2294 lines
119 KiB
Plaintext
2294 lines
119 KiB
Plaintext
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Here's the timeline covering every episode so far aired in the
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United States (posted in two parts). Major spoilers abound, obviously,
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including those for future episodes in the older ones.
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This was based on one begun by Jerry Boyajian, and includes transcriptions
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by Ed Hughes, David Coufal and others I've pulled off the news.
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A copy will be made available for anonymous ftp at sal.sait.edu.au
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Edwin Nomura
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enomura@ucsd.edu
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--
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1983 ("6 years ago" - Truman to Cooper)
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-- Andrew Packard brings Josie over from Hong Kong to be his wife
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August 1987 (approx)
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-- Andrew Packard supposedly dies in a boating accident. Truman first tells
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Cooper Packard died "last year" which would've been 1988 but later tells
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him it happened "a year and a half ago."
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-- Hank Jennings "accidently" kills an unnamed vagrant, is convicted of
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vehicular manslaughter and sent to jail. (He's said to've spent 18
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months in jail.)
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06 Feb (Monday) (date at top of page in diary)
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-- "Day One" (entry in Laura's diary). During Cooper's questioning of James,
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he asked what happened on 2/5 and James flashed back on the time when
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Laura gave him the locket. Cooper said to Diane he had flipped back 18
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days to "Day One." That could be 18 days from 2/23 (last entry in the
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diary), yielding the 5th, or from 2/24 (the day he was looking at it),
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yielding the 6th.
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12 Feb (Sunday)
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-- The picnic (James told Cooper it was "two Sundays ago")
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23 Feb (Thursday)
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05:00 pm (Josie to Cooper and Truman)
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-- Laura arrives at Josie's for her English lessons. Josie says Laura left
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an hour later.
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Sometime after dinner
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-- Last entry in Laura's diary: "Nervous about meeting J. tonight."
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(After dinner since she remarks about having asparagus for dinner again)
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09:00 - 09:30
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-- Laura returns home from Bobby's. (Sarah Palmer tells Truman she last saw
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Laura when she got home about 9:00. Bobby answers yes when Cooper asks
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him, "she was studying at your house until about 9:30. Isn't that right?"
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09:30
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-- Laura snuck out of her house (James to Cooper)
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10:00
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-- Leland calls Laura from Ben's office
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12:30
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-- Laura jumps off James' bike and runs off (James to Cooper)
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12:00 - 04:00 am
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-- Estimated time of Laura's death according to the preliminary autopsy
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24 Feb (Friday) [Episode 1000 (pilot) - 4/8/90, 8/5/90
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Written by Mark Frost and David Lynch
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Directed by David Lynch]
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"Just after dawn" (Harry to Bobby)
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-- Pete Martell finds Laura's body: "She's dead...wrapped in pastic"
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-- Ben and Leland have meeting with Norwegians. Ben mentions he has
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information that the sawmill will go belly up within a year.
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Leland receives news about Laura.
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-- Bobby takes Shelley home, then goes to school and is arrested.
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Mid-morning(?)
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-- Ronnette announced as missing then is found wandering along the tracks.
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-- Nadine sends Big Ed off to get the drapes ("They said those drapes would
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be ready by 10.")
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11:30 (Cooper to Diane)
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-- Cooper enters Twin Peaks. (He had lunch at the Lamplighter Inn)
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Noon/early afternoon
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-- Cooper & Truman check on Ronnette. (Truman to Cooper: "as far as we know,
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Ronnette and Laura hardly knew each other." Ronnette: "no, don't go
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there")
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-- Dr. Jacoby tells Cooper and Truman he wants to go to the morgue. Truman
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says no. Jacoby also says that Laura's parents didn't know she was seeing
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him.
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-- Cooper and Truman check on Laura. Cooper finds an "R" under Laura's left
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ring finger.
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-- Andy and team find the train car.
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-- Cooper and Truman question Bobby, then Donna.
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04:00 (approx)
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-- "The Norwegians are leaving!" (one of Ben's employees tells concierge Ben
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would be back by 4:00 for the final signing of the deal with the
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Norwegians, and Ben arrives as the Norwegians are leaving)
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04:10 (Cooper to Diane)
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-- Cooper and Truman at train car. They find the necklace, on a chain, with
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half of the heart and a note, "Fire, walk with me."
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Late afternoon
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-- Cooper and Truman at the bank. Clerk says Laura had safety deposit box
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for about 6 months. Inside are over $10,000 and a copy of Fleshworld.
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-- Leo finds two kinds of cigarette butts in the ashtray and threatens
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Shelley.
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Early evening
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-- Town meeting where Cooper addresses the community leaders. He says that
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one year ago, almost to the day, in the southwest corner of the state,
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a girl by the name of Theresa Banks was found dead and because of
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"irrefutable similarities," he believes that same perpetrator killed
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Laura and almost killed Ronnette.
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09:30 (approx)
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-- Donna sneaks out to meet James at the Roadhouse. Big Ed meets Norma there
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as well. Fight breaks out, Joey Paulson takes Donna to meet James. James
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and Donna bury the locket, on a thong. James is arrested.
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Late evening
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-- Truman meets Josie, has been seeing her for about 6 weeks (Truman to
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Cooper)
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-- Catherine meets Ben, tells him they agree "to meet to talk about it"
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12:28 am (Cooper to Diane)
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-- Cooper knocks off for the night at the Great Northern. Locket, on a
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thong, is dug up by person unknown (Jacoby).
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25 Feb (Saturday) [Episode 1001 - 4/12/90, 8/11/90
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Written by Mark Frost and David Lynch
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Directed by Duwayne Dunham]
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06:18 (Cooper to Diane)
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-- Cooper is up and goes to breakfast, where he meets Audrey
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Early to mid-morning
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-- Cooper rattles off the day's schedule to Truman, who's stuffin' his face
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with a donut. C: "Harry, I really have to urinate!"
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-- Cooper and Truman get autopsy results from Dr. Hayward
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-- Shelley discovers Leo's shirt soaked with blood and hides it
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-- Cooper and Truman question James
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-- Mike and Bobby talk in jail cell (Leo called Mike "yesterday" and Bobby
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met with Leo "the night Laura died")
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-- The Donna and Laura picnic video
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-- Donna to mom: Laura's been seeing James for 2 months. Donna is sad but
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happy.
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-- Cooper gets call from Albert. Harry and Ed discuss the stakeout. Ed
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thinks his drink was drugged at the Roadhouse. The bartender was Jacques.
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-- James released into Ed's custody, Mike and Bobby released.
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"Just barely morning" (Pete to Josie)
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-- Cooper and Truman talk to Josie. Pete: There was a fish... *in* the
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percolator.
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-- Catherine meets Ben. They plan to torch the sawmill.
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Afternoon
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-- Donna visits the Palmers. Sarah has a vision of Laura and killer Bob
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Late afternoon/early evening (exterior shot is dark)
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-- Hawk qustions Pulaskis, spots one-armed man
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-- Bobby and Major Briggs have words over dinner
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-- Cooper and Truman encounter Log Lady at RR
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-- Jenny's first day at One-Eyed Jack's (not shown but mentioned later)
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Later in evening
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-- Shelley gets home and is beaten by Leo
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-- James has dinner at Haywards'
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-- Jacoby listens to tape from Laura, takes out the locket, on a thong
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-- Bob Lydecker assaulted outside a bar in Lowtown, a section of Twin Peaks
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(not shown)
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Saturday evening (continued) [Episode 1002 - 4/19/90, 8/18/90
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Written by Mark Frost and David Lynch
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Directed by David Lynch]
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-- Jerry Horne gets back from Paris. He and Ben go to OEJ.
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Midnight (clock at Haywards')
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-- James and Donna have their heart-to-heart
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-- Hawk calls Cooper, tells him that Ronnette recently quit at the perfume
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counter
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-- Audrey slips note under Cooper's door (Jack with one eye)
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-- Bobby and Mike meet with Leo in the woods. Bobby sees someone with Leo.
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Leo: Leo needs a new pair of shoes!
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26 Feb (Sunday)
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Morning
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-- Ed drops grease on Nadine's drape runners. Nadine's arms bend back.
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-- Shelley turns off a commercial for "Invitation to Love" and Bobby visits
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-- Cooper teaches Harry, Hawk, Andy and Lucy about Tibet. Rock/bottle:
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1 James Hurley, secret boyfriend
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! 2 Josie Packard, was instructed in English by
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U3 Laura. Bottle wobbled slightly.
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!---! 3 Dr. Lawrence Jacoby, Laura's psychiatrist.
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2 ! Grazed bottle, bottle fell but did not break.
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! ! 4 Johnny Horne, Laura was his special education
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!----! ! ! !--1-! tutor. Rock hit trash can.
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! ! ! ! ! ! 5 Norma Jennings, she helped Laura organize the
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! ! ! ! ! ! Meals on Wheels program.
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5 6 Shelley Johnson, waitress at diner, friend.
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Rock hit tree, then Andy.
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7 Jack with one eye. No rock thrown.
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8 Leo Johnson, husband of Shelley, drives a truck,
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connection with Laura unknown. Bottle struck.
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-- Ed meets Norma at the RR
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Late morning (after church)
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-- Haywards meet Audrey in the RR who puts on music on the juke. "God,
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I love this music. Isn't it too dreamy?"
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Afternoon ("are we going to have to stand here all afternoon?" Albert to
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Lucy)
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-- Albert and team arrive
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Night
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-- Nadine ecstatic about her now-silent runners
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-- Pete and Catherine talk. Pete sneaks safe key to Josie and she finds two
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ledgers in the safe.
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-- Leland has a breakdown to the strains of Glen Miller
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-- Cooper dreams:
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A series of sudden images, as if illuminated by a strobe light with
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darkness in between:
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Cooper in a chair, the dwarf
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Laura's mother running downstairs [from episode 1000]
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Bob at foot of Laura's bed
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A bloody cloth [in the railroad car?]
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Laura dead
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Bob crouched at Laura's bed [Sarah's vision]
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The One-Armed Man:
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Through the darkness of future past,
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The magician longs to see
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One..chants...out..between two worlds...
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Fire...walk with me.
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We lived among the people -- I think you say convenience store?
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We lived above it. I mean it like it is, as it sounds. I too
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have been touched by the devilish one; tattoo on the left shoulder.
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Ah, but when I saw the face of God, I was changed. I took the
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entire arm off. My name is Mike. His name is Bob.
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Bob, crouched in some room full of clutter (tantalizingly
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unrecognizable metal objects) like an attic or basement. He looks
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around and says:
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Mike? Mike? Can you hear me? [he turns to look at the camera]
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Catch you with my death bag!
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You may think I've gone insane, but I promise I *will* kill again!
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A small mound of dirt with a gold necklace on it, surrounded by a
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ring of candles. A puff of wind; the candles blow out.
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An older Agent Cooper (in his 50s or so) is sitting in a red-carpeted,
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red-curtained lounge. Laura Palmer is sitting a few chairs away from
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him, dressed in a slinky black dress and looking very elegant. There
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is a strange scraping noise - a distorted silhouette of a person,
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backlit against a doorway -- it seems to be shuddering somehow -- the
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scraping noise gets faster. Suddenly the distorted silhouette turns
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around. It's The Little Man From Another Place. The scraping sound
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was him rubbing his palms together. He's got a cheerful, wide smile,
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and he says (in twisted, reversed backwards English)
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Let's rock!
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He sits in one of the chairs. There is a pause. A black shadow drifts
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slowly over the red curtains, over their heads. Laura puts one finger
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next to her nose, looking significantly at Cooper. Then:
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LMFAP: [to Cooper] I've got good news. That gum you like is going to
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come back in style. [noticing Cooper staring at Laura] She's my
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cousin. But, doesn't she look almost exactly like Laura Palmer?
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Cooper: [to LMFAP] But she is Laura Palmer.
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[to Laura] Are you Laura Palmer?
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Laura: [arching her back weirdly] I feel like I know her,
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but sometimes my arms bend back.
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LMFAP: She's filled with secrets. Where we're from, the birds sing a
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pretty song, and there's always music in the air.
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Slow jazz music begins to play. The Little Man From Another Place
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stands and starts a jerky dance. Laura stands, crosses to Cooper,
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kisses him, and whispers something in his ear.
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-- Cooper jerks awake, with his special Cooper Cowlick pointing straight
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up. He calls Harry and says he knows who killed Laura Palmer --
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but it can wait till morning.
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27 Feb (Monday) [Episode 1003 - 4/26/90, 8/28/90
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Written by Harley Peyton
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Directed by Tina Rathborne]
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07:15 (Cooper to Diane)
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-- Cooper meets with Audrey over breakfast then tells Harry and Lucy about
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his dream. In actuality, he describes the ending to the European
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version. He can't remember the killer's name.
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-- Fight at the morgue: Ben and Doc Hayward won't let Albert continue with
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his autopsy.
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Albert: Mr. Horne, I recognize that your position in this fair
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community necessitates venality, insincerity, and a certain irritating
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manner of expressing yourself. Stupidity, however, is not a necessarily
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inherent trait. Therefore, please listen closely--You can have a
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funeral any old time. You dig a hole, you plant a coffin. I, however,
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cannot perform these tests next year, next month, next week or even
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tomorrow--I must perform them now. <drill noise--VEEP VEEP!>
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I've got a lot of cutting and pasting to do, gentlemen, so please
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return to your porch rockers and resume whittling.
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Truman slugs him.
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Mid to late morning (?)
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-- Cousin Madeline arrives to the strains of "Daddy!" on ItL
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-- Norma is told of Hank's pending parole
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-- Cooper and Truman talk to Leo
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-- Bobby and father have words again
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12:27 (Cooper to Diane)
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-- Cooper and Truman leave for funeral after Albert's autopsy report
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Laura was tied up twice, two kinds of twine. Traces of soap at the back
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of her neck. Died of numerous cuts.
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-- Ed and Nadine have a quiet moment. James declines to go to the funeral.
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-- Audrey checks on her family through a peephole. Ben and Sylvia fight over
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whether or not to take Johnny to the funeral. Dr Jacoby comforts Johnny.
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Early afternoon
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-- Laura's funeral. James and Bobby fight. Leland freaks out.
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Evening
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-- Shelley demonstrates Leland's coffin ride
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-- Cooper meets the Bookhouse Boys (Truman, Ed, James, Joey, Hawk) and they
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question Bernard Renault at the Bookhouse.
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-- Jacques calls Leo for help
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-- Catherine eavesdrops on Josie and Harry. Josie shows Harry the safe, but
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one of the ledgers is missing. Catherine has it.
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-- Cooper meets with Jacoby at the cemetary, then meets Hawk at the
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Roadhouse. The two take a drunken Leland home.
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28 Feb (Tuesday) [Episode 1004 - 5/3/90, 9/1/90
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Written by Robert Engles
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Directed by Tim Hunter]
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Day
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-- Andy sketches killer Bob from Sarah Palmer's description. Sarah then
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describes her vision of someone digging up the necklace.
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-- Cooper questions Jacoby
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-- Hawk tracks down the OAM to the Timber Falls motel, where at the
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same time, Ben and Catherine are having a rendezvous, and are being
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staked out by Josie.
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-- Cooper and the boys arrive and question Philip Michael Gerard the OAM.
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He has a suitcase full of shoes. Andy drops his gun and it goes off.
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-- Bernard Renault makes bail (not shown but mentioned later)
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-- Audrey gets Donna to agree to help her find Laura's killer
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-- Norma goes to Hank's parole meeting
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-- Cooper and the boys visit the Lydecker Clinic and confiscate files
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-- Bobby has rendezvous with Shelley and she gives him Leo's bloody shirt
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-- Cooper, Harry, Hawk and Andy practice in the shooting range
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Late afternoon/early evening
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-- James runs into Madeline Ferguson at the RR diner
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-- Norma gets a call from the prison. Hank is being paroled.
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-- Ben talks to Jerry about some Icelanders, then Audrey talks to Ben about
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learning the family business by starting work at the department store.
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-- A fax arrives from Gordon with a reconstruction of the plastic piece
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found in Laura's stomach. Andy comes across the file on Waldo, a mynah
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bird belonging to Jacques Renault. The cops race to Jacques' apartment.
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They find Leo's bloody shirt there, planted by Bobby.
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Evening
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-- Ben meets Leo by the river and they make plans about setting fire to the
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mill. Bernard's body is lying on the ground. Leo confesses to killing him
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and reports that frere Jacques is hiding out in Canada. (Leo tapes this
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conversation)
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-- James and Donna go to the buried necklace and find it missing
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-- Pete chats with Josie and retires. She gets a call from Hank.
