636 lines
32 KiB
Plaintext
636 lines
32 KiB
Plaintext
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1 If you are in need of help, you need but ask...
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2 ************************ INSTALLED: 25 JUN 85 **********************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ************************************************************
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19
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20 How can I resist?
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21 At the TOP!!!
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22 Dr. Frankenstupe
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23 (In semi-retirement)
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24 +_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
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25
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26 *@*@*@*@*@*@* A bedraggled Minstrel @*@
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27 All: Ask me to sing for you on any subject you please. That's my job.
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28 @*@*@*@*@. The pleading Minstrel *@*@*@
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29 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
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30 Maybe not at the top, but close enough for me. (P.S. Who keeps deleting
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31 my damn markers?!)
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32 \\\\\\\\\\\\\\\\\\\\\JCL\\\\\\\\\\\\\
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33
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34 ???????????????????????????????????????????????????????????????????????????????
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35 To All: YOSP is NOT Hoojib or Minstrel, as claimed on db...
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36 Y.O.S.P. are the initials for an organization formed by Milchar and myself.
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37 The only reason that it was on this system is that I used it as a marker a
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38 few times. Whoever said otherwise is wrong! Sorry for the confusion...
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39 Milch: Later, later....(yawn!)
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40 ??????????????? The Doctor ??????????????????????? June 25, 85 at 11:52 ???????
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41 P.S: Six months till Christmas...
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42 Sorry, Milch...
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43 ???????????????????????????????????????????????????? The Doctor ???????????????
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44 to all:Anyone with information on where
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45 to aquire bbs programs fo a modest try
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46 at a one man bbs please contact Ken
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47 Wiseman at 775-xxxx after 3pm,
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48 thanks for any help!!
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49 It was a very funny year, when I was seventeen.
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50 Highschool almost over, summer almost on the scene.
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51 There were no wars to speak of. No draft to fear that day.
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52 Of course there was some fighting, but it was very far away.
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53 Secondary school: I was so glad to be done.
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54 I knew for sure that summer would mean a bunch of fun.
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55 Backwater had just started, back in those bygone days.
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56 I remember calling in and printing lines during my stays.
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57 It sometimes seems so long ago, that I turned seventeen,
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58 But time is very relative, and it passes by unseen.
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59 REMEMBERING SEVENTEEN
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60
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61 --------------------------------------------------------------------------------
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62 I wonder is 101 ways is some kind of expert. Compuserve? Really now, where
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63 did exactly did that column come from? Next time send such stuff through
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64 the filter to /dev/nul.
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65 --------------------------------------------------------------------------------
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66 090909090909090909090909090909090909090909090909090909090909090909090909090909
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67 'free at last, free at last, i am not a number i am a free man 09 kept
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68 telling himself'
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69 he mumbled,muttered (,sang(??)) to himself some off color and out of tune
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70 ley about streying s-f fans on shore leave on some immaginary world named Argo
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71 as he worked. Without entirely realizing what he had done or how, he had kludged
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72 up an encoding device which he hoped would meet NET standards.
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73 Typing on an old keyboard he had found lying around and interfaced to said
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74 kludge; what went out 'over the air' was:
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75 MFARI DCZAL P@D@E ACLDJ A_WGA _E(_P ED_CE EFEPC LNAHB BJZ@A LP(\D D@D_M
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76 J_FAI CDA\V DMJFA I(\DD __EPF RRHBZ @XXID ^CL(\ D@D_E NTAIG RA@DZ APPFL
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77 ZDPFZ TP(_\ H@BPS XDTXG JED@P _F@RR DVXEP DXMMF NADCL ID(_L ACJAE PHB_\
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78 @CFRY X)D(P VD_\F R(_AE (\DD_ _WGAE P_FXL (ND_F EDCRC EHB@Y CYFRX LD@F\
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79 VRA\A LP@AI DXJDS CEDPT CPD_K BEPDH BCDEP JCUDM JX\DL ARR@F E(YDD _RXMC
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80 PFXL( N_DIA LFXHB (_LA( _@^CI C(LD_ @RF_E P_AID MCRRX GPDMJ AADQX LA(\D
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81 D_TC( MHB
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82 090909090909090909090909090909090909090909090909090909090909090909090909090909
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83 Immediatly he dissasembled the device, carefully putting each componant
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84 back in it's proper cubby. If uninvited guests were to arrive unexpectedly,
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85 all they would find was the same collec-
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86 tion of parts Carmichael him self had stumbled upon. All that is except the few
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87 he now used to assemble a very crude but effective giger counter.
