575 lines
40 KiB
Plaintext
575 lines
40 KiB
Plaintext
|
LI
|
|||
|
FILE ON
|
|||
|
MARGIN IS 80
|
|||
|
STATUS: ALL ALLOWED
|
|||
|
NUMBER OF LINES: 568
|
|||
|
1 If you are in need of help, you need but ask....
|
|||
|
2 ********************** REMOVED: 29 MAY 84 ******************
|
|||
|
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
|||
|
4 ************************************************************
|
|||
|
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
|||
|
6 PLACED ON THIS SYSTEM.
|
|||
|
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
|||
|
8 and operated system which is currently open for use by the general public.
|
|||
|
9 No restrictions are placed on the use of the system. As the system is
|
|||
|
10 privately owned, I retain the right to remove any and all messages which
|
|||
|
11 I may find offensive. Because of the limited size of the system, it will be
|
|||
|
12 periodically purged of messages. (only 629 lines of data can be saved)
|
|||
|
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
|||
|
14 ENTER mode. The message is automatically stored. If after entering the
|
|||
|
15 message you find you made a mistake, use the replace command to replace
|
|||
|
16 the line. To exit from the system, type 'OFF' then hang up.
|
|||
|
17 Type 'HELP' to see other commands that are available on the system.
|
|||
|
18 ************************************************************
|
|||
|
19
|
|||
|
20 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
|||
|
21 Oh my, golly gee, I'm on top!
|
|||
|
22 ::::::::::::::::::::::::::::::::
|
|||
|
23 Morby ate his meal slowly and without interest. After he had finished he
|
|||
|
24 and Dawg went into their room to grab some esentials, including his sword. He
|
|||
|
25 left the Inn and went to look for the book worm fellow. After a bit, he found
|
|||
|
26 the Lazy One under tree, absorbed in a tome of some sort.
|
|||
|
27 " Sorry to bother you like this, but I'd really like something to read.
|
|||
|
28 Maybe something on the art of wandering, or something on that line."
|
|||
|
29 The Lazy One glanced up, and then a look of comprehension appeared on his
|
|||
|
30 face.
|
|||
|
31 " How about a comprehensive text an thieving talents?"
|
|||
|
32 " Down my alley...sounds wonderful."
|
|||
|
33 The book materialized before his Morby's eyes.
|
|||
|
34 " If you would please sign it out...I don't like losing my books."
|
|||
|
35 Morby went through the process of signing the book out, and looked for a
|
|||
|
36 place to read. After some looking around, he settled for a patch of grass
|
|||
|
37 next to a tree, and with Dawg's head at his feet, he began to read.
|
|||
|
38 ::::::::::::::::::::::::::::::::
|
|||
|
39 Sorry if I used your character incorrectly, but I wanted some interaction.
|
|||
|
40 Lord Morby....
|
|||
|
41 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
|||
|
42 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ (Back to 120 columns!) +++++
|
|||
|
43 (Due to a large demand that SOMETHING happen, I shall try my best...)
|
|||
|
44 ... a man of amazing stature and an absolute evil look about him entered. He calmly looked about, and said in a low
|
|||
|
45 voice, "Danger Room?" Milchar and the Doctor exchanged worried glances, and silently agreed. "Lead on."
|
|||
|
46 The two travellers turned about and lead the man through a maze of tunnels, corridors, and side passages, untuil at
|
|||
|
47 last they arrive at a set of double doors of massive size. "K-9, activate the Dager Room, Danger Level 'Maroon'.
|
|||
|
48 Validation code: cheeseburger." K-9 replies, "Room activated, confirmed validation code. Room is now LETHAL, Master."
|
|||
|
49 The double doors slide aside, as the three combatants enter to commence their silent challenge.....
|
|||
|
50 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Milchar & The Doctor +++++++++++++
|
|||
|
51
|
|||
|
52 ##########################################################################################
|
|||
|
53 NOW THAT'S BETTER. I DON'T UNDERSTAND IT, BUT AT LEAST IT'S ORIGINAL. GOOD WORK. MAX
|
|||
|
54 ##########################################################################################
|
|||
|
55 &%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%
|
|||
|
56 Pam, if you're out there, this is for you:
|
|||
|
57
|
|||
|
58 "My heart has rooms that sigh with dust
|
|||
|
59 And ashes in the hearth.
|
|||
|
60 They must be cleaned and blown away
|
|||
|
61 By daylight's breath.
|
|||
|
62 But I cannot essay the task,
|
|||
|
63 For even dust to me is dear;
|
|||
|
64 For dust and ashes still recall,
|
|||
|
65 My love was here.
|
|||
|
66
|
|||
|
67 "I know not how to say Farewell,
|
|||
|
68 When that Farewell is the word
|
|||
|
69 That stays alone for me to say
|
|||
|
70 Or will be heard.
|
|||
|
71 But I cannot speak out that word
|
|||
|
72 Or ever let my loved one go:
|
|||
|
73 How can I bear it that these rooms
|
|||
|
74 Are empty so?
|
|||
|
75
|
|||
|
76 "I sit among the dust and hope
|
|||
|
77 That dust will cover me.
|
|||
|
78 I stir the ashes in the hearth,
|
|||
|
79 Though cold they be.
|
|||
|
80 I cannot bear to close the door,
|
|||
|
81 To seal my loneliness away
|
|||
|
82 While dust and ashes yet remain
|
|||
|
83 Of my love's day."
|
|||
|
84
|
|||
|
85 Pitchwife
|
|||
|
86 &%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%
|
|||
|
87 +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
|
|||
|
88 I might as well enter A message on here also,
|
|||
|
89 is there a game going on over this System?
|
|||
|
90 I keep seeing messages about "A Bard"
|
|||
|
91 Well, I am slowly learning this system.
|
|||
|
92 +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+The Zorker.+-+-+-+-+-+-+-+-+-+-+-+
|
|||
|
93 1
|
|||
|
94 1
|
|||
|
95 2
|
|||
|
96 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|||
|
97 Zorker:There is no 'game' here per se, but the people (all-inclusive term) here enjoy a little aventure. Yes, the
|
|||
|
98 Bard is one such person; I am another. If you feel the urge to join us, do so! We need all the imagination we can
|
|||
|
99 get (even though we are never short).
|
|||
|
100 ++++++++++++
|
|||
|
101 The three fighters move to the opposite sides of the large hexagonal chamber, the roof being easily 300 yards high
|
|||
|
102 and the diametercould just as easily be over 200 yards. Trees, bushes, even a river decorate the scene, the illusion
|
|||
|
103 of which is only ruined by the whirr of mdeath machinery sliding into place. In the center of the room is placed the
|
|||
|
104 items that will serve as 'prizess' for the winners:K-9, The Amulet of Zelgar, and The Key of Time. As a bonus, your
|
|||
|
105 enemy is destroyed (convienient, is it not?)