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01 Mar (Wednesday) [Episode 1005 - 5/10/90, 9/8/90
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Written by Mark Frost
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Directed by Lesli Linka Glatter]
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|||
|
04:28 (Cooper to Diane)
|
|||
|
-- Cooper is woken up by singing Icelanders
|
|||
|
|
|||
|
Day
|
|||
|
-- Cooper meets Audrey in the hotel restaurant
|
|||
|
-- Ben and Jerry discuss the Sons of Odin
|
|||
|
-- Cooper meets Harry and Andy at Jacques' place. The blood on Leo's shirt
|
|||
|
is determined to be AB-. It doesn't match Laura's but matches Jacques'.
|
|||
|
-- Bobby has breakfast at Shelley's. Andy comes looking for Leo. Leo calls.
|
|||
|
-- Norma drops by Big Ed's and they agree to cool their relationship for
|
|||
|
awhile.
|
|||
|
-- Audrey has her job interview at daddy's store
|
|||
|
-- James and Donna meet
|
|||
|
-- Cooper discovers Laura's ad in Fleshworld
|
|||
|
-- Madeline meets with James and Donna at the RR and agrees to help them
|
|||
|
-- Hank, now out on parole, shows up at the RR to start work
|
|||
|
-- The Briggs family goes to see Dr. Jacoby
|
|||
|
-- Cooper, Harry, Hawk, and Doc Hayward go hiking:
|
|||
|
As they approach the cabin, a crow lands on a nearby branch and
|
|||
|
eyes them. The Log Lady appears and the crow caws.
|
|||
|
LL: "It's about time you got here."
|
|||
|
{To no one in particular} "They move so slowly when they're not
|
|||
|
afraid. Come on, then, my log does not judge."
|
|||
|
{ They follow her inside. }
|
|||
|
LL: "I've got tea. I've got cookies. No cake."
|
|||
|
Coop: "That's very kind ma'am, but I don't believe..."
|
|||
|
Hawk: "What kind of cookies?"
|
|||
|
LL: "Sugar. The owls won't see us in here."
|
|||
|
Doc: "A cup of tea would be very nice."
|
|||
|
LL: {To HST & Coop} "Shut your eyes and you'll burst into flames."
|
|||
|
HST: {Strolling to the table} "Thanks Margaret."
|
|||
|
LL: "We'll let it steep."
|
|||
|
{ All sitting at the table. Coop goes for a cookie, and Margaret
|
|||
|
slaps his hand. }
|
|||
|
LL: "Wait for the tea. The fish aren't running."
|
|||
|
HST: "You've been expecting us, Margaret?"
|
|||
|
LL: "You're two days late, but that's you're concern. My log saw
|
|||
|
something, something significant."
|
|||
|
HST: "What did your log see?"
|
|||
|
LL: "Tea first. Then be ready."
|
|||
|
"My husband was a logging man. He met the devil. Fire is the devil
|
|||
|
hiding like a coward in the smoke."
|
|||
|
Doc: "It was the day after the wedding, wasn't it Margaret?"
|
|||
|
Hawk: "The wood holds many spirits, doesn't it Margaret?"
|
|||
|
LL: {Gesturing with log to Coop} "You can ask it now."
|
|||
|
Coop: "What did you see the night Laura Palmer was killed."
|
|||
|
LL: "I'll do the talking."
|
|||
|
"Dark. Laughing. The owls were flying. Many things were blocked.
|
|||
|
Laughing. Two men. Two women. Flashlights pass by the woods over
|
|||
|
the ridge. The owls were near. The dark was pressing in on her.
|
|||
|
Quiet then. Later, footsteps. One man passed by. Screams.
|
|||
|
Far away. Terrible. Terrible. One voice."
|
|||
|
Coop: "Man or girl?"
|
|||
|
LL: "Girl. Further up over the ridge, the owls were silent."
|
|||
|
{ As they leave on the way to discovering Jacques' cabin, the crow leaves
|
|||
|
the branch it has been on all this time and follows, landing on a branch
|
|||
|
when they stop once again. We get a close-up of its blinking eye. }
|
|||
|
|
|||
|
04:00 (cuckoo clock)
|
|||
|
-- Cooper, Harry, Hawk, and Doc find Jacques' cabin and discover clues given
|
|||
|
to Cooper in his dream
|
|||
|
|
|||
|
Evening
|
|||
|
-- Party at the Great Northern for the Icelanders. Ben and Catherine meet in
|
|||
|
private, Audrey eavesdrops. Catherine confronts Ben about OEJ chip, slaps
|
|||
|
him 3 times, says lets burn the mill now.
|
|||
|
-- Leland freaks out to music.
|
|||
|
-- Madeline calls Donna. She found a tape of Laura's.
|
|||
|
-- Back at the party, Ben surreptitiously meets with Josie. She found the
|
|||
|
ledger where he said it would be. Ben: "we can proceed. Tommorrow night"
|
|||
|
-- Leo gets home and is beat up by Hank. "I told you to mind the store, not
|
|||
|
open up your own franchise." Leo gets pissed at Shelley who shoots him.
|
|||
|
-- Cooper arrives back at his room to find Audrey in his bed
|
|||
|
|
|||
|
Wednesday evening (continued) [Episode 1006 - 5/17/90, 9/8/90
|
|||
|
Written by Harley Peyton
|
|||
|
Directed by Caleb Deschanel]
|
|||
|
|
|||
|
-- Cooper has a talk (and that's all) with Audrey
|
|||
|
|
|||
|
02 Mar (Thursday)
|
|||
|
Morning
|
|||
|
-- Andy arrives at the station. Lucy won't talk to him and gets a call from
|
|||
|
a doctor.
|
|||
|
-- Cooper, Harry, and Doc Hayward are trying to get Waldo to speak
|
|||
|
-- Hawk shows up with a forensics report on Jacques' cabin and says that
|
|||
|
Jacques is now working as a dealer at OEJ. There were defenitely 3 guests
|
|||
|
at Jacques' cabin: Laura, Ronnette, and Leo.
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- Leo spots Bobby arriving at his house to see Shelley. He then takes off
|
|||
|
when he hears on the police band radio about Waldo.
|
|||
|
-- Maddy, Donna, and James listen to the tape that Maddy found. They plot to
|
|||
|
get the missing tape (2/23) they belive Jacoby has.
|
|||
|
-- Audrey and another girl, Jenny, are working the perfume counter at
|
|||
|
Horne's. Audrey hides in manager Emory Battis' office to listen in on his
|
|||
|
conversation with Jenny concerning her sideline work at OEJ.
|
|||
|
-- At the Double-R Diner, Hank palms a lighter that a customer left. Hank
|
|||
|
has thoughts about Big Ed after a talk with Shelley. Harry comes in with
|
|||
|
Cooper and warns Hank to keep clean.
|
|||
|
-- Nadine is home watching "Invitation to Love" and feeling miserable
|
|||
|
because the patent attorney she went to didn't like her drape runner
|
|||
|
idea. Ed comes in, comforts her, and encourages her to keep trying.
|
|||
|
-- Harry stops by Josie's and asks about her being at the Timber Falls Motel
|
|||
|
on Tuesday. First she tries to deny it but then tells him about Ben and
|
|||
|
Catherine and about overhearing Catherine's plan to burn the mill.
|
|||
|
|
|||
|
Evening (Cooper to Harry)
|
|||
|
-- Harry and Ed rendezvous with Cooper at the hotel. Harry tells Cooper
|
|||
|
about Josie's problem. Cooper seems suspicious. Audrey shows up looking
|
|||
|
for Cooper just as they left.
|
|||
|
-- Mr. Neff, an insurance agent, shows up at Catherine's about an unsigned
|
|||
|
policy. Josie was to get $1,000,000 upon Catherine's death.
|
|||
|
-- Catherine finds her bogus ledger missing
|
|||
|
-- Audrey leaves a note under Cooper's door and notices an Asian man
|
|||
|
checking in a couple of doors down from Cooper
|
|||
|
-- Leo shoots Waldo and drives off, but not before Waldo's last words are
|
|||
|
recorded. "Laura, Laura, don't go there. Hurting me, hurting me. Stop
|
|||
|
it, stop it. Leo, no, Leo no."
|
|||
|
|
|||
|
Evening
|
|||
|
-- Cooper and Ed show up at OEJ posing as "Fred and Barney" and meet
|
|||
|
Blackie. Ed craps, Cooper jacks.
|
|||
|
-- Maddy sneaks out, though she is seen by Leland, to meet James and Donna.
|
|||
|
-- Ben eats ice cream with Jerry, then sends him off with the Icelanders to
|
|||
|
OEJ for a signing party for the Ghostwood deal
|
|||
|
-- Ben calls Josie about Catherine. Josie says she'll "get Catherine there"
|
|||
|
and that it is "planned for tonight."
|
|||
|
-- Audrey meets Blackie. She ties a cherry stem into a knot with her tongue,
|
|||
|
and is hired at OEJ
|
|||
|
-- Jacques relieves the previous dealer at the blackjack table where Cooper
|
|||
|
is playing
|
|||
|
-- Dr. Jacoby is watching ItL on tv when he gets a call from "Laura." At the
|
|||
|
gazebo, where Maddy, disguised as Laura, is waiting with James and Donna
|
|||
|
and Bobby is watching them. The whole tableux is being watched by a
|
|||
|
mysterious heavy breather.
|
|||
|
-- Jacoby takes off to find out what's going on with "Laura" while James and
|
|||
|
Donna sneak into his office to search for the mising tape. Bobby has
|
|||
|
followed them there and sticks a bag of cocaine in James' gas tank.
|
|||
|
|
|||
|
Evening (continued) [Episode 1007 - 5/24/90, 9/15/90
|
|||
|
Written and directed by Mark Frost]
|
|||
|
|
|||
|
-- James and Donna enter Jacoby's place, find paper umbrellas, the (slightly
|
|||
|
different) missing tape and half the locket on a chain
|
|||
|
-- Jacoby, watching "Laura" is beaten by person unknown
|
|||
|
-- Audrey meets with Blackie and notices Cooper on a monitor
|
|||
|
-- Cooper talks with Jacques, sets him up. Jacques says the bird had a thing
|
|||
|
for Laura. Leo put a chip in Laura's mouth while the bird was attacking
|
|||
|
her and said, "bite the bullet, baby."
|
|||
|
-- Leo kidnaps Shelley
|
|||
|
-- Jacques arrested, struggles, is about to shoot Harry when Andy shoots him
|
|||
|
-- Bobby, Maddy, Donna listen to the tape.
|
|||
|
"Hey what's up doc? It's Laura, in case you haven't guessed. It's
|
|||
|
Thursday the 23rd and I'm so bored. Actually, I'm in kind of a weird
|
|||
|
mood. God, James is sweet, but he's so dumb. And right now I can only
|
|||
|
take so much of sweet. Hey, remember that mystery man I told you
|
|||
|
about? Well, if I tell you his name then you're gonna be in trouble.
|
|||
|
He wouldn't be such a mystery man anymore, but you might be history,
|
|||
|
man. I think a couple of times he's tried to kill me. But guess what?
|
|||
|
As you know, I sure got off on it. Isn't sex weird? This guy can
|
|||
|
really light my F-I-R-E. He's a red corvette... Uh oh, here comes mom
|
|||
|
with milk and cookies. Later, Lawrence. Bye bye."
|
|||
|
|
|||
|
3:20 (working back from the bomb clock)
|
|||
|
-- Leo prepares to burn the mill with Shelley tied up in it. Timer set for 1
|
|||
|
hour.
|
|||
|
-- Nadine writes a note and takes pills
|
|||
|
-- Hank receives $90,000 from Josie for the job 18 months ago. He says doing
|
|||
|
business with someone is for life and slits both their thumbs.
|
|||
|
-- Catherine is upset. She can't find the ledger. She deviously asks for
|
|||
|
Pete's help.
|
|||
|
-- Ed, Hank, and Andy tell other deputies what happened within earshot of
|
|||
|
Lucy. Andy makes his move and she announces she is pregnant.
|
|||
|
-- Lucy receives call from "Leo" (Bobby) to check out James. "He's an easy
|
|||
|
rider."
|
|||
|
-- Cooper and Truman question Jacques. He was in the cabin with Leo, Laura,
|
|||
|
and Ronnette. He and Leo fought and hit him with a whisky bottle.
|
|||
|
-- Hayward tells Cooper and Truman that Jacoby said he saw Laura
|
|||
|
-- Catherine gets a call from Hank. "It's at the mill, what you're looking
|
|||
|
for."
|
|||
|
-- Ed finds Nadine unconscious. He calls for an ambulance. The address is
|
|||
|
422 Riverside.
|
|||
|
-- Lucy gives message to Cooper and Truman. Leland asks Harry about suspect.
|
|||
|
-- James gives Cooper Laura's tape. Cooper tells him Jacoby is in the
|
|||
|
hospital and confronts him about the cocaine found in his gas tank.
|
|||
|
-- Icelanders (Einar Thorson) sign the Ghostwood contract
|
|||
|
-- Ben tells Hank to proceed
|
|||
|
-- Bobby goes to see Shelley, is attacked by Leo, who is shot by Hank
|
|||
|
|
|||
|
4:20 am (clock on bomb)
|
|||
|
-- Catherine finds Shelley and frees her. Fire starts.
|
|||
|
-- Leland kills Jacques
|
|||
|
-- Pete goes into burning sawmill after Catherine
|
|||
|
-- Ben signs the contract and goes to see the new girl (Audrey)
|
|||
|
"Close your eyes. This is the stuff as dreams are made of."
|
|||
|
|
|||
|
4:37 am (Cooper to Diane)
|
|||
|
-- Cooper returns to his room, notices the quiet, picks up note addressed,
|
|||
|
"My special agent," receives a phone call and is shot by person unknown
|
|||
|
|
|||
|
03 Mar Friday (continued) [Episode 2001 - 9/30/90
|
|||
|
Written by Mark Frost
|
|||
|
Directed by David Lynch]
|
|||
|
|
|||
|
Early morning (4:45?)
|
|||
|
-- Room service waiter delivers Cooper's warm milk, hangs up phone on
|
|||
|
Andy. "I've heard about you."
|
|||
|
-- The Giant appears:
|
|||
|
G: "I will tell you three things. If I tell them to you and they come
|
|||
|
true, then will you believe me?"
|
|||
|
C: "Who's that?"
|
|||
|
G: "Think of me as a friend."
|
|||
|
C: "Where do you come from?"
|
|||
|
G: {Shaking head} "The question is: where have you gone?"
|
|||
|
"The 1st thing I will tell you is: There's a man in a smiling bag."
|
|||
|
C: "Man in a smiling bag..."
|
|||
|
G: "The 2nd thing is: The owl's are not what they seem.
|
|||
|
The 3rd thing is: Without chemicals, he points."
|
|||
|
C: "What do these things mean?"
|
|||
|
G: "This is all I'm permitted to say. Give me your ring. I will
|
|||
|
return it to you when you find these things to be true."
|
|||
|
{Takes Coop's ring} "We want to help."
|
|||
|
C: "Who's we?"
|
|||
|
G: "One last thing. Leo locked inside Hungry Horse. There's a clue at
|
|||
|
Leo's house. You will require medical assistance."
|
|||
|
-- Jerry gives heroin to Blackie
|
|||
|
-- Audrey evades Ben, Jerry calls him away: Brother Ben, we got an S-N-A-G.
|
|||
|
-- Cooper tells Diane things he'd like to've done until Andy, Hawk, and
|
|||
|
Truman arrive
|
|||
|
|
|||
|
7:45 am
|
|||
|
-- Lucy updates Cooper. Truman and Doc Hayward are present.
|
|||
|
C: Doc, when the will is invoked, the recuperative powers of the physical
|
|||
|
body are simply extraordinary. Just give me a couple of hours to
|
|||
|
get dressed.
|
|||
|
-- Shelley, in her hospital bed, cries for Bobby
|
|||
|
|
|||
|
Morning
|
|||
|
-- Cooper sees Jacques' body wheeled away in a bag
|
|||
|
C: Is that bag smiling?
|
|||
|
Doc: Smiling?
|
|||
|
Lucy: What's there to smile about?
|
|||
|
-- Ronnette has a vision, "Laura..."
|
|||
|
|
|||
|
Day
|
|||
|
-- Sarah asks Maddy if she misses Beth (her mom). Maddy describes her dream,
|
|||
|
(the rug) Leland sports a new 'do, singing Mairzy Doats:
|
|||
|
Mairzy doats and dozy doats
|
|||
|
and little lambzy divy.
|
|||
|
A kiddly divy, too, wooden shoe?
|
|||
|
|
|||
|
Now if the words sounds queer,
|
|||
|
and funny to your ear,
|
|||
|
a little bit jumbled and jivy,
|
|||
|
Sing:
|
|||
|
|
|||
|
Mares eat oats and does eats oats
|
|||
|
and little lambs eat ivy.
|
|||
|
A kid'll eat ivy, too, wouldn't you?
|
|||
|
Maddy sees something in the rug.
|
|||
|
-- Ben and Jerry talk. Ben wants to know about Catherine and Leo's status.
|
|||
|
Leland arrives, singing Mairzy Doats. The brothers dance.
|
|||
|
-- Cooper determines what happened at Leo's.
|
|||
|
C: Sherrif, get your mind off Shelley - for a moment.
|
|||
|
Hawk finds a tarp smelling of gasoline. Albert and team arrive. Andy
|
|||
|
steps on a board and walks like a chicken, underneath are a pair of
|
|||
|
Circle Brand boots and cocaine.
|
|||
|
A: And it's another great moment in law enforcement history.
|
|||
|
-- Maddy meets with Donna at the RR and gives her Laura's shades that she
|
|||
|
wanted and breaks her own. They agree to "keep it quiet."
|
|||
|
D: Maybe the sun won't go up tommorow if you wash your hair. Think
|
|||
|
like that and you'll go crazy.
