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* T A Y L O R O L O G Y *
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* A Continuing Exploration of the Life and Death of William Desmond Taylor *
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* *
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* Issue 60 -- December 1997 Editor: Bruce Long bruce@asu.edu *
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* TAYLOROLOGY may be freely distributed *
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CONTENTS OF THIS ISSUE:
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Reporting the Taylor Murder: Day Two
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What is TAYLOROLOGY?
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TAYLOROLOGY is a newsletter focusing on the life and death of William Desmond
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Taylor, a top Paramount film director in early Hollywood who was shot to
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death on February 1, 1922. His unsolved murder was one of Hollywood's major
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scandals. This newsletter will deal with: (a) The facts of Taylor's life;
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(b) The facts and rumors of Taylor's murder; (c) The impact of the Taylor
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murder on Hollywood and the nation; (d) Taylor's associates and the Hollywood
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silent film industry in which Taylor worked. Primary emphasis will be given
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toward reprinting, referencing and analyzing source material, and sifting it
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for accuracy.
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Reporting the Taylor Murder: Day Two
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Below are some highlights of the press reports published in the second day
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after Taylor's body was discovered.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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LOS ANGELES RECORD
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Police Corner Suspect in Taylor Murder
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Believe Solution of Slaying Near
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Detectives admitted late today that they had under surveillance a
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prominent young man who might possibly be linked with the murder of William
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Desmond Taylor, prominent motion picture director, who was found shot to
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death in his luxurious apartments at 404-B South Alvarado street.
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The detectives have been watching this mysterious man all day. They
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would not divulge his name, but said that they were confident that he may
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have had something to do with the shooting of Taylor. If he tries to leave
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town, it is said, he will be taken into custody.
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An expert gunsmith, whose name was not divulged, has offered his
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services to Captain of Detectives David Adams. He is to take the bullet
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which was extracted from Taylor's body and by examination tell what kind of
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gun was used.
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The inquest will be held at 10 a.m. tomorrow, it was announced late
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today. The inquest was originally scheduled to be held at 1:30 p.m.
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Two witnesses, who were questioned today, and said to be very prominent
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in the motion picture world, declared they saw two men, one of whom answered
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the description of Edward Sands, loitering about the Taylor home some time
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before the shooting.
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The time of the shooting has been placed at between 7:45 p.m. and 8:15.
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Taylor's chauffeur told the detectives that he tried to call his employer at
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8:15 on the night of the murder, and was unable to get him. He said he
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assumed that the director had stepped out.
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Detectives today were known to be quietly seeking a young New York
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broker, whose identity is being kept secret, to question him in an effort to
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bring to light more facts about the murder.
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This young man is said to have been prominent in movie society.
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He is described as a friend of a prominent movie actress.
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He came from the east, according to the story which detectives are
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investigating, shortly after the actress returned from a trip to New York,
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which she made some months ago.
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Detectives gave no intimation of what light they believed he might
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possibly shed on the mysterious slaying...
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Police detectives are concentrating today on the theory that Taylor
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probably was murdered by a "love killer"--a man who resented Taylor's
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attention to some woman...
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A guest in the Dumas home next to Taylor said he saw two men last Monday
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night in the court yard. The men, the guest said, went to the door of
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Taylor's home, tried the door with a key, then walked away. One of these
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men, the police believe, is probably the murderer.
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Taylor's colored valet, Harry [sic] Peavey, who found the body, said
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that on several occasions Taylor had been annoyed by mysterious persons
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walking around his house. He said that on one occasion he asked Taylor why
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he didn't carry his gun.
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"Somebody is liable to walk up those stairs when you're in your
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bedroom," he said he told Taylor, "and hold you up."
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"No, he won't," Peavey said Taylor replied. "I keep my gun on the
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bureau, and if I hear anyone walking up those stairs and he doesn't answer
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when I call him, he's a goner."
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Peavey said Taylor did drive away these nocturnal visitors on several
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occasions at the point of a gun....
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The newest clues, vague, but showing possibilities of untangling the
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mystery point to two or more unrequited loves for the murdered man. These
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women, beautiful, young and prominent, are said to have displayed affections
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for Taylor, who it is reported did not reciprocate. Tips over the telephone
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and by letter have come to the police station regarding the mystery slaying.
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So many angles of this case have developed that it is difficult to find any
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tangible clue that would lead to the discovery of the assassin....
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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Linton Wells
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LOS ANGELES RECORD
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"Never Any Love Affair"
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So Says Mabel Normand
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"If I had been engaged to marry Mr. Taylor, I would be only too proud to
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acknowledge it."
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In such manner did Miss Mabel Normand, movie star, reiterate to me her
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denial of any engagement with William D. Taylor, the director, who was
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murdered Wednesday evening.
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Tears were in Miss Normand's eyes, her lithe body quivered and shook.
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She was under a terrible nervous strain. Her voice quavered and broke while
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she spoke of the dead man.
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"I had known Mr. Taylor for years," she continued, "ever since I've
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lived at the Buckingham, but there never was any love affair existing between
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us--ever!"
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"I loved Mr. Taylor as a good comrade--a pal with whom I could discuss
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subjects in which we were both mutually interested. For instance, I had been
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studying French and Mr. Taylor, who spoke French fluently, helped me
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tremendously. And, too, I have been somewhat interested in philosophy and
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metaphysics, and in those subjects he was again an invaluable teacher.
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"I seldom saw Mr. Taylor, it's true, except at a gathering of friends.
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But frequently I conversed with him over the telephone. As a general rule
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merely to ask certain questions regarding the subjects I just mentioned.
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"Wednesday evening was the first time I ever called upon Mr. Taylor
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alone. Then I stopped in for a few minutes on my way home in response to a
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message from Mr. Taylor left with my secretary. The message stated that Mr.
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Taylor already had sent one book I wanted to the house and had purchased
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another--one I wanted particularly--and had it at his place. It was for that
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book that I stopped by.
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"I arrived about 7 o'clock and left at 7:45. He accompanied me to my
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car and talked to me a few minutes, laughingly criticizing my literary taste;
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there was a copy of the Police Gazette in the car and he thought it didn't
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very well fit in with Freud and Nietsche.
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"After saying good night and promising to phone me within an hour, I
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directed William, my chauffeur, to drive me home. Being tired and having a
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studio call at 7:30 next morning, I retired to my room and within a few
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minutes I was in bed, where I had dinner served to me. That was about 8:15.
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Then I dropped off to sleep and slept until Edna Purviance phoned me the
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following morning the news of Mr. Taylor's death.
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"Did I know that Mr. Taylor had been married? No. I don't know now
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that he was. People had told me, but I don't know if it was true. Mr.
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Taylor never discussed with me his private affairs; there was no reason for
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his doing so.
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"I am so terribly shocked over this horrible tragedy I don't know what
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to do or say. It doesn't seem possible that anyone so lovable--a man who had
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so many friends and not a known enemy could have been so brutally killed.
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"My one wish is that the murderer be apprehended and that punishment,
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however horrible, be meeted out to him."
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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Eleanor M. Barnes
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LOS ANGELES RECORD
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No, I Wasn't Engaged
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Star Talks of Slain Man
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"No, I never was engaged to marry William Desmond Taylor, I regret to
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say.
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"No, I was not at his home on the night he was murdered. I was at my
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home reading a book.
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"I had seen very little of him since we returned from Europe a year ago.
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"He didn't have an enemy in the world.
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"I am positive he was never married, because he would have told me so if
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he was.
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"I love little Mabel Normand and I want the whole world to know that I
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love her, and appreciate her sterling qualities."
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These were the outstanding statements regarding the mysterious murder of
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her former director, William Desmond Taylor, made by pretty Mary Miles Minter
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in an interview at her home last night.
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Curled up before the fireplace of her quaint adobe home with its soft
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lights and Spanish furnishings, the lovely blonde star was the center of an
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interested group of newspaper folk, who wished to employ her aid in solving
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the murder of the man so brutally slain.
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Miss Minter has a cold. She was exposed to a cold water bath in the
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filming of a picture last week, and is recuperating from her experience. But
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in an attractive dark frock that set off her blonde beauty and with golden
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hair, she was a pretty picture sitting before the crackling flames.
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Never in her varied but successful career has the screen star figured in
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a more interesting story than the one in which her former director lost his
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life. Miss Minter wants to help clear up the mystery and do all in her power
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to bring the slayer to justice.
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"I could use every praiseworthy adjective in the English language to
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describe him," she said, "and still could not explain to you what a wonderful
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man he was.
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"I had never met a man like him. He was loved by everyone who knew him.
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You just couldn't help trusting him.
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"And everyone who ever had business dealings with him appreciated his
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kindness, consideration for others, his generosity.
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"Just think," the star broke down, "here I was home, reading a book--
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enjoying it so much--and he was lying there in his apartment, stone dead.
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"Oh, I cannot believe that he has been murdered!
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"Why, I went to his house this morning--mamma and I (pointing to her
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charming grandmother, Mrs. Mary Miles)--I always call grandma 'mamma' and
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mother 'mother'--and I couldn't believe he was dead!
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"I loved him--of course not as--well, you know--but I loved him
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devotedly. He looked upon me more or less as a child, don't you know. And,
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although I saw a great deal of him before I went to Europe, after we got back
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we couldn't drag him away from his work, could we, mother?" the star asked
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her youthful parent, Mrs. Selby [sic], who smiled indulgently upon her pretty
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daughter.
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"No," said Mrs. Selby, "he was more a hard worker. Really, he was more
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interested in his business than anything else.
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"Do you know where his ex-wife and daughter are?" Miss Minter was asked.
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Miss Minter's violet colored eyes flashed fire.
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"Why he had no wife--he was never married. I'm positive of that!" she
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replied.
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"But, maybe Mary, he didn't tell you he was married," broke in Mother.
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"But mother, I knew him so well--I am sure he wasn't married. I asked
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him if he was, and he told me no.
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"I don't think he was interested in women particularly," said the star.
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"I never was engaged to marry him--no, it wouldn't be fair to say that I was.
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Of course," she laughed, "every once in a while someone has me engaged to
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someone--they've had me engaged to eight men this year.
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"You see he was nearly 50 years old--and although if I loved him and he
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was 75 I would marry him--but oh, no, there was nothing to that."
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"Had you heard of a romance between Mabel Normand and Mr. Taylor?" Miss
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Minter was asked.
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"No, I hadn't," she said, "but I don't think there was anything to that.
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If it is true that he had asked to marry her, well I am glad that he and
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Mabel were such good friends. Mabel is a lovely girl. She is frank--if she
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wants to do anything she does it--that's why I admire Mabel.
