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____________________________________________________________________________
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*****NUMBERS 201 TO 205***********BY DANIEL BOWEN (tcwf@gnu.ai.mit.edu)*****
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"Toxic Custard Sells Out"
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====== ===== \\ \\ ====== ===== ====== === Toxic Custard
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\\ \\ \\ \\ \\ \\ \\ \\ \\ Workshop Files
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\\ \\ \\ \\ \\ ==== ===== \\ \\ \\ Number 201
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\\ \\ \\ \\ \\ \\ \\ \\ \\ \\ 1st June 1994
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\\ ===== ======== \\ ===== ====== ==== by Daniel Bowen
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There's a new innovative design in alarm clocks on the market.
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The Custardmatic 4000 alarm clock. Not only does it have numbers so
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big and bright that it makes it difficult to get to sleep in the
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first place, but it also has four modes of alarm, that successively
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get louder and more vocal, to make sure you get out of bed.
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1. The normal beep we all know and love from our current
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conventional alarm clocks.
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2. A few minutes later, the louder beep.
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3. Next, the first of the voice circuits gets into gear, angrily
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demanding that you "Get up! Get up!"
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4. The ultimate in waking machines. A rubberised mallet on an arm
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extends itself from the clock and starts whacking you on the
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head, while the voice synthesiser shouts "Get up! Get up and
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get out and earn a living, you lazy git!"
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The alarm clock is sensor linked to your bed, so it *knows* when
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you've actually got up. The snooze button is not available on alarm
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4, and an optional recording unit is available to allow you to record
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your mother telling you to wake up.
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The Custardmatic 4000. Available now.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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DANIEL'S GUIDE TO HOUSE HUNTING
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First you need to find a house you like. Then keep dreaming, 'cos
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you'll never be able to afford it. Go to see the bank. Don't plead
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for mercy. If you plea for mercy, they won't take pity on you,
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they'll just completely rule you out of a loan. Because anyone who
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looks pathetic is a bad risk. They'll only lend money to people who
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don't need it. So take this tip. Go to the bank with a convincing
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argument. Preferably at least a 12 gauge.
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Check out the house carefully. Hire someone to check all the
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structural bits and make sure it's not going to implode or sink into
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that river next to it, the one that makes it look so picturesque.
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Make sure you get it in writing that the house is okay. Then, if it
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isn't, you can sue, and with the payout, buy a better house.
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Next, you have to keep the price of your prospective house down.
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The trick is the inspection days. You have to go to every possible
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inspection. Not to actually look inside the house, but to walk up and
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down outside with your mates, all dressed as skinheads, shouting
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"fuckin' hell" a lot. That should scare off the bulk of the other
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potential buyers. Then the next time, you turn up all in wheelchairs,
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waving your arms uncontrollably, and screeching "house! House!" That
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should get rid of the remaining buyers.
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And meanwhile, the real estate agent and the house owner will be
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standing there amazed, saying to themselves "I never saw those people
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around here before..." It also helps if you know people at the
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newspaper who can "lose" the ad.
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Get all your friends to be there on auction day, too. The same
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friends that have grafitied all over the front fence and wall the
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night before the auction. Just to ensure there's no last minute
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buyers.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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Not only are shampoo manufacturers using more and more ridiculous
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shaped bottles, but it's got so bad (ie stylish) that you can't
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balance most of them upside-down when they start running out. Some of
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the packages are so slick, dynamic that they look like prop buildings
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from futuristic car ads. It's not just shampoo anymore, either - it's
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a hair revitalisation experience.
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And that's why we introduced the Custard Care range of shampoos
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and conditioners. They help to keep your hair bouncy... beautiful...
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and lumpy. Available for normal, normal and normal hair types,
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Custard Care shampoos and conditioners are available now wherever
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crap products are sold.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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The thing about being left-handed is that scissors hate you. Almost
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all scissors, which look at first glance like placid, inanimate
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objects, sense that they are being lifted by someone's left hand and
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entirely cease to work. And when us lefties manage to find a pair of
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scissors that DOES work, anyone else who picks them up has the nerve
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to claim they don't work!
