3898 lines
194 KiB
Plaintext
3898 lines
194 KiB
Plaintext
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The Best Of The Best Phreaker's Manual
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FORWARD
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Ok I have worked many weeks on compiling the information in
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this VERY large Phreakers Manual. As you can see from the Tabel of
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Contense, this Manual covers a wide field of topics, from Phreaking,
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To hacking to Carding. I Hope some of you will get as much out of it
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as I did. I know some of the topics are out dated, but it still
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makes a DAMN good reading piece. All the articals are in full and
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credit given to the authors. Anyways Get to work and start reading
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and then do some hacking or phreaking ot a little carding on the
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side. Have a Good time and let me know if you have any good work
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to add to this Manual.
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Time Bandit (TBH)
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Tabel Of Contense
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=================
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Forward < Time Bandit >...... 1-i
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1- The Bell Glossary < Net Runner>.........1-01
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2- MCI Glossary < Star Rider >........1-05
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3- AT&T Forgery < Net Runner >........1-12
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4- Electronic Fraud Device < Doc Silicon >.......1-14
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5- Secrets Of The Little Black Box:
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The Captain Crunch Story < Ron Rosen Baum >....1-18
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6- Files By XTC < XTC >...............1-46
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a- Wire Tapping And Diverst < XTC >................ 46
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b- Essence Of Phone Conf < XTC >................ 48
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c- Phone Tapping < XTC >................ 49
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7- Phreaking COSMOS < Freddy >............1-52
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8- FACS FACTS < Freddy >............1-54
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9- The History Of British Phreaking < Lex Luthor >........1-55
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10- The History Of ESS < Lex Luthor >........1-58
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11- Pen Registering And Tracking < XTC >...............1-60
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12- Interesting Thing To Do on Step
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Lines < XTC >...............1-60
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13- Phreakers Phunhouse < Doc Silicon >.......1-61
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14- Telenet < Doc Silicon >.......1-67
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15- BAD as SHIT < Grim Reaper >.......1-68
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16- Private Sector Bust < Shooting Shark >....2-69
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17- Phreaking AT&T Cards < Net Runner >........2-73
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18- Basic Telecommunications < Net Runner >........2-74
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19- Something About Your Phone Co. < Col Hogan >.........2-76
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20- Files By Al.P.H.A < Al.P.H.A>...........2-77
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a- Jesters Guide to 0266's < Jester >............. 77
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b- Code Hacking Done Right < Captain Kidd >....... 78
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c- Surving at Night < Falcon >............. 82
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d- Basic Carding Plus < Al.P.H.A >........... 85
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21- The Computer Underground < Byte Bandit >.......2-113
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22- Introductions To PBXs < Grim Reaper >.......2-133
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23- Intro To Phreaking < Cat-Trax >..........2-135
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24- Some Notes On Line Noise < Captain Kidd .......3-139
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25- Guide to H/C/P < The Dark Lord >.....3-141
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26- LOD/H Bust < Pizza Man >.........3-148
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27- Operation Sundevil < Phreak_Accident>....3-154
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28- The Art of Investigation < The Bulter >........3-162
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29- Phreak Primer < Frankie >...........3-170
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31- Hacking Tymnet < Unknown >...........3-176
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32- The Phreakers Handbook #1 < Phortune 500 >......3-179
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33- 950's The Real Story < Jester >............3-205
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34- ANI < Jester >............3-206
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35- Area Code List < Net Runner >........4-210
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36- Bible Of Fraud < Sneak Theif >.......4-212
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37- The Do's and Don't Of Phreaking < The Jester >........4-217
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38- Field Freak < Home Boy >..........4-221
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39- Telephone Works < EggHead Dude >......4-225
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40- The End Was Bound To Come! < Captain Kidd >......4-229
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41- Computer Crimes, Past and Present < Captain Kidd >......4-232
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42- How To Get $30 A Day From AT&T < Tesla >.............4-236
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43- Pirates Bust < Time Bandit >.......4-239
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44- Bust Will Follow < Amiga #1>............ 241
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45- Wrap Up < Time Bandit >........ 243
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The Bell Glossary - by < Net Runner >
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ACD: Automatic Call Distributor - A system that automatically
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distributes calls to operator pools (providing services such as
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intercept and directory assistance), to airline ticket agents.
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Administration: The tasks of record-keeping, monitoring,
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rearranging, prediction need for growth, etc.
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AIS: Automatic Intercept System - A system employing an
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audio-response unit under control of a processor to automatically
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provide pertinent info to callers routed to intercept.
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Alert: To indicate the existence of an incoming call, (ringing).
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ANI: Automatic Number Identification - Often pronounced "Annie," a
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facility for automatically identify the number of the calling party
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for charging purposes.
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Appearance: A connection upon a network terminal, as in "the line
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has two network appearances."
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Attend: The operation of monitoring a line or an incoming trunk for
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off-hook or seizure, respectively.
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Audible: The subdued "image" of ringing transmitted to the calling
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party during ringing; not derived from the actual ringing signal in
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later systems.
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Backbone Route: The route made up of final-group trunks between end
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offices in different regional center areas.
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BHC: Busy Hour Calls - The number of calls placed in the busy hour.
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Blocking: The ratio of unsuccessful to total attempts to use a
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facility; expresses as a probability when computed a priority.
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Blocking Network: A network that, under certain conditions, may be
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unable to form a transmission path from one end of the network to
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the other. In general, all networks used within the Bell Systems
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are of the blocking type.
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Blue Box: Equipment used fraudulently to synthesize signals,
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gaining access to the toll network for the placement of calls
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without charge.
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BORSCHT Circuit: A name for the line circuit in the central office.
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It functions as a mnemonic for the functions that must be performed
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by the circuit: Battery, Overvoltage, Ringing, Supervision, Coding,
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Hybrid, and Testing.
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- 1 -
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Busy Signal: (Called-line-busy) An audible signal which, in the
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Bell System, comprises 480hz and 620hz interrupted at 60IPM.
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Bylink: A special high-speed means used in crossbar equipment for
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routing calls incoming from a step-by-step office. Trunks from such
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offices are often referred to as "bylink" trunks even when incoming
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to noncrossbar offices; they are more properly referred to as "dc
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incoming trunks." Such high-speed means are necessary to assure
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that the first incoming pulse is not lost.
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Cable Vault: The point which phone cable enters the Central Office
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building.
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CAMA: Centralized Automatic Message Accounting - Pronounced like
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Alabama.
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CCIS: Common Channel Interoffice Signaling - Signaling information
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for trunk connections over a separate, nonspeech data link rather
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that over the trunks themselves.
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CCITT: International Telegraph and Telephone Consultative
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Committee- An International committee that formulates plans and
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sets standards for intercountry communication means.
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CDO: Community Dial Office - A small usually rural office typically
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served by step-by-step equipment.
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CO: Central Office - Comprises a switching network and its control
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and support equipment. Occasionally improperly used to mean "office
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code."
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Centrex: A service comparable in features to PBX service but
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implemented with some (Centrex CU) or all (Centrex CO) of the
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control in the central office. In the later case, each station's
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loop connects to the central office.
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Customer Loop: The wire pair connecting a customer's station to the
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central office.
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DDD: Direct Distance Dialing - Dialing without operator assistance
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over the nationwide intertoll network.
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Direct Trunk Group: A trunk group that is a direct connection
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between a given originating and a given terminating office.
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EOTT: End Office Toll Trunking - Trunking between end offices in
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different toll center areas.
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ESB: Emergency Service Bureau - A centralized agency to which 911
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"universal" emergency calls are routed.
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- 2 -
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ESS: Electronic Switching System - A generic term used to identify
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as a class, stored-program switching systems such as the Bell
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System's No.1 No.2, No.3, No.4, or No.5.
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ETS: Electronic Translation Systems - An electronic replacement for
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the card translator in 4A Crossbar systems. Makes use of the SPC 1A
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Processor.
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False Start: An aborted dialing attempt.
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Fast Busy: (often called reorder) - An audible busy signal
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interrupted at twice the rate of the normal busy signal; sent to
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the originating station to indicate that the call blocked due to
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busy equipment.
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Final Trunk Group: The trunk group to which calls are routed when
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available high-usage trunks overflow; these groups generally "home"
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on an office next highest in the hierarchy.
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Full Group: A trunk group that does not permit rerouting
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off-contingent foreign traffic; there are seven such offices.
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Glare: The situation that occurs when a two-way trunk is seized
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more or less simultaneously at both ends.
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High Usage Trunk Group: The appellation for a trunk group that has
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alternate routes via other similar groups, and ultimately via a
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final trunk group to a higher ranking office.
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Intercept: The agency (usually an operator) to which calls are
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routed when made to a line recently removed from a service, or in
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some other category requiring explanation. Automated versions (ASI)
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with automatic voiceresponse units are growing in use.
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Interrupt: The interruption on a phone line to disconnect and
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connect with another station, such as an Emergence Interrupt.
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Junctor: A wire or circuit connection between networks in the same
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office. The functional equivalent to an intraoffice trunk.
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MF: Multifrequency - The method of signaling over a trunk making
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use of the simultaneous application of two out of six possible
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frequencies.
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NPA: Numbering Plan Area.
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ONI: Operator Number Identification - The use of an operator in a
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CAMA office to verbally obtain the calling number of a call
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originating in an office not equipped with ANI.
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PBX: Private Branch Exchange - (PABX: Private Automatic Branch
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Exchange) An telephone office serving a private customer, Typically,
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access to the outside telephone network is provided.
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- 3 -
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Permanent Signal: A sustained off-hook condition without activity
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(no dialing or ringing or completed connection); such a condition
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tends to tie up equipment, especially in earlier systems. Usually
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accidental, but sometimes used intentionally by customers in
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high-crime-rate areas to thwart off burglars.
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POTS: Plain Old Telephone Service - Basic service with no extra
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"frills".
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ROTL: Remote Office Test Line - A means for remotely testing
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trunks.
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RTA: Remote Trunk Arrangement - An extension to the TSPS system
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permitting its services to be provided up to 200 miles from the
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TSPS site.
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SF: Single Frequency. A signaling method for trunks: 2600hz is
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impressed upon idle trunks.
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Supervise: To monitor the status of a call.
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SxS: (Step-by-Step or Strowger switch) - An electromechanical
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office type utilizing a gross-motion stepping switch as a
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combination network and distributed control.
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Talkoff: The phenomenon of accidental synthesis of a
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machine-intelligible signal by human voice causing an unintended
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response. "whistling a tone".
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Trunk: A path between central offices; in general 2-wire for
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interlocal, 4-wire for intertoll.
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TSPS: Traffic Service Position System - A system that provides,
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under stored-program control, efficient operator assistance for
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toll calls. It does not switch the customer, but provides a bridge
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connection to the operator.
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X-bar: (Crossbar) - An electromechanical office type utilizing a
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"fine-motion" coordinate switch and a multiplicity of central
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controls (called markers).
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There are four varieties:
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No.1 Crossbar: Used in large urban office application; (1938)
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No 3 Crossbar: A small system started in (1974).
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No.4A/4M Crossbar: A 4-wire toll machine; (1943).
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No.5 Crossbar: A machine originally intended for relatively small
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suburban applications; (1948)
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- 4 -
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MCI Glossary - By < Star Rider >
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- A -
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A & B LEADS: Designation of leads derived from the midpoints of the
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two 2-wire pairs comprising a 4-wire circuit.
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ABBREVIATED DIALING: The ability of a telephone user to reach
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frequently called numbers by using less than seven digits. Synonym:
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Speed Dialing ACCESS CHARGE: A fee paid for the use of local
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lines.
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ACCESS CODE: A digit or number of digits required to be connected
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to a private line arranged for dial access.
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ACCESS LINE: A telephone circuit which connects a customer location
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to a network switching center.
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AIRLINE MILEAGE: Calculated point-to-point mileage between terminal
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facilities.
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ALL TRUNKS BUSY (ATB): A single tone interrupted at a 120 ipm
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(impulses per minute) rate to indicate all lines or trunks in a
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routing group are busy.
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ALTERNATE ROUTE: A secondary communications path used to reach a
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destination if the primary path is unavailable.
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ALTERNATE USE: The ability to switch communications facilities from
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one type of service to another, i.e., voice to data, etc.
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ALTERNATE VOICE DATA (AVD): A single transmission facility which
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can be used for either voice or data.
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AMERICAN STANDARD CODE FOR INFORMATION INTERCHANGE (ASCII): An 8
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level code developed for the interchange of information between
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data processing and communications systems.
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ANALOG SIGNAL: A signal in the form of a continuous varying
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physical quantity, e.g., voltage which reflects variations in some
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quantity, e.g., loudness in the human voice.
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ANNUNICATOR: An audible intercept device that states the condition
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or restrictions associated with circuits or procedures.
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ANSWER BACK: An electrical and/or visual indication to the calling
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or sending end that the called or received station is on the line.
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ANSWER SUPERVISION: An off-hook signal transmitted toward the
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calling end of a switched connection when the called party answers.
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- 5 -
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AREA CODE: Synonym: Numbering Plan Area (NPA). A three digit number
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identifying more than 150 geographic areas of the United States and
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Canada which permits direct distance dialing on the telephone
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system. A similar global numbering plan has been established for
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international subscriber dialing.
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ATTENDANT POSITION: A telephone switchboard operator's position. It
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provides either automatic (cordless) or manual (plug and jack)
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operator controls for incoming and/or outgoing telephone calls.
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ATTENUATION: A general term used to denote the decrease in power
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between that transmitted and that received due to loss through
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equipment, lines, or other transmission devices. It is usually
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expressed as a ration in db (decibel).
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AUDIBLE RINGING TONE: An audible signal heard by the calling party
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during the ringing-interval.
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AUTHORIZATION CODE: An identification number that the caller enters
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when placing a call which is used for billing purposes.
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AUTHORIZED USER: A person, firm, organization, corporation or any
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|
other entity authorized by the customer to send or receive
|
|||
|
communications over a specific communications network.
|
|||
|
|
|||
|
AUTO ANSWER: A machine feature that allows a transmission control
|
|||
|
unit or station to automatically respond to a call that it
|
|||
|
receives.
|
|||
|
|
|||
|
AUTOMATIC CALL DISTRIBUTOR (ACD): A switching system designed to
|
|||
|
queue and/or distribute a large volume of incoming calls to a group
|
|||
|
of attendants to the next available "answering" position.
|
|||
|
|
|||
|
AUTOMATIC DIALING UNIT: A device which automatically generates a
|
|||
|
predetermined set of dialing digits.
|
|||
|
|
|||
|
AUTOMATIC IDENTIFICATION OF OUTWARD DIALING (AIOD): A computer
|
|||
|
generated report showing all long distance calls placed over AT&T's
|
|||
|
toll network.
|
|||
|
|
|||
|
AUTOMATIC NUMBER IDENTIFICATION (ANI): Automatic equipment at a
|
|||
|
local dial office used on customer dialed calls to identify the
|
|||
|
calling-station.
|
|||
|
|
|||
|
AUTOMATIC ROUTE SELECTION (ARS): Least cost routing via AT&T
|
|||
|
CENTREX system.
|
|||
|
|
|||
|
- B -
|
|||
|
|
|||
|
BAND: (1) The range of frequencies between two defined limits. (2)
|
|||
|
In reference to WATS, one of the five specific geographic areas as
|
|||
|
defined by AT&T. Synonym: BANDWIDTH.
|
|||
|
|
|||
|
- 6 -
|
|||
|
|
|||
|
|
|||
|
BANDWIDTH: See BAND.
|
|||
|
|
|||
|
BASEBAND: The total frequency band occupied by the aggregate of all
|
|||
|
the voice and data signals used to modulate a radio carrier.
|
|||
|
|
|||
|
BAUD: A unit of signaling speed. The speed in baud is the number of
|
|||
|
discrete conditions conditions or signal elements per second. If
|
|||
|
each signal event represents only one bit condition, then Baud is
|
|||
|
the same as bits per second. When each signal event represents
|
|||
|
other than one bit, Baud does not equal bits per second.
|
|||
|
|
|||
|
BELL OPERATING COMPANY (BOC) /BELL SYSTEMS
|
|||
|
|
|||
|
OPERATING COMPANY (BSOC): Any of the 24 AT&T affiliated companies
|
|||
|
providing local service.
|
|||
|
|
|||
|
BELL SYSTEM: The aggregate of AT&T's 24 associated telephone
|
|||
|
companies, Long Lines, Western Electric, and Bell Labs.
|
|||
|
|
|||
|
BILLING NUMBER: The MCI term for the number which identifies a
|
|||
|
customer on a billing location level, assigned to Network Service
|
|||
|
Customer (by COMS). Assigned for each unique customer name and
|
|||
|
billing location. For internal use only.
|
|||
|
|
|||
|
BINARY: A number system that uses only two characters ("0" and
|
|||
|
"1"). BIT: A binary digit. The smallest unit of coded information.
|
|||
|
|
|||
|
BITS PER SECOND (BPS): The rate at which data transmission is
|
|||
|
measured.
|
|||
|
|
|||
|
BLOCKED CALLS: Attempted calls that are not connected because (1)
|
|||
|
all lines to the central offices are in use; or (2) all connecting
|
|||
|
connecting paths through the PBX/switch are in use.
|
|||
|
|
|||
|
BLOCKED ANI: ANI prohibited from completing a call over the MCI
|
|||
|
network.
|
|||
|
|
|||
|
BREAK: A means of interrupting transmission, a momentary
|
|||
|
interruption of a circuit.
|
|||
|
|
|||
|
BROADBAND: A transmission facility having a bandwidth of greater
|
|||
|
then 20 kHz.
|
|||
|
|
|||
|
BUS: A heavy conductor, or group of conductors, to which several
|
|||
|
units of the same type of equipment may be connected.
|
|||
|
|
|||
|
BUSY: The condition in which facilities over which a call is to be
|
|||
|
connected are already in use.
|
|||
|
|
|||
|
BUSY HOUR: The time of day when phone lines are most in demand.
|
|||
|
|
|||
|
|
|||
|
- 7 -
|
|||
|
|
|||
|
|
|||
|
BUSY TONE: A single that is interrupted at 60 ipm (impulses per
|
|||
|
minute) rate to indicate that the terminal point of a call is
|
|||
|
already in use.
|
|||
|
|
|||
|
BYTE: A group of binary digits that are processed by a computer as
|
|||
|
a unit.
|
|||
|
|
|||
|
- C -
|
|||
|
|
|||
|
CARRIER: High frequency current that can be modulated with voice or
|
|||
|
digital signals for bulk transmission via cable or radio circuits.
|
|||
|
|
|||
|
CARRIER SYSTEM: A system for providing several communications
|
|||
|
channels over a single path.
|
|||
|
|
|||
|
CATHODE RAY TUBE (CRT): The "television-like" screen used to
|
|||
|
display the output from a computer.
|
|||
|
|
|||
|
CELLULAR MOBILE RADIO: A system providing exchange telephone
|
|||
|
service to a station located in an auto or other mobile vehicle,
|
|||
|
using radio circuits to a base radio station which covers a
|
|||
|
specific geographical area and as the vehicle moves from one area
|
|||
|
to another, different base radio stations handle the call.
|
|||
|
|
|||
|
CENTRAL OFFICE (CO): A telephone switching center that provides
|
|||
|
local access to the public network. Sometimes referred to as:
|
|||
|
Class 5 office, end office, or Local Dial Office.
|
|||
|
|
|||
|
CENTREX, CO: PBX Service provided by a switch located at the
|
|||
|
telephone company central office.
|
|||
|
|
|||
|
CENTREX, CU: A variation on Centrex CO provided by a telephone
|
|||
|
company maintained "Central Office" type switch located at the
|
|||
|
customer's premises.
|
|||
|
|
|||
|
CENTRAL PROCESSING UNIT (CPU): The control unit within a computer
|
|||
|
which handles all the intelligent functions of the systems. In a
|
|||
|
telephone switch, directs all potions of the system to carry out
|
|||
|
their appropriate functions. Synonym: Common Control.
|
|||
|
|
|||
|
CHANNEL: A communication path via a carrier or microwave radio.
|
|||
|
|
|||
|
CHARACTER: Any letter, digit, or special symbol. In data
|
|||
|
transmission would be represented by a specific code made up of a
|
|||
|
group of binary digits.
|
|||
|
|
|||
|
CIRCUIT: A path for the transmission of electromagnetic signals to
|
|||
|
include all conditioning and signaling equipment. Synonym:
|
|||
|
Facility
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 8 -
|
|||
|
|
|||
|
|
|||
|
CIRCUIT SWITCHING: A switching system that completes a dedicated
|
|||
|
transmission path from sender to receiver at the time of
|
|||
|
transmission.
|
|||
|
|
|||
|
CLASS OF SERVICE/CLASS MARK (COS): A subgrouping of telephone
|
|||
|
customers or users for the sake of rate distinction or limitation
|
|||
|
of service.
|
|||
|
|
|||
|
COAXIAL CABLE: A cable having several coaxial lines under a single
|
|||
|
protective sheath. Usually used as a high capacity carrier in urban
|
|||
|
areas between interexchange and toll offices.
|
|||
|
|
|||
|
CODEC: Coder-Decoder. Used to convert analog signals to digital
|
|||
|
form for transmission over a digital median and back again to the
|
|||
|
original analog form.
|
|||
|
|
|||
|
COMMON CARRIER: A government regulated private company that
|
|||
|
provides the general public with telecommunications services and
|
|||
|
facilities.
|
|||
|
|
|||
|
COMMON CHANNEL INTEROFFICE SIGNALING (CCIS): A digital technology
|
|||
|
used by AT&T to enhance their Integrated Services Digital Network.
|
|||
|
It uses a separate data line to route interoffice signals to
|
|||
|
provide faster call set-up and more efficient use of trunks.
|
|||
|
|
|||
|
COMMON CONTROL SWITCHING ARRANGEMENT (CCSA): An arrangement for
|
|||
|
telecommunicationsnetworks in which common controlled switching
|
|||
|
machines are used to route traffic over network routes and access
|
|||
|
lines. The switching machine may be shared with other users
|
|||
|
and is maintained by the telephone company.
|
|||
|
|
|||
|
COMPUTER PORT/TKI PORT: The interface through which the computer
|
|||
|
connects to the communications circuit.
|
|||
|
|
|||
|
CONDITIONING EQUIPMENT: Equipment modifications or adjustments
|
|||
|
necessary to match transmission levels and impedances and which
|
|||
|
equalizes transmission and delay to bring circuit losses, levels,
|
|||
|
and distortion within established standards.
|
|||
|
|
|||
|
CONFIGURATION: The combination of long-distance services and/or
|
|||
|
equipment that make up a communications system.
|
|||
|
|
|||
|
CONTROL UNIT (CU): The central processor of a telephone switching
|
|||
|
device.
|
|||
|
|
|||
|
CORPORATE ID NUMBER: The MCI term for the number which identifies
|
|||
|
a customer on a corporate level. (Not all MCI customers have this).
|
|||
|
|
|||
|
COST COMPONENT: The price of each type of long distance service
|
|||
|
and/or equipment that constitutes a configuration.
|
|||
|
|
|||
|
- 9 -
|
|||
|
|
|||
|
|
|||
|
COST PER HOUR (CPH): Total cost of different services divided by
|
|||
|
total holding time (in minutes).
|
|||
|
|
|||
|
CROSS CONNECTION: The wire connections running between terminals on
|
|||
|
the two sides of a distribution frame, or between binding posts in
|
|||
|
a terminal.
|
|||
|
|
|||
|
CROSS TALK: The unwanted energy (speech or tone) transferred from
|
|||
|
one circuit to another circuit.
|
|||
|
|
|||
|
CUSTOMER OWNED AND MAINTAINED (COAM): Customer provided
|
|||
|
communications apparatus, and their associated wiring.
|
|||
|
|
|||
|
CUSTOMER PREMISE EQUIPMENT (CPE): Telephone equipment, usually
|
|||
|
including wiring located within the customer's part of a building.
|
|||
|
|
|||
|
CUT: To transfer a service from one facility to another.
|
|||
|
|
|||
|
CUT THROUGH: The establishment of a complete path for signaling
|
|||
|
and/or audio communications.
|
|||
|
|
|||
|
- D -
|
|||
|
|
|||
|
DATA: Any representation, such as characters to which a meaning is
|
|||
|
assigned.
|
|||
|
|
|||
|
DATA COMMUNICATIONS: The movement of coded information by means of
|
|||
|
electronic transmission systems.
|
|||
|
|
|||
|
DATA SET: A device which converts data into signals suitable for
|
|||
|
transmission over communications lines.
|
|||
|
|
|||
|
DATA TERMINAL: A station in a system capable of sending and/or
|
|||
|
receiving data signals.
|
|||
|
|
|||
|
DECIBEL (db): A unit of measurement represented as a ratio of two
|
|||
|
voltages, currents or powers and is used to measure transmission
|
|||
|
loss or gain.
|
|||
|
|
|||
|
DELAY DIAL: A dialing configuration whereby local dial equipment
|
|||
|
will wait until it receives the entire telephone number before
|
|||
|
seizing a circuit to transmit the call.
|
|||
|
|
|||
|
DELTA MODULATION (DM): A variant of pulse code modulation whereby
|
|||
|
a code representing the difference between the amplitude of a
|
|||
|
sample and the amplitude of a previous one is sent. Operates well
|
|||
|
in the presence of noise, but requires a wide frequency band.
|
|||
|
|
|||
|
DIAL LEVEL: The selection of stations or services associated with
|
|||
|
a PBX using a one to four digit code (e.g., dialing 9 for access to
|
|||
|
outside dial tone).
|
|||
|
- 10 -
|
|||
|
|
|||
|
|
|||
|
DIAL PULSING: The transmitting of telephone address signals by
|
|||
|
momentarily opening a DC circuit a number of times corresponding to
|
|||
|
the decimal digit which is dialed.
|
|||
|
|
|||
|
DIAL REPEATING TIE LINE/ DIAL REPEATING TIE TRUNK: A tie line which
|
|||
|
permits direct station to station calling without use of the
|
|||
|
attendant.
|
|||
|
|
|||
|
DIAL SELECTIVE SIGNALING: A multipoint network in which the called
|
|||
|
party is selected by a prearranged dialing code.
|
|||
|
|
|||
|
DIAL TONE: A tone indicating that automatic switching equipment is
|
|||
|
ready to receive dial signals.
|
|||
|
|
|||
|
DIALING PLAN: A description of the dialing arrangements for
|
|||
|
customer use on a networks.
|
|||
|
|
|||
|
DIGITAL: Referring to the use of digits to formulate and solve
|
|||
|
problems, or to encode information.
|
|||
|
|
|||
|
DIMENSION CUSTOM TELEPHONE SERVICE (DCTS): AT&T's electronically
|
|||
|
programmable telephone station sets which use special buttons to
|
|||
|
access PBX features.
|
|||
|
|
|||
|
DIRECT DISTANCE DIALING (DDD): A toll service that permits
|
|||
|
customers to dial their own long distance call without the aid of
|
|||
|
an operator.
|
|||
|
|
|||
|
DIRECT INWARD DIALING (DID): A PBX or CENTREX feature that allows
|
|||
|
a customer outside the system to directly dial a station within the
|
|||
|
system.
|
|||
|
|
|||
|
DIRECT OUTWARD DIALING: A PBX or CENTREX feature that allows a
|
|||
|
station user to gain direct access to an exchange network.
|
|||
|
|
|||
|
DROP: That direction of a circuit which looks towards the local
|
|||
|
operator.
|
|||
|
|
|||
|
DRY CIRCUIT: A circuit which transmits voice signals and carries no
|
|||
|
direct current.
|
|||
|
|
|||
|
DUAL TONE MULTI-FREQUENCY (DTMF): Also know as Touch Tone. A type
|
|||
|
of signaling which emits two distinct frequencies for each
|
|||
|
indicated digit.
|
|||
|
|
|||
|
DUPLEX: Simultaneous two-way independent transmission.
|
|||
|
DX SIGNALING: A long-range bidirectional signaling method using
|
|||
|
paths derived from transmission cable pairs. It is based on a
|
|||
|
balanced and symmetrical circuit that is identical at both ends.
|
|||
|
This circuit presents an E&M lead interface to connecting circuits.
|
|||
|
|
|||
|
|
|||
|
- 11 -
|
|||
|
|
|||
|
|
|||
|
AT&T FORGERY: By - < Net Runner >
|
|||
|
|
|||
|
Here is a very simple way to either:
|
|||
|
|
|||
|
[1] Play an incredibly cruel and realistic joke on a phreaking
|
|||
|
friend. -OR- [2] Provide yourself with everything you ever wanted
|
|||
|
to be an AT&T person.
|
|||
|
|
|||
|
All you need to do is get your hands on some AT&T paper and/or
|
|||
|
business cards. To do this you can either go down to your local
|
|||
|
business office and swipe a few or call up somewhere like WATTS
|
|||
|
INFORMATION and ask them to send you their information package.
|
|||
|
They will send you: 1. A nice letter (with the AT&T logo
|
|||
|
letterhead) saying "Here is the info." 2. A business card (again
|
|||
|
with AT&T) saying who the sales representative is. 3. A very nice
|
|||
|
color booklet telling you all about WATTS lines. 4. Various billing
|
|||
|
information. (Discard as it is very worthless) Now take the piece
|
|||
|
of AT&T paper and the AT&T business card down to your
|
|||
|
local print/copy shop. Tell them to run you off several copies of
|
|||
|
each, but to leave out whatever else is printed on the business
|
|||
|
card/letter. If they refuse or ask why, take your precious
|
|||
|
business elsewhere. (This should only cost you around $2.00 total)
|
|||
|
|
|||
|
Now take the copies home and either with your typewriter, MAC,
|
|||
|
or Fontrix, add whatever name, address, telephone number, etc. you
|
|||
|
like. (I would recommend just changing the name on the card and
|
|||
|
using whatever information was on there earlier)
|
|||
|
|
|||
|
And there you have official AT&T letters and business cards. As
|
|||
|
mentioned earlier, you can use them in several ways. Mail a nice
|
|||
|
letter to someone you hate (on AT&T paper..hehehe) saying that AT&T
|
|||
|
is onto them or something like that. (Be sure to use correct
|
|||
|
English and spelling) (Also do not hand write the letter! Use a
|
|||
|
typewriter! - Not Fontrix as AT&T doesn't use OLD ENGLISH or ASCII
|
|||
|
BOLD when they type letters. Any IBM typewriter will do perfectly)
|
|||
|
Another possible use (of many, I guess) is (if you are old enough
|
|||
|
to look the part) to use the business card as some sort of fake id.