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88 Then is was cautiosly back topside with vission almost normal except for
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89 a painful 'gritty' sensation and spots heed probably be seeing for days.
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90 Well nothing for it but his make-shift 'counter seemed not to be register-
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91 ing at all. No way could he convince himself that the device was indeed func-
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92 tioning and the environment was infact 'safe' yet such was the urgancy of his
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93 schedualed rendevios that he only hoped his body would remain intact long enough
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94 to reach it. No thare hadn't been any radiation suits among the stores. Ad-
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95 mittedly an odd ommision but then everything had been qurioser and qurioser for
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96 quite some time.
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97 He found frieda, not ware he had parked her, (he would have found not even
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98 a scrape had she remained there), but rather ware, as her last 'inteligent' act,
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99 she had parked herself.
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100 He had to remove the engine cover and jumper around the now useless electr-
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101 onic ignition to the old regulating reley block that had patiantly sat mounted
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102 but disconected the passt 5 or so years.
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103 Patches complete and hotwires installed, The old 235 coughed than rowred
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104 to satisfying life.
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105 090909090909090909090909090909090909090909090909090909090909090909090909090909
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106 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$
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107 vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvPAULvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
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108 Although I wore the white smock of one that works to preserve
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109 lives, I had my ways when preservation required more drastic
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110 measures. From under the lab jacket I extracted the butterfly
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111 knife in the method known as an ice-pick drop. With speed and
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112 practice the click that is made can be the last thing your victim
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113 will ever hear. I recalled that the man guarding the room with
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114 the two prisoners was right handed, as I, so I reached to
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115 cover his mouth with my left hand as my right hand did the task
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116 of opening his throat and neck. I muffled his cry as he dropped
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117 to the ground, blood silently oozing down my arm. There's no
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118 hiding that much blood on my jacket, so I would pray that no one
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119 else would see me. I reached into the "sleeping" guards pocket to
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120 get the keys that would open the door to the poor imprisoned
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121 souls inside. Once the door was opened I dragged what remained of
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122 the guard into the room so as not to be seen by anyone that
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123 happened to stroll by. I closed the door and locked it from the
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124 inside. After removing the key and dropping it on the body, I
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125 turned to the others in the room. They were neither sleeping nor
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126 awake, they had been drugged. I did it. Wiping the blood from my
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127 hand I then removed the hypodermic and the antidote from my
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128 pocket and prepared them for their departure.
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129 "Can you understand me? I am here to help you now." I said as
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130 began the injection of the solution to the woman that was seated
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131 in front of me. The only response I saw was a slight droop of her
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132 head, almost indetectable. As the needle pricked her arm she did
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133 not flinch. "Damn!" I thought. "Still no sensation." I finished
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134 with her and proceeded to the man that sat next to her. At the
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135 moment he was equally withdrawn from reality. I prepared a new
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136 hypo for his injection. No flinch here either. I would have to
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137 hope that it would begin working soon for time was always crucial
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138 when you are out to break the rules of the game on home territory.
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139 "W-water.." It was the woman. I think I remembered her name.
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140 "No, Pamela. There isn't any water to be had now. You'll have
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141 to wait until we are out of here."
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142 "N-no. Last time.. injection.. only water..." Her words were
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143 broken, but it was still a good sign that the antidote to the
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144 drug was taking effect quickly enought.
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145 "Yes, you are right. I had hoped you would be able to see what
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146 I had done. By only giving you a water injection, the Doctor
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147 wouldn't suspect that I was halting your induced stupor. I'm glad
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148 you were able to see that I was helping you then. I can't say as
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149 much for your sleepy partner over here, I had to give him the
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150 real thing last time." I began to loosen their bonds. "Soon you
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151 should be able to move about on your own, I've given you a stim-
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152 ulant that should do the trick at waking you back up." Just then
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153 the man next to Pamela began to mumble. I hoped that the antidote
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154 would work because I hadn't the time to test its efficiency
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155 before hand. "Primitive resources!" I snorted under my breath.
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156 "We'll have to move quickly. Soon they should suspect that things
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157 are amiss. In about five minutes you'll have to exit the room by
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158 this window behind you. There will be a vehicle waiting to take
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159 you off the grounds. I will be driving. But you must hurry."
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160 "So.. so tired. Can't go on.."
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161 "But you must! You can not stay here or your life will most
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162 surely be forfeit. You must snap out of it!" I picked up the keys
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163 and unlocked the door. I peered down the hallway -- no one.
