651 lines
41 KiB
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651 lines
41 KiB
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FILE ON
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MARGIN IS 80
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STATUS: ENTER ONLY
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NUMBER OF LINES: 629
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1 If you are in need of help, you need but ask....
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2 ********************** REMOVED: 20 AUG 84 ******************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION PLACED ON
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6 THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ************************************************************
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19
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20 Hmmmmmm.... Everyone else beats their chest when they make the top.
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21 What can I do? I know.
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22 GO DUCKS!!!!!!
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23 -------------------------------------------------------------------------------
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24
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25 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*
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26 Although I an not of that peculiar artistic bent I enjoy the the stories the
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27 others write. Please continue ....
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28 CDP
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29 @*@*@*@*@*@*@*@**@*@***@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@@*@*@*@*@*@*@*@
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30 ??????????????????????????????????????????????????????????????????????????
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31 This is disturbing - looking back through my copies of the Archives, I
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32 have discovered that SEVERAL of my entries have been on here before!
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33 The Systems Analyst Final Exam, the Chemereta Community College Schedule,
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34 another I can't recall at the moment - this is awful!
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35 I admit I am guilty of lifting them from other sources, but RERUNS??!
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36 I am aghast! I am depressed. My only consolation is that if they were new
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37 on BackWater to me, then they were new on BackWater to a majority of the
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38 current Inn-goers.
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39 I must admit that reading the Archives is both an interesting and a
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40 frustrating pastime. Interesting to see how different yet how similar the
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41 arguments, discussions, and jerks were then and now. Frustrating because I
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42 am reading along, see something that makes me want to respond, but Alas!
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43 It's History! Dr. Who, where are you when I need you?
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44 ??????????????????????????? QUIZMASTER ??????????????????????????????????
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45 <+|+> {045} 09150129
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46
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47 '"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'
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48 Dotti Digital? Are you the Dotti Digital that used to call CBBS a long time
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49 back? If you are or aren't please leave a message on this board.
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50 '"'"'"'"'"'"'"'"'"The Shade"'"'"'"'
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51 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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52 The piper lifted his left arm quickly, snapping off the last wail of the
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53 pipes, leaving an aching void of silence behind. In the sudden silence,
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54 a clatter, thump, and a person whom the piper did not recognize made a
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55 sudden and definitely ungraceful entrance down the stairs. Folding the
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56 blowpipe and chanter of his pipes in his left hand, the piper picked his
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57 way to the landing at the bottom of the stairs and offered a hand to the
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58 new arrival in the common room. Helping him up and brushing off some of
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59 the dust that seemed to have accumulated in Pam's long abscence (oh, how
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60 I wish someone else knew those domestic witcherys that prevent dust from
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61 settling, wood from warping, and cloudiness from accumulating on glass!)
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62 and making sure he was uninjured, helped him to a seat at the table.
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63 The innkeeper drew a glass from one of the darkest oaken barrels that
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64 sat on trestles behind the bar; the spicy aroma seemed to invigorate the
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65 very air of the inn with a sparkle and memory of golden barly nodding
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66 its heads as the field rippled under a warm summer breeze. Taking the
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67 glass, the piper sat it before the bruised newcomer and said "Here, this
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68 noble draft will help restore your equilibrium!"
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69 Turning to the bard, who had just come in holding a book, the piper
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70 replied, "Yes, I know the Garyowen ... and a right cheerful tune it is.
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71 It's just the thing we need now... perhaps that, and Queen Victoria's
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72 Jubilee will put our new friend here in a mood to chat. He seems to
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73 have something on his mind." Turning to the newcomer, the piper said,
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74 "You'll find a sympathetic ear here, my friend. We may be short on
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75 effective action, but we have sympathy, advice, and opinions aplenty!"
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76 Before their new companion could reply, the piper turned with a smile,
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77 placed the blowpipe into his mouth, winded the pipes, and launched into
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78 the tunes.
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79 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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80
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81 ===========================================================================
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82 Well, come on all you big strong men. The Survival Game would like your
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83 help (again?). Yes, (groan, not again!) another Survival Game Sunday,
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84 Sept. 16 at 10:oo a.m. To play, call 1-206-693-xxxx or 1-206-272-xxxx,
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85 or (503)-293-xxxx. Voice only. You must be 18 or older. The Game will
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86 played in Barton. Hope to see you there!!
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87 ================================================ Sudden Death =============
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88 )"#(%)"#'(%)"#('%)#"'%)"#'%")#'%")#'%#")'%!'%#")"'%"#'%#"%"#)'%"#)'%"%'"#%'
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89 ____Leonard___ : Glad to hear it. Let me know when the disks come in, and
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90 I am sure we can figure out something interesting to hack together.
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91 QuizMaster : Don't let it trouble you too much. Your skills in other areas
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92 are much more worth while. While the archives are memories from the past, don't
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93 forget those forward thinkers who are trying to make memories for the future.
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94 The past is just that, gone, but not forgotten. While we may look upon the
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95 past for guidance, it should not rule our lives. I look forward to new and
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96 exciting things to happen in the future. I, in part, am trying to forget certain
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97 deeds of the past. I am trying to change into, a brand new L'homme! Please
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98 take these words and remember them. The next time you feel slightly frustrated,
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99 think of others who are worse off than you. And think of those who are trying
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100 to improve their own situation, and hopefully the situation of others, for what
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101 greater thing can Man but sacrifice himself for others? This message, quite
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102 obviously, was written while under the influence of VOL, taken in large
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103 quantities after yard work.
