1900 lines
114 KiB
Groff
1900 lines
114 KiB
Groff
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T W I L I G H T Z O N E
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Volume 1 Issue 1
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April 21st 1993
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"Where I am to go now that I've gone too far?"
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This magazine may be archived, reproduced and/or distributed provided that
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no additions or changes are made to it. All stories in this magazine are
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fiction. No actual persons are designated by name or character. Any
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similarity is purely coincidental.
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If you bought this magazine through an expensive PD library, be sure to get
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it cheaper somewhere else next time, as it's FOR FREE and we didn't intend it
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to be for free just so that someone else could make lots of dosh with it!
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Please refer to the end of this text file for information regarding
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submissions, subscriptions, copyright and all that.
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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LIST OF CONTENTS
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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EDITORIAL - Richard Karsmakers
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FIRE & FORGET - Richard Karsmakers
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LOVE, DEATH AND AN AMERICAN CAR - Bryan H. Joyce
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THE FALL - Richard Karsmakers
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SOON COMING
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VARIOUS SMALL HOUSEHOLD ITEMS
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This issue is dedicated to Dan Appelqvist
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my prime example
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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EDITORIAL
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by Richard Karsmakers
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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Hail thee, noble reader!
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A massively enthusiastic welcome to what will soon - hopefully - be the
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hottest on-line medium either side of the Sahara! In your hands (or on a
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disk, or in the buffer of your terminal, or whatever) you now have the virgin
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issue of "Twilight Zone", a new and totally exciting fiction-only magazine.
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"Twilight Zone" will be the start of an utterly new sensation for you - a
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experience filled with VIOLENCE, SEX, TOWERS, DIM-WITTED WARRIORS,
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BREATHTAKINGLY GORGEOUS GIRLS, TABLES, PASSION, KILLER GADGETS, CHAIRS,
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PROTAGONISTS, ROADS and POETS (and perhaps even some actual POETRY!).
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There's no telling what you will encounter in this and future issues,
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really. All I can tell you is that I hope you'll like it and will be wanting
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plenty more of it!
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So here it is, after about half a year of plotting: The virgin issue of
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"Twilight Zone", a new on-line magazine that will have heaped upon its
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shoulders the sheer impossible task of competing with most highly esteemed
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contenders the likes of Dan Appelqvist's "Quanta". I really hope everything
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will work out and that, in the end, masses of people will be enjoying the
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fruits of our labour and imagination.
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"Will this magazine be yet another on-line medium that will never be heard
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of after its first issue?" you may now ask yourself.
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Certainly not, I would think. Its parent magazine, "ST NEWS", has been going
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on for a long while already and there is no reason why it should stop in the
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foreseeable future. "Twilight Zone" will be published at regular intervals
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(the actual interval is yet to be determined, but expect the next issue soon)
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and the way things are looking now it seems that we'll be having sufficient
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material to publish for quite a while. And, of course, YOU are certainly (and
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most enthusiastically) invited to write for it, too - if you don't mind
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global fame, that is!
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As the editorial is usually the bit everybody skips, I think there's no
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point in me continuing here. I just hope you'll like what you get to read,
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and that I may see all of you back in the next issue of "Twilight Zone". If
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you want to subscribe, please refer to the end of this document.
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Happy reading,
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Richard Karsmakers
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(Editor & Technical Editor)
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P.S. I would like to extend thanks to Ronny Hatlemark and Marinos Yannikos
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who, because of their letters, gave me the idea to try out this sort of
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on-line magazine.
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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FIRE & FORGET
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by Richard Karsmakers
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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Rrrrrrrr. Rrrrrrrr. Rrrrrrrr.
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Irritated, Cronos Warchild grabbed the phone.
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"Yeah?" he groaned, a vision of an evil monster wearing off in his
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subconsciousness.
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There was a brief silence, then someone cleared his throat on the other end
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of the line.
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"You Cronos Warchild?" a voice inquired.
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"What's it to you? Know what time o'day it is?! I..."
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"We've got an assignment for you, Warchild," the voice interrupted, "Get to
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H.Q. on the double!"
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SLAM!
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Why did everyone always want to call him when he was just having one of
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those fantastic dreams where he was single-handedly beating, nay,
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*slaughtering* the entire enemy forces of Spectra?! People never gave him any
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privacy. He hated all mankind for it. They were lucky they were the ones
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paying him, otherwise he would gladly have tested one of his recently
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acquired killing gadgets on them - it wouldn't have been pretty sight, even
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though he *did* like the sound of blood dripping on the floor.
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Rrrrrrrr. Rrrrrrrr. Rrrrrrrr.
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"Yeah!?" Cronos bellowed in the receiver that he snatched off the hook as if
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it was an insect that needed to be killed, "Warchild speaking, dumbhead!
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You'd better have a damn good excuse to bother me again at this Godforsaken
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hour!"
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Another silence, that lasted maybe three seconds.
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"Oh. I am so awfully sorry, sir," a feeble voice muttered on the other end,
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barely audible, "but it seems that I have dialled the wrong number."
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Warchild's face went red, then purple and eventually took on a green hue. A
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deep grumbling sound emerged from his throat as he clenched his teeth, took a
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small device, held it close to the mouthpiece and resolutely pushed a button
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labelled "KILL".
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"AAaarghh..!^$<24>....mmmbblll*("<22>$.....aaaaaaarrgghh!!!" it went on the other
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side of the phone, immediately after which the line went dead. Warchild
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looked at the device and cursed. The voltage had been set too low. Probably,
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the line had been the only thing to go dead. Lucky bastard.
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Warchild's steps sounded heavy and damp as he walked through the early
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morning mist. The streets were wet. It had rained all night. The sun was
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about to throw some light onto the scene, but it had obviously decided the
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moment hadn't quite arrived yet.
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A black cat flitted across Cronos' path. Lucky for it, it succeeded in
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getting away with its life instead of ending up as an easy breakfast snack
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for the mercenary annex hired gun. He cursed a string of curses as the cat
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escaped from his huge hands, only to keep on observing the violent human from
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a safe distance, partly hidden behind a pile of trashcans and other assorted
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garbage.
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"GOVERNMENT BUILDING" it read in dimly lit lights ahead of him as he
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stopped. He rapped his gauntlet heavily on the door; it made an awful noise
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and someone had better open the door soon or the whole neighbourhood would be
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widely awake. But nobody did as of yet. Cronos rapped another time. If doors
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could groan, it would have.
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After a while, someone lit a light in a house opposite the government
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building, after which a window was opened. A man's face appeared in it,
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sleep-infested.
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"Hey buster!" the man yelled agitatedly, "You know what time it is?! If you
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don't quit that noise, I will get down and..."
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The man's eyes went blank and his words died in his throat as Warchild
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turned around with the speed and agility of a panther. The man sighed deeply,
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then slid to the floor.
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"Jack? What's happened? Jack!?" a female's voice started crying inside the
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house as she saw a small red spot become visible, wet and getting larger,
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just between the man's staring eyes.
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"Yes?"
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Cronos turned around, ready to grant whoever startled him the fastest
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possible passage to the realm of the dead. Just in time, however, he
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recognized a butler in tails that had opened the door he had previously been
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abusing. Flicking the safety switch back in position, he put away his Exact-
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O-Kill Gun and followed the butler inside, muttering something about the time
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it had taken until someone had finally opened that bloody door.
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"Good morning, Cronos," the prime minister greeted, ignoring Warchild's
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indignant look as he was ushered into the politician's office, "how are
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things going?"
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Warchild merely continued looking at the man. Obviously he had not been
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ordered to get to H.Q. just so that people could inquire as to how things
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were going.
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"Cut the crap," Cronos said, "Get down to business."
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The prime minister felt ill at ease now he had seemed to have lost the
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initiative. He also didn't particularly like the fact that the mercenary
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seemed to refuse to say "Sir". He cleared his throat.
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"We need you once more, Warchild," he said, "Top secret stuff. State
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security. That sort of thing."
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Warchild kept looking at a spot a few inches behind the prime minister's
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head, apparently unmoved. The politician sifted in his seat, clearing his
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throat again.
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"Ever heard of 'Thunder Master'?" the man ventured.
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Cronos shook his head. "Something you can eat?"
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"No, stupi...uuuuh...Mr. Warchild," the prime minister corrected himself,
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"it's a new and ultimate weapon we've designed. We want you to drive it. To
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hell and back. Right into enemy territory and back to base, some way to
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restore the unity in the world. The 'Thunder Master' is a spacecraft, but not
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just *any* craft. This one's about indestructible, and armed with
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tetranuclear propulsion missiles guided by undecodable oral frequency and a
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magnetic sustenation MV module with 117 GigaWatts per second firepower. It's
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controlled by a 128 bits Inmotofel T8006809080986 transprocessor at 4,77 GHz.
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Someone must fly it to a planet called Kryptium and annihilate some military
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installations that we believe can be dangerous to the earth. All we need,
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basically, is a daring pilot. You."
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The man sighed as he relaxed again, feeling pretty pleased with himself. He
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had wanted to say something quite different from "daring pilot", but he had
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decided against using it what with Cronos being in the mood he was in.
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Warchild sat down, still seemingly unaffected by what had been said.
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"What's the pay?" he said levelly.
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"Let's say fifty grand. Plus expenses."
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"What currency?" Cronos asked, his interest aroused somewhat, "Lires, Yens,
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Dollars, Kruger Rands? Swiss Francs? Maybe even Dutch guilders? I don't
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accept pounds. Too unstable."
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Every time Lord Blessington summoned this man, each time he had to make some
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sort of deal with him, tiny beads of perspiration came onto his forehead. He
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took his handkerchief and removed them. Then, carefully and meticulously, he
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folded the piece of textile and re-inserted it in his pocket, trying to keep
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his hands from shaking.
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"Dollars," he said after clearing his throat once more, "On a Swiss account,
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of course, if need be."
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Cronos looked thoughtfully at his gauntlet. The prime minister shifted on
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his seat uneasily - for all he knew the mercenary might be wondering what the
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result would be of that thing's impact on his bald head.
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"No deal. Not enough," Warchild said finally, making a gesture as if he was
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going to leave the room - after having terminated this pitiful politician, of
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course. He hated mankind. He hated politicians in particular. Lord
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Blessington's handkerchief was drawn from his pocket again.
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"Right, right. OK," Lord Blessington stuttered, trying to keep in control of
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the situation, "But I'll have to take this up with my superiors if you want
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the amount to..."
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"Shut up, fool!" Cronos said, his voice thundering through the room and
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leaping at the poor politician from just about every corner of his mind, "You
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have no superiors. Or would you perhaps mean King Charles?"
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Warchild's trigger finger itched - it was quite a while ago since he had
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killed his last politician, and he had certainly liked the hang of it. His
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Exact-O-Kill Gun seemed to sense this. It almost started to burn in Cronos'
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pocket, like money.
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"Besides, *midget*," Warchild added as an afterthought, "I don't want none
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of your stinkin' money."
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Lord Blessington glanced in the mirror that hung on the mantlepiece. Was he
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*that* small? Noone had called him 'midget' before. Nobody, that is, except
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possibly for His Royal Majesty.
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"Then wat *do* you want?", the man ventured. He was beginning to look very
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nervous now, and acting accordingly. His hanky remained outside of his pocket
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now, too.
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Warchild stood up and leaned menacingly across the heavy wooden table,
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making the prime minister shrink back in his chair, *just* out of reach of a
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red alarm button he was almost dying to press. Cronos seemed to stretch his
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hands out to Lord Blessington's throat, who closed his eyes frantically and
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imagined he saw a man clad in black, scythe in hand, beckoning him to come
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near.
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Warchild took the prime minister's handkerchief instead, however, and wrung
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it out before the terrified man's face.
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"You shouldn't perspire that much, Mr. Blessington, *sir*," Warchild
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exclaimed, his face brightening, "It's like waking me up too early in the
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morning - bad for you health."
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Lord Blessington thought he was seeing angels already. He tried emphatically
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to hear their heavenly chants, but only Warchild's prediction of doom echoed
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through his mind. When he opened his eyes, all he could see was the massive
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figure of Warchild, holding a dry hanky in his outstretched hand. He noticed
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a small pool of fluid on his desk. He was still alive, or otherwise hell
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looked distinctly similar to his office.
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"I'll take on the assignment," Warchild said, matter-of-fact. "Fifty grand.
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Sir." He added the last bit with a sneer.
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He patted Blessington on his shoulder quite thoroughly, who immediately
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continued sweating rather vehemently.
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"Only next time," Cronos said, putting sufficient threat in his voice to
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scare off a Blitzkrieg army, "don't call early."
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Lord Blessington felt close to fainting. He nodded his head in confirmation.
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"The file with your orders and required data is on the desk," the prime
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minister said, his voice barely more than a somewhat frightened whisper - but
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Warchild had already left, taking the documents with him.
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Lord Blessington guessed he needed a vacation. Preferably a long one. Or
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perhaps a transfer to some distant planet.
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Outside, someone laughed. A cat screamed.
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Original version written November 1988. Rehashed November 1992.
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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LOVE, DEATH AND AN AMERICAN CAR
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by Bryan H. Joyce
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=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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A Tale From The Tavern At the Edge Of Nowhere
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With space and time being the size they are (too big), it's not surprising
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that some stories get lost in memories. Usually they turn up again to haunt
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or tantalize; sometimes, again and again and again; always when you least
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expect it.
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The night in the Tavern had been a lively one. I did not have a minute to
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myself all night. The nearest that I got to a conversation was when some guy
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joked about my pure white hair. Potentially an interesting question, but I
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just didn't have the time.
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Later, two time travellers got talking about causality violation and ended
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up in a very heated argument about cause and effect. Quickly the fists and
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boogers started to fly. The bouncers came in to bounce their skulls. A few of
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the bystanders got clobbered just for good measure.
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As Big Joe (king of the bouncers) always said, there's no such thing as an
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innocent bystander.
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Understandably, this spoiled most folks' night out. The bar cleared out
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fast, leaving only the regular hardened drinkers. It would take more than a
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fight to put them off their drinks.
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I had just finished cleaning up the bloodstains when a familiar short figure
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lurched into the the bar. He tripped over the leg of a broken chair and
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nearly dropped the lumpy, soccer ball-sized, brown paper package he was
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carrying. Alburt Greshin. His anorak and silly walk brought back memories of
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one of the strangest stories I'd ever heard.
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Although I was pleased to see him, I gave a mental groan for I knew that
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after a few drinks he would tell the story again. And again, and again!
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"Yo! Hello, stranger. Not seen you in here for a while, Albo!" He carefully
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put his package on the bar and jumped up onto one of the taller bar stools.
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"Not been about, Tony boy. Been on a management course. The old boy's
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retiring soon."
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Who he meant by the 'old boy' I couldn't remember. Think that Alburt was
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still doing a bit of private investigating the last time that I saw him. When
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was that? Six months ago? A year? More?