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164 After heading back to the lab to retrieve a few of the scientific
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165 research files, I headed on out for the car that would take us
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166 away from all this madness. As I pulled up to the side of the
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167 building I noticed a scuffle inside the room. There was a fight
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168 inside. The plans for escape looked destroyed until I saw the two
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169 figures running in a crooked line from the buildings door.
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170 "Over here! Run, Run!" I called. The man, Marvin I believe,
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171 started to run in the opposite direction until Pamela stopped him
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172 and headed for the car. I helped them into te back seats and
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173 proceeded for the air strip. The plane that she had been brought
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174 in on had not yet seen fit to return from whence it came.
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175 Feigning injury, I got out of the car and acted as if my arm had
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176 beem severly injured. Luckily the man watching the plane believed
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177 my little charade and I got within striking distance to relieve
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178 him of his compact machine-gun. Then, barging into the pilot's
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179 room I woke up the aviator from his slumber.
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180 "I hope you've had enought beauty sleep, 'cause I've got a
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181 mission for you.. Take her back!" I think the weapon in his back
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182 made it unnecessary to have a good grip on his collar, but I didn't
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183 think I would chance it. We headed out for the plane and once I
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184 made sure he understood what I wanted, I ripped out the radio's
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185 wiring and helped Pamela and Marvin on board.
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186 Talk about bumpy rides.
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187 vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
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188 <intermix above with previous Marvin Deepe entry>
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189 vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
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190 Once back in the states, I got us a ride on the express train
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191 back to Portland, where the whole farce began. During the ride
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192 Pamela and Marvin were hardly awake. It seemed that the sedative
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193 had actually caught up with them after the test antidote had
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194 worn off. It was a good thing, they needed the rest after having
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195 been through what they had. The files I had taken along with me
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196 were those that had outlined precisely what was planned for
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197 Pamela once apprehended. I had sat and translated as much of the
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198 non-technical transcripts from German into English as possible
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199 without including too much jargon that would make its meaning
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200 vague or ambiguous. After reading the first couple of
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201 paragraphs it was evident what the Doctor had in mind. I would
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202 leave these transcripts with Pamela in order that she may under-
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203 stand just what I had taken her away from. I wanted nothing to do
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204 with the horrid plans I now translated for I too was a doctor.
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205 A sane one though.
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206 As we reached Portland, Pamela was beginning to come around
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207 from the effects of the drug. I slipped her both copies of the
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208 transcripts and tried to explain to her that I would meet her
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209 shortly at one of the more notable buildings that the city had in
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210 its downtown area.
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211 "I shall meet you there in three hours. If I don't make it by
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212 then, take the tickets in this envelop and hide until you are
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213 fully recovered. You'll understand." I helped them both into an
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214 awaiting taxi and saw them off from the station. They were gone.
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215 All I had to do now was contact the appropriate authorities and
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216 maybe something more could be done about this whole nightmare.
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217 All there was that surrounded me was the sound of the idle
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218 engines, their steam blowing effortlessly into the late afternoon
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219 sky. The din of the travellers could not be heard as no one would
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220 be coming or going for another good fifteen minutes or so. I stood
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221 alone in the gravel, alone on the tracks.
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222 Just then, from behind, there came a strong arm that reached
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223 and grabbed at me.. I could not escape or even move at all.
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224 "Zee Doktor is dissssspleased vith you, Paul. You should never
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225 have done zose things vith the prisonersssss." His grip tightened.
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226 "<Ack>.. <Grap>.. <Guurgle>.." I couldn't say a word.
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227 "Zee Doktor vould like me to preform one lassst operation vith
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228 you Paul. Gute Nacht." I felt the edge of the knife draw across
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229 my open neck.
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230 vvvvvvvvvvvvvvvvPAULvvvvvvvvvvvvvANTITHESISvvvvvvvvvvvvvvvvvvvvv
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231 <Sorry Marvin.>
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232 <<<The "RS" line... Get it? Ha ha ha...
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233 @*@*@ The Displeased Minstrel @*@*@*@*@
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234 All: PLEASE! Ask me to sing about sometxig. I will. Txat'S my j
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235 job!
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236 @*@*@*@*@*@ The groveling Minstrel @*@*@
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237 MINSTREL: FIRST OFF, DON'T BEG!
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238 -HOW ABOUT A LONELY KING ALL ALONE IN AN EMPTY CASTLE?
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239
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240 Minstrel: Sing. Sing a song. Sing out loud. Sing out strong. Don't worry
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241 that it's not good enough for anyone else to hear...