|
|||
|
Norma gives Donna a letter that got to the RR "yesterday:" Look into
|
|||
|
the Meals on Wheels. The log lady spits out her gum.
|
|||
|
-- Albert examines Cooper: "You were shot by a right handed person 5 foot
|
|||
|
6 to 5 foot 10 inches tall at a distance of less than 3 feet."
|
|||
|
Cooper tries to get Albert to open up to the locals.
|
|||
|
A: After the square dance, we can all go for a hayride.
|
|||
|
Andy reports that Leo was in jail in Hungry Horse, Montana on 2/9/88.
|
|||
|
A: Where do they keep his water dish?
|
|||
|
-- The OAM arrives at the station to "sell shoes" to Truman (to Lucy)
|
|||
|
-- Truman questions James. Cooper demands and gets the locket on a thong
|
|||
|
from James.
|
|||
|
C: Jacoby! I didn't figure he had anything to do with this at all.
|
|||
|
Sometimes, you just get lucky.
|
|||
|
-- Donna arrives at the station in Laura's shades and smoking and meets
|
|||
|
James in his cell.
|
|||
|
J: When did you start smoking?
|
|||
|
D: I smoke every once in a while. Helps relieve tension.
|
|||
|
J: When did you get so tense?
|
|||
|
D: When I started smoking.
|
|||
|
-- Cooper has Andy and Lucy look through the back issues of the last three
|
|||
|
years of Fleshworld for Theresa Banks.
|
|||
|
C to D: Diane, just received the back issues of Fleshworld. Good work.
|
|||
|
It's nice to see some cooperation with the law especially from
|
|||
|
a company that preys on human weaknesses.
|
|||
|
-- Hayward examines Jacoby. Cooper and Truman arrive. Cooper confronts
|
|||
|
Jacoby with the locket on a thong: I don't want any baloney, magic
|
|||
|
tricks or psychological mumbo jumbo.
|
|||
|
Jacoby said the night after Laura died, he followed Leo, lost him,
|
|||
|
saw and followed James and Donna and dug up the locket.
|
|||
|
J: Laura was, was in fact, no she was living a double life. Two people.
|
|||
|
Yeah, but then, then when I saw her the last time, she
|
|||
|
I dunno, she seemed to've reached a kind of peace herself. Now I
|
|||
|
believe that what she in fact, she had arrived at was the decision
|
|||
|
to end her life.
|
|||
|
T: Are you saying Laura wanted to die?
|
|||
|
C: Laura Palmer did not commit suicide.
|
|||
|
J: No, but maybe she allowed herself to be killed.
|
|||
|
Jacoby smelled scorched engine oil the night before.
|
|||
|
-- Bobby visits Shelley, brings her flowers
|
|||
|
-- Cooper, Truman, and Albert spot Bobby in the hospital. A: Sherrif
|
|||
|
Truman, to see this kind of investigative genius at work is just a
|
|||
|
real treat for me.
|
|||
|
They meet Ed in the hall.
|
|||
|
Ed: I never believed in fate, Agent Cooper. Always felt, you make your
|
|||
|
own way, you take care of your own, you pick up after yourself.
|
|||
|
Albert: Farmer's Almanac?
|
|||
|
Cooper: Albert, I would like to speak to Ed.
|
|||
|
Truman: Albert, I'll buy you a cup of coffee.
|
|||
|
Ed tells his tale of how he was with Norma but married Nadine and
|
|||
|
shot her eye out accidently on their homeymoon. James drops by. Cooper
|
|||
|
sees the smiling bag. Albert goes to check in at the Great Northern.
|
|||
|
-- Pete is disgusted by the hospital food
|
|||
|
-- Norma visits Shelley in her room, then sees Ed caring over Nadine
|
|||
|
-- Bobby runs into his father at the RR:
|
|||
|
MB: "Bobby, may I share something with you?"
|
|||
|
BB: "Okay."
|
|||
|
MB: "A vision I had in my sleep last night, as distinguished from a
|
|||
|
dream, which is mere sorting and cataloguing of the day's events by
|
|||
|
the subconscious. This was a vision, fresh and clear as a mountain
|
|||
|
stream, the mind revealing itself to itself. In my vision, I was on the
|
|||
|
veranda of a vast estate, a palazzo of some fantastic proportion.
|
|||
|
There seemed to emanate from it a light from within, this gleaming,
|
|||
|
radiant marble. I'd known this place. I had in fact been
|
|||
|
born and raised there. This was my first return. A reunion with the
|
|||
|
deepest well-springs of my being. Wandering about, I noticed happily
|
|||
|
that the house had been immaculately maintained. There'd been added
|
|||
|
a number of additional rooms, but in a way that blended so seamlessly
|
|||
|
with the original construction, one would never detect any difference.
|
|||
|
Returning to the house's grand foyer, there came a knock at the door.
|
|||
|
My son was standing there. He was happy and carefree, clearly living
|
|||
|
a life of deep harmony and joy. We embraced, a warm and loving
|
|||
|
embrace, nothing withheld. We were, in this moment, one. My vision
|
|||
|
ended and I awoke with a tremendous feeling of optimism and
|
|||
|
confidence in you and your future. That was my vision of you. I'm
|
|||
|
so glad to have had this opportunity to share it with you. I wish
|
|||
|
you nothing but the best in all things."
|
|||
|
BB: "Thank you Dad."
|
|||
|
Bobby appears moved. Hank asks Briggs how the pie was and salutes him.
|
|||
|
-- Norma won't talk about Shelley and Bobby recognizes Hank as he who
|
|||
|
shot Leo.
|
|||
|
-- Cooper and Albert tell their theory of what happened on 2/23
|
|||
|
C: The night Laura Palmer was killed, it appears she made 2
|
|||
|
appointments. In her diary, she had written, "Nervous about
|
|||
|
meeting J. tonight." I now believe this was a refernce to James
|
|||
|
Hurley. She was nervous because she planned to tell him she
|
|||
|
didn't want to see him anymore. Before she snuck out of the
|
|||
|
house, she received a phone call.
|
|||
|
A: We believe it was Leo Johnson making a second appointment
|
|||
|
for some time later that night.
|
|||
|
C: Laura met James, was with him until 12:30 when, at the intersection
|
|||
|
of 21 and Sparkwood, she jumped from the bike and ran into
|
|||
|
the woods. We believe that it was there that she met up with
|
|||
|
Jacques Renault, Leo Johnson and Ronette Pulaski. Together
|
|||
|
they drove to the foot of the trail leading to Jacques' cabin.
|
|||
|
They climbed the trail, they were heard passing the cabin of
|
|||
|
the Log Lady. They reached Jacques Renault's cabin at approximately
|
|||
|
1 am. Drugs and alcohgol were consumed. Laura was tied up
|
|||
|
and had sexual relations with both Leo and Jacques. Waldo the
|
|||
|
bird was let out of his cage and attacked Laura. Leo and
|
|||
|
Jacques fought. Jacques went outside and passed out. When he
|
|||
|
came to, Leo and the girls were gone. We believe Leo hiked
|
|||
|
back down to his Corvette alone, leaving the girls behind.
|
|||
|
A: The reason being, there was a third man.
|
|||
|
C: Deputy Hawk found evidence of a third man outside the window
|
|||
|
of Jacques' cabin.
|
|||
|
A: The third man took Laura and Ronette to the train car, where
|
|||
|
they were tied up. Laura for the 2nd time, Ronette for the 1st.
|
|||
|
C: Using a blunt object, the killer hit Ronette and knocked her
|
|||
|
unconscious. He must've been so intent on killing Laura, he
|
|||
|
didn't realize Ronette regained consciousness and escaped.
|
|||
|
A: He either didn't know or he didn't care. He made a small mound
|
|||
|
of dirt and put the half heart necklace of Laura's on top. He
|
|||
|
then placed a small cut out letter R under the nail of her
|
|||
|
left ring finger. You'll recall he placed the letter T under
|
|||
|
the fingernail of Theresa Banks. He, uh, left a note written in
|
|||
|
blood, "Fire, walk with me."
|
|||
|
C: Here's the interesting thing. The blood on the note was tested.
|
|||
|
It doesn't match Leo's, Jacques', Laura's or Ronette's.
|
|||
|
A: So we surmise the killer wrote the note in his own blood. The
|
|||
|
rare type, AB negative. The towel that Deputy Hawk found five
|
|||
|
miles down the tracks was soaked in blood of that type. He
|
|||
|
also found, near the towel, scraps of faded paper.
|
|||
|
C: The scraps may have been left by the killer. They'll be sent
|
|||
|
back to Washington DC for testing.
|
|||
|
{Andy cries}
|
|||
|
A: I know, Andy, I know, I know, I know. It's what we call a real
|
|||
|
three hanky crime.
|
|||
|
Andy: Albert Rosenfeld. I don't like the way you talk smart about
|
|||
|
Sherrif Truman or anybody. You just shut your mouth! {Exits}
|
|||
|
C: Laura Palmer is dead. Jacques Renault is dead. Ronette
|
|||
|
Pulaski and Leo Johnson are in comas. Waldo the bird is dead.
|
|||
|
This leaves only the third man.
|
|||
|
-- Truman gives Pete a ride home. P: This smoke inhalation is nasty
|
|||
|
business. I feel like somebody taped my lips to the tailpipe
|
|||
|
of a bus.
|
|||
|
Josie left a note; she went to Seattle, she goes shopping every 3
|
|||
|
months. An Asian man calls, asking for her, then he makes a collect
|
|||
|
call to Hong Kong.
|
|||
|
-- Ben and Jerry meet with Hank. Hank confirms he put Catherine in the mill
|
|||
|
and they hope to frame the arson on her and Leo.
|
|||
|
-- Audrey meets with Blackie, she's not pleased with her not satisfying the
|
|||
|
owner
|
|||
|
|
|||
|
Night
|
|||
|
-- Donna calls Norma about taking over Laura's Meals on Wheels route.
|
|||
|
She'll use the RR station wagon.
|
|||
|
-- At the Hayward Supper Club, Gersten plays the piano and Harriet
|
|||
|
recites a poem:
|
|||
|
"It was Laura
|
|||
|
And I saw her glowing.
|
|||
|
In the dark woods,
|
|||
|
I saw her smiling.
|
|||
|
|
|||
|
We were crying
|
|||
|
And I saw her laughing.
|
|||
|
In our sadness,
|
|||
|
I saw her dancing.
|
|||
|
|
|||
|
It was Laura
|
|||
|
Living in my dreams.
|
|||
|
|
|||
|
It was Laura.
|
|||
|
The glow was life.
|
|||
|
Her smile was to say
|
|||
|
It was all right to cry.
|
|||
|
|
|||
|
The woods was our sadness.
|
|||
|
The dance was her calling.
|
|||
|
It was Laura
|
|||
|
And she came to kiss me goodbye."
|
|||
|
Donna sits on her hands. Leland sings "Get Happy" and collapses.
|
|||
|
|
|||
|
11:55 (Cooper to Diane)
|
|||
|
-- Cooper goes to bed. C to D: I'm dog tired. A man can only go long
|
|||
|
without submitting to a period of rest. As we know from experiments
|
|||
|
conducted on American GI's during the Korean War, sleep deprivation
|
|||
|
is a one way ticket to temporary psychosis. And I'm working on a
|
|||
|
3 day jag.
|
|||
|
-- Audrey prays for Cooper
|
|||
|
-- The Giant returns:
|
|||
|
G: "Sorry to wake you."
|
|||
|
C: "I'm not dreaming."
|
|||
|
G: "I forgot to tell you something."
|
|||
|
C: "You were right about the smiling bag."
|
|||
|
G: "The things I tell you will not be wrong. Better to listen then to
|
|||
|
talk."
|
|||
|
C: "I believe you."
|
|||
|
G: "Don't search for all the answers at once. A path is formed by
|
|||
|
laying one stone at a time. One person saw the third man. Three have
|
|||
|
seen him, yes. But not his body. One only. Known to you. Ready now to
|
|||
|
talk. One more thing: you forgot something."
|
|||
|
C: "What?"
|
|||
|
{ Flash of green gets zapped into Coop. He lies alone in the dark,
|
|||
|
blinking. }
|
|||
|
-- Ronnette has a vision of Bob and Laura
|
|||
|
|
|||
|
04 Mar (Saturday) [Episode 2002 - 10/6/90
|
|||
|
Written by Harley Peyton
|
|||
|
Directed by David Lynch]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Cooper talks to Albert about Tibet over breakfast:
|
|||
|
C: Buddhist tradition first came to the land of snow in the fifth
|
|||
|
century AD. The first Tibetan came to be touched by the Dharma was
|
|||
|
King Hathatha Rignamputsan. He and succeeding generations came to be
|
|||
|
collectively called the Happy Generations. Now some historians place
|
|||
|
them in the Water Snake Year, two-thirteen AD; others in the year
|
|||
|
of the water ox 173 AD. Amazing isn't it? The Happy Generations.
|
|||
|
A: Agent Cooper, I am thrilled to pieces that the Dharama came to King
|
|||
|
Hohoho, I really am, but right now I am trying hard to focus on the
|
|||
|
more immediate problems of our own century right in Twin Peaks.
|
|||
|
C: Albert, you'd be surprised at the connection between the two.
|
|||
|
A: Color me amazed.
|
|||
|
Albert tells of Cooper's ex-partner Windom Earle escaping from a mental
|
|||
|
institution. The Asian man watches Cooper drink coffee.
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- Donna delivers a meal to Mrs. Tremont. Her grandson makes the creamed
|
|||
|
corn disappear. "Sometimes things can happen just like this."
|
|||
|
"She seemed like a very nice girl."
|
|||
|
-- Cooper and Truman see Ronnette and wrestle with the stools. They show
|
|||
|
sketches of Leo and Bob to her. She reacts violently to the second.
|
|||
|
"Tr- tr- tr-"
|
|||
|
-- Ben and Jerry contemplate over which ledger to burn then decide to roast
|
|||
|
marshmallows
|
|||
|
-- Andy fights scotch tape at the RR. The log lady enters and tells the
|
|||
|
Major to "deliver the message."
|
|||
|
-- Andy tells Lucy he's sterile:
|
|||
|
Listen to me, Lucy Moran, you just listen. When the Takoma
|
|||
|
Sperm Bank was looking for donors, naturally I applied. It's my civic
|
|||
|
duty and I like whales. A routine physical examination revealed that
|
|||
|
I'm sterile. Sure I thought it meant I didn't have to take a
|
|||
|
bath, but the doctors told me the truth. They told me I can't have
|
|||
|
babies. So what I wanna know now is why are you having one and how?
|
|||
|
-- Hank sees Cooper and Truman, signs his parole form. Hank was a Bookhouse
|
|||
|
Boy. Ben calls: Audrey's missing.
|
|||
|
-- Jerry shows Ben the unsigned insurance policy. Ben calls Einar Thorson -
|
|||
|
Leland's already called. Leland recognizes Bob; he lived next door to his
|
|||
|
grandfather. J: Is this real Ben? Or some twisted dream?
|
|||
|
|
|||
|
8:08 (clock on wall)
|
|||
|
-- Shelley sees Leo on life support. Norma's waiting to drive her home.
|
|||
|
-- Lucy gets a call but hangs up on him because he remains anonymous
|
|||
|
-- At OEJ, Audrey questions Battis. He recruited Laura and Ronnette to work
|
|||
|
at OEJ. Laura used drugs one weekend so they got rid of her.
|
|||
|
-- Bobby and Shelley scheme over Leo
|
|||
|
|
|||
|
Night
|
|||
|
-- Cooper reports Windom Earle's flight to Diane. The Major visits.
|
|||
|
BRIGGS: I have a message for you.
|
|||
|
COOPER: From whom?
|
|||
|
BRIGGS: I'm not at liberty to reveal the nature of my work. This
|
|||
|
secrecy pains me from time to time. Any bureaucracy that
|
|||
|
functions in secret inevitably lends itself to corruption.
|
|||
|
But these rules I have pledged to uphold and I believe a
|
|||
|
pledge is sacred.
|
|||
|
Briggs shows Cooperthe message: /THE/OWLS/ARE/NOT/WHAT/THEY/SEEM/
|
|||
|
-- James sings with Donna and Maddy. James and Maddy exchange looks, Donna
|
|||
|
gets jealous, then gets a call from Harold Smith. Maddy sees Bob.
|
|||
|
-- Cooper is awaken from a dream by a call from Audrey. She is caught by
|
|||
|
Blackie.
|
|||
|
|
|||
|
05 Mar Sunday [Episode 2003 - 10/13/90
|
|||
|
Written by Robert Engles
|
|||
|
Directed by Lesli Linka Glatter]
|
|||
|
|
|||
|
6:40 am (clock on wall)
|
|||
|
-- Ronnette is in the throes of a violent seizure. Truman turns off a
|
|||
|
machine by her bed, then tells Cooper and Albert, who have just arrived,
|
|||
|
that she took out her IV. Cooper pulls out a 'B' from under Ronnette's
|
|||
|
fingernail.
|
|||
|
-- Cooper enlightens Albert and Truman about his visitations from the Giant
|
|||
|
|
|||
|
12:30 (?) (Harold's watch)
|
|||
|
-- Donna visits Harold, who gives her a flower to put on Laura's grave. He's
|
|||
|
known Laura since she started the Meals on Wheels. She pulls on a piece
|
|||
|
of paper sticking out of a drawer.
|
|||
|
-- Cooper and Truman discuss Bob. R B T
|
|||
|
Albert reports: the B from Ronnette's Mrs. Palmer
|
|||
|
finger was from a Fleshworld. Maddy ----===========---- Cooper
|
|||
|
The cocaine found in James' cycle Ronnette
|
|||
|
matches that found in Leo's house and Jacques' car.
|
|||
|
Cooper was shot with a Walther PPK.
|
|||
|
Albert and Truman trade words:
|
|||
|
ALBERT: You listen to me. While I will admit to a certain cynicism, the
|
|||
|
fact is that I am a nay-sayer and hatchet man in the fight against
|
|||
|
violence. I pride myself in taking a punch and I'll gladly take
|
|||
|
another, because I choose to live my life in the company of Gandhi and
|
|||
|
King. My concerns are global. I reject absolutely revenge,
|
|||
|
aggression, and retaliation. The foundation of such a method...is
|
|||
|
love. I love you, Sheriff Truman.
|
|||
|
COOPER: Albert's path is a strange and difficult one.
|
|||
|
-- Lucy looks for words with R, B, and T. Richard Tremayne, her lunch date,
|
|||
|
arrives at the station. Hawk offers two more words: prohibited, robot.
|
|||
|
-- Leland drops by and tells Cooper, Truman, and Hawk about the man in the
|
|||
|
sketch - he lived in a white house, across a vacant lot from his
|
|||
|
grandfather's place on Pearl Lakes. His name was Robertson and he used
|
|||
|
to flick matches at him, "you wanna play with fire, little boy?" Leland
|
|||
|
flicks a match nicely himself into an ashtray. Cooper picks it up and
|
|||
|
blows it out.
