a
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strip reserved for the sound track. ([...] 4 sprocket holes per frame).
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Surprisingly enough the picture area is about the size of an average
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postage stamp.
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[...][During the 50's there was two alternate types of film
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projection, based off the 35mm standard] 20th Century Fox introduced wide-
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screen Cinemascope, and Paramount Pictures introduced VistaVision.
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[Cinemascope was the most popular. Cinemascope optically squeezes a wider
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picture on the film, and when it is projected it `unsqueezes' it (refer to
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nifty ascii drawing). Cinemascope only required a new projector lens, when
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VistaVision required a whole new projector. Cinemascope is still in use
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today]
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VistaVision put the 35mm film on its side, and rather than the normal
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four perforations between pictures, VistaVision boubled the size of each
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picture, and measured eight perforations per frame. [this means more film
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area per frame, better clarity] [...]
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What does this all have to do with ILM and special efefcts? While
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most of the VistaVision projectors were junked and many of the cameras with
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the famous eight-perf hearth were torn apart and discarded [after
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VistaVision fell from popularity] there were still some perfectionists who
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felt that this larger negative had its merits. A quarter of a century
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later the VistaVision format was resurrected, and put to use filming
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special effects for Star Wars.
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Regular Film Projection: Cinemascope:
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| o |_|_|_|_|_|_|_|_| o | | o |_|_|_|_|_|_|_|_| o |
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F | o _________________ o | | o _________________ o |
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I | o | | | | | | | | | o | | o ||||||||||||||||| o |
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L | o | | | / \ | | | o | | o |||||||/ \||||||| o |
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M | o | | | \ / | | | o | | o |||||||\ /||||||| o |
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-> | o |_|_|_|_|_|_|_|_| o | | o ||||||||||||||||| o |
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| o _________________ o | | o _________________ o |
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S _________________ _________________________________
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C | | | | | | | | | | | | | | | | | | | | | | | | | |
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R | | | / \ | | | | | | | | | | / \ | | | | | | |
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E | | | \ / | | | | | | | | | | \ / | | | | | | |
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E |_|_|_|_|_|_|_|_| |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|
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N ->
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VistaVision:
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Film Screen
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---------------------------------------
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o o o o o o o o o o
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| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
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| | | | | | | / \ | | | | | | | | | | | | | | / \ | | | | | | |
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| | | | | | | \ / | | | | | | | | | | | | | | \ / | | | | | | |
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|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_| |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|
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o o o o o o o o o o
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---------------------------------------
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Basically, what ended up hapenning is ILM grabbed all of the old
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vintage VistaVision camera's, made Star Wars, and resurrected the format.
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Soon after Star Wars was released Camera's which ILM had bought for pennies
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and dimes before were being valued as royal crown jewels by camera shops.
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CLOTHING INCONSISTENCIES...
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There are several Scenes when we can see people's clothing
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change from scene to scene.
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Han is Frozen
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[?]
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The scenes where Han is frozen in carbonite, and those
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when he is later unfrozen in Jabba's Palace contain many
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inconsistencies:
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Before Han is lowered into the carbonite, he has shackles
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around the upper part of his arms, which holds them to
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his body. However, when he is unfrozen, he no longer has
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them on his arms.
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Althought it would seem Han looses the shackles about his
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hands (as he is bound before, but when Boushh thaws him
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out they are up about shoulder level, a few feet apart)
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they were actually removed before he was frozen.
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Han is not wearing his vest through several scenes. You
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see his torso as completely white (his shirt is white).
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Those are the medium close up shots of Han. When the
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camera cuts to long shots, Han is wearing his vest.
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There is a strap across Han's shoulder which is not
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around afterwards.
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It was also noted that Han's shirt is un-tucked when he
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gets frozen, but tucked-in when he is thawed out.
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Furthermore, upon closer inspection we find that Han is
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wearing a double-breasted shirt upon getting thawed, but
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when he is frozen it is a tunic-style shirt.
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Han's Gunbelt
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[?]
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Paul Joseph Mitchell <mav+@CMU.EDU> writes:
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When Han and Lando are talking in the rebel hanger right
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before the strike team departs in the stolen Imperial
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shuttle. Watch Lando, the gun belt strap across his chest
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changes sides between different cuts during the same
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scene.
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Piett
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[?]
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In the scene where Darth Vader asks, "Did your men
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disable the Millenium Falcon's hyperdrive?", (just
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before R2D2 fixes the hyperdrive) Piett's rank insignia
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switches from the left side to the right side.
