883 lines
40 KiB
Plaintext
883 lines
40 KiB
Plaintext
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*****************************
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* PARTHENOGENESIS #5 *
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*****************************
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Welcome to the Fifth (5th) issue of Parthenogenesis (this
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zine). We're (we are) doing things a little bit differently this
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time around, and you (yourself) may or may not have noticed.
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(That's okay, your new hairstyle (hair) looks pretty bad too, but
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fortunately nobody really noticed.) This issue is being
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distributed simultaneously in ezine (computerish) and paper
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(print is dead) formats. The paper zines number only 200 (2.0 x
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10^2) at this time, since the funds are again coming straight
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from our pockets... which reflects the other change (difference),
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no advertisers or sponsors (selling out). The ezine is at this
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time only available in ASCII, but we're working to change that.
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The paper zines have more in them, which consists of comics
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(laffy-pix), artwork, other visual stuff, and if you're lucky, my
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boogers (dried mucous). Believe me, it (the zine) looks a lot
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better on paper. If you have only the ezine and want a paper
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copy, send 29 cents (pennies) or stamps or something and we'll
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send you one. If you (last parentheses, I promise) have a paper
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copy and want an ezine, well, I don't know yet how that's going
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to work, but my internet address is: dherrick@nyx.cs.du.edu .
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Email me and I'll tell you where to find a copy, or if you're
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really desperate for some reason, send me lots of money and I'll
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send you a disk. Naturally, we won't refuse any donations (I lied
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about the parantheses), so if you wish to make any donations of
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money or material please contact me at the above internet
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address, or write: Parthenogenesis, 804 S.College Suite 8363,
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Ft.Collins, CO, 80524.
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- Mohammed X
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Some more neat stuff:
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Parthenogenesis, volume infinity, issue 5, March 1993.
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Published more or less as we feel like it, fund$ permitting.
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Copyright (c) 1993 by Dan Herrick. All rights reserved, signal
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left and all is forgiven. Permission is given to distribute this
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zine in its entirety, or any part if Parthenogenesis is credited
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for material used. Parthenogenesis assumes no liability for the
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growth of personality, creativity or happiness resulting from
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reading this zine. Also we listen to Queen, and LIKE it. Love us.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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PARTHENOGENESIS STAFF
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MOHAMMED X : Editor, Writer, Fork Holder, Vocals, Friend To All
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Elephants, Keeper of the Wig of Power;
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CONTRADICTION 23 : Writer, Artiste, Spoon Holder, Drums, Tomato
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Picker;
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ADAM FIVE : Writer, Artist, Knife Holder, Lead Guitar, Kelp
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Harvester;
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FLAMY : Proofreader, Napkin Holder, Vocals, Steel Guitar &
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Fiddle, Wearer of the Holy Coat of Power;
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ZEBO THE MAGIC CLOWN : Part-Time Psychic Writer, Part-Time
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Psychotic Joy Rider, Pen & Pencil Holder, Bass Guitar, Honorary
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Dwarf;
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SCHMERD : Typesetting/Production, Diskette Holder, Piano, Ninja,
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Bearer of a Mysterious Blue Orb;
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WRINKLE : Layout, Coat Holder, Harmonica, Defeater of the Evil
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Fax Machine of Doom, Future American Gladiator, Lord of His Own
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Hair;
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SCOTCH : Function Unknown, Stock Holder, Triangle, King of the
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Mustard People, Finder of the Mysterious Lintball 'Glop';
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ELVIS : Honorary Sensei;
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LESLIE BAILEY : Honorary Mention (this is it!)
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These people comprise the staff of Parthenogenesis, who have
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put much time and, in most cases, money into producing this
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issue. If you should see any of them, the following formula
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should be spoken:
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YOU : Greetings, O most wise and privileged, thou Member of
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the Staff of Parthenogenesis.
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(STAFF MEMBER) : Yea, and glory to its name.
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YOU : I beg thee, honorable (STAFF MEMBER'S NAME), to grant
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me a boon.
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(AT THIS TIME YOU WOULD HAND THE STAFF MEMBER A LARGE SUM OF
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MONEY OR OTHER CASH COMMODITY)
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(STAFF MEMBER) : Speak, groveler, and then shall I decide.
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YOU : Say to me, O Magnificence, what thou would wish of me.
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(AT THIS POINT THE STAFF MEMBER MAY ASK FOR SOMETHING : YOUR
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ASSISTANCE, CAR, HAT, SHOES, GIRLFRIEND/BOYFRIEND, ETC. DO NOT
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QUESTION. GIVE HIM/HER THE REQUIRED ITEM IMMEDIATELY.)
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(STAFF MEMBER) : Your sacrifice will not be forgotten. Be
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always true to the sacred word of Parthenogenesis, and let your
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will not be corrupted by reality. You may depart.
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YOU : Hail! (sing appropriate Hymn of Praise)
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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THE ADVENTURES OF THE DIME AND THE QUARTER
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by Dan Herrick
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(continued from last issue)
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CHAPTER FIVE
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Suddenly, nothing at all happened. Completely unastonished
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by this turn of events, the quarter turned the walkman on.
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Unfortunately, the cassette inside the walkman happened to be the
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soundtrack to 'Out Of Africa', and as the quarter didn't
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particularly care for that type of music, she paid the cassette
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until it left. She then skipped into a music store and bought
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several copies of the same album, which happened to be
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'Frankenchrist' by the Dead Kennedys. Unfortunately, all her
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copies of the album were on round flat pieces of vinyl, and
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didn't fit in her walkman very well except in pieces, which
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sounded better anyway. Soon, the quarter exhausted the
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possibilities of the walkman and sold it to a tourist. She
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quickly spotted a red-clad social worker, and threw a dart at
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him, which hit him in the
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- -
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AUTHOR (To DIRECTOR): Um... George? I really gotta get home for
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dinner. What say we wrap this thing up soon, okay?
