700 lines
41 KiB
Plaintext
700 lines
41 KiB
Plaintext
|
****************************************************************************
|
||
|
### # # ### ##### ## # # # ## ## # # ### ##### ## ### ###
|
||
|
# # # # # # # # # # # # # # # # # # # # # #
|
||
|
# #### ### # # # # # # # # # ## # #### ### # #
|
||
|
# # # # # # # # # # # # # # # # # # # # # #
|
||
|
# # # ### # ## # # # ## ## ## ### # # # # # ###
|
||
|
____________________________________________________________________________
|
||
|
|
||
|
# # ### #### # # #### # # ### #### ##### # # ##### ####
|
||
|
# # # # # # # # # # # # # # # # # # # #
|
||
|
# # # # # #### ### ### ##### # # #### ##### # # ##### ###
|
||
|
# # # # # # # # # # # # # # # # # # # #
|
||
|
### ### # # # # #### # # ### # # # ##### ##### ####
|
||
|
*****NUMBERS 126 TO 130***********BY DANIEL BOWEN (tcwf@gnu.ai.mit.edu)*****
|
||
|
|
||
|
|
||
|
"21st Century Toxic Custard"
|
||
|
|
||
|
___________ __________________ __________________
|
||
|
|TOXIC CUSTA| |Written by Daniel | |at he has. But he'|
|
||
|
|RD WORKSHOP| |__________ Bowen i| |s usua ___________|
|
||
|
|FILES - Num| __________|n one o| |lly ok|___________
|
||
|
|ber 126, 14| |f thos ___________| |ay onc _____ e he'|
|
||
|
|th of Decem| |e mome|___________ |s take|_____|n all|
|
||
|
|ber, 1992. | |nts of insanity th| |of his medication.|
|
||
|
|___________| |__________________| |__________________|
|
||
|
|
||
|
MRS IRENE BUSYBODY SPEAKS OUT ON...
|
||
|
Charity. The Brotherhood of St Lawrence sent around one of those
|
||
|
collection bags last week. So we put our used tinnies in it - they'll T
|
||
|
get a surprise when they pick it up on Monday morning! Now, don't think h
|
||
|
I'm unsympathetic to the poor, but it's their own fault - they're only e
|
||
|
poor because they don't have any money. They should cheat the dole like
|
||
|
everyone else. We managed to get Fred on an invalid pension, and he's Q
|
||
|
just thick. And that doesn't stop him working as a brickie most days u
|
||
|
Now, I know what you're thinking; you're thinking "old bitch, cheating e
|
||
|
the Social Security.." Well I have to. 'Cos taxes are so high. If we e
|
||
|
didn't cheat, we'd never have any money for smokes or booze. n
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
w
|
||
|
A WORD ABOUT TECHNOLOGY a
|
||
|
Never listen to any sales pitch that claims a miracle new "21st s
|
||
|
Century" device. It's bound to be crap. By the time that the 21st
|
||
|
century actually arrives, they'll be calling marvy new stuff "22nd i
|
||
|
century". The 21st century is nine years away, for heaven sakes. How n
|
||
|
insulted do you think we would be if back in 1983 they had been
|
||
|
claiming that the latest gadgets were "1990s technology"? Yes, the O
|
||
|
latest brand-new incredible 1990s technology- the Commodore 64 x
|
||
|
computer!!... the IBM PC-XT!!!... the incredible new VHS f
|
||
|
video-recorder! (with cord remote control!!!!)... o
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - r
|
||
|
d
|
||
|
This week a new Police Art Exhibition opens at the State Bank Centre
|
||
|
Galleria in Melbourne. Amongst the many creations on display by members y
|
||
|
of the police force are: e
|
||
|
- portrait of suspect climbing through house window s
|
||
|
- diagram of truck collision in South Road t
|
||
|
- montage image of wanted man Arnold Psychopath e
|
||
|
- cubist rendition of a bank hold-up r
|
||
|
- line sketch in chalk of corpse d
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - a
|
||
|
y
|
||
|
MR POPSICLE RETURNS - Part 8
|
||
|
t
|
||
|
Inspector Sideburn, substitute detective from the temp agency, had o
|
||
|
reached a dead-end in his hunt for the armed robbers. So he backed out
|
||
|
of the No Through Road and went back to the local police station to do o
|
||
|
somethingking in his office. Sideburn thought about the problem for a p
|
||
|
while, considered his promise to beat up some suspects by episode e
|
||
|
eight, and decided to get out of the office and go and find some n
|
||
|
suspects to beat up. A promise was a promise, after all. He had made
|
||
|
the pledge in the pub, the Chicken And Bucket, a few days ago, to the a
|
||
|
author, in an effort to ensure that the story kept moving.