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After Piette is promoted from Captain to Admiral in The
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Empire Strikes back, his rank insignia is upgraded (from
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3 or 4 red and blue bars to six bars), and remains
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consistent throughout the rest of the film. However,
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throughout Return of the Jedi, his insignia is three red
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and blue bars, even though he is still an Admiral.
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Boba Fett
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[?]
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When Boba Fett nods to Boussh (Leia) in Jabba's Palace.
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Fett's costume appears reversed. His cape, which normally
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hangs off his left shoulder, is hanging off his right
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shoulder. More noticeable is the fact that his helmet
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sensor antenna, which is supposed to be on the right side
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of his helmet, is moved to the left side of his helmet.
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Darth Vader's cape
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[?]
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Brian Sebby <data@imsa.edu> writes:
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In Return of the Jedi, before Darth Vader and Luke have
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their lightsaber battle in the Emperor's throne room.
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If you look carefully at Vader's costume right before the
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battle, you will see that his cape is draped behind his
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right shoulder...yet, a few minutes into the battle, the
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cape has been draped over the shoulder...do you think
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Vader would take the time in the middle of a battle to
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adjust his cape?
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[IV] CHEWBACCA: BOOTS FOR FEET
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[?]
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Some time on Cloud City when Chewie is running away from the
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camera (specific scene unknown) the angle is such that you see
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the bottoms of Chewie's feet, and the heel of the boots that
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make up the feet of Peter Mayhew's costume.
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[IV] CHEWBACCA: TIMEWARP CHEWIE
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[?]
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When the trash compactor walls are closing in on our heroes
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aboard the Deathstar, watch Chewie. His position changes in
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three cuts. First he is holding the wall, next he is putting up
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his crossbow, then he is again holding the wall.
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[V] CLIFF!
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In the base on Hoth, at the scene where a rebel soldier (Major
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Derlin) tells Leia the doors must close for the evening,
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despite Luke not having returned yet. He says, "Your Highness,
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there is nothing more we can do tonight. The shield doors must
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be closed."
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The actor is none other than Cliff Claven from TV's Cheers
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(real name of: John Ratzenberger).
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[IV] CONFUSION IN BATTLE
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When Gold Five is going down on during the fight on the
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Deathstar. He calls out, "Gold Five to Red Leader." Red
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Leader's response is "I copy, Gold Leader."
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Note: Not only was he referring to the wrong person, but I
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believe Gold Leader was dead at this point. As a side note, Red
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Leader's microphone attached to the helmet also switches from
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side to side.
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[IV] DARTH VADER'S MASK
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There are a few scenes througout the first film where David
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Prowse's face can be seen through the Vader mask.
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Note: Lucas wanted to make it completely dark, but could not do
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it in the first show. This problem was fixed in the later
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shows.
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[IV] DARTH VADER PLAYS CHARADES
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[?]
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Robert Alan Danforth <rd2b+@andrew.cmu.edu> writes:
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There is a scene where Darth and Tarkin are talking about Obi-wan.
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During part of the dialog, Darth stops talking, but keeps
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gesticulating as though he is saying something. Tarkin doesn't
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respond to his comment until after he stops gesticulating.
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Obviously, they had some difficulty timing the voice over with Darth
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Vader's movements in this scene.
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DARTH VADER'S LIGHT SABER
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[?]
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There are several scenes where Vader's Light saber is
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performing at less than `peak' quality...
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Just after Darth Vader Kills Obi-Wan Kenobi, onboard the
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Death Star. His light sabre is white, instead of red.
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This is because the coloring was added after the film was
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made, and the optical effects crews forgot to add color
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to this one scene. The white is the actual color of the
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saber.
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This is the same as above, except for in a different
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scene. Before Vader ignites his saber for the first time
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in Cloud City, you can clearly see the actual uncolored
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rod. However, it isn't white like in the first film but
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dark gray which blends in against Vader's costume. The
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best way to see it is to wait until he ignites his saber,
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then rewind the film with your eye on where the
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lightsaber was and you can see it.
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You can see a shadow of the light saber, just after Luke
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knocks Vader down the stairs and Vader gets up. Vader's
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lightsabre is casting a shadow on the ground.
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Note: These mis-cuts also demonstrate the effect of the
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actor tilting the lightsaber away from himself to
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simulate extension.
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[IV] THE DEATH STAR WAS COMITTE BUILT
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[?]
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Jeffrey Gold <jgold@mail.physics.utah.edu> writes:
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In Star Wars ANH, watch the stage panels (in the background,
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behind Grand Moff Tarkin, and Darth Vader). They are constanly
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swinging to and fro. Remember, the Death Star was designed by
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committe, and funded by a government...