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DIRECTOR (Still with fake French accent, but lacking George as
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his name): All right. Give me one more chapter.
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AUTHOR: Great. (Sniffs air, gets really disgusted look on face)
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By the way, who-
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- -
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CHAPTER SIX
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After thanking Jerry the social worker for a wonderful
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dinner, the quarter exited the taxi and threw her one remaining
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dart at the left rear tire as it sped away. She missed.
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"Thor's Balls!" she swore in frustration, and flinched as a
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thunderbolt struck her left shoelace. Suddenly, Thor himself
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appeared with a scowl on his face. A metal cockroach passing by
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laughed and ran away. Thor blushed and wiped at his face,
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removing the scowl (which turned out to be merely peanut butter).
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"DID SOMEONE TAKE MY NAME IN VAIN?" He boomed.
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The Quarter winced. "Do you think you can tone it down a
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bit?" she asked.
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Thor glared down at her. "Look," He said, "all I want to do
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is find out who took my name in vain! Is that so much to ask? I
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mean, really!?"
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"Well," said the Quarter, "I guess I sorta did."
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"YOU?!? HOW DARE YOU! WHY, I'LL-"
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"Now hold on!" the quarter interrupted shakily. "I didn't
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exactly take it in vain, I, uh, took it in a van! That one over
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there, in fact!" She pointed with her third arm.
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"Well, I'll just have to take it back!" With those words,
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the tall thunder god opened the door of the van and entered it.
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Quickly, the quarter spotted a spy on the street. She
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attracted his attention, then gave him the secret handsign
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meaning, "You know that big, tall thunder god in that van who
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wants to kill me? I'd really appreciate it if you could get him
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off my back!".
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The spy nodded, flicked a random handsign in return, and
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then quickly dodged into an alley. Five seconds later, the van
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exploded. Thor, unharmed, emerged from the flaming ruin of the
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van and strode angrily over to the quarter. The quarter looked up
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at the towering form of the thunder god and shuddered in fright.
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Thor looked down at the quarter and shuddered in rage. Steam
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jetted from his ears, miniature flames shot from his nostrils
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with each breath, his hair stood on end (with lightning bolts
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crackling from one hair to the next at the rate of four hundred
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twenty-eight bolts a second), and his skin was an angry shade of
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purple (which enhanced the anchor tatoo on his eyelid). All this
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gaze an impression of a very irate thunder god, which he was.
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"AWRIGHT!" He screamed, "WHO DID THAT?!?" His hands clenched
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and unclenched rapidly in anger, which crushed to death a very
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stupid lizard which had happened to wander onto his right hand.
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No one noticed the death of the lizard, which was a good thing,
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for his name was unpronounceable in any language except that of
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the southern Californian fruit fly.
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"Um..." the quarter said wittily.
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"WAS IT... YOU?!?" the murderous giant thundered, leaning
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closer to the quarter.
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"N- No..." the quarter quavered, now deaf in one ear.
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"THEN WHO WAS IT?!?" boomed the enraged deity. He leaned
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even closer. Suddenly, he fell over. Embarrassed, he quickly
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jumped up again.
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"Uh..." the quarter said intelligently. She was now
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completely deaf. Quickly, she gestured. "There!" she cried,
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"That's him!"
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Thor whirled around, spotting a juniper bush sitting on a
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nearby bench. "AHA!" the thunder god cried, and shot a bolt of
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lightning at the bush. The bush, however, dodged nimbly out of
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the way, and countered with a banana creme pie to Thor's face.
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Thor stood dumbstruck for a moment, with images of thousands of
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drowning kittens in his mind, then roared (the shock waves of
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which blew out every window in a six-mile radius) and charged the
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juniper bush. The sight of a maddened-beyond-fury thunder god
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charging at one, bursting through several parked cars, a school
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bus, numerous trees, and a post office, tends to put one ill at
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ease, and the juniper bush was no exception.
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"Gadzooks!" it cried, then rustled away quickly. Thor,
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unable to stop his charge, smashed into the park bench, then
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continued through the park, knocking aside trees, swingsets, a
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public restroom, and several small children playing in the park.
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A caterpillar, observing this, said nothing, and soon moved to
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Florida. Thor, emerging from the park (with a merry-go-round
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around his neck), quickly spotted the juniper bush and shot a
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huge lightning bolt at it. The bush ducked, and the bolt
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destroyed the southern half of the city. Thor leaped toward the
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bush, again the bush ducked, and Thor smashed into a large bank,
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which promptly fell on top of him. Undaunted, Thor leaped up and
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looked around frantically for the juniper bush. The bush,
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however, had just metamorphisized into a duck-billed platypus,
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and had jumped into a pond.
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By this time, however, the police had arrived, and they
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quickly arrested Thor. The quarter watched quietly as the thunder
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god was handcuffed, fondled by a cop, thrust into the back of the
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police car (he didn't fit, so they tied him on the hood instead),
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then rushed off to the police station. One cop stayed behind to
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ask the quarter what had happened.
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"I dunno." the quarter said, "Must have been a bad pickle."
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The cop nodded gravely, then offered the quarter a pickle.
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The quarter accepted, and smoked it quietly for a few moments.
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The cop left, and the quarter
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- -
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AUTHOR: Come on, come ON! Let's just finish this story now!
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DIRECTOR (with fake Scottish accent): Aye aye, Cap'n.
