7106 lines
220 KiB
Plaintext
7106 lines
220 KiB
Plaintext
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*
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AIR FALALALO
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There's lilt in the song I sing, there's laughter and love
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There's tang of the sea, and blue from Heaven above!
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Of reason there's none; and why should there be, for why?
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As long as there's fire in the blood, and light in the eye!
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CHORUS: Air falalalo horo, air falalalay (3X)
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Falee, falo, horo, air falalalay!
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The heather's ablaze wi' bloom, the myrtle is sweet
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There's song in the air; the road's a song at our feet!
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So step it along as light as the bird on the wing!
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And, stepping along, let's join our voices and sing:
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And whether the blood be Highland, Lowland or no,
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And whether the hue be black or white as the snow;
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Of kith and of kin, we are One, be it right, be it wrong,
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If only our hearts beat true to the lilt of the song!
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*
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2
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*
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A LESSON
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-Anonymous
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A charming master minstrel came travelling South one day
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Dressed he was in robes so fine, bright with colors gay
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And when he arrived at the inn where he had planned to stay
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He called to the serving wench and to her did say
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"Fetch me down some ale to drink for my throat is dusty!
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For it would never never do if my voice were rusty!
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Do be sure the sheets are clean and the room's not musty
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Come a little nearer, dear, you seem a wench most lusty!"
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The wench then did as she was bid and served a dinner fine
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The minstrel ate and then he called for a flagon full of wine
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Ans while he drained the flagon full he called the wench divine
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And as in answer to his prayers the wench brought him more wine
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The minstrel drank his wine more ribald grew his songs
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The wench did leave the minstrels side...but not for very long!
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Coming back she brought more wine, how could she do wrong?
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If the minstrel matched his songs he was very, very strong!
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The hour grew late and still the minstrel did not seem to tire
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All his songs had done to her was stoke her passion higher!
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And at last the room was full and dying was the fire
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"Four o'clock and alls well" sang the town's crier
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Suddenly the minstrel tired and needed help to bed
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He called to the serving wench and to her he said
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"Walk before me with the candle for I must be led
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For my senses, like the wine, seemingly are fled!"
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Then she led him to a room that had been set aside
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Wondering about his sudden needing of a guide
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Thinking about all the wine which he had imbibed
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Ardently she hoped the songs about him hadn't lied
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The wench did turn her back to him and closed the chamber door
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The minstrel then did fall in bed and he began to snore
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To herself she said as she looked for wine to pour
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"To this man I should have served less wine instead of more.."
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Now I've come to the end and moral of this tale
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Ladies if you'd like to spend your evening without fail
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And you do not wish to hear him snoring like a whale
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Limit then his intake of spirits, wine and ale!
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*
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3
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*
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ALWAYS A HERALD
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-Silverwolf Moonshadow
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(Tune: "Always a Woman," by Billy Joel)
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He can call you in court
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And bring tears to your eyes
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He can lose your device
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In his casual files
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And he only will read
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What is in Heraldese
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He draws like a child
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But he's always a herald to me
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He will take your device
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He can pass you or fail you
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You can show him your proof
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But he'll never believe you
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And he'll take your four copies
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Along with his fee
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Yeah he charges too much
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But he's always a herald to me
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<Chorus>
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Oh, he takes care of your name
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It can wait if he wants
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He is always behind
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And he never gives out
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He just keeps taking in
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And gets further behind
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And he'll summon you forth
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In front of the kingdom
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Then he casually praise you
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And smile while your kneeling
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But he'll shout out your name
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Just as wrong as can be
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Blame it all on the scribe
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Cause he's always a herald to me
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<Chorus>
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He's frequently loud
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And he's seldomly clear
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He cries poorly at Pennsic
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For he's full of cheap beer
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He can't be retired
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He does it for free
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And the most he will do
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Is shout 'Oyez' at you
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But he's always a herald to me
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<Chorus>
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*
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4
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*
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AWAY WITH RUM (THE SONG OF THE TEMPERANCE UNION)
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We're coming, we're coming, our brave little band,
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On the right side of temperance we do take our stand.
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We don't use tobacco because we do think
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That the people who use it are likely to drink.
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CHORUS: Away, away with rum by gum,
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With rum by gum, with rum by gum!
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Away, away with rum by gum!
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The song of the Temperance Union!
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(Salvation Army)
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We never eat fruitcake because it has rum
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And one little bite turns a man to a bum,
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Oh, can you imagine a sorrier sight
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Than a man eating fruitcake until he gets tight?
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We never eat cookies, because they have yeast,
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And one little bite turns a man to a beast.
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Can you imagine such a sorry disgrace,
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As a man in the gutter with crumbs on his face?
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We don't drink Coke or Pepsi, they're made from cocaine,
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And you might as well shoot it right into your vein.
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Oh, can you imagine a sorrier bind
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Than rotting your teeth while blowing your mind. (1)
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We never drop tea, cause it comes from a pot,
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And that could be evil as likely as not,
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We don't mind the taste, but it's really bad news,
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To get busted for holding what Tom Lipton brews. (1)
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We don't step on grapes because that's making wine,
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And one single stomp turns a man to a swine.
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Can you imagine a fouler defeat,
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Than a man getting stonkered by licking his feet? (1)
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Shun girls who are witty and pretty and kind
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There's nothing like love for corrupting your mind.
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At least in -our- circle it just isn't done
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Our kids are adopted; we -never- have fun. (1)
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We don't buy any cereal because its called mush
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And one little bite turns a kid to a lush
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Oh, can you imagine the pain of a Ma
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To watch little Junior act just like his Pa! (2)
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We don't take any rub-downs, stiff muscles to cure
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Because alcohol turns a man to a boor
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O, can you imagine a sorrier fate:
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Than a man getting mass-aged 'till he can't stand up straight? (2)
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We don't allow backrubs, we think they're a crime
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We will always condemn them in song or in rhyme
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An alcohol backrub is worse than straight gin:
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When you think of the liquor absorbed thru your skin! (4)
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5
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Away With Rum (cont.)
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We don't watch television because its a sin
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To exhibit the body of a nude Rin-Tin-Tin
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And all those bad cowboys a-shooting their guns!
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And a-shooting again when they show the re-runs! (3)
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When you go out dining, you're tempted to eat
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All the delicacies on a menu elite
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Remember this warning, on wine we've a ban;
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Try spaghetti and meatballs and -not- coq au vin! (4)
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We never drink milk, that's where kumiss comes from
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And one tiny sip makes a Mongoloid bum!
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Oh, can you imagine a sadder disgrace
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Than a stone blind drunk Mongol with milk on his face? (5)
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We never touch coffee, it makes our eyes gleam
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At least, when they add irish whiskey and cream
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Oh, can you imagine a fate so unkind
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Than slugging down coffee, and getting stone-blind? (6)
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Since eggnog is evil, we never eat eggs
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Give way to one sin and who knows what comes neggst?
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There might be excuses for brandy or gin
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But who wants DTs on account of some hen? (6)
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We wish you'd avoid putting ice in your drink
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It harms your intestines and palate, we think
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And if you escape that, it still isn't nice
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To wake up hung over because of bad ice! (6)
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We never drink water, they mix it with gin
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Just one little sip and a man starts to grin
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Oh, can you imagine a sillier clunk
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Than a man swigging water until he's geshtunk? (6)
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Now if you ride railroads with bar-cars on trains
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You're giving the Devil the key to your brains
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Think of a story that's sadder to tell
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Than to start from Grand Central and wind up in Hell! (7)
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We never eat jelly, they make it with wine
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And one little bite turns a man to a swine
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Can't you envision, in Hell he will roast,
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That teen-ager drunk on his jelly and toast! (8)
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We never use mouthwash, we know very well
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That those who taste alcohol go straight to Hell
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Oh, can you imagine a sorrier scene
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Than a man down in Hell 'cause he used Listerine? (8)
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We never eat choc'late, 'cause its just like sex
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The endorphins will make you a moral wreck
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You'll finish the bag-full, all covered with sweat....
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And then you just -gotta- have a cigarette! (5)
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(more)
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6
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Away With Rum (cont.)
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We don't read Science-Fiction, 'cause its too complex
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And Heinlein and Farmer just talk about sex!