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- At the RR, Lucy and Dick have words over lunch. They used to go out every
|
|||
|
Thursday night for three months, but he hasn't called in 6 weeks, since
|
|||
|
their encounter in Horne's Home Furnishings. She tells him of her
|
|||
|
pregnancy.
|
|||
|
-- James and Maddy discuss Donna. She arrives at an opportune moment, while
|
|||
|
they're holding hands, and storms out.
|
|||
|
-- Emory videotapes Audrey as Blackie shoots her up
|
|||
|
-- The OAM shows shoes to Truman, sees the sketch of Bob, gets dizzy
|
|||
|
and heads for the bathroom
|
|||
|
-- Shelley drops by the station and tells Cooper and Truman she won't give
|
|||
|
a statement against Leo. Cooper smells an insurance scam and wonders
|
|||
|
who's behind it.
|
|||
|
-- The OAM has spasms in the toilet stall, flushes the toilet and the
|
|||
|
spasms cease. He drops his needle. Mike takes over.
|
|||
|
-- Cooper meets Ben at the Great Northern, who tells him to watch his step
|
|||
|
with Audrey. The Asian Man watches and follows Cooper.
|
|||
|
-- Jean Renault gives Audrey some English caramel
|
|||
|
-- Emory recognizes Cooper on the monitor. Jean and Nancy, Blackie's sister,
|
|||
|
arrive. They and Blackie scheme. Jean wants Cooper and Blackie wants
|
|||
|
money. He'll be the go-between for 30%.
|
|||
|
-- Truman gets a call from Pete - Josie will be back tommorow afternoon.
|
|||
|
Hawk has information about the white house - it's boarded up and no name
|
|||
|
on the mailbox. Truman tells Cooper about the OAM and flinches when
|
|||
|
Cooper reminds him that in his dream, the OAM knew Bob. Cooper finds the
|
|||
|
needle in the bathroom.
|
|||
|
|
|||
|
4:15 (?) (clock on wall)
|
|||
|
-- Ed visits Nadine who is strapped to her bed. He sings to her, and she
|
|||
|
breaks her straps and wakes up. She's 18.
|
|||
|
-- Cooper and Truman visit Jacoby in his hospital room. His wife is there.
|
|||
|
Hypnotized, he says he smelled engine oil at the park, and he saw
|
|||
|
Jacques' killer
|
|||
|
|
|||
|
Night (full moon)
|
|||
|
-- Donna brings Harold's flower to Laura's grave and has a one-way
|
|||
|
converstion with her
|
|||
|
-- James sees Maddy at the Palmer home. He's depressed since his mom came
|
|||
|
home. Donna once again catches them at another opportune moment.
|
|||
|
-- Maddy cries to Leland, "Everybody thinks I'm Laura, but I'm not!"
|
|||
|
Cooper and Truman arrive to arrest Leland for the murder of Jacques.
|
|||
|
-- Donna goes over to Harold's and finds Laura's secret diary next to a
|
|||
|
knife
|
|||
|
|
|||
|
06 Mar Monday [Episode 2004 - 10/20/90
|
|||
|
Written by Jerry Stahl and Mark Frost,
|
|||
|
Harley Peyton, Robert Engles
|
|||
|
Directed by Todd Holland]
|
|||
|
|
|||
|
Early morning
|
|||
|
-- Cooper and Truman question Leland, who admits to killing Jacques
|
|||
|
-- Doc Hayward and Andy discuss Andy's sterility. Doc asks for another
|
|||
|
sample. Andy, with a copy of Fleshworld, runs into Lucy on the way to the
|
|||
|
restroom.
|
|||
|
-- Truman tells Cooper no one named Robertson ever lived in the white house.
|
|||
|
Andy runs into a deputy, "Sorry, Bob." Cooper notices Andy's wearing
|
|||
|
Circle Brand Boots
|
|||
|
|
|||
|
"Not even 9:30" (Ben to Louie)
|
|||
|
-- Louie tells Ben that travel critic M. T. Wentz is coming to town
|
|||
|
-- Jean, who "sells insurance to small businesses," visits Ben with the
|
|||
|
video of Audrey and the condition that Cooper bring the ransom money
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- Donna picks up lunches from the RR
|
|||
|
-- Norma tells Hank about M. T. Wentz. He says there's enough time and takes
|
|||
|
off.
|
|||
|
-- At Harold's, he shows Donna the secret diary and reads from it. Donna
|
|||
|
suggests giving it to the sheriff but Harold disagrees.
|
|||
|
-- Ben shows the Audrey video to Cooper and asks him to deliver the money
|
|||
|
-- Josie returns
|
|||
|
-- At OEJ, Emory brings Audrey to Jean. Audrey says Emory hit him. Jean
|
|||
|
kills Emory.
|
|||
|
-- Andy approaches Lucy. Cooper has a talk with her.
|
|||
|
-- Cooper asks Harry a favor. He needs the best Bookhouse Boy.
|
|||
|
-- M.T. Wentz to arrive today
|
|||
|
|
|||
|
7:05 (clock on wall) (1/2 moon)
|
|||
|
-- Hank and Norma patronize a large man at the RR. Hank lifts his billfold
|
|||
|
and finds it is Daryl Lodwick, District Attorney.
|
|||
|
-- Donna meets Maddy at the RR and asks her help in getting the secret diary
|
|||
|
-- Harry confronts Josie about the mill, she seduces him on the couch.
|
|||
|
A mystery man watches outside the window in the rain (Asian man?).
|
|||
|
-- Judge Clinton Sternwood arrives at the station and meets Lucy, Cooper
|
|||
|
and the sheriff.
|
|||
|
-- Dick Tremayne arrives, offers Lucy money for an abortion, and is kicked
|
|||
|
out by her.
|
|||
|
-- Andy, who overhears Lucy crying, brings in Leland to meet with the Judge.
|
|||
|
Sid arrives.
|
|||
|
|
|||
|
Evening
|
|||
|
-- Ben bows to Mr. Tojamura who checks in. Louie calls Norma - she thinks
|
|||
|
it's M. T. Wentz.
|
|||
|
-- Josie introduces her cousin Jonathan to Pete. Jonathan tells Josie her
|
|||
|
job is to sell the mill and she is expected in Hong Kong by Mr. Eckard.
|
|||
|
|
|||
|
9:30
|
|||
|
-- Truman meets Cooper at the Roadhouse.
|
|||
|
-- Hank at the RR gets a visit from the Asian man and is beaten up.
|
|||
|
|
|||
|
07 Mar Tuesday [Episode 2005 - 10/27/90
|
|||
|
Written by Barry Pullman
|
|||
|
Directed by Graeme Clifford]
|
|||
|
|
|||
|
6:42 am (Cooper to Diane)
|
|||
|
-- Cooper awakes, chewing on his ear plug, and finds Audrey's note
|
|||
|
|
|||
|
Morning
|
|||
|
-- Hawk tells Truman of his finds - two old ladies at the white house.
|
|||
|
They never heard of a Robertson.
|
|||
|
-- Lucy leaves for Tacoma. She'll stay at sister Gwen and Larry's for
|
|||
|
two days.
|
|||
|
-- Cooper tells Truman he knows where Audrey is
|
|||
|
-- Mr Pinkle demonstrates for Bobby and Shelley the Leo-lifter apparatus
|
|||
|
-- Leland's hearing. Truman defends, Andy sketches. Ben chews on nuts and
|
|||
|
leaves. Leland's released. His grandfather, Joshua, brought them over
|
|||
|
75 years ago.
|
|||
|
-- Donna delivers lunch to Harold and makes a deal. He'll read the diary if
|
|||
|
she tells her story. She taunts him outside, he collapses.
|
|||
|
-- Leo's hearing. He's ruled incompetent to stand trial. The Judge, Cooper,
|
|||
|
and Truman have a drink. Cooper doesn't think Leo did it. Truman tells
|
|||
|
Shelley Leo's coming home.
|
|||
|
-- Ed brings Nadine home. She rips off the refrigerator door.
|
|||
|
-- Tojamura meets Ben and offers him 5 million dollars for Ghostwood
|
|||
|
-- At the Great Northern, Bobby is snooping around Hank
|
|||
|
|
|||
|
Noon ("Expect a call tommorow. Noon." Jean to Ben)
|
|||
|
-- Cooper meets Ben. They get a call from Jean with instructions on where
|
|||
|
and when to deliver the money. Ben has Hank follow Cooper.
|
|||
|
-- Donna and Maddy plot to get the diary
|
|||
|
-- At OEJ, Jean arms himself. Nancy reports that Audrey is asleep.
|
|||
|
-- Andy mans the phones at the station. He calls the Doc for the results
|
|||
|
of his sperm test. "I'm a whole damn town!" to Truman as he's zipping
|
|||
|
his fly. He sees Gwen's number, calls, and gets an abortion clinic.
|
|||
|
-- Cooper and Truman plan. Hawk enters and reports that the OAM is staying
|
|||
|
at the Robin's Nest. No one's seen him for "a day, a day and a half."
|
|||
|
He found a mysterious drug.
|
|||
|
|
|||
|
Night
|
|||
|
-- Maddy gets some coffee at the RR. James follows.
|
|||
|
-- Donna tells a story to Harold
|
|||
|
-- Cooper and Truman bust into OEJ. There's a roll of plastic on the stairs.
|
|||
|
-- Harold shows Donna some orchids
|
|||
|
-- Cooper runs into Nancy and gets Audrey
|
|||
|
-- Truman watches Jean kill Blackie. Hawk saves Cooper and Truman.
|
|||
|
"Good thing you guys can't keep a secret."
|
|||
|
-- Hank is caught outside by Jean and is identified as DA Lodwick (billfold)
|
|||
|
-- Maddy and Donna are caught by Harold
|
|||
|
|
|||
|
[Episode 2006 - 11/3/90
|
|||
|
Written by Harley Peyton & Robert Engles
|
|||
|
Directed by Lesli Linka Glatter]
|
|||
|
|
|||
|
Night (con't)
|
|||
|
-- James rescues Donna and Maddy. Harold sprays his plants and grieves.
|
|||
|
-- Cooper brings Audrey to the Bookhouse.
|
|||
|
-- Maddy leaves Donna and James, who share a moment
|
|||
|
-- Truman recognizes Jean in a book of criminals and points him out to
|
|||
|
Cooper, who begins to feel remorse for getting Audrey messed up in his
|
|||
|
problems
|
|||
|
-- Cooper gives back the money to Ben and tells him what happened. Ben hugs
|
|||
|
him, then the briefcase.
|
|||
|
|
|||
|
08 Mar Wednesday
|
|||
|
|
|||
|
Morning
|
|||
|
-- Bobby brings Leo home. He and Shelley get their first check - it's only
|
|||
|
$700, it was supposed to be $5000. Leo groans.
|
|||
|
-- Donna tells Truman about the secret diary. Gordon Cole arrives ("sounds
|
|||
|
real good, Sherrif, but I already ate"), with Albert's report: vicuna
|
|||
|
fibers were found outside Cooper's room, the OAM's chemicals were weird
|
|||
|
stuff, and the scraps of paper found near the train site were diary
|
|||
|
pages. Hawk brings in the OAM. "There's the one-armer now."
|
|||
|
-- Ben sees Audrey. A: "I saw so much." "I'm aware of a lot of new things
|
|||
|
too, Daddy."
|
|||
|
|
|||
|
1:50 pm (clock on wall)
|
|||
|
-- Nadine comes home
|
|||
|
-- Jonathan rapes Josie and gives her a one way ticket to Hong Kong. She
|
|||
|
says she hasn't received her insurance money nor the money from Ben.
|
|||
|
She's waited five years for this. The plane leaves at midnight.
|
|||
|
-- Maddy says goodbye to James at a dock. She leaves tomorrow.
|
|||
|
-- Ben meets Josie at his office. They drink to the fire. She got Pete's
|
|||
|
signature and wants her money. He threatens, she threatens. He gives
|
|||
|
her the check from Tojamura, she gives him the contract.
|
|||
|
-- Bobby and Shelley party around Leo. They make out in front of him, Leo
|
|||
|
moves.
|
|||
|
-- Cooper meets Gordon. Albert thinks Cooper is in over his head. Gordon's
|
|||
|
worried over Pittsburgh. Cooper gets an unmarked letter with an opening
|
|||
|
chess move (P to K-4) from Windham Earl.
|
|||
|
-- Leland meets with Ben and proves himself, while pocketing fur off of a
|
|||
|
stuffed dog. Jerry's on his way to Tokyo.
|
|||
|
|
|||
|
Night
|
|||
|
-- Truman arrives as Josie's leaving. He is introduced to Jonathan as "Mr.
|
|||
|
Lee," Josie's assistant. He tells her he loves her, she hesitates and
|
|||
|
leaves.
|
|||
|
-- Ben meets with Tojamura. Leland sings. Pete chats with Tojamura:
|
|||
|
Pete: The King and I! [to Tojamura] Do you like musicals?
|
|||
|
Tojamura: No.
|
|||
|
Pete: Not even Fiddler on the Roof? Made me weep like a little baby.
|
|||
|
Tojamura: I find adherence to fantasy troubling and unreasonable.
|
|||
|
-- Cooper questions Mike:
|
|||
|
M: There is no need...for medicine. I am not in pain.
|
|||
|
C: Who are you?
|
|||
|
M: My name is Mike.
|
|||
|
C: What are you?
|
|||
|
M: I am...an inhabiting spirit.
|
|||
|
C: Who is Phillip Gerard?
|
|||
|
M: He is host to me.
|
|||
|
C: You spoke to me in my dream...about Bob.
|
|||
|
M: Mmm. He...was...my familiar.
|
|||
|
C: Where does Bob come from?
|
|||
|
M: That...cannot be revealed.
|
|||
|
C: What does Bob want?
|
|||
|
M: He is Bob...eager for fun. He wears a smile... Everybody run!
|
|||
|
Do you understand the parasite? It attaches itself to a life form and
|
|||
|
feeds. Eh. Bob requires a human host. He feeds on fear...and the
|
|||
|
pleasures. They are his children. I am similar to Bob. We once
|
|||
|
were partners.
|
|||
|
M and C in unison:
|
|||
|
Through the darkness of future past,
|
|||
|
The magician longs to see.
|
|||
|
M: One...chants out, between two worlds,
|
|||
|
Fire...walk with me.
|
|||
|
Oh, but then...I saw the face of God...and was purified. I took off
|
|||
|
the arm...but remained... close to this vessel, inhabiting from time
|
|||
|
to time, for ONE, SINGLE, PURPOSE.
|
|||
|
C: To find Bob [produces sketch of Bob].
|
|||
|
M: TO STOP HIM! This [points to sketch] is his true face. But few can
|
|||
|
see it. The gifted...and the damned!
|
|||
|
C: Is Bob near us now?
|
|||
|
M: For nearly forty years.
|
|||
|
C: Where?
|
|||
|
M: Ah. A large house, made of wood, surrounded by trees. The house is
|
|||
|
filled with many rooms, each alike, but occupied by different souls,
|
|||
|
night after night.
|
|||
|
C: The Great Northern Hotel!
|
|||
|
|
|||
|
|
|||
|
09 Mar Thursday [Episode 2007 - 11/10/90
|
|||
|
Written by Mark Frost
|
|||
|
Directed by David Lynch]
|
|||
|
|
|||
|
Early morning
|
|||
|
-- Mike babbles, Gordon tells Harry about the diary pages. Gordon is on his
|
|||
|
way to Bend Oregon, "hush hush" business.