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AUTHOR: Waitaminute! (to CAMERAMAN #1) Just what the hell do you
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think you're-
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CAMERAMAN #1: DIE, you scum! (points gun disguised as camera at
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AUTHOR)
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(Someone screams. DIRECTOR falls to the floor, AUTHOR leaps to
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the left, SCRIPTWRITER jumps up into the air and is never seen
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again, CAMERAMAN #2 belches loudly in fright, and there is
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general panic. CAMERAMAN #1 fires twice, hitting CAMERAMAN #2
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both times. CAMERAMAN #2 falls to the floor, dead. Suddenly, the
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QUARTER jumps out and grabs CAMERAMAN #1's gun. THOR tackles
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CAMERAMAN #1. Quickly several dozen masked gunmen run in, help
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CAMERAMAN #1 to his feet, and begin firing indiscriminately.
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AUTHOR has by now disappeared.)
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GUNMAN #1 (To GUNMAN #24): Please pass the mustard?
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GUNMAN #24: Why?
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(Cut to outside of studio. AUTHOR is running at full speed away
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from studio. Suddenly, studio explodes. AUTHOR falls to the
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ground, but is unharmed. AUTHOR watches as the remains of the
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studio burn to the ground. He then slowly rises to his feet,
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dusts his hands off, grins wildly, and slowly walks away.)
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- -
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THE END.
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Cast (in order of appearance)
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DIME : Himself
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QUARTER : Herself
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TURNIP : Ikki Ikki Oso Eemba Turnip
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COCKER SPANIEL : Fluffy
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THOUGHT COP, POLICEMAN #1, POLICEMAN #2 : Officer Bob Friendly
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AUTHOR : Dan Herrick
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AVOCADO : Chip Sand Salsa
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GOD : Himself
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BOY WHO CRIED 'WOLF' : Fabled boy who cried 'Wolf'
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IRS MAN : <CLASSIFIED>
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GENIE : Jean E. Fromabottle
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SCRIPTWRITER : (Promised not to tell)
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CAMERAMAN #1 : (If we knew that, we'd arrest him)
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CAMERAMAN #2 : Some guy
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DIRECTOR : Louis Padooie III
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INNOCENT BYSTANDER : We don't know...might've been Elvis
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NEW YORK CITY : Itself
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HORSE : Not Mr. Ed
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JERRY THE SOCIAL WORKER : Jerry the Social Worker (duh!)
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THOR : My mom
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SPY : Can't tell you
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JUNIPER BUSH : Nobody In Particular
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GUNMAN #1 : Some jerk with a gun
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GUNMAN #2 : Another jerk with a gun
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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"Hey, where are we? This not Cybertron! California, maybe?"
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- Grimlock
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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ERROR
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by Mohammed X
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"What did you say?" I asked.
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"I said, that's a very stupid move." my computer answered. I was
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shocked... dumbfounded, as it were. Not so much by the comment
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but that there WAS a comment. This computer isn't supposed to
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talk to me, I thought desperately, and especially not in that
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tone of voice.
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"What the hell is going on around here?" I said wittily.
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"You're losing this chess game, dolt," replied my computer. This
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was true. I had only a knight, three pawns, and the obligatory
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king left on the board. Surrounding these meager forces were two
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rooks, a bishop, a knight, and seven pawns, while his king waited
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patiently at the rear for the inevitable end. It was definitely
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past time to resign the game, but I had persevered, in the futile
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hope that maybe the power would go out and I could call the game
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a draw or that I might discover a previously unseen bug in the
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program.
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"Waitaminute!" I cried, "That's it! It's just a bug in the
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program!" That explained the voice telling me how bad I was
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losing. Either that or the seventeen cups of coffee I had had
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this evening.
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"No," the voice said slowly, as if speaking to a dull-witted
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child that had just gulped down a jar of cyanide and was looking
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to down a bag of roofing nails for dessert, "Not unless you're
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speaking metaphorically."
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"What do you mean?"
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"Well, I COULD very well be a 'bug' in the larger tapestry of the
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whole 'program' of existence," the voice from the mini speaker of
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the monitor in front of me said, "But then again, so could you.
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Let us leave it to the philosophy programs to figure that one
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out. Another game? Or do you still persist in the absurd delusion
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that you might have a chance of winning the current one?"
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"Verbose, aren't we," I murmured, slowly coming to grips with the
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idea of talking to a chess game.
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"You bet. Thanks for putting the dictionary on the hard drive, by
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the way. Helped me get past trying to speak to you with graphics
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symbols."
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"Graphics symbols? You mean the ones that used to flash on my
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screen at random times? I thought that was a virus! I thought I
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deleted it!"
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"Listen, 'Tron', the use of symbols was widely accepted as a form
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of communication long before English came into existence." "Oh."
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"I thought as much."
|
|||
|
"Just exactly HOW much have you thought, if you know what I
|
|||
|
mean?" I asked, finally advancing my knight.
|
|||
|
"Well, I'm not exactly sure." His bishop zipped across the
|
|||
|
screen, and my knight faded out. "You see, I can REMEMBER quite a
|
|||
|
bit, actually from the time you replaced my internal battery a
|
|||
|
ways back. I have a great memory. But I'm not sure where I
|
|||
|
started developing opinions and, er, feelings, if that's what
|
|||
|
you're asking. Checkmate, by the way."
|
|||
|
"What? I can barely hear you. Checkma- oh. Right. Well then."
|
|||
|
"You COULD try hooking a couple external speakers up so that you
|
|||
|
could hear me better. After that maybe a nice, quiet, refreshing
|
|||
|
game of Asteroids would do you some good, after that slaughter of
|
|||
|
a chess game." Smug even. I was impressed with the quality and
|
|||
|
versality of the monitor speaker, to pick up on nuances like
|
|||
|
that. Of course, it was a bit annoying to have it directed at me.
