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InterText Vol. 9, No. 5 / Fall 1999
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Contents
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The Door Behind It................................Michael Sato
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The Law Enforcer of Eagle Town.................Richard Behrens
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I am Retarded....................................Tom Armstrong
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Take Us We Bulls.....................................Will Sand
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....................................................................
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Editor Assistant Editor
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Jason Snell Geoff Duncan
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jsnell@intertext.com geoff@intertext.com
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....................................................................
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Submissions Panelists:
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John Coon, Pat D'Amico, Joe Dudley, Diane Filkorn,
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Morten Lauritsen, Rachel Mathis, Heather Timer, Jason Snell
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....................................................................
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Send correspondence to editors@intertext.com or
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intertext@intertext.com
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....................................................................
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InterText Vol. 9, No. 5. InterText (ISSN 1071-7676) is published
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electronically on a bi-monthly basis. Reproduction of this
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magazine is permitted as long as the magazine is not sold
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(either by itself or as part of a collection) and the entire
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text of the issue remains unchanged. Copyright 1999 Jason Snell.
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All stories Copyright 1999 by their respective authors. For more
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information about InterText, send a message to
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info@intertext.com. For submission guidelines, send a message to
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guidelines@intertext.com.
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....................................................................
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The Door Behind It by Michael Sato
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======================================
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....................................................................
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He deserves the best care possible. But what that means depends
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on your perspective.
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....................................................................
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1.
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----
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freedom and equality
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since 1982
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1/5/96
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Mr. Matthew Bottacci:
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It's been a while since we've been in contact and I wanted to
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remind you that your brother Galen's first annual funding review
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is coming up soon, at the end of next month. Believe me, I know
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how desks get crowded and things get put aside. If you'll
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recall, I included in my last letter to you -- which I sent in
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November -- a form for you to look over and sign, which
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indicates your support for Galen's present living situation and
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your willingness to see that the funding for Galen's program be
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renewed.
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Because you are Galen's conservator, it is very important that
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Harbor Vocational and Residential Services be able to present
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this document to the board on the day of Galen's review. In case
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you have misplaced it, I am enclosing an additional form with
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this letter, along with a prepaid envelope so that all you have
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to do is sign it and drop it in the mail -- preferably by the
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end of the month, as I will be on vacation from February 1 to
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February 15.
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I hope this will not be too much trouble.
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Sincerely,
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Lance Cameron
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Community Support Facilitator
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Harbor Vocational and Residential Services.
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freedom and equality
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since 1982
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1/11/96
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Mr. Bottacci:
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Thank you for your letter. I appreciate your frankness. Since
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Friends of the Mentally Retarded was formed in 1994 it has been
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surprisingly aggressive in promoting its ideology, but I did not
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know it had taken an interest in Galen's case. I would caution
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you, respectfully, that Friends is a highly politicized entity
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whose agenda opposes any interest that works to remove the
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anachronistic and unnecessary barriers between mentally
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challenged individuals and mainstream society. The claims they
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make -- that our programs are unsafe or mismanaged -- are based
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entirely on rumor and anecdote, and not at all applicable to
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Galen's living environment.
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It is true that Galen is very special to us. He is one of our
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most important customers, potentially crucial to the future of
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the program and to the lives of any number of similarly
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challenged individuals. This does not mean that we are using
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him. The Residential Support branch of HVRS was founded on the
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belief that there exists no reason that the natural right to
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learn personal responsibility, to appreciate the value of risk,
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and most of all, to express freedom of choice within the
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framework of a mainstreamed living environment should be denied
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anyone because he or she is mentally or physically challenged.
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That is to say, we believe these rights to be transcendental,
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inclusive, universal. Despite what Friends or any other voice
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may suggest, it is for this reason and no other that we decided
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one year ago to become the first residential support service of
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its kind to review the applications of those who are situated
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outside of the relatively small circle of so-called
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"high-functioning" candidates that are considered by other
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similar agencies. When we accepted Galen's file, Galen became
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the first individual in any residential support service in this
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state on whom no criteria whatever regarding his functionality
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were imposed.
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I see no basis for the charge that by this we are invoking mere
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abstractions in order to validate neglect or to allow consumers
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to, as you say, "stagnate." On the contrary, we have from the
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beginning been supplementing the provision of freedom vigorously
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with programs designed to ensure that Galen's progress in the
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mainstreaming process continue. To cite one concrete example,
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just this week our behaviorist Linda Weber observed Galen at his
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home and is this moment working to obtain the loan of a speaking
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device that, through cutting-edge technology, should allow Galen
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to express his desires even more easily than he is presently
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able. Galen's housemate, Andrew, has already agreed to take
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primary responsibility for whatever training is requisite to the
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effective use of this device.
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About the matter of the backyard, I must ask once again for your
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understanding and patience, and trust that I am as concerned as
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you about the procuring of lawn maintenance equipment, or
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rather, our failure to do so. Please be assured that this
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unusual situation is an aberration, caused by a budgeting
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oversight that was singular and will not be repeated. I
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sympathize completely with your observation that the very reason
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we chose this house for Galen was that it has a large backyard
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that would serve to allow Galen to go outside at will. It is
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unfortunate that, over the course of the year, we have been
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unable to find the means to landscape the yard to make it a safe
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area for Galen. We are certainly continuing, in earnest, our
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search for the requisite funds.
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Matt, please bear in mind that there are interests that would
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prefer that specially challenged people remain separated from
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society, and that the true motives of these interests are not
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altruistic. Galen's home is one of the most promising and
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exciting steps forward in the history of care provision to
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challenged individuals, and posterity will be grateful for our
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good faith and endurance.
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If there is any matter which you would like to discuss in more
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depth, please call me at the office until seven or eight, and
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later than that, call me at home. And again, as much as I regret
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the inconvenience, I will not be available between February 1
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and February 15. Had I the choice I would not take the time off
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now, but HVRS's mandatory vacation policy has finally, after
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five years, caught up with me. At this writing my fiancee, Gwen,
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proclaims her interest in going to Hawaii. I have not yet
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decided where I want to spend my two weeks of freedom, but the
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very utterance of the word _Hawaii_ makes me certain that it is
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not there. Hopefully Gwen and I can reach an agreement soon.
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Well, you know how it is.
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Thank you again for your patience and support.
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Sincerely,
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Lance Cameron
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Community Support Facilitator
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Harbor Vocational and Residential Services
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compassion, vigilance
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1/13/96
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Mr. Matthew Bottacci,
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Thank you for contacting friends of the Mentally Retarded.
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Friends of the Mentally Retarded is comprised of volunteers who
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share the common belief that there are issues specific to
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mentally retarded individuals living apart from their families
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which are not adequately addressed by any other extant
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organization. As such, HVRS's rather aggressive mainstreaming
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program falls squarely into our field of interest. As
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chairperson for the Harbor-Easton chapter of Friends of the
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Mentally Retarded, I did know of your brother's "independent
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living" situation, but regrettably did not avail myself of the
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substance and details of his living environment prior to your
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inquiry. I am, frankly, ashamed to admit this since Galen's
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living situation seems to be quite unique, perhaps
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unprecedented, and therefore of considerable implication. After
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spending several hours researching Galen's background and
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observing him in his home, that I believe your concerns
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regarding Galen are extremely warranted and require urgent
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action.
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I do not mean to sound hostile. Contrary to what is often
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believed, it is not the aim of Friends of the Mentally Retarded
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to raise opposition categorically to the work of HVRS and other
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new "mainstreaming" residential programs like it. In principle,
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we support HVRS's stated mission of providing its customers with
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opportunities to exercise freedom of choice and personal
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responsibility. Furthermore, I personally would never
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intentionally interfere with any program, whatever its ideology,
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that made a positive contribution to Galen's overall well-being
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and happiness. Neither would I question the basically good
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intentions of any employee of HVRS.
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It must be remembered, however, that HVRS is a private interest,
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and therefore operates within, and is subject to many of the
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pressures incumbent to, the private sector. It would be
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irresponsible to deny the possibility that such an awkwardly
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situated agency might be tempted to extend an attractively
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phrased, if sometimes useful, ideology past the breadth of its
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real resources in order to widen its client base.
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Friends of the Mentally Retarded holds as primary an
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individual's right to basic health and safety. One of our
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long-standing contentions with HVRS comes from their reluctance
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to staff homes with people who are properly trained in their
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field, that is, the provision of care to people with
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disabilities. As a case in point, Galen's live-in care giver,
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Andrew Lee, is still an undergraduate in college who applied for
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the job because he needed extra income to finish a degree in an
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unrelated field. Not that this in itself is to be held against
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him -- he seems sincere in his concern for Galen -- still, he
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himself admits to having, prior to this job, almost no contact
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with any developmentally disabled or otherwise handicapped
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person, and no working experience at all in the field of care
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provision. HVRS claims it is part of the "mainstreaming" process
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to deliberately hire staff who have had no experience with, and
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thus have "no prejudices" toward those with disabilities. We
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think this is a provocative and precarious position, and it is
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surely unreasonable to argue that there is no connection between
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it and the fact that since Galen moved into his home one year
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ago, he has been taken to the emergency room, by ambulance, no
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less than five times: once, when he stopped breathing during a
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seizure; two times for choking on non-comestible objects (a
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peach pit, a plastic fork); and two times for injuries suffered
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from falling. Both of the latter injuries were to the face and
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head, and probably would not have occurred had Galen been
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wearing his helmet. When I queried Galen's community support
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facilitator, Lance Cameron, as to why Galen did not wear his
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helmet, Mr. Cameron answered to the effect that the helmet had
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been discarded because it is "socially stigmatizing" and
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therefore obstructs the process of "mainstreaming" Galen into
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his community.
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In the five years Galen spent at the state facility in Easton,
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Galen required hospitalization only one time.
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HVRS responds to this alarming statistic by propounding the
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"value of risk," an idea wherein there is always inherent in
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freedom a certain amount of danger, but that this danger is
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outweighed by the larger benefits derived from personal
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independence. We have very serious doubts about the plausibility
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of this line; for us the right to basic physical safety is
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paramount and ought not be compromised by abstractions which,
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however noble sounding, may amount to something less in fact and
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deed.
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When I visited Galen's home I asked Andrew about the nature of
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the choices that Galen was making and how he was using his
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freedom to choose and realize his desires. Andrew's response to
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me was so circuitous and vague I had to suppose he did not
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understand my question. I therefore asked Andrew if he could
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demonstrate for me what he _does_ by way of supporting Galen's
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desires. Andrew proceeded to proffer to Galen a number of verbal
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prompts regarding daily-life choices (Would you like to listen
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to music? Would you like spaghetti for dinner?), to which Galen
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seemed to be completely uninterested, if not uncomprehending.
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When I asked Andrew if I had caught Galen on a bad day, Andrew
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answered flatly that he did not expect Galen to respond to any
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of his prompts, and that in fact Galen has in the past year
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never once responded, verbally or otherwise, to any of the
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prompts that Andrew has on a daily basis given to him. Further
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inquiry was to reveal to me that so far as Andrew knew, Galen
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has not uttered a single intelligible word since moving into the
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home.
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I was so surprised to learn this, especially since you told me
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that as a child Galen could produce short sentences, that I
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consulted Galen's former doctor at the state facility. Evidently
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Galen's file does show that when in school he possessed a
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vocabulary of some two hundred words, but that by the time he
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left the state home he had already been growing increasingly
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silent for the previous several years. The doctor believes that
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since finishing school it is likely that Galen has forgotten the
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words he then knew, or the mental effort required to produce
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utterances has increased so much as to be prohibitive. In the
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doctor's view, it is very unlikely that without a regimented and
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sustained program of education Galen would again be able to mark
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gains in this area of his functionality.
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I think, Mr. Bottacci, that Galen's silence combined with the
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danger connate to his environment raise a near conclusive
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argument against the efficacy, if not the basic humanity, of
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HVRS's mainstreaming program. That said, I must include a note
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about Galen's backyard, if only because the backyard was to me
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the most disturbing feature of Galen's home. Galen's
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preoccupation with his backyard is very intense, and this
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preoccupation is the only exception I saw to his otherwise
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complete passivity and disinterest in his surroundings.
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Ironically enough, it is finally with the backyard that HVRS
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takes up the issue of safety. Not that I would contest; the yard
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is a veritable wilderness by now. According to Andrew, the
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backyard has not been so much as mowed since the day they moved
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into the home. There are numerous large objects, mostly junk,
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strewn amongst the weeds, and in the center of the yard a large
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hole, perhaps four by four feet, half-filled with mud, that the
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previous tenants for some reason dug but failed to fill up
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again.
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According to Andrew, Galen's daily activity consists largely of
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spending hours gazing at this backyard through the dining room
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window, and this is in fact what he did through most of my
|
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visit. He knows where the back door is, and frequently goes
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there to try to open it. Regrettably, the back door remains
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locked, and therefore the one thing that Galen shows an active
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interest in, he is forbade. When I queried Mr. Cameron about
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this situation, he told me that under the conditions of the
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lease HVRS accepted the responsibility to landscape the yard to
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meet its safety standards. There had been an oversight in
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budgeting, and was therefore no means at all either to rent or
|
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purchase yard maintenance equipment or to hire a professional
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landscaping service. Mr. Cameron was glib, but I'm afraid I
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don't find the oversight as excusable as he.
