557 lines
27 KiB
Plaintext
557 lines
27 KiB
Plaintext
|
|
||
|
____
|
||
|
| |________________________ __
|
||
|
| | | | | | | |
|
||
|
___| | | | | | | | | | | |
|
||
|
| | | | | | |__| | | | | |
|
||
|
| | | | | | | | |__| | |
|
||
|
| | | | | | | | |___ | | |
|
||
|
| | | | | | | | | | | | |
|
||
|
| | | | | | | | | | | | |
|
||
|
| | | | | | | | | | | |__|
|
||
|
| | | | | | | | | | | __
|
||
|
|_____|_____|__| |_____|_____| |__|
|
||
|
----------------------------------|__|-------------------------(gh/cia)---
|
||
|
|
||
|
Jonas E'Zine -- Volume 2, Number 1 -- Released April 2, 1996
|
||
|
Jonas is produced semi-regularly by Edicius (Tom Sullivan). Jonas
|
||
|
and the material therein are property of Edicius and Jonas Print Matter
|
||
|
Incorporated. Jonas may be freely distributed as long as this notice
|
||
|
remains in place, and there is no fee charged for its retrevial.
|
||
|
|
||
|
Deep in my heart, I do believe / We're not gonna make it
|
||
|
No, no, we're not gonna to make it / Cuz' we don't have the talent
|
||
|
And we don't have the time / And we don't have the patience
|
||
|
And we don't know how to rhyme
|
||
|
Presidents of the USA - "We're Not Going To Make It"
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
Jonas E'Zine Volume 2, Issue 1 April 2, 1996
|
||
|
|
||
|
Contents:
|
||
|
|
||
|
(1) - Edicius' Editorial
|
||
|
(2) - "Contentment" - by Cerkit
|
||
|
(3) - What Do You Think of Jonas?
|
||
|
(4) - Don Imus and the Political Barrier - by Edicius
|
||
|
(5) - "Salt Shaker Psycosis" - by Cerkit
|
||
|
(6) - "Barney and Friends" - by Edicius
|
||
|
(7) - Reviews: Edicius' Opinions on EVERYTHING!
|
||
|
(8) - Closing Notes
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(1) Edicius' Editorial
|
||
|
|
||
|
If you were to pick one particular year out of anyone's life, and examine
|
||
|
it, you would notice many changes in that person. These changes in their
|
||
|
personality effect everything and everyone around them. Everyone changes,
|
||
|
but many won't realize it.
|
||
|
|
||
|
Over the last year, I have changed alot. I have had many new experiences,
|
||
|
as everyone has had, and I've learned alot about life and myself. I've
|
||
|
learned things I can do, things I can't do. Many won't realize that they
|
||
|
have changed, or refuse to admit it. I am one of the fortunate, or
|
||
|
unfortunate, however you see it, to have my last year pretty thoroughly
|
||
|
documentated.
|
||
|
|
||
|
In a way, I have kept a diary of the last 366 days. The diary's name is
|
||
|
Jonas. As I look through the beginning stages of the 'zine, where I was
|
||
|
still new to the 'zine thing, and writing in general, I see a very scared
|
||
|
person. I admit it, during the first phase I was scared, as anyone would
|
||
|
be. I didn't know how I would do, where this would take me, or what
|
||
|
people would think of me.
|
||
|
|
||
|
Then, I see a place where I liked what I was doing, and felt comfortable
|
||
|
with it, and my writing changes. Originally, the sole intent of this
|
||
|
'zine was to be "the lamest thing ever created in 5 hours." (5 hours, for
|
||
|
your information, is the time it took me to think up the concept of Jonas,
|
||
|
write all the articles, and release issue one.) I wasn't happy with how
|
||
|
that was going, however. I was getting rave reviews, I had a large
|
||
|
audience, but it was for being dumb. I was writing in a stupid and sloppy
|
||
|
manner, and it sold.
|
||
|
|
||
|
I knew, however, in all of the realative success that I was achieving with
|
||
|
that style, that I could accomplish much more. I made a few subtle
|
||
|
changes here and there, being more selective about the articles I took,
|
||
|
changing the format, and other small things. Then one day, after issue
|
||
|
11, I totally changed the format, from programmed to ascii text. I also
|
||
|
changed the theme of it, from wacky and insane, to a more serious style.
