219 lines
8.7 KiB
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219 lines
8.7 KiB
Plaintext
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Date: Wed, 17 Mar 93 23:11:04 PST
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Reply-To: <surfpunk@osc.versant.com>
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Return-Path: <cocot@osc.versant.com>
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Message-ID: <surfpunk-0062@SURFPUNK.Technical.Journal>
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Mime-Version: 1.0
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Content-Type: text/plain
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From: surfpunk@osc.versant.com (Jung gur uryy vf _Rg_Gh_Onor_?)
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To: surfpunk@osc.versant.com (SURFPUNK Technical Journal)
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Subject: [surfpunk-0062] ZINE: ahawks: "[the] Infinite Edge" seeks submissions
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| EXPORT CONTROL NOTE: Non-U.S. ftp users are required by law to
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| follow U.S. export control restrictions, which means that if
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| you see some DES or otherwise controlled software here, you
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| should not grab it. Look at 00README.export-control (in every
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| directory, more or less) to learn more. (If your the treaty
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| between your country and the United States did not require you
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| to respect U.S. export control restrictions, then you would not
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| have Internet connectivity to this host. Check with your U.S.
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| embassy if you want to verify this.)
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Your humble curator's been out of town for a bit, so it's time
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to catch up with surfpunk. We've had material by Andy Hawks on
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surfpunk several times; his new project should be interesting. --strick
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________________________________________________________________________
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________________________________________________________________________
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From: ahawks@nyx.cs.du.edu (X)
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Subject: NEW ZINE SEEKING SUBMISSIONS
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To: cypherpunks@toad.com
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Date: Thu, 11 Mar 93 12:07:01 MST
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Hello. My name is Andy Hawks, and I am the publisher of a new zine
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called "[the] Infinite Edge". Information about the zine follows, but
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for now I will give a quick overview of myself and the basic
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intentions of this new zine.
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For approximately two years now, I have been producing,
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electronically, a text file entitled The FutureCulture FAQ. This
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message is intended to be spread electronically, primarily, so I am
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sure many will be aware of the jargon used here. But for those that
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are not, FAQ stands for Frequently Asked Questions and is a guide or
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handbook if you will. My FutureCulture FAQ file then, pertains to
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varying aspects of, as the name implies, culture in the future.
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This file arose out of an interest primarily in cyberpunk fiction,
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particularly the idea that "cyberpunk is really about the present".
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From there, the spectrum of information contained in the FutureCulture
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file spread to include a wide snapshot of aspects of modern culture
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that are ahead of the mainstream, oriented towards the near-future.
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This includes all realms of what is commonly called "new edge",
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"technoculture", or "cyberculture" -- a mishmash of postmodernism,
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psychedelics, hacking, raves, cyberspace, industrial music, cyberpunk
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fiction and realities, etc., that are proving to be important
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constructs in the evolution of world culture.
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The file continues to grow and morph, and the initial response to it
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prompted me to begin the FutureCulture E-List. Those who share an
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interest in the topics discussed in the file can participate in
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in-depth or light-hearted discussions via the FutureCulture E-list,
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which has proven to be an interesting and unique addition to the
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vastness of cyberspace.
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Readers and participants in FutureCulture have included at one time or
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another a wide variety of sociologists and anthropoligists, authors
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and writers, hackers, scientists, students, and prominent "cyber-"
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oriented figures.
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For a long time, I have dismissed print media in wake of the
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interaction I saw occuring via e-media, such as the FutureCulture
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list, and I would be one of those to shun society's love affair with
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paper in wake of advancing computer and networking technologies. Yet
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through a seemingly unending discussion regarding the scope of the
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popular phrase "information wants to be free", I have found my love
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affair with e-media to in fact be quite out of date. That may seem
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contradictory to some, yet if we are truly to arrive at an infoculture
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of global real-time interaction via cyberspace, we must first look at
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the world in which we currently inhabit. We live in a world where
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paper and television are the informational messangers of choice to the
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masses.
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Thus, in an attempt to further propagate information to as wide an
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audience as possible, I have begun [the] Infinite Edge zine.