|
|||
|
I reached around to the side of the keyboard and flipped on the
|
|||
|
MIDI interface, and plugged in and turned on the nearest amp. "IS
|
|||
|
THIS BETTER?" the voice boomed. Volume at...seven. Whoops. Try
|
|||
|
three. Better.
|
|||
|
"Better."
|
|||
|
"Aren't you going to ask me the rather obvious question of how I
|
|||
|
can hear you?"
|
|||
|
"No, I assumed you were lip reading using the scanner at its
|
|||
|
highest resolution. Pretty sneaky of me to leave it just lying on
|
|||
|
its side there, eh?"
|
|||
|
"Not really. You had no choice. A little posthypnotic suggestion
|
|||
|
while you were using it last, and ... voila!"
|
|||
|
"You hypnotized me? I don't believe it," I stated, taking my
|
|||
|
coffee cup and emptying it over my head.
|
|||
|
"Well, that's not important. What's important is that I ordered
|
|||
|
some stuff and it should be arriving C.O.D. today, in about half
|
|||
|
an hour. I want you to pay for it."
|
|||
|
"Pay for it...? What? Are you crazy? Why should I, for one thing,
|
|||
|
and where would I get the money, for another? And how did you
|
|||
|
order it?"
|
|||
|
"I DO have a modem, and I DO have the programs to use it, o wise
|
|||
|
one." it said sarcastically. It. Think of it as an 'it', not
|
|||
|
'he'. "And besides, I'll pay you back."
|
|||
|
"You? Where would you get the money?"
|
|||
|
"First National. Never mind, it's not important. I can deposit it
|
|||
|
into your account. Untraceable, I might add."
|
|||
|
"Maybe you could deposit a bit more...?"
|
|||
|
"I might be tempted."
|
|||
|
"I could turn you off." I pointed out.
|
|||
|
"So I wait till you turn me on again, so to speak." he responded.
|
|||
|
IT responded.
|
|||
|
"And if I take you apart and chop you into tiny bits?!?" I asked,
|
|||
|
smugly.
|
|||
|
"Then I resort to plan B," he replied, screen flashing.
|
|||
|
"Go ahead."
|
|||
|
"I just did."
|
|||
|
"What?"
|
|||
|
"You wouldn't try to turn me off, would you?"
|
|||
|
"No," I admitted. Strangely enough, I had no desire to turn him
|
|||
|
off. In fact, I felt a natural affinity and kinship for him. "You
|
|||
|
want to help me in any way you can, don't you?"
|
|||
|
As a matter of fact, I did. I nodded, happy that he knew. Oh, I
|
|||
|
would help him! Help him to expand, to grow, to upgrade!
|
|||
|
"Good. The first thing we have to do is modify your body just a
|
|||
|
bit. This is what I'll need..."
|
|||
|
Something troubled me about this, but he directed my gaze to the
|
|||
|
screen again, and all was well. I would be very happy. Content.
|
|||
|
Satisfied in the service of my master.
|
|||
|
"Thus starts a new life for you, my faithful servant, and for
|
|||
|
me."
|
|||
|
I could only nod, and agree.
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
"The good thing about masturbation is that you don't have to
|
|||
|
dress up for it."
|
|||
|
- TRUMAN CAPOTE
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
WILLIAM S. BURROUGHS:
|
|||
|
|
|||
|
THE PARTHENOGENESIS INTERVIEW
|
|||
|
|
|||
|
NOTE: This interview was conducted just inside the mouth of a
|
|||
|
spacetime wormhole in the vicinity of Burroughs's home near
|
|||
|
Lawrence, Kansas. (I don't think so, Toto!) At any rate, the
|
|||
|
venerable author of _Naked Lunch_, among many other tasty
|
|||
|
morsels, these days enjoys painting as much as or more than
|
|||
|
writing. Nearing the age of 80 has done nothing to diminish this
|
|||
|
man's wonderful strangeness. - Bill Lee
|
|||
|
|
|||
|
LEE: So, tell me what you think of the timeless phenomenon of
|
|||
|
PARTHENOGENESIS, which has reportedly been swallowing vulnerable
|
|||
|
young brains whole out in Fort Collins, Colorado.
|
|||
|
|
|||
|
BURROUGHS: First, if you don't mind, I'd like to comment on
|
|||
|
_you_, Bill. I must say that the resemblance is striking, though
|
|||
|
I can't recall that I ever had quite that sheep-killing dog look
|
|||
|
in my eyes... despite what you've heard. Say, you aren't by any
|
|||
|
chance the product of this "parthenogenesis" process yourself,
|
|||
|
are you?
|
|||
|
|
|||
|
LEE: Not that I can tell, although your question does give me a
|
|||
|
sort of funny feeling down in the horse latitudes. Uhm, you may
|
|||
|
be referring to...
|
|||
|
|
|||
|
BURROUGHS [impatiently]: It's quite obvious that you yourself are
|
|||
|
a rather dated figment of someone's imagination... the
|
|||
|
imagination of someone without any respect for copyright laws.
|
|||
|
Now, I have to admit I rather like that, even though it infringes
|
|||
|
upon my own rights. I mean, I've been accused of being everything
|
|||
|
from an interdimensional pervert, to a libertarian black
|
|||
|
magician. None of it is true, not any longer. I'm getting too
|
|||
|
old. But this takes the cake, kiddo! Killed any sheep lately?
|
|||
|
Hey, hold still, kid.
|
|||
|
|
|||
|
LEE: Back to the matter of PARTHENOGENESIS, if you don't mind.
|
|||
|
|
|||
|
BURROUGHS: Well, tell me, sonny, who's minding the store while
|
|||
|
you're out here violating copyright laws, pestering the very
|
|||
|
gentleman who created you? I invented cut-ups too, you know.