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Well now you can throw those scissors out the window (and hope
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they land in the head of whoever designed them). Because New Custard
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Scissors will cut through anything. Paper, iron rods, skin, bone,
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plastic... they'll cut straight through anything you so much as bring
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into the same room as your Custard Scissors.
|
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|
Custard Scissors have been available to torturers in all leading
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fascist dictatorships for many years, but now they're available to
|
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the public at a very reasonable price! How much would you expect to
|
||
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pay for these glorious scissors that if dropped will cut their way
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through your foot?
|
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Don't ask -- you also get a complete set of thumbscrews. This
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genuine ex-KGB stock is just what you need for that annoying little
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sister. And each thumbscrew comes in its original condition, many
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with the thumbs still in them! An offer like this can't last, so call
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now.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
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|
We've all been in the situation. That itch in the very centre of your
|
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back, that you just can't quite reach? (At least, not without having
|
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your arms surgically stretched). Well itch no more! We now introduce
|
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|
the Custard back-scratching service.
|
||
|
Just call 1800-SCRATCH and a special team of well-manicured
|
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scratching experts will be despatched to your door, driving at
|
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alarming speeds to reach you within a guaranteed time of 8
|
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minutes(*). Hell, you can't even get an ambulance that fast these
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days. Our expert scratchers will care for your every itch,
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methodically scratching to your every direction (eg "up a bit! No,
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down just a tad. Left a little bit. Oh yes, it's there.... oh
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yeaaaaahhhhh.....")
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(*) Offer available only in Metropolitan areas within 8 minutes of a
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Custard Scratching Services depot. Customer pays traffic fines.
|
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Toxic Custard back-issues are still
|
||
|
available by ftp... Okay, to be honest,
|
||
|
we've got hundreds of the bloody things,
|
||
|
rotting away at some ftp site. Please,
|
||
|
take them off our hands. Email
|
||
|
tcwf@gnu.ai.mit.edu for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1994 Daniel Bowen. May be freely distributed without
|
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profit provided no modifications are made.
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--
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Daniel Bowen, Melbourne, Australia--| I, me, myself alone, am
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Work: dbowen@vcomtelc.telecom.com.au| totally responsible for the
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Play: dbowen@gnu.ai.mit.edu---------| content of this post. No-one
|
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TCWF: tcwf@gnu.ai.mit.edu-----------| else would admit responsibility
|
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Nb. I only throw in words like yeaaaaahhhhh to harass the
|
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spelling-checker.
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------------------------------------------------------------------------------
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"Illegible Toxic Custard"
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===||===================|||||==||||===|||||===||||====TOXIC CUSTARD
|
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===||||==||||=||====||=||=========||=||===||=====||===WORKSHOP FILES
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===||===||====||====||=||||====||||==||===||==||||====Number 202
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===||===||====||=||=||=||=====||=====||===||=||=======6th June, 1994
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====||===||||==||||||==||=====||||||==|||||==||||||===by Daniel Bowen
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|
It makes you think. If doctors' writing is so bad that the chemist
|
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|
has to check your name and address from the prescription... what are
|
||
|
the chances that the medicine you're given will be wrong? "Oh, you
|
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|
needed Elzinphatom, not Elbonphateem. Sorry. Elbonphateem is for the
|
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|
treatment of gangrenous piles, actually. Not bronchitis."
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
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||
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This is a plea to any of my relatives who may be reading. (Actually,
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|
not many of my relatives do read this drivel, meaning that my
|
||
|
standing in the family as a "fine upstanding young man with a
|
||
|
promising career etc etc" has not yet been completely shattered. Give
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||
|
it time.)
|
||
|
Don't give me any more novels to read. The backlog is getting
|
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|
embarrassing. They pile up in the bookshelf... Okay, I admit it, I'm
|
||
|
not a great reader. I've never been a great reader. In school, it may
|
||
|
have looked like I was reading "1984", but to tell the truth, I never
|
||
|
got past the first sentence. The one about clocks. "Animal Farm" --
|
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|
no problem. Appealed to my love of small furry animals, probably. (I
|
||
|
still deny any accusations of cruelty to these particular creatures.
|
||
|
There is no substantial evidence.)
|
||
|
It's not that I can't read. I've read for many years. It's just
|
||
|
that I have a belief in only reading things that can keep me
|
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|
interested. If a book doesn't have one even mildly interesting
|
||
|
thing on each page, then chances are I won't be bothered. It's not
|
||
|
like music, which you can just turn on and listen to without too much
|
||
|
bother. You can leave it going in the background. Books are *effort*.
|
||
|
Maybe I just don't have enough patience. I just can't be bothered
|
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|
to read through 250 pages of narrative to discover that the butler
|
||
|
did it. Maybe I'm too much a part of the TV generation. Maybe the
|
||
|
whole plot has to be given to me on a 19 inch black-tinted plate with
|
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stereo sound. And commercial breaks every five pages.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
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||
|
So, what did I do on my weekend? Well, here's a clue
|
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|
It's great to chainsaw a chihuahua
|
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And to inflict pain on a poodle
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To make cuts into a kelpie
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To draw things on your doodle
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I just love cutting my arms off
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And flushing them down the bog
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Then stomping round the garden
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In big boots, squashing frogs
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Head butting semi-trailers
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Run/walking in one shoe
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And pushing dog owners' noses
|
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Into their own dogs' poo
|
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|
These are all things I take part in
|
||
|
But the silliest of all the things I do
|
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Of all the ways I spend the weekend
|
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Is writing this Custard stuff for you
|
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
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||
|
Have you walked into a darkened room just as the florescent light is
|
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coming on? Looks like some sort of bad horror movie, as the light
|
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flashes on and off.
