1137 lines
47 KiB
Plaintext
1137 lines
47 KiB
Plaintext
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Saturday, July 12th [n.y.]
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Dear Aleister,
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I am quite unable to find the O.T.O. papers. I saw them at
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Richmond, I think, in London at Morton House. But I have repeatedlly
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looked there for them, it is useless to ask anyone else to look for
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me.
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Today I have had an exhaustive & exhausting search in all my
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papers here.
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Can I have a fresh copy!
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I enclose [L]4-4.
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I think I am not sufficiently instructed to take such a
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responsible job in U.S.A. I will do some work on it & you will
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judge.
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The Adjustment is being queer with me. She has, after all,
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insisted on being Beardsley! Also Harlequin comes in & out of it so
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I must have to submit. But why Harlequin? Is there any connection?
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Also she won't sit down but stands on her toes just balanced. The
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design-result is good. That blue is cobalt I take it. The
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instruction says Blue-Blue green. Pale green Emerald. That Emerald
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is a vile pigment in poster paints.
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I like the idea of a weekly letter on the Chinese Yi. Also as
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told to an idiot appeals to me & is frightfully good for you.
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I feel I am on the move. The back of the Card will be done next
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& the re-printing of mount.
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What about the enlarged set of replicas. A big work but it can
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be done.
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I have sent you only 1 throw-out in order that you should not
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become parcel-bound. You can have more.
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I am so glad you are a bit better but I do think those bouts of
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asthma must exhaust you.
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The dentist at Stroud writes "Please let me have a pack of
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those cards of which you show me the photographs. I can't get them
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out of my mind." Which shows him!
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Yours somewhat anxious about O.T.O. Papers
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Frieda Harris
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Dec. 11th [n.y.]
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Dear Aleister,
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Thank you for your letter I will reply later to that.
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I am sending you a sample of the top of the surround of the
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card as I have written "Swords" at the top. I find people cannot
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tell Trumps from Swords or Cups from Disks so I propose to write
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Swords, Cups, Disks, Wands, Trumps at the top. Owing to the black
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out I think this particular sample Swords is too dark it should be
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the same colour as the mount not to show so much. I may be able to
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wash it down but I have to horde [sic] this mount as I can't get
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any more--please return this one.
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I have done as you suggested to the Swords. Thank you "Mr
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Crowley". You were quite right.
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Ever yours--
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Frieda Harris
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[P.S.] Tried again got it right by sponging only not quite the
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texture I want--others will be better!
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[n.d.]
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Dear Aleister,
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I have been struggling with a bad cold & the Lovers--the latter
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begins to cheer up. I haven't decided whether I'll come back & brood
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on the Fool or stay here. It depends on the crisis, the Austrian
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Servants but I'd rather stay here.
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Can you tell me where there are 92 elements according to the
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Russian Mendelkeef (is it)? Also what do you know about Lilith. I
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can't find out anything & believe I asked you before & you would not
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attend to me. I can't make anything of the no 92. That is why I ask
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you.
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I hope you are all right.
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Yours sincerely,
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Frieda Harris
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Cotswold House Hotel
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Chipping Campden
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Glos
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Woolstaplers Hall
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Chipping Campden
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[n.d.]
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Dear Aleister,
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Please--I am working on the Fool & I've done the Lovers so do
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not tartly say I am having a long holiday!
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The caravan is a great success. Most cosey & so much easier
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than a house. Your explanation of Lilith is not enough. She is a
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piebald wench & not to be trusted but in some ways Eve is a Krugley
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[?] Queen when compared with her.
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I am glad the Falconer has caught your Hawk & that you are
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happier.
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I will struggle with the Fool. He does writhe about. I can't
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see him. Has he got any children with him & is not his bag a
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jester's balloon? That innocent gaiety asks for the brush of a saint
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& my lines come out like treacle. I wish I could paint in crystals.
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Yours sincerely,
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Frieda Harris
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[n.p., n.d.]
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Dear Aleister,
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I hope you are alright. I don't think you were at all lucid
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about Lilith or the 100 years dead Russian however I hope you were
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preoccupied with writing. I have been looking at Tao Teh King. Yes
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it is an excellent book & like everything you write, only could have
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been done by you & a most profound & lucid bit of thought. No
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wonder you function so vilely on the living plane?
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I am grappling with the Fool which continues to give me a gad
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foot so that I can't walk except in a club-footed heavy way. Also
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the caravan is fiercely cold & presents many obstacles. I have a
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studio also fiercely cold & without any furniture except packing
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cases, but that is a help. Directly the Fool is in a form to be
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submitted to the Right Worshipable Master, I will return to the
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Petrolitis in which we all endure.
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Yours sincerely,
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Frieda Harris
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[n.p., n.d., mid-winter]
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Dear Aleister,
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I do hope it is going to come out, I am simply sweating. That
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Fool won't stand still & I do hope it is going to be alright &
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you'll be satisfied. I can't do it well enough--every sort of
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obstacles, damp weather, intense cold, an impossible situation of
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living in a caravan in mid-winter. I am more than duty [sic] but I
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dare not leave as I must do this as well as I can without
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interruption & I can hear the rumblings of a tumultuous world
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through the apple trees. If only it is alright. It has got all the
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symbols only I've never seen any traditional card like it & it has
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gone so far from the little bearded man which it never was for it
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appears to me as Christ & Budha [sic] & Harpo & Pierot [sic] &
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Harlequin & the giant Pandah & every other foolish & adorable person
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& or course I can't make a pastiche of all those tho I try & indeed
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now I have forgotten how to spell.
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Why haven't I got living fire which could weave musically
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these beauties. I can't do it with pigment I want poetry & music &
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light, not coloured chalks.