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104 )#'%)#"%'#")'%)(#"%!( L'homme sans parity ()"%")%")#'%"#)'%"#)'%#"!%'"#)%"
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105 SAM: I didn't mean it! I'm sorry I did it! I will try to do better! Sorry! the Phantom Glitch
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106 [==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==][==]
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107 ^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^
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108 Where should the ducks go if they are going ?
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109 ^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^
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110 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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111 Where should the Ducks go you ask? You NEED to ask? Aaron
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112 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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113 HI, I AM LOOKING FOR AN OSBORNE COMPUTER FOR A
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114 FRIEND OF MINE. IF YOU KNOW OF ANY USED ONES,
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115 PLEASE LEAVE A MESSAGE ON HERE. FRANCO.
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116
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117
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118 .....................................................
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119 Garryowen
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120 Let Bacchus' sons be not dismayed,
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121 But join with me each jovial blade,
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122 Come booze and sing and lend your aid,
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123 To help me with the chorus!
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124 Chorus:Instead of spa we'll drink down ale,
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125 And pay the reck'ning on the nail,
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126 No man for debt shall go to jail
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127 From Garryowen in glory!
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128 We are the boys that take delight in
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129 Smashing the Limerick lights when lighting.
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130 Through all the streets like sporters fighting,
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131 And tearing all before us.
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132 CHORUS
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133 We'll break the windows, we'll break the doors,
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134 The watch knock down by threes and fours;
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135 Then let the doctors work their cures,
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136 And tinker up our bruises.
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137 CHORUS
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138 We'll beat the bailiffs out of fun,
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139 We'll make the mayors and sheriffs run;
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140 We are the boys no man dares to dun
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141 If he regards a whole skin.
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142 CHORUS
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143 Our hearts so stout have got us fame,
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144 For soon 'tis known from whence we came;
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145 Where'er they dread the name
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146 Of Garryowen in glory!
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147 CHORUS
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148 ~~~~~~~~~~~~~~~~~~~~~~~~~~~
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149 By the end of the song the entire company was singing (loudly if not
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150 very well). Bard looked around and commented to piper, "That's what I like
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151 a cheerful place!"
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152 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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153 ps Garryowen is most famous for being the song of Custer's 7th Cavalry
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154 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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155 L'homme: What do you mean, "tinker something up"? I was not aware that
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156 anything NEEDED to be tinkered up!
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157 ______________________________________Leonard_______________________________
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158 TO BLUE****
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159 HI, THIS IS GLEN******
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160 I WILL BE ON LINE FOR A WHILE THIS EVENING, IF YOU WANT TO CHAT
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161 LET IT RING, THEN CALL BACK, TO GIVE ME TIME TO SET UP AUTO-
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162 TO CONTINUE, SINCE THIS BBS DIDN'T PUT ON ALL OF MY MESSAGE,
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163
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164 ()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()
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165 He felt very fortunate to have someone take some interest in his checkered past.
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166 All of the reasons he had come here to the inn came flooding into his mind like
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167 the rushing waters of a river just being freed from the confines of a dam. There
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168 were so many things he wanted to say, so many things he wanted to tell, but
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169 there remained a twinge repression deep in his soul. Could he retell his story
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170 to these kind folks, and keep some semblence of pride within himself? What
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171 would their reaction be to his sad story? Piper and the rest seemed to be
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172 suspended for a moment, waiting for him to speak. The words came slowly at first,
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173 then his voice grew in strength as did the quickness of his speech.
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174 "Not...so...long ago...but in a place very much different from this...I
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175 attended a party of sorts. It was unlike anything I had experienced before. The
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176 hosts had seemed nice enough at first, but as the evening wore on, they began
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177 to change, slowly at first, but there was a definite difference from when I had
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178 arrived. They had a large house, set far away from neighbors or main roads, and
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179 the only way in or out of the grounds was a single crude roadway that circled
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180 the main house. I was not too intent on going when I had first received the
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181 invitation, but instead of facing jeers from my drinking companions for not going,
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182 I decided to see what all the hoopla was about.
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183 Most of us in the village had heard rumors about the 'LO' parties, but no one
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184 I knew personally had ever been invited. It was considered quite a honor to
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185 even be considered worthy of an invitation to LO. I decided not to pass up the
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186 chance to see for myself the mysterious happenings at LO. Which brings me back
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187 to our hosts. When I say 'our', I mean myself and the other three people in
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188 my 'group'. We all seemed to notice the change. Maybe it was my noticing it first
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189 that saved me...I don't really know. Even the time since that evening has not
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190 healed the open wound I feel in my soul."
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191 And with that, he took up his ale, and let some more of the golden liquid
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192 find its course down his throat, hoping it would help him forget The Evening.
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193 The Evening that he could probably never forget. He looked into the eyes of those
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194 seated around him, wondering what their opinion of him was, and wondering if
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195 they could help him in any way...
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196 ()()()()()()()()()()()()()()()()()Bygone Runner()()()()()()()()()()()()()()()
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197 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
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198 Alex:Got my phone bill today, you do *NOT* want to know how much my parrents want
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199 from me! When do you leave? get back?
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200 Aaron:Ellen seems to be quite addament about getting her PDP 11/04 back.
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201 If I can still get an OS I may be able to get it back, so I would still like
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202 to swap some disks with you, just the public domain ones. Have you talked to
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203 David recently? He hasn't been home for the past few days, makes me nervious.
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204 ?`? ? ? ? ? ? ? ? ? ? ? ? ?//MiG// ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
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205 @*@*@*@*****@@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*
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206 Jonathon -
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207 Not to long ago you asked a question of identity. I see that not to
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208 many have responed to your request. I don't know if you read scifi at all
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209 ,but the gap reminds me of a story called 'Moon Moth'. Basically the story
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210 told about a culture on another world that would no show their face. As
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211 a matter of fact, there was a more that said 'You Must NOT Show Your Face'.