|
|||
|
106 Abruptly, vesta-cannons erupt with deadly violet flame that wreaks havoc wherever the remote aims itself. A hum in
|
|||
|
107 the air preceeds dozens of small jet-like aircraft the size of paper airplanes that deal out a less pleasandt demise...
|
|||
|
108 +++++++++++++++++++++++++++++++++++++++++++++++++++++++ Milchar ++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|||
|
109 (How'm I doin', folks?)
|
|||
|
110
|
|||
|
111
|
|||
|
112 ----------------------------------------
|
|||
|
113 Hawthorn:try welding,car repair,building things works great wonders!
|
|||
|
114 Quizmaster:a heartfelt thanks! yes,I should not expect reality from
|
|||
|
115 thease people,how stupid of me.
|
|||
|
116 Hawthorn again:never,but NEVER talk about religion!
|
|||
|
117 -------------shtoner--------------------
|
|||
|
118
|
|||
|
119 ::::::::::::::::::::::::::O O::::::::::::::::::O O::::::::::::::::::::::
|
|||
|
120 Shtoner: if you are an alter-ego of a pre-existing BackWater Innhabitant,
|
|||
|
121 I will assume that you are merely trying to disguise your identity.
|
|||
|
122 If you are a truly new visitor, here's a short explanation of how the Inn seems
|
|||
|
123 to work. It has cycles. For a while, it is mainly fantasy, essentially a verbal
|
|||
|
124 D&D game; sometimes good, sometimes not so. Currently we seem to be in the
|
|||
|
125 mediocre mode. After a while, the pendulum swings, and the bulk of the messages
|
|||
|
126 relate to something "relevant". Usually it ends up being a 'discussion' of religion. That's when a person named Aaron becomes
|
|||
|
127 active, also the few female members are heard from then too. Other topics such as anarchy are tried, but somehow also end
|
|||
|
128 up being about religion. That finally dies down, and the multi-authored
|
|||
|
129 stories start up again... If you see one going that looks interesting, figure
|
|||
|
130 a 'logical' way of joining in (logical within the bounds of the story, anyway).
|
|||
|
131 If you want to try something different, try offering a story line. Someone
|
|||
|
132 might also find it interesting, and pick up on it. Luck!
|
|||
|
133 :::::::::::::
|
|||
|
134 Milchar: a very intriguing story you have going. Is it based on something
|
|||
|
135 in particular, or is it entirely invented?
|
|||
|
136 Are the weapons controlled mentally; the arena a miniature world (the gods playing at war?)
|
|||
|
137 Do you have any idea where it's going, or are you just 'winging' it? I'm interested.
|
|||
|
138 :::::::
|
|||
|
139 L'homme: donde estas?
|
|||
|
140 ::::::::::::::::::::::::::::::O O:::::::voyeur::::::::::O O::::::::::::
|
|||
|
141
|
|||
|
142 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
143 Far away from the familiar haunts of the inn, the piper was travelling a very
|
|||
|
144 strange path. His kilt was stained with travel, and his brouges dusty with many
|
|||
|
145 miles, but his step was steady. The path shown beneath his feet with a steady
|
|||
|
146 silvery light, sparkling up as his feet lightly scuffed the surface. Above, in
|
|||
|
147 negative, shown the image of the path.
|
|||
|
148 As he walked, his pipes carried at his side, the very air about him seemed to
|
|||
|
149 flash and change with his motion. Occasional side roads would appear, and he
|
|||
|
150 would peer down them, shake his head, and continue. Once, he seemed ready to
|
|||
|
151 go to the end of one side road, but the golden collar shaped like a dragon that
|
|||
|
152 encircled his throat pulsed a warning at him, and he turned back to the main
|
|||
|
153 path. Finally muttering "I've got to get some rest somewhere!", he took a
|
|||
|
154 likely looking side path. As his feet left the main pathway, the continual
|
|||
|
155 flikering slowed, and it seemed that he moved through three-dimensional images
|
|||
|
156 that shifted abruptly as he travelled. He stopped once or twice and examined
|
|||
|
157 the scenes he saw, but moved on quickly.
|
|||
|
158 At last he came to an unoccupied meadow with a small brook bubbling through
|
|||
|
159 the center of it. Moving as though down a steep hill, he stepped into the
|
|||
|
160 meadow -- the shining path disappeared behind him. Evening was just falling in
|
|||
|
161 the meadow, the piper quickly made a fire, stored his pipes in a fabric cover to
|
|||
|
162 protect them from the damp, wrapped himself in his plaid to protect himself
|
|||
|
163 from the gathering chill and toasted a half-loaf of bread over the coals.
|
|||
|
164 Taking a large chunk of cheese from his sporran, he propped it on a framework
|
|||
|
165 of twigs near the fire. As the heat melted the cheese, he scooped it with
|
|||
|
166 toasted morsels of the bread. After eating his fill, the piper returned the
|
|||
|
167 bread and cheese to his sporran, took a drink of water from the brook, then
|
|||
|
168 came and sat by the fire. Streching out, he began to wonder what had happened
|
|||
|
169 with his friends at the inn. What strange creatures had come in that weather-
|
|||
|
170 beaten and weapon-scarred door? What strange fluids had been passed over that
|
|||
|
171 blackened bar-top? As he speculated, he became aware of thin, colored, gauze-
|
|||
|
172 like filaments filling the air. Idly, he reached out his forfinger and spun a
|
|||
|
173 green-colored one around it. Looking at the colors, he felt a slight resistance
|
|||
|
174 as he dropped off to sleep.
|
|||
|
175 21
|
|||
|
176 [][][][][][][][][][][][][][][][]
|
|||
|
177 [][][][][][][][][][][][][][][][]
|
|||
|
178 [][][][][][][][][][][][][][][][]
|
|||
|
179 WELL NOW.ISN'T THIS GREAT.I
|
|||
|
180 `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `'
|
|||
|
181 It had been a long voyage and many diverse realities since the ancient
|
|||
|
182 practitioner had seen his friends, of that convoluted eddy known as "The
|
|||
|
183 Backwater". First there had been the trans-time, cross-discipline, enrichment
|
|||
|
184 conference. The King, of course, had insisted that there be a representive
|
|||
|
185 in attendance. Considering most of the papers that were read, he suspected
|
|||
|
186 the reasons were more political than academic. Really, a two hour treatise on
|
|||
|
187 determining the artistic or intellectual bias of the individual, based on
|
|||
|
188 whether they install the roll of toilet paper in the holder with the loose
|
|||
|
189 end rolling off the front or the back. The trip, however, had not been void
|
|||
|
190 of merit. In his discussions with other attendees he had picked up a paradox
|
|||
|
191 or two. "A Pair of Paradoxum", now that had a multitude of possibilities. One
|
|||
|
192 of the items was the funniest joke ever told. There was one slight problem.