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I do hope you're serious about this. You must be, you couldn't
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have written Tao Teh King with yr. tongue in yr. cheek even with
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your beastly cleverness & adroit subtlety.
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Yours sincerely,
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Frieda Harris
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140 Picadilly
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W.1.July 9 [1942]
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Dear Kerman,
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The Tarot is an Atlas of, and Guide Book to, the Universe. It
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has been my daily study since Feb. '99, and my researches have cost
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me several thousand pounds.
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I have long determined to construct a pack embodying all the
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new knowledge gained from Anthropology, Comparative Religion, & so
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forth.
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Lady Harris offered to execute the cards from my designs. It
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was agreed that I should have a 2/3 share in the venture.
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From my rough sketches & descriptions, under my continual
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inspection, subject to my constant correction--I made her do some
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cards over again 5, 6 even 8 times in one case--she made the set now
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on show at the Berkeley Galleries. (There is one exception: the card
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numbered I was not shown to, or authorized by, me. I suspect a trick
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in this.)
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She has damaged the property by offering it for sale at cost
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price, thus alienating the libraries & booksellers, and reducing my
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2/3 interest to nil.
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I value the copyright at something like [L]20000. (A crude,
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vilely drawn & coloured, ignorant, inferior pack, published in 1902
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or thereabouts, has sold over 1000 copies every year since then at
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15/- a copy. I am quite sure that these admirable cards, with my
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book on the subject, which was to go with them in an ornamental box,
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would bring in far more annual receipts. I have a large following in
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U.S.A.--they send me [L]50 a month or more--which is growing
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rapidly. Especially now my "Hymn for Independence Day" has been set
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to music, and will be broadcast by the Cultural Garden League of
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Cleveland, Ohio, on Aug. 9. There is also my Free French song (proof
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enclosed). And the invention of the V-sign will ultimately benefit
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my work.
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I want first to establish my 2/3 claim in the copyright.
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Secondly, my controlling interest in the cards themselves. If
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necessary, damages for her sly, underhand, sneaking, dishonourable
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and dishonest action in giving this show without my approval, and
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destroying the whole value of the copyright.
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N.B. The property right is actually vested in the O.T.O. (Mr.
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Karl Germer 1007 Lexington Avenue New York City is my Grand
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Treasurer General, and we had perhaps better sue in his name.
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N.B. Lady H's real motive is to conceal her 4 years' close
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association with me! Rather silly, then, to provoke a lawsuit!
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I shall ring up Saturday A.M. early: perhaps you could lunch
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with me.
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Yours sincerely,
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Aleister Crowley
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P.S. A friendly settlement is being tried; don't do anything until I
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see you again. A.C.
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Thursday, May 5th [1943]
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In reply to [yours of] Sept. 2nd received 2nd post today
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Dear Aleister,
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I think we should find it easier & prevent any friction for us
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all, if this Miss Lopham, Lopham, Backett, Gill Chancery, Staple Inn
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Holborn acts for me. I have written to her to communicate with you
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at once & I think you will find it a great assistance to you as you
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are not well, if she consults with you & puts us all wise on the
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legal aspect & can interview Houghton for you. You can always
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telephone to her. She is very sensible & knows my wishes & has
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already met Houghton & been to Museum Street.
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I hope you will find this satisfactory & will help you with the
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responsibility.
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I can always come up to London but as I am not a business-
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woman, I am more likely to be obstinate in the wrong place than an
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indifferent outsider, & if the contract is not carefully watched,
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one of us will be accused of unfairness, so I think you will agree
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this will protect us both.
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I do wish you were better.
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You say "I propose to arrange the terms of the contract with
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Mike (you don't mention this at all, by the way, tho you should have
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got my letter last Friday by the first post) so that (a) you are
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relieved from the curse of the stipend (b) that I am enabled to see
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the job thru myself--I feel sure that London is the place."
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1. I never received a letter saying you proposed to arrange the
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terms of the contract.
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2. I have never complained of the stipend as you have always given
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me so much in return.
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3. I don't know what you mean about "London is the place."
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[remainder of letter apparently missing]
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[n.p., n.d.]
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Dear Aleister,
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I am sorry I have disgruntled you. If you mean the experience
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of moving furniture I have a very varied one!
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I am working hard, have done No 10 & No 9 Swords & nearly No 6.
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I get frightfully stiff what a bore. Also I'm reading hard books
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I've had no time for. This is a blessed relief, I hope I'll be able
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to stay here & catch up a bit.
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Now about Locke. Shall I write to him?
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There is this curious old Rabbi, a student of the Kabala &
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Numbers, a distinguished old scholar. I am guarantee for his
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evacuation of Vienna & he is living at Staines.
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Dr Muller
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Melrose
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Seacroft Staines
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He wants to get a little work.
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"He is a deep student of Hebrew."
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He is in touch with Dr Saxl of the Warburg Institute.
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Is he any use to you or to me & can you help him?
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I believe he is rather remarkable. If you can do anything will
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you write to him? I can't do much from here. I wonder is he any use
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on the book as he's turned up several times in my path lately.
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Have you finished Mercury? I read your notes yesterday, the new
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ones. There's a lot from the original script that you gave me which
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is missing. Can it be compressed in?
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I'm worried about Mercury. I am only see him as I've drawn him
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not so tricksey as you seem to know him. However I'll try. The Fool
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[?...] up with him more than I want.
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Yours ever,
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Frieda
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[n.p., n.d.]