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He slapped both my shoulders and I slapped both his back.
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"Who would have thought it? The old bugger must be nearly into the middle of
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his second century by now." I said.
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"More like his third. Start the bombs flowing, buddy!"
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"Still doing the dick-tective work?" Without waiting to be told what to
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pour, I started to pour out his drink. Three fingers of Polish White vodka;
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another two of barley wine and a dash of lemon. For the final touch, an
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olive. Does this guy have a self destructive streak in him, or does he have a
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self destructive streak in him?
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I tried one of Albo's 'bombs' once. It made me sick almost instantly. Yuk! I
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can't stand olives.
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"Yup. The way things are going, I'll someday end up owning the company. It's
|
|||
|
been one step up the ladder followed by another and another and another.
|
|||
|
Cheers!" He threw the drink back in a single gulp, swallowing the olive
|
|||
|
whole.
|
|||
|
"Cheers."
|
|||
|
Now that he'd been jump-started by the vodka and barley wine he'd need
|
|||
|
something to soothe his throat. I poured out his beer.
|
|||
|
"How'd married life work out?"
|
|||
|
He didn't answer for some time. After gulping anything containing a lot of
|
|||
|
Polish white vodka, it is advisable to hold your breath for at least a
|
|||
|
minute.
|
|||
|
"Great, Tony boy. Just great!" He coughed. "Sammy's just as lovely now as
|
|||
|
the first time I laid eyes on her. If it had been up to me, we would have
|
|||
|
been married years ago. Things have never been better."
|
|||
|
"So you're finally getting ahead in the world?"
|
|||
|
"Yeah, you could say that!" He grinned, gave a laugh and patted the brown
|
|||
|
paper parcel. "Ahead, ha! Ahead, that's a good one! Did I ever tell you how I
|
|||
|
met Samantha?
|
|||
|
"Probably," I sighed.
|
|||
|
Don't know how he'd managed it but he'd found an excuse to tell his story
|
|||
|
again. He usually waited until he was drunk to tell it. He'd broken his own
|
|||
|
record.
|
|||
|
"Well...."
|
|||
|
|
|||
|
"It was nearly five years ago. I was unemployed and of no fixed abode.
|
|||
|
The reason for my state was that I was one of the victims of the HOLKELIN
|
|||
|
tests. The so called synchronicity drug. It left me with what they still call
|
|||
|
enhanced senses. It's amazing, isn't it? Science invents a drug that allows
|
|||
|
people with "the gift" to develop it, but would they officially admit that
|
|||
|
extra sensory perception exists? Would they hell!
|
|||
|
Anyway, I couldn't put up with all those thoughts belonging to other beings
|
|||
|
inside my head 24 hours a day. For nearly a year I lived out in the mountains
|
|||
|
of Scotland as a hermit. Eventually the effects of the drug weakened to the
|
|||
|
point where I could only use the so called enhanced senses if I really
|
|||
|
concentrated.
|
|||
|
It was then that I went back to civilization. Three years later and I was
|
|||
|
practically still living on the streets. These days that's not actually a bad
|
|||
|
place to be. I imagine that it was a different story before the human race
|
|||
|
learned to control the weather. Even then, back in 2080, weather control was
|
|||
|
very nearly spot on.
|
|||
|
In fact, if my memory serves me correctly, the people who do such things
|
|||
|
were so good with the weather that it was about then that they started to
|
|||
|
terraform Mars.
|
|||
|
Think that the bevy must be reaching my brain cause I'm getting side tracked
|
|||
|
already. Where was I? Oh yes....
|
|||
|
I'd just turned thirty and had been getting very depressed lately. I needed
|
|||
|
to get a home, a job and settle down with someone nice and raise a family.
|
|||
|
Not very likely at the moment. No permanent home would be coming for at least
|
|||
|
another six months. I'd spent the last few months living in bed and
|
|||
|
breakfast-land courtesy of the DHS. There were not even any females about
|
|||
|
worth focusing my thoughts on.
|
|||
|
Life was really getting me down. What I needed was a goal to work towards.
|
|||
|
One Thursday, I found one. Her name was Samantha Mercury.
|
|||
|
She was sitting behind the wheel of a large bright red American Salamander
|
|||
|
that was parked in the shadow of the DHS building. What she was doing hanging
|
|||
|
about outside the dole I couldn't even begin to guess. She smelled of money.
|
|||
|
Even if bankruptcy had recently struck her, she would not need to sign on for
|
|||
|
a long long time. That Salamander could easily go for a megabuck in a quick
|
|||
|
sale. More, if the money wasn't needed in a hurry.
|
|||
|
Ground effect cars like the Salamander were much in demand by millionaire
|
|||
|
playboys as toys. Indeed, they were the only people who could afford to buy
|
|||
|
them. Sleek, ceramic bodies designed for speed not looks. Zero to a lifting
|
|||
|
speed of 40 miles an hour in 7 seconds. Slow, but once in the air, the
|
|||
|
cruising speed was 80 miles an hour on ground effect. If licensed for it, the
|
|||
|
Salamander could jump from ground effect to full flight.
|
|||
|
I've heard that when in full flight mode they could only just make the 200
|
|||
|
mile an hour speed mark but that the efficient cold fusion pile and
|
|||
|
regenerative ramjet engines could hold that speed for days. Wonder if it's
|
|||
|
true?
|
|||
|
I slowed my walk and curved my route to have a closer look at the beautiful
|
|||
|
car. I hadn't yet realized that the driver was far better looking than the
|
|||
|
vehicle.
|
|||
|
The car looked deceptively fragile and inefficient. This was a manufactured
|
|||
|
deceit for the Salamander has been dubbed the world's safest car. The roof,
|
|||
|
wings and side walls were retracted - she would have been crazy to have the
|
|||
|
car shut up in this programmed hot weather, though it was probably well air-
|
|||
|
conditioned - but, if danger threatened, then the car could fold in seconds
|
|||
|
into an armoured tank of shining red ceramic laminate.
|
|||
|
I really didn't expect someone of her obvious social status to speak to me.
|
|||
|
When she did, she took me by surprise.
|
|||
|
"Could you tell me the time?"
|
|||
|
Her voice was almost too feminine. Mellifluent in the true sense of the
|
|||
|
word; her question stuck in my brain like sugar smothered in honey.
|
|||
|
I was shocked into silence by her voice and her unexpected good looks.
|
|||
|
Approaching from the back of the car, I hadn't seen much of the driver except
|
|||
|
her closely cropped red hair. Now I was suddenly aware of a beauty that, in
|
|||
|
my eyes at least, matched the smooth fragile look of the car.
|
|||
|
For a short while, she stared at me with those gorgeous baby blue eyes. Then
|
|||
|
after wrinkling her small (cute) nose she nervously asked the question again.
|
|||
|
"Do you have the time?"
|
|||
|
"If you've got the place?" I wanted to say. She would giggle. I would grin
|
|||
|
and the ice would be broken. Didn't a car like that have a clock?
|
|||
|
Waiting for a reply, she sucked momentarily at the side of her well rounded
|
|||
|
bottom lip. The tight, pale lemon T-shirt that she was wearing was low cut.
|
|||
|
The movements of her bosom as she breathed was intoxicating. Ashamedly, I
|
|||
|
realized that she was breathing too fast. I was making her nervous.
|
|||
|
"I...er, I...yes, sure!" I mumbled, amazed at the nervousness that I noticed
|
|||
|
in my own voice. Fumbling at my wrist, I eventually found my watch button.
|
|||
|
"It is 11.15 A.M." it said in the voice of some star from antique movies.
|
|||
|
Think she was called Madonna. Tacky I know, but it was a present from my
|
|||
|
youth.
|
|||
|
"Oh, he said to meet him here at 20 past." Her long dark fingernails
|
|||
|
clickity-clicked in annoyance on the lighter red of the car door. "I thought
|
|||
|
he was late. The clock must be fast again. Thanks for your trouble."
|
|||
|
"No trouble. Any time."
|
|||
|
Please, who are you? Do you know you're lovely? Will you go for a drink with
|
|||
|
me? Are you married? I had a strong urge to reach over and run my fingers
|
|||
|
through her short hair. Then gently hold her chin whilst I kissed her ever so
|
|||
|
softly on the lips. What was wrong with me? I'd never felt like this about
|
|||
|
anybody before?
|
|||
|
I stood there a few seconds clearing my throat and trying to summon up
|
|||
|
enough courage to say something. God, was she magnificent! I was a wimp if I
|
|||
|
let this beautiful creature go without fighting for her.
|
|||
|
I was in trouble. My powers of speech were too far gone to help me out of
|
|||
|
this one. Without realizing it, my jaw must have swung open. I was almost
|
|||
|
drooling by the time that I came back to my senses.
|
|||
|
With hindsight, she must have been projecting very strong emotions which my
|
|||
|
enhanced senses were picking up and affecting me. For a second I toyed with
|
|||
|
the idea opening my mind and reaching out to her. That was not a good idea.
|
|||
|
Peoples' private thoughts are an off-putting chaos best left alone. The
|
|||
|
nicest person alive can appear like a raving loony in their thoughts. You'd
|
|||
|
be amazed how much sexual stuff flicks through nearly everyone's thoughts
|
|||
|
almost constantly.
|
|||
|
They can be having an in-depth conversation to me about buying a new bin
|
|||
|
whilst their thoughts might be something like, "I wonder if he's gay or
|
|||
|
straight?"
|
|||
|
It's difficult to judge people by their actions when their innermost
|
|||
|
thoughts are hammering at you non-stop.
|
|||
|
My stare made her shift position with embarrassment. I hoped that she didn't
|
|||
|
have "the gift". Its not for nothing that it's known as the synchronicity
|
|||
|
drug. She suddenly clasped her hands together.
|
|||
|
"Well, like I said thanks."
|
|||
|
As the car folded shut I sobered up and realized that I'd been staring at
|
|||
|
her cleavage. My eyes sliding all over her body, examining all the available
|
|||
|
curves.
|
|||
|
You blew it, Albo!
|
|||
|
Red faced, I wimped off into the nearby DHS building to sign on. Inside, I
|
|||
|
joined the nearest queue and listened to my senses. My blood was pounding in
|
|||
|
my veins like molten lava. I was sweating. There was a lump in my throat and
|
|||
|
I felt sick.
|
|||
|
What an idiot! What a prize idiot! Why didn't you ask her for a drink? Go
|
|||
|
back now and do it. How do you expect to end up with kids if you can't even
|
|||
|
do something as simple as asking her out? You've done it lots of times before
|
|||
|
with other women. What made it suddenly so hard this time? You silly sod!
|
|||
|
Please, oh please, oh please, oh please God let me die right here and now.
|
|||
|
Make the ground open up and swallow me! Oh God, I need to get drunk fast!
|
|||
|
After a few moments of observation, I started to calm down realizing that I
|
|||
|
was in a condition to be compared to shock. No one could hear the beat of the
|
|||
|
blood in my ears but me. My wild thoughts were mine and mine alone. There was
|
|||
|
no one else about with the gift.
|
|||
|
By the time I'd reached the front of the queue, 20 minutes later, I was
|
|||
|
feeling much better. My compu-cred card was renewed and I had money to last
|
|||
|
me another week. I could afford to get drunk at least once a week and it
|
|||
|
looked like this week's session would be starting in a few minutes.
|
|||
|
That reminds me, this beer is too wishy washy. Gimme another bomb Tony.
|
|||
|
Ahhh, that's better!
|
|||
|
This story is probably sounding like a load of sloppy crap to you. It sounds
|
|||
|
like a load of sloppy crap to me and I'm in it. I've tried to describe my
|
|||
|
feelings as closely as possible. If anything, I've played them down a lot
|
|||
|
which is just as well otherwise you'd probably be sick. Yes I know, shut up,
|
|||
|
Albo your ruining the story. Where was I? Oh yes...
|
|||
|
I hadn't expected to ever see her ever again so when I left the building I
|
|||
|
was amazed to find that she was still there. I mean, her car was still there.
|
|||
|
For no logical reason I assumed that it was still occupied. Perhaps I had
|
|||
|
just wished it was. It was still closed up and was now sitting in the sun
|
|||
|
light as the passage of time had made the shadows grow ever shorter.
|
|||
|
I should have gone straight to the pub and not looked back but the molten
|
|||
|
lava had came back and shouted NO! This was another chance to grab the bull
|
|||
|
by the horns. From out of the Twilight Zone popped that old joke into my
|
|||
|
head. Do cows have bells because their horns don't work? I almost gave in to
|
|||
|
an insane urge to giggle.
|
|||
|
You're losing it, Albo!
|
|||
|
I licked my lips and smoothed back my hair - stupid, as although I couldn't
|
|||
|
see through the mirrored windows, she could see out -and tapped at the
|
|||
|
drivers window.
|
|||
|
For a moment I thought that the car was empty. Then with the soft whir of a
|
|||
|
motor, the window slid down.
|
|||
|
She looked as if she had been crying. Her eyes were damp and her cheeks were
|
|||
|
streaked with tears. In my mind's eye, I reached out and wiped a tear from
|
|||
|
her cheek and lifted it to my lips. Then I....
|
|||
|
"Oh, there you are!" Came a rough masculine voice from behind me.
|
|||
|
"Huh?"
|
|||
|
"Huh, indeed. There I am searching the dole for you and you've already met
|
|||
|
Samantha by yourself. The synchronicity drug?"
|
|||
|
"Probably?" I was confused.
|
|||
|
The voice belonged to super sleuth Samual T. Sponge. He grinned his perfect
|
|||
|
smile. He looked, as usual, to be in his forties. I'd heard on good authority
|
|||
|
that he was well over a hundred years old. At the moment, his hair was black
|
|||
|
and short. He had a thick moustache. Last time I'd seen him he'd been blonde
|
|||
|
and long haired.
|
|||
|
In actuality, he was bald and never needed to shave because he had had all
|
|||
|
his facial hair roots removed decades ago.
|
|||
|
I had known him for nearly two years. As a last resort, he would sometimes
|
|||
|
pay me to go to the scene of a crime and use my enhanced senses to pick up
|
|||
|
latent vibrations of the events that had happened. It was money for old rope.
|
|||
|
He didn't believe in extra sensory perception. Why did he listen to me then?
|
|||
|
"Whatever crap gets the job done, gets the job done." He told me a long time
|
|||
|
ago.
|
|||
|
"C'mon. Get in the nice big red car. I've got a quick job for you. The usual
|
|||
|
rate of payment." He said quickly.
|
|||
|
"Negotiable," I said.
|
|||
|
"Thought that was the usual rate of payment?" He opened the back door and
|
|||
|
got in.
|
|||
|
"The usual then." I smiled and followed him.
|
|||
|
Don't know why, but Sam was an instantly likable character. I've never tried
|
|||
|
to open his mind and I don't think that I ever will. He just gives off good
|
|||
|
vibes. He makes me feel good about myself. That doesn't happen too often.