|
|||
|
The last example of uses for the fake AT&T letters & b.cards is
|
|||
|
mentioned in my textfile, BASIC RADIO CALLING. Briefly, send the
|
|||
|
station a letter that reads:
|
|||
|
|
|||
|
WCAT - FM202: (Like my examples? Haha!)
|
|||
|
|
|||
|
(As you probably know, radio stations give away things by accepting
|
|||
|
the 'x' call. (ie: The tenth caller through wins a pair of Van
|
|||
|
Halen tickets) Sometimes they may ask a trivia question, but that's
|
|||
|
your problem. Anyway, the letter continues:)
|
|||
|
You basically say that they have become so popular that they are
|
|||
|
getting too many calls at once from listeners trying to win
|
|||
|
tickets. By asking them to call all at the same time is overloading
|
|||
|
our systems.
|
|||
|
|
|||
|
- 12 -
|
|||
|
|
|||
|
|
|||
|
We do, of course, have means of handling these sort of
|
|||
|
matters, but it would require you sending us a schedule of when you
|
|||
|
will be asking your listeners to call in. That way we would be
|
|||
|
able to set our systems to handle the amount of callers you get at
|
|||
|
peak times..(etc..etc..more BS..But you get the idea, right?)
|
|||
|
Joseph Hakimout AT&T Telecommunications East Bumblefuck,
|
|||
|
Nowheresville 55555 Ok, so it probably won't work (DJs just
|
|||
|
aren't that dumb, unless you really do live in Nowheresville), but
|
|||
|
using AT&T paper and a business card might up your chances some.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 13 -
|
|||
|
|
|||
|
|
|||
|
ELECTRONIC TOLL FRAUD DEVICES: by - < Doc Silicon >
|
|||
|
|
|||
|
THIS FILE IS DESIGNED TO IDENTIFY VARIOUS KINDS OF ETF
|
|||
|
(ELECTRONIC TOLL FRAUD) DEVICES AND TO DESCRIBE THEIR OPERATION,
|
|||
|
ACCORDING TO A BOOKLET PUT OUT BY BELL ENTITLED: THE INVESTIGATION
|
|||
|
AND PROSECUTION OF ELECTRONIC TOLL FRAUD DEVICES. (FOR OFFICIAL USE
|
|||
|
ONLY).
|
|||
|
|
|||
|
THERE ARE SEVERAL DIFFERENT TYPES OF ELECTRONIC EQUIPMENT
|
|||
|
WHICH MAY BE GENERALLY CLASSIFIED AS ETF DEVICES. THE MOST
|
|||
|
SIGNIFICANT IS THE "BLUE BOX". THE CHARACTERISTICS OF EACH TYPE OF
|
|||
|
DEVICE ARE DISCUSSED BELOW.
|
|||
|
|
|||
|
*BLUE BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
THE "BLUE BOX" WAS SO NAMED BECAUSE OF THE COLOR OF THE FIRST ONE
|
|||
|
FOUND. THEDESIGN AND HARDWARE USED IN THE BLUE BOX IS FAIRLY
|
|||
|
SOPHISTICATED, AND ITS SIZE VARIES FROM A LARGE PIECE OF APPARATUS
|
|||
|
TO A MINIATURIZED UNIT THAT IS APPROXIMATELY THE SIZE OF A "KING
|
|||
|
SIZE" PACKAGE OF CIGARETTES. THE BLUE BOX CONTAINS 12 OR 13 BUTTONS
|
|||
|
OR SWITCHES THAT EMIT MULTI-FREQUENCY TONES CHARACTERISTIC OF THE
|
|||
|
TONES USED IN THE NORMAL OPERATION OF THE TELEPHONE TOLL (LONG
|
|||
|
DISTANCE) SWITCHING NETWORK. THE BLUE BOX ENABLES ITS USER TO
|
|||
|
ORIGINATE FRAUDULENT ("FREE") TOLL CALLS BY CIRCUMVENTING TOLL
|
|||
|
BILLING EQUIPMENT. THE BLUE BOX MAY BE DIRECTLY CONNECTED TO A
|
|||
|
PHONE LINE, OR IT MAY BE ACOUSTICALLY
|
|||
|
COUPLED TO A TELEPHONE HANDSET BY PLACING THE BLUE BOX'S SPEAKER
|
|||
|
NEXT TO THE TRANSMITTER OR THE TELEPHONE HANDSET. THE OPERATION OF
|
|||
|
A BLUE BOX WILL BE DISCUSSED IN MORE DETAIL BELOW.
|
|||
|
|
|||
|
TO UNDERSTAND THE NATURE OF A FRAUDULENT BLUE BOX CALL, IT IS
|
|||
|
NECESSARY TO UNDERSTAND THE BASIC OPERATION OF THE DIRECT DISTANCE
|
|||
|
DIALING (DDD) TELEPHONE NETWORK. WHEN A DDD CALL IS PROPERLY
|
|||
|
ORIGINATED, THE CALLING NUMBER IS IDENTIFIED AS AN INTEGRAL PART OF
|
|||
|
ESTABLISHING THE CONNECTION. THIS MAY BE DONE
|
|||
|
EITHER AUTOMATICALLY OR, IN SOME CASES, BY AN OPERATOR ASKING THE
|
|||
|
CALLING PARTY FOR HIS TELEPHONE NUMBER. THIS INFORMATION IS ENTERED
|
|||
|
ON A TAPE IN THE AUTOMATIC MESSAGE ACCOUNTING (AMA) OFFICE. THIS
|
|||
|
TAPE ALSO CONTAINS THE NUMBER ASSIGNED TO THE TRUNK LINE OVER WHICH
|
|||
|
THE CALL IS TO BE SENT. THE INFORMATION RELATING TO THE CALL
|
|||
|
CONTAINED ON THE TAPE INCLUDES: CALLED NUMBER, CALLING NUMBER, TIME
|
|||
|
OF CALL. THE TIME OF DISCONNECT AT THE END OF THE CALL IS ALSO
|
|||
|
RECORDED.
|
|||
|
|
|||
|
ALTHOUGH THE TAPE CONTAINS INFO WITH RESPECT TO MANY DIFFERENT
|
|||
|
CALLS, THE VARIOUS DATA ENTRIES WITH RESPECT TO A SINGLE CALL ARE
|
|||
|
EVENTUALLY CORRELATED TO PROVIDE BILLING INFO FOR USE BY YOUR
|
|||
|
BELL'S ACCOUNTING DEPARTMENT. THE TYPICAL BLUE BOX USER USUALLY
|
|||
|
DIALS A NUMBER THAT WILL ROUTE THE CALL INTO THE TELEPHONE NETWORK
|
|||
|
WITHOUT CHARGE. FOR EXAMPLE, THE USER WILL VERY OFTEN CALL A
|
|||
|
WELL-KNOWN INWATS (TOLL-FREE) CUSTOMER'S NUMBER. THE BLUE BOX USER,
|
|||
|
AFTER GAINING THIS ACCESS TO THE NETWORK AND,
|
|||
|
|
|||
|
- 14 -
|
|||
|
|
|||
|
|
|||
|
IN EFFECT, "SEIZING" CONTROL AND COMPLETE DOMINION OVER THE LINE,
|
|||
|
OPERATES A KEY ON THE BLUE BOX WHICH EMITS A 2600 HERTZ (CYCLES PER
|
|||
|
SECOND) TONE. THIS TONE CAUSES THE SWITCHING EQUIPMENT TO RELEASE
|
|||
|
THE CONNECTION TO THE INWATS CUSTOMER'S LINE. THE 2600HZ TONE IS A
|
|||
|
SIGNAL THAT THE CALLING PARTY HAS HUNG UP. THE BLUE BOX SIMULATES
|
|||
|
THIS CONDITION. HOWEVER, IN FACT THE LOCAL TRUNK ON THE
|
|||
|
CALLING PARTY'S END IS STILL CONNECTED TO THE TOLL NETWORK. THE
|
|||
|
BLUE BOX USER NOW OPERATES THE "KP" (KEY PULSE) KEY ON THE BLUE BOX
|
|||
|
TO NOTIFY THE TOLL SWITCHING EQUIPMENT THAT SWITCHING SIGNALS ARE
|
|||
|
ABOUT TO BE EMITTED. THE USER THEN PUSHES THE "NUMBER" BUTTONS ON
|
|||
|
THE BLUE BOX CORRESPONDING TO THE TELEPHONE # BEING CALLED. AFTER
|
|||
|
DOING SO HE/SHE OPERATES THE "ST" (START) KEY TO INDICATE TO THE
|
|||
|
SWITCHING EQUIPMENT THAT SIGNALLING IS COMPLETE. IF THE CALL IS
|
|||
|
COMPLETED, ONLY THE PORTION OF THE ORIGINAL CALL PRIOR TO THE EMISSION
|
|||
|
OF 2600HZ TONE IS RECORDED ON THE AMA TAPE. THE TONES EMITTED BY THE
|
|||
|
BLUE BOX ARE NOT RECORDED ON THE AMA TAPE. THEREFORE, BECAUSE THE
|
|||
|
ORIGINAL CALL TO THE INWATS # IS TOLL-FREE, NO BILLING IS RENDERED
|
|||
|
IN CONNECTION WITH THE CALL. ALTHOUGH THE ABOVE IS A DESCRIPTION OF
|
|||
|
A TYPICAL BLUE BOX OPERATION USING A COMMON METHOD OF ENTRY INTO THE
|
|||
|
NETWORK, THE OPERATION OF A BLUE BOX MAY VARY IN ANY ONE OR ALL OF
|
|||
|
THE FOLLOWING RESPECTS: (A) THE BLUE BOX MAY INCLUDE A ROTARY DIAL
|
|||
|
TO APPLY THE 2600HZ TONE AND THE SWITCHING SIGNALS. THIS TYPE OF BLUE
|
|||
|
BOX IS CALLED A "DIAL PULSER" OR "ROTARY SF" BLUE BOX. (B) ENTRANCE
|
|||
|
INTO THE DDD TOLL NETWORK MAY BE EFFECTED BY A PRETEXT CALL TO ANY
|
|||
|
OTHER TOLL-FREE # SUCH AS UNIVERSAL DIRECTORY ASSISTANCE (555-1212)
|
|||
|
OR ANY # IN THE INWATS NETWORK, EITHER INTER-STATE OR INTRA-STATE,
|
|||
|
WORKING OR NON-WORKING. (C) ENTRANCE INTO THE DDD TOLL NETWORK MAY
|
|||
|
ALSO BE IN THE FORM OF "SHORT HAUL" CALLING. A "SHORT HAUL" CALL IS
|
|||
|
A CALL TO ANY # WHICH WILL RESULT IN A LESSER AMOUNT OF TOLL
|
|||
|
CHARGES THAN THE CHARGES FOR THE CALL TO BE COMPLETED BY THE BLUE
|
|||
|
BOX. FOR EXAMPLE, A CALL TO BIRMINGHAM FROM ATLANTA MAY COST $.80
|
|||
|
FOR THE FIRST 3 MINUTES WHILE A CALL FROM ATLANTA TO LOS ANGELES IS
|
|||
|
$1.85 FOR 3 MINUTES. THUS, A SHORT HAUL, 3-MINUTE CALL TO BIRMINGHAM
|
|||
|
FROM ATLANTA, SWITCHED BY USE OF A BLUE BOX TO LOS ANGELES, WOULD
|
|||
|
RESULT IN A NET FRAUD OF $2.65 FOR A 3 MINUTE CALL. (D) A BLUE BOX
|
|||
|
MAY BE WIRED INTO THE TELEPHONE LINE OR ACOUSTICALLY CONNECTED TO THE
|
|||
|
HANDSET. THE BLUE BOX MAY EVEN BE BUILT INSIDE A REGULAR TOUCH-TONE
|
|||
|
PHONE, USING THE PHONE'S PUSH BUTTONS FOR THE BLUE BOX'S SIGNALLING
|
|||
|
TONES. (E) A MAGNETIC TAPE RECORDING MAY BE USED TO RECORD THE BLUE
|
|||
|
BOX TONES REPRESENTATIVE OF SPECIFIC PHONE #'S. SUCH A TAPE RECORDING
|
|||
|
COULD BE USED IN LIEU OF A BLUE BOX TO FRAUDULENTLY PLACE CALLS TO THE
|
|||
|
PHONE #'S RECORDED ON THE MAGNETIC TAPE.
|
|||
|
|
|||
|
ALL BLUE BOXES, EXCEPT "DIAL PULSE" OR "ROTARY SF" BLUE BOXES,
|
|||
|
MUST HAVE THE FOLLOWING 4 COMMON OPERATING CAPABILITIES: (A)
|
|||
|
IT MUST HAVE SIGNALLING CAPABILITY IN THE FORM OF A 2600HZ TONE.
|
|||
|
THE TONE IS USED BY THE TOLL NETWORK TO INDICATE, EITHER BY
|
|||
|
ITS PRESENCE OR ITS ABSENCE, AN "ON HOOK" (IDLE) OR "OFF HOOK"
|
|||
|
(BUSY) CONDITION OF THE TRUNK. (B) THE BLUE BOX MUST HAVE A "KP"
|
|||
|
|
|||
|
- 15 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
TONES THAT UNLOCKS OR READIES THE MULTI-FREQUENCY RECEIVER AT THE
|
|||
|
CALLED END TO RECEIVE THE TONES CORRESPONDING TO THE CALLED PHONE
|
|||
|
#. (C) THE TYPICAL BLUE BOX MUST BE ABLE TO EMIT MF TONES WHICH ARE
|
|||
|
USED TO TRANSMIT PHONE #'S OVER THE TOLL NETWORK. EACH DIGIT OF A
|
|||
|
PHONE # IS REPRESENTED BY A COMBINATION OF 2 TONES. FOR EXAMPLE,
|
|||
|
THE DIGIT 2 IS X-MITTED BY A COMBINATION OF 700HZ AND 1100HZ. (D)
|
|||
|
THE BLUE BOX MUST HAVE AN "ST" KEY WHICH CONSISTS OF A COMBINATION
|
|||
|
OF 2 TONES THAT TELL THE EQUIPMENT AT THE CALLED END THAT ALL
|
|||
|
DIGITS HAVE BEEN SENT AND THAT THE EQUIPMENT SHOULD START SWITCHING
|
|||
|
THE CALL TO THE CALLED NUMBER. THE "DIAL PULSER" OR "ROTARY SF"
|
|||
|
BLUE BOX REQUIRES ONLY A DIAL WITH A SIGNALLING
|
|||
|
CAPABILITY TO PRODUCE A 2600HZ TONE.
|
|||
|
|
|||
|
*BLACK BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
THIS ETF DEVICE IS SO-NAMED BECAUSE OF THE COLOR OF THE FIRST
|
|||
|
ONE FOUND. IT VARIES IN SIZE AND USUALLY HAS ONE OR TWO SWITCHES OR
|
|||
|
BUTTONS. ATTACHED TO THE TELEPHONE LINE OF A CALLED PARTY, THE
|
|||
|
BLACK BOX PROVIDES TOLL-FREE CALLING *TO* THAT PARTY'S LINE. A
|
|||
|
BLACK BOX USER INFORMS OTHER PERSONS BEFOREHAND THAT THEY WILL NOT
|
|||
|
BE CHARGED FOR ANY CALL PLACED TO HIM. THE USER THEN OPERATES THE
|
|||
|
DEVICE CAUSING A "NON-CHARGE" CONDITION ("NO ANSWER" OR
|
|||
|
"DISCONNECT") TO BE RECORDED ON THE TELEPHONE COMPANY'S BILLING
|
|||
|
EQUIPMENT. A BLACK BOX IS RELATIVELY SIMPLE TO CONSTRUCT AND IS
|
|||
|
MUCH LESS SOPHISTICATED THAN A BLUE BOX.
|
|||
|
|
|||
|
*CHEESE BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
ITS DESIGN MAY BE CRUDE OR VERY SOPHISTICATED. ITS SIZE VARIES;
|
|||
|
ONE WAS FOUND THE SIZE OF A HALF-DOLLAR. A CHEESE BOX IS USED MOST
|
|||
|
OFTEN BY BOOKMAKERS OR BETTERS TO PLACE WAGERS WITHOUT DETECTION
|
|||
|
FROM A REMOTE LOCATION. THE DEVICE INTER-CONNECTS 2 PHONE LINES,
|
|||
|
EACH HAVING DIFFERENT #'S BUT EACH TERMINATING AT THE SAME
|
|||
|
LOCATION. IN EFFECT, THERE ARE 2 PHONES AT THE SAME LOCATION WHICH
|
|||
|
ARE LINKED TOGETHER THROUGH A CHEESE BOX. IT IS
|
|||
|
USUALLY FOUND IN AN UNOCCUPIED APARTMENT CONNECTED TO A PHONE JACK
|
|||
|
OR CONNECTING BLOCK. THE BOOKMAKER, AT SOME REMOTE LOCATION, DIALS
|
|||
|
ONE OF THE NUMBERS AND STAYS ON THE LINE. VARIOUS BETTORS DIAL THE
|
|||
|
OTHER NUMBER BUT ARE AUTOMATICALLY CONNECTED WITH THE
|
|||
|
BOOKMAKER BY MEANS OF THE CHEESE BOX INTER-CONNECTION. IF, IN
|
|||
|
ADDITION TO A CHEESE BOX, A BLACK BOX IS INCLUDED IN THE
|
|||
|
ARRANGEMENT, THE COMBINED EQUIPMENT WOULD PERMIT TOLL-FREE CALLING
|
|||
|
ON EITHER LINE TO THE OTHER LINE. IF A POLICE RAID WERE CONDUCTED
|
|||
|
AT THE TERMINATING POINT OF THE CONVERSATIONS. THE LOCATION OF THE
|
|||
|
CHEESE BOX- THERE WOULD BE NO EVIDENCE OF GAMBLING ACTIVITY. THIS
|
|||
|
DEVICE IS SOMETIMES DIFFICULT TO IDENTIFY. LAW ENFORCEMENT
|
|||
|
OFFICIALS HAVE BEEN ADVISED THAT WHEN UNUSUAL DEVICES ARE FOUND
|
|||
|
ASSOCIATED WITH TELEPHONE CONNECTIONS THE PHONE COMPANY SECURITY
|
|||
|
REPRESENTATIVES SHOULD BE CONTACTED TO ASSIST IN IDENTIFICATION.
|
|||
|
(THIS PROBABLY WOULD BE GOOD FOR A BBS, ESPECIALLY WITH THE BLACK
|
|||
|
BOX SET UP. AND IF YOU EVER
|
|||
|
|
|||
|
- 16 -
|
|||
|
|
|||
|
|
|||
|
DECIDED TO TAKE THE BOARD DOWN, YOU WOULDN'T HAVE TO CHANGE YOUR
|
|||
|
PHONE #. IT ALSO MAKES IT SO YOU YOURSELF CANNOT BE TRACED. I AM
|
|||
|
NOT SURE ABOUT CALLING OUT FROM ONE THOUGH)
|
|||
|
|
|||
|
*RED BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
THIS DEVICE IT COUPLED ACOUSTICALLY TO THE HANDSET TRANSMITTER OF
|
|||
|
A SINGLE-SLOT COIN TELEPHONE. THE DEVICE EMITS SIGNALS IDENTICAL TO
|
|||
|
THOSE TONES EMITTED WHEN COINS ARE DEPOSITED. THUS, LOCAL OR TOLL
|
|||
|
CALLS MAY BE PLACED WITHOUT THE ACTUAL DEPOSIT OF COINS.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 17 -
|
|||
|
|
|||
|
|
|||
|
Secrets of the Little Blue Box: by Ron Rosenbaum
|
|||
|
|
|||
|
Printed in the October 1971 issue of Esquire Magazine. If you
|
|||
|
happen to bein a library and come across a collection of Esquire
|
|||
|
magazines, the October1971 issue is the first issue printed in the
|
|||
|
smaller format. The storybegins on page 116 with a picture of a
|
|||
|
blue box.
|
|||
|
|
|||
|
The Blue Box Is Introduced: Its Qualities Are Remarked I am in the
|
|||
|
expensively furnished living room of Al Gilbertson (His real name
|
|||
|
has been changed.), the creator of the "blue box." Gilbertson is
|
|||
|
holding one of his shiny black-and-silver "blue boxes" comfortably
|
|||
|
in the palm of his hand, pointing out the thirteen little red push
|
|||
|
buttons sticking up from the console. He is dancing his fingers
|
|||
|
over the buttons, tapping out iscordant beeping electronic jingles.
|
|||
|
He is trying to explain to me how his little blue box does nothing
|
|||
|
less than place the entire telephone system of the world, satellites,
|
|||
|
cables and all, at the service of the blue-box operator, free of
|
|||
|
charge. "That's what it does. Essentially it gives you the power of
|
|||
|
a super operator. You seize a tandem with this top button," he presses
|
|||
|
the top button with his index finger and the blue box emits ahigh-
|
|||
|
pitched cheep, "and like that" -- cheep goes the blue box again --
|
|||
|
"you control the phone company's long-distance switching systems
|
|||
|
from your cute little Princes phone or any old pay phone. And you've
|
|||
|
got anonymity. An operator has to operate from a definite location:
|
|||
|
the phone company knows where she is and what she's doing. But with
|
|||
|
your beeper box, once you hop onto a trunk, say from a Holiday Inn 800
|
|||
|
(toll-free) number, they don't know where you are, or where you're
|
|||
|
coming from, they don't know how you slipped into their lines and
|
|||
|
popped up in that 800 Number. They don't even know anything illegal
|
|||
|
is going on. And you can obscure your origins through as many levels
|
|||
|
as you like. You can call next door by way of White Plains, then over
|
|||
|
to Liverpool by cable, and then back here by satellite. You can call
|
|||
|
yourself from one pay phone all the way around the world to a pay
|
|||
|
phone next to you. And you get your dime back too." "And they
|
|||
|
can't trace the calls? They can't charge you?" "Not if you do it
|
|||
|
the right way. But you'll find that the free-call thing isn't
|
|||
|
really as exciting at first as the feeling of power you get from
|
|||
|
having one of these babies in your hand. I've watched people when
|
|||
|
they first get hold of one of these things and start using it, and
|
|||
|
discover they can make connections, set up crisscross and zigzag
|
|||
|
switching patterns back and forth across the world. They hardly
|
|||
|
talk to the people they finally reach. They say hello and start
|
|||
|
thinking of what kind of call to make next. They go a little
|
|||
|
crazy." He looks down at the neat little package in his palm. His
|
|||
|
fingers are still dancing, tapping out beeper patterns. "I think
|
|||
|
it's something to do with how small my models are. There are lots
|
|||
|
of blue boxes around, but mine are the smallest and most
|
|||
|
sophisticated electronically. I wish I could show you the
|
|||
|
prototype we made for our big syndicate order." He sighs.
|
|||
|
|
|||
|
- 18 -
|
|||
|
|
|||
|
|
|||
|
"We had this order for a thousand beeper boxes from a
|
|||
|
syndicate front man in Las Vegas.
|
|||
|
|
|||
|
They use them to place bets coast to coast, keep lines open for
|
|||
|
hours, all of which can get expensive if you have to pay. The deal
|
|||
|
was a thousand blue boxes for $300 apiece. Before then we retailed
|
|||
|
them for $1500 apiece, but $300,000 in one lump was hard to turn
|
|||
|
down. We had a manufacturing deal worked out in the Philippines.
|
|||
|
Everything ready to go.Anyway, the model I had ready for
|
|||
|
limited mass production was small enough to fit inside a flip
|
|||
|
top Marlboro box. It had flush touch panels for a keyboard,
|
|||
|
rather than these unsightly buttons, sticking out. Looked just
|
|||
|
like a tiny portable radio. In fact, I had designed it with a
|
|||
|
tiny ransistor receiver to get one AM channel, so in case the law
|
|||
|
became suspicious the owner could switch on the radio part, start
|
|||
|
snapping his fingers, and no one could tell anything illegal was
|
|||
|
going on. I thought of everything for this model -- I had it lined
|
|||
|
with a band of thermite which could be ignited by radio signal
|
|||
|
from a tiny button transmitter on your belt, so it could be burned
|
|||
|
to ashes instantly in case of a bust. It was beautiful. A
|
|||
|
beautiful little machine. You should have seen the faces on these
|
|||
|
syndicate guys when they came back after trying it out. They'd
|
|||
|
hold it in their palm like they never wanted to let it go, and
|
|||
|
they'd say, 'I can't believe it. I can't believe it.' You
|
|||
|
probably won't believe it until you try it." The Blue Box Is
|
|||
|
Tested: Certain Connections Are Made About eleven o'clock two
|
|||
|
nights later Fraser Lucey has a blue box in the palm of his left
|
|||
|
hand and a phone in the palm of his right. He is standing inside
|
|||
|
a phone booth next to an isolated shut-down motel off Highway 1.
|
|||
|
I am standing outside the phone booth. Fraser likes to show off
|
|||
|
his blue box for people. Until a few weeks ago when Pacific
|
|||
|
Telephone made a few arrests in his city, Fraser Lucey liked to
|
|||
|
bring his blue box (This particular blue box, like most blue
|
|||
|
boxes, is not blue. Blue boxes have come to be called "blue boxes"
|
|||
|
either because 1) The first blue box ever confiscated by phone-
|
|||
|
company security men happened to be blue, or 2) To distinguish
|
|||
|
them from "black boxes." Black boxes are devices, usually a
|
|||
|
resistor in series, which, when attached to home phones, allow
|
|||
|
all incoming calls to be made without charge to one's caller.)
|
|||
|
to parties. It never failed: a few cheeps from his device and
|
|||
|
Fraser became the center of attention at the very hippest of
|
|||
|
gatherings, playing phone tricks and doing request numbers for
|
|||
|
hours. He began to take orders for his manufacturer in Mexico.
|
|||
|
He became a dealer. Fraser is cautious now about where he shows
|
|||
|
off his blue box. But he never gets tired of playing with it.
|
|||
|
"It's like the first time every time," he tells me. Fraser puts
|
|||
|
a dime in the slot. He listens for a tone and holds the receiver
|
|||
|
up to my ear. I hear the tone. Fraser begins describing, with a
|
|||
|
certain practiced air, what he does while he does it. "I'm dialing
|
|||
|
an 800 number now. Any 800 number will do. It's toll free. Tonight
|
|||
|
I think I'll use the ----- (he names a well-know rent-a-car company)
|
|||
|
800 number.
|
|||
|
|
|||
|
- 19 -
|
|||
|
|
|||
|
|
|||
|
Listen, It's ringing. Here, you hear it? Now watch." He places
|
|||
|
the blue box over the mouthpiece of the phone so that the one
|
|||
|
silver and twelve black push buttons are facing up toward me. He
|
|||
|
presses the silver button -- the one at the top -- and I hear that
|
|||
|
high-pitched beep. "That's 2600 cycles per second to be exact,"
|
|||
|
says Lucey. "Now, quick. listen." He shoves the earpiece at me.
|
|||
|
The ringing has vanished. The line gives a slight hiccough, there
|
|||
|
is a sharp buzz, and then nothing but soft white noise. "We're home
|
|||
|
free now," Lucey tells me, taking back the phone and applying the
|
|||
|
blue box to its mouthpiece once again. "We're up on a tandem, into
|
|||
|
a long-lines trunk. Once you're up on a tandem, you can send
|
|||
|
yourself anywhere you want to go." He decides to check out London
|
|||
|
first. He chooses a certain pay phone located in Waterloo Station.
|
|||
|
This particular pay phone is popular with the Phone-phreaks network
|
|||
|
because there are usually people walking by at all hours who will
|
|||
|
pick it up and talk for a while. He presses the lower left-hand
|
|||
|
corner button which is marked "KP" on the face of the box. "That's
|
|||
|
Key Pulse. It tells the tandem we're ready to give it instructions.
|
|||
|
First I'll punch out KP 182 START, which will slide us into the
|
|||
|
overseas sender in White Plains." I hear a neat clunk-cheep. "I
|
|||
|
think we'll head over to England by satellite. Cable is actually
|
|||
|
faster and the connection is somewhat better, but I like going by
|
|||
|
satellite. So I just punch out KP Zero 44. The Zero is supposed
|
|||
|
to guarantee a satellite connection and 44 is the country code for
|
|||
|
England. Okay... we're there. In Liverpool actually. Now all I
|
|||
|
have to do is punch out the London area code which is 1, and dial
|
|||
|
up the pay phone. Here, listen, I've got a ring now." I hear
|
|||
|
the soft quick purr-purr of a London ring. Then someone picks
|
|||
|
up the phone. "Hello," says the London voice. "Hello. Who's
|
|||
|
this?" Fraser asks. "Hello. There's actually nobody here. I just
|
|||
|
picked this up while I was passing by. This is a public phone.
|
|||
|
There's no one here to answer actually." "Hello. Don't hang up.
|
|||
|
I'm calling from the United States." "Oh. What is the purpose of
|
|||
|
the call? This is a public phone you know." "Oh. You know. To
|
|||
|
check out, uh, to find out what's going on in London. How is it
|
|||
|
there?" "Its five o'clock in the morning. It's raining now."
