102 lines
6.4 KiB
Plaintext
102 lines
6.4 KiB
Plaintext
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ARRoGANT CoURiERS WiTH ESSaYS
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Grade Level: Type of Work Subject/Topic is on:
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[ ]6-8 [ ]Class Notes [Romanticism in the 19th ]
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[x]9-10 [ ]Cliff Notes [Century ]
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[ ]11-12 [x]Essay/Report [ ]
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[ ]College [ ]Misc [ ]
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Dizzed: 09/94 # of Words:785 School: ? State: ?
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<EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>>Chop Here><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
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Romanticism began in the early 19th century and radically changed the
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way people perceived themselves and the state of nature around them. Unlike
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Classicism, which stood for order and established the foundation for
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architecture, literature, painting and music, Romanticism allowed people to
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get away from the constricted, rational views of life and concentrate on an
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emotional and sentimental side of humanity. This not only influenced
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political doctrines and ideology, but was also a sharp contrast from ideas
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and harmony featured during the Enlightenment. The Romantic era grew
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alongside the Enlightenment, but concentrated on human diversity and
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looking at life in a new way. It was the combination of modern Science and
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Classicism that gave birth to Romanticism and introduced a new outlook on
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life that embraced emotion before rationality.
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Romanticism was a reactionary period of history when its seeds became
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planted in poetry, artwork and literature. The Romantics turned to the poet
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before the scientist to harbor their convictions (they found that the
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orderly, mechanistic universe that the Science thrived under was too
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narrow-minded, systematic and downright heartless in terms of feeling or
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emotional thought) and it was men such as Johann Wolfgang von Goethe in
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Germany who wrote "The Sorrows of Young Werther" which epitomized what
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Romanticism stood for. His character expressed feelings from the heart and
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gave way to a new trend of expressing emotions through individuality as
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opposed to collectivism. In England, there was a resurgence into
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Shakespearean drama since many Romantics believed that Shakespeare had not
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been fully appreciated during the 18th century. His style of drama and
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expression had been downplayed and ignored by the Enlightenment's narrow
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classical view of drama. Friedrich von Schlegel and Samuel Taylorleridge
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(from Germany and England respectively) were two critics of literature who
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believed that because of the Enlightenment's suppression of individual
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emotion as being free and imaginative, Shakespeare who have never written
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his material in the 19th century as opposed to the 18th century. The
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perception that the Enlightenment was destroying the natural human soul and
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substituting it with the mechanical, artificial heart was becoming
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prevalent across Europe.
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The Lyrical Ballads, published in 1798, was a series of poems that
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examined the beauty of nature and explored the actions of people in natural
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settings. Written by William Woodsworth, this form of poetry was free,
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expressive and without constraint as evident by this passage:
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"If this belief from heaven be sent, If such be Nature's holy plan,
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Have I not reason to lament, What man has made of man?"
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Such passages from his work indicates that poetry and literature was
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also used as a form of rebellion or distaste for political institutions or
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social conditions during the 19th century. However, since most poets
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thrived on the emotional and irrational abstract that they were writing
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about, there was no specific category that this mode of thinking could fall
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into. This was a strength since the freedom to explore nature was infinite
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and without any restriction based on rules, law or doctrine. This
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invariably led to a re-introduction into religion and mysticism; people
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wanted to explore the unknown. The Genius of Christianity, written by Rene
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de Chateaubriand, offered a contrast to Science. He found Christianity to
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be "the most poetic, most human, the most conducive to freedom, to arts and
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literature..." of all the religions and deduced that Science was lacking
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this element which could benefit mankind.
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The middle ages were regarded as a creative period when humans lived
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close to the soil and were unblemished with the effects of
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industrialization or urbanization. Romanticism began to show the people
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that the Enlightenment had overstayed its welcome by leading the people to
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a future that offered a vision of mankind as being part of a group rather
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than an individual. G. W. F. Hegel, a German philosopher, rejected the
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rational philosophy of the 18th century because he believed in "Idealism".
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This involved looking at life in terms of the importance of ideas, not
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thought the narrow tunnel of materialism and wealth. By advocating
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Idealism, Hegel concluded that mankind could be led by his spirit, his
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soul, rather than the establishment or the status quo. Although Romanticism
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was perhaps conservative in nature, every participant of this swift and
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silent movement could relish in his own free and glorious vision of nature.
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Romanticism was not a political movement or a reformist package offered
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by a group of dissidents; Romanticism was a time when mankind could
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restructure his outlook on life so that he was able to reach new heights of
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intellectual and political awareness. In the process of doing so, he found
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answers to practical problems by simply using his heart and searching his
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soul.
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