|
||
|
Actually, once I was lying in bed listening to a thunderstorm. As
|
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the lightning flashed, I made out a big darkened silhouette in the
|
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corner. Argrghh! Holy shit! Intruder alert! Get the cricket bat! Who
|
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|
was it?! Oh yeah, the hatstand with the old hat on top and the
|
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|
overcoat hanging off it...
|
||
|
And once you've calmed down a bit, you're in that limbo
|
||
|
situation, not quite asleep, not quite awake. And your body decides
|
||
|
to trip over something imaginary. And for a split second, you think
|
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|
you're falling over, and you wake up completely...
|
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|
Actually, I seem to have great problems getting to sleep. I
|
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|
fidget. I toss and turn. And when I eventually fall asleep, I'm in
|
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such a position that most of me aches the next morning. Why can't the
|
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|
brain keep an eye on things while I'm tossing and turning, and
|
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|
proclaim "No, don't go to sleep like that, your back will hurt like
|
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|
buggery in the morning".
|
||
|
Now that really is a strange expression. "It'll hurt like
|
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|
buggery." I wonder if whoever made it up was speaking from personal
|
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|
experience, or just playing guessing games. Perhaps he got up one
|
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|
day, found himself aching... and thought "I'm going to make up a new
|
||
|
expression for pain. Now, what can 'it' hurt like? KFC? 'It hurts
|
||
|
like Kentucky Fried Chicken'? Nah, doesn't really work... Chopping
|
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|
off a finger? 'It hurts like chopping off a finger'? Hmmm.. not bad,
|
||
|
but it doesn't quite capture the essence of this particular pain. How
|
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|
about buggery? 'Hurts like buggery'? Could be, I'm not sure. But I'd
|
||
|
better find out... Better whip out the Yellow Pages... Quick find
|
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|
index... Cars... Cats.... ah! Churches - Catholic! Here we go..."
|
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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||
|
THING PART 8
|
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====================
|
||
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|
||
|
(Ron is on the couch. Jeff is on the phone)
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|
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JEFF: Yes, yes, I'll hold.
|
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|
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(Jeff waits)
|
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|
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JEFF: Hello? Yes, I'm told I need to get a form 14 F. What? Yes,
|
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I'll hold.
|
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RON: Government departments...
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JEFF: Hello? Yes, I'm trying to get a form 14 F. What? But I just
|
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spoke to them, they transferred me to you.
|
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(Jeff hangs up in disgust.)
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RON: Huh... bloody government department bureaucracy.
|
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JEFF: Who said anything about government, I was just trying to
|
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order a pizza. I knew it was a mistake to phone this one. (He
|
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|
holds up a leaflet.) Huh. Red Tape Pizza.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
You are privileged to have survived another
|
||
|
episode of Toxic Custard. Despite this, we
|
||
|
hope you have a nice day. If you would like
|
||
|
to spoil the rest of the week by reading
|
||
|
Toxic Custard back-issues, (available by ftp)
|
||
|
then email tcwf@gnu.ai.mit.edu for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1994 Daniel Bowen. May be freely distributed without
|
||
|
profit provided no modifications are made.
|
||
|
--
|
||
|
Daniel Bowen, Melbourne, Australia--| Telecom have absolutely
|
||
|
Work: dbowen@vcomtelc.telecom.com.au| nothing to do with whatever
|
||
|
Play: dbowen@gnu.ai.mit.edu---------| garbage I decide to
|
||
|
TCWF: tcwf@gnu.ai.mit.edu-----------| write in my spare time.
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
"Historic Toxic Custard"
|
||
|
|
||
|
|
||
|
+====+ ===+ ++ ++ ====+
|
||
|
|| || || || || Number 203
|
||
|
||oxic ||ustard || || ||orkshop ||=+iles 12th June 1994
|
||
|
|| ===+ == == || Sculpted by Daniel Bowen
|
||
|
|
||
|
Ladies and gentlemen, climb into your police-box, put your weird
|
||
|
time-trousers on, cast your spells, call your travel agent, or do
|
||
|
whatever you normally do when you travel through time... but come
|
||
|
with us on a trip through time...
|
||
|
|
||
|
TOXIC HISTORY OF THE WORLD
|
||
|
Part 1 of A Bunch
|
||
|
|
||
|
1800-1700 BC
|
||
|
The first use in Egypt of papyrus. Before long, Egyptians on their
|
||
|
way to work would be reading the morning papyrus on the camel
|
||
|
train. In 1748 BC the first Scroll Three girls were introduced by
|
||
|
papyrus baron Rupmur Doch. Yes, that is a very very bad try at an
|
||
|
ancient Egyptian name.