|
|||
|
When it does, I won't spoil it by trying to analyse the reasons why. I know
|
|||
|
this much, its not my gift picking something up because he makes nearly
|
|||
|
everyone feel like that. Think he must have a bit of the gift himself and
|
|||
|
projects it instinctively.
|
|||
|
In the back of the car he set the scene for me. The young woman was called
|
|||
|
Samantha Mercury. A silly name that I found strangely appealing. Her uncle,
|
|||
|
Dr. Richard Thrum, was a scientist. He was rich. Very rich. He worked for no
|
|||
|
one but himself. His latest project would make him the richest man on the
|
|||
|
planet, if he could pull it off. A super conductor that was 100 percent
|
|||
|
stable at ANY temperature.
|
|||
|
His lines of research had lead him in to avenues where no one else had ever
|
|||
|
contemplated going. In the past, he had made enough discoveries in other
|
|||
|
areas to gain the respect of the scientific community and had almost doubled
|
|||
|
his fortune doing so.
|
|||
|
His superconductor theory was straight out of the fiction of the last
|
|||
|
century. Stasis fields had to be the perfect super conductor. His matter
|
|||
|
freezing experiments were preposterous. Even if by a miracle he could
|
|||
|
permanently freeze the electrons in their orbits and stop the protons and
|
|||
|
neutrons from vibrating, nobody believed that he would have created the
|
|||
|
perfect superconductor. Superconductors still relied on quantum nuclear
|
|||
|
forces. If the matter was totally 'frozen' how could the quantum forces still
|
|||
|
operate?
|
|||
|
Much to the amusement of the scientific community, he had "conveniently"
|
|||
|
discovered discrepancies in current quantum theory that allowed his theories
|
|||
|
more elbow room. This time he was way out of line. People had begun to think
|
|||
|
that he was out to lunch. Or rather, that HAD been the general way of
|
|||
|
thinking. Recently he had begun to get results.
|
|||
|
So interesting were the results he released, that a very large multi-
|
|||
|
conglomerate had tried to buy him out for one billion creds! He wasn't
|
|||
|
interested and told them so.
|
|||
|
Nearly a week earlier he had disappeared along with a lot of lab equipment.
|
|||
|
Think that I remember hearing something on a newszine about a mad scientist
|
|||
|
going missing. That was obviously Dr. Thrum.
|
|||
|
"What do you think?" I asked Sam. The back of the car was partitioned off by
|
|||
|
a sliding panel of armoured glass. There was no way that Samantha could hear
|
|||
|
us. Where was she driving us to anyway?
|
|||
|
"I think he's dead. There was signs of a lot of violence and an annex was
|
|||
|
being built at the time. The electrically drying ferro-plascrete floor had
|
|||
|
been put down that day."
|
|||
|
"So?"
|
|||
|
"So, a slit in his throat and thrown into that Olympic swimming pool sized
|
|||
|
area of wet 'crete. That's what I think. Somebody ran a current through it
|
|||
|
and his body is as safe as in the Bank of England. You're my last hope. If
|
|||
|
you can't pick something up then all that 'crete's coming up."
|
|||
|
The car stopped and the three of us got out and went into a tower block. The
|
|||
|
lab was in the basement. The lift doors opened out onto the largest
|
|||
|
underground work floor that I had ever seen. Every square inch was taken up
|
|||
|
with some sort of electrical equipment. How anyone could tell that some of
|
|||
|
the equipment was missing I'll never know. I couldn't see any uncluttered
|
|||
|
floor space at all.
|
|||
|
From the main lift, the annex was in the right hand wall. It was only a
|
|||
|
quarter of the size of the first room, but massive in its own right. The
|
|||
|
instant that I stepped over the threshold I began to feel very odd. My skin
|
|||
|
felt as if it had a small current running all over it and I felt as if I was
|
|||
|
about to have a panic attack.
|
|||
|
"You look uncomfortable. You feel something?" Said Sam.
|
|||
|
"Yes. It's very strange. It's like, er, like, oh I can't describe it!" I
|
|||
|
said.
|
|||
|
"Try."
|
|||
|
"It's like someone is in torment. Not in the past. Right now. A massive
|
|||
|
intellect being tortured. Think that I better sit down for this one."
|
|||
|
I sat down on the cold floor and leaned against the wall. Closing my eyes I
|
|||
|
began to concentrate on relaxing my body. I'm more receptive when I'm
|
|||
|
relaxed. After a few minutes, I opened my mind and reached out. Something
|
|||
|
grabbed at my mind and took control of my body.
|
|||
|
"I'M ALIVE!" It screamed painfully through my lungs. My brain was overcome
|
|||
|
with an incredible amount of information....
|
|||
|
|
|||
|
The time when my sister Jackie sat on a wasp. (I don't
|
|||
|
have a sister?) It was her fifth birthday. She was having
|
|||
|
a ride on my tricycle when it stung her.
|
|||
|
|
|||
|
On her twentieth birthday she borrowed my ten-speed racer
|
|||
|
and went for a cycle in the nearby countryside. On the way
|
|||
|
back she sat on a wasp. (What's a wasp?)
|
|||
|
|
|||
|
I remembered the time when I was seven. I found out that
|
|||
|
IT was true. The most horrible thing that could happen to
|
|||
|
a male was really true! You really did have to touch a
|
|||
|
girl with your whatsit when you were married. How awful!
|
|||
|
|
|||
|
I'd rather devote my life to science. (I hate science?)
|
|||
|
|
|||
|
Then I remembered all those good times when I was about
|
|||
|
seventeen and Mary Rush had proven that it wasn't awful at
|
|||
|
all. Sigh! (I've never known anyone called Mary Rush?)
|
|||
|
|
|||
|
I remembered Samantha Mercury being born to my sister.
|
|||
|
Jackie died without ever seeing the baby. The baby nearly
|
|||
|
died too. Samantha you didn't mean to kill your mother! I
|
|||
|
love you! (So do I!). Your daddy was a one night stand and
|
|||
|
he doesn't even know about you. You're too small to be so
|
|||
|
alone in this world. I'll look after you for ever.
|
|||
|
|
|||
|
I cried when the dog got cancer and had to be put down.
|
|||
|
(I've never had a dog?) Next was the day that I won the
|
|||
|
Nobel prize. Samantha's a woman now. When is she going to
|
|||
|
meet someone and get married?
|
|||
|
|
|||
|
...I was drowning in someone else's memories.
|
|||
|
|
|||
|
Suddenly, the memories were gone. Fragments remained like the memory of a
|
|||
|
dream. I opened my eyes. I was lying in a bed. The room was dimly lit. There
|
|||
|
was a mask over my face and a drip in my left arm. I knew that I was in a
|
|||
|
hospital. I felt safe. All that had just happened was confusing. Only one
|
|||
|
thing was certain. The infatuation that I felt for Samantha was gone. It had
|
|||
|
been converted into love by the other person's memories that had been
|
|||
|
whizzing through my head. I felt as if I had known her for most of my life.
|
|||
|
"I love you, Samantha." I whispered. I closed my eyes again and slept for a
|
|||
|
long time.
|
|||
|
When I eventually woke Samantha was by the side of the bed holding my hand.
|
|||
|
She smiled like an angel and offered me some water. When my head had cleared
|
|||
|
a bit, I realized that Samual T. Sponge was sitting on the other side of the
|
|||
|
bed. He told me what had happened.
|
|||
|
One night Dr. Richard Thrum was working late at the lab by himself. He did
|
|||
|
that most nights. Three men broke into the lab with the intention of killing
|
|||
|
him and stealing his project data. Not straight away. First they had to have
|
|||
|
a bit of fun. After a bit of torture they pushed his head into the chamber of
|
|||
|
his own matter freezer and turned it on.
|
|||
|
Richard Thrum's theory was proved correct. His head turned into a
|
|||
|
superconductor. Now that his head was also a frictionless surface, the rest
|
|||
|
of his body separated from it in a massive gush of blood. There was no way
|
|||
|
that the perpetrators could hide the evidence of all that blood, but they
|
|||
|
tried anyway.
|
|||
|
The body and head went into the ferro-plascrete. An hour of current and the
|
|||
|
crime was well hidden. The head of the good Doctor was superconducting his
|
|||
|
thoughts. He was alive in there and thinking thousands of times faster than
|
|||
|
normal. In the week in which it took to find his body, he had lived several
|
|||
|
lifetimes. In his thoughts, He perfected the matter freezer and other
|
|||
|
devices. He spent the equivalent of several decades stark staring mad.
|
|||
|
The thing that brought his sanity back was when he thought up the idea for
|
|||
|
psionic mechanics. He invented a device that could transmit and receive
|
|||
|
thought waves without the user having to have any of the gift.
|
|||
|
Then I wandered in and opened up my mind to him. His massively powerful
|
|||
|
superconducted thoughts were enough to take my mind and body over completely.
|
|||
|
Where I went to, I don't know. Perhaps I went into some sort of hibernation.
|
|||
|
Deprived of all his senses for so long, he had gone wild at the input he
|
|||
|
received from my body. Ignoring everybody he used my body to construct the
|
|||
|
psionic device. If anything had happened to my body he would have been stuck
|
|||
|
alone inside the limbo of his superconducting head forever. This was his only
|
|||
|
chance to build the device and he wasn't going to waste it.
|
|||
|
Bit by bit, Sam and Samantha got the story from him as he worked at a
|
|||
|
furious speed. Richard was aware of the way I felt about Samantha and told
|
|||
|
her about it. He didn't realize that the love he saw in my sleeping thoughts
|
|||
|
was put there by his own memories. Samantha didn't know me from Adam, but
|
|||
|
she was willing to give love a chance. Days later, when Richard had finished
|
|||
|
with my body and gave me back control, I was so physically exhausted that I
|
|||
|
collapsed and nearly died.
|
|||
|
Two weeks after I left hospital, I moved into Samantha's apartment. It
|
|||
|
wasn't quick enough for me. Thanks to her Uncle, I knew her better than
|
|||
|
herself. And the rest, as they say, is history."
|
|||
|
|
|||
|
"What ever happened to Richard?" I asked.
|
|||
|
"I was hoping you would ask that Tony. He is bored with science and wants to
|
|||
|
be left somewhere where he can talk to a lot of people with interesting
|
|||
|
stories to tell." Said Albo.
|
|||
|
"He could do much worse that stop off here."
|
|||
|
"That's what I thought. Here take this and put it on. It's that psionic
|
|||
|
device I mentioned. Its adjustable." He gave me an object which looked like a
|
|||
|
silver locket on a chain. I put it on.
|
|||
|
"I better be going now. See you another time." He said, winked and left.
|
|||
|
Then it sank in. He hadn't said that last sentence at all. It had been
|
|||
|
transmitted straight into my brain by the locket. I took the locket off and
|
|||
|
examined it for a while. It was made of a silvery shiny stuff as smooth and
|
|||
|
cold as ice. Too smooth. Perhaps it was made out of that superconductor stuff
|
|||
|
he had told me about. What did he mean, adjustable? There's no buttons or
|
|||
|
switches on it.
|
|||
|
Alburt Greshin had left several minutes ago. I noticed that he had left his
|
|||
|
brown paper parcel behind. I gave a grin as I guessed what was in it. I
|
|||
|
opened it and placed the slippery object contained in it on a high shelf
|
|||
|
above the mirror at the back of the bar.
|
|||
|
Later a short black man walked in and ordered a Surfboarder. There wasn't
|
|||
|
any fresh cream. He took it without anyway.
|
|||
|
"Hey, what's that shiny thing?" he said nodding.
|
|||
|
"A mirror." I said just to be irritating.
|
|||
|
"Don't be daft! That creepy thing above it on the shelf."
|
|||
|
"Oh that! That's the head of a scientist. Want to talk to it?"
|
|||
|
|
|||
|
Original version written November 1991, (c) Bryan H.Joyce.
|
|||
|
|
|||
|
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
THE FALL
|
|||
|
by Richard Karsmakers
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
|
|||
|
|
|||
|
I - Youth
|
|||
|
|
|||
|
|
|||
|
Ail had always been the odd one out, ever since he had been a small child.
|
|||
|
Although he looked pretty much like any other child except for his somewhat
|
|||
|
darker complexion, something about his attitude made people feel
|
|||
|
uncomfortable when they were around him. There was nothing you could put your
|
|||
|
finger on. He was just *different*.
|
|||
|
When he sat in school the benches near to him were usually not occupied,
|
|||
|
when he worked in the fields people avoided being at the same patch of
|
|||
|
ground. Everybody seemed to act as if he suffered from something contageous,
|
|||
|
something invisible he carried with him that might leap at you unexpectedly
|
|||
|
when you came too close.
|
|||
|
Ail had learned to cope with the isolation that was forced upon him by the
|
|||
|
other villagers. He didn't need the other children to entertain himself. He
|
|||
|
would wander through the nearby forests for hours, or he would sit in his
|
|||
|
room thinking about everything and nothing, daydreaming, or drawing.
|
|||
|
At least his parents treated him with care and love. He was their only child
|
|||
|
and they were proud of him, though they were reluctant to show it too clearly
|
|||
|
when they were around others. Probably for that reason the villagers still
|
|||
|
spoke with them and frequented their place - be it only when Ail was out
|
|||
|
wandering in the forests or sitting in his room, entangled in his deep
|
|||
|
thoughts.
|
|||
|
Ail would often stare at the sky, dreaming away. He would gaze at the stars,
|
|||
|
which held for him a true beauty he had yet to see reflected on earth.
|
|||
|
Somehow, the stars seemed more pure than earthly things. Somehow, the
|
|||
|
galaxies that floated high above him succeeded in diverting his thoughts from
|
|||
|
the day's chores and his outcast position. He would float among those eeriely
|
|||
|
flickering points of light amid infinite darkness, possessing the power to
|
|||
|
decide what would happen to those people far below, the people who roamed
|
|||
|
Morvynna, the people who did not accept him because he was *different*, the
|
|||
|
children that harassed him because he did not like their games. He would soar
|
|||
|
higher than the mountains, higher than the clouds - like a true god.
|
|||
|
Ail knew he was different. He realized it himself, too. All others of his
|
|||
|
age were interested only in chasing and kicking balls, or catching birds. He,
|
|||
|
on the other hand, was completely engrossed in thought most of the time. He
|
|||
|
found other children's interests petty and useless, opposite to his own. When
|
|||
|
he saw a tree he would wonder how it was shaped and which powers were great
|
|||
|
enough to do so. He fantasized what trees would have looked like if *he*
|
|||
|
would have created them.
|
|||
|
The most important thing that set him apart from the other villagers,
|
|||
|
including the adults, were the nightmares. Almost every night, he would wake
|
|||
|
up with his eyes wide open in fear as if he had seen visions of the worst
|
|||
|
things imaginable, unspeakable evil, doom encompassing everything that
|
|||
|
existed. His parents had found this odd, the village's Healer had considered
|
|||
|
it yet another sign of the boy's *difference*. There was no cure. It would
|
|||
|
simply go one day - or stick with Ail for the rest of his days.