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That Lazarus Long is a Dirty Old Man
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He's a Bad Example to set for a Fan! (5)
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We never drink tea, for they mix it with wine
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And one little drink turns a man to a swine
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Oh can you imagine a sorrier sight
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Than a man drinking tea, and singing all night? (0)
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We never use money, 'cause that's gam-bol-in'
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And that, my good friends, is surely a SIN
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Our life may be simple, it's surely a bore
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But what else can you do when you tend to be poor? (0)
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We never sing folk (filk) songs, they're evil and crude
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They celebrate Sin, and their language is lewd
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The language is shocking, the politics vile
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And their grammar and rhetoric ain't got no style! (6)
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When you meet a folk (filk) singer, you haven't much choice
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But to sit there and listen while they prove they have no voice
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And the shockingest thing to imagine by far
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Is a girl with a G-string....upon her guitar! (3)
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We don't listen to filk songs, it isn't our dish
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We don't like Bob Kanefski, and -hate- Leslie Fish!
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We know all the filkers will wind up in Hell
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And besides, all them filksongs have a real Fish-y smell! (5)
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We don't listen to Rock, 'cause it's Satan's own vice
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And the people who sing it are not very nice
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Oh can you imagine, it fills us with dread
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Me and the Bangles all sharing a bed! //YEAH!// (5)
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We don't mess with computers, they're the Devil's own thing
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And one little byte puts your mind in a sling!
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Oh can you imagine a sorrier sight
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Than a computer-nerd taking byte after byte! (5)
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We don't play medieval, we think it's a cult
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They wear funny clothing; they're quite difficult.
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Oh can you imagine a worse thing to say
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Than to say you're a member of the SCA? (5)
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So drinking and eating and loving you see,
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Are bound to destroy Spi-ri-tu-al-i-ty.
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Our tastes are austere and our virtue is sure.
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We don't have much fun, but our honor is pure. (1)
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We're coming, we're coming, our brave little band
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On the right side of Temperance we do take our stand
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We masturbate daily because we do think
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That once you start screwing, you're likely to drink! (9)
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(more)
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7
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****************
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Away With Rum (cont.)
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30 verses last update: 09/08/91
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Known source credits:
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The first three verses are the "traditional" ones.
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(0) Source unknown
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(1) Stephen Whitis
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(2) Devera and Martin Marcus
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(3) Julius Kogan
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(4) Pat Herson
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(5) Joe Bethancourt
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(6) Dick Eney
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(7) Mark Glasser
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(8) Paula Smith
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(9) Jim Landau
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*
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8
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*
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THE BALLAD OF THE GREEN PERFORMER
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(Credited to Jane Rogge Fredericksen, Elise Krueger, Brian Murphy, and
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whoever else was in the car on the way home from Minrod's wedding)
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See-through tights You know those guys
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upon their legs called Puke and Snot?
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They can`t dance They get put down
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or juggle eggs an awful lot
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Three hundred kids They say they're snobs
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tried out today But hey, who cares?
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and all but three They're pretty nice
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will get no pay. for millionaires....
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You rookies think I worked and prac-
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this is your chance ticed constantly
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to have a Fest- in hopes the staff
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ival romance would notice me
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If you'd avoid They showed me that
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embarrasment they really care
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Make sure to get They traded me
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a soundproof tent to Valleyfair
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(*amusement park competitor*)
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Last year I camped This is a mind-
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upon the ground expanding show
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The winds they blew I've learned so much
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|||
|
the rain came down I didn't know
|
|||
|
This year my home I have discovered
|
|||
|
is watertight cosmic truth
|
|||
|
I've moved into It's four parts gin
|
|||
|
a Satellite. one part vermouth
|
|||
|
|
|||
|
(*local brand of Porta-San, Porta-potty*)
|
|||
|
|
|||
|
A minstrel lives This year we're get-
|
|||
|
upon her hat ting kind of mean
|
|||
|
You won't get rich We like to turn
|
|||
|
Remember that! the patrons green
|
|||
|
You'll never hear Our method to
|
|||
|
the clink of gold provoke unease
|
|||
|
unless you're cute We sing duets
|
|||
|
and five years old. In different keys!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
9
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
BALLAD OF SAINT BUNSTABLE
|
|||
|
-Cerian Cantwr
|
|||
|
(c) copyright 1990 Charles Grab
|
|||
|
|
|||
|
|
|||
|
CHORUS: Guard the wine, guard the wine.
|
|||
|
No matter what may happen, you make sure that wine stays hid.
|
|||
|
Guard the wine, guard the wine.
|
|||
|
Now we all guard our wine like Saint Bunstable did.
|
|||
|
|
|||
|
In an abbey on the coast of dear old England's shores,
|
|||
|
An alcoloyte, named Bunstable, was told to do his chores.
|
|||
|
He did not have an inkling of just what fate had in mind,
|
|||
|
Patron saint of fermentation, alcohaul, beer, mead, and wine.
|
|||
|
|
|||
|
Bunstable, he was a simple soul, he wasn't very bright.
|
|||
|
But he did his duty faithfully, morning, noon, and night.
|
|||
|
His chores, they weren't too complex, for that would tax his head.
|
|||
|
On in particular was simple. This is what his abbot said:
|
|||
|
|
|||
|
One fateful day came Viking raiders, like a dark wave on the coast.
|
|||
|
The abbey was unable to repel the Norsemen's host.
|
|||
|
Bunstable was in the cellar, heard them slaughter young and old.
|
|||
|
And though trembling with fear, he knew to do as he'd been told.
|
|||
|
|
|||
|
The cellar door it had been locked, but the Vikings would break through
|
|||
|
So grimly looking round, he knew exactly what to do.
|
|||
|
He broke open each and every cask, he did not think of flight.
|
|||
|
And when the deed was done, he'd drunk every drop in sight.
|
|||
|
|
|||
|
When the Vikings came downstairs, they were somewhat less than pleased
|
|||
|
That Bunstable had drunk the wine, there was none to be siezed.
|
|||
|
They threatened Bunstable with flame, but when fire met his breath,
|
|||
|
There was a great explosion, and they all burned to death.
|
|||
|
|
|||
|
When the Vikings reached Valhalla, they were certainly surprised,
|
|||
|
And for his act of brav'ry Bunstable was canonized.
|
|||
|
It truly is a miracle, to drink up as he did,
|
|||
|
And it is to his credit that he kept the wine well hid.
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
10
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE BARNYARDS O'DELGATY
|
|||
|
|
|||
|
As I gang doon by Turra Market, Turra Market for t'fee
|
|||
|
I fell in wi' a farmer chiel, by th' Barnyards O'Delgaty
|
|||
|
|
|||
|
Chorus: Luntin addie, turin addie, luntin addie turin-ee
|
|||
|
Luntin lowrin' lowrin' lowrin', the barnyards o'Delgaty!
|
|||
|
|
|||
|
He promised me the aye best horse that iver I set my een upon
|
|||
|
But when I gat t'his barnyard, there's naethin' there but skin and bone
|
|||
|
|
|||
|
The auld black horse sat on her rump, th' auld grey mare sat on her wime
|
|||
|
And fer all I'd whup an' crack, they wouldna rise at yokin' time
|
|||
|
|
|||
|
When I gang doon tae Kirk on Sunday, many's th' bonny lass I see
|
|||
|
Sittin' by her father's side, winkin' o'er th' pews at me!
|
|||
|
|
|||
|
Oh I can drink and no be drunk, and I can fecht an' no be slaun,
|
|||
|
And I can lie wi' another man's lass and still be welcome tae my own!
|
|||
|
|
|||
|
Noo me cannle is brunt oot, me snotter's fairly on the wane,
|
|||
|
Fare-ye-weel ye Barnyards: Ye'll niver catch me here again!
|
|||
|
|
|||
|
(alternate verses 2 and 3:)
|
|||
|
|
|||
|
He promised me the aye best hoor that iver I set my een upon
|
|||
|
But when I gat t'his barnyard, t'was naethin' there but skin-and-bone!
|
|||
|
|
|||
|
The auld black hoor sat on her rump, th' auld grey mare sat on her wime
|
|||
|
And fer all I'd whup an' crack, I couldna rise at yokin' time!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
11
|
|||
|
*
|
|||
|
|
|||
|
BARTHOLOMEW ROBERTS
|
|||
|
-David Grossman
|
|||
|
copyright 1983 David Grossman
|
|||
|
|
|||
|
I found him lyin' on a broken dock
|
|||
|
In a drunken sleep about four o'clock
|
|||
|
In the mornin'
|
|||
|
One leg good, the other one wood,
|
|||
|
His eye patched over just like it should,
|
|||
|
I woke 'im.