|
|||
|
"Oh. Who are you?" The London passerby turns out to be an
|
|||
|
R.A.F. enlistee on his way back to the base in Lincolnshire, with
|
|||
|
a terrible hangover after a thirty-six-hour pass. He and Fraser
|
|||
|
talk about the rain. They agree that it's nicer when it's not
|
|||
|
raining. They say good-bye and Fraser hangs up. His dime
|
|||
|
returnswith a nice clink. "Isn't that far out," he says grinning at
|
|||
|
me. "London, like that." Fraser squeezes the little blue box
|
|||
|
affectionately in his palm. "I told ya this thing is for real.
|
|||
|
Listen, if you don't mind I'm gonna try this girl I know in Paris.
|
|||
|
I usually give her a call around this time. It freaks her out.
|
|||
|
This time I'll use the ------ (a different rent-a-car
|
|||
|
company) 800 number and we'll go by overseas cable, 133; 33 is the
|
|||
|
country code for France, the 1 sends you by cable. Okay, here we
|
|||
|
go.... Oh damn. Busy. Who could she be talking to at this time?"
|
|||
|
A state police car cruises slowly by the motel. The car does not
|
|||
|
|
|||
|
- 20 -
|
|||
|
|
|||
|
|
|||
|
stop, but Fraser gets nervous. We hop back into his car and
|
|||
|
drive ten miles in the opposite direction until we reach a
|
|||
|
Texaco station locked up for the night. We pull up to a phone
|
|||
|
booth by the tire pump. Fraser dashes inside and tries the Paris
|
|||
|
number. It is busy again. "I don't understand who she could be
|
|||
|
talking to. The circuits may be busy. It's too bad I haven't
|
|||
|
learned how to tap into lines overseas with this thing yet." Fraser
|
|||
|
begins to phreak around, as the phone phreaks sa. He dials a
|
|||
|
leading nationwide charge card's 800 number and punches out the
|
|||
|
tones that bring him the time recording in Sydney, Australia. He
|
|||
|
beeps up the weather recording in Rome, in Italian of course. He
|
|||
|
calls a friend in Boston and talks about a certain over-the-counter
|
|||
|
stock they are into heavily. He finds the Paris number busy again.
|
|||
|
He calls up "Dial a Disc" in London, and we listen to Double Barrel
|
|||
|
by David and Ansil Collins, the number-one hit of the week in
|
|||
|
London. He calls up a dealer of another sort and talks in code.
|
|||
|
He calls up Joe Engressia, the original blind phone-phreak genius,
|
|||
|
and pays his respects. There are other calls. Finally Fraser gets
|
|||
|
through to his young lady in Paris. They both agree the circuits
|
|||
|
must have been busy, and criticize the Paris telephone system. At
|
|||
|
two-thirty in the morning Fraser hangs up, pockets his dime, and
|
|||
|
drives off, steering with one hand, holding what he calls his
|
|||
|
"lovely little blue box" in the other. You Can Call Long Distance
|
|||
|
For Less Than You Think "You see, a few years ago the phone company
|
|||
|
made one big mistake," Gilbertson explains two days later in his
|
|||
|
apartment. "They were careless enough to let some technical
|
|||
|
journal publish the actual frequencies used to create all their
|
|||
|
multi-frequency tones. Just a theoretical article some Bell
|
|||
|
Telephone Laboratories engineer was doing about switching theory,
|
|||
|
and he listed the tones in passing. At ----- (a well-known
|
|||
|
technical school) I had been fooling around with phones for several
|
|||
|
years before I came across a copy of the journal in the engineering
|
|||
|
library. I ran back to the lab and it took maybe twelve hours from
|
|||
|
the time I saw that article to put together the first working blue
|
|||
|
box. It was bigger and clumsier than this little baby, but it
|
|||
|
worked." It's all there on public record in that technical journal
|
|||
|
written mainly by Bell Lab people for other telephone engineers.
|
|||
|
Or at least it was public. "Just try and get a copy of that issue
|
|||
|
at some engineering-school library now. Bell has had them all
|
|||
|
red-tagged and withdrawn from circulation," Gilbertson tells me.
|
|||
|
"But it's too late. It's all public now. And once they became
|
|||
|
public the technology needed to create your own beeper device is
|
|||
|
within the range of any twelve-year-old kid, any twelve-year-old
|
|||
|
blind kid as a matter of fact. And he can do it in less than the
|
|||
|
twelve hours it took us. Blind kids do it all the time. They can't
|
|||
|
build anything as precise and compact as my beeper box, but theirs
|
|||
|
can do anything mine can do." "How?" "Okay. About twenty years ago
|
|||
|
A.T.&T. made a multi-billion-dollar decision to operate its entire
|
|||
|
long-distance switching system on twelve electronically generated
|
|||
|
combinations of twelve master tones. Those are the tones you
|
|||
|
|
|||
|
- 21 -
|
|||
|
|
|||
|
|
|||
|
sometimes hear in the background after you've dialed a
|
|||
|
long-distance number. They decided to use some very simple tones --
|
|||
|
the tone for each number is just two fixed single-frequency tones
|
|||
|
played simultaneously to create a certain beat frequency. Like
|
|||
|
1300 cycles per second and 900 cycles per second played together
|
|||
|
give you the tone for digit 5. Now, what some of these phone
|
|||
|
phreaks have done is get themselves access to an electric organ.
|
|||
|
Any cheap family home-entertainment organ. Since the
|
|||
|
frequencies are public knowledge now -- one blind phone phreak has
|
|||
|
even had them recorded in one of the talking books for the blind --
|
|||
|
they just have to find the musical notes on the organ which
|
|||
|
correspond to the phone tones. Then they tape them. For instance,
|
|||
|
to get Ma Bell's tone for the number 1, you press down organ keys
|
|||
|
F~5 and A~5 (900 and 700 cycles per second) at the same time. To
|
|||
|
produce the tone for 2 it's F~5 and C~6 (1100 and 700 c.p.s). The
|
|||
|
phone phreaks circulate the whole list of notes so there's no trial
|
|||
|
and error anymore." He shows me a list of the rest of the phone
|
|||
|
numbers and the two electric organ keys that produce them.
|
|||
|
"Actually, you have to record these notes at 3 3/4
|
|||
|
inches-per-second tape speed and double it to 7 1/2
|
|||
|
inches-per-second when you play them back, to get the proper
|
|||
|
tones," he adds. "So once you have all the tones recorded, how do
|
|||
|
you plug them into the phone system?" "Well, they take their organ
|
|||
|
and their cassette recorder, and start banging out entire phone
|
|||
|
numbers in tones on the organ, including country codes, routing
|
|||
|
instructions, 'KP' and 'Start' tones. Or, if they don't have an
|
|||
|
organ, someone in the phone-phreak network sends them a cassette
|
|||
|
with all the tones recorded, with a voice saying 'Number one,' then
|
|||
|
you have the tone, 'Number two,' then the tone and so on. So with
|
|||
|
two cassette recorders they can put together a series of phone
|
|||
|
numbers by switching back and forth from number to number. Any
|
|||
|
idiot in the country with a cheap cassette recorder can make all
|
|||
|
the free calls he wants." "You mean you just hold the cassette
|
|||
|
recorder up the mouthpiece and switch in a series of beeps you've
|
|||
|
recorded? The phone thinks that anything that makes these tones
|
|||
|
must be its own equipment?" "Right. As long as you get the
|
|||
|
frequency within thirty cycles per second of the phone company's
|
|||
|
tones, the phone equipment thinks it hears its own voice talking to
|
|||
|
it. The original granddaddy phone phreak was this blind kid with
|
|||
|
perfect pitch, Joe Engressia, who used to whistle into the phone.
|
|||
|
An operator could tell the difference between his whistle and the
|
|||
|
phone company's electronic tone generator, but the phone company's
|
|||
|
switching circuit can't tell them apart. The bigger the phone
|
|||
|
company gets and the further away from human operators it gets, the
|
|||
|
more vulnerable it becomes to all sorts of phone phreaking." A Guide
|
|||
|
for the Perplexed "But wait a minute," I stop Gilbertson. "If
|
|||
|
everything you do sounds like phone-company equipment, why doesn't
|
|||
|
the phone company charge you for the call the way it charges its own
|
|||
|
equipment?" "Okay. That's where the 2600-cycle tone comes in. I
|
|||
|
better start from the beginning." The beginning he describes
|
|||
|
for me is a vision of the phone system of the continent as thousands
|
|||
|
|
|||
|
- 22 -
|
|||
|
|
|||
|
|
|||
|
of webs, of long-line trunks radiating from each of the hundreds of
|
|||
|
toll switching offices to the other toll switching offices. Each
|
|||
|
toll switching office is a hive compacted of thousands of long
|
|||
|
distance tandems constantly whistling and beeping to tandems in
|
|||
|
far-off toll switching offices. The tandem is the key to the whole
|
|||
|
system. Each tandem is a line with some relays with the capability
|
|||
|
of signalling any other tandem in any other toll switching office on
|
|||
|
the continent, either directly one-to-one or by programming a
|
|||
|
roundabout route through several other tandems if all the direct
|
|||
|
routes are busy. For instance, if you want to call from New York
|
|||
|
to Los Angeles and traffic is heavy on all direct trunks between the
|
|||
|
two cities, your tandem in New York is programmed to try the next best
|
|||
|
route, which may send you down to a tandem in New Orleans, then up to
|
|||
|
San Francisco, or down to a New Orleans tandem, back to an Atlanta
|
|||
|
tandem, over to an Albuquerque tandem and finally up to Los Angeles.
|
|||
|
When a tandem is not being used, when it's sitting there waiting for
|
|||
|
someone to make a long-distance call, it whistles. One side of the
|
|||
|
tandem, the side "facing" your home phone, whistles at 2600 cycles
|
|||
|
per second toward all the home phones serviced by the exchange,
|
|||
|
telling them it is at their service, should they be interested in
|
|||
|
making a long-distance call. The other side of the tandem is whistling
|
|||
|
2600 c.p.s. into one or more long-distance trunk lines, telling the
|
|||
|
rest of the phone system that it is neither sending nor receiving a
|
|||
|
call through that trunk at the moment, that it has no use for that
|
|||
|
trunk at the moment. "When you dial a long-distance number the first
|
|||
|
thing that happens is that you are hooked into a tandem. A register
|
|||
|
comes up to the side of the tandem facing away from you and presents
|
|||
|
that side with the number you dialed. This sending side of the tandem
|
|||
|
stops whistling 2600 into its trunk line. When a tandem stops the
|
|||
|
2600 tone it has been sending through a trunk, the trunk is said to
|
|||
|
be "seized," and is now ready to carry the number you have dialed
|
|||
|
-- converted into multi-frequency beep tones -- to a tandem in the
|
|||
|
area code and central office you want. Now when a blue-box operator
|
|||
|
wants to make a call from New Orleans to New York he starts by
|
|||
|
dialing the 800 number of a company which might happen to have its
|
|||
|
headquarters in Los Angeles. The sending side of the New Orleans
|
|||
|
tandem stops sending 2600 out over the trunk to the central office
|
|||
|
in Los Angeles, thereby seizing the trunk. Your New Orleans tandem
|
|||
|
begins sending beep tones to a tandem it has discovered idly whistling
|
|||
|
2600 cycles in Los Angeles. The receiving end of that L.A. tandem
|
|||
|
is seized, stops whistling 2600, listens to the beep tones which tell
|
|||
|
it which L.A. phone to ring,and starts ringing the 800 number.
|
|||
|
Meanwhile a mark made in the New Orleans office accounting tape notes
|
|||
|
that a call from your New Orleans phone to the 800 number in L.A. has
|
|||
|
been initiated and gives the call a code number. Everything is routine
|
|||
|
so far. But then the phone phreak presses his blue box to the
|
|||
|
mouthpiece and pushes the 2600-cycle button, sending 2600 out from the
|
|||
|
New Orleans tandem to the L.A. tandem. The L.A. tandem notices 2600
|
|||
|
|
|||
|
- 23 -
|
|||
|
|
|||
|
|
|||
|
cycles are coming over the line again and assumes that New Orleans
|
|||
|
has hung up because the trunk is whistling as if idle. The L.A.
|
|||
|
tandem immediately ceases ringing the L.A. 800 number. But as soon
|
|||
|
as the phreak takes his finger off the 2600 button, the L.A. tandem
|
|||
|
assumes the trunk is once again being used because the 2600 is gone,
|
|||
|
so it listens for a new series of digit tones - to find out where it
|
|||
|
must send the call. Thus the blue-box operator in New Orleans now is
|
|||
|
in touch with a tandem in L.A. which is waiting like an obedient genie
|
|||
|
to be told what to do next. The blue-box owner then beeps out the ten
|
|||
|
digits of the New York number which tell the L.A. tandem to relay a call
|
|||
|
to New York City. Which it promptly does. As soon as your party picks
|
|||
|
up the phone in New York, the side of the New Orleans tandem facing
|
|||
|
you stops sending 2600 cycles to you and stars carrying his voice to
|
|||
|
you by way of the L.A. tandem. A notation is made on the accounting
|
|||
|
tape that the connection has been made on the 800 call which had been
|
|||
|
initiated and noted earlier. When you stop talking to New York a
|
|||
|
notation is made that the 800 call has ended. At three the next
|
|||
|
morning, when the phone company's accounting computer starts
|
|||
|
reading back over the master accounting tape for the past day, it
|
|||
|
records that a call of a certain length of time was made from your
|
|||
|
New Orleans home to an L.A. 800 number and, of course, the accounting
|
|||
|
computer has been trained to ignore those toll-free 800 calls when
|
|||
|
compiling your monthly bill. "All they can prove is that you made an
|
|||
|
800 toll-free call," Gilbertson the inventor concludes. "Of course,
|
|||
|
if you're foolish enough to talk for two hours on an 800 call, and
|
|||
|
they've installed one of their special anti-fraud computer programs to
|
|||
|
watch out for such things, they may spot you and ask why you took two
|
|||
|
hours talking to Army Recruiting's 800 number when you're 4-F. But if
|
|||
|
you do it from a pay phone, they may discover something peculiar the
|
|||
|
next day -- if they've got a blue-box hunting program in their computer
|
|||
|
-- but you'll be a long time gone from the pay phone by then. Using
|
|||
|
a pay phone is almost guaranteed safe." "What about the recent series
|
|||
|
of blue-box arrests all across the country -- New York, Cleveland, and
|
|||
|
so on?" I asked. "How were they caught so easily?" "From what I can
|
|||
|
tell, they made one big mistake: they were seizing trunks using an
|
|||
|
area code plus 555-1212 instead of an 800 number. Using 555 is easy to
|
|||
|
detect because when you send multi-frequency beep tones of 555 you get
|
|||
|
a charge for it on your tape and the accounting computer knows there's
|
|||
|
something wrong when it tries to bill you for a two-hour call to Akron,
|
|||
|
Ohio, information, and it drops a trouble card which goes right into the
|
|||
|
hands of the security agent if they're looking for blue-box user.
|
|||
|
"Whoever sold those guys their blue boxes didn't tell them how to
|
|||
|
use them properly, which is fairly irresponsible. And they were fairly
|
|||
|
stupid to use them at home all the time. "But what those arrests
|
|||
|
really mean is than an awful lot of blue boxes are flooding into
|
|||
|
the country and that people are finding them so easy to make that
|
|||
|
they know how to make them before they know how to use them. Ma
|
|||
|
Bell is in trouble." And if a blue-box operator or a
|
|||
|
|
|||
|
- 24 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
aassette-recorder phone phreak sticks to pay phones and 800
|
|||
|
numbers, the phone company can't stop them? "Not unless they change
|
|||
|
their entire nationwide long-lines technology, which will take them
|
|||
|
a few billion dollars and twenty years. Right now they can't do a
|
|||
|
thing. They're screwed."
|
|||
|
|
|||
|
Captain Crunch Demonstrates His Famous Unit
|
|||
|
|
|||
|
There is an underground telephone network in this country.
|
|||
|
Gilbertson discovered it the very day news of his activities hit
|
|||
|
the papers. That evening his phone began ringing. Phone phreaks
|
|||
|
from Seattle, from Florida, from New York, from San Jose, and from
|
|||
|
Los Angeles began calling him and telling him about the
|
|||
|
phone-phreak network. He'd get a call from a phone phreak who'd
|
|||
|
say nothing but, "Hang up and call this number." When he dialed
|
|||
|
the number he'd find himself tied into a conference of a dozen
|
|||
|
phone phreaks arranged through a quirky switching station in
|
|||
|
British Columbia. They identified themselves as phone phreaks, they
|
|||
|
demonstrated their homemade blue boxes which they called "M-Fers"
|
|||
|
(for "multi-frequency," among other things) for him, they talked
|
|||
|
shop about phone-phreak devices. They let him in on their secrets on
|
|||
|
the theory that if the phone company was after him he must be
|
|||
|
trustworthy. And, Gilbertson recalls, they stunned him with their
|
|||
|
technical sophistication. I ask him how to get in touch with the
|
|||
|
phone-phreak network. He digs around through a file of old schematics
|
|||
|
and comes up with about a dozen numbers in three widely separated area
|
|||
|
codes. "Those are the centers," he tells me. Alongside some of the
|
|||
|
numbers he writes in first names or nicknames: names like Captain
|
|||
|
Crunch, Dr. No, Frank Carson (also a code word for a free call),
|
|||
|
Marty Freeman (code word for M-F device), Peter Perpendicular Pimple,
|
|||
|
Alefnull, and The Cheshire Cat. He makes checks alongside the names
|
|||
|
of those among these top twelve who are blind. There are five checks.
|
|||
|
I ask him who this Captain Crunch person is. "Oh. The Captain. He's
|
|||
|
probably the most legendary phone phreak. He calls himself Captain
|
|||
|
Crunch after the notorious Cap'n Crunch 2600 whistle." (Several years
|
|||
|
ago, Gilbertson explains, the makers of Cap'n Crunch breakfast cereal
|
|||
|
offered a toy-whistle prize in every box as a treat for the Cap'n
|
|||
|
Crunch set. Somehow a phone phreak discovered that the toy whistle
|
|||
|
just happened to produce a perfect 2600-cycle tone. When the man who
|
|||
|
calls himself Captain Crunch was transferred overseas to England with
|
|||
|
his Air Force unit, he would receive scores of calls from his friends
|
|||
|
and "mute" them -- make them free of charge to them -- by blowing his
|
|||
|
Cap'n Crunch whistle into his end.) "Captain Crunch is one of the older
|
|||
|
phone phreaks," Gilbertson tells me. "He's an engineer who once got
|
|||
|
in a little trouble for fooling around with the phone, but he can't
|
|||
|
stop. Well, they guy drives across country in a Volkswagen van
|
|||
|
with an entire switchboard and a computerized super-sophisticated
|
|||
|
M-F-er in the back. He'll pull up to a phone booth on a lonely
|
|||
|
highway somewhere, snake a cable out of his bus, hook it onto the
|
|||
|
phone and sit for hours, days sometimes, sending calls zipping back
|
|||
|
|
|||
|
- 25 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
and forth across the country, all over the world...." Back at my motel,
|
|||
|
I dialed the number he gave me for "Captain Crunch" and asked for G----
|
|||
|
T--, his real name, or at least the name he uses when he's not dashing
|
|||
|
into a phone booth beeping out M-F tones faster than a speeding bullet
|
|||
|
and zipping phantomlike through the phone company's long-distance
|
|||
|
lines. When G---- T----- answered the phone and I told him I was
|
|||
|
preparing a story for Esquire about phone phreaks, he became very
|
|||
|
indignant. "I don't do that. I don't do that anymore at all. And if
|
|||
|
I do it, I do it for one reason and one reason only. I'm learning
|
|||
|
about a system. The phone company is a System. A computer is a
|
|||
|
System, do you understand? If I do what I do, it is only to explore
|
|||
|
a system. Computers, systems, that's my bag. The phone company is
|
|||
|
nothing but a computer." A tone of tightly restrained excitement
|
|||
|
enters the Captain's voice when he starts talking about systems.
|
|||
|
He begins to pronounce each syllable with the hushed deliberation of
|
|||
|
an obscene caller. "Ma Bell is a system I want to explore. It's a
|
|||
|
beautiful system, you know, but Ma Bell screwed up. It's terrible
|
|||
|
because Ma Bell is such a beautiful system, but she screwed up. I
|
|||
|
learned how she screwed up from a couple of blind kids who wanted me
|
|||
|
to build a device. A certain device. They said it could make free
|
|||
|
calls. I wasn't interested in free calls. But when these blind kids
|
|||
|
told me I could make calls into a computer, my eyes lit up. I wanted
|
|||
|
to learn about computers. I wanted to learn about Ma Bell's computers.
|
|||
|
So I build the little device, but I built it wrong and Ma Bell found
|
|||
|
out. Ma Bell can detect things like that. Ma Bell knows. So I'm
|
|||
|
strictly rid of it now. I don't do it. Except for learning purposes."
|
|||
|
He pauses. "So you want to write an article. Are you paying for this
|
|||
|
call? Hang up and call this number." He gives me a number in a area
|
|||
|
code a thousand miles away of his own. I dial the number. "Hello
|
|||
|
again. This is Captain Crunch. You are speaking to me on a toll-free
|
|||
|
loop-around in Portland, Oregon. Do you know what a toll-free loop
|
|||
|
around is? I'll tell you. He explains to me that almost every exchange
|
|||
|
in the country has open test numbers which allow other exchanges to
|
|||
|
test their connections with it. Most of these numbers occur in
|
|||
|
consecutive pairs, such as 302 956-0041 and 302 956-0042. Well,
|
|||
|
certain phone phreaks discovered that if two people from anywhere in
|
|||
|
the country dial the two consecutive numbers they can talk together
|
|||
|
just as if one had called the other's number, with no charge to either
|
|||
|
of them, of course. "Now our voice is looping around in a 4A switching
|
|||
|
machine up there in Canada, zipping back down to me," the Captain tells
|
|||
|
me. "My voice is looping around up there and back down to you. And
|
|||
|
it can't ever cost anyone money. The phone phreaks and I have compiled
|
|||
|
a list of many many of these numbers. You would be surprised if you
|
|||
|
saw the list. I could show it to you. But I won't. I'm out of that
|
|||
|
now. I'm not out to screw Ma Bell. I know better. If I do anything
|
|||
|
it's for the pure knowledge of the System. You can learn to do
|
|||
|
fantastic things. Have you ever heard eight tandems stacked up?
|
|||
|
Do you know the sound of tandems stacjinh and unstacking?
|
|||
|
|
|||
|
- 26 -
|
|||
|
|
|||
|
|
|||
|
Give me your phone number. Okay. Hang up now and wait a minute."
|
|||
|
Slightly less than a minute later the phone rang and the Captain was
|
|||
|
on the line, his voice sounding far more excited, almost aroused.
|
|||
|
"I wanted to show you what it's like to stack up tandems. To stack
|
|||
|
up tandems." (Whenever the Captain says "stack up" it sounds as if he
|
|||
|
is licking his lips.) "How do you like the connection you're on now?"
|
|||
|
the Captain asks me. "It's a raw tandem. A raw tandem. Ain't nothin'
|
|||
|
up to it but a tandem. Now I'm going to show you what it's like to
|
|||
|
stack up. Blow off. Land in a far away place. To stack that tandem
|
|||
|
up, whip back and forth across the country a few times, then shoot
|
|||
|
on up to Moscow. "Listen," Captain Crunch continues. "Listen. I've
|
|||
|
got line tie on my switchboard here, and I'm gonna let you hear me
|
|||
|
stack and unstack tandems. Listen to this. It's gonna blow your mind.
|
|||
|
" First I hear a super rapid-fire pulsing of the flutelike phone
|
|||
|
tones, then a pause, then another popping burst of tones, then another,
|
|||
|
then another. Each burst is followed by a beep-kachink sound. "We
|
|||
|
have now stacked up four tandems," said Captain Crunch, sounding
|
|||
|
somewhat remote. "That's four tandems stacked up. Do you know what
|
|||
|
that means? That means I'm whipping back and forth, back and forth
|
|||
|
twice, across the country, before coming to you. I've been known
|
|||
|
to stack up twenty tandems at a time. Now, just like I said, I'm
|
|||
|
going to shoot up to Moscow." There is a new, longer series of
|
|||
|
beeper pulses over the line, a brief silence, then a ring. "Hello,"
|
|||
|
answers a far-off voice. "Hello. Is this the American Embassy
|
|||
|
Moscow?" "Yes, sir. Who is this calling?" says the voice. "Yes.
|
|||
|
This is test board here in New York. We're calling to check out
|
|||
|
the circuits, see what kind of lines you've got. Everything okay
|
|||
|
there in Moscow?" "Okay?" "Well, yes, how are things there?" "Oh.
|
|||
|
Well, everything okay, I guess." "Okay. Thank you." They hang up,
|
|||
|
leaving a confused series of beep-kachink sounds hanging in
|
|||
|
mid-ether in the wake of the call before dissolving away. The
|
|||
|
Captain is pleased. "You believe me now, don't you? Do you know
|
|||
|
what I'd like to do? I'd just like to call up your editor at
|
|||
|
Esquire and show him just what it sounds like to stack and unstack
|
|||
|
tandems. I'll give him a show that will blow his mind. What's his
|
|||
|
number? I ask the Captain what kind of device he was using to
|
|||
|
accomplish all his feats. The Captain is pleased at the question.
|
|||
|
"You could tell it was special, couldn't you?" Ten pulses per
|
|||
|
second. That's faster than the phone company's equipment. Believe
|
|||
|
me, this unit is the most famous unit in the country. There is no
|
|||
|
other unit like it. Believe me." "Yes, I've heard about it. Some
|
|||
|
other phone phreaks have told me about it." "They have been referring
|
|||
|
to my, ahem, unit? What is it they said? Just out of curiosity, did
|
|||
|
they tell you it was a highly sophisticated computer-operated unit,
|
|||
|
with acoustical coupling for receiving outputs and a switch-board
|
|||
|
with multiple-line-tie capability? Did they tell you that the
|
|||
|
frequency tolerance is guaranteed to be not more than .05 percent?
|
|||
|
The amplitude tolerance less than .01 decibel? Those pulses you
|
|||
|
heard were perfect. They just come faster than the phone company.
|
|||
|
|
|||
|
- 27 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Those were high-precision op-amps. Op-amps are instrumentation
|
|||
|
amplifiers designed for ultra-stable amplification, super-low
|
|||
|
distortion and accurate frequency response. Did they tell you
|
|||
|
it can operate in temperatures from -55 degrees C to +125 degrees
|
|||
|
C?" I admit that they did not tell me all that. "I built it
|
|||
|
myself," the Captain goes on. "If you were to go out and buy
|
|||
|
the components from an industrial wholesaler it would cost you at
|
|||
|
least $1500. I once worked for a semiconductor company and all
|
|||
|
this didn't cost me a cent. Do you know what I mean? Did they
|
|||
|
tell you about how I put a call completely around the world? I'll
|
|||
|
tell you how I did it. I M-Fed Tokyo inward, who connected me to
|
|||
|
India, India connected me to Greece, Greece connected me to
|
|||
|
Pretoria, South Africa, South Africa connected me to South America,
|
|||
|
I went from South America to London, I had a London operator connect
|
|||
|
me to a New York operator, I had New York connect me to a California
|
|||
|
operator who rang the phone next to me. Needless to say I had to
|
|||
|
shout to hear myself. But the echo was far out. Fantastic.
|
|||
|
Delayed. It was delayed twenty seconds, but I could hear myself
|
|||
|
talk to myself." "You mean you were speaking into the mouthpiece of
|
|||
|
one phone sending your voice around the world into your ear through
|
|||
|
a phone on the other side of your head?" I asked the Captain. I had
|
|||
|
a vision of something vaguely autoerotic going on, in a complex
|
|||
|
electronic way. "That's right," said the Captain. "I've also sent
|
|||
|
my voice around the
|
|||
|
world one way, going east on one phone, and going west on the
|
|||
|
other, going through cable one way, satellite the other, coming
|
|||
|
back together at the same time, ringing the two phones
|
|||
|
simultaneously and picking them up and whipping my voice both ways
|
|||
|
around the world back to me. Wow. That was a mind blower." "You
|
|||
|
mean you sit there with both phones on your ear and talk to
|
|||
|
yourself around the world," I said incredulously. "Yeah. Um hum.
|
|||
|
That's what I do. I connect the phone together and sit there and
|
|||
|
talk." "What do you say? What do you say to yourself when you're
|
|||
|
connected?" "Oh, you know. Hello test one two three," he says in
|
|||
|
a low-pitched voice. "Hello test one two three," he replied to
|
|||
|
himself in a high-pitched voice. "Hello test one two three," he
|
|||
|
repeats again, low-pitched. "Hello test one two three," he replies,
|
|||
|
high-pitched."I sometimes do this: Hello Hello Hello Hello, Hello,
|
|||
|
hello," he trails off and breaks into laughter. Why Captain Crunch
|
|||
|
Hardly Ever Taps Phones Anymore Using internal phone-company codes,
|
|||
|
phone phreaks have learned a simple method for tapping phones.
|
|||
|
Phone-company operators have in front of them a board that holds
|
|||
|
verification jacks. It allows them to plug into conversations in
|
|||
|
case of emergency, to listen in to a line to determine if the line
|
|||
|
is busy or the circuits are busy. Phone phreaks have learned to
|
|||
|
beep out the codes which lead them to a verification operator,
|
|||
|
tell the verification operator they are switchmen from some other
|
|||
|
area code testing out verification trunks. Once the operator hooks
|
|||
|
them into the verification trunk, they disappear into the board for
|
|||
|
all practical purposes, slip unnoticed into any one of the 10,000
|
|||
|
to 100,000 numbers in that central office without the
|
|||
|
|
|||
|
- 28 -
|
|||
|
|
|||
|
|
|||
|
verification operator knowing what they're doing, and of course
|
|||
|
without the two parties to the connection knowing there is a
|
|||
|
phantom listener present on their line. Toward the end of my
|
|||
|
hour-long first conversation with him, I asked the Captain if he
|
|||
|
ever tapped phones. "Oh no. I don't do that. I don't think it's
|
|||
|
right," he told me firmly. "I have the power to do it but I
|
|||
|
don't... Well one time, just one time, I have to admit that I did.
