878 lines
33 KiB
Plaintext
878 lines
33 KiB
Plaintext
|
From: jbrown@tolkin.enet.dec.com (Janet Brown)
|
||
|
Subject: SCRIPT: Back To Reality
|
||
|
Date: 4 JUN 93 12:47:55
|
||
|
Organization: Digital Equipment Corporation
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
|
||
|
RED DWARF Series V Episode 6, "Back to Reality"
|
||
|
|
||
|
1 Model shot. Underwater.
|
||
|
|
||
|
A space ship is on the floor of a sea or ocean. Starbug lands close to
|
||
|
it.
|
||
|
|
||
|
2 Later.
|
||
|
|
||
|
KRYTEN: (VO) Mr. Rimmer, sir. We've located the black box terminal. You
|
||
|
should be getting something now.
|
||
|
|
||
|
3 Int. Starbug.
|
||
|
|
||
|
RIMMER is talking to the others over the radio.
|
||
|
|
||
|
RIMMER: Confirmed. Ident details: SSS Esperanto. Ocean seeding ship.
|
||
|
Mission to introduce oceanic life to potential S3 planets. This was a
|
||
|
recon trip. A 3 year check, strictly routine, to make sure that the
|
||
|
amino acid chain had taken.
|
||
|
|
||
|
4 Int. Esperanto.
|
||
|
|
||
|
LISTER, CAT, and KRYTEN are trudging around the dark ship while RIMMER
|
||
|
speaks to them over the radio from Starbug.
|
||
|
|
||
|
RIMMER: (VO) They had been trying some new enhancement technique to
|
||
|
accelerate the evolutionary process. Topped their best projections.
|
||
|
|
||
|
The camera switches back an forth from group to group as they speak.
|
||
|
|
||
|
RIMMER: They got 5 million years of evolution in 3 solar years.
|
||
|
KRYTEN: (Whistles.)
|
||
|
CAT: So what happened?
|
||
|
RIMMER: Final entry: routine stuff. They spent the day cataloging and
|
||
|
indexing new life-forms. Then it stops.
|
||
|
KRYTEN: The question which occurs: if this ocean is supposed to be
|
||
|
teeming with new life forms, where _are_ they all?
|
||
|
LISTER: What are you implying, Kryten?!
|
||
|
KRYTEN: No implication intended, sir.
|
||
|
LISTER: Yes there is. You're saying there's some huge damn fish out
|
||
|
there, aren't you? Some kind of gigantic, weird, pre-historic
|
||
|
leviathan who has porked its entire way through this ocean.
|
||
|
KRYTEN: That's one option.
|
||
|
LISTER: Any alternatives?
|
||
|
KRYTEN: None that occur.
|
||
|
CAT: Hey, wait a minute! I've got it! Don't fish swim south for the
|
||
|
winter?
|
||
|
KRYTEN: No, that's _birds_, sir.
|
||
|
CAT: _Birds_ swim south for the winter?! How do they breath?
|
||
|
|
||
|
LISTER discovers a skeleton in an adjoining room.
|
||
|
|
||
|
LISTER: Guys! Rimmer, you getting this?
|
||
|
RIMMER: It looks like Norman Bates' mum.
|
||
|
|
||
|
The others have followed LISTER into the room and now KRYTEN scans the
|
||
|
decayed corpse.
|
||
|
|
||
|
KRYTEN: Human, male, Caucasian. Cause of death gunshot wound to the
|
||
|
head. From the entry and exit wounds, most likely self-inflicted.
|
||
|
CAT: (Calling out from another part of the room) Here's another one!
|
||
|
|
||
|
A body is hanging from a pipe, noose round neck.
|
||
|
|
||
|
LISTER: Two suicides?!
|
||
|
CAT: There's more!
|
||
|
|
||
|
The group moves on to examine yet another corpse.
|
||
|
|
||
|
KRYTEN: A male. Oriental. Clearly he has committed Seppuku.
|
||
|
CAT: Hey! Look what I found.
|
||
|
|
||
|
CAT holds up a fish corpse for KRYTEN to scan.
|
||
|
|
||
|
KRYTEN: Species: unknown. Similar to Earth haddock. Cause of death:
|
||
|
_suffocation_.
|
||
|
CAT: What?!
|
||
|
RIMMER: (Over the radio) What is it?
|
||
|
KRYTEN: This fish _suffocated_ in water. It voluntarily closed its own
|
||
|
gills.
|
||
|
CAT: Are you saying that this haddock committed suicide?!
|
||
|
KRYTEN: I'm merely stating the known facts. This fish relinquished its
|
||
|
life of its own free will. Damned fool!
|
||
|
LISTER: Why would a haddock kill itself? Why am I even asking that
|
||
|
question?
|
||
|
CAT: Hang five, guys, I'm getting something. (Pointing to each corpse in
|
||
|
turn with his torch) He committed suicide, he committed suicide, he
|
||
|
committed suicide, and the _fish_ committed suicide. There's some kind
|
||
|
of link here I can't quite make out.
|
||
|
LISTER: Hang on a minute, guys. (He sees something, a substance, and
|
||
|
picks some up.) Check this!
|
||
|
KRYTEN: (Scanning) It's an unknown compound. Best guess is some sort of
|
||
|
hallucinogenic venom secreted from a piscine source, not unlike Earth's
|
||
|
octopus or giant squid.
|
||
|
LISTER: This is octopus ink?
|
||
|
KRYTEN: Well, I'm just completing a chemical analysis. (He appears
|
||
|
socked) Err...
|
||
|
LISTER: What?
|
||
|
KRYTEN: (Urgently) Come on sirs, we have to go!
|
||
|
RIMMER: What's happening?
|
||
|
KRYTEN: We have to go!!
|
||
|
RIMMER: Kryten, what's going on?