|
|||
|
193 When someone heard it told, they laughed so hard that they died laughing. How
|
|||
|
194 one can learn the story, and remain in existence was a story in itself. Maybe
|
|||
|
195 the folks at the Inn would find it amusing. He had set sail for there some
|
|||
|
196 days previously, but a great deal more water would flow under the keel before
|
|||
|
197 he made landfall again.
|
|||
|
198 As he stretched out on deck in the tropical sun, his mind ranged out to
|
|||
|
199 pick up any hint of mental activity. What was that? ## ~~~~~~~~~ @^@^%@!%#*&
|
|||
|
200 ----- _______ ++++ ******** [][][][][ jjjj pppppppppppp... ## He sat up quite
|
|||
|
201 suddenly, his mind spinning wildly. There was a great familiarity to the
|
|||
|
202 pattern. Perhaps, if he brought his own mind to a more precise focus... With
|
|||
|
203 that thought he relaxed and surrendered himself to the gentle swaying of the
|
|||
|
204 boat's motion.
|
|||
|
205 `' `' `' `' `' -alchemist- `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `' `'
|
|||
|
206 Lord Morby: That's "ridding" not "riding"! (I have this picture of you sitting
|
|||
|
207 astride the world of evil...)
|
|||
|
208 __________________________________Leonard__________________________________
|
|||
|
209 Voyeur: try checking your Laumer collection for "Worlds of the Imperium" and its
|
|||
|
210 sequels. One of them (the one with the apes) has Bayard using an improvised
|
|||
|
211 vehicle for crossing the world-lines.
|
|||
|
212 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
213 Lazy one: I can't seem to find that quote in the source that the last two came
|
|||
|
214 from? (By the way, how IS Ahz these days?)
|
|||
|
215 "The only thing more reliable than magik is one's friends"
|
|||
|
216 MACBETH
|
|||
|
217 .....................................the apprentice.............................
|
|||
|
218 ????????????????????????????????????????????????????????????????????????
|
|||
|
219 HAWTHORNE--I think that you are really starting to push it. Why don't you
|
|||
|
220 go on vacation for a week?
|
|||
|
221 ????????????????
|
|||
|
222 Piper--so glad to have you back! It's so refreshing to have one of
|
|||
|
223 our quality writers rejoin us. (Now, where's PAM?)
|
|||
|
224 ?????????????????
|
|||
|
225 Milchar--the banana is 5 3/4 inches long. Unfortunately, that is the only
|
|||
|
226 answer given in the book. If you want to see how it's done, it's up to you.
|
|||
|
227 ??????????????????????????? QUIZMASTER ?????????????????????????????????
|
|||
|
228
|
|||
|
229 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
230 YES ZORKER; THERE ARE MANY D+DERS, A LOT OF OTHER STUFF ERS AND SOME OF US
|
|||
|
231 EVEN READ OCCASIONALY. I'VE NEVER ZORKED MYSELF BUT I KNOW SEVERAL
|
|||
|
232 WHO HAVE.
|
|||
|
233 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
234 JJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJTMNXIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
|
|||
|
235 "DON'T WORRY TOOO MUCH. I'M NOT GOING TO PUT US TO COUNCEL ANY IMMEDIATE
|
|||
|
236 MOMENT. ITS JUST PART OF MY FUNCTION TO ASK THOSE QUESTIONS SOMETIMES."
|
|||
|
237 THEMNAX BOUGHT FAST FRED A GARGLE-BLASTER AND ANOTHER FOR HIMSELF. HE HANDED
|
|||
|
238 THE BARKEEP A NINGY AND TOLD HIM TO KEEP THE CHANGE. "I WONDER IF EITHER
|
|||
|
239 OF YON CAT-LIKE CRITTERS LIKES ETHANOL?" HE THOUGHT TO HIMSELF.
|
|||
|
240 HE BARROWED A LARGE EMPTY BOWL FROM THE BAR AND POURED HALF OF HIS DRINK
|
|||
|
241 INTO IT AND SET IT ON THE FLOOR NEAR GREENEYES.
|
|||
|
242 JJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJJTMNXIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
|
|||
|
243 -----------------------------------------------------------------------
|
|||
|
244 AS LONG AS THE GENERATING OF UNNECESSATY AND INAPPROPRIATE PSYCO-SOCIAL
|
|||
|
245 STRESS AND ENVIRONMENTAL MUNDANENESS CONTINUE TO BE LOOKED UPON
|
|||
|
246 AS SOCIALY AND MORALY ACCEPTABLE, TRUE FREEDOM WILL NOT BE
|
|||
|
247 ATTAINED!
|
|||
|
248 ---------------------------------THE GURU OF BLIS-------------------------------
|
|||
|
249 (I REALIZE THE HABITUEES OF THE INN ARE ABOVE SUCH THINGS BUT THE EXTERNAL
|
|||
|
250 SOCIAL AMBIENT STILL SEEMS TO BE HAVING PROBLEMS WITH THIS)
|
|||
|
251 -----------------------------------------------------------------------
|
|||
|
252 OKAY,GURU.I WAS REPRIMANDED BY QUIZMASTER ALLREADY TODAY.AT THE LEAST OF IT YOU HAVE NOT AS SOME HAVE DECIDED THAT YOU ARE
|
|||
|
253 THE LAST BASTON OF POLITICAL TRU TH AND WELL BEING.THE MISSPELLI NG OF BLISS POINTS OUT LIMITS YET UNSAID TO YOUR INTELLECT.