|
||
|
In the Chicken And Bucket, there were rumblings. Not to mention two n
|
||
|
vomits, one collapse and no less than four drunken stupors. It was back e
|
||
|
here that Sideburn made his way, to hunt out a few criminal types, to w
|
||
|
get a drink, and most of all, to try and win back his money off that
|
||
|
damn poker machine. After collecting a dubious-looking beverage from m
|
||
|
the barman, he spied a likely-looking suspect: "Scar" Seymour, infamous a
|
||
|
for being a buddy of the nasty, a foe of the friendly, and loose of the r
|
||
|
bowel. r
|
||
|
Sideburn sidled his way over to Seymour and sat down next to him, i
|
||
|
taking care to hold his nose in the least obvious way possible. "Scar" a
|
||
|
Seymour let one of his killer glares loose in Sideburn's direction, but g
|
||
|
it flew past him and hit some poor bastard coming out of the gents'. e
|
||
|
"What the fucking hell do you fucking want, Sideburn, you fucking
|
||
|
cunt?" g
|
||
|
"Cut the pleasantries Scar. I'm here on business." u
|
||
|
"Oh yeah? Is that a fucking fact? Number ones or number twos?" i
|
||
|
Sideburn decided to show him which of the two, and picked up Scar d
|
||
|
by the lapels on his grey jacket and dragged him towards the toilet. a
|
||
|
The other patrons were quite used to this sort of thing, and hardly n
|
||
|
took any notice. After all, what people wanted to do in the toilet was c
|
||
|
their business, and anyway, the condom machine was fully stocked. e
|
||
|
But Sideburn had other matters on his mind this time, and he shoved
|
||
|
Scar into the toilet, into the unoccupied (and significantly less c
|
||
|
clean) cubicle and thence into the toilet bowl, before flushing. He e
|
||
|
muttered something about scum before dragging Scar back out and somehow n
|
||
|
squeezing his head into the clean and hygienic warm air hand-dryer for t
|
||
|
a few seconds. The auto-beam went into action, and Scar got an instant, r
|
||
|
and very bad, blow wave. e
|
||
|
Scar was quite shook-up by this, and became more placid. As one .
|
||
|
would.
|
||
|
"Now Scar, I think you know why I'm here."
|
||
|
"To fucking generally terrorise innocent crims and look tough in
|
||
|
your shitkickers?"
|
||
|
"Yeah. But stop swearing, will you? You're just going to shock the
|
||
|
readers."
|
||
|
"Oh c'mon, the fucking readers never get offended by this shit
|
||
|
anymore, it's all so fucking predictable."
|
||
|
"So gimme the info!"
|
||
|
"Look Sideburn, I never fucking touched those sheep. It was my twin
|
||
|
fucking brother.."
|
||
|
"Not that! The robbery. Who did it?"
|
||
|
"I dunno Mr Sideburn, fucking honest I don't."
|
||
|
"Oh yeah? Shall we see if that nose of yours likes the smell of the
|
||
|
urinal?"
|
||
|
"All right, all right! I heard Jake might be fucking around doing
|
||
|
something."
|
||
|
Sideburn smiled a smile so big you could see the three gaps in his
|
||
|
teeth. He thanked Scar for his trouble, tipped him ten cents, returned
|
||
|
to the bar, finished his drink, plus one more, plus another, plus one
|
||
|
for the road, staggered out and drove back to his office to sleep it
|
||
|
off. He slept long and snored loud, until he woke suddenly in episode
|
||
|
nine.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Join us next time for the '92 TCWF Christmas
|
||
|
Special! And if you'd like to give some poor
|
||
|
sod (or sodette) a special gift of a bunch
|
||
|
of TCWF back-issues, they're all available
|
||
|
by ftp. Reply to this message, or send mail
|
||
|
to tcwf@gnu.ai.mit.edu for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1992 Daniel Bowen.
|
||
|
--
|
||
|
Daniel Bowen, Monash University |
|
||
|
Melbourne, Australia------------| "We all live in a mellow submarine..."
|
||
|
daniel@yoyo.cc.monash.edu.au----| - The Jamaican Beatles
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu |
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
"Christmassssssy Toxic Custard"
|
||
|
|
||
|
|
||
|
T
|
||
|
O X
|
||
|
I C C
|
||
|
U S T A
|
||
|
R D W O R
|
||
|
K S H O P F
|
||
|
I L E S 1 2 7
|
||
|
2 1 s t O f D e
|
||
|
c e m b e r 1 9 9
|
||
|
2 W r i t t e n B y
|
||
|
D a n i e l B o w e n
|
||
|
|
|
||
|
#####
|
||
|
#####
|
||
|
|
||
|
Christmas comes but once a year
|
||
|
And just now, it is quite near
|
||
|
So get your shopping into gear
|
||
|
For all the rellies you hold dear
|
||
|
Or next time you will get mere
|
||
|
Socks and ties you'll never wear* *rotten rhyme, eh?
|
||
|
And year after year after year after year
|
||
|
Crap presents from all far and near
|
||
|
|
||
|
Christmas comes but once a year
|
||
|
And when it does, drink lots of beer
|
||
|
But don't get drunk and eat your ear
|
||
|
Or all your friends will no doubt jeer
|
||
|
So on second thoughts, forget the beer
|
||
|
Just fall asleep and you will hear
|
||
|
The sound of Santa and reindeer
|
||
|
Skulling all your nice cold beer
|
||
|
|
||
|
Christmas comes but once a year
|
||
|
But down in Oz it's downright weird
|
||
|
With sun, heat and roos, but no deer
|
||
|
No snow, ice or polar bears*
|
||
|
So how does Santa's sleigh get here?