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242 Write songs that will make the whole world sing. Write songs of love and
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243 special things. Write songs that will make the young girls cry...
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244 And I know some bulletin boards you can do it on.
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245 -------------
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246 sounds kinky!
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247 =============
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248 *@*@*@* A bedraggled minstrel @*@*@*@*@
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249 One day the army of Strrolodor,
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250 set out on a journey to even the score,
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251 A demon, evil had killed their king,
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252 this monster was a terrible thing,
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253 to see.
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254 1,000,000 teeth all in a row,
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255 hands with claws,
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256 that could destroy mountains with a single blow,
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257 claws of ivory,
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258 eyes of fire,
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259 hair all mangled,
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260 like some barbed wire,
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261 a trillion men,
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262 fell under his might,
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263 without even,
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264 putting up a fight.
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265 Oh yes it was an ugly monster,
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266 standing there,
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267 there was no question of that,
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268 Like the Medusa,
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269 of Greek tales,
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270 It turned men to stone with a single stare,
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271 The army's approach,
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272 was simple and good,
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273 And as they approached,
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274 the demon stood,
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275 And laughed at their feeble force.
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276 It rose a fist,
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277 into the air,
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278 then sgung it down,
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279 witx an evil glare,
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280 the 100 men,
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281 who were under it,
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282 died without a txought,
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283 killed too soon,
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284 They hurled their spears,
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285 to no avail,
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286 for it was like shooting petllets,
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287 at a giant whale.
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288 They knew they were finished,
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289 but their leader would not,
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290 give up that easily,
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291 this day.
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292 Hindered and broken,
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293 his men all retreated,
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294 he stayed there,
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295 by the demon and his club,
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296 trying to figure out a way,
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297 destroy this monster.
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298 "This creature must not live another day"
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299 he said. And he thought away.
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300
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301 An Idea formed,
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302 in his head,
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303 He'd stop that creature,
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304 Or xe'd be dead.
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305
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306 "Oh foul demon"
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307 "trouble us no more"
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308 return from whence you came"
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309 "you've caus
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310 and Pain!"
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311 "I challenge you demon"
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312 "To a fair duel"
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313 "If you can't answer a question I win"
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314 Txe demon paused and thought.
|
|||
|
315 It's mind wheeled and raced.
|
|||
|
316 "I ACCEPT YOUR CHALLENGE" it said,
|
|||
|
317 with a grin.
|
|||
|
318 Now the demon was all-knowing,
|
|||
|
319 or so his black eheart thought,
|
|||
|
320 But for all the questions he could answer,
|
|||
|
321 ere was one that he could not.
|
|||
|
322 "Wjahat is true love?" asked the knight,
|
|||
|
323 his brow wet with sweat.
|
|||
|
324 The demon gasped,
|
|||
|
325 then snorted in rage,
|
|||
|
326 It said "I should have not let"
|
|||
|
327 you ask me that!"
|
|||
|
328
|
|||
|
329 "The cxallenge is done, oh demon"
|
|||
|
330 "The results are clear and true"
|
|||
|
331 "The winnder of this challenge"
|
|||
|
332 "Is me and not you"
|
|||
|
333 The demon knew when he'd been beat,
|
|||
|
334 and silentltyly drooped xis head,
|
|||
|
335 then suddenly and quite swiftly,
|
|||
|
336 the demon fell to the ground,
|
|||
|
337 cold dead?
|
|||
|
338 The demon paid the price of defeat,
|
|||
|
339 At txe hands of that brave knight.
|
|||
|
340 He's still alive,
|
|||
|
341 for justice and truth,
|
|||
|
342 He still carries on the fight.
|
|||
|
343 @*@ The humming and strumming minstrel @*
|
|||
|
344
|
|||
|
345 Ninety five lines! Where's the lonely king and the empty castle? Someone
|
|||
|
346 finally answered your pleadings and gave you something to write about , but you
|
|||
|
347 reverted back to the same old dragon thing! NINETY FIVE LINES?
|
|||
|
348 @*@*@*@*@ The insulted Minstrel @*@*@*@
|
|||
|
349 To the above: I reAlized that I should be ,my own Minstrel. I didn't
|
|||
|
350 Want to do the "empty castle" because it doesn't lend itself to a poem.
|
|||
|
351 Sorry to all, but I'm writing freel now. Could I round up spmeome comment
|
|||
|
352 @*@*@*@*@*@* The Happy Minstrel @*@*@*@
|
|||
|
353
|
|||
|
354
|
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|
355 hello call Artesian Labs at 538-9159
|
|||
|
356 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
357 Boy oh boy has this been a good 30 minutes' reading!! Poems, insecurity,
|
|||
|
358 controversy,NET-style stories, Banned from Argo, and Wierd Al ... all on two
|
|||
|
359 disks!