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"And she is big-hearted and noble of character. I love Mabel Normand."
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"When did you see Mr. Taylor last?" the actress was asked.
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"Let's see," she pondered. "I hadn't seen dear old Mr. Taylor since
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before Christmas. In fact, I hadn't seen him in a year. Oh, yes, we passed
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him on the boulevard yesterday --just think, it was a few hours before he was
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murdered."
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Miss Minter was almost in tears.
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"Have they found his former valet?" she asked suddenly. She intimated
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that she believed Edward F. Sands was the villain, but she said: "It would be
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unfair to accuse anyone of the crime. Maybe a crank or some demented person
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committed it. Did you see 'The Bat' at the Mason? There is a mystery story
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that would thrill you. You would sit on the edge of the seat while it is
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showing. I saw it in New York."
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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LOS ANGELES RECORD
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Hot Murder Clue Proves a Fizzle
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Another tip in connection with the Taylor murder mystery "blew up" at
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noon today.
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It was the clue that Edward Sands, former secretary and valet for the
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murdered man, was being held at the city jail.
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Upon investigation it was found that a Sands was in jail, but that his
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name is Edward W. Sands.
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He was arrested for petty larceny at a downtown department store and
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sentenced to serve 30 days in the city jail.
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Sands was given probation several years ago by Judge Craig after his
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conviction on a charge of grand larceny in connection with the alleged theft
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of automobile tires. He is now held at the county jail pending a hearing in
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Judge Reeve's court for violation of parole.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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OAKLAND POST-DISPATCH
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William D. Taylor, whose murder at Hollywood has shaken the screen world
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to almost as great an extent as the trial of Roscoe "Fatty" Arbuckle, was an
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Oakland visitor two years ago.
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Taylor and Mary Miles Minter, whom he was directing, came here at that
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time for Realart. Both the screen star and her director were guests of the
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Ad Club at that time. Miss Minter made two appearances at a local theater.
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The director's interest in Miss Minter was that of a father. He watched
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her movements, refused to allow her to walk from the Hotel Oakland entrance
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to a waiting automobile until the rain had subsided; guarded her against
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admirers when she was obliged to force her way through a crowded theater
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lobby and once, when they were seated and witnessing one of Miss Minter's own
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pictures, refused to allow other members of the party to disturb her with
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questions.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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LOS ANGELES RECORD
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Valet in Court on Vagrancy Charge
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Henry Peavey, 40, of 127 1/2 East Third street, who found the body of
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William D. Taylor, famous motion picture director, found murdered in his home
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at 404B South Alvarado street, was scheduled to go to police court yesterday
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afternoon to face a charge of social vagrancy. Peavey, according to
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Patrolman S. G. White, was arrested, charged with being lewd and dissolute in
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Westlake park a few hours before his employer was murdered. Taylor, it is
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said, bailed the negro out.
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His case was taken off the calendar after Taylor's death. No date was
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set for the trial.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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SAN FRANCISCO CALL
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Los Angeles--...The seven detectives who are most actively engaged in
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hunting the murderer told the International News Service it is one of the
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most baffling cases in the annals of the local police department. It was
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stated that a complete probe will be made of Taylor's past life in an effort
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to get behind the veil of mystery surrounding the case and bring the slayer
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to justice.
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"Wherever the trail leads, there will be detectives to follow," said one
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police official. "There will be no whitewashing of any person or any group
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of persons."
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One of the foremost moving picture actresses was scheduled to be
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questioned late today regarding her asserted love for Taylor. While no
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suspicion rests on the woman, the police say, she may be able to throw a
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direct ray of light on some asserted love tangle in which Taylor may have
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been a principal.
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Among the various phases of the investigation was a report that Taylor
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had attended several so-called "snow" parties, at which narcotics were served
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from tea wagons, for the purpose of obtaining local color for some of his
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pictures. The slaying, one detective pointed out, may have been an aftermath
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of such a party.
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Weird narratives of a mystic love cult also entered into the
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investigation when reports to the police linked Taylor's name with the
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strange life of the cult leaders.
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The weird love which was said to have existed as a part of the cult may
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have inspired one of the members to have caused Taylor's death, according to
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another detective who spent considerable time in delving into the mysticisms
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and entanglements of the asserted coterie...
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One of Taylor's closest friends, and a former business associate, told
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the International News Service this afternoon that he has arrived at the
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conclusion the director was killed at the instigation of a woman.
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"I have been in touch with the police for 24 hours," said this man, "and
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I know the theories on which they have been working. They have now arrived
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at the belief he was murdered in a vengeance plot.
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"I know Taylor was very friendly with one woman screen star. He gave
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her a farewell party last summer before he went to Europe. He took her to
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the Writers' Cramp, a notable entertainment recently given for the
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celebrities of 'movie' colony.
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"The director and I had many conversations of a personal nature. But he
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was more or less of a man of mystery. I do not know that he had been
|
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friendly in recent months with any woman other than the screen actress, but
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it seems likely to me that a man of his engaging personality and magnetic
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|
charm should have attracted a number of women.
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|
"Since I am positive that he had no business enemies, I am inclined to
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believe a woman's hand was at the bottom of it all and that the man who fired
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the shot was paid to do it."
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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February 3, 1922
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LONG BEACH TELEGRAM
|
||
|
...The detectives sent into Hollywood to run down the slayer of Taylor
|
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|
were instructed to overlook no whisper of gossip that might bring the answer
|
||
|
to the riddle of death. They were told to inquire especially, it was stated,
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|
about a recent "party" where dope, ether, cocaine and morphine took the place
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of wine and whisky. The party ended in a savage brawl, it was declared, in
|
||
|
which two infuriated women attacked each other and fought as men fight until
|
||
|
their clothes were ripped off. Both of them, the report insists, were
|
||
|
prominent actresses, whose names are known to the police. They were to be
|
||
|
questioned during the day.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 3, 1922
|
||
|
LOS ANGELES HERALD
|
||
|
...Police said today that the arrest of a mystery man seen loitering in
|
||
|
the vicinity of the Taylor residence about the time of the murder was
|
||
|
believed near. This man, seen by many persons, was suspected of having
|
||
|
killed Taylor because of jealousy. It was believed that the man under
|
||
|
suspicion was intimate with some woman friend of the slain director...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 3, 1922
|
||
|
Wallace Smith
|
||
|
WISCONSIN NEWS
|
||
|
Los Angeles--...Three main theories were built by the police:
|
||
|
1--That Taylor was slain by a jealous woman or one whom he had enraged.
|
||
|
2--That a cast-off lover of some woman with whom Taylor had been
|
||
|
friendly had sought this means of revenge.
|
||
|
3--That a hired assassin made his way into the Taylor home as Taylor
|
||
|
took Miss Normand to her automobile.
|
||
|
It was on these theories broadly that the police were working. Armed
|
||
|
with them, they took up the murderer's trail in the gay set of the moving
|
||
|
picture world--the fast clique whose "secret" orgies and debaucheries are
|
||
|
scarcely secret.
|
||
|
Taylor was popular and, the police declare, it would have been almost
|
||
|
impossible for him to avoid these wild "parties" even if he took no part in
|
||
|
the mad dissipations and excesses. In fact, it was reported that he had
|
||
|
escorted several women to these affairs.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 3, 1922
|
||
|
LOS ANGELES EXPRESS
|
||
|
|
||
|
Two Film Actresses and Two Men are Linked with Taylor Murder by Police
|
||
|
|
||
|
The names of two young film actresses and a man who has so far not
|
||
|
figured in the case were linked by the police today in their investigation
|
||
|
into the slaying of William Desmond Taylor, noted film director. The names
|
||
|
of these persons are for the time being withheld by the police. The man,
|
||
|
however, is known to have had a bitter quarrel with Taylor within the last
|
||
|
month. He is under surveillance.
|
||
|
Another man, who has already been questioned by the police, is also
|
||
|
being watched and may again be quizzed before dawn tomorrow. The police are
|
||
|
convinced that he has not told all he may know of circumstances surrounding
|
||
|
the case.
|
||
|
These facts are the outstanding ones today in the now famous murder
|
||
|
mystery, known in police circles as the Taylor murder. It is calling forth
|
||
|
the best efforts of seven detective sergeants, and many plainclothes
|
||
|
officers.
|
||
|
Subpenas for more than a half score of film stars and men prominent in
|
||
|
the motion picture industry were served by police detectives today for the
|
||
|
inquest at 1:30 o'clock tomorrow afternoon over the body of Taylor.
|
||
|
Among those who will testify will be Mary Miles Minter, Douglas MacLean,
|
||
|
Mabel Normand, Edna Purviance, Charles Eyton, Mrs. Douglas MacLean and Mrs.
|
||
|
Julia Crawford Ivers.
|
||
|
The inquest will be conducted by Coroner Nance and his chief assistant,
|
||
|
William McDonald, in the mortuary of the Ivy H. Overholtzer undertaking
|
||
|
establishment.
|
||
|
Directly after Detective Sergeants Ziegler and Walls had left with the
|
||
|
subpenas, Detective Sergeants Wood, Murphy, Herman Cline, Winn, Cato and
|
||
|
Cahill left for separate places to run down clues that had been sent to
|
||
|
Detective Capt. Dave Adams within the last 12 hours.
|
||
|
These officers were to meet late today to report to Captain Adams the
|
||
|
results of their quests. In the meantime it is known that two of the
|
||
|
officers were questioning closely Taylor's chauffeur, in an effort to learn
|
||
|
the places he had taken the film director during the last few weeks that
|
||
|
might reveal some clew as to the identity of possible enemies...
|
||
|
One important fact was brought out by Detective Sergeant Herman Cline,
|
||
|
opening up theories of possible robbery as motive. It was known to several
|
||
|
friends that on Wednesday Taylor had in his possession in gold and currency
|
||
|
$2300. He had intended putting this money in the bank the following day, but
|
||
|
for some unknown reason he visited the bank late Wednesday and deposited the
|
||
|
money.
|
||
|
It is the belief of Sergeant Cline that if robbery was the motive the
|
||
|
burglar after firing the shot became frightened that the noise might have
|
||
|
aroused some persons in the neighborhood, and fled without attempting to
|
||
|
steal anything...
|
||
|
Several things have been discovered in Taylor's past, the officers say,
|
||
|
that may assist in solving the mystery. The police today were close on the
|
||
|
trail of a man who three hours before the murder made inquiries in the
|
||
|
neighborhood as to the location of Taylor's home...
