558 lines
27 KiB
Plaintext
558 lines
27 KiB
Plaintext
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1 If you are in need of help, you need but ask....
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2 ************************ INSTALLED: 17 NOV 86 **************************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 no restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain thepright to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 to leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 The line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 *************************************************************************
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19
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20 WHO CARES?
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21 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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22 Bard came in sight of the Inn. There was someone standing outside
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23 moving in his direction. As he came to the bridge he saw it was Cragmore.
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24 "Greetings, Cragmore. How goes the world?" They chatted on incon-
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25 sequential items as they entered the Inn.
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26 After ordering drinks, they sat at a table with Milchar and his
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27 apprentice. Finally, the moment came...
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28 ~~~~~~~~~~~~~~~~~~~~
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29 The Inn Keeper's Song (words & music: Peter S. Beagle)
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30 There came three ladies at sundown
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31 One was as brown as bread is brown
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32 One was black, with a sailor's sway
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33 And one was pale as the moon by day
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34
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35 The white one wore an emerald ring
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36 The brown led a fox on a silver string
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37 And the black one carried a rosewood cane
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38 With a sword inside, for I saw it plain
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39
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40 They took my own room, they barred the door
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41 They sang songs I never had heard before
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42 My cheese and mutton they did destroy
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43 And they called for wine....and the stable boy
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44
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45 And once they quarrelled, and twice they cried
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46 Their laughter blazed thru the countryside
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47 The ceiling shook and the plaster flew
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48 And the fox ate my pigeons...all but two
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49
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50 They rode away with the morning sun
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51 The brown like a queen, the white like a nun
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52 And the black one singing with scarlet joy
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53 And I'll have to get a new stable boy....
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54 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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55 As the laughter died away, Bard inquired, "Well, what is happening
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56 these days?"
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57 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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58 WHO CARES?
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59
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60 =------------------------------=
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61 Dryden - time is at hand
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62 call via land line asap
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63 Westmoreland
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64 =------------------------------=
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65 o\=<([v2v])>=/o
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66 ***************************** LOOKING **
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67 FOR PART TIME COMPUTER RELATED WORK, I
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68 AM TRYING TO GO TO LAW SCHOOL NEXT
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69 FALL. I HAVE A B.S. IN BUSINESS WITH
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70 A COMPUTER SCIENCE MINOR. MY NAME IS
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71 JERRY LAWSON AND IF YOU HAVE ANY JOBS
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72 AVAILABLE PLEASE CONTACT ME AT 668-xxxx.
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73 THANK YOU FOR YOUR TIME..........
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74 *******************BYE***************
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75 TOP
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76 REPLACE
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77 ************ LOOKING **************
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78 Good God! A potential lawyer! Kill
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79 it before it's too late!
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80
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81
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82
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83 PsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSi
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84
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85 "Oh Bard, you do have a way with a song." Cragmore said, a smile on his
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86 face wider than he had been able to muster in a long time. "Times have been
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87 rough at the Inn. Our cozy Inn has been the target of a multitude of dark
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88 characters, the kind we have not seen in many years. The kept coming and we
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89 kept getting rid of them. There doesn't seem to be an end to their supply.
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90 Many of the old timers that used to frequent this place have sworn it off. They
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91 just can't stand the attitude some visitors seem to harbor towards other
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92 inngoers, and the Innkeep himself. I'm sorry to say we're about the only
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93 ones left, Bard."
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94 Milchar nodded his head slowly. "But you never know when they might
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95 return. A little house cleaning here and there, a dab of paint and a good
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96 song or two might just bring some of them back." Milchar paused, then added,
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97 "And there is the door."
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98 "What door" Bard inquired.
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99 "Over there" Cragmore pointed towards the shadows near the bar. Bard
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100 peered into the gloom, and when his eyes adjusted, saw what the others were
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101 speaking of.