|
|||
|
254 IF MY BOREDOM AND SUBSEQUENT PLEASE ARE NOT UP TO SNUFF THEN I WONT SAY ANYTHING UNLESS SPOKE N TO.AND INDEED THAT WAS MY
|
|||
|
255 PLAN.BUT WHEN I FEEL INSULTED,EV EN IF QUITE INDIRECTLY THEN I CONSIDER THAT TO BE BEING SPOKEN TO.I AM SORRY FOR TAKING UP
|
|||
|
256 THE 60 OR LESS LINES THAT I END ED UP TAKING.BUT IN THAT 60 OR SO LINES I SAVED MYSELF FROM GOI NG STIR CRAZY.WHEN YOU CONSI-
|
|||
|
257 DER THAT 60 LINES IS THE RECCOME NDED HIGH LEVEL FOR A SINGLE MESSAGE WELL THEN I DIDNT TAKE TOO MUCH SPACE.AND AS FOR THE
|
|||
|
258 USUALITY OF SUCH THINGS.REMEMBER THAT I SEARCHED AND SEARCHED FO R PROPER TERMINAL PROGRAMS AND LATER ADOPTED A VERY 'IFY'
|
|||
|
259 LINE LENGTH OF 126.IT TOOK A LOT OF TRIAL AND ERROR BUT I THINK I EVENTUALLY GOT IT A BIT RIGHT. AND FOR THE SO CALLED CREATI-
|
|||
|
260 VITY LAG OF WHICH YOU SPEAK WELL I AM NOT REPEAT NOT<!> A VERY EXCELLENT WRITER.I KNOW THIS BUT I TRY.I GIVE WHAT I THINK ARE
|
|||
|
261 GOOD FIRM ENTRIES INTO THE STORY LINE.I NEVER THOUGHT THAT I WAS BAD ENOUGH OR STUPID ENOUGH TO BE BANNED FROM BLACKWATER!DONT
|
|||
|
262 THINK THAT A SINGLE SWIPE INTO THE SIDE CORNER WILL GET ME OUT. IT WOULD HAVE A WHILE AGO AND DID FOR TWO OR THREE DAYS BUT
|
|||
|
263 I DID COME BACK,AND I GAINED A NICE LITTLE QUOTE UNQUOTE THICK SKIN TO PROTECT MYSELF FROM HIGH AND MIGHTIES LIKE YOU.I AMN'T
|
|||
|
264 ONE THAT WILL BE SWEPT ASIDE ANY MORE!
|
|||
|
265 PROMETHEUS HAWTHORNE '84
|
|||
|
266 *$)#@*%)!%*!)*%$#)!*^)#*^)#%*)^*!)$%*#^)@$%*&)*!)&*!)&*%$)*&)$%*&)$%*&)^*&)%*&%)^*&)%^*&)%^&*)%^*&)%^*&)%^*&)%*&)&*&)*%
|
|||
|
267 Finally made it back on...The inn seems to have gathered a few new members...
|
|||
|
268 voyeur : Je suis... More later...
|
|||
|
269 MIG: Since when is a 16 year old too much to handle??? Maybe about 10 years ago when they started learning more when
|
|||
|
270 they were 14??? Anyway...our mutual friend may make a re-appearance if certain things don't improve markedly...Need I
|
|||
|
271 say more...n'est pas?
|
|||
|
272 MIKEY: ON THE SUBJECT OF COPYLINK. DOES IT SUPPORT ANY KIND OF TERMINAL EMULATION? IS IT STRAIGHT ADM 3A? WOULD IT PERHAPS
|
|||
|
273 HANDLE VT100 OR TV 950? AND THIS CP/M EMULATOR? AVAILABLE FOR PCDOS ALSO NO DOUBT? THERE ARE DIFFERENCES AS I AM SURE YOU
|
|||
|
274 KNOW. I WOULD BE A DEFINITE CUSTOMER FOR SUCH A PRODUCT, AS I AM SURE MANY OTHERS WOULD
|
|||
|
275 BE TOO? A FEW QUESTIONS...WHAT 5.25" FORMATS WOULD IT HANDLE? WOULD IT BE COMPATIBLE WITH MBASIC, CBASIC, BDS C, ETC...?
|
|||
|
276 WOULD IT TAKE ADVANTAGE (RAM DISK, SPOOLER) OF ANY ADDITIONAL MEMORY THAT MAY EXIST IN THE MSDOS-PCDOS MACHINE? WHEN WILL
|
|||
|
277 IT BECOME AVAILABLE?
|
|||
|
278 Quizmaster - Thanks for your comeback...and touche on the comments to hawthorne. It is getting quite
|
|||
|
279 excessive...
|
|||
|
280 Bard: Who is this dreamtoucher? I don't recall giving anyone else a ride in the car. The back seat is kinda crowded already
|
|||
|
281 with all your gear...
|
|||
|
282 *)@#*$)@$*@#)%*@#5
|
|||
|
283 I took the exit Bard pointed out...and sure enough, there was the gas station off to the right. But is wasn't your normal
|
|||
|
284 Texaco or awful brothers station. The name on the sign, which seemed to be spinning without the aid of any visible support,
|
|||
|
285 read "Reality 76". Under that a small sign proudly displayed the message, "Best restrooms for terrestrials of any kind"
|
|||
|
286 We pulled into the station, and a strange attendant walked up to us and said, "What'll it be boys?" "Premium leaded please"
|
|||
|
287 I replied... "Premium leaded? What's that? Is this some kinda joke?" "Joke? Hello no! This car runs on PREMIUM LEADED!!!"
|
|||
|
288 "No need to get angry sir! It's just that we don't sell anything here callpremium leaded. Let me get my manager."
|
|||
|
289 "That won't be necessary", interjected Bard. "My friend here isn't familiar with the local brand names... Let me explain..."
|
|||
|
290 *$)@#*$@#)$*#@)$* L'homme sans parity - aussi sans l'essence *)#@*$)#*$)*$23)*$#@)%*@#)%*)%*)@*$%)@
|
|||
|
291
|
|||
|
292 *****************************************************************************
|
|||
|
293 Just when the book was really getting interesting there was loud commotion
|
|||
|
294 over by the door of the inn. Irritated the lazy one looked up just in time
|
|||
|
295 to see a semi-seething mass of protoplasm on horseback attack one of his
|
|||
|
296 new friends. Reacting quickly for one of his temperment, he sat back and
|
|||
|
297 thought for fifteen minutes, ignoring the fight except to casualy float
|
|||
|
298 aside from the combatants as they rolled around on the ground. Finally
|
|||
|
299 making up his mind, he waved and a new book appeared floating slightly above
|
|||
|
300 the other book. Mumbling to himself he flipped pages until he located the
|
|||
|
301 proper spell. Ah, oh protean one, since you like to fight. The lazy one
|
|||
|
302 made some gestures with his hands and fingers, joints popping like fat on
|
|||
|
303 campfire. Suddenly the raging fighting mass of whatever began to shrink
|
|||
|
304 Smaller and smaller it (grew?) changing shape all the while. Ten minutes
|
|||
|
305 later it had turned into an extremely viscious and active shrew. Go find
|
|||
|
306 some other world to fight on, the lazy one said as the shrew disappeared
|
|||
|
307 with a pop. That spell will wear off in a few days but it may take him
|
|||
|
308 longer to find his way back from that world.