|
||
|
Taylor was a man who possessed great nerve and coolness under any
|
||
|
circumstances. Friends say he probably would have refused to obey the order
|
||
|
of a burglar to hold up his hands. Such being the case, it is possible
|
||
|
according to the robbery theory that the burglar fired the one shot that
|
||
|
ended the man's life...
|
||
|
An investigation was also put under way to determine whether or not the
|
||
|
mysterious telephone calls frequently received by Taylor might lead to the
|
||
|
identity of the murderer. The director, his friends say, often told of the
|
||
|
calls in the night. When he answered there was no answer, it is said.
|
||
|
This phase of the situation, however, the police believe, indicates that
|
||
|
some one laid careful plans for the murder of the director and had long borne
|
||
|
a grudge against him...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 3, 1922
|
||
|
LONG BEACH PRESS
|
||
|
Normand Called as Witness
|
||
|
Love Rival Shot Film Genius
|
||
|
|
||
|
"Some one will be under arrest before nightfall, charged with the murder
|
||
|
of William D. Taylor."
|
||
|
This was the positive assertion here today of Detective Captain David L.
|
||
|
Adams, directing a corps of operatives attempting to solve the murder mystery
|
||
|
which has almost completely paralyzed the movie world.
|
||
|
It was rumored throughout Hollywood today that police had established
|
||
|
jealousy as the motive for the murder of the veteran director, and were
|
||
|
looking for a man said to have expressed a deep-rooted hatred for Mr. Taylor
|
||
|
because of the latter's attentions to a woman...
|
||
|
The "wanted" man is said to have invaded Taylor's beautiful bungalow at
|
||
|
Westlake Terrace Court on several occasions, and to have been driven away
|
||
|
each time at the point of a revolver...
|
||
|
Thursday morning the Terraces were awakened by the cries of Mr. Taylor's
|
||
|
colored man, Henry Peazy [sic]. Mr. and Mrs. MacLean, Miss Edna Purviance of
|
||
|
the Chaplin studios and others rushed into the Taylor bungalow and found its
|
||
|
owner stretched on the floor dead, with a bullet through his back. He had
|
||
|
been seated at a desk, facing a picture of Miss Normand, when an assassin
|
||
|
shot him from behind.
|
||
|
On a nearby tabouret was found glasses and a decanter containing gin and
|
||
|
orange juice. The fact that more than one of the glasses contained a bit of
|
||
|
orange juice in the bottom showed that Taylor had not been drinking by
|
||
|
himself. Newspapermen unearthed more liquor upstairs in Taylor's home,
|
||
|
before it was hurriedly removed by his friends...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LONDON TIMES
|
||
|
Feb. 3--...What the police regard as an important clue was discovered
|
||
|
this afternoon. Detectives are investigating "a dope party" given at
|
||
|
Hollywood recently, at which cocaine and other drugs were served instead of
|
||
|
drinks. Two women, both film actresses, stated that they quarreled over
|
||
|
Taylor and fought, ripping the clothes from each other's bodies. Taylor was
|
||
|
not present at the party. The police theory is that Taylor's murder was
|
||
|
contrived by one of the women, to whose advances he had refused to respond...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES TIMES
|
||
|
Woman Star New Focus in Taylor Death Case
|
||
|
Investigation of Murder Swings to Actress and Director,
|
||
|
While Ex-Secretary is Hunted
|
||
|
|
||
|
A motion picture actress whose name has thus far not been mentioned in
|
||
|
connection with the murder of William Desmond Taylor, famous film director,
|
||
|
late last night was the center of investigation of the combined forces of
|
||
|
detectives detailed to solve the mystery of the slaying. Mr. Taylor was shot
|
||
|
to death within a few minutes after Mabel Normand left his home last
|
||
|
Wednesday night.
|
||
|
For almost four hours the detectives closely questioned former employees
|
||
|
of Mr. Taylor in an endeavor to check details of their new theory of the
|
||
|
crime, which, they still believe, was inspired by a revenge motive with
|
||
|
jealousy as the probable cause.
|
||
|
Throughout the long questioning, which was conducted in the Detective
|
||
|
Bureau of Central Police Station, every attempt was made to find out all
|
||
|
facts regarding the past life and recent movements of Mr. Taylor.
|
||
|
His friendship with such prominent motion-picture stars as Mabel
|
||
|
Normand, Mary Miles Minter and Claire Windsor was discussed in detail. Many
|
||
|
new features of his life were disclosed during the examination of these
|
||
|
former employees.
|
||
|
With the motion-picture actress mentioned last night the name of a
|
||
|
director also was linked. The officers believe these two persons may be able
|
||
|
to aid materially in clearing up the case.
|
||
|
Throughout this investigation, however, efforts of the detectives were
|
||
|
also directed toward finding Edward F. sands, former secretary and who was
|
||
|
made defendant in a complaint in which Mr. Taylor charged him with forgery.
|
||
|
Sands was in Los Angeles, the police believe, both on the day of the shooting
|
||
|
and also the day before. Another witness saw him several days before the
|
||
|
crime, they say.
|
||
|
From Mrs. Earl Tiffany, wife of a former chauffeur of Mr. Taylor, it was
|
||
|
learned she saw Sands last Tuesday, the day before the shooting. This
|
||
|
meeting was in another part of the city, far removed from 404-B South
|
||
|
Alvarado street, where Mr. Taylor, shot in the back, was found Thursday
|
||
|
morning.
|
||
|
Another witness is said to have seen Sands on South Alvarado street the
|
||
|
night of the murder. These clews have caused the investigators to redouble
|
||
|
their efforts to find the former employee, because they believe he can throw
|
||
|
valuable light on the life of Mr. Taylor.
|
||
|
Earl Tiffany, who was chauffeur for Mr. Taylor until a short time after
|
||
|
Tiffany says he told Mr. Taylor he believed he would keep a record of the
|
||
|
trips on which he took him, also was questioned. Mr. Tiffany added many
|
||
|
clews to the few already in the possession of the detectives.
|
||
|
He related in detail, as he remembered the incidents, many supposed
|
||
|
facts concerning Mr. Taylor's friendship for Mary Miles Minter, film star
|
||
|
whom he formerly directed, then for Mabel Normand, also an actress, and
|
||
|
before either of them another woman whose activities are now being
|
||
|
investigated by the police.
|
||
|
After Mr. Tiffany was questioned, Harry Fellows, assistant director for
|
||
|
Mr. Taylor and brother of Howard Fellows, Mr. Taylor's last chauffeur, was
|
||
|
taken to the room with the detectives. He was closeted for a long time. In
|
||
|
the meanwhile his wife and sister-in-law waited impatiently outside for him.
|
||
|
Mr. Fellows is understood to have told the officers he could remember
|
||
|
few details that might aid them. He formerly was chauffeur fro Mr. Taylor,
|
||
|
but is asserted to have declared he could not recall the names of some of the
|
||
|
persons about whom the detectives wanted to know.
|
||
|
Mr. Tiffany was chauffeur for Mr. Taylor until last July. He had
|
||
|
considerable experience as a chauffeur for another prominent motion-picture
|
||
|
man during an exciting night just preceding an action for divorce filed by
|
||
|
the latter's wife.
|
||
|
Because of this experience, Mr. Tiffany says, he remarked to Mr. Taylor
|
||
|
one day that he believed he would keep a diary on the trips he made so that
|
||
|
he could know just where he went every day and would have record of it. Mr.
|
||
|
Taylor said nothing, Mr. Tiffany says, but in a fortnight told Mr. Tiffany he
|
||
|
would not require his services longer.
|
||
|
Mr. and Mrs. Tiffany, both of whom know Sands personally and are
|
||
|
familiar with his habits and opinions, believe he will be able to throw
|
||
|
little light on the case except inasmuch as Mr. Taylor's past life may aid in
|
||
|
solving the mystery.
|
||
|
In telling of the incidents in Mr. Taylor's life which he observed, Mr.
|
||
|
Tiffany said Mary Miles Minter formerly was a favored friend of Mr. Taylor.
|
||
|
No other girl appeared to enter into Mr. Taylor's attentions.
|
||
|
Later, a change came about, according to Mr. Tiffany, and on occasions
|
||
|
when Miss Minter called at the Taylor house, Sands told her Mr. Taylor was
|
||
|
not at home, when in fact, he was.
|
||
|
About this time Mabel Normand came in for more and more attention from
|
||
|
Mr. Taylor, the chauffeur's story continues. She was still the ruling
|
||
|
favorite among the friends of Mr. Taylor, when Mr. Tiffany left his employ.
|
||
|
In connection with this fact, Henry Peavey, negro houseman of the slain
|
||
|
man, and who was questioned by the police again yesterday, said Mr. Taylor
|
||
|
told him that if Miss Normand telephoned between 5 and 6 o'clock on the night
|
||
|
of the slaying he was home, but if anyone else called he was not.
|
||
|
Detective Sergeants Herman Cline, Winn, Murphy, Cato and Cahill, were
|
||
|
active in the further questioning that took place last night...
|
||
|
The name of Claire Windsor, motion-picture star who once was reported
|
||
|
engaged to Charlie Chaplin, was thrust into the investigation when it was
|
||
|
learned that she had been out riding and to a dinner with Mr. Taylor a week
|
||
|
or so before the murder. It was the first time she had ever been out with
|
||
|
him, her mother stated yesterday. The officers expressed a wish to ascertain
|
||
|
whether she knew of any possible enemies, but Miss Windsor could not be
|
||
|
located.
|
||
|
The Coroner's inquest will be held this morning at 10 o'clock at the Ivy
|
||
|
Overholtzer undertaking establishment. Several film celebrities have been
|
||
|
subpoenaed to appear at the inquest.
|
||
|
Mabel Normand, film actress, again was questioned by the police. No
|
||
|
additional information was obtained, it was stated. Miss Normand relating
|
||
|
again that she left Mr. Taylor's flat about 7:45 or 7:50 o'clock on the night
|
||
|
of the murder and that Mr. Taylor accompanied her to her automobile. In this
|
||
|
she was corroborated by her negro [sic] chauffeur, William Davis, also
|
||
|
subpoenaed for the inquest. Mr. Taylor was shot, the police believe, within
|
||
|
a very few minutes after Miss Normand left.
|
||
|
The District Attorney's office swung into action in the case when a
|
||
|
survey of the premises was made under the direction of Chief Dep. Dist.-Atty.
|
||
|
Doran. Investigators from that office also were working on the mystery.
|
||
|
Information was sought from Mary Miles Minter, a film-actress friend,
|
||
|
who rushed to the house, becoming almost hysterical when she confirmed the
|
||
|
report she had received Thursday morning that Mr. Taylor was murdered.