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102 A large metal door at least ten feet high and 6 feet wide stood next
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103 to the Inn's bar. It appeared to be solidly constructed, and firmly implanted
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104 into the wall. The door's metal exterior glowed very slightly from the fire
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105 light in the hearth.
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106 "What in tarnation? Where did it come from? I don't remember a room
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107 there? Who built it?"
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108 "Questions, questions, Bard!" Cragmore said, shaking his head. "We
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109 don't know much more than you. It appeared one day. The Innkeeper disclaims
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110 all knowledge of it. He says one morning he walked in and there it was. It
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111 has no door handle, as you can see, and neither Milchar or I have been able
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112 to penetrate it with our special skills. Needless to say, it seems impervious
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113 to any forceful entry. And then there's the sound."
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114 "Don't tell me you hear sounds from behind the door!" Bard started to
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115 laugh.
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116 "I'm afraid it's true." Milchar returned. "Go ahead and listen for
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117 yourself and tell us what you think."
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118 "I'll do just that." Bard pushed back his chair and walked up to the
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119 door. Carefully he turned his head and placed his right ear next to the metal
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120 door.
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121 Cragmore and Milchar could tell by the expression on Bard's face as he
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122 returned to the table that he indeed had heard something.
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123 Cragmore smiled and said, "So Bard, what did those fine musician's
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124 ears hear behind that mysterious door?"
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125 Bard paused for a second before answering, as if carefully forming his
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126 words prior to responding. "It...sounded...like...construction. That's it!
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127 construction. I heard sounds like sawing and pounding of wood. And metal
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128 bars clanging together. There wasn't a great deal of activity going on back
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129 there, but I do know the sounds of something being built." Bard seemed to
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130 smile the smile one gives when he solves someone elses mystery.
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131 "That's amazing Bard. You certainly do have good hearing, but your
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132 hypothesis does not explain who or the how." Cragmore was not about to let
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133 his friend rest on any laurels for too long.
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134 "Well, er, I haven't figured out everything yet, but give me time. I
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135 might have something in my pack that will shed some more light on the Inn's
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136 latest oddity."
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137 Cragmore and Milchar looked at each other and shrugged.
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138 PsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSiPsIpSi CRAGMORE PsIpSiPsIpSiPsIpSiPsI
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139
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140
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141 RAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE
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142
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143 Prague
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144 March 23
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145
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146 "Stand back, we are the police,"
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147 Lipton was restrained by the powerful arms of two soldiers. His every tug
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148 against them shook the rifles strapped to their shoulders. His flat was
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149 ransacked. Searched from carpet to light bulb. Then the police force left him
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150 on his floor. In a crumple. He cried from trauma as he dialed out on the
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151 telephone.
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152
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153 "I am listening,"
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154 It was a darkly Slavic voice, and an ominous Slavic phrase of regards. Dimitri
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155 was a friend though. Large and with a deep voice. The sort of voice that
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156 warmed you to him, even if he was scolding you as a student in class.
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157
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158 As head master and a professor at the University, he met Lipton during the
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159 previous Winter. At a local seminar on tree fungi and the insects that ate at
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160 them. Since then, they had been close companions. Even presenting gifts of
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161 books from their opposing nations.
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162
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163 "Dimitri, the police were here. They tore the place apart. They stole several
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164 of my sketches. A months work and several of the subjects are migrating away
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165 even now."
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166
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167 Lipton was nearly screaming. His head was in a spin. His fever was rising and
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168 his pressing cold could only have been worsened. After a short pause, he asked
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169 a simple question.
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170 "What should I do?"
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171
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172 "Listen, friend. We can get the sketches back for you. The Minister of
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173 Learning and I often get materials confiscated at the border from tourists or
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174 students. We can get your work back. As for the police, why are they after
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175 you, are you a spy?"
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176 Laughter erupted from the earpiece.
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177
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178 "No, Dimitri. If they think that, wont they put me in prison?"
