1976 lines
94 KiB
Groff
1976 lines
94 KiB
Groff
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WELCOME TO THE INAUGURAL ISSUE OF VOICES FROM THE NET
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[Keep in mind, Wired #1 is now going for $50.00 American ;)]
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xx xx
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xx V O I C E S xx
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xx f r o m xx
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xx t h e xx
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xx N E T . . . xx
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C a n Y o u H e a r O u r V o i c e s ?
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D o Y o u R e a d U s ?
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There are a lot of folks with at least one foot in this complex region we
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call (much too simply) "the net." There are a lot of voices on these wires.
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From IRC to listservs, MUDspace to e-mail, Usenet group to commercial bbs
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- all kinds of voices - loud and quiet, anonymous and well-known. And yet,
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it's far from clear what it might mean to be a "voice" from, or on, the
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net. Enter "Voices from the Net": one attempt to sample, explore, the
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possibilities (or perils) of net.voices. Worrying away at the question.
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Running down the meme. Looking/listening, and reporting back to you.
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* * * ISSUE #1.1 * * *
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This issue:
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--VOICES CARRY
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introductions, musings, ...
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--TOM MADDOX
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brief bio, followed by Q&A
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--SIGNAL/NOISE
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assorted trains of thought from IRC, a MOO, and e-mail
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--A FEW MINUTES WITH... ANDY HAWKS
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brief bio, followed by an essay
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--A SHOUT IN THE DARK
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conclusions? and other ramblings
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--COMING ATTRACTIONS
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preview issue #2
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* * *
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__VOICES CARRY__
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Can you hear our voice?
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People...? Do you read us?
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Are we coming in loud and clear?
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hmmmmm...
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"Voices from the Net" - With a title like that, you know we're just
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looking for trouble. Trouble of the most basic, definitional kind. With a
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title like that, what could our zine be about? What are these "voices from
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the net"?
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Lean back, look away from your screen. Can you hear me? (You looked back.
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Don't think that we don't know! ;-) If "bookish" falls in the MOO, and all
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you get is the emote message:
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--->bookish suddenly crashes to the floor
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does he make a sound? At the risk of getting too literal, too
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philosophical, let me ask again - What are these voices from the net?
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The question is one of mediation, and it is of a familiar type.
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Communication technologies, beginning(?) with writing and progressing(?!)
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through VR, confront us with a range of mutations of the voice. They defy
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the limitations in space and time that bound oral face-to-face
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communication. So that the voice is "read" when it is "loud and clear."
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Confusions of the ear and eye abound, particularly in cyberspace(s).
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CountZer0 and I hold an impromptu editorial meeting by "finger"-ing and
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"talk"-ing online. But my fingers only touch the keyboard of my Mac, and
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those same fingers do the talking while I listen with my eyes. We need
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never have fleshmet, spoken face-to-face, to produce "Voices from the
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Net."
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Confusions, contradictions, and paradoxes. I lean back, look away from my
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screen. It's 3AM and very quiet. But most of us know how "noisy" even our
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favorite virtual environments can get, how completely the "signal" can be
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drowned.
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Signal/noise. Sound/silence. What ARE these voices from the net? These are
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the conundrums that will occupy us, which we will worry at with all the
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monomaniacal intensity of a Usenet group. ;-) "Voices from the Net" is the
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record of a search, an ongoing enquiry into the nature(?!) of our
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net.voices.
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We'll be starting close to home, with environments we know and
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voices that are significant to us, but you can bet that we won't hang
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around those regions exclusively. Already, we are moving/being moved into
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new spaces. We're finding new voices. We want to "hear" what they have to say,
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to "see" how they say it. And we want you to join us, to help the voices
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carry. To help carry the voices from the net.
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C'mon. All aboard! It'll be fun...
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* * *
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__TOM MADDOX__
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Who is Tom Maddox? That's a question that requires a variety of
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answers. (The kind of question we like at "Voices...") He is a published
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author of science fiction stories. His first, "The Mind Like a Strange
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Balloon," appeared in _Omni_ in 1985, and he has had others published in
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_Omni_, _Isaac Asimov's SF Magazine_, and "small magazines and not so
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small anthologies--including _Mirrorshades:The Cyberpunk Anthology_."
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Maddox was among those first associated with the the term "cyberpunk"
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and received special thanks--along with Bruce Sterling, Lewis Shiner, and
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John Shirley--in William Gibson's _Neuromancer_. He has also written
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literary criticism. His first novel, _Halo_, was published by Tor Books in
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1991.
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Maddox teaches literature and writing at Evergreen State College, in
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Olympia, Washington. He describes his situation simply: "Good school,
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good job."
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He is married with two children, plays guitar and is a "regular" in
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several online environments. And in his spare time...
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Back - oh, a month or so ago - when "Voices from the Net" was little more
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than a gleam in our collective eye, we put together a list of people who
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might be willing to talk to us about life on the net. Tom Maddox appeared
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very near the top of that list, for a variety of reasons that should
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become clear. Among those reasons is his willingness to talk about issues
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like "voices from the net." In his "spare time" he was gracious enough to
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share his thoughts on a few questions...
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<Voices> You expressed surprise that we had put you at the top of
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>our list. Let's start there. Do you think of yourself as a
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>"significant voice" on the net?
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>What, then, would you consider a "significant voice"?
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<Tom Maddox> Let me take your first two together. One of the most
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interesting things about the net is that all voices are
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potentially significant, all potentially insignificant. It's not
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only a a functioning anarchy, it's also a pure democracy. A
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significant voice is any voice that says something significant.
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Which is neither to say nor imply that this makes everything
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wonderful. Anyone can achieve significance by being an
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unspeakable pain in the ass, of course--by posting enough
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abuse or gibberish or simply by sitting hour after hour spewing
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the first thing that comes to mind.
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But I believe in an uncensored net. Moderated groups are fine in
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their place, but unmoderated groups are, at least from this
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point of view, still more important. As to good taste,
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consideration, and allied virtues, they're fine, but freedom of
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speech is finer still.
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<Voices> More generally, what parts of the net do you frequent. Why
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>those, and why not others?
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<Tom Maddox> "The net" is ambiguous. Which net or which part of it? For
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instance--
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On Usenet, I frequent rec.arts.books, alt.cyberpunk, some of the
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Mac groups, misc.writing, and a bunch more that I scan at high
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speed: alt.hypertext, sf.written, eff.talk, and others. Depending
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on what's happening topically (the goings on at EFF in the early
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part of the year, introduction of the Clipper Chip proposal,
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etc.) I might drop in on ones I don't ordinarily look at.
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More generally, on the Internet I also read and now again
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contribute to several mailing lists--on Pynchon,
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deconstruction, artificial life, other odds and sods. I check in
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on various machines by ftp or telnet: eff.org, for instance, or
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places like sumex or umich that have new Mac software. And
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when something new comes up that I hear about--like the JPEG
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images from a Library of Congress exhibit from the Vatican
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Library--I check those out.
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On the WELL I mostly lurk--I've never been able to adapt to the
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social structure there, for reasons that utterly elude me.
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On GEnie, I look at some of the Mac groups and a very few of
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the sf groups from time to time. I almost never say anything
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there, for reasons you might infer from what I say below.
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On BMUG (the Berkeley Mac Users' Group, one of the great ones
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in the country) I look at the new software and some of the
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discussions of books and free speech.
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Etcetera.
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Why these? They amuse or inform me more than others, and I
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can cope with their volume. I used to frequent talk.bizarre
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when I first started reading Usenet, and wouldn't mind reading
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it still, if it were about one-hundredth its usual volume.
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<Voices> Do you think that there are certain areas on the net where
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>it is easier to be heard? What makes those spaces more
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>"speaker friendly"?
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<Tom Maddox> Low volume spaces, chatty spaces, *regulated* spaces.
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For instance, GEnie's sf groups are both chatty and censored:
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nobody can call anyone a motherfucker or engage in repeated,
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focused abuse. So new users can kind of scuff their toes and
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say "ah, shucks," and join right in. Violations of community
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etiquette are gently reprimanded, and so on--stuff that would
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get you nuked on Usenet is dealt with quite kindly. Moderated
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groups on Usenet have some of this quality, though even they
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tend more toward demanding on-topic discussions and some
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substance, while the chatty groups on GEnie (or Fido [FIDO?
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PHYDOUGH?], for that matter) wander all over the place
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All of which pretty much bores me, I'm sorry to say. I prefer
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the freefire zone of Usenet, even though I've had my own ass
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shot off while wandering through it at various times.
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<Voices> Given the enormity of the net, how significant are even the
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>voices that get heard in a single sphere? Is that enormity a
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>weight that has to be carried by each communicator or is the
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>interconnection, and the nearly global "reach" it provides,
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>more than enough compensation for net-inertia?
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<Tom Maddox> Well, yeah, it's a big net. "Single sphere" I don't
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get. A newsgroup? A "region" of the net such as Usenet?
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Each of us is a small voice sounding among millions (billions?
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how many messages constitute, for instance, Usenet at a given
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moment, and how do you count them?), so it's possible to feel
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quite unimportant, but then again each of us *is* unimportant
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in the larger scheme of things, so I look at this aspect of the
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net as a reality check.
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In other words, the global scope of the net is one of its most
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important characteristics and is especially salutory for
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Americans, who tend to believe the world centers on the U.S.
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<Voices> How much effect can this rather ephemeral form of
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>communication have on "the world," either in some global or
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>local sense? Why try to be an audible voice on the net?
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<Tom Maddox> Because despite our relative unimportance, many of us
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really do want to be heard. What effect will we have? The historical
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jury's still out on that one, I think. As a writer of fiction, this
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is a question I've had to think about quite a few times, and I
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still don't know the answer. Why make up stories for people
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and go to a great deal of trouble to make them as interesting,
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imaginative, intelligent, and so on as I can? I certainly can't
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prove that doing so is of particular benefit to the world at
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large. Why post something interesting to rec.arts.books or
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bother to correct a particularly egregious lie or
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misstatement? Why risk ridicule, reprimand, or flames?
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Why not? It's only rock and roll, so fuck it: say what you mean
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and learn from your experiences. I am either simple or stupid
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enough to believe that I've actually learned some important
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lessons from the net--about public argument, effective
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rhetoric in an electronic medium, and so on.
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Also, lessons about what kinds of experiences I do and don't
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want to have, on the net and elsewhere. In my early days, a few
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years back (about five, actually), I got involved in some fairly
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outrageous flame wars. Those were interesting for a while;
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the emotional situations they generated were new to me. But
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they got old: they're simply too much damned trouble in most
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instances. They require too much investment of energy and
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time and thought. But I'm glad I went through them because I
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feel they taught me something about myself, other people, the
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net, and so on. And I quite enjoyed the smell of napalm some
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mornings in alt.cyberpunk.
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<Voices> The net is growing rapidly, and that seems likely to
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>complicate an already complex situation. How do you think the
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>net's expansion will affect the average person's chance of
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>being heard on the net?
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<Tom Maddox> The larger the net, the more it demands good writing--
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intelligent, informed, imaginative writing, also writing free
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from the kinds of technical miscues that so often characterize
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writing on the net. In short, writing becomes more public,
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more like writing for a journal, a magazine or newspaper, less
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like writing to a friend or small group of people. Somewhere
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along here the usual net semi-literacies--"their" for "there,"
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"your" for "you're," it's" for "its" and so on--become real
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obstacles to getting heard, just as they are when someone
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submits an essay or story to a magazine. And chatty
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misinformation gets correction in a hurry (or, failing that,
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starts a firestorm of charge and counter-charge, which is not
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characteristic of the net, by the way, as some people assert,
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but of humanity, as witness the equally bizarre flame wars
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that occur in such august journals as _The New York Review of
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Books_).
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Some quite intelligent and net-aware people treat the net as a
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casual chat, so they don't bother to proofread what they post
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or to rewrite it. I find this attitude quite bizarre, given that
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for many people the net is the biggest audience they will ever
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have.
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Looked at positively, the increase in the size of the net means
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that all anyone needs is a computer and modem and a little wit
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to get heard by millions of people.
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The "average person" I'm not sure about. I don't know who that
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is or what he or she is capable of. Also, as a long-time
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teacher, I'm committed to the idea that everyone can escape
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the ugly imputation of being average.
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<Voices> Along these same lines, do you think that as the net
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>becomes less-and- less a place just for the "cool few" there
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>will be an increase in the kind of defensiveness about
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>territory that we already see? Might this tend to inhibit new
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>voices?
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<Tom Maddox> Bigger net, more inhibition, for reasons I've just talked about.
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It's hard to stand up before a big audience and say your piece.
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However, it's easier to do so electronically than to do so in
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person.
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<Voices> When you're on the net--as Tom Maddox, Man & Beast--
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>posting to alt.whatever, is that the Tom Maddox that goes to
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>the grocery store, or do you play a role? Does the online
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>environment "naturally" lead to the development of net-
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>personas, or at least facilitate it?
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<Tom Maddox> Depends whom you talk to, and when. Some days I believe that
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the person who does the writing (music making, painting,
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programming, whatever) is not the same person who goes
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shopping and so on, but I have no strong argument to support
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this belief--it comes from reflection on my own writing and
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second-hand knowledge about others'. In short, that's how it
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feels to me.