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212 I see a parallel here. You are dealing in an alternate culture that see
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213 a benifit in no one knowing (other then those they choose) who they are.
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214 I do not wholly understand why this is.
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215 CDP
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216 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@
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217 &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
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218 CDP: NO, I HAVE NOT READ THAT STORY, BUT I DO REAL A LOT OF SF&F. SOUNDS
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219 SIMILAR TO A BUCK RODGERS EPISODE. WHO IS THE AUTHOR OF THAT WORK? THAT STORY
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220 IS QUITE APPLICABLE. THE BUCK RODGERS STORY WAS BASICIALLY THE SAME, BUT THE
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221 REASON THAT PEOPLE COULD NOT SHOW THEIR FACE WAS THAT EVERYBODY LOOKED THE SAME.
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222 OTHER PEOPLE COULD NOT BEAR TO SEE THAT EVERYBODY LOOKED LIKE THEM. ALTHOUGH
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223 THIS IS S.F., COULD IT BE THAT THE PATRONS HERE DO NOT WANT TO FIND OUT
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224 THAT THEY HAVE A LOT IN COMMON? CAN SO FEW PEOPLE SAY, "YOU ARE LIKE ME, IN
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225 SOME WAYS, AND I ENJOY IT."? ANYWAY, I AGREE TOTALLY WITH YOU, AND LOOK FOWARD
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226 TO FUTURE CONVERSATIONS.
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227
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228 RUNNER: DON'T FEEL TOO UPSET. MANY PEOPLE CAME HERE, LOOKING FOR REFUGE
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229 FROM SOME PRIOR BAD EXPERIENCES (MYSELF FOR ONE). THE THING TO DO IS TO TRY
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230 TO PUT THOSE THINGS BEHIND YOU. DON'T FORGET THEM, JUST REALIZE WHAT HAPPENED,
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231 AND USE THAT AS A GUIDE IN THE FUTURE. MEANWHILE, RELAX AND BE REASSURED! YOU
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232 WILL FIND MANY FRIENDS AMONG THE ASSEMBLY HERE, AND WE WILL TRY AND MAKE
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233 YOUR STAY AS PLEASANT AS POSSIBLE. REMEMBER, CONFUSION SAY:
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234 "MAN WHO ALWAYS LOOKS BACK OFTEN TRIPS OVER HIS OWN FEET!"
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235 NOW, TALK IF YOU FEEL LIKE IT, OR DON'T IF YOU DON'T FEEL LIKE IT.
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236
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237 BARD: A GOOD SONG, BUT ARE YOU IMPLYING ANYTHING BY THAT SONG, THAT BEING THE
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238 THEME FROM CUSTAR'S TROOPS? HOW ABOUT SOMETHING TO CHEER UP RUNNER HERE?
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239 JONATHAN CHANCE
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240 &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
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241 BYGONE RUNNER - CUTE. REALLY CUTE. CAN'T WAIT TO SEE HOW YOUR TWISTED VERSION
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242 ENDS.
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243 ALL - THERE IS ANOTHER, TRUER, VERSION OF THE TALE THIS BYGONE RUNNER PERSON
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244 IS ATTEMPTING TO TELL. AFTER HE IMPLICATES HIMSELF WITH HIS FOUL LIES,
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245 WE SHALL REVEAL WHAT ACTUALLY OCCURED.
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246 JONATHON CHANCE - PERHAPS THE GREATEST REASON FOR ANONYMITY ON THIS BOARD IS
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247 THAT IT ENABLES THE MESSAGE-ENTERERS TO SAY WHAT THEY 'REALLY' FEEL, UNENCUMBERED
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248 BY WHAT THEIR FRIENDS AND ACQUAINTANCES MIGHT THINK. HOW MUCH OF WHAT YOU
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249 SAY IS REALLY WHAT YOU FEEL, RATHER THAN SOMETHING WHICH HAS BEEN FILTERED
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250 BECAUSE OF YOUR AUDIENCE? MOST PEOPLE TEND TO PHRASE THEIR OPINIONS ACCORDING
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251 TO WHO IS RECEIVING IT, SINCE BY PUTTING THINGS IN A MANNER UNACCEPTABLE BY
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252 THE RECIEVER, THEY MAY LOSE FRIENDS/EMPLOYMENT. HERE, ON THE OTHER HAND,
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253 THEY MAY SPEAK THEIR MIND, WITHOUT FEAR OF REPRISAL OTHER THAN, AT MOST,
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254 NAME-CALLING. THIS IS THE IDEA BEHING THE SUGGESTION BOX. GRANTED, PEOPLE
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255 LEAVING MESSAGES HERE SHOULD HAVE SOME KIND OF SIGNATURE, SO RESPONSES MAY
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256 BE ADDRESSED EASILY, BUT TRUE NAMES ARE A DEFINITE DETRIMENT ON A BOARD WHERE
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257 DIALOGE AND DISCUSSION ARE PREVALENT. IN SOME WAYS, IT IS UNFORTUNATE THAT SO
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258 MANY OF US KNOW EACH OTHER'S IDENTITIES; IT REDUCES THE ADVANTAGES MENTIONED
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259 EARLIER.
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260 THE `LO'S THE `LO'S THE `LO'S THE `LO'S THE `LO'S THE `LO'S THE `LO'S THE `LO'S
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261 @*@*@*@*@*@*@@*@*@@*@@*@*@*@***@**@*@**@*@*@*@*@*@*@*@**@****@*@*@*@@*@*@*@*@
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262 The Lo's -
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263 That paranoid outlook doesn't prove to me why I should not know who
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264 I am talking (writing) to.