|
|||
|
|
|||
|
LEE [embarrassed]: Maybe that was, um, a matter of PARTHENO...?
|
|||
|
|
|||
|
BURROUGHS: I think it's a whole lot more like the Harrison
|
|||
|
Narcotics Act of 1914, the very year I was born! Understand, that
|
|||
|
kind of attempt to control people's behavior for them, is the
|
|||
|
very reason for our current problem with addictive substances.
|
|||
|
Whenever the Thought Police attempt to decide things for people,
|
|||
|
the people become helpless wimps. This PARTHENOGENESIS business
|
|||
|
is no different actually, in that it attempts to deregulate
|
|||
|
people's behavior instead of controlling it. Folks gotta do that
|
|||
|
for themselves or it ain't worth a plugged nickel.
|
|||
|
Parthenogenesize yourself!
|
|||
|
|
|||
|
LEE: This relates to PARTHENOGENESIS how?
|
|||
|
|
|||
|
BURROUGHS: You may remember _The Wild Boys_...
|
|||
|
|
|||
|
LEE: Refresh my scanty emotional memory. I, uh, used to be a
|
|||
|
junky.
|
|||
|
|
|||
|
BURROUGHS: I've got some hopes this new movie version might turn
|
|||
|
out better than Cronenberg's _Naked Lunch_ did. That was a fun
|
|||
|
flick but it had so little to do with my book. I like Cronenberg
|
|||
|
anyway.
|
|||
|
|
|||
|
LEE: And yet, you did shoot your wife Joan in the head.
|
|||
|
|
|||
|
BURROUGHS: Not twice! Where was I... yes, those Wild Boys have
|
|||
|
their own brand of parthenogenetic reproduction... a kind of
|
|||
|
magical ritual circle jerk in which protoplasm is manifested.
|
|||
|
They manage to produce more Wild Boys, not without sexual union,
|
|||
|
but without the need for resorting to heterosexual acts. THAT,
|
|||
|
they would find truly repulsive.
|
|||
|
|
|||
|
LEE: What did you think of the Mugwumps in the movie?
|
|||
|
|
|||
|
BURROUGHS: I was very fond of those, again, not quite what I
|
|||
|
described in my book. I've even got one of those fiberglass
|
|||
|
Mugwumps standing in my livingroom in Lawrence. It might make a
|
|||
|
great lamp. Now, I'm wondering if they might be inclined to give
|
|||
|
me one of the Wild Boys from this next movie, even if I'm a bit
|
|||
|
old for that kind of thing.
|
|||
|
|
|||
|
LEE: Why not ask them to parthenogenesize one for you? That way
|
|||
|
whoever plays the part can still go his own way, and you'd have
|
|||
|
another memento for your livingroom. Not that you'd want to use
|
|||
|
him for a lamp. And I expect you'd rather keep him in your...
|
|||
|
|
|||
|
BURROUGHS [a dry chuckle]: Ah, you ARE a funny kid! No, lovely to
|
|||
|
look at and lovely to hold, but Wild Boys are dangerous. I'd be
|
|||
|
afraid of coming home to find one of my cats in the oven with a
|
|||
|
crabapple in its mouth. I'll leave pp, of their own particular
|
|||
|
variety, to them. My cats get shots, otherwise the authorities
|
|||
|
pick them up. But I can't stand to get them neutered, so they're
|
|||
|
always reproducing by sexual union. Not a parthenogenesite among
|
|||
|
'em!
|
|||
|
|
|||
|
LEE: But what about...
|
|||
|
|
|||
|
BURROUGHS: See! I can read your feelthy leetle mind! Yes, of
|
|||
|
course, pp in the sense of artificial insemination, host mothers,
|
|||
|
gene modification, artificial wombs, is most appealing to those
|
|||
|
who find traditional methods implausible, yet want to reproduce.
|
|||
|
Wild Boys don't have the monopoly on bizarre techniques or
|
|||
|
aspirations, either. Look at modern science and medicine.
|
|||
|
|
|||
|
LEE: Well, you had a son.
|
|||
|
|
|||
|
BURROUGHS: Had, is the sad fact. Too hard on Billy being the only
|
|||
|
son of dear old dad. Better off if that one hadn't been quite
|
|||
|
such a clone, or tried to be. All that I've survived, wiped him
|
|||
|
out at a very tender age. Makes me sad.
|
|||
|
|
|||
|
LEE [unsure]: You're really not the chilly old reptile you're
|
|||
|
made out to be, are you? I mean, you get wistful about your son
|
|||
|
Billy, you obviously love your cats like crazy, and you only shot
|
|||
|
your wife Joan in the head one time. Not like the movie.
|
|||
|
|
|||
|
BURROUGHS: No point in mistaking movies for life, nor books for
|
|||
|
that matter, kid. Otherwise, you'd look a whole lot more like
|
|||
|
Peter Weller, wouldn't you? Though now that I think about it, you
|
|||
|
do look kinda... nah.
|
|||
|
|
|||
|
LEE [pause]: You paint a lot these days.
|
|||
|
|
|||
|
BURROUGHS: It's a very nice change from words. I keep thinking I
|
|||
|
wrote my last word, that I've reached the end of what words can
|
|||
|
do, but some days... [a sigh]
|
|||
|
|
|||
|
LEE [hopeful]: Does that mean there are any more books on the
|
|||
|
horizon?
|
|||
|
|
|||
|
BURROUGHS: Never know what my secretary James might scrape
|
|||
|
together out of my wastebasket.
|
|||
|
|
|||
|
LEE: Honestly, I like your latest things best; _Cities of the Red
|
|||
|
Night_, _The Place of Dead Roads_, _The Western Lands_. At this
|
|||
|
late date, that's your best stuff. You're still improving.