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[IV] DEWBACK
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The Dewbak appears in two places on Tatooine. First: The scene
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where the Stormtroopers discover the escape pod used by C-3P0
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and R2-D2. At the beginning of this scene, you can see it with
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stormtroopers, in the distance.
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The second time you see it, is the scene when Luke and Ben have
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reached the city, and are parking the Landspeeder. It is rather
|
||
|
hard to find, as it is in the background. But, if you look
|
||
|
closely, you can see it next to [need more info]
|
||
|
|
||
|
Note: The Dewbak is a Giant Green lizard used for
|
||
|
transportation.
|
||
|
|
||
|
DON'T TRY THE SPELLING BEE, GEORGE...
|
||
|
David Kember (Gallandro) <dkemper@oolong.hacks.arizona.edu>
|
||
|
writes:
|
||
|
|
||
|
If you read his (George Lucas's) biography Skywalking, it talks
|
||
|
about how his secretaries would type his notes, and he would
|
||
|
have the same name spelled different ways at different places
|
||
|
in the manuscript. The secretaries just used their own
|
||
|
consistent spellings which they then checked with George.
|
||
|
|
||
|
However, it is an acknowledged error that Wookiee is spelled
|
||
|
with one E in the original novel. TIE is generally capitalized
|
||
|
because it is an acronym; my assumption is that Foster (who
|
||
|
ghost-wrote the novel) didn't know this and spelled in a way
|
||
|
that appeared to him to be more logical.
|
||
|
|
||
|
Also of possible interest is the fact that at least one
|
||
|
spelling changed over the course of the troligy. In any
|
||
|
reference printed before 1983, Jabba the Hutt is spelled with
|
||
|
one T. With the premeire of Jedi, for some reason, the
|
||
|
"official" spelling changed to include 2 T's, perhaps to more
|
||
|
clearly indicate that it was Jabba's race (avoiding confusion
|
||
|
with the English word "hut")--but that is pure speculation on
|
||
|
my part.
|
||
|
|
||
|
[IV] DROIDS ARE REALLY HUMANS!
|
||
|
[?]
|
||
|
|
||
|
In the scene when Artoo first gets put into the Jawa's
|
||
|
sandcrawler. As he looks around at the creatures, you seen
|
||
|
R5-D4, followed by more creatures, and then a second shot at
|
||
|
R5-D4.
|
||
|
|
||
|
After the second shot, when the camera turns back to R2-D2, R2
|
||
|
turns his head, revealing the face for the pupetteer driving R2
|
||
|
through the bubble on R2-D2's head.
|
||
|
|
||
|
[V] EMPEROR DEFIES LOW CLEARANCE
|
||
|
[?]
|
||
|
|
||
|
While the Emperor is walking down the ramp of the Imperial
|
||
|
Shuttle Craft, onboard the Death Star, his head somehow manages
|
||
|
to go through the front of the Shuttle Craft.
|
||
|
|
||
|
It has also been noted that Darth Vader does the same thing,
|
||
|
when his shuttle lands on Endor (while he is waiting for Luke).
|
||
|
Does this actually occur twice, or is one of the above
|
||
|
incorrect?
|
||
|
|
||
|
[V] THE EMPEROR'S "SLUGS"
|
||
|
[?]
|
||
|
|
||
|
These can be seen is a few scenes, however the most prominent
|
||
|
is when Luke is watching the Rebel fleet being led into a trap.
|
||
|
During this time small black spots are seen on the emporers
|
||
|
head, primarily on the left side. These are known as the
|
||
|
"Emperor's slugs", due to their sluglike appearance. Daniel
|
||
|
Goldman <dgoldman@Xenon.Stanford.EDU> makes an educated guess
|
||
|
as to the reason of their existence:
|
||
|
|
||
|
You will notice that the Emperor's eyes are lit by a soft
|
||
|
sickly-green spotlight in that scene. The problem with
|
||
|
normal spots, is that when you try to get them that tight,
|
||
|
there is always a little spillover, which gets even worse if
|
||
|
the subject is moving. Probably, the green light was lighting
|
||
|
things that should not have been lit, like the back of the
|
||
|
hood, or a part of his fact that had not been made up (ears or
|
||
|
hair, perhaps). The optics crew then manually blacked out the
|
||
|
`overflowing' area's.
|
||
|
|
||
|
[V] EXPLOSIVE ASTERIODS
|
||
|
[?]