|
|||
|
360 Minstrel: I have watched your poetry with great intrest, since in another
|
|||
|
361 reality I too am a Minstrel. (At OSU we have a VERY involved D&D game going--
|
|||
|
362 in fact, this summer I have an assignment from my DM, if you believe it - my
|
|||
|
363 character's journal, due Oct. 1) I also feel for the fact that you desperately
|
|||
|
364 want comments on your work. I have also gone thru that: I entered a few things
|
|||
|
365 during Christmas break and then sat here and prayed for any comments at all.
|
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|
366 I did get a 'nice poem' from Mikey, but no one else even noticed...in print.
|
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|
367 One of the things that I've learned on Backwater is that if no one says any-
|
|||
|
368 thing, then they liked it. If they didn't then they would type in som con-
|
|||
|
369 structive criticism for you. My only critical comment is that all those
|
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|
370 commas are making my English major's eyes seasick...you only need them where
|
|||
|
371 you would put them in a normal sentence. Same with the quotes.
|
|||
|
372 I hereby promise to quit wavering around and to enter some of my stuff before
|
|||
|
373 the end of the week. I've promised but not delivered for too long...and my
|
|||
|
374 minstrel, Mallyn, needs the exercise!!
|
|||
|
375 Until Later,
|
|||
|
376 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/Luingil/\/\/\/\/\(orMallyn,whichever)/\/\/\/\/\
|
|||
|
377
|
|||
|
378 {{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}
|
|||
|
379
|
|||
|
380 What
|
|||
|
381
|
|||
|
382 What is this thing that is more than like?
|
|||
|
383 Like is with an acquaintance, a friend barely known.
|
|||
|
384 What is this emotion that is more than attraction?
|
|||
|
385 Attraction is a force like the earth and the moon,
|
|||
|
386 Gravity, cold, it is not enough.
|
|||
|
387
|
|||
|
388 What makes a person think of another, day and
|
|||
|
389 night with hardly a recess?
|
|||
|
390 What makes the mind concentrate with such vigor,
|
|||
|
391 That all else seems peripheral and unimportant?
|
|||
|
392
|
|||
|
393 What turns the soul into a burning inferno,
|
|||
|
394 Hot with the feelings that can never be said?
|
|||
|
395 What makes a man crazy; forgets all his duties,
|
|||
|
396 Sending logic and reason far far away?
|
|||
|
397
|
|||
|
398 What assails my spine, making me into jelly?
|
|||
|
399 What tortures my heart as it rips through my body?
|
|||
|
400 What changes my outlook on all of the world,
|
|||
|
401 Causing me to rethink my place on the scene?
|
|||
|
402
|
|||
|
403 I think I might know it, but I'm afraid to admit it.
|
|||
|
404 I tarry because of the problems it brings.
|
|||
|
405 My heart knows the truth, and it can't be kept silent,
|
|||
|
406 But I know when it speaks that my life will be through.
|
|||
|
407
|
|||
|
408 {{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{{NEW POET}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}
|
|||
|
409
|
|||
|
410 Minstrel: What do you mean the lonely king doesn't lend itself to poetry?
|
|||
|
411 What happened to introspection? Looking inside an emotionally scarred character
|
|||
|
412 is the stuff of great poetry. What you mean is that the lonely king doesn't
|
|||
|
413 lend itself to YOUR poetry, which seems to restrict itself to steady action
|
|||
|
414 scenes. You should expand yourself -- look inside the characters and let us
|
|||
|
415 know what they're feeling (and why they're feeling it). I'm now intentionally
|
|||
|
416 being mean here. You PLEADED for suggestions. If you can take criticism then
|
|||
|
417 you'll learn something hfrom this rather than become bitter because of it.