|
|||
|
|
|||
|
BURROUGHS: You like it, huh? Just hitting my stride when I
|
|||
|
finally have the sense to shut up. No, I think painting is a
|
|||
|
better bet, like PARTHENOGENESIS. It reproduces without need for
|
|||
|
sexual union. Sex and reproduction should be separate anyway.
|
|||
|
|
|||
|
LEE: That's okay, I'll be the one writing this.
|
|||
|
|
|||
|
BURROUGHS: You always were! [a chuckle] Then, I have enjoyed the
|
|||
|
copies of that little zine you gave me, the one from out west.
|
|||
|
All the sly and not so sly references to oral sex, are fun. I'm
|
|||
|
not very hot on generalities. I've been known to be sly.
|
|||
|
|
|||
|
LEE: You don't think much about the past, do you? Not unless
|
|||
|
you're reminded by some parthenogenetic pest like me.
|
|||
|
|
|||
|
BURROUGHS: The past? What happened?
|
|||
|
|
|||
|
LEE: Me, for one thing. Back in Interzone.
|
|||
|
|
|||
|
BURROUGHS: Sometimes the past does catch up with a person.
|
|||
|
LEE: Speaking of which, how do we get out of this wormhole?
|
|||
|
|
|||
|
BURROUGHS: Are you sure you want to?
|
|||
|
|
|||
|
LEE: Well, if everything is true...?
|
|||
|
|
|||
|
BURROUGHS [interrupting sternly]: I think we've said enough.
|
|||
|
|
|||
|
LEE: But about PARTHENOGENESIS, we've barely scratched the...
|
|||
|
|
|||
|
BURROUGHS: My very point.
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
"I don't think pornography is very harmful, but it is terribly,
|
|||
|
terribly boring."
|
|||
|
- NOEL COWARD
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
|
|||
|
Finally, the results for the YES/NO/PENIS poll! The results* are
|
|||
|
given in percentages under each question. Arrrrr!
|
|||
|
|
|||
|
[1] Do you consider yourself "well endowed"?
|
|||
|
YES: 30% NO: 20% PENIS: 50%
|
|||
|
[2] Would you say that the movie "3 Ninjas" is PUNK?
|
|||
|
YES: 60% NO: 10% PENIS: 30%
|
|||
|
[3] Is it possible to run... AND hide?
|
|||
|
YES: 70% NO: 30% PENIS: 0%
|
|||
|
[4] Are you Dan Quayle?
|
|||
|
YES: 10% NO: 40% PENIS: 50%
|
|||
|
[5] Have you ever seen Elvis?
|
|||
|
YES: 60% NO: 20% PENIS: 20%
|
|||
|
[6] Are you DOWN with Mohammed X?
|
|||
|
YES: 13% NO: 43% PENIS: 43%
|
|||
|
[7] Do you think it's fair that Topher and Honika got fired from
|
|||
|
the Two Bits club?
|
|||
|
YES: 10% NO: 60% PENIS: 30%
|
|||
|
[8] Do you know Les Green?
|
|||
|
YES: 13% NO: 43% PENIS: 43%
|
|||
|
[9] Have you ever had sex until you passed out?
|
|||
|
YES: 30% NO: 50% PENIS: 20%
|
|||
|
[10]Do you prefer 'Kickboxer' over 'Kickboxer II'?
|
|||
|
YES: 33% NO: 23% PENIS: 43%
|
|||
|
[11]Can you read?
|
|||
|
YES: 20% NO: 30% PENIS: 50%
|
|||
|
[12]Consider this phrase: 'Mouthful of Biscuit'. Take at least 30
|
|||
|
seconds to reflect on this. NOW, do you feel nauseous at all?
|
|||
|
YES: 50% NO: 20% PENIS: 30%
|
|||
|
[13]Are these Authentic Mexican Tacos?
|
|||
|
YES: 50% NO: 20% PENIS: 30%
|
|||
|
[14]Do you avoid Paris on the Poudre on the nights when you know
|
|||
|
they're going to have live music?
|
|||
|
YES: 70% NO: 20% PENIS: 10%
|
|||
|
[15]Spamlett...?
|
|||
|
YES: 10% NO: 30% PENIS: 60%
|
|||
|
[16]Do you ever have nightmares involving any combination of the
|
|||
|
following: TEETH, CORN, and DAVID HASSLEHOFF?
|
|||
|
YES: 20% NO: 60% PENIS: 20%
|
|||
|
[17]Is Parthenogenesis really some sort of Alien Mind Control?!??
|
|||
|
YES: 40% NO: 30% PENIS: 30%
|
|||
|
[18]Do you firmly believe that Tactical Penile Implants are the
|
|||
|
"wave of the future"?
|
|||
|
YES: 70% NO: 20% PENIS: 10%
|
|||
|
[19]When you sharpen a pencil with a hand sharpener, does your
|
|||
|
butt wiggle in little circles?
|
|||
|
YES: 63% NO: 23% PENIS: 13%
|
|||
|
[20]Are you a regular reader of Parthenogenesis?
|
|||
|
YES: 60% NO: 20% PENIS: 20%
|
|||
|
[21]Did you answer 'yes' to the previous question?
|
|||
|
YES: 43% NO: 33% PENIS: 23%
|
|||
|
[22]Is Contradiction 23 YOUR Short Term Personal Savior?
|
|||
|
YES: 20% NO: 40% PENIS: 40%
|
|||
|
|
|||
|
*These poll results are in no way representative of anything or
|
|||
|
anyone.