|
||
|
KRYTEN: Entering air lock.
|
||
|
LISTER: Repressurising now.
|
||
|
KRYTEN: Some kind of sea creature, a life form we have never encountered
|
||
|
before attacked this ship. Its defense mechanism is a curious one. It
|
||
|
secretes a venom, a poison, possibly even a hallucinogenic, which
|
||
|
disfunctions its prey by inducing despair. That's why the crew
|
||
|
members, and even that fish, committed suicide.
|
||
|
|
||
|
Unfortunately, we have become contaminated. It's a greatly reduced
|
||
|
dose but we may find that we do experience (bursts into tears) moments
|
||
|
of despair and anguish.
|
||
|
RIMMER: What about Lister and the Cat?
|
||
|
LISTER: I'm OK. I don't seem to be affected. (Beginning to break down)
|
||
|
It's true, I don't think anyone ever truly loved me in my entire life,
|
||
|
but there's nothing new about that.
|
||
|
CAT: What's gotten into you guys? This is like Saturday night at the
|
||
|
Wailing Wall! Why is it always _me_ that has to be the strong one?
|
||
|
(Starts to cry also) I mean you guys just fall apart.
|
||
|
KRYTEN: I think we should get back just as soon as we can and then take a
|
||
|
mood-stabiliser. I suggest Lithium Carbonate.
|
||
|
RIMMER: I know that emotionally this probably isn't the news you want to
|
||
|
hear right now but there's a blob on the sonar scope the size of New
|
||
|
Mexico and it's heading your way.
|
||
|
HOLLY: I think our friend the "Suicide Squid" is about to make an
|
||
|
appearance.
|
||
|
KRYTEN: (Over the radio to RIMMER) Where is it precisely?
|
||
|
RIMMER: Directly above you, about 2000 fathoms and diving.
|
||
|
LISTER: Oh, thanks a lot, Rimmer. You know the state we're in and you
|
||
|
have to go and give us news like that. You couldn't have _lied_?
|
||
|
RIMMER: I _was_ lying. It's only 1000 fathoms.
|
||
|
KRYTEN: We're entering Starbug's airlock now.
|
||
|
|
||
|
5 The sonar scope.
|
||
|
|
||
|
The blob is moving around without really closing in on them.
|
||
|
|
||
|
6 Int. Starbug rear section.
|
||
|
|
||
|
LISTER and CAT are using breathing masks while everyone is standing
|
||
|
around the scope.
|
||
|
|
||
|
RIMMER: What's it doing?
|
||
|
LISTER: It's trying to figure out what we are. (To KRYTEN) Cut the
|
||
|
power.
|
||
|
RIMMER: This venom -- are we safe in here?
|
||
|
LISTER: It penetrated the hull of a class D Space Corps seeding ship. In
|
||
|
comparison we're a sardine tin.
|
||
|
RIMMER: It's moving.
|
||
|
LISTER: Where?
|
||
|
HOLLY: Down.
|
||
|
LISTER: Speed?
|
||
|
HOLLY: 15 knots ... 16 ... 18 ...
|
||
|
RIMMER: It's diving.
|
||
|
LISTER: Course?
|
||
|
HOLLY: Collision.
|
||
|
KRYTEN: Do we move or stay?
|
||
|
HOLLY: 25 knots ... 35 ... 50 ...
|
||
|
RIMMER: It's coming straight for us.
|
||
|
LISTER: There are only three alternatives. It thinks we're either a
|
||
|
threat, food, or a mate. It's gonna either kill us, eat us, or hump
|
||
|
us. We can either persuade it that we are not that sort of oceanic
|
||
|
salvage vessel or we scarper pronto.
|
||
|
CAT: To be diddled by a giant squid on the first date? Think how we'd
|
||
|
feel in the morning!
|
||
|
KRYTEN: OK, we're going to try and out run it. Holly, hit the power, and
|
||
|
give me manual!
|
||
|
|
||
|
Starbug lifts off from the ocean bed and starts to move off as quick as
|
||
|
it can. The despair squid is in hot pursuit.
|
||
|
|
||
|
HOLLY: Change bearing, one zero five. There's some natural caverns about
|
||
|
3 clicks away. It might give us some cover.
|
||
|
LISTER: (Piloting) That's a yo, Holly! (Changes course) New course in!
|
||
|
|
||
|
They are approaching the underwater caverns when the creature catches up
|
||
|
with them, driving them down into the ground.
|
||
|
|
||
|
LISTER: It's hit us!
|
||
|
RIMMER: Look out!
|
||
|
|
||
|
They impact hard on a ridge, and Starbug explodes!
|
||
|
|
||
|
7 Computer readout.
|
||
|
|
||
|
Machine 16
|
||
|
*-------------------------------------------*
|
||
|
| |
|
||
|
| |
|
||
|
| G A M E O V E R |
|
||
|
| |
|
||
|
| |
|
||
|
*-------------------------------------------*
|
||
|
* Score 4% * Red Dwarf
|
||
|
|
||
|
Music is heard.
|
||
|
|
||
|
VOICE: For the last four years you have been engaged in the Total
|
||
|
Immersion Video Game, Red Dwarf.
|
||
|
|
||
|
8 Int. Game room.
|
||
|
|
||
|
We see some very hefty game machinery. The entire group is sitting in
|
||
|
dentist-style seats around a central control machine. They are dressed
|
||
|
in overalls and have large oxygen masks over their faces. They begin to
|
||
|
stir.
|
||
|
|
||
|
VOICE: As with all role-playing adventures you will experience a certain
|
||
|
amount of disorientation on leaving the game. It will be several
|
||
|
minutes before your real-life memories return. So, in the meantime,
|
||
|
please disengage the game-playing machinery and _relax_ until an
|
||
|
attendant is free to answer any of your questions.