|
|||
|
309 Remember, In times of crisis, it is of utmost importance not to lose
|
|||
|
310 ones head. M. ANTOINETTE
|
|||
|
311 ************************************************ THE LAZY ONE *********
|
|||
|
312 Hearing the noises of combat outside the door of the inn, Whisper pulled
|
|||
|
313 her mace from her belt but otherwise did not look up from her conversation
|
|||
|
314 with the Apprentice.
|
|||
|
315 ******************************* WHISPER *******************************
|
|||
|
316 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
|||
|
317 Tally Ho(e)...For god's sake will people stop correcting my spelling. I know it
|
|||
|
318 awful. Secondly, how 'bout someone with knowledge making a list of all the
|
|||
|
319
|
|||
|
320 present people at the Inn. I have lost count....
|
|||
|
321 ::::::::::::::::::::
|
|||
|
322 Morby looked up only to see that the Lazy One had taken all the fun for
|
|||
|
323 himself by defeating the present nasty.
|
|||
|
324 " You could have at least spread it out !" he yelled.
|
|||
|
325 He looked at Dawg and then resigned himself to reading the manual. Unkwown
|
|||
|
326 to the luckless individuals a small advance scout group of giant intelligent
|
|||
|
327 ants was approaching the I.
|
|||
|
328 ::::::::::::::::::::
|
|||
|
329 Sounds corny, huh? Well sorry, the place needs some action. If you don't
|
|||
|
330 like the idea, well just kill them off. On the other hand, you might leave
|
|||
|
331 one or two for me.
|
|||
|
332 I must appoligize for my writing style...seems like I'm composing the stuff
|
|||
|
333 for a comic book. Morby
|
|||
|
334 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
|||
|
335 CISTOP MIKEY:I TRUST THAT BY NOW YOU KNOW WHAT I'VE DONE.I DI D IT WITH FULL KNOWLEDGE AND I ASK THAT YOU LEAVE IT THAT WAY
|
|||
|
336 ,PLEASE? HAWTHORNE
|
|||
|
337 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|||
|
338 Voyeur:Yes, I know where may story's going, but not completely (I know where to go, but not yet how to get there).
|
|||
|
339 Some of the things in the story are from other worlds, things I have read, and so on- but not all, nor even most.
|
|||
|
340 +++++++++++++
|
|||
|
341 The jets spewed out thin streams of universal solvent (Guaranteed to dissolve anything when the component parts are
|
|||
|
342 mixed together!). The solvent falls, and Milchar fadses for a moment as a stream of the stuff slices through the
|
|||
|
343 space where he had been. "It's a good thing the floor is Solvent-proof... and that I can make myself into a shadow."
|
|||
|
344 Meanwhille, The Doctor was also having problems- Two of the vesta-cannons had decided to obliterate him. Drawing out
|
|||
|
345 his sonic screwdriver, he dodged yet another blast that almost knocked him over. Leaping to the wall, he uses the
|
|||
|
346 'driver to open up one of the cannons, using the brush for cover. Working frantically, he severs the control module-
|
|||
|
347 and then, with a flick of the wrist, enables the 'LOCAL AIMING CONTROL'. Operating deftly, a few wires here and there
|
|||
|
348 crossed, The Doctor leaps aside as the cannon again activeates, now homing in on The Black Guardian...
|
|||
|
349 ...who is busy gesuturing a spell, in hopes that it will destroy some of these play-toys so he can get down to business
|
|||
|
350 with the others. A streak of light flows from his outstreched finger... to strike a cannon on the far wall. The
|
|||
|
351 resulting explosion produces no noise, but the light...
|
|||
|
352 +++++++++++
|
|||
|
353 In a nearby empty room, a CRT flashes dimly as sheer destructive power is unleased below. The words found on the
|
|||
|
354 terminal say:
|
|||
|
355 DANGER ROOM ACTIVATED- AUTHORIZATION CODE !MAROON!
|
|||
|
356 RULES: NONE, EXCEPT THAT THE COMBATANTS MAY NOT LEAVE UNTIL ONE IS DEAD.
|
|||
|
357 <NOW ACTIVATING EXTRA-DIMENSIONAL CUT-OFF AND SIGMA FIELD>
|
|||
|
358 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Milchar ++++++++++++++++++
|
|||
|
359 ***************************************************************
|
|||
|
360 HAWTHORNE: I DON'T KNOW WHAT IT IS THAT YOU ARE REFERRING TO, BUT
|
|||
|
361 I MIGHT REMIND YOU OF THE RULES OF NOT VANDLIZING OTHERS MESSAGES.
|
|||
|
362 BESIDES ALL THE OTHER ASPECTS, IT ISN'T VERY POLITE.
|
|||
|
363 ******************* CISTOP MIKEY ********************************
|
|||
|
364 ????????????????????????????????????????????????????????????????????????????????
|
|||
|
365 The Doctor searches through his coat for his Danger Room Remote Control Module.
|
|||
|
366 "Milchar, how many times must I tell you that we only kill if absolutely
|
|||
|
367 necessary!!! Ah ha! There it is...One flick of the switch, and...There we go.
|
|||
|
368 Milchar, head for the door while the Black Guardian's busy!!" The Doctor and
|
|||
|
369 Milchar jump through the door and shut it. As they do, they see the Black
|
|||
|
370 Guardian jump for the dootr(to no avail.). "Head for the control center. We'll
|
|||
|
371 give him a run for his money!!!" "This ought to be fun!!!" exclaims Milchar.
|
|||
|
372 "K-9, override the present Danger Room program running, and give me full con-
|
|||
|
373 trol of the room." "Affirmative, Master...Completed. Danger Room in your full
|
|||
|
374 control. Activating main viewing screen." The screen slides up to reveal the
|
|||
|
375 Black Guardian standing in the midat one edge of the Danger Room looking about
|
|||
|
376 wondering what happened. He then lookks at the center of the room and sees the
|
|||
|
377 Amulet of Zelgar and the Key to Tinme. He runs for them. When he is about 10'
|
|||
|
378 away from them, The DOoctor flips a switch, and they dissapear. $This isn't
|
|||
|
379 fair, Doctor!!!$ "Look who's talking" replies The Doctor. I knew from the
|
|||
|
380 minute you entered the Tardis, that you didn't have the Key with you. You see
|
|||
|
381 I expected something like this from you, just as you should have expected some-
|
|||
|
382 thing like this from me." The Doctor turns to Milchar, "Well, should we give
|
|||
|
383 him Danger Room Sequence #152?" "Which one is that, again?" "Surely you
|
|||
|
384 remember that one. You helped write it!!! It's the Dimat Sequence." "That's
|
|||
|
385 cruel...I like it!! Go for it." The Doctor then starts key the sequence while
|
|||
|
386 at the same time, he tells the Guardian: "We hfave a very special sequence that
|
|||
|
387 we'd like to test out on you. You don't have much choice. You know we don't
|
|||
|
388 kill, but this sequence will make you wish you were dead...Milchar, key it on 0
|
|||
|
389 Ready? 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 0. Key it NOW!!!" Milchar keys it in
|
|||
|
390 and the Danger Room roars to life. In the center of the room stands the figure
|
|||
|
391 of a tall, white bearded, powerful man. The Black Guardian looks up and then
|
|||
|
392 screams in terror....