|
||
|
|
||
|
Robert Alan Danforth <rd2b+@andrew.cmu.edu< writes:
|
||
|
|
||
|
In the asteriod battle scene, there is a part where the camera
|
||
|
angle cuts to a wide shot of all the asteriods. Something
|
||
|
clearly explodes on one of the asteroids (it even makes a
|
||
|
sound), but nothing actually hits the asteroid. (There are two
|
||
|
tie's chasing the falcon at this point, but both are visible
|
||
|
during this part, and neither of them is the cause of the
|
||
|
explosion.)
|
||
|
|
||
|
My guess is that there was originally more to this scene, and
|
||
|
the real cause of the explosion ended up sharing the same fate
|
||
|
as Biggs (being left on the cutting room floor). Perhaps we are
|
||
|
supposed to believe these small asteriods are volcanic? Or that
|
||
|
some asteroid, too small to be percieved by the viewer collides
|
||
|
very forcibly with the larger asteriod just at that point in
|
||
|
the movie?
|
||
|
|
||
|
Note: this could be a place where a TIE Fighter was supposed to
|
||
|
crash, but which either was lost during editing, or in the
|
||
|
conversion to video.
|
||
|
|
||
|
[VI] GREEDO AT JABA'S (A CLONE?)
|
||
|
[?]
|
||
|
|
||
|
Aaron Romanowsky <romanow@vorpal.ucsb.edu> writes:
|
||
|
|
||
|
when the droids first enter Jabba's throne room, you hear a lot
|
||
|
of alien voices murmuring... if you listen closely, one of them
|
||
|
is Greedo's voice speaking the exact same dialogue he said to
|
||
|
Han in Star Wars.
|
||
|
|
||
|
[VI] HAN THE PERVE
|
||
|
[?]
|
||
|
|
||
|
Watch when Leia is shot on Endor, Han grabs her and pulls her
|
||
|
back to safety. Keep an eye on his hand...
|
||
|
|
||
|
[VI] INCONSISTENT SEQUENCING?
|
||
|
[?]
|
||
|
|
||
|
When Luke, Han, and the others were to be thrown into the sand
|
||
|
creature on Tatooine. Han and Lando are standing on the
|
||
|
levitating platform and one of Jabba's men fires a shot,
|
||
|
hitting the vehicle, causing it to tilt at a precarious angle.
|
||
|
|
||
|
As everybody scrambles to balance themselves, you see Han grab
|
||
|
the edge of the ship with his hands, and is hanging over the
|
||
|
edge. But, a few seconds later, they show him hanging by his
|
||
|
feet.
|
||
|
|
||
|
Mark Swartz <swartz@bigdog.engr.arizona.edu> follows up:
|
||
|
|
||
|
It says that Han falls of the skiff and grabs on by his hands, but
|
||
|
later he is hanging by his feet. If you watch carefully, when he
|
||
|
goes out of view, you can see his shadow, and he pulls himself up,
|
||
|
and flips around to hang by his feet!
|
||
|
|
||
|
[IV] LUKE: CARRIE! ER, LEIA!
|
||
|
Just after the Death Star is destroyed, as Luke is getting out
|
||
|
of his X-Wing, Leia comes running up to him as he descends the
|
||
|
ladder from his X-Wing. He calls out "Carrie!", rather than
|
||
|
"Leia". Carrie Fisher is the actor who played Princess Leia.
|
||
|
|
||
|
Note: This has been verified by Lucas.
|
||
|
|
||
|
[IV] LUKE: THE MAGIC CUP TRICK
|
||
|
[?]
|
||
|
|
||
|
At the beginning part of the sequence where Luke is eathing
|
||
|
with Owen and Beru, his cup is in his left hand. Later on, it
|
||
|
magically appears in his right hand.
|
||
|
|
||
|
Note: This happens twice, and is most likely a result of the
|
||
|
film being reversed, which happens several times throughout the
|
||
|
film.
|
||
|
|
||
|
[V] LUKE USES A "STAGE HAND"
|
||
|
In the scenes when Luke and Vader are fighting on Cloud City.
|
||
|
As Vader is mentally hurling boxes and objects at Luke, who is
|
||
|
deflecting them with his light saber (and his head).
|
||
|
|
||
|
After one of the pieces breaks the window into the huge shaft,
|
||
|
and Luke is sucked through. We see him hanging from a catwalk
|
||
|
with both hands. He should have lost his lightsaber, while
|
||
|
hanging on for dear life. However, in the next scene, he's
|
||
|
holding his saber in his hand again! Did Luke take the time to
|
||
|
put his saber back into his belt as he was being sucked into a
|
||
|
void? Or was their a friendly stage hand available to give him
|
||
|
a new one?