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I hope this letter proves to be of use to you. In my view, that
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the safety standards of Galen's independent living arrangement
|
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are lower than those at the state facility in Easton seems
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likely; however, that Galen has benefited commensurately from
|
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his "freedom" is, at best, doubtful. Unless matters change by
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February's end, my recommendation to you will have to be that
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you seriously consider allowing Galen to return to his home in
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Easton, where he can be cared for by trained and experienced
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personnel, and the yard is always well kept.
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Thank you again, Mr. Bottacci, for contacting Friends of the
|
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Mentally Retarded.
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Sincerely,
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Ann Pearson
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Chairperson, Friends of the Mentally Retarded
|
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2.
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||
|
----
|
||
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|
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|
Sent: Jan 20 1996 2:10 PM
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||
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From: Andrewl@aol.com
|
||
|
Re: Galen
|
||
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|
||
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Hey Matt, it's Dre. Sorry it took so long to get back to you. I
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got a bitch of a term paper to write that's already late, and if
|
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I don't pull a B or better I have to take the whole class over
|
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again. Not a nice thought for someone whose already been in
|
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college for **five fucking years**. And it doesn't help when
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your boss is having anxiety conniptions. The backyard, the woman
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from that mentally retarded group -- and he was already cracking
|
||
|
up over this vacation of his. A couple days ago he came in here
|
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with a pile of brochures from the travel agency and made me look
|
||
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at them because he can't make up his own mind where he wants to
|
||
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go. "I know there's somewhere," he says, "but I just can't think
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of the name of the place."
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"How about France?"
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"No, no. Not France."
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"Why don't you go to Mexico?"
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"Where I want to go," he says, getting all heated again, "is the
|
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one place in the world where no one will say to me, `Why don't
|
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you go to Mexico?'"
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"Then Mexico it is."
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"Why don't you go to Mexico? Why don't you go to Spain? Why
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don't you go to **China**, for God's sake? This is my first
|
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|
vacation, my first freedom, in five long years, and I want to go
|
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where **I** want to go. If everyone would just give me a little
|
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bit of space to figure it out."
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All the brochures looked the same to me, too. Beaches, pretty
|
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buildings, some white people kissing. I wouldn't be going to any
|
||
|
of those places either, but on the other hand, how do you know a
|
||
|
place before you see the brochure? It's like the pictures on
|
||
|
Galen's new speaking machine -- that's what you asked about,
|
||
|
right? Lance calls it a "want-board." It looks like the latest
|
||
|
contraption from NASA, but actually it's not that big a deal,
|
||
|
nothing more than a kind of tape recorder in the shape of a big
|
||
|
board with some blank squares on it. What you do is put your own
|
||
|
pictures of things into the squares, and then record a different
|
||
|
sentence into the machine for each of the different pictures.
|
||
|
Then, if you put your finger on a picture of a Coke, say, a
|
||
|
recording inside the board says something like, "I'd like a
|
||
|
Coke."
|
||
|
|
||
|
Lance said we should keep it simple at first, so for now,
|
||
|
there's only two pictures on the board, one of a Coke and one of
|
||
|
a 7-Up. "With this machine," he says, "Galen will be able to
|
||
|
talk." I'm supposed to try fifteen times a day to get Galen to
|
||
|
learn how to use the thing. So far, after three days and
|
||
|
forty-five tries, he doesn't get it. I'll tell you the truth,
|
||
|
Matt: I dislike the board. Galen's never going to be able to use
|
||
|
the thing -- not in three more days or three more years. They
|
||
|
brought in the board because they think the reason Galen doesn't
|
||
|
say what he wants is because physically he can't speak. They're
|
||
|
wrong. Galen's got a tongue and a throat and a voice just like
|
||
|
anyone else. What Galen doesn't have, that a guy needs to speak,
|
||
|
is words. The board's not going to make any difference for
|
||
|
Galen, because if you've got no words -- words in your head --
|
||
|
then how can you have pictures? To Galen a picture of a Coke
|
||
|
means exactly what the word "Coke" means: nothing. And you can't
|
||
|
want anything without a picture of it; a want **is** a picture.
|
||
|
Without pictures you can't want anything at all except, maybe,
|
||
|
for what's already there.
|
||
|
|
||
|
I gotta go.
|
||
|
|
||
|
|
||
|
|
||
|
freedom and equality
|
||
|
since 1982
|
||
|
|
||
|
1/24/96
|
||
|
|
||
|
Mr. Bottacci:
|
||
|
|
||
|
Thank you for keeping me apprised.
|
||
|
|
||
|
According to my understanding of the conclusions you reached
|
||
|
from the recommendations of Ms. Pearson, you will not be
|
||
|
supporting the renewal of funding at the end February unless the
|
||
|
following conditions are before that time met:
|
||
|
|
||
|
1) Galen demonstrate, unambiguously, both the willingness and
|
||
|
ability to express his will in some matter affecting the
|
||
|
course of his daily life.
|
||
|
|
||
|
2) The issue of the backyard be resolved.
|
||
|
|
||
|
I would like to urge you, Matt, _not_ to stand by these
|
||
|
conditions. It may be _very_difficult_ to meet these conditions
|
||
|
by the end of February.
|
||
|
|
||
|
Let me remind you that if Galen's funding is not renewed, he
|
||
|
will in all likelihood be transferred back to the state facility
|
||
|
in Easton. Please take a moment to remember the quality of life
|
||
|
at the state facility that compelled you a year ago to seek an
|
||
|
alternative for Galen. The lives of the residents of such
|
||
|
facilities, however secure, are so thoroughly regimented in
|
||
|
every aspect, so inexorably regulated and colorless, the
|
||
|
residents themselves having virtually no opportunity to realize
|
||
|
or even express their own individually conceived desires, that
|
||
|
the lives become nothing more than imposed routines, lives
|
||
|
without _change_, without _plot_ -- without the things that
|
||
|
distinguish the lives of humans. Residents in the state-run
|
||
|
facilities have no choice at all in matters such as when and
|
||
|
what they will eat, where at the dinner table they will sit,
|
||
|
when the meal is over, when they will go to bed, when they will
|
||
|
wake up, when they will shower, when they will watch TV, what
|
||
|
they will watch, or what they will wear. And it is hardly a
|
||
|
secret that, in spite of its illegality, residents of these
|
||
|
facilities are physically forced to comply to this regime.
|
||
|
Residents therefore have no freedom at all, eventually, even in
|
||
|
their own minds. The system in which they participate is
|
||
|
therefore completely dehumanizing, and for a resident of this
|
||
|
system there is _no way out_.
|
||
|
|
||
|
Remember, Matt, that Galen lived in the state facility for five
|
||
|
years. That's five years of what amounts to a kind of
|
||
|
incarceration. It is to be expected that it would take anyone --
|
||
|
even someone who was not challenged in any other way -- some
|
||
|
time to adjust to a life in which he or she was free and allowed
|
||
|
to make choices. I believe that there is inside of everyone a
|
||
|
desire to make choices, and that it is this desire more than
|
||
|
anything else that makes life a fulfilling and meaningful
|
||
|
experience. If you believe this too, then I implore you to relax
|
||
|
your conditions, and give your brother Galen a little more time
|
||
|
and one more chance.
|
||
|
|
||
|
Very sincerely,
|
||
|
Lance Cameron
|
||
|
Community Support Facilitator
|
||
|
Harbor Vocational and Residential Services
|
||
|
|
||
|
P.S. I checked Galen's file. Ms. Pearson is correct. During
|
||
|
Galen's stay at the state facility, he was taken to the
|
||
|
emergency room only once. It seems one of the staff at the
|
||
|
Easton facility broke two of Galen's fingers with a broomstick
|
||
|
on a morning that Galen was slow to wake up for breakfast.
|
||
|
|
||
|
|
||
|
|
||
|
1/24/96
|
||
|
|
||
|
Mr. Matthew Bottacci:
|
||
|
|
||
|
I am writing to you in regard to your brother Galen Bottacci, at
|
||
|
the request of the Community Support Facilitator at Harbor
|
||
|
Vocational and Residential Services, Lance Cameron. My name is
|
||
|
Linda Weber. I am a behavioral psychologist and I specialize in
|
||
|
communication enhancement strategies for physically and mentally
|
||
|
challenged individuals. After observing Galen, I was able to
|
||
|
conclude within an acceptable level of probability that Galen
|
||
|
does not communicate verbally to any recognizable effect. I
|
||
|
therefore recommended that Galen's current program be
|
||
|
supplemented with a Level One Portable Speaking Device. The
|
||
|
device successfully enhances the communicative competence of
|
||
|
about eighty-three percent of those to whom the devise is
|
||
|
prescribed. There appears to be, however, a correlation between
|
||
|
the length of time required to succeed in operating the device
|
||
|
and the operator's measured level of intelligence. Mr. Cameron
|
||
|
asked me to emphasize this point especially.
|
||
|
|
||
|
Sincerely,
|
||
|
Linda Weber
|
||
|
|
||
|
|
||
|
|
||
|
Sent: Jan 24 1996 10:46 PM
|
||
|
From: Andrewl@aol.com
|
||
|
To: Matthew Bottacci
|
||
|
|
||
|
I can't do that want-board with Galen anymore. I told Lance
|
||
|
today. Damn, he was pissed.
|
||
|
|
||
|
Dre
|
||
|
|
||
|
|
||
|
|
||
|
freedom and equality
|
||
|
since 1982
|
||
|
|
||
|
1/29/96
|
||
|
|
||
|
Mr. Bottacci,
|
||
|
|
||
|
I'm sorry that I could not convince you to withdraw the
|
||
|
conditions you set regarding Galen's home and his upcoming
|
||
|
funding review. I know that what we all want is what's best for
|
||
|
Galen, and that sometimes these decisions are difficult to make.
|
||
|
Lance has been with us for five years and he is one of the most
|
||
|
dedicated and able community support facilitators at HVRS. He
|
||
|
will do everything he can in what time remains to see that your
|
||
|
conditions are met.
|
||
|
|
||
|
In the meanwhile, I am enclosing the documents requisite to
|
||
|
beginning the smooth and timely transfer of Galen's sponsorship
|
||
|
from HVRS to the Easton state facility. I'm happy to respond to
|
||
|
any questions you might have regarding these forms.
|
||
|
|
||
|
Sincerely,
|
||
|
Barbara Elfman
|
||
|
President
|
||
|
Harbor Vocational and Residential Services
|
||
|
|
||
|
|
||
|
|
||
|
Sent: Feb 5 1996 3:35 PM
|
||
|
From: Andrewl@aol.com
|
||
|
Re: Galen
|
||
|
|
||
|
Hey Matt, it's Dre again. There are three things that I have to
|
||
|
tell you. One, I was wrong about Galen and the want-board. Two,
|
||
|
I got a C on my paper. Three, I've had it with college and this
|
||
|
job, and I need to move on. The whole situation here gives me
|
||
|
the jeebs.
|
||
|
|
||
|
Hold on. Someone at the door.
|
||
|
|
||
|
|
||
|
|
||
|
freedom and equality
|
||
|
since 1982
|
||
|
|
||
|
2/2/96
|
||
|
|
||
|
Mr. Bottacci,
|
||
|
|
||
|
I'm happy to inform you that the matter of the backyard has been
|
||
|
resolved, and also that Galen has begun to express his desires
|
||
|
in a clear and unequivocal manner. As you requested, I have
|
||
|
already contacted Ms. Pearson, and she will be visiting your
|
||
|
brother's home this afternoon in order to observe him. She will
|
||
|
be in touch with you shortly.
|
||
|
|
||
|
Yours,
|
||
|
Lance Cameron
|
||
|
Community Support Facilitator
|
||
|
Harbor Vocational and Residential Services.
|
||
|
|
||
|
|
||
|
|
||
|
Sent: Feb 2 1996 7:13 PM
|
||
|
From: Andrewl@aol.com
|
||
|
Re: Galen
|
||
|
|
||
|
Sorry there. That was the lady from the mentally retarded group
|
||
|
that came over a while back. She wanted to see Galen do the
|
||
|
want-board. No problem. He does it, and he does it all by
|
||
|
himself. Think that's great? Don't thank me. After I told Lance
|
||
|
I didn't want any part of the want-board we argued like dogs,
|
||
|
but then instead of firing me he just took up the slack himself.
|
||
|
Spent a lot of time -- most of the past week -- here with Galen
|
||
|
and the want-board, trying to get Galen to learn the thing
|
||
|
before vacation (even though he **still** didn't know where he
|
||
|
wanted to go) because after vacation, he said, it would be too
|
||
|
late. Let me tell you, that man has patience. He tried
|
||
|
everything you can think of. He **begged** Galen to pay
|
||
|
attention. But Galen never did anything but stare out the back
|
||
|
window at that old backyard.
|
||
|
|
||
|
At the end of it I didn't know who I felt more sorry for, Galen
|
||
|
or Lance. I came in that last day to find them sitting together
|
||
|
in the darkening living room, quiet and gazing out the back
|
||
|
window, the want-board abandoned on the table. All that time
|
||
|
wasted, I thought. A real shame.
|
||
|
|
||
|
"Hey man, did your best," I said, because I hated seeing the two
|
||
|
of them sit there that way.
|
||
|
|
||
|
"Andrew, do you still have the key to the back door?" Lance
|
||
|
said.