|
|||
|
There was this girl, Linda, and I wanted to find out... you
|
|||
|
know. I tried to call her up for a date. I had a date with her the
|
|||
|
last weekend and I thought she liked me. I called her up, man, and
|
|||
|
her line was busy, and I kept calling and it was still busy. Well,
|
|||
|
I had just learned about this system of jumping into lines and I
|
|||
|
said to myself, 'Hmmm. Why not just see if it works. It'll
|
|||
|
surprise her if all of a sudden I should pop up on her line. It'll
|
|||
|
impress her, if anything.' So I went ahead and did it. I M-Fed
|
|||
|
into the line. My M-F-er is powerful enough when patched directly
|
|||
|
into the mouthpiece to trigger a verification trunk without using
|
|||
|
an operator the way the other phone phreaks have to. "I slipped
|
|||
|
into the line and there she was talking to another boyfriend.
|
|||
|
Making sweet talk to him. I didn't make a sound because I was so
|
|||
|
disgusted. So I waited there for her to hang up, listening to her
|
|||
|
making sweet talk to the other guy. You know. So as soon as she
|
|||
|
hung up I instantly M-F-ed her up and all I said was, 'Linda, we're
|
|||
|
through.' And I hung up. And it blew her head off. She couldn't
|
|||
|
figure out what the hell happened. "But that was the only time. I
|
|||
|
did it thinking I would surprise her, impress her. Those were all
|
|||
|
my intentions were, and well, it really kind of hurt me pretty
|
|||
|
badly, and... and ever since then I don't go into verification
|
|||
|
trunks." Moments later my first conversation with the Captain comes
|
|||
|
to a close. "Listen," he says, his spirits somewhat cheered,
|
|||
|
"listen. What you are going to hear when I hang up is the sound of
|
|||
|
tandems unstacking. Layer after layer of tandems unstacking until
|
|||
|
there's nothing left of the stack, until it melts away into
|
|||
|
nothing. Cheep, cheep, cheep, cheep," he concludes, his voice
|
|||
|
descending to a whisper with each cheep. He hangs up. The phone
|
|||
|
suddenly goes into four spasms: kachink cheep. Kachink cheep
|
|||
|
kachink cheep kachink cheep, and the complex connection has wiped
|
|||
|
itself out like the Cheshire cat's smile. The MF Boogie Blues The
|
|||
|
next number I choose from the select list of phone-phreak alumni,
|
|||
|
prepared for me by the blue-box inventor, is a Memphis number. It
|
|||
|
is the number of Joe Engressia, the first and still perhaps the
|
|||
|
most accomplished blind phone phreak. Three years ago Engressia was
|
|||
|
a nine-day wonder in newspapers and magazines all over America
|
|||
|
because he had been discovered whistling free long-distance
|
|||
|
connections for fellow students at the University of South Florida.
|
|||
|
Engressia was born with perfect pitch: he could whistle phone tones
|
|||
|
better than the phone-company's equipment. Engressia might have
|
|||
|
gone on whistling in the dark for a few friends for the rest of his
|
|||
|
life if the phone company hadn't decided to expose him. He was
|
|||
|
warned, disciplined by the college, and the whole case became
|
|||
|
public. In the months following media reports of his talent,
|
|||
|
|
|||
|
- 29 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Engressia began receiving strange calls. There were calls from a
|
|||
|
group of kids in Los Angeles who could do some very strange things
|
|||
|
with the quirky General Telephone and Electronics circuitry in L.A.
|
|||
|
suburbs. There were calls from a group of mostly blind kids in ----,
|
|||
|
California, who had been doing some interesting experiments with
|
|||
|
Cap'n Crunch whistles and test loops. There was a group in Seattle,
|
|||
|
a group in Cambridge, Massachusetts, a few from New York, a few
|
|||
|
scattered across the country. Some of them had already equipped
|
|||
|
themselves with cassette and electronic M-F devices. For some of
|
|||
|
these groups, it was the first time they knew of the others. The
|
|||
|
exposure of Engressia was the catalyst that linked the separate
|
|||
|
phone-phreak centers together. They all called Engressia. They
|
|||
|
talked to him about what he was doing and what they were doing.
|
|||
|
And then he told them -- the scattered regional centers and lonely
|
|||
|
independent phone phreakers -- about each other, gave them each
|
|||
|
other's numbers to call, and within a year the scattered phone-phreak
|
|||
|
centers had grown into a nationwide underground. Joe Engressia is
|
|||
|
only twenty-two years old now, but along the phone-phreak network
|
|||
|
he is "the old man," accorded by phone phreaks something of the
|
|||
|
reverence the phone company bestows on Alexander Graham Bell.
|
|||
|
He seldom needs to make calls anymore. The phone phreaks all call
|
|||
|
him and let him know what new tricks, new codes, new techniques
|
|||
|
they have learned. Every night he sits like a sightless spider
|
|||
|
in his little apartment receiving messages from every tendril of
|
|||
|
his web. It is almost a point of pride with Joe that they call
|
|||
|
him. But when I reached him in his Memphis apartment that night,
|
|||
|
Joe Engressia was lonely, jumpy and upset. "God, I'm glad somebody
|
|||
|
called. I don't know why tonight of all nights I don't get any
|
|||
|
calls. This guy around here got drunk again tonight and
|
|||
|
propositioned me again. I keep telling him we'll never see eye
|
|||
|
to eye on this subject, if you know what I mean. I try to make
|
|||
|
light of it, you know, but he doesn't get it. I can head him out
|
|||
|
there getting drunker and I don't know what he'll do next. It's
|
|||
|
just that I'm really all alone here, just moved to Memphis, it's
|
|||
|
the first time I'm living on my own, and I'd hate for it to all
|
|||
|
collapse now. But I won't go to bed with him. I'm just not very
|
|||
|
interested in sex and even if I can't see him I know he's ugly.
|
|||
|
"Did you hear that? That's him banging a bottle against the wall
|
|||
|
outside. He's nice. Well forget about it. You're doing a story on
|
|||
|
phone phreaks? Listen to this. It's the MF Boogie Blues. Sure
|
|||
|
enough, a jumpy version of Muskrat Ramble boogies its way over the
|
|||
|
line, each note one of those long-distance phone tones. The music
|
|||
|
stops. A huge roaring voice blasts the phone off my ear: "AND THE
|
|||
|
QUESTION IS..." roars the voice, "CAN A BLIND PERSON HOOK UP AN
|
|||
|
AMPLIFIER ON HIS OWN?" The roar ceases. A high - pitched
|
|||
|
operator-type voice replaces it. "This is Southern Braille Tel. &
|
|||
|
Tel. Have tone, will phone." This is succeeded by a quick series
|
|||
|
of M-F tones, a swift "kachink" and a deep eassuring voice: "If you
|
|||
|
need home care, call the visiting-nurses association. First
|
|||
|
National time in Honolulu is 4:32 p.m." Joe back in his jow voice
|
|||
|
|
|||
|
- 30 -
|
|||
|
|
|||
|
|
|||
|
again: "Are we seeing eye to eye? 'Si, si,' said the blind Mexican.
|
|||
|
Ahem. Yes. Would you like to know the weather in Tokyo?" This swift
|
|||
|
manic sequence of phone-phreak vaudeville stunts and blind-boy jokes
|
|||
|
manages to keep Joe's mind off his tormentor only as long as it lasts.
|
|||
|
"The reason I'm in Memphis, the reason I have to depend on that
|
|||
|
homosexual guy, is that this is the first time I've been able to live
|
|||
|
on my own and make phone trips on my own. I've been banned from all
|
|||
|
central offices around home in Florida, they knew me too well, and at
|
|||
|
the University some of my fellow scholars were always harassing me
|
|||
|
because I was on the dorm pay phone all the time and making fun of
|
|||
|
me because of my fat ass, which of course I do have, it's my
|
|||
|
physical fatness program, but I don't like to hear it every day,
|
|||
|
and if I can't phone trip and I can't phone phreak, I can't imagine
|
|||
|
what I'd do, I've been devoting three quarters of my life to it. "I
|
|||
|
moved to Memphis because I wanted to be on my own as well as
|
|||
|
because it has a Number 5 crossbar switching system and some
|
|||
|
interesting little independent phone-company districts nearby and
|
|||
|
so far they don't seem to know who I am so I can go on phone
|
|||
|
tripping, and for me phone tripping is just as important as
|
|||
|
phone phreaking." Phone tripping, Joe explains, begins with calling
|
|||
|
up a central-office switch room. He tells the switchman in a
|
|||
|
polite earnest voice that he's a blind college student interested
|
|||
|
in telephones, and could he perhaps have a guided tour of the
|
|||
|
switching station? Each step of the tour Joe likes to touch and
|
|||
|
feel relays, caress switching circuits, switchboards,
|
|||
|
crossbar arrangements. So when Joe Engressia phone phreaks he feels
|
|||
|
his way through the circuitry of the country garden of forking
|
|||
|
paths, he feels switches shift, relays shunt, crossbars swivel,
|
|||
|
tandems engage and disengage even as he hears -- with perfect pitch
|
|||
|
-- his M-F pulses make the entire Bell system dance to his tune.
|
|||
|
Just one month ago Joe took all his savings out of
|
|||
|
his bank and left home, over the emotional protests of his mother.
|
|||
|
"I ran away from home almost," he likes to say. Joe found a small
|
|||
|
apartment house on Union Avenue and began making phone trips. He'd
|
|||
|
take a bus a hundred miles south in Mississippi to see some
|
|||
|
old-fashioned Bell equipment still in use in several states, which
|
|||
|
had been puzzling. He'd take a bus three hundred miles to Charlotte,
|
|||
|
North Carolina, to look at some brand-new experimental equipment.
|
|||
|
He hired a taxi to drive him twelve miles to a suburb to tour the
|
|||
|
office of a small phone company with some interesting idiosyncrasies
|
|||
|
in its routing system. He was having the time of his life, he said,
|
|||
|
the most freedom and pleasure he had known. In that month he had done
|
|||
|
very little long-distance phone phreaking from his own phone. He had
|
|||
|
begun to apply for a job with the phone company, he told me, and he
|
|||
|
wanted to stay away from anything illegal. "Any kind of job will do,
|
|||
|
anything as menial as the most lowly operator. That's probably all
|
|||
|
they'd give me because I'm blind. Even though I probably know more
|
|||
|
than most switchmen. But that's okay. I want to work for Ma Bell.
|
|||
|
I don't hate Ma Bell the way Gilbertson and some phone phreaks do.
|
|||
|
I don't want to screw Ma Bell. With me it's the pleasure of pure
|
|||
|
|
|||
|
- 31 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
knowledge. There's something beautiful about the system when you
|
|||
|
know it intimately the way I do. But I don't know how much they
|
|||
|
know about me here. I have a very intuitive feel for the condition
|
|||
|
of the line I'm on, and I think they're monitoring me off and on
|
|||
|
lately, but I haven't been doing much illegal. I have to make a
|
|||
|
few calls to switchmen once in a while which aren't strictly legal,
|
|||
|
and once I took an acid trip and was having these auditory
|
|||
|
hallucinations as if I were trapped and these planes were dive
|
|||
|
bombing me, and all of sudden I had to phone phreak out of there.
|
|||
|
For some reason I had to call Kansas City, but that's all." A Warning
|
|||
|
Is Delivered At this point -- one o'clock in my time zone -- a loud
|
|||
|
knock on my motel - room door interrupts our conversation. Outside
|
|||
|
the door I find a uniformed security guard who informs me that there
|
|||
|
has been an "emergency phone call" for me while I have been on the
|
|||
|
line and that the front desk has sent him up to let me know. Two seconds
|
|||
|
after I say good-bye to Joe and hang up, the phone rings. "Who were
|
|||
|
you talking to?" the agitated voice demands. The voice belongs to
|
|||
|
Captain Crunch. "I called because I decided to warn you of
|
|||
|
something. I decided to warn you to be careful. I don't want this
|
|||
|
information you get to get to the radical underground. I don't
|
|||
|
want it to get into the wrong hands. What would you say if I told
|
|||
|
you it's possible for three phone phreaks to saturate the phone
|
|||
|
system of the nation. Saturate it. Busy it out. All of it. I
|
|||
|
know how to do this. I'm not gonna tell. A friend of mine has
|
|||
|
already saturated the trunks between Seattle and New York. He did
|
|||
|
it with a computerized M-F-er hitched into a special Manitoba
|
|||
|
exchange. But there are other, easier ways to do it." Just three
|
|||
|
people? I ask. How is that possible? "Have you ever heard of the
|
|||
|
long-lines guard frequency? Do you know about stacking tandems
|
|||
|
with 17 and 2600? Well, I'd advise you to find out about it. I'm
|
|||
|
not gonna tell you. But whatever you do, don't let this get into
|
|||
|
the hands of the radical underground." (Later Gilbertson, the
|
|||
|
inventor, confessed that while he had always been skeptical about
|
|||
|
the Captain's claim of the sabotage potential of trunk-tying phone
|
|||
|
phreaks, he had recently heard certain demonstrations which
|
|||
|
convinced him the Captain was not speaking idly. "I think it might
|
|||
|
take more than three people, depending on how many machines like
|
|||
|
Captain Crunch's were available. But even though the Captain sounds
|
|||
|
a little weird, he generally turns out to know what he's talking
|
|||
|
about.") "You know," Captain Crunch continues in his admonitory tone,
|
|||
|
"you know the younger phone phreaks call Moscow all the time.
|
|||
|
Suppose everybody were to call Moscow. I'm no right-winger. But
|
|||
|
I value my life. I don't want the Commies coming over and dropping a
|
|||
|
bomb on my head. That's why I say you've got to be careful about who
|
|||
|
gets this information." The Captain suddenly shifts into a diatribe
|
|||
|
against those phone phreaks who don't like the phone company. "They
|
|||
|
don't understand, but Ma Bell knows everything they do. Ma Bell knows.
|
|||
|
Listen, is this line hot? I just heard someone tap in. I'm not
|
|||
|
paranoid, but I can detect things like that. Well, even if it is,
|
|||
|
they know that I know that they know that I have a bulk eraser.
|
|||
|
|
|||
|
- 32 -
|
|||
|
|
|||
|
|
|||
|
I'm very clean." The Captain pauses, evidently torn between wanting
|
|||
|
to prove to the phone-company monitors that he does nothing illegal,
|
|||
|
and the desire to impress Ma Bell with his prowess. "Ma Bell knows
|
|||
|
how good I am. And I am quite good. I can detect reversals, tandem
|
|||
|
switching, everything that goes on on a line. I have relative pitch
|
|||
|
now. Do you know what that means? My ears are a $20,000 piece of
|
|||
|
equipment. With my ears I can detect things they can't hear with
|
|||
|
their equipment. I've had employment problems. I've lost jobs.
|
|||
|
But I want to show Ma Bell how good I am. I don't want to screw her,
|
|||
|
I want to work for her. I want to do good for her. I want to help
|
|||
|
her get rid of her flaws and become perfect. That's my number-one
|
|||
|
goal in life now." The Captain concludes his warnings and tells me
|
|||
|
he has to be going. "I've got a little action lined up for tonight,"
|
|||
|
he explains and hangs up. Before I hang up for the night, I call Joe
|
|||
|
Engressia back. He reports that his tormentor has finally gone to
|
|||
|
sleep -- "He's not blind drunk, that's the way I get, ahem, yes;
|
|||
|
but you might say he's in a drunken stupor." I make a date to
|
|||
|
visit Joe in Memphis in two days.
|
|||
|
|
|||
|
A Phone Phreak Call Takes Care of Business
|
|||
|
|
|||
|
The next morning I attend a gathering of four phone phreaks in
|
|||
|
----- (a California suburb). The gathering takes place in a
|
|||
|
comfortable split-level home in an upper-middle-class subdivision.
|
|||
|
Heaped on the kitchen table are the portable cassette recorders,
|
|||
|
M-F cassettes, phone patches, and line ties of the four phone
|
|||
|
phreaks present. On the kitchen counter next to the telephone is
|
|||
|
a shoe-box-size blue box with thirteen large toggle switches for
|
|||
|
the tones. The parents of the host phone phreak, Ralph, who is
|
|||
|
blind, stay in the living room with their sighted children. They
|
|||
|
are not sure exactly what Ralph and his friends do with the phone
|
|||
|
or if it's strictly legal, but he is blind and they are pleased he
|
|||
|
has a hobby which keeps him busy. The group has been working at
|
|||
|
reestablishing the historic "2111" conference, reopening some
|
|||
|
toll-free loops, and trying to discover the dimensions of what seem
|
|||
|
to be new initiatives against phone phreaks by phone-company
|
|||
|
security agents. It is not long before I get a chance to see, to
|
|||
|
hear, Randy at work. Randy is known among the phone phreaks as
|
|||
|
perhaps the finest con man in the game. Randy is blind. He is
|
|||
|
pale, soft and pear-shaped, he wears baggy pants and a wrinkly
|
|||
|
nylon white sport shirt, pushes his head forward from hunched
|
|||
|
shoulders somewhat like a turtle inching out of its shell. His
|
|||
|
eyes wander, crossing and recrossing, and his forehead is somewhat
|
|||
|
pimply. He is only sixteen years old. But when Randy starts
|
|||
|
speaking into a telephone mouthpiece his voice becomes so
|
|||
|
stunningly authoritative it is necessary to look again to convince
|
|||
|
yourself it comes from a chubby adolescent Randy. Imagine the voice
|
|||
|
of a crack oil-rig foreman, a tough, sharp, weather-beaten Marlboro
|
|||
|
man of forty. Imagine the voice of a brilliant performance-fund
|
|||
|
|
|||
|
- 33 -
|
|||
|
|
|||
|
|
|||
|
gunslinger explaining how he beats the Dow Jones by thirty percent.
|
|||
|
Then imagine a voice that could make those two sound like Stepin
|
|||
|
Fetchit. That is sixteen-year-old Randy's voice. He is speaking to
|
|||
|
a switchman in Detroit. The phone company in Detroit had closed up
|
|||
|
two toll-free loop pairs for no apparent reason, although heavy use
|
|||
|
by phone phreaks all over the country may have been detected.
|
|||
|
Randy is telling the switchman how to open up the loop and make it
|
|||
|
free again: "How are you, buddy. Yeah. I'm on the board in here in
|
|||
|
Tulsa, Oklahoma, and we've been trying to run some tests on your
|
|||
|
loop-arounds and we find'em busied out on both sides.... Yeah,
|
|||
|
we've been getting a 'BY' on them, what d'ya say, can you drop
|
|||
|
cards on 'em? Do you have 08 on your number group? Oh that's
|
|||
|
okay, we've had this trouble before, we may have to go after the
|
|||
|
circuit. Here lemme give 'em to you: your frame is 05, vertical
|
|||
|
group 03, horizontal 5, vertical file 3. Yeah, we'll hang on
|
|||
|
here.... Okay, found it? Good. Right, yeah, we'd like to clear
|
|||
|
that busy out. Right. All you have to do is look for your key on
|
|||
|
the mounting plate, it's in your miscellaneous trunk frame. Okay?
|
|||
|
Right. Now pull your key from NOR over the LCT. Yeah. I don't
|
|||
|
know why that happened, but we've been having trouble with that
|
|||
|
one. Okay. Thanks a lot fella. Be seein' ya." Randy hangs up,
|
|||
|
reports that the switchman was a little inexperienced with the
|
|||
|
loop-around circuits on the miscellaneous trunk frame, but that the
|
|||
|
loop has been returned to its free-call status. Delighted, phone
|
|||
|
phreak Ed returns the pair of numbers to the active-status column
|
|||
|
in his directory. Ed is a superb and painstaking researcher.
|
|||
|
With almost Talmudic thoroughness he will trace tendrils of hints
|
|||
|
through soft-wired mazes of intervening phone-company circuitry back
|
|||
|
through complex linkages of switching relays to find the location
|
|||
|
and identity of just one toll-free loop. He spends hours and hours,
|
|||
|
every day, doing this sort of thing. He has somehow compiled a
|
|||
|
directory of eight hundred "Band-six in-WATS numbers" located in
|
|||
|
over forty states. Band-six in-WATS numbers are the big 800
|
|||
|
numbers -- the ones that can be dialed into free from anywhere in
|
|||
|
the country. Ed the researcher, a nineteen-year-old engineering
|
|||
|
student, is also a superb technician. He put together his own
|
|||
|
working blue box from scratch at age seventeen. (He is sighted.)
|
|||
|
This evening after distributing the latest issue of his in-WATS
|
|||
|
directory (which has been typed into Braille for the blind phone
|
|||
|
phreaks), he announces he has made a major new breakthrough: "I
|
|||
|
finally tested it and it works, perfectly. I've got this switching
|
|||
|
matrix which converts any touch-tone phone into an M-F-er." The
|
|||
|
tones you hear in touch-tone phones are not the M-F tones that
|
|||
|
operate the long-distance switching system. Phone phreaks believe
|
|||
|
A.T.&T. had deliberately equipped touch tones with a different set
|
|||
|
of frequencies to avoid putting the six master M-F tones in the
|
|||
|
hands of every touch-tone owner. Ed's complex switching matrix
|
|||
|
puts the six master tones, in effect put a blue box, in the hands
|
|||
|
of every touch-tone owner. Ed shows me pages of schematics,
|
|||
|
specifications and parts lists. "It's not easy to build, but
|
|||
|
everything here is in the Heathkit catalog."
|
|||
|
|
|||
|
- 34 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Ed asks Ralph what progress he has made in his attempts to
|
|||
|
reestablish a long-term open conference line for phone phreaks.
|
|||
|
The last big conference -- the historic "2111" conference -- had
|
|||
|
been arranged through an unused Telex test-board trunk somewhere in
|
|||
|
the innards of a 4A switching machine in Vancouver, Canada. For
|
|||
|
months phone phreaks could M-F their way into Vancouver, beep out
|
|||
|
604 (the Vancouver area code) and then beep out 2111 (the internal
|
|||
|
phone-company code for Telex testing), and find themselves at any
|
|||
|
time, day or night, on an open wire talking with an array of phone
|
|||
|
phreaks from coast to coast, operators from Bermuda, Tokyo and
|
|||
|
London who are phone - phreak sympathizers, and miscellaneous
|
|||
|
guests and technical experts. The conference was a massive
|
|||
|
exchange of information. Phone phreaks picked each other's brains
|
|||
|
clean, then developed new ways to pick the phone company's brains
|
|||
|
clean. Ralph gave M F Boogies concerts with his
|
|||
|
home-entertainment-type electric organ, Captain Crunch demonstrated
|
|||
|
his round-the-world prowess with his notorious computerized unit
|
|||
|
and dropped leering hints of the "action" he was getting with his
|
|||
|
girl friends. (The Captain lives out or pretends to live out
|
|||
|
several kinds of fantasies to the gossipy delight of the blind
|
|||
|
phone phreaks who urge him on to further triumphs on behalf of all
|
|||
|
of them.) The somewhat rowdy Northwest phone-phreak crowd let
|
|||
|
their bitter internal feud spill over into the peaceable conference
|
|||
|
line, escalating shortly into guerrilla warfare; Carl the East
|
|||
|
Coast international tone relations expert demonstrated newly opened
|
|||
|
direct M-F routes to central offices on the island of Bahrein in
|
|||
|
the Persian Gulf, introduced a new phone-phreak friend of his in
|
|||
|
Pretoria, and explained the technical operation of the new
|
|||
|
Oakland-to Vietnam linkages. (Many phone phreaks pick up spending
|
|||
|
money by M-F-ing calls from relatives to Vietnam G.I.'s, charging
|
|||
|
$5 for a whole hour of trans-Pacific conversation.) Day and night
|
|||
|
the conference line was never dead. Blind phone phreaks all over
|
|||
|
the country, lonely and isolated in homes filled with active
|
|||
|
sighted brothers and sisters, or trapped with slow and
|
|||
|
unimaginative blind kids in straitjacket schools for the blind,
|
|||
|
knew that no matter how late it got they could dial up the
|
|||
|
conference and find instant electronic communion with two or three
|
|||
|
other blind kids awake over on the other side of America. Talking
|
|||
|
together on a phone hookup, the blind phone phreaks say, is not
|
|||
|
much different from being there together. Physically, there was
|
|||
|
nothing more than a two-inch-square wafer of titanium inside a vast
|
|||
|
machine on Vancouver Island. For the blind kids >there< meant an
|
|||
|
exhilarating feeling of being in touch, through a kind of skill and
|
|||
|
magic which was peculiarly their own. Last April 1, however, the
|
|||
|
long Vancouver Conference was shut off. The phone phreaks knew it
|
|||
|
was coming. Vancouver was in the process of converting from a
|
|||
|
step-by-step system to a 4A machine and the 2111 Telex circuit was
|
|||
|
to be wiped out in the process. The phone phreaks learned the
|
|||
|
actual day on which the conference would be erased about a week
|
|||
|
ahead of time over the phone company's internal - news - and -
|
|||
|
shop- talk recording. For the next frantic seven days every phone
|
|||
|
|
|||
|
- 35 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
phreak in America was on and off the 2111 conference twenty-four
|
|||
|
hours a day. Phone phreaks who were just learning the game or
|
|||
|
didn't have M-F capability were boosted up to the conference by
|
|||
|
more experienced phreaks so they could get a glimpse of what it
|
|||
|
was like before it disappeared. Top phone phreaks searched
|
|||
|
distant area codes for new conference possibilities without success.
|
|||
|
Finally in the early morning of April 1, the end came. "I could feel
|
|||
|
it coming a couple hours before midnight," Ralph remembers. "You
|
|||
|
could feel something going on in the lines. Some static began
|
|||
|
showing up, then some whistling wheezing sound. Then there were
|
|||
|
breaks. Some people got cut off and called right back in, but
|
|||
|
after a while some people were finding they were cut off and
|
|||
|
couldn't get back in at all. It was terrible. I lost it about
|
|||
|
one a.m., but managed to slip in again and stay on until the thing
|
|||
|
died... I think it was about four in the morning. There were four
|
|||
|
of us still hanging on when the conference disappeared into nowhere
|
|||
|
for good. We all tried to M-F up to it again of course, but we got
|
|||
|
silent termination. There was nothing there. " The Legendary Mark
|
|||
|
Bernay Turns Out To Be "The Midnight Skulker" Mark Bernay. I had
|
|||
|
come across that name before. It was on Gilbertson's select list of
|
|||
|
phone phreaks. The California phone phreaks had spoken of a
|
|||
|
mysterious Mark Bernay as perhaps the first and oldest phone
|
|||
|
phreak on the West Coast. And in fact almost every phone phreak in
|
|||
|
the West can trace his origins either directly to Mark Bernay or to
|
|||
|
a disciple of Mark Bernay. It seems that five years ago this Mark
|
|||
|
Bernay (a pseudonym he chose for himself) began traveling up and
|
|||
|
down the West Coast pasting tiny stickers in phone books all along
|
|||
|
his way. The stickers read something like "Want to hear an
|
|||
|
interesting tape recording? Call these numbers." The numbers that
|
|||
|
followed were toll-free loop-around pairs. When cone of the curious
|
|||
|
called one of the numbers he would hear a tape recording pre-hooked
|
|||
|
into the loop by Bernay which explained the use of loop-around pairs,
|
|||
|
gave the numbers of several more, and ended by telling the caller,
|
|||
|
"At six o'clock tonight this recording will stop and you and your
|
|||
|
friends can try it out. Have fun." "I was disappointed by the
|
|||
|
response at first," Bernay told me, when I finally reached him at
|
|||
|
one of his many numbers and he had dispensed with the usual "I never
|
|||
|
do anything illegal" formalities which experienced phone phreaks open
|
|||
|
most conversations. "I went all over the coast with these stickers
|
|||
|
not only on pay phones, but I'd throw them in front of high schools
|
|||
|
in the middle of the night, I'd leave them unobtrusively in candy
|
|||
|
stores, scatter them on main streets of small towns. At first hardly
|
|||
|
anyone bothered to try it out. I would listen in for hours and hours
|
|||
|
after six o'clock and no one came on. I couldn't figure out why people
|
|||
|
wouldn't be interested. Finally these two girls in Oregon tried it
|
|||
|
out and told all their friends and suddenly it began to spread."
|
|||
|
Before his Johny Appleseed trip Bernay had already gathered a sizable
|
|||
|
group of early pre-blue-box phone phreaks together on loop - arounds
|
|||
|
in Los Angeles. Bernay does not claim credit for the original
|
|||
|
|
|||
|
- 36 -
|
|||
|
|
|||
|
|
|||
|
discovery of the loop-around numbers. He attributes the
|
|||
|
discovery to an eighteen-year-old reform school kid in Long Beach
|
|||
|
whose name he forgets and who, he says, "just disappeared one day."
|
|||
|
When Bernay himself discovered loop-arounds independently, from
|
|||
|
clues in his readings in old issues of the Automatic Electric
|
|||
|
Technical Journal, he found dozens of the reform-school kid's
|
|||
|
friends already using them. However, it was one of Bernay's
|
|||
|
disciples in Seattle that introduced phone phreaking to blind kids.
|
|||
|
The Seattle kid who learned about loops through Bernay's recording
|
|||
|
told a blind friend, the blind kid taught the secret to his friends
|
|||
|
at a winter camp for blind kids in Los Angeles. When the camp
|
|||
|
session was over these kids took the secret back to towns all over
|
|||
|
the West. This is how the original blind kids became phone
|
|||
|
phreaks. For them, for most phone phreaks in general, it was the
|
|||
|
discovery of the possibilities of loop-arounds which led them on to
|
|||
|
far more serious and sophisticated hone-phreak methods, and which
|
|||
|
gave them a medium for sharing their discoveries. A year later a
|
|||
|
blind kid who moved back east brought the technique to a blind
|
|||
|
kids' summer camp in Vermont, which spread it along the East Coast.