|
||
|
|
||
|
1400 BC
|
||
|
Moses finally gets sick of Egypt and walks out, taking all his
|
||
|
mates with him. He gets into an argument with some dam builders
|
||
|
along the way and wins a monumental bet from them. He also
|
||
|
ghost-writes the world's first ten point etiquette guide.
|
||
|
|
||
|
1300-1200 BC
|
||
|
The Hittites, controlling Mesopotamia, discover the wonders of
|
||
|
smelting iron, and open iron smelting shops up and down the
|
||
|
country. In them, tough and/or sinewy men stand around very hot
|
||
|
furnaces cracking dirty jokes, and pinning up Scroll Three girls.
|
||
|
The Hittites, having armed their men to the teeth with big hammers,
|
||
|
Singer sewing machines and complete spanner sets, then clash with
|
||
|
Egypt. History says that neither wins, and both empires begin to
|
||
|
crumble. *I* say one crumbled a tad more than the other. In fact,
|
||
|
*I* say I've never heard of the Hittites. 'Nuff said?
|
||
|
|
||
|
1180 BC
|
||
|
The famous Siege of Troy, where the Greeks came up with the idea of
|
||
|
giving away free samples (of giant wooden horses) for product
|
||
|
promotion and genocidal purposes. The horse is left outside the
|
||
|
gates of Troy, loaded with Greek warriors, who manage to keep from
|
||
|
giggling while the Trojans drag it back inside. The rest is
|
||
|
history. Now, where does Pandora fit into all this?
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
THING PART 9
|
||
|
====================
|
||
|
|
||
|
(Someone knocks on the door. Jeff goes to look
|
||
|
out the window and see who it is.)
|
||
|
|
||
|
JEFF: Oh Shit, it's the Salvos!
|
||
|
|
||
|
RON: But we're not homeless. We live in what could loosely be
|
||
|
described as a home. Ergo elk, we're not homeless.
|
||
|
|
||
|
JEFF: I think you'll find they're not after us to give us tea and
|
||
|
save our souls, more like scum some money off us.
|
||
|
|
||
|
RON: Oh, now that's a different matter.
|
||
|
|
||
|
(Another knock on the door)
|
||
|
|
||
|
JEFF: Quick Ron, get rid of them.
|
||
|
|
||
|
(Ron opens the door).
|
||
|
|
||
|
RON: Yeah?
|
||
|
|
||
|
SALVO 1: Hello, we're collecting for the Red Shield Appeal.
|
||
|
|
||
|
RON: Sorry, we don't have any spare red shields.
|
||
|
|
||
|
SALVO 2: No no, a donation. Money.
|
||
|
|
||
|
RON: Money? Dollars? Cash?
|
||
|
|
||
|
SALVO 1: Yes.
|
||
|
|
||
|
JEFF: Tell her there's none in the house.
|
||
|
|
||
|
RON: There's none in the house. It's all hidden in a small metal
|
||
|
box buried in the park, due east from here, landlubber.
|
||
|
|
||
|
SALVO 1: (backing away) Yes well, fine, sorry to trouble you.
|
||
|
|
||
|
RON: Take thirty steps north from the roundabout, arr, and there
|
||
|
ye be.
|
||
|
|
||
|
(Jeff comes to the door and pushes Ron away.)
|
||
|
|
||
|
JEFF: Please, don't worry about Ron. Ron, go sit down. Hello, Red
|
||
|
Shield Appeal, is it? Collecting for the homeless?
|
||
|
|
||
|
SALVO 2: Yes.
|
||
|
|
||
|
JEFF: Right, well, I don't know if you realised this, but we don't
|
||
|
actually live here. We're wossname.. squatting. We're
|
||
|
actually homeless. So... ummm.. could you give us some
|
||
|
money?
|
||
|
|
||
|
SALVO 1: What?
|
||
|
|
||
|
JEFF: Go on, just a few bucks for a pizza. Oh, and a bottle of
|
||
|
Coke. It'd save our lives.
|
||
|
|
||
|
SALVO 1: It doesn't actually work like that. Besides, this
|
||
|
doesn't look like a squat.
|
||
|
|
||
|
JEFF: Doesn't it? Oh well, no, that's because we've taken very
|
||
|
good care of it. We're squatters, but we're *proud*. And
|
||
|
because other organisations have donated... the sofa, and
|
||
|
the TV...
|
||
|
|
||
|
SALVO 2: And the drinks cabinet?
|
||
|
|
||
|
JEFF: Erm... yeah, look... heh heh...