|
|||
|
418
|
|||
|
419 ALTERNATE WORLD--777-xxxx
|
|||
|
420 THE NUMBER ABOVE AND THE
|
|||
|
421 FOLLOWING NUMBERS ARE FOR LOCAL
|
|||
|
422 BBS'S IN THE AREA.
|
|||
|
423 *******************************
|
|||
|
424 ALTERNATE WORLD--777-xxxx
|
|||
|
425 BEAV. RCP/M--642-xxxxOR254-xxxx
|
|||
|
426 BIT BUCKET--254-xxxx
|
|||
|
427 DOW JONES-295-xxxx
|
|||
|
428 MAS--245-xxxx
|
|||
|
429 MT. OLYMPUS--246-xxxx
|
|||
|
430 PAUG<<PAY>>236-xxxx
|
|||
|
431 PCC DATA NET.--245-xxxx
|
|||
|
432 PCS/RBBS--775-xxxx
|
|||
|
433 ROSE CITY--283-xxxx
|
|||
|
434 TANIS--761-xxxx
|
|||
|
435 TERMSTAR-635-xxxx
|
|||
|
436 T-COMM--635-xxxx
|
|||
|
437 ZARA HEMLA--286-xxxx
|
|||
|
438 ZEPPLIN--293-xxxx
|
|||
|
439 ZORON--252-xxxx
|
|||
|
440 ::
|
|||
|
441 IN VANCOVER:
|
|||
|
442 COMMODORE RBS
|
|||
|
443 579-xxxx
|
|||
|
444 EXCHANGE
|
|||
|
445 949-xxxx
|
|||
|
446 LOONEY TUNES
|
|||
|
447 694-xxxx
|
|||
|
448 MSD-PS
|
|||
|
449 695-xxxx
|
|||
|
450 SOME OF THESE NUMBERS MAY NOT
|
|||
|
451 BE UP TO DATE, SO PLEASE BEAR
|
|||
|
452 WITH ME
|
|||
|
453 ::
|
|||
|
454 LEASE EXCUSE MY MISTAKE:
|
|||
|
455 PSICON IS NO LONGER IN SERVICE
|
|||
|
456 THANKS!!
|
|||
|
457 JOHN B.
|
|||
|
458 6-26-85
|
|||
|
459 ********************************
|
|||
|
460 *_%#@*%_)#*@%)_*%)_*!%_*%_^)_#&)_@*%)_*%)_!%&_&*%)_@#&%)_@*%_)@&%)_&%@)_&%
|
|||
|
461 Mikey: No new COPYLINK news to report. I have tried out all of the terminal
|
|||
|
462 emulations and have encountered no problems. I would like to ask a few
|
|||
|
463 questions though. When would be a good time to drop by US Digital? I can
|
|||
|
464 also bring new compiled versions of all the game programs and DOC files.
|
|||
|
465 TIN MAN: On re-reading...Good stuff. I wish I had looked closer the first
|
|||
|
466 time. Thanks.
|
|||
|
467 Luingil: Welcome back to the shores of backwater.
|
|||
|
468 Kosta: How goes the story creation. We are all waiting to hear from Ms. Lamb.
|
|||
|
469 *%)_#@*%_@#*%_)*%_)@*%)_@*%_@)* L'homme sans Parity *%_)@*%_#*%_@#*%_@#*%_@)
|
|||
|
470
|
|||
|
471 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSage
|
|||
|
472 "Ach, another letter. These things," The Sage paused, to scratch
|
|||
|
473 neck, "These things gather in circles around my desk like vultures waiting
|
|||
|
474 for me to answer them. Evil scavengers, letters, evil scavengers."
|
|||
|
|
|||
|
475 Seeing that the Sage was obviously babbling idioticly, the Odd One
|
|||
|
476 began to play with some of the folders that made up the Sage's letter file
|
|||
|
477 and noticed one in particular.
|
|||
|
478 It was on a nice hammermill paper, and done in a fine, precise and
|
|||
|
479 carefull handwriting. It simply asked, "What poem should I write next?"
|
|||
|
480
|
|||
|
Being able to think of nothing other than a girl he had seen that
|
|||
|
481 day, the Odd One wrote underneath that, "Write about the wink of a young
|
|||
|
482 girl's eye."
|
|||
|
|
|||
|
483 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSage
|
|||
|
484 *=*=*=*=*=*=*JUSTA LURKIN*=*=*=*Some folks likes hearin familiar theams; Some
|
|||
|
485 folks dont care too much for violins, electric gittars (or once upon a time sax
|
|||
|
486 iphons) cause the get over used to death. Empty castle king a matter of taste.