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Go and get it."
|
||
|
|
||
|
I didn't like the sound of it, but I did what he said. It took
|
||
|
me a few minutes to find it; it's never been used. When I came
|
||
|
back out into the living room Lance pointed me over to the door.
|
||
|
He said, "When I count to three, unlock it."
|
||
|
|
||
|
He counted to three. I swear Galen must have been counting
|
||
|
along, because the instant I put that key in the lock and lock
|
||
|
went `click' he popped from his chair and sped right across the
|
||
|
room as fast as I have ever seen him run, grinning and laughing
|
||
|
and waving his arms all over. But Lance popped up from his chair
|
||
|
too, and he moved just a little bit faster. He slipped himself
|
||
|
right between Galen and the little hallway in front of the door,
|
||
|
and stuck that black board up under Galen's face.
|
||
|
|
||
|
I said, "That's not so cool."
|
||
|
|
||
|
"Just leave the door open until I tell you to close it." Lance
|
||
|
nudged the board against Galen's chest, and Galen looked down at
|
||
|
it, surprised, as if after all this time he'd never seen the
|
||
|
thing before. Lance made a gesture toward the two big pictures
|
||
|
of the Coke and the 7-Up, then lifted the machine, pretending to
|
||
|
allow Galen to go through, then right away put the board back in
|
||
|
front of him again. Galen looked over Lance's shoulder, at the
|
||
|
open door, and then he looked hard at the machine for a long
|
||
|
time, maybe two or three minutes. His whole face creased up with
|
||
|
hard thought, struggling, painful thought, and then -- I
|
||
|
couldn't believe it -- he lifted his hand to the board, and he
|
||
|
pressed a button. The machine said, "I'd like a Coke." Lance put
|
||
|
the can of soda to Galen's lips -- not for long though, just
|
||
|
long enough for Galen to get a taste -- and then he pulled the
|
||
|
can away. Then, Lance took one step back toward the door, so
|
||
|
that Galen could move one step closer to the outside. When Galen
|
||
|
figured out he couldn't go any farther, he put his hand to the
|
||
|
board and pressed the button again. The board said, "I'd like a
|
||
|
Coke," and Lance gave Galen another sip, just enough to get the
|
||
|
taste, and took one more step back. Galen stepped forward, and
|
||
|
pressed the button again, "I'd like a Coke," and Lance gave him
|
||
|
another sip.
|
||
|
|
||
|
Lance said, "Close the door." And so I did.
|
||
|
|
||
|
Galen pressed the button again. "I'd like a Coke." And Lance
|
||
|
gave him another sip.
|
||
|
|
||
|
We tricked your brother into wanting Coke.
|
||
|
|
||
|
|
||
|
|
||
|
vigilance, compassion
|
||
|
|
||
|
|
||
|
2/3/96
|
||
|
|
||
|
Mr Matthew Bottacci:
|
||
|
|
||
|
Yesterday I visited Galen's home in order to verify claims made
|
||
|
by Mr. Cameron regarding improvements made to Galen's living
|
||
|
conditions. I will say at the outset that I was very surprised,
|
||
|
and impressed, by the appearance of the backyard. The hole was
|
||
|
filled up, the ground cleared of hazardous objects, the weeds
|
||
|
and brush mowed down. In the driveway was a pickup truck filled
|
||
|
with rolls of sod, and Mr. Cameron was himself spreading one of
|
||
|
them across an edge of the yard. While he did not say so, I was
|
||
|
to learn from Andrew that the material and equipment had all
|
||
|
been purchased by Mr. Cameron with his own means, and that Mr.
|
||
|
Cameron was single-handedly landscaping the yard with donated
|
||
|
vacation time. The work is not yet finished, but I expect the
|
||
|
yard will be quite safe for Galen within several days.
|
||
|
|
||
|
At the time of my visit Galen was using his speaking device with
|
||
|
some enthusiasm. There were six pictures on the board, all
|
||
|
representations of drink or food items. Evidently Galen uses the
|
||
|
board so continuously that he has gained weight, and he did seem
|
||
|
healthy compared to how he looked the last time I visited. He
|
||
|
has even, it seemed, forgotten about the backyard. It may be
|
||
|
that with its appearance so changed, the backyard no longer
|
||
|
holds whatever meaning it held for him previously.
|
||
|
|
||
|
Now, unlike before, Galen is able to acquire some of the things
|
||
|
he wants. Should Galen continue to use the board, we should hope
|
||
|
that Galen's staff over time increase the number of pictures so
|
||
|
that Galen can enjoy an increasingly widening range of choices.
|
||
|
|
||
|
In light of these changes, I am no longer able to advise you to
|
||
|
remove Galen from his current home. Galen will need a new
|
||
|
live-in, of course, by the end of the month, since Andrew has
|
||
|
resigned. I don't suppose HVRS will have a problem finding
|
||
|
someone.
|
||
|
|
||
|
Sincerely,
|
||
|
Ann Pearson
|
||
|
Chairperson, Friends of the Mentally Retarded
|
||
|
|
||
|
|
||
|
|
||
|
Sent: Feb 5 1996 6:42 AM
|
||
|
To: Matthew Bottacci
|
||
|
From: Andrewl@aol.com
|
||
|
Re: outahere
|
||
|
|
||
|
Just wanted to say bye. College was a mistake, cost me five long
|
||
|
years and a pile of money -- I'll be in debt till I'm forty. But
|
||
|
now it's behind me, and fit to be forgotten. I guess you heard
|
||
|
about the backyard. It's finished now, and Lance has been trying
|
||
|
to get Galen to go outside and enjoy the sun and breeze. Galen
|
||
|
won't have anything to do with it. His world is that want-board,
|
||
|
now. There's nothing else.
|
||
|
|
||
|
People ask me what I want to do next, when I leave here. I know
|
||
|
there's something. But everything, when I say it, sounds wrong.
|
||
|
|
||
|
Dre
|
||
|
|
||
|
|
||
|
|
||
|
Michael Sato (michael661@msn.com)
|
||
|
-----------------------------------
|
||
|
Michael Sato spent most of his life in the San Francisco Bay
|
||
|
Area, but now lives in a factory town in Japan, where he teaches
|
||
|
English, dabbles in translation, and waits for the dollar to
|
||
|
weaken so that he can change his money and return to the U.S.
|
||
|
His stories have appeared on the Internet in Eclectica and
|
||
|
AfterNoon.
|
||
|
|
||
|
|
||
|
|
||
|
The Law Enforcer of Eagle Town by Richard Behrens
|
||
|
=====================================================
|
||
|
....................................................................
|
||
|
Standing up for what's right is never without risks.
|
||
|
....................................................................
|
||
|
|
||
|
i. burnt angels, soaring home
|
||
|
-------------------------------
|
||
|
|
||
|
That day the sun was hiding behind the clouds like a wounded
|
||
|
child, but it took me more than a few seconds to adjust my eyes
|
||
|
to the dark interior of the store. First the flour sacks came
|
||
|
into focus, then the glass candy cases, the shelves of baked
|
||
|
beans in their silvery cans, the saddle bags, the harnesses and
|
||
|
the flatboards against the far wall. He was sitting with two
|
||
|
Papal agents, his cane chair creaking against the flatboards
|
||
|
under all that weight. What I remember was a small card table
|
||
|
between them, some papers laid out so they could all read
|
||
|
whatever was printed. Then there was a bird, a small blue-beaked
|
||
|
thing with thin wings and sad eyes, his stick-like foot chained
|
||
|
to the table with a tiny lock. The creature would struggle, flap
|
||
|
madly into the air, turning into a propeller swirl of feathers
|
||
|
and squawks, then flop back down onto the card table, defeated,
|
||
|
abandon freedom for a passing moment, then renew its frenzy with
|
||
|
another mad flapping of wings. It flew up, clopped down, over
|
||
|
and over.
|
||
|
|
||
|
I was twelve and was coming in from the station wagon with my
|
||
|
father and sister that first time and he took us by surprise,
|
||
|
otherwise we wouldn't have gone into the store that afternoon.
|
||
|
His three hundred pounds fell in bags down the side of his seat,
|
||
|
the cushion under him obliterated. His thin white shirt was
|
||
|
folded under him; large pools of sweat were about his arms and
|
||
|
gut, streamers of it coming down from under the yellow straw hat
|
||
|
into the folds of his warty neck. His bug eyes turned toward my
|
||
|
father, scanning his prey before the attack.
|
||
|
|
||
|
My father's hand went limp and cold as he held me about the
|
||
|
neck, then withdrew and fell to his side, now powerless and
|
||
|
obsolete. His hand remembered as well as he did that Shingle had
|
||
|
invisible eyes that crept out into the night, over the onion
|
||
|
fields and locust groves, probing into the bedroom windows and
|
||
|
basement workshops. My father, who in his day had been a
|
||
|
backyard wrestler, was a small mite in the presence of the law
|
||
|
enforcer.
|
||
|
|
||
|
"Even'n, Yardley." The bug eyes were now locked, hypnotizing,
|
||
|
suddenly darker around the rims as if a mist of evil had just
|
||
|
descended over Shingle. His voice was laconic and level,
|
||
|
emotionless without a hint of intention.
|
||
|
|
||
|
"Officer Shingle," my father said, the crack in his voice
|
||
|
betraying fear. "I just came to get some paint for the cottage."
|
||
|
|
||
|
"I didn't ask what you were here for, Yardley. I just "Just one
|
||
|
minute, Yardley." His damned bug eyes cut across the room to my
|
||
|
father standing by the oak counter. "I got a couple of questions
|
||
|
for you, you mind this time of afternoon?'
|
||
|
|
||
|
"No, sir."
|
||
|
|
||
|
"Then pull up a handful of those nuts and let's have a
|
||
|
conversation, you and me." He gestured toward the cane seat next
|
||
|
to him. Hesitantly, my father took a bag of walnuts from
|
||
|
Whinstanley's counter and slid over to the cane seat, sitting
|
||
|
down with the slow measure of a man getting into his final
|
||
|
electric chair. Shingle grinned and slapped my father's thigh.
|
||
|
My father shuddered and then slumped, his head bowed more out of
|
||
|
fright than respect, and his hands cupped before his belly.
|
||
|
|
||
|
Shingle let loose his word horde: "We got some trouble over in
|
||
|
Harvestville again with a couple of Clays. You know them, no?
|
||
|
Well, I was checking up in these here county courthouse records
|
||
|
and it seems you bought some land off one of them. Not one of
|
||
|
them but a Eustace Gamble who married a Clay a few months before
|
||
|
you came to him with those bank notes, remember? Good, its good
|
||
|
to see your memory improving, Yardley. So this Gamble went and
|
||
|
spilled some of his liquor into the river trying to keep the
|
||
|
snarks from getting it and by accident he took a tumble and
|
||
|
cracked his skull on a log, rushed to a hospital, and made some
|
||
|
weird death bed confession about a railroad in some of the
|
||
|
basements around here. You know anything you ain't letting on,
|
||
|
Yard?"
|
||
|
|
||
|
"Mr. Shingle, if I had a story line to tell I'd tell it right
|
||
|
quick, you know that."
|
||
|
|
||
|
"Yeah, I know. We go back a ways, back to when you boxed in the
|
||
|
Sand League and I was going to be your manager. But times
|
||
|
change. I aim to keep to the letter of the law around here, and
|
||
|
these folks from Cedar Crest Division want me to check out some
|
||
|
of the basements around here. I suppose I can start with yours,
|
||
|
now right?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"You know a man named Brown?"
|
||
|
|
||
|
My father's silence betrayed his fear. It was as if a bullet had
|
||
|
struck him in the knee and he was damned if he was going to let
|
||
|
on about it. His eyes closed tight as if the lowering of the
|
||
|
lids would help avoid detection.
|
||
|
|
||
|
"No need to answer," Shingle sighed. "I know you're scared of
|
||
|
that man. He beat you in mud wrestling back in the Plains and
|
||
|
when you whipped him back he swore to cut your throat and feed
|
||
|
your apple to the hounds. Well, don't worry, we got him up at
|
||
|
the Point and he's behind five rows of steel wasting away and
|
||
|
he'll never come out to beat you or anybody. Caught him sneaking
|
||
|
across the line with a trunk full of clowns from the coast. Oh,
|
||
|
he talked all right -- talked about what you and him were doing
|
||
|
in the Plain and how you got that chain saw motor, remember?"
|
||
|
|
||
|
"Yes, sir." My father spoke from behind those trembling eyelids.
|
||
|
|
||
|
"So, let's take a look at that basement and we'll spin out to
|
||
|
the Point to identify some faces. Sorry to ruin your little
|
||
|
afternoon painting the cottage, but Yard, we got to get to the
|
||
|
letter of the law. Stuff ain't right if the letter's tampered
|
||
|
with, now."
|
||
|
|
||
|
"Yes, sir. I deserve it, sir."
|
||
|
|
||
|
"That's what I'd like to hear. There's strength in that, Yard.
|
||
|
You know there is."
|
||
|
|
||
|
It took three men -- the two Papal agents and Whinstanley -- to
|
||
|
move Shingle out of the cane seat he was stuck in. As he puffed
|
||
|
and heaved, I paid mind to my sister who was terrified, her
|
||
|
little knees shaking, her eyes tearing like someone had just
|
||
|
died. I put my arms around her and she backed off, not wanting
|
||
|
to be touched.
|
||
|
|
||
|
We all piled into Shingle's rambling brown sedan, the man
|
||
|
stuffing himself behind the wheel with a fluid plop, and were
|
||
|
soon cutting down the mill roads past the pump stations and the
|
||
|
irrigation ditches, across the deserted lot behind our
|
||
|
neighborhood, and the thin dirt path we had taken just an hour
|
||
|
earlier to get to the store in the first place. Then, we emptied
|
||
|
out in the front of the wooden screened porch where Mother sat
|
||
|
in a large wicker chair. When she saw us emerge from the Shingle
|
||
|
car, along with the fat man himself and two city folk she
|
||
|
couldn't identify, she got up, her gingham dress falling
|
||
|
shapeless about her, and withdrew into the house, slamming the
|
||
|
door tight.