|
||
|
Little information of value was obtained from her.
|
||
|
The efforts to locate Miss Windsor yesterday assumed a peculiar turn.
|
||
|
At her home her mother stated Miss Windsor was out on location with Marshall
|
||
|
Neilan. At the studios of Mr. Neilan it was stated he was on location, but
|
||
|
that Miss Windsor was not.
|
||
|
Her mother said Miss Windsor had been with Mr. Taylor recently, but that
|
||
|
for the last week has been very busy on location, being compelled to work
|
||
|
late at night and into the early morning. For this reason she has been
|
||
|
sleeping at the studio, and had not been home except at rare intervals, she
|
||
|
stated.
|
||
|
Charles Maigne, director at the Lasky studio, was closeted for more than
|
||
|
an hour yesterday afternoon with Captain of Detectives Moffatt. The nature
|
||
|
of the conference was not divulged.
|
||
|
The motion-picture colony yesterday continued to seethe with the mystery
|
||
|
of how and why Mr. Taylor, one of the leading figures in the industry, was
|
||
|
murdered. Many rumors and reports connecting names of film stars in a way
|
||
|
tending to show they may know something of the motives of the slayer were
|
||
|
received during the day by the investigators...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES TIMES
|
||
|
Celebrities to be Witnesses
|
||
|
Taylor Inquest is Set for This Morning
|
||
|
|
||
|
Witnesses at the inquest will include many nationally known persons who
|
||
|
have been interviewed by police detectives concerning their knowledge of the
|
||
|
crime. Those subpoenaed yesterday by Detective Sergt. Jack Wallis include
|
||
|
the following:
|
||
|
Mabel Normand, one of the best-known comediennes in the motion-picture
|
||
|
profession and who was the last known person to have seen and talked with
|
||
|
Mr. Taylor before his death. She had visited his home to get a book he
|
||
|
had purchased for her and left his apartment only a few minutes before the
|
||
|
time of his murder.
|
||
|
Mrs. Douglas MacLean, wife of a widely known motion-picture star, whose
|
||
|
front door is only a few paces from Mr. Taylor's apartment. Mrs. MacLean,
|
||
|
upon hearing a shot, opened her door, looked out and saw a man leaving the
|
||
|
Taylor apartments. She is the only person who has given the investigators an
|
||
|
unquestioned first-hand description of the slayer.
|
||
|
Charles Eyton, general manager of the Famous Players-Lasky Corporation,
|
||
|
and the fourth husband of Kathlyn Williams, also a motion-picture star. Mr.
|
||
|
Eyton, a personal friend of the slain man, was one of the first persons to
|
||
|
arrive at the Taylor apartments and conducted an inventory of the murdered
|
||
|
man's property.
|
||
|
Verne Dumas, wealthy oil man, who also was one of the first neighbors to
|
||
|
enter the apartment.
|
||
|
William Davis, Miss Normand's chauffeur, who drove her to Mr. Taylor's
|
||
|
home. His story corroborates that of his employer.
|
||
|
Henry Peavey, colored servant employed by Mr. Taylor, who first
|
||
|
discovered the body and who will relate incidents pertaining to the finding
|
||
|
of the body.
|
||
|
Howard Fellows, chauffeur for Mr. Taylor, who is expected to corroborate
|
||
|
the time of the murder. Mr. Fellows visited the Taylor apartment at 8 p.m.
|
||
|
on the night of the crime and though the home was lighted in all rooms he
|
||
|
received no response at the door. He later called his employer on the
|
||
|
telephone but failed to arouse anybody.
|
||
|
E. J. Jessrund [sic], owner of the apartment occupied by Mr. Taylor and
|
||
|
a neighbor who was one of the first to respond to Peavey's cries of "murder."
|
||
|
Autopsy Surgeon Wagner, who will relate his findings in diagnosing the
|
||
|
cause of Mr. Taylor's death.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES TIMES
|
||
|
Suspect Taylor Feared Death
|
||
|
|
||
|
Did William D. Taylor, murdered film director of nation-wide fame, fear
|
||
|
the fate in store for him and take every precaution the last few days of his
|
||
|
life to surround his movements and whereabouts with utmost secrecy?
|
||
|
This was the question asked yesterday by the investigators in their
|
||
|
effort to reconstruct the circumstances that led to the slaying of the famous
|
||
|
director in his palatial flat on Alvarado street last Wednesday night.
|
||
|
A clew that led the officers to believe Taylor was uneasy about
|
||
|
something in the days immediately preceding the shooting, was given to
|
||
|
Detective Sergeants Cline, Murphy, Winn and Ziegler, yesterday, by Henry
|
||
|
Peavey, colored porter and housekeeper for Taylor.
|
||
|
Peavey was taken to the detective bureau of Central Police Station
|
||
|
yesterday afternoon and there questioned by the officers on the case. His
|
||
|
examination followed that of Howard Fellows, chauffeur for Mr. Taylor, and
|
||
|
from information obtained by the officers from the two men, who knew intimate
|
||
|
details of the slain film man's life, the officers obtained important tips.
|
||
|
The most significant part of the new statement made by Peavey yesterday
|
||
|
was that Taylor left the house on a mysterious call Wednesday afternoon,
|
||
|
leaving the automobile behind.
|
||
|
"Mr. Taylor left the house about 5 o'clock, saying he wanted to walk,
|
||
|
and leaving strict orders not to answer any telephone inquiries to the house
|
||
|
with one exception," said Peavey.
|
||
|
"He said that if Miss Normand called to tell her he would be back after
|
||
|
6 o'clock, but instructed me to tell everyone else he was out and that I did
|
||
|
not know where he was or when he would be back."
|
||
|
From the few papers and documents obtained by them at the Taylor flat,
|
||
|
the officers working on the case yesterday sought to glean, if possible, some
|
||
|
clew as to where Taylor went when he left the house Wednesday afternoon.
|
||
|
Names and addresses, recorded by Mr. Taylor, of a number of well-known
|
||
|
persons in the film world and in business circles here are in the possession
|
||
|
of the police, and a thorough check of these will be made in an effort to
|
||
|
trace accurately and completely every movement of the slain film director on
|
||
|
the days before his murder.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES TIMES
|
||
|
Hunt for Luxurious Car
|
||
|
|
||
|
What may prove to be an important clew in the hunt for the murderer of
|
||
|
William D. Taylor was placed before the police last night in a report that a
|
||
|
large automobile of striking appearance was seen in the vicinity of the
|
||
|
Taylor home the night of the slaying.
|
||
|
This automobile, according to the reports to the police, was an
|
||
|
expensive car painted a chocolate-brown shade.
|
||
|
The automobile, according to the reports, was seen to drive up to the
|
||
|
Taylor home late in the afternoon and remain there for some time. It left
|
||
|
the corner of Alvarado and Maryland streets a few minutes after the
|
||
|
automobile of Miss Mabel Normand drove up.
|
||
|
A peculiar part of this episode is a conflicting report from another
|
||
|
source that an automobile described as a closed car, dark green in color, was
|
||
|
the vehicle in question. The time and location given in the two reports
|
||
|
check in every detail, but the make of car and color of the bodies are
|
||
|
different.
|
||
|
"We are going to check every possible angle of this case," Detective
|
||
|
Sergeant Herman Cline said yesterday. "There are a great many conflicting
|
||
|
reports given us and for the first few days it is a large task to distinguish
|
||
|
the important from what has no connection with the case. If we can verify
|
||
|
certain facts laid before us in connection with this murder, then the
|
||
|
description of these two cars will become very important."
|
||
|
This is the only comment the officers on the case would make on this
|
||
|
phase of the investigation.
|
||
|
The importance of the clew about the automobile described is that the
|
||
|
police believe they may be able to trace the owners and from them learn
|
||
|
either of visits to Mr. Taylor's apartment or about persons seen loitering in
|
||
|
the vicinity of the place.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES TIMES
|
||
|
Taylor Home is Mapped
|
||
|
District Attorney Swings into Action in Death Case
|
||
|
Many Theories Entertained
|
||
|
|
||
|
The District Attorney's office swung into action yesterday in an attempt
|
||
|
to solve the mystery of the murder of William Desmond Taylor and also to lay
|
||
|
a foundation for future prosecution in the event the slayer is captured.
|
||
|
At the same time the police searched Mr. Taylor's apartments at 404-B
|
||
|
South Alvarado street, and took charge of letters, papers and documents that
|
||
|
might serve to thrown some light on the slain film director's affairs.
|
||
|
Chief Dep. Dist.-Atty. Doran and Investigator Contreras made a thorough
|
||
|
search of the apartments, and canvass of the vicinity. Albert E. Timmons of
|
||
|
the County Surveyor's office and two assistants, P. W. Atkins and R. B.
|
||
|
Heuer, drew plans of each room and the territory contiguous to the residence.
|
||
|
Detective Sergeants Herman W. Cline, Winn and Murphy, represented the
|
||
|
police department in the search of the premises. Papers belonging to Mr.
|
||
|
Taylor were taken to Central Police Station and carefully examined.
|
||
|
The arrangement of the furniture in the room where the fatal shot was
|
||
|
fired was not disturbed, as the officers stated a careful scrutiny would be
|
||
|
made for possible finger prints. This phase of the investigation applies
|
||
|
particularly in the chair in which Mr. Taylor was possibly sitting when shot,
|
||
|
and which was found turned over across his legs.
|
||
|
Mr. Taylor's apartments were tastefully furnished. There were books in
|
||
|
profusion, mostly of a philosophical and sociological trend, numerous
|
||
|
photographs of persons in the motion-picture colony, relics of the war, and
|
||
|
much art work and bric-a-brac.
|
||
|
The police yesterday questioned four persons found by The Times who had
|
||
|
seen a man believed to be the slayer go to the Taylor residence before the
|
||
|
shooting and leave the vicinity a few minutes after the bullet had been
|
||
|
fired.
|
||
|
The time of the murder has been fixed by police at between 7:49 and 8:15
|
||
|
p.m. Wednesday. L. A. Grant and Floyd Hartley, service station men, at Sixth
|
||
|
and Alvarado streets, stated that a man had inquired of them where W. D.
|
||
|
Taylor lived shortly before 6 o'clock. They directed him to the Alvarado
|
||
|
street address, and he left.
|
||
|
The description of this man corresponds with that of a man who boarded
|
||
|
an inbound West First-street car at the Maryland-avenue stop, at either 7:54
|
||
|
or 8:25 p.m. Motorman R. S. Woodward and Conductor E. W. Dascomb took notice
|
||
|
of the passenger because it was the first stop they had made on Maryland
|
||
|
street for months.