|
|||
|
In the nightmares he would see the earth blackened, fires burn the trees,
|
|||
|
volcanoes erupt, skeletal armies slaughter women and babies. He would gaze
|
|||
|
into the eyes of Undead, tremble at the sight of concentrated, hot malice
|
|||
|
burning like two little red suns in the hollow depths of their eye sockets.
|
|||
|
Death roamed the lands, the heavens were coloured dark grey with clouds
|
|||
|
stampeding across them like marching armies hurling physical destruction.
|
|||
|
The most frightening thing was that, each time, his nightmares seemed to
|
|||
|
start and end in terrible heat, seclusion, a prison. Through the black skies
|
|||
|
he saw no stars, no sun and none of the moons but one - the third moon. It
|
|||
|
would hang above the horizon threateningly, as if suspended, unnaturally.
|
|||
|
Distant yet much too close. It would loom above the horizon, silently, as if
|
|||
|
gazing down on the ravished and plundered lands with a smile wrought upon its
|
|||
|
barren surface.
|
|||
|
|
|||
|
The night was cold and starless when Ail woke up. He had torn his clothes
|
|||
|
partly off his body, his bed cover lay atop a rug on the ground. He had had
|
|||
|
one of those nightmares again. He could still hear his own cry of terror fade
|
|||
|
away around him, as if it was being sucked up by the furniture in his room.
|
|||
|
He heard the sound of some movement on the other side of the wooden wall;
|
|||
|
his parents had learned not to come to him when he woke up after a nightmare,
|
|||
|
but they had not quite found themselves capable of sleeping through the cries
|
|||
|
with which he would wake up. After a short while he heard the rustling of
|
|||
|
blankets stop, their voices cease.
|
|||
|
Ail looked outside.
|
|||
|
The three moons were visible, the largest one partly hidden behind the
|
|||
|
horizon. Yet the red moon, the third moon, somehow seemed to be more
|
|||
|
prominent, more poignant in the way it hung above the forests. Ail recognized
|
|||
|
the smile on the barren surface - or at least he thought he did. It was the
|
|||
|
same smile he always saw in his nightmares, the same smile that haunted his
|
|||
|
every waking hour of the day. A shiver ran up and down his spine, making his
|
|||
|
hair stand up on his skin.
|
|||
|
He turned around, trying to go to sleep again. He found himself looking at
|
|||
|
his own shadow, with the light of the moons around it, tinged red. Even when
|
|||
|
he closed his eyes he could not ban the luringly red light from his mind. It
|
|||
|
seemed as if the moon was calling, beckoning like the grim reaper beckons a
|
|||
|
sick man on his death bed.
|
|||
|
Ail jumped out of bed. His stomach felt gnarled, as if he had swallowed
|
|||
|
something bigger than his body that was fighting its way out. Thoughts of
|
|||
|
getting to sleep again were banned from his mind as though by a mysterious
|
|||
|
force. He gazed at the moon much in the way he used to stare at the stars. It
|
|||
|
did not hold their serene beauty but it was obsessive in very much the same
|
|||
|
way. He could not tear his eyes off the red globe that seemed to float on the
|
|||
|
darkness yet support it at the same time.
|
|||
|
He put on his clothes, careful so as not again to awaken his parents on the
|
|||
|
other side of the thin wall.
|
|||
|
At first he thought he was merely imagining the moon calling at him. It was
|
|||
|
ridiculous. Moons don't call. Moons are inanimate objects and everything you
|
|||
|
think they do is but a figment of your imagination. But *something* out there
|
|||
|
was calling, even if it wasn't the moon. *Something*. He felt it in his head
|
|||
|
and in his abdomen. It was a call he could not resist, not even if he would
|
|||
|
have wanted to. And he did not even want to resist. Maybe that was why he was
|
|||
|
different.
|
|||
|
He stalked out of the house. He didn't really know where his feet were
|
|||
|
leading him. It seemed logical to walk in the direction of the moon that
|
|||
|
loomed above and amid blackness. A light breeze caught his hair as if urging
|
|||
|
him on.
|
|||
|
Within minutes he seemed to be enfolded by trees on all sides. At night the
|
|||
|
forest he knew so well had suddenly transformed itself to something he could
|
|||
|
no longer feel at home in at all. He heard sounds he had never heard before -
|
|||
|
quick rustles in the undergrowth, calls of animals that did not roam the land
|
|||
|
at daytime. The trees seemed to bow down on him, making him want to tremble.
|
|||
|
He reasoned his fear away. He knew this forest was well known to him - all
|
|||
|
that it lacked was light to fall upon it. All of it was just like he knew,
|
|||
|
only painted black instead of the luscious greens and browns he was used to
|
|||
|
see.
|
|||
|
Boughs seemed to have grown where previously there had been none; they
|
|||
|
slapped against his body and in his face. Vines seemed to grapple at his legs
|
|||
|
as if wanting to make him fall, as if waiting for an opportune moment to tie
|
|||
|
their victim to the ground and consume him whole.
|
|||
|
Suddenly the trees seemed to bend back, boughs retreated and the vines no
|
|||
|
longer held any power within their inanimate structures. They released Ail
|
|||
|
into an open spot within the forest where the light of the third moon fell
|
|||
|
unrestrained. The ground seemed to be dipped in blood; it even seemed to drip
|
|||
|
off the trees of which the long leaves hung down disconsoledly.
|
|||
|
Looking around him, expecting anything to vault at him from those ominously
|
|||
|
dark red shadows around him, Ail carefully walked towards the middle of the
|
|||
|
clearing. Somehow, it held him bound as if by a magical spell. There was
|
|||
|
nothing in the middle of the open space, yet he seemed to be convinced it was
|
|||
|
the place to be at.
|
|||
|
The red moon looked down on the frail figure that walked stealthily towards
|
|||
|
the middle of the clearing. If only it could, the burst smile upon its
|
|||
|
surface would have widened.
|
|||
|
Ail arrived at the spot in the middle. He had anticipated someone - or
|
|||
|
*something* - to step out of the darkness around it and come to him now that
|
|||
|
he had made himself most vulnerable.
|
|||
|
The moon kept gazing down, silently, threatening in a strange way - like in
|
|||
|
his nightmares. He had expected skeletons to stagger out of the shadows, wild
|
|||
|
animals to get attracted to his scent, and attack. He had expected
|
|||
|
*anything*. Anything, that is, except for what *did* happen.
|
|||
|
A sound as if wood was growing and breaking at the same time arose from
|
|||
|
around him. It came from all sides, and it softly grew in intensity. What had
|
|||
|
first been a wooden whisper he could barely hear now gradually became a sound
|
|||
|
as if his clothes were being torn from his body, as if wood was being ground
|
|||
|
on wood within his own ears. He could not guess where the sound originated
|
|||
|
from. It seemed to come from all directions around him yet from within.
|
|||
|
He looked at the ground, startled by the growing intensity of its redness.
|
|||
|
It seemed as if he was standing knee-deep in thick, coagulated blood. It
|
|||
|
seemed to creep up his legs like ragged gasps. He tried to escape but found
|
|||
|
that he could not move his feet. The earth seemed to have come alive - it
|
|||
|
held his feet in an iron embrace that he could not tug free of.
|
|||
|
Then he was temporarily deaf and blind. The redness of everything around him
|
|||
|
was for a briefest of instants replaced by a whiteness as pure as flawless
|
|||
|
diamonds lying on fresh ice in a cloudless midwinter night. He could not hear
|
|||
|
his own desperate cry even though it made his throat hurt, his cheeks ache,
|
|||
|
his jaw muscles tear, his eyes sting. After that brief instant, vision and
|
|||
|
sound came back with a force that felt as if they would obliterate every
|
|||
|
nerve in his body, shatter every muscle, grind every bone.
|
|||
|
A fork of lightning had struck him, fire running up and down his body as if
|
|||
|
wanting to undo him instantaneously. Yet he did not cease to be. Instead, he
|
|||
|
absorbed the tremendous power fed to him by the elements, his body bulging in
|
|||
|
its extreme efforts to contain all this energy.
|
|||
|
As the cacophonic sound and visual mayhem wore off, leaving all of Ail's
|
|||
|
senses utterly numbed, he thought he heard a deep rumbling voice echoeing
|
|||
|
through his skull.
|
|||
|
"Ailric...you are the one...you are the one...are the one...the
|
|||
|
one...one...one..."
|
|||
|
Somehow Ail succeeded in staggering back to his parents' place, in spite of
|
|||
|
his being thoroughly dazed and confused. The entire world seemed to reel
|
|||
|
around him, heaven seemed below and for all he cared hell could be above. He
|
|||
|
bumped into trees, thin low branches flung in his face, other things hanging
|
|||
|
beside his path lashed at him. He felt none of it - all he *did* feel was
|
|||
|
that enormous power contained within him that surged through his veins and
|
|||
|
flowed through his brain like molten lead.
|
|||
|
When he came home he inadvertedly woke up his parents. He slammed the doors
|
|||
|
behind him, grumbling to himself like someone possessed. He lay down in his
|
|||
|
bed, not bothering to take off his muddy clothes. He instantly dropped into a
|
|||
|
comatose sleep.
|
|||
|
|
|||
|
|
|||
|
II - Adolescent
|
|||
|
|
|||
|
|
|||
|
Young Ail grew. He often wondered what had happened precisely that fateful
|
|||
|
night in the forest but found that his mind couldn't handle the implications.
|
|||
|
Lightning had struck him yet he was still alive. If anything, he had suddenly
|
|||
|
grown stronger and more intelligent. Whereas previously he had tried hard to
|
|||
|
ignore other youths that made fun of him, he now didn't even notice them any
|
|||
|
more. Encapsulated in dark, brooding thoughts, Ail would let their insults
|
|||
|
bounce off an invisible wall. His body would not register dirt or sand thrown
|
|||
|
at him.
|
|||
|
He became more isolated within his own walls of confinement. The knowledge
|
|||
|
that he was something *different* now strengthened him in his resolve to
|
|||
|
ignore the entire world - ignore it, that is, until he would be in a position
|
|||
|
to rule. Deep inside he felt that, one day, his voice would be heard and his
|
|||
|
opinion would count. People would *have* to listen to him, would *have* to
|
|||
|
take him into consideration. Maybe, one day, he would really soar higher than
|
|||
|
the clouds, touch the stars, look down upon *others* with disdain in the way
|
|||
|
the others had hitherto looked down on him. He dreamt on like he had done all
|
|||
|
his life.
|
|||
|
|
|||
|
One day, the village was aroused by a warlord with his troup of soldiers
|
|||
|
that was staying over at "The Lost Dragon", the local inn. They brought with
|
|||
|
them many tales of war and conquest. The villagers could not help but listen
|
|||
|
to these heroic yarns, enthralled, as sun-painted soldiers related adventures
|
|||
|
that took place in distant countries.
|
|||
|
A feeling deep inside Ail urged him to go there and hear those stories, too.
|
|||
|
If he ever wanted to rule those who now made his life a misery, he would have
|
|||
|
to gain knowledge. Knowledge of what was happening in the world, knowledge of
|
|||
|
who was at war with whom.
|
|||
|
That night he went to "The Lost Dragon". He entered it unnoticed, for
|
|||
|
everybody was preoccupied listening to all those tales of valiance and
|
|||
|
honour. Laughter and excited cries arose from the group of people that sat
|
|||
|
around the fireplace. Even the landlord had left his usual spot behind the
|
|||
|
bar so as not to miss as much as a word of what was told. An occasional
|
|||
|
phrase drifted across the room to where Ail stood - usually involving
|
|||
|
slaughter, death, or technicalities that had to do with weaponry, strategy or
|
|||
|
warfare in general.
|
|||
|
Ail noticed he was not the only one who sat excluded from the people that
|
|||
|
had gathered around the fireplace. A stranger clad in a dark cloak sat
|
|||
|
huddled in another corner, his face hidden in hooded darkness. He seemed not
|
|||
|
at all interested in the tales of supposed bravery. Occasionally he took a
|
|||
|
swig of ale from the large mug on his table.
|
|||
|
Ail realised it must be the soldiers' warlord. Boldy, he seated himself
|
|||
|
opposite the hooded man. He tried to discern a face under the hood but the
|
|||
|
darkness within it was complete, like looking down from the edge of the
|
|||
|
world. The warlord did not seem to see the young man at all, even though Ail
|
|||
|
tried to be noticed.
|
|||
|
Suddenly the man flicked back his hood, revealing a roughly hewn face with a
|
|||
|
hawk's nose amidst ragged black hair. His eyes with the colour of steel
|
|||
|
stared intently at the young man. He looked up and down Ail's arms and chest,
|
|||
|
glancing at the eager look in the eyes, the black hair and the athletic
|
|||
|
build.
|
|||
|
"Why don't you go and listen to the stories my warriors have to tell?" the
|
|||
|
man sneered.
|
|||
|
Ail didn't reply, incapable of knowing quite what to say. Why didn't he sit
|
|||
|
near the fireplace? Surely the warriors' tales would be far better capable of
|
|||
|
stirring any young lad's imagination?
|
|||
|
Then it dawned on him - he was *different*. He was not just any other young
|
|||
|
lad.
|
|||
|
"That's not what you came here for, was it?" the man now inquired.
|
|||
|
Ail nodded, still at a loss for words. He thought for a while, then said: "I
|
|||
|
want to see more of the world, but not like *them*," he said with contempt,
|
|||
|
"I want to learn, to be taught to do things others can't."
|
|||
|
The warlord chuckled and took another swig of his ale.
|
|||
|
"Sure, son," he said, "you sound just as mixed up as my cousin, what's-his-
|
|||
|
name, in the Seeker's Tower or something."
|
|||
|
Ail's eyes lit, the small flames inside them suddenly appearing to be on the
|
|||
|
verge of leaping.
|
|||
|
"Seeker's Tower?" he breathed.
|
|||
|
The man nodded. "Down south, east of the Verholst delta. You can't miss it."
|
|||
|
"What's it like?" Ail asked, enthusiasm seeming to writhe within his bowels,
|
|||
|
consuming, "I mean, what do they do there?"
|
|||
|
A deep laugh, almost out of control, echoed through the inn. Some of the
|
|||
|
people near the fireplace got temporarily distracted, but decided it was not
|
|||
|
worth while missing the current story's more spectacular bits for, whatever
|
|||
|
it was.
|
|||
|
"Well, son," the warlord said once he had got his laughter under control,
|
|||
|
"they *seek* in Seeker's Tower...they seek...Knowledge."
|
|||
|
Ail felt as if he was out of breath, even though he hadn't moved a finger,
|
|||
|
only his lips. His heart beat in his throat; he could hear the blood flowing
|
|||
|
through his eardrums.