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265 CDP
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266 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@
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267 CDP -
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268 And you haven't proven why you need to know who you are talking (writing)
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269 to. We can still exchange ideas, stories, philosophies (half-baked or not), and
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270 so forth. What do you have in mind that requires everyone's identities?
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271
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272 Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit
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273 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@
|
||
|
274 W.V.-
|
||
|
275 I don't have anything in mind that requires anyones identities. You can
|
||
|
276 as far as I'm concered exchange ideas, stories, philosophies (half-baked or
|
||
|
277 not) and so forth. I was only questioning the mos of an emerging culture. CDP
|
||
|
278 @*@*@*@*@*@*@***@*@*@*@*@*@*@**@**@*@*@*@*@*@*@*@@*@*@*@**@*@*@*@**@*@*@*@*@*@
|
||
|
279 FRANCO:
|
||
|
280 Why not get a kaypro instead of an Obscene-1? It appears to me that the
|
||
|
281 Kaypro is the 'Osborne-done-right'.
|
||
|
282 >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> P.V. Jeltz <<<<<<<<<<<<<<<<
|
||
|
283
|
||
|
284 MiG:
|
||
|
285 Mikey is right about the 'Peltier device', also called a thermoelectric
|
||
|
286 device. The amount of heat pumped is somewhat proportional to the current, but
|
||
|
287 a TE device is a rather neat gizmo. They are available from at least one other
|
||
|
288 place than CAMBION. I could look it up if necessary.
|
||
|
289 >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> P. V. Jeltz <<<<<<<<<<<<<<<<<<
|
||
|
290 CDP - I DO NOT CONSIDER IT 'PARANOIA'. THERE ARE THOSE WHO ARE EITHER
|
||
|
291 TOTALLY SELF-CONFIDENT, OR INDIFFERENT TO THE FEELINGS OF OTHERS. I ADMIT
|
||
|
292 THAT I HAVE NOT REACHED THE EXALTED LEVEL OF THE FORMER, NOR YET SUNK TO
|
||
|
293 THE DEPTHS OF THE LATTER. I AM A MERE MORTAL, SUBJECT TO THE SAME FAULTS WHICH
|
||
|
294 PLAGUE MOST OF MY PEERS. IN ORDER TO CO-EXIST WITH THEM, THERE MUST BE
|
||
|
295 CERTAIN CONVENTIONS TO EASE THE FRICTION. BLUNT SPEAKING IS NOT ONE OF
|
||
|
296 THESE CONVENTIONS. ONLY IN SPECIAL SETTINGS CAN TRUE COMMUNICATIONS TAKE
|
||
|
297 PLACE. BACKWATER, WHILE NOT IDEAL, DOES ENABLE THOSE WHO ARE WILLING, TO
|
||
|
298 APPROACH A MORE HONEST EXCHANGE OF VIEWPOINTS. I SUGGEST THAT IF YOU NEED
|
||
|
299 TO KNOW THE TRUE IDENTITIES OF THOSE TO WHOM YOU SPEAK, SEEK OUT THE MORE
|
||
|
300 CONSERVATIVE BULLETIN BOARDS SUCH AS CBBS AND BIT BUCKET, WHERE IDENTITIES
|
||
|
301 ARE DEMANDED AND VERIFIED. THERE YOU CAN FEEL SAFE, POLITELY EXCHANGING
|
||
|
302 YOUR MEANINGLESS PLEASANTRIES WHILE NOT SAYING ANYTHING OF IMPORTANCE AND
|
||
|
303 DEFINITELY NOT INSPIRING THAT MOST DANGEROUS ITEM: CREATIVE THOUGHT.
|
||
|
304 THE `LO'S
|
||
|
305 @**@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*
|
||
|
306 The Lo's -
|
||
|
307 The only thing that I have suggested has that I can question the
|
||
|
308 emergining rituals of this culture and still try to deal with people
|
||
|
309 on a one-to-one basis. My question is still why people have chosen to
|
||
|
310 deal with others on a level of ambivalence. If i don't have a real feel-
|
||
|
311 ing for who you are how can I engage in constructive 'creative thought'
|
||
|
312 with you? These things do not occur in a vacumn. There has to be at
|
||
|
313 least a mininum of trust for these things to occur. I understand that
|
||
|
314 many of the people on this board already know each other. I have not had
|
||
|
315 the oppurtunity to meet these people face to face. What you are suggesting
|
||
|
316 to me is that I can have a better understanding of a person by dealing
|
||
|
317 with them on an impersonal level. Is this really what you are trying to
|
||
|
318 get across? I don't think so. My questions are not meant to be an
|
||
|
319 attack, only questons.
|
||
|
320 CDP
|
||
|
321 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@
|
||
|
322 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
323 The piper listened intently as the newcomer began his story. After he
|
||
|
324 paused, another person remarked in a rather sneering voice that he could tell
|
||
|
325 the 'real' truth. The piper looked in confusion from one to the other, but
|
||
|
326 finally returned to the newcomer at the table. "Continue," the piper said.
|
||
|
327 "Let us hear your story in full. We cannot judge you or your opponent here
|
||
|
328 without facts. Indeed, who are we to judge? We welcome, but do not demand
|
||
|
329 your story -- not only yours but your opponents. We welcome you without any
|
||
|
330 prejudgement, but will judge you on your contributions to our collective
|
||
|
331 reality. And oddly enough," the piper said as he sat down, "we can also
|
||
|
332 accept the one who calls himself Lo -- for it is what you do now, not your
|
||
|
333 past that matters. The telling of the tale, not the living that produced
|
||
|
334 the memories is the stuff from which the inn is built.