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My dear Aleister,
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I haven't written in as those Swords are plaguing the very
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devil with me. I can't get on--I've just finished the 8--now 10-9-2-
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8 are done also nearly finished 3 but I keep on first with headache
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& frightful fatigue, then fall down & cut my leg then burn my thumb
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then your furniture aerial raid & the folk what fixes the gas stove
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so that I am constantly driven to brandy or lying on my bed. So I
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don't get on altho I feverishly wish to. Today I can't work--left
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eye hurts like mad, it will be all right tomorrow. I must have tried
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to finish the 8 in a bad light & did not notice--also [?...]
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I am thinking a lot, at least I can attempt to think, but must
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you send me 2 copies of all your work which necessitates so much
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sorting. {?...] this afternoon. I can deal with it. I have been
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thinking that the book would be lovely if it had opposite the
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different trumps & playing cards a place like a photo-album where
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the card could be slipped in instead of a separate pack. I find when
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I read the script to Ann Christie she understands much better if I
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give her the photograph of the card to look at all the time. perhaps
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that will make the book too big but what a de luxe? Yes I sympathize
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with your lethargy over the Tarot. I can scarcely bear these small
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cards, so difficult to do so {?...], & all the time such awful
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listening-in to the world conflict that I could scream. No I think I
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must go thro with it & get them all done. The Lord of Science isn't
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bad to do & interesting. The 3, the Briah dark sea, seems to me to
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be most unpleasant! What about her? Send a line. I am going to do
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the 6 & 7 at once--if I can stop getting sick & see too. Early
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blackening is such a bore they are fiercely nosey & war-[?...]
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here having nothing to do & I am, as usual an object of suspicion to
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the Police & can't manage their changing regulations. Germany has
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won any way so there is no {?one in my Wing]. There is no freedom &
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the [...] smash-up all because of the feeling--don't-you-know--
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there's a war-on has come to stay while the [...] up about the
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streets in their helmets & truncheons & [...]-the-children. I hear a
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woman was looking round the hotel for [...], no sugar thank you. I
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have given up taking sugar, in my tea for the duration of the War!
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One must do one's bit! And feeling I have reversed into 1914 I
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mechanically put 6 lumps of sugar in my tea when I prefer it
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without! One must maintain Balance in this unnecessary World. The
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Ivory Tower is very thick. How goes your pigstye?
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Yours in some distress,
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Frieda Harris
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[n.p., n.d.]
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Dear Aleister,
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I have been trying to sort the various typed papers I have
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received from you on the Tarot.
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The Trumps descriptions are complete.
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The 9 Wands are separately described.
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The 9 Cups " " "
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The 9 Swords " " "
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The 9 Disks " " "
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The 4 Sword Court Cards are separately described.
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The 4 Wand Court Cards not
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The 4 Water " " not
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The 4 Pantacles " " not
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The 4 Aces are separately described.
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________________________________________________________
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Probably you have the missing ones but if not ought we not to
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have a complete list?
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________________________________________________________
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I think I sent you the original notes you made on the Fool
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asking you if you could incorporate some of it in the new notes
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which I have. If you don't agree, anyhow let me have the original as
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I like it best.
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________________________________________________________
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The Prince of Disks is a devil. I've been a whole week on him &
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he is engendering a nervous breakdown in me coupled with starvation
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as he gives me no time to eat. He is a bastard.
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However I hope I have caught him today. He swells & swells & I
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can't get him in the picture with all the farm produce & bulls you
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suggest. Re the curtains--I have had some promised to me, have a bit
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more patience I am on their track.
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I like Sullivan better than the American Bum. Did you write the
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latter? He is quite a nice person, but rather lopsided & has only
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one means of approach & so do his chums. Pen won't write so I can't
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think. I do hope you are better.
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F. H.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Rolling Stone Orchard
|
||
|
Chipping Campden
|
||
|
Wednesday
|
||
|
|
||
|
[n.d.]
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
Got back Tuesday instead of Monday.
|
||
|
I am sending you the notes on the aces.
|
||
|
I haven't got them quite clearly in my head.
|
||
|
You say in your note on the Disc Ace.
|
||
|
Inside 0-10.
|
||
|
" 10 heptagrams
|
||
|
" 7 [drawing of mark of beast]
|
||
|
That is not clear to me. I know that the form is to be
|
||
|
|
||
|
[drawing]
|
||
|
|
||
|
About the Sword Ace
|
||
|
You mention an inscription to be done on the blade. Arabic
|
||
|
Damascened work. What is it? I have your weather chart-design.
|
||
|
________________________________________________________
|
||
|
|
||
|
I shall go on with the Fire Princess but please answer by
|
||
|
return as I feel I want to do the Aces.
|
||
|
|
||
|
F. H.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[n.p., n.d.]
|
||
|
|
||
|
My dear Aleister
|
||
|
|
||
|
1. I can't find Magick, Cap 0, on mathematics & philosophy of
|
||
|
0=2.
|
||
|
2. Is Vesica-piscis really the womb?
|
||
|
3. Why are there 72 decanates--72 names of God. I can
|
||
|
understand 36--3 houses for each zodiacal sign & anyhow am I to
|
||
|
divide the Universe into 72 parts? You say stars of the Zodiac--are
|
||
|
the stars to be the signs or the actual constellations?
|
||
|
4. Phallus & sun I understand. Kteis=? Moon--what is Kteis?
|
||
|
5. Which (of any particular form) is the Uraeus Serpent?
|
||
|
6. "The general meaning etc. Hence it is [ZOP in Greek]" does
|
||
|
that mean Azoth.
|
||
|
7. What is [HVAI in Hebrew]?
|
||
|
8. Can you get me any book which is simple on geomancy &
|
||
|
Watkins will send me the book if you would order it.