|
|||
|
"What Knowledge?" he asked.
|
|||
|
The man snorted derisively, pulling the hood over his head again. Obviously,
|
|||
|
he did not consider it necessary to say another word.
|
|||
|
Ail stood up and walked to the exit. He caught a glimpse of people laughing
|
|||
|
and jesting in a corner of his eye. He did not heed them and went outside,
|
|||
|
deep in thought as usual. He went home where his father bade him the usual
|
|||
|
goodnight.
|
|||
|
That was the last thing any of the villagers saw of Ail.
|
|||
|
|
|||
|
The third moon was nowhere to be seen in the night's sky. Instead, the first
|
|||
|
and biggest of the moons shed enough light on the valley for Ail to discern
|
|||
|
the ominous silhouette of Seeker's Tower, looming up higher and higher before
|
|||
|
him as he came closer.
|
|||
|
Curiously, no moonlight fell on the building, as if it was afraid to be cast
|
|||
|
off or dismissed, sent away. Although the Tower's entire surroundings bathed
|
|||
|
in soft, pale light, the thing itself was visible only because of its sheer
|
|||
|
blackness in contrast with everything around it. It looked like a well of
|
|||
|
darkness that could suck you in and swallow you whole.
|
|||
|
Now Ail also noticed the silence. On his long journey the sounds of nature
|
|||
|
had always been there to accompany him - even at night he had heard the sound
|
|||
|
of thousands of crickets and the odd owl, nightly serenades to the gods. Now
|
|||
|
there was a silence so complete he almost thought he must have been stricken
|
|||
|
deaf. Not even his own boots made any noise on the ground, not even the
|
|||
|
sound of the wind in his ears could be discerned.
|
|||
|
Ail came closer. The Tower seemed to grow, louring ever more threateningly.
|
|||
|
Yet he felt no fear, only a sense of purpose. His entire future, indeed, the
|
|||
|
future on the world, depended on him entering that Tower. He * would* enter
|
|||
|
it, at any price.
|
|||
|
The first sound he heard again was that of the impressively ornamented
|
|||
|
oaken door that closed off the entrance to the Tower. For a moment Ail didn't
|
|||
|
even realise it seemed to be opening itself, as he was completely absorbed by
|
|||
|
the intricate ornaments and arcane symbols that were engraved on the arch
|
|||
|
around it. Its hinges whined a cold welcome, that seemed to slice his bones
|
|||
|
in half, seemed to pierce his soul with frozen steel.
|
|||
|
"Come on, come in," a creaky voice spoke from within the darkness within the
|
|||
|
Tower, "we...have been expecting you."
|
|||
|
For a moment Ail felt a fear striking his body that was more genuine than
|
|||
|
any other he had felt before. The moment he passed the threshold, however,
|
|||
|
the sensation disappeared. The door closed itself silently behind him,
|
|||
|
finally shutting with a deep *thud* that sent a low tremor through the floor
|
|||
|
and Ail's legs.
|
|||
|
His eyes grew used to the darkness almost instantly. It was as if, within
|
|||
|
this Seeker's Tower, his senses were increasingly aware of what was going on
|
|||
|
around him. What had been silence now revealed itself as the soft whispers of
|
|||
|
dark-robed figures that sat near the walls, observing him. Ail could now also
|
|||
|
see the man who had let him in. It was a frail figure, his gnarled hands
|
|||
|
telling tales of ages of writing. His eyes were large, almost completely
|
|||
|
white with small light blue pupils within the wrinkled face to which clung
|
|||
|
grey, matted hair. The man had a nose like a hawk's.
|
|||
|
Ail looked around a bit more, feeling oddly comfortable between these old
|
|||
|
Seekers within what seemed to him their almost sacred place of Dark study.
|
|||
|
The ceiling was far above him, with huge rusted chandeliers hanging down. The
|
|||
|
scarce light was emitted from candles and a few torches that lined the stairs
|
|||
|
that ran up around him along the walls, disappearing high up in the midst of
|
|||
|
darkness.
|
|||
|
"This is Ail," the old man now emphasized, almost solemnly. The murmur
|
|||
|
around the young man increased, the huddled shapes in their black robes now
|
|||
|
bending over to each other to exchange excited whispers, gesticulating
|
|||
|
energetically. Ail pointed his ears but did not succeed in catching as much
|
|||
|
as a lost whisper of any of the conversations that took place around him. He
|
|||
|
looked at the old Seeker, only to find the man's white eyes staring at him,
|
|||
|
not looking away until the hushed droning along the walls had worn off.
|
|||
|
"Ail...has come to us to...study," the man now said, a brief gleam of what
|
|||
|
could have been joy seeming to pass across his face and eyes, "...to study."
|
|||
|
One of the men that had sat along the wall now came forward from the
|
|||
|
shadows, folding back his hood. Another nose like a hawk's protruded from the
|
|||
|
face that was lined by many years of study and thought - yet from it looked
|
|||
|
eyes that seemed that of a rather young man's by comparison.
|
|||
|
"I am Master Felgar, your tutor," the man said with a voice that fitted the
|
|||
|
relative youth that his eyes radiated, "Please follow me."
|
|||
|
Ail went after Master Felgar who went up the winding stairs, following the
|
|||
|
rustle of heavy robes and the shuffle of sandals on the steps of polished
|
|||
|
stone.
|
|||
|
The Tower must have been higher than Ail had estimated. He even began to
|
|||
|
think he was starting to breathe with more difficulty when, after what seemed
|
|||
|
like hours, the Master halted on a floor that was filled with bookshelves,
|
|||
|
each nearly giving way to the weight they had to suffer. It must have been
|
|||
|
some sort of library, albeit one that had not been visited frequently in
|
|||
|
recent times judging by the smell of dust and cobwebs that pervaded the air.
|
|||
|
Master Felgar lit a torch that sat perched on a ledge like a bird of prey,
|
|||
|
as if guarding the books and scrolls that lay stacked and piled on chairs,
|
|||
|
tables and shelves. Some of the books had locks, some of the scrolls seemed
|
|||
|
to have fields of protection that shimmered in the flickering fire light.
|
|||
|
"This is the Sacred Library of the Very Darkest Arts," the Seeker said. He
|
|||
|
paused, as if expecting Ail to ask something - yet the young man had nothing
|
|||
|
to ask. Everything seemed, in some strange way, to add up and fit together.
|
|||
|
He had no questions. It all seemed logical to him, as if he was living a
|
|||
|
dream that lived his life for him.
|
|||
|
Ail did not even notice his Master descending the stairs again, so
|
|||
|
instantly absorbed was he by all Dark Knowledge stored within this gloomy,
|
|||
|
vaulted chamber high in Seeker's Tower. He felt he had been after this all
|
|||
|
his life, without ever precisely having known what it was that he wanted.
|
|||
|
|
|||
|
One stormy evening, when thunder shook the Tower and lightning blinded the
|
|||
|
windows, Ail was disturbed by an unusual sound that arose into the Sacred
|
|||
|
Library from below. Somehow, the Seekers down there must have been acting
|
|||
|
much more agitated than normal, as if something highly unusual was happening.
|
|||
|
Unable to reign his curiosity, Ail went down. It was the first time he went
|
|||
|
there since he had arrived at the Tower, some three weeks before. His only
|
|||
|
contact with the rest of the world had been his Master, who often brought him
|
|||
|
food that he often left untouched. Ail was entirely devoted to absorbing all
|
|||
|
Dark Knowledge present in the library, not wanting to do anything else.
|
|||
|
Whereas it had seemed to take hours until he had ascended the stairs upon
|
|||
|
his arrival, he now went down them within a matter of minutes to join
|
|||
|
whatever was happening in the main hall. The Seekers shuffled to and fro
|
|||
|
nervously, their hushed but excited whispers mounting to a murmur that echoed
|
|||
|
up the stone walls.
|
|||
|
The first thing other than the superfluous movements of bewildered Seekers
|
|||
|
to attract Ail's attention was the strange smell that lingered through the
|
|||
|
hall. It was, he seemed to recall, something like the scent of perfume, the
|
|||
|
scent of a woman. For a moment he envisioned the girls that had stood in the
|
|||
|
background, laughing, pointing, when the village boys had kicked him or had
|
|||
|
tied him to a tree. For an instant he experienced an upcoming and quite
|
|||
|
nauseating feeling of bad memories which left just as quickly as they had
|
|||
|
come when he actually saw her.
|
|||
|
She stood near the huge wooden entrance door, talking to the ancient man
|
|||
|
with white eyes that had also welcomed him upon his arrival at the Tower.
|
|||
|
Seekers walked around them, absent-mindedly, succeeding in apparently having
|
|||
|
an excuse to catch a glimpse of what was probably the first female ever to
|
|||
|
enter the Tower.
|
|||
|
Ail looked at her. She didn't look at him; she was still talking to the old
|
|||
|
man about something or other. She wore a dark blue robe of some exquisite
|
|||
|
material that engulfed her body as if it were a logical extension of her
|
|||
|
natural skin. Her long hair fell about her shoulders in some kind of magic
|
|||
|
way, flowing curled and golden, accentuating her almost unearthly beauty that
|
|||
|
seemed as if inherited from the heavens.
|
|||
|
The old man seemed to sense Ail's eager eyes burning on them, for he
|
|||
|
interrupted the conversation and lead her to the young man to be introduced.
|
|||
|
Ail saw her walking towards him and suddenly felt that strange feeling in his
|
|||
|
abdomen again - the feeling of having swallowed something huge that seemed to
|
|||
|
be fighting its way out. This time, however, it felt *good* in a peculiar
|
|||
|
kind of way. For the first time he beheld stars on earth - her astonishingly
|
|||
|
light blue eyes that looked at him, quite unaware of the kind of damage they
|
|||
|
could cause to any mortal man.
|
|||
|
She bowed ever so slightly, after which Ail bowed low.
|
|||
|
"Adept Ail," the old man said, trying to fill his voice with dignity, "this
|
|||
|
is Princess Cheryss of Morvynna." He then turned to the Princess. "Your
|
|||
|
Highness, this is one of our finest and most zealous students, Adept Ail. He
|
|||
|
will, no doubt, find pleasure in showing you around Seeker's Tower."
|
|||
|
Kneeling down and suppressing a tremble, Ail took her delicate hand in his
|
|||
|
as gently as he could and brushed it with his lips. It seemed as if little
|
|||
|
sparks flew to and fro between them during that brief moment.
|
|||
|
"Your servant," Ail muttered. He heard his own heart beat in his ears. He
|
|||
|
looked up at the Princess to find her blushing at his behaviour.
|
|||
|
"Don't be silly," she whispered, smiling. The old man didn't seem to hear.
|
|||
|
Ail rose to his feet again, offering her his arm. His eyes did not leave her
|
|||
|
face - the blush remained, her lips prolonged the silent smile that her eyes
|
|||
|
echoed. Ail saw tiny stars flickering within their depths.
|
|||
|
He lead her up the stairs, still not quite knowing what else to say or how
|
|||
|
to husband the wild beating of his heart. Obviously she didn't know him. She
|
|||
|
did not know that he was *different*, she was not one of the girls that
|
|||
|
laughed and made fun of him behind his back. She was far above the rest,
|
|||
|
floating high on an invisible cloud above all other mortals Ail had met
|
|||
|
before. She was the loveliest creature he had ever laid eyes on. It was the
|
|||
|
scent of her perfume that he had sensed when he had come down from the Sacred
|
|||
|
Library.
|
|||
|
He seemed reluctant or too nervous to start talking with her, which Cheryss
|
|||
|
did not fail to notice.
|
|||
|
"It's actually much less nasty in this Seeker's Tower than I thought," she
|
|||
|
said, "I had expected grumpy old men bowing over endless spells and charms,
|
|||
|
quite incapable of doing anything else - let alone show hospitality to a
|
|||
|
Lady."
|
|||
|
Ail didn't answer. He was too enchanted by the music in her voice, that
|
|||
|
seemed to bring forth yet unsung hymns and spellbinding melodies played on a
|
|||
|
deified instrument no one so far had been able to make in earthly life. If he
|
|||
|
closed his eyes he saw endless pastures with birds, blooming trees and
|
|||
|
dancing nymphs.
|
|||
|
"So you are Ail," she said, interrupting his thoughts. "The old man with the
|
|||
|
white eyes told me you came here last. He seems to think highly of you and
|
|||
|
your capabilities."
|
|||
|
Ail found himself blushing and looked away. Normally he knew exactly how to
|
|||
|
handle any situation, but this young woman made him feel strange, uncapable
|
|||
|
of uttering coherent words or a simple thing such as looking straight in her
|
|||
|
eyes.
|
|||
|
During the guided tour he gave Cheryss, he had to concentrate hard. At times
|
|||
|
he found his heart commanding him to tell her "You're incredibly beautiful"
|
|||
|
or "You are the most gorgeous creature I have ever laid eyes on". He
|
|||
|
swallowed them back just before his lips began to form the words.
|
|||
|
She had him all confused.
|
|||
|
He was glad when the guided tour was over. It gave him an excuse to be
|
|||
|
without her without appearing rude - so he could think things over and try to
|
|||
|
work out *why* this young woman made him act in such an irrational way.
|
|||
|
|
|||
|
Cheryss could get along fine with Ail. To some extent he could confide in
|
|||
|
her. She seemed to understand his childhood, make him feel comfortable. For
|
|||
|
the first time in the weeks he had spent in the Sacred Library he could tear
|
|||
|
himself away from the gathering of Knowledge.
|
|||
|
They sat up late, talking about a wide variety of things. She had been
|
|||
|
surprised by the storm and had decided to take refuge in the Tower. She did
|
|||
|
not tell him why she had been riding in the Bollgar Valley on her own, but he
|
|||
|
guessed it was none of his business anyway. All he knew was that fate must
|
|||
|
have guided her here. He was convinced that she was destined for him and that
|
|||
|
he was destined for her. One day, he knew for sure, he would have her as his
|
|||
|
wife and rule the world with her on his side perpetually.
|
|||
|
He told her nothing of his ambitions, however; most of the time when they
|
|||
|
were together she was the one who spoke. Her tales were of royal life,
|
|||
|
hunting, games and the wonders of faraway kingdoms. He was pleased to notice
|
|||
|
that none of her stories included a Prince of some kind. He would listen to
|
|||
|
the musical rivulet of her voice and dream away, gazing at her delightful
|
|||
|
face and those twinkling little stars he thought he could see deep within the
|
|||
|
blue of her eyes. Each time she smiled at him his heart leaped, each time he
|
|||
|
heard the music of her laugh his soul seemed to hurl itself up and down
|
|||
|
between his throat and his stomach.