|
|||
|
All from a Mark Bernay sticker. Bernay, who is nearly thirty years
|
|||
|
old now, got his start when he was fifteen and his family moved
|
|||
|
into an L.A. suburb serviced by General Telephone and Electronics
|
|||
|
equipment. He became fascinated with the differences between Bell
|
|||
|
and G.T.&E. equipment. He learned he could make interesting things
|
|||
|
happen by carefully timed clicks with the disengage button. He
|
|||
|
learned to interpret subtle differences in the array of clicks,
|
|||
|
whirrs and kachinks he could hear on his lines. He learned he
|
|||
|
could shift himself around the switching relays of the L.A. area
|
|||
|
code in a not-too-predictable fashion by interspersing his own
|
|||
|
hook-switch clicks with the clicks within the line. (Independent
|
|||
|
phone companies -- there are nineteen hundred of them still left,
|
|||
|
most of them tiny island principalities in Ma Bell's vast empire --
|
|||
|
have always been favorites with phone phreaks, first as learning
|
|||
|
tools, then as Archimedes platforms from which to manipulate the
|
|||
|
huge Bell system. A phone phreak in Bell territory will often M-F
|
|||
|
himself into an independent's switching system, with switching
|
|||
|
idiosyncrasies which can give him marvelous leverage over the Bell
|
|||
|
System. "I have a real affection for Automatic Electric Equipment,"
|
|||
|
Bernay told me. "There are a lot of things you can play with.
|
|||
|
Things break down in interesting ways." Shortly after Bernay
|
|||
|
graduated from college (with a double major in chemistry and
|
|||
|
philosophy), he graduated from phreaking around with G.T.&E. to the
|
|||
|
Bell System itself, and made his legendary sticker-pasting journey
|
|||
|
north along the coast, settling finally in Northwest Pacific Bell
|
|||
|
territory. He discovered that if Bell does not break down as
|
|||
|
interestingly as G.T.&E., it nevertheless offers a lot of "things
|
|||
|
to play with." Bernay learned to play with blue boxes. He
|
|||
|
established his own personal switchboard and phone-phreak research
|
|||
|
laboratory complex. He continued his phone-phreak evangelism with
|
|||
|
ongoing sticker campaigns. He set up two recording numbers, one
|
|||
|
|
|||
|
|
|||
|
- 37 -
|
|||
|
|
|||
|
with instructions for beginning phone phreaks, the other with latest
|
|||
|
news and technical developments (along with some advanced
|
|||
|
instruction) gathered from sources all over the country. These
|
|||
|
days, Bernay told me, he had gone beyond phone-phreaking itself.
|
|||
|
"Lately I've been enjoying playing with computers more than playing
|
|||
|
with phones. My personal thing in computers is just like with
|
|||
|
phones, I guess -- the kick is in finding out how to beat the
|
|||
|
system, how to get at things I'm not supposed to know about, how to
|
|||
|
do things with the system that I'm not supposed to be able to do."
|
|||
|
As a matter of fact, Bernay told me, he had just been fired from
|
|||
|
his computer-programming job for doing things he was not supposed
|
|||
|
to be able to do. he had been working with a huge time-sharing
|
|||
|
computer owned by a large corporation but shared by many others.
|
|||
|
Access to the computer was limited to those programmers and
|
|||
|
corporations that had been assigned certain passwords. And each
|
|||
|
password restricted its user to access to only the one section of
|
|||
|
the computer cordoned off from its own information storager. The
|
|||
|
password system prevented companies and individuals from stealing
|
|||
|
each other's information. "I figured out how to write a program
|
|||
|
that would let me read everyone else's password," Bernay reports.
|
|||
|
"I began playing around with passwords. I began letting the people
|
|||
|
who used the computer know, in subtle ways, that I knew their
|
|||
|
passwords. I began dropping notes to the computer supervisors with
|
|||
|
hints that I knew what I know. I signed them 'The Midnight
|
|||
|
Skulker.' I kept getting cleverer and cleverer with my messages
|
|||
|
and devising ways of showing them what I could do. I'm sure they
|
|||
|
couldn't imagine I could do the things I was showing them. But
|
|||
|
they never responded to me. Every once in a while they'd change
|
|||
|
the passwords, but I found out how to discover what the new ones
|
|||
|
were, and I let them know. But they never responded directly to
|
|||
|
the Midnight Skulker. I even finally designed a program which they
|
|||
|
could use to prevent my program from finding out what it did. In
|
|||
|
effect I told them how to wipe me out, The Midnight Skulker. It
|
|||
|
was a very clever program. I started leaving clues about myself.
|
|||
|
I wanted them to try and use it and then try to come up with something
|
|||
|
to get around that and reappear again. But they wouldn't play. I
|
|||
|
wanted to get caught. I mean I didn't want to get caught personally,
|
|||
|
but I wanted them to notice me and admit that they noticed me. I
|
|||
|
wanted them to attempt to respond, maybe in some interesting way."
|
|||
|
Finally the computer managers became concerned enough about the threat
|
|||
|
of information-stealing to respond. However, instead of using The
|
|||
|
Midnight Skulker's own elegant self-destruct program, they called
|
|||
|
in their security personnel, interrogated everyone, found an
|
|||
|
informer to identify Bernay as The Midnight Skulker, and fired him.
|
|||
|
"At first the security people advised the company to hire me
|
|||
|
full-time to search out other flaws and discover other computer
|
|||
|
freaks. I might have liked that. But I probably would have turned
|
|||
|
into a double double agent rather than the double agent they
|
|||
|
wanted. I might have resurrected The Midnight Skulker and tried
|
|||
|
to catch myself. Who knows? Anyway, the higher-ups turned the
|
|||
|
whole idea down."
|
|||
|
|
|||
|
- 38 -
|
|||
|
|
|||
|
|
|||
|
You Can Tap the F.B.I.'s Crime Control Computer in the Comfort of
|
|||
|
Your Own Home, Perhaps Computer freaking may be the wave of the
|
|||
|
future. It suits the phone-phreak sensibility perfectly.
|
|||
|
Gilbertson, the blue-box inventor and a lifelong phone phreak, has
|
|||
|
also gone on from phone-phreaking to computer-freaking. Before he
|
|||
|
got into the blue-box business Gilbertson, who is a highly skilled
|
|||
|
programmer, devised programs for international currency arbitrage.
|
|||
|
But he began playing with computers in earnest when he learned he
|
|||
|
could use his blue box in tandem with the computer terminal
|
|||
|
installed in his apartment by the instrumentation firm he worked
|
|||
|
for. The print-out terminal and keyboard was equipped with
|
|||
|
acoustical coupling, so that by coupling his little ivory Princess
|
|||
|
phone to the terminal and then coupling his blue box on that, he
|
|||
|
could M-F his way into other computers with complete anonymity, and
|
|||
|
without charge; program and re-program them at will; feed them
|
|||
|
false or misleading information; tap and steal from them. He
|
|||
|
explained to me that he taps computers by busying out all the
|
|||
|
lines, then going into a verification trunk, listening into the
|
|||
|
passwords and instructions one of the time sharers uses, and them
|
|||
|
M-F-ing in and imitating them. He believes it would not be
|
|||
|
impossible to creep into the F.B.I's crime control computer through
|
|||
|
a local police computer terminal and phreak around with the
|
|||
|
F.B.I.'s memory banks. He claims he has succeeded in
|
|||
|
re-programming a certain huge institutional computer in such a way
|
|||
|
that it has cordoned off an entire section of its circuitry for his
|
|||
|
personal use, and at the same time conceals that arrangement from
|
|||
|
anyone else's notice. I have been unable to verify this claim.
|
|||
|
Like Captain Crunch, like Alexander Graham Bell (pseudonym of a
|
|||
|
disgruntled-looking East Coast engineer who claims to have invented
|
|||
|
the black box and now sells black and blue boxes to gamblers and
|
|||
|
radical heavies), like most phone phreaks, Gilbertson began his
|
|||
|
career trying to rip off pay phones as a teenager. Figure them
|
|||
|
out, then rip them off. Getting his dime back from the pay phone is
|
|||
|
the phone phreak's first thrilling rite of passage. After learning
|
|||
|
the usual eighteen different ways of getting his dime back,
|
|||
|
Gilbertson learned how to make master keys to coin-phone cash boxes,
|
|||
|
and get everyone else's dimes back. He stole some phone-company
|
|||
|
quipment and put together his own home switchboard with it. He
|
|||
|
learned to make a simple "bread-box" device, of the kind used by
|
|||
|
bookies in the Thirties (bookie gives a number to his betting
|
|||
|
clients; the phone with that number is installed in some widow
|
|||
|
lady's apartment, but is rigged to ring in the bookie's shop
|
|||
|
across town, cops trace big betting number and find nothing but
|
|||
|
the widow). Not long after that afternoon in 1968 when, deep in
|
|||
|
the stacks of an engineering library, he came across a technical
|
|||
|
journal with the phone tone frequencies and rushed off to make his
|
|||
|
first blue box, not long after that Gilbertson abandoned a very
|
|||
|
promising career in physical chemistry and began selling blue boxes
|
|||
|
for $1,500 apiece. "I had to leave physical chemistry. I just ran
|
|||
|
out of interesting things to learn," he told me one evening.
|
|||
|
We had been talking in the apartment of the man who served as the
|
|||
|
|
|||
|
- 39 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
link between Gilbertson and the syndicate in arranging the big
|
|||
|
$300,000 blue-box deal which fell through because of legal
|
|||
|
trouble. There has been some smoking. "No more interesting
|
|||
|
things to learn," he continues. "Physical chemistry turns out
|
|||
|
to be a sick subject when you take it to its highest level. I
|
|||
|
don't know. I don't think I could explain to you how it's sick.
|
|||
|
You have to be there. But you get, I don't know, a false feeling
|
|||
|
of omnipotence. I suppose it's like phone-phreaking that way.
|
|||
|
This huge thing is there. This whole system. And there are holes
|
|||
|
in it and you slip into them like Alice and you're pretending
|
|||
|
you're doing something you're actually not, or at least it's no
|
|||
|
longer you that's doing what you thought you were doing. It's
|
|||
|
all Lewis Carroll. Physical chemistry and phone-phreaking. That's
|
|||
|
why you have these phone- phreak pseudonyms like The Cheshire Cat,
|
|||
|
the Red King, and The Snark. But there's something about phone-
|
|||
|
phreaking that you don't find in physical chemistry." He looks up
|
|||
|
at me: "Did you ever steal anything?" "Well yes, I..." "Then you
|
|||
|
know! You know the rush you get. It's not just knowledge, like
|
|||
|
physical chemistry. It's forbidden knowledge. You know. You can
|
|||
|
learn about anything under the sun and be bored to death with it. But
|
|||
|
the idea that it's illegal. Look: you can be small and mobile and
|
|||
|
smart and you're ripping off somebody large and powerful and very
|
|||
|
dangerous." People like Gilbertson and Alexander Graham Bell are
|
|||
|
always talking about ripping off the phone company and crewing Ma
|
|||
|
Bell. But if they were shown a single button and told that by
|
|||
|
pushing it they could turn the entire circuitry of AT&T. into
|
|||
|
molten puddles, they probably wouldn't push it. The
|
|||
|
disgruntled-inventor phone phreak needs the phone system the way
|
|||
|
the lapsed Catholic needs the Church, the way Satan needs a God,
|
|||
|
the way The Midnight Skulker needed, more than anything else,
|
|||
|
response. Later that evening Gilbertson finished telling me how
|
|||
|
delighted he was at the flood of blue boxes spreading throughout
|
|||
|
the country, how delighted he was to know that "this time they're
|
|||
|
really screwed." He suddenly shifted gears. "Of course. I do have
|
|||
|
this love/hate thing about Ma Bell. In a way I almost like the
|
|||
|
phone company. I guess I'd be very sad if they were to
|
|||
|
isintegrate. In a way it's just that after having been so good they
|
|||
|
turn out to have these things wrong with them. It's those flaws
|
|||
|
that allow me to get in and mess with them, but I don't know.
|
|||
|
There's something about it that gets to you and makes you want to
|
|||
|
get to it, you know." I ask him what happens when he runs
|
|||
|
out of interesting, forbidden things to learn about the phone
|
|||
|
system. "I don't know, maybe I'd go to work for them for a while."
|
|||
|
"In security even?" "I'd do it, sure. I just as soon play -- I'd
|
|||
|
just as soon work on either side." "Even figuring out how to trap
|
|||
|
phone phreaks? I said, recalling Mark Bernay's game." "Yes, that
|
|||
|
might be interesting. Yes, I could figure out how to outwit the
|
|||
|
phone phreaks. Of course if I got too good at it, it might become
|
|||
|
boring again. Then I'd have to hope the phone phreaks got much
|
|||
|
better and outsmarted me for a while. That would move the quality
|
|||
|
of the game up one level. I might even habe yo help them out you
|
|||
|
|
|||
|
- 40 -
|
|||
|
|
|||
|
|
|||
|
know, 'Well, kids, I wouldn't want this to get around but did you
|
|||
|
ever think of -- ?' I could keep it going at higher and higher
|
|||
|
levels forever." The dealer speaks up for the first time. He has
|
|||
|
been staring at the soft blinking patterns of light and colors on
|
|||
|
the translucent tiled wall facing him. (Actually there are no
|
|||
|
patterns: the color and illumination of every tile is determined
|
|||
|
by a computerized random-number generator designed by Gilbertson
|
|||
|
which insures that th re can be no meaning to any sequence of events
|
|||
|
in the tiles.) "Those are nice games you're talking about," says the
|
|||
|
dealer to his friend. "But I wouldn't mind seeing them screwed. A
|
|||
|
telephone isn't private anymore. You can't say anything you really
|
|||
|
want to say on a telephone or you have to go through that paranoid
|
|||
|
bullshit. 'Is it cool to talk on the phone?' I mean, even if it is
|
|||
|
cool, if you have to ask 'Is it cool,' then it isn't cool. You know.
|
|||
|
'Is it cool,' then it isn't cool. You know. Like those blind kids,
|
|||
|
people are going to start putting together their own private
|
|||
|
telephone companies if they want to really talk. And you know what
|
|||
|
else. You don't hear silences on the phone anymore. They've got
|
|||
|
this time-sharing thing on long-distance lines where you make a
|
|||
|
pause and they snip out that piece of time and use it to carry part
|
|||
|
of somebody else's conversation. Instead of a pause, where somebody's
|
|||
|
maybe breathing or sighing, you get this blank hole and you only start
|
|||
|
hearing again when someone says a word and even the beginning of the
|
|||
|
word is clipped off. Silences don't count -- you're paying for them,
|
|||
|
but they take them away from you. It's not cool to talk and you can't
|
|||
|
hear someone when they don't talk. What the hell good is the phone?
|
|||
|
I wouldn't mind seeing them totally screwed."
|
|||
|
|
|||
|
The Big Memphis Bust
|
|||
|
|
|||
|
Joe Engressia never wanted to screw Ma Bell. His dream had always
|
|||
|
been to work for her. The day I visited Joe in his small apartment
|
|||
|
on Union Avenue in Memphis, he was upset about another setback in
|
|||
|
his application for a telephone job. "They're stalling on it. I
|
|||
|
got a letter today telling me they'd have to postpone the interview
|
|||
|
I requested again. My landlord read it for me. They gave me some
|
|||
|
runaround about wanting papers on my rehabilitation status but I
|
|||
|
think there's something else going on." When I switched on the
|
|||
|
40-watt bulb in Joe's room -- he sometimes forgets when he has
|
|||
|
guests -- it looked as if there was enough telephone hardware to
|
|||
|
start a small phone company of his own. There is one phone on top
|
|||
|
of his desk, one phone sitting in an open drawer beneath the desk
|
|||
|
top. Next to the desk-top phone is a cigar-box-size M-F device
|
|||
|
with big toggle switches, and next to that is some kind of switching
|
|||
|
and coupling device with jacks and alligator plugs hanging loose.
|
|||
|
Next to that is a Braille typewriter. On the floor next to the desk,
|
|||
|
lying upside down like a dead tortoise, is the half-gutted body of an
|
|||
|
old black standard phone. Across the room on a torn and dusty couch
|
|||
|
are two more phones, one of them a touch-tone model; two tape
|
|||
|
|
|||
|
- 41 -
|
|||
|
|
|||
|
recorders; a heap of phone patches and cassettes, and a life-size
|
|||
|
toy telephone. Our conversation is interrupted every ten minutes by
|
|||
|
phone phreaks from all over the country ringing Joe on just about
|
|||
|
every piece of equipment but the toy phone and the Braille
|
|||
|
typewriter. One fourteen-year-old blind kid from Connecticut calls
|
|||
|
up and tells Joe he's got a girl friend. He wants to talk to Joe
|
|||
|
about girl friends. Joe says they'll talk later in the evening when
|
|||
|
they can be alone on the line. Joe draws a deep breath, whistles
|
|||
|
him off the air with an earsplitting 2600-cycle whistle. Joe is
|
|||
|
pleased to get the calls but he looked worried and preoccupied that
|
|||
|
evening, his brow constantly furrowed over his dark wandering eyes.
|
|||
|
In addition to the phone-company stall, he has just learned that
|
|||
|
his apartment house is due to be demolished in sixty days for urban
|
|||
|
renewal. For all its shabbiness, the Union Avenue apartment house
|
|||
|
has been Joe's first home-of-his-own and he's worried that he may
|
|||
|
not find another before this one is demolished. But what really
|
|||
|
bothers Joe is that switchmen haven't been listening to him. "I've
|
|||
|
been doing some checking on 800 numbers lately, and I've discovered
|
|||
|
that certain 800 numbers in New Hampshire couldn't be reached from
|
|||
|
Missouri and Kansas. Now it may sound like a small thing, but I
|
|||
|
don't like to see sloppy work; it makes me feel bad about the
|
|||
|
lines. So I've been calling up switching offices and reporting it,
|
|||
|
but they haven't corrected it. I called them up for the third time
|
|||
|
today and instead of checking they just got mad. Well, that gets me
|
|||
|
mad. I mean, I do try to help them. There's something about them
|
|||
|
I can't understand -- you want to help them and they just try to
|
|||
|
say you're defrauding them." It is Sunday evening and Joe invites
|
|||
|
me to join him for dinner at a Holiday Inn. Frequently on Sunday
|
|||
|
evening Joe takes some of his welfare money, calls a cab, and
|
|||
|
treats himself to a steak dinner at one of Memphis' thirteen
|
|||
|
Holiday Inns. (Memphis is the headquarters of Holiday Inn.
|
|||
|
Holiday Inns have been a favorite for Joe ever since he made his
|
|||
|
first solo phone trip to a Bell switching office in Jacksonville,
|
|||
|
Florida, and stayed in the Holiday Inn there. He likes to stay at
|
|||
|
Holiday Inns, he explains, because they represent freedom to him
|
|||
|
and because the rooms are arranged the same all over the country so
|
|||
|
he knows that any Holiday Inn room is familiar territory to him.
|
|||
|
Just like any telephone.) Over steaks in the Pinnacle Restaurant
|
|||
|
of the Holiday Inn Medical Center on Madison Avenue in Memphis,
|
|||
|
Joe tells me the highlights of his life as a phone phreak. At age
|
|||
|
seven, Joe learned his first phone trick. A mean baby-sitter, tired
|
|||
|
of listening to little Joe play with the phone as he always did,
|
|||
|
constantly, put a lock on the phone dial. "I got so mad. When
|
|||
|
there's a phone sitting there and I can't use it... so I started
|
|||
|
getting mad and banging the receiver up and down. I noticed I banged
|
|||
|
it once and it dialed one. Well, then I tried banging it twice...."
|
|||
|
In a few minutes Joe learned how to dial by pressing the hook switch
|
|||
|
at the right time. "I was so excited I remember going 'whoo whoo' and
|
|||
|
beat a box down on the floor." At age eight Joe learned about
|
|||
|
whistling. "I was listening to some intercept non working-number
|
|||
|
|
|||
|
- 42 -
|
|||
|
|
|||
|
|
|||
|
recording in L.A.- I was calling L.A. as far back as that, but I'd
|
|||
|
mainly dial non working numbers because there was no charge, and
|
|||
|
I'd listen to these recordings all day. Well, I was whistling
|
|||
|
'cause listening to these recordings can be boring after a while
|
|||
|
even if they are from L.A., and all of a sudden, in the middle of
|
|||
|
whistling, the recording clicked off. I fiddled around whistling
|
|||
|
some more, and the same thing happened. So I called up the switch
|
|||
|
room and said, 'I'm Joe. I'm eight years old and I want to know
|
|||
|
why when I whistle this tune the line clicks off.' He tried to
|
|||
|
explain it to me, but it was a little too technical at the time.
|
|||
|
I went on learning. That was a thing nobody was going to stop me
|
|||
|
from doing. The phones were my life, and I was going to pay any
|
|||
|
price to keep on learning. I knew I could go to jail. But I had
|
|||
|
to do what I had to do to keep on learning." The phone is ringing
|
|||
|
when we walk back into Joe's apartment on Union Avenue. It is
|
|||
|
Captain Crunch. The Captain has been following me around by phone,
|
|||
|
calling up everywhere I go with additional bits of advice and
|
|||
|
explanation for me and whatever phone phreak I happen to be visiting.
|
|||
|
This time the Captain reports he is calling from what he describes
|
|||
|
as "my hideaway high up in the Sierra Nevada." He pulses out lusty
|
|||
|
salvos of M-F and tells Joe he is about to "go out and get a little
|
|||
|
action tonight. Do some phreaking of another kind, if you know
|
|||
|
what I mean." Joe chuckles. The Captain then tells me to make sure
|
|||
|
I understand that what he told me about tying up the nation's phone
|
|||
|
lines was true, but that he and the phone phreaks he knew never used
|
|||
|
the technique for sabotage. They only learned the technique to help
|
|||
|
the phone company. "We do a lot of troubleshooting for them. Like
|
|||
|
this New Hampshire/Missouri WATS-line flaw I've been screaming about.
|
|||
|
We help them more than they know." After we say good-bye to the
|
|||
|
Captain and Joe whistles him off the line, Joe tells me about a
|
|||
|
disturbing dream he had the night before: "I had been caught and
|
|||
|
they were taking me to a prison. It was a long trip. They were
|
|||
|
taking me to a prison a long long way away. And we stopped at a
|
|||
|
Holiday Inn and it was my last night ever using the phone and I was
|
|||
|
crying and crying, and the lady at the Holiday Inn said, 'Gosh,
|
|||
|
honey, you should never be sad at a Holiday Inn. You should always
|
|||
|
be happy here. Especially since it's your last night.' And that
|
|||
|
just made it worse and I was sobbing so much I couldn't stand it."
|
|||
|
Two weeks after I left Joe Engressia's apartment, phone-company
|
|||
|
security agents and Memphis police broke into it. Armed with a
|
|||
|
warrant, which they left pinned to a wall, they confiscated every
|
|||
|
piece of equipment in the room, including his toy telephone. Joe
|
|||
|
as placed under arrest and taken to the city jail where he was
|
|||
|
forced to spend the night since he had no money and knew no one
|
|||
|
in Memphis to call. It is not clear who told Joe what that night,
|
|||
|
but someone told him that the phone company had an open-and-shut
|
|||
|
case against him because of revelations of illegal activity he had
|
|||
|
made to a phone-company undercover agent. By morning Joe had become
|
|||
|
convinced that the reporter from Esquire, with whom he had spoken
|
|||
|
two weeks ago, was the undercover agent. He probably had
|
|||
|
|
|||
|
- 43 -
|
|||
|
|
|||
|
|
|||
|
ugly thoughts about someone he couldn't see gaining his confidence,
|
|||
|
listening to him talk about his personal obsessions and dreams,
|
|||
|
while planning all the while to lock him up. "I really thought he
|
|||
|
was a reporter," Engressia told the Memphis Press-Seminar. "I told
|
|||
|
him everything...." Feeling betrayed, Joe proceeded to confess
|
|||
|
everything to the press and police. As it turns out, the phone
|
|||
|
company did use an undercover agent to trap Joe, although it was
|
|||
|
not the Esquire reporter. Ironically, security agents were alerted
|
|||
|
and began to compile a case against Joe because of one of his acts
|
|||
|
of love for the system: Joe had called an internal service
|
|||
|
department to report that he had located a group of defective
|
|||
|
long-distance trunks, and to complain again about the New
|
|||
|
Hampshire/Missouri WATS problem. Joe always liked Ma Bell's lines
|
|||
|
to be clean and responsive. A suspicious switchman reported Joe to
|
|||
|
the security agents who discovered that Joe had never had a
|
|||
|
long-distance call charged to his name. Then the security agents
|
|||
|
learned that Joe was planning one of his phone trips to a local
|
|||
|
switching office. The security people planted one of their agents
|
|||
|
in the switching office. He posed as a student switchman and followed
|
|||
|
Joe around on a tour. He was extremely friendly and helpful to Joe,
|
|||
|
leading him around the office by the arm. When the tour was over he
|
|||
|
offered Joe a ride back to his apartment house. On the way he asked
|
|||
|
Joe -- one tech man to another -- about "those blue boxers" he'd
|
|||
|
heard about. Joe talked about them freely, talked about his blue
|
|||
|
box freely, and about all the other things he could do with the
|
|||
|
phones. The next day the phone-company security agents slapped a
|
|||
|
monitoring tape on Joe's line, which eventually picked up an illegal
|
|||
|
call. Then they applied for the search warrant and broke in. In
|
|||
|
court Joe pleaded not guilty to possession of a blue box and theft
|
|||
|
of service. A sympathetic judge reduced the charges to malicious
|
|||
|
mischief and found him guilty on that count, sentenced him to two
|
|||
|
thirty-day sentences to be served concurrently and then suspended
|
|||
|
the sentence on condition that Joe promise never to play with phones
|
|||
|
again. Joe promised, but the phone company refused to restore his
|
|||
|
service. For two weeks after the trial Joe could not be reached
|
|||
|
except through the pay phone at his apartment house, and the landlord
|
|||
|
screened all calls for him. Phone-phreak Carl managed to get through
|
|||
|
to Joe after the trial, and reported that Joe sounded crushed by the
|
|||
|
whole affair. "What I'm worried about," Carl told me, "is that Joe
|
|||
|
means it this time. The promise. That he'll never phone-phreak
|
|||
|
again. That's what he told me, that he's given up phone-phreaking
|
|||
|
for good. I mean his entire life. He says he knows they're
|
|||
|
going to be watching him so closely for the rest of his life he'll
|
|||
|
never be able to make a move without going straight to jail. He
|
|||
|
sounded very broken up by the whole experience of being in jail.
|
|||
|
It was awful to hear him talk that way. I don't know. I hope maybe he
|
|||
|
had to sound that way. Over the phone, you know." He reports that
|
|||
|
the entire phone-phreak underground is up in arms over the phone
|
|||
|
company's treatment of Joe. "All the while Joe had his hopes
|
|||
|
pinned on his application for a phone-company job,
|
|||
|
|
|||
|
- 44 -
|
|||
|
|
|||
|
|
|||
|
|
|||
|
they were stringing him along getting ready to bust him. That gets
|
|||
|
me mad. Joe spent most of his time helping them out. The
|
|||
|
bastards. They think they can use him as an example. All of
|
|||
|
sudden they're harassing us on the coast. Agents are jumping up on
|
|||
|
our lines. They just busted ------'s mute yesterday and ripped out
|
|||
|
his lines. But no matter what Joe does, I don't think we're going
|
|||
|
to take this lying down." Two weeks later my phone rings and about
|
|||
|
eight phone phreaks in succession say hello from about eight
|
|||
|
different places in the country, among them Carl, Ed, and Captain
|
|||
|
Crunch. A nationwide phone-phreak conference line has been
|
|||
|
reestablished through a switching machine in --------, with the
|
|||
|
cooperation of a disgruntled switchman. "We have a special guest
|
|||
|
with us today," Carl tells me. The next voice I hear is Joe's. He
|
|||
|
reports happily that he has just moved to a place called
|
|||
|
Millington, Tennessee, fifteen miles outside of Memphis, where he
|
|||
|
has been hired as a telephone-set repairman by a small independent
|
|||
|
phone company. Someday he hopes to be an equipment troubleshooter.
|
|||
|
"It's the kind of job I dreamed about. They found out about me
|
|||
|
from the publicity surrounding the trial. Maybe Ma Bell did me a
|
|||
|
favor busting me. I'll have telephones in my hands all day long."
|
|||
|
"You know the expression, 'Don't get mad, get even'?" phone-phreak
|
|||
|
Carl asked me. "Well, I think they're going to be very sorry about
|
|||
|
what they did to Joe and what they're trying to do to us."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 45 -
|
|||
|
|
|||
|
|
|||
|
Files By - XTC
|
|||
|
|
|||
|
WIRETAPPING AND DIVESTITURE: By - XTC
|
|||
|
|
|||
|
EEVER MISSING AN OPPORTUNITY FOR SOCIAL ENGINEERING, THE KID & CO.
|
|||
|
AND I NATURALLY CARRIED ON A CONVERSATION WITH THE NEW JERSEY BELL
|
|||
|
FONE INSTALLER WHEN HE CAME TO PUT IN MY MODEM LINE. THE
|
|||
|
CONVERSATION TURNED TO FONE TAPPING, AND SEVERAL INTERESTING
|
|||
|
DETAILS CAME TO LIGHT. HE SWORE UP AND DOWN THAT BELL HAD NOTHING
|
|||
|
TO DO WITH WIRE TAPPING. HE SAID THE SUPERVISOR RECEIVES SEALED
|
|||
|
ORDERS FROM THE SHERIFF'S OFFICE, MERELY PASSING THEM ON TO THE
|
|||
|
LINEMEN. THEN THE LINEMEN FOLLOW THE ORDERS TO GO UP ON THE POLES
|
|||
|
AND MARK THE PAIR IN THE "CAN" THAT FIT THE FONE LINE IN QUESTION,
|
|||
|
AND THEN LEAVE THE SITE.