|
||
|
|
||
|
Note: This is actually a result of the conversion from film to
|
||
|
video, where the sides are chopped. In the letterboxed version
|
||
|
the saber is near the edge of the screen, lying on the catwalk.
|
||
|
|
||
|
[IV] LUKE: WHAT? I CANNOT HEAR YOU!
|
||
|
[?]
|
||
|
|
||
|
Neil <nwa101@psuvm.psu.edu> writes:
|
||
|
|
||
|
After you here the roar of the Dia naga Luke turns his head and
|
||
|
moves his mouth, but nothing comes out. You do not have to be a
|
||
|
professional lip-reader to know he says, "What's that?". A
|
||
|
moment later you see him do it again but you can only catch the
|
||
|
end of what he said and therefore cannot decipher it. This is
|
||
|
definately in the VHS version, but I am not sure about any
|
||
|
other.
|
||
|
|
||
|
[V] LUKE'S HAND?
|
||
|
When Luke is tumbling in the air shaft near the end of the
|
||
|
film, there is a very short scene (before he gets dropped out
|
||
|
the bottom of Bespin) where you can see what appears to be his
|
||
|
right hand.
|
||
|
|
||
|
MAGICAL SPACE SHIPS AND BAD MATTES
|
||
|
There are quite a few scenes which includes poor mattes, and
|
||
|
bad editing for the ships (primarily the multitudes of TIE
|
||
|
fighters). I will try to cover of them.
|
||
|
|
||
|
Note: Often times the conversion to video looses a bit of
|
||
|
quality. Floating mattes show up quite well due to this.
|
||
|
|
||
|
Bad Matte's
|
||
|
|
||
|
[?]
|
||
|
|
||
|
Right after the rebels arrive at the Death Star, and they
|
||
|
figure out that the shields are still up, after Admiral
|
||
|
Akbar says It's a Trap!" followed by Lando saying, "Enemy
|
||
|
fighters coming in". As the Millenium Falcon fly's
|
||
|
directly at the audience, and leaves the screen (upper
|
||
|
right), pause the picture. You will see 2 little white
|
||
|
"H" shapes on the Falcon's underside, where space was
|
||
|
reserved for 2 TIE fighters.
|
||
|
|
||
|
As Doug Tooley points out, the tie fighters actually are
|
||
|
in the scene. They were intended to be hidden behind the
|
||
|
Falcon (which is why they are so small). You can see them
|
||
|
before they cross the Falcon. It is simply a perspective
|
||
|
problem which was messed up (understandable given the
|
||
|
compexity of the scene).
|
||
|
|
||
|
TIE Fighters
|
||
|
|
||
|
[?]
|
||
|
|
||
|
Jeffrey Gold <jgold@mail.physics.utah.edu< writes:
|
||
|
|
||
|
In the scene where the streams of TIE fighters are
|
||
|
girdling the Death Star, three enter from the right of
|
||
|
the screen to join the group girdling the Death Star,
|
||
|
except for they disappear before the scene is finished.
|
||
|
|
||
|
THE MILLENIUM FALCON'S COCKPIT WINDOWS
|
||
|
[?]
|
||
|
|
||
|
Lukas Kendall <ldkendal@unix.amherst.edu> writes:
|
||
|
|
||
|
There is an inconsistency in the number of "window frames" in
|
||
|
the Millenium Falcon's cockpit. The cockpit features a single
|
||
|
circular window facing front, with a rim of windows immediately
|
||
|
arround that, surrounded by more windows. It is the first rim
|
||
|
of windows that has the inconsistency in A New Hope--when we
|
||
|
see from inside the cockpit, there are only three windows, with
|
||
|
window frames as so:
|
||
|
|
||
|
_\/_
|
||
|
|
||
|
However, when we see an exterior shot of the Falcon, this rim is
|
||
|
divided into quarters, as so:
|
||
|
|
||
|
_\|/_
|
||
|
|
||
|
In the Empire Strikes Back, the interior of the Falcon is
|
||
|
corrected to match with the outside (with the rim divided into
|
||
|
four windows).
|
||
|
|
||
|
[IV] MILLENIUM FALCON: STOWAWAYS WILL BE SHOT ON SIGHT
|
||
|
[?]
|
||
|
|
||
|
In the first scene of the Millenium Falcon's cockpit. Behind
|
||
|
Han and Chewie, there is a person standing. A few seconds later
|
||
|
they move out of the shot.
|
||
|
|
||
|
Note: This may just be in the Letterbox version.