|
||
|
|
||
|
I changed alot in that time. I grew surer in myself. I started to
|
||
|
straighten out the things in my life that were going a wry. I saw the
|
||
|
rough outline of my future, and I knew what I wanted to do. What I have
|
||
|
done with Jonas is what I've wanted to do for along time.
|
||
|
|
||
|
I've been thinking alot lately. I spend hours upon hours on the computer.
|
||
|
Hours and days pass by without my noticing at times. If it weren't for
|
||
|
my health, I might never sleep. I feel "dorky" because a good majority of
|
||
|
my friends that I hang out with are people I've met over the computer. I
|
||
|
feel like I'm doing this for nothing.
|
||
|
|
||
|
Then, I think again. I realize that right now in my life, everything is
|
||
|
stable. I wish that things were going alittle better, but I can't
|
||
|
complain about one thing. School is going fine, I've brought my grades up
|
||
|
to a point where they are comendable. I have a group of my close friends
|
||
|
that I talk to almost every day, and hang out with quite often. My family
|
||
|
is great. I have my health. What do I have to complain about? The
|
||
|
computer thing? Meeting people over the computer is just like meeting
|
||
|
them over any other medium.
|
||
|
|
||
|
You do what you feel most comfortable doing. If you are most comfortable
|
||
|
with a keyboard under your hands, so be it. If you are comfortable
|
||
|
walking around Midtown Manhattan with a tarzan outfit on, so be it.
|
||
|
|
||
|
My point for the whole long winded editorial will be summed up here:
|
||
|
|
||
|
The last year, I have gone through many changes, as everyone has. Jonas
|
||
|
has been there with me, and has changed alongside of me. I am very happy
|
||
|
with how everything is going right now.
|
||
|
|
||
|
That editorial made very little sense? Well, what else have you come to
|
||
|
expect of Jonas? :)
|
||
|
|
||
|
I would like to take a second out and thank the following people. Over
|
||
|
the last 366 days, many people have done many things for Jonas. They may
|
||
|
have written an article, or drawn a piece of artwork for it, but above
|
||
|
all, all of these people were there for Jonas and supported. They may
|
||
|
have supported it from Jonas' meager beginnings, or have only read one or
|
||
|
two issues, but show a current support of the 'zine.. To these people, I
|
||
|
extend my greatest thanks:
|
||
|
|
||
|
Ace Lightning, Akira, Asphixia, Basehead, Belial, Black Francis,
|
||
|
Briangeek, Cerebral Neurosis, Cerkit, Christopher Robin, Cidica, Crank,
|
||
|
Creed, Crimson Tide, Daniel from e-weezer, Dark Phiber, Defective Mind,
|
||
|
Diehard, Eerie, Epidemic, Errant Angel, Fake Scorpion, Flood, Frost Byte,
|
||
|
Grey Hawk, Grimjack, Hooch, Ilsundal, Inner Chaos, James Hetfield, Jen
|
||
|
from Mod Rock, Jestapher, Kurdt, Lord Valgamon, Lucifer, The Masked
|
||
|
Marauder, Meep, Mercuri, Metal Chick, Mindcrime, Misfit, Mistawho, Mister
|
||
|
E., Mogel, Mojo, Morpheus, Murmur, Napalm, Nebula, Pale, Pip the Angry
|
||
|
Youth, Radigan, RaD MaN, Rattle, Chris Rake, sCandal, Shadow Tao, Shakti,
|
||
|
Spiff, Subconscious, SuperDave, Terminal Velocity, The Blunted One, The
|
||
|
Master, Time Killer, Traq, Trip, ts, Tut, Twisted Terrorist, Jon Vena,
|
||
|
vYrus, Whoops, Wizard of Id.. .
|
||
|
|
||
|
.. and thanks to the following 'zines who show that people use the
|
||
|
computer to write about more then just erotic dreams.. These are a few of
|
||
|
the current 'zines that I read regularly and enjoy, to varing extents:
|
||
|
|
||
|
Chemical Chocolate, Cooler Then You, Cult of the Dead Cow, Doomed To
|
||
|
Obscurity, Dreaming in Digital, e-weezer, Flashbyte, Fucked Up College
|
||
|
Kids, I Want To Be a Rock and Roll Star, Grill, Klunk, The Last Word,
|
||
|
Moderate Rock e'Zine, Phone Losers of America, Pork, Radioactive Aardvark
|
||
|
Dung, Relish, Slinky, Teenage Young Minds Expand, Underground eXperts
|
||
|
United, y0lk.. .