|
||
|
The last line comes soon I fear
|
||
|
I don't know what to write, oh dear!
|
||
|
So I'll wimp out and mention Germaine Greer
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
THE TWELVE QUOTES OF CHRISTMAS
|
||
|
|
||
|
1. I hate Christmas. It's so bloody nice.
|
||
|
2. Who is this guy Noel, anyway?
|
||
|
3. Christmas is totally sexist. The tree is such a phallic symbol, and
|
||
|
Father Christmas is just symbolic of child-abusing fat uncles.
|
||
|
4. We've only got a flue; I hope Santa's been on a diet.
|
||
|
5. Whatever you want for Christmas, you're not getting it.
|
||
|
6. Boxing day is when you work your way through the house, throwing out
|
||
|
all the boxes.
|
||
|
7. Be looking out for that annual tv news story about the eccentric
|
||
|
Finnish bloke who rides around in a sleigh wearing a Father
|
||
|
Christmas outfit.
|
||
|
8. Christmas comes but once a year. If it came twice, then the
|
||
|
Christians would be confused. And the retailers would be
|
||
|
over the moon.
|
||
|
9. Australia isn't the ideal environment for sleighs. In Australia,
|
||
|
it's rumoured that Santa does his rounds in a milk truck.
|
||
|
Pulled by kangaroos. Flying, rather than bouncing, I presume.
|
||
|
10. The week after Christmas is to recover from Christmas dinner just
|
||
|
in time for the New Year's Eve parties.
|
||
|
11. Rudolph, will you and your nose stop showing off!
|
||
|
12. Excuse me driver, is this your sled? Have you got your reindeer
|
||
|
license handy?
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
THE TOXIC CUSTARD INTERVIEW
|
||
|
Yes folks, this time we've managed to track down that elusive man of the
|
||
|
moment, Mr Santa Claus. We looked up Claus in the phonebook, and we found...
|
||
|
S. M. Claus of Cheltenham, Victoria. Bet you never knew he lived downunder, eh?
|
||
|
Anyway, we gave him a buzz and asked if he was Santa Claus, and he said "No!
|
||
|
Bugger off, I'm just a distant cousin." But before he hung up in disgust, he
|
||
|
did give us the right number. So, we made sure we were signed up with the
|
||
|
Telecom North Pole Flexiplan, and gave him a ring. And here's what happened.
|
||
|
|
||
|
GOOD MORNING. CLAUS ENTERPRISES, YOU WANT 'EM, WE GIVE 'EM.
|
||
|
|
||
|
- Good morning. Is that Santa Claus?
|
||
|
|
||
|
NO, THIS IS CHIEF ELF FRED SPEAKING.
|
||
|
|
||
|
- Ah. Is Santa there please?
|
||
|
|
||
|
ERM.. I'LL JUST SEE. SHALL I SAY WHO'S CALLING?
|
||
|
|
||
|
- Just tell him it's Toxic Custard
|
||
|
|
||
|
SANTA! A MR. CUSTARD FOR YOU!... HE'S JUST COMING.
|
||
|
|
||
|
- Thank you.
|
||
|
|
||
|
YO, SANTA HERE. HOW YOU DOIN', MAN?
|
||
|
|
||
|
- Good morning Santa. Sorry to bother you at such an obviously busy time, but
|
||
|
we were wondering if we could interview.
|
||
|
|
||
|
WHAT IS UP MAN? YOU WANT TO WISH FOR SANTA TO BRING YOU SOMETIN'? YOU GO
|
||
|
THROUGH MY REQUESTS SECRETARY, PLEASE.
|
||
|
|
||
|
- No no, we actually wanted to know how you got the job.
|
||
|
|
||
|
WELL, I SAW THE POST ADVERTISED, AND I APPLIED, YOU KNOW? IT ISN'T OFTEN THAT
|
||
|
SOMETHING THIS PROMISING COMES ALONG. NICE LODGINGS... COMPANY SLEIGH... THE
|
||
|
CHANCE TO HHHHHHHO YOUR HEAD OFF... AND THE JOB ONLY TAKES ONE MONTH A YEAR.
|
||
|
WHAT MORE COULD YOU ASK FOR? NOW WHAT YOU DAMN CHILDREN WANT FOR CHRISTMAS? YOU
|
||
|
WANT A NEW GHETTO-BLASTER? I GOT SOME LOVELY WEED HERE FOR YOU, MAN.