|
|||
|
|
|||
|
ONE DAY, OUR LINEMAN DROVE BACK BY THE POLE HE HAD MARKED
|
|||
|
EARLIER IN THE DAY, AND SAW A BELL TRUCK. WONDERING WHO IT WAS, HE
|
|||
|
STOPPED TO ASK. THE GUY UP ON THE POLE TOLD HIM TO GO AWAY AND TO
|
|||
|
LEAVE HIM ALONE. SINCE OUR FRIENDLY LINEMAN DIDN'T RECOGNIZE THE
|
|||
|
MYSTERY MAN AS ONE OF THE LINEMEN FOR THE AREA, HE ASKED HIS
|
|||
|
SUPERVISOR WHO IT COULD HAVE BEEN. HIS SUPERVISOR CURTLY TOLD HIM
|
|||
|
TO FORGET THE ENTIRE INCIDENT.
|
|||
|
|
|||
|
THE LINEMAN TOLD US THAT IN THE OLD DAYS THE TELCO AND THE
|
|||
|
PROSECUTOR'S OFFICE WORKED HAND-IN-HAND. THEY WOULD LET THE
|
|||
|
AUTHORITIES RIGHT INTO THE CO TO LISTEN IN ON CONVERSATIONS. BUT
|
|||
|
THIS ENDED AROUND 1973 WHEN SOMEONE SUED JERSEY BELL BECAUSE OF
|
|||
|
THIS TOO CLOSE INTERACTION. THE TELCO THEN REALIZED THAT THEY
|
|||
|
DIDN'T HAVE TO GO THAT FAR IN ORDER TO HELP THE POLICE. AFTER
|
|||
|
THIS THEY GRADUALLY BROKE FROM THE CLOSE RELATIONSHIP. NOW THE
|
|||
|
FONE COMPANY MERELY MARKS THE LINES, AND THE PROSECUTOR'S OFFICE
|
|||
|
HANDLES THE REST. HE ALSO SAID THAT NOW THE POLICE SOMETIMES USE
|
|||
|
ULTRASONIC WAVES BOUNCED OFF OF WINDOW PANES TO LISTEN TO SUSPECTS,
|
|||
|
REMOVING ALL CONTACT WITH THE FONE LINES. SINCE THE PRESENCE OF A
|
|||
|
FONE COMPANY TRUCK MESSING WITH TELEPHONE WIRES IS
|
|||
|
TAKEN FOR GRANTED BY THE GENERAL POPULACE, THE SHERIFF'S OFFICE
|
|||
|
ALSO HAS A COUPLE OF THEM FOR UNDERCOVER WORK. SINCE THEY GOT THEM
|
|||
|
BACK IN THE GOOD OLD DAYS OF BELL FRIENDLINESS, THE TRUCKS TEND TO
|
|||
|
BE THE OLDER MODELS, WITH OUTDATED GEAR. THE LINEMAN TOLD US A SURE
|
|||
|
WAY TO IDENTIFY THE LOCAL POLICE'S TRUCKS: THEY HAVE WOODEN
|
|||
|
LADDERS. NEW JERSEY BELL SWITCHED OVER TO PLASTIC ONES YEARS AGO.
|
|||
|
|
|||
|
CONTINUING THE DISCUSSION WITH THE LINEMAN, WE COVERED THE
|
|||
|
BREAKUP. NEW JERSEY BELL NOW NO LONGER GIVES AS MUCH OVERTIME AS
|
|||
|
IT ONCE DID. THE LINEMAN COMPLAINED THAT HIS STANDARD OF LIVING
|
|||
|
HAD GONE DOWN SINCE THE BREAKUP AS HE NO LONGER HAS AS MUCH TAKE
|
|||
|
HOME PAY. THE BREAKUP HAS CAUSED A TOTAL SEVERING OF TIES WITH
|
|||
|
AT&T. HE PROFESSED TOTAL IGNORANCE ABOUT LONG DISTANCE CALLING.
|
|||
|
HE HAD ORIGINALLY GONE WITH AT&T, BUT DISLIKED FIXING PBX'S AND
|
|||
|
COMPUTER SYSTEMS. AS SOON AS HE COULD, HE SWITCHED BACK TO THE
|
|||
|
LOCAL OPERATING COMPANY. HE TOLD US ABOUT A TECHNICAL INSTITUTE
|
|||
|
|
|||
|
- 46 -
|
|||
|
|
|||
|
|
|||
|
WESTERN UNION WAS OPERATING SOMEWHERE IN THE MIDWEST. HE HAD GONE
|
|||
|
THERE TO LEARN ABOUT THE VARIOUS TYPES OF SWITCHING SYSTEMS. ON
|
|||
|
CAMPUS WAS A GIGANTIC, MULTI-STORY BUILDING SPLIT UP INTO ROOMS
|
|||
|
APPROXIMATELY THE SIZE OF GYMNASIUMS. IN EACH WAS A FULLY
|
|||
|
OPERATIONAL SCALE MODEL OF EACH OF THE VARIOUS SWITCHING SYSTEMS.
|
|||
|
WESTERN ELECTRIC MANUFACTURES, INCLUDING ALL THE ESS AND CROSSBAR
|
|||
|
MACHINES, AS WELL AS SOME STEP-BY-STEP, AND SEVERAL TYPES OF PBX'S.
|
|||
|
THEY TROUBLE-SHOT AND REPAIRED PROBLEMS IN THESE MACHINES IN ORDER
|
|||
|
TO LEARN ABOUT ACTUAL OPERATING EQUIPMENT. WE TALKED ABOUT THE
|
|||
|
LOCAL SWITCHING EQUIPMENT, WHICH TURNED OUT TO BE A #1A ESS.
|
|||
|
ACCORDING TO HIM, SOON ALL THE LOCAL CO'S WILL BE RUN AUTOMATICALLY
|
|||
|
FROM CENTRAL LOCATIONS CALLED "HUBS". THE "HUB" HANDLES ANY
|
|||
|
OVERLOAD BETWEEN CENTRAL OFFICES THAT MIGHT CAUSE THE DREADED
|
|||
|
"GRIDLOCK" OF THE FONE SYSTEM. IF THE INTEROFFICE SIGNALING LINES
|
|||
|
GET OVERLOADED, THE CALLS ARE REROUTED THROUGH THE HUB. THE HUB
|
|||
|
ALSO SERVES AS A CENTRAL SPOT WHERE TROUBLES AT THE LOCAL CO ARE
|
|||
|
HANDLED IN THE FIRST STAGES OF TROUBLE-SHOOTING. THE "HUB" CONCEPT
|
|||
|
IS ALIVE AND WELL IN OUR LOCAL AREA, WITH #5 ESS, THE THIRD
|
|||
|
INSTALLED IN THE ENTIRE NATION, RUNNING THE WHOLE OPERATION.
|
|||
|
|
|||
|
WHEN HE WAS GETTING READY TO LEAVE HE THANKED US FOR THE
|
|||
|
INTERESTING CONVERSATION, AND WE WAVED AT HIM AS HE PULLED OUT.
|
|||
|
I NOW NOT ONLY HAD A NEW FONE LINE, BUT ALSO A LOT OF USEFUL AND
|
|||
|
INTERESTING INFO, AS WELL AS THE SATISFACTION OF A FRIENDLY CHAT.
|
|||
|
|
|||
|
WIRETAPPING AND DIVESTITURE:
|
|||
|
|
|||
|
THE LESSON IS CLEAR. WHENEVER A BELL EMPLOYEE VISITS YOUR
|
|||
|
HOUSE, FELL PHREE TO ASK WHATEVER YOU WANT, WITHIN REASON. MOST
|
|||
|
ARE EXTREMELY WILLING TO SHOOT THE BULL ABOUT ALMOST ANYTHING OF
|
|||
|
WHICH THEY HAVE KNOWLEDGE. AT FIRST, MERELY JOKE WITH THEM
|
|||
|
LIGHTHEARTEDLY, IN ORDER TO GET THEM OFF THERE GUARD. LEGIT
|
|||
|
QUESTIONS ASKABLE BY A NORMAL CUSTOMER, SUCH AS EQUAL ACCESS
|
|||
|
CUTOVERS, WILL GET THEM ROLLING, LEAVING YOU TO DIRECT THE
|
|||
|
CONVERSATION WHEREVER YOU LIKE. ASKING ABOUT THE BREAKUP AND HOW
|
|||
|
IT AFFECTED THEM IS A SURE FIRE WAY TO GET THEM TALKING. QUESTIONS
|
|||
|
LIKE "HOW DOES THE FONE NETWORK WORK?" ALSO ARE GOOD, ESPECIALLY IF
|
|||
|
YOU GUIDE THEM INTO THE DISCUSSION OF SWITCHING TECHNOLOGY. MOST
|
|||
|
BELL EMPLOYEES ARE REALLY GLAD TO TALK TO SOMEONE. REMEMBER, THEY
|
|||
|
USUALLY INTERACT WITH DISGRUNTLED CUSTOMERS WITH COMPLAINTS. THEIR
|
|||
|
SPOUSES PROBABLY YELL AT THEM, AND THEIR SUPERVISORS EITHER COMPLAIN
|
|||
|
ABOUT THEIR PERFORMANCE OR IGNORE THEM. SOCIETY AT LARGE JUST DOESN'T
|
|||
|
CARE ABOUT THEM. THEY'RE MOST PROBABLY DISENCHANTED WITH THE WORLD AT
|
|||
|
LARGE, AND MAYBE EVEN DISSATISFIED WITH THEIR JOBS. THE CHANCE TO
|
|||
|
ALK TO SOME ONE WHO MERELY WANTS TO LISTEN TO WHAT THEY SAY IS A
|
|||
|
WELCOME CHANGE. THEY WILL TALK ON AND ON ABOUT ALMOST ANYTHING,
|
|||
|
FROM TELECOMMUNICATIONS TO THEIR HOME LIFE AND THEIR CHILDHOOD.
|
|||
|
THE POSSIBILITIES FOR SOCIAL ENGINEERING ARE ENDLESS. REMEMBER,
|
|||
|
BELL EMPLOYEES ARE HUMANS, TOO. ALL YOU HAVE TO DO IS LISTEN.
|
|||
|
|
|||
|
|
|||
|
- 47 -
|
|||
|
|
|||
|
|
|||
|
ESSENCE OF TELEPHONE CONFERENCING: By < EXC >
|
|||
|
|
|||
|
TELEPHONE CONFERENCING IS AN EASY WAY OF GETTING MANY FRIENDS
|
|||
|
TOGETHER AT ONCE. THIS CAN BE ACCOMPLISHED EASILY WITH LITTLE OR NO
|
|||
|
TROUBLE WHAT SO EVER. THE TECHNIQUES THAT I WILL TEACH YOU DO NOT
|
|||
|
REQUIRE A BLUE BOX OR A TOUCH TONE PHONE LINE. THE ONLY
|
|||
|
PREREQUISITE IS THAT YOU HAVE A PHONE THAT HAS A TONE SWITCH ON IT
|
|||
|
OR HAVE A HOOKABLE TOUCH TONE KEYPAD. NOW, IF YOU ARE THE
|
|||
|
PARANOID TYPE OF PERSON AND REFUSE TO USE YOUR OWN PHONE OUT OF
|
|||
|
YOUR HOUSE THEN HERE ARE SOME SIMPLE WAYS OF GETTING CONFERENCES
|
|||
|
STARTED FROM ANOTHER PHONE. GO TO A MALL OR A PLACE WHERE YOU KNOW
|
|||
|
THE PHONE IS BEING PAYED FOR BY THE BUSINESS IT IS IN.
|
|||
|
|
|||
|
NOW THERE ARE TWO TO CALL THE CONFERENCE OPERATOR; DIAL "0" TO
|
|||
|
GET YOUR LOCAL OPERATOR SO SHE CAN PUT YOU THROUGH TO THE
|
|||
|
CONFERENCE OPERATOR OR DIAL THE CONFERENCE OPERATOR DIRECTLY IF YOU
|
|||
|
HAVE THE NUMBER HANDY. THE SYSTEM YOU WILL BE LINKED UP TO IS
|
|||
|
CALLED THE "ALLIANCE" SYSTEM. THERE ARE THREE BRANCHES; 1000, 2000,
|
|||
|
3000.
|
|||
|
|
|||
|
NOW ONCE YOU HAVE GOTTEN THE CONFERENCE OPERATOR YOU TELL HER
|
|||
|
YOU WOULD LIKE TO START A CONFERENCE AND YOU WOULD LIKE TO MAINTAIN
|
|||
|
CONTROL OF IT. SHE WILL THEN PROCEED TO ASK YOU FOR YOUR NAME AND
|
|||
|
NUMBER. YOU WILL THEN GIVE HER A FAKE NAME AND THE NUMBER OF THE
|
|||
|
PAY PHONE. SHE WILL HANG UP AND CALL YOU BACK ONCE SHE HAS CHECKED
|
|||
|
THE NUMBER. THEY USUALLY DON'T REALIZE IT IS A
|
|||
|
PAYPHONE SO DON'T THINK IT WON'T WORK! NOW ONCE THE OPERATOR HAS
|
|||
|
GIVEN YOU CONTROL YOU WILL THEN PROCEED TO HACK MY VOICE PHONE AND
|
|||
|
PUT ME ON THE CONFERENCE.
|
|||
|
|
|||
|
NOW, THE OTHER WAY OF STARTING A CONFERENCE IN WHICH YOU
|
|||
|
DON'T GET A LIVE OPERATOR IS A "PBX". WITH THIS YOU WILL CALL A PBX
|
|||
|
NUMBER AND YOU WILL THEN RECEIVE A RECORDING OF A BUSINESS OR
|
|||
|
OFFICE CO. THEN WHEN THE RECORDING IS OVER YOU WILL HERE A BEEP.
|
|||
|
THEN AFTER ABOUT 10-30 SECONDS AFTER THE BEEP YOU WILL GET A DIAL
|
|||
|
TONE ON THE ON THE END OF THE PBX. YOU WILL THEN TYPE THE PBX CODE
|
|||
|
WHICH WILL THEN RESPOND WITH A RECORDING WELCOMING YOU TO THE
|
|||
|
CONFERENCING NETWORK (WHICH WILL IN MOST IF NOT ALL BE
|
|||
|
THE "ALLIANCE" SYSTEM).
|
|||
|
|
|||
|
IT WILL BE SELF EXPLANATORY FROM THERE. NOW IF YOU DON'T WISH
|
|||
|
TO CALL THE CONFERENCE OPERATOR EITHER WAY ALREADY EXPLAINED THEN
|
|||
|
THERE IS A WAS OF GETTING YOUR FRIENDS IN CONFERENCE. THIS IS DONE
|
|||
|
OVER A LOOP EXTENSION. NO ONE WILL HAVE CONTROL, BUT YOU WILL STILL
|
|||
|
BE ON CONFERENCE. THIS IS CALLED THE SEVEN LINE LOOP EXTENSION.
|
|||
|
THIS MEANS YOU CAN HAVE UP TO SEVEN MEMBERS, BUT THAT IS IT! THE
|
|||
|
NUMBER IS IN LA, CA. 213-206-2820. THE LAST WAY I WILL
|
|||
|
EXPLAIN TO YOU IF YOU ARE IN DESPERATE NEED OF A CONFERENCE IS TO
|
|||
|
GO TO PAY PHONE LIKE I MENTIONED BEFORE ANY MAKE SURE SOME BUSINESS
|
|||
|
PAYS THE BILL FOR IT THEN CALL THE CONFERENCE OPERATOR IN THE
|
|||
|
FASHIONS MENTIONED AND ASK THE TO PLACE CONFERENCE CALLS.
|
|||
|
|
|||
|
|
|||
|
- 48 -
|
|||
|
|
|||
|
|
|||
|
THE WILL THEN ASK FOR THE NUMBERS OF THE PEOPLE TO PUT ON
|
|||
|
CONFERENCE, YOU GIVE HER THE NUMBERS AND SHE WILL PUT YOU ALL ON
|
|||
|
CONFERENCE. WHEN YOU ARE DONE YOU WILL HANG UP ON HER SO THERE
|
|||
|
WILL BE NO ONE IN CONTROL.THAT MEANS THE CONFERENCE WILL BE BILLED
|
|||
|
TO THE PAYPHONE AND NO ONE CAN BE BLAMED FOR THE CONFERENCE DUE TO
|
|||
|
NO ONE BEING IN CONTROL! ***NOTE*** THE CONFERENCE OPERATOR WILL
|
|||
|
NOT BE ON WHILE YOU ARE ALL TALKING! REMEMBER THAT CONFERENCES ARE
|
|||
|
NOT HARD AND IT IS VERY HARD TO GET ARRESTED ON ONE DUE TO WHAT I
|
|||
|
HAVE MENTIONED.
|
|||
|
|
|||
|
REMEMBER:REACH OUT AND PHREAK SOMEONE!
|
|||
|
|
|||
|
[TELEPHONE CONFERENCE CONTROLS]
|
|||
|
|
|||
|
# - CONTROL MODE
|
|||
|
# - 6 PASSES CONTROL
|
|||
|
# - 1 + AREA CODE & NUMBER ADDS
|
|||
|
# - 9 SILENT MODE
|
|||
|
# - 7 GETS CONFERENCE OPERATOR
|
|||
|
* - ENDS CONFERENCE
|
|||
|
|
|||
|
THE "#" IS THE CONTROL KEY ON YOUR CONFERENCES. WHEN YOU PASS
|
|||
|
CONTROL TO SOMEONE ELSE HIT THE "#" THEN "6". WAIT FOR THE
|
|||
|
RECORDING TO SAY ENTER # OF PERSON TO PASS CONTROL TO, THEN ENTER
|
|||
|
THE NUMBER OF THE PERSON YOU ARE GOING TO GIVE CONTROL TO.
|
|||
|
|
|||
|
TO ADD A PERSON ON TO THE CONFERENCE HIT "#" THEN "1","AREA
|
|||
|
CODE","NUMBER". THEN WHEN THE PERSON ANSWERS WAIT FIVE SECONDS THEN
|
|||
|
HIT THE "#" TO ADD. IF YOU ARE IN CONTROL OF THE CONFERENCE AND YOU
|
|||
|
WANT TO HEAR EVERYONE ELSE, BUT YOU DO NOT WANT TO BE HEARD IT "#"
|
|||
|
THEN "9" THEN THE "#" TO REJOIN THE CONFERENCE. REMEMBER AFTER
|
|||
|
ADDING SOMEONE ON OR PASSING CONTROL TO SOMEONE YOU MUST ALWAYS HIT
|
|||
|
THE "#" TO REJOIN THE OTHERS ON CONFERENCE:
|
|||
|
PASSING CONTROL: "#", "6", WAIT FOR RECORDING TO SAY ENTER NUMBER
|
|||
|
OF PARTY TO GIVE CONTROL TO THEN ENTER NUMBER AND HIT "#" TO REJOIN
|
|||
|
YOUR CONFERENCE.IF YOU EVER WANT TO GET A CONFERENCE OPERATOR FOR
|
|||
|
SOME STRANGE REASON THEN HIT "#","7" AND WAIT FOR A CONFERENCE
|
|||
|
OPERATOR TO CLICK ON. TO END A CONFERENCE HIT "*". WITH HELP FROM:
|
|||
|
SILICON FALCON, SILVER CONDOR, AND THE ELIMINATOR.
|
|||
|
|
|||
|
Phone Tapping: By - ETC
|
|||
|
|
|||
|
HERE IS SOME INFO ON PHONE TAPS. I HAVE ENCLOSED A SCHEMATIC
|
|||
|
FOR A SIMPLE WIRETAP & INSTRUCTIONS FOR HOOKING UP A TAPE RECORDER
|
|||
|
CONTROL RELAY TO THE PHONE LINE. FIRST I'LL DISCUSS TAPS A LITTLE.
|
|||
|
THERE ARE MANY DIFFERENT TYPES OF TAPS. THERE ARE TRANSMITTERS,
|
|||
|
WIRED TAPS AND INDUCTION TAPS TO NAME A FEW. WIRED AND WIRELESS
|
|||
|
TRANSMITTERS MUST BE PHYSICALLY CONNECTED TO THE
|
|||
|
LINE BEFORE THEY'LL DO ANY GOOD. ONCE A WIRELESS TAP IS CONNECTED
|
|||
|
TO THE LINE, IT CAN TRANSMIT ALL CONVERSATIONS OVER A LIMITED
|
|||
|
RANGE. THE PHONES IN THE HOUSE CAN EVEN BE MODIFIED TO PICK UP
|
|||
|
|
|||
|
- 49 -
|
|||
|
|
|||
|
|
|||
|
CONVERSATIONS IN THE ROOM & TRANSMIT THEM TOO! THESE TAPS ARE
|
|||
|
USUALLY POWERED OFF THE PHONE LINE, BUT CAN HAVE AN EXTERNAL POWER
|
|||
|
SOURCE. WIRED TAPS, ON THE OTHER HAND, NEED NO POWER SOURCE, BUT A
|
|||
|
WIRE MUST BE RUN FROM THE LINE TO THE LISTENER OR TO A TRANSMITTER.
|
|||
|
THERE ARE OBVIOUS ADVANTAGES OF WIRELESS TAPS OVER WIRED ONES.
|
|||
|
THERE IS ONE TYPE OF WIRELESS TAP THAT LOOKS LIKE A NORMAL
|
|||
|
TELEPHONE MIKE. ALL YOU HAVE TO DO IS REPLACE THE ORIGINAL MIKE
|
|||
|
WITH THIS & IT'LL TRANSMIT ALL CONVERSATIONS!
|
|||
|
|
|||
|
THERE IS AN EXOTIC TYPE OF WIRED TAP KNOWN AS THE 'INFINITY
|
|||
|
TRANSMITTER' OR 'HARMONICA BUG'. IN ORDER TO HOOK UP ONE OF THESE,
|
|||
|
YOU NEED ACCESS TO THE TARGET TELEPHONE. IT HAS A TONE DECODER &
|
|||
|
SWITCH INSIDE. WHEN IT IS INSTALLED, SOMEONE CALLS THE TAPPED
|
|||
|
PHONE & *BEFORE* IT RINGS, BLOWS A WHISTLE OVER THE LINE. THE
|
|||
|
X-MITTER RECEIVES THE TONE & PICKS UP THE PHONE VIA A RELAY. THE
|
|||
|
MIKE ON THE PHONE IS ACTIVATED SO THE CALLER CAN HEAR ALL
|
|||
|
CONVERSATIONS IN THE ROOM.
|
|||
|
|
|||
|
Phone Tapping:
|
|||
|
|
|||
|
THERE IS A SWEEP TONE TEST AT 415/BUG-1111 WHICH CAN BE USED
|
|||
|
TO DETECT ON OF THESE TAPS. IF ONE OF THESE IS ON YOUR LINE & THE
|
|||
|
TEST # SENDS THE CORRECT TONE, YOU'LL HEAR A CLICK.
|
|||
|
|
|||
|
INDUCTION TAPS HAVE ONE BIG ADVANTAGE OVER TAPS THAT MUST BE
|
|||
|
PHYSICALLY WIRED TO THE PHONE. THEY DON'T HAVE TO BE TOUCHING THE
|
|||
|
PHONE IN ORDER TO PICK UP THE CONVERSATION. THEY WORK ON THE SAME
|
|||
|
PRINCIPLE AS THE LITTLE SUCTION-CUP TAPE RECORDER MIKES YOU CAN GET
|
|||
|
AT RADIO SHACK. INDUCTION MIKES CAN BE HOOKED UP TO A TRANSMITTER
|
|||
|
OR BE WIRED. HERE IS AN EXAMPLE OF INDUSTRIAL ESPIONAGE USING THE
|
|||
|
PHONE: A SALESMAN WALKS INTO AN OFFICE & MAKES A FONE CALL. HE
|
|||
|
FAKES THE CONVERSATION, BUT WHEN HE HANGS UP HE SLIPS SOME
|
|||
|
FOAM-RUBBER CUBES UNDER THE HANDSET, SO THE FONE IS STILL OFF THE
|
|||
|
HOOK. THE CALLED PARTY CAN STILL HEAR ALL CONVERSATIONS IN THE
|
|||
|
ROOM. WHEN SOMEONE PICKS UP THE FONE, THE CUBES FALL AWAY
|
|||
|
UNNOTICED. I USE A TAP ON MY LINE TO MONITOR WHAT AE-PRO IS DOING
|
|||
|
WHEN IT AUTO-DIALS, SINCE IT DOESN'T TAKE ADVANTAGE OF THE HANDSET
|
|||
|
ON THE APPLE CAT II. I CAN ALSO HOOK UP THE TAP TO A CASSETTE
|
|||
|
RECORDER OR AMPLIFIER. HERE IS THE SCHEMATIC:
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 50 -
|
|||
|
|
|||
|
-------)!----)!(------------->
|
|||
|
|
|||
|
)!(
|
|||
|
|
|||
|
CAP ^ )!(
|
|||
|
|
|||
|
)!(
|
|||
|
|
|||
|
)!(
|
|||
|
|
|||
|
)!(
|
|||
|
|
|||
|
^^^^^---)!(------------->
|
|||
|
|
|||
|
^ 100K
|
|||
|
|
|||
|
!
|
|||
|
|
|||
|
!<INPUT
|
|||
|
|
|||
|
|
|||
|
THE 100K POT IS USED FOR VOLUME. IT SHOULD BE ON ITS HIGHEST
|
|||
|
(LEAST RESISTANCE) SETTING IF YOU HOOK A SPEAKER ACROSS THE OUTPUT,
|
|||
|
BUT IT SHOULD BE SET ON ITS HIGHEST RESISTANCE FOR A TAPE RECORDER
|
|||
|
OR AMPLIFIER. YOU MAY FIND IT NECESSARY TO ADD ANOTHER 10-40K.
|
|||
|
THE CAPACITOR SHOULD BE AROUND .47 MFD. IT'S ONLY PURPOSE IS TO
|
|||
|
PREVENT THE RELAY IN THE CO FROM TRIPPING & THINKING YOU HAVE THE
|
|||
|
FONE OFF THE HOOK. THE AUDIO OUTPUT TRANSFORMER AVAILABLE AT RADIO
|
|||
|
SHACK (273-1380) IS FINE FOR THE X-FORMER. THE BLACK & GREEN ARE
|
|||
|
FINE FOR INPUT & THE RED & WHITE GO TO THE OUTPUT DEVICE. YOU MAY
|
|||
|
WANT TO EXPERIMENT WITH THE X-FORMER FOR THE BEST OUTPUT.
|
|||
|
|
|||
|
HOOKING UP A TAPE RECORDER CONTROL RELAY IS EAST. JUST ONE OF
|
|||
|
THE FONE WIRES (USU. RED) BEFORE THE TELEPHONES & HOOK ONE END TO
|
|||
|
ONE WIRE OF THE RELAY & THE OTHER END TO THE OTHER RELAY WIRE.
|
|||
|
LIKE THIS:
|
|||
|
|
|||
|
------^^^^^^^^^------------
|
|||
|
|
|||
|
---------
|
|||
|
|
|||
|
RELAY^^
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 51 -
|
|||
|
|
|||
|
|
|||
|
Phreaking COSMOS: By- Freddy
|
|||
|
|
|||
|
COSMOS is Bell's computer for handling information on customer
|
|||
|
lines, special services on lines, and orders to change line
|
|||
|
equipment, disconnect lines, etc. COSMOS stands for Computerized
|
|||
|
System for Mainframe Operations. It is based on the UNIX operating
|
|||
|
system and, depending upon the COSMOS and
|
|||
|
upon your access, has some, many, or no UNIX standard commands.
|
|||
|
COSMOS is powerful, but there is no reason to be afraid of it.
|
|||
|
This article will give some of the basic, pertinent info on how
|
|||
|
users get in, account format, and a few other goodies.
|
|||
|
|
|||
|
Password Identification
|
|||
|
|
|||
|
To get onto COSMOS you need a dialup, account, password, and
|
|||
|
wire center (WC). Wire centers are two letter codes that tell what
|
|||
|
section of the COSMOS you are in. There are different WC's f or
|
|||
|
different areas and groups of exchanges. Examples are PB, SR, LK,
|
|||
|
et c. Sometimes there are accounts that have no password; obviously
|
|||
|
such accounts are the easiest to hack.
|
|||
|
|
|||
|
|
|||
|
Checking It Out
|
|||
|
|
|||
|
Let's suppose you have a COSMOS number which you obtained one
|
|||
|
way or another. The first thing to do would be to make sure it is
|
|||
|
really a COSMOS system, not some other Bell or AT&T computer. To
|
|||
|
do this, you would call it and connect your modem,, then hit some
|
|||
|
returns until you got a response. It should say:
|
|||
|
|
|||
|
';LOGIN:' or 'NAME:'.
|
|||
|
|
|||
|
If you enter some garbage it should say:
|
|||
|
|
|||
|
'PASSWORD:'.
|
|||
|
|
|||
|
If you hit a return and it says 'WC?', it is a COSMOS system. If
|
|||
|
it says something like 'TA%' then you're in business. If it
|
|||
|
doesn't do any of the above, then it is either some other kind of
|
|||
|
system, or, if you're not getting anything at all, the dialup has
|
|||
|
probably gone bad.
|
|||
|
|
|||
|
Getting In
|
|||
|
|
|||
|
COSMOS has certain accounts that are usually on the system,
|
|||
|
one of which might not have a password. They consist of ROOT (most
|
|||
|
powerful and almost always on the system), SYS (second most
|
|||
|
powerful, still many privileges), BIN (a little less power), PREOP
|
|||
|
(a little less), and COSMOS (hardly any privileges, like a normal
|
|||
|
user). The way to tell if they have passwords is by
|
|||
|
entering accounts at the ';LOGIN:' or ' NAME:' prompt, and if it
|
|||
|
jumps straight to 'WC?', all you need is a WC to get in. But
|
|||
|
|
|||
|
- 52 -
|
|||
|
|
|||
|
|
|||
|
suppose all of the accounts have passwords? You have two choices.