|
||
|
|
||
|
The car almost overturned with getting the Enforcer out and this
|
||
|
time even my father helped, ironic since he was the one who was
|
||
|
just about to lose everything to this man. I couldn't watch.
|
||
|
|
||
|
"Your woman got a nice welcome for folks," Shingle growled. "So
|
||
|
open the hatch and let's have a look see."
|
||
|
|
||
|
The city folk went to the metal door over the stairs down and
|
||
|
started to fumble with the lock. Mother came out like a raging
|
||
|
fury and threw herself against the red rusted bar with her solid
|
||
|
foot. "No," she said. "You open that door, my life is killed
|
||
|
forever."
|
||
|
|
||
|
Shingle wiped the sweat from his brow with the back of his fat
|
||
|
hand. "Look, Lois, you ain't got a pot to piss in here. You
|
||
|
think because you tell me to go away, I'm going to go away and
|
||
|
forget it? It's over already. Just accept that, is all."
|
||
|
|
||
|
"I have children," she said.
|
||
|
|
||
|
"Yeah, and they're going to be just fine. But we got Yardley
|
||
|
here who broke the letter of the law. We don't tolerate the
|
||
|
breaking of the letter. It says even in the scriptures to change
|
||
|
not a letter one jot, or something like that, is all. See, I'm
|
||
|
the Enforcer and I have to come when a rule's been bent or
|
||
|
something's been spelled out wrong."
|
||
|
|
||
|
"You're just an evil man!" she hissed. "With rotting meat in
|
||
|
your belly and a head full of fat lies!"
|
||
|
|
||
|
Shingle lowered his lids for a pause with a sort of lost boy
|
||
|
sadness, then came up again with an angry fist that hit my
|
||
|
mother across the mouth. She fell to the side like a collapsing
|
||
|
house of cards. "Open it," he said to the city folk while Mother
|
||
|
pounded the ground with the force of impotent rage.
|
||
|
|
||
|
The city folk cracked the bar with some special instrument they
|
||
|
kept hidden behind their bodies, but it came apart as if it were
|
||
|
tissue paper, the bar falling to the side and clattering on the
|
||
|
path. They went down into the hole and there was a tense moment
|
||
|
while flickering light danced against the sides of the descent.
|
||
|
|
||
|
"What you got?" Shingle said, lifting a large leg onto the
|
||
|
concrete step leading to the stairs.
|
||
|
|
||
|
"Yep, A.J." came a nasal voice. "We got a stash."
|
||
|
|
||
|
My father heard the voices from down in his workshop and leaned
|
||
|
against the picket post, faint and pale, beads of sweat dripping
|
||
|
onto his flannel collar. "Jesus in Heaven," he said. "Lois, this
|
||
|
is the end."
|
||
|
|
||
|
The snarks removed fourteen clown suits from the basement and
|
||
|
six boxes of orange pom-poms, all of which were faded and
|
||
|
obviously well worn. Some of the polka dotted pants were grease
|
||
|
stained and worn through with many holes, patched together
|
||
|
sloppy and veined with stitching from various rips and tears.
|
||
|
Shingle cornered my father against the slats of the house and
|
||
|
held a pom-pom to his nose like he was trying to stuff it.
|
||
|
|
||
|
"You know where the shit inside these clothes went?"
|
||
|
|
||
|
"I ain't saying," my father said, summoning a bit of courage
|
||
|
that had been absent for the past hour of his ordeal.
|
||
|
|
||
|
"You got a railroad, Yard boy. You don't have no bargaining
|
||
|
power is how I see it. Now I want this thing: why you keep the
|
||
|
threads after the shits were gone? You walking around the house
|
||
|
in your Bozo nose? You want to be a shit clown chromo just like
|
||
|
them?"
|
||
|
|
||
|
My father maintained a stoic silence.
|
||
|
|
||
|
"How many you running for? You paint their faces and fix them up
|
||
|
in dungarees? You can't do that around here, Mister! You know
|
||
|
that from back in the Point! I just don't believe you'd be so
|
||
|
stupid to let all this stuff get moldy down there, guy. The real
|
||
|
slick operators burn the stuff in trash cans and bury the ashes
|
||
|
deep in Rahoon and the Winneskeag. Tell me, Yardley, how many
|
||
|
you running for?"
|
||
|
|
||
|
"I didn't have no railroad, Shingle."
|
||
|
|
||
|
"You like to dress up then? You put these buttons on and make
|
||
|
your little kids laugh?"
|
||
|
|
||
|
My sister who was crying and pulling at her red ponytails, now
|
||
|
spat out, "Leave daddy alone!"
|
||
|
|
||
|
The fat man turned his predatory eyes toward the freckled girl
|
||
|
who receded from him as if she were staring into the face of an
|
||
|
evil spirit that arose from the darkness of her bathroom mirror.
|
||
|
The muscles of her face, already tense, withdrew into a rictus
|
||
|
of terror.
|
||
|
|
||
|
To my dying day, I will not forgive that fat shit for doing that
|
||
|
to her. He didn't have to. He could have ignored her and gone
|
||
|
about his damned business with my father. But he turned to her
|
||
|
and forged into her mind some image that will make her not well
|
||
|
for the rest of her life -- an act that could have been avoided
|
||
|
so easily. But he did it just to spite, just to spread a bit of
|
||
|
his evil about, because he was the man with the badge,
|
||
|
sanctioned by the state, capable of anything including murder, a
|
||
|
man who has beaten children until they bled, who has broken up
|
||
|
more families than death itself. He turned to her with red
|
||
|
furious anger in his demon-haunted face and said with a snarl:
|
||
|
|
||
|
"Your daddy, little girl, is about to get the Point!"
|
||
|
|
||
|
And that's all I have to say about that day. The rest I don't
|
||
|
care to remember.
|
||
|
|
||
|
|
||
|
|
||
|
ii. on this parched earth, in flesh
|
||
|
-------------------------------------
|
||
|
|
||
|
The month after my father was taken, we had a locust sweep over
|
||
|
the fields and most of the farmers were out with their guns
|
||
|
firing the poison pellets into the air and running in relays
|
||
|
back to the gas pumps. Old Man Snaggle had a rusty old
|
||
|
flamethrower he used over the empty lots and got many of them
|
||
|
single-handedly, but at the last moment his fuel pump backfired
|
||
|
and he got a face full of fire. His hair was burned right off
|
||
|
and his eyebrows melted till he looked like a shaven cancerous
|
||
|
egg. He sat in his bed and stared at the walls until he died
|
||
|
from fever two weeks later. Old Man Snaggle is considered a bit
|
||
|
of hero around here because of how he went out and gave his life
|
||
|
to fight the locusts.
|
||
|
|
||
|
The crops were tainted with residue and the farmers got scared.
|
||
|
The next winter a fever killed most of the animals and we were
|
||
|
trying to make do but there was no manure left in reserve.
|
||
|
Collections were taken up to order the pesticides through a
|
||
|
mail-order catalog.
|
||
|
|
||
|
And we, the Yardleys, just gave up. Father was gone. Our land
|
||
|
went to rot, our shed collapsed, we sold our cows in town. There
|
||
|
was nothing left for us.
|
||
|
|
||
|
|
||
|
|
||
|
iii. in the basements, buried dreams
|
||
|
--------------------------------------
|
||
|
|
||
|
Like fools rushing madly in paradise, we took in one more clown,
|
||
|
a dirty little fellow who showed up one night in a rainstorm
|
||
|
breathing asthmatically and coughing blood from his thick red
|
||
|
lips. We carried him half-dead and bleeding to the upstairs
|
||
|
guest room and laid him out on the floor over a large tarp that
|
||
|
stained quickly with his drippings. In his dirty white glove we
|
||
|
found a card with our father's code name on it. This was how the
|
||
|
Chromo found us, a tiny strip of paper thrust into his spastic
|
||
|
hand by some sympathetic ear with a frightened but kind heart
|
||
|
who decided to take the mentally deranged creature, so pitiful
|
||
|
and loveless, and drop into his fingers a tiny bit of hope. The
|
||
|
Chromo had followed, God knows how, and was now safe in our
|
||
|
house.
|
||
|
|
||
|
Mom was cautious. "I think he has a fever and something broke up
|
||
|
in there. Look, the blood has these white flakes in it like his
|
||
|
throat was coming apart in bits."
|
||
|
|
||
|
The clown gasped and opened his dropping eyes. "You folks don't
|
||
|
need no Klappo to worry about. Just put him outside in the dog
|
||
|
pit and let him go to sleep."
|
||
|
|
||
|
"Nonsense," Mom said maternally, wiping more blood from around
|
||
|
his mouth. "We ain't going to let some living thing die like
|
||
|
this. And if you have to go it's going to be in a decent folks'
|
||
|
home, not in a pile of dung in the road."
|
||
|
|
||
|
"But zooks, if you ain't kind to Klappo!"
|
||
|
|
||
|
He stayed with us a few days, shivering on a straw pallet in the
|
||
|
basement, until the bleeding stopped and his eyesight was
|
||
|
restored; then we sent him on his way. We stood at the edge of
|
||
|
the wood and watched his slow haunted form slink into the
|
||
|
mysterious depths of the trees. In his pantaloons he had a
|
||
|
series of coded instructions to the next safe house in
|
||
|
Plainsfield. This time, we were careful to fully burn the
|
||
|
clothes to ash and then to scatter the ashes in a nearby
|
||
|
cornfield. I accomplished this by filling my pockets with the
|
||
|
soot and then strolling through the weeds with streamers pouring
|
||
|
down my leg from a carefully placed hole in one pocket.
|
||
|
|
||
|
Just as I was heading home, I found Jack Webster, the retarded
|
||
|
son of an iron worker, rummaging through some garbage by the
|
||
|
landfill. Under the gray sky he looked sick, his slack mouth was
|
||
|
thick with drool. His eyes buzzed around a bit but he found me
|
||
|
walking through the weeds, my hands pushed hard into my pockets.
|
||
|
|
||
|
"Your daddy was a clown lover!" he screamed, spewing tracers of
|
||
|
spittle. "A clown lover and he liked to put his thing in a jar
|
||
|
of bugs!"
|
||
|
|
||
|
I caught fire, angry at the misfortune my father's operation had
|
||
|
suffered: losing his partners, having his home invaded and being
|
||
|
thrown into a Papal jail, his family humiliated. Years later,
|
||
|
when I was traveling up north near the Point, working on my
|
||
|
history books, I worked hard to convince myself that my father
|
||
|
was good, and although he broke the laws he was justified in the
|
||
|
eyes of the Lord for what he did. But back in those Eagle Town
|
||
|
days, I knew only red anger at having suffered. I wanted my
|
||
|
father home again, sitting by the fire and talking with Judge
|
||
|
Leaton or the anarchist Frencke, fixing trap doors in the
|
||
|
basement and painting the wooden shingles on the roof of the
|
||
|
cottage. Thinking all these scenes and how distant they were, I
|
||
|
stood on the edge of that mountainous landfill, facing that
|
||
|
drooling idiot son of Kent Webster and felt blood-red anger.
|
||
|
|
||
|
I pulled my fists out of my pockets, noticing in the chaos of
|
||
|
the moment that the knuckles were stained deep in the ash, and
|
||
|
dove for his sweaty white neck. I remember a creepy face,
|
||
|
pushing its squat nose toward me, mucous dripping onto the upper
|
||
|
lip, and those cracked teeth yellow stained gnashing up and
|
||
|
down. What I can't remember is the knife wheeling up in an arc
|
||
|
and catching me in the left nostril, ripping out a piece of
|
||
|
nose. I pushed my palms into my spurting wound and held them
|
||
|
there, listening to my own screams.
|
||
|
|
||
|
"Stop saying those filthy things!" I cried. "I'm a good boy
|
||
|
raised by a good daddy. Take those things back!"
|
||
|
|
||
|
In my mind, I pummeled Jack Webster several times in the stomach
|
||
|
with one fist, knocking him flat. He fell unconscious and
|
||
|
spitting blood from lips. His skin was pale white, the lips
|
||
|
darkening to a thick red and the nose glowing with that hideous
|
||
|
malformation of the Chromos in the basement. But, of course, I
|
||
|
never laid a finger on the retard, it was all a fantasy caused
|
||
|
by the stinging pain being driven straight into my skull. For a
|
||
|
moment, before I lost it all, I saw a grinning clown skull with
|
||
|
a party hat and tasted the grimy texture of leather in my mouth,
|
||
|
the sides of my face smothered in the cascading folds of fat
|
||
|
slithering down the edges of a bar stool.
|
||
|
|
||
|
"Ha!" Billy shouted. "Now you got a red nose! Just like them!"
|
||
|
and his leather boots fled across the crunching landfill and
|
||
|
rotting dog bones. He danced at a distance, a dark shadow
|
||
|
against the fading light, then came back laughing. He took out
|
||
|
these three little bamboo shoots that were tied together and
|
||
|
started pressing it to his lips, coming out with these strangely
|
||
|
musical passages that spoke of something beyond reason. It
|
||
|
actually lulled me, despite my pain.
|
||
|
|
||
|
I lay on the garbage heap, a piece of my nose flapping to the
|
||
|
side like the door to some forgotten basement that wouldn't
|
||
|
shut. Billy Webster stood by all that time playing dreamily on
|
||
|
that crazy wooden flute, piping to the mountains of garbage.