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Besides, the net is a new medium (or several of them), one in
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which I think we can see empirically that persona creation
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occurs easily (if not naturally, whatever that word means in
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this context).
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However, in this regard I've heard from people who just don't
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understand how anyone could regard a net.persona as
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something different from who that person is. Such people
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believe in a coherent, unified personality, I suppose, and I just
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don't. I believe, rather, that we are all mixed bags of
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contradictory impulses, actions, possibilities. On the net we
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manifest one set (or more) of these, in the grocery store
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another.
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<Voices> As a writer, you're associated in many minds with
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>"cyberpunk." Clearly, a lot has changed since you wrote
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>"Snake-Eyes" with regard to what that term could mean. How
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>do you understand your relationship to "cyberpunk" these
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>days? Could you respond to the oft-heard cry that it
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>(whatever it is) is being spoiled by commercialization?
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<Tom Maddox> No one can control the evolution of a meme. Like similar
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terms before it ("surrealism," for instance), cyberpunk has turned out
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to have a certain viability in the memetic habitats of
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worldwide culture.
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I can't say I've really been surprised by this since the early
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days of _Neuromancer_'s success, because it seemed obvious
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early on that Gibson had quite unwittingly tapped into an
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emerging set of phenomena of some importance. In those days
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he'd call me and tell me the latest news, and I'd laugh and say,
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"Yeah, the Russian program is still running," a Gibsonian
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reference you can explain if you wish.
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And of course everything is commercialized, nothing is sacred,
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everything is permitted: total commodification, the triumph of
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world capitalism. If you don't like it, try to change it in the
|
||
|
best ways you can, but there's no point in pretending it ain't so
|
||
|
or in pissing and moaning as if there were a chance it could be
|
||
|
otherwise for cyberpunk when all around there's evidence to
|
||
|
the contrary.
|
||
|
|
||
|
Of course, on the net, in groups such as alt.cyberpunk or
|
||
|
mailing lists such as Future-Culture, young folks are in the
|
||
|
process of developing their selves (or personae, if you wish)
|
||
|
and get quite worried when what seemed very hip and bleeding
|
||
|
edge suddenly appears in _Time_, but this is not my concern.
|
||
|
The process by which hip culture constantly redefines itself in
|
||
|
an era of total commodification is anthropologically
|
||
|
interesting, to say the least, but those of us who have more-
|
||
|
or-less fixed repertoires of self simply can't get bent out of
|
||
|
shape because for the nth time the commodity culture is feeding at
|
||
|
the throat of hipness.
|
||
|
|
||
|
Cyberpunk hasn't been spoiled, it's simply evolved in the ways
|
||
|
characteristic of organisms in its environments.
|
||
|
|
||
|
<Voices> _Halo_ shows the influence of a variety of postmodern
|
||
|
>philosophers and artists. How important is that sort of
|
||
|
>thought to your vision? For example, you cite Donna Haraway
|
||
|
>at least twice in the novel. Do you see her notion of the
|
||
|
>"cyborg" as useful to understanding our contemporary state,
|
||
|
>perhaps particularly when we're plugged into the net?
|
||
|
|
||
|
<Tom Maddox> Maybe. To coopt a Bruce Sterlingism, Donna Haraway's a
|
||
|
heavy dude, so to speak. (Though a kind and funny one. I sent her a
|
||
|
copy of _Halo_, feeling I owed her at least that much, and she
|
||
|
said she liked it when I met her in Seattle. So she's
|
||
|
*obviously* a woman of taste.)
|
||
|
|
||
|
Anyway, I don't know that the notion of the cyborg has much
|
||
|
depth in the context of net.culture. She applies it to
|
||
|
contemporary feminist theory, which is a very sly tactical
|
||
|
move on her part. She's arguing against the notion of the
|
||
|
"goddess," you see, and she's also using the idea as a wedge
|
||
|
into the complex of anti-scientific and technophobic ideas
|
||
|
that dominate so much of feminism.
|
||
|
|
||
|
But with regard to pomo luminaries in general (Baudrillard, for
|
||
|
instance, whom I also quote), I figure the best way to treat
|
||
|
them is the way they treat everything else: rip them off and
|
||
|
run and don't worry. Sort of a semiotic variation on "kill them
|
||
|
all, the Lord will know His own."
|
||
|
|
||
|
I'll continue to do this so long as I find it interesting.
|
||
|
|
||
|
<Voices> Ken Kesey has said, "I'd rather be a lightning rod than a
|
||
|
>seismograph." As a writer and net-denizen, do you see
|
||
|
>yourself more in the lightning rod category? Is that a virtue?
|
||
|
|
||
|
<Tom Maddox> Seems to me that such claims are arrogant. Sure, we may
|
||
|
want to be leading edge prophetic voices telling of our experiences
|
||
|
with forked fire, but we may just be lightning bugs. As
|
||
|
writers, we do the best we fucking can, I'll confess to that
|
||
|
much. And as Dorothy Parker said, one of our great sorrows
|
||
|
will be that it is the best we can do.
|
||
|
|
||
|
<Voices> Finally, are you working on anything currently that you
|
||
|
>want to crow about?
|
||
|
|
||
|
<Tom Maddox> Crow? No, but I'll talk a little. I'm working on a novel
|
||
|
whose title was _Wildlife_ until the outline got sold to Tor Books,
|
||
|
who have a novel in the can with a similar title, so I'm using
|
||
|
_LA 2033_ as a working title. Guess what it's about. Well, in
|
||
|
addition to the obvious, it concerns artificial life, the
|
||
|
panopticon, and the fall from grace of several privileged
|
||
|
people. I'll finish it as soon as I can, which will probably be a
|
||
|
couple of years.
|
||
|
|
||
|
I've got a story almost done called "Their Worlds and Starry
|
||
|
Skies" that is a very different sort of thing for me, almost a
|
||
|
fantasy, really, though based on quantum mechanics at some
|
||
|
level.
|
||
|
|
||
|
And my last _Omni_ story, "Gravity's Angel," has just been
|
||
|
reprinted in Gardner Dozois's _Best of the Year in Science
|
||
|
Fiction," which makes me happy.
|
||
|
|
||
|
Also, my monthly column in _Locus_, "Reports from the
|
||
|
Electronic Frontier," continues to hold my interest, and folks
|
||
|
have said kind things about it.
|
||
|
|
||
|
Finally, the Capital City Playhouse of Austin, Texas is planning an
|
||
|
adaptation of "Snake Eyes," my story in _Mirrorshades_. It is being
|
||
|
adapted and directed by Jessica Kubzansky, who usually works out of Los
|
||
|
Angeles. It is being presented with some sort of hot shit, high tech
|
||
|
interface that I don't understand at all, apparently under the
|
||
|
auspices of Eyecon Robot Group of Austin.
|
||
|
|
||
|
I talked once with Ms. Kubzanksy on the phone, who seems to me to have very
|
||
|
solid ideas about dramatizing the story.
|
||
|
|
||
|
They are planning to present the play around the end of July.
|
||
|
|
||
|
Tom Maddox
|
||
|
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
__SIGNAL/NOISE__
|
||
|
|
||
|
|
||
|
Signal/noise: the ratio between the useful information in a given environment
|
||
|
and the useless nonsense that inevitably accompanies it, even threatens to
|
||
|
drown it out. It's a useful measure, as long as you don't need to reduce
|
||
|
it to a number or something. But always remember: one net.entity's signal
|
||
|
is another's noise. And an environment which one person finds objectionably
|
||
|
noisy may seem serene to someone else. There are many voices out there -
|
||
|
many kinds of voices - and many environments that affect how those voices
|
||
|
appear to other folks across the wires. What follows is a first dip into
|
||
|
the ocean of such voices, presented in such a way as to preserve the feel
|
||
|
of the particular environment. Much of it was generated on the spot in
|
||
|
realtime interactive settings, and it has that mix of exciting
|
||
|
spontenaity and confusion. It's up to you to decide what's signal and what's
|
||
|
noise.
|
||
|
|
||
|
VOICES FROM MOOSPACE: We - that's CountZer0 and bookish - conducted our first
|
||
|
group interview on a MOO (Multi-User Dungeon (MUD) Object-Oriented) that we
|
||
|
frequent. It was rather a spur-of-the-moment affair. A group of our friends
|
||
|
- thoughtful folk - had gathered and we just decided to go for it. The
|
||
|
group didn't disappoint us. The discussion lasted for several hours,
|
||
|
although by the end we had moved very far afield from our initial topic.
|
||
|
The resulting text is not the most user-friendly of narratives. MOOspace
|
||
|
can be a confusing place.But that did little to silence the voices in this
|
||
|
particular corner of the 'net. Look:
|
||
|
|
||
|
Interview Room
|
||
|
A spacious place with comfortable seats for all. You can hardly resist the
|
||
|
urge to sit and answer odd questions.
|
||
|
|
||
|
You see Bookish, CountZer0, Greymalkin, xero
|
||
|
|
||
|
.oO<and listen...>
|
||
|
|
||
|
Heinrich teleports in.
|
||
|
Heinrich waves
|
||
|
Simone enters obediently after Heinrich.
|
||
|
Greymalkin [to Heinrich]: hey there
|
||
|
CountZer0 says, "did anyone here get our new announcement?"
|
||
|
Greymalkin says, "which one?"
|
||
|
Heinrich [to Greymalkin]: Hey, hey!
|
||
|
CountZer0 [to Bookish]: did we send it to these folx?
|
||
|
Heinrich says, "I didn't get dinko!"
|
||
|
xero says, "the announcement about the net.interviews?"
|
||
|
xero says, "I'm quite interested in that!!!!"
|
||
|
Heinrich says, "Net interviews?"
|
||
|
Bookish [to Heinrich]: yep
|
||
|
CountZer0 says, "hey guys, can we ask you all some questions"
|
||
|
Heinrich . o O (I'm being setup!)
|
||
|
Greymalkin is available for questioning
|
||
|
xero says, "sure"
|
||
|
Heinrich says, "Whatever."
|
||
|
CountZer0 [to Heinrich]: we have a new e zine
|
||
|
CountZer0 [to Heinrich]: Voices from the Net
|
||
|
Heinrich says, "Ahhh."
|
||
|
CountZer0 says, "well some questions then, it would be nice if all of you
|
||
|
could answer"
|
||
|
Heinrich says, "Who's got the copyright on this?"
|
||
|
Heinrich smiles
|
||
|
xero says, "do we have to sign virtual releases?"
|
||
|
CountZer0 says, "is this where you spend most of your time on the net or do
|
||
|
you do other things?"
|
||
|
Bookish hands out virtual releases
|
||
|
Greymalkin says, "sign here: x___________________________"
|
||
|
CountZer0 hands out virtual pens
|
||
|
xero signs his virtual release
|
||
|
Heinrich says, "I do lots of 'things'!"
|
||
|
Bookish [to Heinrich]: such as....
|
||
|
Heinrich scrawls something
|
||
|
Greymalkin says, " x___Greymalkin____________"
|
||
|
Heinrich says, "On the net or in RL?"
|
||
|
xero says, "most of my time on the net now is in here"
|
||
|
CountZer0 [to Heinrich]: net.time
|
||
|
Bookish [to xero]: why is that?
|
||
|
Bookish [to Heinrich]: on the net
|
||
|
Heinrich says, "50-50 here and in gophers."
|
||
|
Greymalkin spends most of his net.time here
|
||
|
CountZer0 says, "to reiterate , why here?"
|
||
|
xero [to Bookish]: I like the fooling around with the environment here, and
|
||
|
I like the conversation and the fairly constant self-reflexivity here
|
||
|
Heinrich says, "As to why here--because of excellent folks like you!"
|
||
|
Heinrich smiles
|
||
|
Bookish blushes
|
||
|
xero smiles
|
||
|
Greymalkin says, "similar to xero's answer, I like being able to have some
|
||
|
direct influence over the environment, and the crowd here is a pretty
|
||
|
terrific bunch
|
||
|
Bookish says, "do ya'll think of yourselves as having a 'voice' on the net?"
|
||
|
Greymalkin has nothing on the net except a voice!
|
||
|
xero says, "I think of myself as being a voice, but it is somewhere between
|
||
|
writing letters and using the telephone and face-to-face communication
|
||
|
Heinrich says, "A voice implies power and I've little power here if power is
|
||
|
Net-knowledge."
|
||
|
CountZer0 [to hein:]: well what do you think that means
|
||
|
Greymalkin says, "the only way I can impact the net is through ascii... in a
|
||
|
sense, my voice here in a world of text..."
|
||
|
CountZer0 says, "yes but so many people can see that ascii"
|
||
|
xero nods
|
||
|
Bookish [to all]: how significant do you think our voices are here?
|
||
|
Greymalkin says, "exactly.. and thus my impact on the net... All I can hope
|
||
|
is that the memes I throw out there are fairly successful at spreading..
|
||
|
if so then my influence is maximized, if not, I am nothing more than
|
||
|
noise and wasted bandwidth.."