|
|||
|
You can try to hack the password and WC to one of the above
|
|||
|
accounts. I won't deal with this method, as is self-explanatory.
|
|||
|
Or you can do something I find much easier... call the COSMOS
|
|||
|
during business hours and hope that someone forgot to log off. Keep
|
|||
|
calling until when you connect and hit return until you get a 'WC%'
|
|||
|
prompt. 'WC' is the WC that the account you found is currently in.
|
|||
|
You are now in!
|
|||
|
|
|||
|
What to Do while on-line
|
|||
|
|
|||
|
The first thing you want to do is write down the WC you are in.
|
|||
|
Only on our first login it is a good idea to print everything or
|
|||
|
dump everything to a buffer.
|
|||
|
|
|||
|
Commands
|
|||
|
|
|||
|
'WCFLDS'(!) : Should list all WC's.
|
|||
|
'WHO' : Should print everyone currently logged on the
|
|||
|
system, giving some accounts.
|
|||
|
'TTY' : Tells what terminal port you are on.
|
|||
|
'WHERE' : Should tell the location of the COSMOS
|
|||
|
installation.
|
|||
|
'WHAT' : Tells what version of COSNIX, COSMOS's operating
|
|||
|
system, it is.
|
|||
|
'LS *' : Prints all the files you have access to.
|
|||
|
'CD /dir' : Connects you to the directory '/dir'.
|
|||
|
'CAT filename ' : Prints the file 'filename'.
|
|||
|
'Q' : Quits the editor.
|
|||
|
CTRL- Y. : Logs off
|
|||
|
'TAT' : Sometimes prints a little help file.
|
|||
|
'ISH' : Check someone's telefone #, type 'ISH' at the
|
|||
|
COSMOS 'WC%'
|
|||
|
|
|||
|
prompt. Then type. 'HTN XXX-XXXX' : (Hunt Telephone Number) to
|
|||
|
tell you about the local number you are interested in. 'CAT
|
|||
|
/ETC/PASSWD': Prints out the password file, if you have access. The
|
|||
|
passwords are almost always encrypted, but you get a list of all
|
|||
|
the accounts. If you are lucky, one of the lines will have two
|
|||
|
colons after the account name. This means there is no prompt from
|
|||
|
the ';LOGIN:' or 'NAME:' prompts when you enter that account. To
|
|||
|
run a file just type the name followed by a return. When the system
|
|||
|
gives you a '-', you type a '.', and it will type all kinds of info
|
|||
|
on the phone number you entered (in Bell abbreviations, of course).
|
|||
|
If it is not a good exchange, it will say something to that effect.
|
|||
|
You type a period to end the ISH. If you wish to learn more
|
|||
|
information about COSMOS, find yourself a COSMOS manual or look at
|
|||
|
future issues of 2600. A UNIX manual would also be helpful for
|
|||
|
standard UNIX commands.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 53 -
|
|||
|
|
|||
|
|
|||
|
FACS FACTS: By- Freddy
|
|||
|
|
|||
|
BELL ATLANTIC (AND PROBABLY THE REST OF THE U.S. SOON ENOUGH)
|
|||
|
IS REVAMPING COSMOS. THE PROJECT IS CALLED FACS (FACILITATED
|
|||
|
ASSIGNMENT AND CONTROL SYSTEM).FACS IS COMPOSED OF 5 MODULES WHICH
|
|||
|
ARE DESIGNED TO FUNCTION AS A UNIFIED SYSTEM. THE PREMIS AND THE
|
|||
|
COSMOS SYSTEMS CAN FUNCTION AS ST AND-ALONE SYSTEMS.THE FIVE PARTS
|
|||
|
OF FACS ARE PREMIS,SOAC, LFACS,COSMOS,AND THE WM. THE PREMIS
|
|||
|
(PREMISES INFORMATION SYSTEM) SUPPORTS BOTH RESIDENCE AND
|
|||
|
BUSINESS ACCOUNTS. PREMIS IS USED FOR VARIOUS INQUIRIES FOR THE
|
|||
|
STREET ADDRESS GUIDE(SAG),IE::PHONE NUMBERS,BILLING CHARGES,
|
|||
|
CREDIT, ETC. THE SECOND PART OF FACS IS THE SOAC(SERVICE ORDER
|
|||
|
ANALYSIS AND CONTROL). THIS IS PRIMARILY USED TO INPUT SERVICE
|
|||
|
ORDER DATA INTO FACS, AND TO GET THE APPROPRIATE OUTPUT. SOAC
|
|||
|
INTERPRETS, VALIDATES,AND DECOMPOSES ALL INPUTED DATA AND SENDS THE
|
|||
|
INFO TO THE COSMOS AND THE LFACS SYSTEMS. THE THIRD PART OF THE
|
|||
|
SYSTEM IS LFACS(LOOP FACILITIES AND CONTROL SYSTEM). THIS IS THE
|
|||
|
COMPONENT OF FACS THAT IS RESPONSIBLE FOR MAINTAINING THE
|
|||
|
INVENTORY,DOING THE ASSIGNMENTS, ADMINISTRATING INQUIRIES AND
|
|||
|
REPORTS, AND IS THE INVENTORY TRANSFORMATION CENTER. THIS PART OF
|
|||
|
FACS WILL BE MOSTLY USED FOR AIDING THE AT&T LINEMEN. THE COSMOS
|
|||
|
SYSTEM(COMPUTER SYSTEM FOR MAINFRAME OPERATIONS) COMPRISES THE
|
|||
|
FOURTH PART OF THE FACS SYSTEM. COSMOS IS THE COMPONENT OF FACS
|
|||
|
THAT IS RESPONSIBLE FOR MAINTAINING THE MECHANIZED INVENTORY OF MDF
|
|||
|
FACILITIES,STORING CUSTOM CALL FEATURES(IE:SPEED DIALING
|
|||
|
NUMBERS),AND OTHER MISC. INFO. THE FIFTH AND LAST PIECE OF THE FACS
|
|||
|
SYSTEM IS THE WORK MANAGER (WM). HIS COMPONENT SERVES AS THE
|
|||
|
FRONT-END PROCESSOR FOR COSMOS. IT ENABLES A NUMBER OF COSMOS
|
|||
|
COMPUTERS TO RELIABLY COMMUNICATE WITH THE OTHER FACS COMPONENTS.
|
|||
|
WM SERVES AS THE MESSAGES SWITCHING SYSTEM FOR THE FACS PIECES,
|
|||
|
AND GENERALLY IS THE "MESSENGER AND STABILIZER" OF THE SYSTEM. THE
|
|||
|
HARDWARE THAT WILL RUN THIS FACS SYSTEM IS: COSMOS: 22-WECO.
|
|||
|
3B-20S MINI COMPS. WM: 6-WECO. 3B-20S MINI COMPS.
|
|||
|
SOAC-LFACS-PREMIS: TWO SPERRY UNIVAC 1100/92 MAINFRAMES. BANCS 2
|
|||
|
THP CYBER 1000 PROCESSORS.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 54 -
|
|||
|
|
|||
|
|
|||
|
THE HISTORY OF BRITISH PHREAKING: By - < LEX LUTHOR >
|
|||
|
|
|||
|
NOTE: THE BRITISH POST OFFICE, IS THE U.S. EQUIVALENT OF MA
|
|||
|
BELL. IN BRITAIN, PHREAKING GOES BACK TO THE EARLY FIFTIES, WHEN
|
|||
|
THE TECHNIQUE OF 'TOLL A DROP BACK' WAS DISCOVERED. TOLL A WAS AN
|
|||
|
EXCHANGE NEAR ST. PAULS WHICH ROUTED CALLS BETWEEN LONDON AND
|
|||
|
NEARBY NON-LONDON EXCHANGES. THE TRICK WAS TO DIAL AN UNALLOCATED
|
|||
|
NUMBER, AND THEN DEPRESS THE RECEIVER-REST FOR 1/2
|
|||
|
SECOND. THIS FLASHING INITIATED THE 'CLEAR FORWARD' SIGNAL,
|
|||
|
LEAVING THE CALLER WITH AN OPEN LINE INTO THE TOLL A EXCHANGE.THE
|
|||
|
COULD THEN DIAL 018, WHICH FORWARDED HIM TO THE TRUNK EXCHANGE AT
|
|||
|
THAT TIME, THE FIRST LONG DISTANCE EXCHANGE IN BRITAIN AND FOLLOW
|
|||
|
IT WITH THE CODE FOR THE DISTANT EXCHANGE TO WHICH HE WOULD BE
|
|||
|
CONNECTED AT NO EXTRA CHARGE. THE SIGNALS NEEDED TO CONTROL THE
|
|||
|
UK NETWORK TODAY WERE PUBLISHED IN THE "INSTITUTION OF POST OFFICE
|
|||
|
ENGINEERS JOURNAL" AND REPRINTED IN THE SUNDAY TIMES (15 OCT.
|
|||
|
1972). THE SIGNALLING SYSTEM THEY USE: SIGNALLING SYSTEM NO. 3
|
|||
|
USES PAIRS OF FREQUENCIES SELECTED FROM 6 TONES SEPARATED BY 120HZ.
|
|||
|
WITH THAT INFO, THE PHREAKS MADE "BLEEPERS" OR AS THEY ARE CALLED
|
|||
|
HERE IN THE U.S. "BLUE BOX", BUT THEY DO UTILIZE DIFFERENT MF
|
|||
|
TONES THEN THE U.S., THUS, YOUR U.S. BLUE BOX THAT YOU SMUGGLED
|
|||
|
INTO THE UK WILL NOT WORK, UNLESS YOU CHANGE THE FREQUENCIES.
|
|||
|
IN THE EARLY SEVENTIES, A SIMPLER SYSTEM BASED ON DIFFERENT
|
|||
|
NUMBERS OF PULSES WITH THE SAME FREQUENCY (2280HZ) WAS USED.
|
|||
|
FOR MORE INFO ON THAT, TRY TO GET A HOLD OF: ATKINSON'S
|
|||
|
"TELEPHONY AND SYSTEMS TECHNOLOGY". IN THE EARLY DAYS OF BRITISH
|
|||
|
PHREAKING, THE CAMBRIDGE UNIVERSITY TITAN COMPUTER WAS USED TO
|
|||
|
RECORD AND CIRCULATE NUMBERS FOUND BY THE EXHAUSTIVE DIALING OF
|
|||
|
LOCAL NETWORKS. THESE NUMBERS WERE USED TO CREATE A CHAIN OF LINKS
|
|||
|
FROM LOCAL EXCHANGE TO LOCAL EXCHANGE ACROSS THE COUNTRY,
|
|||
|
BYPASSING THE TRUNK CIRCUITS. BECAUSE THE INTERNAL ROUTING CODES
|
|||
|
IN THE UK NETWORK ARE NOT THE SAME AS THOSE DIALED BY THE CALLER,
|
|||
|
THE PHREAKS HAD TO DISCOVER THEM BY 'PROBE AND LISTEN' TECHNIQUES
|
|||
|
OR MORE COMMONLY KNOWN IN THE U.S.-- SCANNING. WHAT THEY DID WAS
|
|||
|
PUT IN LIKELY SIGNALS AND LISTENED TO FIND OUT IF THEY SUCCEEDED.
|
|||
|
THE RESULTS OF SCANNING WERE CIRCULATED TO OTHER PHREAKS.
|
|||
|
DISCOVERING EACH OTHER TOOK TIME AT FIRST, BUT EVENTUALLY THE
|
|||
|
PHREAKS BECAME ORGANIZED. THE "TAP" OF BRITAIN WAS CALLED
|
|||
|
"UNDERCURRENTS" WHICH ENABLED BRITISH PHREAKS TO SHARE THE INFO ON
|
|||
|
NEW NUMBERS, EQUIPMENT ETC. TO UNDERSTAND WHAT THE BRITISH BRITISH
|
|||
|
PHREAKS DID, THINK OF THE PHONE NETWORK IN THREE LAYERS OF LINES:
|
|||
|
LOCAL, TRUNK, AND INTERNATIONAL.#IN THE UK, SUBSCRIBER TRUNK
|
|||
|
DIALING (STD), IS THE MECHANISM WHICH TAKES A CALL FROM
|
|||
|
THE LOCAL LINES AND (LEGITIMATELY) ELEVATES IT TO A TRUNK OR
|
|||
|
INTERNATIONAL LEVEL.#THE UK PHREAKS FIGURED THAT A CALL AT TRUNK
|
|||
|
LEVEL CAN BE ROUTED THROUGH ANY NUMBER OF EXCHANGES, PROVIDED THAT
|
|||
|
THE RIGHT ROUTING CODES WERE FOUND AND USED CORRECTLY. THEY ALSO
|
|||
|
HAD TO DISCOVER HOW TO GET FROM LOCAL TO TRUNK LEVEL EITHER WITHOUT
|
|||
|
BEING CHARGED (WHICH THEY DID WITH A BLEEPER BOX) OR WITHOUT USING
|
|||
|
(STD). CHAINING HAS ALREADY BEEN MENTIONED BUT IT REQUIRES LONG
|
|||
|
STRINGS OF DIGITS AND SPEECH GETS MORE AND MORE FAINT AS THE CHAIN
|
|||
|
GROWS, JUST LIKE IT DOES WHEN YOU STACK TRUNKS
|
|||
|
- 55 -
|
|||
|
|
|||
|
|
|||
|
BACK AND FORTH ACROSS THE U.S.#THE WAY THE SECURITY REPS SNAGGED
|
|||
|
THE PHREAKS WAS TO PUT A SIMPLE 'PRINTERMETER' OR AS WE CALL IT: A
|
|||
|
PEN REGISTER ON THE SUSPECTS LINE, WHICH SHOWS EVERY DIGIT DIALED
|
|||
|
FROM THE SUBSCRIBERS LINE. THE BRITISH PREFER TO GET
|
|||
|
ONTO THE TRUNKS RATHER THAN CHAINING. ONE WAY WAS TO DISCOVER
|
|||
|
WHERE LOCAL CALLS USE THE TRUNKS BETWEEN NEIGHBORING EXCHANGES,
|
|||
|
START A CALL AND STAY ON THE TRUNK INSTEAD OF RETURNING TO THE
|
|||
|
LOCAL LEVEL ON REACHING THE DISTANT SWITCH. THIS AGAIN REQUIRED
|
|||
|
EXHAUSTIVE DIALING AND MADE MORE WORK FOR TITAN; IT ALSO REVEALED
|
|||
|
'FIDDLES', WHICH WERE INSERTED BY POST OFFICE ENGINEERS. WHAT
|
|||
|
FIDDLING MEANS IS THAT THE ENGINEERS REWIRED THE EXCHANGES FOR
|
|||
|
THEIR OWN BENEFIT. THE EQUIPMENT IS MODIFIED TO GIVE ACCESS TO A
|
|||
|
TRUNK WITH OUT BEING CHARGED, AN OPERATION WHICH IS PRETTY EASY IN
|
|||
|
STEP BY STEP (SXS) ELECTROMECHANICAL EXCHANGES, WHICH WERE
|
|||
|
INSTALLED IN BRITAIN EVEN IN THE 1970S (NOTE: I KNOW OF A BACK
|
|||
|
DOOR INTO THE CANADIAN SYSTEM ON A 4A CO., SO IF YOU ARE ON SXS OR
|
|||
|
A 4A, TRY SCANNING 3 DIGIT EXCHANGES, IE: DIAL 999,998,997
|
|||
|
ETC.#AND LISTEN FOR THE BEEP-KERCHINK, IF THERE ARE NO 3 DIGIT
|
|||
|
CODES WHICH ALLOW DIRECT ACCESS TO A TANDEM IN YOUR LOCAL EXCHANGE
|
|||
|
AND BYPASSES THE AMA SO YOU WON'T BE BILLED, NOT HAVE TO BLAST 2600
|
|||
|
EVERY TIME YOU WISH TO BOX A CALL. A FAMOUS BRITISH 'FIDDLER'
|
|||
|
REVEALED IN THE EARLY 1970S WORKED BY DIALING 173. THE CALLER THEN
|
|||
|
ADDED THE TRUNK CODE OF 1 AND THE SUBSCRIBERS LOCAL NUMBER. AT
|
|||
|
THAT TIME, MOST ENGINEERING TEST SERVICES BEGAN WITH 17X, SO THE
|
|||
|
ENGINEERS COULD HIDE THEIR FIDDLES IN THE NEST OF SERVICE WIRES.
|
|||
|
WHEN SECURITY REPS STARTED SEARCHING, THE FIDDLES WERE CONCEALED
|
|||
|
BY TONES SIGNALLING: 'NUMBER UNOBTAINALBE' OR 'EQUIPMENT ENGAGED'
|
|||
|
WHICH SWITCHED OFF AFTER A DELAY. THE NECESSARY RELAYS ARE SMALL
|
|||
|
AND EASILY HIDDEN. THERE WAS ANOTHER SIDE TO PHREAKING IN THE UK
|
|||
|
IN THE SIXTIES. BEFORE STD WAS WIDESPREAD, MANY 'ORDINARY' PEOPLE
|
|||
|
WERE DRIVEN TO. OCCASIONAL PHREAKING FROM SHEER FRUSTRATION AT THE
|
|||
|
INEFFICIENT OPERATOR CONTROLLED TRUNK SYSTEM. THIS CAME TO A HEAD
|
|||
|
DURING A STRIKE ABOUT 1961 WHEN OPERATORS COULD NOT BE REACHED.
|
|||
|
NOTHING COMPLICATED WAS NEEDED. MANY OPERATORS HAD BEEN IN THE
|
|||
|
HABIT OF REPEATING THE CODES AS THEY DIALLED THE REQUESTED NUMBERS SO
|
|||
|
PEOPLE SOON LEARNT THE NUMBERS THEY CALLED FREQUENTLY. THE ONLY
|
|||
|
'TRICK' WAS TO KNOW WHICH EXCHANGES COULD BE DIALLED THROUGH TO
|
|||
|
PASS ON THE TRUNK NUMBER.CALLERS ALSO NEEDED A PRETTY QUIET PLACE
|
|||
|
TO DO IT, SINCE TIMING RELATIVE TO CLICKS WAS IMPORTANT THE MOST
|
|||
|
FAMOUS TRIAL OF BRITISH PHREAKS WAS CALLED THE OLD BAILY TRIAL.
|
|||
|
#WHICH STARTED ON 3 OCT. 1973.#WHAT THEY PHREAKS DID WAS TO DIAL
|
|||
|
A SPARE NUMBER AT A LOCAL CALL RATE BUT INVOLVING A TRUNK TO
|
|||
|
ANOTHER EXCHANGE THEN THEY SEND A 'CLEAR FORWARD' TO THEIR LOCAL
|
|||
|
EXCHANGE, INDICATING TO IT THAT THE CALL IS FINISHED;BUT THE
|
|||
|
DISTANT EXCHANGE DOESN'T REALIZE BECAUSE THE CALLER'S PHONE IS
|
|||
|
STILL OFF THE HOOK. THEY NOW HAVE AN OPEN LINE INTO THE DISTANT
|
|||
|
TRUNK EXCHANGE AND SENDS TO IT A 'SEIZE' SIGNAL: '1' WHICH PUTS HIM
|
|||
|
ONTO ITS OUTGOING LINES NOW, IF THEY KNOW THE CODES, THE
|
|||
|
WORLD IS OPEN TO THEM. ALL OTHER EXCHANGES TRUST HIS LOCAL
|
|||
|
EXCHANGE TO HANDLE THE BILLING; THEY JUST INTERPRET THE TONES
|
|||
|
PHREAKING THEY HEAR. MEAN WHILE, THE LOCAL EXCHANGE COLLECTS
|
|||
|
|
|||
|
- 56 -
|
|||
|
|
|||
|
ONLY FOR A LOCAL CALL. THE INVESTIGATORS DISCOVERED THE PHREAKS
|
|||
|
HOLDING A CONFERENCE SOMEWHERE IN ENGLAND SURROUNDED BY VARIOUS
|
|||
|
PHONE EQUIPMENT AND BLEEPER BOXES, ALSO PRINTOUTS LISTING 'SECRET'
|
|||
|
POST OFFICE CODES. (THEY PROBABLY GOT THEM FROM TRASHING?) THE
|
|||
|
JUDGE SAID: "SOME TAKE TO HEROIN, SOME TAKE TO TELEPHONES" FOR THEM
|
|||
|
PHONE PHREAKING WAS NOT A CRIME BUT A HOBBY TO BE SHARED WITH
|
|||
|
PHELLOW ENTHUSIASTS AND DISCUSSED WITH THE POST OFFICE OPENLY OVER
|
|||
|
DINNER AND BY MAIL. THEIR APPROACH AND ATTITUDE TO THE WORLDS
|
|||
|
LARGEST COMPUTER, THE GLOBAL TELEPHONE SYSTEM, WAS THAT OF
|
|||
|
SCIENTISTS CONDUCTING EXPERIMENTS OR PROGRAMMERS AND ENGINEERS
|
|||
|
TESTING PROGRAMS AND SYSTEMS. THE JUDGE APPEARED TO AGREE, AND
|
|||
|
EVEN ASKED THEM FOR PHREAKING CODES TO USE FROM HIS LOCAL
|
|||
|
EXCHANGE!!!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 57 -
|
|||
|
|
|||
|
|
|||
|
THE HISTORY OF ESS: by- < Lex Luthor >
|
|||
|
|
|||
|
Of all the new 1960s wonders of telephone technology -
|
|||
|
satellites, ultra modern Traffic Service Positions (TSPS) for
|
|||
|
operators, the picturephone, and so on - the one that gave Bell
|
|||
|
Labs the most trouble, and unexpectedly became the greatest
|
|||
|
development effort in Bell System's history, was the perfection
|
|||
|
of an electronic switching system, or ESS. It may be recalled that
|
|||
|
such a system was the specific end in view when the project that
|
|||
|
had culminated in the invention of the transistor had been launched
|
|||
|
back in the 1930s. After successful accomplishment of that planned
|
|||
|
miracle in 1947-48, further delays were brought about by financial
|
|||
|
stringency and the need for further development of the transistor
|
|||
|
itself. In the early 1950s, a Labs team began serious work on
|
|||
|
electronic switching. As early as 1955, Western Electric became
|
|||
|
involved when five engineers from the Hawthorne works were assigned
|
|||
|
to collaborate with the Labs on the project. The president of AT&T
|
|||
|
in 1956, wrote confidently, "At Bell Labs, development of the new
|
|||
|
electronic switching system is going full speed ahead. We are sure
|
|||
|
this will lead to many improvements in service and also to greater
|
|||
|
efficiency. The first service trial will start in Morris, Ill., in
|
|||
|
1959." Shortly thereafter, Kappel said that the cost of the whole
|
|||
|
project would probably be $45 million.
|
|||
|
|
|||
|
But it gradually became apparent that the development of a
|
|||
|
commercially usable electronic switching system -in effect, a
|
|||
|
computerized telephone exchange - presented vastly greater
|
|||
|
technical problems than had been anticipated, and that,
|
|||
|
accordingly, Bell Labs had vastly underestimated both the time
|
|||
|
and the investment needed to do the job. The year 1959 passed
|
|||
|
without the promised first trial at Morris, Illinois; it was
|
|||
|
finally made in November 1960, and quickly showed how much more
|
|||
|
work remained to be done. As time dragged on and costs mounted,
|
|||
|
there was a concern at AT&T and some-thing approaching panic at
|
|||
|
Bell Labs. But the project had to go forward; by this time the
|
|||
|
investment was too great to be sacrificed, and in any case, forward
|
|||
|
projections of increased demand for telephone service indicated
|
|||
|
that within a phew years a time would come when, without the
|
|||
|
quantum leap in speed and flexibility that electronic switching
|
|||
|
would provide, the national network would be unable to meet the
|
|||
|
demand. In November 1963, an all-electronic switching system went
|
|||
|
into use at the Brown Engineering Company at Cocoa Beach, Florida.
|
|||
|
But this was a small installation, essentially another test
|
|||
|
installation, serving only a single company. Kappel's tone on the
|
|||
|
subject in the 1964 annual report was, for him, an almost
|
|||
|
apologetic: "Electronic switching equipment must be manufactured
|
|||
|
in volume to unprecedented standards of reliability.... To turn out
|
|||
|
the equipment economically and with good speed, mass production
|
|||
|
methods must be developed; but, at the same time, there can be
|
|||
|
no loss of precision..." Another year and millions of dollars
|
|||
|
later, on May 30, 1965, the first commerical electric central
|
|||
|
|
|||
|
- 58 -
|
|||
|
|
|||
|
|
|||
|
office was put into service at Succasunna, New Jersey. Even
|
|||
|
at Succasunna, only 200 of the town's 4,300 subscribers
|
|||
|
initially had the benefit of electronic switching's added
|
|||
|
speed and additional services, such as provision for three
|
|||
|
party conversations and automatic transfer of incoming calls.
|
|||
|
But after that, ESS was on its way. In January 1966, the second
|
|||
|
commercial installation, this one serving 2,900 telephones,
|
|||
|
went into service in Chase, Maryland. By the end of 1967 there
|
|||
|
were additional ESS offices in California, Connecticut, Minnesota,
|
|||
|
Georgia, New York, Florida, and Pennsylvania; by the end of 1970
|
|||
|
there were 120 offices serving 1.8 million customers; and by 1974
|
|||
|
there were 475 offices serving 5.6 million customers. The difference
|
|||
|
between conventional switching and electronic switching is the
|
|||
|
difference between "hardware" and "software"; in the former case,
|
|||
|
maintenance is done on the spot, with screwdriver and pliers, while
|
|||
|
in the case of electronic switching, it can be done remotely, by
|
|||
|
computer, from a central point, making it possible to have only
|
|||
|
one or two technicians on duty at a time at each switching center.
|
|||
|
The development program, when the final figures were added up, was
|
|||
|
found to have required a staggering four thousand man-years of work
|
|||
|
at Bell Labs and to have cost not $45 million but $500 million!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 59 -
|
|||
|
|
|||
|
|
|||
|
PEN REGISTERING AND TRACING: By - XTC
|
|||
|
|
|||
|
PEN REGISTERING IS A SPECIAL DEVICE USED BY AT&T. THIS DEVICE
|
|||
|
DECIPHERS THE TONES USED WHEN PHREAKING PHONE CALLS. THIS MEANS
|
|||
|
THAT EACH TONE KEY PRESSED IS DECIPHERED IF YOU HAD A PEN REG-
|
|||
|
ISTER ON YOUR LINE OR WERE BEING TRACED WITH A PEN REGISTER, EVERY
|
|||
|
PHONE NUMBER YOU DIALED WOULD BE KNOWN. THAT MEANS EVERY TIME YOU
|
|||
|
WOULD PHREAK A NUMBER NOT ONLY WOULD THE ACCESS NUMBER BE RECORDED,
|
|||
|
BUT THE CODE BEING USED AND WHERE YOU CALLED TO! SO IF YOU KNOW YOU
|
|||
|
HAVE A PEN REGISTER ON YOUR LINE THEN I WOULD AD- VISE YOU NOT TO
|
|||
|
PHREAK! TRACING - THE FBI DOES NOT TRACE,THE POL- ICE DO NOT TRACE.
|
|||
|
THE PHONE CO. TRACES. IF THE FBI WANTS A TRACE ON YOUR LINE THEY
|
|||
|
SIMPLY CALL THE PHONE CO. THE FBI DOES NOT SIT UP ALL NIGHT TO
|
|||
|
LISTEN IN ON YOUR PHONE. THEY DON'T TRACE FOR YEARS OR 6 MONTHS,
|
|||
|
BUT JUST FOR A FEW DAYS AT A TIME IF AT ALL. THE POLICE TRACES THE
|
|||
|
SAME WAY. IT COSTS TOO MUCH MONEY TO TRACE ALL THE COMPUTER
|
|||
|
PHREAKERS AND HACKERS, SO THEY MERELY PICK ON A SELECT FEW. SO
|
|||
|
TRACING ISN'T AS DANGEROUS AS IT SEEMS! THE PEOPLE THAT TELL YOU
|
|||
|
DIFFERENT HAVE BEEN WATCHING TOO MANY LATE NIGHT FILMS! SO DON'T
|
|||
|
GET TOO PARANOID!
|
|||
|
|
|||
|
INTERESTING THINGS TO DO ON STEP LINES: By - XTC
|
|||
|
|
|||
|
IF YOU HAVE STEP LINES IN YOUR PREFIX, (A GOOD WAY OF CHECKING TO
|
|||
|
SEE IF YOU HAVE STEP IS TO LOOK AT THE PAYPHONES AROUND YOUR HO-
|
|||
|
USE, IF THEY ARE ROTARY, THEN YOU HAVE STEP, IF NOT, YOUR OUTTA
|
|||
|
LUCK.) FROM YOUR HOUSE DIAL "0" (THIS WILL NOT WORK AT A PAYPH-
|
|||
|
ONE). YOU WILL HEAR A FEW "KERPLUNKS", IF YOU HIT THE HANG UP
|
|||
|
BUTTON WHEN THE SECOND-TO-THE-LAST "KERPLUNK" IS HEARD THEN THE
|
|||
|
OPERATOR WILL GET ON AND BE VERY CONFUSED. (I WILL TELL WHY SHE IS
|
|||
|
CONFUSED IN JUST A SECOND, BUT FOR NOW JUST.) SAY THAT YOU ARE
|
|||
|
TRYING TO COMPLETE A CALL WHEN SHE GOT ON. SHE WILL ASK FOR THE #
|
|||
|
YOU ARE TRYING TO CALL. TELL HER THE NUMBER (LONG DISTANCE OF CO-
|
|||
|
URSE), AND SHE WILL ASK YOU FOR YOUR NUMBER, PICK A NUMBER OUT OF
|
|||
|
YOUR HEAD, (IT MUST BE IN YOUR PREFIX THOUGH), AND TELL HER IT. SHE
|
|||
|
WILL BELIEVE YOU AND WILL CONNECT YOU WITH THE CHARGES CHA- RGED TO
|
|||
|
THE NUMBER YOU SAID.(IF YOU DIDN'T HIT THE BUTTON AT THE CORRECT
|
|||
|
TIME JUST TELL THE OPERATOR YOUR SORRY, YOU WERE TRY- ING TO DUST
|
|||
|
THE PHONE OR SOME OTHER BULLSHIT LIKE THAT.) WHAT YOU DID WAS SCREW
|
|||
|
UP THE AUTOMATIC NUMBER FIND THAT WAS BUILT IN TO THE FIRST STEP
|
|||
|
LINES. THIS IS WHAT WOULD TELL THE OPERATOR YOUR # SO SHE COULD
|
|||
|
BILL YOU IF SHE HAD TO COMPLETE A CALL FOR YOU. THE OP- ERATOR WILL
|
|||
|
GET SOME GARBAGE ON HER SCREEN THAT IS SUPPOSED TO BE YOUR NUMBER,
|
|||
|
BUT SINCE YOU INTERRUPTED THAT PRO- CESS, IT LOOKS REALLY BIZZARE.