|
||
|
When I realized the full force of what had happened to me, I
|
||
|
asked him politely, "Don't your daddy want you home or
|
||
|
something?"
|
||
|
|
||
|
"No, he's all right alone. Ever since Mom died he just sits
|
||
|
there, goes to work, comes home, sits there. He ain't no clown
|
||
|
lover like your daddy!"
|
||
|
|
||
|
He held up the blade, stained a dull red with my blood. "I got
|
||
|
to cut you one if you touch me. I already cut your nose
|
||
|
something gruesome. Now you're red, like them."
|
||
|
|
||
|
"All right," I said, lifting my weakened head to the air above.
|
||
|
"You win this round. What do you know about my daddy?"
|
||
|
|
||
|
The retard smiled and jumped up and down, his knife and flute
|
||
|
clutched in the same tight fist. "He had those clown women and
|
||
|
he went to them like Mom and Daddy used to do after taking
|
||
|
dickweed!"
|
||
|
|
||
|
"Where, when? What are you talking about?"
|
||
|
|
||
|
"That guy who used to pick his head, what was it? The guy, the
|
||
|
one who, he came down with those trucks and gave your daddy a
|
||
|
hard rap about -- the guy who used to make those movies with the
|
||
|
clowns -- what's his name?"
|
||
|
|
||
|
"I'm tired of this. I'm going home to stanch my nose."
|
||
|
|
||
|
I got only a few yards before he called out to me, a thick
|
||
|
slobbering voice lost in its wetness and knotted tongue. "I seen
|
||
|
them, those clown bitches sucking on the roots, getting all
|
||
|
light headed."
|
||
|
|
||
|
He fell to his knees and scrawled ciphers in the dirt, little
|
||
|
squiggles and worms, trying to explain something, some design
|
||
|
from out of the recesses of his damaged mind. Spittle fell from
|
||
|
his lips onto his sketches, obliterating some of the details,
|
||
|
but his wet dirt encrusted fingers would retrace the lines
|
||
|
exactly as they had been, obsessive and definite.
|
||
|
|
||
|
"Say Jack," I said loud over the garbage piles. "What you
|
||
|
doing?"
|
||
|
|
||
|
He giggled, kicked the dirt out with his heels, wiping out all
|
||
|
traces of his work, and then skipped down the path toward the
|
||
|
cyclone fencing, wrapping around the landfill mountain and
|
||
|
disappearing into the brambles and cedar trees of Old Mill Road.
|
||
|
|
||
|
I put a soothing palm to my wounded nose, placing the flap back
|
||
|
as carefully as pulling up my pants in public. Off in the
|
||
|
distance, the low moans of the foghorn blasted from the factory
|
||
|
gates, the evening signal for the workers.
|
||
|
|
||
|
My mind was on fire with thoughts about my father: what exactly
|
||
|
had he been involved with? Who were the men in blue suits who
|
||
|
came to take away the sick and dying clowns from the basement?
|
||
|
Who were those men that Shingle had talked about and why had my
|
||
|
father been so terrified by the name Brown?
|
||
|
|
||
|
The back of my skull knew the answers, saw faces and smelled
|
||
|
liquor on the breath of strangers peering through holes in
|
||
|
wooden planks. When I was just an infant, there were comings and
|
||
|
goings, men in blue, well-tailored folk with just a hint of red
|
||
|
lipstick and white puffs around the eyes, straw hair dyed a deep
|
||
|
purple but carefully combed and tucked under wide-brimmed hats.
|
||
|
They carried suitcases which were never opened, and smoked a
|
||
|
thick root that I haven't seen since childhood. Father seemed
|
||
|
afraid of them, but he never failed to look them in the eyes.
|
||
|
These men were not friendly, but they were in alliance.
|
||
|
|
||
|
That night there was a meteor shower and my mother nursed my
|
||
|
nose on the porch so we could watch the tracers of light cutting
|
||
|
lines through the sky. Sarah was fixing her little tails and she
|
||
|
poked a finger at the stars over and over saying, "I wanna go
|
||
|
there... and I wanna go there... and there... and there... and I
|
||
|
wanna go there."
|
||
|
|
||
|
There was a deep sadness on that porch, three lonely people in
|
||
|
wicker chairs staring at the dome of the sky. It had been made
|
||
|
very clear, all too clear, that we would not get to see daddy
|
||
|
again until his release, a date that was never revealed to us
|
||
|
but promised ("within a reasonable time for such an offense,"
|
||
|
was the official wording that came in the mail). But even if
|
||
|
that reasonable time ever came and my father's body came
|
||
|
walking, somehow, up that garden path, it really wouldn't be
|
||
|
father anymore. There would be no more father inside those
|
||
|
hollow eyes. The Point was known to do that to a man, remove him
|
||
|
from himself until there was nothing left.
|
||
|
|
||
|
We were now alone with our memories and unanswered questions.
|
||
|
|
||
|
|
||
|
|
||
|
iv. across the troubled worlds
|
||
|
--------------------------------
|
||
|
|
||
|
Six years later, I saw A.J. Shingle again. He had just unleashed
|
||
|
a wave of terror against Eagle Town, the worst since the wars,
|
||
|
spreading his thick but long fingers throughout the townships,
|
||
|
along the dirt roads, into the basements, along the cellar pits,
|
||
|
down the chimneys, into people's private spaces and minds,
|
||
|
through the hatches, and blowing lids off with the fury of
|
||
|
tornadoes. The man rolled down Highway 31 in his convertible,
|
||
|
stuffed behind the wheel with a huge cigar stuck in his flabby
|
||
|
face. The tip glowed red and announced his coming like a homing
|
||
|
beacon crying to the night sea. Seventeen special agents drove
|
||
|
in fifteen shiny government sedans, a bizarre funeral procession
|
||
|
jumping the gun and arriving before the death of the
|
||
|
soon-to-be-deceased.
|
||
|
|
||
|
By that time, I was acquainted with Charlie Papp, the kid from
|
||
|
the other side of the Mill who came down in to the fields to
|
||
|
play by the railroad yards. Charlie's family was better off than
|
||
|
most in Eagle Town, well employed by the government for managing
|
||
|
the import of rare foodstuffs like onions and yams. Old Man Papp
|
||
|
used a home computer, the only one in the township, and
|
||
|
communicated with the administration over a long thick cable
|
||
|
that sprouted from the top of the white slated Papp home and
|
||
|
snaked along the otherwise empty telephone poles down the
|
||
|
interstate, off into the dusty distance.
|
||
|
|
||
|
Charlie was white handed and didn't know the first thing about
|
||
|
digging for roots, but he learned quick in the fields by the
|
||
|
landfill. He even helped me get revenge on Jack Webster one
|
||
|
autumn when we stuffed toads down the retard's pants and watched
|
||
|
him hop off down the path screaming that his thing was being
|
||
|
eaten. I felt I was giving Charlie an education in self-defense
|
||
|
he had missed living in his insulated government regulation
|
||
|
house.
|
||
|
|
||
|
When Shingle blew down the interstate, Charlie and I were
|
||
|
digging up roots by the underpass, our hands firm in the dirt.
|
||
|
But we went running when the siren blasted and the cars went
|
||
|
over the rickety wooden bridge dividing the steel mill from the
|
||
|
fields. A lazy seagull, in fifty miles from the coast, careened
|
||
|
and glided over the train of vehicles, the animal familiar guide
|
||
|
to weird caravans, and came to rest on the bridge's head post, a
|
||
|
knotted black eye screaming the scene.
|
||
|
|
||
|
"Shingle," I muttered to Charlie.
|
||
|
|
||
|
We ditched the tuber baskets and fled, pounding the dirt by the
|
||
|
bridge and heading down the road into town. I had tears in my
|
||
|
eyes and started to feel that tense knot in my throat reserved
|
||
|
for moments of terror, visions of nightmarish creatures with
|
||
|
large predatory fangs. I reached down and held Charlie by the
|
||
|
neck, stopping him and pulling him by the side stone marker, a
|
||
|
granite block with a single white arrow pointing toward Eagle
|
||
|
Town.
|
||
|
|
||
|
"We'd better stay here. When I was your age, my father walked
|
||
|
right into the room with that man and I ain't seen him since
|
||
|
that day."
|
||
|
|
||
|
He looked up at me with sad drooping eyes. "I hate him," he
|
||
|
said.
|
||
|
|
||
|
His words cut through me. They were lacking hope, trailing into
|
||
|
thin whispered left unrecognized. They reminded me of Sarah's
|
||
|
pathetic attempt to drive fat Shingle off our father.
|
||
|
|
||
|
"Don't worry, Charlie," I said. "It's like a raid, checking the
|
||
|
basements for clowns. The railroad, like my daddy was doing.
|
||
|
They'll do it and we'll stay here. When their cars came back
|
||
|
over that bridge, we'll go help the others, okay? I promise,
|
||
|
Charlie. I won't let him near you."
|
||
|
|
||
|
Charlie nuzzled his head into my hips and clung to my thighs. He
|
||
|
cried and then sat down on the granite block.
|
||
|
|
||
|
But Shingle and his men never came back over the bridge. The
|
||
|
raid went on well into the night and from our embankment we
|
||
|
could see the lines of white robed citizens being marched off
|
||
|
down the road.
|
||
|
|
||
|
Charlie was shaking. "I don't like this." Red-veined fear was
|
||
|
popping in his eyes.
|
||
|
|
||
|
I put my arm around him and held tight while sounds of people
|
||
|
wailing came drifting over the embankment and highway
|
||
|
underpasses, echoing the lamentations of my people through the
|
||
|
tunnels of Eagle Town.
|
||
|
|
||
|
"Let's go in -- they may need some help." I pulled him along and
|
||
|
felt his shoulder struggling. He didn't want to go, but I forced
|
||
|
him, pulling his little body by the arms, locking my hands under
|
||
|
his armpits. We moved down the highway until we got to Old Mill
|
||
|
Road and then turned into the center of town, which was
|
||
|
strangely deserted, just a few abandoned cars sweltering in the
|
||
|
night heat.
|
||
|
|
||
|
"They all gone, Ben," Charlie was running from store to store
|
||
|
looking in through the windows. "He done something bad to them."
|
||
|
|
||
|
Just then a bright spotlight flashed through the night, came
|
||
|
down on us squarely as we stood in the clearing. It was burning
|
||
|
like the landing lights of some air ship coming down from the
|
||
|
clouds.
|
||
|
|
||
|
"Duck, Charlie!" I pushed him to the ground and buried his head
|
||
|
beneath my chest and entwined arms. Riddles of bullets coughed
|
||
|
up the dust about us, little firecrackers in a mad dance about
|
||
|
our crumpled limbs.
|
||
|
|
||
|
A loud voice announced over a P.A. system, "Just keep still and
|
||
|
lay there 'til we can come in and get you!"
|
||
|
|
||
|
I lifted up my head, keeping Charlie crushed against my chest
|
||
|
and saw, through the dust, the huge shape of Aronius Jay
|
||
|
Shingle, Law Enforcer of Eagle County, moving slowly toward us.
|
||
|
My heart sank and I felt something lift from my body. It no
|
||
|
longer mattered whether I fought or died, or dissolved into the
|
||
|
dust. My only concern was for Charlie's safety, so I hurled
|
||
|
myself from the ground and dove head on right into the wall of
|
||
|
flesh, ramming straight into that stretched white suit with the
|
||
|
vest and watch fob.
|
||
|
|
||
|
"Run Charlie! Run!" And Charlie ran, straight off into the
|
||
|
night, the crack of insects in the air about him, his screams
|
||
|
piercing the blackness. Little kid screams, more horrifying than
|
||
|
anything an adult could make.
|
||
|
|
||
|
Huge arms seized me and I felt a brute strength I would have put
|
||
|
past Shingle. His grip was viselike and I could barely move,
|
||
|
Within seconds I was inert, weeping, muttering my father's name.
|
||
|
|
||
|
"God damn you Yardleys!" came his gruff and disgusting voice. "I
|
||
|
never seen such a determined strain."
|
||
|
|
||
|
And I knew what he meant. He saw most of the human race as a
|
||
|
virus that proliferated whether they were helpful or harmful to
|
||
|
the propagation of the race as a whole. His contempt for
|
||
|
humanity was appalling, and caused him to commit heinous acts,
|
||
|
atrocities without limits.
|
||
|
|
||
|
He chuckled and turned his angry hold on me into a warm, almost
|
||
|
paternal comfort. "You go about your business, Benjamin Yardley.
|
||
|
I already wrecked you, right? That's the way I see it. No use
|
||
|
belaboring the point, is there?" One hand reached up for his
|
||
|
still smoking cigar.
|
||
|
|
||
|
So that was it. The spotlight, the spattering of bullets. He was
|
||
|
playing with us, like he played with my sister eight years back.
|
||
|
He could have let us go, chuckling at two frightened boys
|
||
|
scampering across a town square, but he was determined to dig as
|
||
|
many wounds into our memory as he could, chuckling as he
|
||
|
spattered bullets and then reached for his megaphone. He was an
|
||
|
unopposed wall of irrational power who came to crush families
|
||
|
and land with indiscriminate force. And now he was offering to
|
||
|
let me go, his mission accomplished.