|
|||
|
I said "Excuse me, sir, but might you be
|
|||
|
A Bartholomew Roberts piracy?"
|
|||
|
He asked what it was to me.....
|
|||
|
I told him.
|
|||
|
|
|||
|
"I, sir, am but an average Joe,
|
|||
|
A song-smith travelin' here and fro,
|
|||
|
I'd like to talk to you a bit before I go."
|
|||
|
He said, "My belly could use a little rum, you know."
|
|||
|
|
|||
|
I gave him the bottle, and he turned to speak
|
|||
|
His face was old, his voice was weak
|
|||
|
He claimed to be the last of the crew's defeat
|
|||
|
By a British Man O'War off Cape Lopez
|
|||
|
|
|||
|
CHORUS: Roberts was a gentleman
|
|||
|
Drank his tea from an old tin can
|
|||
|
Never touched a bottle, kept a clean ship and....
|
|||
|
You'd never guess he was a pirate!
|
|||
|
|
|||
|
He said "Our ship was as mighty as a sloop could be,
|
|||
|
Over four hundred vessles plundered we
|
|||
|
With our sacks full of biscuits we'd return to the sea
|
|||
|
Our Jolly Roger blowin' proud and free."
|
|||
|
|
|||
|
"Once Roberts robbed a vessle of it's prize
|
|||
|
He'd return the ship to its' Captain's sorry eyes.
|
|||
|
Never questioned any man's disguise;
|
|||
|
Followed the Sabbath as he followed the skies."
|
|||
|
|
|||
|
"I remember the day clear in me mind,
|
|||
|
We were scrubbin' the hull for the very last time,
|
|||
|
A British Man-of-War attacked from behind,
|
|||
|
We were too drunk to fight, we were too drunk to mind."
|
|||
|
|
|||
|
"Well, I, by chance, swum under a pier,
|
|||
|
And escaped my fate thru luck and fear
|
|||
|
Roberts wasn't drunk, he was just too near;
|
|||
|
The thought of his death still fills me eyes with tears."
|
|||
|
|
|||
|
I left the dock, and headed on,
|
|||
|
Put the pirate's words into a song,
|
|||
|
Roberts may be dead, but his story's not gone,
|
|||
|
(Though it's hard to believe he was a pirate!)
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
12
|
|||
|
*
|
|||
|
|
|||
|
THE BEGGAR MAN
|
|||
|
|
|||
|
I am a little beggar-man, a beggin' I have been
|
|||
|
I been three-score or more in this little Isle of green,
|
|||
|
And I'm known from the Liffey, down to Segume,
|
|||
|
And I'm known by the name of old Johnny Dhu!
|
|||
|
Of all the things a-goin', sure the beggin' is the best
|
|||
|
When an old man is tired he can sit down and rest
|
|||
|
Beggin' for his dinner, he has nothin' else to do
|
|||
|
Than to lie around his parlor on his old rig-a-doo!
|
|||
|
|
|||
|
I slept in a barn down at Currabawn
|
|||
|
A wet night came on and I slept till the dawn
|
|||
|
With holes in the roof, and the rain a-comin' thru
|
|||
|
And the rats and the cats, they was playin' peek-a-boo!
|
|||
|
When who should awaken, but the woman of the house,
|
|||
|
With her white spotty apron and her calico blouse
|
|||
|
She became frightened, and I said "Boo!
|
|||
|
Arrah! Don't be afraid, ma'am, it's only Johnny Dhu!"
|
|||
|
|
|||
|
I met a little flaxey-haired girl one day,
|
|||
|
"Good mornin' little flaxey-haired girl," I did say;
|
|||
|
"Well, good mornin' little beggar-man, and how do y'do?
|
|||
|
Wi' your rags and your tags and your old rig-a-doo?"
|
|||
|
I'll buy a pair of buckles, and a collar and a tie,
|
|||
|
And a nice young lady I will fetch, by and by,
|
|||
|
Buy a pair of stockings and I'll color them blue
|
|||
|
And an old fashioned lady I will make of you!
|
|||
|
|
|||
|
Over the road with me pack on me back
|
|||
|
Over the fields wi' me great heavy sack!
|
|||
|
With holes in me shoes, and the toes a-peekin' thru
|
|||
|
Singin' skin-a-ma-rink-a-doodle-dum for old Johnny Dhu!
|
|||
|
I must be goin' t'bed, for it's gettin' late at night
|
|||
|
And the fires all banked, and out goes the light
|
|||
|
Now you've heard the story of me old rig-a-doo,
|
|||
|
It's goodbye and God be with ya, says old Johnny Dhu!
|
|||
|
|
|||
|
(Note: the melody is known also as "The Little Red-Haired Boy")
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
13
|
|||
|
*
|
|||
|
|
|||
|
BERSERK RAG
|
|||
|
(written A.S.IV)
|
|||
|
-Anonymous
|
|||
|
(Tune: "Feel Like I'm Fixin' To Die Rag")
|
|||
|
|
|||
|
I just read in my TI
|
|||
|
That we should all prepare to die
|
|||
|
For you must fight within the lists
|
|||
|
As though there's steel within your fist
|
|||
|
When you get out there to fight, you swing with all your might!
|
|||
|
|
|||
|
For it's one, two, three, why do we strike full force?
|
|||
|
Don't tell me that's absurd, I follow Bersark's word
|
|||
|
And it's five, six, seven, open up the pearly gates
|
|||
|
Well, ours is not to question why--
|
|||
|
Whoopie, we're all going to die!
|
|||
|
|
|||
|
Walk across the people bunchin',
|
|||
|
Listen to the bones a-crunchin'
|
|||
|
See the fighters start to hurt,
|
|||
|
Watch the blood fall out in spurts
|
|||
|
Be the first one on the floor to fall all covered with gore
|
|||
|
|
|||
|
Splinter temples, sever arteries,
|
|||
|
Shatter craniums, hit 'em harder please
|
|||
|
Hit so hard they'll hear it in Donegal,
|
|||
|
But list your injuries with the Seneschal
|
|||
|
If you can't knock off his head, hit 'em in the kidneys instead
|
|||
|
|
|||
|
Set your sword against the slim one
|
|||
|
And get pounded by the grim one
|
|||
|
If you think that you're the best,
|
|||
|
Go and challenge Seldomrest
|
|||
|
Be the first Knight on your block to send your squire home in a box!
|
|||
|
|
|||
|
For it's one, two, three, why do we strike full force?
|
|||
|
A rule we can't afford, let's complain to the Board!
|
|||
|
And it's five, six, seven, answer this if you will
|
|||
|
Wouldn't you like to be the first to die -
|
|||
|
Better yet first to kill!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
14
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
BOLD MARAUDER
|
|||
|
-Richard Farina
|
|||
|
(c) copyright 1967 Music Publishers Holding Corp.
|
|||
|
|
|||
|
It's hi, ho, hey, I am the bold marauder!
|
|||
|
It's hi, ho, hey, I am the white destroyer!
|
|||
|
|
|||
|
For I will buy you silver and gold and I will bring you treasure
|
|||
|
And I will bring a widowing flag and I will be your lover
|
|||
|
And I will show you grotto and cave and sacrificial altar
|
|||
|
And I will show you blood on the stone and I will be your mentor
|
|||
|
And night will be our darling and fear will be our name
|
|||
|
|
|||
|
It's hi, ho, hey, I am the bold marauder!
|
|||
|
It's hi, ho, hey, I am the white destroyer!
|
|||
|
|
|||
|
For I will take you out by the hand and lead you to the hunter
|
|||
|
And I will show you thunder and steel and I will be your teacher
|
|||
|
And we will dress in helmet and sword, and dip our tongues in slaughter
|
|||
|
And we will sing a warrior's song and lift the praise of murder
|
|||
|
And Christ will be our darling and fear will be our name
|
|||
|
|
|||
|
It's hi, ho, hey, I am the bold marauder!
|
|||
|
It's hi, ho, hey, I am the white destroyer!
|
|||
|
|
|||
|
For I will sour the winds on high and I will soil the rivers
|
|||
|
And I will burn the grain in the fields and I will be your mother
|
|||
|
And I will go to ravage and kill and I will go to plunder
|
|||
|
And I will take a Fury to wife and I will be your father
|
|||
|
And Death will be our darling and fear will be our name
|
|||
|
|
|||
|
It's hi, ho, hey, I am the bold marauder!
|
|||
|
It's hi, ho, hey, I am the white destroyer!