|
||
|
|
||
|
|
||
|
|
||
|
+
|
||
|
=|= S E A S O N S G R E E T I N G S
|
||
|
Copyright (c) 1992 Daniel Bowen. ==|==
|
||
|
-- ===|=== or, re-arranged,
|
||
|
Daniel Bowen, Monash University | ====|====
|
||
|
Melbourne, Australia------------| | S E E G I A N T N O S E S (rg)
|
||
|
daniel@yoyo.cc.monash.edu.au----| #####
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu | #####
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
"Nevesforewopehtotowt Toxic Custard"
|
||
|
|
||
|
|
||
|
F A R E W E L L T O
|
||
|
****** ****
|
||
|
***************** ***************
|
||
|
************************ **********************
|
||
|
****** ********** ******** ***********
|
||
|
***** ********* ******* **********
|
||
|
****** ******** **********
|
||
|
****** ********* **********
|
||
|
****** ********** **********
|
||
|
****** ********** **********
|
||
|
********** *********** **********
|
||
|
************************* **********
|
||
|
******************* **********
|
||
|
*********** ***********
|
||
|
*********** *************
|
||
|
Toxic ********** ***********
|
||
|
Custard ********** *********
|
||
|
Workshop ********* *********
|
||
|
Files ******** *********
|
||
|
Number 128 ******* ******************************
|
||
|
28th of ******** *******************************
|
||
|
December ******* ********************************
|
||
|
|
||
|
|
||
|
Farewell to ninety-two
|
||
|
What a funny year it's been
|
||
|
With Windsor castle burnt to a crisp
|
||
|
And taxes for the Queen
|
||
|
|
||
|
While Charles and Di untied the knot
|
||
|
Anne re-tied her rope
|
||
|
But Fergie and that Texan guy
|
||
|
Just wanted a quick grope
|
||
|
|
||
|
America showed how it loved
|
||
|
To be ruled under Bush
|
||
|
Now all George can do is say
|
||
|
About the Contras, "Shhhh!"
|
||
|
|
||
|
Spaniards went Olympic mad
|
||
|
With all the usual stuff
|
||
|
S While much to Dan Quayle's dismay
|
||
|
o Murphy got up the duff
|
||
|
,
|
||
|
This state got a new gov'
|
||
|
w And I don't want to be rude
|
||
|
h But it now looks like we all have
|
||
|
a Been well and truly screwed
|
||
|
t
|
||
|
Batman flew, and flopped again,
|
||
|
w The Pope went under the knife
|
||
|
i Custard readers went without
|
||
|
l While I married my wife
|
||
|
l
|
||
|
They said the recession would end
|
||
|
h But they were wrong again
|
||
|
a Jobs down, deficit up
|
||
|
p *AND* those bloody late trains
|
||
|
p
|
||
|
e The USSR fell apart
|
||
|
n Toxikistan free at last
|
||
|
Yugoslavia tried the same trick
|
||
|
i Which was a complete blast
|
||
|
n
|
||
|
A Korean sect thought the world
|
||
|
' Had reached the apocalypse
|
||
|
9 The troops arrived in Somalia
|
||
|
3 And even shut up peaceniks
|
||
|
?
|
||
|
It's been a year both good and bad
|
||
|
W But don't despair, you see
|
||
|
e For all in all it can't be worse
|
||
|
l Than nineteen ninety-three!
|
||
|
l
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
h
|
||
|
o WARNING!
|
||
|
w DO NOT READ THIS NOTICE
|
||
|
|
||
|
s People who read this notice will be burnt alive in a cauldron of
|
||
|
h boiling oil, cut up into little pieces and fed to the alligators. But
|
||
|
o first, we'll torture these people. We'll be really nasty. We'll call
|
||
|
u them names. We'll subject them to endless poetry. And when they're
|
||
|
l really really sick of that, *then* we'll burn them alive.
|
||
|
d No! First, before we're really nasty to them, we'll be really nice
|
||
|
to them, just to make the nastiness that little bit more nasty. We'll
|
||
|
I give them cakes. We'll take them for picnics in the country. We'll give
|
||
|
them big parcels with fluffy teddy-bears inside. And *then* we'll be
|
||
|
k really nasty to them.
|
||
|
n But wait! Before we're really nice to them, we'll be impartial to
|
||
|
o them! We'll ignore them mercilessly. We'll pretend to be interested in
|
||
|
w what they're talking about, but actually pay no notice whatsoever.
|
||
|
? We'll contradict them, interrupt them, agree and then contradict them
|
||
|
again all in the same sentence. And *then* we'll be really nice to
|
||
|
- them.
|
||
|
|
||
|
I - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
'
|
||
|
m MR POPSICLE RETURNS - Part 9
|
||
|
|
||
|
n Inspector Sideburn had a name. Jake. It wasn't *his* name, it was a
|
||
|
o name he'd picked up in a pub toilet. Normally he protected himself
|
||
|
t against picking up things in toilets, but in this case, it was a name
|
||
|
he'd been looking for. Inspector Sideburn, you see, was hunting the
|
||
|
b culprits of an armed robbery which had been committed what seemed like
|
||
|
l a lifetime ago. And probably was. So, as the author munched his way
|
||
|
o through yet another Toblerone, Sideburn knew that this name would be
|
||
|
o handy.