|
||
|
335 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
336 To the person asking about names --
|
||
|
337 Names have a peculiar and oftimes stulifying power. To take a name is to
|
||
|
338 take on many of the attributes that that name connotes. Many of us at the
|
||
|
339 inn chose names for rather personal reasons, or choose them for a freedom that
|
||
|
340 our mundane names lack. In addition, should you wish to articulate a point
|
||
|
341 of view that you really would not like to be personally identified with, yu
|
||
|
342 have the complete freedom to choose another name under which to pomulgate your
|
||
|
343 views and defend your position. (A certain Frank was sure that he used a
|
||
|
344 different name not to long ago, I'm sure!) If you wish to take part in flights
|
||
|
345 of fancy, you can indicate that by the name you choose. You can choose to
|
||
|
346 interact with use under multiple names -- if you have something to say that
|
||
|
347 has several points of view, choose a name for each point of view and show us
|
||
|
348 the complete arguement. We are not necessarily debating. There is no
|
||
|
349 "inner game" subset of a zero-sum outer game -- the game is for each point
|
||
|
350 you score, everyone at large gains. For each loss we are all diminished.
|
||
|
351 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
352 ()#"(%%#")(%")#(%"#)(%%")#(%!("*#+(%*!"(%*"(%*"()%*)"%=%)"=#!%)"#(%"*%(!"=%
|
||
|
353 CDP : I hate to bring up such mundane trivialities, but if within you burns
|
||
|
354 this overpowering desire to know who is who, and to associate backwater
|
||
|
355 character with real name and face, I encourage you to attend the 2nd almost
|
||
|
356 annual Not Another Pizza Party. The reason it is not annual is that it has
|
||
|
357 only been about 11 months since the last party. Our last gathering was, at least
|
||
|
358 for me, quite successful. It was indeed fun to match backwater personalities
|
||
|
359 with flesh and bone reality. I can't give you the exact date, some other good
|
||
|
360 irregular will have to do that. I can tell you that the location is the MT
|
||
|
361 Bottle and Deli, which is a nice little deli over near Jantzen Beach.
|
||
|
362 MIKEY : I seem to recall you saying something about not being in the party
|
||
|
363 mood. Is this true? It sould be nice to have the guest of honor at the NAPP.
|
||
|
364 I bet the rest of us can even pool our resources to buy you your meal and one
|
||
|
365 of those fine ales the MT is so famous for. Instead of the innkeeper, you can
|
||
|
366 be the innkeepy for awhile. Wadaya say???
|
||
|
367 LO : My you seem like a rather spitefull person. Is your reaction to stories
|
||
|
368 always so strong, or is this some sort of special case? You seem to be taking
|
||
|
369 a different tack from the others...
|
||
|
370 Aaron : Any progress? And would you please turn that stereo down!!!
|
||
|
371 %#"(%*"(#%*#("*%*"(#"(!) l'homme sans parity )'$"#('$)"$(#")$'"#%'")%'"#)%"#
|
||
|
372 AND BEFORE I FORGET, AFTER LOOKING AT SUNDAY'S SPORTS SECTIONS...
|
||
|
373 GO DUCKS!
|
||
|
374 AND WHERE DO THEY GO?, ASKS THE SPORTS NOVICE. TO THE TOP OF THE PAC10, AND
|
||
|
375 ONWARD, I REPLY.
|
||
|
376 --------------------
|
||
|
377 It is nearly uncontrollably enticing to comment on so much of the quality of
|
||
|
378 thought and style offered by patrons here...but then, on the continuum of
|
||
|
379 quality, most of your thoughts, arguments, pseudonyms, mental gyrations,
|
||
|
380 vocabularies, spelling, punctuation, and witticisms have negative values!
|
||
|
381 ---------------------- Too bad....for Today and Tomorrows -------------------
|
||
|
382 ~~~~~~~~~~~~~~~~~~~~~~~~~~84 Sept 16 1133~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
383 Hello, It seems that messages scroll through this system fairly quickly.
|
||
|
384 I presume that means you have to be on just about everyday to be able to use
|
||
|
385 it successfully. Nicht wahr? That's time consuming! And a problem for anyone
|
||
|
386 who has a busy schedule. Perhaps this system is not for some people.
|
||
|
387 Anyway, I took a file copy of the messages from top and I will peruse them
|
||
|
388 to determine if there is anything worth responding to. Otherwise, take care!
|
||
|
389 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~TROLL~~~~~~~~~~~~~~~~~~~~~~
|
||
|
390 ~~~~~~~~~~~~~~~~~~~~~~~~~~84 Sept 16 1150~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
391 Well, the only thing I did see of interest was the debate on names.
|
||
|
392 Consider it logically, a name is a pointing device. It is a means of
|
||
|
393 identifying a known individual (or, better perhaps, a known persona).
|
||
|
394 If you behave in some given fashion while under the assumption of some
|
||
|
395 name, then that manner of behavior is the person identified with that
|
||
|
396 name. If you switch names to often then each of the identities becomes
|
||
|
397 a mere chimera - an apparition of no substance. On the other hand, if you
|
||
|
398 switch between to modes of behavior while using a single name, then you
|
||
|
399 are inconsistent and people will think you to be slightly schiziod.
|
||
|
400 The only proper way to live is to keep your multiple identities consisten
|
||
|
401 with the name you have chosen for each.