|
||
|
|
||
|
Thank you for taking the time out to read Jonas. If this is the first
|
||
|
time you've read Jonas, or the 16th, we thank you just the same.
|
||
|
|
||
|
"Jonas is more then a 'zine, its a lifestyle."
|
||
|
|
||
|
-----
|
||
|
|
||
|
Update on past stories:
|
||
|
|
||
|
In Jonas 15, in the article entitled "Against the Communications Decency
|
||
|
Act", I reporetd on a local story involving a woman who had her picture
|
||
|
posted to several alt.binaries newsgroups. The picture also had her
|
||
|
address, and asked men to write her. The latest news available on this
|
||
|
story is that her ex-boyfriend is still being investigated in connection
|
||
|
with this act. The interesting sidenote, however, is that her
|
||
|
ex-boyfriend that is being investigated turns out to be Bruce
|
||
|
Springsteen's brother-in-law.
|
||
|
|
||
|
Mr. Springsteen declined to comment to Jonas about this case.
|
||
|
|
||
|
About my Valentine's Day rant that appeared in the last issue of Jonas:
|
||
|
several readers offered their suggestions as to what I should do, mainly
|
||
|
they told me I should ask the girl I wanted out. I did, she said yes, and
|
||
|
two days before our date, she changed her mind.
|
||
|
|
||
|
Love sucks.
|
||
|
|
||
|
Oh, and I have a special news annoucement. LISTEN UP CHAPS;
|
||
|
|
||
|
This is the last issue of Jonas. I'm not killing Jonas, but I am
|
||
|
continuing it under a different name, after some major changes. Namely,
|
||
|
we're merging with Slinky e'Zine. Sometime during May, the new e'Zine,
|
||
|
currently titled "Legacy", will be released. We will provide you with all
|
||
|
of the things you loved about Jonas and Slinky wrapped up into one big
|
||
|
issue, taken to the next level. We are the future of e'Zines.
|
||
|
|
||
|
Dang, I never got to print up the Jonas t-shirts.
|
||
|
|
||
|
If you wish to learn more about this, email me.. (MY EMAIL ADDRESS IS AT
|
||
|
THE BOTTOM OF THIS FILE, OK?)
|
||
|
|
||
|
Have a good day,
|
||
|
Edicius.
|
||
|
|
||
|
"We have found a common cause, and it's your money."
|
||
|
-- Johnny Rotten, of the Sex Pistols on why they decided
|
||
|
to reunite for a 20th-anniversary tour.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(2) "Contentment" - Cerkit
|
||
|
|
||
|
contentment, qualifies,
|
||
|
in my life as a surprise.
|
||
|
|
||
|
happiness, reigns
|
||
|
in my life as the thing that bring me pains.
|
||
|
|
||
|
smiles, become
|
||
|
in my life, the things i consider dumb.
|
||
|
|
||
|
frowns, become
|
||
|
in my life, what make me numb.
|
||
|
|
||
|
depression, reigns
|
||
|
in my life, without retrains.
|
||
|
|
||
|
discontent, qualifies,
|
||
|
in my life, made of lies.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(3) What do you think of Jonas?
|
||
|
|
||
|
I spent a few days, and emailed a cross-section of the Jonas subscription
|
||
|
list. I emailed people that I know have been reading it since day one,
|
||
|
and I emailed people who have been reading it for the last day. I wanted
|
||
|
a good representation of my readers. Here are the replies that I got to
|
||
|
the question I posed: What do you think of Jonas?
|
||
|
|
||
|
These are all of the replies that I got. I did not leave any one out
|
||
|
because I didn't like it. I wanted the truth, no (apperent) fluff.
|
||
|
Editing was only done for spelling and clarity sakes.
|
||
|
|
||
|
-----
|
||
|
|
||
|
jonas e'zine has gone through so many changes since it's original
|
||
|
inception, it blows my mind. originally started as a lame e'zine for the
|
||
|
PURPOSE of being a lame e'zine, it was immediatly brought to me by my
|
||
|
friend spiff, & i noticed it's difference from all other products in the
|
||
|
stupid-ass "ansi 'zine" genre. over time, edicius has shown to be a
|
||
|
better writer more with every issue of jonas, & i mean that sincerly.