|
|||
|
487 minstrel: Know any of world with sentients but not on two leggs, all the colors
|
|||
|
488 unfamiliar and the shapes too?*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
489 [/] [/] empty castles and lonely kings hmm..... [/] [/] [/] [/] [/] [/] [/]
|
|||
|
490 [/] and thanks L'homme sans Parity. that means a lot. [/] THE TIN MAN [/]
|
|||
|
491 [/] tick tick tick.... one hour later. [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
|||
|
492 i traveled with my father
|
|||
|
493 when i was very young
|
|||
|
494 he was a poem writer
|
|||
|
495 a tale teller
|
|||
|
496 and many songs had he sung
|
|||
|
497
|
|||
|
498 we had no horse or pony
|
|||
|
499 we traveled on our feet
|
|||
|
500 father in front
|
|||
|
501 me close behind
|
|||
|
502 often sleeping in the street
|
|||
|
503
|
|||
|
504 we carried all we'd ever had
|
|||
|
505 in a large gray canvas sack
|
|||
|
506 but large smiles
|
|||
|
507 and easy laughter
|
|||
|
508 were things we never lacked
|
|||
|
509
|
|||
|
510 he always spoke the sweetest verse
|
|||
|
511 or sang the bawdiest song
|
|||
|
512 or spun a tale
|
|||
|
513 of noble deeds
|
|||
|
514 a right winning over wrong
|
|||
|
515
|
|||
|
516 but my favorite story my father did
|
|||
|
517 was one he didn't sing
|
|||
|
518 he'd set aside
|
|||
|
519 his insturment
|
|||
|
520 and tell the tale of the lonely king
|
|||
|
521 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] more to come... THE TIN MAN [/]
|
|||
|
522 OFF
|
|||
|
523 *@*@*@*@* The Foolish Minstrel @*@*@*@*@*
|
|||
|
524 Apoliges to all. My work is not good and I should restrict it to myself.
|
|||
|
525 I won't write any more poetry here. Not untill it is ten thousand times better.
|
|||
|
526 *sniff* Well, Mabye one poem, that I wrote a loooooong time ago. Be back after I dig it up.
|
|||
|
527 @*@*@*@*@* The Hurried Minstrel @*@*@*@
|
|||
|
528 @*@*@*@* The returned form of the Minstrel @
|
|||
|
529 Here Goes.
|
|||
|
530 Dinosaurs and a Child'Ss mind
|
|||
|
531 By The Minstre:l
|
|||
|
532 Dinosaurs and a child's mind,
|
|||
|
533 strange things there do form,
|
|||
|
534 monsters, spaceships, time after time,
|
|||
|
535 Anything out of the norm.
|
|||
|
536
|
|||
|
537 Dinosaurs and A child's mind,
|
|||
|
538 thought churn and twist, they reel and spin,
|
|||
|
539 Wizards, dragons, gnomes and trolls,
|
|||
|
540 swords and stones come to life therein,
|
|||
|
541
|
|||
|
542 Dinosaurs and a cxild's mind,
|
|||
|
543 the towo go together hand in hand,
|
|||
|
544 but when you grow up and you face the t"true" world,
|
|||
|
545 You leave them behind, in a distant land.
|
|||
|
546 @*@*@*@*@ The Childish Minstrel @*@*@*@*
|
|||
|
547 --P--
|
|||
|
548 To the Minstrel, and all his voices: don't give up my good man. Join the
|
|||
|
549 ranks of those that visit here often, and watch and learn. Do not take there
|
|||
|
550 words harshly, but let them let you look at your work in a new light. I came
|
|||
|
551 across a little fact the other day about what % of a writers time is
|
|||
|
552 devoted to which task. 60% is spent in revision.
|
|||
|
553 You are leaps and bounds above many already. You have a desire to write,
|
|||
|
554 and the perfect place to come to to learn how and to present your works for
|
|||
|
555 input.
|
|||
|
556 --Patti Mifflin--
|
|||
|
557 @*@ The Light Heart Minstrel *@*
|
|||
|
558 Patti: Thank ye for caring. You may know me under some other names. Are you
|
|||
|
559 familiar with a certain Sranul the roo, The Snow Husky, Standor the Falcon?
|
|||
|
560 *whisprering* That's me. Shh! Don't tell anybody! It's a secret!