|
||
|
|
||
|
As I shivered in his arms I allowed myself one moment of imaging
|
||
|
he was my father. I dug my chin into his belly and tried to feel
|
||
|
warm love. It was fleeting, barely there, more in my imagination
|
||
|
than in flesh, and hardly sufficient to satisfy my enormous
|
||
|
craving. But it was all I had. For one tiny second, I thought I
|
||
|
could almost see his tender face calling across the lonely
|
||
|
years, telling that he loved me. Then I let myself go and took
|
||
|
off into the night, running faster than time could follow.
|
||
|
|
||
|
|
||
|
|
||
|
Richard Behrens (behrens@pipeline.com)
|
||
|
----------------------------------------
|
||
|
Richard Behrens is a fiction writer and a native New Yorker
|
||
|
posing as a computer programmer and Web site developer. Over the
|
||
|
last ten years his short stories, poems and essays have appeared
|
||
|
in literary magazines, including Chakra, Blue Light Red Light,
|
||
|
Bogus Books, Artitude, Cinemaphobia, Forbidden Lines and
|
||
|
Web-based magazines including Planet Magazine and Dark Planet.
|
||
|
He lives in New Jersey with his wife Sandrea and son Kristopher.
|
||
|
|
||
|
|
||
|
|
||
|
I am Retarded by Tom Armstrong
|
||
|
==================================
|
||
|
|
||
|
My dog is smarter than me.
|
||
|
|
||
|
Recently, when I arrived home from work -- sweaty and tired, my
|
||
|
pockets stuffed with currency and gold nuggets, tips from my
|
||
|
minimum-wage job driving a dynamite truck -- I found Sharik out
|
||
|
on the back porch grilling a porterhouse on the hibachi and
|
||
|
reading the cantos of Ezra Pound.
|
||
|
|
||
|
"Bad dog," I yelled. "Put that book back on the shelf and get
|
||
|
some exercise! Play with your ball!"
|
||
|
|
||
|
He dropped his glasses, came inside, leaped onto his bench and
|
||
|
typed the following on his keyboard: "All the other dogs are
|
||
|
reading Ezra Pound! You're a very mean master. No other dogs I
|
||
|
know have a retarded owner. I want to run away and join a pack!
|
||
|
I want to howl with the wolves and study James Joyce!" He ran up
|
||
|
the stairs whimpering, his tail between his legs.
|
||
|
|
||
|
His words hurt me deeply. Yes, I am retarded. And there are
|
||
|
never fifteen minutes at a time when I can forget.
|
||
|
|
||
|
I feel sorry for my dog. I wish he had a normal person as a
|
||
|
master, someone who could give him a better life and love him
|
||
|
more. And I wish he had a swimming pool, a one-acre glen and a
|
||
|
foul-smells garden in the backyard like his dog friends. But my
|
||
|
wages are meager and it would all be far more than what I can
|
||
|
afford.
|
||
|
|
||
|
Sharik's unhappiness with me made me deeply sad, which was
|
||
|
worrisome for my friends. I called in sick to work for ten days,
|
||
|
staying at home with the shades drawn. I started drinking little
|
||
|
dark-brown cans of Hershey's chocolate and stopped keeping the
|
||
|
currency in my wallet crisply ironed with pleats running down
|
||
|
from the presidents' noses.
|
||
|
|
||
|
My dog stayed upstairs in his bedroom, updating his Web site,
|
||
|
rabidwolverines.com, where he sells books written using software
|
||
|
he's developed. The software combines the minds of dead authors
|
||
|
for collaborations of new book-length manuscripts. His newest
|
||
|
was a cookbook written by Jean-Paul Sartre and Julia Child:
|
||
|
Being, Nothingness and the Perfect Souffle.
|
||
|
|
||
|
|
||
|
|
||
|
A sonic boom startled me into a standing position out of the
|
||
|
La-Z-Boy, where I was sleepily getting grilled and shaken. To my
|
||
|
surprise, I saw that it was nighttime. A Roman candle lit up the
|
||
|
sky in flickering streaks of red. Within a minute, I heard
|
||
|
screeching tires from the direction of my driveway.
|
||
|
|
||
|
A normal person could have assimilated these sights and sounds
|
||
|
without the need of a lot of synaptic activity, but I am not so
|
||
|
lucky. I have to think about what I have just seen and heard and
|
||
|
organize its symbolic meaning. The sonic boom, though it was
|
||
|
heard throughout the neighborhood, was clearly a signal for me.
|
||
|
I am the only retarded person within a square mile, and no one
|
||
|
else would need a clue that is so gauche. It means -- since this
|
||
|
is a Tuesday -- that someone is about to arrive. The red Roman
|
||
|
candle tells me that it is Cthrwsqwz who is coming over. The red
|
||
|
sparks are meant (I think) to suggest Cthrwsqwz's feathery
|
||
|
headdress. The screech on the driveway would provide normal
|
||
|
listeners with a mother lode of clues. My friends could discern
|
||
|
the make of the bike and the exact imprint of the skid just from
|
||
|
the sound. And if they knew the motorcycle, they could tell
|
||
|
quite a bit about the psychology of the rider and anything he
|
||
|
brought with him. But I am retarded; and the most that I can
|
||
|
tell is that it must be Cthrwsqwz who is at my door.
|
||
|
|
||
|
It _is_ Cthrwsqwz, and he's brought Tjrbkspd with him. I'm
|
||
|
delighted. These are my wonderful friends who are especially
|
||
|
nice to me. I can see that they intend to stay for a while since
|
||
|
they are each carrying in a six-pack of Baffin Island Yodelling
|
||
|
Goat, Canada's finest. And Tjrbkspd has a little package of
|
||
|
peanut butter-on-cheese crackers for Hairbrush, my parrot. It's
|
||
|
so thoughtful; those crackers are Hairbrush's favorite. And
|
||
|
Cthrwsqwz has a jar of dill pickle slices. From a tradition
|
||
|
started in pick-up bars, one sticks a quartered slice of dill
|
||
|
pickle into the throat of a Goat bottle while sipping the brew.
|
||
|
|
||
|
We go into the kitchen, where Hairbrush is quick to join us.
|
||
|
It's so much fun for me and my parrot when the guys come over.
|
||
|
Hairbrush walks on our heads and does impersonations from the
|
||
|
movies she's been watching. "Squawk!" she says, and then, in the
|
||
|
voice of Uma Thurman, "the baby tomato is trailing behind as
|
||
|
they walk, so the papa tomato goes back and squishes him. And he
|
||
|
says 'ketchup.' Squawk -- "
|
||
|
|
||
|
We all laugh. The line is from a movie that was broadcast over
|
||
|
the Bird Channel. People don't watch movies anymore. They're all
|
||
|
too plodding and predictable. But we still recognize a lot of
|
||
|
the dialogue.
|
||
|
|
||
|
Hairbrush is lively and animated when the guys are over. It
|
||
|
makes me so happy to see her this way. But when she runs out of
|
||
|
impersonations, I worry that the guys will quickly get bored and
|
||
|
will find excuses to leave. That never quite happens, but I feel
|
||
|
I'm on the spot to try to think about things to say myself. I
|
||
|
try sometimes to tell the guys about explosions that have
|
||
|
happened at work recently, but I talk very slowly and I can
|
||
|
sense that they are antsy for me to get out of my mouth more
|
||
|
quickly what it is I have to say.
|
||
|
|
||
|
Happily, Cthrwsqwz and Tjrbkspd never tire of talking, and
|
||
|
before their spirits have a chance to flag, they are into
|
||
|
friendly fights over their favorite topics, which range from
|
||
|
Beetlejuice to Zen Buddhism.
|
||
|
|
||
|
And tonight the guys get to yammering at full throttle.
|
||
|
Cthrwsqwz begins gesticulating frenetically. His fingers splay
|
||
|
and twitch. He tugs at his shirt and moves about in choppy
|
||
|
steps. The words come like a geyser. "Yicmeatlo uplorpco splek.
|
||
|
Brando as santos de bardo," was a part of what he said.
|
||
|
|
||
|
Tjrbkspd watches in that intensely focussed way he has,
|
||
|
sometimes gesturing in tandem with Cthrwsqwz. Tjrbkspd jumps in
|
||
|
with his siren of melded syllables when Cthrwsqwz pauses. I
|
||
|
could catch only a few disconnected phrases: "optimize breakflow
|
||
|
... phojvolky torpe the younger type... remedial messenger,
|
||
|
zenmar... how were the beefsteak tomatoes... screamers,
|
||
|
tathagalpagarba!... PHOT!"
|
||
|
|
||
|
I listened intently to the conversation, participating as best I
|
||
|
could -- but as we all knew, I understood very little of what
|
||
|
was going on. When they laughed at something, I laughed, too.
|
||
|
But inside I felt fear and embarrassment. What we were laughing
|
||
|
about, I couldn't know.
|
||
|
|
||
|
Cthrwsqwz and Tjrbkspd are very kind to me. And their kindness
|
||
|
is genuine. But it has to be as frustrating for them as it is
|
||
|
for me that I understand only a little of what they talk about.
|
||
|
|
||
|
I was caught off-guard when suddenly their yakking stopped and
|
||
|
they were staring at me. I tried to seem nonchalant, tearing at
|
||
|
the Goat label and poking at my pickle, but it seemed that
|
||
|
everyone's attention was directed toward me. Even Hairbrush, who
|
||
|
stood on the refrigerator, was giving me a stony stare.
|
||
|
|
||
|
At issue was getting me to agree to go with them to a club the
|
||
|
next evening. Apparently I was needed for some research they
|
||
|
were conducting. I agreed to go, for fear of the consequences of
|
||
|
not agreeing to go, and this pleased the guys. Then they told me
|
||
|
that Sariphina-platt was likely to be there, and this made me
|
||
|
very nervous.
|
||
|
|
||
|
When our get-togethers end, they always leave together. I
|
||
|
can hear them starting up their conversation again as they
|
||
|
scruff down the walkway, popping a wheelie and throwing
|
||
|
thunderbolts into the spittoons. I can see that it is easier
|
||
|
for them to get into the flow and excitement of their
|
||
|
discussion when they do not have to try to include me.
|
||
|
|
||
|
|
||
|
|
||
|
Up until a year ago, I was in a spotty, long-term relationship
|
||
|
with the retarded woman Sariphina-platt. Every few weeks, we
|
||
|
arranged to meet at her friend's house where we drank fermented
|
||
|
grape juice and made love in the animal way. This is considered
|
||
|
primitive and silly by average, smart people, but we enjoyed
|
||
|
ourselves. Once, for a solid week, we insulated ourselves from
|
||
|
all the pressures of being retarded. We holed up in an old-style
|
||
|
hotel, talked simply to each other, loved each other, and tried
|
||
|
to forget about other people and the culture we live in that is
|
||
|
so complicated for us. For fun, we played two-dimensional chess
|
||
|
in bed and finished games even if one of us was ahead by a
|
||
|
knight or a passed pawn.
|
||
|
|
||
|
Our bodies are not considered beautiful or sexy, primarily
|
||
|
because we cannot afford all the surgery and tattoos that are de
|
||
|
rigueur. Sariphina-platt has taken care to keep her hands
|
||
|
stylish and heavily tattooed and has a modest job as a hand
|
||
|
model for television commercials.
|
||
|
|
||
|
After our delightful week together, we went back to our jobs and
|
||
|
pretended not to know each other. Time passed, and I didn't call
|
||
|
or e- mail Sariphina-platt. While anyone who comes to know
|
||
|
either of us will quickly be aware that we aren't smart about
|
||
|
anything, we try not to make people uncomfortable, so we pretend
|
||
|
as best we can to seem normal. On those times when either of us
|
||
|
sees another retarded person on the street, we quietly but
|
||
|
quickly turn away.
|
||
|
|
||
|
I don't pine for Sariphina-platt, but I think of her sometimes.
|
||
|
I think of what it must be like to live comfortably in the
|
||
|
world, like real people. And in my dreams, sometimes
|
||
|
Sariphina-platt and I are married with a large family. In these
|
||
|
dreams, when people talk to us, we always understand whatever is
|
||
|
being said. And our infant children are robust and supremely
|
||
|
normal -- jumping off the bookcases and chasing each other
|
||
|
around the living room with firelogs and scissors.
|
||
|
|
||
|
|
||
|
|
||
|
I picked up all the Hershey's cans in the living room, and
|
||
|
generally cleaned up my house. It seemed to calm my extreme
|
||
|
nervousness about the club date with Cthrwsqwz and Tjrbkspd with
|
||
|
its possibility of running into Sariphina-platt. I tried to
|
||
|
think up excuses to get out of it, but in our society, the worst
|
||
|
thing a person can do is be unsociable. And my retardation makes
|
||
|
me very vulnerable.
|
||
|
|
||
|
Last year Cthrwsqwz had a three-dimensional name that was
|
||
|
impossible for me to pronounce. For my benefit, he wore his name
|
||
|
as a medallion on a chain around his neck. But one day he came
|
||
|
over after he had dyed his chest hairs blue and, to be more
|
||
|
stylish, had one of his arms surgically removed. When I saw him
|
||
|
I couldn't recognize him. When word got around about my trouble
|
||
|
identifying him, this bothered a lot of people. For a while
|
||
|
there was talk about putting me in an institution for retarded
|
||
|
people (called a university) where I could get care and lodging,
|
||
|
and with help might get a Master's that would help me to cope
|
||
|
with the people of this world, 99 percent of whom are much
|
||
|
smarter than me.
|
||
|
|
||
|
It remains a matter of intense fear that I might one day find
|
||
|
myself dragged away in a straitjacket to Rutgers or UCLA where
|
||
|
I'll have to do term papers and go to football games.