|
||
|
xero says, "For me the voices--the ascii streams--are about the most
|
||
|
significant part as everything else is a fun, malleable adventure-game-
|
||
|
type thing, but the interaction with words connected with RL people is the
|
||
|
best
|
||
|
CountZer0 says, "do you all see the Net as being a great equalizer?"
|
||
|
Heinrich [to CountZer0]: I use gophers for info on RL political activism. I
|
||
|
don't feel the 'power' on gophers as much as in here.
|
||
|
CountZer0 says, "as far as your voice is as "loud" as anyone else's"
|
||
|
Heinrich [to CountZer0]: "NO.
|
||
|
xero [to CountZer0]: in what way as an equalizer
|
||
|
Greymalkin says, "sure, you can have as much bandwidth as you care to
|
||
|
waste on rant, spew or whatever... it's there for the taking.."
|
||
|
Heinrich says, "Knowledge=power is especially evident on the Net."
|
||
|
CountZer0 says, "you all have the same power here sa much as
|
||
|
president@whitehouse.gov.."
|
||
|
Greymalkin says, "moreso on the net I think..."
|
||
|
xero says, "sometimes the jargon and abbreviations seem elitist, but after
|
||
|
you catch on to them, they save time, but it can get cacophonous and if
|
||
|
someone is a jerk..."
|
||
|
Heinrich [to CountZer0]: That's a red herring!
|
||
|
CountZer0 [to Heinrich]: how so?
|
||
|
Heinrich says, "The Prez's power is dependent on the knowledge he can
|
||
|
garner from programmers around him and Net semi-theorist like Gore...."
|
||
|
Heinrich says, "I, on the other hand, am a one-person show"
|
||
|
Bookish [to Heinrich]: but what about that power to explore and organize
|
||
|
activist alternatives?
|
||
|
Heinrich says, "Knowledge=Power."
|
||
|
Cayenne has arrived.
|
||
|
< connected: Cayenne. Total: 14 >
|
||
|
Greymalkin says, "the apparent limitation is really overestimated I think..."
|
||
|
Cayenne says, "Hi, people!"
|
||
|
CountZer0 [to Heinrich]: yes?
|
||
|
xero waves to cayenne
|
||
|
CountZer0 waves
|
||
|
CountZer0 [to Cayenne]: feel free to jump on in here
|
||
|
Heinrich says, "This is going too fast. That's a question that I can't answer
|
||
|
right now."
|
||
|
Cayenne says, "What's going on?"
|
||
|
CountZer0 [to Cayenne]: what does it mean to you to have a voice on the net?
|
||
|
Heinrich [to CountZer0]: But it is a v. good question!
|
||
|
CountZer0 [to Heinrich]: c'mon now's your big chance
|
||
|
Heinrich says, "No, I need more time to think about that one. Sorry!"
|
||
|
Heinrich [to CountZer0]: Thanks anyway.
|
||
|
Cayenne says, "Do you mean the virtuality of our voices here, or the
|
||
|
metaphoric use of voice as in "having a say" (although that's the same
|
||
|
metaphor...)"
|
||
|
CountZer0 [to Heinrich]: can you email me an answer
|
||
|
CountZer0 [to Cayenne]: either or both
|
||
|
CountZer0 [to Cayenne]: just spew
|
||
|
CountZer0 [to Greymalkin]: but is the bandwidth too ephemeral to truly
|
||
|
accomplish anything?
|
||
|
Cayenne [to CountZer0]: At its simplest, or the most simple aspect of my
|
||
|
response, I like the voice I have on the net, both its virtuality and its
|
||
|
potentialities.
|
||
|
Greymalkin says, "no... no more ephemeral than the human spirit..."
|
||
|
Cayenne says, "I know that simple liking isn't very theoretically
|
||
|
sophisticated, but nevertheless..."
|
||
|
CountZer0 [to Cayenne]: and getting more complex?
|
||
|
CountZer0 [to Cayenne]: what would you say are the potentialities?
|
||
|
Cayenne says, "Some of the potentialities that excite me are the fluidity of
|
||
|
identity and self-presentation, the leveling of certain tokens of power..
|
||
|
CountZer0 [to Cayenne]: talk to me about those power tokens..
|
||
|
Cayenne says, "at the same time, I'm well aware that who gets access is
|
||
|
already a question of privilege."
|
||
|
Cayenne says, "power tokens like age, like professional status, which are
|
||
|
rather invisible here,"
|
||
|
Cayenne says, "as well as tokens like class and gender and race, which are
|
||
|
probably less invisible, being involved in self-presentation as well."
|
||
|
CountZer0 [to xero]: yes, but how widespread is a post to usenet?
|
||
|
xero [to CountZer0]: the voices travel far and they are varied and that is
|
||
|
good
|
||
|
Heinrich waves
|
||
|
Heinrich teleports out.
|
||
|
Bookish says, "Do you feel you have more or less 'voice' here than you do in
|
||
|
RL?"
|
||
|
Bookish says, "is this an empowering environment?"
|
||
|
xero says, "More in some ways and less in others."
|
||
|
Greymalkin says, "yes!"
|
||
|
CountZer0 [to xero]: explain?
|
||
|
Bookish [to Greymalkin]: which?
|
||
|
Bookish smiles
|
||
|
Greymalkin [to Bookish]: yes, empowering...
|
||
|
Cayenne says, "I often feel I have less voice, because of the narrow
|
||
|
bandwidth, but more control over the voice I have."
|
||
|
Bookish loves the interface ; )
|
||
|
xero [to CountZer0]: I can say full sentences and not be interrupted, and
|
||
|
that's more, but less in that I can't use my RL voice and body when I speak
|
||
|
Cayenne says, "What I find exciting isn't so much *how* I can say what I
|
||
|
say (i.e., more/less voice, the interface) but rather who I can say it to."
|
||
|
xero [to Cayenne]: that's great! I think that's what I love about this.
|
||
|
Cayenne says, "and the immediacy and disparateness and distance over
|
||
|
which I can talk to people."
|
||
|
CountZer0 [to all]: how different is your net voice from your RL voice?
|
||
|
xero says, "annihilator of space and time--(it was the telegraph)"
|
||
|
Cayenne says, "(although I do like the "sound" of the voice I have
|
||
|
here, and I love the interface too!)"
|
||
|
Cayenne smiles
|
||
|
Greymalkin says, "I'm a baritone in RL, here just an 8 point font of your
|
||
|
choice..."
|
||
|
Greymalkin smiles
|
||
|
CountZer0 grins
|
||
|
CountZer0 [to Greymalkin]: c'mon you know what I mean
|
||
|
xero says, "its just one of my voices, one for academic stuff, one for fun, one
|
||
|
for film stuff, one for tv, one for radio, one for face-to-face, one for
|
||
|
phone,..."
|
||
|
xero smirks
|
||
|
Greymalkin says, "you mean content... I'm probably a bit more outspoken
|
||
|
here than at work, but all in all, I'd say the content of my message is
|
||
|
similar on and off the net"
|
||
|
xero says, "different voices for different places, different moods, different
|
||
|
social situations"
|
||
|
Cayenne says, "My net voice is much like my RL voice, I think. I wonder,
|
||
|
sometimes, though, of what impression you get from my presentation. How
|
||
|
much of what I think of as my RL voice, unreflectively, is my physical
|
||
|
presence, my physical body? And is the net voice that I think is like my
|
||
|
RL voice actually very different in important ways because you don't see
|
||
|
what I look like, how I carry myself, how I move, how I talk with my
|
||
|
hands, etc."
|
||
|
xero nods
|
||
|
xero realizes that he didn't *really* nod, but just typed that he did
|
||
|
Greymalkin says, "true... you get less non-verbal feedback o the net... no
|
||
|
looks that say "where did YOU get off the bus?"
|
||
|
xero thinks--is there a difference to everyone else?
|
||
|
Bookish [to xero]: "sure...and i can 'read' your nonverbals here too
|
||
|
xero [to Bookish]: but the nonverbals are under tight, conscious control by
|
||
|
us
|
||
|
xero says, "not like in RL, at least not most of the time"
|
||
|
Greymalkin [to Bookish]: only the one's that are expressed though... you
|
||
|
don't get the un/subconscious communication that you get from a
|
||
|
fleshmeet
|
||
|
CountZer0 [to all]: do you all find yourself using terms like by the way
|
||
|
etc..in rl?
|
||
|
Bookish says, "right, i was talking about this textual experience"
|
||
|
CountZer0 [to all]: I mean does this effect rl as much as rl effects this?
|
||
|
Greymalkin often wiggles his fingers on an imaginary keyboard while
|
||
|
talking...
|
||
|
xero says, "I don't use by the way, btw"
|
||
|
xero [to CountZer0]: ooh, you're playing with my head
|
||
|
Cayenne says, "Well, here's a small example of what I mean. I speak rather
|
||
|
quickly. I used to speak more quickly, especially when I was an adolescent,
|
||
|
I think because as some level I assumed that people didn't want to hear me,
|
||
|
so I tried to take up as little room in their ears as possible. Here,
|
||
|
whatever vestige of that self-effacing speech habit I have is washed out
|
||
|
by the effect of typing speed, which is probably completely unrelated. I
|
||
|
may think that part of my voice is that speech characteristic, but it's
|
||
|
actually only a c"
|
||
|
Cayenne says, "it's actually only a characteristic of my RL speech, not my
|
||
|
net speech."
|
||
|
Greymalkin [to CountZer0]: actually I think its very difficult to draw the
|
||
|
line between here and RL...
|
||
|
xero [to CountZer0]: do you draw the line between the telephone and rl?
|
||
|
CountZer0 [to Greymalkin]: well where would you draw it?
|
||
|
Greymalkin [to CountZer0]: after all... in RL I'm sitting at my keyboard
|
||
|
conversing with you
|
||
|
Cayenne says, "I've picked up net habits in things like writing a note to my
|
||
|
husband to tell him I'll be home late; I'll use :-)'s, for example."
|
||
|
xero [to CountZer0]: or a handwritten letter?
|
||
|
CountZer0 [to xero]: I want to know where you all draw the line
|
||
|
Cayenne says, "No, I don't draw a line between the telephone and RL. It *is
|
||
|
RL."
|
||
|
xero laughs, his 4 year old daughter sends smileys in e-mail to her dad
|
||
|
Greymalkin says, "and in VR the only difference is peripheral.."
|
||
|
Cayenne says, "One thing I notice is how quiet it actually is, conversing
|
||
|
here.
|
||
|
Greymalkin says, "seems pretty noisy to me..."
|
||
|
Cayenne says, "I mean, the only noise that's actually meeting my ears is the
|
||
|
clicking of keys on the keyboard."
|
||
|
xero [to CountZer0]: The roleplaying aspect makes the MOO slightly
|
||
|
different, but I don't really draw a line as there are RL folks reading and
|
||
|
writing this.
|
||
|
xero says, "the silence gets me too"
|
||
|
CountZer0 [to all]: so it's just another facet of rl
|
||
|
Cayenne says, "I feel like I'm hearing voices, but occasionally I kind of rise
|
||
|
up out of the net context and realize it's completely quiet."
|
||
|
xero says, "sometimes I imagine voices"
|
||
|
CountZer0 [to all]: a different form of consensual reality?
|
||
|
xero says, "just like tv or telephone or radio or photography--you learn the
|
||
|
conventions and naturalize them"
|
||
|
Greymalkin says, "sure... the terminal I'm using is real, the people I am
|
||
|
conversing with are real, the net over which we converse is real... I can
|
||
|
drive nails through all of them..."
|
||
|
Cayenne says, "I think of it like reading a novel--the voices in a novel
|
||
|
sometimes fill my head, and then I lift my head up from the book and
|
||
|
realize it's quiet."
|
||
|
xero says, "but when the novel is really good you forget that you are alone
|
||
|
with marks on a piece of paper and when you take a breather, you're
|
||
|
alone"
|
||
|
Cayenne 's last comment was in relation to silence in net conversations, not
|
||
|
CountZer0's last question
|
||
|
Cayenne [to xero]: Right, exactly.
|
||
|
Greymalkin says, "even the virtual space we create for ourselves here is
|
||
|
real in the sense of stored electrons..."
|
||
|
CountZer0 says, "can voices on the net affect you as much as rl voices
|
||
|
then?"
|
||
|
CountZer0 says, "can you make as close a friend?"
|
||
|
CountZer0 says, "etc...."
|
||
|
xero says, "what makes it real is how it is thought of, created by the words
|
||
|
that surround the objects that are numbers"
|
||
|
Cayenne says, "I think of virtual contexts as part of RL, in one sense, like
|
||
|
telephones; as xero said you learn the conventions and naturalize them."
|
||
|
Greymalkin says, "and if we call it artificial, how is more artificial than the
|
||
|
environment we wake and live and eat and sleep in?"
|
||
|
Greymalkin says, "to cz sure... perhaps even more so.."
|
||
|
Cayenne says, "at the same time, I also think of the net as almost like a
|
||
|
game, a microcosm of RL the way when kids play house it's a microcosm of
|
||
|
RL."