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179 "Don't worry. I know you are not a spy, and I can pull strings. As you say.
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180 Now come over here and have a dinner with me. We can talk about the sketches
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181 and how I can identify them,"
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182
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183 "Thank you, I'll be over soon. I have some cleaning to do. Soon then,"
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184
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185 PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE
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186
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187 ____11/18/86__________________JD 2446753.6361_________19:17:11_PST_________
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188 ***************************************************************************
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189 Greetings: A lazy wet day for me and the children. I did manage to read a
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190 couple of novels though.... just a lazy day. Looks like a new
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191 adventure is afoot at the Inn... A crazy though, may I join in?
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192 (hey, that rhymes...duh..) put a T up here.
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193 ********************kathyD****************************************************
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194
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195
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196 help
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197
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198 o\=<([v2v])>=/o
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199 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.Emu
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200
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201 QWSUBMLCYSN ZIYYNORSTRLI ETOLBTNOTRGM DMBJOZHRYJXU YIKLTFFTRSYG NMDMPEIGOVDA
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202 ESNYPOSLCIVX LFVOWCZPPSWJ FBJHPCEGNWKC OJMRYJFLXUHM EZWKSPLSWJBK IKQVBRPQSSWG
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203 KVMCKYCSMEDI GBGBCRDPKEJV BKQRZQXWIZEO KOAMLGZZALRX ELOXOPOWXAHX QPHBBZRVHYXO
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204 HAFKLQLORXTG QCFCVTZBNZKN ADLKWMXOQLNS TUQCQITWDPWO BEKQFSZPLSXD CIQNOKLKFTOS
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205
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206 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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207 Oh yah? Well ADKTUWBEKCIQEX to you too, buddy!
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208 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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209 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
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210
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211 Varying tracks of existence:
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212
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213 Each line probing the darkness.
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214
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215 Some bold, Some timid.
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216
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217 A huge graph of life. Peakes, Valleys,
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218
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219 Breaks in the jagged and unstable profit margins.
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220
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221 Red trails, blue, yellow.
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222
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223 Some rocketing,
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224
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225 Some hesitating.
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226
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227 And all the while,
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228
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229 The lines converge.
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230
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231 Until the end;
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232
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233 A solitary vanishing point.
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234
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235 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
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236 A departure... It's good to be back.
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237 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
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238 Anyone interested in a Play-by-Mail of Avalon Hills board game
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239 Squad Leader? I have a system that I recevied from a veteran player.
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240 The system works with both the basic Squad Leader and the first gammette
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241 Cross of Iron. I am a novice player currently knowledgeable of rules
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242 through section three. If you are interested please leave a message with
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243 you address (private if you wish) and I will send you a copy of the
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244 system. You may also include any scenario preferences you have (1-3).
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245 aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
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246 -VI-
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247
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248 The nightmarecame on the night of Tobias's fifteenth birthday, the day
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249 his parents informed him of his adoption. In the dream there were monsters.
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250 Monsterds
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251 of all different shapes and sizes and powers. Some had horns, some had
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252 claws, some had hair while others did not, but they all had two things in common
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253 : their love of killing and bloodshed and their love of the taste of blood.
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254 They ran around with huge goblets filled with blood, to them it was like a
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255 heady wine...
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256
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257 Tobias screamed himself awake, sweat soaked and shaking. His mother and
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258 father rushed in.
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259 " are you ok" his mother asked with concern.
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260 " ye..yeah, go back to bed mom.I'm fine."
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261 He sat there pondering his dream. Slow realization hit him. Maybe he
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262 was crazy. It was only a dream. The creatures told him he wasn't human.
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263 His tight lip of concern gradually turned into a smirk of evil..
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264
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265 The dream came every night since then. The demons tell him of powers that
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266 he possesses that grow stronger as he grows older. They tell him of his destiny
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267 and his purpose. Tobias no longer screams at nighttime, he welcomes it with
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268 pleasure............