|
||
|
d The name "Jake" was, Sideburn postulated, connected to the surname
|
||
|
y "McGiggin". Jake McGiggin was a well known person of criminal
|
||
|
tendencies, which in Sideburn's book, made him a villain. McGiggin was
|
||
|
N also owner of McGiggin's Rock Quarry ("We Love Getting Our Rocks Off").
|
||
|
o So Sideburn decided that he should go and discuss his suspicions,
|
||
|
s beliefs, worries, personal problems and possible solutions with
|
||
|
t McGiggin. Man to man. Or, allowing for suitable police back-up, man to
|
||
|
r man with half-a-dozen heavily armed colleagues. And he didn't mean
|
||
|
a fellow police officers with thick elbows.
|
||
|
d When Sideburn got to the quarry with his henchmen err colleagues,
|
||
|
a he found Mr McGiggin, and sat him down in the obligatory darkened
|
||
|
m office with one piercingly bright lamp to have a little chat. In fact
|
||
|
u Sideburn had brought along with him a special police van equipped with
|
||
|
s such an office. The Intimidating Room Module was a recent police
|
||
|
, development which had revolutionised interviews.
|
||
|
"Well Jake. I hear you've been up to a thing or two."
|
||
|
a "Err... yeah. Well, you know, I *did* buy a new dinner set for my
|
||
|
m mother-in-law's birthday. But I didn't think that was a criminal
|
||
|
offence no more, Mr Sideburn."
|
||
|
I "Shut up Jake. Now just listen. Stop playing games. Put the chess
|
||
|
? set away. I wanna know about the robbery."
|
||
|
"Robbery? What robbery?"
|
||
|
The interrogation err interview carried on like this for several
|
||
|
dozen more paragraphs. But as luck would have it, the readers were
|
||
|
spared of this, and picked up the story just as Sideburn left the
|
||
|
quarry, without a confession, without any evidence, but with a rather
|
||
|
bad mood, which he relieved by kicking the police station cat when he
|
||
|
got back.
|
||
|
He had to admit it - he just couldn't crack this case. It had him
|
||
|
bewildered. There were less leads to this case there were leads in a
|
||
|
pet shop at the end of "Take Your Dog For A Walk" week.
|
||
|
There was only one solution. One which would be predictable to
|
||
|
those readers more acquainted with the ways of these pathetic stories.
|
||
|
Call in the experts. They'd solve it. The pros. The Australian Royal
|
||
|
Security Establishment.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Yes, Popsicle finally makes an appearance
|
||
|
next week in Toxic Custard! But I still
|
||
|
wouldn't recommend holding your breath
|
||
|
until then, because you'll suffocate. For
|
||
|
details about olde Toxic Custard
|
||
|
Workshoppe Files, mail tcwf@gnu.ai.mit.edu
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1992 Daniel Bowen.
|
||
|
--
|
||
|
Daniel Bowen, Monash University | Good luck for the New Year, and try not to
|
||
|
Melbourne, Australia------------| get squished during the after-Christmas
|
||
|
daniel@yoyo.cc.monash.edu.au----| sales. Also try to avoid falling through
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu | glass doors, being trampled on the
|
||
|
escalators, but above all, GET THAT BARGAIN!
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
"Junk Toxic Custard Mail"
|
||
|
|
||
|
|
||
|
N Starting MONDAY!!! We present the COMPLETELY FUCKING
|
||
|
TOXIC RIDICULOUS PRICES sale! Bargains to be had by whoever
|
||
|
NUMBER has the most elbow power! [Limited stocks only]
|
||
|
FILES
|
||
|
TWENTY * shove your way to the Home Entertainment department
|
||
|
A for televisions only $50 each! [7 only!]
|
||
|
WORKSHOP
|
||
|
R D U B * wrestle into the Whitegoods department for big
|
||
|
I JANUARY fridges the sizes of houses with 60 compartments
|
||
|
T D each now only $200!!!! [5 only!]
|
||
|
T FOURTH
|
||
|
BOWEN N E * bayonet your way past the crowds into Furniture and
|
||
|
N E DANIEL be the only one in your street to have a $3000
|
||
|
N leather lounge suite for only $10! [5 only!]
|
||
|
D
|
||
|
* machine-gun everyone and you might have the chance
|
||
|
of grabbing full-scale working replica of the Space
|
||
|
Shuttle, at a never to be repeated price of only 50
|
||
|
cents!! [1 only!]
|
||
|
|
||
|
* shop your way into casualty! Break two legs and
|
||
|
get a third limb of your choice, free!