|
||
|
CountZer0 [to all]: so grey thinks a voice from the net can be powerful,
|
||
|
what about the rest of you?
|
||
|
Greymalkin knows
|
||
|
Cayenne says, "a re-enactment, a miniaturized reflection, of RL."
|
||
|
xero says, "voices on the net can effect you as much as rl voices as much as
|
||
|
words on a page by someone who is separated from you by space and time
|
||
|
can affect you, they may be dead, but the words and the thoughts that they
|
||
|
trigger remain"
|
||
|
Cayenne says, "I think it can be empowering. Is that powerful? Does the
|
||
|
feeling of being empowered mean you're more powerful? I don't know,
|
||
|
that's a whole piece in itself."
|
||
|
xero says, "but, you can tilt this mirror to change the reflection and the
|
||
|
inflection"
|
||
|
Cayenne [to xero]: yes, and in other ways is
|
||
|
Cayenne [to xero]: it's a funhouse mirror, already altered.
|
||
|
CountZer0 [to Cayenne]: well then is there power to a voice from the net
|
||
|
and is it more or less or the same as power in rl??
|
||
|
Cayenne [to CountZer0]: Yes, or stammering, actually (stuttering is
|
||
|
repeating sounds, stammering is repeating words or pieces of words)
|
||
|
Greymalkin [to Cayenne]: I'm inclined to take a step back and agree with
|
||
|
you.. the power has been there all along, empowerment is more a
|
||
|
realization of our own potential and choosing to act on that realization..
|
||
|
Cayenne [to CountZer0]: but we learn to hear through
|
||
|
stuttering/stammering, whereas it's...
|
||
|
xero says, "the moment when you say, "hey, what I can say and do has some
|
||
|
sort of effect on others""
|
||
|
Cayenne [to CountZer0]: harder to hear the second half of a sentence when
|
||
|
it's been delayed (and I swear this one was accidental!)
|
||
|
Cayenne says, "I think stuttering is more like typos. Sentences left half-
|
||
|
dangling seems to me to be more like narcolepsy or something."
|
||
|
CountZer0 [to all]: to repeat, is there power to a voice from the net?
|
||
|
what is it? and is it more, less or the same as rl? potential?
|
||
|
xero says, "there is the bizarre, parallel conversations here where one
|
||
|
sentence always seems to be slightly behind and you respond to the first
|
||
|
before the second one comes in and then you have to change your
|
||
|
response"
|
||
|
Cayenne knows what xero means and sometimes finds it dizzying.
|
||
|
Cayenne [to CountZer0]: I don't think I can answer the question quite as
|
||
|
stated because I need to ask what kind of power?
|
||
|
xero says, "there is more power in that the voice is stripped of most of the
|
||
|
physical stigma of race, class, gender, and that the words speak for
|
||
|
themselves"
|
||
|
CountZer0 [to Cayenne]: power to be heard and understand, power to make a
|
||
|
difference in anything
|
||
|
Cayenne [to CountZer0]: Some kinds of power, yes, there is definitely power
|
||
|
to a net voice, different and more than RL. WRT [with relation to?] other
|
||
|
kinds of power, I think there's a lot about net voices that are chimerical.
|
||
|
Cayenne [to CountZer0]: well, make a difference in what? In the bombing
|
||
|
in Somalia or Bosnia? I think that this all, as fun as it is, does not
|
||
|
provide power.
|
||
|
|
||
|
|
||
|
#####
|
||
|
|
||
|
VOICES FROM IRC (INTERNET RELAY CHAT): IRC is a "place" where individuals
|
||
|
from all around the world come together on "channels" to "chat" or
|
||
|
interact with each other in a bare bones, stripped down, realtime
|
||
|
environment. What better place, we thought, to gather some voices. So we
|
||
|
made our own channel, put out an open invitation, and let nature take its
|
||
|
course. Here's what we got...
|
||
|
|
||
|
|
||
|
Welcome to IRC channel #voices
|
||
|
|
||
|
<CountZer0> ok let me set my logfile
|
||
|
<CountZer0> you all know why we're here right?
|
||
|
<KromeKing> yup
|
||
|
<Ginster> well, sort of
|
||
|
<aron> almost
|
||
|
<CountZer0> we're gonna ask you some questions and we want you all just to
|
||
|
+spew
|
||
|
<scotto> i assume you have slipcovers.
|
||
|
<scotto> ha.
|
||
|
<Ginster> ok
|
||
|
<KromeKing> hehe
|
||
|
<CountZer0> the rooms just a rental so we don't care
|
||
|
<Ginster> s p e w . . .
|
||
|
<andy_> =)
|
||
|
<CountZer0> ok #1
|
||
|
<CountZer0> Is Irc where you hang out most of the time? If not, where?
|
||
|
* KromeKing rubs his hands together in anticipation.
|
||
|
<scotto> I hang out on mailing lists most of the time.
|
||
|
<andy_> CountZer0 - in Whole Life or net.life?
|
||
|
<CountZer0> on the net..
|
||
|
<KromeKing> yeah, when I'm not deep within my mailbox I'm here.
|
||
|
<scotto> Ah -- in real life, I tend to hang out in theme parks.
|
||
|
<Ginster> irc = always running while I do mail
|
||
|
<andy_> irc, hell yeah.....
|
||
|
<jsitz> well, in real life I am found poolside...but my best time of the day
|
||
|
+is on irc
|
||
|
<Ginster> & the net runs in the background while I write
|
||
|
<andy_> irc irc irc irc irc irc irc irc irc irc =)
|
||
|
<bookish> Why here, folx?
|
||
|
<aron> ummm, well I am logged into irc most of the time, but most often
|
||
|
+away, and working in another window, one of which is also mail.
|
||
|
<andy_> bookish - REALTIME
|
||
|
<andy_> "if it's not REALTIME it's CRAP!" =)
|
||
|
<KromeKing> bookish: realtyme is just so appealing.
|
||
|
<KromeKing> faster feedback
|
||
|
<andy_> relatively more synchronicity
|
||
|
<jsitz> realtime human contact
|
||
|
<aron> talk is realtime, irc has membrane, thin membrane though, like sex
|
||
|
+with a condom
|
||
|
<scotto> just because it's REALTIME doesn't mean it is wonderfully
|
||
|
+CONTENT-ful.
|
||
|
<KromeKing> true
|
||
|
<jsitz> expression flows smoother than in mail...points are clearer
|
||
|
<CountZer0> scotto: why lists then?
|
||
|
<andy_> scotto - yeah, but noone said anything about content yet...=)
|
||
|
<KromeKing> more content in mail, but more FEELING in irchaos, imho
|
||
|
<scotto> lists include the entire community, pretty much all the time,
|
||
|
+provided you want to read.
|
||
|
<scotto> irc automatically means some people will always miss some other
|
||
|
+people.
|
||
|
<aron> scotto, I have seen long posts all over the net without one iota of
|
||
|
+content
|
||
|
<scotto> i agree; i can delete those a lot easier than I can here
|
||
|
<scotto> hard to avoid some ninny (heh) in irc who remains content free
|
||
|
<CountZer0> What does it mean to have a "voice from the net" and do you
|
||
|
think
|
||
|
+you have one?
|
||
|
<aron> you said from the net, from the net to where??
|
||
|
<Ginster> i have a voice _on_ the net when I am on the net, but no echoes
|
||
|
+off the net..
|
||
|
<CountZer0> Do you think you have a voice on the net?
|
||
|
<scotto> how would you hear me if i didn't?
|
||
|
<CountZer0> what does it mean to have this voice?
|
||
|
<jsitz> yeah, no matter how small my voice is...it plays a part in the whole
|
||
|
<Ginster> yeah
|
||
|
<scotto> it means, on some level, a willingness to impose your POV on the
|
||
|
+flux
|
||
|
<voidmstr> its strange that my net.voice turned out to be not words but
|
||
|
+pictures
|
||
|
<Ginster> or play with the flux
|
||
|
<Ginster> or make the flux
|
||
|
<jsitz> it means that people are reaching out to other people....ideas get
|
||
|
+bounced around....you get to project what you are thinking to an audience
|
||
|
+without a megaphone
|
||
|
<KromeKing> be the flux
|
||
|
<scotto> The Flux: just do it.
|
||
|
<KromeKing> zen net.yelling
|
||
|
<CountZer0> does having a voice imply some sort of power?
|
||
|
<andy_> ideas / information / signal is not entirely == net.voice, imho....
|
||
|
<scotto> not inherently.
|
||
|
<jsitz> speaking to another person is the power to impose will...if you choose
|
||
|
+to.....power is what you make it
|
||
|
<aron> well ideas reaching people is power
|
||
|
<scotto> andy: what's missing?
|
||
|
<Ginster> depends what we do with the voice
|
||
|
<tomwhore> Its got to be the whole gestalt of the typing and the typed and
|
||
|
+the readers
|
||
|
<KromeKing> cz: yes....even if the power is personal.
|
||
|
<Ginster> memes/ideas can be power
|
||
|
<scotto> they can be powerful, not power itself
|
||
|
<andy_> scotto - i could be the most idiotic flame-hole on the net and still
|
||
|
+have a net.voice, with no relevant information or ideas getting passed
|
||
|
+along, that's what i'm saying up there...
|
||
|
<scotto> well, what's relevant to the goose is gibberish to the gander, etc.
|
||
|
<KromeKing> well, if anything helps one to know oneself, it is power. I
|
||
|
+believe that interaction with the net does this.
|
||
|
<aron> but at least you are having some sort of effect on people andy even if
|
||
|
+just pissing them off
|
||
|
<CountZer0> How significant do you see your voice as being? Anyone?
|
||
|
<andy_> aron - ok, what if i'm not pissing them off, what if i don't
|
||
|
+participate in any of the communiteks (sorry for self-referencing =) on
|
||
|
+the net...just having an account, that impacts the net...
|
||
|
<andy_> significance is relative, specially on the net...next question...=)
|
||
|
<aron> true, but minimally
|
||
|
<scotto> How do you measure significance?
|
||
|
<KromeKing> me? Not very, cz, but I feel that I get heard as much as
|
||
|
+anyone.
|
||
|
<Ginster> depends on who i am talking to and what we are talking about
|
||
|
<andy_> yeah minimally, but, "i'm still here".....i could crash an obscure
|
||
|
+computer somewhere, that would be a net.voice...
|
||
|
<aron> granted
|
||
|
<jsitz> well cz--talking to anyone is a great way for me to expand and
|
||
|
+expound on my ideas...whatever the effects of my presence...so be it
|
||
|
<Ginster> [interpersonally, a big difference with each other..."globally" =
|
||
|
+who knows!
|
||
|
<CountZer0> Is this to ephemeral a medium to have real impact??
|
||
|
<KromeKing> NO!
|
||
|
<Ginster> not ephemeral at all -
|
||
|
<jsitz> CZ hell YES.......it has so many implications
|
||
|
<scotto> you can be as loud as you want, sure, but importance is defined from
|
||
|
+outside, etc.
|
||
|
<Ginster> because we reach the whole world
|
||
|
<scotto> which medium? the net as medium?
|
||
|
<KromeKing> but cz, what kind of impact are you talking about?
|
||
|
<Ginster> and we make contacts worldwide
|
||
|
<CountZer0> but that reach is fleeting?
|
||
|
<andy_> you can define your own importance tho....i don't think i am as
|
||
|
+important on the net as some people do....cuz on the net i control all that i
|
||
|
+see and hear, almost....
|
||
|
<KromeKing> I mean, shit, I'M impacted!
|
||
|
*** Unknown command: MSAG
|
||
|
*** Signoff: NullSet (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: voidmstr (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: jsitz (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: KromeKing (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: scotto (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: aron (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: StVitus (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: urgen (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
*** Signoff: watch (ircserver.iastate.edu Patriot.mit.edu)
|
||
|
<Ginster> no less so than other mass media
|
||
|
<andy_> fuckkkkkkk
|
||
|
<CountZer0> patriot just went downnnn
|
||
|
<andy_> big split...=)
|
||
|
<Ginster> they will be back
|
||
|
*** watch (irc6514@irc.nsysu.edu.tw) has joined channel #voices
|
||
|
*** urgen (poolem@kira.CSOS.ORST.EDU) has joined channel #voices
|
||
|
*** aron (fisel@hebron.connected.com) has joined channel #voices
|
||
|
*** scotto (scotto@penguin.gatech.edu) has joined channel #voices
|
||
|
*** KromeKing (raunn@NEURON.TAMU.EDU) has joined channel #voices
|
||
|
*** jsitz (jsitz@ux4.cso.uiuc.edu) has joined channel #voices
|
||
|
*** voidmstr (mindvox@mindvox.phantom.com) has joined channel
|
||
|
#voices
|
||
|
*** NullSet (ers0925@TAMSUN.TAMU.EDU) has joined channel #voices
|
||
|
*** karp (karp@age.cs.columbia.edu) has joined channel #voices
|
||
|
<jsitz> but it also has a solid, earth based driving force... I mean to be
|
||
|
+really way out...I was discussing the VR exploration of planets and the
|
||
|
+network system in space exploration...ie an expedition to Mars
|
||
|
<scotto> my "impact" will not be defined by my own sense of importance
|
||
|
<scotto> but by their sense of my lack of it
|
||
|
<aron> scotto : so it's relative :)
|
||
|
<KromeKing> yes we should
|
||
|
<scotto> yup. :) i luv it.