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269
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270 zach
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271 aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
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272 Llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
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273 Is this entering?
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274 Hummm....
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275 It doesn't feel like it. But, then, what would I know.
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276 I Assume that this is what one does when one is somewhat
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277 new and want's to break into the message entering biz.
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278 Hummm...
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279 This seems to be more of a general rambel then an accoucal
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280 message. And if it wasn't for the spelling mistakes, i should think that
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281 this will read as rather dull. ( I can see some people now"Their! he spelled
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282 there like their!).
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283 Well. Now. Maby a little bit of self-explination is in order.
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284 I come from a far off city.
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285 I am not new to BBS'S.
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286 Intersts:
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287 Yes.
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288 Age:
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289 Often.
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290 Well... Um..... I suppose that I will let you all return to your
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291 bbs now. But don't fear(Ya, Right) I shal return some day.
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292 some point,perhaps far, in the future when, I Like thoes that
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293 have come beffor me shal accoulaly have something to say.
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294 I now conclude this rambel.
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295 Luther
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296 P.S. Zippy? You don't by any chance where a white gown, have a pointed head,
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297 and need a shave, do you??
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298 Llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
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299
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300 P.P.S.
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301 Any chess/Go/canasta or slapJack players out their/there????
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302 Luther
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303
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304 ____11/19/86__________________JD 2446754.4985_________15:57:53_PST_________
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305 zzzzzzzzz-Grumble,Grumble-zzzzzzzzlurkzzzzzzzzzzzzzzzzzzippy
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306 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * K * H * * * * * *
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307 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * W * * * * * *
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308
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309 Smirk! Smirk smirk! Zippy?? Hmmm, didn't think you were around anymore.
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310 About your latest group topic/storylines... All things must procreate to be
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311 perpetual. If you want more of the old board, then promote the users who write
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312 or interact more like the old users, but remember that with all things come
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313 change, else stagnation and death.
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314 Glad to see the board finally pickin' up it's heels and doin' something.
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315 A lot of good stuff on. Hope to continue seeing some of the older names 'round
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316 this place. It brings an added warmth to 'The Inn'. "Hi" to all who care.
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317 (Well, it's better than listing names...)
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318
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319 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * K * H * * * * * *
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320 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * W * * * * * *
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321
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322 oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.
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323
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324 zippy? as in mike zenner?
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325
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326 i saw you at mlc tuesday.
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327 hows the piloting business.
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328 flying?
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329 how art thou?
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330 you know me.
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331 curly hair.
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332 about 6 feet tall.
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333 once went out with kelly wagner.
|
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334
|
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335 reply.
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336
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337 -wax
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338 oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.oh.
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339 *****************************************************************************
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340 Kathy: While I'm sure you're welcome to any adventuring going on, there
|
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341 just seems to be one problem right now.. where are we, what are we doing,
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342 what's happening??? So far all I've seen is a couple of setups in the
|
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343 hopes that something of interest would crop up. I wouldn't be at all surprised
|
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344 if you started off in some direction that others would follow.
|
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345 ************************* CISTOP MIKEY **************************************
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346 O.K. if I'm wrong, hit me.
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347 WHO CARES?
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348 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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349 "No, that's not it.... I *know* it's in here *somewhere*..." Bard
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350 could be heard mumbling to himself as he rummaged through his pack. While
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351 the others at the table were ignoring him while searched, a few people at
|
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352 other tables were staring.
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353 His pack was only about 18 inches deep...so how could he be in it
|
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354 halfway to his waist? Old-timers were used to this sort of thing, but there
|
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355 were always a few newcomers.