|
||
|
|
||
|
On behalf of Leisure World International, may we be the first to say,
|
||
|
welcome back to reality!
|
||
|
|
||
|
The masks lift up and allow the group to get out of their chairs.
|
||
|
LISTER's hair is straight and he has a ponytail (no dreadlocks). KRYTEN
|
||
|
has a metal skull plate but has human hands. RIMMER's hair looks like
|
||
|
Dr. Emmet Brown from Back to the Future.
|
||
|
|
||
|
LISTER: This is a very, _very_ bad dream, right?!
|
||
|
|
||
|
RIMMER stumbles and is caught by LISTER.
|
||
|
|
||
|
RIMMER: I'm not a hologram. (Smiles.)
|
||
|
KRYTEN: I'm half human!
|
||
|
CAT: What the hell's happened to my teeth?!
|
||
|
|
||
|
He has teeth with a gigantic overbite and also a "Pyrex bowl" haircut.
|
||
|
|
||
|
CAT: I can open beer bottles with my overbite!!
|
||
|
|
||
|
An attendant appears. He is ANDY and has a very strong Birmingham
|
||
|
accent.
|
||
|
|
||
|
ANDY: Allright, lads! How you feeling? A bit wonky? Perfectly normal.
|
||
|
You'll be as right as rain in 20 minutes. So, if you could just move
|
||
|
through into the recuperation lounge, I can get things ready for the
|
||
|
next lot.
|
||
|
LISTER: The next lot?
|
||
|
ANDY: Yeah, a very popular game is Red Dwarf. It's got a two year
|
||
|
waiting list. Only got 20 machines. So! How did you get killed, then?
|
||
|
KRYTEN: Some kind of squid.
|
||
|
ANDY: The _despair_ squid?! There's no way that should have killed you!
|
||
|
Why didn't you use the laser cannons? It's obvious!
|
||
|
KRYTEN: Starbug doesn't -- didn't have a laser cannon capability.
|
||
|
ANDY: You twonk! Use the laser cannons on the crashed ... wotsit ...
|
||
|
Esperanto. That's how you get out of it!
|
||
|
RIMMER: _How_ were we supposed to know that, you Brummie git?
|
||
|
ANDY: Esperanto. That's a clue, isn't it? Esperanto -- hope. Hope
|
||
|
defeats despair. Despair -- the Despair Squid. It's a blatant clue,
|
||
|
isn't it? Blatant! If you didn't get that you must have been playing
|
||
|
like puddings!
|
||
|
|
||
|
Which one was playing Lister, then?
|
||
|
LISTER: (Subdued) Me.
|
||
|
ANDY: Did you get Kochanski?
|
||
|
LISTER: (Surprised) Was I supposed to?
|
||
|
ANDY: Supposed to? That's the objective of the game for Lister, you
|
||
|
twonk! You get separated to begin with and basically it's a love story
|
||
|
across time, space, death, and reality. You must have got the easy
|
||
|
stuff, though! Here, what did you think of the Planet of the
|
||
|
Nymphomaniacs?
|
||
|
RIMMER: The Planet of the _what_?!
|
||
|
ANDY: What, you missed _that_?! Oh, that's a riot! Some people spend
|
||
|
years on that. Which one was Rimmer?
|
||
|
RIMMER: (Smiling) Me.
|
||
|
ANDY: Ohh, he's amazing, in't he?
|
||
|
RIMMER: You can say that again.
|
||
|
ANDY: How long did it take you to suss him out, then?
|
||
|
RIMMER: Ahh, I had him sussed right from the beginning.
|
||
|
ANDY: Really? You found the Captain's message right away?!
|
||
|
RIMMER: (Taken back) _What_ Captain's message?
|
||
|
ANDY: The one that's hidden in the microdot in the 'i' in Rimmer's
|
||
|
swimming certificate. Well, that's the clue, isn't it? Rimmer having
|
||
|
a swimming certificate and not being able to swim!
|
||
|
KRYTEN: That's a clue?!
|
||
|
ANDY: It's a blatant clue, isn't it?
|
||
|
RIMMER: A blatant clue to what?
|
||
|
ANDY: A blatant clue to the truth behind Rimmer.
|
||
|
RIMMER: _What_ truth?
|
||
|
ANDY: The truth to why he is such an insufferable pratt.
|
||
|
RIMMER: That's because of his parents, his upbringing, his background.
|
||
|
The fact that he was never loved.
|
||
|
ANDY: No, no, no.
|
||
|
RIMMER: Yes, yes, yes.
|
||
|
ANDY: No, no, no.
|
||
|
RIMMER: Yes, yes, yes.
|
||
|
ANDY: No!
|
||
|
RIMMER: (Annoyed) What was it then?
|
||
|
ANDY: He was a hand-picked special agent for the Space Corps. He had his
|
||
|
memory erased and was programmed to behave like a complete twonk so no
|
||
|
one would suspect he was on a mission to destroy Red Dwarf in order to
|
||
|
guide Lister to his destiny as the creator of the second universe!
|
||
|
LISTER: You what?!
|
||
|
ANDY: Yeah! You know the bit where Lister jump starts the second big
|
||
|
bang with jump leads from Starbug?
|
||
|
RIMMER: (Incredulous) Jump starts the second big bang?
|
||
|
ANDY: Well, that's the final irony, isn't it? Lister, the ultimate
|
||
|
atheist, turns out in fact to be God!
|
||
|
LISTER: _What_?!
|
||
|
ANDY: It's all in the Captain's message. It's all in the microdot. Hang
|
||
|
on a minute! Are you ... are you seriously telling me you were playing
|
||
|
the pratt version of Rimmer for all that time? For four years?! Wow,
|
||
|
that's a classic that is! That's a classic!
|
||
|
|
||
|
A new group of T.I.V.G. players arrive.