|
|||
|
|
|||
|
7:24 am (clock on wall)
|
|||
|
-- Andy shows guests to Mike, who says "no...no..." Navy sailors bounce
|
|||
|
handballs. Ben enters the room and Mike faints.
|
|||
|
-- Hawk discovers Harold's body
|
|||
|
|
|||
|
9:05 am (clock on wall)
|
|||
|
-- Maddy tells Leland and Sarah she's leaving tommorow. "I'll come galloping
|
|||
|
back often!"
|
|||
|
-- Cooper and Truman find the French note on Harold's body "I'm a lonely
|
|||
|
soul." Hawk finds the torn diary.
|
|||
|
-- Bobby and Shelley pay their bills and end up with $42. She wants Bobby to
|
|||
|
take a necklace back. Leo's truck's been impounded. Leo screams and
|
|||
|
spits, "new shoes." Leo had Shelley take in a pair of boots "last week."
|
|||
|
-- Audrey confronts Ben with what she knows. He's owned OEJ for five years.
|
|||
|
Laura worked there a short time, Battis recruited her without his
|
|||
|
knowledge. He slept with her.
|
|||
|
|
|||
|
Day
|
|||
|
-- A tearful Shelley tells Norma she's quitting. Nadine and Ed arrive.
|
|||
|
Norma's been working there "20 years this April." Nadine crushes a glass.
|
|||
|
-- Bobby and Mike get back to Leo's with the boots and finds a tape in the
|
|||
|
heel.
|
|||
|
|
|||
|
2:47 pm (Cooper to Diane)
|
|||
|
-- Cooper pieces together the diary. Audrey arrives and tells him what she
|
|||
|
found out about Ben.
|
|||
|
|
|||
|
Night (full moon) (Albert puts Maddy's death bewteen 10 and 12 and
|
|||
|
Truman says they took Ben in after that)
|
|||
|
-- Ben gets a fax from Jerry - he's talked with the people in Osaka and
|
|||
|
it's thumbs up. Hawk, Andy, Truman, and Cooper arrive to take Ben in
|
|||
|
for questioning.
|
|||
|
-- At the Palmer house, a record skips at the end, and Sarah (drugged)
|
|||
|
crawls down the stairs, "Leland."
|
|||
|
-- Ben is brought to the station. The Log Lady tells Cooper, "We don't know
|
|||
|
what will happen or when, but there are owls in the Roadhouse." She
|
|||
|
acknowledges that something is happening.
|
|||
|
-- Pete runs into Tojamura - it's Catherine
|
|||
|
-- Sarah sees a white horse and faints. Leland's at the mirror, a small
|
|||
|
white horse (?) on the table.
|
|||
|
-- At the Roadhouse, Donna meets James and they discuss Harold. The Log Lady
|
|||
|
arrives with Cooper and Truman. The navy sailors are there also. Donna
|
|||
|
lip syncs.
|
|||
|
-- Cooper and the Log Lady see the giant, "It is happening again."
|
|||
|
-- Leland at the mirror, sees Bob. Maddy smells something burning and is
|
|||
|
killed by Bob/Leland. An 'O' is put underneath her fingernail.
|
|||
|
-- The waiter from the Great Northern tells Cooper, "I'm so sorry." Bobby
|
|||
|
and Donna appear moved. Cooper's thinking hard.
|
|||
|
|
|||
|
10 Mar Friday [Episode 2008 - 11/17/90
|
|||
|
Written by Scott Frost
|
|||
|
Directed by Caleb Deschanel]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Leland plays indoor golf. Donna and James drop by and miss their chance
|
|||
|
to say goodbyw to Maddy. Leland says he dropped Maddy off at the bus
|
|||
|
station not 20 minutes ago. Leland excuses himself and talks to Sarah.
|
|||
|
After Donna and James leave, Leland packs the club into his bag
|
|||
|
(Maddy's in there) and leaves. His license plate says "The Timber State"
|
|||
|
-- Ben brushes his teeth in his cell when Jerry arrives back from Japan.
|
|||
|
Ben says he was with Catherine the night Laura died. Ben and Jerry
|
|||
|
reminisce about Louise Dombrowski dancing with a flashlight.
|
|||
|
-- Lucy's back with her sister Gwen
|
|||
|
|
|||
|
10:03 (Cooper to Diane)
|
|||
|
-- Cooper and Truman come across Leland dancing with his golf club.
|
|||
|
Truman tells Leland Ben's been arrested. Cooper asks him to get back
|
|||
|
to him if he remembers anything about Ben.
|
|||
|
T: Everything OK?
|
|||
|
C: I'm not sure.
|
|||
|
|
|||
|
Late morning
|
|||
|
-- Doc Hayward takes a blood sample from Ben. Jerry defends, and Cooper
|
|||
|
and Truman question him.
|
|||
|
-- Bobby makes a copy of Leo's tape and writes a letter for Ben
|
|||
|
-- Norma's mom Vivien arrives with her new husband Ernie, a financial
|
|||
|
anaylist. He says he's through with gambling, but leaves a paper on
|
|||
|
the counter and Norma sees "$1000 Houston by 3 points" written on it.
|
|||
|
-- The OAM ("he's close...") bumps the deputy and escapes from his room
|
|||
|
-- Hank returns to the RR and smooth talks Norma
|
|||
|
-- Harry and Pete look through a pair of binoculars at a pileated
|
|||
|
woodpecker. They trade stories about Josie and get funny feelings.
|
|||
|
Truman leaves with Cooper. The OAM is missing.
|
|||
|
-- Andy sees Lucy with Gwen's baby and faints
|
|||
|
|
|||
|
1:40 (?) (Ben's watch)
|
|||
|
-- Pete delivers a voice message to Ben from Catherine. She'll testify
|
|||
|
for the mill. Ben throws a tantrum.
|
|||
|
-- Leland sings "Surry With a Fringe on Top" while driving. Cooper's
|
|||
|
whistling the same tune in a different key. They nearly collide.
|
|||
|
Truman pulls Leland over and they chat. Leland mentions Ben made a
|
|||
|
phone call at 10 pm the night Laura died and mentioned a "derry"
|
|||
|
or diary. Leland offers to show Cooper his new clubs and appears
|
|||
|
to almost whack Cooper with one when Truman calls him away - they
|
|||
|
found the OAM, near the waterfall.
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- Hawk brings in the OAM to the station. Lucy attends to Andy while
|
|||
|
while Gwen gabs. Andy tells Lucy about his sperm.
|
|||
|
-- The OAM examines Ben. Truman charges Ben with the murder of Laura.
|
|||
|
The OAM is taken to back to hotel. Cooper tells Truman he doesn't
|
|||
|
think Ben didi it.
|
|||
|
|
|||
|
8:30 (Vivien to Hank)
|
|||
|
-- Norma, Hank, Ernie and Vivien have dinner together, Hank's got a
|
|||
|
new domino - double 4. When the ladies are in the powder room, Hank
|
|||
|
and Ernie talk. They were prison buddies. Ernie Niles, "The
|
|||
|
Professor," got out 6 months ago. He met Vivien at a Republican
|
|||
|
fund raiser. He says he doesn't gamble anymore.
|
|||
|
|
|||
|
11:05 (clock on table)
|
|||
|
-- Audrey visits Cooper. Cooper gets a call.
|
|||
|
-- Cooper and Truman identify Maddy's body
|
|||
|
|
|||
|
11 Mar (Saturday) [Episode 2009 - 12/1/90
|
|||
|
Written by Mark Frost, Harley Peyton and Robert Engles
|
|||
|
Directed by Tim Hunter]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Albert reports: letter O under Maddy's fingernail, fur in her hand
|
|||
|
from a dead, stuffed fox. Cooper asks for 24 hours to finish it.
|
|||
|
Albert: Cooper...
|
|||
|
... an observation. I don't know where this is headed, but the
|
|||
|
only one of us with the coordinates for this destination in his
|
|||
|
hardware is you. Go on whatever vision quest you require. Stand on
|
|||
|
the rim of the volcano, stand alone and do your dance. Just find
|
|||
|
this beast before he takes another bite.
|
|||
|
Cooper: <Sigh> God help me, I don't know where to start.
|
|||
|
Hawk: You're on the path. You don't need to know where it leads.
|
|||
|
Just follow...
|
|||
|
-- James gives Donna a ring. Donna mentions last night.
|
|||
|
-- Vivien doesn't like Norma's eggs.
|
|||
|
-- Andy's French surprises Donna
|
|||
|
-- Donna, Cooper, and Andy arrive at the Tremonds. A younger Mrs. Tremond
|
|||
|
answers the door. Her mother passed away 3 years ago and she has no
|
|||
|
children. She has a letter addressed to Donna that was in her mail
|
|||
|
the morning after Harold died. It's a page from Laura's diary:
|
|||
|
February 22. Last night I had the strangest dream. I was in a
|
|||
|
red room with a small man, dressed in red, and an old man
|
|||
|
sitting in a chair. I tried to talk to him. I wanted to tell
|
|||
|
him who BOB is, because I thought he could help me. But my
|
|||
|
words came out slow and odd. It was frustrating trying to talk.
|
|||
|
I got up and walked to the old man. Then I leaned over and
|
|||
|
whispered the secret in his ear.
|
|||
|
Somebody has to stop BOB. BOB's only afraid of one man. He
|
|||
|
told me once. A man named Mike. I wonder if this was Mike in
|
|||
|
my dream. Even if it was only a dream, I hope he heard me. No
|
|||
|
one in the real world would believe me.
|
|||
|
February 23. Tonight is the night that I die. I know I have
|
|||
|
to because it's the only way to keep BOB away from me. The
|
|||
|
only way to tear him out from inside. I know he wants me. I
|
|||
|
can feel his fire. But if I die he can't hurt me anymore.
|
|||
|
-- Cooper questions the OAM who says, "you have all the clues you need."
|
|||
|
-- Cooper, standing in a hall at the Great Northern, thinking hard,
|
|||
|
sees the waiter. "I know about you. That milk'll cool down on you
|
|||
|
but it's getting warmer now."
|
|||
|
-- Cooper, Truman and Albert examine Ben's office. Albert says Maddy
|
|||
|
was killed the night before last between 10 and 12. He also has
|
|||
|
Ben's blood test results.
|
|||
|
|
|||
|
12:43 pm (clock on wall)
|
|||
|
-- Andy calls Dick while Lucy watches - they need to talk
|
|||
|
-- Tojamura sees Ben. He wants the contract signed or the money
|
|||
|
returned. Ben signs it and Tojamura reveals his true identity.
|
|||
|
-- Leland comes home to Donna. She's got a tape of her, Maddy and James
|
|||
|
singing for Maddy. Leland recognizes Laura's shades on Donna and
|
|||
|
she mentions Laura's secret diary. Leland gets a call from Beth -
|
|||
|
Maddy never made it home. He chews gum, dances with Donna, and hugs
|
|||
|
her hard. Truman's at the door for Leland.
|
|||
|
-- Donna tells James about Maddy. He leaves her crying.
|
|||
|
|
|||
|
12 Mar Sunday
|
|||
|
|
|||
|
3:00 am (clock on wall)
|
|||
|
-- At the Roadhouse, Ben eats nuts. Cooper and Truman are at the bar.
|
|||
|
Truman brings Leland, Ed arrives and they clear the room. Hawk brings
|
|||
|
Bobby and Leo. Major Briggs brings the waiter, who gives Cooper a
|
|||
|
stick of gum. Leland: I know that gum. That's my most favorite gum
|
|||
|
in the world. Cooper remembers: Laura: "My father killed me." The
|
|||
|
Giant gives Cooper his ring back.
|
|||
|
|
|||
|
3:55 (clock on wall)
|
|||
|
-- Cooper and Truman trick Leland into a cell. He freaks.
|
|||
|
-- At gunpoint, Leland is cuffed and read his rights. Leland/Bob
|
|||
|
confesses to killing Laura and Maddy. He mentions Pittsburgh and
|
|||
|
Cooper is noticeably shaken.
|
|||
|
|
|||
|
Early morning
|
|||
|
-- Dick and Andy listen to Lucy. Dick smokes.
|
|||
|
-- Cooper tells his story of how the answer was staring him in the
|
|||
|
face all this time - Leland's dancing, grey hair, Robertson, the
|
|||
|
letters, the secret diary. Leland recites Mike's poem and Bob's
|
|||
|
response. The sprinklers go off and Leland rams his head into the door.
|
|||
|
<Cooper, Albert, and Truman burst into the room. The sprinkler system
|
|||
|
has gone off and water is pouring over them all>
|
|||
|
Cooper: Call an ambulence! <Cooper kneels next to Leland and cradles
|
|||
|
Leland's head in his lap. For the rest of the scene he strokes
|
|||
|
Leland's hair and face, comforting him.>
|
|||
|
Leland: Oh God! Laura! I killed her. Oh my God, I killed my daughter.
|
|||
|
I didn't know. Forgive me. Oh God. I was just a boy. I saw him
|
|||
|
in my dream. He said he wanted to play. He opened me and I
|
|||
|
invited him and he came inside me. When he was inside, I
|
|||
|
didn't know. When he was gone, I couldn't remember. He made me
|
|||
|
do things. Terrible things. He said he wanted lives. He wanted
|
|||
|
others, others that they could use, like they used me.
|
|||
|
Cooper: Like Laura.
|
|||
|
Leland: They wanted her. But she was strong. She fought. She wouldn't
|
|||
|
let him in. Oh God. They had me kill that girl, Theresa. And
|
|||
|
they said if I didn't give them Laura, they'd have me kill
|
|||
|
her, too.
|
|||
|
Cooper: But she wouldn't let them in.
|
|||
|
Leland: They said she'd die before she'd let them. Then they made me
|
|||
|
kill her. Oh God, have mercy on me. What have I done? What
|
|||
|
have I done? Oh God. I love her. I love her with all my heart.
|
|||
|
My angel, forgive me.
|
|||
|
<Cooper looks to Albert, who shakes his head -- apparently Leland
|
|||
|
isn't going to live>
|
|||
|
Cooper: Leland. Leland, the time has come for you to seek the path.
|
|||
|
Your soul has set you face to face with the clear light and
|
|||
|
you are now about to experience it in its reality. Wherein all
|
|||
|
things are like the void and cloudless sky and the naked
|
|||
|
spotless intellect is like a transparent vacuum, without
|
|||
|
circumference or center. Leland, in this moment, know yourself
|
|||
|
and abide in that state. Look to the light, Leland. Find the
|
|||
|
light.
|
|||
|
Leland: I see it.
|
|||
|
Cooper: Into the light, Leland. Into the light.
|
|||
|
Leland: I see... Her. She's there.
|
|||
|
Cooper: Into the light, Leland.
|
|||
|
Leland: She's beautiful.
|
|||
|
Cooper: Into the light.
|
|||
|
Leland: Laura?
|
|||
|
Cooper: Don't be afraid.
|
|||
|
<Leland dies. Wordlessly Cooper pushes his own hair back and looks up.
|
|||
|
The sprinklers shut off>
|
|||
|
|
|||
|
Day
|
|||
|
-- Cooper, Albert and Truman, on the path, meet Briggs and they discuss
|
|||
|
Bob
|
|||
|
|
|||
|
15 Mar Wednesday [Episode 2010 - 12/8/90
|
|||
|
Written by Tricia Brook
|
|||
|
Directed by Tina Rathborne
|
|||
|
|
|||
|
Day
|
|||
|
-- Cooper explains to Sarah what happened the night Maddy died and
|
|||
|
Leland's final moments
|
|||
|
-- Leland's wake. Dr. Jacoby's back from Hawaii. Mayor Dwayne Milford
|
|||
|
pulls his brother Dougie's ear. Dougie owns the newspaper and is
|
|||
|
engaged to be married. The Mayor first ran for that office in '62.
|
|||
|
Cooper to Truman: Harry, I'm really gonna miss this place.
|
|||
|
-- Dr. Jacoby and Ed ask to have 35 year old Nadine admitted to school
|
|||
|
-- Audrey sees Cooper, who tells his tale of Earle.
|
|||
|
-- Bobby puts on Leo's clothes and goes to see Ben
|
|||
|
-- Catherine talks to Harry. She says a guardian angel saved her and
|
|||
|
directed her to the summer cabin on Pearl Lakes. There appears to
|
|||
|
be an owl-shaped smudge on her cheek.
|
|||
|
-- Dick talks to Lucy while she's replacing ceiling light bulbs. Andy
|
|||
|
offers to be friends.
|
|||
|
-- Cooper says goodbye to Truman, who gives him a green butt skunk hook
|
|||
|
and a Bookhouse Boy patch. He says goodbye to Hawk, Andy and Lucy,
|
|||
|
when Roger Hardy arrives with a mountie and tells Cooper he has been
|
|||
|
suspended from the FBI.
|
|||
|
-- Audrey gets Bobby in to see Ben, but gets kicked out. They go to
|
|||
|
get ice cream. B: Cup or cone? A: Mmmm...cone. I like to lick.
|
|||
|
-- Roger and the mountie question Cooper, who surrenders his gun and
|
|||
|
badge. They only knew of two deaths, and Cooper didn't know about
|
|||
|
Battis. Truman stands up for Cooper.