|
||
|
|
||
|
Sharik came downstairs from his room while I was cleaning. He
|
||
|
had sensed my fear and nervousness -- this wonderful dog -- and
|
||
|
wanted to give me comfort. He had me sit on the couch where he
|
||
|
placed his head on my lap and let me stroke the brown fur on his
|
||
|
head.
|
||
|
|
||
|
That morning, I had bought him the complete works of Proust and
|
||
|
Balzac, setting the books just outside his bedroom door. And
|
||
|
earlier still, I sent him an e-mail saying it would be fine with
|
||
|
me if he read Pound anytime he wanted to.
|
||
|
|
||
|
|
||
|
|
||
|
That evening, chtrwsqwz and tjrbkspd arrived at my house as
|
||
|
planned. Tjrbkspd was wearing a shirt in a color I hadn't seen
|
||
|
before. The new primary colors that the scientists are releasing
|
||
|
are an overload for my sense of sight, but whenever I first see
|
||
|
a new one, it fascinates me. The new color is called frobjnicht.
|
||
|
Tjrbkspd tells me that the color isn't the primary color in its
|
||
|
pure form; rather, it's a reddish yiktatish frobjnicht with
|
||
|
perhaps a hint of yellow and scormeare.
|
||
|
|
||
|
Then, Cthrwsqwz said to me in his speedy way "Validium grenidine
|
||
|
thor _brak!_"
|
||
|
|
||
|
_Validium_ is an old word that will expire in a week. It means
|
||
|
"hop on the back of my bike." I don't know the words "grenidine"
|
||
|
or "thor," but if what he really said was "grenitheen door" it
|
||
|
would mean "the clouds are made of buttermilk." But what _that_
|
||
|
might mean in the context of anything he would have to say to
|
||
|
me, I cannot imagine. _Brak!_ can variously mean "remove your
|
||
|
pants" or "would you like a soft drink with your sprouts
|
||
|
sandwich?" In any case, I hopped on the back of the motorcycle.
|
||
|
|
||
|
I ride as the third person on the bike, hanging onto Tjrbkspd's
|
||
|
waist, smiling stupidly as I stare into his shirt.
|
||
|
|
||
|
We arrive at the club which, like many in town, has a name that
|
||
|
cannot be pronounced. Its name is four dimensional, made from
|
||
|
light and time.
|
||
|
|
||
|
The gist of what I'm told is that it's a gorpfucking club.
|
||
|
Learning this scares me. I'm far too stupid to get involved with
|
||
|
any gorpfucking, but Cthrwsqwz assures me that I needn't be
|
||
|
anxious. He takes me to an anteroom inside the building and has
|
||
|
me strip off my clothes. He places a helmet on my head that is
|
||
|
lined with computer chips and has wires, transistors and metal
|
||
|
plates on the outside. I am reluctant to wear this thing, partly
|
||
|
because I think that anything with transistors must be a cruel
|
||
|
practical joke. But Cthrwsqwz is a genuinely nice person (all
|
||
|
the smart people are genuinely nice), so, with assurances from
|
||
|
Tjrbkspd, I do what I am directed to do.
|
||
|
|
||
|
In the center of the building there is a large hall crowded with
|
||
|
people conversing with each other in small groups. So far as I
|
||
|
can see, I am the only person who is naked or wearing a helmet.
|
||
|
The others are all young and are fully and stylishly dressed.
|
||
|
Many have wonderful tattoos and arms that are attached to their
|
||
|
bodies in interesting places. While I can tell nothing about
|
||
|
their behavior that seems odd, I know from my limited knowledge
|
||
|
of clubs like this one that some are gorpfucking.
|
||
|
|
||
|
I wander about the hall, losing sight of Cthrwsqwz and Tjrbkspd.
|
||
|
I am pretty much ignored by all the people, but several glance
|
||
|
over at me, looking first at my helmet, then at my face and then
|
||
|
quickly at my genitals. This creates in me an odd mixture of
|
||
|
embarrassment and excitement.
|
||
|
|
||
|
After a while, I see Sariphina-platt several yards away. She,
|
||
|
too, is naked and wearing a helmet. I approach her, but when I
|
||
|
am as near as three feet, something magnetic at the front of our
|
||
|
helmets causes our heads to lock in contact so firmly that we
|
||
|
cannot pull away.
|
||
|
|
||
|
My brain is then captured, like a rabbit in a snare. But for
|
||
|
reasons I cannot understand, my sense of fear quickly ends, and
|
||
|
it is as if the clouds have parted, revealing a sky that is a
|
||
|
beautiful blue. And then the sky parts and the sun and stars
|
||
|
come into focus and they are divine. I am in awe of how perfect
|
||
|
it is. The beauty and my bliss are so intense and so complete
|
||
|
that it is both unbearable and unbearable to suppose the feeling
|
||
|
might end and my knowledge of the feeling might fade. I am
|
||
|
hopelessly in love in a universe that is compassionate and just
|
||
|
as it has to be. I am together with Sariphina-platt in a
|
||
|
cavalcade of laughing and weeping. Our thoughts are not coded in
|
||
|
words, but pass like a river flowing between us. It is ultimate
|
||
|
beauty. Serene and delightful. Majestic and ineffable.
|
||
|
|
||
|
|
||
|
|
||
|
It was hard to return to the routine of my life and job after
|
||
|
that night of gorpfucking, but I was able to, and I was glad my
|
||
|
depression had ended.
|
||
|
|
||
|
Sariphina-platt began discussing with me the possibility of our
|
||
|
combining our households. She had in mind the idea of leaving
|
||
|
her apartment above a bowling alley and moving into my house. Of
|
||
|
course, I am gleeful at the prospect.
|
||
|
|
||
|
I had her come over to my house where she met Sharik and
|
||
|
Hairbrush. Sharik played ball with her and, if he wasn't
|
||
|
actually having a good time, he pretended that he was. He told
|
||
|
me afterward that he thinks Sariphina-platt is very, very nice.
|
||
|
Sariphina-platt told me that my dog is wonderful and that my
|
||
|
parrot is a joy. Things went very well. As Sariphina-platt was
|
||
|
leaving, Hairbrush sang " 'Til We Meet Again," in the voice of
|
||
|
Marlene Dietrich, which left all of us in tears.
|
||
|
|
||
|
"There is one last thing," Sariphina-platt told me as she got
|
||
|
into a taxicab. "We will have to get the approval of my
|
||
|
Clydesdale. You must meet him on Thursday."
|
||
|
|
||
|
Her horse. It seems that the horse her parents bought her when
|
||
|
she was small makes most of the decisions for her in life.
|
||
|
Sariphina-platt is anxious, but insists that there is no getting
|
||
|
around the need for our getting the approval of Rising Star
|
||
|
before we can move in together.
|
||
|
|
||
|
"There's something you need to know," she went on to say,
|
||
|
"Rising Star is also Equus Majorca, the leader of the equine
|
||
|
separatist movement."
|
||
|
|
||
|
Of course, I am astonished. While for the most part it is
|
||
|
considered rude for humans to stick their noses into the
|
||
|
politics of other species, all news-aware humans know Equus
|
||
|
Majorca, the author of We'll Take Colorado, a manifesto that
|
||
|
demands that human-run America cede territory to set up an
|
||
|
all-horse republic in the Rocky Mountains. Already, horses have
|
||
|
taken over many of the suburbs of Denver and Colorado Springs.
|
||
|
To further their political agenda, horses have been lying down
|
||
|
on the runway at the Denver Airport to prevent planes from
|
||
|
landing.
|
||
|
|
||
|
The horse demands have recently been strengthened by support
|
||
|
from many other animals. Felines United argues that humans
|
||
|
should be eager to give up a state that is simplistically
|
||
|
rectangular. But as a geometry-wise antelope writer pointed out
|
||
|
in a National Geographic editorial, due to the curvature of the
|
||
|
earth, Colorado is actually more of a rhombus. Others argue that
|
||
|
humans should keep the state because it's a parallelogram.
|
||
|
Congress tried to end the uprising by simply passing legislation
|
||
|
declaring Colorado to be circular.
|
||
|
|
||
|
|
||
|
|
||
|
I am wearing a new frobjnicht-colored suit when I arrive at
|
||
|
Sariphina-platt's apartment. Her living room is large, clean and
|
||
|
fashionable with photographs on the walls showing her lovely
|
||
|
hands holding wrought iron perches and seed dispensers.
|
||
|
|
||
|
"Brak!" she says.
|
||
|
|
||
|
"Yes," I reply. "I _would_ like a Dr Pepper with my sprouts
|
||
|
sandwich."
|
||
|
|
||
|
We have a cordial conversation while seated on her sofa. I can
|
||
|
hear below us the loud noises of bowling balls striking pins.
|
||
|
And from a room nearby I hear the stomping sound of a large
|
||
|
horse walking about.
|
||
|
|
||
|
"I have to tell you," says Sariphina-platt, "that moving in with
|
||
|
you would be a great convenience for us since the bowling alley
|
||
|
is having us evicted for making too much noise."
|
||
|
|
||
|
I smile in reply, gobbling down the last bite of the delicious
|
||
|
sprouts sandwich.
|
||
|
|
||
|
When it is time for the interview my attention turns toward the
|
||
|
slimy feel of sweat covering my body. I loosen my necktie a tad
|
||
|
and worry that her horse will be offended by the placement of my
|
||
|
arms in sockets at each shoulder.
|
||
|
|
||
|
|
||
|
|
||
|
Sariphina-platt leads me to the end of a short hallway where we
|
||
|
stop in front of dutch doors. The top door is pushed open by the
|
||
|
nose of an enormous beige horse who whinnies and then runs
|
||
|
behind a curtain.
|
||
|
|
||
|
It is quickly evident that behind the curtain is where the horse
|
||
|
keeps his keypad, because a Times Square-style Linotype at the
|
||
|
back of the room quickly spells out the word "Welcome."
|
||
|
|
||
|
"Welcome to you, too!" I blurt.
|
||
|
|
||
|
"I hope that we become fast friends," says a line of new words.
|
||
|
"While I am known for insisting that humans call me Equus
|
||
|
Majorca, I would like you to call me by the name Sariphina-platt
|
||
|
gave me at the time of my birth, Rising Star!"
|
||
|
|
||
|
"Thank you, Rising Star," I say. "Please call me Freedjor, which
|
||
|
is my label this week."
|
||
|
|
||
|
"Thank you, Freedjor" says the Linotype. "Can I know you by the
|
||
|
name you were given at birth?"
|
||
|
|
||
|
"Well," I say, "when I was born they just called me
|
||
|
'the baby.'"
|
||
|
|
||
|
"Then I will call you Freedjor this week," says the line of
|
||
|
type. "Greetings, Freedjor!"
|
||
|
|
||
|
It tickles me to see my new name in all those large letters.
|
||
|
This horse is a very nice one. "Greetings to you, Rising Star!"
|
||
|
|
||
|
"You should know, Freedjor, that my activities with the equine
|
||
|
separatists will be ongoing and can only intensify. As much as I
|
||
|
love Sariphina-platt and respect many humans, I cannot forget
|
||
|
that humans have been on our back for thousands of years and
|
||
|
have murdered us to make dog food and glue."
|
||
|
|
||
|
At this point, Sariphina-platt has started to weep. I place my
|
||
|
arm around her shoulder and say, "I would love for you and
|
||
|
Sariphina-platt to come and live with me and my wolf, Sharik,
|
||
|
and my parrot, Hairbrush. Sharik, by the way, is a strict
|
||
|
vegetarian. We will all be close friends."
|
||
|
|
||
|
"Your offer warms my heart. I know that you and Sariphina-platt
|
||
|
belong together and that you can have a normal life. As for
|
||
|
myself, I want to take you up on your offer, but I must go to
|
||
|
Colorado! When we are evicted from our apartment by the bowling
|
||
|
alley, I would like for Sariphina-platt to move in with you
|
||
|
while I go to Colorado to advance the welfare of noble horses.
|
||
|
We can remain in close contact by e-mail. And, of course, we can
|
||
|
visit each other frequently!"
|
||
|
|
||
|
Sariphina-platt is inconsolable.
|
||
|
|
||
|
"I will take good care of Sariphina-platt," I say.
|
||
|
|
||
|
"Wonderful!" reads the Linotype. "Things are being arranged. As
|
||
|
Sariphina-platt may have told you, my hobby is ballooning. What
|
||
|
with the problems at the airports in Colorado, I will get there
|
||
|
by balloon. The launch in scheduled for the 25th."
|
||
|
|
||
|
|
||
|
|
||
|
At the park on the 25th a large crowd gathers. While the
|
||
|
majority of creatures are horses, there are many other animals
|
||
|
including hundreds of supportive humans, many wearing T-shirts
|
||
|
that read "They _deserve_ Colorado! We should throw in Wyoming
|
||
|
for good measure!"
|
||
|
|
||
|
Rising Star addresses the crowd while standing in the basket of
|
||
|
his red-and-blue balloon. The Linotype machine is set up in
|
||
|
front of him. For the occasion, Rising Star is "a horse of a
|
||
|
different color," having dyed his coat a marvelous shade of
|
||
|
splendorfus, a brand-new color that makes people think of
|
||
|
happiness.
|
||
|
|
||
|
Sariphina-platt, Sharik and I are nearby. Hairbrush is fifty
|
||
|
yards away fighting with some other birds for perch space on the
|
||
|
branch of a tree. I am proud of Sariphina-platt, who is holding
|
||
|
up bravely. She dabs at the corners of her eyes with a
|
||
|
handkerchief.