|
||
|
The man was described by these four persons as about five feet and nine
|
||
|
or ten inches tall, 26 or 27 years old and weighing between 155 and 165
|
||
|
pounds. He had dark hair and wore a dark suit and either a light hat or cap.
|
||
|
...Floyd Hartley yesterday was unable to identify a picture of Sands as
|
||
|
the man who inquired at the oil station. He was inclined to think they were
|
||
|
different individuals, but was not positive.
|
||
|
While the revenge and jealousy theories appear to be the most plausible
|
||
|
thus far in the investigation the police are not overlooking the possibility
|
||
|
of a blackmail angle.
|
||
|
This factor is being probed by detectives detailed to the case. It is
|
||
|
considered possible that the slayer attempted to extort money from Mr. Taylor
|
||
|
and when refused or threatened with arrest, he shot to kill. An open
|
||
|
checkbook on Mr. Taylor's writing desk and a pen with fresh ink on it might
|
||
|
be considered part of a ruse by Mr. Taylor to "stall off" the murderer until
|
||
|
the police could be advised.
|
||
|
The story that a woman is involved in the slaying--supplying the motive
|
||
|
of jealousy--is seriously entertained by the police. Although the slain man
|
||
|
led a fairly studious life it is known that he had a wide circle of women
|
||
|
acquaintances and that some of them were visitors to his home. An enraged
|
||
|
suitor who had been discarded might very easily have carried out this plan,
|
||
|
it is believed, to eliminate Mr. Taylor as a rival.
|
||
|
In order to ferret out a revenge motive, for some real or fancied wrong,
|
||
|
the police say they will have to trace back the incidents in Mr. Taylor's
|
||
|
life. He led a varied and exciting career that took him to many out-of-the-
|
||
|
way places of the globe. Investigators feel confident that he must have
|
||
|
incurred some bitter enmity during his activities and travels.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES EXAMINER
|
||
|
Girl's Devotion to Father Evidenced
|
||
|
|
||
|
Mute evidence of the tender affection which existed between Ethel Daisy
|
||
|
Taylor, 14-year-old daughter of the slain film director, William Desmond
|
||
|
Taylor, and her father, was found by The Examiner yesterday. Inscribed on a
|
||
|
page and a half of note paper, written in typical school girl chatter, it
|
||
|
bears every evidence of the strong devotion that undoubtedly existed.
|
||
|
Postmark Mamaroneck, N. Y., and dated February 6, 1921, the letter reads:
|
||
|
"Dear Father of Mine:
|
||
|
"Excuse the weird paper, but I am having some made and haven't gotten it
|
||
|
as yet. I like your paper very much and am always glad when I hear from you.
|
||
|
"I have read your letters over ever and ever so many times until I
|
||
|
almost know them by heart. I would have answered sooner, only I have had a
|
||
|
siege of infected fingers. Three, one right after the other, and have only
|
||
|
just gotten through with them.
|
||
|
"Of course, that made it rather difficult to write or draw, so I stayed
|
||
|
home a couple of the days. I had one of the fingers cut four times, but the
|
||
|
others only once.
|
||
|
"Mercy goodness, I wish you didn't have to work so long. You'll wear
|
||
|
yourself down again, so be careful, won't you, Papa, pettie dear? Will the
|
||
|
picture with Miss Compton be interesting? I do wish I might see you soon.
|
||
|
I think of you so much it seems as if I saw you much more often than every
|
||
|
once in a while.
|
||
|
"I realize how seldom we really see each other and I surely do hope
|
||
|
you'll be East again soon, dear. I'd like very much to send you some real
|
||
|
nice things for Christmas, but haven't the least idea what you would like, so
|
||
|
kindly tell me, please, dear.
|
||
|
"I must stop now. Oh, Father, dear, I do love you so much.
|
||
|
"Ethel."
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES EXAMINER
|
||
|
The names of two film actresses were injected last night into the
|
||
|
investigation of the William Desmond Taylor murder mystery.
|
||
|
One is a star of national reputation. The other is a girl of humbler
|
||
|
station in motion picture ranks.
|
||
|
While detectives working on the case refused to confirm the above
|
||
|
mentioned facts it was learned from other sources that investigation had
|
||
|
disclosed a close association between Taylor and these two screen actresses.
|
||
|
Of almost equal interest in the development of the investigation was
|
||
|
the statement of Mrs. Earl Tiffany, wife of Taylor's chauffeur, that she saw
|
||
|
Edward F. Sands, ex-secretary-valet of the murdered director, now sought as a
|
||
|
witness, at Sixth and Figueroa Streets Tuesday afternoon last [the day prior
|
||
|
to the murder] at 1:20 o'clock.
|
||
|
Mr. and Mrs. Tiffany were subjected to a long examination last night,
|
||
|
during which she revealed what the investigators [regard] as one of the most
|
||
|
important clews yet to come before them.
|
||
|
In regard to the screen actresses, the police refused to make any
|
||
|
mention of their names or to discuss what part they are alleged to have
|
||
|
played in the mystery.
|
||
|
Until a late hour last night police detectives questioned Harry Fellows,
|
||
|
Taylor's assistant director. They are said to regard Fellows as one of the
|
||
|
vital witnesses in the case because of his close contact with Taylor for many
|
||
|
months. The questioning last night, they said, was for the purpose of
|
||
|
checking over Taylor's movements for three days preceding his murder.
|
||
|
The search for Sands continued with unabated intensity. He is said to
|
||
|
have returned to Los Angeles Tuesday and uttered this threat:
|
||
|
"I am here to get Bill Taylor."
|
||
|
His intimate knowledge of Taylor's double identity was revealed in
|
||
|
startling fashion late yesterday when in Fresno it was learned that Sands had
|
||
|
there pawned jewelry stolen from Taylor and that he had given the name
|
||
|
"William Deane-Tanner," asserted to be Taylor's true name.
|
||
|
The jewelry upon which a loan had been made and a ticket issued
|
||
|
consisted of a pair of cuff links set with diamonds and onyx shirt studs,
|
||
|
also set with diamonds.
|
||
|
The man who secured the loan answered the description of Sands.
|
||
|
In a bold hand he wrote on the ticket retained by the broker the name of
|
||
|
his one-time employer, "William Deane Tanner."
|
||
|
The meaning of this might have remained impenetrable, something as deep
|
||
|
as the shadows as all else that concerns the silent figure whose tragic end
|
||
|
left the motion picture world aghast and stunned.
|
||
|
But by some means, possibly by reading his mail, it is believed, and
|
||
|
learning the details of the allowances sent to his daughter, Sands became
|
||
|
possessed of the secret.
|
||
|
It may be said, parenthetically, that no member of the picture colony
|
||
|
believes the change in name was for any purpose of concealment.
|
||
|
Taylor (and that name will be used as most accurate) said not long ago
|
||
|
to a friend, "I have known great sadness in my life."
|
||
|
It is believed that the "Tanner" was discarded along with the old life
|
||
|
which he had described as being so unhappy.
|
||
|
The police are assured beyond peradventure that the man who pawned the
|
||
|
jewelry in Fresno, using the true name of the owner in a spirit of malicious
|
||
|
triumph, was Edward Sands.
|
||
|
There is something in this very circumstance which to the officers is
|
||
|
itself a flood of light coming out of the darkness.
|
||
|
The stealing and forgery indulged in by Sands did not convey the spirit
|
||
|
of this piece of treachery; they might have been only for gain. But now that
|
||
|
the Fresno episode is brought up from the obscurity of a dark little hole-in-
|
||
|
the-wall pawn shop to be made plain in all its details, a new element
|
||
|
appears.
|
||
|
This new element is the pronounced unfriendliness of Sands, which takes
|
||
|
on the aspect of a sinister and silent threat.
|
||
|
The malice is further revealed in what seems to have been a persistent
|
||
|
campaign of Sands to annoy the director.
|
||
|
From Fresno he sent him a pawn ticket, a ticket issued on valuables
|
||
|
stolen from Taylor on which money had been raised.
|
||
|
Still another pawn ticket came through the mail from Sacramento. With
|
||
|
this was the letter signed "Alias Jimmy V."
|
||
|
These were derisive thrusts at Taylor; from some motive which has not
|
||
|
been revealed the thief and forger was trying to torture the victim of his
|
||
|
crimes.
|
||
|
Chief of Police Frank Truex of Fresno, who found the pawned jewelry,
|
||
|
learned that other articles stolen from Taylor and not recovered were pledged
|
||
|
in Sacramento.
|
||
|
It was disclosed yesterday that Mabel Normand recently made Taylor a
|
||
|
present of a black amber cigarette holder valued at $1800. This is said to
|
||
|
be one of the finest things of its kind ever made.
|
||
|
In return Taylor gave Miss Normand a dresser set costing $1200.
|
||
|
..."We are satisfied that we have everything checked up to 8 o'clock on
|
||
|
the night of the murder.
|
||
|
"The man who killed William D. Taylor is the one who was seen leaving
|
||
|
his apartment shortly before that time Wednesday night. This is our absolute
|
||
|
conclusion.
|
||
|
"We also have a definite clew as to who the man is and his motive. But
|
||
|
to reveal either, would be to prevent clear and straightaway police work upon
|
||
|
our hypothesis."
|
||
|
This was the statement last night of Captain of Detectives David L.
|
||
|
Adams, after receiving reports from his staff of detectives who yesterday
|
||
|
were combing through a multitude of rumors for something substantial.
|
||
|
Sands, whose true name, The Examiner yesterday learned, is Edward Fitz
|
||
|
Strathmore, wanted for desertion from the Army as well as for the robberies
|
||
|
committed against Taylor, was seen in Los Angeles Tuesday.
|
||
|
Hunted as a fugitive by both Federal and State officers, he nevertheless
|
||
|
ran the gauntlet, appearing, it is said, without attempt at concealment
|
||
|
either of his person or his plan.
|
||
|
It is the latter which particularly interests the police. To a man who
|
||
|
has given a detailed report of the conversation Sands is said to have
|
||
|
threatened, with a curse, "I'm here to get Bill Taylor."
|
||
|
Included among the persons who saw Sands on Tuesday are women whose
|
||
|
testimony will probably be of the utmost importance if he is apprehended.
|
||
|
One of these is said to have seen him Wednesday night near the scene of
|
||
|
the crime. Her identity is being kept secret.
|
||
|
There are so many fingers pointing at this man that the police have
|
||
|
centered their efforts upon finding him.