|
||
|
402
|
||
|
403 Now it is possible to have several pointers all identifying the same object.
|
||
|
404 In this case, you have a single individual with many names. For the most
|
||
|
405 part, this is a common occurrence. I know of an individual who was known
|
||
|
406 to some as "Mom", to others as "Julia", others as "Mrs. Smith", and others
|
||
|
407 as that "!@#$%^&* :?~+*&#%$@" [does obscenity offend anyone here? if so
|
||
|
408 please delete the reference to :?~+*&#%$@]. In this ladies case, there
|
||
|
409 were two identities - each of which had two persona.
|
||
|
410
|
||
|
411 For a while I spent some time thinking about the sociological value of
|
||
|
412 names. How often have we associated name with reputatation. To me, they
|
||
|
413 are synomynous. My name is of value. And there are other times when I
|
||
|
414 would prefer anonymity. Yes, I sometimes wish to hide my actions. Not so
|
||
|
415 much because I am ashamed of them, but because I interface to a world that
|
||
|
416 does not have sufficient understanding and perspective to appreciate all
|
||
|
417 of me. Many of the people who I must deal with professionally would never
|
||
|
418 understand a certain weekend in Texas.
|
||
|
419 There is a lot more to add to this subject. But I should not monopolize
|
||
|
420 (or is it, monologue). Besides, there are some important efforts to get
|
||
|
421 done today. Take care all.
|
||
|
422 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~TROLL~~~~~~~~~~~~~~~~~
|
||
|
423 (-)_(-)---------______ _____ xxxxxxxxxxxxx::::::::::/\/\/\///\\\=-=-=-==-=-
|
||
|
424 TROLL: Your comment about calling in every day to get on. Yes, if you
|
||
|
425 want to be like CDP call in every 5 minutes to see if there is a
|
||
|
426 new message then you can reply to it.
|
||
|
427 Names are important, I should know a little on this matter since
|
||
|
428 I have had about 30-35 names on this board alone along with boarders.
|
||
|
429 It is nice to meet a person face to face and it might be just the
|
||
|
430 opposite too. It would be good to go to something like a 'Pizza Party'
|
||
|
431 to see the people on Backwater. I think something like that could help
|
||
|
432 a lot. But the people in this system probably wouldn't agree with what
|
||
|
433 I have said and probably don't care either.
|
||
|
434 CDP: Just one question, why do you call so many times in one day? Do you
|
||
|
435 think that your interests are much more important than everyone else?
|
||
|
436 Just why DO you call so much?
|
||
|
437 (-)_(-):=:=:=:+:+:+:+|+|+|+||_|_|_|_"/."/."/."/.%\%\%\%\%\%\%Mark{}{}{][][][][]
|
||
|
438
|
||
|
439 Frankly, I don't give a rat's furry behind about any of it!
|
||
|
440 ^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^$^
|
||
|
441 ALL - If it will not be vandalized, here is another comment about the
|
||
|
442 N.A.P.P. (Not a pizza party, a name coined by the innkeeper last
|
||
|
443 year in view of the general quality of food at pizza restaurants)
|
||
|
444 The time selected (or suggested) was 1900 on 5-OCT-1984 at the
|
||
|
445 MT bottle and deli. Let us see a show of hands. (One per body
|
||
|
446 please, not one per name. Last time six people showed up and
|
||
|
447 only took one chair. Big Bill Broozy, I believe)
|
||
|
448
|
||
|
449 MIKEY - I agree, someone, or a collection of someones, will find the funds
|
||
|
450 to purchase one of the reuben's that MT is famous for, as well as
|
||
|
451 a stout or to (or three or four). It was interesting last time,
|
||
|
452 I am sure it would be this time.
|
||
|
453
|
||
|
454 RISKERS - Are there six who would like to play ? I know of one. If there
|
||
|
455 are 5 others, we can then decide on a board to play on and other
|
||
|
456 important info.
|
||
|
457
|
||
|
458 ALL - Read the editorial cartoons in The Sunday Oregonian. Quite amusing,
|
||
|
459 albeit sad.
|
||
|
460
|
||
|
461 ^$^$^$^$^$^$^$^$^$^$^$^$^$ Laissez-faire $^$^$^$^$^$^$^$^$^$^$^$^$^$^$^
|
||
|
462 ....................... HELI ................................
|
||
|
463 To All of the Inn
|
||
|
464 The OCTOBERFEST ends today. Why not attend and enjoy a Poka,
|
||
|
465 a sausage and a beer ?
|
||
|
467 Ever seen Upper State New York in the autumm ? This North-
|
||
|
468 west boy was impressed !!!
|
||
|
470
|
||
|
471 ...............................................................
|
||
|
472 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
|
473 FROM PROMETHEUS: THE STYLIZED
|
||
|
474 IF ANYONE HAS A THURSDAY ISSUE OF THE OREGONIAN TURN TO STYLE SECTION PAGE SIX AND FIND ME.
|
||
|
475 IF ANYONE REALLY WANTS TO KNOW MY REAL NAME IT IS LISTED THERE (PROMETHEUS HAWTHORNE)
|
||
|
476
|
||
|
477 IS THE CONTROL SPACE (&1A) THE STANDARD DELAY CHARACTER YET? I WOULD REALLY LIKE A QUICK REPLY SO I CAN MODIFY MY TERMINAL