|
||
|
|
||
|
[IV] MILLENIUM FALCON: FUZZY RACING DICE
|
||
|
[?]
|
||
|
|
||
|
Rajiv Udani <rku45136@uxa.cso.uiuc.edu> writes:
|
||
|
|
||
|
When Chewie runs to the cockpit to fly the Falcon out of Mos
|
||
|
Eisley, his head hits 2 small objects that look very much like
|
||
|
small dice.
|
||
|
|
||
|
[VI] NEIN NUMB SPEAKS
|
||
|
Lucas used several linguists to create languages for the
|
||
|
aliens. The one which Nein Numb speaks is based off a Kenyan
|
||
|
dialect. By accident or design, one of his lines ends up
|
||
|
sounding like an actual sentence in this language. The actual
|
||
|
sentence which can be heard is a matter of debate, with some
|
||
|
believing he says, "One thousand herds of elephants are
|
||
|
standing on my foot", and others believe it is, "Hey, you,
|
||
|
look over here."
|
||
|
|
||
|
Note: I have not heard any official information either way.
|
||
|
|
||
|
[VI] OOPS, WATCH THE COSTUME
|
||
|
[?]
|
||
|
|
||
|
Oola, the green dancing girl in Jabba's palace accidentally
|
||
|
"falls out of her costume" when Jabba is trying to drag her
|
||
|
towards him. Her breast can be seen for 1 or 2 frames.
|
||
|
|
||
|
[IV] PAPER AUDIENCE
|
||
|
When the heroes recieve their medallions at the end of Star
|
||
|
Wars IV, "A New Hope", most of the crowd is composed of
|
||
|
cardboard cut-outs.
|
||
|
|
||
|
[IV] R2-D2: BAD GUIDANCE SENSORS
|
||
|
[?]
|
||
|
|
||
|
At the beginning of the movie onboard the rebel corvette, which
|
||
|
is currently attempting to escape an Imperial Star Destroyer.
|
||
|
As Leia is giving a message to R2-D2, R2 starts to roll away.
|
||
|
If the scene would have continued on, he would have rolled into
|
||
|
the wall.
|
||
|
|
||
|
[IV] R2-D2: BAD R2, BAD R2, YOU STAY...GOOD BOY.
|
||
|
[?]
|
||
|
|
||
|
Bryan Carolan Dunne <carolan@owlnet.rice.edu< writes:
|
||
|
|
||
|
When R5-D4's head pops open during the scene where Uncle Owen
|
||
|
in buying him, they cut to a shot of R2 with R5 next to him.
|
||
|
Then they cut to the Jawas dragging R5 away from Luke, who is
|
||
|
nowhere near R2.
|
||
|
|
||
|
[VI] REVENGE OF THE JEDI
|
||
|
Star Wars VI, Return of the Jedi was originally scripted as
|
||
|
Revenge of the Jedi.
|
||
|
|
||
|
REVERSED FILM
|
||
|
There are a several locations where film is reversed. This
|
||
|
details some of the scenes which include C-3PO.
|
||
|
|
||
|
[IV] Aaron Romanowsky <romanow@vorpal.ucsb.edu> writes:
|
||
|
|
||
|
[?]
|
||
|
|
||
|
C-3PO gets a dent on the right side of his head when he falls
|
||
|
and breaks off his arm; he still has this dent throughout the
|
||
|
movie, but in one shot at the end, when he's next to Leia in
|
||
|
the Rebel Control Room, the film has been reversed -- the dent
|
||
|
is on his left side, and Leia is now on the right of him.
|
||
|
|
||
|
[IV] Dan Uslan <duslan@sdcc13.ucsd.edu> writes:
|
||
|
|
||
|
[?]
|
||
|
|
||
|
When C-3PO and R2-D2 crash-land on Tattooine, C-3PO has a large
|
||
|
grease stain down the left side of his chest. A few minutes later
|
||
|
this stain is on the right side.
|
||
|
|
||
|
[IV] SHELLS FOR LASER AMMUNITION?
|
||
|
These are noticable in virtually any battle, the most
|
||
|
noticeable is the battle with stormtroopers immediately after
|
||
|
Leia has been pulled out of her cell (before she blows a hole
|
||
|
in the wall)
|
||
|
|
||
|
The laser rifles are actually modified Sterling 9mm submachine
|
||
|
guns, and when filming the shoot-outs they used blank bullets
|
||
|
(so they would know when they were fired, and they would
|
||
|
simulate "kick-back") which eject spent cases as if they were
|
||
|
real bullets.