|
||
|
|
||
|
(Jeff shuts the door in their faces
|
||
|
and goes back to the sofa.)
|
||
|
|
||
|
RON: So can we claim a tax deduction?
|
||
|
|
||
|
JEFF: What, just because they came to the door? No, I think you'll
|
||
|
find in the small print in the Tax Pack that it says you
|
||
|
actually have to give them some money before it's
|
||
|
deductible.
|
||
|
|
||
|
RON: I don't know why they bother collecting for the homeless.
|
||
|
How would they find them?
|
||
|
|
||
|
JEFF: Give me strength, Lord.
|
||
|
|
||
|
RON: Oh sorry, I didn't realise you were a Christian.
|
||
|
|
||
|
(Ron goes back to watching the telly.)
|
||
|
|
||
|
JEFF: I'm not a Christian, I was just requesting that a deity, any
|
||
|
deity, enhance my powers of patience in order to aid my
|
||
|
dealings with your STUPID MIND! ALL YOU EVER DO IS SIT THERE
|
||
|
PICKING YOUR NOSE AND MAKING THE MOST STUPID OBSERVATIONS!
|
||
|
|
||
|
RON: Haha ha! Those Biker Mice From Mars are great. Sorry, what
|
||
|
did you say?
|
||
|
|
||
|
JEFF: Don't worry about it. Just sit there. Go on! Sit there! Just
|
||
|
sit there watching cartoons. Don't try and indulge in any
|
||
|
type of intelligent conversation. Just sit there with the
|
||
|
brain on neutral and take in the telly.
|
||
|
|
||
|
RON: Okay. Oh, commercial break. Hey, have you seen my Berholt
|
||
|
Brecht anywhere?
|
||
|
|
||
|
(Ron goes off to find his book)
|
||
|
|
||
|
JEFF: And while you're at it Lord, please strike Ron down. Just a
|
||
|
little bit? Please? Just a small lightning bolt? A small,
|
||
|
localised, swarm of locusts? Bees? Some kind of killer mind
|
||
|
eating disease?
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Here we can see the terror in their eyes -
|
||
|
eyes that have just been forced once again to
|
||
|
read Toxic Custard against their will. And
|
||
|
the real tragedy is that if the U.N. doesn't
|
||
|
intervene soon, they will have the chance to
|
||
|
get Toxic Custard back-issues, just by
|
||
|
emailing tcwf@gnu.ai.mit.edu for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1994 Daniel Bowen. May be freely distributed without
|
||
|
profit provided no modifications are made.
|
||
|
--
|
||
|
Daniel Bowen, Melbourne, Australia--| All this is done in my spare
|
||
|
Work: dbowen@vcomtelc.telecom.com.au| time, not in Telecom's. That's
|
||
|
Play: dbowen@gnu.ai.mit.edu---------| right, I have nothing better to
|
||
|
TCWF: tcwf@gnu.ai.mit.edu-----------| do with my time. Pretty sad, eh?
|
||
|
|
||
|
I wonder if they have identification parades in Legoland...
|
||
|
|
||
|
"Just walk along the line, Miss, and tell us which of them it was."
|
||
|
|
||
|
"Oh how should I know, they all look the fucking same!"
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
"Toxic Custard in triplicate"
|
||
|
|
||
|
|
||
|
Dear readers,
|
||
|
I would like to apologise for the abundance of Toxic Custards
|
||
|
that have inundated you over the previous two weeks. However, I'm
|
||
|
sure you'll be aware that the Internet Committee For Increased
|
||
|
Bureaucracy now requires that mailing lists are always sent to
|
||
|
readers in triplicate. The recommended method of reading is to
|
||
|
print out your Toxic Custards three times onto transparent paper,
|
||
|
and hold them together up to the light for reading. It's
|
||
|
especially cool when two of the copies are either upside-down or
|
||
|
back-to-front or both.
|
||
|
(And yes, I am wrestling with the mailing software).
|
||
|
|
||
|
=============== =============== = = Number 204
|
||
|
T O X I C =C=U S T A R D = = = June 20th, 1994
|
||
|
=============== = = =============== Written by
|
||
|
= W O=R K S H O P = F I L E S = Daniel Bowen
|
||
|
=============== =============== =
|
||
|
|
||
|
TOXIC HISTORY OF THE WORLD
|
||
|
Part 2 of A Stack
|
||
|
|
||
|
c1060-c970 BC
|
||
|
David is king of Israel. During this time, the first negotiations
|
||
|
take place with the PLO, but to no avail. The rest of the world
|
||
|
eagerly waits for a resolution...