|
||
|
Keyte met me yesterday. He described you as "wonderful" so his
|
||
|
estimate of you was well-balanced.
|
||
|
I have been stodging up the remaining cards. The fortress or 4
|
||
|
Pantacles is well on the way.
|
||
|
Mercury is fussing dreadfully. How I should like to do them all
|
||
|
again. I am faintly beginning to understand what you are driving at.
|
||
|
Those 4 aces are going to be a riot.
|
||
|
It is so cold that I'm quite warm. (That is real A.C.)
|
||
|
|
||
|
Yours
|
||
|
|
||
|
Frieda Harris
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[n.p., n.d.]
|
||
|
|
||
|
My dear Aleister,
|
||
|
|
||
|
I am a bit worried. The princess is behaving most queer! She
|
||
|
won't have any nice tidy lines & I really don't know if she will be
|
||
|
alright. She is certainly no relation of the first sample submitted.
|
||
|
I think when I have smacked her, I shall have to post her to you, &
|
||
|
you can tear her up or retain her as she strikes you. Oh dear I am
|
||
|
tired. I have battled with her blaring wriggles till the eye falls
|
||
|
out & she has burnt my throat & I can't swallow.
|
||
|
Now then.
|
||
|
No 2. Miss Bach has unearthed some form of Raven for the
|
||
|
Writing Desk to sit at & I think if I remember rightly it is a solid
|
||
|
feathered type but not a polished scion of old family. But perhaps
|
||
|
thrusting the knee in the aperture between the phalanx of drawers
|
||
|
you can! No! this is getting like the Princess, out of control.
|
||
|
I hope anyhow your honorable self will be satisfied.
|
||
|
Chang!
|
||
|
(Chinese note of inquiry)
|
||
|
|
||
|
[remainder of letter possibly missing]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[n.p., n.d.]
|
||
|
|
||
|
My dear Aleister
|
||
|
|
||
|
How difficult you are, so hopelessly muddling your finance is
|
||
|
unbearable & so is mine. Please do not explain & try to make matters
|
||
|
clear. They are not.
|
||
|
But for your magical retirement--bon voyage. I enclose the
|
||
|
coming week stipend & [L]3 & hope that will & should pay off the
|
||
|
hotel where you have stayed with your incorrigible grand manner &
|
||
|
perhaps you will be able to sink down in peace. I cannot spare any
|
||
|
more so don't worry me any more please. I do hope you are going to
|
||
|
have a lovely time. I envy you--I hope you will be able to bear it.
|
||
|
I can't redo the princes just now, I can only think about
|
||
|
painting a hen. I may try later but I'm stale on the Tarot & please
|
||
|
send me only notes on the Yi King not a volume of efforts to save my
|
||
|
historical sense or alter me because I am just going to find my own
|
||
|
way with questions to you, but on certain arguments with you it is
|
||
|
no good battering me with oaths & reasons.
|
||
|
|
||
|
Yours
|
||
|
|
||
|
F. H.
|
||
|
|
||
|
[P.S.] Please tell me if you wish to be left in silence for some
|
||
|
time.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[fragment from same period as previous letter, n.p., n.d.]
|
||
|
|
||
|
[Frieda Harris to Aleister Crowley]:
|
||
|
|
||
|
I have got the rejected copy of Atu XX.
|
||
|
Now would you like it as a present? I have meant to give it to
|
||
|
you for it is your Stele and you though it satisfactory enough to be
|
||
|
undecided whether to use it or the one we decided on. But now I
|
||
|
don't know whether it will be an additional burden to have any
|
||
|
possession?
|
||
|
I can't do anything about [?Murran] at present, because Pucy is
|
||
|
trying to arrange for me to go & spend a week-end with Liman (who is
|
||
|
at his country-house) & take the cards to show him before I go any
|
||
|
further with C & H.
|
||
|
Can you tell me a bit about the cone & the parabola.
|
||
|
Yes! I've looked in the dictionary.
|
||
|
Page 342 Magic Lection 4.
|
||
|
But I would like some more.
|
||
|
[...]
|
||
|
|
||
|
[end of fragment]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[n.p., n.d.]
|
||
|
|
||
|
My dear Aleister
|
||
|
|
||
|
All the Swords are finished & the 10 of Cups nearly, but I have
|
||
|
difficulty in getting the cards stretched. The picture from Michael
|
||
|
Just has not arrived so I can't show a sample to anyone. Will you
|
||
|
send on the enclosed letter to him as I have not got the correct
|
||
|
address here. I tried to insure the cards, but the valuation I put
|
||
|
on them ([L]1500), they wish to have some assurance that that is the
|
||
|
price for which I am selling them. They asked for Mr Just's address
|
||
|
& I could not remember it.
|
||
|
I find all this a bit up-hill. I am in solitary confinement,
|
||
|
doing my own house-work etc., not too bad only when I emerge from
|
||
|
this concentrated effort to do the cards & feel very peculiar.
|
||
|
Now for the pantacles.
|
||
|
Do try & answer me about the Aces. I feel broody about them. I
|
||
|
keep on thinking about those 4 elements & their mightiness & I fell
|
||
|
drowned in water, burnt with fire, cut by the air & dug into the
|
||
|
earth. The air feels to be the most solid & dead of them all, which
|
||
|
is odd, as it is supposed to be so light. No blood I suppose.
|
||
|
I can't make out the Tree of Life
|
||
|
|
||
|
Kether
|
||
|
|
||
|
Binah Chokmah
|
||
|
(F.) (M.)
|
||
|
|
||
|
then it seems to jump round & have below the Abyss the position of
|
||
|
the m[asculine] & f[eminine] altered, they swing over. Am I wrong? I
|
||
|
want to put on the left the receptive side & the power on the right.