|
|||
|
The table in the Sacred Library lay silent, the torch perched on the ledge
|
|||
|
went out and remained unlit. Only outside the cold fangs of the wind seemed
|
|||
|
to want to tug at the very stones of which the Tower consisted. Scrolls
|
|||
|
written with the blood of virgins lay untouched, books remained open at the
|
|||
|
spot where Ail had been studying them when Cheryss had arrived. On them shone
|
|||
|
the weak, red light of the third moon that seemed to gaze intently at
|
|||
|
everything that was happening within the Tower. For the time being, the young
|
|||
|
man no longer seemed to be interested in Dark Knowledge. He was now only
|
|||
|
interested in Cheryss, this Princess that seemed to be the embodiment of
|
|||
|
virtue and loveliness, music and joy.
|
|||
|
The storm did not relent for two days. The Tower seemed to sway in the gale
|
|||
|
as if the elements were in league trying to tear its entire structure
|
|||
|
asunder. Inside, however, only the occasional thunder and lightning would
|
|||
|
come through, and sometimes the howling of the wind through a small crack.
|
|||
|
Cheryss and Ail would sit together, huddled around a smouldering fire in
|
|||
|
another room high up in the Tower - talking and laughing until they both fell
|
|||
|
into deep, untroubled sleep.
|
|||
|
|
|||
|
On the third morning after the Morvynnian Princess had arrived at Seeker's
|
|||
|
Tower, the sun shone. Its warmth gladdened the hearts of the Seekers, and the
|
|||
|
very Tower itself seemed to sigh deeply after having withstood so much
|
|||
|
undaunted violence for two straight days.
|
|||
|
The sun should also have gladdened Ail's heart but it didn't. While the
|
|||
|
weather's turmoil outside forced the Princess to remain inside the Tower he
|
|||
|
was able to increase his hold on her. Now the sun shone again and the birds
|
|||
|
sang their songs, he knew she would want to go.
|
|||
|
It was as if a frozen claw clasped his heart. Perhaps everything had been a
|
|||
|
dream. She had not been nice to him, she had not laughed, he had not been
|
|||
|
able to bask in the joy of her presence and the attention she gave him. It
|
|||
|
had not meant anything. She would go and he would be alone once more, the
|
|||
|
only purpose in his life being the gathering of Knowledge so that one day he
|
|||
|
could fulfil his ambitions, teach the world a lesson.
|
|||
|
There was a soft knock on his door. A voice inside told him it was Cheryss.
|
|||
|
She would come to say goodbye and leave the Tower, leave him, walk out of his
|
|||
|
life. She was no different from the others after all.
|
|||
|
He did not reply. The soft knock was repeated. Again he kept silent, hushing
|
|||
|
the voice of his heart that cried out with the fell voice of true love, for
|
|||
|
the first and last time in his life.
|
|||
|
Something inside him broke when he heard her turn around, followed by the
|
|||
|
soft sounds of her feet going as she went down the cold stone stairs.
|
|||
|
He opened the window and looked outside. He cursed the sun, he cursed the
|
|||
|
birds. He cursed the freshness of the after-rain smell that entered his room.
|
|||
|
He clenched his fists in powerless anger. One day, everything would be
|
|||
|
different. He swore he would get even with that cruel and vicious world that
|
|||
|
had labelled him *different*.
|
|||
|
The hinges of the Tower's entrance door, far below him, whined their goodbye
|
|||
|
to Princess Cheryss of Morvynna as she left on her horse. She did not look
|
|||
|
back and grew smaller and smaller as her horse lead her back home - until
|
|||
|
finally she was indiscernible even before she had reached the horizon.
|
|||
|
Ail closed the window, shutting his heart with it, and went back to the
|
|||
|
Sacred Library. He lit the torch and continued where he left off with his
|
|||
|
study of the ancient writings.
|
|||
|
|
|||
|
|
|||
|
III - Man
|
|||
|
|
|||
|
|
|||
|
With renewed vigour, Ail threw himself on the gathering of Knowledge. Master
|
|||
|
Felgar continued bringing him his daily food, which Ail increasingly often
|
|||
|
left untouched. They would exchange greetings and the Master would launch an
|
|||
|
occasional attempt at social talk - but Ail didn't want any of his Master's
|
|||
|
attention, wanted nothing of the man's pity.
|
|||
|
One night all three moons were present just above the horizon. Looking up
|
|||
|
from the books and scrolls, Ail once more saw the crude smile that seemed to
|
|||
|
be engraved on the third moon's surface, on the round redness that looked so
|
|||
|
unmistakably like a face. Somehow, its light was more powerful than that of
|
|||
|
the other moons - it had succeeded in dipping the entire Library in the
|
|||
|
almost familiar shade of bloody red, in spite of the orange and yellow light
|
|||
|
the lonely torch desperately tried to cast.
|
|||
|
Ail heard a deep rumble that he first mistook for a distant earthquake - but
|
|||
|
the Tower was not moving and none of the volcanoes at the horizon were lit.
|
|||
|
The rumbling increased and transformed into what seemed like laughter - deep,
|
|||
|
bellowing laughter. It was the laughter he had heard so often in his youth,
|
|||
|
but now it was magnified. He closed his eyes and ears, but was unable to
|
|||
|
block it out; it might just as well have come from his own throat.
|
|||
|
When he opened his eyes the moons had disappeared behind a dark veil of
|
|||
|
clouds. The laughter had ceased - all he could hear now was the sound of the
|
|||
|
torch slowly being eaten by its flames. The entire library was, however,
|
|||
|
still painted red; if anything, the colour seemed to have intensified.
|
|||
|
He looked around. Where there had previously been shelves filled with
|
|||
|
nothing but tomes there was now an enormous throne, made of smooth stone. It
|
|||
|
seemed as if the stone was glowing, as if it consisted of molten rock being
|
|||
|
held in shape by some mysterious, very powerful force. On the throne sat a
|
|||
|
man, looking at Ail with interest. His arms rested on the sides of the
|
|||
|
throne, his fingers tapping in an all but impatient way. He seemed to radiate
|
|||
|
some kind of power, *Evil* power. The eyes were bright white with black
|
|||
|
centres, staring at the young man, trying to gauge a reaction.
|
|||
|
Ail had read a lot. He knew much. He knew enough to recognise a Demon when
|
|||
|
he saw one. This was definitely a Demon - possible a second level one.
|
|||
|
"So you're called Ail now," the Demon snorted.
|
|||
|
Ail had heard that voice before. He couldn't quite remember where and when,
|
|||
|
though. He only knew, deep within, that it was familiar.
|
|||
|
The Demon seemed to sense Ail's thoughts and could not help but chuckle.
|
|||
|
"Maybe things will be more clear to you if I call you *Ailric*."
|
|||
|
Then it hit Ail like a blunt battle lance. For a brief moment he felt as if
|
|||
|
he was hurled mercilessly against a brick wall, as if someone had hit him
|
|||
|
with a bell, the echo of its toll slowly wearing off inside his head.
|
|||
|
"Who...who are you?" Ail asked, not able to suppress the fear in his voice,
|
|||
|
"What do you want?" He slowly realized this was a Demon of none other than
|
|||
|
the *first* level, the *highest* level - the Lord Demon. The pope's
|
|||
|
equivalent in the underworld.
|
|||
|
The Lord Demon coughed, irritated. "Don't you know, pitiable half-human?" he
|
|||
|
bellowed, "Are you really as dim-witted and naive as you try to make me
|
|||
|
believe?"
|
|||
|
"Half-human?"
|
|||
|
Ail shrank back in his chair, trying to hide behind his own shadow. He gazed
|
|||
|
involuntarily at the Lord Demon's incredibly white eyes that seemed to be
|
|||
|
ablaze with evil. He didn't understand what the Demon meant.
|
|||
|
"Half-human?"
|
|||
|
Once again the evil Lord was one step ahead of Ail's thoughts. "Yes, you're
|
|||
|
a half-human. Half human, half *demon*, Ailric! *I am your father*, Guardians
|
|||
|
of Hell forbid!"
|
|||
|
It was as if Ail collided with another battle lance, more sturdy than the
|
|||
|
one before, and heavier. The bell tolling inside him was louder, almost up to
|
|||
|
the point of deafening him from within. So that was his *difference*. That
|
|||
|
was why nobody had liked him - he had been a half-demon all his life, product
|
|||
|
of unholy lust between the Lord Demon and, probably, a human witch of sorts.
|
|||
|
The people that had brought him up had not been his parents. He had his
|
|||
|
interests for Dark Knowledge impaled within his soul, carved within each cell
|
|||
|
of his being. The difference. Now he knew what it was.
|
|||
|
As the shock gradually wore off, though, he began to relish the thought. His
|
|||
|
entire life he had wanted to *rule*, he had wanted to inflict his will upon
|
|||
|
all mortals. Now he knew he was the son of a Lord Demon - if anyone would be
|
|||
|
able to reign the lands it would be him.
|
|||
|
And, of course, Cheryss would now, ultimately, be his.
|
|||
|
He was so engrossed in his own thoughts and dreams that he did not notice
|
|||
|
the Lord Demon fading away, back to his Dark Domain.
|
|||
|
"I'll be seeing you," the Lord Demon said, tearing Ail's mind back to
|
|||
|
reality, "one day."
|
|||
|
"No, wait!" Ail yelled, afraid it might be too late already, "I need to know
|
|||
|
your name!"
|
|||
|
He needed to know it, of course, for otherwise he would never be able to
|
|||
|
summon the Lord Demon when it deemed *him* fit. Within his mind he thought
|
|||
|
rapidly. He had to challenge his father, beat him, *become* him. But he
|
|||
|
needed to know the name!
|
|||
|
"Lerxt," the Lord Demon spoke, his voice carrying with it the realization
|
|||
|
that this had been the first nail in his coffin. Then, with the sound of his
|
|||
|
evil laughter disappearing into nothingness, he evaporated. On the spot where
|
|||
|
the throne had stood were now once again the old shelves filled with books
|
|||
|
and potions.
|
|||
|
|
|||
|
At night, Ail's dreams became increasingly horrid. They were now filled with
|
|||
|
people wading in blood, forks of lightning unmaking the earth, his own soul
|
|||
|
being torn apart between evil choices. His hands dealt death, his commands
|
|||
|
were obeyed by dread creatured he had thought would not dare to occur even in
|
|||
|
the most evil of dreams. But now he would not wake up listening to the echo
|
|||
|
of his waking cry, nor would he be bathing in sweat - instead he would relish
|
|||
|
the nightmares, enjoy them, memorise them for the future, feast on their
|
|||
|
taste of fear and decay. One day it would all be his. He would be the one to
|
|||
|
wield the scales of his own justice, brandish the scythe of death, show the
|
|||
|
licence of his own hate.
|
|||
|
As if haunted by all his past fears, Ail read through chapter after chapter
|
|||
|
in the learned books of the Very Darkest Arts. He would file spells away in
|
|||
|
his mind, learn to recite the blackest incantations by heart. He knew what he
|
|||
|
had to do - he had to challenge his father, the Lord Demon himself, and
|
|||
|
defeat him utterly. He needed the power, he *lusted* after it. The sheer
|
|||
|
thought of possessing it almost made his mouth water, made his eyes ever more
|
|||
|
greedily devour the Sacred Writings.
|
|||
|
He studied, no longer bothering even to cast a glimpse at the meals his
|
|||
|
Master left daily. Sometimes, the Tutor would try to communicate with his
|
|||
|
pupil but to no avail. Ail was fully occupied with his mastery of whatever
|
|||
|
would be needed to challenge the Lord Demon, to challenge his father. There
|
|||
|
was no doubt in his mind that he would succeed, no doubt in his very *soul*
|
|||
|
that he was the Lord Demon to be.
|
|||
|
He would not sleep for more than an hour or two each night. He would
|
|||
|
continue reading and making notes when the moons had almost set already, and
|
|||
|
would get up with the earliest morning rays of the sun. He became a ghost of
|
|||
|
his former self, pale and unhealthy. His muscles went weak, his eyes became
|
|||
|
large dark orbs amid seemingly hollow sockets - much as if they were kept
|
|||
|
afloat in a black void.
|
|||
|
|
|||
|
It did not take long, his stamina leading him through the required books and
|
|||
|
scrolls at almost frightening speed, before Ail had gained the knowledge he
|
|||
|
reckoned he would need to challenge and defeat the Lord Demon. It was one of
|
|||
|
those proverbial starless nights, with dark clouds covering the moons as if
|
|||
|
in anger, when Ail chose to write the Blackest yet most immanent page in the
|
|||
|
history of his life - his, and that of the world. He prepared candles,
|
|||
|
appropriate scrolls, incantations, potions, everything he thought he might
|
|||
|
need for this challenge of challenges.
|
|||
|
He put out the torch and the candles. Immediately, the library of Dark
|
|||
|
Knowledge bathed in an intense black, like velvet. Ail whispered a soft
|
|||
|
spell, upon which his body started radiating a soft orange glow.
|
|||
|
Then he started to chant. At first the murmers that arose from his lips were
|
|||
|
barely audible, but they gained clearness until the walls reverberated that
|
|||
|
one word - the name of the Demon Lord.
|
|||
|
"Lerxt! Lerxt! LERXT!"
|
|||
|
Ail's voice gained strength at each uttering of the word, until it arrived
|
|||
|
at the stage where it was too immense to come merely from one human being.
|
|||
|
The floor started to tremble and vibrate; it seemed to transform itself into
|
|||
|
a sea of molten lava out of which a large stone arose - an enormous throne
|
|||
|
atop which sat Lerxt, the Lord Demon.
|
|||
|
Ail's father.
|
|||
|
The Demon kept silent, his lips wrinkled in a mute smile with a touch of
|
|||
|
gloomy foreboding. After a couple of seconds that seemed to crawl by like
|
|||
|
years, he spoke.
|
|||
|
"So you've decided you're up to it, *Ailric*, my son," Lerxt spoke, his
|
|||
|
voice tinged with solemnity, "up to challenging the Lord Demon - your
|
|||
|
father."
|
|||
|
With that a lightless crack of thunder shuddered the tower, sending a shiver
|
|||
|
down Ail's spine. Something rose in his throat. Quickly, the young man
|
|||
|
regained his composure. He swallowed and shook his head. He could not afford
|
|||
|
to show any weakness, let alone fear.
|
|||
|
"Yes," Ail replied, his voice suddenly too frail to carry meaning. He saw
|
|||
|
Lerxt raise his eyebrows and flinched.
|
|||
|
"Yes!" Ail now cried, his chest uttering the word as if it was a last
|
|||
|
desperate breath.
|
|||
|
For a while a blanket of silence seemed to clasp both opponents' throats. It
|
|||
|
seemed to numb their senses, postpone the passing of the very material of
|
|||
|
time and space. It seemed as if the world held its breath, as if nature
|
|||
|
itself hung suspended in the air.