|
||
|
|
||
|
c970-c940 BC
|
||
|
Solomon is king of Israel. Sheesh, why couldn't Israel make up its
|
||
|
mind? Anyway, Solomon uses his enormous wealth to build the Temple
|
||
|
at Jerusalem. Others argue that such a large infrastructure project
|
||
|
should not be contemplated under such economic conditions. Solomon
|
||
|
starts to get irritated when a petition is raised by local
|
||
|
residents fearing noise from prayers and the destruction of a local
|
||
|
beauty spot (where the sand is piled into particularly picturesque
|
||
|
dunes).
|
||
|
|
||
|
800 BC
|
||
|
The Phoenicians found Carthage. They shouldn't have lost it in the
|
||
|
first place. Carthage had actually been left on the bus from
|
||
|
Dandios to Chadzintium in 802 BC, and had been sitting in a lost
|
||
|
property office for 18 months. The Phoenicians just happened to be
|
||
|
going past the lost property office the day before everything got
|
||
|
auctioned off, so as you can see, it was a pretty close run thing.
|
||
|
|
||
|
776 BC
|
||
|
First Olympiad. Karlos Lewisophonos is stripped of his gold
|
||
|
medallion when it is found he has been using performance enhancing
|
||
|
herbs. Greek women protest at their non-admittance, mainly because
|
||
|
they want to see the athletes, who are competing nude. Several
|
||
|
well-endowed athletes injure themselves during the running events,
|
||
|
inspiring the Pole Vault for the next Olympics.
|
||
|
|
||
|
753 BC
|
||
|
Rome founded. It probably involves some Caesar or other digging the
|
||
|
first sod, or opening a plaque, or some other kind of ceremony. "I
|
||
|
hereby declare this Empire open. May Zeus bless her, and all who
|
||
|
live in her." Something like that. Followed by an inaugural
|
||
|
crucifixion.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
What's this? O.J. Simpson charged with murder?! No! So, let's take a
|
||
|
walk down to the betting shop to see who'll be the next famous person
|
||
|
to be arrested...
|
||
|
1000 to 1 on Prince Charles being charged with littering
|
||
|
500 to 1 on the Pope being caught stealing condoms from the
|
||
|
Chemist
|
||
|
100 to 1 on Roseanne Arnold murdering Tom and eating his corpse
|
||
|
50 to 1 on John Major assaulting photographers outside Downing St
|
||
|
10 to 1 on Ron Birchall, Jeremy Beadle's neighbour, going round
|
||
|
to Jeremy's place to smash his face in
|
||
|
4 to 1 on Keith Richards being arrested for drugs possession.
|
||
|
(Normally it's all used before he can be caught)
|
||
|
3 to 2 on Axl Rose being arrested for assault/drugs/drink
|
||
|
driving/noise pollution offences. Again.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
Yes, it's true. Shoes harass me. I've been looking for a new pair of
|
||
|
runners for several months now. And while my old, increasingly
|
||
|
soleless shoes continue stepping their way to destruction, I find
|
||
|
myself unable to make a definitive decision about a new pair. "What's
|
||
|
the problem", I hear you ask. (Other questions you may be asking are
|
||
|
"What fucked up his mind?" and "What's the number of that therapy
|
||
|
clinic?")
|
||
|
The problem is that of choice. Too much of it. I know it's meant
|
||
|
to be wonderful to live in a consumer society. I know it's great to
|
||
|
have the power of choice over which one of a million products I want
|
||
|
to throw my cash at. But how *do* you choose two shoes out of a
|
||
|
million pairs? Apart from ensuring that they are a matching pair, and
|
||
|
are a reasonable fit on my feet, what other criteria are there?
|
||
|
Okay, I don't plan to wear anything too outrageous. And it has to
|
||
|
be within the bounds of what's sensible to spend on a pair of feet
|
||
|
protectors. I'm unlikely to be attracted by the kind of shoes that
|
||
|
would put the country's richest entrepreneurs into bankruptcy. (In
|
||
|
fact, it's known that several rising stars of the 1980s got caught
|
||
|
when it came to footwear.)
|
||
|
There are shoes for everything. For jogging (ie slow running with
|
||
|
the aim of ultimately going nowhere, because you generally run to
|
||
|
"somewhere and back"), cross training (for example, angrily telling
|
||
|
those miserable kids in the junior footy team to get on with 50 laps
|
||
|
of the oval and 10 push-ups each before they get their dinner),
|
||
|
tennis, etc, etc, etc. I just want shoes to wear while doing stuff.
|
||
|
But they don't seem to have a category for that, so I have to try and
|
||
|
work out what the closest to "stuff" is.
|
||
|
Anyway, you'll be happy to hear that I've solved the whole
|
||
|
problem. I'm determined now. Tomorrow, I'm going to the absolutely
|
||
|
biggest shoe shop in the city. I'm going to walk in there, my head
|
||
|
held high. I won't browse. I won't "just look". I will choose my
|
||
|
shoes at a speed estimated by witnesses as less than three seconds.