|
||
|
today's version of what was jonas has a wonderful & a very professional
|
||
|
look as compared to most text-based e'zines. the writing is serious, has
|
||
|
a lot to think about, & basically has a lot of meat to it. totally a flip
|
||
|
of what it used to be. i think today's jonas lacks a bit of the wit that
|
||
|
i miss from the old jonas, however, what it has gained towers above what
|
||
|
it's lost. perhaps this is a reflection of the changes that have happened
|
||
|
in edicius himself, & it's just related to the 'zine. that's where i'd
|
||
|
put my money.
|
||
|
|
||
|
-- Mogel [Doomed To Obscurity Editor]
|
||
|
|
||
|
-----
|
||
|
|
||
|
i think jonas is particularly different in its style & approach. not
|
||
|
better, just different. it's rather in my view a 'zine filled with your
|
||
|
own belief's, and is rather opinionated. however, since i do have
|
||
|
curiosities about how people view certain things in the world, i find
|
||
|
jonas to be a good read. though, its definetly not a 'zine i read for
|
||
|
entertainment. i read jonas to get the facts, and views of one tom
|
||
|
sullivan. period.
|
||
|
|
||
|
-- Cerkit [Slinky Editor]
|
||
|
|
||
|
------
|
||
|
|
||
|
i've been reading jonas ever since issue one (as far as actual time, i
|
||
|
started reading jonas when you were on #5). anyway, jonas is like a
|
||
|
home-grown zine. when i read dto, it lacks the basic element of, "hey, im
|
||
|
here, i have nothing to do, blah."
|
||
|
|
||
|
this isn't necessarily bad, mind you, but sometimes i miss it. jonas has
|
||
|
that element, which makes it "direct" and "human" or whatever. plus you
|
||
|
admitted to masturbating, which makes jonas an institution in itself.
|
||
|
|
||
|
you've got GUTS man.
|
||
|
|
||
|
-- Fake Scorpion [Doomed To Obscurity Writer]
|
||
|
|
||
|
------
|
||
|
|
||
|
Jonas, very simply put, **is** the meat.
|
||
|
|
||
|
-- Jon Vena [WHTG-FM Promotions Director]
|
||
|
|
||
|
------
|
||
|
|
||
|
I have read jonas since the begining .. I have seen it go coded, to text
|
||
|
format. I liked it when it was wacky as hell (ie: issues like 1-10) maybe
|
||
|
even more .. but the new format Jonas has taken on (ie: serious, less
|
||
|
wackyness) is better for the zine.. more people will read and respect it..
|
||
|
(many people already do ) I like a 'zine thats wacky, but doesn't exceed
|
||
|
the wackyness point of extreme..
|
||
|
|
||
|
-- Lucifer [Ganja Writer]
|
||
|
|
||
|
-------------------------------------------------------------------------
|
||
|
(4) Don Imus and the Political Barrier - Edicius
|
||
|
|
||
|
At the annual White House Radio and TV Correspondent's Dinner, they invite
|
||
|
a speaker to poke fun at the current political stories. Nothing has ever
|
||
|
happened much like it did at this year's dinner, with guest speaker,
|
||
|
syndicated Shock Jock, Don Imus. Imus is also known as being a very good
|
||
|
political interviewer, with guests such as Bob Dole, Bill Bradley, and Dan
|
||
|
Rather appearing on his show.
|
||
|
|
||
|
The correspondent's association, who invite the speaker to the dinner,
|
||
|
expects the speaker to poke mild fun at the president and policital
|
||
|
parties. Generally, they want him to lighten the mood. Imus, however,
|
||
|
took this as the opportunity past the line of decency. He was quoted as
|
||
|
saying, "When the First Lady laughed at my opening, I thought I was home
|
||
|
free."
|
||
|
|
||
|
Telling jokes concerning Clinton's alleged extramarital affairs, Senator
|
||
|
Bob Kerrey's artifical leg, and Newt Gingrich's gay half-sister, brought
|
||
|
more stone faces then applause as the night wore on.
|
||
|
|
||
|
When you are invited to speak for an event of this caliber, you generally
|
||
|
restrain yourself out of respect. You can say that Imus showed that he
|
||
|
was not afraid of anything by saying this in front of the President and
|
||
|
First Lady. However, when they are the hosts of the event, you show them
|
||
|
some courtesy and respect.