|
|||
|
561 p.s.: Patti: I'd REALLY like to talk "voice" with you. My Could you contact
|
|||
|
562 me via. TANIS under the name THE SNOW HUSKY ..remember..it'S THE SNOW XUSKY, not SNOW HUSKY
|
|||
|
563 ...ok? If you can't get mail to me, why dn't you just tell me so on the b-board and I'll send you private mail with |
|
|||
|
564 MY phone number.
|
|||
|
565 @*@*@*@*@ The Minstrel in Love @*@*@*@
|
|||
|
566 PATTI! Don't worry. I'm not in love with YOU! It's somebody else. You probably don't even know her!!!
|
|||
|
567 @*@*@*@*@* The Nervous Minstrel @*@*@*@
|
|||
|
568
|
|||
|
569 *****************************************************************
|
|||
|
570 L'HOMME: ANYTIME AFTER 10:30 IS FINE. YOU MIGHT GIVE A CALL AHEAD
|
|||
|
571 OF TIME TO BE SURE I'M NOT OUT, OTHERWISE ANYTIME IS FINE.
|
|||
|
572 *****************************************************************
|
|||
|
573
|
|||
|
574 %*%*%*%*%*%*%*%* MUDGE %*%*%*%*%*%*%*%*%
|
|||
|
575 Minstrel: Nice poetry.
|
|||
|
576 Paul: Paul Atredies????
|
|||
|
577 Kosta: Awaiting your return.
|
|||
|
578 L'Lhome: (Hope I got that right) Please write stories!
|
|||
|
579 New Poet: LOVE IT, MATE! LOOOOVE IT!
|
|||
|
580 Sage: Odd one? Hmmmmm.
|
|||
|
581 Cistop Mike: Does Backw`ter have a "theme"? What I mean is, TANIS
|
|||
|
582 (the board) is a desert city, Alternate World is a planet with a cchurch
|
|||
|
583 and what of Backwater?
|
|||
|
584 Here is my suggestion for a theme.
|
|||
|
585 5%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%**%*%*%*
|
|||
|
586 Long ago, the Pirates of the olden days created a place where they
|
|||
|
587 could go. To tell of their plunder and wht they had done. To tell others
|
|||
|
588 of their journeys and tales. but most of all, to hide maps and treasures
|
|||
|
589 in a great waterway. T
|
|||
|
590 This waterway streached nearly across the island. It('s coves
|
|||
|
591 filled with the btreasures of pirates. This place was named "BACKWATER"."
|
|||
|
592 If you go there today, you will still find tadventurers, singers, tellers
|
|||
|
593 and speakers. They tell tales, talk,
|
|||
|
594 laugh, cry, and love.
|
|||
|
595 The spirits are, like the treasure, the Pirate's. If you listen
|
|||
|
596 closely, you might hear them talking to themselves, and looking on at
|
|||
|
597 the people who enter into BACKWATER.! For it truely IS a place of wonder.
|
|||
|
598 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%
|
|||
|
599 Well? What do you think? Is that a goosd idea for a "theme"?????
|
|||
|
600 %*%*%*%*%*MUDGE THE OTTER*%*%*%*%*%*%*%
|
|||
|
601 *%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*
|
|||
|
602 Mudge: Backwater does have a theme, one that has developed over a period of a
|
|||
|
603 few years. Backwater is an Inn, in a world/place known as Inisfail. But then,
|
|||
|
604 perhaps a story along those lines on another disk would better serve the telling
|
|||
|
605 of the tale.
|
|||
|
606 +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
|
|||
|
607 %*%*%*%*%*%*% MUDGE %*%*%*%*%*%*%*%*%*%
|
|||
|
608 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%
|
|||
|
609 Ok. I didn't know. But what did you think of my story IDEA?
|
|||
|
610 %*%*%*%*% MUDGE THE OTTER %*%*%*%*%*%*%
|
|||
|
611 *c**%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*
|
|||
|
612
|
|||
|
613 Hello, I am sooo confused!!
|
|||
|
614 I dont get how to use this system!!!
|
|||
|
615 Hello, i am soooooo confuuuuused!!!!
|
|||
|
616 how do you use this system??? and what is lost for? all i get is i am lost too.
|
|||
|
617 Dan Benge
|
|||
|
618 Hello I am so confused someone please tell me how to use this message system!!
|
|||
|
619 I am new here so i dont know what the heck is going on here!!!!
|
|||
|
620 Dan Benge
|
|||
|
621 Hello my name is Dan Benge...
|
|||
|
622 How in the heck do you use this
|
|||
|
623 system????????Please sysop reply to
|
|||
|
624 my message!11
|
|||
|
625 Dan Benge
|
|||
|
626 Does anyone have a list of ~nationwide sexuall9y oriented BBSs?
|
|||
|
627 +-+-+-+-+
|
|||
|
628 Dan: type HELP at the > prompt to get a complete listing of the commands this
|
|||
|
629 system allows. Mudge: Sounds good, now let's see what you can do with that idea.
|
|||
|
|
|||
|
TOTAL NUMBER OF LINES = 629
|