|
||
|
|
||
|
ANDY: All right, lads. Which one's Lister?
|
||
|
|
||
|
One of the group raises his hand.
|
||
|
|
||
|
ANDY: Right. Got the food bag, bio-feedback catheter. It's all there.
|
||
|
You can start plugging yourself in. Here, whatever you do don't mix
|
||
|
the food line with the catheter, will you? I had some bloke that did
|
||
|
that and didn't spot it for 2 days. Heh heh heh!
|
||
|
|
||
|
OK, Kryten, in you go, son. OK, Cat, Rimmer... (To the original
|
||
|
Dwarfers) Hey, give us a bit of room here, will ya please chaps?
|
||
|
KRYTEN: Well, where do we go? We don't know who we are -- our memories
|
||
|
haven't returned yet.
|
||
|
ANDY: The _re-cup-er-a-tion_ Lounge. I keep telling you. Blimey! No
|
||
|
wonder you only scored four percent. Gaw, what a bunch of twonks.
|
||
|
|
||
|
9 Int. The recuperation lounge.
|
||
|
|
||
|
LISTER: I'm not Lister, then. I'm not me, am I?
|
||
|
KRYTEN: None of us are who we thought we were, sir. This is going to
|
||
|
take some getting used to.
|
||
|
RIMMER: I'm not Rimmer, then?
|
||
|
KRYTEN: No.
|
||
|
RIMMER: I'm not a hologram. (Perking up) I'm not Rimmer!
|
||
|
CAT: Well, if we are not who we thought we were, who the hell are we?!
|
||
|
LISTER: The kind of sad'acs who want to spend four years playing a
|
||
|
computer game. Either we're running away from god-knows-what, or we
|
||
|
have nothing worth living for in the first place.
|
||
|
|
||
|
A nurse arrives.
|
||
|
|
||
|
NURSE: Is there a Dwane Dibbley in here?
|
||
|
LISTER: Pardon?
|
||
|
NURSE: Dwane Dibbley?
|
||
|
LISTER: No, sorry.
|
||
|
RIMMER: Wait a minute. How do you know there is no one called Dwane
|
||
|
Dibbley in here? It could be you.
|
||
|
NURSE: (Returning) No, this is right. Dibbley. This is the Dibbley
|
||
|
party. Which one's Dwane Dibbley?
|
||
|
|
||
|
The camera focuses on CAT.
|
||
|
|
||
|
CAT: No! No, no, please, no! I don't want to be Dwane Dibbley!
|
||
|
|
||
|
The nurse finds DIBBLEY's bag with his ID on it, and gets it for him.
|
||
|
|
||
|
NURSE: It's you. Here are your party's clothes and possessions. The
|
||
|
medical officer will be down in 20 minutes.
|
||
|
DWANE: Dwane Dibbley?! How can I be called Dwane Dibbley?
|
||
|
|
||
|
LISTER starts going through the case the NURSE picked out.
|
||
|
|
||
|
LISTER: It's true. It's got your photograph, name, and address on it and
|
||
|
everything. There's an anorak in here! White socks. Nylon shirt.
|
||
|
Plastic sandals. Aertex vest. Cardigan! Oh, and a key to the
|
||
|
Salvation Army hostel.
|
||
|
DWANE: It doesn't make sense!
|
||
|
RIMMER: I'm sorry, but I'm afraid it makes perfect sense, Dwane!! Imagine
|
||
|
a guy with no `elan, no style -- a misfit. Doesn't it just make total
|
||
|
sense that this hapless creature would give his buck teeth to play
|
||
|
someone like the the Cat in a computer game?
|
||
|
DWANE: So this is really me?! A no-style gimbo, with teeth the druids
|
||
|
could use as a place of worship?!
|
||
|
RIMMER: Kryten, open the next one!
|
||
|
KRYTEN: Listen, whoever you are: don't push your luck by ordering
|
||
|
whoever _I_ am around. Because, almost certainly, whoever I am, I'm
|
||
|
not the kind of guy who's going to take any crap from whoever you are.
|
||
|
|
||
|
So before you start ordering me around let's establish whether I'm the
|
||
|
kind of guy who doesn't mind being ordered around, or if I'm the kind
|
||
|
of guy who gets all up tight by being ordered around by whatever the
|
||
|
kind of guy _you_ are. _Clear_?
|
||
|
RIMMER: All I said was, "Open the next one."
|
||
|
|
||
|
During this spiel LISTER has grabbed another bag.
|
||
|
|
||
|
LISTER: (To KRYTEN) Allright, this one's you.
|
||
|
KRYTEN: Oh! Who am I?
|
||
|
LISTER: _Wow_! You're a detective! In the _Cybernautic_ Division of the
|
||
|
Police Department.
|
||
|
KRYTEN: Oh! Golly! Really?
|
||
|
LISTER: Yeah. This is your badge.
|
||
|
KRYTEN: A detective, huh? What's my name?
|
||
|
LISTER: Jake. Jake Bullet.
|
||
|
JAKE: Jake Bullet, Cybernautic Detective. I like that! That sounds like
|
||
|
the kind of hard-living flat foot who gets the job done by cutting
|
||
|
corners and bucking authority. And if those pen-pushers up at City
|
||
|
Hall don't like it, well, they can park their over-payed, fat ass's on
|
||
|
_this_ mid-digit (Extending his mid-digit) and swivel -- swivel till
|
||
|
they squeal like pigs on a honeymoon.
|
||
|
RIMMER: On the other hand, "Mr. Bullet," perhaps the Cybernautics
|
||
|
division is in charge of traffic control. You just happen to have a
|
||
|
rather silly macho name.
|
||
|
JAKE: Oh yes, that's a very good point, sir. I didn't think of that.
|
||
|
DWANE: (Looking at his plastic sandals) Dwane Dibbley?