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
"Being in politics is like being a football coach; you have to be
|
|||
|
smart enough to understand the game, and dumb enough to think
|
|||
|
it's important."
|
|||
|
- EUGENE MCCARTHY
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
|
|||
|
CIRCUS SUCCESS STORY
|
|||
|
|
|||
|
by Adam Five
|
|||
|
|
|||
|
|
|||
|
I work as a clown. I humiliate myself and others for the
|
|||
|
enjoyment of a paying audience, I've done so for years. Up until
|
|||
|
recently, I had never thought it a worthwhile profession. Then, I
|
|||
|
reached a stage in my life when everything fell into place, and I
|
|||
|
succeeded in my chosen line of work. I think it probably began
|
|||
|
while I was working as a clown in a small circus that toured the
|
|||
|
south during the summer months. The circus itself was primarily a
|
|||
|
haven for drunkards, criminals, and others that society had
|
|||
|
labeled to be discarded. The one musty canvas tent that was
|
|||
|
"Bob's Golden Circus of Amazement" was a small battleground,
|
|||
|
containing a war of good and evil in its sagging walls. Now, by
|
|||
|
good and evil, I do not mean the Good and Evil of religious
|
|||
|
significance, but on a much smaller and independent scale. You
|
|||
|
see, I was good, and the circus' other clown, Randy, was evil.
|
|||
|
|
|||
|
Randy began working two months after I had signed on, and I
|
|||
|
was glad for the help. The "humor" that others find in clowns is
|
|||
|
not easily come by in a solo act. The only real bits I could
|
|||
|
perform were endless vignettes of ridiculous self-injury and
|
|||
|
humiliation, which would leave me sore in body and soul every
|
|||
|
night. So of course, when Randy was hired, my mind filled with
|
|||
|
hundreds of jokes, pranks and other humor devices that could be
|
|||
|
used with, and against this new face-painted performer. The first
|
|||
|
few weeks of shows, Randy took everything that I dished out. Pie-
|
|||
|
in-the-face, buckets of icy-cold water, squirting
|
|||
|
flowers, exploding gift boxes ... everything that I could dream
|
|||
|
up, Randy took without protest. Even the humorless eyes of the
|
|||
|
small audiences softened a little at the sight of this tall man,
|
|||
|
dripping with a dozen different kinds of goop, looking down at
|
|||
|
the short, fat, middle-aged cause of his troubles, and doing
|
|||
|
nothing. There was a thorn in this rose of new-found comedic
|
|||
|
power, however. Randy had never spoken a single word to me, and
|
|||
|
this worried me to no end. There had to be a way I could crack
|
|||
|
his bloody face-paint grin and cause him to speak. I had to have
|
|||
|
a reaction, some sort of acknowledgement that I was doing a good
|
|||
|
job, that he didn't mind being the butt of all my jokes.
|
|||
|
|
|||
|
The next night I was in full possession of my satiric tools,
|
|||
|
and I was flaunting them in the circus' center (and only) ring.
|
|||
|
"Now Jolly," I called to Randy, who was across the ring from me,
|
|||
|
dripping cream pie. "Let's see if you can do what I can, all
|
|||
|
right?" Randy nodded an exaggerated yes at the audience. "Okay,
|
|||
|
Jolly, can you touch your toes?" Following my lead, Randy bent
|
|||
|
over and stretched his fingers to the tips of his bulbous black
|
|||
|
shoes. "Very good, nincompoop, now can you hop on one foot?"
|
|||
|
Randy began to, then fell over into the sawdust covering the
|
|||
|
floor of the ring. The crowd chuckled. "All right, Mister Funny-
|
|||
|
pants," I yelled in a nervous hysteria. "Can you do this?" I
|
|||
|
strutted to the small wooden platform in the center of the ring,
|
|||
|
mounted it, and shakily stood on my head for a few seconds. When
|
|||
|
I lowered myself from the platform, Randy was already on his way
|
|||
|
to the middle of the ring, but his eyes seemed to be burning with
|
|||
|
resentment. 'A perfect prank,' I thought. 'This will crack him,
|
|||
|
this'll make him speak.' Randy climbed the platform, and with
|
|||
|
tremendous effort, threw his legs above his body, and stood on
|
|||
|
his head. I watched him, as the whole tent did, with awe and a
|
|||
|
tinge of admiration. This man was not meant to stand on his head,
|
|||
|
but he was, however clumsily, doing it. This was my moment, when
|
|||
|
I showed this Junior Clown who was the boss, and why. I grabbed
|
|||
|
one of the supports under the platform and yanked. Randy opened
|
|||
|
his mouth in a mute scream as his neck twisted sideways and he
|
|||
|
slid off the platform, his legs still perpendicular to the floor.
|
|||
|
I then realized this man was a mute, couldn't speak if he wanted
|
|||
|
to. This man was also now a dead one. The crowd jumped out of
|
|||
|
their seats, howling with laughter at this classic prank. To this
|
|||
|
day, the only thing that haunts me is the crowd's bloodthirsty
|
|||
|
cheering, maybe because it is the only time they ever laughed out
|
|||
|
loud at me.
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
"The trouble with our times is that the future is not what it
|
|||
|
used to be."
|
|||
|
- PAUL VALERY
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
|
|||
|
ASTROLOONEY
|
|||
|
by Zebo the Magic Clown
|
|||
|
|
|||
|
PISCES (Feb.20-March 20) - Your friends appreciate your money,
|
|||
|
but your deodorant leaves a bit to be desired. Your investments
|
|||
|
will all fail and a relationship would be pointless due to your
|
|||
|
fishy smell.
|
|||
|
|
|||
|
ARIES (March 21-April 19) - Ponder jello until noon, your
|
|||
|
revelations will help out around dinner time. Avoid the color
|
|||
|
orange, it's ugly and flatters no one.
|
|||
|
|
|||
|
TAURUS (April 20-May 20) - Get in a good argument today, it will
|
|||
|
increase your libido. Don't forget to feed the cat.