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356 "AHA! Got it!" exclaimed Bard. He set a strange box on the table
|
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357 without withdrawing his head from the pack. He rumaged for another minute
|
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358 or so, placing some odd looking objects with wires attached next to it.
|
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359 The box was about an inch & a half tall, a foot wide, and 8 inches
|
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360 deep. the bottom half was black while the top was a sort of off-white.
|
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361 a third of the top was taken up by a grayish-black panel, while most of the
|
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362 rest was covered with numerous 1/2 inch square blocks and a few rectangular
|
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|
363 ones. They had some sort or runes on top.
|
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364 He withdrew his head from the pack and proceeded to attach the
|
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365 wires from the objects to the box. He then started pressing the blocks in
|
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366 some sort of pattern. Apparently they were movable with a limited amount of
|
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367 vertical travel.
|
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368 He pointed various of the objects at the metal panel in the wall.
|
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369 While doing so he stared intenly at the gray panel on the box. What he saw
|
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370 appeared to puzzle him. He pressed the blocks again while muttering to
|
|||
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371 himself.
|
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|
372 "Multi-spectral.... neutrino flux.....graviic anomaly....magnetic
|
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|
373 flux..." Most of the words meant nothing to the others. Finally he just
|
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|
374 sat and stared at the box....
|
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|
375 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
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376 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
|
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377 Milchar - call me tonight (Wed) or tomorrow at work (L'homme's work #) for
|
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|
378 the opportunity of a lifetime... asap
|
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379 Oh, if you need my number, information's got it...
|
|||
|
380 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.Emu
|
|||
|
381 WHO CARES?
|
|||
|
382 \HCDE YPNZI XX_WI WTHLH DBSOR \_L^L YVJVI DML^K HQXJX EIZA[ IEZP\ OQ\TD YB_WR
|
|||
|
383 KUGXS OXOY^ WJZHF VYBF\ SNDI_ G^_OA ZWJIL WXUSI GPNNW GTWUZ ZGC_P BKCSI FE^_K
|
|||
|
384 LKL_N YXVAE USX[H MLSHQ BH\PZ ^HPXW Q_W_O JGIJM L_UO_ FVQKP DMFXP YFFBW GDNHH
|
|||
|
385 SBUHT FC\_R AHVEA \NEOL CZXDO EB\TE ALQAJ CSEAZ LVC_R PYLQS QYIN_ AYTLW H^TLG
|
|||
|
386 NHZTP HJAUX YSPFK S[OOB MDTXE YECSD LP^ON FCN\E MFXHQ TVNSV ^XOBH LNQSC GGLFY
|
|||
|
387 EPZKS ISYPI GVNXT _DYEP DLSBQ TIERB RJFFO VCMBM GU[NC PCHJQ EYEDI TPZP[ T^^C_
|
|||
|
388 _SDPV LPLHT BTWZM DDV\N ELBMK \GGRV UXQSM MS\FF BQOY^ YVGCV BLXW^ XKVGL ^OPVZ
|
|||
|
389 GLB[O UDJQQ FOZ_H KWFVD IGEMI LTVO\ JDPZN PR_^V LEBDT CIEQJ U^WCX ZC[YX QVNEK
|
|||
|
390 DFOZF POI\C AVHBH NBNMH HGDIR WFUQV NY^WX SPRXQ K_URT MDEOC _\XSC NKMRB EF^BV
|
|||
|
391 01010101010101010101010101010101010101FORGOT HEADER01010101010101010101010101
|
|||
|
392 o\=<([v2v])>=/o
|
|||
|
393 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
|
|||
|
394 (yup, him again)
|
|||
|
395 KHW, Although the name is unfamiliar, 'tis good to see you again as well.
|
|||
|
396 One simple question though: What the devil are you talking about?
|
|||
|
397
|
|||
|
398 Wax, I know who you are, indeed, 'tis always a pleasure to encounter an old
|
|||
|
399 friend by way of Backwater, though it is rather an improper place for
|
|||
|
400 lengthy conversations... I shall keep an eye out for you.