|
||
|
With the little light as to the relations between Taylor and Sands it is
|
||
|
admittedly difficult to reconstruct the tragedy upon the basis merely of the
|
||
|
discharged man's enmity growing out of Taylor's felony complaint against him.
|
||
|
Hence, as a working theory, it is presumed that there may have been a
|
||
|
much deeper motive underlying the act.
|
||
|
That Taylor was not shot in the back, as at first reported, but in the
|
||
|
left side, was yesterday discovered by Detectives Cato and Cahill, who
|
||
|
minutely examined the wound.
|
||
|
The single bullet entered at a point where the left elbow would rest if
|
||
|
the arm were held naturally at the side.
|
||
|
It might seem, therefore, that Taylor, hearing a noise in his room,
|
||
|
turned from his writing desk where he was going over the stubs of his check
|
||
|
book, and was shot on the moment he discovered the intruder.
|
||
|
...There is, however, a great mass of material upon which the police are
|
||
|
checking, hoping that from the pile of chaff there may be found the single
|
||
|
grain of information which, it is hoped, may germinate into the full
|
||
|
disclosure of the dastardly act and all of its ramifications.
|
||
|
Theodore Kosloff, the dancer, contributed one of these stories.
|
||
|
Some two weeks ago he was with Taylor "on location," a place in the
|
||
|
country. They were walking together. Suddenly from behind a clump of brush
|
||
|
a man arose almost with a spring.
|
||
|
Quicker than this surprising stranger, said Kosloff, was Taylor. He
|
||
|
leaped around to one side and faced the man.
|
||
|
They stood eye to eye for a moment, neither speaking. Then the man
|
||
|
turned and walked away. Taylor, vouchsafing no explanation, continued the
|
||
|
interrupted conversation.
|
||
|
This unaccountable happening came to Mr. Kosloff's mind yesterday when
|
||
|
he learned of his friend's violent end. But aside from relating the peculiar
|
||
|
circumstances he could add nothing.
|
||
|
...Something of the description of this man was learned yesterday by The
|
||
|
Examiner from A. A. Tomlinson, an accountant of 1022 West Fortieth Place.
|
||
|
"The true name of this man," said Tomlinson, "is not Sands but
|
||
|
Strathmore. I recognized him by his picture in this morning's Examiner.
|
||
|
"He enlisted in the army during the war as Edward Fitz Strathmore and
|
||
|
was assigned to Columbus Barracks, Ohio. I was then head of the finance
|
||
|
office and upon learning that Strathmore had been a chief petty officer in
|
||
|
the navy I asked that he be transferred to my department, which was done.
|
||
|
"On October 4, 1919, Strathmore forged my name to a Government check for
|
||
|
$475 and tried to buy a motorcycle with it. He failed to carry out this
|
||
|
scheme, but escaped. At the same time he forged the commanding officer's name
|
||
|
to a discharge. He has been wanted for desertion.
|
||
|
"On July 4, 1920, I met him on Alvarado Street. He told me that he was
|
||
|
expecting to get work with the street car company. I notified the police, but
|
||
|
he disappeared.
|
||
|
"During his service with me at Columbus Barracks, Strathmore often
|
||
|
boasted of the crimes he had committed. I did not believe him then, but
|
||
|
thought it was a case of a young fellow drawing on his imagination.
|
||
|
"Once I asked him what he would do if he were in a dangerous situation.
|
||
|
He said he would shoot his way out.
|
||
|
"Strathmore gave me a number of books, all bearing his signature on the
|
||
|
inside of the cover. In each case the 'Strathmore' was written over a name
|
||
|
which had been erased. In one of them I was able to make out that the erased
|
||
|
name was 'Sands.'
|
||
|
"Among the volumes is one bearing, in Strathmore's handwriting, the
|
||
|
entry, 'c-o Perry P. Le Berthon, 982 Fifty-second street, Brooklyn, N. Y."
|
||
|
The Examiner wired to Columbus barracks for a description of Strathmore
|
||
|
and received the following:
|
||
|
"Dark complexion, ruddy face, height 5 feet 5 3/4 inches, slightly bow-
|
||
|
legged."
|
||
|
Strathmore, or Sands, is a constant cigarette smoker.
|
||
|
...Recently, it was learned, Taylor had attended two or three "hop"
|
||
|
parties where all but he had either smoked opium or taken a drug in some
|
||
|
form. He was there, it was assumed, to get "atmosphere" for a picture. The
|
||
|
possibility that the beginning of the tragedy had its setting at one of these
|
||
|
proscribed affairs is being considered.
|
||
|
...The many friends of Taylor in the motion picture colony found it
|
||
|
inconceivable, they said, that he should have been mixed up with a woman,
|
||
|
particularly in such a way as to incur some one's mortal hostility.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES EXAMINER
|
||
|
He Had No Enemies, Says Former Sweetheart
|
||
|
|
||
|
Neva Gerber, petite and beautiful film star, who at one time was engaged
|
||
|
to marry William D. Taylor, but who broke off the match because she said both
|
||
|
believed it unsuitable, said last night:
|
||
|
"I have never known a finer, better man than Mr. Taylor. He was the
|
||
|
soul of honor, a man of exceptional culture, education and refinement, but
|
||
|
possessing a reserve which very few were permitted to penetrate.
|
||
|
"So far as I know, he did not have an enemy in the world, although he
|
||
|
had mentioned casually of fights he had on his various trips to the Klondike.
|
||
|
"He had led a most eventful life, and told me, on one occasion, of being
|
||
|
in a village in the far north when it was scourged by smallpox. He went
|
||
|
about nursing the inhabitants, including a priest. The epidemic was a severe
|
||
|
one, and practically every one was stricken, or had fled to escape this pest.
|
||
|
Finally he and the priest, I think it was, were the only two left. The
|
||
|
priest had fallen a victim, but Mr. Taylor nursed him back to health.
|
||
|
"Then Mr. Taylor fell victim to the disease, and, after a hard battle,
|
||
|
the priest nursed him back to health.
|
||
|
"In spite of this experience, he often said to me that he longed for the
|
||
|
far north with its great open stretches, its mighty mountains, and the
|
||
|
solitude of its hills and valleys. Often when he was nervous and tired from
|
||
|
directing a picture he would tell me that he longed again to be going over
|
||
|
the trail in search of gold, and far from the distractions of civilization.
|
||
|
"He told me that he made two fortunes, and spent both of them on his
|
||
|
return from Alaska.
|
||
|
"Before the war he frequently received letters from his mother who was
|
||
|
then in London, and his daughter, who I believe was then about 11 years old.
|
||
|
His mother, I understood, was killed in an air raid on the British capital.
|
||
|
"He always spoke of his daughter as 'the child,' and was planning, about
|
||
|
two years ago, to bring her to Los Angeles to live. It is my understanding
|
||
|
that his former wife is now living in New York.
|
||
|
"I always assumed he was divorced, for had he not been, I do not believe
|
||
|
he would have asked me to marry him. We were engaged for some time, but we
|
||
|
finally came to the conclusion we were not suited to one another, so the
|
||
|
prospective match was broken off about two years ago.
|
||
|
This terrible affair is all the more mysterious because it was a common
|
||
|
saying among the studios and in Hollywood generally that Mr. Taylor had not
|
||
|
an enemy in the world.
|
||
|
"He may have made an enemy in the past who nursed a grudge through the
|
||
|
years which finally resulted in this murder, but he never gave the slightest
|
||
|
indication to me of having any foes."
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
SAN FRANCISCO EXAMINER
|
||
|
Los Angeles, Feb. 3--Mabel Normand, one of the last persons to see
|
||
|
William D. Taylor alive when she visited his Alvarado street home Wednesday
|
||
|
evening to borrow a book on philosophy, denied emphatically today that she
|
||
|
was or ever had been engaged to Taylor. "We were pals of the golf course,
|
||
|
fellow students in French and both enjoyed delving into philosophical
|
||
|
subjects--that was my relation with Mr. Taylor. Just pals," she said.
|
||
|
Miss Normand was recovering this afternoon from a nervous collapse which
|
||
|
she suffered when told of Taylor's murder.
|
||
|
"I wish to deny also the statement attributed to me that Mr. Taylor had
|
||
|
told me of premonition of his death," added Miss Normand.
|
||
|
"I never heard him mention any fear for his life or fear of any person
|
||
|
or persons.
|
||
|
"Although we were good pals and had many interests in common, I was so
|
||
|
slightly acquainted with his personal affairs that not until I read it in the
|
||
|
papers did I know that Mr. Taylor had a daughter."...
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
SAN FRANCISCO EXAMINER
|
||
|
Mary Miles Minter, motion picture star, who said she had always
|
||
|
considered him the "most perfect man" and who was one of the first to call at
|
||
|
the Taylor residence after the murder became known, said:
|
||
|
"It is ridiculous for any one to intimate that Mr. Taylor and I were
|
||
|
ever interested in each other in a sentimental way.
|
||
|
"I have known Mr. Taylor since I was a little girl. He has directed me
|
||
|
in some of my best pictures and I have always loved and admired him almost as
|
||
|
one would a father.
|
||
|
"Immediately after mother told me of his murder we hurried to his home.
|
||
|
I have often been there with my mother or grandmother and when I came fact to
|
||
|
face with Henry, his colored servant, I burst into tears yesterday.
|
||
|
"One newspaper said I had hysterics," continued Miss Minter. "Perhaps I
|
||
|
did. Mr. Taylor was an old friend of the family and I have known him ever
|
||
|
since I was a child playing child parts.
|
||
|
"I used so often to call Henry, his faithful servant, over the telephone
|
||
|
and ask him if Mr. Taylor had remembered to eat his dinner, or to tell him to
|
||
|
be sure that Mr. Taylor had plenty of covers on his bed, as it was a cold
|
||
|
night.
|
||
|
"As far as I know, Mr. Taylor was never married.
|
||
|
"I do not believe that he was engaged to Mabel Normand. Miss Normand
|
||
|
and myself are very good friends and I am sure I would have known had they
|
||
|
been planning to marry. I think that Mr. Taylor found Miss Normand a lovable
|
||
|
and rather boyish pal and that was all there was to it.
|
||
|
"For the last three and a half years I have known Mr. Taylor very well,
|
||
|
although during the last five months or so I have scarcely seen him, having
|
||
|
been so busy with my work.
|
||
|
He directed me in 'Anne of Green Gables,' Judy of Rogues Hollow' [sic],
|
||
|
'Nurse Marjorie,' and 'Jenny be Good.'
|
||
|
"Mr. Taylor was always the man we all pointed to when any one asked us
|
||
|
to name a representative man of the profession.
|
||
|
"No, I never heard him mention having any fear of any one, and I am
|
||
|
positive he had no premonition of trouble.
|
||
|
"I have wept hours since his death and I expect to weep a great deal
|
||
|
more. For Mr. Taylor was one of the most splendid and fine men that I ever
|
||
|
expect to know."