|
||
|
478 AS SOON AS POSSIBLE.
|
||
|
479
|
||
|
480 MAN IN GRAY; NON- FUNCTIONING INTERFACE CARD?!? WHAT THIS?!?
|
||
|
481 RISKERS; I WOULD LOVE TO PLAY A GAME. AND I'M AVAILABLE ALMOST ALL TIMES.
|
||
|
482 NAPPERS; OCTOBER FIFTH IS FINE WITH ME, HOW MUCH MONEY ARE TO CONTRIBUTE TO THIS ENTERPRISE?
|
||
|
483 PATRONS IN GENERAL; I AM TO RECEIVE A COMMUNICATIONS CREDIT FOR GIVING HARD COPY ARCHIVES TO MY COUNSELOR. I NEEDED ONLY TO
|
||
|
484 TELL HER ABOUT THE NATURE OF BLACKWATER AND SHE ACCEPTED.
|
||
|
485 IT MIGHT BE ADVISABLE FOR SOME OTHERS TO TRY TO GET A CREDIT FOR IT.
|
||
|
486 AM GOING AWAY NOW. SEE YOU.
|
||
|
487 PROMETHEUS HAWTHORNE SD8409.14
|
||
|
488 FROM IKV DENTHIER... MT2???.??
|
||
|
489 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
|
490 ?????????????????????????????????????????????????????????????????????????
|
||
|
491 Prometheus - Control Space is 1AH? That is normally considered Control Z.
|
||
|
492 In any case, it is a normally non-displayed character (for me), but I have set up
|
||
|
493 my terminal program to print out a certain graphics character when encountering ^Z.
|
||
|
494 On the other hand, if I download the file, then read it using most of my text
|
||
|
495 reading programs, ^Z causes a line feed. If that is one of the control characters
|
||
|
496 that get removed when Mikey moves the file to DB, then that is no problem either.
|
||
|
497 All in all, I have no real negative feelings about your using X'1A' as your delay character.
|
||
|
498 (there are some I would prefer, but we can't please everyone).
|
||
|
499 I glanced thru the Oregonian section you mentioned (trying to see what
|
||
|
500 I'm missing out on), but I didn't look closely enough to notice you. Outside of the
|
||
|
501 settings in which I am used to seeing you, I probably wouldn't recognize you anyway.
|
||
|
502 (not being a people-oriented person...)
|
||
|
503 ???????????????????????? QUIZMASTER ???????????????????????????????????
|
||
|
504
|
||
|
505 TROLL -
|
||
|
506 You haven't missed anything. You're last message is still on disk b. If you weren't aware that there was a disk b, to
|
||
|
507 get there just type DB at the > prompt. Your last message ended at line 563. Now type 563 at the > prompt, and you will find
|
||
|
508 yourself where you left off.
|
||
|
509
|
||
|
510 Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-Wombat-Vomit-
|
||
|
511 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
|
512 Laz: Are you sure it was Mikey who coined "NAPP"? Aaron
|
||
|
513 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
|
514 (later...) Mig: I havn't tried calling David for about a week... However; if
|
||
|
515 you need to get ahold of him, he is probably at his Mother's house. Will try
|
||
|
516 and scrape the RT-11 disks up.... Aaron
|
||
|
517 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
||
|
518 Prometheus: Please do *NOT* use ^Z as the delay character. It can cause
|
||
|
519 far too many problems on my Model 100. (It can terminate my connection, or
|
||
|
520 if I'm downloading with the WRONG program setup it can scramble my file
|
||
|
521 pointers!)
|
||
|
522 NAPP: 10/05/84 sounds ok to me...
|
||
|
523 CDP: I can't remember any names at the moment, but MANY cultures believe
|
||
|
524 that knowing someone's "true name" gives you mystical power over them
|
||
|
525 Also, WHY do you equate not knowing someone's "real" name with "impersonal
|
||
|
526 interaction"? I knew a close friend for YEARS before I found out that his
|
||
|
527 real name was not what I'd know him by (he was known by a nickname because
|
||
|
528 he'd been named after his father).
|
||
|
529 By your reasoning pen pals are impersonal relationships, after all,
|
||
|
530 they haven't met face to face!
|
||
|
531 _______________________________________Leonard______________________________
|
||
|
532 *******************************************************************
|
||
|
533 Most definately DO NOT use the control Z! It happens to be the clear
|
||
|
534 screen character for over 25% of the microcomputers in existance!
|
||
|
535 A rather large number of terminals generate a null (00) if you do a
|
||
|
536 control space. Most notible ADM3A's and many DEC terminals.
|
||
|
537 Personally, I vote for using the control C.
|
||
|
538 I might also point out that the control Z happens to be the end of file
|
||
|
539 marker for CPM systems, which I am sure a number of people would very
|
||
|
540 disturbing to be randomly ploped around in their files.
|
||
|
541 **********************************************************************
|
||
|
542 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
|
||
|
543 Hum, as I recall, Jonathan's message delt with his desire to have a name,
|
||
|
544 any name, to call people by when he replied to there messages. Interesting,
|
||
|
545 if BW will argue over anything this trivial, then it must be time for a
|
||
|
546 *REAL* argument.
|
||
|
547 Aaron:Hum, you have the number for his mothers place? I sure don't!
|
||
|
548 NAPP:Just *WHERE* is the MT bottle&deli? it would help me find out weither I
|
||
|
549 can go or not. Or is the whole idea not to have me go? (getting paranoid)
|
||
|
550 Prometheus:What is Crispens real name? does she have one? does Flipper have
|
||
|
551 one?
|
||
|
552 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/MiG/? ? ? ? ? ? ? ? > ? ? ? ? ? ? ? ? ? ?/
|
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|
553 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
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||
|
554 Milchar was in a hurry. Astral travel, while tiring, was the fastest mode
|
||
|
555 available. There was so much that was happening at the Inn that Milchar had
|
||
|
556 difficulty tracing all of the thought patterns in the ether. Maybe Voyeur
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||
|
557 would help fill in a few of the scetchy areas since his last contact, about
|
||
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558 a week or so ago as time runs in one reality.