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
15
|
|||
|
*
|
|||
|
|
|||
|
BONNIE DUNDEE
|
|||
|
-Sir Walter Scott
|
|||
|
|
|||
|
To the Lords of Convention 'twas Claverhouse spoke
|
|||
|
Ere the King's crown go down, there are Crowns to be broke
|
|||
|
So each Cavalier that loves honour and me
|
|||
|
Let him follow the bonnets of Bonnie Dundee!
|
|||
|
|
|||
|
(Chorus): Come fill up my cup, come fill up my can
|
|||
|
Come saddle my horses and call out my men
|
|||
|
Unhook the west port and let us gae free
|
|||
|
For it's up wi' the bonnets of Bonnie Dundee!
|
|||
|
|
|||
|
Dundee he is mounted, he rides up the street
|
|||
|
The bells they ring backward, the drums they are beat
|
|||
|
But the Provost (douce man!) said "Just e'en let it be!"
|
|||
|
"For the town is well rid of that devil, Dundee!"
|
|||
|
|
|||
|
There are hills beyond Pentland, and lands beyond Forth
|
|||
|
Be there lords in the South, there are chiefs in the North!
|
|||
|
There are brave Duinnewassals three thousand times three
|
|||
|
Will cry "Hey for the bonnets of Bonnie Dundee!"
|
|||
|
|
|||
|
Then awa' tae the hills, tae the lea, tae the rock,
|
|||
|
Ere I own a usurper, I'll crouch with the fox!
|
|||
|
And tremble, false Whigs, in the midst of your glee:
|
|||
|
Ye hae no seen the last o' my bonnets....and me!
|
|||
|
|
|||
|
*
|
|||
|
*
|
|||
|
|
|||
|
BONNIE GEORGE CAMPBELL
|
|||
|
|
|||
|
Hie upon Highlands, and laigh upon Tay,
|
|||
|
Bonnie George Campbell rode out on a day
|
|||
|
Saddled and bridled and gallant rode he,
|
|||
|
Hame cam his guid horse, but niver cam he!
|
|||
|
|
|||
|
Saddled and booted and bridled rode he
|
|||
|
A plume tae his helmet, a sword at his knee,
|
|||
|
But toom cam his saddle, all bluidy tae see,
|
|||
|
Hame cam his guid horse, but niver cam he!
|
|||
|
|
|||
|
Doon cam his auld mithir, greetin' fu' sair,
|
|||
|
Oot cam his bonnie wife, rievin' her hair,
|
|||
|
"My meadows lie green, and my corn is unshorn,
|
|||
|
My barn is tae big, and my babe is unborn!"
|
|||
|
|
|||
|
(repeat verse 1)
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
16
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
BORED OF THE DANCE
|
|||
|
-The Kipper Family
|
|||
|
recorded on "The Kipper Family-Fresh Yesterday"
|
|||
|
|
|||
|
(Written by George Kipper, who is Mr. Kipper's uncle, as
|
|||
|
far as we know......)
|
|||
|
|
|||
|
As I walked down to the village hall
|
|||
|
I met Charlie leanin' on the wall
|
|||
|
"Why are you standin' out here, Char-lee?"
|
|||
|
"Cause I am bored of the dance!" said he!
|
|||
|
|
|||
|
CHORUS: Dance! Dance! What -ever- do they see?
|
|||
|
In prancin' round all the time, said he
|
|||
|
I'll leave them all to do it without me
|
|||
|
For I am bored of the dance, said he!
|
|||
|
|
|||
|
I come to the dance with my girl, he said
|
|||
|
I told her that I'd rather go to bed,
|
|||
|
Oh yes I'm sure you would, said she,
|
|||
|
But first you'll come and dance with me!
|
|||
|
|
|||
|
She said, You'll come and dance right now!
|
|||
|
But I weren't list'nin' when the caller told us how
|
|||
|
They "cast left," but "right" I went
|
|||
|
They danced on, but I ended in the "Gents'!"
|
|||
|
|
|||
|
I drank with the Morris-men, James and John,
|
|||
|
They drank with me as the dance went on and on,
|
|||
|
We drank and we drank till it all went black.
|
|||
|
It's hard to dance when you're lyin' on your back!
|
|||
|
|
|||
|
Oh, how she danced on the night they were wed
|
|||
|
She danced, he drank, and then they went to bed
|
|||
|
I'm afraid there's no more story to be told
|
|||
|
She was too hot, and he was out cold!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
17
|
|||
|
*
|
|||
|
|
|||
|
THE BORGIA REVEL
|
|||
|
-Anonymous
|
|||
|
(Tune: Unknown)
|
|||
|
|
|||
|
The Borgias are giving a party
|
|||
|
There's a Borgia revel tonight!
|
|||
|
Isn't it sickenin' we've run out of strychinine!
|
|||
|
The gravy will have to have ground glass for thickenin'
|
|||
|
The poisoned chianti is terribly scanty
|
|||
|
But everything else is all right.
|
|||
|
I've hidden an asp in the iced canteloupe
|
|||
|
There's cyanide mixed with the mock-turtle soup
|
|||
|
And straight benzedrine in the apricot coupe
|
|||
|
At the Borgia revel tonight!
|
|||
|
|
|||
|
The Borgias are holding a party!
|
|||
|
There's a Borgia revel tonight!
|
|||
|
The arsenic pasta should prove a disaster
|
|||
|
The Spanish fly pizza should work even faster
|
|||
|
The tank in the Ladie's should blow them to Hades
|
|||
|
If anyone turns on the light!
|
|||
|
When the butler flings open the dining room door
|
|||
|
There's a clever contraption concealed in the floor
|
|||
|
We're wondering who'll sit on the circular saw
|
|||
|
At the Borgia revel tonight!
|
|||
|
|
|||
|
Our guests are exclusively chosen
|
|||
|
From people who give us a pain
|
|||
|
The cream of the jest is in knowing
|
|||
|
That they won't be back again!
|
|||
|
|
|||
|
We'll have all the nobles of Naples
|
|||
|
At the Boria revel tonight!
|
|||
|
For the Duke's youngest son there's a monstrous cream bun
|
|||
|
Soaked in hot Prussic acid it's all good clean fun!
|
|||
|
We're pushing some people we know off a steeple
|
|||
|
They should have a wonderful flight
|
|||
|
The bodies will drop thru the trap door below
|
|||
|
To the Tiber and drift off to sea on the flow
|
|||
|
We think we can promise one hell of a show
|
|||
|
At the Borgia revel tonight!
|
|||
|
|
|||
|
We revel in giving a party
|
|||
|
A fete, or a fancy masked ball!
|
|||
|
There's sure to be lots of excitement
|
|||
|
And a good time's to be had by all!
|
|||
|
|
|||
|
The Borgia's are throwing a party
|
|||
|
There's a Borgia revel tonight!
|
|||
|
The soup minestrone is frightfully phony
|
|||
|
And laudanum reeks from the stewed macaroni
|
|||
|
We're feeling no pain when they put the henbane
|
|||
|
In the third tangerine from the right!
|
|||
|
We're bricking the Cardinal up in the wall
|
|||
|
His agonized screams won't disturb us at all
|
|||
|
As we sit there sipping our wormwood and gall
|
|||
|
At the Borgia revel tonight!
