133 lines
7.1 KiB
Plaintext
133 lines
7.1 KiB
Plaintext
|
A COMMON SENSE GUIDE TO HI-FI
|
|||
|
|
|||
|
|
|||
|
Many people do not comprehend the very obvious logic of how to
|
|||
|
assemble a hi-fi system. This is easy to understand, given each
|
|||
|
man- ufacturer's claims that the particular component that they
|
|||
|
produce is THE most important in any system.
|
|||
|
|
|||
|
Speaker manufacturers far outnumber all other manufacturers com-
|
|||
|
bined, so it is only natural that the hi-fi industry as a whole
|
|||
|
places the most emphasis on speakers. This is a serious mistake.
|
|||
|
|
|||
|
A new loudspeaker can change the character of a hi-fi system. It is
|
|||
|
unlikely, though, that it will offer any real improvement to a
|
|||
|
system, unless the current speaker is already the weakest link in
|
|||
|
the system (rarely the case!).
|
|||
|
|
|||
|
The place to start anything is at the beginning, and the beginn- ing
|
|||
|
of a hi-fi system is the source. In a record playing system, the
|
|||
|
source is the record and the hi-fi components occur in the following
|
|||
|
hierarchy:
|
|||
|
|
|||
|
1) The Turntable
|
|||
|
2) The Tonearm
|
|||
|
3) The Cartridge
|
|||
|
4) The Preamplifier
|
|||
|
5) The Power Amplifier
|
|||
|
6) The Loudspeakers
|
|||
|
|
|||
|
If you do a poor job of getting information off the record at the
|
|||
|
beginning of the system, it is impossible for any component fur-
|
|||
|
ther down the chain to improve upon that signal. It is not possible
|
|||
|
for an amplifier to improve upon the signal that is put into it. It
|
|||
|
is not even a matter of how good the amplifier is; it simply cannot
|
|||
|
improve the signal that is fed into it. The same is true of
|
|||
|
speakers - in fact, improving the speakers when there is a fault
|
|||
|
earlier in the system will only serve to more clearly reveal the
|
|||
|
fault.
|
|||
|
|
|||
|
The turntable is the platform for the arm and record and is the
|
|||
|
component that assumes the primary responsibility for maintaining a
|
|||
|
fixed relationship between the record and the cartridge body. It is
|
|||
|
this relationship that is critical in recovering any signal from the
|
|||
|
surface of the record (the cantilever has to move while the
|
|||
|
cartridge body stands still with respect to the record surface, in
|
|||
|
order to generate a signal). For this reason, the turntable is the
|
|||
|
first, and most fundamental component in a hi-fi system. A very
|
|||
|
good turntable, even with a budget tonearm and cartridge and a
|
|||
|
budget amplifier and loudspeaker, will produce a very acceptable
|
|||
|
level of performance. In other words, the performance advantage of
|
|||
|
the turntable is fundemental to everything downstream.
|
|||
|
|
|||
|
Next in importance comes the arm, which is the interface between the
|
|||
|
turntable and the cartridge. The capabilities of the tonearm are
|
|||
|
more important in the hierarchy of a hi-fi system than the capabili-
|
|||
|
ties of the cartridge. If the arm can't hold the cartridge still,
|
|||
|
then the cartridge can't work. It makes much more sense to have a
|
|||
|
very good arm with a budget cartridge than to buy a moderately good
|
|||
|
tonearm with a very good cartridge.
|
|||
|
|
|||
|
The next component in the chain is the cartridge, and if the
|
|||
|
turntable and arm have both been optimized, then the cartridge will
|
|||
|
be the next limiting factor. It is important to realize, however,
|
|||
|
that all high-quality cartridges will impose demands on the preamp-
|
|||
|
lifier. If may be that a very wide bandwidth cartridge will satur-
|
|||
|
ate the preamplifier or overload it with signals it cannot handle.
|
|||
|
So, it is sometimes necessary to improve the preamp before, or at
|
|||
|
the same time, that the cartridge is improved.