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|
559 Nearing his destination, Milchar grasps the Amulet and concentrates.... and
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560 S->H->I->F->T->S into the Inn's reality... in one of the darker corners of
|
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561 the common room. The first thing that Milchar noted was that the Inn was
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562 in a state of disrepair. He found the reason floating at the top of the
|
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563 Innkeeper's conscience: Pam was nowhere to be found. Milchar was saddened.
|
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|
564 Piper had just finished a tune. Mayhap that was what speeded his arrival.
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565 Just then, Milchar spied Voyeur at the far side of the room, near Piper...
|
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566 +++++++++++++++++
|
||
|
567 So much to say, so little time to say it... it's now 11:33 pm on 9/16/84,
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568 and I have to go to school tomorrow... I would like any/all information on
|
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|
569 N.A.P.P. on the 5th, as I don't know exactly where it is. The ComputerFair
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||
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570 sounds good, and a story about the Ruby Valley to come...
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||
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571 Milchar, M.C.P. (Mad Commodore Programmer)
|
||
|
572 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
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573 ::::::::::16Sept84:::O O:::::::::::::::::::O O::::::23:55:::::::::::::::
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||
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574 As near as I can tell, the MT Bottle & Deli (the site of the NAPP), is
|
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575 at 11925 N Center, which I believe is somewhere in the vicinity of Jantzen Beach.
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576 (that is Definitely outside of my normal stomping grounds, so I am guessing
|
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577 based on what I vaguely recall reading in the Archives of the first NAPP).
|
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|
578 The time/date so far seems to be Friday, October 5th Post Mortem.
|
||
|
579 Currently, the big hangup seems to be trying to bribe Mikey to attend.
|
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|
580 MiG: I believe that Jonathon Chance was merely asking that people put SOME
|
||
|
581 identification on their messages. Remember how hard it was to address [*=*] ?
|
||
|
582 Then, it was CDP who entered the arena and started the discussion
|
||
|
583 on the use of TRUE identities. I have thoughts on the matter, but voyeur is
|
||
|
584 NOT the personna I use for discussions/debates/arguements. I shall remove
|
||
|
585 this hat and put on one more appropriate for the subject.
|
||
|
586 (as [I think it was piper] mentioned, some of us have personnas for different
|
||
|
587 purposes. We are all two-dimensional people here, not well-rounded.
|
||
|
588 (drat - there I go, getting out of my proper realm...))
|
||
|
589 ::::::::::::::::::O O::::::::::voyeur::::::::::::O O::::::::::::::::::::
|
||
|
590 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
|
591 FROM HAWTHORNE: THE COMMONLY
|
||
|
592 I AM IN THE STYLE SECTION; I SWEAR IT!
|
||
|
593 CRISPIN'S REAL NAME IS CRISPIN HEIDEL, AND FLIPPER'S IS SARAH ADAMS, OF THE ADAMS FAMILY.
|
||
|
594 THERE WAS A TIME (WESTERCON ) THAT THERE WERE FIVE SARAH'S TO DIFFERENTIATE BETWEEN. SO SHE POPPED UP WITH THE NICKNAME WE
|
||
|
595 ALL KNOW AND LOVE.
|
||
|
596 WHEN SHE WENT TO V-CON A MAN NAMED PHIL FOGLIO AUTOGRAPHED HER THUSLY;
|
||
|
597 TO FLIPPER, A GIRL WITH A PORPOSE. PHIL FOGLIO
|
||
|
598 WE ALL KNOW AND LOVE.
|
||
|
599
|
||
|
600
|
||
|
601 CONTROLLERS; I THOUGHT THE HEX OF CNTRL- SPACE WAS &1A. IN ANY CASE, I HAVE SINCE HEARD THE SUGGESTION OF CONTROL O. IS
|
||
|
602 *THIS* OKAY?
|
||
|
603 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
|
604 -----------------------------------------------------------
|
||
|
605 Please do not use a control O it causes my terminal to go into graph mode.
|
||
|
606 --------------------------------------------------------------------------
|
||
|
607 But please try to use some self-control. That doesn't bother my terminal at all!
|
||
|
608 --------------------------------------------------------------------------
|
||
|
609 Yes, but that doesn't help my feeling so depressed. Sigh...
|
||
|
610 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
611
|
||
|
\\ This is the MSD-PS SAT-COM Network
|
||
|
612
|
||
|
|
||
|
613
|
||
|
\\ Call (206) 695-xxxx
|
||
|
614
|
||
|
|
||
|
615
|
||
|
\\ This is the MSD-PS SAT-COM Network
|
||
|
616
|
||
|
|
||
|
617
|
||
|
As light fell upon my faceshield, a howl of the night crept to
|
||
|
618
|
||
|
my ear. Is it thy brother's spirit un leashed at rage's delight?
|
||
|
619
|
||
|
Of course not! It is only thy own's
|
||
|
620
|
||
|
calling of pain......
|
||
|
621
|
||
|
The acceleration of my viper put me back into my seat with a G force
|
||
|
622
|
||
|
greater than ever.
|
||
|
623
|
||
|
|
||
|
624
|
||
|
<to be continued soon..>
|
||
|
625
|
||
|
This is the MSD-PS SAT-COM Network
|
||
|
626
|
||
|
|
||
|
627
|
||
|
Ken the Creator
|
||
|
628 Damn! I miss Pam too!
|
||
|
629 ++++++++ T ++++++++++++++++
|
||
|
|
||
|
>
|