|
||
|
RIMMER: (To LISTER) So, whoever you are, who's next?
|
||
|
LISTER: I don't want to know. Someone else look.
|
||
|
JAKE: Stand aside! Let the law handle this.
|
||
|
|
||
|
He grabs the next case.
|
||
|
|
||
|
JAKE: Hmm... No photograph. Name, "Billy Doyle."
|
||
|
|
||
|
The group looks at LISTER.
|
||
|
|
||
|
LISTER: Not necessarily. It's not necessarily me.
|
||
|
|
||
|
LISTER gets up to investigate the suitcase.
|
||
|
|
||
|
RIMMER: Billy Doyle. Well, that's a name that came from the wrong side
|
||
|
of the the tracks, isn't it? You can see it all now: a youth spent in
|
||
|
and out of corrective institutions. A string of illegitimate children.
|
||
|
The wife will be all white shoes, no tights, and blotchy legs.
|
||
|
|
||
|
Has to take up petty crime to cover the court orders for maintenance.
|
||
|
Before he knows it he's standing in a bank with a sawn-off shotgun.
|
||
|
Somehow it goes off. An old lady gets both barrels through a crocheted
|
||
|
bobble hat. All he can do is hide. But where? And then it hits him
|
||
|
-- with all his ill-gotten gains he can buy four years in a computer
|
||
|
game and wait until the heat's off. So ends the Ballad of Billy
|
||
|
"Granny Killer" Doyle.
|
||
|
|
||
|
LISTER let's out a big sigh of relief and hands the case to RIMMER.
|
||
|
|
||
|
LISTER: It's yours.
|
||
|
BILLY: What?!
|
||
|
LISTER: It's yours, "Bill."
|
||
|
BILLY: No.
|
||
|
LISTER: Check the ugly mug on the ID then, man.
|
||
|
|
||
|
LISTER sits down next to BILLY and shows him the ID.
|
||
|
|
||
|
BILLY: William Doyle. "William Doyle." Good ol' Bill Doyle. You know,
|
||
|
that sounds like a hell of a good name to me! Probably connected with
|
||
|
the Boston Doyles. Old money, blue chip stock. You know, I think it's
|
||
|
all starting to come back to me now.
|
||
|
LISTER: What puzzles me slightly is what a man of such _undoubted_ good
|
||
|
breeding would be doing wearing a coat that smells like an elderly male
|
||
|
yak has taken a leak in both the pockets.
|
||
|
BILLY: Well, isn't it obvious?
|
||
|
JAKE: No, it isn't.
|
||
|
BILLY: _Oh my god_! My name is Billy Doyle and my cologne is "Eau de Yak
|
||
|
Urine."
|
||
|
LISTER: So, who am I, then?
|
||
|
|
||
|
He gets up again and opens the last case.
|
||
|
|
||
|
LISTER: Wow! Look at my gear! This stuff's really, really expensive!
|
||
|
BILLY: (Springing to his feet) Are you quite absolutely sure this isn't
|
||
|
my box?
|
||
|
JAKE: Who are you? What do you do?
|
||
|
LISTER: I work for some company -- CGI. I've got a limo in the long-term
|
||
|
car park.
|
||
|
BILLY: Well, clearly you were privy to all the breaks and advantages that
|
||
|
life denied poor old William Doyle here.
|
||
|
|
||
|
JAKE has found an ID badge that fell of the case.
|
||
|
|
||
|
JAKE: Sir, I think you should take a look at this. Willy, meet your
|
||
|
brother, Sebastian.
|
||
|
|
||
|
SEBASTIAN and BILLY check out the ID JAKE has found.
|
||
|
|
||
|
JAKE: Well, half brothers. Uterinal -- same mother.
|
||
|
|
||
|
10 Int. Corridor outside the lounge.
|
||
|
|
||
|
JAKE, dressed in a suit, trench coat, and hat, leaves the room first.
|
||
|
|
||
|
JAKE: This is a crazy idea. We can't leave now. Our memories haven't
|
||
|
returned yet.
|
||
|
|
||
|
Next comes BILLY, looking like a homeless combination of Columbo and
|
||
|
Albert Einstein.
|
||
|
|
||
|
BILLY: We've got to find out more about ourselves. I refuse to accept
|
||
|
I'm his alky dropout, yak-coat-wearing, half-brother.
|
||
|
|
||
|
DWANE stumbles out next, wearing some remarkably uncool clothes and
|
||
|
toting a thermos.
|
||
|
|
||
|
DWANE: (He can't get over it) Dwane Dibbley!
|
||
|
|
||
|
SEBASTIAN is wearing a dark overcoat over some nice, tan clothes. He
|
||
|
saunters nonchalantly until he notices the viewer on one side of the
|
||
|
hall, and stops to look into the newly-started Red Dwarf Game.
|
||
|
|
||
|
11 Machine 16. Model shot.
|
||
|
|
||
|
The viewer shows Starbug taking off and crashing through Red Dwarf's
|
||
|
cargo bay doors.
|
||
|
|
||
|
12 Machine 16. Int. Starbug cockpit.
|
||
|
|
||
|
The new KOCHANSKI storms through into the cockpit and confronts the NEW
|
||
|
LISTER.
|
||
|
|
||
|
NEW KOCHANSKI: Are you crazy, Lister? Are you totally nuts? You risk
|
||
|
your own neck and everybody elses just to save my life? You do that
|
||
|
again and I'll kill you!
|
||
|
NEW LISTER: Hey, Kochanski.
|
||
|
|
||
|
He gets out of the pilots seat, spits out what is left of his cigar, and
|
||
|
pulls the NEW KOCHANSKI close.
|
||
|
|
||
|
NEW LISTER: Shaarrtt up!
|
||
|
|
||
|
He holds her tight and starts to kiss her. At first she struggles, but
|
||
|
soon she is passionately kissing him back.