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
18
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
BRENNAN ON THE MOOR
|
|||
|
|
|||
|
'Tis of a brave young highwayman a story I will tell
|
|||
|
His name was Willie Brennan and in Ireland he did dwell
|
|||
|
T'was up on Killworth mountain he commenced his wild career
|
|||
|
And many a wealthy nobleman before him shook with fear
|
|||
|
|
|||
|
CHORUS: And it's Brennan on the moor; Brennan on the moor,
|
|||
|
Bold, brave and undaunted stood young Brennan on the moor!
|
|||
|
|
|||
|
One day upon the highway, as Willie he went down,
|
|||
|
He spied the Mayor of Cashell, a mile outside the town
|
|||
|
The Mayor he knew his features, and he said, "Young man!" said he
|
|||
|
Your name is Willie Brennan, you must come along with me!
|
|||
|
|
|||
|
Now Brennan's wife had gone to town, provisions for to buy
|
|||
|
When she saw her Willie taken, she began to weep and cry
|
|||
|
Said: "Hand to me that ten-penny!" As soon as Willie spoke
|
|||
|
She handed him a blunderbuss from underneath her cloak!
|
|||
|
|
|||
|
Now Brennan got his blunderbuss, the truth I will unfold
|
|||
|
He made the Mayor to tremble, and he robbed him of his gold!
|
|||
|
100 pounds were offered for his apprehension there,
|
|||
|
But he, with horse and saddle to the mountains did repair
|
|||
|
|
|||
|
Now Brennan is an outlaw upon the mountain high
|
|||
|
With cavalry and infantry to take him they did try
|
|||
|
But he laughed at them and scorned at them, until it was said
|
|||
|
By a false-hearted woman he was cruelly betrayed
|
|||
|
|
|||
|
They hanged Brennan at the crossroads, in chains he swung and dried
|
|||
|
But still they say that in the night, some do see him ride
|
|||
|
They see him with his blunderbuss, all in the midnite chill
|
|||
|
Along, along the King's Highway rides Willie Brennan still!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
19
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
BRIGHT SILVER BANDS
|
|||
|
-Thorsen Danske
|
|||
|
(Tune: "Black Velvet Band")
|
|||
|
|
|||
|
While out on the field she is gallant
|
|||
|
A-toting a weapon or three
|
|||
|
Her opponents she leaves by the wayside
|
|||
|
A-wondering who she could be!
|
|||
|
She fights so well in a shield wall
|
|||
|
The enemy runs from her grin
|
|||
|
And she's so proficient at shield-hooks
|
|||
|
That her shield work has killed many men!
|
|||
|
|
|||
|
CHORUS: Her sword, it shines like a mirror
|
|||
|
Her shield is the best in the land
|
|||
|
And her hair hangs out of her armour
|
|||
|
All braided with bright silver bands!
|
|||
|
|
|||
|
The lads, they stare at a distance
|
|||
|
The lady does not understand
|
|||
|
That her countenance speaks of resistance
|
|||
|
From the loveliest lass in the land
|
|||
|
It's not that they dislike her armour
|
|||
|
For chainmail is pretty to see
|
|||
|
But at night she should hang up her weapons
|
|||
|
For in bed, blades are bad company!
|
|||
|
|
|||
|
A young lad, he once tried to kiss her,
|
|||
|
As back from the field she did stroll
|
|||
|
But his nose got caught in her visor,
|
|||
|
And now he resembles a troll!
|
|||
|
A tale can be told of another
|
|||
|
Who wanted this lady to court
|
|||
|
But he rolled on top of her dagger
|
|||
|
And now he is three inches short!
|
|||
|
|
|||
|
So take this advice, you young warriors,
|
|||
|
When a lady has taken the field
|
|||
|
Beware of the edge of her weapon,
|
|||
|
And also the edge of her shield!
|
|||
|
If you meet her again in the evening
|
|||
|
More cautious yet should be your game
|
|||
|
Or you'll travel home the next morning
|
|||
|
A-feeling exceedingly lame!
|
|||
|
|
|||
|
*
|
|||
|
20
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE BURDEN OF THE CROWN
|
|||
|
-Baldwin of Erebor
|
|||
|
|
|||
|
The battlefield is silent the shadows growing long
|
|||
|
Though I may view the sunset I'll not live to see the dawn
|
|||
|
The trees have ceased to rustle, the birds no longer sing
|
|||
|
All nature seems to wonder at the passing of a king
|
|||
|
|
|||
|
And now you stand before me your father's flesh and blood
|
|||
|
Begotten of my sinews on the woman that I loved
|
|||
|
So difficult the birthing, the mother died that day
|
|||
|
And now you stand before me to take my crown away
|
|||
|
|
|||
|
The hour is fast approaching when you come into your own
|
|||
|
When you take the ring and scepter and sit upon your throne
|
|||
|
Before that fatal hour when we each must meet our fate
|
|||
|
Pray gaze upon the royal crown and marvel at its weight
|
|||
|
|
|||
|
This cap of burnished metal is the symbol of a land
|
|||
|
Supporting all we cherish, the dreams for which we stand
|
|||
|
The weight you'll find is nothing if you hold it in your hand
|
|||
|
The burden of the crown begins the day you put it on
|
|||
|
|
|||
|
See how the jewels sparkle as you gaze on it again
|
|||
|
Each facet is a subject whose rights you must defend
|
|||
|
Every point of light a burden you must shoulder with your own
|
|||
|
And mighty is the burden of the man upon the throne
|
|||
|
|
|||
|
The day is nearly ended, my limbs are growing cold
|
|||
|
I feel the angels waiting to receive my passing soul
|
|||
|
Keep well for me my kingdom, when my memory is dead
|
|||
|
And forgive me for the burden I place upon your head!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
21
|
|||
|
*
|
|||
|
|
|||
|
CAIDAN LADIES
|
|||
|
-Kaarna of the Amethyst
|
|||
|
|
|||
|
The Scottish highland lassie, when in her tartan clad
|
|||
|
Will soft lay down her arisaid, and then raise up her lad!
|
|||
|
|
|||
|
CHORUS: Beware of Caidan ladies, be cautious if you're smart
|
|||
|
They'll pinch the family jewels before they steal your heart!
|
|||
|
Before they steal your heart!
|
|||
|
|
|||
|
A Tudor wears a corset to display her softer parts
|
|||
|
But the bands that bind the garment prove the metal of her heart!
|
|||
|
|
|||
|
A Viking maid from Norseland is plunderful to behold
|
|||
|
She'll whisper silver night-dreams, then vanish with your gold!
|
|||
|
|
|||
|
A Belly-Dancer shimmies her charms beneath a veil
|
|||
|
To tempt a shy lord bolder, and cause a prude to pale!
|
|||
|
|
|||
|
Off-field, a lady fighter is beautiful, not tough,
|
|||
|
But cross her when she's armoured and you'll end up on your duff!
|
|||
|
|
|||
|
The peasant maid of England, a lusty, winsome wench,
|
|||
|
Will roll you in a haystack, then get you in a clench!
|
|||
|
|
|||
|
Lady cavaliers wear diamonds, and daggers have they none \\oh, yeah?\\
|
|||
|
Tho her lord may wield a rapier, her weapon is her tounge!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
CALONTIR SHOULD STAND ALONE
|
|||
|
-Noddel of the Alan
|
|||
|
(Tune: "Sink The Bismark")
|
|||
|
|
|||
|
Calontir should stand alone, and so say all of us
|
|||
|
We're gonna fight the Kingdom 'cause they're makin' such a fuss!
|
|||
|
|
|||
|
CHORUS: Hit the field a-runnin' lads, and swing those blades around!
|
|||
|
We're gonna fight the Middle, 'cause the Middle let us down!
|
|||
|
|
|||
|
Calontir should stand alone and fight for what is ours
|
|||
|
To have a King that is our own, and all the Kingdom powers!
|
|||
|
|
|||
|
We're gonna fight the Middle 'cause the Middle wants us not
|
|||
|
We're gonna fight the Middle 'cause they left us here to rot!
|
|||
|
|
|||
|
Knights we have deserving, who haven't got their belts
|
|||
|
This is surely proven by Ansteorran welts!
|
|||
|
|
|||
|
The war-i-ors of Calontir have kept the Middle strong
|
|||
|
But we know our recompense has waited far too long!
|
|||
|
|
|||
|
Artisans and crofters, rally to Calontir!
|
|||
|
Fight with scythe and hammer, beside the heart-land's fyrd!
|
|||
|
|
|||
|
We will not be used again to fight the Middle's wars
|
|||
|
When next our warriors go to fight we'll be at the King's own doors!
|
|||
|
|
|||
|
22
|
|||
|
*
|
|||
|
|
|||
|
THE CELT CAME BACK
|
|||
|
-Anonymous
|
|||
|
(Tune: "The Cat Came Back")
|
|||
|
|
|||
|
Now, one old King had troubles of his own
|
|||
|
Had a thick-skinned bard that wouldn't leave home
|
|||
|
He tried and he tried to send that bard away
|
|||
|
He sold him to a Dane going far, far away......
|
|||
|
|
|||
|
CHORUS: But the Celt came back, the very next day!