|
|||
|
Then the Lord Demon began to laugh. At first he only moved his cheeks and
|
|||
|
his eyes. Then his body started to shudder. His mouth fell wide open, his
|
|||
|
white teeth showing, his eyes closed. His abdomen started rising and sinking.
|
|||
|
The sound increased from a soft grunt to a heavy rumble that again succeeded
|
|||
|
in shuddering the floor and making cracks appear in the ceiling. Ail clasped
|
|||
|
his hands over his ears, closing his eyes.
|
|||
|
He had no chance. The Lord Demon was too powerful. His father laughed at
|
|||
|
him, straight in the face. No chance at all. He would be crushed, smashed
|
|||
|
utterly, defeated, reduced to a meaningless dead silhouette of ashes. None of
|
|||
|
his dreams would come true, he would never rule the world like he had so
|
|||
|
often almost experienced within the intensity of his fantasies.
|
|||
|
Yet the next moment the laugh ceased. Its echoes seemed to disappear within
|
|||
|
the cracks in the ceiling, behind the impressive throne the Lord Demon sat
|
|||
|
on. The sudden silence was almost physically painful, sending ringing noises
|
|||
|
to Ail's ears. But it did not cause a fragment of the pain he experienced
|
|||
|
next. A terrifying sound enveloped him from all sides until it seemed to come
|
|||
|
from within his head, from within his bones, from within the core of his
|
|||
|
ears, from within his feet and working upward. He seemed to *be* the sound
|
|||
|
itself. It sent him to the ground, kneeling, writhing, screaming, causing him
|
|||
|
to cough up phlegm, acutely nauseated. From the corner of his eyes he saw
|
|||
|
walls crumble to dust, stones fall to the ground. His guts told him he was
|
|||
|
falling down.
|
|||
|
He strained his muscles to look up at the throne on which the Lord Demon
|
|||
|
sat. Lerxt's face now seemed to portray intense pain.
|
|||
|
Then the skin started coming off, as if the Lord Demon was peeling himself.
|
|||
|
Soft red tissue was revealed, blood trickled down the throne onto the floor
|
|||
|
and started crawling towards Ail's hands and knees. It was flowing towards
|
|||
|
him as if some mysterious force controlled it. It circled around him until it
|
|||
|
had gained in quantity. On the throne now hung a skeleton with dried skin and
|
|||
|
ligaments loosely attached to it.
|
|||
|
All blood had gathered around the challenger. It seemed to extend paws as if
|
|||
|
probing. Then the mysterious force suddenly seemed to lose control over it. A
|
|||
|
wailing cry seemed to break the tower in two as a fiery sensation crawled up
|
|||
|
and down Ail's body as if possessing him. When the pain eased off the redness
|
|||
|
around him had formed a large, formless puddle amidst which Ail found himself
|
|||
|
sitting when the silence once again was complete.
|
|||
|
The throne had disappeared. There were no walls - only ruins. Above him was
|
|||
|
the sky, with the clouds having formed one hole through which glanced the
|
|||
|
third moon.
|
|||
|
He was stunned, panting heavily.
|
|||
|
Then he knew.
|
|||
|
"Now I am Ailric! Ailric! AILRIC!"
|
|||
|
|
|||
|
|
|||
|
IV - God
|
|||
|
|
|||
|
|
|||
|
The battle had crumbled Seeker's Tower. Amid the smoking ruins Ailric stood
|
|||
|
mightily, power leaping across his chest and arms like little flashes of
|
|||
|
crackling lightning that seemed to feed on him. He, *Ailric*, had now finally
|
|||
|
reached what he had yearned for all this time, all his life - absolute power.
|
|||
|
He had challenged the Lord Demon, his father, and had become the *God of
|
|||
|
Turmoil*. Finally, he had fulfilled his ambitions and found himself in a
|
|||
|
position to wage war on the world, to teach everybody a lesson - and a lethal
|
|||
|
lesson it would be!
|
|||
|
His muscles rippled and pulsated as he tried to contain the fierce powers
|
|||
|
that raged and gathered within him. His mouth uttered demonic laughter,
|
|||
|
increasing until he himself seemed to become the personification of it. His
|
|||
|
eyes flashed, absorbing everything around him. There was nobody, nothing that
|
|||
|
could challenge him now. The mages among the Seekers were mostly killed, the
|
|||
|
rest had scattered and fled. No power in Morvynna could ban him or stop him
|
|||
|
from achieving his ultimate goal. He would rule the lands and make Cheryss
|
|||
|
his Queen - a Queen worthy of him, worthy of a God!
|
|||
|
He was now the most powerful creature on earth. He could do anything he
|
|||
|
wanted. He could invoke any demonic powers he cared to. He *would* invoke
|
|||
|
them!
|
|||
|
He stretched out his arms before him, lightning blazing between his hands.
|
|||
|
Strange sounds arose from the earth. Howling, crying, chanting, breaking,
|
|||
|
tearing. Around Ailric the earth seemed to move in waves, like an ocean, with
|
|||
|
shapes breaking forth from it. At first the forms were made of mud, unshaped.
|
|||
|
As they continued to grow from the soil, however, they took on the guise of
|
|||
|
black horses with red eyes and light grey manes, the forms of winged
|
|||
|
skeletons and reptilian soldiers - all armed to the teeth with lances,
|
|||
|
swords, battle axes and spears. They all growled and grunted, their joints
|
|||
|
cracking at each movement while their transition was not yet complete. Shrill
|
|||
|
cries were uttered as if they were all swearing allegiance to their God and
|
|||
|
Creator, Ailric.
|
|||
|
"With this army I will enslave the earth. Nobody will be forgotten. I will
|
|||
|
get even."
|
|||
|
Ailric created more and more evil creatures, his magic unrelenting, his foul
|
|||
|
imagination shaping every creature more repellent and hateful than the
|
|||
|
previous. Thousands of evil creatures arose thus - built from mud, dust and
|
|||
|
Dark Magic.
|
|||
|
|
|||
|
One night, a messenger on horseback arrived at the Castle of King Kelin of
|
|||
|
Morvynna. The horse was not a normal one - it was deepest black with dark red
|
|||
|
eyes that radiated hate. Its light grey manes seemed to lick at its rider
|
|||
|
like flames. The soil seemed to whither away at every spot where its hooves
|
|||
|
touched the ground. On it sat a rider in a robe as black as the colour of its
|
|||
|
horse. Its face was not visible except for two little red sources of light
|
|||
|
that must have been its eyes.
|
|||
|
The guards dared not touch nor hinder this mysterious messenger, afraid that
|
|||
|
it might strike them dead with one fell swoop of some diabolical weapon it
|
|||
|
might have hidden somewhere within the many folds of its robe.
|
|||
|
"Bring me to your king," a voice said from under the hood. The voice was
|
|||
|
deep, broken, unnatural, carrying with it an almost palpable threat which the
|
|||
|
creature did not bother to conceal. One of the guards ran off to tell his
|
|||
|
king about this Dark messenger. The foul creature did not have to wait long
|
|||
|
until the guard came back, panting, bidding it to follow him. Marksmen and
|
|||
|
knights had gathered around the messenger, ready to strike and shed their
|
|||
|
lives when called upon.
|
|||
|
The messenger was ushered into the king's hall of audience. Many more
|
|||
|
knights and other warriors were present, poised around the throne on which
|
|||
|
sat the king accompanied by his daughter. Ailric' servant pulled back his
|
|||
|
robe which caused murmurs, gasps and shivers to be sent down the ranks of
|
|||
|
mortals - for it was no man but some gruesome animal nobody had seen before,
|
|||
|
perhaps it was a demon, even. Knights grabbed the hilts of swords when the
|
|||
|
creature took something from a fold in his robe. It was an sealed scroll,
|
|||
|
written on parchment. On an invisible forcefield it floated towards the king
|
|||
|
who took it from the air, failing to suppress a tremble.
|
|||
|
King Kelin broke the black seal and unrolled it. Then his eyes travelled
|
|||
|
slowly across what was written. A tear appeared in his eye. He had to
|
|||
|
swallow. He passed it on to Cheryss, his daughter. She, too, read it - but
|
|||
|
she sank on her knees, sobbing, not quite capable of handling the
|
|||
|
implications the message brought. The King held his head in his hands for a
|
|||
|
while, then looked up facing the foul creature and cleared his throat. He
|
|||
|
arose from his chair, trying to look respectful.
|
|||
|
"Never will we give in to your master's wishes, heinous fiend!" he cried
|
|||
|
proudly, "That bastard of hell will never get my kingdom nor will he ever get
|
|||
|
my...my..." he struggled in an attempt to steady his voice, "...my daughter!
|
|||
|
If war is what he wants, then war is what he'll get. Either that or he will
|
|||
|
have to kill me!"
|
|||
|
The man sank back in his chair, hiding his face. His daughter, wiping away
|
|||
|
her own tears, tried to comfort him.
|
|||
|
The Dark messenger turned on its heel, its robes flowing dramatically behind
|
|||
|
it. Outside the hall of audience it mounted its black steed, had it cavort on
|
|||
|
its hind legs and then galloped away, back to its Evil Master Ailric, the God
|
|||
|
of Turmoil.
|
|||
|
Inside the hall of audience, king Kelin ordered all of Morvynna's mages to
|
|||
|
gather at castle Lordsfall in the north of the land. *Something* had to be
|
|||
|
done to stop Ailric from reaching his vile goal. Something had to be done to
|
|||
|
protect the land - not to mention Cheryss, the beautiful and most vulnerable
|
|||
|
heir to his throne.
|
|||
|
|
|||
|
Night came and went. The frail morning saw no sun to light its drab
|
|||
|
greyness, it heard no birds that could make one forget the sound of the wind
|
|||
|
sweeping across the plains around the king's castle, nor that of thunder
|
|||
|
gathering at the horizon. The entire surrounding land seemed to be festering
|
|||
|
with hate - the trees had been corrupted, having been bent, wrinkled and made
|
|||
|
leafless overnight. They formed evil figures, an audience for the war that
|
|||
|
would take place here. The earth was black as if scorched, echoing the colour
|
|||
|
of clouds that rumbled impatiently, pregnant with fiery storms and torrents.
|
|||
|
Ailric was in control of the elements. He wielded lightning as deft as a
|
|||
|
warrior would a knife, he controlled the flow of the winds, he commanded the
|
|||
|
downpour of rain to suit his evil intent. The skies literally vomited rain.
|
|||
|
The God of Turmoil's armies appeared at the horizon late in the afternoon.
|
|||
|
At first they seemed like trembling mountains on the horizon, but when they
|
|||
|
came closer lookouts could tell that it was a huge army of monsters, of
|
|||
|
Undead, of walking skeletons that no longer abided the laws of life and
|
|||
|
death. Ailric had corrupted the world, the sun, life. No man's heart could
|
|||
|
help but feel desolate in the face of such monstrosities.
|
|||
|
Within what seemed like mere minutes, Ailric' foul armies swept the castle.
|
|||
|
Men died like whithered leaves being torn off dead trees by a winter gale;
|
|||
|
intense fires consumed wood, stone and metal. Loyal men fled; proud warriors
|
|||
|
threw down their swords, sunk on their knees and wept until they got
|
|||
|
slaughtered. Blood coloured red the ruins of the once proud fortress that
|
|||
|
kings had ruled Morvynna from for many a generation. Within a few dark
|
|||
|
minutes, black pages in the history of Morvynna's monarchy, it was reduced to
|
|||
|
a meaningless pile of rubble.
|
|||
|
In the end only the King stood, wounded, his sword hanging limply in a
|
|||
|
paralysed hand. Only his crown, golden amid the blackness of the world, stood
|
|||
|
on his head with a remnant of pride, its diamonds shining defiantly. Guards
|
|||
|
lay around him, killed in horrendous ways. It was a sight even maggots would
|
|||
|
have thrown up on.
|
|||
|
Not so Ailric, God of Turmoil, who descended from his black steed and walked
|
|||
|
towards the monarch. His evil warriors left the King untouched, not daring to
|
|||
|
defy their Lord's commands though their fangs dribbled rabidly with
|
|||
|
anticipation of death and slaughter.
|
|||
|
"Or I will have to kill you, eh?"
|
|||
|
For a moment Ailric breathed in his triumph, then his face darkened - this
|
|||
|
was *not* the castle where magicians were at that very moment trying to
|
|||
|
prepare the spell that would attempt to banish him forever to some distant
|
|||
|
place. Furthermore, he had not found Cheryss here.
|
|||
|
The King looked at Ailric, reading the thoughts from the deep frown embedded
|
|||
|
on the evil fiend's face. He smiled a smile of content. Ailric' victory was
|
|||
|
not complete. Not yet. The God of Turmoil could yet be defeated. He had
|
|||
|
bought time, precious time.
|
|||
|
King Kelin smiled his last smile. Frothing with anger, Ailric took a dagger
|
|||
|
from his belt and with a fell swing of it decapitated the old man. A
|
|||
|
noiseless cry froze on the King's lips as the head flopped off the neck and
|
|||
|
rolled down amid blood and dirt.
|
|||
|
"Lordsfall."
|
|||
|
Ailric jumped on his black stallion, not looking back as the King's body
|
|||
|
dropped to the earth, just like any other casualty. The God of Turmoil
|
|||
|
uttered a silent command. He rode north with lightning speed. His army
|
|||
|
followed him, lethal and agile like some evil mythological creature.
|
|||
|
|
|||
|
For a moment, Cheryss felt a tremble shuddering her bones, her brain, the
|
|||
|
very core of her being. For a while she saw the world turn around her; she
|
|||
|
could not focus her attention on the incantations and the chants uttered by
|
|||
|
the magicians around her.
|
|||
|
She felt that her father, King of Morvynna, had died. She felt the last beat
|
|||
|
of his heart echo through her head, refusing to abate for long seconds during
|
|||
|
which seasons seemed to pass within her. He had stalled time. She prayed it
|
|||
|
would be enough, she hoped he had not died for naught, that his life and that
|
|||
|
of all who had died with him would count. Already she felt Ailric's cursed
|
|||
|
attention upon her; she could imagine a cold hand, like that of a corpse,
|
|||
|
resting on her shoulder. She could see herself turning around to stare within
|
|||
|
those fiery red eyes filled with anger and hate no mortal man had ever
|
|||
|
possessed before.
|
|||
|
Driven as if by some evil inferno, Ailric and his army drew towards
|
|||
|
castle Lordsfall. What would have been many a day's journey through dense
|
|||
|
forests and across endless plains was decreased to mere hours. The God of
|
|||
|
Turmoil combined all his tremendous power to make his army move on the wings
|
|||
|
of the wind's frenzy. The forests below seemed to greet them with warped
|
|||
|
trees stretching out towards them, the blackened planes radiating some eerie
|
|||
|
power of darkness that urged them on.