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
Oh wow man... I think I must have, like, died. That is, all my vibes
|
||
|
are like, being separated from my physical existence... I guess wearing S
|
||
|
that bike helmet would have been a pretty groovy thing to do after all. y
|
||
|
Whoa, spaced out, man.. this is quite a view... all sorts of colours d
|
||
|
and rainbow effects... Whoever's on this gig must have a Quantel. I n
|
||
|
never had a trip as groovy as this... Hey, my life just, like, flashed e
|
||
|
before me... wow, all those memories... my first pair of flares... tie- y
|
||
|
dying my shirts... tie-dying those socks... underwear... buying those -
|
||
|
groovy crystal spiritual fulfilment beads, man, what a bargain at only
|
||
|
$15 each... getting my first Donovan album (I dunno why God gave Jason t
|
||
|
Donovan the same name, man.. it's just not justice)... missing out on h
|
||
|
getting any chicks at Woodstock 'cos I was too shy, and didn't wanna e
|
||
|
sexually threaten them with chat-ups, and didn't know any chat-ups, and
|
||
|
was nine thousand miles away... Groovy... wide ties... hey, this is o
|
||
|
just last month! ... long collars... corduroy jackets, oh yeah, I love n
|
||
|
all that stuff... getting my first lecturing job at the arts faculty, l
|
||
|
yeah... ah, what a life... y
|
||
|
|
||
|
GOOD MORNING. c
|
||
|
i
|
||
|
Oh, hi man! I was just, like, relating to my environment, you know? t
|
||
|
y
|
||
|
DO YOU KNOW WHO I AM?
|
||
|
w
|
||
|
Well, judging from, like, your sort of red colour scheme, those bad h
|
||
|
karma horns and shit... you're... the devil? e
|
||
|
r
|
||
|
CORRECT. AND YOU, HIPPY, WILL SPEND ETERNAL DAMNATION AMONGST THE e
|
||
|
NEVER ENDING FLAMES IN THE PITS OF HELL. WITH ALL THE OTHER HIPPIES.
|
||
|
t
|
||
|
Yeah? Cool! h
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - e
|
||
|
|
||
|
MR POPSICLE RETURNS - Part 10 s
|
||
|
h
|
||
|
That's right, it was the part of the story that the readers (7 asylum o
|
||
|
inmates, 3 bored computer scientists, a kid waiting for some mould to p
|
||
|
grow, and an old sea captain with one leg living in a lighthouse who p
|
||
|
had nothing better to do) had been awaiting for no less than eleven e
|
||
|
weeks! The actual appearance of Mr Popsicle in a Popsicle adventure. (I r
|
||
|
would have labelled it "a Popsicle story", but it didn't sound dynamic, s
|
||
|
action-packed, and thrilling enough).
|
||
|
Yes, Inspector Sideburn had given up on his meagre resources and a
|
||
|
equally meagre brainpower finding the culprits to the big armoured car r
|
||
|
robbery, and had called in the Australian Royal Security Establishment. e
|
||
|
The ARSE was even now under threat from a Royal Commission, enquiring
|
||
|
as to whether it should have to change its name. Not in the interests m
|
||
|
of decency and seriousness mind you; just as a little bureaucratic o
|
||
|
exercise. All Australian government organisations are required by law r
|
||
|
to change their names at least once every ten years, to keep the e
|
||
|
alarmingly large Department of Namechangers operational. It is they at
|
||
|
the DoN that are responsible for designing and printing all the new d
|
||
|
stationery, logos (logoes?), moving offices, and all that other a
|
||
|
time-and-money wasting stuff that government departments do which n
|
||
|
completely confuses anyone who wants to ring up to find out which form g
|
||
|
they have to fill in for a heart transplant. e
|
||
|
Anyway, Mr Popsicle and Inspector Unnecessary-Violence of the r
|
||
|
(currently) ARSE arrived at Dung Hill Police Station in a fairly o
|
||
|
low-key way. u
|
||
|
Inspector Sideburn (who shall be known forthwith as Sideburn) s
|
||
|
greeted them in the lobby of the station, and was surprised to see that
|
||
|
Inspector Unnecessary-Violence (who shall be known forthwith as The t
|
||
|
Inspector, to save space in TCWF, and to prevent confusion between the h
|
||
|
two Inspectors; jeez, couldn't one of them have been a sergeant, or a a
|
||
|
superintendent?) was fairly drenched in blood, and appeared to have n
|
||
|
someone's arm hanging out of his top pocket.
|
||
|
"What happened to you? Riot?", asked Sideburn, quite reasonably t
|
||
|
under the circumstances. h
|
||
|
"Nah.. post-Christmas sales", replied the Inspector, trying e
|
||
|
gallantly but unsuccessfully to push the arm down into the pocket.
|
||
|
"What, crowd control?" N
|
||
|
"Nah.. I wanted to get one of those cheap tellies. Some bitch of an e
|
||
|
old lady got ahead of me on the escalator. Lucky I had my chainsaw with w
|
||
|
me."
|
||
|
They made their way to one of the many briefing rooms. Where they Y
|
||
|
were briefed. The details of the briefing aren't brief enough to be e
|
||
|
brought to you here, within the all too brief confines of this episode, a
|
||
|
so a brief briefing of the briefing will occur in the *next* episode. r
|
||
|
And make sure you're wearing your briefs. '
|
||
|
s
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
This has been a not-brief-enough episode of that E
|
||
|
briefly funny but now just plain dull written v
|
||
|
concept statement, the "Toxic Custard Workshop e
|
||
|
Files". Briefly, back-issues are available on
|
||
|
request. Brief details can be obtained for a r
|
||
|
brief time only from tcwf@gnu.ai.mit.edu e
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ srellev
|
||
|
Copyright (c) 1992 Daniel Bowen.