|
|||
|
They thought he was a goner, but the Celt came back
|
|||
|
He just wouldn't stay away!
|
|||
|
|
|||
|
The local Baron said that he would shoot that Celt on sight
|
|||
|
So he loaded up his cannon with powder to the sight
|
|||
|
He waited and he waited for that bard to come around
|
|||
|
Itty-bitty pieces of the castle's all they found....
|
|||
|
|
|||
|
He gave him to a Visigoth going out East
|
|||
|
Saying "Sell him to the Mongols; feed him to a Beast!"
|
|||
|
They got up to the Channel, and they thought they'd get across
|
|||
|
Tomorrow they'll write off the 'Goth as bein' a total loss...
|
|||
|
|
|||
|
He gave him to a serf with a ten-shilling note
|
|||
|
Take him out on the lake, take him out on a boat!
|
|||
|
They tied a rock around his neck, it must have weighed ten stone
|
|||
|
And now they drag the shoreline, 'cause the boat came back..alone..
|
|||
|
|
|||
|
They sent him to the Borgia's to have a little feast
|
|||
|
Kill him off with poisoned wine, use cyanide at least!
|
|||
|
He drank several barrels of the poisoned wine that day
|
|||
|
And now all the Borgias have all...passed away...
|
|||
|
|
|||
|
He gave him to a knight, to use him for a pell
|
|||
|
Saying "Beat him smartly, I wanna hear him yell!"
|
|||
|
The knight armoured up, and sharpened up his sword
|
|||
|
No one's ever heard again of that knightly Lord....
|
|||
|
|
|||
|
The Greek Fire fell the other day
|
|||
|
Lightning from Heaven in the very same way!
|
|||
|
Egypt's gone, Greece is gone, Sumeria's gone, Rome is gone...
|
|||
|
They've all passed away
|
|||
|
The whole Ancient World crumbled into dust that day
|
|||
|
|
|||
|
CHORUS: But the Celts came back the very next day
|
|||
|
Thought that they were goners, but the Celts came back
|
|||
|
They just couldn't stay away!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
23
|
|||
|
*
|
|||
|
|
|||
|
CHILDREN OF DARKNESS
|
|||
|
-Richard Farina
|
|||
|
(c) copyright 1967 M. Witmark & Sons
|
|||
|
|
|||
|
Now is the time for your loving, dear, and time for your company.
|
|||
|
Now that the light of reason fails, and fires burn on the sea;
|
|||
|
Now in this age of confusion I have need of your company.
|
|||
|
|
|||
|
For I am a wild and lonely child, and the son of an angry man;
|
|||
|
And now, with the high wars raging, I would offer you my hand!
|
|||
|
For we are the children of darkness and the prey of a grim command.
|
|||
|
|
|||
|
It's once I was free to go roamin' in the wind of a springtime mind.
|
|||
|
And once the clouds I sailed upon were sweet as lilac wine.
|
|||
|
Then why have the breezes of summer, dear, been laced with a grim design?
|
|||
|
|
|||
|
And where was the will of my father when he raised his sword on high?
|
|||
|
And where was my mother's wailing when our flags were justified?
|
|||
|
And where will we take our pleasure when our bodies have been denied?
|
|||
|
|
|||
|
Now is the time for your loving, dear, and time for your company.
|
|||
|
Now that the light of reason fails, and fires burn on the sea;
|
|||
|
Now in this age of confusion I have need of your company.
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE CHILL EASTERN WINDS
|
|||
|
-Andy Stewart
|
|||
|
|
|||
|
Prepare you sweet flowers, for winter advances
|
|||
|
And drink well the sunlight that touches your form
|
|||
|
Draw strength from the Earth, and repay her with beauty
|
|||
|
For the dark days are comin', oh, and they'll do y'harm
|
|||
|
|
|||
|
CHORUS: When the chill eastern winds replace summer breezes
|
|||
|
And the long summer days are remembered no more
|
|||
|
Then you'll know how it feels when a woman's love changes
|
|||
|
When at last she has told you she loves you no more
|
|||
|
|
|||
|
I saw her today when she walked with her new love
|
|||
|
In all the fine places that we'd walked before
|
|||
|
They kissed by the rocks where she told me she loved me
|
|||
|
And soon she'll be using those same words once more
|
|||
|
|
|||
|
There's none that could blame me for wanting her beauty
|
|||
|
But it lies like a snowflake in the hands of a child
|
|||
|
When the warmth of my love tried to reach out and hold her
|
|||
|
It's then she was gone, to prove she's still wild
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
24
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
CHIVALRY
|
|||
|
-Morgana bro Morganwyg
|
|||
|
(Tune: "Lemon Tree")
|
|||
|
|
|||
|
CHORUS: Chivalry, very pretty, and the ladies they are sweet
|
|||
|
But they find that the Mongols are impossible to beat!
|
|||
|
|
|||
|
When I was just a lad of ten, my father said to me
|
|||
|
Come here and take a lesson from the belted Chivalry
|
|||
|
Don't put your trust in knights, my boy. my father said to me
|
|||
|
Come here and watch the Mongols kill the belted Chivalry!
|
|||
|
|
|||
|
But when I grew, I fell in love and the lady said to me
|
|||
|
I think that I will keep my heart for the belted Chivalry
|
|||
|
I said that I'd become a knight as quick as quick can be
|
|||
|
The music of her laughter hid my father's words from me
|
|||
|
|
|||
|
So off to Tourney I did go, a squire all belted red
|
|||
|
A rattan broadsword in my hand, a helmet on my head
|
|||
|
I stepped onto the tourney field, to fight so noble-lee
|
|||
|
Then a backhand blow from a knightly sword caved in my helm for me!
|
|||
|
|
|||
|
They had to bear me from the field for I could hardly see
|
|||
|
But I could hear my lady wooing belted Chivalry!
|
|||
|
So if I ever love again, I know that you will see
|
|||
|
A girl who wants a Mongol love, not belted Chivalry!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
25
|
|||
|
*
|
|||
|
|
|||
|
THE CHIVALRY WENT FOR PIZZA
|
|||
|
-Cerian Cantwr
|
|||
|
(c) copyright Charles Grab 1990
|
|||
|
|
|||
|
|
|||
|
CHORUS: And the chivalry went for pizza,
|
|||
|
They would not be denied.
|
|||
|
Yes, the chivalry went for pizza,
|
|||
|
With those pies they'd be supplied.
|
|||
|
The chivalry went for pizza,
|
|||
|
And they did cause quite a fuss,
|
|||
|
But the chivalry got the pizza,
|
|||
|
And they brought it back to us.
|
|||
|
|
|||
|
It was Sunday after Pennsic The time dragged on and on and on
|
|||
|
The war was at an end. And still no pizza showed.
|
|||
|
We got to feeling hungry I tell to you most heartily,
|
|||
|
For the mundane world again. We were getting quite POed.
|
|||
|
We thought to order pizza, A last call to the restaurant
|
|||
|
And thus we sealed our fate. Said, pizza on your plate?
|
|||
|
For the pizza man, he told us, Take it easy, there's no problem,
|
|||
|
We would have two hours' wait. Just another hour's wait.
|
|||
|
|
|||
|
Two hours came and went, Well folks, that finally did it,
|
|||
|
But no pizza did appear. The knights stood up to a man.
|
|||
|
That's when we got to wondering They decided to go into town
|
|||
|
Just what did go on here. Their weapons well in hand.
|
|||
|
A phone call to the restaurant The pizza shop they'd ransack,
|
|||
|
Assured us all was well, And the blood would freely flow.
|
|||
|
But 'twould be another half hour Well they retrieved our dinner,
|
|||
|
Ere the pizza we would smell. But just how, I do not know.
|
|||
|
|
|||
|
The time it did pass slowly, Now gentles listen closely,
|
|||
|
Irritation, it did grow. And I shall tell you right.
|
|||
|
Our stomachs fell to grumbling, If Pennsic Sunday you want pizza,
|
|||
|
For our dinner did not show. You will have a hungry knight.
|
|||
|
When the time had all expired, The war, it may be over,
|
|||
|
Our thoughts, they did grow ill. But you should not forget,
|
|||
|
Especially when we heard If you go and order pizza,
|
|||
|
Another thirty minutes still. You'll have one more battle yet.