|
||
|
* andy_ nods....aron knows...=) that's all you have to say to shut people
|
||
|
+up..."it's all relative"
|
||
|
<CountZer0> What constraints do you see on your voice?
|
||
|
<NullSet> I'm constrained by time, mostly.
|
||
|
<aron> the chief constraint has to be the number of other voices,
|
||
|
+eventually as net population increases it becomes more difficult to get
|
||
|
+heard
|
||
|
<scotto> what constraints: what people will read, mostly.
|
||
|
<andy_> null - grep faster, multitask better....
|
||
|
<bookish> why will more folx on the net make it harder to be heard?
|
||
|
<andy_> ;)
|
||
|
<NullSet> if I had time to devote to it, I could produce a well-researched
|
||
|
+info source that would make me a respected "voice"
|
||
|
<NullSet> but, I do other things too
|
||
|
<aron> raw number, usenet is already a worthless read, too much shit
|
||
|
<jsitz> the outreach...i mean only so many people are here and not all the
|
||
|
+time.....it is frustrating to try and be as *here* as you can be in such a
|
||
|
+narrow band of time
|
||
|
<aron> numbers
|
||
|
<aron> so the good stuff is that much harder to find
|
||
|
<jsitz> you can't talk above the din if too many people are in the same
|
||
|
+space
|
||
|
<CountZer0> Is the Net a great equalizer, are all voices equally loud?
|
||
|
<KromeKing> very much so, cz, but not totally.
|
||
|
<scotto> as long as all voices are equally deletable, they are not equally
|
||
|
+loud
|
||
|
<KromeKing> even we have our gods
|
||
|
<jsitz> scotto- is it so bad to want to spread ideas and take in new
|
||
|
+ones?..this is the easiest way for me to do such a thing in a global manner
|
||
|
<aron> no, but i would say you control the "loudness" yourself, make a
|
||
|
+net.name for youself if you want too
|
||
|
<scotto> your voice isn't loud at all if i don't want to read it.
|
||
|
<jsitz> I find irc, irc seems to be a more personal, more *human* way to
|
||
|
+communicate
|
||
|
<CountZer0> scotto: but it still takes up the same bandwidth..
|
||
|
<scotto> more "human"?
|
||
|
<jsitz> your volume is how you project it...and who listens to you
|
||
|
<scotto> bandwidth doesn't equal influence.
|
||
|
<aron> right, but someone will read it, and if enough people like it, or are
|
||
|
+just inundated by mass quantities, you will know about it sooner or later
|
||
|
<Ginster> but some authors I read first
|
||
|
<scotto> see usenet.
|
||
|
<Ginster> and some threads i read first
|
||
|
<CountZer0> but it does equal potential
|
||
|
<tomwhore> It how ya filter that makes up your net.ear
|
||
|
<scotto> potential is meaningless until actualized, though.
|
||
|
<scotto> you can't measure potential influence by sheer volume of posts.
|
||
|
<KromeKing> bah! filter?
|
||
|
<aron> no
|
||
|
<aron> but it happens
|
||
|
<scotto> you look and see which memes survive, that's all.
|
||
|
<andy_> aron - yep.....it really does equal it all out (net, that is), cuz
|
||
|
+there's just so many people, that even if u avoid something it gets back to
|
||
|
+you....
|
||
|
<jsitz> it is face to face ...or voice to voice as the case may be....human to
|
||
|
+me is being able to carry a conversation and get input
|
||
|
<KromeKing> read it all! right andy? =)
|
||
|
<andy_> yep
|
||
|
<andy_> =)
|
||
|
<CountZer0> Ok, what do you see as the potentialities for a voice on the Net?
|
||
|
<scotto> "potentialities"?
|
||
|
<andy_> CZ - whatever they and the people with ears decide on
|
||
|
<CountZer0> what can you accomplish?
|
||
|
<scotto> friendships, art, communities, noise, zines, what else...
|
||
|
<jsitz> cz-- friendship, research, common ground
|
||
|
<Ginster> all I have on the net is a voice, and I talk more here than other
|
||
|
+places..
|
||
|
<CountZer0> Ok all, How different is your net voice than your RL voice?
|
||
|
<NullSet> Not different at all, really.
|
||
|
<Ginster> same voice, cz
|
||
|
<jsitz> CZ- there is no difference for me
|
||
|
<CountZer0> no persona change?
|
||
|
<CountZer0> at all?
|
||
|
<scotto> my RL voice differs strikingly from my net voice.
|
||
|
<CountZer0> not more forward?
|
||
|
<scotto> yes, big persona change.
|
||
|
<tomwhore> No difference in the voice on or off, except when I got a sore
|
||
|
+throat or a hang nail
|
||
|
<CountZer0> yeah here you're "just an 8 point font"
|
||
|
<scotto> in RL, I cannot conveniently
|
||
|
<NullSet> no, no persona change for me
|
||
|
<Ginster> i try to write just as i am
|
||
|
<jsitz> nope, why should I be something I'm not....I have no reason to be
|
||
|
+anything else...I am who I am
|
||
|
<scotto> subscribe or join to the attractors that attract me.
|
||
|
<andy_> you can't compare rl voice to net.voice because of the difference
|
||
|
+in, like, sensory input, different environments.....
|
||
|
<CountZer0> then why the /nicks?
|
||
|
<voidmstr> big change here--i have a verrry straight day job
|
||
|
<scotto> what nick?
|
||
|
<scotto> heh.
|
||
|
<Ginster> because my real name was taken.
|
||
|
<NullSet> I'd be "erich", but there's already an "erich"
|
||
|
<aron> what nick? :)
|
||
|
<Ginster> ok....
|
||
|
*** andy_ is now known as andy
|
||
|
*** Ginster is now known as richrd
|
||
|
<tomwhore> Yea but rl its all two way differences, on the net its just a font
|
||
|
+thing
|
||
|
<andy> i feel so....free, now....=)
|
||
|
<scotto> ah, making a point, are you?
|
||
|
<richrd> it took a while but i figured that out
|
||
|
<scotto> my net.persona, my net.voice if you will, was carefully crafted to
|
||
|
+help me get around in this particular memetic stew.
|
||
|
<scotto> i've found that my net.voice doesn't function well in RL.
|
||
|
<richrd> i try to be as real as possible, to do real things
|
||
|
<CountZer0> Does your net life effect your RL and vice versa, how?
|
||
|
<NullSet> It takes up a lot of time!
|
||
|
<NullSet> It keeps me sane.
|
||
|
<NullSet> I am very isolated where I am.
|
||
|
<richrd> my net life connects to my real life
|
||
|
<Scotto> the memes i dig up here strongly affect the way i pursue my rl.
|
||
|
<tomwhore> Net life real life =life
|
||
|
<NullSet> The net allows me to keep in touch with people far away who were
|
||
|
+once in my RL.
|
||
|
<NullSet> Recently IRC has allowed me to discover folx who share common
|
||
|
+interests.
|
||
|
<NullSet> This is hard in my RL situation.
|
||
|
<andy> so does the phone, so does a car, so does a piece of paper and a stamp
|
||
|
<andy> so does a tv
|
||
|
<aron> i would say, irc is bad for spreading useful info in a efficient
|
||
|
+manner, but it isn't designed for that
|
||
|
<andy> when ISDN gets here with realtime audio/video, i think the net
|
||
|
+will be more valid as an *integrated* aspect of rl
|
||
|
<Scotto> oh come on,
|
||
|
<Scotto> we're not talking about "replacement"
|
||
|
<Scotto> i mean, will IRC or elists exist if everything goes
|
||
|
+realtime/audiovideo?
|
||
|
<richrd> 10 people cannot share a phone call - but it works here
|
||
|
<voidmstr> net.anonymity is also free-making---liberating
|
||
|
<richrd> 10-way conference calls get noisy
|
||
|
<NullSet> voice has a certain immediacy - it has to be attended to
|
||
|
<Scotto> but everyone's so hip on expanding and advancing, and all the
|
||
|
+theories cover how IRC or how email *simulates* *real* life, but what if
|
||
|
+we didn't come here for "real" life, what if we're interested in something
|
||
|
+with much less similarity and much more weirdness
|
||
|
<richrd> we each get our own line of text here, maybe that is the difference
|
||
|
<CountZer0> So do you all see your voice on the net as just an exact extension
|
||
|
+of your voice off the net?
|
||
|
<Scotto> no, not at all.
|
||
|
<NullSet> I do, I guess.
|
||
|
<tomwhore> Yea why do we always NEED to get the net to be more RL?????
|
||
|
<aron> i just see the net as a useful and entertaining tool, nothing more
|
||
|
<aron> I can do stuff with it
|
||
|
<voidmstr> i found a new voice on the net---one that i didn't know was there
|
||
|
<tomwhore> The net is another input for my mind
|
||
|
<richrd> the net reaches more/different people
|
||
|
<andy> so the net's an extension
|
||
|
<aron> richard: exactly
|
||
|
<andy> anyone think the net is revolkutionary?
|
||
|
<CountZer0> or can be?
|
||
|
<aron> yeah with a k
|
||
|
<richrd> yes - i used to publish in print, but now i work on the net
|
||
|
<tomwhore> The net is evolutionary
|
||
|
<Scotto> a revolution is revolutionary; a medium only facilitates what it
|
||
|
+needs to.
|
||
|
<voidmstr> i do net.art i never print any of it---my new medium is
|
||
|
+electrons
|
||
|
<richrd> newspapers were fun, i thought newswires would be even more
|
||
|
+fun
|
||
|
<andy> it's an extension, an advancement, new technologies, that's
|
||
|
+evolutionary, right?
|
||
|
<aron> right
|
||
|
<tomwhore> New ways of conversing and new ways to listen and learn
|
||
|
<aron> unless it is sudden
|
||
|
<richrd> like when the telephone was first introduced
|
||
|
<aron> and it hasn't been
|
||
|
<tomwhore> caves->print->books>computers->net
|
||
|
<tomwhore> sort of like that
|
||
|
<richrd> or tv - but we have control of this medium
|
||
|
<aron> but soon it could be, potential energy is dripping all over our hands
|
||
|
<andy> put telephone in there cuz that oral diversion is significant, and the
|
||
|
+fact that the net is literal, not oral
|
||
|
<richrd> screen art is like cave art
|
||
|
<tomwhore> Yea the path is a multi thread that weaves into the net which in
|
||
|
+turn will weave out into the next stuff
|
||
|
<CountZer0> do you all see your voice on here as more, less or the same
|
||
|
+powerful as in non net life?
|
||
|
<richrd> more
|
||
|
<aron> entirely different
|
||
|
<NullSet> more
|
||
|
<CountZer0> and why?
|
||
|
<aron> apples and oranges
|
||
|
<Scotto> i seem to have more influence here, but my perception is skewed.
|
||
|
<NullSet> I can reach more people.
|
||
|
<tomwhore> If I could reach as many like minded people off the net It would
|
||
|
+be the same
|
||
|
<richrd> why read about other places when you can talk to them directly?
|
||
|
<alysoun> there are no pretenses here, no worry about what people think of
|
||
|
+you...you think it and it shows up on the screen
|
||
|
<richrd> different audience here than in rl
|
||
|
<Scotto> ain't that the truth.
|
||
|
<aron> CZ: well in the context of the net compared to rl I would say more,
|
||
|
+but in just rl. the majority of the world could give a fuck about the net,
|
||
|
+so I would only say more "power" in relation to the net itself
|
||
|
<richrd> the majority of the world cannot get to the net
|
||
|
<richrd> we all must pass a few hurdles to get here
|
||
|
<aron> exactly, or are too stupid/lazy or just plain uninterested
|
||
|
<andy> i don't see any real differences in "power", i think the net just shows
|
||
|
+u outlets and shit u might not've seen before, but u have the same
|
||
|
+potential in either rl or nl
|
||
|
<NullSet> on the net, potentially far more people hear my thoughts than in
|
||
|
+RL
|
||
|
<aron> mine too
|
||
|
<bookish> richrd: how's access relate to power?
|
||
|
<voidmstr> if you look as net.life as just part of rl, its easier to see how
|
||
|
+they must influence each other
|
||
|
<aron> exactly
|
||
|
<andy> null - u could always do something like, send a letter to the editors
|
||
|
+of TIME or somethin,...
|
||
|
<richrd> bookish: the power is potential
|
||
|
<richrd> the access is real
|
||
|
<aron> nl fits into the rl sphere they are not two poles
|
||
|
<NullSet> Yeah, but when I post to USENET, I'm pretty sure it'll get
|
||
|
+published.
|
||
|
<NullSet> "published" in the sense that it'll get to the point that everyone
|
||
|
+can read it
|
||
|
<CountZer0> but time decides what goes in. Usenet includes everything for
|
||
|
+instance
|
||
|
<aron> andy, only if they have email :)
|
||
|
<NullSet> yes, exactly c0
|
||
|
<andy> that's true...the net is more accessible...masses media....rather than
|
||
|
+mass media...that's my big thing...