|
||
|
|
||
|
[IV] STORM TROOPER: LOW CLEARANCE
|
||
|
Luke, Leia, Han, and Chewie are inside the trash compacter on
|
||
|
the Deathstar. After the compactor has started up and Luke is
|
||
|
yelling into the comlink. The camera cuts to C-3PO's comlink
|
||
|
sitting on the table, then to the security door.
|
||
|
|
||
|
The door opens and Storm Troopers walk in. The trooper behind
|
||
|
and on the right of the lead trooper hits his head.
|
||
|
|
||
|
Note: There has been a hot debate about whether this was
|
||
|
supposed to happen, or was an accident, Ed Hirsh
|
||
|
<duke@apple.com> writes:
|
||
|
|
||
|
The scene where the stormtrooper hits his head as he
|
||
|
enters the communications room is not in the script.
|
||
|
Here is the scene as it is written by George Lucas
|
||
|
(Reprinted w/o permission):
|
||
|
|
||
|
---------[ begin Star Wars Script:
|
||
|
|
||
|
INTERIOR: DEATH STAR -- MAIN GANTRY -- COMMAND OFFICE.
|
||
|
|
||
|
A soft buzzer and the muted voice of Luke calling out
|
||
|
for See-Threepio can be heard on Threepio's hand comlink,
|
||
|
which is sitting on the deserted computer console.
|
||
|
Artoo and Threepio are nowhere in sight. Suddenly there
|
||
|
is a great explosion and the door of the control tower
|
||
|
flies across the floor. Four armed stormtroopers enter
|
||
|
the chamber.
|
||
|
|
||
|
FIRST TROOPER: Take over! (pointing to the dead officer)
|
||
|
See to him! Look there!
|
||
|
|
||
|
----------[ end Star Wars Script
|
||
|
|
||
|
So the First Trooper was supposed to say "See to him!"
|
||
|
But it was directed toward the previously killed officer!!
|
||
|
|
||
|
[V] TIE PILOT GOES UP IN A BALL OF FLAME
|
||
|
Ryan Smith <mithry@uwstout.edu> writes:
|
||
|
|
||
|
A friend of mine told me about reading a story on the special
|
||
|
effects in the Star Wars movies just after Return of the Jedi
|
||
|
came out. In the story, the special effects guy talked about
|
||
|
them creating a scene in the Empire Strikes Back where a TIE
|
||
|
Fighter pilot is visible in a ball of flame after his ship is
|
||
|
blown up. After watching all the movies on his wide-screen
|
||
|
laser disk version, we found it.
|
||
|
|
||
|
In the Empire Strikes Back, side 2, frames 23967-23983. It is
|
||
|
the scene where the Falcon first enters the asteroid field. The
|
||
|
first TIE Fighter to get hit by an asteroid explodes. In the
|
||
|
center of the explosion you can see the pilot (on fire)
|
||
|
spinning from the center of the screen to the lower left. I
|
||
|
checked it out on my letterboxed VHS version (from the
|
||
|
beginning of the tape (not the beginning of the movie) it is 39
|
||
|
min. and 40 sec. (to 39 min. and 41 sec.)) it is visible but I
|
||
|
only have a 3 head VCR and the freeze frame sucks. But it's
|
||
|
there... honest.
|
||
|
|
||
|
[V] TRAMPOLINES ABOARD CLOUD CITY?
|
||
|
[?]
|
||
|
|
||
|
When Luke is fighting Vader, after he knocks Vader off the edge
|
||
|
and jumps down behind him.
|
||
|
|
||
|
If you look and listen closely, you will hear Luke bounce on a
|
||
|
trampoline-like device. Then, his head magically reappears at
|
||
|
the bottom of the screen, for a short moment.
|
||
|
|
||
|
[VI] WATCH THE HAIR
|
||
|
[?]
|
||
|
|
||
|
Geoff <iigs@wam.umd.edu> writes:
|
||
|
|
||
|
In the Emperor's Throne Room during the duel between Luke and
|
||
|
Vader, there is a scene where luke does a sumersault jump to a
|
||
|
floor above where he originally was. If you look at the hair of
|
||
|
Luke jumping, you will notice that the stunt double's hair is
|
||
|
much more blonde than Mark Hamill's
|
||
|
|
||
|
[V] WHITE PROTOCOL DROID
|
||
|
[?]
|
||
|
|
||
|
There are three scenes where a white protocol droid can be seen
|
||
|
(rather than the more common silver or gold colors). The first
|
||
|
is in the command post on Hoth. The white driod is standing to
|
||
|
the left behind one of the glass monitors. It is in the
|
||
|
shadows, so it could easilly be mistaken for C-3PO.