|
||
|
I can't classify anything. More time here to think, but reading
|
||
|
tires my eyes. I suppose this will be done soon. At it again
|
||
|
tomorrow. Have you ever realized how much I have given up for this
|
||
|
work? Everything I possess & now I am become a nothing in a
|
||
|
wilderness.
|
||
|
|
||
|
Yours very tired
|
||
|
|
||
|
F. H.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House
|
||
|
The Mall
|
||
|
Chiswick
|
||
|
|
||
|
[n.d.]
|
||
|
|
||
|
My dear Aleister
|
||
|
|
||
|
I have left at Morton House all my notes for the end of the
|
||
|
work. They are all together & were on my painting table. The Lord
|
||
|
knows where they are now. The geometrical designs all worked out &
|
||
|
all your notes & everything in order. I had them in a pink cover &
|
||
|
must have combined them with some spare copies. Please ring up &
|
||
|
insist that they find them. They may have been put in my cupboard as
|
||
|
I know they have been tidying up. They must be registered I can't
|
||
|
get on now, it is frantic.
|
||
|
|
||
|
Yours ever
|
||
|
|
||
|
Frieda
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House
|
||
|
The Mall
|
||
|
Chiswick
|
||
|
|
||
|
[n.d.]
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
No one can find my notes. Can you have typed & sent by return
|
||
|
all the swords except 3 swords, all the pantacles & the notes on
|
||
|
Queen, Princess Prince Pantacles with any of your remarks. Please
|
||
|
look carefully. Also 10 Cups missing & the notes on the Universe.
|
||
|
|
||
|
(These "notes" were dictated by A.C. to F.H. mostly in the
|
||
|
garden of Morton House. [Note by A.C.])
|
||
|
|
||
|
I do hope you have duplicates. Someone must have taken them out
|
||
|
of my case & they are so war-minded at Morton that notes &
|
||
|
manuscripts don't seem important & they are not able to understand.
|
||
|
I feel very ill.
|
||
|
|
||
|
Frieda
|
||
|
|
||
|
[P.S.] Steptoe must send me another photograph of the 2 of swords
|
||
|
also lost with notes.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House
|
||
|
The Mall
|
||
|
Chiswick
|
||
|
|
||
|
[n.d.]
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
In enclose week stipend & also the 3-3 for the book. O.K. on
|
||
|
you as they don't say in literature.
|
||
|
|
||
|
Yours sincerely
|
||
|
|
||
|
Frieda Harris
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House
|
||
|
The Mall
|
||
|
Chiswick
|
||
|
|
||
|
Tuesday [n.d.]
|
||
|
|
||
|
My dear Aleister
|
||
|
|
||
|
I have been haunted all night by your complicated mind. You
|
||
|
really ought to have a [...] & if I may humbly draw you attention to
|
||
|
the fact that paper is only a surface & can't be made to hold things
|
||
|
behind & before, altho you, wrapt in the Spirit, can walk all round
|
||
|
them. Temperance is a kettle of fish, & listening to Beethoven last
|
||
|
night I realized what a fiasco he made when he tried to convey all
|
||
|
he knew in the last movement of the 9th & thereby giving up a
|
||
|
glimpse of the transformation scene in the Pantomime, instead of the
|
||
|
Pure Light of Heaven, having already led us thro the many coloured
|
||
|
lands. But forgive me, only I feel nervous. I think, looking at the
|
||
|
finished cards you will remember all the sequences you have
|
||
|
forgotten & I shall be crushed by alterations which will confuse the
|
||
|
structural design & any spectator without your knowledge & so suffer
|
||
|
little children to come unto thee & confuse them not by too much
|
||
|
symbolish & stay thy hand from poor Frieda's tormented visions.
|
||
|
About your Yoga book, another please forgive me.
|
||
|
Would it not (if you are publishing yourself all these already
|
||
|
beautiful books) be an idea if youy didn't have an edition de luxe
|
||
|
for the moment--as it would save expense. I believe if you give away
|
||
|
these books to friends. They are quite lovely enough to ornament any
|
||
|
library & be treasured & we are in such a state of transit that we
|
||
|
can't take heavy luggage in our aeroplanes.
|
||
|
|
||
|
Yours ever
|
||
|
|
||
|
Frieda Harris
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House
|
||
|
The Mall
|
||
|
Chiswick
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
I have just been reading your Tao Teh King. For goodness sake,
|
||
|
do try with those Trumps. There is no-one who thinks in the lucid
|
||
|
way you do, my little paltry cards are lost unless you illumine them
|
||
|
by your Art & for the sake of those poor little struggling chickens
|
||
|
squealing like Alice in the Looking Glass jury at the Grand Trial
|
||
|
Scene. For their sakes con you not have the courage to do another
|
||
|
masterpiece. But you feel ill. I know how feeble that makes one
|
||
|
because one doesn't make a plan. However I'm relentless, I'll go on
|
||
|
till you drop because it is worth it. The Poem, the preface are
|
||
|
magnificent.
|
||
|
|
||
|
Yours in admiration
|
||
|
|
||
|
Frieda Harris
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
The Golden Cockerel
|
||
|
Chipping Campden,
|
||
|
Glos.