|
||
|
<richrd> only a small percentage of people have computers, fewer still have
|
||
|
+net access, fewer still irc...
|
||
|
<aron> and although most of usenet is shit, there is good stuff you will find
|
||
|
+there that would never be published in Time
|
||
|
<NullSet> so in that sense my "voice" is magnified
|
||
|
<andy> 2000 people irc at any given time, on a good day
|
||
|
<CountZer0> so let's wrap this up then with some final thought, summarize
|
||
|
<CountZer0> What does it mean to be a voice from the net to you all?
|
||
|
<andy> realtime!
|
||
|
<richrd> i get to talk to people worldwide more than to people in my own
|
||
|
+town
|
||
|
<Scotto> It means having big thick vocal cords.
|
||
|
<NullSet> As a voice "from the net" my thoughts have a certain legitimacy
|
||
|
+that "texts" have that mere speech doesn't.
|
||
|
<NullSet> I mean, the things I say are "in print" in some sense.
|
||
|
<aron> yeah
|
||
|
<alysoun> i can really be myself
|
||
|
<aron> The net while far reaching is shallow however, I feel the net
|
||
|
+currently doesn't have much power outside itself, but as a tool it is very
|
||
|
+useful
|
||
|
<Scotto> Having a "voice from the net" means never having to say, "Hey,
|
||
|
+shut up, I'm trying to talk!"
|
||
|
<andy> see, that's gonna be a big thing.....most people see literal, like,
|
||
|
+culture as an evolution from oral....i only see it as, like, an
|
||
|
+abstraction....that's why people like the print thing so much i think.../me
|
||
|
+wants to talk about oral/literal and the net...=
|
||
|
<NullSet> when I speak, my speech disappears
|
||
|
<NullSet> but as text, my speech has persistence
|
||
|
<NullSet> my thoughts become "part of the record"
|
||
|
<richrd> this is the "new literature"
|
||
|
<andy> see i think there's this attraction of the net because of what erich
|
||
|
+said, about "publishing" and stuph...society clings to literal culture.....
|
||
|
|
||
|
|
||
|
#####
|
||
|
|
||
|
|
||
|
SCOTTO: is a voice in many different communities around the Net. He can
|
||
|
be "heard" offering his special brand of self-styled net.philosophy (with
|
||
|
a dash of cynicism, a pinch of sarcasm, and more often than not, a thought
|
||
|
provoking and eye-opening point of view) on several e-mail lists (Aleph &
|
||
|
Leri) as well as on IRC and other places where a platform is offered, and an
|
||
|
ear is open. Following is an essay we received from Scotto by way of
|
||
|
e-mail...
|
||
|
|
||
|
|
||
|
|
||
|
Date: Mon, 12 Jul 1993 20:37:53 -0500 (EDT)
|
||
|
From: Scotto <scotto@*******.******.***>
|
||
|
To: voices-request@andy.bgsu.edu
|
||
|
Subject: Format Chauvinism
|
||
|
|
||
|
|
||
|
|
||
|
FORMAT CHAUVINISM, AND WHY MY EDGE IS SHARPER THAN YOURS
|
||
|
|
||
|
|
||
|
Hi. My name is Scotto, and I'm a Voice From The Net.
|
||
|
|
||
|
There. Got that out of the way. Now let's get down to business.
|
||
|
|
||
|
First of all, the Net is just full of Jerks. I mean, I think we all know that
|
||
|
by now. It's just a sad and unfortunate fact that most of the people willing
|
||
|
and able to get Net access are also incredible Jerks. Fact is, they're
|
||
|
everywhere. At one point, we thought they'd just stay over on alt.jerk where
|
||
|
they belonged, but that wasn't good enough, and the next thing we knew, they
|
||
|
had the jerk.* hierarchy up and running, Jerk-L was booming, and #Jerk was
|
||
|
crashing lesser servers the world over.
|
||
|
|
||
|
I suppose this was inevitable. I mean, I think we all know that, in fact, most
|
||
|
of the people on the *planet* are Jerks. And we can't just sweep these Jerks
|
||
|
under the rug, you know, that whole "civil rights" thing cuts both ways, etc.
|
||
|
No, all we can really do is make sure these Jerks stay in their own jerkspace
|
||
|
and out of our coolspace. And the easiest way to do that is to make sure that
|
||
|
our coolspace is situated right smack dab on the Edge.
|
||
|
|
||
|
This is my latest fun thing to do: starting up a casual conversation with an
|
||
|
innocent Normal somewhere (as we all know, 78% of the Normals are also Jerks --
|
||
|
they're everywhere!), talk about, I dunno, the weather, cable TV, the latest
|
||
|
"Peanuts," and then, BLAM, start into a rant about how human communication
|
||
|
itself is in a sudden, unstoppable period of whirling, churning mutation via
|
||
|
the global Internet, which will someday take over the planet by way of full
|
||
|
virtual immersion and a stray modem or two. The Normal's eyes always grow
|
||
|
wide, and then I casually mention how I was recently logged into the Net for 47
|
||
|
days straight, chewing up email like bacon bits, rampaging all over Usenet
|
||
|
reprinting old Yes lyrics, occupying 98 separate IRC channels and regaling them
|
||
|
all with my dreams of joining a traveling ballet company, and oh yes, keeping
|
||
|
up with my stories on the telly (gotta love "All My Children," dontcha?). I
|
||
|
say, "Yeah, I guess you could say I was surfing the Edge, zooming on pure
|
||
|
information, swimming in an unholy concrescence of datastreams, a virtual wave
|
||
|
pool of seemingly unrelated trivia that come together to form a veritable
|
||
|
tsunami of Meaning," and meanwhile, the Normal has noticed that my eyeballs are
|
||
|
bleeding and is quietly tip-toeing away to call the authorities. I get kicked
|
||
|
out of more donut shops this way.
|
||
|
|
||
|
The problem these days, though, is that now you can find Jerks practically
|
||
|
selling *tickets* to the Edge, I mean, they've got roadmaps and everything, and
|
||
|
parking is cheap. Well, obviously, if there are Jerks on the Edge, it's time
|
||
|
to relocate the Edge to better digs. The Edge hangs out in different spots in
|
||
|
different contexts, mind you. And in the context of the Net, the Edge has
|
||
|
everything to do with words and which ones you choose and what order you put
|
||
|
them in, blah blah blah -- all the stuff you picked up in Net.Sociology 101.
|
||
|
|
||
|
We know Usenet is out; I mean, they may as well just call it Jerknet. For a
|
||
|
time there, forming a Community via email -- the Mailing List Phenomenon of the
|
||
|
pre-Jerk.Invasion period -- was one way of almost approaching the Edge.
|
||
|
However, a plethora of unsightly bugs developed, among them the annoying
|
||
|
tendency to assume an audience that was all like You, the crass desire of
|
||
|
Newbies (42% Jerks, even way back then) to trot out old Warhorse Topics ("uh,
|
||
|
hi, my name is Ghirque, could anyone tell me what the hell 'memetics' is?"),
|
||
|
followed by the inevitable Disinterested Blowoff by the Regulars ("listen, pal,
|
||
|
I was grafting memes before you were knee high to a singularity"), and
|
||
|
eventually, the horrifying period of Lurker Cleansing that took the hipper
|
||
|
lists by storm (no accurate stats on Lurkers are available, although a survey
|
||
|
of Regulars estimated the Lurker population to be 92.6% Jerks).
|
||
|
|
||
|
Yes, friends, we almost lost the Edge during the great Jerk.Invasion, but
|
||
|
thankfully, the Regulars figured it out for us, and moseyed on over to IRC. It
|
||
|
was an inevitable progression, mind you. Whereas a mailing list was capable of
|
||
|
sustained point development and somewhat civilized conversation, IRC turned out
|
||
|
to be gloriously inappropriate for anything Of Import, making it the New
|
||
|
Conquest of all your favorite Edge-Surfers (swimwear by IBM!). And they
|
||
|
actually succeeded in instilling Relevance in a previously Relevance-Free
|
||
|
environment; don't let my own person cynicism fool you -- the Edge acquire a
|
||
|
brand new medium on that day. Oh, sure, the Jerks tried to follow, but,
|
||
|
really, if you ever saw the vapid and empty conversation on #lurker, you know
|
||
|
that these Clowns were no immediate threat.
|
||
|
|
||
|
From here, it's only a few moments until we eliminate entirely the need to use
|
||
|
verbs, and soon we'll be able to communicate in densely-packed monosyllabic
|
||
|
semiotic wonders, soon we'll be composing strings of sheer letter-number
|
||
|
combinations that will in one line communicate the equivalent of an Anne Rice
|
||
|
novel. Some people say they like IRC because it's more like Real Life, but
|
||
|
hell, if Real Life was all it was cracked up to be, I wouldn't be on the damned
|
||
|
Net to begin with (escapism alert!). Listen, Jerks are everywhere, and the
|
||
|
easiest way to keep a safe distance is to render yourself unintelligible by way
|
||
|
of our friend the Edge ("it submerses you in an overwhelming futuristic
|
||
|
memepool, propelling you headlong on your way to a cultural and symbolic Omega
|
||
|
Point -- and still slices this tomato!"). This is the Way, don't you see? The
|
||
|
Regulars are already onto it; heck, it's *their* memes that *create* the Edge,
|
||
|
remember, while the rest of you wannabes entertain paltry attempts to hold a
|
||
|
job *and* read 212 messages a day from the same ten people. Yeah, it'll be
|
||
|
rough, but what the Net needs now is not peace and love incorporated, but a
|
||
|
separate IRC channel for every single User. It's the future, man, I'm telling
|
||
|
you.
|
||
|
|
||
|
Or.
|
||
|
|
||
|
Forget what I just said. I'm a Jerk myself, as you can probably tell. And,
|
||
|
uh, when my friends went to IRC in droves, I went there too, because they were
|
||
|
my Friends. And when some of my friends tried to keep a struggling email
|
||
|
community alive, I went there too, because Places Like That mean something to
|
||
|
somebody eventually down the line. Oh, sure, I also wallowed in Healthy
|
||
|
Cynicism and ragged the Regulars because of my own little media chauvinism, but
|
||
|
heck, I'm only Human. And some days I think I'll never forgive William Gibson
|
||
|
for creating the most vicious, devastating picture of the future and planting
|
||
|
that meme *firmly* in the minds of Young CyberAmerica without so much as a
|
||
|
single caveat, and if there's one productive thing I can use my cynical
|
||
|
Net.Voice for, it's encouraging Communities where other Voices can speak
|
||
|
without fear of jaded reprimand. The Voices From The Net that I am most
|
||
|
Attracted to are the Guides and the Signposts, and the ones that, umm, Pull Us
|
||
|
Together with an intellectual prowess and/or an emotional depth and warmth and
|
||
|
passion, in order for us to mold our future all the easier. *Yes*, I am laying
|
||
|
on the cheese, this rant is practically sliced and pasteurized, but what they
|
||
|
hey -- you can't Lurk forever, huh?
|
||
|
|
||
|
Your pal,
|
||
|
Scotto
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
__A FEW MINUTES WITH... ANDY HAWKS__
|
||
|
|
||
|
|
||
|
If you're asking yourself, Andy Who? Or maybe, What's this voice doing
|
||
|
ringing in my ears? Well, here's a quick autobiography of Andy Hawks.
|
||
|
Hopefully this will answer both of your questions:
|
||
|
|
||
|
|
||
|
i have been using computers since i was 7, been telecomputing
|
||
|
since i was 11 or 12. alas, i only found the internet two or
|
||
|
three years ago after a long time of exploration and probing
|
||
|
throughout various types of virtual communities and
|
||
|
information systems. upon finding the internet i created a
|
||
|
file called "The Futureculture FAQ/Cyberography" to help me
|
||
|
keep track of resources talked about on various Usenet groups.
|
||
|
that file became a valued resource to other people (.ed note-
|
||
|
most recently the FAQ has been mentioned in the Utne Reader
|
||
|
magazine, and on the multimedia disk being distributed with
|
||
|
Billy Idol's new album "Cyberpunk") and spawned an email-based
|
||
|
list (e-list) to discuss aspects of cyberspace, technoculture,
|
||
|
the new edge, cyberpunk and cyberculture, etc. i no longer run
|
||
|
the list directly but still belong to the community that the list
|
||
|
spawned...things continue to propagate. i continue to search,
|
||
|
explore, and probe the net and real life for interesting
|
||
|
information and items relative to tomorrow's possible realities,
|
||
|
and try to make them real today.
|
||
|
|
||
|
|
||
|
And now.... a few minutes with Andy Hawks...
|
||
|
|
||
|
|
||
|
|
||
|
vox et praeterea nihil
|
||
|
----------------------
|
||
|
|
||
|
|
||
|
|
||
|
We can live together love together
|
||
|
Do whatever we want together
|
||
|
Best of all Possible Worlds
|
||
|
Nothing is impossible.