|
|||
|
401 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
|
|||
|
402 o\=<([v2v])>=/o
|
|||
|
403 Just remember: Once you're dead, you're somebody else's problem.
|
|||
|
404 o\=<([v2v])>=/o
|
|||
|
405 Heavy.......
|
|||
|
406 WHO CARES!
|
|||
|
407 WKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWK
|
|||
|
408 YO Z! What's up? planes? You still at your old ph#? I'll try to give you
|
|||
|
409 a call and catch up on old times!
|
|||
|
410
|
|||
|
411 KWH: sup? Ya you right! Well Lets pick it up again soon
|
|||
|
ko?/
|
|||
|
412 WKWKWKWKWKWKWKWKWKWKWKWKWKWKWKWKW THE WHITE KNIGHT WKWKWKWKWKWKWKWKWKWKWKWKWKWK
|
|||
|
413 WHERE DO I GET MY COMSET FIXED!??
|
|||
|
414 ____11/20/36__________________KMA 2446755.6198________26:00:00_EST_________
|
|||
|
415
|
|||
|
416
|
|||
|
417
|
|||
|
418 # TRIP
|
|||
|
419 # IN
|
|||
|
420 # DIKULAR
|
|||
|
421 I WOULDN'T SAY THAT !!!
|
|||
|
422 I KKNNNNNNNEEEEEEEWWWWWWW YOU WERE GONNA SAY THAT!!!
|
|||
|
423 I NEEEEEEEVVVVVVVEEEEERRRRR SAID THAT
|
|||
|
424
|
|||
|
425 O YEA WELL #$%&@*!!"@'$""#$%^##$$%&%$@!
|
|||
|
426 SO THERE
|
|||
|
427
|
|||
|
428
|
|||
|
429
|
|||
|
430
|
|||
|
431 """"""""""""""""""""""""""""""""""""BYE
|
|||
|
432
|
|||
|
JEEEEEZUSSSSS CHHHHRRRRIIIIISSSSTTT!
|
|||
|
433 Oh well, I remember when I smoked my
|
|||
|
434 first joint too.
|
|||
|
435 WHO CARES?
|
|||
|
436
|
|||
|
437
|
|||
|
438 DON'T YOU HATE ALL THIS CODE GARBAGE?
|
|||
|
439 BNWYDGCNYNJS LWFWKDBHGMTO XIVPCYQJRAFJ LNTZAUDMCDQQ WGENTFQLJPHH OWUAFCDHNRBV
|
|||
|
440 PQGZWZXEBMNH FAFMZQTADGDN ZVGVLRATEBNP VXRGWBUEGNVG VYVVMPTPZKTS RFPHVNWGUCYZ
|
|||
|
441 EWXDUJNJJBMT MYGKAHPDKPTV FUKOEUHMWIWP MWEWDZHRQSKM WMYPVBDKHVMW UFCXKQKLHIFQ
|
|||
|
442 TRBRBANCUCUE AHYXNVNPGGKV IAMWULZDZCSF BZUVUMOCNCQF JXIIZSHKZALV HVDSDXIZTEPG
|
|||
|
443 MRGNNVJYBANJ JVFDXDVWHJFU OUPCNFNYOYHD LSNUTKYMDIMG ZJONRAUKKVRF XXTDBBWJURVJ
|
|||
|
444 GEIWBHXTWRIX IQPXFYVVZEDK XRGLYLHIJXZO HVQPLUHYQVWK TBTMSWLBEHUH UOABNTKBHGYW
|
|||
|
445 QLQDPSJFPFMI BQISMBHNGDWM LRHJSKAYUVXD BSFJIOEEVFSG UBIKTEGBOWDV JMLLYLQZKKGA
|
|||
|
446 ULNKSOQYVGSF PPZVXOWJUODU JUWTGZYSYFQX RHOPKBVVAICV XJWXUUUXPFCG VUXTBJVNQIXJ