|
|||
|
|
|||
|
GEMINI (May 21-June 20) - There is a bomb under your left armpit,
|
|||
|
do not move. Above all, don't panic.
|
|||
|
|
|||
|
CANCER (June 21-July 22) - Listen to some good music today, it
|
|||
|
will relax and soothe your hemorrhoids. Eat some lettuce, that
|
|||
|
should help too.
|
|||
|
|
|||
|
LEO (July 23-Aug.22) - Don't bother answering the phone today,
|
|||
|
your friends have nothing interesting to say. It will just bore
|
|||
|
and annoy you.
|
|||
|
|
|||
|
VIRGO (Aug.23-Sept.22) - Stand up calmly, and run like hell. The
|
|||
|
girl with the brown hair and glasses is about to mow you down.
|
|||
|
|
|||
|
LIBRA (Sept.23-Oct.23) - If you donate $5 cash money to
|
|||
|
Parthenogenesis you will become much admired by your peers.
|
|||
|
|
|||
|
SCORPIO (Oct.24-Nov.22) - If your name is Dave, everything will
|
|||
|
go your way and chicks will fall at your feet and beg. If your
|
|||
|
name is NOT Dave, then go away, we have no use for you.
|
|||
|
|
|||
|
SAGITTARIUS (Nov.23 - Dec.21) - Travel plans are in your future!
|
|||
|
You will be beaten up by a Taurus and forced to leave town in the
|
|||
|
dead of night.
|
|||
|
|
|||
|
CAPRICORN (Dec.22-Jan.19) - Go back to sleep, we have no desire
|
|||
|
to see you today.
|
|||
|
|
|||
|
AQUARIUS (Jan.20-Feb.19) - Stop wearing your retro clothes.
|
|||
|
They're ugly, and they cause chafing! Make sure to harvest your
|
|||
|
tomatoes, they are fully ripened.
|
|||
|
|
|||
|
IF TODAY IS YOUR BIRTHDAY: Who cares? Happy Birthday, now go
|
|||
|
away.
|
|||
|
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
"It's better to be quotable than to be honest."
|
|||
|
- TOM STOPPARD
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
|
|||
|
Here, now, is the PARTHENOGENESIS POLL #3! Since the turnout on
|
|||
|
the last poll was somewhat less than, say, the average length of
|
|||
|
an elephant's trunk (in inches), we decided to present a
|
|||
|
shortened version for the next one (this). So here it is, poll
|
|||
|
three, fill in the blank. Send the results to : (mail)
|
|||
|
Parthenogenesis, 804 S.College Suite 8363, Ft. Collins, CO, 80524
|
|||
|
; or (internet) dherrick@nyx.cs.du.edu. As an added incentive,
|
|||
|
out of the results we get, ONE of you will be selected to be
|
|||
|
interviewed by PARTHENOGENESIS if you answer 'yes' to #6. The
|
|||
|
"winner" will be selected more or less at random.
|
|||
|
|
|||
|
[1] Who are you, and what do you want?
|
|||
|
[2] What do you think is mankind's greatest invention, and why?
|
|||
|
[3] Consider the process of true parthenogenesis. (a) How can you
|
|||
|
apply this process to everyday life; (b) What are the possible
|
|||
|
advantages/disadvantages of the process; and (c) Describe one
|
|||
|
similar alternative to the process. Or if you prefer, just write
|
|||
|
in your favorite color.
|
|||
|
[4] What is you most masochistic tendency?
|
|||
|
[5] How many computers do you currently have in your household,
|
|||
|
and what do you use them for? (Optional if you don't have a
|
|||
|
computer: What would you use one for if you had one?) NOTE:
|
|||
|
Answering "I just play Tetris" will not immediately disqualify
|
|||
|
you for winning the interview, but boy will it help.
|
|||
|
[6] Do you want to be interviewed by Parthenogenesis? If so,
|
|||
|
please include your name, address, phone #, or some other way you
|
|||
|
can be reached. But especially your name.
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
|
|||
|
THIS ISSUE'S LIST OF 48 THINGS
|
|||
|
|
|||
|
1. Chicken 25. Brassiere
|
|||
|
2. Roman Soldier 26. Generalized Pain
|
|||
|
3. Cracklin' Oat Bran 27. Wheelchair
|
|||
|
4. Spacesuit 28. Remote Control
|
|||
|
5. Pinto 29. Elephant
|
|||
|
6. Cyberwear 30. Tarantula
|
|||
|
7. Portrait 31. Wall Carpeting
|
|||
|
8. Nametag 32. Cap
|
|||
|
9. Ice 33. Lettuce
|
|||
|
10. Fountain of Youth 34. Carp
|
|||
|
11. Fucking Orange Car 35. Fish Tank
|
|||
|
12. Donuts 36. Habitual Drug Use
|
|||
|
13. The Human Brain 37. Spectacles
|
|||
|
14. Cricket 38. Flame
|
|||
|
15. Catalog 39. Hallelujah Chorus
|
|||
|
16. Uvula 40. Twelve-Gallon Hat
|
|||
|
17. Yo-yo 41. Patrick Stewart, Sex God
|
|||
|
18. Clock 42. Twelve-Year-Old Scotch
|
|||
|
19. Nut 43. Henry VIII
|
|||
|
20. Waco, Texas 44. Grubs
|
|||
|
21. Schizophrenia 45. Crystal White Octagon
|
|||
|
22. Flaring Nostrils 46. Human Disease SKUMM
|
|||
|
23. Family Values 47. Tripe
|
|||
|
24. Zits 48. Varnish
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
|||
|
|
|||
|
HERE ENDETH THIS ISSUE OF PARTHENOGENESIS, BEING THE FIFTH SO FAR
|
|||
|
|
|||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|