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
Just got your letter. You will know I have the notes, but how
|
||
|
you got them out & sent them & none of those chuckle-heads at Morton
|
||
|
House know yet that you have done so, is indeed a mystery.
|
||
|
I am better, I know you are quite right, my spiritual state has
|
||
|
been sadly neglected, perhaps because I have been trying to paint &
|
||
|
live Percy's life at the same time.
|
||
|
Now these circumstances are giving me a chance. I have had 3
|
||
|
days rest, the first in 2 years & I've even had time to read a bit
|
||
|
of Magic & try to assimilate yr. book. How satisfying to ones inside
|
||
|
hunger. That old doctor told me I looked spiritually half starved &
|
||
|
you son't believe until the last 2 days I have not had time to feed
|
||
|
myself.
|
||
|
Now my reputation as a coward & shirker will protect me I hope
|
||
|
& I have had an opportunity while I have tried to cut the jungle
|
||
|
round my caravan to look at these glorious apples & pears on my
|
||
|
trees. They are so miraculous & so beautiful.
|
||
|
______________________________________________________________
|
||
|
|
||
|
I understand you & [Justy?] are juggling the furniture. Good.
|
||
|
Please I would like my own bed & pillows, eider-down & blankets, 2
|
||
|
arm-chairs a table to use in the back dressing room as it was Mothers,
|
||
|
a writing desk, the green dressing table in the bath dressing room
|
||
|
will do--a wardrobe from the maids room green & lined with giraffes
|
||
|
& any cupboard that can be spared & also if possible the carpet in
|
||
|
[,,,]
|
||
|
|
||
|
[remainder of letter missing]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Rolling Stone Orchard
|
||
|
Dec. 11th
|
||
|
|
||
|
Dear Aleister
|
||
|
|
||
|
I have made several attempts to write to you, but have been the
|
||
|
victim of uphjeavals in the domestic surroundings, & even now,
|
||
|
having assembled a warm fire, or chair, a cup of tea, I simply can't
|
||
|
climb down my ladder & fetch writing-paper, so please forgive this.
|
||
|
I am sorry you are so seedy. I have been thinking you were, but
|
||
|
today you seem better again; are you? I rather wish you would not
|
||
|
stare at the sword photographs in the middle of the night.
|
||
|
I have done, as you suggested, & it looks better but it is
|
||
|
exceedingly difficult to alter these cards, as I can't match the
|
||
|
colours without great effor, I think it is alright now.
|
||
|
Just imagine what happened (Mercury is in a very ape-like
|
||
|
mood). I found the waste-pipe from the fixed basin leaked. "Aha"
|
||
|
I sead in the words of a well-known poet, "I'll fix it by giving the
|
||
|
nut a tap with the hammer!" And so I did & the whole porcelain basin
|
||
|
cracked & has had to be wrenched from the wall by a horde of
|
||
|
plumber-demons & I have spent a day of discomfort & displacement.
|
||
|
However the Princess is now on the stocks. I wish she would not
|
||
|
insist on being pregnant. She just will, so now I have let her get
|
||
|
on with it. She chatters to me about being mixed up with the Virgin
|
||
|
Mary. Anyhow I am having a good time with the trees & if you don't
|
||
|
like the design I am, at least, [...] it myself.
|
||
|
I can't, can't fine the 93. You say Equinox of the Gods page
|
||
|
138. There is not one in the edition you gave me. Hullo! just turned
|
||
|
the page & see unnumbered extra page & there is 93, but it is almost
|
||
|
as indecipherable as your letter. What is III[deg] ++++ oh dear! it
|
||
|
is awfully obscure. [ABTz in Hebrew] The Fool. The Wheel of
|
||
|
Fortune--the Devil in the Tarot. Then you say leaving aleph to join
|
||
|
path of [He] I take it you mean "He" the Priestess [sic]. Do you or
|
||
|
don't you--I really do understand all this better, if I am
|
||
|
unconscious!
|
||
|
All the same, apparently I prescribed correctly for Pussy,
|
||
|
because I wrote & said all I gathered from thinking into her, was
|
||
|
that she was awfully tired, & please would she come & stay a few
|
||
|
days and not talk, only sleep.
|
||
|
But you misjudge her, she is really a generous brave person, a
|
||
|
magnificent friend, and not a sentimentalist when she is not trying
|
||
|
to think. So please respect her, in spite of her conversational
|
||
|
perversity. I am going to stop & do some of that boring printing.
|
||
|
The man-to-frame is now waiting, but it is so difficult to see at
|
||
|
night, & I want to paint by day.
|
||
|
|
||
|
Yours obediently
|
||
|
|
||
|
F. H.
|
||
|
|
||
|
[P.S.] Just one thing more. I have been working at a life of
|
||
|
Mahomet. He does seem a strange Hitler-like person. Can you be
|
||
|
bothered to write a few words about him?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House,
|
||
|
The Mall,
|
||
|
Chiswick.
|
||
|
|
||
|
[n.d.]
|
||
|
|
||
|
Dear Aleister,
|
||
|
|
||
|
I am very sorry but I am unable to protect you from yourself.
|
||
|
Out of the inextricable confusion of your real & bugus financial
|
||
|
affairs I find only one thing--that you will always be in a muddle &
|
||
|
that to attempt to help you is like filling a leaking cistern & I do
|
||
|
not propose to begin to do so. I have told you, always, I have a
|
||
|
weekly allowance & that my lessons from you are saved out of that &
|
||
|
I cannot draw from the Bank more than I have, & if I can't pay for a
|
||
|
thing I do not buy it.
|
||
|
Anything in the nature of a speculation is quite foreign to my
|
||
|
nature or my pocket. Your campaign of giving people too much to eat
|
||
|
& drink in order to placate them in the Great Work is all wrong, & I
|
||
|
expect you know it. If only you could be simple & dignified, people
|
||
|
would flock round you to get what they really want in these hard
|
||
|
times--that is the help of a colossal brain but, instead you cook
|
||
|
for them because you are bored by them, & incidentally would like
|
||
|
them to produce the wherewithal to stock your fantastic restaurant &
|
||
|
cellar. Can't you stop--I suppose you can't. I think partly Peggy
|
||
|
was bewildered by you eloquence, & ordered for you kitchen a great
|
||
|
deal more than any one can afford. This is not my affair, but please
|
||
|
do not try to get me to help. You prevent me from doing what I would
|
||
|
like to do &, that is work on the Tarot Book with you, as I
|
||
|
absolutely refuse to be entangled by your efforts to boost an
|
||
|
absurdity. What a pity. I fear even now the work will be unfruitful.