|
|||
|
|
|||
|
The preamplifier is next in the hierarchy, followed by the pow- er
|
|||
|
amplifier. If these items are optimized, it becomes possible to use
|
|||
|
a pair of budget loudspeakers at the end of such a system with
|
|||
|
extremely good results. Indeed, it will be impossible to surpass
|
|||
|
the result obtained with such a system than by using the best
|
|||
|
available speakers with a lesser turntable or an inferior amplifier.
|
|||
|
|
|||
|
Only when all these components have been optimized does it make
|
|||
|
sense to use the best speaker available. If you think about this
|
|||
|
proposition for a moment, it is self-evident, logical, sensible, and
|
|||
|
obviously correct. Unfortunately, hi-fi magazines have for many
|
|||
|
years attributed most improvements to loudspeakers. They apparently
|
|||
|
believe that because loudspeakers are big and produce the sound
|
|||
|
(good or bad), they are the most important component in the system.
|
|||
|
|
|||
|
This is completely absurd. You have to examine the signal path and
|
|||
|
the hierarchy of a hi-fi before a system can be rationally sel-
|
|||
|
ected, upgraded, or built. A competent retailer will be prepared to
|
|||
|
demonstrate every component in the chain and its relative
|
|||
|
importance. It will be readily apparent in a fair, blind
|
|||
|
demonstration that any departure from this hierarchy will produce an
|
|||
|
inferior result.
|
|||
|
|
|||
|
For example, if you take a Heybrook (Linn or Sota, as well)
|
|||
|
turntable with a Sumiko MMT tonearm and Talisman III-S cartridge
|
|||
|
played through a budget amplifer driving a pair of budget loudspeak-
|
|||
|
ers, the system will produce a sound which is fundamentally and ob-
|
|||
|
viously superior to a Perreaux tri-amp system employing a Sumiko
|
|||
|
"The Arm" and Monster Cable Alpha Two cartridge, but with an infer-
|
|||
|
ior turntable as the source. Although the price disparity will be
|
|||
|
in the region of 10 to 1, the cheaper system will out-perform the
|
|||
|
system which is ten times more costly.
|
|||
|
|
|||
|
I hope that this brief discussion of the hierarchy of a hi-fi system
|
|||
|
has provided some insight into the proper assembly of, or
|
|||
|
improvement to, your hi-fi system. It is still critical however,
|
|||
|
that any change that you plan to make in your system be carefully
|
|||
|
evaluated by actually listening to the component in question. Any
|
|||
|
competent dealer will have demonstration facilities which are suf-
|
|||
|
ficiently good to clearly and quickly demonstrate the hierarchy of a
|
|||
|
system and to allow the necessary comparisons to be made. Confusion
|
|||
|
will only arise if the dealer's demonstration facilities are inade-
|
|||
|
quate (for example, if he has more than one pair of speakers in the
|
|||
|
room at one time), or if some other fundamental error is being made.
|
|||
|
Your best safeguard against that is a basic understanding of the
|
|||
|
hierarchy of a hi-fi system and system set-up Armed with this know-
|
|||
|
ledge, you can quickly evaluate a dealer's understanding of the bas-
|
|||
|
ics of hi-fi.
|
|||
|
|
|||
|
|
|||
|
==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==-==
|
|||
|
_ _
|
|||
|
\ (_><_) And if you enjoyed this Text-file, Call:
|
|||
|
\_______[]_____ The Works "914's Text-file BBS" at (914)/238-8195
|
|||
|
_\ 300/1200 N,8,1 1200 baud only from 6:00pm to 12:00mid
|
|||
|
___________ \>\ 10 Megabytes on-line Anti-RBBS and Networks
|
|||
|
/ > \ SysOps: Jason Scott & Terror Ferret
|
|||
|
/ ======= (900) Text-files on-line!
|
|||
|
-----------------------------------------------------------------------------
|
|||
|
The following names compose a monument to last forever in the electronic
|
|||
|
highway: Patrizia Bravi Alessandra Bravi Glenda Frank Marcelle Dumont
|
|||
|
Donna Reznik Valentina Bravi Britt Warner Jennifer Gruen
|
|||
|
--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--=--
|
|||
|
|