|
||
|
|
||
|
13 Int. Corridor outside the lounge.
|
||
|
|
||
|
SEBASTIAN looks away from the observation screen, depressed. He sighs.
|
||
|
|
||
|
14 Ext. Leisure World International.
|
||
|
|
||
|
They leave the Total Immersion Video Arcade and enter the car park level.
|
||
|
They pass two posters stuck on a wall.
|
||
|
|
||
|
SEBASTIAN: (Reading) "Vote Fascist for a third glorious decade of total
|
||
|
law enforcement."
|
||
|
JAKE: (Reading) "Be a government informer. Betray your family & friends.
|
||
|
Fabulous prizes to be won."
|
||
|
|
||
|
They arrive at the limo, which is covered with a car cover.
|
||
|
|
||
|
SEBASTIAN: There it is. (He removes the car cover.)
|
||
|
BILLY: This is _your_ car?!
|
||
|
SEBASTIAN: Bay 47.
|
||
|
|
||
|
A young child runs into view and across the car park, being chased by a
|
||
|
man in a suit.
|
||
|
|
||
|
COP: Halt or I'll fire!
|
||
|
|
||
|
The child runs right between BILLY and JAKE while the COP stops and
|
||
|
raises his gun.
|
||
|
|
||
|
COP: Move, voters!
|
||
|
JAKE: (Grabbing BILLY to stop him from moving) Move an inch and I'll
|
||
|
crush every bone in your body.
|
||
|
|
||
|
The COP has lost the girl, but he does not lower his gun -- it's an
|
||
|
automatic weapon that looks all too loaded. He approaches the group
|
||
|
angrily.
|
||
|
|
||
|
COP: You helped an enemy of democracy escape. She was stealing an apple
|
||
|
of the people.
|
||
|
JAKE: (Whipping out his badge in an aggressive manner) Bullet.
|
||
|
Cybernautics!
|
||
|
COP: That's _traffic control_.
|
||
|
|
||
|
JAKE is crestfallen and turns his badge around to look at it. The
|
||
|
others, sans SEBASTIAN, can't believe their bad luck.
|
||
|
|
||
|
COP: Kneel, voters. You are under sentence of death. (To SEBASTIAN in
|
||
|
the shadows) Come out of the shadows, voter.
|
||
|
|
||
|
SEBASTIAN walks forward, arms raised in surrender.
|
||
|
|
||
|
SEBASTIAN: What's the beef? Did she steal your lunch box?
|
||
|
|
||
|
The COP finally gets a look at who he's talking to.
|
||
|
|
||
|
COP: M-mm-many apologies, Voter Colonel. Had I known it was you...
|
||
|
|
||
|
He slowly lowers his gun, lowers his head, and clicks his heels in a
|
||
|
salute.
|
||
|
|
||
|
COP: Forgive me.
|
||
|
SEBASTIAN: You _know_ me?
|
||
|
COP: Of course, Voter Colonel.
|
||
|
SEBASTIAN: Who am I?
|
||
|
COP: You... are... Colonel Sebastian Doyle. Section chief of CGI. Head
|
||
|
of the Ministry of Alteration.
|
||
|
SEBASTIAN: Remind me a little. What do we do at the "Ministry of
|
||
|
Alteration?"
|
||
|
COP: You... _change_ people, sir.
|
||
|
SEBASTIAN: In what way?
|
||
|
COP: You change them from being _alive_ people, to being _dead_ people.
|
||
|
To purify democracy.
|
||
|
BILLY: Purify?!
|
||
|
COP: No one has done more to purge the ballot boxes than the Voter
|
||
|
Colonel.
|
||
|
DWANE: So, why has he been away for four years?
|
||
|
COP: (To SEBASTIAN) Excuse me, Voter Colonel, but is this some sort of
|
||
|
test?
|
||
|
SEBASTIAN: Answer him!
|
||
|
COP: The rumour was that you had grown weary of your glorious duties and
|
||
|
had gone away -- in secret -- to renew yourself.
|
||
|
|
||
|
The child, a little girl, leaves her hiding place and tries to run away.
|
||
|
|
||
|
COP: Halt!!
|
||
|
|
||
|
The COP raises his gun and fires a few shots, and then slumps to the
|
||
|
ground, revealing JAKE BULLET, a half-man with a weapon aimed right at
|
||
|
the spot where the COP used to be standing.
|
||
|
|
||
|
15 Int. Starbug rear section.
|
||
|
|
||
|
All of a sudden the view switches to an interior of Starbug, where
|
||
|
LISTER, CAT, KRYTEN, and RIMMER are acting out their adventures in the
|
||
|
totalitarian state, unbeknownst to them. KRYTEN is holding a cross-bow.
|
||
|
|
||
|
KRYTEN: (Shocked) I killed him.
|
||
|
|
||
|
16 Ext. Totalitarian car park.
|
||
|
|
||
|
SEBASTIAN: Lets get out of here. In the car!
|
||
|
|
||
|
17 Int. Starbug rear section.
|
||
|
|
||
|
LISTER: Get in the car!
|
||
|
KRYTEN: I _killed_ him.
|
||
|
LISTER: We haven't got time for that, Kryten. In the car!
|
||
|
KRYTEN: I _killed_ a human!
|
||
|
RIMMER: In the car!
|
||
|
|
||
|
They all sit on boxes and trunks in Starbug. They are arranged 2x2 in a
|
||
|
car shape. LISTER is driving, KRYTEN is the "front-seat" passenger, and
|
||
|
CAT and RIMMER are in the "back seat."
|
||
|
|
||
|
RIMMER: Lookout! Fascist cops by the left and they are armed!
|
||
|
RIMMER: (To CAT) You're hit!