|
||
|
The House of God appears to me as vortex not a mouth, or is it
|
||
|
yours which can't be filled by mortal effort try as you may.
|
||
|
|
||
|
Yours sincerely,
|
||
|
|
||
|
Frieda Harris
|
||
|
|
||
|
[P.S.] I can only spare you the subscription as I will not ask for
|
||
|
money for myself or anyone else but I will send it registered
|
||
|
tomorrow with Thursday's stipend.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Morton House,
|
||
|
The Mall,
|
||
|
Chiswick.
|
||
|
|
||
|
Dear Aleister,
|
||
|
|
||
|
I wrote to you last night in a bit of a hurry. All my papers &
|
||
|
books are still a bit mixed up tho I have the Tarot in safety, but
|
||
|
my hand is still stiff & not good for work.
|
||
|
Thank you so much for your Tarot writings. They are so good &
|
||
|
so dynamic that I got quite elated as I read them & found muself in
|
||
|
a whirl, in fact I had to put them away. In particular I find the
|
||
|
general character of the cards...most illuminating. I do
|
||
|
congratulate you. The Great Work is indeed in progress. I do wish I
|
||
|
had fire & air & water & earth to draw with.
|
||
|
Directly I have put up these fussy black blinds for which I am
|
||
|
haunted by the Police & got rid of some jungles of grass I am going
|
||
|
to work like mad, the Aces won't do, & what I am to do with Mercury
|
||
|
after your description I can't think. Leave it like Michael Angelo
|
||
|
did the face of Christ. But I wonder if those heavy arms are hearly
|
||
|
right. He is a powerful god. Surely the Ape should move, not the
|
||
|
Eternal Figure. What do you think? I am so grateful to have a change
|
||
|
to try & help yr. labours.
|
||
|
__________________________________________________________
|
||
|
|
||
|
Would you go & see Michael & ask him to send to Yates at once
|
||
|
the sizes of those pictures he has from the edge of the mount. Yates
|
||
|
is bothering me to give him the exact size as he can't get on with
|
||
|
the albums. I have no mounted pictures here. If you don't require
|
||
|
the blankets in Miss Falconer's room, may I have them. I am cold
|
||
|
here.
|
||
|
Please don't come down yet--I am not ready & I should only get
|
||
|
fussed & nervous. Not the week-end too for everywhere is crowded &
|
||
|
Pucy is about perhaps.
|
||
|
I am rationed for petrol so I can't fetch & carry you. Some of
|
||
|
these privations like petrol & night-lights are lovely. The sky here
|
||
|
at night is glorious & one's eyes are rested by the absence of
|
||
|
trumpets of illumination also no-one can come & see one after dark--
|
||
|
what a chance reading & solitude. Ye Gods what treasures!! I am
|
||
|
limited to 3 minutes on the telephone price 2/ any time. I don't
|
||
|
think we can buy 2/ of conversation in that time?
|
||
|
How is the asthma? What a mess the flat must be in. Could you
|
||
|
not rope in someone to wash the floors & the bath & the sink & the
|
||
|
stove? In despair perhaps Mrs Blanch could speak to Hughes who works
|
||
|
once a week for her & he might come up after he has done her work.
|
||
|
He is only slightly dirty.
|
||
|
|
||
|
Yours ever
|
||
|
|
||
|
Frieda
|
||
|
|
||
|
[P.S.] I do agree about Miss Falconer & her like, they are my curse!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[beginning of letter missing]
|
||
|
|
||
|
Can you tell me why this happens if you hold 3 eggs in your
|
||
|
hand, 2 fresh for sure, & you pat the lowest egg in the palm of your
|
||
|
hand thus
|
||
|
|
||
|
[drawing of procedure]
|
||
|
|
||
|
If the middle egg is bad it won't move, if it is fresh, it will turn
|
||
|
round. I can't see why. It does it alright, even I can make it do
|
||
|
it, but why?
|
||
|
This place is full of interesting people & things I like.
|
||
|
Except rats which apparently infest this farm building.
|
||
|
|
||
|
Yours
|
||
|
|
||
|
F. H.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[fragmentary letter, no opening or closing]
|
||
|
|
||
|
Do clear up the Tree of Life for me & don't be satyrical or
|
||
|
funny. I am all alone & I get worried.
|
||
|
|
||
|
Kether
|
||
|
|
||
|
Binah Chokmah
|
||
|
|
||
|
|
||
|
Geburah Chesed
|
||
|
Water? Fire
|
||
|
|
||
|
|
||
|
Tiphereth
|
||
|
|
||
|
|
||
|
Hod Netzach
|
||
|
Earth Air
|
||
|
|
||
|
|
||
|
Yesod
|
||
|
|
||
|
|
||
|
Malkuth
|
||
|
|
||
|
Now have I assigned the elements correctly or don't they go on
|
||
|
the Tree? I can't find them in the book on Magic.
|
||
|
I may have Yorke's No 8 but in that case you may have mine. Do
|
||
|
you remember we had 2 copies at Morton. Now I have only 1 & I
|
||
|
believe you took the other with you to work from at Charlie's flat.