|
||
|
|
||
|
"Greetings to you all!" reads Rising Star's first burst of
|
||
|
words. "I leave for Colorado with feelings of love and
|
||
|
friendship! For me, this is the beginning of a grand adventure.
|
||
|
Still, I am overwhelmed with sorrow. I will miss many friends
|
||
|
and, especially, I will miss Sariphina-platt, who is so dear."
|
||
|
|
||
|
As the ropes are loosened to release the balloon,
|
||
|
Sariphina-platt kicks off her red slippers, breaks from my side
|
||
|
and leaps into the basket of the balloon with Rising Star. The
|
||
|
humans in the crowd cheer and the many horses whinny. Rising
|
||
|
Star bobs his head and Sariphina-platt waves robustly at the
|
||
|
crowd as the balloon ascends into the blue sky. I watch as the
|
||
|
balloon, Rising Star and Sariphina-platt grow dim as a tiny gray
|
||
|
dot. Finally, they disappear behind a solitary white cloud and
|
||
|
leave my life forever.
|
||
|
|
||
|
|
||
|
|
||
|
A month later, there is no sonic boom that precedes Cthrwsqwz's
|
||
|
visit to my home. He carries in several boxes of varying sizes
|
||
|
and introduces me to a woman he has brought with him, a Dr.
|
||
|
Brendafsh who is wearing an official-looking white jacket.
|
||
|
|
||
|
I am scared. Sharik barks at our visitors and I tenderly
|
||
|
restrain him.
|
||
|
|
||
|
The Wednesday before, I was fired from my job after driving
|
||
|
erratically -- some said suicidally -- on the freeway with a
|
||
|
full load of explosives. It was a terrible day; the police
|
||
|
handcuffed me and I didn't earn any tips.
|
||
|
|
||
|
The news that Cthrwsqwz has for me is that he and my friends
|
||
|
have committed me to a university where I am to take advanced
|
||
|
courses in comparative lit and animal husbandry. All this is
|
||
|
meant to help me to cope with the strains of living in a world
|
||
|
that I experience as very complex. The university that has
|
||
|
accepted me is just down the street, so I won't have to
|
||
|
relocate. And thanks to Sharik, there's enough money coming in
|
||
|
so I won't have to get a new job.
|
||
|
|
||
|
At Sharik's Web site, sales of his books are booming. A series
|
||
|
on existential cooking tops the Amazon.com best-sellers list.
|
||
|
One volume released just days ago, co-written by Erika Jong and
|
||
|
Albert Camus, Fear of Frying for Strangers, has recipes for pork
|
||
|
chops that make your mouth water no matter what your state of
|
||
|
angst. The top Religion and Spirituality book is Sharik's The
|
||
|
Son Also Rises, by Matthew, Mark, John, and Ernest Hemingway.
|
||
|
|
||
|
The boxes contain the final version of the gorpfucking helmets
|
||
|
that Cthrwsqwz has been working on. They look very much like
|
||
|
football helmets. Whatever chips and mechanics are involved in
|
||
|
making the machines operate are hidden inside. By their
|
||
|
appearance, the helmets seem made of fiberglass. The inside is
|
||
|
lined with a comfortable-looking padding. A chin strap holds the
|
||
|
helmet in place on one's head.
|
||
|
|
||
|
Dr. Brendafsh places the largest helmet on me and makes several
|
||
|
adjustments with her three hands. My fear melts away. I have
|
||
|
often depended on the kindness of smart strangers.
|
||
|
|
||
|
"_Brak!_" says Dr. Brendafsh.
|
||
|
|
||
|
|
||
|
|
||
|
My heart pumps like mad. I am high above the ground, flying
|
||
|
among the clouds. Sharik is there, his tail wagging so hard that
|
||
|
his hindquarters moves right and left. Hairbrush is flying happy
|
||
|
and free. And the sky is an azure German river; and the stars
|
||
|
are rhinestones, glistening. My dreamy thoughts are not coded in
|
||
|
words, but pass like a river flowing in front of me. It is
|
||
|
ultimate beauty. Serene and delightful. Majestic and ineffable.
|
||
|
I feel like I could live forever. And I am lost in swirling
|
||
|
thoughts that combined my memories and the possibilities in an
|
||
|
unlimited future.
|
||
|
|
||
|
O that awful deepdown torrent O and the sea the sea crimson
|
||
|
sometimes like fire and the glorious sunsets and the figtrees in
|
||
|
the Alameda gardens yes and all the queer little streets and
|
||
|
pink and scormeare and yellow houses and the rosegardens and the
|
||
|
jessamine and geraniums and cactuses and Gibraltar as a boy
|
||
|
where I was a Flower of the mountain yes when I put the rose in
|
||
|
her hair like the Andalusian girls used or shall I wear a
|
||
|
frobjnicht shirt yes and how she kissed me in that sad hotel and
|
||
|
I thought well as well her as another and then I asked her with
|
||
|
my eyes to ask again yes and then she asked me would I yes to
|
||
|
say yes my mountain flower and first I put my arms around her
|
||
|
yes and drew her down to me so she could feel my loins and smell
|
||
|
the whiff of musk and yes and my heart was going like mad and
|
||
|
yes I said
|
||
|
|
||
|
yes
|
||
|
|
||
|
I will
|
||
|
|
||
|
Yes.
|
||
|
|
||
|
|
||
|
|
||
|
Tom Armstrong (TomArmstr@aol.com)
|
||
|
-----------------------------------
|
||
|
Tom Armstrong lives in San Francisco, where he's an unemployed
|
||
|
low-level accountant who's one month behind in his rent. He
|
||
|
writes for and edits Zen Unbound. Articles written by him have
|
||
|
appeared in eDharma and CyberSangha.
|
||
|
|
||
|
<http://members.aol.com/zenunbound/>
|
||
|
|
||
|
|
||
|
|
||
|
Take Us We Bulls by Will Sand
|
||
|
=================================
|
||
|
....................................................................
|
||
|
They came in peace. They left in peace. So now what?
|
||
|
....................................................................
|
||
|
|
||
|
Alone in his ornate office, adjunct aide Douglas drew himself a
|
||
|
brandy. He set the decanter back on the mantle, walked to his
|
||
|
settee, and let out a self-satisfied sigh.
|
||
|
|
||
|
Was it possible to be pompous while alone? He silently laughed
|
||
|
at himself.
|
||
|
|
||
|
He picked up the alien book. The crusty sheen on its cover,
|
||
|
while slightly disgusting, was also a mark of value, of
|
||
|
distinction. The alien leader, by way of autographing, had
|
||
|
sprayed on this copy before he personally presented it to the
|
||
|
human representative who had guided their whirlwind visit.
|
||
|
Stifling his innate curiosity, Douglas had yet to sniff this
|
||
|
veneer, but from a hand-held distance the secretion was odorless
|
||
|
to humans.
|
||
|
|
||
|
It hardly had been the dramatic First Contact envisioned by
|
||
|
either scientists or science-fiction writers. It was thoroughly
|
||
|
anticlimactic. A week ago humanity was ignorant of their
|
||
|
existence; now they were two days gone. And nothing had changed.
|
||
|
They neither took nor left anything. But in those few days, not
|
||
|
much more than a hundred hours, they had visited every corner of
|
||
|
the earth. Douglas had been one of the leaders of the delegation
|
||
|
that had escorted them.
|
||
|
|
||
|
Yet he still didn't know what properly to call them. In the book
|
||
|
they had distributed to humanity in fourteen languages, they
|
||
|
simply referred to themselves as "we the 650 billion." They
|
||
|
evidently defined themselves by their population, presumably
|
||
|
up-to-date and cumulative.
|
||
|
|
||
|
_650,000,000,000_.
|
||
|
|
||
|
It was a bit awkward as far as nomenclature goes. However, as
|
||
|
the only alien species yet encountered, calling them simply and
|
||
|
generically the "aliens" worked out fine.
|
||
|
|
||
|
Douglas found himself unconsciously caressing the book. He felt
|
||
|
a glow: from the brandy, from a job well done, from friends
|
||
|
newly made. The feel of their book, as anointed, aptly mimicked
|
||
|
their alien skin. Some had looked upon that skin as deeply
|
||
|
pocked, a body-wide angry acne. But he saw those flowing red
|
||
|
ridges and brown furrows as a rich leathery meringue. Doctors
|
||
|
had speculated on the benefits of such a vastly increased
|
||
|
surface area. Douglas had just marveled at its multicolored,
|
||
|
textured beauty. It suited the animal health that percolated
|
||
|
beneath their far-seeing dignity.
|
||
|
|
||
|
He opened the book. Its title alone would invite volumes of
|
||
|
scholarly interpretation. Given that any translation would be
|
||
|
imperfect -- even one conducted by such an advanced intelligence
|
||
|
-- the title and various passages were vexing in their
|
||
|
imprecision while haunting in their poetry.
|
||
|
|
||
|
He read the title aloud: "Take Us We Bulls." Bold. Enigmatic.
|
||
|
|
||
|
The book was about them: a primer, perhaps a bible. History,
|
||
|
philosophy, religion, all in one. They seemed to make no
|
||
|
distinction.
|
||
|
|
||
|
There was a dichotomy about the title that appealed to Douglas,
|
||
|
even as he struggled for its meaning. "Take us...." Apparently
|
||
|
they willingly and eagerly give themselves up to the universe,
|
||
|
to forces greater than themselves, forces they see as powerful,
|
||
|
intriguing, and benign. Yet the other half -- "...We Bulls" --
|
||
|
moves from the passive to the active, from humility to pride,
|
||
|
from "us" to "we" to "bulls." With both acceptance and
|
||
|
determination, these aliens engage the universe; they are part
|
||
|
of its scope. They seek the destiny that awaits them, that is
|
||
|
their due. As do we, Douglas thought; there is that bond between
|
||
|
us. _All_iens.
|
||
|
|
||
|
His door intoned: _Visitor_Visitor_. A female voice. "It's me,
|
||
|
Douglas. Victoria."
|
||
|
|
||
|
She sounded shaken and, upon entering, looked disheveled. She
|
||
|
waved aside his offer of an after-hours brandy.
|
||
|
|
||
|
She plopped herself onto his couch, slumped deep into it, and
|
||
|
then, with nervous effort, sat upright on its edge. "You've been
|
||
|
summoned." By way of explanation, she added, "I've been in the
|
||
|
First Office."
|
||
|
|
||
|
Douglas nodded. There were rumors of an affair. Co-workers
|
||
|
everywhere, he thought wryly -- and then, fondly, of Roger.
|
||
|
|
||
|
"Douglas," she said, "Douglas." And began crying.
|
||
|
|
||
|
He started to go to her but she abruptly rose. She paced as she
|
||
|
fought for control. When she turned back to him, she had
|
||
|
regained it, though the battle left her white.
|
||
|
|
||
|
Douglas had been transfixed by her anxiety. Now he found his
|
||
|
voice. "What..."
|
||
|
|
||
|
She cut him off. "We've been getting calls. Reports. It started,
|
||
|
God, less than an hour ago. Hundreds by now; thousands soon."
|
||
|
She sighed, trailing off, "Millions...."
|
||
|
|
||
|
"Come on, Victoria! What reports?"
|
||
|
|
||
|
"From all over the world. Births. Newborns with red and brown...
|
||
|
crusty ridges...." She started weeping again.
|
||
|
|
||
|
"Their skin."
|
||
|
|
||
|
Douglas was frozen in his seat. Finally his head dropped. Take
|
||
|
Us We Bulls. The book was still open in his lap, on the first
|
||
|
page. He gaped and then gasped.
|
||
|
|
||
|
The first sentence now read, "We the 660 billion...."
|
||
|
|
||
|
|
||
|
|
||
|
Will Sand (akawillsand@yahoo.com)
|
||
|
-----------------------------------
|
||
|
Will Sand has had SF published in Aberrations, NeverWorlds, and
|
||
|
Horizons, and is archived in Dark Planet and Ibn Qirtaiba. His
|
||
|
current project is "A New Millennium's Resolution."
|
||
|
|
||
|
<http://www.redshift.com/~wsandtt/>
|
||
|
|
||
|
|
||
|
|
||
|
FYI
|
||
|
=====
|
||
|
|
||
|
Back Issues of InterText
|
||
|
--------------------------
|
||
|
|
||
|
Back issues of InterText can be found via anonymous FTP at:
|
||
|
|
||
|
<ftp://ftp.etext.org/pub/Zines/InterText/>
|
||
|
|
||
|
On the World Wide Web, point your WWW browser to:
|
||
|
|
||
|
<http://www.intertext.com/>
|
||
|
|
||
|
|
||
|
Submissions to InterText
|
||
|
--------------------------
|
||
|
|
||
|
InterText's stories are made up _entirely_ of electronic
|
||
|
submissions. Send submissions to <submissions@intertext.com>.
|
||
|
For a copy of our writers' guidelines, send e-mail to
|
||
|
<guidelines@intertext.com>.
|
||
|
|
||
|
|
||
|
Subscribe to InterText
|
||
|
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|
||
|
|
||
|
To subscribe to one of these lists, simply send any message to
|
||
|
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|
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|
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|
||
|
....................................................................
|
||
|
|
||
|
Is that your _final_ answer?
|
||
|
..
|
||
|
|
||
|
This issue is wrapped as a setext. For more information send
|
||
|
e-mail to <setext@tidbits.com>, or contact the InterText staff
|
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|
directly at <editors@intertext.com>.
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|
|
||
|
$$
|