|
|||
|
WHAT IS REALLY PHUN TO DO IS COM- PLAIN TO THE - OPERATOR THAT THIS
|
|||
|
IS THE THIRD TIME TODAY THAT YOU HAVE NOT BEEN ABLE TO GET THROUGH
|
|||
|
AND SHE WILL GIVE YOU SOME SOB STORY ABOUT "WE'RE SORRY, BUT WE'VE
|
|||
|
HAD A COMPUTER MAL- FUNCTION AND IT IS BEING FIXED RIGHT NOW". I'M
|
|||
|
KINDA SURE THAT THE PHONE COMPANY KNOWS NOTHING OF THIS. THE WORST
|
|||
|
THING THAT COULD HAPPEN IS YOU GET A CALL ASKING WHY YOU'VE HUNG UP
|
|||
|
ON THE OPERATOR SO MANY TI- MES, (IF YOU DID THIS ALOT, THAT IS).
|
|||
|
JUST GIVE THEM SHIT ABOUT A BABY BROTHER JUST LEARNING HOW TO USE
|
|||
|
THE PHONE, OR SOMETHING.
|
|||
|
|
|||
|
- 60 -
|
|||
|
|
|||
|
|
|||
|
Phreaker's PhunHouse: By - Doc Silicon
|
|||
|
|
|||
|
The long awaited prequil to Phreaker's Guide has finally
|
|||
|
arrived. Conceived from the boredom and loneliness that could only
|
|||
|
be derived from: Doc Silicon. But now, he has returned in full
|
|||
|
strength (after a small vacation) and is here to 'World Premiere'
|
|||
|
the new files everywhere. Stay cool. This is the prequil to the
|
|||
|
first one, so just relax. This is not made to be an exclusive ultra
|
|||
|
elite file, so kinda calm down and watch in the background if you
|
|||
|
are too cool for it...
|
|||
|
|
|||
|
/-/ Phreak Dictionary /-/
|
|||
|
|
|||
|
Here you will find some of the basic but necessary terms that
|
|||
|
should be known by any phreak who wants to be respected at all...
|
|||
|
|
|||
|
Phreak [fr'eek]:1. The action of using mischevious and mostly
|
|||
|
illegal ways in order to not pay for some sort of
|
|||
|
telecommunications bill, order, transfer, or other service. It
|
|||
|
often involves usage of highly illegal boxes and machines in order
|
|||
|
to defeat the security that is set up to avoid this
|
|||
|
sort of happening.
|
|||
|
|
|||
|
[fr'eaking]. v. 2. A person who uses the above methods of
|
|||
|
destruction and chaos in order to make a better life for all. A
|
|||
|
true phreaker will not not go against his fellows or narc on people
|
|||
|
who have ragged on him or do anything termed to be dishonorable to
|
|||
|
phreaks.
|
|||
|
|
|||
|
[fr'eek]. n. 3. A certain code or dialup useful in the action
|
|||
|
of being a phreak. (Example: "I hacked a new metro phreak last
|
|||
|
night.")
|
|||
|
|
|||
|
Switching System [Swich'ing sis'tem]: 1. There are 3 main
|
|||
|
switching systems currently employed in the US, and a few other
|
|||
|
systems will be mentioned as background. A) SxS: This system was
|
|||
|
invented in 1918 and was employed in over half of the country until
|
|||
|
1978. It is a very basic system that is a general waste of energy
|
|||
|
and hard work on the linesman. A good way to identify
|
|||
|
this is that it requires a coin in the phone booth before it will
|
|||
|
give you a dial tone, or that no call waiting, call forwarding, or
|
|||
|
any other such service is available. Stands for: Step by Step B)
|
|||
|
XB: This switching system was first employed in 1978 in order to
|
|||
|
take care of most of the faults of SxS switching. Not only is it
|
|||
|
more efficient, but it also can support different services in
|
|||
|
various forms. XB1 is Crossbar Version 1. That is very limited and
|
|||
|
is hard to distinguish from SxS except by direct view of the wiring
|
|||
|
involved. Next up was XB4, Crossbar Version 4. With this system,
|
|||
|
some of the basic things like DTMF that were not available with SxS
|
|||
|
can be accomplished. For the final stroke of XB, XB5 was created.
|
|||
|
This is a service that can allow DTMF plus most 800 type services
|
|||
|
(which were not always available...)
|
|||
|
|
|||
|
- 61 -
|
|||
|
|
|||
|
|
|||
|
Stands for: Crossbar. C) ESS: A nightmare in telecom. In vivid
|
|||
|
color, ESS is a pretty bad thing to have to stand up to. It is
|
|||
|
quite simple to identify. Dialing 911 for emergencies, and ANI [see
|
|||
|
ANI below] are the most common facets of the dread system. ESS has
|
|||
|
the capability to list in a person's caller log what number was
|
|||
|
called, how long the call took, and even the status of the
|
|||
|
conversation (modem or otherwise.) Since ESS has been employed,
|
|||
|
which has been very recently, it has gone through many kinds of
|
|||
|
revisions. The latest system to date is ESS 11a, that is employed
|
|||
|
in Washington D.C. for security reasons. ESS is truly trouble for
|
|||
|
any phreak, because it is 'smarter' than the other systems. For
|
|||
|
instance, if on your caller log they saw 50 calls to
|
|||
|
1-800-421-9438, they would be able to do a CN/A [see Loopholes
|
|||
|
below] on your number and determine whether you are subscribed to
|
|||
|
that service or not. This makes most calls a hazard, because
|
|||
|
although 800 numbers appear to be free, they are recorded on your
|
|||
|
caller log and then right before you receive your bill it deletes
|
|||
|
the billings for them. But before that they are open to inspection,
|
|||
|
which is one reason why extended use of any code is dangerous under
|
|||
|
ESS. Some of the boxes [see Boxing below] are unable to function in
|
|||
|
ESS. It is generally a menace to the true phreak. Stands For:
|
|||
|
Electronic Switching System. because they could appear on a filter
|
|||
|
somewhere or maybe it is just nice to know them any ways. A) SSS:
|
|||
|
Strowger Switching System. First non-operator system available. B)
|
|||
|
WES: Western Electronics Switching. Used about 40 years ago with some
|
|||
|
minor places out west.
|
|||
|
|
|||
|
Boxing [Boks'-ing]: 1) The use of personally designed boxes that
|
|||
|
emit or cancel electronical impulses that allow simpler acting
|
|||
|
while phreaking. Through the use of separate boxes, you can
|
|||
|
accomplish most feats possible with or without the control of an
|
|||
|
operator. 2) Some boxes and their functions are listed below. Ones
|
|||
|
marked with '*' indicate that they are not operatable in ESS.
|
|||
|
*Black Box: Makes it seem to the phone company that the phone
|
|||
|
was never picked up. Blue Box: Emits a 2600hz tone that allows
|
|||
|
you to do such things as stack a trunk line, kick the operator
|
|||
|
off line, and others. Red Box: Simulates the noise of a quarter,
|
|||
|
nickel, or dime being dropped into a payphone. Cheese Box: Turns
|
|||
|
your home phone into a pay phone to throw off traces (a red box
|
|||
|
is usually needed in order to call out.) *Clear Box: Gives you
|
|||
|
a dial tone on some of the old SxS payphones without putting in
|
|||
|
a coin. Beige Box: A simpler produced linesman's handset that
|
|||
|
allows you to tap into phone lines and extract by eavesdropping,
|
|||
|
or crossing wires, etc. Purple Box: Makes all calls made out from
|
|||
|
your house seem to be local calls.
|
|||
|
|
|||
|
ANI [ANI]: 1) Automatic Number Identification. A service
|
|||
|
available on ESS that allows a phone service [see Dialups below] to
|
|||
|
record the number that any certain code was dialed from along with
|
|||
|
the number that was called and print both of these on the customer
|
|||
|
bill. 950 dialups [see Dialups below] are all designed
|
|||
|
|
|||
|
- 62 -
|
|||
|
|
|||
|
|
|||
|
just to use ANI. Some of the services do not have the proper
|
|||
|
equipment to read the ANI impulses yet, but it is impossible to see
|
|||
|
which is which without being busted or not busted first.
|
|||
|
|
|||
|
Dialups [dy'l'ups]: 1) Any local or 800 extended outlet that
|
|||
|
allows instant access to any service such as MCI, Sprint, or AT&T
|
|||
|
that from there can beused by handpicking or using a program to
|
|||
|
reveal other peoples codes which can then be used moderately until
|
|||
|
they find out about it and you must switch to another code
|
|||
|
(preferably before they find out about it.) 2) Dialups are
|
|||
|
extremely common on both senses. Some dialups reveal the company
|
|||
|
that operates them as soon as you hear the tone. Others are much
|
|||
|
harder and some you may never be able to identify. A small list of
|
|||
|
dialups:1-800-421-9438 (5 digit codes) 1-800-547-6754 (6 digit
|
|||
|
codes) 1-800-345-0008 (6 digit codes) 1-800-734-3478 (6 digit
|
|||
|
codes) 1-800-222-2255 (5 digit codes) 3) Codes: Codes are very
|
|||
|
easily accessed procedures when you call a dialup. They will
|
|||
|
give you some sort of tone. If the tone does not end in 3 seconds,
|
|||
|
then punch in the code and immediately following the code, the
|
|||
|
number you are dialing but strike the '1' in the beginning out
|
|||
|
first. If the tone does end, then punch in the code when the tone
|
|||
|
ends. Then, it will give you another tone. Punch in the number you
|
|||
|
are dialing, or a '9'. If you punch in a '9' and the tone stops,
|
|||
|
then you messed up a little. If you punch in a tone and the tone
|
|||
|
continues, then simply dial then number you are calling without the
|
|||
|
'1'. 4) All codes are not universal. The only type that I know of
|
|||
|
that is truly universal is Metrophone. Almost every major city has
|
|||
|
a local Metro dialup (for Philadelphia, (215)351-0100/0126) and
|
|||
|
since the codes are universal, almost every phreak has used them
|
|||
|
once or twice. They do not employ ANI in any outlets that I know
|
|||
|
of, so feel free to check through your books and call 555-1212 or,
|
|||
|
as a more devious manor, subscribe yourself. Then, never use your
|
|||
|
own code. That way, if they check up on you due to your caller log,
|
|||
|
they can usually find out that you are subscribed. Not only that
|
|||
|
but you could set a phreak hacker around that area and just let it
|
|||
|
hack away, since they usually group them, and, as a bonus, you will
|
|||
|
have their local dialup. 5) 950's. They seem like a perfectly cool
|
|||
|
phreakers dream. They are free from your house, from payphones,
|
|||
|
from everywhere, and they host all of the major long distance
|
|||
|
companies (950-1044 <MCI>, 950-1077 <Sprint>, 950-1088
|
|||
|
<Skylines>, 950-1033 <Us Telecom>.) Well, they aren't. They were
|
|||
|
designed for ANI. That is the point, end of discussion.
|
|||
|
|
|||
|
A phreak dictionary. If you remember all of the things contained
|
|||
|
on that file up there, you may have a better chance of doing
|
|||
|
whatever it is you do. This next section is maybe a little more
|
|||
|
interesting...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- 63 -
|
|||
|
|
|||
|
|
|||
|
Blue Box Plans:
|
|||
|
---------------
|
|||
|
These are some blue box plans, but first, be warned, there have
|
|||
|
been 2600hz tone detectors out on operator trunk lines since XB4.
|
|||
|
The idea behind it is to use a 2600hz tone for a few very naughty
|
|||
|
functions that can really make your day lighten up. But first, here
|
|||
|
are the plans, or the heart of the file:
|
|||
|
|
|||
|
700 : 1 : 2 : 4 : 7 : 11 :
|
|||
|
900 : + : 3 : 5 : 8 : 12 :
|
|||
|
1100 : + : + : 6 : 9 : KP :
|
|||
|
1300 : + : + : + : 10 : KP2 :
|
|||
|
1500 : + : + : + : + : ST :
|
|||
|
: 700 : 900 :1100 :1300 :1500 :
|
|||
|
|
|||
|
Stop! Before you diehard users start piecing those little tone
|
|||
|
tidbits together, there is a simpler method. If you have an
|
|||
|
Apple-Cat with a program like Cat's Meow IV, then you can generate
|
|||
|
the necessary tones, the 2600hz tone, the KP tone, the KP2 tone,
|
|||
|
and the ST tone through the dial section. So if you have that I
|
|||
|
will assume you can boot it up and it works, and I'll do you the
|
|||
|
favor of telling you and the other users what to do with the blue
|
|||
|
box now that you have somehow constructed it.
|
|||
|
|
|||
|
The connection to an operator is one of the most well known
|
|||
|
and used ways of having fun with your blue box. You simply dial a
|
|||
|
TSPS (Traffic Service Positioning Station, or the operator you get
|
|||
|
when you dial '0') and blow a 2600hz tone through the line. Watch
|
|||
|
out! Do not dial this direct! After you have done that, it is quite
|
|||
|
simple to have fun with it. Blow a KP tone to start a call, a ST
|
|||
|
tone to stop it, and a 2600hz tone to hang up. Once you have
|
|||
|
connected to it, here are some fun numbers to call with it:
|
|||
|
0-700-456-1000 Teleconference (free, because you are the
|
|||
|
operator!) (Area code)-101 Toll Switching (Area code)-121 Local
|
|||
|
Operator (hehe) (Area code)-131 Information (Area code)-141 Rate &
|
|||
|
Route (Area code)-181 Coin Refund Operator (Area code)-11511
|
|||
|
Conference operator (when you dial 800-544-6363)
|
|||
|
|
|||
|
Well, those were the tone matrix controllers for the blue box
|
|||
|
and some other helpful stuff to help you to start out with. But
|
|||
|
those are only the functions with the operator. There are other
|
|||
|
k-fun things you can do with it...
|
|||
|
|
|||
|
More advanced Blue Box Stuff: Oops. Small mistake up there. I
|
|||
|
forgot tone lengths. Um, you blow a tone pair out for up to 1/10 of
|
|||
|
a second with another 1/10 second for silence between the digits.
|
|||
|
KP tones should be sent for 2/10 of a second. One way to
|
|||
|
confuse the 2600hz traps is to send pink noise over the channel
|
|||
|
(for all of you that have decent BSR equalizers, there is major
|
|||
|
pink noise in there...) Using the operator functions is the use of
|
|||
|
the 'inward' trunk line. That is working it from the inside. From
|
|||
|
the 'outward' trunk, you can do such things as make
|
|||
|
|
|||
|
- 64 -
|
|||
|
|
|||
|
|
|||
|
emergency breakthrough calls, tap into lines, busy all of the lines
|
|||
|
in any trunk (called 'stacking'), enable or disable the TSPS's, and
|
|||
|
for some 4a systems you can even re-route calls to anywhere. All
|
|||
|
right. The one thing that every complete phreak guide should not be
|
|||
|
without is blue box plans, since they were once a vital part of
|
|||
|
phreaking. Another thing that every
|
|||
|
complete file needs is a complete listing of all of the 800 numbers
|
|||
|
around so you can have some more fun.
|
|||
|
|
|||
|
/-/ 800 Dialup Listings /-/
|
|||
|
|
|||
|
1-800-345-0008 (6) 1-800-547-6754 (6) 1-800-245-4890 (4)
|
|||
|
1-800-327-9136 (4) 1-800-526-5305 (8) 1-800-858-9000 (3)
|
|||
|
1-800-437-9895 (7) 1-800-245-7508 (5) 1-800-343-1844 (4)
|
|||
|
1-800-322-1415 (6) 1-800-437-3478 (6) 1-800-325-7222 (6)
|
|||
|
|
|||
|
All right, set Your Hacker on those numbers and have a fuck of a
|
|||
|
day. That is enough with 800 codes, by the time this gets around to
|
|||
|
you I dunno what state those codes will be in, but try them all out
|
|||
|
anyways and see what you get. On some 800 services now, they have
|
|||
|
an operator who will answer and ask you for your code, and then
|
|||
|
your name. Some will switch back and forth between voice and tone
|
|||
|
verification, you can never be quite sure which you will be up against.
|
|||
|
|
|||
|
Armed with this knowledge you should be having a pretty good
|
|||
|
time phreaking now. But class isn't over yet, there are still a
|
|||
|
couple important rules that you should know. If you hear continual
|
|||
|
clicking on the line, then you should assume that an operator is
|
|||
|
messing with something, maybe even listening in on you. It is a
|
|||
|
good idea to call someone back when the phone starts doing that. If
|
|||
|
you were using a code, use a different code and/or service to call
|
|||
|
him back. A good way to detect if a code has gone bad or not is to
|
|||
|
listen when the number has been dialed. If the code is bad you will
|
|||
|
probably hear the phone ringing more clearly and more quickly than
|
|||
|
if you were using a different code. If someone answers voice to it
|
|||
|
then you can immediately assume that it is an operative for whatever
|
|||
|
company you are using. The famed '311311' code for Metro is one of
|
|||
|
those. You would have to be quite stupid to actually respond,
|
|||
|
because whoever you ask for the operator will always say 'He's not
|
|||
|
in right now, can I have him call you back?' and then they will ask
|
|||
|
for your name and phone number. Some of the more sophisticated
|
|||
|
companies will actually give you a carrier on a line that is
|
|||
|
supposed to give you a carrier and then just have garbage flow
|
|||
|
across the screen like it would with a bad connection. That is a
|
|||
|
feeble effort to make you think that the code is still working and
|
|||
|
maybe get you to dial someone's voice... a good test for the carrier
|
|||
|
trick is to dial a number that will give you a carrier that you have
|
|||
|
never dialed with that code before, that will allow you to determine
|
|||
|
whether the code is good or not. For our next section, a lighter
|
|||
|
look at some of the things that a phreak should not be without. A
|
|||
|
|
|||
|
- 65 -
|
|||
|
|
|||
|
|
|||
|
vocabulary. A few months ago, it was a quite strange world for the
|
|||
|
modem people out there. But now, a phreaker's vocabulary is
|
|||
|
essential if you wanna make a good impression on people when you
|
|||
|
post what you know about certain subjects.
|
|||
|
|
|||
|
/-/ Vocabulary /-/
|
|||
|
|
|||
|
- Do not misspell except certain exceptions:
|
|||
|
phone -> fone
|
|||
|
freak -> phreak
|
|||
|
- Never substitute 'z's for 's's. (i.e. codez -> codes)
|
|||
|
|
|||
|
- Never leave many characters after a post (i.e. Hey
|
|||
|
dudes!#!@#@!#!@)
|
|||
|
- NEVER use the 'k' prefix (k-kool, k-rad, k-whatever)
|
|||
|
- Do not abbreviate. (I got lotsa wares w/ docs)
|
|||
|
- Never substitute '0' for 'o' (r0dent, l0zer).
|
|||
|
- Forget about ye old upper case, it looks ruggyish.
|
|||
|
|
|||
|
All right, that was to relieve the tension of what is being
|
|||
|
drilled into your minds at the moment.. now, however, back to the
|
|||
|
teaching course. Here are some things you should know about fone
|
|||
|
and billings for phones, etc.
|
|||
|
|
|||
|
LATA: Local Access Transference Area. Some people who live in
|
|||
|
large cities or areas may be plagued by this problem. For Inst-
|
|||
|
ance, let's say you live in the 215 area code under the 542 pre
|
|||
|
(Ambler, Fort Washington). If you went to dial in a basic Metro
|
|||
|
code from that area, for instance, 351-0100, that might not be
|
|||
|
counted under unlimited local calling because it is out of your
|
|||
|
LATA.For some LATA's, you have to dial a '1' without the area code
|
|||
|
before you can dial the phone number. That could prove a hassle for
|
|||
|
us all if you didn't realize you would be billed for that sort of
|
|||
|
call. In that way, sometimes, it is better to be safe than sorry
|
|||
|
and phreak. The Caller Log: In ESS regions, for every household
|
|||
|
around, the phone company has something on you called a Caller Log.
|
|||
|
This shows every single number that you dialed, and things can be
|
|||
|
arranged so it showed every number that was calling to you. That's
|
|||
|
one main disadvantage of ESS, it is mostly computerized so a number
|
|||
|
scan could be done like that quite easily. Using a dialup is an
|
|||
|
easy way to screw that, and is something worth remembering. Anyways,
|
|||
|
with the caller log, they check up and see what you dialed. Hmm...
|
|||
|
you dialed 15 different 800 numbers that month. Soon they find that
|
|||
|
you are subscribed to none of those companies. But that is not the
|
|||
|
only thing. Most people would imagine "But wait! 800 numbers don't
|
|||
|
show up on my phone bill!". To those people, it is a nice thought,
|
|||
|
but 800 numbers are picked up on the caller log until right before
|
|||
|
they are sent off to you. So they can check right up on you before
|
|||
|
they send it away and can note the fact that you fucked up slightly
|
|||
|
and called one too many 800 lines. Right now, after all of that, you
|
|||
|
should have a pretty good idea of how to grow up as a good phreak.
|
|||
|
Follow these guidelines, don't show off!
|
|||
|
|
|||
|
- 66 -
|
|||
|
|
|||
|
|
|||
|
Telenet: By - Doc Silicon
|
|||
|
|
|||
|
It seems that not many of you know that Telenet is connected to
|
|||
|
about 80 computer-networks in the world. No, I don't mean 80 nodes,
|
|||
|
but 80 networks with thousands of unprotected computers. When you
|
|||
|
call your local Telenet-gateway, you can only call those computers
|
|||
|
which accept reverse-charging-calls. If you want to call computers
|
|||
|
in foreign countries or computers in USA which do not accept
|
|||
|
R-calls, you need a Telenet-ID. Did you ever notice that you can
|
|||
|
type ID XXXX when being connected to Telenet? You are then asked
|
|||
|
for the password. If you have such a NUI (Network-User-ID) you can
|
|||
|
call nearly every host connected to any computer-network in the
|
|||
|
world. Here are some examples: 026245400090184 :Is a VAX in Germany
|
|||
|
(Username: DATEXP and leave mail for CHRIS !!!) 0311050500061
|
|||
|
:Is the Los Alamos Integrated computing network (One of the hosts
|
|||
|
connected to it is the DNA (Defense Nuclear Agency)!!!) 1230197000016
|
|||
|
:Is a BBS in New Zealand 024050256 :Is the S-E-Bank in Stockholm,
|
|||
|
Sweden (Login as GAMES !!!) 02284681140541 :CERN in Geneva in
|
|||
|
Switzerland (one of the biggest nuclear research centers in the
|
|||
|
world) Login as GUEST 0234212301161 :A Videotex-standard system.
|
|||
|
Type OPTEL to get in and use the ID 999_ with the password 9_
|
|||
|
0242211000001 :University of Oslo in Norway (Type LOGIN 17,17 to
|
|||
|
play the Multi-User-Dungeon !) 0425130000215 :Something like ITT
|
|||
|
Dialcom, but this one is in Israel ! ID HELP with password HELP
|
|||
|
works fine with security level 3 0310600584401 :Is the Washington
|
|||
|
Post News Service via Tymnet (Yes, Tymnet is connected to Telenet,
|
|||
|
too !) ID and Password is: PETER You can read the news of the next
|
|||
|
day !
|
|||
|
|
|||
|
The prefixes are as follows:
|
|||
|
02624 is Datex-P in Germany
|
|||
|
02342 is PSS in England
|
|||
|
03110 is Telenet in USA
|
|||
|
03106 is Tymnet in USA
|
|||
|
02405 is Telepak in Sweden
|
|||
|
04251 is Isranet in Israel
|
|||
|
02080 is Transpac in France
|
|||
|
02284 is Telepac in Switzerland
|
|||
|
02724 is Eirpac in Ireland
|
|||
|
02704 is Luxpac in Luxembourg
|
|||
|
05252 is Telepac in Singapore
|
|||
|
04408 is Venus-P in Japan
|
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|
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and so on... Some of the countries have more than one packet-
|
|||
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switching-network (USA has 11, Canada has 3, etc). OK. That should
|
|||
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be enough for the moment. As you see most of the passwords are very
|
|||
|
simple. This is because they must not have any fear of hackers.
|
|||
|
Only a few German hackers use these networks. Most of the computers
|
|||
|
are absolutely easy to hack !!! So, try to find out some Telenet-ID's!
|
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- 67 -
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Bad as Shit: By - The Grim Reaper
|
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Recently, a telephone fanatic in the northwest made an
|
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interesting discovery. He was exploring the 804 area code
|
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(Virginia) and found out that the 840 exchange did something
|
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|
strange. In the vast majority of cases, in fact in all of the
|
|||
|
cases except one, he would get a recording as if the exchange
|
|||
|
didn't exist. However, if he dialed 804-840 and four rather
|
|||
|
predictable numbers, he got a ring! After one or two rings,
|
|||
|
somebody picked up. Being experienced at this kind of thing, he
|
|||
|
could tell that the call didn't "supe", that is, no charges were
|
|||
|
being incurred for calling this number. (Calls that get you to an
|
|||
|
error message, or a special operator, generally don't supervise.)
|
|||
|
A female voice, with a hint of a Southern accent said, "Operator,
|
|||
|
can I help you?" "Yes," he said, "What number have I reached?"
|
|||
|
"What number did you dial, sir?" He made up a number that was
|
|||
|
similar. "I'm sorry that is not the number you reached." Click.
|
|||
|
He was fascinated. What in the world was this? He knew he was
|
|||
|
going to call back, but before he did, he tried some more
|
|||
|
experiments. He tried the 840 exchange in several other area
|
|||
|
codes. In some, it came up as a valid exchange. In others, exactly
|
|||
|
the same thing happened -- the same last four digits, the
|
|||
|
same Southern belle. Oddly enough, he later noticed, the areas
|
|||
|
worked in seemed to travel in a beeline from Washington DC to
|
|||
|
Pittsburgh, PA. He called back from a payphone. "Operator, can I
|
|||
|
help you?" "Yes, this is the phone company. I'm testing this line
|
|||
|
and we don't seem to have an identification on your circuit. What
|
|||
|
office is this, please?" "What number are you trying to reach?"
|
|||
|
"I'm not trying to reach any number. I'm trying to identify this
|
|||
|
circuit." "I'm sorry, I can't help you." "Ma'am, if I don't get an
|
|||
|
ID on this line, I'll have to disconnect it. We show no record of
|
|||
|
it here." "Hold on a moment, sir." After about a minute, she came
|
|||
|
back. "Sir, I can have someone speak to you. Would you give me
|
|||
|
your number, please?" He had anticipated this and he had the
|
|||
|
payphone number ready. After he gave it, she said, "Mr. XXX will
|
|||
|
get right back to you." "Thanks." He hung up the phone. It rang.
|
|||
|
INSTANTLY! "Oh my God," he thought, "They weren't asking for my
|
|||
|
number -- they were confirming it!" "Hello," he said, trying to
|
|||
|
sound authoritative. "This is Mr. XXX. Did you just make an
|
|||
|
inquiry to my office concerning a
|
|||
|
phone number?" "Yes. I need an identi--" "What you need is
|
|||
|
advice. Don't ever call that number again. Forget you ever knew
|
|||
|
it." At this point our friend got so nervous he just hung up. He
|
|||
|
expected to hear the phone ring again but it didn't. Over the next
|
|||
|
few days he racked his brains trying to figure out what the number
|
|||
|
was. He knew it was something big -- that was pretty certain at
|
|||
|
this point. It was so big that the number was programmed into
|
|||
|
every central office in the country. He knew this because if he
|
|||
|
tried to dial any other number in that exchange, he'd get a local
|
|||
|
error message from his CO, as if the exchange didn't exist. It
|
|||
|
finally came to him. He had an uncle who worked in a federal
|
|||
|
agency. He had a feeling that this was goverment related
|
|||
|
|
|||
|
- 68 -
|
|||
|
|
|||
|
|
|||
|
and if it was, his uncle could probably find out what it was. He
|
|||
|
asked the next day and his uncle promised to look into the matter.
|
|||
|
The next time he saw his uncle, he noticed a big change in his
|
|||
|
manner. He was trembling. "Where did you get that number?!"
|
|||
|
he shouted. "Do you know I almost got fired for asking about it?!?
|
|||
|
They kept wanting to know where I got it." Our friend couldn't
|
|||
|
contain his excitement. "What is it?" he pleaded. "What's the
|
|||
|
number?!" "IT'S THE PRESIDENT'S BOMB SHELTER!" He never called
|
|||
|
the number after that. He knew that he could probably cause quite
|
|||
|
a bit of excitement by calling the number and saying something like,
|
|||
|
"The weather's not good in Washington. We're coming over for a
|
|||
|
visit." But our friend was smart. he knew that there were some
|
|||
|
things that were better off unsaid and undone.
|
|||
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
|||
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|
|||
|
|
|||
|
|
|||
|
- 69 -
|
|||
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|