|
|||
|
393
|
|||
|
394 ?????????????????????????????????????????? The Doctor & Milchar ????????????????
|
|||
|
395 ()()()()()()()()()()()()()()()()()()()()()()()()()())()()()()()()()()()()()()
|
|||
|
396 back at the inn, pheric foerender,confused at all the attacks and to-be attacker
|
|||
|
397 s. opens his pouch and draws out a ybow(he could shoot it better than a gun)
|
|||
|
398 and a quiver of 50 arrows,then walks out and quietly sits down and waits.
|
|||
|
399 (maybe for giant ants?)he hasa feeling that danger is near, but what could
|
|||
|
400 it be?he wonders.as he is waiting he idly chews on a blade of grass.he see's
|
|||
|
401 the lazy one and whisper a ways off below a tree, ad whisper has her mace out
|
|||
|
402 he starts to hum a tune he heard on another planet,was it dulon or suykin
|
|||
|
403 he cant remember......
|
|||
|
404 pheric f.(i dont do capitals)
|
|||
|
405 ()()()()()()()()()()()()()()()()()()()()()()()()()())()()()()()()()()()()()(())
|
|||
|
406 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*DREAMTOUCHER*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
407 HAVING RESTED MUCH ON THE LONG, SO FAR REALITIVLY UNEVENTFUL
|
|||
|
408 RIDE, DREAMTOUCHER FELT MUCH RESTORED.
|
|||
|
409 AS THEY APPROACHED THE EXIT ITSELF, BARD TOLD L'HOMME;"THIS LOOKS LIKE A
|
|||
|
410 LIKELY PLACE.
|
|||
|
411 THEY LEFT THE BROAD, SMOOTH, TRAFFIC FILLED ROAD BY WAY OF THE CURVING
|
|||
|
412 EXIT, THE ONE LABLED BABILON BUISNESS LOOP NORTH. TO DREAMTOUCHER
|
|||
|
413 THIS WAS A NEW LAND OF MANY WONDERS. AFTER PASSING FOUR OR FIVE
|
|||
|
414 WIDELY SPACED SIDE STREETS, THEY PARKED UNDER THE OPEN SHELTER PROJECTING
|
|||
|
415 FROM A SMALL SHELTER. OTHER CARS PULLED UP AND PARKED IN LINE
|
|||
|
416 BEHIND THEM. ABOVE THE BUILDING ON A TALL POLE WITH AN OVEL OF SOME
|
|||
|
417 UNFAMILIAR TRANSLUCENT GLOSSY MATERIAL NEAR ITS TOP. ON IT WAS PICTURED
|
|||
|
418 IN A CONTRASTING COLOR OF THE SAME ODD STUFF (VOYER TOLD HIM IT WAS CALLED
|
|||
|
419 PLASTIC) WAS A PICTURE OF A FOURLEGGED FINBACK WITH A RIDER WITH WILDLY
|
|||
|
420 FLYING POUCH (IMPLYING MOVEMENT AT GREAT SPEED) AND A ROW OF ODDLY SHAPED
|
|||
|
421 MARKES (BELOW THE SYMBOL) WHICH BARD TRANSLATED AS: 'PONI EXPRESS GASSAHOL
|
|||
|
422 , SUPER FLITE FUEL AND UNTETRATED REGULAR'.