|
|||
|
-- Nadine Butler tries out for cheerleading
|
|||
|
-- Shelley brushes Leo's teeth. Bobby calls, Leo moves.
|
|||
|
|
|||
|
Night
|
|||
|
-- Vivien reveals herself to Norma, who kicks her out.
|
|||
|
-- Hank brings Ernie to Jean at OEJ. Jean's assistant is the mountie -
|
|||
|
he'll put some of the stolen cocaine in Cooper's car
|
|||
|
-- Josie, injured, returns to Truman's place
|
|||
|
-- Cooper and Briggs around a campfire:
|
|||
|
COOPER: At the time I did what I thought was right. I must now face
|
|||
|
the consequences.
|
|||
|
BRIGGS: You can do no more.
|
|||
|
(Cooper and Major Briggs, roasting marshmallows over a campfire.)
|
|||
|
COOPER: You know, Major, I find myself thinking a lot about BOB.
|
|||
|
If he truly exists.
|
|||
|
BRIGGS: Yes, I've pondered that same question continuously since this
|
|||
|
horror was revealed.
|
|||
|
COOPER: I try to imagine him out there, incarnate, looking for
|
|||
|
another victim to inhabit.
|
|||
|
BRIGGS: There are powerful forces of evil in the world. It is some
|
|||
|
men's fate to face great darkness. We each choose how to react.
|
|||
|
If the choice is fear, then we become vulnerable to darkness.
|
|||
|
There are ways to resist. You, sir, were blessed with certain
|
|||
|
gifts. In this respect, you are not alone. Have you ever heard
|
|||
|
of the White Lodge?
|
|||
|
COOPER: The White Lodge. No, I don't believe I have.
|
|||
|
(Briggs appears to ponder what he should say about this.)
|
|||
|
(Angle on the woods from the point of view of some unknown entity,
|
|||
|
moving through the woods.)
|
|||
|
COOPER: Major, I'm going to take a moment here. I feel the call of
|
|||
|
nature. There's nothing quite like urinating out in the open air. I
|
|||
|
look forward to hearing more about this White Lodge.
|
|||
|
(Cooper moves off into the woods. Major Briggs laughs, gives
|
|||
|
the departing Cooper a "thumb's-up".)
|
|||
|
When I return. From my journey.
|
|||
|
(Lingering on Briggs, who looks off in the direction of Cooper's
|
|||
|
exit with a speculative expression. An owl hoots. Major Briggs looks
|
|||
|
up, alarmed.)
|
|||
|
(Cooper urinating in the woods. An owl hoots in the tree above him.
|
|||
|
Cooper watches the owl. Suddenly a brilliant white light appears
|
|||
|
behind him. Cooper turns toward the light.)
|
|||
|
(Angle on Briggs, bathed in blinding white light.)
|
|||
|
BRIGGS: COOPER! COOPER!
|
|||
|
(A robed figure appears in the light, backlit. No features are visible.)
|
|||
|
(Cooper dashes through the woods to the camp site. The Major is gone.)
|
|||
|
COOPER: Major Briggs? MAJOR?
|
|||
|
(Cooper looks at the light. It seems to be receding into the woods.
|
|||
|
Cooper runs toward it. He reaches the top of a small hill and freezes,
|
|||
|
looking into the light. The light blinks out.)
|
|||
|
|
|||
|
16 Mar Thursday [Episode 2011 - 12/15/90
|
|||
|
Written by Barry Pullman
|
|||
|
Directed by Duwayne Dunham]
|
|||
|
|
|||
|
Morning
|
|||
|
-- James cycles
|
|||
|
-- Mrs. Briggs talks to Cooper and Truman about her husnad's disappearence.
|
|||
|
Being "in the woods is significant," he "talks about them constantly."
|
|||
|
He left notes by his bedside table so she'll call back later.
|
|||
|
-- Andy and Hawk found a present for Mr. & Mrs. Milford
|
|||
|
-- Gordon calls from Bend (a temp patches him through - Lucy's helping
|
|||
|
with the wedding). Dennis Bryson from the DEA will be arriving.
|
|||
|
-- Cooper presents no defense to Roger
|
|||
|
-- Nadine asks Donna about Mike
|
|||
|
-- James cycles to Wallies and meets Evelyn Marsh
|
|||
|
|
|||
|
12:18 pm (clock on wall)
|
|||
|
-- Andy leaves flowers for Lucy
|
|||
|
-- Dick brings Nicky, his charge from Happy Helping Hand, to the station.
|
|||
|
Andy offers him a malt.
|
|||
|
-- Cooper, Truman, and Hawk discuss the White Lodge:
|
|||
|
HAWK: Cooper, you may be fearless in this world, but there are other
|
|||
|
worlds.
|
|||
|
COOPER: Tell me more.
|
|||
|
HAWK: My people believe that the White Lodge is a place where the
|
|||
|
spirits that rule man and nature here reside.
|
|||
|
TRUMAN: Local legend. Goes way back.
|
|||
|
HAWK: There is also a legend of a place called the Black Lodge...
|
|||
|
the shadow-self of the White Lodge. The legend says that
|
|||
|
every spirit must pass through there on the way to perfection.
|
|||
|
There, you will meet your own shadow-self. My people call
|
|||
|
it "The Dweller on the Threshhold."
|
|||
|
COOPER: "The Dweller on the Threshhold..."
|
|||
|
HAWK: But it is said, if you confront the Black Lodge with imperfect
|
|||
|
courage, it will utterly annihilate your soul.
|
|||
|
-- Dennis arrives. He and Cooper worked together in Oakland. An RCMP
|
|||
|
officer says he stole drugs.
|
|||
|
-- Nadine leg presses 600 lbs.
|
|||
|
-- Josie tells Harry about Eckhart. He took her off the streets in Hong Kong
|
|||
|
at 16 and taught her about life and business. She was afraid for her
|
|||
|
life when she met Andrew, a business aprtner. She says she believes
|
|||
|
Eckhart is responsible for Andrew's death. She escaped from the airport
|
|||
|
at Seattle.
|
|||
|
-- Roger has pie at the RR (story on Leland in his paper)
|
|||
|
-- Hank and Ernie return. When Norma asks Ernie if he caught anything, he
|
|||
|
spins a tale she doesn't buy. Vivien's returned to Seattle.
|
|||
|
-- Nicky blows whip cream in Dick's face and spins Andy's seat
|
|||
|
-- James looks at Evelyn's '48 Jaguar. Her husband, Jeffrey, travels
|
|||
|
extensively. She'll provide room and board while he works on the car.
|
|||
|
-- Ben watches old footage of the groundbreaking ceremony for the Great
|
|||
|
Northern. Hank arrives: Ben, I have had an absolutely killer schedule.
|
|||
|
Ben wants to rearrange furniture. Hank tells him OEJ has been taken
|
|||
|
over. Ben makes shadow figures.
|
|||
|
-- Cooper gets an envelope from Windom Earle. P to Q4.
|
|||
|
"Of course, you couldn't help but take note of my emphatically
|
|||
|
traditional opening. I must say, your responding move was nothing
|
|||
|
if not reflective of your predilection for the tidy and fastidious.
|
|||
|
See how my response to you begins to lead us towards a classical
|
|||
|
confrontation? But there's doubt in your mind: what are my true
|
|||
|
intentions? How will you answer this time? Hobgoblins, Dale...
|
|||
|
consistency...predictability, giving rise to patterns. We both
|
|||
|
know only too well how these patterns leave you vulnerable to
|
|||
|
attack. You with your wounds, I with mine, let me paint you a
|
|||
|
picture: my knights will skirmish, lanes of power and influence
|
|||
|
will open through my bishops and rooks, pawns will naturally
|
|||
|
be forfeit. I'm even prepared to sacrifice my queen because,
|
|||
|
I assure you, dear Dale, my goal will be attained at any cost;
|
|||
|
the king must die!"
|
|||
|
-- The Milford wedding. Dwayne objects.
|
|||
|
-- Dennis tells Cooper s/he found cocaine in Cooper's car and explains
|
|||
|
what happened.
|
|||
|
-- Cooper dances with Audrey, Andy with Denise
|
|||
|
-- Josie tells Catherine Thomas Echhart killed Andrew and she should be
|
|||
|
careful. Catherine employs Josie as her maid. Andrew's alive:
|
|||
|
"Everything's going exactly as we planned." He and Catherine will be
|
|||
|
waiting for Eckhart.
|
|||
|
|
|||
|
17 Mar Friday [Episode 2012 - 1/12/90
|
|||
|
Written by Harley Peyton and Robert Engles
|
|||
|
Directed by Caleb Deschanel]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Bobby tries again to blackmail Ben, who's acting too weird for it to
|
|||
|
take. B: "You know what you need in this life? Balance, distance,
|
|||
|
symmetry." He's stacked his furniture. Eventually he hires Bobby to spy
|
|||
|
on Hank; Bobby is thrilled.
|
|||
|
-- Cooper is discussing houses with a real estate agent (Irene). A coin
|
|||
|
flip leads him to like Dead Dog Farm, an estate with a mysterious past
|
|||
|
where no one stays for long.
|
|||
|
-- Andy, Dick and Lucy visit with Nickie's case worker. Nickie is an orphan
|
|||
|
who has been through many foster homes, and is the victim of "persistent
|
|||
|
random misfortune." Harry breaks up the meeting calling Andy to an
|
|||
|
emergency at the Great Northern.
|
|||
|
-- Harry, Doc Hayward and Andy investigate Dougie Milford, dead in his hotel
|
|||
|
bed. Dwayne comes in and grieves, accusing the wife of murder by
|
|||
|
sex. Andy doesn't cry. "My Secret Life" by Chris Gerrity is found
|
|||
|
on the bed.
|
|||
|
-- In the hallway, Hawk is talking/flirting with the widow. H: "When
|
|||
|
something big goes down, I'm the man."
|
|||
|
|
|||
|
10:10 (clock on wall)
|
|||
|
-- Nadine has joined the wrestling team and takes district champion Mike in
|
|||
|
one fall while asking him out.
|
|||
|
-- Mike complains to Donna about Nadine.
|
|||
|
-- James meets Malcolm Sloan - Evelyn Marsh's brother, Jeffrey Marsh's
|
|||
|
driver. He says Marsh abuses Evelyn. Once a fortnight she breaks one
|
|||
|
of his things.
|
|||
|
-- At Dead Dog Farm, Cooper notices some tire tracks: "A Jeep, a four-
|
|||
|
wheeler and a luxury sedan." In the house he deduces a meeting took
|
|||
|
place in the past few hours. He finds baby laxative and cocaine dust.
|
|||
|
-- Dick fixes a flat (reading the instructions) while Nicky is irritating.
|
|||
|
While Nicky is not touching the car and facing the other way, the car
|
|||
|
falls off the jack. Nicky panics and runs to hug Dick (who is unhurt).
|
|||
|
|
|||
|
Day
|
|||
|
-- Cooper comes to tell Harry about Dead Dog Farm, but instead visits
|
|||
|
with Air Force Colonel Reilly investigating Major Briggs. Briggs is a
|
|||
|
great pilot. "The owls are not what they seem" was broadcast from
|
|||
|
the woods, not deep space -- maybe from the White Lodge ("That's
|
|||
|
classified"). Cooper mentions seeing an owl before Briggs disappeared.
|
|||
|
-- James and Evelyn flirt and kiss. James encourages her to leave her
|
|||
|
husband but she refuses. When Jeffrey comes home she runs to greet him.
|
|||
|
-- Bobby, returning to Ben's office with photos, sees Audrey who flirts
|
|||
|
with him but doesn't kiss him. Audrey goes to her secret listening place.
|
|||
|
-- Ben, who is working on a civil war model ("Gettysburg, day 1"), accepts
|
|||
|
the photos from Bobby and gives him a raise. Audrey eavesdrops.
|
|||
|
-- Pete and Catherine enjoy a romantic meal, served by Josie in a maid
|
|||
|
outfit. Pete is bothered by Catherine's treatment of Josie, but is having
|
|||
|
too much fun to make an issue of it.
|
|||
|
-- Cooper brings Diane up to date:
|
|||
|
"Diane, I'm holding in my hand a nationally distributed newspaper. My
|
|||
|
opening move [P to Q4] responding to Windom Earle's opening move was
|
|||
|
printed in the personals column as per my instructions, but I have already
|
|||
|
received his response to this yesterday. He anticipated my response to
|
|||
|
his opening move perfectly. He's toying with me, Diane. I wonder where
|
|||
|
he is and what he's planning."
|
|||
|
Audrey knocks and offers Cooper Bobby's photos she has just stolen from
|
|||
|
her father's office. Cooper identifies them as Hank, Ernie, Jean Renault
|
|||
|
and the mountie, meeting at Dead Dog Farm. Denise comes in, and Audrey
|
|||
|
kisses Cooper on her way out. Cooper briefs Denise.
|
|||
|
D: I may wear a dress but I still put on my panties one leg at a time,
|
|||
|
if you know what I mean.
|
|||
|
Cooper: Not really...
|
|||
|
|
|||
|
Night
|
|||
|
-- At the RR, Ed looks depressed, prompting Norma to suggest they can still
|
|||
|
be friends and to take his hand, all this secretly witnessed by Hank,
|
|||
|
sporting a 3:4 domino.
|
|||
|
-- Dick tells Andy he thinks Nicky is the devil.
|
|||
|
-- In Harry's office, Dwayne continues to accuse Lana of murder. Doc says
|
|||
|
it was a natural heart attack.
|
|||
|
-- In the hallway, all the men watch Lana being escorted to a room. They
|
|||
|
begin collectively reciting Shakespeare.
|
|||
|
-- Lucy tries to call the sheriff to the phone, but gets no response. She
|
|||
|
eventually finds all the men literally spellbound by Lana telling stories.
|
|||
|
-- Dennis visits Ernie at the RR. At the Great Northern, Cooper and Dennis
|
|||
|
interrogate Ernie. They apparently want to let him off, using him to
|
|||
|
catch the big guys. Dennis will pose as a buyer from Seattle and Ernie
|
|||
|
will arrange for a deal between Renault and Dennis.
|
|||
|
-- James hears Evelyn and Jeffrey fighting. Malcolm tells James the first
|
|||
|
beating was four years ago. He swears to kill Jeffrey.
|
|||
|
-- Bobby goes home to find his mother sitting in the dark grieving over the
|
|||
|
Major's disappearance. She flips on an owl lamp and Bobby tells his
|
|||
|
mother about the Major's vision. Suddenly the lights go out and the major
|
|||
|
materializes in the house, wearing a vintage pilot's outfit (leather
|
|||
|
jacket and goggles) and asking how long he's been gone.
|
|||
|
Betty: Is everything all right?
|
|||
|
Garland: No, dear...not exactly.
|
|||
|
|
|||
|
|
|||
|
18 Mar Saturday [Episode 2013 - 1/19/90
|
|||
|
Written by Harley Peyton
|
|||
|
Directed by Todd Holland]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Fade up on night time sky/field of stars. Camera pans
|
|||
|
slowly to right.
|
|||
|
VOICE: (whispers) Cooperrr...
|
|||
|
In the background, a chittering noise is heard. A yellow
|
|||
|
symbol consisting of three equilateral triangles overlapping
|
|||
|
slightly at their apexes (like the international radiation
|
|||
|
symbol) appears spinning in the center of the screen and
|
|||
|
rapidly moves towards the camera with a screaming noise.
|
|||
|
When it hits the camera, the screen erupts with flames.
|
|||
|
BRIGGS (V.O.): I remember stepping from the flames. A
|
|||
|
vague shape in the dark. Then nothing.
|
|||
|
Slow fade from flames to Major Garland Briggs. He is
|
|||
|
seated on a throne of stone in the middle of a jungle.
|
|||
|
The camera moves slowly towards him.
|
|||
|
BRIGGS: 'Til I found myself standing by the cold
|
|||
|
remains of our campfire. Two days later.
|
|||
|
HAYWARD (Distorted V.O.): Major, there are some new techniques
|
|||
|
that might help us break through your amnesia.
|
|||
|
BRIGGS: Well, my memories are immune from regression.
|
|||
|
I can feel them...
|
|||
|
A wolf begins to growl in the background.
|
|||
|
BRIGGS: ...they're palpable, the smells, the sensation.
|
|||
|
Everything is known to me, yet somehow beyond my reach.
|
|||
|
COOPER (distorted V.O.): Do you remember anything else?
|
|||
|
BRIGGS: Very little, save for one disturbing image
|
|||
|
of a giant owl, pervasive.
|
|||
|
The wolf continues to growl.
|
|||
|
COOPER (distorted V.O.): A giant owl?
|
|||
|
With a flash of light, we cut to a brief negative image of an owl flying,
|
|||
|
then to a close shot of the back of the Major's neck, where there is a
|
|||
|
small red scar identical to the 3-triangle symbol seen before. Cut
|
|||
|
to Briggs face. The flash is revealed to be from an Instamatic
|
|||
|
camera that Doc Hayward used to take a picture of the scar.
|
|||
|
The camera slowly pulls back from Briggs. The scene is the
|
|||
|
Sheriff's Station Conference Room, the time is apparently morning.