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
26
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
COME SHARE THE DREAM
|
|||
|
Lyrics by Sieglinde Syr
|
|||
|
Music by Sieglinde Syr and Iolo Fitz Owen
|
|||
|
|
|||
|
Listen! The Laurel Branches sing;
|
|||
|
The wind give life thus to the song.
|
|||
|
Knighthood's flower breathes once more,
|
|||
|
Born and bloomed a-maying.
|
|||
|
And on a spring wind it has flown,
|
|||
|
From sea to sea these twenty years;
|
|||
|
Seedlings of the dream have sown
|
|||
|
Ten, to the fullest glory grown.
|
|||
|
We who are here have heard
|
|||
|
The voice calling from by-gone days
|
|||
|
"Come share the dream, come live the legends,
|
|||
|
Relearn the ancient ways."
|
|||
|
|
|||
|
CHORUS: Come, share the dream, come hold it in your hands
|
|||
|
As it might once have been;
|
|||
|
Come live the legends that will never die
|
|||
|
Through us they live again.
|
|||
|
|
|||
|
Reaching thru time, their touch is real,
|
|||
|
Upon the road of glory anon
|
|||
|
Side by side we ride with kings
|
|||
|
Bards shall sing our stories
|
|||
|
Tales are remembered skills not lost,
|
|||
|
As it once was it shall be again
|
|||
|
And through us our children will know
|
|||
|
Of the greatness long ago.
|
|||
|
Each spring's rebirth shall be the time
|
|||
|
When time it's pace would slow
|
|||
|
And for a moment take us once more
|
|||
|
Into the days of yore.
|
|||
|
|
|||
|
Those who began it here join hands
|
|||
|
With those for whom the magic is new,
|
|||
|
And it's spell a siren's song,
|
|||
|
Calls us all to follow.
|
|||
|
Heed it we will and follow still ideals
|
|||
|
Born of fire and sword
|
|||
|
Born these twenty years ago
|
|||
|
(Where) mist and wind the laurels blow.
|
|||
|
And to our shores and mountains
|
|||
|
And plains carry the living dream,
|
|||
|
As it once was it has been again;
|
|||
|
Chivalry lives, my friend.
|
|||
|
|
|||
|
Chivalry lives, my friend!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
27
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
CRUSADER'S SONG
|
|||
|
-Conn MacNeil
|
|||
|
|
|||
|
As my ship sets sail I watch the far coastline,
|
|||
|
Leaving my kinfolk my heart is sore pained.
|
|||
|
I've traded all for the cross at my shoulder,
|
|||
|
No land for a third son, so I'm away.
|
|||
|
|
|||
|
(CHORUS): I'm for the Holy Land sailing,
|
|||
|
To win back Jerusalem's walls,
|
|||
|
I'm for the Holy Land sailing,
|
|||
|
And I'll win a fortune or a martyr I'll fall.
|
|||
|
|
|||
|
I look around me at the men on the benches,
|
|||
|
Their eyes are like mine, so I know their hearts pain.
|
|||
|
I sing them a song of bravery in battle,
|
|||
|
Now their eyes shine like their keen polished blades.
|
|||
|
|
|||
|
We follow King Richard to Sicily Island,
|
|||
|
O'er Joanna's dowry 'gainst Tancred prevailed,
|
|||
|
Now a fortune in silver and a new wife hath Richard,
|
|||
|
And I've a swift horse and a fine coat of mail.
|
|||
|
|
|||
|
Landfall at Cyprus, they refused Berengaria,
|
|||
|
Richard in anger has answered in steel,
|
|||
|
He's added the crown of Cyprus to England's,
|
|||
|
And I've added knighthood's gold spurs to my heels.
|
|||
|
|
|||
|
I followed the banner to battle at Acre,
|
|||
|
And held it aloft when its bearer was slain.
|
|||
|
We've given Richard a tower of the city,
|
|||
|
He's given me rank and a full Captain's pay.
|
|||
|
|
|||
|
At Arsouf on the coastline we met with the paynim,
|
|||
|
And we won the battle, though many men fell.
|
|||
|
One was a baron who's lands needed tending --
|
|||
|
Now they are MINE, and I'll tend them well!
|
|||
|
|
|||
|
I sit in court over Christian and Moslem,
|
|||
|
I've a strong keep, and soldiers ten score,
|
|||
|
King Richard's army has set sail for England,
|
|||
|
I've said farewell, for I'll see them ne'er more.
|
|||
|
|
|||
|
For I'm in the Holy Land staying,
|
|||
|
To guard my own castle walls.
|
|||
|
I'm in the Holy Land staying,
|
|||
|
For I've made my fortune, so farewell to all!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
28
|
|||
|
*
|
|||
|
|
|||
|
THE DANCER'S VANITY
|
|||
|
-Yang the Nauseating
|
|||
|
(Verses 1-3 by Middle Kingdom Guild of Exotic Dancers)
|
|||
|
(Tune: "Golden Vanity"
|
|||
|
|
|||
|
Once there was a group and it fought with Tregirtsee
|
|||
|
And the name of the group was the Northwoods Barony
|
|||
|
And they feared they would be threatened by the Mongol enemy
|
|||
|
As they fought along the Inland, Inland, Inland,
|
|||
|
Fought along the Inland Sea!
|
|||
|
|
|||
|
Then up there spoke a dancer, with her little sisters she
|
|||
|
Bravely said to the King, "What will you give to me?
|
|||
|
If I dance along the side of the Mongol enemy,
|
|||
|
And turn them from the Northwoods Barony,
|
|||
|
In their march along the Inland Sea?"
|
|||
|
|
|||
|
"Well, I will give you silver, and I will give you gold,
|
|||
|
And my own chosen Queen each of you in turn will be,
|
|||
|
If you dance alongside of the Mongol enemy,
|
|||
|
And you turn them from the Inland, Inland....&c"
|
|||
|
|
|||
|
Then she rode to the camp of the Mongol enemy
|
|||
|
To the camp of the Horde, fierce warriors proud and free,
|
|||
|
Saying, "Take me to your leader, or Warlord if you please,
|
|||
|
I'm sent here from the Northwoods Barony,
|
|||
|
I'm sure that he will speak to me!"
|
|||
|
|
|||
|
Then she let drop her cloak, and in dancer's garb stood she,
|
|||
|
And she said to the Warlord, "All that you can see,
|
|||
|
And that which you cannot, I would freely give to thee,
|
|||
|
If you overlook the Northwoods Barony
|
|||
|
As you march along the Inland Sea!"
|
|||
|
|
|||
|
"Oh well do I like silver, and well do I like gold,
|
|||
|
And the trust of my men is the thing most dear to me!
|
|||
|
But when I am confronted by a beauty such as thee,
|
|||
|
Then the Devil take the Northwoods Barony!
|
|||
|
We'll overlook them eagerly!
|
|||
|
|
|||
|
She returned (the next morning) to the Northwoods Barony,
|
|||
|
And she said to the King, "We've achieved the victory!
|
|||
|
I have turned the march of the Mongol enemy!
|
|||
|
Now, where is the reward you promised me?
|
|||
|
The treasures of our Barony?"
|
|||
|
|
|||
|
"Well, some kind of fool you must take for me to be,
|
|||
|
If you think I would give reward to such as thee,
|
|||
|
Who has openly consorted with the Mongol enemy,
|
|||
|
When they failed to reach the Northwoods Barony,
|
|||
|
In their march along the Inland Sea!"
|
|||
|
|
|||
|
Then a great cry arose, and all did turn to see
|
|||
|
And there in their midst was the Mongol enemy!
|
|||
|
Who had never ceased their march on the Northwoods Barony!
|
|||
|
They had double-crossed the dancer, proud and free,
|
|||
|
Just like the Northwoods Barony!
|
|||
|
(more)
|
|||
|
29
|
|||
|
Dancer's Vanity (cont.)
|
|||
|
|
|||
|
"Dear dancer and dear King," said the Warlord, full of glee,
|
|||
|
"Did you think that you could work your ploys on such as we?
|
|||
|
By your own rules, we return treachery for treachery!
|
|||
|
And you never will be rid of fools like me,
|
|||
|
If you try to deal in treachery!"
|
|||
|
|
|||
|
The moral of this story - please listen while I sing -
|
|||
|
Is: Never trust a Dancer, a Mongol....or a King!