|
||
|
|
||
|
Imus' did not feel he did anything wrong by saying, "Did they expect me to
|
||
|
say one thing on the radio and then go to Washington and be a weasel?"
|
||
|
This is true, to an extent. You can say that the correspondent's pool
|
||
|
should have expected this from him, but they also could have expected him
|
||
|
to be somewhat more respectable. The shock jock genre is nothing new, but
|
||
|
no person has discussed the First Lady's menstraul cycle at a formal
|
||
|
Washington dinner.
|
||
|
|
||
|
Bob Dole, one who has been so open about his disregard for Hollywood's
|
||
|
culture problems, is a regular on Imus' show. This is a show in which the
|
||
|
material presented is normally the same type of material that he is
|
||
|
against.
|
||
|
|
||
|
Hypocritical?
|
||
|
|
||
|
Maybe. Imus is considered a popularity booster in Washington. Many
|
||
|
believe that an appearence on his show will raise your standing, make you
|
||
|
known, and possibly get you elected. This would explain why some aren't
|
||
|
angry at Imus for his remarks.
|
||
|
|
||
|
.. either that, or they are just afraid of him. Imus is a very
|
||
|
intimidating man. He has been known to go off on people who disagree with
|
||
|
his views. When a Washington Post critic wrote a negative review of his
|
||
|
show, he was called a "homo" and a "Jew" for weeks on air.
|
||
|
|
||
|
The bottom line in this -- no matter what happens, Imus has his style.
|
||
|
Whether or not people should have expected this beforehand can be debated.
|
||
|
We do know one thing, this is the way Imus is, and this is the way he will
|
||
|
continue to be. No amount of talk or negative press will change him. It
|
||
|
hasn't done it yet, and won't do it in the future.
|
||
|
|
||
|
-------------------------------------------------------------------------
|
||
|
(5) "Salt Shaker Psychosis" - Cerkit
|
||
|
|
||
|
The constant drama played on. A darkness all around. Loud bangings. A
|
||
|
varitable utopia of opposing angry chants. A gaped grace & grassland
|
||
|
causing flaring. Deathly ill among the peasants, a sort of chill arose
|
||
|
them. A chill called pain. It shivered up and down their spines, and
|
||
|
destoryed every part of their souls. A nearly dominant figure stood tall,
|
||
|
within this and by those means kept monarchy over the shadowy inner
|
||
|
workings. Contemplating a template of output within what was considered
|
||
|
compliance to the very questioning of his existence. An "oh-so-good"
|
||
|
pleasure filled evening, filling what would be his next nights dream.
|
||
|
|
||
|
A lacey spirit undressing for his soul to implicate in his path of
|
||
|
conquests. A rather serious joke. Coincidently overriding his mind's
|
||
|
protection, and removing all that was his memories of frowns and
|
||
|
depression so much so he was happy forever. This spirit filled his own. a
|
||
|
worthless and useless existence no less from what was once, a life, a point
|
||
|
& happiness. A pounding so thunderous the heavens sprawled apart like
|
||
|
unvirgin legs, to cast a shadow over the sleepings & restings of closed
|
||
|
eyes.
|
||
|
|
||
|
The man awoke and turned the faucet off & went back to bed.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(6) Mischief on the Barney Set - by; Edicius
|
||
|
|
||
|
Barney & Kids (in unison): .. you love me, and we're a happy fam-i-ly.
|
||
|
Barney (thinking out loud): My my, Wendy, you look
|
||
|
umh-scrumindly-dumscious in your denim skirt
|
||
|
today!
|
||
|
Wendy: Uh, aren't we supposed to play make believe
|
||
|
police officer now?
|
||
|
Barney: I think we'll play make believe doctor now!
|
||
|
Director (offstage): Oh shit, he's going for the kid again.
|
||
|
|
||
|
Barney lunges toward Wendy, missing only slightly.
|
||
|
|
||
|
Barney: Why are you running away from me Wendy? Are
|
||
|
you intimidated by my jurrasic size?
|
||
|
Wendy (screaming): Help! Help! Mommie! Daddie!
|
||
|
Other Kid #1: Wendy, towards the treehouse! Go to
|
||
|
neverland, he'll never get you in there!