|
|||
|
Major Briggs, Agent Cooper, Doc Hayward and Sheriff Truman
|
|||
|
are present.
|
|||
|
COOPER: A giant owl? How big?
|
|||
|
BRIGGS: (fidgeting with his fingers) Enough to cloud my mind and memory.
|
|||
|
HAYWARD: (handing the instant picture he has just taken to Cooper)
|
|||
|
Three triangular scars behind the right
|
|||
|
ear, in perfect proportion.
|
|||
|
TRUMAN: Major Briggs...what exactly does your work involve?
|
|||
|
BRIGGS: That information...as I've repeated endlessly
|
|||
|
to myself...classified. Though the keeping of
|
|||
|
secrets ... seems less meaningful to me now.
|
|||
|
(Pause. The Major is nervous and shaken.)
|
|||
|
Perhaps there are sources of information that are
|
|||
|
so important as to transcend the human need
|
|||
|
to conspire. Information of such weight that
|
|||
|
pertains not ... (Garland pauses. He begins to
|
|||
|
lose control of his emotions.) Oh, God! Is
|
|||
|
this meant for the soul?! My soul?
|
|||
|
COOPER: Major--perhaps you'd better start back at the beginning.
|
|||
|
BRIGGS: Are you familiar with...Project Bluebook?
|
|||
|
COOPER: Yes sir, I am. The Air Force investigation into
|
|||
|
the phenomenon of Unidentified Flying Objects.
|
|||
|
BRIGGS: Officially disbanded in 1969. But, there are those
|
|||
|
of us who ... continue in an _unofficial_ capacity.
|
|||
|
Examining the heavens as before...in the case of
|
|||
|
Twin Peaks, the earth below.
|
|||
|
Cooper and Truman look at each other.
|
|||
|
BRIGGS: We are searching for a place called the White Lodge.
|
|||
|
Briggs stops talking as the door opens and two M.P.s step in.
|
|||
|
M.P. #1: Major Briggs?
|
|||
|
BRIGGS: I've been expecting you.
|
|||
|
TRUMAN: Now hold on just a minute, fellas.
|
|||
|
M.P. #1: Colonel Riley's orders.
|
|||
|
TRUMAN: I don't care what orders you got, this is my
|
|||
|
station and Major Briggs happens to be a friend of mine.
|
|||
|
BRIGGS: Harry (Briggs rises). I'm afraid we will have to continue
|
|||
|
this discussion at a later date.
|
|||
|
TRUMAN: Are you sure you wanna to go with them?
|
|||
|
BRIGGS: (Nods) Yeah. (to Cooper) Goodbye.
|
|||
|
M.P. #1: Major.
|
|||
|
-- Dennis and Cooper have Ernie call Jean for the setup
|
|||
|
-- Dick tells Andy Nicky's records were sealed and returned to the
|
|||
|
orphanage
|
|||
|
-- Cooper asks Lucy if she's seen anything from Earle in the newspapers
|
|||
|
-- At the RR, Ed tells Norma, "We need to talk"
|
|||
|
-- Shelley's fed up with taking care of Leo and slaps Bobby who's going
|
|||
|
out again, as Invitation to Love plays on the TV. Leo's eye twitches.
|
|||
|
-- Ed gets a call from James who wants all his money ($12) sent to him
|
|||
|
at Wally's
|
|||
|
-- Evelyn asks James about his girls and for his help
|
|||
|
|
|||
|
9:25 (clock on wall)
|
|||
|
-- Mike tries to fight off Nadine at the RR
|
|||
|
-- Hank asks Norma where's she's going
|
|||
|
-- Josie answers the door to Truman who can't keep his hands off her
|
|||
|
-- Audrey visits Ben's battlefield and calls Jerry
|
|||
|
-- Ed answers the door to Norma
|
|||
|
-- Hawk prepares Ernie with a bug:
|
|||
|
(Hawk is attaching a "wire" to Ernie with adhesive tape)
|
|||
|
E: Ouch! Will you mind the chest hair, will ya?
|
|||
|
H: You're sweatin' like a pig, Mr. Niles!
|
|||
|
E: Oh, thanks a lot! That's nervous perspiration, man, hyperhydrosis.
|
|||
|
It's a childhood condition--and I didn't notice it 'til the war.
|
|||
|
Korea, remember that? Do ya? I was leading a batallion up towards
|
|||
|
the 49th parallel. We were just a bunch of fresh-faced kids. I didn't
|
|||
|
know what kinda hell we were steppin' into.
|
|||
|
C: Ernie! Ernie, I want you to focus on the here and now. Repeat your
|
|||
|
instructions to me, step by step.
|
|||
|
E: Okay. Uh...I take...Denise...up to Dead Dog Farm. I introduce her to
|
|||
|
Renault.
|
|||
|
C: Right.
|
|||
|
E: I, uh...take Renault through the buy...complete the transaction, and get
|
|||
|
the hell out of there, huh?
|
|||
|
C: Good. Harry--that's when you come in. (Truman nods) By golly...I sure
|
|||
|
wish I could join you fellas. But I've temporarily lost my
|
|||
|
enforcement franchise.
|
|||
|
E: Heh, I bet.
|
|||
|
T: Well...I'v been givin' that some thought. (tosses badge to Cooper)
|
|||
|
Consider yourself deputized. The bureau's loss is my gain.
|
|||
|
(Cooper looks at the badge--it's number 13.)
|
|||
|
C: (happily) I hope I can live up to this.
|
|||
|
H: (finishes wiring Ernie) He's done. You might want to towel him off
|
|||
|
before we go! (wipes his hands, exits)
|
|||
|
E: Ah, come on! (to Cooper and Truman) Uh...how long will it, uh...
|
|||
|
take you guys to storm the farmhouse after, uh, I complete the buy?
|
|||
|
C: (pinning on his badge) You go out, we come in.
|
|||
|
E: Can I, can I ask you a question?
|
|||
|
T: What, Ernie?
|
|||
|
E: Don't make me do this! This isn't my line of work! I'm a coward! I
|
|||
|
don't do this kind of thing, I'm a CPA!
|
|||
|
T: Ernie.
|
|||
|
C: Ernie.
|
|||
|
E: (laughs nervously) Just a momentary lapse. I'm okay, I'm...I'm cool.
|
|||
|
Let's go do it, huh?
|
|||
|
C: Where's Denise?
|
|||
|
T: Haven't seen her.
|
|||
|
(Door opens. Denise enters dressed as a man, hair pulled back into a
|
|||
|
ponytail)
|
|||
|
D: (proudly) You can call me Dennis! Oh, I don't know, somehow it
|
|||
|
seemed...more appropriate. (Cooper beams, absolutely delighted)
|
|||
|
Whadda you think?
|
|||
|
(Truman whistles appreciatively)
|
|||
|
-- Andy and Dick at the Dorritt Home for Boys
|
|||
|
D: Our investigation must proceed "sub rosa." We may have to pick the
|
|||
|
lock. Tricky business, that. (Andy opens the unlocked door) Voila!
|
|||
|
We enter!
|
|||
|
A: Where is everybody?
|
|||
|
D: Lunch! Here we are, the case files. N...N...N...(turns to another
|
|||
|
set of files) N! Nales...Nester...Netherby...Needleman, Nicholas.
|
|||
|
Needleman, our little Nicky!
|
|||
|
A: We can read it in the car!
|
|||
|
D: Oh, patience, Andrew.
|
|||
|
A: (increasingly nervous) Dick!
|
|||
|
D: Sh! The usual background information...mmm...birthplace...initial
|
|||
|
adoption... mm-hmm! First of several, it seems.
|
|||
|
A: Dick!
|
|||
|
D: (oblivious to Andy) Ah, the plot thickens. Where are thy secrets,
|
|||
|
little Nicky?
|
|||
|
(The Brewsters appear at the door, wave eagerly. Andy sees them.)
|
|||
|
A: Dick!
|
|||
|
(The Brewsters enter. Dick jumps up, startled, and clumsily hides
|
|||
|
Nicky's file in his trenchcoat.)
|
|||
|
B: Hi!
|
|||
|
(Andy, petrified, crosses and stands beside Dick.)
|
|||
|
B: We're the Brewsters. (laughs) I know we're a little early. It's
|
|||
|
just that we're so darn eager to see him. Can we see him? Where's
|
|||
|
Donny?
|
|||
|
D: D--Uh, little Donny is...uh, dead. (The Brewsters look horrified.)
|
|||
|
Eh! Dead tired, I mean. I'm afraid little Donny, he isn't feeling up
|
|||
|
to snuff.
|
|||
|
B: Well, he was in perfect health only yesterday.
|
|||
|
(Dick is stumped.)
|
|||
|
A: Dick!
|
|||
|
D: Just a minute...*Woody*. Let me finish helping these good people.
|
|||
|
Now--where were we?
|
|||
|
|
|||
|
Afternoon
|
|||
|
-- Ed answers the door to Donna who's looking for James. She'll deliver
|
|||
|
the money.
|
|||
|
-- Norma leaves and Nadine rescues Ed from Hank
|
|||
|
-- Bobby sees Ben, then Audrey. A: I think Daddy needs an injection.
|
|||
|
-- Catherine visits Ben
|
|||
|
-- James shows Evelyn the fixed car who seduces him as Malcolm watches
|
|||
|
-- At Dead Dog Farm, Ernie's shirt smokes, blowing the cover. Hawk calls
|
|||
|
for backup as Cooper exchanges himself for Ernie and Dennis.
|
|||
|
|
|||
|
Evening (1/4 moon)
|
|||
|
-- Evelyn leaves James in bed to go at it with Malcolm
|
|||
|
-- Jean, the mountie, and Cooper in the center room:
|
|||
|
C: Is my death so important to you?
|
|||
|
R: My two brothers die...I hold you responsible.
|
|||
|
C: Why?
|
|||
|
R: Well...before you came here...Twin Peak was a simple place.
|
|||
|
My brothers deal dope to the teenagers and the truckdrivers...
|
|||
|
oh...One Eyed Jack welcomed the businessman and the tourist...
|
|||
|
quiet people lived a quiet life. Then--a pretty girl die,
|
|||
|
and you arrive...and everything change. My brother Bernardo,
|
|||
|
shot, and left to die in the...the woods. A grieving father
|
|||
|
smother my remaining brother with, ah...the pillow.
|
|||
|
Kidnaping...death...suddenly, ah, the quiet people...they're
|
|||
|
quiet no more. Suddenly the...the simple dream, become the
|
|||
|
nightmare. So. If you die, maybe you will be the last to die.
|
|||
|
Maybe you brought, ah...the nightmare...with you. And maybe...
|
|||
|
the nightmare will *die* with you.
|
|||
|
-- Dennis in a RR uniform, delivers food. Cooper shoots Jean with a
|
|||
|
gun hidden in Dennis' panty hose and Dennis kicks the mountie's ass.
|
|||
|
-- Shelley wakes to intermittent power to find Leo
|
|||
|
-- Power's off at the station. Lucy says there were two fires and an
|
|||
|
explosion. Cooper finds a dead person pointing to a chessboard:
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WR | | WB | WK | WQ | WB | WN | WR |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WP | | WP | WP | | WP | WP | |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | | | |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | | | |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | WP | | | | |
|
|||
|
| w| b| w| b| w| b| w| ? b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | BQ | BP | |
|
|||
|
| b| w| b| w| b| w| ? b| ? w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | BP | | BP | BP | | | |
|
|||
|
| w| b| w| b| w| ? b| ? w| ? b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| BR | BN | | BK | | BB | | |
|
|||
|
| b| w| b| w| ? b| ? w| ? b| ? w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
b = black square w = white square
|
|||
|
B = black piece W = white piece
|
|||
|
K= king Q = queen B = bishop N = knight R = rook P = pawn
|
|||
|
? denotes square not visible or partially obscured
|
|||
|
|
|||
|
18 Mar Saturday (continued) [Episode 2014 - 2/2/91
|
|||
|
Written by Scott Frost
|
|||
|
Directed by Uli Edel]
|
|||
|
|
|||
|
-- Truman, Cooper, and Doc Hayward investigate the dead body - there's a
|
|||
|
black pawn in the mouth. Cooper says it's a vagrant, and makes several
|
|||
|
predictions borne out by investigation (type of wound, an abandoned
|
|||
|
car ...).
|
|||
|
-- Audrey plots with Bobby to save the Horne empire. AUDREY: From now on,
|
|||
|
it's me you suck up to.
|
|||
|
-- Leo stalks Shelley with an axe, as an owl watches. LEO: Bad girl.
|
|||
|
Bobby returns home and after a struggle, Shelley stabs Leo in the leg who
|
|||
|
runs away into the woods.
|
|||
|
|
|||
|
19 Mar Sunday
|
|||
|
|
|||
|
Day
|
|||
|
-- Cooper's been cleared, but the suspension remains. Harry offers the
|
|||
|
vagrant murder case to deputy Cooper. Hawk reports Hank is in the
|
|||
|
hospital - he missed the drug deal because he was "hit by a bus."
|
|||
|
Shelley called to report Leo's awakening.
|
|||
|
-- Andy tells Lucy about his and Dick's theory of Nicky killing his parents
|
|||
|
at the age of 6.
|
|||
|
-- James meets Jeffrey, who gets in the car and drives off. Evelyn
|
|||
|
puts the moves on James. JAMES: IT'S WRONG!!!
|
|||
|
-- At the RR, Ed and Doc Hayward discuss Nadine's dating and sex life.
|
|||
|
Donna took the van to look for James who's "out a couple of hours west."
|
|||
|
-- Ed tells Norma about the Nadine/Hank fight. Norma says Harry will
|
|||
|
arrest Hank for parole violation. Ed and Norma plan a romantic weekend.
|
|||
|
NORMA: People will find out. ED: Let 'em.
|
|||
|
-- James prepares to leave
|
|||
|
-- Cooper talks with Truman:
|
|||
|
Earle
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WR | WN | WB | WK | WQ | WB | WN | WR |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WP | WP | WP | | | WP | WP | WP |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | | | |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | WP | | | | |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | WP | | | | |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | BN | | | Captured:
|
|||
|
| b| w| b| w| b| w| b| w| ---------
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+ BP by WP
|
|||
|
| BP | BP | BP | | BP | BP | BP | BP |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| BR | BN | BB | BK | BQ | BB | | BR |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
Cooper
|
|||
|
|
|||
|
T: So how does chess figure into all this?
|
|||
|
C: Because Windom Earle and I played a game every day for three years.
|
|||
|
He felt that all of life could be found in the patterns and conflicts
|
|||
|
on the board. (pauses) Because I never beat him. (pauses) Now it's
|
|||
|
my turn. I'll publish my response in the Twin Peaks Gazette. I don't
|
|||
|
know what else to do.
|
|||
|
T: Coop, you're gonna have to give me some more information here.
|
|||
|
C: Harry, I've brought some baggage to town I haven't told you about.
|
|||
|
(sits) Windom Earle was my first partner. Everything I know about the
|
|||
|
law and the bureau, I owe to him. Four years ago, we drew the
|
|||
|
assignment of protecting a material witness in a federal crime. She
|
|||
|
was, uh...very beautiful...very gentle woman. Her name was Caroline.
|
|||
|
She and I fell in love. One night, I...failed in my vigilance. An
|
|||
|
attack was made; I wasn't ready. I was wounded and I lost
|
|||
|
consciousness. (swallows hard) When I came to, she was in my arms,
|
|||
|
she...she was dead, she'd been stabbed.
|
|||
|
T: The wounds on the vagrant.
|
|||
|
C: Identical. The killer was never found. My wound healed; Windom Earle
|
|||
|
went mad. Institutionalized until his recent escape.
|
|||
|
T: So why is he after you?
|
|||
|
C: Harry--Caroline was Windom Earle's wife.
|
|||
|
(Truman has been sitting on the edge of his desk. Now, he sits in his
|
|||
|
chair, taken aback.)
|
|||
|
T: So...he blames you for her death.
|
|||
|
C: (shakes his head, leans forward) It's much worse than that. I think
|
|||
|
he killed her. And I think he committed the crime that she originally
|
|||
|
witnessed. Harry-- Windom Earle's mind is like a diamond! It's cold,
|
|||
|
and hard, and brilliant. I think he feigned the insanity that sent
|
|||
|
him away, but at some point he lost the ability to distinguish between
|
|||
|
what's right and what's wrong. You don't know what he's capable of,
|
|||
|
Harry...you don't know!
|
|||
|
-- Donna shows up at Wally's looking for James but finds Evelyn instead.
|
|||
|
Evelyn said he had done some work for her and then headed off to Mexico.
|
|||
|
-- Audrey ushers Jerry into Ben's office. BEN: Jeb! Dr. Jacoby is there.
|
|||
|
He says Ben's reversal of the South's fortunes is a healthy way for Ben
|
|||
|
to recover from his own defeat.
|
|||
|
-- Briggs staggers into the sheriff's office and collapses. Lucy checks her
|
|||
|
lip stick.
|
|||
|
-- Briggs, Truman and Cooper at the station:
|
|||
|
(Briggs, Cooper, and Truman are all sucking down huge glasses of water.
|
|||
|
Lucy is standing nearby with a pitcher of water.)
|
|||
|
L: More?
|
|||
|
C: I'm fine.