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The zine will be printed in black & white and 8 1/2 x 11", using
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Macintoshes and laserprinters. Below follows a basic text outline of
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what [the] Infinite Edge will look like sans graphics and design, of
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course.
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I am looking for submissions and assistance with this project from all
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angles: fiction writers, essayists, ranters, graphic designers,
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artists, poets, etc. Submissions are welcome in any form, in any
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style, in any tone, though that is not a guarantee that everything I
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receive will be printed. I am looking for submisison as soon as
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possible, but feel free to send them in whenever you like. For first
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issue, send them in by the end of March.
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Due to lack of available resources, I am unable as of yet to reward
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monetarily those who contribute to [the] Infinite Edge. I have little
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money, and my primary interest is producing the highest-quality zine
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possible, containg an immense spectrum of information.
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If you would like to contribute to [the] Infinite Edge in any way,
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shape, or form, please send all queries, submissions, tips, words of
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wisdom, etc., to me on the Internet at:
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ahawks@nyx.cs.du.edu
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If you do not have Internet access, please send mail to:
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Andy Hawks
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4290 South Mobile Cir. #D
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Aurora, CO 80013
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USA
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By the way, I am looking at offering [the] Infinite Edge at a cost of
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$3 per issue. The first issue is not completed yet, but if you are
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anxious, please contact me via email or snail mail. Groovy.
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[the] Infinite Edge
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___________________
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Focusing on the Edges of Culture, examining the Fringes of Reason and
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the Reasons of Fringe, the Here and Now and Soon-to-Be, via
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unstrcutured Tones that Ebb and Flow from In-Form Information to
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Formless Rants of Altered States.
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[the] Infinite Edge is Divided into the following sections:
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GENESYS
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Notes from the Editor, Leters from those that Grep and/or Grok
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the Infinite Edge.
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32-BIT
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Soundbytes of the World, Unite and Take Over. Blurbs
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pertaining to interesting news and products, quotes,
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technology, factoids, etc.
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MODERN
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Cultural Commentary - Realizing, Focusing, and Morphing
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the PostModern World. Rants, Essays, Theses, Observations,
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Predictions, Analyses, Streams and Rivers of Consciousness.
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-SUB
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The Depths of the Underground Subcultures. Rants, Essays,
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Theses, Observations, Predicions, Analyses, and Information.
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E+
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The Virtual World. News, Notes, Notables and Quotables, Rants,
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Essays, Theses, Observations, Predictions, Analyses,
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Communication, Teknologies.
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VILLAGE VIEWS
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Interviews (I-Views) and E-Views with those who Surf, Ride,
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Make and Break the Edges of Culture.
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STREAMZ
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Fiction on The Edge: Transreal, Hyperreal, SlipStream,
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Cyberpunk, Post-Cyberpunk, [insert_any_word_here], etc.
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MEDI8
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Reviewing, Analyzing, and Commentary regarding Popular and
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Underground Media: Books, Magazines, Zines, E-Zines, E-Books,
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Hypertext, Music, Film, Video, Television, Software, etc.
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MOBIUS
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One Last Informational Fix, Closing Words, Late-Crashing News,
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etc.
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If you would like to contribute to [the] Infinite Edge in any way,
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shape, or form, please send all queries, submissions, tips, words of
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wisdom, etc., to me on the Internet at:
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ahawks@nyx.cs.du.edu
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If you do not have Internet access, please send mail to:
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Andy Hawks
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4290 South Mobile Cir. #D
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Aurora, CO 80013
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USA
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________________________________________________________________________
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________________________________________________________________________
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The SURFPUNK Technical Journal is a dangerous multinational hacker zine
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originating near BARRNET in the fashionable western arm of the northern
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California matrix. Quantum Californians appear in one of two states,
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spin surf or spin punk. Undetected, we are both, or might be neither.
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________________________________________________________________________
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Send postings to <surfpunk@osc.versant.com>, subscription requests
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to <surfpunk-request@osc.versant.com>. MIME encouraged.
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Xanalogical archive access soon. SURFPUNK is only about the present.
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________________________________________________________________________
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________________________________________________________________________
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