|
||
|
|
||
|
The CAT grabs his "injured" right arm.
|
||
|
|
||
|
HOLLY: Hello! For the 3000th time, you're hallucinating! Can anyone
|
||
|
hear me?!
|
||
|
RIMMER: Uh oh, speed bumps!
|
||
|
|
||
|
They hit the imaginary speed bumps by LISTER and KRYTEN bouncing up
|
||
|
first, followed immediately by CAT and RIMMER. They bounce up a second
|
||
|
and third time over more bumps.
|
||
|
|
||
|
RIMMER: Chicane!
|
||
|
|
||
|
They swing left, right, and left again on their boxes.
|
||
|
|
||
|
RIMMER: Look out -- the barrier.
|
||
|
LISTER: Brace yourselves! We're going through it!
|
||
|
|
||
|
They crash the barrier, with much bouncing around.
|
||
|
|
||
|
RIMMER: (Looking back) Motorcycles! Looks like they're carrying personal
|
||
|
rocket launchers!
|
||
|
LISTER: That bridge -- think we can make it?
|
||
|
RIMMER: It's raising!
|
||
|
LISTER: Got any better ideas?
|
||
|
CAT: Let's do it!
|
||
|
|
||
|
LISTER grabs an imaginary stick shift and goes down a gear. He slams the
|
||
|
"pedal" to the floor. They sway back from the acceleration's "G-force."
|
||
|
The car hits the bridge and takes off.
|
||
|
|
||
|
ALL: Woooooo..........oooo...oooooo......aaaagh.
|
||
|
|
||
|
They hit the other side, are shaken about, but are OK.
|
||
|
|
||
|
CAT: We made it! Nice driving. (Turning around) So long suckers!
|
||
|
RIMMER: (Looking up out the window) Uh oh! Helicopters!
|
||
|
LISTER: Oh, I'm going to have to dump the limo.
|
||
|
|
||
|
LISTER swerves around a bit, and brings the "limo" to a hasty stop.
|
||
|
|
||
|
LISTER: OK, come on! Go! Go!! Go!!
|
||
|
|
||
|
They all get out and begin running around the crates except for CAT, who
|
||
|
sits for a little while holding his "wounded" arm. After looking around
|
||
|
franticly for a moment, he also manages to open his "door" and gets out
|
||
|
to join in the running.
|
||
|
|
||
|
CAT: Down that alley!
|
||
|
|
||
|
18 Ext. Totalitarian state. Alley.
|
||
|
|
||
|
Back in the hallucination scene they run down an alleyway and come to a
|
||
|
halt by a flashing neon sign of a burger bar. Most of the group is
|
||
|
looking back to see if there is any pursuit, but not JAKE.
|
||
|
|
||
|
JAKE: I killed him. I killed a human.
|
||
|
|
||
|
JAKE puts his gun to his own head. He pulls the trigger. Click! It
|
||
|
doesn't go off.
|
||
|
|
||
|
JAKE: Damn!
|
||
|
SEBASTIAN: (Noticing JAKE) What are you doing?
|
||
|
JAKE: It is fundamental to me never to take a life, no matter what the
|
||
|
provocation. I could have stunned him. I killed him. I must
|
||
|
terminate myself.
|
||
|
|
||
|
JAKE ejects the clip from his gun, examines it, and re-inserts it. He
|
||
|
kicks a bullet into the chamber.
|
||
|
|
||
|
BILLY: This is a nightmare. I'm on the run from the fascist police with
|
||
|
a murderer and a mass murderer and a man in a {Brie Nidel} shirt. A
|
||
|
flotsam, jetsam, human wreckage, sputum bag who smells like a yak
|
||
|
latrine. And now my best flashing mac' is about to be splattered with
|
||
|
an android's brain. (To JAKE) I'm after you with the gun.
|
||
|
SEBASTIAN: (Voice breaking) Yeah, count me in to.
|
||
|
DWANE: Ditto.
|
||
|
JAKE: But there's only one bullet left!
|
||
|
DWANE: Ah, we could put our heads together and the bullet could go down
|
||
|
the line.
|
||
|
|
||
|
They all get close together with their heads in a line. JAKE holds the
|
||
|
gun to his head.
|
||
|
|
||
|
19 Int. Starbug rear section.
|
||
|
|
||
|
KRYTEN is holding the cross-bow loaded with a bolt against his head as
|
||
|
the group stands in line waiting to be killed.
|
||
|
|
||
|
HOLLY: Kryten, I'm broadcasting on a higher frequency. Can you hear me
|
||
|
now?!
|
||
|
KRYTEN: Did somebody say something?
|
||
|
HOLLY: You're hallucinating! Put the gun down!
|
||
|
KRYTEN: I think I'm going to put the gun down.
|
||
|
HOLLY: Walk forward three paces!
|
||
|
|
||
|
20 Ext. Totalitarian alley.
|
||
|
|
||
|
JAKE: I think I'm going to walk forward three paces.
|
||
|
BILLY: Well, he's cracking up.
|
||
|
JAKE: I've a strange compulsion to pick up this fire extinguisher and
|
||
|
twist the release wheel.
|
||
|
|
||
|
21 Int. Starbug rear section.
|
||
|
|
||
|
RIMMER: Have you quite finished being strange?
|
||
|
|
||
|
KRYTEN has a cannister of Lithium Carbonate in his hands. He puts it
|
||
|
back down.
|
||
|
|
||
|
22 Ext. Totalitarian alley.
|
||
|
|
||
|
JAKE: I'm sorry, sir. I don't know what came over me.
|
||
|
|
||
|
They all put their heads together again, gun at the ready.
|
||
|
|
||
|
JAKE: OK?
|
||
|
SEBASTIAN: OK.
|
||
|
HOLLY: (VO) You're hallucinating!
|
||
|
|
||
|
The group of misfits looks startled.