|
|||
|
447 QUOXUDHWOACB MFZEWADRBSND VIICBJYBVDTV LWVVARCCCFSD QVLHFDSFMLOP XUZGPANHSDCV
|
|||
|
448 YGZWJXVHGSCK ILJVTKZTXGOR NSRDYKWXUJSN TJKSQTKJSMLU JKPWSRWYZQXN QVVOXYISWZSD
|
|||
|
449 LWEWPQRHQVJN HXIFNLDWQEUL LHFIVSWDKWOJ UUVSPCBACOFJ YTUIDCYOMZUU WFEODVKYVVNU
|
|||
|
450 POOONZZKVVVE KIFLBLAQPPNM IYDFSGDNCLTI AZJAOUBZWHHG HTCLFXVVSRNM ZIARMVSCVJYK
|
|||
|
451 DTWINVBVJMQU QUWYAHTLGOZP JMSVVEYSKWUB EHFLZDFOYVQV QMZHEJWFSBEL URBTGKOJLHFY
|
|||
|
452 CAVAWREEDAVH WTBNLIVEXDCK LDMKGJCULZWA LKTHIWISSBYM TBQOLPOLZLSI UDRHFZABBFHR
|
|||
|
453 JCPIERFYIDBU WXBCJIGKYMKJ ZMIHMQYGLKEH MZJCAQWMHYXT UQLPDHUAWOZP ROTCZOMDLSPF
|
|||
|
454
|
|||
|
455 (WOVDEEFFTQJU)
|
|||
|
456
|
|||
|
457 Prithee, sirrah, what may these scrawlings mean?
|
|||
|
458 ..............................the apprentice................................
|
|||
|
459 PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE
|
|||
|
460
|
|||
|
461 Prague
|
|||
|
462 March 22
|
|||
|
463
|
|||
|
464 "Sokorsky! Why did you search the flat of a foreign scientist named Lipton?"
|
|||
|
465
|
|||
|
466 The Chairman was fuming with anger. Dimitri had incited this anger at a dinner
|
|||
|
467 he was invited to. Describing with elegant detail the persecution of a foreign
|
|||
|
468 scientist. I understand his fiction of the broken glasses on the Persian rug
|
|||
|
469 was enough that the Chairman struck the dining table in anger.
|
|||
|
470
|
|||
|
471 "Sir, he spies on the manoeuvres! Let me prove it,"
|
|||
|
472 over to him. The specimens in those pictures are long dead, and not due again
|
|||
|
473 until January,"
|
|||
|
474
|
|||
|
475 "Sir,"
|
|||
|
476 "At the earliest! You will not prevent this scientist from his observations,
|
|||
|
477 do you understand?"
|
|||
|
478
|
|||
|
479 Sokorsky stood up. His briefcase hanging in both his hands, in front of him.
|
|||
|
480 He left the room in a silence. Though he was not silent for long. From a
|
|||
|
481 telephone at the lobby desk of the Secretariat building, he ordered the arrest
|
|||
|
482 of Lipton. For charges of espionage.