|
||
|
--
|
||
|
Daniel Bowen, Monash University, Melbourne, Australia---------------| ECONOMY
|
||
|
daniel@yoyo.cc.monash.edu.au--------TCWF stuff: tcwf@gnu.ai.mit.edu | SIGNATURE
|
||
|
|
||
|
Nominations are now being taken for the Inaugural TOXIC CUSTARD INTERNATIONAL
|
||
|
BASTARD OF THE YEAR AWARD (1992). The award will be presented in Toxic Custard
|
||
|
in a few weeks, to the individual person who is voted by readers to have been
|
||
|
the worst insufferable git during 1992. This award has been posthumously made
|
||
|
to Adolf Hitler for the years 1938 to 1945 inclusive. To nominate an
|
||
|
individual for the 1992 award, just reply to this mail, or send your
|
||
|
nomination to tcwf@gnu.ai.mit.edu by Friday 15th of January.
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
"Elvis don't read Toxic Custard"
|
||
|
|
||
|
___ __
|
||
|
TOXIC | / \ / \ 11th January 1992
|
||
|
CUSTARD | __/ | | Written by Daniel Bowen
|
||
|
WORKSHOP | \ | |
|
||
|
.................FILES...|..\___/...\__/.......................................
|
||
|
|
||
|
Let us make one thing clear. Elvis *is* dead. I should know - I
|
||
|
killed him. It was back in those heady days of the late seventies... You
|
||
|
know how it is, you're in the backyard of the block of flats, 'cos you're
|
||
|
only seven years old, playing cricket with a bunch of people you don't Y
|
||
|
like, but hey, they're the neighbourhood kids, so you have to play with i
|
||
|
them to keep up that illusion of peaceful coexistence.. Inevitably some k
|
||
|
smart-arse with the cricket bat, who probably *owns* the cricket bat (so e
|
||
|
in other words, he makes the rules), manages to hit the small soggy grey s
|
||
|
tennis ball (it was dry and yellowish one summer three years ago) flying ,
|
||
|
over the fence.
|
||
|
So, after much arguing, you're bullied into going to get the ball by I
|
||
|
the bully, who has swiped the bat and is swiping most of the other kids
|
||
|
with it... and you don't want to end up in intensive care... which is t
|
||
|
where you think you'll end up if you don't get the ball back pronto... so h
|
||
|
you climb the old rickety wooden fence, picking up about five splinters i
|
||
|
in the process, into the overgrown garden next door. n
|
||
|
You know it's overgrown, because at that age, the grass comes up to k
|
||
|
your neck. And you've seen those stupid wildlife shows talking about
|
||
|
snakes living in long grass, so you're scared shitless of being strangled t
|
||
|
by a python, or bitten by a tiger snake, and you're wishing you hadn't h
|
||
|
worn shorts today, even though it's forty degrees in the shade. e
|
||
|
You see movement ten feet to your left, somewhere in the grass, and
|
||
|
you spot the tennis ball, no doubt displaced for a moment by a passing r
|
||
|
snake. So, grabbing a nearby hanging branch from one of those lethal i
|
||
|
looking plum trees that looks like it would stick two dozen thorns in you g
|
||
|
if you even considered climbing it, you edge your way to where you h
|
||
|
thought you last saw the ball. And all the time, behind you, six pairs of t
|
||
|
eyes edge their way over the fence, looking for any movement from the -
|
||
|
house that the garden is attached to. h
|
||
|
The ball is there. You reach for it carefully, wary of any poisonous a
|
||
|
snakes or spiders, or wild animals like leopards or cheetahs which may at n
|
||
|
any moment leap out at you and tear you to pieces. Such are the fears of d
|
||
|
little kids. You throw the ball back over the fence, and start to run to
|
||
|
safety, when the worst possible thing happens. The back door of the house m
|
||
|
runs, and the grumpy fat man who lives there comes out. And he says: a
|
||
|
"Son. Whatcha doin'?" r
|
||
|
"Just getting our ball back, Mr Presley." g
|
||
|
"Son. Now that ball was flyin' over my grass... Now... I want that i
|
||
|
ball." n
|
||
|
And he starts to waddle forward, and you're terrified, and all your
|
||
|
friends are yelling "Come here, come on!"... and you run back to the i
|
||
|
fence, throwing your stick away, and start to scramble over. s
|
||
|
What do I hear behind me as I climb the fence? Oh God, the stick has
|
||
|
flown into Mr Presley's head and implanted itself in his brain! And now a t
|
||
|
big snake has leapt out of the tree and is strangling him! And blood is r
|
||
|
spurting out everywhere, and he's screaming garbled words, "Are you y
|
||
|
lonesome, but lay off of my blue seude party at the county jail..." and i
|
||
|
so on. n
|
||
|
So we all ran for our lives. Back over the fence, Mr Presley came to g
|
||
|
a rather unpleasant end. And we always played cricket in the *front*
|
||
|
garden of the block after that. And we never went after wall-leaping t
|
||
|
tennis balls ever again. Well, it could happen to anyone, couldn't it. o
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
i
|
||
|
MR POPSICLE RETURNS - Part 11: The Briefing n
|
||
|
v
|
||
|
Inspector Sideburn, who was getting sick of this case, was handing it a
|
||
|
over to newly arrived Mr Popsicle and Inspector Unnecessary-Violence of d
|
||
|
the Australian Royal Security Establishment. The case, which was e
|
||
|
beautifully leather covered with lovely brass locks, had been annoying
|
||
|
Sideburn since the very early episodes. He just never seemed to get t
|
||
|
anywhere with the case. After a while he had realised that this was just h
|
||
|
how the author had written this story, but it still annoyed him somewhat. i
|
||
|
It annoyed Inspector Unnecessary-Violence somewhat too. He'd been s
|
||
|
doing something very enjoyable before being interrupted for this case. He
|
||
|
couldn't remember what he had been doing, but he was quite sure it had s
|
||
|
been fun. p
|
||
|
Popsicle was less annoyed. Although he'd been watching Drop The Dead a
|
||
|
Donkey when called up for this, he usually looked forward to new and c
|
||
|
challenging investigations with relish, mustard, and a couple of pickles. e
|
||
|
So, in the briefing room of Dung Hill Police Station, which was one .