|
||
|
|
||
|
-The Shamen
|
||
|
|
||
|
|
||
|
|
||
|
possible worlds
|
||
|
|
||
|
I remember gazing at the image on the t.v., letting my mind sprint
|
||
|
through seemingly magical imaginations, trying to think of the
|
||
|
realistic prospects of such a phenomena. The picture was of a human
|
||
|
figure existing in a dimension somewhere between synergistic ecstasies
|
||
|
and a serene unity. Energies flowing within, without, around, and
|
||
|
through the figure, forward and backward across the space and time
|
||
|
enveloping the image. It seemed to represent a constant harmony of
|
||
|
the inner reaches of the mind, heart, and soul. I commenced the
|
||
|
picture to motion in my mind, flashes of the figure in realtime
|
||
|
traveling through dimensions alongside these universal energies, a
|
||
|
hyperreal wonderland beyond infinite spectrums of ethereal, electronic
|
||
|
sound and light.
|
||
|
|
||
|
Somehow I felt that in the gestalt pyramid of the human collective,
|
||
|
this visionary portrait already existed to some degree: a place where
|
||
|
energy propels beyond time and space, instantaneously from another
|
||
|
person's mind, or a group of minds, and into my own head
|
||
|
simultaneously with the ease of a dolphin playing among clear calm
|
||
|
Pacific waters. Effortless communication in waves reaching heights
|
||
|
unbeknownst to the common human experience.
|
||
|
|
||
|
We endlessly strive towards something resembling a post-human
|
||
|
condition like the one I offered above under the shield of technology,
|
||
|
the wand of mystery, and the helmet of knowledge, battling towards an
|
||
|
abstracted ideal, an invisible dragon, The Perfect State. Jeesh.
|
||
|
We're never going to get there. Never. Yet it is an innate aspect
|
||
|
of our existence that we *move forward*. Bigger, better, faster,
|
||
|
stronger. Just do it. Seek out new life and new civilization. Be
|
||
|
fast and dense. Sigh. Moving forward is so relative. More aptly I
|
||
|
think it appropriate to say it is human nature to *move*. So, in this
|
||
|
McLuhan-would-be-proud age of CNN and fiber-optic telephone lines,
|
||
|
where any pertinent movement in the world is only a "where'd I
|
||
|
put that damn remote" hunt away, how does one move ahead of the
|
||
|
Jones'?
|
||
|
|
||
|
|
||
|
|
||
|
netopia in blue
|
||
|
|
||
|
Ah, the Internet. I'm not going to describe it in oversimplified
|
||
|
"well, it's kinda like this, it might be compared to this,
|
||
|
it's made up of this, but it's not that" terms appropriate
|
||
|
for cheesy mall-computer-store books. If you don't know what the
|
||
|
Internet is, ask someone. Lessee, there's at least 10 million
|
||
|
people on the damn thing, growing exponentially, and assuming everyone
|
||
|
followed the right path down the yellow brick road, you *should* get
|
||
|
10 million different responses.
|
||
|
|
||
|
That's the beauty of the Internet. Each to one's own. The
|
||
|
environment is as subjective or objective as you make it, you are as
|
||
|
close to it as you want to be, the virtual-circles you found yourself
|
||
|
in are by your own choosing. It's the closest thing on this earth,
|
||
|
imho, to that post-humanistic state at the beginning, where a person
|
||
|
coexists in harmony with all these energies, oceans of effortless
|
||
|
communication, dolphins in the information Caribbean.
|
||
|
|
||
|
If you think you're moving forward, towards The Perfect State, if
|
||
|
you're an individual who has reached "the Goal", odds are it
|
||
|
either had something to do with a completely natural state of being,
|
||
|
or the high point of technology. The high point of technology right
|
||
|
now that's available to the masses would probably have to be the
|
||
|
Internet, so that's probably where you found your white-light -
|
||
|
enlightenment. Scary thought.
|
||
|
|
||
|
|
||
|
|
||
|
i'm not an ai
|
||
|
|
||
|
I am one of those who climbed up the gestalt pyramid towards "the
|
||
|
Goal" with the rope named Internet. In fact, I have gone many
|
||
|
places with that trusty rope [insert Indiana_Jones multimedia
|
||
|
soundbyte here, overlaid with background images of Tron]. I don't
|
||
|
believe in final frontiers. There is always going to be new territory
|
||
|
to explore, whether it be undersea, in space, in human understanding,
|
||
|
or in virtuality. I guess I might be considered a Settler as far as
|
||
|
the Internet is concerned, if forced to reference back to real life
|
||
|
and historic events. Living in the matrix, in cyberspace, is just
|
||
|
like any facet of real life. I can't over-emphasize that enough.
|
||
|
The only difference being the (for now, for a decade or so) lack of
|
||
|
extended sensory input, and the fact that physical geography has no
|
||
|
relevance. (Or rather, it is only relevant if you make it relevant).
|
||
|
Other than that, (which are two major points mind you, the hallmarks
|
||
|
of cyberspace as we know it), virtuality and "normal" reality
|
||
|
are the same thing. Don't think they're not. Even self-proclaimed and
|
||
|
labeled net.gurus and net.gods talk about the addictions of the net. I
|
||
|
used to think that, too. Dumb, dumb, dumb, dumb thing to think. If the
|
||
|
net is an addiction, then so is reality, day to day living. It's the same
|
||
|
thing.
|
||
|
|
||
|
My parents were among the first generation to grow up with TV. I am
|
||
|
among the first generation to grow up *in* cyberspace. I owned an
|
||
|
Atari before they renamed them the Atari 2600, I owned my first Apple
|
||
|
(praise Woz) at 7, I have been modeming since I was 11. I began
|
||
|
running a BBS at 13. I am 19 now, I have been on the Internet for 2
|
||
|
years. In those 2 years, I ran the FutureCulture E-list, created the
|
||
|
FutureCulture FAQ, helped do the alt.cyberpunk FAQ, contributed to a
|
||
|
variety of other e-lists and Usenet groups, spent an incredible amount
|
||
|
of time on IRC, gained, a bit of attention and notoriety through
|
||
|
various territories on the net. I am just your average net-maven,
|
||
|
netfiend, net.addict, whatever you want to call me, that's fine. I
|
||
|
can't really relate to Generation X with the Brady Bunch, but, umm,
|
||
|
maybe there's a FAQ for it I can gopher and then grep through. I
|
||
|
think that I have some time free for a dentist appointment, but let me
|
||
|
double-click on my appointments program on my palmtop and to make
|
||
|
sure. I am more at home in front of a keyboard then a TV. More at
|
||
|
home in front of a keyboard than a chalkboard. I "type" smilies
|
||
|
through an obscure hand-motion, in real life. Friends greet people by
|
||
|
saying "re". A MUD is sweeter than a Hershey's bar. Sometimes when I
|
||
|
speak, I see myself typing the words out. I prefer an email address to a
|
||
|
phone number. I've had Gibsonian dreams of being a ROM construct. Tron
|
||
|
and WarGames reign supreme to my fellow Indiana Netopians.
|
||
|
|
||
|
Goddamnit I live here, in cyberspace. On my voice-mail message right
|
||
|
now, I have this sample from Wild Palms that featured William
|
||
|
Gibson's quirky cameo which talks about cyberspace, and then I come
|
||
|
on and say "Hi this is Andy. I'm not here right now, I'm 'probably
|
||
|
hanging out in cyberspace. You can reach me there or leave a message and
|
||
|
I'll get back to you as soon as I check my messages." I calculated one
|
||
|
time I have spent months of my life on the Internet. People for whom the
|
||
|
net is foreign are analogous to an ancient foreign language of which I am
|
||
|
completely unfamiliar and have no real desire to go back and learn.
|
||
|
That's the past, I'm here now. This is the place I have chosen. I remain
|
||
|
on the net, living, loving, feeling, growing, learning, experiencing,
|
||
|
exploring, flaming, lusting even. The net is not a magical place to live,
|
||
|
no more magical than I allow myself to be mystified, and it's not an
|
||
|
exotic place to me, no more exotic than the places I have yet to discover,
|
||
|
but will eventually. The net is only confusing or challenging when my
|
||
|
lack of effort or devotion fails. The net is only substandard or inane
|
||
|
when I allow my ego to hang out beyond its usual belt-loop. I know all
|
||
|
there is to know about the net only when I am lazy. I lose faith in
|
||
|
the net when I lose faith in my self. I worship the net only when I
|
||
|
am unsure of my own space in time. I care enough about the net to
|
||
|
seek vengeance upon people who pluck one of its pedals and ruin
|
||
|
the glory of the flower. I travel its subways, its highways, its
|
||
|
sprawl, and its farms. Uncharted territories and virtual urban ghettos.
|
||
|
Oceans of information and desserts of noise.
|
||
|
|
||
|
The Internet changes lives, shapes futures, helps shape society at
|
||
|
large. It is a mirror of humans and society, it is also an empty
|
||
|
canvas waiting to be painted upon by Picassos and preschoolers. I
|
||
|
simply just can't lasso the net into a perspective that does it
|
||
|
justice.
|
||
|
|
||
|
|
||
|
|
||
|
the revolution will not be revolutionary
|
||
|
|
||
|
There is nothing historically revolutionary about the Internet,
|
||
|
though, because every technological advancement, no matter its
|
||
|
degree of importance, is always at least somewhat revolutionary. In
|
||
|
other words, each new technology supersedes the one that came before
|
||
|
it in a specific area, that's why it's an advancement. The old one
|
||
|
becomes outdated, the new one becomes accepted, and the next step forward
|
||
|
is undertaken. That's not revolution, that's progression. Say you are in
|
||
|
the basement of Macy's department store (or the metaphorical human
|
||
|
pyramid), and have this incredible unceasing desire to reach the top. So,
|
||
|
you climb the stairs (escalators and elevators are a free ride for the
|
||
|
lazy =). Are you going to stop after each stair and say "wow, I just
|
||
|
climbed the 4,038th stair!". No, you don't stop, you move forward, keep
|
||
|
going. The Internet seems to be the magical 4038th stair for a lot of
|
||
|
people. And that's fine I guess, but, just don't forget the stairs above
|
||
|
and below you. And don't forget that Macy's, as far as my allegory is
|
||
|
concerned, is in an intense period of growth and prosperity, and has no
|
||
|
desire to stop expanding while you continue to climb.
|
||
|
|
||
|
Yet I also have to say, continuing with the analogy, Macy's is the
|
||
|
best place I have yet to find to shop. Especially the Internet floor.
|
||
|
I think I'll live there, at least until the ISDN floor, which is
|
||
|
now under construction, gets completed.
|
||
|
|
||
|
|
||
|
|
||
|
more real than realtime
|
||
|
|
||
|
ISDN, brings me to the next point. I am just sort of rambling here,
|
||
|
spewing/ranting about whatever I feel, which is pretty much my style
|
||
|
(facilitated in part by extended net.usage =), but I would like to
|
||
|
mention the next step up. ISDN. Integrated Services Digital Network.
|
||
|
If we who are on the Internet now, who have been, who came after the
|
||
|
pioneers and explorers of the 60's, are the settlers, ISDN will
|
||
|
mark the rise of cities in the c-space frontier. A lot of the Lewis
|
||
|
and Clarks out there on the net are filled with one of two things:
|
||
|
fear that ISDN and this slow process of commercialization will forever
|
||
|
corrupt the net, or, second, this idiotic reactionary bravado attitude
|
||
|
that the net can survive any obstacle in it's path because of
|
||
|
it's history and the people who use it and all that bull.
|
||
|
|
||
|
I think it's safe to say that ten years from now, you won't
|
||
|
recognize the net. The net *literally* changes by the nanosecond.
|
||
|
Time moves five to ten times faster on the net, depending on which
|
||
|
net.cyclones you find yourself spinning around in. ISDN has the
|
||
|
potential to rock your world, take it right into the Jetson (as in
|
||
|
George, boy Elroy, etc.) Age. However, there's a screenfull of
|
||
|
variables that can affect how ISDN reveals itself - political,
|
||
|
economic, technological concerns, power games, and under the table
|
||
|
wheelin'-and-dealin'. Those that stay current on ISDN-related
|
||
|
topics are probably watching the interactions between the telco/media
|
||
|
giants (AT&T, Times/Warner, US West, TCI) and the computer companies
|
||
|
(Apple, Sun Microsystems, et. al, even MIT's technogeek-trendy
|
||
|
Media Labs seem to be a significant voice, not to mention
|
||
|
organizations like the Electronic Frontier Foundation, etc., who also
|
||
|
want their "vox populi" heard and respected). If the computer
|
||
|
companies have a lot of input, the Internet may live long and prosper,
|
||
|
but if the telco/media giants come out on top without hearing the
|
||
|
computer companies, the net may live long and flounder.
|
||
|
|
||
|
Expect a lot of changes in the net, then, some of which are already
|
||
|
coming true: multimedia all over the place (sight/sound - email
|
||
|
messages may be Quicktime / MPEG movies, for example), an increase in
|
||
|
realtime-oriented app's and features out the butt (faster, and
|
||
|
denser with more sensory input), and other neat toys to dream about.