|
||
|
It will be fast. It will be decisive. And it will be random, because
|
||
|
I'll be going in with a blindfold over my head, and pointing to a
|
||
|
random pair of shoes.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Ladies and Gentlemen, just to announce that
|
||
|
Toxic Custard has finished for this week.
|
||
|
Those wishing to obtain back-issues by ftp
|
||
|
can enquire at their nearest Toxic Custard
|
||
|
Subscriptions Information office. Email
|
||
|
tcwf@gnu.ai.mit.edu for your nearest.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1994 Daniel Bowen. May be freely distributed without
|
||
|
profit provided no modifications are made.
|
||
|
--
|
||
|
Daniel Bowen, Melbourne, Australia--| Toxic Custard is entirely
|
||
|
Work: dbowen@vcomtelc.telecom.com.au| comprised of Daniel's spare
|
||
|
Play: dbowen@gnu.ai.mit.edu---------| time, and contains no additional
|
||
|
TCWF: tcwf@gnu.ai.mit.edu-----------| Telecom time or opinions.
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
"Quick brown Toxic Custard"
|
||
|
|
||
|
_____ ___ ____ ____ ____ ____
|
||
|
| / \ / | / \ / \ |___ Toxic Custard
|
||
|
| | \ /\ / |___ ____/ | | \ Workshop Files
|
||
|
| \___ \/ \/ | /_____ \____/ ___/ 27th June 1994
|
||
|
|
||
|
TOXIC HISTORY OF THE WORLD
|
||
|
Part 3 of A Rather Large Pile
|
||
|
|
||
|
750-550 BC
|
||
|
Greek city states emerge on Greek mainland and around the coasts of
|
||
|
the Mediterranean and Black sea. It's probably about now that the
|
||
|
name "Macedonia" first gets argued about.
|
||
|
|
||
|
691 BC
|
||
|
Assyrians conquer Egypt. The Assyrian accountants spend endless
|
||
|
summer evenings arguing about how the Egyptians ever could have
|
||
|
raised the cash to build the pyramids, especially during the
|
||
|
recession of 3000 BC. An attempted calculation of the depreciation
|
||
|
on the Sphinx causes overloads on several abacuses (abacii?)
|
||
|
|
||
|
660 BC
|
||
|
First Mikado in Japan meets rapturous applause and goes on to do a
|
||
|
six month season at the Tokyo National Theatre.
|
||
|
|
||
|
659 BC
|
||
|
First Pirates Of Penzance in Japan. We don't really need to take
|
||
|
this joke any further, do we?
|
||
|
|
||
|
612 BC
|
||
|
Chaldeans conquer Assyrians (just as they were getting their heads
|
||
|
around tax rebates for infrastructure investments) and establish
|
||
|
second Babylonian Empire. They are condemned for their execution
|
||
|
and torture of civilians, and for giving inspiration for Boney M
|
||
|
over 2000 years later.
|
||
|
|
||
|
597 BC
|
||
|
Nebuchadnezzar, Chaldean emperor, captures Jerusalem in a campaign
|
||
|
of rock throwing and car bombs, and carries off the Jews into
|
||
|
captivity.
|
||
|
|
||
|
594 BC
|
||
|
Solon lays the foundations of Athenian democracy. Unfortunately,
|
||
|
stone voting tablets make counting a real pain in the arse.
|
||
|
|
||
|
560 BC
|
||
|
Buddha born. It wasn't until later that he put on weight. It is not
|
||
|
recorded whether or not he gained hair before losing it all again.
|
||
|
Amongst his most amazing achievements is getting copyright over his
|
||
|
own image, which means that if you look carefully you'll find a
|
||
|
"Copyright (c) Buddha Holdings Inc, 520 BC" on the bottom of every
|
||
|
Buddha. Well, okay, not the *bottom*... oh, you know what I mean.
|
||
|
|
||
|
551 BC
|
||
|
Confucious born. His first great saying is "goo gaa gggoo blarp."
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
The quick brown fox jumps over the lazy dog. The quick brown fox
|
||
|
jumps over the lazy dog again. Perhaps the lazy dog should get up
|
||
|
from where it's lying and go out and get a job. The taxpayers
|
||
|
shouldn't have to support a dog that is so lazy that all it does is
|
||
|
lie around being jumped over by quick brown foxes. In fact, it's
|
||
|
parasites like the lazy dog that make it very difficult for many
|
||
|
quick brown foxes to keep jumping.
|
||
|
Many quick brown foxes spoken to by Toxic Custard were unhappy
|
||
|
about this. "Yeah, it's like we're subsidising them lazy dogs..."