|
||
|
Stagehand (offstage): Mr. Director, I have the tranquilizer gun.
|
||
|
Just tell me when to shoot.
|
||
|
Director (moving onstage): Shoot when you have a clear shot. Don't
|
||
|
worry about the kids, we're not paying them
|
||
|
much. Just shoot the jurrassic asshole in
|
||
|
the groin.
|
||
|
Wendy: Get off me! He's slobbering! Help!
|
||
|
|
||
|
Barney takes off his mask, revealing a grotesque and hairy man of about
|
||
|
thirty-five.
|
||
|
|
||
|
Director: Get off of her Barney! We'll send you back
|
||
|
to prison. You remember the shower incedent,
|
||
|
don't you? Do you want that to happen again?
|
||
|
Barney: Just one kiss, that's all. Owch!
|
||
|
|
||
|
He is hit by the director, who lands a clean blow to the muppet-filled
|
||
|
temple. The stage hand readies himself with the gun just offstage.
|
||
|
|
||
|
Director: Shoot, you fuckin' intern! Shoot!
|
||
|
|
||
|
The stage hand shoots, and a dart whizzes through the air.
|
||
|
|
||
|
Wendy: Ouuh.. Barney.. Ouuh..
|
||
|
Barney: OUCH. MOTHERFUCKER. THAT FUC- (Ploop)
|
||
|
|
||
|
Barney drops to the floor, passed out.
|
||
|
|
||
|
Director: Thank god this wasn't a live broadcast!
|
||
|
Producer: Actually, the people from the National
|
||
|
Endowment of the Arts are here. I think we
|
||
|
just lost our funding.
|
||
|
Director: Doh! What else can go wrong?
|
||
|
Stage hand: I think Wendy is tramautized; or she just
|
||
|
experienced her first orgasm.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(7) Reviews: Edicius' Opinions on everything!
|
||
|
|
||
|
CONCERT:
|
||
|
|
||
|
Spacehog / God Lives Underwater / Mr. Mirainga
|
||
|
February 25, 1996 - Birch Hill Nite Club, Old Bridge, NJ
|
||
|
|
||
|
I haven't been to that many concerts in my life, but I have been to some
|
||
|
pretty good ones. However, the show that I saw here was undoubtly one of
|
||
|
the best that I have ever been to. For seven bucks, Spacehog, imported
|
||
|
from England via the East Village of NYC, God Lives Underwater, and Mr.
|
||
|
Mirainga with a near sellout crowd.
|
||
|
|
||
|
Mr. Mirainga, more or less, sucked. I didn't like what I heard of them
|
||
|
before hand. The lead singer has a really annoying voice, but aside from
|
||
|
that, he seemed very irritating on stage. Music wise, the band was pretty
|
||
|
good. Good basslines and drum beats. For some of their songs they used a
|
||
|
weird contraption that consisted of two bongo drums, a cymbal, tamborine,
|
||
|
and a cowbell. That made for a very interesting sound when added to the
|
||
|
normal guitar/bass/drums you hear.
|
||
|
|
||
|
Lyric wise, they were tried too hard to be wacky. If they didn't try so
|
||
|
hard to be funny, and concentrated alittle more on the lyrics, maybe they
|
||
|
would have been alittle better.. As the bassist said, "This next song is
|
||
|
pretty heavy.. It's about my grandma.. If you ever saw her, you'd know how
|
||
|
heavy it is."
|
||
|
|
||
|
God Lives Underwater just plain out rocked. This Philadelphian band with
|
||
|
their whole techno-ey/punk style, they played a very entertaining show.
|
||
|
With great songs like "No More Love" and "Drag Me Down", they are a band
|
||
|
with a style all of their own.
|
||
|
|
||
|
The "headliner" of the show, Spacehog, "imported from England via the East
|
||
|
Village" played a show just short of amazing. Playing their hits "In the
|
||
|
Meantime" and "Spacehog", they were a crowd favorite. Attracting a
|
||
|
diverse crowd which ranged from the early teens to fourties, they had
|
||
|
everyone moving the entire time through.
|
||
|
|
||
|
Spacehog constantly kept the crowd excited with little "conversations"
|
||
|
with the crowd. Spacehog pleased them by playing an extended version of
|
||
|
"In The Meantime" while members of Mr. Mirainga and God Lives Underwater
|
||
|
looked on from the side. They also have a great stage presence. Coming
|
||
|
out to begin their set with feather trimmed coats, and coming out for
|
||
|
their encore without the jackets, but with beers in their hands. They
|
||
|
showed that they were there for the crowd, and the crowd wasn't there for
|
||
|
them.