|
||
|
|
||
|
I can't wait for ISDN to get here. However, I think we need to
|
||
|
start *NOW* talking about the socioeconomic and political aspects of
|
||
|
full-out ISDN, the impending cultural shifts, not to mention
|
||
|
"secondary" topics, such as changes in our perspectives on the
|
||
|
humanities. Issues that arenUt really being addressed, but need to
|
||
|
be, before ISDN gets massive.
|
||
|
|
||
|
|
||
|
pulse
|
||
|
|
||
|
Until then, however, we've got this Internet thing lying around.
|
||
|
My relationship with the net is as close, if not closer, than any
|
||
|
person I've known or loved. I generally spend two hours a day
|
||
|
around any given person in real life, I generally spend four to five
|
||
|
hours each day on the net. I jonez for the net when I find myself
|
||
|
away for an extended period of time (two/three days). There is no
|
||
|
methadone for the net, because as I said before, because there is no
|
||
|
true methadone for the substance real life. The energies on the net
|
||
|
plant their juices in your mind eventually, and it's a permanent
|
||
|
symbiotic relationship, forever evolving this crystalline, fractal
|
||
|
circuit board of information. Nowhere else but the Internet can you
|
||
|
explore the inner-forces that reside in the maelstrom of hardcore
|
||
|
information overload -- when your email reaches 1000 messages per day,
|
||
|
multitasking with two or three email sessions, a couple telnets going,
|
||
|
an IRC session, MediaMOO or some other MUD, ftping, doing some shell
|
||
|
programming and reading Usenet when you allow yourself the time. And
|
||
|
you have complete control over the environment. Engaging in
|
||
|
post-psychedelic ("cyberdelic" for lack of a less-trendy word)
|
||
|
netrips -- if LSD is mind candy, a netrip is a can of Mt. Dew and a
|
||
|
couple piracetams. Feel it, feel these wires.
|
||
|
|
||
|
Every generation has a primitive urge to gather together in praise of
|
||
|
it's specific perspective on modern time. The hippies and
|
||
|
Woodstock, Gen. X has an occasional Ravestock-esque event, but the
|
||
|
beauty of virtual culture is that the tribes are constantly gathered.
|
||
|
Permanent, lasting substance. Forever sending signals through
|
||
|
thunderous clouds of noise. Exponentially the net grows, morphs, and
|
||
|
we as individual cells in the womb congregate for specific and
|
||
|
undetermined purposes, consciously and subconsciously, traveling
|
||
|
underneath the flesh of cybernetics. Silicon, chrome organs linking
|
||
|
together the human experience in pounding rhythms. In silence, you
|
||
|
can hear these rhythms as keyclicks on some keyboard far away in
|
||
|
Osaka, Tel Aviv, or San Francisco. The hands of the keyclicks remain
|
||
|
forever across tomorrow, but the minds are constantly linked in
|
||
|
synchronicity on the Internet. The voices are silent, the minds
|
||
|
breathe.
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
__A SHOuT IN THE DARK__
|
||
|
|
||
|
|
||
|
"Each of us is a small voice sounding among millions,
|
||
|
so it's possible to feel quite unimportant, but then again
|
||
|
each of us *is* unimportant in the larger scheme of things,
|
||
|
so I look at this aspect of the net as a reality check"
|
||
|
--T. Maddox
|
||
|
|
||
|
|
||
|
The reality check is here!
|
||
|
|
||
|
Looking out across the enormous terrain of the Net it is not difficult,
|
||
|
nor does it take long to realize the insignificance of one single voice
|
||
|
amongst the great crowd. One voice, your own, reaching out to the deep
|
||
|
entangled void of the matrix. Getting lost is assumed, taken for granted,
|
||
|
expected.
|
||
|
|
||
|
What can be lost by one, may be found by another.
|
||
|
(net.confucianism, the Tao of Net?)
|
||
|
|
||
|
One voice alone gets lost, swept up in the vast ocean comprised of
|
||
|
millions of similar "sounds." Each, on its own, a slight whisper, a barely
|
||
|
audible noise to the ear of humanity.
|
||
|
|
||
|
But look into the ocean. Look deeply. It is easy to get caught in the
|
||
|
riptide without remembering that the waves were once only ripples, the
|
||
|
ripples nothing more than a glassy surface, a standing pool.
|
||
|
|
||
|
One small pebble breaks the plain, and a small wave appears, echoing out
|
||
|
from the center and dying before it can reach the edge. A thousand pebbles
|
||
|
and the pool is a spastic series of rolling waves, emanating out to reach
|
||
|
towards the edges, filling in the calm and faraway reaches of the pool with
|
||
|
swaying rushes. Splitting into separate forms and patterns as the waves
|
||
|
impact and intermingle with one another. A million pebbles and the wave is
|
||
|
no longer just that, it is its own entity, its own tide, its own current,
|
||
|
it has its own name. It is called, the Net.
|
||
|
|
||
|
What is the Net?
|
||
|
Is the Net a place or a thing?
|
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|
Where IS the Net? [why, you're soaking in it... ;-)]
|
||
|
How do I get there?
|
||
|
|
||
|
These are basic questions and distinctions. In the 5,000 some odd year
|
||
|
history of the human race, the question of the substance and existence of
|
||
|
"reality" has been often considered, but , to a great degree,
|
||
|
unsatisfactorily answered. And before we could find an answer to this
|
||
|
basic question, we have added another facet to its ever burgeoning weight.
|
||
|
Virtual Reality.
|
||
|
|
||
|
Virtual implies a state of "not being in actual fact."
|
||
|
|
||
|
But the words are here. I can see them. You can see them. You are reading
|
||
|
them even now.
|
||
|
|
||
|
Is this virtual?
|
||
|
|
||
|
Importance. What is important. Can something that is "not being in actual
|
||
|
fact" be important?
|
||
|
|
||
|
What is the importance of the "pebble" to the "ocean"?
|
||
|
|
||
|
Alone, it is barely noticeable. But combined with all the others, it is a
|
||
|
force to be reckoned with. It is this force that we are trying to gauge,
|
||
|
to analyze, to understand.
|
||
|
|
||
|
Of course, this understanding may never come. As I said, we have never
|
||
|
answered the questions of reality in general. How do we expect to now face
|
||
|
this tremendous task? The answer, we must realize, may never come. The
|
||
|
world is a subjective place in which all answers seem relative depending
|
||
|
on one's situation:
|
||
|
|
||
|
"Sticks and stones may break my bones but names will never hurt me."
|
||
|
|
||
|
"The pen is mightier than the sword."
|
||
|
|
||
|
Which is the answer? Both? Neither?
|
||
|
|
||
|
The best we can do is to offer some semblance of explanation for the world
|
||
|
around us. And that is what we attempt to accomplish by adding this bit to
|
||
|
the stream. This is another "pebble" to strike the surface of the "ocean".
|
||
|
Another element added to the tide, creating a current that we hope will
|
||
|
someday carry us to a state of greater understanding.
|
||
|
|
||
|
Voices are like fingerprints, everyone has their own. There are many
|
||
|
different voices on the Net, as there are in our face-to-face everyday
|
||
|
world. But these voices are defined, in many cases, more by where they
|
||
|
come from than by who they come from.
|
||
|
|
||
|
IRC, MUD's, USENET, E-MAIL, BBS's...
|
||
|
|
||
|
All are different ways to be "heard" on the Net.
|
||
|
|
||
|
TONE, SEMANTICS, GESTURE...
|
||
|
|
||
|
All these exist on the Net. The forms change:
|
||
|
|
||
|
capital letters = shouts
|
||
|
CAN YOU HEAR US?
|
||
|
|
||
|
emote messages = actions
|
||
|
CountZer0 sits down and writes something akin to philosophical babble. ;-)
|
||
|
|
||
|
- the meanings remain.
|
||
|
|
||
|
They have impact and importance. They can be soothing or maddening, quiet
|
||
|
or deafening.
|
||
|
|
||
|
But it IS time to notice the words, and not just the mode.
|
||
|
|
||
|
Together these voices create what we call the Net. The whole of which is
|
||
|
greater than the sum of its parts. Without them, it is nothing. And for
|
||
|
all of these "pebbles" cast in, it remains a largely dark, still
|
||
|
and empty place. Our aim is to make the waves from these pebbles reach
|
||
|
out further, to land on the shores of previously uncharted areas, to fill
|
||
|
the space with the ripples of enlightenment.
|
||
|
|
||
|
We'll attempt to sidestep the perils of pretension (and the alarming
|
||
|
actuality of alliteration). It is easy to indulge and to wax rhapsodic
|
||
|
about such subjects [As you see I am doing now to a great degree]. Our
|
||
|
words and ideas may be grandiose, our goals set precariously high. The
|
||
|
ends to our means may be unattainable or possibly even non-existant. But
|
||
|
that fact has never stopped anyone from reaching towards the holy grail
|
||
|
that is knowledge, and the truths and missteps of our attempts will be born
|
||
|
out here as we add our input to this new wave.
|
||
|
|
||
|
In future issues the matters at hand will be more deeply discussed. But
|
||
|
here in our first issue, I think it is important to relay to you from
|
||
|
where it is exactly we are coming. We hope that this has been
|
||
|
accomplished and that you will decide to join us on our journey.
|
||
|
|
||
|
And in the expanse that is the Net we hope to be an amplifier which allows
|
||
|
this wave to wash over, soaking us in its kinetic splendor.
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
__COMING ATTRACTIONS__
|
||
|
|
||
|
|
||
|
Once again we thank you for joining us in our project. We do hope that it
|
||
|
has been enjoyable and informative for you. If so, tell your friends and
|
||
|
neighbors about us (we crave publicity and dabble in self-promotion). If
|
||
|
not, don't tell anyone!
|
||
|
|
||
|
Well, we're all excited about issue #2 of Voices From The Net. We're
|
||
|
already hard at work putting it together so that we can keep your regular
|
||
|
supply of voices coming, as we said earlier, on a more or less monthly
|
||
|
basis. That's right, September 1 is the target date for #2 and here's a
|
||
|
little preview of what we're planning for it:
|
||
|
|
||
|
Volume 1 Issue #2 Voices From The Net
|
||
|
|
||
|
On the "shelves" -- September 1, 1993
|
||
|
|
||
|
Being a new voice from the net.
|
||
|
|
||
|
Interviews, essays, and random, multi-flavored spewing from:
|
||
|
|
||
|
Adam Curry (Mtv)
|
||
|
Billy Idol (that Cyberpunk? guy)
|
||
|
Margie Ingall (Sassy magazine)
|
||
|
Various and sundry other voices from newbies around the Net.
|
||
|
|
||
|
|
||
|
|
||
|
See ya'll next month.
|
||
|
Take care, and tell 'em Voices *sent* you!
|
||
|
|
||
|
|
||
|
---------------------------------------------
|
||
|
|
||
|
To Subscribe to "Voices from the Net"
|
||
|
or to send us your comments/contributions:
|
||
|
|
||
|
send email to:
|
||
|
Voices-request@andy.bgsu.edu
|
||
|
|
||
|
[if you want to subscribe]
|
||
|
|
||
|
subject: Voices from the Net
|
||
|
body: subscribe
|
||
|
|
||
|
[Aint nothin' to it!]
|
||
|
|
||
|
=================================
|
||
|
|
||
|
"Voices from the Net" also has official Internet Archive sites at:
|
||
|
|
||
|
ftp> ftp.dana.edu
|
||
|
uglymouse.css.itd.umich.edu
|
||
|
netsys1.netsys.com
|
||
|
|
||
|
=================================
|
||
|
|
||
|
We can also frequently be found bouncing around the net in various places,
|
||
|
catch us if you can!
|
||
|
|
||
|
Look for--
|
||
|
Bookish swilbur@andy.bgsu.edu
|
||
|
CountZer0 mgardbe@andy.bgsu.edu
|
||
|
NEURO fbohann@andy.bgsu.edu
|
||
|
|
||
|
|
||
|
see ya' dare....
|
||
|
|
||
|
=================================
|
||
|
|
||
|
There is also a Macintosh Hypercard stack version of Issue 1.1 available.
|
||
|
look for:
|
||
|
|
||
|
VoicesFromTheNet1.1.sit.hqx
|
||
|
|
||
|
=================================
|
||
|
|
||
|
|
||
|
Voices from the Net: Acceptable Use Statement:
|
||
|
|
||
|
In a perfect world, we could just post this, send it out through the wires
|
||
|
and forget about it. In a perfect world... In this world, we have things
|
||
|
like copyright laws, legal permissions, the need to "own" one's words.
|
||
|
This document is free, but it is not public domain. The individual authors
|
||
|
retain the rights to their work. You may reproduce and distribute it. In
|
||
|
fact, we encourage it. Spreading free information is part of what "Voices
|
||
|
from the Net" is all about. Just keep it FREE. We hope that the zine will
|
||
|
be useful as well as entertaining. If it seems useful to you, then use it.
|
||
|
But be collegial. Cite your sources(*), and don't take liberties with the
|
||
|
text. Respect the voices contained here. [* Thanks to Bruce Sterling for
|
||
|
inspiration, and for support.]
|
||
|
|
||
|
Voices from the Net 1.1, copyright 1993.
|
||
|
|
||
|
|
||
|
|