|
||
|
of the best rooms in the building for a briefing, the briefing began.
|
||
|
Sideburn, with the aid of complicated diagrams of the crime scene, I
|
||
|
lots of glossy 8x10" photos with a label on the back of each one, and t
|
||
|
numerous bags full of evidence, explained the whole story for the benefit '
|
||
|
of the ARSE team, and for any readers who might have forgotten the s
|
||
|
original plot.
|
||
|
"While the traffic lights were fiddled with to stop the armoured d
|
||
|
truck, a huge gun was waved in the faces of the driving guards, who e
|
||
|
opened the door of the van." f
|
||
|
"An inside job then?" suggested Inspector Unnecessary-Violence. i
|
||
|
"Why do you say that?" n
|
||
|
"Oh, I don't know. It just seemed like an intelligent thing to say." i
|
||
|
"Erm. Right", continued Sideburn. "We think they escaped on bicycles, t
|
||
|
but we lost them a couple of kilometres away, where the trail of dropped e
|
||
|
money stopped." l
|
||
|
"Leads?" asked Inspector Unnecessary-Violence. y
|
||
|
"Erm..." said Sideburn, looking half at him, half at Popsicle.
|
||
|
"Don't worry about him", said Popsicle, "he's been on a debriefing m
|
||
|
course: 'How to get 90% of the information at a briefing using just 7 key o
|
||
|
phrases'." v
|
||
|
"Forensic?" asked Inspector U-V. e
|
||
|
"Leads? Well, I did get a tip that Jake McGiggin might be involved. d
|
||
|
But if he was, he wouldn't tell me. Which I thought was quite reasonable,
|
||
|
in the circumstances", replied Sideburn, rubbing a bruise on his neck. s
|
||
|
"Any previous?" i
|
||
|
"Well Sideburn", interrupted Popsicle. "We'll see what we can do on n
|
||
|
this one. I think we may be able to show you a thing or two about solving c
|
||
|
crime, too. Anything else we need to know, Inspector?" e
|
||
|
"Witnesses? Reward posted? Informants?"
|
||
|
l
|
||
|
AND SO, WITH INSPECTOR UNNECESSARY-VIOLENCE STILL ASKING SHORT, QUICK a
|
||
|
QUESTIONS, AND NOT WAITING FOR ANY REPLY, WE LEAVE POPSICLE UNTIL NEXT s
|
||
|
WEEK, WHEN THE *REAL* MYSTERY BEGINS. HAVE A NICE WEEK. t
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
w
|
||
|
TOXIC CUSTARD *BASTARD OF THE YEAR* (BOTY) 1992 e
|
||
|
Keep those nominations flowing in! You have until this Friday, the 15th e
|
||
|
of January to put in nominations. The voting will begin next week. k
|
||
|
Nominations please to tcwf@gnu.ai.mit.edu (or reply to this mail). .
|
||
|
.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ .
|
||
|
Copyright (c) 1992 Daniel Bowen.
|
||
|
--
|
||
|
Daniel Bowen, Monash University |
|
||
|
Melbourne, Australia------------| Just when you thought it was safe
|
||
|
daniel@yoyo.cc.monash.edu.au----| to buy an atlas... CZECHOSLOVAKIA!!
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu |
|
||
|
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
|
||
|
the Toxic Custard Workshop Files by Daniel Bowen, Melbourne, Australia
|
||
|
|
||
|
Copyright (c) 1992, 1993. May be freely reproduced without profit
|
||
|
provided this notice remains intact.
|
||
|
|
||
|
For subscription information, contact tcwf@gnu.ai.mit.edu
|
||
|
|