|
|||
|
423 DREAMTOUCHER WAS ASSURED THAT THIS WAS NORMAL AND TO BE EXPECTED,
|
|||
|
424 JUST WHAT L'HOMME AND BARD HAD BEEN LOOKING FOR, INFACT.
|
|||
|
425 THE SCEEN WHICH GREETED THAIR EYES WHEN THEY ACTUALY OPPENED THE DOORS
|
|||
|
426 AND STEPED OUT HOWEVER, WAS VERYMUCH NOT!
|
|||
|
427 THE LINE OF CARS WHICH HAD JUST PULLED UP BEHIND THEM, NOW COULD BE SEEN
|
|||
|
428 TO BE IMMOBILE PILES OF RUST WHICH MUST HAVE BEEN SETTING THERE
|
|||
|
429 FOR YEARS, PERHAPS CENTURIES!
|
|||
|
430 THERE WAS NO ONE ABBOUT, THE BUILDINGS
|
|||
|
431 GLASS HAD LONG SINCE BEEN BROKEN AND VANDELIZED, EVEN THE PUMPS WERE USELESS
|
|||
|
432 RUSTED LUMPS. INSIDE THE 'STATION' WAS NO BETTER, ONLY THE BUILT IN
|
|||
|
433 CABBINETTS REMAINED AND A YELLOWED STAINED MAP LAY IN A PILE IN
|
|||
|
434 ONE CORNER WARE THE THUMB TACKS WHICH HAD HELD IT TO THE WALL HAD RUSTED
|
|||
|
435 THROUGH AND FAILED. IT WAS A GRID OF STREETS AND ROADS AND NEAR ITS MIDDLE
|
|||
|
436 WAS A LARGE FADDED PURPLE DOT WITH THE WORDS YOU ARE HERE.
|
|||
|
437 L'HOMME BENT TO PICK IT UP AND IT CRUMBLED TO DUST IN HIS FINGERS.
|
|||
|
438 EVEN THE DUST WAS BLOWN AWAY AND SCATTERED BY THE BREEZE WHICH CAME
|
|||
|
439 IN THROUGH THE BROKEN GLASS OF THE DOOR.
|
|||
|
440 BACK IN THE CAR, BARD ADJUSTED HIS CONSOLE, MUTTERING SOMTHING ABOUT
|
|||
|
441 GHALDRON-HESTHOR GLITCHES. DRIVING ON INTO TOWN, LOOK THOUGH
|
|||
|
442 THEY MIGHT, NO ONE COULD SPOT ANY TANGABLE SIGN OF LIFE.
|
|||
|
443 CAR GAVE UP, GASPING, OUT OF FUEL, AND HAD TO BE PUSHED TO A CURB.
|
|||
|
444 FROM TIME TO TIME, OUT OF THE CORNER OF THAIR EYES, THE ROADWORN
|
|||
|
445 TRAVILERS CAUGHT GLIMPSES OF WHAT APPEREAD TO BE NORMAL SCIENTIENT
|
|||
|
446 ACTIVITY. YET WHENEVER ANYONE TURNED TO LOOK DIRECTLY AT WHATEVER
|
|||
|
447 HE THOUGHT HE MIGHT HAVE SEEN, IT WOULD TURN OUT TO BE NO MORE THAN
|
|||
|
448 A BREEZE STIRRED BRANCH OF TREE OR SHRUB.
|
|||
|
449 EVERYWARE THERE WERE TALL BUILDINGS. THE CITY, FOR INDEED THAT IS WHAT IT WAS
|
|||
|
450 , OR HAD BEEN, WENT ON FOR MILES AND MILES IN ALL DIRECTIONS. SOME OF
|
|||
|
451 THE BUILDINGS SEEMED LONG AGO TO HAVE BEEN SCORCHED BY FIRE FROM THE
|
|||
|
452 INSIDE OUT. MANY MORE WERE COMPLETELY OR MOSTLY INTACT. FOR ALL
|
|||
|
453 THE STATE OF THE PLACE, THE STREETS WERE SUPPRISINGLY FREE OF DEBRIE OR RUBBLE.
|
|||
|
454 INSIDE EACH BUILDING INVESTIGATED TURNED OUT TO BE MUCH THE
|
|||
|
455 SAME AS THE GAS STATION. IT WAS ALMOST AS IF EVERYONE HAD LEFT, EN-MASS
|
|||
|
456 IN AN ORDRELMANOR, TAKING ALL THAIR VALUABLE BELONGINGS WITH THEM.
|
|||
|
457 ONLY AN EMPTY DESK HERE, AN OLD TABLE THERE, IN ONE ROOM A RUSTED
|
|||
|
458 BEDSPRING WITH A LAYER OF MOLD WHICH MIGHT ONCE HAVE BEEN A MATRICE.
|
|||
|
459 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*DREAMTOUCHER*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
460 THE FIRST EXCERSIZE FOR THOSE WHO ASPIRE TO DREAMSHAPING IS TO LOOK
|
|||
|
461 AT YOUR HANDS WHILE DREAMING. JUST GO TO SLEEP WITH THE THOUGHT IN YOUR MIND
|
|||
|
462 THAT YOU WILL. IT MIGHT NOT HAPPEN RIGHT AWAY BUT SOONER OR LATER IT WILL.
|
|||
|
463 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
464 PLEASE DON'T EDIT THE ABOVE STORY ENTRY INTO UNINTELIGABILITY
|
|||
|
465 AS SOMEONE SEEMES ALREADY TO BE DOING (OR
|
|||
|
466 AM I JUST BEING PARANOID ?) A LINE STATING RUBBLE ET.C THAT THE
|
|||
|
467 STREETS ARE SUPPOSED TO BE SUPRISINGLY FREE OF SEAMES TO
|
|||
|
468 HAVE ALREADY EVAPORATED.
|
|||
|
469 I KNOW YOU (MIKEY) MIGHT WANT TO COMPACT THINGS A BIT. JUST TRY NOT TO
|
|||
|
470 COMPLETELY DELETE THE CONCEPTUAL ESSENTIALS UNTIL BARD, L'HOMME AND VOYER
|
|||
|
471 GET TO SEE THIS AND TELL ME WHAT THEY THINK.
|
|||
|
472 THAT GOES DOUBBLE FOR HAWTHORN
|
|||
|
473 (I'M NOT ACCUSING, JUST PLESE DON'T!
|
|||
|
474 TNX DREAMTOUCHER.
|
|||
|
475 ALSO DID ANYONE NOTICE ABOUT OLD RELIABLE NOT ANSWERING THE PHONE
|
|||
|
476 TODAY? ANYBODY KNOW HOW COME?
|
|||
|
477 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
478 NO I DID NOT DECIDE TO BECOME EVEN LESSER LIKABLE AND DESTROY ANY AND ALL LEG-
|
|||
|
479 IBILITY IN DREAMTOUCHER'S LATEST ENTRANT.I JUST REMOVED SOME OLD STUFF THAT HAS
|
|||
|
480 BEEN SCORNED BY OTHERS.I AM NOT A VANDAL,NOR SOMEONE WHO DIRELY FEELS THE NEED
|
|||
|
481 TO DECIMATE OTHERS FOR THE SIMPL E REASON THAT THEY ARE DISGUSTE D WITH HIM/HER/
|
|||
|
482 FREV/GANT/RETGE/CARIL.AS YOU SEE OR MIGHT IN ANY CASE THERE ARE NO MORE SANITY
|
|||
|
483 SAVING MESSAGES ON THIS DISK.AND NOW ALL CISTOP MIKEY HAS TO DO IS DESTROY THEM
|
|||
|
484 PERMANENTLY AND THAT IS ALL.
|
|||
|
485 THE FORMER WAS ALMOST DONE IN A REGENERATION.NOT THE ACT OF BE ING AN ACTUAL
|
|||
|
486 MOUND OF BLOBBULAR SLOP.HE HAD,A T LEAST AS FAR AS I KNEW NOT EV ENHAVING OF THE
|
|||
|
487 STRENGTH NECESSARY TO FIANY ONE IF HE HAD TO,BUT FOR FIFTEEN MINUTES?C'MON!
|
|||
|
488 IN ANY CASE I AM NOT GOING TO TAKE ANY MORE OH SO PRECIOUS SPA CE FOR FRIVOLUS
|
|||
|
489 STUFF LIKE MESSAGES,OR THAT SORT OF STUFF.I WONT EVEN SIGN MNA ME.DOES THAT MAKE
|
|||
|
490 YOU HAPPY?
|
|||
|
491
|
|||
|
492 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
493 The dawn awoke the piper and he reluctantly unwound the thread that bound
|
|||
|
494 him to the inn from his finger. It had been long since he had looked in on
|
|||
|
495 the inn, and saw several new inhabitants as well as several old friends. Ah,
|
|||
|
496 if it were just possible to spend more time, he would like to talk to them all,
|
|||
|
497 hoist a few glasses and learn what adventures had befallen in his absence.
|
|||
|
498 He sighed, took a lump of waybread from his sporran and made a hasty breakfast
|
|||
|
499 washed down with a handful of water from the stream. He shook the dew from
|
|||
|
500 his plaid, pleated it, then wrapped the end around his chest and fastened the
|
|||
|
501 trailing end with a large silver brooch.