|
|||
|
T: Fine, Lucy.
|
|||
|
B: Fine.
|
|||
|
(Lucy exits.)
|
|||
|
T: Major--what happened?
|
|||
|
B: Well, as men who have dedicated their lives to service, I know that
|
|||
|
you're able to understand how sacred I hold a pledge of allegiance.
|
|||
|
And the cost one must pay when breaking a pledge.
|
|||
|
C: It can be very great.
|
|||
|
B: Well, the Air Force, *I thought*, was not unlike other societies of
|
|||
|
men dedicated to the fight for the good. (pauses, mops his brow)
|
|||
|
Gentlemen, frankly I'm worried. When my superiors questioned me about
|
|||
|
my disappearance, they exhibited a degree of suspicion and intolerance
|
|||
|
bordering on the paranoic. I must now admit that their motivation in
|
|||
|
the search for the White Lodge is not ideologically pure. I believe
|
|||
|
that during my disappearance I was taken to the White Lodge. I can
|
|||
|
remember, virtually nothing. But I have the clear, intuitive sense
|
|||
|
that there's... much trouble ahead.
|
|||
|
C: Major? What kind of trouble?
|
|||
|
B: I am unaware of the form it will take. (pauses) I will return.
|
|||
|
Until that time, I will be in the shadows if you need me. Good day,
|
|||
|
gentlemen.
|
|||
|
C: Good day, Major.
|
|||
|
(the Major exits.)
|
|||
|
T: In the shadows. Can you beat that?
|
|||
|
C: No...
|
|||
|
-- Jacoby, Lana (the widow Milford), Cooper, Truman, Hawk at the station
|
|||
|
(Cooper and Truman enter the meeting room after Hawk. Jacoby and Lana
|
|||
|
are waiting there.)
|
|||
|
J: Good. I wanted all of you to hear this. I've just spent almost the
|
|||
|
last twenty-four hours with this charming young lady, and as you can
|
|||
|
see, uh... I have no bruises, no broken bones...any claims by her
|
|||
|
deceased husband's brother that she's cursed or somehow responsible
|
|||
|
for a death is nonsense. Now what she does, in fact, possess is a
|
|||
|
heightened sexual drive. And a working knowledge of technique,
|
|||
|
anatomy, and touch, that few men have ever had the pleasure of
|
|||
|
experiencing, or the skills to match.
|
|||
|
T: Is it *hot* in here?
|
|||
|
C: Yeah.
|
|||
|
H: Yep.
|
|||
|
C: Lana, let me be the first to congratulate you.
|
|||
|
L: Thank you! Well--I could never have done it without Dr. Jacoby.
|
|||
|
J: Heh, heh, heh, heh, heh. Okay. Well, we're gonna go bowling. See ya
|
|||
|
later, guys!
|
|||
|
-- Dwayne Milford is in the lobby with a shotgun, threatening to shoot Lana.
|
|||
|
Cooper suggests that the mayor and the widow go alone into the conference
|
|||
|
room to work it out. Truman: Now what? COOPER: We wait.
|
|||
|
-- COOPER: OK, long enough. The cops enter the conference room to find the
|
|||
|
widow and the mayor making wedding plans.
|
|||
|
-- Catherine reveals Andrew Packard to Pete.
|
|||
|
|
|||
|
Dusk
|
|||
|
-- Eckhardt and a young female escort check into the Great Northern
|
|||
|
-- Truman shows Cooper a Seattle newspaper story -- Jonathan is dead. Harry
|
|||
|
suspects Josie and asks Cooper to investigate.
|
|||
|
-- Doc Hayward tells Dick and Andy about Nicky's past. His mother was an
|
|||
|
immigrant, maid at the Great Northern. She was impregnated during a rape,
|
|||
|
died in child birth. Nicky was in an orphanage, then adopted.
|
|||
|
His adopted parents were killed in a car crash. Lucy is indignant that
|
|||
|
the men had suspected Nicky of wrong-doing. She swats a fly.
|
|||
|
-- It comes down at the Marsh place. Evelyn says Jeffrey died in a car
|
|||
|
crash, the brake lines were cut. JAMES: You set me up! Evelyn says she
|
|||
|
loves James, and hopes he gets away. Police arrive. James is sneaking
|
|||
|
away. Donna is there in the shadows, and they run away together.
|
|||
|
|
|||
|
Night
|
|||
|
-- Leo walking through the woods. Gratuitous owl shots. There is a cabin
|
|||
|
with a light on. Leo walks in and meets Windom Earle.
|
|||
|
|
|||
|
20 Mar (Monday) [Episode 2015 - 2/9/21
|
|||
|
Written by Harley Peyton and Robert Engles
|
|||
|
Directed by Diane Keaton]
|
|||
|
|
|||
|
Day
|
|||
|
-- Evelyn and Malcolm tell the cops about James
|
|||
|
-- At Wallies, the cops watch an opera, while James and Donna talk
|
|||
|
as the bartender persists in listening in. Donna wants to talk to Ed,
|
|||
|
James wants to talk to Evelyn.
|
|||
|
-- Donna calls Ed
|
|||
|
-- Cooper and Truman question Shelley and Bobby, who says that Hank shot Leo
|
|||
|
-- Albert ("Get a life, punk!") tells Cooper about Earle's leavings at
|
|||
|
five different post offices in different cities, each an article of
|
|||
|
Carolyn's clothing.
|
|||
|
-- Earle makes music as Leo awakens
|
|||
|
-- Ed and Norma discuss their future in bed when Nadine rips off the door
|
|||
|
and joins them in bed. She says she knows about them, mentions Mike,
|
|||
|
and bends her 2nd place wrestling trophy.
|
|||
|
-- Cooper and Truman question Josie
|
|||
|
-- Pete returns with a load of dry cleaning. Cooper takes a sample from
|
|||
|
a coat.
|
|||
|
-- Thomas calls Josie. Catherine listens.
|
|||
|
-- Ben continues on in the war. Johnny is present in his Indian headdress.
|
|||
|
Bobby trumpets.
|
|||
|
-- Evelyn and Donna trade words at Wallies until Malcolm comes for Evelyn
|
|||
|
-- Albert's report. The dead Asian man was Johnathan Kumagi. The fibers
|
|||
|
found outside Cooper's door and from Josie's coat are a perfect match.
|
|||
|
The dead vagrant's name was Eric Powell. Powell was Carolyn's maiden
|
|||
|
name.
|
|||
|
-- Pete beats Toad, Cooper and Doc Hayward in chess
|
|||
|
-- Shelley gets her job back and cleans the ice cream cone.
|
|||
|
-- Truman tells Norma Hank is going back to jail
|
|||
|
|
|||
|
Night
|
|||
|
-- Josie answers the door to Eckhardt, who dines with Catherine. They
|
|||
|
debate over what to do with Josie.
|
|||
|
-- James confronts Evelyn, who's blowing smoke rings. She confesses and
|
|||
|
seduces him. Malcolm knocks him out.
|
|||
|
-- The North surrenders and Ben's back
|
|||
|
-- Earle prepares himself and tutors Leo in penmanship
|
|||
|
-- Donna stumbles into Evelyn and Malcolm scheming. Fiasco results
|
|||
|
in Evelyn shooting Malcolm.
|
|||
|
-- Cooper looks at a picture of Carolyn as Earle walks out of the elevator.
|
|||
|
Earle leaves a message for Audrey.
|
|||
|
-- Cooper finds a mask and a message from Earle in his bed.
|
|||
|
|
|||
|
21 Mar (Tuesday) [Episode 2016 - 2/16/91
|
|||
|
Written by Tricia Brook
|
|||
|
Directed by Lesli Linka Glatter]
|
|||
|
|
|||
|
Morning
|
|||
|
-- Cooper and Truman listen to Earle's tape. They decide to call Pete
|
|||
|
for Cooper's next move. Lucy: Paper and Pete - I'll do it alphabetically!
|
|||
|
-- Pete answers Lucy's call then serves breakfast to Catherine and Andrew.
|
|||
|
Josie enters, sees Andrew and faints.
|
|||
|
-- Truman reads the paper, an article on the Asian man's death
|
|||
|
-- Hank (on crutches) and Hawk in Truman's office. Truman accuses Hank of
|
|||
|
shooting Leo. Hank says he was home with Norma then, and offers to deal
|
|||
|
info on Packard's death for freedom. No deal. Hawk kicks Hank's
|
|||
|
crutch out from under him.
|
|||
|
-- Albert's report reagrding the gun:
|
|||
|
A: This is the bullet we removed from you. This is the one that was
|
|||
|
excavated from the dead man's skull. Same bullets, same gun, same
|
|||
|
killer. Let's go get her.
|
|||
|
C: Albert, hold your horses.
|
|||
|
A: Coop--I appreciate any reluctance you might have for busting your
|
|||
|
pal's old lady, but the woman ventilated you and left you for dead.
|
|||
|
C: (holds up his hand) Albert--I don't take it personally. What about
|
|||
|
the gloves, the powder tests?
|
|||
|
A: News at five. All right, fine, you're not mad, but there's an
|
|||
|
epidemic of multiple gunshot wounds following this chick around,
|
|||
|
she is a menace.
|
|||
|
C: (nods) I'll talk to her. Maybe she'll confess, turn herself in.
|
|||
|
A: Maybe she'll grow wings and join the circus. (leaves)
|
|||
|
-- Audrey working as concierge at the Great Northern. Some hunk walks
|
|||
|
in; he claims to have seen Audrey years ago playing Heidi. Audrey has
|
|||
|
mail -- a note containing a torn piece of paper with writing, and a
|
|||
|
note inviting her to "save the one you love" by attending "a gathering
|
|||
|
of angels" at the Roadhouse that night.
|
|||
|
-- Ed replaces some figurines on a shelf when Nadine returns from school
|
|||
|
early. She confesses to Ed her love for Mike. NADINE: "It's time to
|
|||
|
call a spade a spade, Eddie: we're breaking up."
|
|||
|
-- Cooper pleads the truth from Josie. Catherine listens in. COOPER: "I
|
|||
|
don't know what place Harry occupies in your heart, but I do know that
|
|||
|
you own his." Josie is unresponsive. After Cooper leaves, Catherine
|
|||
|
badgers Josie while oozing slime. Catherine says Josie will have to
|
|||
|
see Eckhardt alone that night. JOSIE: "He'll kill me." Catherine
|
|||
|
casually exposes a gun in the book case which Josie grabs and fondles.
|
|||
|
-- Bobby, Ben, Jerry, Audrey and the hunk (old friend of Ben's, John
|
|||
|
Justice Wheeler aka Jack) plot business. Ben reveals there is an
|
|||
|
endangered species on the mill/Ghostwood property: the pine weasel.
|
|||
|
B: I give you...the little pine weasel. Found only in our tri-county
|
|||
|
area... it is nearly extinct.
|
|||
|
J: (happily) They're incredible roasted.
|
|||
|
Ben will use this fact to stop development until he is in the driver's
|
|||
|
seat. BEN: "And then, I'm considering a run for the Senate."
|
|||
|
|
|||
|
1:16 (clock on wall)
|
|||
|
-- Earle the truck driver leaves the RR, leaving a note for Shelly.
|
|||
|
Norma is on the phone with her sister (Andie), a nun who is
|
|||
|
coming to visit. Shelly reads the note, identical to Audrey's.
|
|||
|
Ed comes in and proposes to Norma.
|
|||
|
-- Leo whittles under Earle's instruction
|
|||
|
-- Norma visits Hank in jail, asks for a divorce. Hank promises to reform
|
|||
|
and asks for an alibi regarding Leo. Norma refuses, although Hank
|
|||
|
swears he'll die if he goes back to prison. HANK: "You're his whore."
|
|||
|
NORMA: "I'd rather be his whore than your wife."
|
|||
|
-- Pete selects a move that will give Earle "sleepless nights" and not
|
|||
|
allow him to capture any pieces for 4-5 moves. It appears to be P to
|
|||
|
QN-3. This is just about the only legal move in that corner of the
|
|||
|
board (to Cooper's right) that would prevent any immediate capture.
|
|||
|
If the move had been P to QN-4, then the pawn would have been vulnerable
|
|||
|
to attack by the white king's bishop. P to QR-4 would have been OK too,
|
|||
|
but it appears that Pete moved the pawn in the file of the queen's
|
|||
|
knight.
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WR | WN | WB | WK | WQ | WB | WN | WR |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| WP | WP | WP | | | WP | WP | WP |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | | | |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | WP | | | | |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | WP | | | | |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| | | | | | BN | BP | | Captured:
|
|||
|
| b| w| b| w| b| w| b| w| ---------
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+ BP by WP
|
|||
|
| BP | BP | BP | | BP | BP | | BP |
|
|||
|
| w| b| w| b| w| b| w| b|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
| BR | BN | BB | BK | BQ | BB | | BR |
|
|||
|
| b| w| b| w| b| w| b| w|
|
|||
|
+-----+-----+-----+-----+-----+-----+-----+-----+
|
|||
|
5:00 (A to C: "News at five.")
|
|||
|
-- Albert says the powder on Josie's glove proves she shot Cooper. There was
|
|||
|
a positive ID of her in Seattle.
|
|||
|
-- Andrew visits Josie putting on makeup in her room. He says he loved her
|
|||
|
though she didn't love him and she should go to Eckhardt who can
|
|||
|
get her out of the country.
|
|||
|
|
|||
|
Dusk
|
|||
|
-- James and Donna meet for a picnic in the mountains. James is going to
|
|||
|
continue traveling around. Donna will return to TP. They will continue
|
|||
|
to love each other and meet again some day. Evelyn is going to stand
|
|||
|
trial.
|
|||
|
|
|||
|
Evening
|
|||
|
-- Truman comes to see Josie. Catherine says she's gone to see Eckhardt.
|
|||
|
-- Eckhardt and Andrew meet in the elevator. Andrew says he is alive
|
|||
|
because Josie betrayed Eckhardt. Something about Josie in love with
|
|||
|
Truman. ECKHARDT: "I've already taken care of him."
|
|||
|
-- Ben, Audrey and Jack at supper. Jack is in business of saving troubled
|
|||
|
businesses with environmental problems. Ben is called away;
|
|||
|
attraction/repulsion/defensiveness between Audrey and Jack ensues.
|
|||
|
|
|||
|
9:30 pm
|
|||
|
-- Shelly, Audrey and Donna meet at the Roadhouse. They put their three
|
|||
|
pieces of paper together. Earle watches from the bar.
|
|||
|
"See the mountains kiss high heaven
|
|||
|
And the waves clasp one another.
|
|||
|
No sister flower would be forgiven
|
|||
|
If it disdained its brother.
|
|||
|
And the sunlight clasps the earth,
|
|||
|
And the moonbeams kiss the sea.
|
|||
|
What is all this sweet work worth,
|
|||
|
If thou kiss not me?"
|
|||
|
-- Cooper practices fly fishing in his room. Catherine calls to let him
|
|||
|
know where Josie is. He grabs his gun and goes to investigate. He hears
|
|||
|
a shot and opens Eckhardt's door. Eckhardt stands up and dies.
|
|||
|
Josie and Cooper point guns at each other.
|
|||
|
J: He tried to kill me.
|
|||
|
C: Is that what you'll say about me, Josie--that I tried to kill you?
|
|||
|
What about Jonathan? Did he try to kill you, too?
|
|||
|
J: He...he was taking me back.
|
|||
|
C: Why did you shoot me, Josie?
|
|||
|
J: Because you came here. I knew this day was going to come. I'm not
|
|||
|
going to jail! I can't!
|
|||
|
(Harry enters, gun drawn)
|
|||
|
H: Put it down, Josie.
|
|||
|
J: Ah! Harry?!
|
|||
|
H: PUT IT DOWN!!
|
|||
|
J: Harry--forgive me. I never meant to hurt you. (takes several sharp
|
|||
|
breaths, closes her eyes, hugs the gun to her chest, and collapses on
|
|||
|
the bed)
|
|||
|
H: (rushes to her, cradles her in his arms) Josie! Josie?! Josie!
|
|||
|
(looks up) She's dead.
|
|||
|
(Harry and Josie on the bed disappear, spotlight appears. BOB climbs
|
|||
|
onto the bed from the floor on the far side, laughing maniacally, until
|
|||
|
he is on his hands and knees on the bed)
|
|||
|
B: Coop! What happened to Josie?! (continues to laugh)
|
|||
|
(BOB disappears, the little Man From Another Place appears, dances on
|
|||
|
the bed, and disappears. Harry and Josie reappear as before. Josie's
|
|||
|
face appears in the knob of the nightstand, crying out in torment)
|
|||
|
--
|
|||
|
f3-7r3974rg94gf79-t7fx-97tr-kb79-btr97vr-973tr8c63r8vch9ptv.p;v67ptr7pvt7ptv;p73********************************************************************************* "If you say drink coffee... I drink coffee!" *
|
|||
|
*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~** Edwin Nomura * I have no plans to call on you, Clarice, ** enomura@ucsd.edu * the world being more intersting with you in it. *
|
|||
|
********************************************************************************4yt7tcy90t780rvbp5ty7;rnlvo7ttr780on8-v6984r7;n97r-38=8b]-7yo;6r'bt08trn97btc;.r
|
|||
|
|