|
|||
|
Early in the morning - or perhaps it was in the middle of night - the
|
|||
|
lookouts at castle Lordsfall saw Ailric's army and heard the stampeding of
|
|||
|
unnatural horses. They sent hurried messages down into the bowels of the
|
|||
|
castle where the magicians were feveredly trying to complete the preparations
|
|||
|
for the Banishment spell. They could not rehearse. There was no time to
|
|||
|
double-check. This one had to succeed in *one* go - either that, or the
|
|||
|
entire world would enter a period of dark infinity it would surely never wake
|
|||
|
up from.
|
|||
|
Ailric rode at the head of his army, that he seemed to hold back. Lordsfall
|
|||
|
would have to be taken more carefully, as he did not want Cheryss to be hurt.
|
|||
|
He needed her for himself to become a whole person, he needed her to sit
|
|||
|
beside him on her own throne, the two of them ruling the universe supreme.
|
|||
|
Ailric crushed the ancient wooden gates from their hinges, storming through
|
|||
|
the first defence with a handful of his Undead lieutenants - straight at the
|
|||
|
core of Lordsfall, where he would find Cheryss and those accursed magicians
|
|||
|
that had somehow gained the courage to challenge him, to try a feeble attempt
|
|||
|
at *banishing* him, even!
|
|||
|
He slew the second defence ring, that guarded the room deep inside Lordsfall
|
|||
|
from behind which the God of Turmoil sensed a large concentration of magic. A
|
|||
|
flash of light, the sound of thunder. The door ceased to exist, transformed
|
|||
|
into as many small bits as there are stars in the universe.
|
|||
|
When the dust cleared he walked in, full of confidence and ready to strike
|
|||
|
at whatever would dare to attack him. He saw the shapes of the magicians, but
|
|||
|
only dimly. In the centre of the ring sat Cheryss. Beautiful Cheryss, the
|
|||
|
woman he had yearned for so long. The only mortal who had ever seemed to
|
|||
|
understand him, who had not laughed at him, who had not found it necessary to
|
|||
|
kick him.
|
|||
|
Now he heard the arcane hum that hung in the air. Now he saw Cheryss's
|
|||
|
hands, stretched out at him - but not as in a welcoming embrace. They held a
|
|||
|
jewel.
|
|||
|
He sensed excessive magic.
|
|||
|
|
|||
|
|
|||
|
V - Exile
|
|||
|
|
|||
|
|
|||
|
For a moment, Ailric stood frozen. His eyes opened wide, filled with the
|
|||
|
fears of recently forgotten memories. The God of Turmoil was made painfully
|
|||
|
aware of the fact that there were more powers in the universe besides his,
|
|||
|
besides Dark and Evil ones. He now felt all forces combined - and being used
|
|||
|
against him. All shades of grey, red, yellow, white. They were all there.
|
|||
|
Mages looked at him as if they would personally want to banish his pitiable
|
|||
|
being to some faraway planet. Within the fraction of a moment that passed
|
|||
|
between the realisation of defeat and the actual banishment, his eyes flashed
|
|||
|
to and fro the mages. To Cheryss. Cheryss. The only human he had ever truly
|
|||
|
felt some affection for, the only mortal that he had wanted to make his, that
|
|||
|
he had wanted to share his life and his powers with. Her eyes looked at him,
|
|||
|
filled with hate but tinged with pity. Her hands were stretched out at him,
|
|||
|
holding out the intricate jewel, on the verge of casting that One Spell all
|
|||
|
sorcerors had prepared. The banishment spell Ailric had never considered
|
|||
|
possible, the surge of power that spelled out utter defeat in bright,
|
|||
|
coruscating capitals.
|
|||
|
His Undead legions stood as motionless as their master, their victims
|
|||
|
rescued in mid-thrust, their Lord's mind not being able to control them
|
|||
|
anymore. Frantically, Ailric thought of ways to deflect this ordeal. In his
|
|||
|
mind he tried to leaf through the scrolls and tomes he had studied for all
|
|||
|
that time in Seeker's Tower. Words flashed, but they did not connect to
|
|||
|
anything he could make use of.
|
|||
|
He looked in Cheryss's eyes one last time. They still seemed like beautiful
|
|||
|
little stars, but now they only predicted his defeat. He was about to sigh
|
|||
|
when his entire being was enveloped in fire. It scorched his body like he had
|
|||
|
scorched the land, his arms and fingers grew gnarled like the trees he had
|
|||
|
bent, his eyes burnt in his head as if scornful birds had pecked them out. He
|
|||
|
sunk to his knees, helpless, powerless, weakened completely. The sorcerors'
|
|||
|
chants softened and died off as he seemed to be moving away from them. He
|
|||
|
could see nothing around him, nothing but a vast blackness and then,
|
|||
|
suddenly, everything was red. He could not move. He dared not think. He felt
|
|||
|
as if he were encased in something solid and infinitely big. It felt as if
|
|||
|
the red colour had frozen solid, redness incarnated.
|
|||
|
The red moon, the third moon. His prison for eternity.
|
|||
|
Outside Lordsfall, Ailric's Undead legions crumbled to dust, their shrill
|
|||
|
cries of defeat echoing up the heavens as if hailing their master for one
|
|||
|
final, horrible time.
|
|||
|
Then there was silence.
|
|||
|
|
|||
|
A thousand years passed by.
|
|||
|
The land forgot its sufferings, the people went back to living their normal
|
|||
|
lives. Evil powers were banished from the earth, all levels of black magic
|
|||
|
repressed. The monarchy flourished. Kings died natural deaths and peace ruled
|
|||
|
the land.
|
|||
|
Generally, everybody was happy.
|
|||
|
Everybody, that is, except for the odd mage with *blacker* interests than
|
|||
|
those of his tutors. These formed small guilds in obscure places -
|
|||
|
communicating, learning, brooding, gathering. Ultimately they got the
|
|||
|
ambition of releasing the legendary God of Turmoil from the ethereal womb of
|
|||
|
his banishment.
|
|||
|
For years they studied, much in the way Ail had done when he had been a
|
|||
|
young lad, although it was made more difficult for them as most Dark
|
|||
|
Knowledge had been written down in books that had been destroyed a long time
|
|||
|
ago. New incantations had to be devised, forgotten scrolls had to be sought,
|
|||
|
restored and interpreted. The Black Magic Guild slowly regained the Dark
|
|||
|
Arts, their minds occupied plotting the symphony of destruction. Some Undead
|
|||
|
were seen roamed the land again.
|
|||
|
Nobody noticed - or perhaps nobody *wanted* to notice at all. Slowly but
|
|||
|
certainly, the rotten core within the lands grew in size and power. It
|
|||
|
infected, administering decay and dissatisfaction to those eager to be fed.
|
|||
|
And there it strained to remain hidden.
|
|||
|
Hidden, that is, until the sore spot burst.
|
|||
|
|
|||
|
Original version written April 1992. Rehashed April 1993.
|
|||
|
|
|||
|
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
SOON COMING
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
|
|||
|
|
|||
|
The next issue of "Twilight Zone", Volume 1 Issue 2 (probably) should be out
|
|||
|
later this year. Please refer to the 'subscription' section, below, for
|
|||
|
details about getting it in case you're interested.
|
|||
|
As was said earlier, quite an enormous mass of fiction lies in waiting for
|
|||
|
publication in future issues. The next issue will probably contain the
|
|||
|
following items.
|
|||
|
|
|||
|
|
|||
|
EDITORIAL
|
|||
|
Looking back on the success of the first issue (hopefully)
|
|||
|
and a short look at who your editor is
|
|||
|
|
|||
|
|
|||
|
A KILLING TIME
|
|||
|
The next story in a sequence of Tales from the
|
|||
|
Tavern at the Edge of Nowhere
|
|||
|
by Bryan H. Joyce
|
|||
|
|
|||
|
|
|||
|
STAR RAY
|
|||
|
A story featuring Cronos Warchild in a truly weird
|
|||
|
and metaphysically psychological situation
|
|||
|
by Richard Karsmakers
|
|||
|
|
|||
|
|
|||
|
RICK DANGEROUS
|
|||
|
The first of a two-part story featuring a charmingly
|
|||
|
disturbed person who constantly meets his own destiny
|
|||
|
by Richard Karsmakers
|
|||
|
|
|||
|
|
|||
|
THE WILD LIVER
|
|||
|
A rather disturbing tale of a dead alcoholic's liver
|
|||
|
by Bryan Kennerley
|
|||
|
|
|||
|
|
|||
|
OBLITERATOR
|
|||
|
The sad and heroic story of the Last of the Obliterators
|
|||
|
by Richard Karsmakers
|
|||
|
|
|||
|
|
|||
|
THE PRESIDENT IS MISSING
|
|||
|
Where a Mercenary annex Hired Gun meets Roger Rabbit
|
|||
|
by Richard Karsmakers
|
|||
|
|
|||
|
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
VARIOUS SMALL HOUSEHOLD ITEMS
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
|
|||
|
|
|||
|
DESCRIPTION
|
|||
|
|
|||
|
|
|||
|
"Twilight Zone" is an all-format on-line magazine aimed at everybody who is
|
|||
|
interested in any sort of fiction - although it usually tends to concentrate
|
|||
|
on fantasy fiction and absurd humour of the respective genres to which J.R.R.
|
|||
|
Tolkien and Douglas Adams belong.
|
|||
|
Its source is an Atari ST disk magazine by the name of "ST NEWS" which
|
|||
|
publishes computer-related articles as well as fiction. "Twilight Zone"
|
|||
|
principally consists of the best fiction featured in "ST NEWS" so far, with
|
|||
|
possible additions submitted by dedicated "Twilight Zone" readers.
|
|||
|
|
|||
|
|
|||
|
AIM
|
|||
|
|
|||
|
|
|||
|
We have no particular aim, but "Twilight Zone" would like to be a fresh
|
|||
|
breath to all you people out there that get on-line texts hurled at them that
|
|||
|
seem only to talk about "Star Trek" and that kind of thing. We try not to
|
|||
|
conform to any preset rules, which might indeed cause some of our stuff to be
|
|||
|
considered 'rude' or perhaps totally disgusting (or worse, plainly
|
|||
|
uninteresting).
|
|||
|
|
|||
|
|
|||
|
SUBMITTING ARTICLES
|
|||
|
|
|||
|
|
|||
|
"Twilight Zone" is a daughter magazine of "ST NEWS", which means that
|
|||
|
most of the fiction appearing in "Twilight Zone" will have been published
|
|||
|
previously in "ST NEWS", and that submissions to this magazine will be
|
|||
|
published in "ST NEWS" as well.
|
|||
|
If you've written some good fiction and you wouldn't mind it being published
|
|||
|
world-wide, you can mail it to us either electronically or by standard mail.
|
|||
|
At all times do we reserve the right not to publish submissions. Do note that
|
|||
|
submissions on disk will have to use the MS-DOS disk format (which is also
|
|||
|
compatible with the Atari ST/TT/Falcon) on 3.5" Double Density floppy disks.
|
|||
|
Provided sufficient International Reply Coupons have been supplied (see
|
|||
|
below), you will get your disk back with the issue of "Twilight Zone" on it
|
|||
|
that features your fiction. Electronic submittees will automatically get an
|
|||
|
electronic subscription.
|
|||
|
At all times, please submit straight ASCII texts without any special control
|
|||
|
codes whatsoever, nor right justify! Avoid using characters above ASCII code
|
|||
|
128 because these may vary considerably on different computer systems. Use
|
|||
|
*asterisks* to replace italics if needed, please.
|
|||
|
|
|||
|
|
|||
|
COPYRIGHT
|
|||
|
|
|||
|
|
|||
|
Unless specified along with the individual stories, all bits in "Twilight
|
|||
|
Zone" are copyrighted by the individual authors but may be spread wholly or
|
|||
|
separately to any place - and indeed into any other magazine - provided
|
|||
|
credit is given both to the original author and "Twilight Zone" and/or "ST
|
|||
|
NEWS".
|
|||
|
If you don't follow these rules, there is nobody who is going to tell you
|
|||
|
off or sue you or anything - we only think you're a most proverbially
|
|||
|
flippin' smeghead if you don't.
|
|||
|
|
|||
|
|
|||
|
CORRESPONDENCE ADDRESS
|
|||
|
|
|||
|
|
|||
|
All correspondence and submissions should be sent to one of the following
|
|||
|
addresses. If you need a reply to a letter, supply one International Reply
|
|||
|
Coupon (available at your post office), or two if you live outside Europe. If
|
|||
|
you want your disk(s) returned, add 2 International Reply Coupons per disk
|
|||
|
(and one extra if you live outside Europe). Correspondence failing these
|
|||
|
guidelines will be read (and perused) but not replied to.
|
|||
|
The addresses (both valid at least up to summer 1995):
|
|||
|
|
|||
|
Richard Karsmakers
|
|||
|
Looplantsoen 50
|
|||
|
NL-3523 GV Utrecht
|
|||
|
The Netherlands
|
|||
|
Email R.C.Karsmakers@stud.let.ruu.nl
|
|||
|
|
|||
|
|
|||
|
SUBSCRIPTIONS
|
|||
|
|
|||
|
|
|||
|
Subscriptions (only electronic subscriptions available!) can be requested by
|
|||
|
sending me some email (at the address mentioned above). For now (and until
|
|||
|
well into the forseeable future) "Twilight Zone" will only be available in
|
|||
|
ASCII format.
|
|||
|
|
|||
|
|
|||
|
PHILANTROPY
|
|||
|
|
|||
|
|
|||
|
If you appreciate "Twilight Zone", a spontaneous burst of philantropy aimed
|
|||
|
at the postal address mentioned above would be much obliged! Please send cash
|
|||
|
only; any regular currency will do. Apart from keeping "Twilight Zone"
|
|||
|
happily afloat, it will also help me to keep my head above water as a student
|
|||
|
of English at Utrecht University.
|
|||
|
Thanks!
|
|||
|
|
|||
|
|
|||
|
DISCLAIMER
|
|||
|
|
|||
|
|
|||
|
The editor wishes to notify that all authors are responsible for the views
|
|||
|
they express, which may not at all coincide with his own views. The
|
|||
|
individual authors are also the ones you should sue when copyright
|
|||
|
infringements have occurred!
|
|||
|
|
|||
|
|
|||
|
ST NEWS
|
|||
|
|
|||
|
|
|||
|
In case you have an Atari ST/TT/Falcon, you would do well to check out "ST
|
|||
|
NEWS", the "Twilight Zone" mother magazine. The most recent issue can be
|
|||
|
obtained by sending one disk plus two International Reply Coupons (three if
|
|||
|
you live outside Europe) to the snailmail correspondence address mentioned
|
|||
|
above. "ST NEWS" will *not* be available electronically!
|
|||
|
"ST NEWS" should run on any TOS version, needs a double-sided disk drive and
|
|||
|
prefers one meg - or more - of memory (though half a meg should be supported
|
|||
|
too).
|
|||
|
|
|||
|
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
================================ END OF FILE ================================
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
|||
|
|