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
KANSAS CITY TIMES
|
||
|
Los Angeles, Feb. 3--The dainty figure of Miss Claire Windsor, moving
|
||
|
picture actress, was rudely thrust today into the weird mystery in the murder
|
||
|
of William Desmond Taylor.
|
||
|
A week ago Wednesday night Mr. Taylor and a prominent moving picture
|
||
|
star called at the home of Miss Windsor's mother, Mrs. G. E. Cronk, in Third
|
||
|
avenue, and asked to take Claire to a party at the Ambassador hotel. Claire
|
||
|
went.
|
||
|
It is said that Taylor some few days later took Miss Windsor to another
|
||
|
party and that nothing was heard of her again until yesterday morning, some
|
||
|
hours after Taylor was found dead.
|
||
|
Just what connection there may be between the murder and Miss Windsor's
|
||
|
unexplained disappearance from home, if there be any connection, could not be
|
||
|
learned. Mrs. Cronk could give no explanation.
|
||
|
There has been no effort on the part of the police, as yet, to get in
|
||
|
touch with Miss Windsor.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
ST. LOUIS GLOBE DEMOCRAT
|
||
|
Los Angeles, Feb. 3--...Howard Fellows, chauffeur, employed by Taylor,
|
||
|
and Henry Peavey, negro servant in the Taylor home, were closely questioned
|
||
|
by the police today. As a result of the inquiry the police say they
|
||
|
definitely fixed the time of the slaying at about 8 o'clock Wednesday night.
|
||
|
According to Fellows, he appeared at the Taylor home at 7:45 o'clock and
|
||
|
rapped at the front door to summon his employer. The lights were burning, he
|
||
|
said, but there was no response to his summons. Fifteen minutes later, he
|
||
|
said, he tried to raise Taylor on a telephone without success. Peavey's
|
||
|
story to the police today was the same as that he told after the body of
|
||
|
Taylor was found.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
Lannie Haynes Martin
|
||
|
LOS ANGELES EXAMINER
|
||
|
Neighbors Unaware of Nearby Slaying
|
||
|
|
||
|
...After making the most thorough investigation, questioning every man,
|
||
|
woman and child living in the nine double residences that constitute the
|
||
|
court not one had seen or heard anything out of the ordinary except Mrs.
|
||
|
Douglas MacLean, who has already told her story and Mrs. C. F. Reddick, who
|
||
|
thought she heard a shot some time in the night between 1 and 3 o'clock, but
|
||
|
who said yesterday she was not even sure it was a pistol shot now.
|
||
|
"I was awakened by some sharp, sudden report," said Mrs. Reddick, "but I
|
||
|
have so frequently heard almost the identical sound made by an automobile
|
||
|
that I could not say positively what it was, nor could I be sure of the time.
|
||
|
I do know, however, that it was quite late, because I sat in my living room
|
||
|
almost exactly opposite Mr. Taylor's front door, reading until very late and
|
||
|
heard nothing like a shot the entire evening."
|
||
|
Mrs. Myrtle B. Pratt, who lives at the entrance to the court, says she
|
||
|
saw no suspicious character either entering or leaving the place and that she
|
||
|
had heard no unusual sound of any description.
|
||
|
Mrs. J. K. Lawrence, who also lives at the Alvarado street entrance,
|
||
|
said:
|
||
|
"There are so many automobiles passing here all of the time and their
|
||
|
back-fire explosions are so similar to a pistol shot that we have gotten so
|
||
|
we pay no attention to them whatever. I have no recollection of hearing
|
||
|
anything that sounded like a shot at any particular time during the evening
|
||
|
in which the shooting occurred, but I might have heard a dozen such sounds
|
||
|
without feeling the slightest alarm. I think every occupant of the court
|
||
|
should try to recollect anything he or she saw which might in any way throw
|
||
|
light on the event."
|
||
|
Mrs. Charles Cooley, living two doors from the Taylor residence, said
|
||
|
that she and her husband were sitting in their living room reading almost the
|
||
|
entire evening and did not hear a sound. They had their blinds drawn and had
|
||
|
no occasion to look out, so saw no one.
|
||
|
Mrs. Arthur W. Watchter, stated that she and her husband were out for
|
||
|
the evening and returned late, but that they did not notice lights burning
|
||
|
anywhere. Both she and Mrs. Cooley voiced the idea that people were entirely
|
||
|
too unobservant of things going on around them, and Mrs. Cooley said:
|
||
|
"When I think that such a kind, fine man as Mr. Taylor is said to have
|
||
|
been, was right here helpless, at the mercy of a fiendish murderer when some
|
||
|
of us might have gone to his aid and saved him, and we only known what was
|
||
|
going on. It seems that we all live too much to ourselves and that there
|
||
|
ought to be some better mode of communication between us all.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES EXAMINER
|
||
|
Woman Tells of Seeing Man Acting Suspiciously
|
||
|
|
||
|
An excellent example of habitual observation was brought to light
|
||
|
yesterday when Mrs. Ida Garrow, a modiste living at the Rose of Sharon
|
||
|
apartments, told Examiner investigators that on Wednesday night as she was
|
||
|
walking down Ocean View avenue, at the intersection of Alvarado street, she
|
||
|
noticed a man acting in a very peculiar manner.
|
||
|
"It was about eight thirty, or possibly twenty minutes of nine, said
|
||
|
Mrs. Garrow yesterday, "Wednesday evening and I was hurrying to my club which
|
||
|
meets at the corner of Grand View and Ocean View avenues. I was late for a
|
||
|
class that is studying Hebrew which I did not want to miss, but as I have
|
||
|
trained my observational faculties in the study of astrology it is without
|
||
|
voluntary effort that I perceive whatever comes within the range of vision.
|
||
|
"As I came to Alvarado street, I saw a tall, slender, smooth shaven
|
||
|
policeman, whose face I would instantly recognize if I were to see him again,
|
||
|
walking toward Ocean View avenue. Walking with him was another man, to whom
|
||
|
I did not pay any particular attention, because my curiosity was aroused by
|
||
|
the peculiar actions of a man who was coming toward me a few feet in front of
|
||
|
the policeman. Although the policeman was not paying the slightest attention
|
||
|
to this man, the man was glancing back apprehensively over his shoulder, and
|
||
|
at times looking in, away from the street, which would be directly in toward
|
||
|
the court where the body of Mr. Taylor was found.
|
||
|
"As the policeman got closer to this man, the man crossed the street,
|
||
|
and I noticed as he crossed that he was short and stout and wore a long
|
||
|
overcoat, but there was the shadow of a building falling at such an angle
|
||
|
that I could not determine whether he wore a cap or a hat."
|
||
|
Who was the policeman walking down Alvarado street at 8:30 or 8:45, and
|
||
|
what did he see? This slight clue given by a careful observer may lead to
|
||
|
very important developments in the mysterious murder, whose points are still
|
||
|
baffling the keenest detectives of the city.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
LOS ANGELES EXAMINER
|
||
|
Taylor Made Death Threat, Says Actress
|
||
|
|
||
|
Claire Windsor, beautiful motion-picture star, last night added a
|
||
|
sensation to the mystery of the slaying of William D. Taylor, the popular
|
||
|
picture director.
|
||
|
She asserted that she had heard the dead motion picture director declare
|
||
|
that "he would kill Sands, the former valet, if he ever laid his hands on
|
||
|
him."
|
||
|
"Mr. Taylor, Tony Moreno and Betty Francisco were at the Ambassador
|
||
|
Hotel at a party on Thursday night one week ago when Maurice, the famous
|
||
|
dancer, first gave his exhibition," said the film actress.
|
||
|
"Mr. Taylor was with me, and of course we talked about the robbery.
|
||
|
"He said: 'If I ever lay my hands on Sands I will kill him.'
|
||
|
"Mr. Taylor seemed very determined because Sands had robbed him of every
|
||
|
cent he had at the time.
|
||
|
Speaking of her friendship with Taylor, whom she referred to in terms of
|
||
|
the greatest respect, Miss Windsor said that she had known him a long time
|
||
|
but never very well. "I always found him a perfect gentleman, always
|
||
|
considerate of others and most polished," she said.
|
||
|
"While I never worked under the direction of Mr. Taylor, I met him a
|
||
|
number of times. Mr. Taylor made no secret of his plan to kill his valet, as
|
||
|
he told a number of people that he would kill him if he ever got his hands on
|
||
|
him."
|
||
|
Pretty Betty Francisco, the little blonde motion picture star, yesterday
|
||
|
told of the party she attended at the Ambassador Hotel when Antonio Moreno
|
||
|
was her escort and the late picture director was the companion of Claire
|
||
|
Windsor.
|
||
|
She referred to the slaying of Taylor with horror.
|
||
|
"I did not know him intimately enough to call him a friend, but I would
|
||
|
be proud to call a man like him my friend. I was rather an acquaintance, and
|
||
|
not fortunate enough to be a friend.
|
||
|
"It has been stated that I was with Mr. Taylor at the Ambassador Hotel.
|
||
|
This, however, is not true. I was at the hotel with Mr. and Mrs. Bryant
|
||
|
Washburn. Mr. Moreno and Miss Claire Windsor also were at the Ambassador,
|
||
|
but I did not see Mr. Taylor.
|
||
|
"I never recall his speaking of any trouble he had with any one, but on
|
||
|
one occasion he spoke of a servant of his who was taken ill with
|
||
|
tuberculoses. He felt very badly about it. This must have been nearly two
|
||
|
years ago.
|
||
|
Last night at the home of Claire Windsor, 1042 Third avenue, the mother
|
||
|
of the film actress told of the many books Taylor had recommended to her
|
||
|
daughter to read.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
ARIZONA REPUBLICAN
|
||
|
Los Angeles, Feb. 3--...Ted Taylor, the director's agent, but not a
|
||
|
relative, told of a telephone call his chief received last Monday. The
|
||
|
director hung up the telephone abruptly, it was said, and when the bell range
|
||
|
again two minutes later, told "Don't answer."..