|
||
|
|
||
|
CD:
|
||
|
|
||
|
Presidents of the United States of America - "Peaches" single
|
||
|
Columbia/Pop Llama Records
|
||
|
5 tracks / 12:37
|
||
|
Overall: * * * * (out of 5)
|
||
|
|
||
|
This single features "Peaches", the radio friendly, bass driven song. But
|
||
|
Chris Ballew's vocals and "two-string basitar", Dave Dederer's
|
||
|
"three-string guitbass", and Jason Finn's "no string" drums, all come
|
||
|
together to form four other great songs. Three of which were previously
|
||
|
b-sides to other singles and 7"'s. "Confusion" appeared on the Home
|
||
|
Alive: the Art of Self Defense CD.
|
||
|
|
||
|
Track by track review:
|
||
|
Song: Peaches - A song that has a perfect blend of fast and slow parts
|
||
|
with strong a strong rythym lead by great drumwork by Jason Finn.
|
||
|
|
||
|
Song: Candy Cigarette - The bassline at the beginning of this song set the
|
||
|
mood for this song, right in the middle of slow and fast. It's one of
|
||
|
those songs that you can listen to, without getting a headache or getting
|
||
|
bored.
|
||
|
|
||
|
Song: Carolyn's Bootie - A fast "poppy" tune with very humuorus lyrics.
|
||
|
One of my personal favorites by the Presidents.
|
||
|
|
||
|
Song: Confusion - This is one of the few songs in which they actually use
|
||
|
a guitar. The screeching guitar makes this the fastest, and possibly
|
||
|
best, song on the CD.
|
||
|
|
||
|
Song: Wake Up - A slower song in which Chris and Dave's vocals are more
|
||
|
noticable then the instruments most of the times.
|
||
|
|
||
|
TELEVISION:
|
||
|
|
||
|
Squirt TV
|
||
|
MTV, Friday @ Midnight, Sunday @ 11:30pm
|
||
|
|
||
|
This is a talk show hosted by Jake and filmed in his room. Originally run
|
||
|
as a public access show on New York City's Cablevision, this was picked up
|
||
|
by MTV and has been airing for 5 weeks now.
|
||
|
|
||
|
Recent guests on the show have included Clerks/Mallrats Director Kevin
|
||
|
Smith, Jenny McCarthy, Adam Sandler, and Liz Phair, to name a few. Great
|
||
|
interviews combined with great music, wrapped up in a half hour.
|
||
|
|
||
|
Did I mention that Jake is 16 or 17 years old, too? How's that for every
|
||
|
teenagers' dream: having your own show on MTV while hanging out with
|
||
|
famous celebrities.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
(8) Closing Notes - Edicius
|
||
|
|
||
|
I thank you profusely for reading this issue. I'm happy that I got it out
|
||
|
on time..
|
||
|
|
||
|
If you are upset by my decision regarding the merger of Jonas and Slinky
|
||
|
e'Zines, just wait. I believe that you will really like what you get with
|
||
|
Legacy. May is just around the corner, so, you won't have to wait that
|
||
|
long.
|
||
|
|
||
|
I've been very bored with the computer thing lately. Email me. Let's
|
||
|
talk, send me your websites (I love them!). We can be cyber-pen pals.
|
||
|
|
||
|
Email me, please! edi@cybercomm.net
|
||
|
|
||
|
Well, good day. Jonas' LEGACY shall return in May.
|
||
|
|
||
|
--------------------------------------------------------------------------
|
||
|
|
||
|
Jonas e'Zine Issue Sixteen
|
||
|
Send all inquiries to edi@cybercomm.net
|
||
|
Visit the new and expanded Jonas website at:
|
||
|
http://www.cybercomm.net/~edi/jonas.html
|
||
|
Visit Belial @ Avalon, (908) 739/4274
|
||
|
|
||
|
Thanks to everyone who has supported Jonas over the last year.
|
||
|
|
||
|
"Jonas, it's more then a 'zine, its a lifestyle"
|
||
|
|
||
|
---------------------------------- eof -----------------------------------
|
||
|
|