|
||
|
Will you please look. Also Mrs Ashment has my 777. Which I want
|
||
|
here. You will not confuse it with yours as when I lent it to her I
|
||
|
red pencilled the things she had to copy for the index. I'd be glad,
|
||
|
like Yorke, to have my Crowley Collection Complete.
|
||
|
The 10 is coming out very well. I do realize had I had the
|
||
|
strength to isolate myself entirely I could have done it better only
|
||
|
the eye-sight is a great trial. I could scream with looking & after
|
||
|
it is done, shall take a long course of black-out. Are you suffering
|
||
|
as much as I am? Really the obstruction to laying this wizard's egg
|
||
|
is remarkable. I feel like going to bed & dying. No I'm well & very
|
||
|
very vegetarian, Is I find I may not guzzle & work but oh! I am
|
||
|
weary of work.
|
||
|
Had a week's absolute solidary confinement, waiting on myself.
|
||
|
That'll learn you Frieda Harris No I prig.
|
||
|
___________
|
||
|
|
||
|
[another fragment, possibly follows here]
|
||
|
|
||
|
I am very glad the Tao book is coming out at last. I do hope it
|
||
|
will have a great reception which it needs. Good luck to the Work.
|
||
|
What a work too!
|
||
|
__________________________________________________
|
||
|
|
||
|
The flail I have is like this
|
||
|
|
||
|
|
||
|
[drawing of flail]
|
||
|
|
||
|
In wood. It is rather lovely. I should prefer to use it. But anyhow
|
||
|
the Knight must stand as he is for rejection or acceptance as he
|
||
|
won't be any other way. I can't make out if he is alright or not.
|
||
|
Please don't frighten me with the Sword suit. I have obeyed in
|
||
|
every way. I can't see how they can be wrong. The 3 was a fair
|
||
|
horror & great suffering. I am glad to be seated on a pantacle but
|
||
|
there are streets of work to do. I ought to be printing the names &
|
||
|
not writing letters at all.
|
||
|
I find the cooking of my food a great relief. When I have tried
|
||
|
till my legs ache, to go down & toy with a legume is great
|
||
|
recreation. I find just now no alcohol & no meat keeps the headache
|
||
|
awau & walking when I can leave this nigger-driving labour.
|
||
|
Now, please stop being so peevish & see the other chap's end of
|
||
|
the stick. Yes! I know yours. I've done all I can, but I wish you
|
||
|
wouldn't believe that you need not be sincere to me. For pity's sake
|
||
|
Aleister, stop being so clever, your man of the world side, I can't
|
||
|
understand it is no use--oh! philosopher & master lost!
|
||
|
|
||
|
Yours fraternally
|
||
|
|
||
|
Frieda
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[fragment, no opening or closing]
|
||
|
|
||
|
I think I had better have some new notes on Justice. There are
|
||
|
the Dove, Raven, Lamed, Sword, balances, anything extra, headdress
|
||
|
of Isis?
|
||
|
____________________________
|
||
|
|
||
|
Do you remember Fox & the others liked this best also Jameson &
|
||
|
so do I!
|
||
|
I should have liked to returned one card in the pack which
|
||
|
incorporates what I felt about the Deities of the Tarot--they have
|
||
|
no individual forms & faces in my conception & vision of them. Those
|
||
|
appendages are stuck on afterward to please you, but are not part of
|
||
|
the design as it presents itself-- & I could easily take them out of
|
||
|
all the pictures without spoiling them.
|
||
|
In justice to me as `The Woman Satisfied' perhaps it might
|
||
|
remain [...]
|
||
|
|
||
|
[end of fragment]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[fragment with no opening or closing]
|
||
|
|
||
|
I say, what about the Fool's colours--Air won't do.
|
||
|
You are [?partly right] with your vacuum.
|
||
|
I have marked out in my colour scheme--
|
||
|
Bright Pale Yellow Sky Blue Blue Emerald green, Emerald flecked
|
||
|
gold but surely I can use the purple dark blue, pale blue green,
|
||
|
yellow, orange, red of the rainbow.
|
||
|
At the top of the chart are 10 colour sequences which we don't
|
||
|
seem to have used much. We did combine them in the 1st plain card of
|
||
|
wands & then what with the governing planet & zodiacal sign we
|
||
|
stopped. Anyhow I can't paint brilliance, white brilliance, can you?
|
||
|
The telephone is 3/ for 3 minutes. Can you get [?] worth out of
|
||
|
1 minute? No we cry being Scotch.
|
||
|
|
||
|
[end of fragment]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[isolated fragment]
|
||
|
|
||
|
I made the curry tonight not quite right & rather painful
|
||
|
inside.
|
||
|
Please address letters to Rolling Stone Orchard Chipping
|
||
|
Campden
|
||
|
|
||
|
[end of fragment]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
[undated postscript separated from relevant letter]
|
||
|
|
||
|
Added to my letter last night
|
||
|
|
||
|
I have just been looking at your manuscript part of Mercury.
|
||
|
You mention 8 fold star--composed of 4 fleur de lys with rays
|
||
|
like antlers bulrushes in shape between them. The central core has
|
||
|
the cupher of the G.M. but not the one you know.
|
||
|
Upon the cross (what cross?) are the Dove the Hawk the Serpent
|
||
|
& the Lion.
|
||
|
Would you like me to try the Star, it has a pictorial
|
||
|
fascination for me but could you be more explicit?
|
||
|
Your vision is truly grand. I begin to understand it slightly.
|
||
|
Also you say 6-fold Star in the Vision. Now which is it you
|
||
|
want represented or both.
|
||
|
I had 6 in the last picture.
|
||
|
|
||
|
[end of fragment]
|
||
|
|