|
||
|
|
||
|
23 Int. Starbug rear section.
|
||
|
|
||
|
HOLLY: You're hallucinating!
|
||
|
|
||
|
The group appears to be snapping out of it.
|
||
|
|
||
|
LISTER: What?!
|
||
|
HOLLY: I though you weren't going to make it! Welcome Back to Reality!
|
||
|
LISTER: What happened?
|
||
|
HOLLY: You had a group hallucination! Brought on by the ink from the
|
||
|
despair squid. You were about to commit suicide, just like the crew of
|
||
|
the Esperanto, until the mood-stabilizer saved you.
|
||
|
RIMMER: The Lithium Carbonate!
|
||
|
LISTER: What? We would have really killed ourselves?!
|
||
|
KRYTEN: Of course! The hallucinations were designed to induce despair!
|
||
|
To attack the very things we each consider quintessential to our self-
|
||
|
esteem.
|
||
|
|
||
|
Take Mr. Rimmer: Back there he could no longer blame his failings and
|
||
|
shortcomings on his parents because he shared an upbringing with you,
|
||
|
sir, (Indicating LISTER) his richer, more important, half-brother.
|
||
|
|
||
|
The Cat lost his "Cool" and life for him no longer had any meaning
|
||
|
because he is so mind-meltingly shallow.
|
||
|
CAT: That's right, superficial _is_ my middle name.
|
||
|
KRYTEN: (To LISTER) And you, sir. You have always prided yourself on
|
||
|
being a good man; a man of moral courage. So, when you thought you
|
||
|
were a mass-murdering butcher in a totalitarian state: despair.
|
||
|
Despair destined to drive you over the edge.
|
||
|
LISTER: (To KRYTEN) And with you it was taking a human life.
|
||
|
KRYTEN: Precisely.
|
||
|
CAT: (Happily) I'm not Dwane Dibbley?
|
||
|
KRYTEN: No.
|
||
|
RIMMER: (Disappointed) I _am_ Rimmer.
|
||
|
KRYTEN: (Sadly) I'm afraid so.
|
||
|
LISTER: So, what happened to the Despair Squid?
|
||
|
HOLLY: I took care of that! Limpet mines -- there's enough fried
|
||
|
Calamari out there to feed the whole of Italy.
|
||
|
CAT: Well, I say lets get out of here.
|
||
|
HOLLY: Flight coordinates programmed. Switching to pilot cooperation
|
||
|
until we hit the surface.
|
||
|
LISTER: Those planet engineers really screwed up in a big way here,
|
||
|
didn't they? Playing god. The evolutionary process threw up a life
|
||
|
force so much stronger and more deadly than any other species -- damn
|
||
|
near wiped out everything on the entire planet. Spreading despair and
|
||
|
destruction wherever it stuck its ugly mush.
|
||
|
KRYTEN: Hmm, that sounds rather reminiscent of a species sitting not a
|
||
|
million miles away from me now. Ha ha ha! (He laughs alone.)
|
||
|
KRYTEN: You probably have to be a mechanoid to fully appreciate that one.
|
||
|
RIMMER: Kryten, no one likes a smart-alec android. Hit the retros.
|
||
|
KRYTEN: We're on our way, sir.
|
||
|
|
||
|
24 Model shot.
|
||
|
|
||
|
Starbug lifts off the ocean floor and heads off.
|
||
|
|
||
|
Credits:
|
||
|
|
||
|
Rimmer Chris Barrie
|
||
|
Lister Craig Charles
|
||
|
Holly Hattie Hayridge
|
||
|
Cat Danny John-Jules
|
||
|
Kryten Robert Llewellyn
|
||
|
Andy Timothy Spall
|
||
|
Cop Lenny Von Dohlan
|
||
|
New Kochanski Anastasia Hille
|
||
|
Nurse Marie McCarthy
|
||
|
New Lister John Sharian
|
||
|
Associate Producer Julian Scott
|
||
|
SSS Esperanto Director Juliet May
|
||
|
Director Grant Naylor
|
||
|
Producer Hilary Bevan Jones
|
||
|
Executive Producers Rob Grant
|
||
|
Doug Naylor
|
||
|
Music Howard Goodall
|
||
|
Casting Jane Davies
|
||
|
Production Accountant Joanna Birkinshaw
|
||
|
Unit Manager Irene Gibbons
|
||
|
Video Effects Bruce Steele
|
||
|
Jez Gibson
|
||
|
Production Team Nichol Hoye
|
||
|
Mairead Curtin
|
||
|
Camera Supervisor Rocket
|
||
|
Vision Mixer Simon Sanders
|
||
|
Vision Supervisor Mike Spencer
|
||
|
Insert Editor Peter Bates
|
||
|
Gaffer Ron Green
|
||
|
Consol Operator Dai Thomas
|
||
|
Property Master Mark Hedges
|
||
|
Properties Buyer Stella McIntyre
|
||
|
Technical Manager Jeff Jeffery
|
||
|
Videotape Editor Graham Hutchings
|
||
|
Stage Manager Kerry Waddell
|
||
|
Production Assistant Christine Moses
|
||
|
Costume Design Howard Burden
|
||
|
Gill Shaw
|
||
|
Make Up Design Andria Pennell
|
||
|
Nina Gan
|
||
|
Visual Effects Design Peter Wragg
|
||
|
Mike Turner
|
||
|
Sound Supervisor Keith Mayes
|
||
|
Jem Whippey
|
||
|
Lighting Director John Pomphrey
|
||
|
Production Design Mel Bibby
|
||
|
Stephen Bradshaw
|
||
|
|
||
|
Red Dwarf V (C) BBC TV MCMXCII
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
Guide By Neil Postlethwaite
|
||
|
Heriot-Watt University,
|
||
|
Edinburgh, UK.
|