|
|||
|
483
|
|||
|
484 PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE PRAGUE
|
|||
|
485
|
|||
|
486 THINGS ARE GOING BAD
|
|||
|
487 ND THEIR ONLY GETTIN WORSE
|
|||
|
488
|
|||
|
I'M DOIN SO CRAPPY
|
|||
|
489
|
|||
|
GETTING BAD GRADES
|
|||
|
490
|
|||
|
FUTURE'S SO UNBRIGHT
|
|||
|
491 OTTA FIND A FLASHLIGHT
|
|||
|
492 o\=<([v2v])>=/o
|
|||
|
493 WHO CARES?
|
|||
|
494 HWDCHFDJ YDRDYOHTAVIE CPEORCKZENRR UWMGMRGHJMYEYBMGEFQAITJU FSBNVPEWBMEM
|
|||
|
495 LSDOYQD MKSUASNPPCH DCUZTCBLXNPQ IKSPUFAOMVJD FIVBSFGXBVUF KEXVSJKZTSH
|
|||
|
496 SYQQXISZOPJ UYHBRULSNCMG LYFBCYNUHIRP AKEIHDSCEBJ AVBQQGOKVDMV GIXVQALNTOKE
|
|||
|
497
|
|||
|
498
|
|||
|
499 %*#@_)%*@#)_%*@#_*%#@_%*#@_)%*@#_)%*#!_@%*@_)^*@)#_*^@#_)%@#_)^&@_)#*%#@_)%*_)@%@#_)%*@_#)
|
|||
|
500 Emu: Oh no, the secret is out. Oh dear oh dear. Now everyone will start calling you on my
|
|||
|
501 phone number! NET rot 13.
|
|||
|
502 Kathyd: Nice to see your smiling border on the system again. Will we ever hear from Leo,
|
|||
|
503 Alex, and Ontho again?
|
|||
|
504 =====> The Pirate was here! <=====
|
|||
|
505 xxxxxxxxxxxxxxxxxxxxxxxxxx
|
|||
|
506 BUY ME SOME CLOVES
|
|||
|
507 XXXXXXXXXXXXXXXXXXXXXXXXXX
|
|||
|
508 smiling border??????????????????????????jwygant???????
|
|||
|
509 o\=<([v2v])>=/o
|
|||
|
510 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
|
|||
|
511 Looks like ALL ALLOWED is becoming a thing of the past...
|
|||
|
512 To the twits: Why do you insist on pulling such childish and destructive
|
|||
|
513 pranks? There are dozens of systems in the Portland Metro area that you would
|
|||
|
514 have much more fun desecrating. I mean, jeez, where's the excitment in
|
|||
|
515 attacking a system like Backwater? There's nothing to crack, nothing to steal,\
|
|||
|
516 no challenges at all, even to the twit neophyte! We don't ask for much, we
|
|||
|
517 simply find The Waters to be a great place to share our writings, in a nice,
|
|||
|
518 free-form envirenment... You are welcome to join us if you will grow up a
|
|||
|
519 little, I'd love to hear some real writing from you fellows, something besides
|
|||
|
520 twisting someone else's efforts...
|
|||
|
521 So please, just act your age!
|
|||
|
522 zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzippy
|
|||
|
523 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
|
|||
|
524 A facinating board!. Isn't Bard from Thieves World?
|
|||
|
525 Luther... GO? Not many players, and I'm a real novice (read one book). I'd like
|
|||
|
526 to see about agame after the holidays.
|
|||
|
527 Unfortunately my writting skills (both mechanically and creatively leave a
|
|||
|
528 great deal to be desired...but I'll se if I can come up with something to
|
|||
|
529 upload soon.
|
|||
|
530 <<<<<<<<<<<s t o r m c r o w >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
|
|||
|
531
|
|||
|
532 ____11/21/86__________________JD 2446756.6843_________20:25:25_PST_________
|
|||
|
533 Wir fahr'n fahr'n fahr'n auf der autobahn
|
|||
|
534 vor uns liegt ein weites tal
|
|||
|
535 die sonne scheint mit glitzerstrahl
|
|||
|
536 die fahrbahn ist ein graues band
|
|||
|
537 weisse streifen gruner rand
|
|||
|
538 jetzt schalten wir das radio an
|
|||
|
539 aus dem lautsprecher klingt es dann
|
|||
|
540 wir fahr'n auf der autobahn
|
|||
|
541
|
|||
|
542 Gee what happend to lines 425 through 481?
|
|||
|
543 o\=<([v2v])>=/o
|
|||
|
544
|
|||
|
545
|
|||
|
546
|
|||
|
547
|
|||
|
548 /\ See these eyes so green? /\
|
|||
|
549 \/ I can stare for a hundred years. \/
|
|||
|
|
|||
|
TOTAL NUMBER OF LINES = 549
|