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
THING PART 10
|
||
|
====================
|
||
|
|
||
|
(The television starts to go fuzzy)
|
||
|
|
||
|
RON: Hey, what's wrong with this telly?
|
||
|
|
||
|
JEFF: Wrong? Nothing? Nothing should be wrong. It's brand new, we
|
||
|
only bought it last week. Should be nothing wrong. Wrong?
|
||
|
What do you mean wrong? What have you done to it? What
|
||
|
buttons have you pressed? What foul deeds have you performed
|
||
|
on its fine tuning? What desecration has been done to its
|
||
|
antenna?! What sacrilege is this?!!?
|
||
|
|
||
|
RON: Keep your toupee on, I'm sure it's nothing serious.
|
||
|
|
||
|
(Jeff tries switching channels.)
|
||
|
|
||
|
JEFF: Nothing serious?! That was my fucking five hundred dollars!
|
||
|
Look, none of the channels work!
|
||
|
|
||
|
RON: Yeah yeah yeah. Hold on, I'll try a kick.
|
||
|
|
||
|
(Ron gives the TV a kick on the left hand side,
|
||
|
and is about to try another on the right when Jeff
|
||
|
grabs his leg, pulls Ron's shoe off, throws it out
|
||
|
the window, and starts hitting Ron's foot with a mallet.)
|
||
|
|
||
|
JEFF: Don't kick my telly! Don't kick my telly!
|
||
|
|
||
|
RON: All right, all right! Ow! All right, it's under warranty,
|
||
|
we'll call a TV repairman.
|
||
|
|
||
|
JEFF: Correction: YOU will call a repairman. I'll get back to
|
||
|
reading the new phone book. Now, where were we? Ah yes,
|
||
|
Government Services fast index...
|
||
|
|
||
|
|
||
|
|
||
|
(Later. Jeff is still reading the phone book. Ron is
|
||
|
asleep on the couch, probably dreaming about naked people,
|
||
|
with a big grin on his face. There is a knock at the door.
|
||
|
Ron wakes up with a start, and goes to open it.)
|
||
|
|
||
|
RON: Yeah?
|
||
|
|
||
|
TV MAN: TV Repair.
|
||
|
|
||
|
RON: Oh yeah, come on in.
|
||
|
|
||
|
JEFF: Just a minute. Photo identification, please.
|
||
|
|
||
|
TV MAN: What?
|
||
|
|
||
|
JEFF: Identification. We can't let just anyone in here, you know.
|
||
|
Security. For all we know, you could be a lunatic
|
||
|
psychopathic who'll plant a bomb in our telly which kills us
|
||
|
all when we tune into A Current Affair.
|
||
|
|
||
|
TV MAN: So the fact that I said "TV Repair", when your mate here
|
||
|
answered the door, and I could have only known that you
|
||
|
wanted a TV repaired if you had rung me, is of no import?
|
||
|
|
||
|
JEFF: Ah well, yes. That death-defying logic will do. Come in.
|
||
|
|
||
|
TV MAN: So, this is the telly, is it? Tsssstt.. I dunno. The ol'
|
||
|
Mitsanyasonic '94, is it? Tricky to get the parts for this
|
||
|
one...
|
||
|
|
||
|
JEFF: May I remind you that this is under warranty, so you don't
|
||
|
need to inflate the price or repair time by saying Tssst a
|
||
|
lot and muttering about cowboy manufacturers?
|
||
|
|
||
|
TV MAN: Oh. Okay. Well, let's try...
|
||
|
|
||
|
(He kicks the TV on the right hand side.
|
||
|
The picture comes back instantly.)
|
||
|
|
||
|
TV MAN: All right? Sign here please.
|
||
|
|
||
|
(Jeff signs the clipboard, and the TV man leaves.
|
||
|
Ron changes the TV back to the cartoons, and Jeff sighs.)
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
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That's it. Go back to something sensible.
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Got back-issues if you want 'em. Enquire
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at tcwf@gnu.ai.mit.edu
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1994 Daniel Bowen. May be freely distributed without
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profit provided no modifications are made.
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--
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Daniel Bowen, Melbourne, Australia--| Toxic Custard is a product of
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Work: dbowen@vcomtelc.telecom.com.au| Daniel's mind, and Daniel's
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Play: dbowen@gnu.ai.mit.edu---------| mind alone. Telecom have nothing
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TCWF: tcwf@gnu.ai.mit.edu-----------| to do with it. Lucky them.
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------------------------------------------------------------------------------
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the Toxic Custard Workshop Files by Daniel Bowen, Melbourne, Australia
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Copyright (c) 1994 Daniel Bowen. May be freely distributed
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without profit provided this notice remains intact.
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For subscription information, contact tcwf@gnu.ai.mit.edu
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