|
|||
|
For, if you do, some kind of fool you'll be,
|
|||
|
And they'll sink you in the Inland, Inland, Inland,
|
|||
|
Sink you in the Inland Sea!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
30
|
|||
|
*
|
|||
|
|
|||
|
DINNY THE PIPER
|
|||
|
-Traditional (?)
|
|||
|
Recorded by Andy M. Stewart "Dublin Lady" Green Linnet CSIF 1083
|
|||
|
|
|||
|
In the year '98, when our troubles were great
|
|||
|
It was treason to be a Milesian.
|
|||
|
And the black-whiskers said we would never forget
|
|||
|
And our history shows they were Hessians.
|
|||
|
And in these troubled times, it was a great crime
|
|||
|
And martyrdom never was riper
|
|||
|
Near the town of Glenshee, not an acre from Meath,
|
|||
|
Lived one Denny Burns, the Piper!
|
|||
|
|
|||
|
Neither weddin' nor wake would be worth a shake
|
|||
|
If Denny was first not invited.
|
|||
|
For at squeezin' the bag, or emptyin' the keg,
|
|||
|
He astonished as well as delighted!
|
|||
|
But in these times Denny could not earn a penny,
|
|||
|
Martial Law had him stung like a viper!
|
|||
|
And it kept him within till the bones of his skin
|
|||
|
Grinned thru the rags of the piper!
|
|||
|
|
|||
|
Now one day it did dawn, as Denny crept home,
|
|||
|
Back from a fair at Lethangin,
|
|||
|
When what should he see, from the branch of a tree,
|
|||
|
But the corpse of a Hessian, there hangin'!
|
|||
|
Says Denny, "These rogues have got boots, I've no brogues!"
|
|||
|
He took hold of the boots wi' a griper,
|
|||
|
And the boots were so tight, and he pulled with such might,
|
|||
|
Legs and all come away with the piper!
|
|||
|
|
|||
|
Ah, then Denny did run for fear of bein' hung
|
|||
|
Til he came to Tim Haley's cabin.
|
|||
|
Says Tim from within, "I can't let ye in!
|
|||
|
Ye'll be shot if you're caught out there rappin'!"
|
|||
|
So he went to the shed where the cow was in bed,
|
|||
|
He began with a whisper to wipe her,
|
|||
|
And they lay down together, in seven foot of heather,
|
|||
|
And the cow took to huggin' the piper!
|
|||
|
|
|||
|
Well the day it wore on, and Denny did yawn,
|
|||
|
And he stripped off the boots from the Hessian!
|
|||
|
And the legs, for the law, he just left in the straw,
|
|||
|
And he slipped home with his new possessions!
|
|||
|
Now breakfast bein' done, Tim sent his young son
|
|||
|
To get Denny up like a lamplighter,
|
|||
|
And the legs there he saw; he flew up like a jackdaw!
|
|||
|
And said "Daddy, the cow's et the piper!"
|
|||
|
|
|||
|
Ah, bad luck to that beast, she's no musical taste!
|
|||
|
To eat such a jolly old chanter!
|
|||
|
Ah, faugh! We'll evict! Take a lump of a stick!
|
|||
|
Drive her off, down the road and we'll canter!
|
|||
|
Well the neighbors were called, Mrs. Kennedy bawled,
|
|||
|
She began for to humbug and jiper,
|
|||
|
And in sorrow they met, and their whistles they wet,
|
|||
|
And like devils, lamented the piper!
|
|||
|
|
|||
|
31
|
|||
|
Denny The Piper (cont.)
|
|||
|
|
|||
|
And the cow she was drove a mile or two off,
|
|||
|
And they came to a fair at Killaley.
|
|||
|
And there she was sold for four guineas of gold
|
|||
|
To the clerk of the parish, John Daley.
|
|||
|
And they went to the tent where the pennies were spent,
|
|||
|
Tim bein' a jolly old swiper,
|
|||
|
And who should be there, playin' a rake-sickal tear,
|
|||
|
Just your bold Denny Burns, the piper!
|
|||
|
|
|||
|
Ah, then Tim give a jolt like a half-drunken colt,
|
|||
|
And he stares at the piper like a gammick!
|
|||
|
I thought, by the Powers, for the last sev'ral hours,
|
|||
|
You were playin' in the old cow's stomach!
|
|||
|
Well when Denny observed that the Hessian's been served
|
|||
|
Began just to humbug and jiper,
|
|||
|
Oh, in grandeur they met, and their whistles they wet,
|
|||
|
And like devils they danced round the piper!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
DO VIRGINS TASTE BETTER?
|
|||
|
(Also known as - An Old Cliche Revisited)
|
|||
|
-R. Farran
|
|||
|
(Tune: "The Irish Washerwoman")
|
|||
|
|
|||
|
A dragon has come to our village today.
|
|||
|
We've asked him to leave, but he won't go away.
|
|||
|
Now he's talked to our king and they worked out a deal.
|
|||
|
No homes will he burn and no crops will he steal.
|
|||
|
|
|||
|
Now there is but one catch, we dislike it a bunch.
|
|||
|
Twice a year he invites him a virgin to lunch.
|
|||
|
Well, we've no other choice, so the deal we'll respect.
|
|||
|
But we can't help but wonder and pause to reflect.
|
|||
|
|
|||
|
CHORUS: Do virgins taste better than those who are not?
|
|||
|
Are they salty, or sweeter, more juicy or what?
|
|||
|
Do you savor them slowly? Gulp them down on the spot?
|
|||
|
Do virgins taste better than those who are not?
|
|||
|
|
|||
|
Now we'd like to be shed of you, and many have tried.
|
|||
|
But no one can get thru your thick scaly hide.
|
|||
|
We hope that some day, some brave knight will come by.
|
|||
|
'Cause we can't wait around 'til you're too fat to fly.
|
|||
|
|
|||
|
Now you have such good taste in your women for sure,
|
|||
|
They always are pretty, they always are pure.
|
|||
|
But your notion of dining, it makes us all flinch,
|
|||
|
For your favorite entree is barbecued wench.
|
|||
|
|
|||
|
CHORUS
|
|||
|
|
|||
|
Now we've found a solution, it works out so neat,
|
|||
|
If you insist on nothing but virgins to eat.
|
|||
|
No more will our number ever grow small,
|
|||
|
We'll simply make sure there's no virgins at all!
|
|||
|
|
|||
|
CHORUS
|
|||
|
|
|||
|
32
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
A DRAGON'S RETORT
|
|||
|
(C) 1985 by Claire Stephens
|
|||
|
(Tune: "Irish Washerwoman")
|
|||
|
|
|||
|
Well, now I am a dragon please listen to me
|
|||
|
For I'm misunderstood to a dreadful degree
|
|||
|
This ecology needs me, and I know my place,
|
|||
|
But I'm fighting extinction with all of my race
|
|||
|
|
|||
|
But I came to this village to better my health
|
|||
|
Which is shockingly poor despite all my wealth
|
|||
|
But I get no assistance and no sympathy,
|
|||
|
Just impertinent questioning shouted at me.
|
|||
|
|
|||
|
|
|||
|
CHORUS: Yes, virgins taste better than those who are not
|
|||
|
But my favorite snack food with peril is fraught
|
|||
|
For my teeth will decay and my trim go to pot
|
|||
|
Yes, virgins taste better than those who are not
|
|||
|
|
|||
|
Now we worms are deep thinkers, at science we shine
|
|||
|
And our world's complicated with every new line
|
|||
|
We must quit all the things that we've done since the flood
|
|||
|
Like lying on gold couches that poison our blood
|
|||
|
|
|||
|
Well I'm really quite good almost all of the year
|
|||
|
Vegetarian ways are now mine out of fear
|
|||
|
But a birthday needs sweets I'm sure you'll agree
|
|||
|
And barbecued wench tastes like candy to me
|
|||
|
|
|||
|
CHORUS
|
|||
|
|
|||
|
As it happens our interests are almost the same
|
|||
|
For I'm really quite skillful at managing game
|
|||
|
If I messed with your men would your excess decline?
|
|||
|
Of course not, the rest would just make better time
|
|||
|
|
|||
|
But the number of babies a woman can bear
|
|||
|
Has a limit and that's why my pruning's done there
|
|||
|
Yet an orphan's a sad sight, and so when I munch
|
|||
|
I'm careful to take out only virgins for lunch.
|
|||
|
|
|||
|
CHORUS
|
|||
|
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
33
|
|||
|
*
|
|||
|
|