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
NEW YORK HERALD
|
||
|
Los Angeles, Feb. 3--...The women attracting most interest from
|
||
|
investigators now are Mabel Normand, Mary Miles Minter, Claire Windsor and
|
||
|
Mrs. Clara Crawford Ivers [sic]. He was a close friend to all of them. In
|
||
|
addition he was known as a man who fascinated women. The police, therefore,
|
||
|
are seeking not only the actual slayer, but the person behind the slayer, if
|
||
|
two were involved.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
NEW YORK HERALD
|
||
|
Says Mabel Normand Was to Marry Taylor
|
||
|
|
||
|
Despite her denial of a love affair with William D. Taylor, a close
|
||
|
friend of both Mabel Normand and the slain man said yesterday that Miss
|
||
|
Normand had been engaged to the director. While nothing definite had been
|
||
|
settled it was generally understood, according to this source, that they were
|
||
|
to marry.
|
||
|
"Of course, Miss Normand was much sought after by young men in Los
|
||
|
Angeles," said this informant. "But I'm quite sure none of these affairs was
|
||
|
serious. Miss Normand simply would have a pleasant evening with one of them
|
||
|
at a dance or a party, and promptly forget all about it. If the young man
|
||
|
called her by telephone afterward, as likely as not she'd wonder where she'd
|
||
|
ever heard his name before.
|
||
|
"Some one of these young men might have resented her acquaintance with
|
||
|
Taylor. It's hard to say. I never heard of anything that might lead one to
|
||
|
think some woman was jealous of his friendship for her."
|
||
|
Another report brought forward in motion picture circles here was that
|
||
|
the director and Miss Normand had feared trouble of some sort and that they
|
||
|
had made plans secretly to have a wedding to head it off...
|
||
|
The report that Taylor had been engaged to Mary Miles Minter was scouted
|
||
|
by her friends here. For one thing, it was pointed out that her recent
|
||
|
reported engagement to Thomas E. Dixon, son of a pencil manufacturer, seemed
|
||
|
much more substantial than any of the romantic affairs in which Miss Minter
|
||
|
has been mentioned, and that this engagement was denied emphatically by both
|
||
|
the youthful star and her mother, Mrs. Shelby.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
BOSTON HERALD
|
||
|
Los Angeles, Feb. 3--...[Charles] Maigne left the central police station
|
||
|
after being in consultation for more than an hour with Captain of Detectives
|
||
|
J. L. Moffatt. He declined to state what had been discussed, but declared he
|
||
|
believed Sands, the butler, could give valuable information in the case.
|
||
|
Maigne is a close friend of Mabel Normand, and was with her yesterday
|
||
|
when she received newspaper men who sought her story of her call at Taylor's
|
||
|
home Wednesday evening.
|
||
|
|
||
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
||
|
|
||
|
February 4, 1922
|
||
|
Edward Doherty
|
||
|
NEW YORK NEWS/PHILADELPHIA INQUIRER
|
||
|
|
||
|
Sensations Coming in Taylor Murder Inquiry
|
||
|
|
||
|
Studio World's Sins to be Bared;
|
||
|
Think Woman is Behind Killing
|
||
|
|
||
|
Los Angeles, Feb. 3--...Police are also seeking a man, said to be a New
|
||
|
York broker, the friend of a movie actress, whose name they will not reveal.
|
||
|
He came here from the East, they say, shortly after the actress came.
|
||
|
...The figure of Miss Claire Windsor, moving picture actress, was rudely
|
||
|
thrust into the mystery yesterday.
|
||
|
A week ago Wednesday night Mr. Taylor and a prominent moving picture
|
||
|
star called at the home of Miss Windsor's mother, Mrs. G. E. Cronk, and asked
|
||
|
to take Claire to a party at the Ambassador Hotel. Claire went.
|
||
|
It is declared that Taylor some few days later took Miss Windsor to
|
||
|
another party and that nothing was heard of her again until yesterday
|
||
|
morning, some hours after Taylor was found cold and stiff in his luxurious
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apartment, a bullet hole in his body.
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Miss Windsor could not be found today. Her mother said she was "out on
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|
location" with Marshall Neilan, a director. At the office of the director
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this was denied. Neilan, it was said, was on location, but not Miss Windsor.
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Just what connection there may be between the murder and Miss Windsor's
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unexplained disappearance, if there be any connection, could not be learned.
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Mrs. Cronk could give no explanation.
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"My daughter knew Mr. Taylor," said Mrs. Cronk tonight. "But the first
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|
time she ever went out with him was a week ago Wednesday night.
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|
"Mr. Taylor came with an actor whom I do not know. I thought nothing of
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it, for a long time ago Mr. Taylor was her director, and, besides, Claire
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|
goes out to dinner parties and dances nearly every night. The ways of the
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|
movies are queer and not for me to ask questions about.
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|
"I had not seen Claire since Sunday--not until this morning--but I
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|
thought nothing of that either. You see, she has a little boy three years
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|
old and he disturbs her when she sleeps at home. So she had a couch put in
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|
at her studio and she sleeps there in peace and no baby crying to wake her
|
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|
up.
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||
|
"When she didn't come back, I wasn't particularly worried. I thought
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|
she was at the studio. She got home this morning and said to me, 'Isn't it
|
||
|
too bad. Mr. Taylor has been murdered. Such a nice man.' Then she left to
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|
go out somewhere on location."
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|
There has been no effort on the part of the police as yet to get in
|
||
|
touch with Miss Windsor; but every effort is being made to learn everything
|
||
|
possible about Taylor, his life, his friends and his enemies.
|
||
|
All Hollywood is being raked; all the queer meeting places of the movie
|
||
|
actors and actresses, directors and assistant directors, cameramen and extras-
|
||
|
-restaurants, beauty parlors, dens where opium and marihuana and other
|
||
|
strange drugs are common, dens where men and women dress in silk kimonos and
|
||
|
sit in circles and drink odd drinks--are being visited.
|
||
|
Everyone who has come into contact with the slain director, no matter
|
||
|
how remotely, is being questioned. Things that may shock the world of moving
|
||
|
picture fans, are destined to come out of the mystery, it is said. Peculiar
|
||
|
stars, male and female, may be scorched and smirched before the police
|
||
|
investigation is over. And all the sins of the cinema colony will be made
|
||
|
known. Dope fiends will figure in the tale before it is all told and strange
|
||
|
effeminate men and peculiarly masculine women.
|
||
|
The police are working now on two theories. One is that a beautiful
|
||
|
woman is in back of the affair, someone of the hundreds of beautiful women of
|
||
|
the studio world. Perhaps she was a woman scorned, or the sweetheart of
|
||
|
another man, perhaps--but there are many motives and the police have not yet
|
||
|
decided on any.
|
||
|
The other theory is that an enemy made in that mysterious part of the
|
||
|
dead man's life, which he so well kept from his friends in Hollywood, was the
|
||
|
murderer.
|
||
|
It is almost certain that a man committed the murder. A man was seen
|
||
|
before and after the shot was heard, according to Mr. and Mrs. Douglas
|
||
|
MacLean, who live in the same court of apartments, and the other witnesses.
|
||
|
And the shot that ended Taylor's life came from a .38 weapon, a gun deemed
|
||
|
too big for a woman to carry. The man is presumed to have entered the Taylor
|
||
|
apartment while Taylor was escorting Mabel Normand to her automobile, bidding
|
||
|
her goodby.
|
||
|
The shot came a few minutes after Taylor re-entered the house. There
|
||
|
was no attempt at robbery. Taylor's pockets had not been emptied. His
|
||
|
jewels had not been touched. Not a drawer in the four rooms had been opened.
|
||
|
If the intruder had meant to rob, he shot too quickly and became frightened
|
||
|
and fled.
|
||
|
Yet, according to the MacLeans, the man who came out of the front door
|
||
|
of the Taylor apartment just after the shot--a tall man, roughly dressed,
|
||
|
with cap pulled down on his head and a muffler around his neck--showed no
|
||
|
signs of fright. He stood in the doorway and looked back, then departed--in
|
||
|
such a way that no suspicion was aroused in the minds of those who saw him.
|
||
|
A thief fleeing in terror after a murder would not act that way, the police
|
||
|
assert.
|
||
|
There are too many strange incidents connected with the affair also, the
|
||
|
police say, to admit of the theory that a bungling burglar fired the shot.
|
||
|
There have been many mysterious telephone calls, according to the negro
|
||
|
man servant and cook, Harry [sic] Peavey. The phone would ring and no one
|
||
|
would answer. Was it someone who merely wished to be satisfied that Taylor
|
||
|
was at home?...
|
||
|
The detectives are still searching for Edward F. Sands, Taylor's former
|
||
|
secretary, who is said to have departed from the household some time ago
|
||
|
while Taylor was abroad, taking with him numerous trinkets, also the Taylor
|
||
|
motor and some forged checks.
|
||
|
A peculiar thing in the minds of the police is that both Sands and
|
||
|
Peavey are of a queer type, affected, given to feminine ways. Peavey was
|
||
|
placed under arrest a few days ago and serious charges were made against
|
||
|
him...
|
||
|
Taylor, fifty years old, supposed to be a bachelor, lived in a cozy four-
|
||
|
room apartment with his man servant, Harry [sic] Peavey, a queer chap, with a
|
||
|
high, squeaky voice, a man arrested a few days ago charged with a serious
|
||
|
offense.
|
||
|
Peavey was proud of his cooking; he made the finest rice pudding to be
|
||
|
had in Hollywood. And he liked to crochet doilies and scarfs and things.
|
||
|
Taylor lived alone with his books and his pictures and with Peavey.
|
||
|
Howard Fellows, a likable young chap, drove the big automobile.
|
||
|
...He loved jewelry, had lots of it. Perhaps the chain diamond ring,
|
||
|
valued at $2,500 is best known to his friends. There was perhaps $20,000
|
||
|
worth of jewels in the apartment when Taylor was killed.
|
||
|
His friends described him as witty, the girls say he loved to tease
|
||
|
them.
|
||
|
Recently, say his friends, he had been visiting the queer places in Los
|
||
|
Angeles, where guests are served with marihuana and opium and morphine, where
|
||
|
the drugs are wheeled in on tea carts, and strange things happen.
|
||
|
"It is not odd," they say, "he was looking for color."
|
||
|
|
||
|
*****************************************************************************
|
||
|
*****************************************************************************
|
||
|
Back issues of Taylorology are available on the Web at any of the following:
|
||
|
http://www.angelfire.com/az/Taylorology/
|
||
|
http://www.etext.org/Zines/ASCII/Taylorology/
|
||
|
http://www.uno.edu/~drif/arbuckle/Taylorology/
|
||
|
Full text searches of back issues can be done at http://www.etext.org/Zines/
|
||
|
For more information about Taylor, see
|
||
|
WILLIAM DESMOND TAYLOR: A DOSSIER (Scarecrow Press, 1991)
|
||
|
*****************************************************************************
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