|
||
|
|
||
|
The second time is in the scene that starts with the line, "We
|
||
|
can't protect two transports at the same time". At the end of
|
||
|
the scene the driod is standing to the right, in the background
|
||
|
between two people. It is definitely not C-3PO, as he is
|
||
|
standing in the foreground at the same time.
|
||
|
|
||
|
Later, the droid is seen sitting in one of the chairs to the
|
||
|
left of the command post, obviously non-functional at this
|
||
|
time.
|
||
|
|
||
|
[V] ZELOUS SECURITY MEASURES
|
||
|
Lucas was concerned about preventing leaks with the Empire
|
||
|
Strikes Back. Because of this, he had an elaborate security
|
||
|
system set up which included logs of reports about leaks from
|
||
|
actors. Lucas had special concern over the catwalk scene where
|
||
|
Vader tells Luke he is his father. The lines Prowse actually
|
||
|
spoke were "Obi Wan Kenobi is your father" not, "I am your
|
||
|
father". The lines in the released film were added later, with
|
||
|
the rest of Darth Vader's dialogue.
|
||
|
|
||
|
|
||
|
-----------------------------------------------------------------
|
||
|
|
||
|
CONTRIBUTORS
|
||
|
|
||
|
-----------------------------------------------------------------
|
||
|
|
||
|
I would like to give thanks to everybody who helped me compile the Bad
|
||
|
Guide to Starwars (whether they know it or not). I tried to give them
|
||
|
credit when I used direct information from them, or I could find who
|
||
|
they were, otherwise they are all listed here (alphabetic by first
|
||
|
name, sorry):
|
||
|
|
||
|
|
||
|
Name E-mail Address
|
||
|
|
||
|
Aaron Romanowsky romanow@vorpal.ucsb.edu
|
||
|
Andy Hofle hofle@cs.utexas.edu
|
||
|
Bryan Carolan Dunne carolan@owlnet.rice.edu
|
||
|
Cleavy McKnight cleavy@pangea.Stanford.EDU
|
||
|
Dan Uslan duslan@sdcc13.ucsd.edu
|
||
|
Daniel Goldman dgoldman@Xenon.Stanford.EDU
|
||
|
Daniel S. Highlands dh4x+@andrew.cmu.edu
|
||
|
Darryll Hobson hobson@mprgate.mpr.ca
|
||
|
David Kember (Gallandro) dkemper@oolong.hacks.arizona.edu
|
||
|
Dax Shifrel dax@netlink.cts.com
|
||
|
Doug Brod dbrod@eng.clemson.edu
|
||
|
Doug Tooley djtooley@undergrad.math.uwaterloo.ca
|
||
|
Ed Hirsh duke@apple.com
|
||
|
Geoff (The Doctor) iigs@wam.umd.edu
|
||
|
Jason Walsh jwalsh@morgan.ucs.mun.ca
|
||
|
Jeff baker jkb@hurricane.ksu.ksu.edu
|
||
|
Jefferey Gold jgold@mail.physics.utah.edu
|
||
|
John Hagerman hagerman@ece.cmu.edu
|
||
|
Kevin Lauderdale kxl@camis.stanford.edu
|
||
|
Kevin Mitchell kam@genesis.MCS.COM
|
||
|
Klaus Gassner kgassner@vax1.umkc.edu
|
||
|
Mark Swartz swartz@bigdog.engr.arizona.edu
|
||
|
Michael Clark ae604@Freenet.carleton.ca
|
||
|
Michael Palencar redfive@ucscb.UCSC.EDU
|
||
|
Mike (Starman) meg5184@hertz.njit.edu
|
||
|
Murray Chapman muzzle@cs.uq.oz.au
|
||
|
Nathan Hill nnhill@david.wheaton.edu
|
||
|
Neil NWA101@PSUVM.PSU.EDU
|
||
|
Norm Yamane nyamane@nyx.UUCP
|
||
|
Paul Joseph Mitchell mav+@CMU.EDU
|
||
|
Rajiv Udani rku45136@uxa.cso.uiuc.edu
|
||
|
Rob Johnson 2559johnsonr@vms.csd.mu.edu
|
||
|
Robert Alan Danforth rd2b+@andrew.cmu.edu
|
||
|
Ryan Smith mithry@uwstout.edu
|
||
|
Scott B. Casteel sbc@po.CWRU.Edu
|
||
|
Todd Chambers todd@goat.geo.arizona.edu
|