|
|||
|
502 The first rays of light struck his face, and he looked up at what rose.
|
|||
|
503 Averting his eyes, he shuddered. He knew he had come a long way, but this
|
|||
|
504 was nearly too much to bear! Longing for the simple light of a sun, he gathered
|
|||
|
505 several of the lightly luminous strands in his hands, picked up the wrapped
|
|||
|
506 bagpipes, and took a step away from the meadow now illuminated by a horror that
|
|||
|
507 brought the gorge to the back of his throat. Pulling on the threads as on a
|
|||
|
508 lifeline, his steps brought him to the main path and started the air around
|
|||
|
509 him flickering like the scales of a gigantic fish.
|
|||
|
510 pppppppppppppppppppppppppppppppppp
|
|||
|
511 Hello all, I won't be able to contribute every day as in the past, but I smay
|
|||
|
512 be able to keep current now. If so, I'll try to drop in on someone when I
|
|||
|
513 find out what's goint on. --piper--
|
|||
|
514 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
515
|
|||
|
516 ################################################################################
|
|||
|
517 WHY IS EVERYONE PICKING ON POOR HAWTHORNE? HE SOUNDS TO ME LIKE A GUY WHO
|
|||
|
518 IS BASICALLY ALONE AND LONELY. WHY IS EVERONE ALWAYS ON HIS CASE? WHAT HAS HE
|
|||
|
519 REALLY DONE TO ANYONE?
|
|||
|
520 OH SURE, I'LL ADMIT THAT HAWTHORNE'S SOCIAL SKILLS COULD USE A BIT OF
|
|||
|
521 POLISHING, BUT DOESN'T IT OCCUR TO YOU THAT THAT'S WHAT HE'S TRYING TO DO. I'VE
|
|||
|
522 GOTTEN THE IMPRESSION THE GUY'S REALLY TRYING TO FIT IN. HE'S TRIED TO LEARN THE
|
|||
|
523 RULES AND GO BY THEM. I THOUGHT HE WAS DOING PRETTY GOOD.
|
|||
|
524 ONE OF CHARMS OF BACKWATER IS THAT IT IS A REFUGE FOR ODDBALLS. I DON'T SEE
|
|||
|
525 THAT HAWTHORNE'S ANY STRANGER THAN MOST OF YOU (WELL MAYBE A LITTLE) AND I
|
|||
|
526 THINK HE DESERVES A BIT MORE RESPECT. AFTER ALL, HE'S HARMLESS, HE DOESN'T
|
|||
|
527 VERBALLY ABUSE ANYBODY, AND AS FAR AS I CAN TELL THERE'S NO EVIDENCE THAT HE'S
|
|||
|
528 INTO VANDALIZING THE SYSTEM. SINCE BACKWATER DOESN'T REALLY NEED A SCAPEGOAT WHY
|
|||
|
529 DON'T WE GIVE HIM A BREAK? MAX
|
|||
|
530 ################################################################################
|
|||
|
531 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
532 First this stranger comes up to me, asks me VERY pointed questions, and
|
|||
|
533 now he wants to talk about 'arrangements'. It's about time to say farewell
|
|||
|
534 once again. Wait a sec, is that a drink being pushed my way? My type of
|
|||
|
535 guy. But it's time to set a few things straight. "I'm mostly a go-between
|
|||
|
536 lately. I get orders for transportation and selling of goods, and then
|
|||
|
537 collect a fat commission." He looked at my clothes and said "You don't look
|
|||
|
538 much like a successful bussness man to me." "How often do you think people
|
|||
|
539 will buy my type of stuff from a guy who dresses good enough to be an agent?"
|
|||
|
540 Must be fairly new to this sort of thing. The questions before giving
|
|||
|
541 me his identity gives that away. Oh well, drinks come seldom my way. I may
|
|||
|
542 as well drink slowly and enjoy it.
|
|||
|
543 Fast Fred BSAL
|
|||
|
544 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
|||
|
545 ---------------------------------------------------------------------
|
|||
|
546 I WILL WRITE ON MY OWN SLAT 400 TIMES I WILL NOT PICK ON HAWTHORNE!
|
|||
|
547 REALY I THINK THE UNEXPECTED SUN MUST HAVE FRIED MY NEURAL CIRCUITS.
|
|||
|
548 I KNOW THATS A POOR EXCUSE. IF ANYONE NEEDS TO APPOLOGISE ITS ME BUT
|
|||
|
549 ITS JUST THAT THE COST OF ANYTHING EVEN REMOTLY RESEMBLING SPONTENIETY
|
|||
|
550 FOR ME SEEMS TO BE THE RISK OF MAKING SOMTHING OFFENSIVE OF MYSELF.
|
|||
|
551 THERE I GO MAKING EXCUSES AGAIN. WHAT I'M REALY TRYING TO SAY IS
|
|||
|
552 HAWTHORNE COME BACK.
|
|||
|
553 I'D SWEAR I SAW A LINE DISSAPPEAR IN FRONT OF MY EYES THOUGH, OR MAYBE JUST GET SKIPPED BY
|
|||
|
554 THIS TERMMINAL. I REALIZE YOU COULDN'T HAVE BEEN RESPONSIBLE FOR THAT.
|
|||
|
555 AND WHILE I'M WASTING EVERYONES TIME AND SPACE WITH PUBLIC APPOLOGIES, I
|
|||
|
556 HAD NO IDEA CAR HAD ALREADY PULLED INTO A 'STATION'. DONT KNOW
|
|||
|
557 HOW I COULD HAVE MISSED THAT, I THOUGHT I HAD LOOKED. OH WELL.
|
|||
|
558 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*DREAMTOUCHER*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
559 MIG: I FINALLY GOT ON THIS SYSTEM AND AM
|
|||
|
560 REALLY ENJOYING READING THE VARIETY OF
|
|||
|
561 MSGS THAT COME ON THIS BOARD. TTYL,
|
|||
|
562 STING
|
|||
|
563 OK...THE NEW ONE APPEARS.
|
|||
|
564 THERE IS A TALL, DARK FIGURE SITTING IN THE CORNER OF THE INN.
|
|||
|
565 HE SITS UP SIPPING AN ALE AND LOOKS OVER AT WISPER. HE IS INTERESTED AND COMES
|
|||
|
566 TO GET AQUAINTED. HE IS ALMOST DRESSED IN BLACK AND HAS A VERY DEEP VOICE. HE
|
|||
|
567 ASKS WHAT IS YOUR NAME?
|
|||
|
568 ----------------------------------------
|
|||
|
|
|||
|
>
|